Podcasts about rothaniel

“Mustafa” whole family fine; Denzel is nominated for a Golden Globe; Biden nominated a rack of Black judges and offers clemency to 50-11 people; Blue Ivy and that gold dress have sent Internet crazies over the edge; Caitlin Clark refuses to be a MAGA mascot; Remy Ma and Papoose invite us into the group chat; Jamie Foxx goes Rothaniel on Netflix ABOUT ME:http://www.demetrialucas.com/about/STAY CONNECTED: IG: demetriallucasTwitter: demetriallucasFB: demetriallucasYouTube: demetriallucasGet an additional 20% OFF the @honeylove Holiday sale by going to https://honeylove.com/RATCHET! #honeylovepodFor a limited time, HomeChef is offering my listeners 18 Free Meals PLUS Free Dessert for Life and of course, Free Shipping on your first box! Go to https://homechef.com/ratchet. Learn more about your ad choices. Visit podcastchoices.com/adchoices Hosted on Acast. See acast.com/privacy for more information.

“Mustafa” whole family fine; Denzel is nominated for a Golden Globe; Biden nominated a rack of Black judges and offers clemency to 50-11 people; Blue Ivy and that gold dress have sent Internet crazies over the edge; Caitlin Clark refuses to be a MAGA mascot; Remy Ma and Papoose invite us into the group chat; Jamie Foxx goes Rothaniel on Netflix  ABOUT ME: http://www.demetrialucas.com/about/ STAY CONNECTED:  IG: demetriallucas Twitter: demetriallucas FB: demetriallucas YouTube: demetriallucas Get an additional 20% OFF the @honeylove Holiday sale by going to https://honeylove.com/RATCHET! #honeylovepod For a limited time, HomeChef is offering my listeners 18 Free Meals PLUS Free Dessert for Life and of course, Free Shipping on your first box! Go to https://homechef.com/ratchet. Learn more about your ad choices. Visit podcastchoices.com/adchoices

We investigate some funny business in this month's episode as Kate tells Mollie all about Comedy Book: How Comedy Conquered Culture—and the Magic that Makes it Work by Jesse David Fox. What makes comedy so alluring to all of us? What is the place of comedy in politics and culture? Tune in to find out!Pop Culture Pairings: Selective Outrage and Bring the Pain, Chris Rock; Bit from Nice Lady and It's Great to be Here, Michelle Wolf; Nanette, Hannah Gadsby; Inside, Bo Burnham; Dress to Kill, Eddie Izzard; Kate Berlant & John Early on The Tonight Show; Rothaniel, Jerrod Carmichael; Sleepwalk with Me, Mike Birbiglia; "Hello, I have cancer," Tig Notaro; Chase Through the Subway, John Mulaney

After coming out to the world on his HBO special Rothaniel, the writer, actor, and comedian brings us even deeper into his personal life with this new reality show. Jerrod joined us for a deep conversation about the power of the camera to reveal truth, what it took for him to fall in love, and how he collaborated with his crew to relinquish control of his own image. Learn more about your ad choices. Visit megaphone.fm/adchoices

In Jerrod Carmichael Reality Show, the comedian doubles down on the uncomfortable intimacy of his stand up special Rothaniel, where he came out publicly as gay for the first time. Jerrod Carmichael gets a film crew to follow him around as he bares his soul to the camera as he cheats on his boyfriend and forces his parents into deeply uncomfortable conversations. The HBO series is funny and poignant. But it isn't a spotless, media-managed facade. It's a portrait of a man who absolutely delights in letting us know just how flawed and selfish he is.Learn more about sponsor message choices: podcastchoices.com/adchoicesNPR Privacy Policy

In just under a decade, comedian, writer, and actor Jerrod Carmichael has had a remarkably varied career. On the heels of his Emmy-winning HBO special Rothaniel, he embarked on a personal new project: Jerrod Carmichael Reality Show. Carmichael joins us today to discuss the origin of the program (6:30), his early days making his NBC sitcom (10:57), and why he decided to broadcast a deeply intimate conversation on the reality show (13:00). Then, he unpacks his view of the camera as a vessel for honesty (17:10), the response from audiences witnessing Jerrod ‘Truman Show' himself (21:30), and his three-decade history of storytelling (34:15). On the back-half, Carmichael describes the artists who inspired his work (43:00), a formative performance in his first HBO special Love at the Store (50:50), and the evolution of his comedy (57:37). To close, he reflects on the central truth he explores in this new series (59:30) and how he hopes this art will at long last set himself—and his family—free (1:08:30). For questions, comments, or to join our mailing list, reach me at sf@talkeasypod.com. This conversation was recorded at Spotify Studios in Los Angeles.See omnystudio.com/listener for privacy information.

Jerrod Carmichael is a comedian, actor, writer, and director. He is most known for his breakthrough standup special “8” and his his newest, most talked about special “Rothaniel” both on HBO. "The Carmichael Show” sitcom on NBC was his first foray into television. In 2023, he hosted SNL and the Golden Globe Awards.

On the Joe Rogan Experience, Joe took some light shots in Jimmy Kimmel's direction.Ricky Gervais on his Tom Hanks / Tim Allen jokeSome fun with John Cleese being curmudgeonly leads to Johnny Mac telling his William Shatner and Charlton Hestion storiesMore best specials of the year lists - man everyone loves Rothaniel.Support the show! Join the $2 Club! at Buy Me A Coffee: www.buymeacoffee.com/dailycomedynews Listen Ad-Free and get the episodes early with a premium subscription for $4.99/month on Apple Podcasts. https://podcasts.apple.com/us/podcast/daily-comedy-news-podcast-a-podcast-about-comedians/id1474309028 www.linktr.ee/dailycomedynews Facebook group: www.facebook.com/groups/dcnpod - join us to to discuss comedy and your favorite comedians. YouTube channel:https://www.youtube.com/@dailycomedynews?sub_confirmation=1 Instagram is @dailycomedynews https://www.instagram.com/dailycomedynews/?hl=en Reddit https://www.reddit.com/r/dailycomedynews/ AI generated transcripts at www.dailycomedynews.com Twitter is @dcnpod because the person with what I want tweeted once Email: john at thesharkdeck dot com Daily Comedy News commentary includes satire and parody. Daily Comedy News is a production of The Shark Deck, the leading company in short form daily podcasts

Our best of 2022 series continues. In his HBO comedy special, Rothaniel, Jerrod Carmichael opens up about his real name, his family tree, and his sexual orientation. We'll go deeper into these issues — and talk about how being honest about them changed his comedy and his life. Carmichael is hosting the Golden Globes in January. Podcast critic Nick Quah shares his picks for best podcasts of 2022.

Johnny Mac released his Funniest Comedy Things of the Year which includes the best things (the Carlin doc, and Weird) and the 21 Best Stand-up Specials of 2022. (Why didn't you do 22 John? Because I didn't put that together until I typed this description that's why, but yeah I should have. That was dumb.)Anyway, none of these are Rothaniel. Support the show! Join the $2 Club! at Buy Me A Coffee:www.buymeacoffee.com/dailycomedynews Listen Ad-Free and get the episodes early with a premium subscription for $4.99/month on Apple Podcasts. https://podcasts.apple.com/us/podcast/daily-comedy-news-podcast-a-podcast-about-comedians/id1474309028 www.linktr.ee/dailycomedynews Facebook group: www.facebook.com/groups/dcnpod - join us to to discuss comedy and your favorite comedians. YouTube channel:https://www.youtube.com/@dailycomedynews?sub_confirmation=1 Instagram is @dailycomedynews https://www.instagram.com/dailycomedynews/?hl=en Reddit https://www.reddit.com/r/dailycomedynews/ AI generated transcripts at www.dailycomedynews.com Twitter is @dcnpod because the person with what I want tweeted once Email: john at thesharkdeck dot com Daily Comedy News commentary includes satire and parody. Daily Comedy News is a production of The Shark Deck, the leading company in short form daily podcasts

Demi revisits "LARI" this week a discussion on "Rothaniel".Follow me: IG: demetriallucas.Twitter: demetriallucas.FB: demetriallucas.YouTube: demetriallucas.More about the Show: Don't forget to subscribe to the podcast for free wherever you're listening or using this link: http://bit.ly/RatchetRespectablePodcast.Thanks to our sponsors:Peloton:Get up to $200 off accessories before offer ends on December 25th. Visit https://onepeloton.comBetter Help:This episode is brought to you by BetterHelp. Give online therapy a try at https://betterhelp.com/ratchet and get on your way to being your best self.Wondery:Follow Even The Rich wherever you get your podcasts. You can listen ad-free on the Amazon Music or Wondery app. Masterclass:This holiday, give the perfect gift of an annual MasterClass membership and get one free! Go to https://MASTERCLASS.com/RATCHET today. Terms apply. Learn more about your ad choices. Visit podcastchoices.com/adchoices Hosted on Acast. See acast.com/privacy for more information.

Demi revisits "LARI" this week a discussion on "Rothaniel". Follow me:  IG: demetriallucas. Twitter: demetriallucas. FB: demetriallucas. YouTube: demetriallucas. More about the Show:  Don't forget to subscribe to the podcast for free wherever you're listening or using this link: http://bit.ly/RatchetRespectablePodcast. Thanks to our sponsors: Peloton: Get up to $200 off accessories before offer ends on December 25th. Visit https://onepeloton.com Better Help: This episode is brought to you by BetterHelp. Give online therapy a try at https://betterhelp.com/ratchet and get on your way to being your best self. Wondery: Follow Even The Rich wherever you get your podcasts. You can listen ad-free on the Amazon Music or Wondery app.  Masterclass: This holiday, give the perfect gift of an annual MasterClass membership and get one free! Go to https://MASTERCLASS.com/RATCHET today. Terms apply. Learn more about your ad choices. Visit podcastchoices.com/adchoices

A look back at Conan O'Brien's Masturbating BearHow Dusty Slay didn't win up in the military around 9/11A look at the New York Times' Best Comedy of 2022. Rothaniel #1???Support the show! Join the $2 Club! at Buy Me A Coffee: www.buymeacoffee.com/dailycomedynewsListen Ad-Free and get the episodes early with a premium subscription for $4.99/month on Apple Podcasts. https://podcasts.apple.com/us/podcast/daily-comedy-news-podcast-a-podcast-about-comedians/id1474309028www.linktr.ee/dailycomedynewsFacebook group: www.facebook.com/groups/dcnpod - join us to to discuss comedy and your favorite comedians.YouTube channel:https://www.youtube.com/@dailycomedynews?sub_confirmation=1Instagram is @dailycomedynews https://www.instagram.com/dailycomedynews/?hl=enReddit https://www.reddit.com/r/dailycomedynews/AI generated transcripts at www.dailycomedynews.comTwitter is @dcnpod because the person with what I want tweeted onceEmail: john at thesharkdeck dot comDaily Comedy News commentary includes satire and parody.Daily Comedy News is a production of The Shark Deck, the leading company in short form daily podcasts

She Said is a feature film adaptation of the book by Jodi Kantor and Megan Twohey, and it follows their New York Times investigation of Harvey Weinstein's sexual misconduct. It is directed by Maria Schrader and written by Rebecca Lenkiewicz. Its $2.2 million domestic opening is among the worst ever for a movie showing in more than 2,000 theaters. And: Bone Valley is a true crime podcast that covers the 1987 murder of 18-year-old Michelle Schofield. Her husband, Leo, who has always proclaimed his innocence, was convicted for the murder and sentenced to life in prison. Recently, another man has given a detailed confession to the murder, but Leo remains incarcerated. Bone Valley is hosted by investigative journalist Gilbert King, the author of Devil in the Grove, which won the Pulitzer Prize. Some other stuff that happened this week, give or take: Bob McGrath, Original, Longtime Resident of ‘Sesame Street,' Dies at 90 He performed on ‘Sing Along With Mitch' and was a teenage idol in Japan before spending 46 years on the iconic kids TV program. Kirstie Alley, ‘Cheers' and ‘Look Who's Talking' Star, Dies at 71 Keke Palmer: I Have Sex, and Now I'm Pregnant!!! Big Reveal On ‘SNL' ‘Goblin mode': new Oxford word of the year speaks to the times We're Out of Movie Stars. Whose Fault Is That? There are fewer films now that allow an actor to grow a persona and a Tom Cruise level of stardom. It's a crisis, and the movies know it. Best Comedy of 2022 Stand-up specials like “Rothaniel” pushed boundaries this year, and Netflix's financial setbacks could mean that its dominance in comedy is slowing. BuzzFeed to Cut 12 Percent of Workforce Amid “Audience Shift to Vertical Video,” CEO Says The layoffs are expected to cost $8 million to $12 million in restructuring charges, the company said in an SEC filing. The College Essay Is Dead Nobody is prepared for how AI will transform academia. The Grinchiest Cities in the U.S. (2022) The Goonies House Is on the Market ‘Stomp' to Close After Nearly Three Decades Off-Broadway The award-winning show's North American and European tours will continue to run after the January closure. Box Office Bust: ‘Black Adam' Faces Theatrical Losses Every “chronically online” conversation is the same At what point does discourse become punishment? Why A Hard Reboot Is Probably The Best Choice For The New DC Movie Universe GUESTS: Theresa Cramer: A freelance writer and editor and the co-founder of Quiet Corner Communications Taneisha Duggan: Associate producer at Octopus Theatricals Tracy Wu Fastenberg: Development officer at Connecticut Children's Support the show: http://www.wnpr.org/donateSee omnystudio.com/listener for privacy information.

Returning to Trapital for a second time is comedian Roy Wood Jr. We last spoke in mid-2020 when lockdowns curbed his usual comedy performance routine. On the outside, it might not seem Roy has changed much since our first convo — he's still a regular on The Daily Show with Trevor Noah — but internally, Roy is amidst another career evolution.Roy made a successful comedic career — three specials on Comedy Central over a five-year span — out of finding unique angles to discuss external events such as news and politics. But now, Roy wants to talk about himself. Spurred by an appearance on PBS' “Find Your Roots”, Roy is more introspective about the relationship with his father, a civil rights activist, and how it influences raising his own son.How and where Roy delivers this refined message hasn't been decided yet. For now, Roy is taking time for himself to think through how he's changed, and so has comedy and the entertainment industry at-large. In our discussion, Roy hinted at some of those major changes. Here's what we covered:[3:15] The state of live comedy in 2022[5:32] Roy's insane performing streak from 1998-2020[6:27] Why the comedy club isn't the right venue for Roy right now [11:45] Comedian expectations have changed [13:35] Morality vs. profit [17:05] Roy's partnerships[18:42] Roy's criticism of Netflix and streaming[26:27] The new superstar is an assemble cast [31:08] How Roy chooses comedic topics[34:43] Roy's most personal joke[35:24] How much does Roy's son know about his comedy career? [37:39] How Dick Gregory changed Roy's life[40:48] Roy starring in Confess, Fletch movieListen: Apple Podcasts | Spotify | SoundCloud | Stitcher | Overcast | Amazon | Google Podcasts | Pocket Casts | RSSHost: Dan Runcie, @RuncieDan, trapital.coGuests: Roy Wood Jr., @roywoodjr Sponsors: MoonPay is the leader in web3 infrastructure. They have partnered with Timbaland, Snoop Dogg, and many more. To learn more, visit moonpay.com/trapital Enjoy this podcast? Rate and review the podcast here! ratethispodcast.com/trapital Trapital is home for the business of hip-hop. Gain the latest insights from hip-hop's biggest players by reading Trapital's free weekly memo. TRANSCRIPTION[00:00:00] Roy Wood Jr.: You can be funny, you can get away with being funny for a little while, but true career longevity as a comedian, I believe, you have to make people feel, you have to give them an emotion. Sooner or later they have to leave feeling a certain way. It's not just a matter of the tactile Xs and Os of did they laugh at the setup? Did they laugh at the punchline? Okay, next joke. It's what are you infusing into that person's heart on the backside of this experience that you all had together on stage for an hour.  [00:00:36] Dan Runcie: Hey, welcome to The Trapital podcast. I'm your host and the founder of Trapital, Dan Runcie. This podcast is your place to gain insights from executives in music, media, entertainment, and more, who are taking hip-hop culture to the next level. [00:00:56] Dan Runcie: Today's guest is Roy Wood Jr. This is his second time back on the podcast. The first time we recorded a podcast was back in the middle of 2020, middle of the pandemic. And we talked a lot about how the closure of comedy clubs and the closure of everything was affecting his life as a comedian and what he saw the world would be like on the other side of the pandemic. And now we're starting to be here, so it was a great opportunity to check in, hear how things are going for him. And we talked a lot about how the past couple of years have reshaped his perspective on the type of message that he wants to be able to. What are the best venues to do that and how he might change his approach up a little bit in the next few years. We also talked about streaming and what it's been like from his perspective as someone that is acting in movies, acting in TV shows, writing and producing shows as well, and how it's been like navigating these streaming networks, what their goals and incentives are. What his goals and incentives are and what he has seen from others in this space. We also talked about his upcoming movie Confess, Fletch. It's out in theaters on September 16th. It stars Jon Hamm. This is a reboot of the classic Chevy Chase Fletch movies from the eighties. So we talked about what to expect there, what he's excited about and more. Roy's good people, man, plain and simple. If you listen to the last conversation that him and I had, you know that if you've watched anything he's ever done on The Daily Show, ever seen him perform standup, you know that as well. Here's our conversation. Hope you enjoy it.[00:02:30] Dan Runcie: All right. We are joined today by a return guest to the Trapital podcast, the one, the only, Roy Wood Jr. How are you doing man? [00:02:38] Roy Wood Jr.: You're back. I'm back. You're welcome. You're all welcome. I apologize in advance for my voice. There's things that happened this week that I did not plan on happening. And this is the result. It was either this or cancel, and I didn't want to cancel it. [00:02:54] Dan Runcie: No, I appreciate you. Hey, it's either this, or, you know, this is part of getting back on the road, right, 'cause I feel like the last time we talked, we were talking about what the other side of this whole pandemic was going to look like and what it was going to be like for comics returning to the stage. And now you're in it. What has it been like to return to the stage and with everything? [00:03:15] Roy Wood Jr.: What's wild is that I can't tell you too much. You know in 2022 I've only done four or five road gigs. Most of my gigs this year were COVID makeup dates from '21. So I've been blessed enough to be able to, you know, have a podcast that I'm able to do for myself, and sell a couple of scripts, and just create other revenue streams for myself, when the pressure to go back out on the road wasn't there. Also, creatively, I'm just in a different spot, bro. And I know that the stuff that I want to talk about, I don't know if the comedy club is the right place. It's part of the process creatively, but I just haven't been in a rush to get back out to figure it out yet, you know? It's been a really weird year for me in that the thing that I've done for 23 years is the thing that I did the least this year. And you know, that part of it's been really odd. It seems like the clubs are doing well though. You know, I still talk to a lot of comedians that are in the clubs because I'm still kind of that on the outside looking in. So I see all the comics who are touring, there's guys who I didn't know were headliners yet, but apparently, they are now. They're out there, they're doing their thing as well. So, you know, I'd say, all in all, it seems like the comedy club model got through it okay. But I don't know how sustainable it is as an entertainer to continue to be a part of this standup comedy model. You know, a lot of these new cats, you know, they're finding their own venues and they're figuring out their own way through the internet to get shit popping for themselves. But, you know, I will say this about standup. Since the shutdown, this idea of having one magical five-minute set on late night, and that being the thing that definitively becomes the new pivot point in your career, the likelihood of that happening is definitely less and less as the years go by.[00:05:09] Dan Runcie: Interesting. I could only imagine how big of a life change it is for you. I remember you saying in the past, from when you started this once out of every 10 days, you were doing something on the road, right? Whether it was a standup show or something, and for you to be doing this completely different now, and just thinking about what the adapting is a complete life change, let alone anything on the business side of things.[00:05:32] Roy Wood Jr.: Until the shutdown, until a federally mandated government shutdown, from 1998, I'd never gone more than 10 days without performing, period. [00:05:41] Dan Runcie: It's huge. [00:05:43] Roy Wood Jr.: And I've gone months. I look forward to it for months at a time. I don't have another gig right now. And I have a corporate gig in three months and I'm like, perfect, perfect because it gives me the time, it gives your brain the time to settle. I can only imagine, you know, when you look at guys like Chris Rock, who have said, you know, you need time to go away and live and see the world and experience things and have something to come back and report on. I understand that now.[00:06:13] Dan Runcie: You also mentioned too, that there's material that you want to talk about, topics that you want to discuss that the stage may not be the best place for that. What are the things you want to discuss and why isn't the stage the best format? [00:06:27] Roy Wood Jr.: It's not the stage it's comedy club specifically. Like, alright, so I did Finding Your Roots over the shutdown and found out a lot of new truths about my father and, you know, some stuff on my mother's side, but as a father, myself, I often feel this attachment to my dad and then looking at how my father lost his dad when he was four. My granddaddy was gone when my dad was four. So when I think about that type of stuff, how that will inform the type of man that I will be to my son, and just family, and bonds, and the men who raise me in my father's absence. And there's jokes and there's stories, but as I figure out what the heart of the story is first before I make it funny, I don't know if the comedy club is always the right place for that because the comedy club, motherfucker, we want the jokes. I've been drinking. Me and my wife got dressed. I came here to be happy. You up there talking about your dead daddy and trying to figure out what that means for your son, motherfucker, I don't want to hear all that shit without jokes. So I think there's a place to go and develop that, you know, New York has a lot of different places, but also I think it's important for me to do my standup in venues other than comedy clubs because I think that sometimes, depending on the venue, you know, jazz club or black box, little theater or some improv house, I believe it changes how the material is received. You know, it changes how people listen to you sometimes. This is a terrible analogy and it's not going to be a perfect analogy, but it's like how food tastes better in church. You know, like when your grandma will pull a peppermint out of her purse, and she gave you that peppermint in the middle of a long ass church service, and that peppermint tasted like a pizza hu meat lovers. Like, it was just an amazing, so where we are sometimes can change the experience and the connection to the material. And so as I start mining this material, I'm going to have to figure out the best places to put it all together 'cause I feel like I'm teetering into some one-person show territory. And, you know, every comedian that I know that did a one-man show, you know, they didn't build it in a comedy club. You can sure present it at a comedy club, but you cannot build it there. That's why I've been meaning to talk to Jerrod to figure out where he built up Rothaniel 'cause, you know, that one was definitely a blend of the two skill sets. [00:08:54] Dan Runcie: Yeah. That's a good example of it. Just how he was able to be so raw, be so personal and different than anything he had done before leading up to this. I got to imagine, too, that part of this may also be linked with just the evolution of comedy and some of the other topics you've talked about recently and how people, especially nowadays, are looking for comedians to be truthsayers or they're also looking for them to be the ones that can tell them certain messages and how there's some people that believe that should be the case, but there's others that, I know you said this before, that it shouldn't necessarily be that way. So I feel like there's some of that that could also be potentially in line with some of the broader feeling about what is the best message to communicate where. [00:09:39] Roy Wood Jr.: Yeah. And I think once you figure that out as a performer, the people will come find you. You know, I don't really think it matters where you go once people love you, they will follow you to wherever, you know, so I think that's it. They went to a farm to see Chappelle. So you can come up with different venues, you know, once you have the ideas that are worth hearing. So it's my job first to get the ideas together.[00:10:02] Dan Runcie: Right, yeah. There's something about that comedy club setting, like you said. You're going with your significant other, you got the two-drink minimum. No, like I'm trying to get these laughs out that just doesn't, that works there. That doesn't necessarily translate elsewhere that could obviously work to your benefit going elsewhere. [00:10:18] Roy Wood Jr.: You can get deep in a comedy club, but you really have to stack the show properly. The people have to know who they're coming to see. And I'm still a comedian where, you know, with The Daily Show, unfortunately, this is a lot of people's first discovery point for me. So you don't know the previous 15, 16 years before I got with Trevor. So, you know, even those people come to a show and they want me to be a little more political than what I am on this show. And I'm like, sorry, that's not who I am. That's not what I do. So even within the construct of just regular standup, they still want something more specific. So, you know, it's about just figuring out, you know, the right places for that. But if you put that person in a setting they've never been to before, well, now you don't know what to expect. And I just think it just changes how you see and analyze things a little bit. You know, I'm going to try to experiment with, you know, different venues in '23.[00:11:15] Dan Runcie: That makes sense. You mentioned the politics piece of it, too, and just , given what you and Trevor are doing on The Daily Show, people coming to you for that. But I assume part of it also is channeling back to that truthsayer thing and seeing some of the things that Chappelle and others have talked about. Do you think that the way the current climate is that when people are expecting you to speak on these things, do you think that this changes and continues to evolve, or do you feel like this is kind of the place that things are right now? [00:11:45] Roy Wood Jr.: I don't think that the role of comedian has changed. I think that the expectations of a comedian have changed. Some for the better some for the worse, but I can't think of any one standup comedian that I know that is, like, set and looked themselves in the mirror, okay, today these jokes are going to change everyone's and change the world. You know, comics are more outspoken. Comics are more, you know, quicker to say what they feel on stage, especially the young ones, which is good. But I don't feel like when people say this climate, the climate is about the people reacting to what the comedian said, but most of these comedians that people get mad at, they've been saying shit like this for a long as time. But they're groups of people that have decided, you know what? I want to hear that shit no more. So they got something to say and they got a right to that. But I think at the end of the day, I don't think comedians have changed. I mean, Louis C.K. Back, he's cooking. Chappelle got another three special re-up from Netflix after all of the outrage or whatever. So that should show you where the corporations stand. And for as long as you are an entertainer that has an audience of some sort, you know, they're going to find a place for you regardless of whether or not that pisses off another group of people. You know, that's just kind of where we've always existed as a society. It's capitalism, baby. [00:13:10] Dan Runcie: Does part of you see someone like, let's take Chappelle, 'cause you had mentioned him, him still getting these deals even after the backlash or even after the response. Does some of that almost feel like, okay, we're not necessarily just responding to what people may get mad at, there's still clearly an opportunity or there's still people that want to hear what we have to say, even if the expectations from our viewers have changed? [00:13:35] Roy Wood Jr.: I think that as a society, you know, it is very difficult to place the expectation of morality and profit on a corporation. Most corporations have to choose between one or the other. And when I say profitability, you know, we're talking gross levels of profitability. I don't think many companies care to a certain degree about people in general. You know, this is bigger than just entertainment and whether or not you can say something that pisses off a group of people. Delta Airlines just started paying their flight attendants for when the plane doors open and they're boarding passengers. It's nothing moral. There's nothing moral about that, but it's definitely profitable. And only when it became embarrassing, which is not profitable, that they become a company with morals. If you can't attach profitability to morality, more often than not, you're not going to find a corporation that's going to make moves like that. I'm not surprised that Netflix gave Chappelle more specials for the amount of people that were mad at it, clearly, somebody was watching it and this is Netflix. Netflix cancels shit while you are in the middle of watching the episode. The second episode of a 10-episode show will come out and Netflix about, yes, cancel. What? Damn, can I finish? Season one? Nah, we've already looked at the metrics of the first episode that tells us everything we need to know. So, you know, that's a company that, you know, like people say that, oh, it's a FU to the LGBTQI community. It's definitely a slight to them for them to rebook Chappelle after they had said what they said and everybody had protested, whatever, whatever. But also Netflix is a company and that's about profit, which means somebody was watching Chappelle. And that's all they care about. That's all most companies care about is eyeballs. So, you know, unless you're getting into just straight-up criminalistic behavior of someone, morality versus profit is always going to be a tug of war that most corporations, they just do not have the heart that people do.[00:15:34] Dan Runcie: That's real. That's real. I mean, and even thinking about Chappelle specifically, because of how Netflix tracks the performance, a lot of the backlash likely helps those episodes because you have some that are tuning in because they want to hear what he has to say. But you have others tuning in because now they want to see or hear what he said that is causing all of these headlines.[00:15:55] Roy Wood Jr.: And that's all Netflix cares about. So the surprise on the backside is that can you believe this company didn't care? Yes, I can absolutely believe this company didn't care because more often than not most companies don't care. And that goes into women's rights, that goes into race, and George Floyd, and every company putting up black lives matter, whatever the fuck on the top of their website, and black squares and Instagram. So, you know, when it comes to a bevy of social, it is just, you know, it's interesting because corporations are now rocking a heart because now being moral. if it's profitable and cool, they'll jump on board. But if it's not, they're kind of like, eh, we'll see.[00:16:37] Dan Runcie: Yeah, for sure. You've experienced this, you've worked with a number of these networks and seen the decisions that you've made. How has this impacted you at all with any of the partnerships you've made? I know you have the deal with Comedy Central that you've had. I know you had a special that came out with them, but we'll talk about that in a second. But how has that been with regards to you, and your specials, and your content, and how that works for you, both with the things that you want to do with the networks, and how you're able to still produce and create? [00:17:05] Roy Wood Jr.: You know, from the standup side, you know, it's fine. We're Comedy Central. You know, we had a, I call it The Trilogy. I had my first three-hour specials with Comedy Central and they were good. And now, as I think about what that next block of content will be, you know, we'll figure out where that's supposed to go once I figure out creatively, what the fuck it's going to be? But, you know, on the scripted side and selling scripts, I've been very blessed to have opportunities to sell stuff, not just the Comedy Central, but you know, Fox and NBC in the last couple of years and HBO Max as well. but the thing is that it's very difficult to predict how COVID is going to affect a network's creative strategy when it comes to scripted, you know. Like scripted is, that's where the glory is. That's where the fun is, right? But, you know, I had one script, Jefferson County: Probation. Aaron Magruder was my, you know, executive producer and co-creator on it. And as soon as we got the script together and shot the pilot, there was a merger between Viacom and CBS and they changed their strategy. And then right after that COVID hit and they changed their strategy again. And at both of those mile markers, scripted shows were the first things to get cut from the budget because they're the most expensive. So the pressure to be profitable fast or to have a cultural impact fast is greater now on the content that, you know, that we have because the thing that I don't like about Netflix is that what streaming has removed from our zeitgeist is the concept of a cult hit. You know, like a cult hit TV show. Cult is just a nice way of saying underground and not a lot of people watch it, but the ones who watch it really, really love it. But there are shows that sometimes do not pop until season three. Sometimes season four and it takes people a while to get on board, but then you have a network that has creative execs who want to stay in that pocket. And now we believe in this show. We're going to give it another season, give it another season, give it another season. This don't happen with black shows. I'm talking about Arrested Development and you know, shit like that. And maybe The Wire, if you want to count that as a cult hit. But I feel like The Wire was more by the time they got to season four, everybody was on board, but at that point, HBO was like, wrap it up. Streaming, the analytics that are attached to streaming companies deciding whether or not a scripted show lives or dies has eliminated the ability for certain shows to germinate over a year or two, and really have an opportunity to find their audience, get the word of mouth. Everything is now, now, now. And so because of that, you know, where scripted is concerned, you have to have an idea that pops now, that sails, now that gets on TV now. And if you're really lucky, it also touches the vein of what is happening in the now. That's why Abbott Elementary is what it is. You have a great creator. You have a great writer. It's well cast, it's shot beautifully, it's funny, but also educators are at the forefront of a lot of the bullshit that's been going on the last two years. It's perfectly on the pulse. It's perfectly on the pulse. So, you know, word of mouth isn't enough. You also have to have the numbers. And so, you know, I'd say that for me, when it comes to coming up with scripted content, you almost have to find something that lives. You have to have the idea that lives at multiple intersections, because if it's just a fun, cool, nice idea. That might not be enough anymore. That's 2015 ideology. [00:20:34] Dan Runcie: Yeah. The closest thing that seems like it's comparable to that cult classic of discovering it seasons later is when something gets picked up from a smaller network and then gets put on one of these big streamers. For instance, I'm thinking about South Side. Season Two. It's on HBO Max. And I think that made a lot of people that weren't watching South Side Season One discover it. [00:20:57] Roy Wood Jr.: Correct. Like, there's a show that was on in Canada that came over to Netflix called Kim's Convenience and that was a fucking hilarious sitcom that somebody like me, I would've never discovered had it not come over to, but it had to live over in Canada for two years. But you need execs who care about the IP and care about the idea. And a lot of these execs are under the same pressure as the creatives. You better be bringing this studio, some hit shows and you better be signing and buying scripts from the best creators 'cause if you aren't and we don't have a hit, if we're not getting nominations, and we're not getting talked about it's your ass, too. So if you have an exec that is betting on a show, that's just has midling numbers versus just canceling it, and bringing in something new, there's also job security in that for them as well. And I think that's why, you know, to a degree, you know, you don't see shows that get an opportunity to build and grow their audience, either you a hit out the gate or you got a target on your back. [00:21:57] Dan Runcie: The other challenging thing about this is knowing what those numbers are and whether or not the streaming services are sharing them with you. From your perspective as someone that is doing the scripts, selling shows, do you feel like you're getting any true quantitative aspect to be able to compare and say, okay, I see what I would've been able to hit or what the target is or how that compares, 'cause that's the piece that feels so non-transparent at all right now.[00:22:26] Roy Wood Jr.: That part of the game is still above my pay grade because I haven't gotten anything that's gone to series. I've sold a bunch of scripts that have all gone to pilot and most have gone to pilot at least. But even with the stuff over at Comedy Central, you know, we're on basic cable. So it's Nielsen. So, you know, that's more above board than companies giving their streaming numbers. But I wouldn't even be able to speak to that, unfortunately. I hope to be able to one day, but not today. [00:22:51] Dan Runcie: Yeah. There was some interview I had seen it was Steven Soderbergh or someone like that. And he was like, I have no idea how well these movies do. They literally just tell me, yes, this was good. You can make another one or no, we're all set. Thanks. And he's just like, okay, then that's when he decides to make another movie. [00:23:08] Roy Wood Jr.: Yeah, that part of it, yeah, you are totally flying blind as a creator. You know, at some point there's going to have to be some equity in this, but, hey, sooner or later, all of these streaming sites are just going to keep merging and folding into one another. It's like airlines in the eighties. Go Google up how many different airline carriers we had in the eighties. And then here we are now with United, Delta, Southwest, JetBlue, and, what, American. Spirit and JetBlue emerging. So, okay, so you'll have, what, four or five major carriers? In the eighties, there was like, well, over 30. I could Google it real quick, but I know for sure I can name 15 airline companies from the eighties and I bet you the numbers are higher than that. [00:23:50] Dan Runcie: Yeah. It's that whole industry. Even the big ones have done so many consolidations, even in the past 20, 25 years, they've done a bunch. It's been wild. [00:23:59] Roy Wood Jr.: Yeah. My point is that all those streamers are going to eventually all keep folding into each other and it's going to be basic cable all over again. [00:24:05] Dan Runcie: Oh, yeah. And I think, too, even how they're making decisions is starting to stand out. I'm sure you saw the Batgirl news when the movie's done, they just decide not to run that thing and just put it as a write-off. That's not going to be the last time that happens. [00:24:20] Roy Wood Jr.: Yeah. It's literally cheaper to not release this because the landscape keeps changing, bro. My heart goes out to that whole team. They are crushed about that. You know, as they should, but you work hard on a film, spend 90 million, at least you could do is put it out. But, you know, I just think that, you know, corporations like it's, again, it's profit. The right thing to do would've been to release the Batgirl film, but if projections and analytics have already told you that this film more than likely will underperform in the top tier markets where we need it to perform above money, profitability, it ain't profitable. Morality ain't profitable, man. So fuck them folks. We ain't going to release the film. Oh, but we should, they worked really hard. It's a black woman get to be black. We don't give a fuck. Cancel it. That's how a lot of places think, man. And you know, as they say, the game is the game, but that don't make it right. That don't make it hurt less. I just think that that's where a lot of companies are coming from, you know. They want bankable stars or an idea that's high concept and easy and quick and catches on. I still think that, you know, when you look at a show like Squid Game, which was such a breakout, you know, hit for Netflix, I think that the new superstar is the ensemble. You know, if you can't get a single star to carry your thing, then you need a great idea with a bunch of people nobody knows anything about. And then that's how you get people to invest, get people to invest in the concept and not the face.[00:25:47] Dan Runcie: Interesting. I can see that because I feel like there's so many big-name movies that you see on Netflix and they have all of these actors that you would consider to be A-list, but they come and go. But yeah, the magic of Squid Game is that it didn't have that, but it had this fascinating topic that people just wanted to have more and more of. It created a bunch of memes. And I'm sure not only they're trying to create a sequel, they're trying feel like, okay, what is the next thing like that that's going to take off. And sometimes it's random. I mean, I don't know if people thought that Queen's Gambit was going to take off the way that it did or any of those things. I feel like Netflix, especially, it feels like it could be very, you know, we'll see what happens.[00:26:27] Roy Wood Jr.: I mean, when you look at shows that have sustainability and have expanded their universes, like Power, there isn't a single actor in Power that is such a behemoth. Like, and I don't say that as a slight, it's an extremely talented cast of wonderful A-list actors. But when you look at how they try to anchor a show around one person, where Power is, it's always been a universe of people all working together. Of course, you have Mary J and Method Man in it, but it's not Mary J and Method Man alone to, it's not Joseph Sikora alone. Abbott is an ensemble cast. It's not a singular person. And so I think that concept will, I don't know, man. Why do you think people get so excited when Idris Elba comes back to do another round of Luther? It's 'cause, oh, my God, it's him. You get Idris every scene being badass, but he's busy, he's got movies to do and stuff. So I just think creatively, we're probably in a world where, you know, by and large, I feel like we'll just see more and more, you know, larger groups of people unless you have a network willing to pour millions of dollars into one person. You know, I don't know.[00:27:34] Dan Runcie: Yeah, I think, too, we talked a little bit about how this is part of the evolution. Part of it, too, they want to have something that's quick to capture people's attention. And I think some of this has impacted how comics, and you as well, have talked about how it may approach your shows and how you're delivering certain information. And I know you've talked a lot about both the balance of having the timely topics, of talking about something that's current versus having those evergreen things that you need to, or you want to be able to tap into. And I feel like, you know, why actually Imperfect Messenger, you did a good job of that with just being able to balance things, you know, whether you're talking about current topics or just evergreen things. How conscious is that when you're thinking about the topics that you want to cover in a special?[00:28:22] Roy Wood Jr.: Well, for Imperfect Messenger, my comedic philosophy up until now, it has changed now 'cause I want to talk about myself and not the world. But the creative excavation process of a joke for me boils down to what is everybody saying about this topic. And is there anything new I can say? And if the answer is yes, then I continue down that road of exploration and then I put that joke on stage and then the best jokes win. As I like to call it, those are the jokes that make the 25-man roster, like baseball. Like, these are the start. 12- man, if you want to go basketball. So, you know, if the argument is A and B, is there a C side to it that I can introduce? Like if you look at my second special, No One Loves You, where I talk about the national anthem and the debate at the time with Kaepernick was should people stand for the anthem or should you take a knee? And my angle was why is that song the anthem? That song sucks. And then an exploration into what songs could replace it. What, if you won't stand for that song, is there a song that people would stand for? And so that's kind of my approach, you know, to a lot of this. You know, and if we're going to talk about Imperfect Messenger and we talk about policing and, you know, the issues that lie in policing in America now. Okay, fine. It's going to take bureaucracy and a lot of bullshit to try and get that changed. But in the meantime, in the interim, what are the small things cops could do to help? And then the joke is just essentially, a run of those things. You know, every now and then just let a black person, someone who should have gone to jail, let them go. If there's Stop Talking in Code on the radio, I forget my material. Like, literally the night I do a special, that material just turns into Thanos dust in my brain. But for me. That's how I've always tried to approach standup and my material rather than just arguing from the conventional positions that have already been presented to everybody because if nothing more, I want you to leave with a different perspective. I'm not trying to be right or wrong. I am just trying to make sure that you get something that you hadn't considered. [00:30:26] Dan Runcie: Yeah. I always got that impression. I feel like that's a good example. I also think about, from Imperfect Messenger, your piece about Leonardo DiCaprio and Django Unchained and even though that movie, you know, I think like eight years ago at that point, still everyone knows exactly who you're talking about. It's timely. It's not dated in this way of a comedian still referencing, you know, pop culture from the nineties, but you have it. And you're able to weave that in with everything that's happening. And I feel like even though that was a movie that was a few years older, you're still relating it to all the topics we're talking about now, like allyship and all those things. So I feel like people may not see the subtleties, but when you really break it down, you can see how much goes into constructing a good joke.[00:31:08] Roy Wood Jr.: I appreciate that, man, 'cause you get paranoid about that type of stuff, 'cause you don't want to be dated, but are there evergreen examples of a point that I'm trying to make that could help me parallel and boil this down, you know, a little bit more? You know, that special was also very interesting because the story that I told near the end about a childhood friend that's in prison for the murder of a person I know, but, you know, he was the getaway driver. You know, like that was a joke. He was a getaway driver in a robbery that turned into a murder is what actually happened in real life. And so he never went in the store, but in Alabama, the law is set up where everybody gets the murder charge. If a murder happens while your crime is being committed. And that joke was set up in a way where it was really about him and the sentencing and how it's all messed up and blah, blah, blah. But you know, there's part of me that's, you know, I love Birmingham. I love Birmingham, Alabama. I love the people there. And I've tried, you know, for the entirety of my career since 2001, when I came home and started at the radio station and started doing stuff in the community with the radio station. I've always tried to be a person that's of the community. And so that joke carries a different level of responsibility when I'm home because everyone remembers that murder. Everyone remembers Mr. Muhammad being murdered at the Music-N-More store and that man was a pillar of the community. So if I'm going to speak on his legacy, there's got to be balance to that. And you know what. I probably should reach out to his family before I put this on national television. And so when I did that and I had a conversation with his son, it completely shifted what that joke was and it made it the right version of what that joke needed to be. And that's the thing that I really enjoy. And it's part of really what's triggered so much more of where I am now creatively because that just wasn't an A, B, and C observation. This was a legitimate issue that I was having within myself of feeling like my friend should not be in prison for the rest of his life for being an accomplice, but also feeling empathy for the family, because I knew them. Like, they carry my CD and I'll spare the story here, but in the special, you know, I tell the story of my relationship with this store as an independent music artist, like this store supported local rappers and, like, they help people kickstart their career. So it's not as cut and dry. So when you look at a law, like, the one that Alabama has set up and then you start talking to the victims, then you start understanding why these laws are in place. And so that will always be my favorite joke isn't the word, but it's definitely the most honest joke that I've told on television to this point. [00:34:03] Dan Runcie: Yeah. Well, definitely link it to this one to make sure that people can see it, that or listening to this episode right now and just bringing it all full circle. I can see how this is informing the type of content or the type of message that you want to be able to push forward, whether you're telling it in a different setting, whether you're finding new ways to tell it, it has been really cool to see how so many of our favorite comedians have been able to find new ways to be able to share different messages or even things that they may have to give a little piece of and seen that that's where they want to move more into for the next stage of their career. So I'm excited for that. [00:34:43] Roy Wood Jr.: Yeah, it's going to be fun. You know, it's going to be fun, talking more about my father, my relationship with him talking about, you know, raising my own child. My son is six. So you know, that is definitely a new and scary place to be as a parent. But yeah, yeah, I'm excited about what's down the road, but I'm just not in a position anymore where I feel like I need to rush. You know, I was very blessed, but also probably very crazy. I put out three one-hour specials over the span of five years. That's a pretty healthy clip, you know? So I feel like I should go sit my ass down somewhere for a second and really think about, you know, what it is I want to say and what I'm trying to do. [00:35:24] Dan Runcie: What's your son's relationship with your comedy? Is it something that he goes and checks back in looking back at old clips, just to see the history of where you came to things, or is he not allowed to look at all that just yet?[00:35:37] Roy Wood Jr.: He might catch me on the couch every blue moon watching old episodes of The Daily Show. Like, I binge our show every week, 'cause I don't get to always watch it every night 'cause of whatever's going on. So he may pop in and see me on television. Like, if you ask my son what his father does for a living, he'll say my dad works on TV and he's a comedian. Like, he knows that much. He's been with me to sound checks early in the afternoon for, you know, theater shows and stuff. But the idea of bringing him around this and exposing him to it for the sake of this is what you're going to do, this's a family business. Nah, not really. I'd like for him to see some of the cameramen and the editors and the computer stuff. I don't think my son will be a comedian because he has two loving parents, which is already the worst thing that could happen to a comedian. To be a good comedian, you can't have both of your parents love you. What trauma you got? We want to know what's wrong with you. [00:36:32] Dan Runcie: Right. What is the source of the comedy then?[00:36:35] Roy Wood Jr.: Yeah, so we're trying to raise him as pain-free as possible. So I think that's going to make him ineligible for most comedy clubs. [00:36:41] Dan Runcie: maybe he'll go back and look at the old stuff. He'll go back to that. You know, the Last Comic Standing run, then he'll come back to see, okay, all right. I can see this trajectory here. I can see what dad's been up to. [00:36:52] Roy Wood Jr.: Yeah. I mean, he's funny. He has a sense of humor. He's cognizant of that, but it's not something I encourage or discourage. It's just, you know, whatever you feel like doing today, bro. Then that's what you're going to do. Like right now he's into the BattleBots. So let's watch and do things that are related to mechanics and STEM and see where that goes.[00:37:10] Dan Runcie: I'm hearing a lot from you in this conversation that talks a lot about both mentorship and the relationship that you have with others in your life, especially family members and important figures. And I know that from a comedian perspective, Dick Gregory was an important person in your life. And you had referenced in a past interview life-changing conversation you had had with him and it would be great to hear a little bit more about what that conversation was like and how that changed, how you ended up approaching comedy. [00:37:39] Roy Wood Jr.: I only saw Dick Gregory, I only opened for him twice. And the first time was in Selma at the Bridge Crossing Jubilee. It was a banquet that he and Jesse Jackson were speaking at. And then the other time was in, I opened for him proper in a comedy club in Zanies in Nashville. And he said something that just always resonated with me. You know, I'm butchering the quote, but he said people always ask me, Dick, why you always on the road? Why are you always out of town? And I said, because the battle for justice ain't at my house. And so that always stuck with me in terms of his tenacity right up till the end. You know, he died the way that, that every comedian wants to die and that's with dates on the books. I think it's the biggest compliment that, you know, any comedian can have is to die with still having more work and gigs scheduled because you got to get the message out there. You got to make people laugh. You got to try to heal people. In Dick Gregory's case, you know, he was doing things that were far above and beyond just telling a couple of shuck and jive jokes about police reform. This man was out there really doing the work, you know, concurrent. This man would have had a full itinerary all day and then go do two shows on a Friday night. It's not like he was just posted up in the hotel, watching Maury Povich till 7:30. So, you know, when I look at his career and everything that he did, that was a beautiful thing to see. It was a beautiful thing to see a dude knocking on 80 that was just at a comedy club on a Friday night, and it's 350 people ready to pay him and ready to hear what he has to say. And to be able to still say things that are resonant and that are on the pulse of what people are feeling, you can be funny, you can get away with being funny for a little while, but true career longevity as a comedian, I believe you have to make people feel, you have to give them an emotion. Sooner or later they have to leave feeling a certain way. It's not just a matter of the tactile Xs and Os of did they laugh at the setup Did they laugh at the punchline? Okay, next joke. It's what are you infusing into that person's heart on the backside of this experience that you all had together on stage for an hour. And, you know, I saw Dick Gregory do that twice and Selma was even more amazing 'cause he did it from a podium and I cannot explain to anybody how hard it is to do standup comedy from a podium. Jokes do not go over a podium, lectern, whatever the hell you want to call it don't matter. The jokes don't go over it. The moment you standing at one of them damn things, you look like a preacher and none of your jokes are funny, but Dick Gregory demolished, demolished, it was a good time. [00:40:19] Dan Runcie: That's special, yeah. He's someone that always stuck out in a unique way with everything that he did. So and I think a lot about that, even with artists or anyone that's performing on stage, if you can still do this when you're 70, 80 years old, that's where the real magic comes. And I know many of the younger artists now want to get there and it's great to see. I think, you know, you're in a generation of comedians that I think are going to be doing the same thing as well., [00:40:44] Roy Wood Jr.: Trying to, that's what I'm trying to get to. [00:40:48] Dan Runcie: All right. Well, before we let you go, we do got to talk about the film that you have coming out, Confess, Fletch out in theaters September 16th. And I have to ask, you're a detective in this film, you're opposite Jon Hamm, is Jon Hamm, a white ally that we could trust in this movie? [00:41:07] Roy Wood Jr.: Yeah, yeah, in the movie. Yeah, I'd say in real life as well. I'll go ahead and hang that on him. No, it's dope. I also had to give a shout-out to our director, Greg Mottola, and Greg, you know, really worked to create something that totally feels different from the bright lights and the big demonstrative jokes that were the eighties Chevy Chase version of this character. And so, you know, it plays right into Jon Hamm's warehouse. I'm just happy. I got to play a cop in Boston and they didn't force me to do a Boston accent 'cause that would've been insulting. That would've been very terrible. [00:41:39] Dan Runcie: Was that a conversation at all? Did anyone even broach, Hey, should you try to do this? Or should we, 'cause I know that Jon Hamm with The Town and all that stuff, I know he's done it before. [00:41:48] Roy Wood Jr.: It was breached briefly during my audition and at the audition, they said don't even try it. We've watched a tape on you. I'm like, well, just let me know if you wanted the cop to be from Alabama. I can nail that one, man.[00:42:02] Dan Runcie: Sometimes I feel bad. The ones that they try to do, like, when Anthony Anderson was in The Departed, love Anthony Anderson, but I feel like they try to make everybody in that movie. What was it, Mystic River, I feel like that was another one where they try to have everyone do a Boston accent. I'm like, all right. I don't know, you know. Let's have a few signature characters maybe, and I think everyone else is fine. [00:42:20] Roy Wood Jr.: Yeah. Yeah. It was fine. It was definitely a good time. It was a good shoot, you know I think just murder- mystery- comedy, you know, I think it feels light enough and fun enough in these times. And so, you know, we don't get too woke in it and I know everybody is scared of the woke and the woke mob is coming. A, it's a cop trying to catch a criminal or a guy that he thinks is a criminal. It's a cop trying to solve a murder and a private detective trying to solve the murder as well. So, you know, I think it's a good film. [00:42:48] Dan Runcie: And we talked a lot in this conversation about streaming and everything releasing there. This is not debuting on streaming, out in theaters, available on demand as well. Did that change to the creation process at all? Or does that change your relationship at all with this movie? [00:43:05] Roy Wood Jr.: No. I think that it'll be interesting to see how quickly people see it and when and where. You know, I do think that coming out on demand, in addition to theaters, I think it only helps word of mouth and I think it still brings profits for the film itself. So, you know, in that regard, you know, I think it'll be fine. But when you make the movie you're, as an actor, my job is to just make the movie y'all can figure out the rest of that shit after, you know, two months from now in post-production, you can decide how many theaters and blah, blah, blah, and all of that. [00:43:34] Dan Runcie: Exciting stuff. Well, we'll definitely look out for that, but Roy, it's been a pleasure, man. Thanks for coming on, keeping it real as always. And if people want to follow you and stay in touch with everything you're doing, where can they find you?[00:43:46] Roy Wood Jr.: Oh, it's Roy Wood Jr. I put an @ sign in front, .com on the backside. Also visit me online, my podcast, roysjobfair.com. [00:43:54] Dan Runcie: Good stuff. Appreciate you, man. Thanks again. [00:43:56] Roy Wood Jr.: All right, will do.[00:43:58] Dan Runcie: If you enjoyed this podcast, go ahead and share it with a friend. Copy the link, text it to a friend, post it in your group chat, post it in your Slack groups, wherever you and your people talk, spread the word. That's how Trapital continues to grow and continues to reach the right people. And while you're at it, if you use Apple podcast, go ahead, rate the podcast. Give it a high rating and leave a review. Tell people why you liked the podcast. That helps more people discover the show. Thank you in advance. Talk to you next week.Advertising Inquiries: https://redcircle.com/brands

This spring, comedian Jerrod Carmichael released his latest Emmy-nominated stand-up special, “Rothaniel” on HBO Max. In the new act, Carmichael comes out as gay, but the special is an exploration both of his own secrets as well as the ones held by previous generations of men in his family. It's part of an exciting new chapter in Carmichael's career that also includes his directorial debut “On the Count of Three,” and his Emmy-nominated performance guest hosting SNL earlier this year. The Takeaway speaks with Carmichael about embracing honesty in his work.

Jerrod Carmichael joins this week to talk about the creation of "Rothaniel," the ways in which it's changed his approach to telling stories for an audience, and some of the filmmaking choices that helped make the special as natural and also as elegant as possible. Learn more about your ad choices. Visit megaphone.fm/adchoices

We review HBO Stand Up Special Rothaniel with guest Paul Willard. Check us out on...Twitter @TSMoviePodFacebook: Time SensitiveInstagram: @timesensitivepodcastGrab some Merch at TeePublicBig Heads Media 

After our episode with Tirhakah Love on Kendrick Lamar's latest album, Brittany and Eric realized there was another conversation brewing right under the surface: pop culture's reckoning with queerness and how it challenges the "traditional" ideals of Black masculinity. Between the tumultuous relationship between Lil Nas X and BET, Jerrod Carmichael's latest HBO special "Rothaniel," and Isaiah Rashad's leaked sex tape, Brittany and Eric are in conversation (again) with Tirhakah on how far hip-hop and comedy have ~really~ come when it comes to queerness. 

Demi does ABFF; MF Michael Ealy; Rothaniel does GQ;? Nike's Origin story feat: Michael Jordan; Mo' Nique apologizes (sorta); Herschel Walker has been hiding children; and more.Follow me: IG:  demetriallucas.Twitter: demetriallucas.FB: demetriallucas.YouTube: demetriallucas.More about the Show: Don't forget to subscribe to the podcast for free wherever you're listening or using this link: http://bit.ly/RatchetRespectablePodcast. Thanks to our sponsors: Our listeners get 10% off their first month at betterhelp.com/ratchet.Visit onepeloton.com to learn more.Don't fall for subscription scams. Start cancelling today at truebill.com/RATCHET.Right now, Sakara is offering our listeners 20% off their first order when they go to sakara.com/RATCHET or enter code RATCHET at checkout. Learn more about your ad choices. Visit podcastchoices.com/adchoices Hosted on Acast. See acast.com/privacy for more information.

Demi does ABFF; MF Michael Ealy; Rothaniel does GQ;? Nike's Origin story feat: Michael Jordan; Mo' Nique apologizes (sorta); Herschel Walker has been hiding children; and more. Follow me:  IG:  demetriallucas. Twitter: demetriallucas. FB: demetriallucas. YouTube: demetriallucas. More about the Show:  Don't forget to subscribe to the podcast for free wherever you're listening or using this link: http://bit.ly/RatchetRespectablePodcast.  Thanks to our sponsors: Our listeners get 10% off their first month at betterhelp.com/ratchet. Visit onepeloton.com to learn more. Don't fall for subscription scams. Start cancelling today at truebill.com/RATCHET. Right now, Sakara is offering our listeners 20% off their first order when they go to sakara.com/RATCHET or enter code RATCHET at checkout. Learn more about your ad choices. Visit podcastchoices.com/adchoices

Three conversations with giants in their respective fields. Carmichael discusses the seismic impact of his comedy special Rothaniel and how he's spending Pride month; Waititi explains why Our Flag Means Death rekindled his love of acting, and what he hopes comes next in season 2; and Howard discusses his pivot into documentary filmmaking— and how his approach to making movies lines up with what's in his dreams.  Rothaniel and Our Flag Means Death are both available to stream on HBO Max; We Feed People is on Disney+. Sign up to receive texts from us at Subtext. Learn more about your ad choices. Visit podcastchoices.com/adchoices

This week’s Nose gave an idiot a machete. Chip ’n Dale: Rescue Rangers is a hybrid live-action and animated sequel to and reboot of the 1989 Disney Channel series. It’s a metafictional comedy that might really be less for kids and more for their parents. The Lonely Island production stars Andy Samberg, John Mulaney, KiKi Layne, and many others. Old Enough! is a reality TV show that has aired intermittently on Nippon Television since 1991. Twenty short episodes hit Netflix in March. Here’s their synopsis: “This long-running Japanese reality show follows along as young children leave the house to run errands by themselves for the very first time.” By “young,” they mean very young. And: Is It Cake? is a game show-style baking competition reality TV Netflix original series thing. Bakers compete for $5,000 by trying to fool judges into thinking that their cake — styled to look like a bowling ball or a hamburger or a chess set, etc. — isn’t actually a cake. The winner of each episode can then win a second $5,000 by correctly identifying which bag of cash is actually a cake. That may be the dumbest paragraph I’ve ever typed. Is It Cake? was renewed for a second season early this month. Some other stuff that happened this week, give or take: Philip Baker Hall, ‘Boogie Nights’ and ‘Magnolia’ Actor, Dead at 90 Jennifer Hudson becomes an EGOT as a co-producer of the winning musical, ‘A Strange Loop.’ BTS Says It’s Taking a Break, but Promises It’s Not Permanent Members of the K-pop juggernaut said in a video conversation that they wanted time to explore their individual artistic identities. Internet Explorer, the love-to-hate-it web browser, has died at 26 After Seeing Our First Look Of Ryan Gosling As Ken In “Barbie,” It’s Safe To Say This Was The Role He Was Born To Play It’s now a Ken world and we’re just living in it. Vince McMahon Steps Down as Head of W.W.E. During Misconduct Investigation Mr. McMahon, the pro wrestling company’s chairman and chief executive, agreed to pay a secret settlement to an employee with whom he was said to have had an affair, The Wall Street Journal reported this week. Tom Hanks Explains It All No more Mr. Nice Guy: Tom Hanks drops F-bomb on fans who nearly toppled Rita Wilson People are using DALL-E mini to make meme abominations — like pug Pikachu ‘Pug-a-choo’ isn’t real, ‘Pug-a-choo’ can’t hurt you The Google engineer who thinks the company’s AI has come to life AI ethicists warned Google not to impersonate humans. Now one of Google’s own thinks there’s a ghost in the machine. One Weird Trick To Make Humans Think An AI Is “Sentient” Vulnerability. I made mistakes over Rebel Wilson, and will learn from them The Numbing Rise of I.P. TV Whereas golden-age television aspired to bring viewers something unexpected, a new glut of ripped-from-the-headlines content gives them exactly what they’ve had before. She Wrote a Dystopian Novel. What Happened Next Was Pretty Dystopian. Sarah Polley: ‘It took me years to see how responsible Terry Gilliam was for my terror’ The Books Swallowed by the Black Hole of the Coronavirus Some spectacular titles had the terrible luck of being released in early 2020. They still deserve our attention. ‘Squid Game’ is being turned into a reality TV show — minus the death A Frog So Small, It Could Not Frog Most frogs can jump and land with the precision and grace of an Olympic gymnast. And then there’s the pumpkin toadlet. What the BLEEP? Maine Is Cracking Down on Obscene License Plates. End of vanity-plate free-for-all likely to cause recall of hundreds of vulgar tags, but not in time for summer vacations Jerrod Carmichael’s 12-Step Truth Program The very private comedian-writer-director made his personal life very public with his recent HBO special, Rothaniel. Now he shares what happens when you have nothing to hide. GUESTS: Jim Chapdelaine: An Emmy-winning musician and a patient advocate for people with rare cancers Taneisha Duggan: A director, producer, and arts consultant Carolyn Paine: An actress, comedian, and dancer; founder, director, and choreographer of CONNetic Dance The Colin McEnroe Show is available as a podcast on Apple Podcasts, Spotify, Google Podcasts, Stitcher, or wherever you get your podcasts. Subscribe and never miss an episode! Join the conversation on Facebook and Twitter. Colin McEnroe and Cat Pastor contributed to this show.Support the show: http://www.wnpr.org/donateSee omnystudio.com/listener for privacy information.

This week on The Treatment, Elvis welcomes comedian and director Jerrod Carmichael, who explores truth and honesty in his HBO special “Rothaniel” and his feature directorial debut “On the Count of Three.” Next,  Paula Pell, one of the stars of Peacock's “Girls5eva” talks about coming into her prime as a performer in her fifties. And finally, on The Treat, director John Waters reveals the 1940s film that set him on his unique and outrageous career path.

Today on Boston Public Radio: We begin the show by talking with listeners about student anxiety, following a new GBH report that cites increased levels of bullying in Boston schools. Rep. Ayanna Pressley calls for stricter gun control measures – such as universal background checks and a ban on assault weapons – in the wake of the Robb Elementary School shooting in Uvalde, Texas. She also discusses broadening student debt relief from President Joe Biden's proposed plan to forgive $10,000 per borrower in student loans. Juliette Kayyem discusses the Department of Justice's (DOJ) announcement of an investigation into the police response to the Robb Elementary School shooting in Uvalde, Texas, and diminishing attention towards Russia's invasion of Ukraine. Kayyem is an analyst for CNN, former assistant secretary at the Department of Homeland Security and faculty chair of the homeland security program at Harvard University's Kennedy School of Government. Shirley Leung talks about recent crypto scams targeting Asian Americans, and the out-of-state journey some women in Mass. take to get an abortion. Leung is a business columnist for the Boston Globe. Jerrod Carmichael joins us ahead of his June 3 show at The Wilbur, sharing his vision behind the HBO special “Rothaniel.” Carmichael is a comedian, actor, and filmmaker. Corby Kummer talks about Taco Bell's five-city drag brunch tour, and Guy Fieri's cult icon status. Kummer is executive director of the Food and Society policy program at the Aspen Institute, a senior editor at The Atlantic and a senior lecturer at the Tufts Friedman School of Nutrition Science and Policy. We end the show by asking listeners how their spring cleaning projects have gone.

Jerrod Carmichael (On the Count of Three, Rothaniel) is a comedian, actor, and filmmaker. Jerrod joins the Armchair Expert to discuss his new stand-up special, what growing up in a hyper-masculine community was like, and what his style of comedy is. Jerrod and Dax talk about how growing up poor gave them a unique perspective, what certain southern sayings mean, and how they both are terrified of being a victim. Jerrod explains how shoes were a status symbol in his neighborhood, why he prefers Michael Jackson over Prince, and what he would do if he bought a T-Rex skull. See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

We watched the HBO Max special, Rothaniel, by Jerrod Carmichael and had some thoughts from a mother's perspective.

In this special episode from our friends at Pop Culture Happy Hour, guest host Aisha Harris talks with journalists Tre'vell Anderson and Jarrett Hill about stand-up comedian Jerrod Carmichael's new HBO special Rothaniel where Carmichael comes out publicly as gay for the first time and talks about secrets that have haunted his family for multiple generations.

Jerrod Carmichael's directorial debut hit Sundance back in 2021, but now it's finally available on big and small screens. Film critic Carlos Aguilar joins us to describe the ways that this short film packs a long punch.AND: We cast our dream movie driving buddies!(cw: today's movie is about suicide and depression; we'll give you a heads up during the show too)What's GoodAlonso - LGBTQ Media Elite Status: Bros trailerDrea - HeartstopperCarlos - Worst Roommate EverIfy - trip to Europe!ITIDICZack Snyder's Fan-Voted Oscar Wins May Have Been Rigged by BotsAdele Haenel Steps Away From the Film Industry for Political ReasonsJason Momoa Apologizes After Posting Photos from Sistine ChapelStaff PicksAlonso - Hit the RoadDrea - EmergencyCarlos - VortexIfy - CollateralCarlos's review of On the Count of Three Carlos's review of Emergency for The WrapBuy Alonso's book, I'll Be Home For Christmas Movies*****With:Ify NwadiweDrea ClarkAlonso DuraldeCarlos AguilarProduced by Marissa FlaxbartSr. Producer Laura Swisher

Demi goes "Rothaniel".Follow me: IG:  demetriallucas.Twitter: demetriallucas.FB: demetriallucas.YouTube: demetriallucas.More about the Show: Don't forget to subscribe to the podcast for free wherever you're listening or using this link: http://bit.ly/RatchetRespectablePodcast. Thanks to our sponsors: Go to hellofresh.com/ratchet16 and use code ratchet16 for up to 16 free meals AND 3 free gifts!This podcast is sponsored by BetterHelp and Ratchet & Respectable listeners get 10% off their first month at betterhelp.com/ratchet.Visit carawayhome.com/ratchet to take advantage of this limited time offer for 10% off your next purchase.Sign up using promo code RESPECT for a FREE 60-day trial today at shipstation.com and start saving with every shipment.It's never too late – or too early! – to start taking iwi. Go to iwilife.com/ratchet and use code ratchet to save 30% on your first purchase of any iwi product. Learn more about your ad choices. Visit podcastchoices.com/adchoices Hosted on Acast. See acast.com/privacy for more information.

Demi goes "Rothaniel". Follow me:  IG:  demetriallucas. Twitter: demetriallucas. FB: demetriallucas. YouTube: demetriallucas. More about the Show:  Don't forget to subscribe to the podcast for free wherever you're listening or using this link: http://bit.ly/RatchetRespectablePodcast.  Thanks to our sponsors: Go to hellofresh.com/ratchet16 and use code ratchet16 for up to 16 free meals AND 3 free gifts! This podcast is sponsored by BetterHelp and Ratchet & Respectable listeners get 10% off their first month at betterhelp.com/ratchet. Visit carawayhome.com/ratchet to take advantage of this limited time offer for 10% off your next purchase. Sign up using promo code RESPECT for a FREE 60-day trial today at shipstation.com and start saving with every shipment. It's never too late – or too early! – to start taking iwi. Go to iwilife.com/ratchet and use code ratchet to save 30% on your first purchase of any iwi product. Learn more about your ad choices. Visit podcastchoices.com/adchoices

On this email episode Aries and Andy talk about the Suns, the rebuttal, Gemma, MadTV, The Principle's of Pleasure, Johnny Depp and Amber Heard, Rothaniel, The Batman second time through, Ti in comedy and Tyson. Musical Guest: Panama Holla Social Media Instagram: @SpearsBergPod Twitter: @SpearsBergPod Facebook: SpearsBergPod Patreon: SpearsBergPod Youtube: SpearsBergPod  Learn more about your ad choices. Visit podcastchoices.com/adchoices

Ira, Louis, and a returning Aida discuss Janelle Monae coming out as non-binary and other genderqueer celebs, Jerrod Carmichael's comedy special Rothaniel, Elon Musk buying Twitter, hot takes on Steve Martin's old SNL skits, and the new season of Selling Sunset. Plus, Kiernan Shipka joins to discuss her new Roku series Swimming with Sharks, her Mad Men memories, and more. Learn more about your ad choices. Visit podcastchoices.com/adchoices

Comic, actor and writer Jerrod Carmichael goes deeper into the secrets he reveals in his new HBO comedy special, Rothaniel — secrets about his real name, his family tree, and his sexual orientation. Carmichael's new special is directed by Bo Burnham. A previous one was directed by Spike Lee.Also, songwriter, singer and guitarist Richard Thompson, talks about his formative years. He co-founded the band Fairport Convention, which created a new genre – a hybrid of traditional music of the British isles and rock. His memoir, Beeswing, is out in paperback.

This week Aries and Andy discuss Jerrod Carmichael HBO Special, and hecklers. Musical Guest: Tobra Social Media Instagram: @SpearsBergPod Twitter: @SpearsBergPod Facebook: SpearsBergPod Patreon: SpearsBergPod Youtube: SpearsBergPod  Learn more about your ad choices. Visit podcastchoices.com/adchoices

In his new HBO comedy special, Rothaniel, Carmichael opens up about his real name, his family tree, and his sexual orientation. We'll go deeper into these issues — and talk about how being honest about them changed his comedy and his life. "The more honest I am, the freer I am," he says.

A week of travel and travel tips, post-pandemic dressing and how this stage of the pandemic feels like a bad dream. Speaking of bad: "Bad Vegan." Speaking of not-bad: "Rothaniel," and Ruth Reichl's memoir. Plus: Jenn's hair update = an episode of the Twilight Zone.Don't forget: We have a Patreon! Sign up for invites to special events, exclusive content, and bonus EIF episodes: patreon.com/everythingisfine Our show's Instagram is @eifpodcast. We're also on Twitter @theeifpodcast and Facebook. you can find Kim on her blog Girls of a Certain Age. You can find Jenn at Here Are Some Things. If you like the show, please rate or review it and don't forget to share it with your favorite 40+ friends. See acast.com/privacy for privacy and opt-out information.

"Who am I to talk about all these other things out in the world? Actually, who am I? Let's start there.” Comedian Jerrod Carmichael discusses processing life in real time and coming out as gay in his new special “Rothaniel.  See omnystudio.com/listener for privacy information.

Ep 274: Allison (@allisonkilkenny) recs: Rothaniel, Severance, and Peacemaker.  In bad news: NYPD botched protocol in the wake of the subway shooting (why is their budget $10 million+ again?), and it was a Syrian immigrant — not the cops — who finally ID'd the shooter leading to his arrest. Also, Elon tries to buy twitter, and conservatives continue to attack abortion rights. In good news: Judge Kentanji Brown Jackson sworn in as the first Black woman to serve on the Supreme Court, Biden signs USPS reform bill into law, QAnon followers are pivoting to MLM schemes, and a former Virginia police offer who stormed the Capitol is found guilty on all charges. Light Treason News is supported by members! To sign up and keep the show going, visit lighttreason.news

Rihanna displays her pregnant body on the cover of Vogue, a mass shooter terrorizes subway riders in New York City, and comedian Jerrod Carmichael discusses his stand-up special "Rothaniel." See omnystudio.com/listener for privacy information.

To comedy fans, Jerrod Carmichael is known as a stand-up comic with an acerbic brand of observational humor, and he's starred in his own family sitcom, The Carmichael Show. Now his recent HBO special Rothaniel has made headlines. Carmichael comes out publicly as gay for the first time and he talks about secrets that have haunted his family for multiple generations. It's a profoundly immersive experience that pushes the boundaries of stand-up and confessional art.

Mentioned in the episodeHeather Chelan's song The Pandemic Isn't Over (song)  Heb on the Web (TikTok)  DIS/Honorable Mentions dm: brooklyn and new yorkers after the subway shootingdm: Impact of don't say gay lawshm: Passing in the family: synclaireTAHM: Morehouse College and coach Robert Myrick for winning The Honda Classic All-Star Challenge MorehouseHM: Gender neutral markers on U.S. passports availableOur Sponsors This WeekDipsea StoriesDipsea is an app full of hundreds of short, sexy audio stories designed by women for women. For listeners of the show, Dipsea is offering an extended 30 day free trial when you go to DipseaStories.com/FANTI. Better HelpBetterHelp is customized online therapy that offers video, phone and even live chat sessions with your therapist, so you don't have to see anyone on camera if you don't want to. This podcast is sponsored by BetterHelp and FANTI listeners get 10% off their first month at BetterHelp.com/FANTI. Go ahead and @ usEmail: FANTI@maximumfun.orgIG@FANTIpodcast@Jarrett Hill@rayzon (Tre'Vell)Twitter@FANTIpodcast@TreVellAnderson@JarrettHill@Swish (Senior Producer Laura Swisher)FANTI is produced and distributed by MaximumFun.orgLaura Swisher is senior producer Music: Cor.eceGraphics: Ashley Nguyen

We talk the lackluster Grammys, Paula Patton under cooks some chicken, Atlanta FX tackles reparations, the Turkey Leg Hut's interesting policies, and Jerrod Carmichael's brilliant comedy special, “Rothaniel.” Check us on Social Media or email us at thepoplifepodcast@gmail.com The post It's Still Pink Inside Paula first appeared on The Poplife Podcast.

We need your help! Our special podcast series “The View: Behind the Table” is up for a Webby Award: Best Limited-Series & Specials, Entertainment. Click the link to cast your vote and help us get the win! Plus, check out the other Webby-nominated shows from ABC Audio: “Start Here” - Nominated for Best News & Politics Podcast – General Series and Best News & Politics Podcast – Individual Episode “The Dropout: Elizabeth Holmes on Trial” – Nominated for Best Crime & Justice Podcast – General Series and Best Crime & Justice Podcast - Individual Episode Comedian Jerrod Carmichael weighs in on comedians crossing the line, explains the difficulties of coming out as gay in his mid 30's in his new comedy special “Rothaniel” and discusses Florida's “Don't Say Gay" law. In Hot Topics, Alyssa Farah Griffin and Julia Heart both guest co-host. The panel discusses gun violence in America following the NYC subway shooting, and more.

This week on KellzPodcast: Corny dudes aint always lame dudes and everybody is square, Rothaniel, dyke drama, circling the block and behavioral resets.

Check out his new stand up special, Rothaniel, on HBOMAX!See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

This week on The Nerdpocalypse Podcast, the guys return to discuss Abbott Elementary, Moon Knight, Rothaniel, Sherlock Holmes tv universe in the works, Severance gets renewed for a second season, Will Smith suffers fallout from Oscar slap, Ezra Miller's troubles seem to mount, and much more! CHECKED OUT Sonic 2 Formula 1: Drive to Survive - Season 4 Abbott Elementary Moon Knight Rothaniel TOPICS - Section 1 Shocking news about the James Bond franchise Sherlock Holmes TV universe is coming Severance renewed for Season 2 TOPICS - Section 2 Will Smith has two movies put on hold after Oscar fallout Ezra Miller causes a holding pattern for WB WTF? by JayTeeDee ​Micah: https://bit.ly/3NcyGeV ​Jay: https://bit.ly/3uOQX9w

Seth takes a closer look at Trump endorsing Sarah Palin for a seat in Congress, Matt Gaetz accusing the military of focusing too much on "woke-ism" and Biden proposing a billionaire tax aimed at reining in America's massive wealth gap.Then, Jerrod Carmichael talks about hosting Saturday Night Live, coming out as gay in his Rothaniel special and the inspiration behind the special.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Check out the new special "Rothaniel" on HBOMAX!See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

In this short audio, I discuss my thoughts on Rothaniel and Atlas of the Heart. This was originally posted on my TikTok page at tayorockson. See acast.com/privacy for privacy and opt-out information.