Podcast appearances and mentions of Jodi Kantor

Host Piya Chattopadhyay speaks with Aaron David Miller, from the Carnegie Endowment for International Peace, and national security analyst Joseph Cirincione about the initial agreement between the United States and Iran.University of Alberta professor Crystal Gail Fraser and anthropologist Sara Komarnisky discuss the evolution of treaties and how they're playing into a range of issues today.The Guardian's Brussels correspondent, Jennifer Rankin, unpacks the relationship between the EU and UK, 10 years post-Brexit. Then, former British Conservative MP Andrew Percy and political scientist Ian Cooper discuss the lessons Canada can take from the UK's experience as Alberta considers separation.The New York Times investigative journalist Jodi Kantor shares advice for new grads and finding your life's work.

Starting is hard when it requires taking a step into a future that's so unpredictable. For young people entering the workforce today, that challenge is even greater. First the pandemic disrupted their education and early careers, and now artificial intelligence is reshaping industries almost as fast as they can enter them. When Pulitzer Prize-winning New York Times journalist Jodi Kantor was invited to deliver a commencement speech at her alma mater, Columbia University, she knew graduates weren't looking for easy answers or inspirational clichés. Best known for breaking the Harvey Weinstein story, Kantor has spent years reporting on power, work, technology and social change. That speech became a book about finding meaningful work and building a life shaped by your own choices and ambitions. It's called How to Start: Discovering Your Life's Work.

How do you build a meaningful career when AI is rewriting the future of work? In this episode, I sit down with New York Times investigative reporter Jodi Kantor to talk about why so many young professionals feel discouraged about the future, and how digital shifts are reshaping our modern workplaces. Jodi shares how she survived getting fired from her college paper and dropping out of law school, and how those setbacks paved her way back to journalism. We also dive deep into the realities of AI-driven hiring, the loss of workplace autonomy, and the formula for reclaiming your agency. Get ready to rethink what it truly takes to protect your career in a rapidly changing world. Check out our sponsors: Shopify - Sign up for a $1 per month trial, just go to shopify.com/anxiousachiever Chime - Head to chime.com/achiever to sign up Monarch - Use code ACHIEVER at monarch.com to get 50% off your first year Physician's Choice - Use code PCPODCAST10 at physicianschoice.com to get 10% off your entire order Whatnot - Get free shipping on your first order. Just search W-H-A-T-N-O-T in the app store and start scoring amazing deals Pebl - Take advantage of Pebl's limited-time offer before it's gone. Visit hipebl.ai today. In this Episode, You Will Learn 00:00 What Jodi Kantor believes is one of the most important ingredients for a meaningful career. 04:15 How do you think about hope? 05:45 The question that Columbia students wanted answered during a year of campus turmoil. 09:45 How technology has reduced worker autonomy over the last decade. 14:45 Why AI is making the hiring process feel increasingly impersonal. 17:00 How do you define craft? 19:45 What's the relationship between strengths, interests, and building expertise over time? 24:00 Why career setbacks are often essential parts of growth. 27:00 How to stay focused on the work instead of public praise or criticism. 30:00 How to identify the problems, opportunities, or needs you want your work to serve. 31:45 Why AI won't eliminate the need for fresh talent and new ideas. 33:00 What colleges can do to better prepare students for today's workforce. 35:15 How universities can better help students find their life's work. 38:00 Jodi's advice for anyone starting their career today. Resources + Links Get a copy of Jodi's book, How to Start: Discovering Your Life's Work HERE Get a copy of my book - The Anxious Achiever Watch the podcast on YouTube  Find more resources on our website morraam.com Follow Follow me: on LinkedIn @morraaronsmele + Instagram @morraam Follow Jodi: on LinkedIn @jodikantor + Instagram @jodikantor

In uncertain times, purposeful work can feel impractical and out of reach. But award-winning investigative reporter Jodi Kantor argues that meaning is both essential and available to all of us. Anne and Frances dive into the lessons from Jodi's latest book, “How to Start: Discovering Your Life's Work,” and explore practical strategies for anyone looking to chart a more purposeful career. The three also discuss two key principles for finding work that matters and challenge the idea that economic stability and purpose are mutually exclusive. Featured guestFollow Jodi Kantor on Instagram, LinkedIn, and at https://jodikantor.com/Buy How to Start: Discovering Your Life's WorkRead Jodi's NYT's articlesConnect with the teamFollow Anne on Instagram and LinkedIn Follow Frances on Instagram and LinkedInWatch Fixable videos on youtube.com/@TEDAudioCollectiveVisit Anne and Frances' websiteHave a question you want Anne and Frances to solve? Email the team at fixable@ted.com or leave a voicemail at 234-349-2253Follow TED on X, Instagram, Facebook, LinkedIn, and TikTokFor the full text transcript, visit ted.com/podcasts/fixable-transcripts Hosted on Acast. See acast.com/privacy for more information.

For white-collar workers, the recent headlines about AI are more than a little bit fear-inducing. AI could automate millions of white-collar jobs within 18 months. College graduates are booing commencement speakers who bring it up. And women — whose jobs are three times more likely to be automated — are falling behind on AI adoption. So what do you actually do? Pulitzer Prize-winning New York Times journalist Jodi Kantor has answers. Her new book, How to Start: Discovering Your Life's Work, grew out of a question her Columbia University students asked her that she couldn't shake: how, in this environment, are we supposed to find our life's work? The answer, it turns out, applies just as much to a woman reinventing herself at 52 as it does to a 22-year-old just starting out. In this episode, Jean and Jodi get into: The two things every successful, happy person has: craft and need Why your messy, nonlinear résumé might be your biggest asset right now How to get a real human being to respond to your job outreach in the age of AI screening Jodi's three tips for cold outreach that actually work And if you're thinking about what your financial future looks like through all of this change, pre-order Jean's new book, The Forever Paycheck — your guide to building income that lasts as long as you do. Learn more about your ad choices. Visit megaphone.fm/adchoices

-The Knicks give New York its greatest night in years and OG makes his MVP case-Valid destruction or peaceful rioting?-A brief detour through America's dumbest college mascots-Dave Chappelle and Shane Gillis give Moynihan a perfect Comedy Cellar night-Kmele roots for the Spurs, but only to punish Knicks fans-Spike Lee has been on the court long enough-Which celebrity row courtsider gets booed?-Mamdani gets into the affordable soccer jersey business-The World Cup comes to New Jersey by boat-Introducing Midterm Madness -LA's mayoral race and the Spencer Pratt stolen-election fantasy-California's governor's race and the strange usefulness of market signals-The race to watch-Platner's character problem is not going away-Jodi Kantor explains when MeToo does and does not count-Bill Pulte gets pulled, Jay Clayton gets nominated -A fully fledged disgusting party on a federal level-UFC 250 comes to the White House because this is who we are now-Bullshit, postmodern Trumpism, and the infinite liesThe Fifth Column (A Podcast) is a listener/viewer-supported publication. To receive new posts and support our work, consider becoming a free or paid subscriber.Follow The Fifth ColumnYouTube: @wethefifthInstagram: @we.the.fifthX: @wethefifthTikTok: @wethefifthFacebook: @thefifthcolumn This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit www.wethefifth.com/subscribe

What are the implications for girls and young women of Alan Milburn's review for the Government into rising levels of inactivity among 16 to 24-year-olds? There are currently just under a million young people in this age range dubbed NEETs because they are not in education, employment or training. Anita Rani speaks to former Labour Home Secretary Baroness Smith, now Minister for Skills, as well as Minister for Women and Equalities. A BBC investigation looks at on the global expansion of the manosphere and the social media algorithms which are driving young men towards increasingly extreme views on gender, relationships and masculinity. BBC Global Disinformation reporter Jacqui Wakefield examines the rise of two of the most influential manosphere figures in Latin American and Africa – El Temach in Mexico and, Andrew Kibe in Kenya. She joins Anita to tell her what it was like spending time with these influencers and about the women living with the real-life consequences of their influence. Would you ever consider working from your bed? Perhaps you do, by choice or otherwise? Dermatologist Dr Alexis Granite and The Archers Podcast's Emma Freud are both fans and join Anita. Jodi Kantor is a Pulitzer-prize winning investigative journalist. In October 2017 she - alongside her colleague Megan Twohey - published a groundbreaking exposé in the New York Times detailing decades of sexual abuse allegations against the former film producer Harvey Weinstein - which galvanised the global MeToo movement. Jodi is back with a new book: How to Start, which is all about how to launch a career in uncertain times. Presenter: Anita Rani Producer: Corinna Jones

For Memorial Day, a new interview on its history, and some recent favorites: Kenneth C. Davis, author of the "Don't Know Much About History" series and most recently, The World in Books: 52 Works of Great Short Nonfiction (Scribner, 2024), shares the history of how Americans have observed Memorial Day and its history Jodi Kantor, New York Times investigative reporter, co-author of She Said (Penguin, 2019) and author of How to Start: Discovering Your Life's Work (Hachette, 2026), expands on her Columbia University commencement address where she tried to answer the question, “How, in this environment, is anyone supposed to find and start their life's work?”. Queen Elizabeth II interacted with American presidents from Truman through Trump.  Susan Page, USA Today Washington bureau chief and the author of The Queen and Her Presidents (HarperCollins, 2026),  relates her history with U.S. leaders throughout her reign. Michael Valdovinos, a clinical psychologist, veteran, trauma expert and the author of Moral Injuries: When Good Conscience Suffers in a World of Hurt (Harper, 2026), talks about recognizing and healing "moral injuries" that occur not from physical trauma, but from acts that violate the conscience, and are now understood to affect those on the battlefield, and in all walks of life. A.M. Gittlitz, an organizer and writer and the author of Metropolitans: New York Baseball, Class Struggle, and the People's Team (Astra House, 2026),  looks at the way class and politics and baseball intersect with the story of the Mets baseball franchise.   The first interview was recorded for today.  The others were lightly edited for time and clarity; the original web versions are available here: Advice for Finding Your Life's Work (April 22, 2026) The Queen & the Presidents (April 14, 2026) Moral Injuries on the Battlefield and Beyond (April 24, 2026) A 'People's History' of the Mets (March 31, 2026)   photo: Spring Time at Arlington National Cemetery, Arlington, Virginia on April 9, 2024 (Arlington National Cemetery, Public domain, via Wikimedia Commons) Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

What is the Supreme Court doing when it acts without full briefing, oral argument, or a real explanation?This week on The Oath and The Office, Pulitzer Prize-winning New York Times reporter Jodi Kantor joins the podcast to explain the Court's shadow docket: the emergency orders process that has become one of the most powerful and least understood parts of American government.Kantor discusses the Supreme Court memos she obtained with Adam Liptak, what they reveal about Chief Justice John Roberts, and how they relate to the Court's supposed image as a neutral “umpire".Corey and John also discuss Trump's proposed “anti-weaponization” compensation fund, the politics of abortion and the abortion pill at the Supreme Court, and the Court's emergency order allowing Alabama to move forward with redrawn congressional maps.In this episode:What the shadow docket is and why it mattersJodi Kantor on Supreme Court memosThe two sides of John RobertsWhy the “umpire” model of judging has collapsedAbortion, Alabama, and emergency Supreme Court powerTrump's “anti-weaponization” fund and the politics of grievanceThe immunity case and presidential powerLink to Jodi Kantor's book, How to Start: https://jodikantor.com/how-to-startLink to Jodi Kantor and Adam Liptak's reporting on the secret memos of the Supreme Court: https://www.nytimes.com/2026/04/18/us/politics/supreme-court-shadow-docket.htmlSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Jodi Kantor and Megan Twohey are the New York Times reporters who broke the Harvey Weinstein story. For five months -- perpetually in danger of losing the scoop -- they cultivated and cajoled sources ranging from the Weinsteins’ accountant to Ashley Judd. The article that emerged on October 5th, 2017, was a level-headed and impeccably sourced exposé, whose effects continue to be felt around the world. Their conversation with Alec covers their reporting process, and moves on to a joint wrestling with Alec’s own early knowledge of one of the Weinstein allegations, and his ongoing friendship with accused harasser James Toback. The guests ask Alec questions about the movie industry’s ethics about sex and “the casting couch.” Over a respectful and surprising half-hour, host and guests together talk through the many dilemmas posed by the #MeToo movement that Kantor and Twohey did so much to unleash. Originally aired January 21st, 2020.See omnystudio.com/listener for privacy information.

Pulitzer-Prize winning journalist Jodi Kantor knows a thing or two about getting to the heart of the matter and in her new book, How to Start: Discovering Your Life's Work, she's giving advice on how to approach this daunting, AI-driven economy. But Jodi's a multi-hyphenate, so Katie also gets her thoughts on the “post-MeToo” era and her new beat at the New York Times covering the Supreme Court. Luckily she has wisdom (and hope!) for us, on all fronts. Hosted on Acast. See acast.com/privacy for more information.

Congratulations, job seekers, new workers and soon-to-be-graduates—and also, buckle up - it is a bumpy ride.  That's the vibe of early career life right now: a job market that's technically fine (about 4% unemployment), but feels… not fine. Entry-level hiring is down, applications disappear into AI black holes, and even strong candidates are ghosted by bots. It's less “climb the ladder” and more “wander the maze and hope someone opens a door.” Against that backdrop, two big ideas emerge—from Jodi Kantor's framework and a companion piece on women reshaping work rules: craft and need. First, craft. Not your job title—your thing. The skill you build so well that people can't easily replace you. You don't start with it; you notice your way into it. Pay attention to what energizes you at 11:30 a.m. on a random Thursday. Track what you're good at, what you enjoy, and what others naturally come to you for. Careers aren't built in sweeping five-year plans—they're built in small, repeated moments of doing something well. Second, need. The world's problems are the map. The people who thrive aren't just polishing skills in isolation; they're aiming those skills at something that actually matters to others. It's where usefulness meets opportunity. (And yes, that may require some risk—despite every instinct to choose the safest possible path.) So what now? Be practical and intentional. Apply broadly, because the system is weird. But also build relationships, find adjacent opportunities, and keep developing your craft in real time. The market may feel impersonal, but careers are still deeply human. Bottom line: you are not unnedded. The system is just… glitchy. Stay curious, stay persistent, and keep showing up. Good Reads: This Is a Hard Time to Start a Career. These Two Words Can Help. Why women leaders are ditching the old workplace rulebook – and winning because of it - Fast Company

Jodi Kantor, New York Times investigative reporter, co-author of She Said (Penguin, 2019) and author of How to Start: Discovering Your Life's Work (Hachette, 2026), expands on her Columbia University commencement address where she tried to answer the question, “How, in this environment, is anyone supposed to find and start their life's work?” Photo: Cover art for 'How to Start: Discovering Your Life's Work.' (Credit: Hachette) Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Last year, when Columbia University found itself embroiled by anti-war protests and fighting with the Trump administration, journalist Jodi Kantor was invited to speak at the school's commencement.“My friends actually tried to stop me. Like, ‘Don't do it. Call in sick,'” remembers Kantor.The Pulitzer prize-winner did wind up giving that speech. And that experience led her to write a new book about how young people can find their life's work. We sit down with Kantor to talk about ‘How to Start.'Find more of our programs online. Listen to 1A sponsor-free by signing up for 1A+ at plus.npr.org/the1a.See pcm.adswizz.com for information about our collection and use of personal data for sponsorship and to manage your podcast sponsorship preferences.NPR Privacy Policy

How can we find and start our life's work? That's the question Pulitzer Prize-winning reporter Jodi Kantor tried to answer for Columbia University's seniors last spring in a graduation speech that went viral. She urged graduates facing a brutal job market to focus on two things: need and craft. Kantor encouraged graduates to use that lens to assess what services, products or information society will most need in their working lives and what expertise they can develop to bring them to fulfillment. We talk to Kantor about her new book “How to Start.” Guests: Jodi Kantor, investigative reporter, The New York Times; author, "How to Start: Discovering Your Life's Work" Learn more about your ad choices. Visit megaphone.fm/adchoices

Journalist Jodi Kantor and Harvard happiness expert Arthur Brooks are both out with new books about identifying and cultivating meaning in one's life. Brooks says he wanted to write The Meaning of Your Life after observing an explosion in depression and anxiety among young people beginning around 2008. In today's episode, he chats with Here & Now's Indira Lakshmanan about how neglecting right-brain activity has led us astray. Then, Kantor tells NPR's Mary Louise Kelly about the daunting commencement speech invitation that led to her book How to Start, which focuses on cultivating one's life work through ideas like “craft” and “need.”To listen to Book of the Day sponsor-free and support NPR's book coverage, sign up for Book of the Day+ at plus.npr.org/bookofthedaySee pcm.adswizz.com for information about our collection and use of personal data for sponsorship and to manage your podcast sponsorship preferences.NPR Privacy Policy

Jodi Kantor, the Pulitzer Prize-winning New York Times investigative journalist, joins Preet to discuss her recent expose on the Supreme Court's “shadow docket,” documenting its origin story, dynamics among the justices, and the implications of Court secrecy on democracy. They also discuss the legacy of her seminal reporting on the #MeToo Movement and the future of work.  Then, Preet answers a listener question about “8647” products on Amazon and shares his thoughts on Aziz Ansari's Kash Patel impression on SNL. In the bonus for Insiders, Preet and Kantor discuss how to build a fulfilling career, the importance of teachers, and why a good boss can make all the difference.  Join the Insider community for access to bonus content from Stay Tuned and weekly episodes of the Insider podcast hosted by Preet and Joyce Vance. Head to cafe.com/insider to sign up. Thank you for supporting our work. Show notes and a transcript of the episode are available on our website.  You can now watch this episode! Head to CAFE's Youtube channel and subscribe. Shop Stay Tuned merch and featured books by our guests in our Amazon storefront. Have a question for Preet? Ask @PreetBharara on BlueSky, or Twitter with the hashtag #AskPreet. Email us at staytuned@cafe.com, or call 833-997-7338 to leave a voicemail. Stay Tuned with Preet is brought to you by CAFE and the Vox Media Podcast Network. Learn more about your ad choices. Visit podcastchoices.com/adchoices

The regime in Tehran is not as fractured as is commonly portrayed, and it is also pragmatic enough to see the economic opportunities that would follow from a deal with an eager-to-please-the-markets Donald Trump. But the contours of a potential agreement look like a win for Iran—not for the U.S., which has spent billions a day, lost military personnel and assets, and handed Iran new-found leverage over the global economy. Also, in this season of commencement, Jodi has advice for new college grads on how to navigate the tough employment market and a digitized hiring process. Plus, the Supreme Court's embrace of the shadow docket and John Roberts' pivotal role in the shift, what it's like to listen to Harvey Weinstein mansplain, moneyed Iranians apocalypsemaxxing, and examining Zionism through the prism of the nationalism movement at the time of Israel's founding.The Times's Jodi Kantor and The Atlantic's Arash Azizi join Tim Miller. show notes Arash on Iran mostly wanting a deal Jodi's new book, "How to Start: Discovering Your Life's Work" Arash's book, "What Iranians Want: Women, Life, Freedom" Arash on Zionism and the nationalism movement Jodi and Adam Liptak on the birth of the shadow docket at SCOTUS Tickets for our Bulwark Live shows in San Diego on 5/20 and in LA on 5/21: TheBulwark.com/Events Learn a new Language and get up to 60% off  your subscription at Babbel.com/BULWARK

A graduation-season episode turns into a surprisingly deep conversation about careers in the age of AI, anchored by a New York Times article from Jodi Kantor. Don and Tom explore the idea that successful careers are built not by chasing trends, but by developing a personal “craft” and aligning it with real-world need. They connect that concept to investing discipline—ignore noise, focus on what you can control—and emphasize experimentation early in life. The back half pivots to listener questions, where Don dismantles buffered ETFs as overly complex, critiques commission-laden annuity practices masquerading as fiduciary advice, clarifies Social Security spousal benefits, and takes apart the flawed comparison between low-cost index bond funds and leveraged, high-fee active products like the PIMCO Income Fund. The throughline: complexity, whether in careers or investing, is usually a trap.0:05 Graduation season and why young people face a radically different job market1:36 AI, automation, and the uncertainty of future careers2:00 NYT article breakdown—“craft” and “need” as career anchors5:01 Why developing a unique skill set matters more than chasing trends6:37 College as a poor place to discover real-world “craft”7:19 Weekly self-reflection exercise: track what you enjoy vs. hate7:30 Generational career fads—from Japan to “plastics”9:15 Mentorship vs. going it alone in career development10:50 Real-world example: finding a career through evolving skills12:00 Parallels between career decisions and investing discipline13:39 Taking risks early in life when stakes are lower14:32 Listener question: buffered ETFs vs. bonds for stability17:11 Why buffered ETFs deliver limited upside and hidden risks19:39 Counterparty risk explained with 2008 auction-rate securities story21:56 Simpler alternatives: CDs and municipal bonds23:47 Industry hypocrisy: annuities inside “fiduciary” environments24:46 Why putting IRA money into annuities makes no sense25:30 Social Security spousal benefit basics explained26:39 Advisor claim: higher fees justified in certain asset classes27:57 Breaking down active bond fund risks vs. index funds29:44 Leverage dangers in funds like PIMCO Income31:38 SPIVA reality: active managers rarely outperform long termQuestions? Comments? Click!

To The Contrary’s Charlie Sykes stops by to talk about Trump using political capital for the stupidest reason possible.The New York Times’ Jodi Kantor joins us to discuss her new book, How to Start: Discovering Your Life’s Work.See omnystudio.com/listener for privacy information.

Recent graduates take heart: There is meaningful work out there for you.  Jodi Kantor, Pulitzer-prize winning New York Times investigative reporter, joins host Krys Boyd to discuss how to find passion in your work, what it takes to find out what we're good at and how to choose work that the world needs. Her book is “How to Start: Discovering Your Life's Work.” Learn about your ad choices: dovetail.prx.org/ad-choices

As work becomes the place we look for identity, stability, and meaning, the stakes feel higher than ever. Esther invites you in for a live conversation between friends, New York Times journalist Jodi Kantor and facilitator and author Priya Parker. A question echoes through the room: how do you start when you don't know where you're going? This is a conversation about uncertainty, ambition, and finding the courage to begin anyway. My annual Sessions Live two-day live event is coming up next month! Through clinical, cultural, and creative perspectives, Sessions Live 2026: Cultivating Aliveness: Desire & Its Disruptions explores how relationships are evolving, and how we can translate those insights into practice. Whether you're a practicing clinician or curious mind, you'll discover fresh insights and takeaways to help you connect and thrive. Come see me live on May 15th and 16th in NYC! Podcast listeners get a special discount with the code FRIENDSLIVE to get $100 off an in-person ticket, or FRIENDSVIRTUAL for $50 off a virtual ticket at checkout on the Sessions Live ticket page. For Jodi Kantor's new book How to Start: Discovering Your Life's Work visit https://www.hachettebookgroup.com/titles/jodi-kantor/how-to-start/9780316609555/ To pre-order Priya Parker's upcoming book The Art of Fighting: The Transformative Power of Conflict visit https://www.priyaparker.com/priya-parker-books Also, please join me on Entre Nous, my new home on Substack for anyone who wants to live, love, and work with more connection and imagination. I invite you to sign up and become a free or paid member at estherperel.substack.com Learn more about your ad choices. Visit podcastchoices.com/adchoices

April 24, 2026; As a permanent end to the war in Iran continues to allude President Donald Trump, new reporting reveals that the draining of munition stockpiles could take the U.S. military years to reverse, leaving us and our allies vulnerable in the interim. Nicolle Wallace discusses with Randy Manner, Tom Nichols and Amy McGrath. Also in the hour, the latest on the possible insider trading on the prediction markets and the Supreme Court's shadow docket with Jodi Kantor. For more, follow us on Instagram @deadlinewh For more from Nicolle, follow and download her podcast, “The Best People with Nicolle Wallace,” wherever you get your podcasts.To listen to this show and other MS podcasts without ads, sign up for MS NOW Premium on Apple Podcasts. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Jodi Kantor is a Pulitzer Prize–winning investigative journalist at The New York Times whose reporting has reshaped our understanding of power, accountability, and the systems that govern our lives. She joins to discuss breaking the Harvey Weinstein story, her investigations into the Supreme Court, and how to build a meaningful career in a rapidly changing world.Learn more about our flagship conference happening this April at attend.ted.com/podcast Hosted on Acast. See acast.com/privacy for more information.

Producteur tout-puissant, cofondateur de Miramax puis de The Weinstein Company, Weinstein règne pendant des décennies sur l'industrie du cinéma. Mais en 2017, deux journalistes du The New York Times, Jodi Kantor et Megan Twohey, brisent l'omerta. À travers une enquête minutieuse, leurs révélations participent à l'essor du mouvement Me Too, libérant la parole de milliers de victimes à travers le monde. Que justice soit faite Weinstein perd le contrôle face à l'enquête du New York Times et aux preuves qui s'accumulent. Des victimes acceptent enfin de témoigner publiquement, brisant des décennies de silence. L'affaire devient mondiale et déclenche le mouvement #MeToo. Weinstein est jugé et reconnu coupable après des années d'impunité. Crédits : Production : Bababam  Textes : Auréien Prévaux Voix : Anne Cosmao, Aurélien Gouas Learn more about your ad choices. Visit megaphone.fm/adchoices

Journalist Jodi Kantor joins Sam to talk about her new book, How To Start, and how, much to the chagrin of her parents, she dropped out of Harvard Law to go into a career in Journalism. They talk about why it is so uniquely hard to find a job out of college these days, and how even if you're not a recent grad, AI is destroying the interview process and the need for entry-level jobs. They talk about why the American college system makes it so hard to take risks, the fog of technology, and the importance of focusing on craft if you can. They agree their kids will never take career advice from them and can only hear wisdom if it comes from Tik Tok, and why it would be best for everyone to find a career where they're happy in ten minute increments.  Keep up with Samantha Bee @realsambee on Instagram and X. And stay up to date with us @LemonadaMedia on X, Facebook, and Instagram. For a list of current sponsors and discount codes for this and every other Lemonada show, go to lemonadamedia.com/sponsors.

Maybe it's hoarding, or protectionist, or human nature. Whatever you want to call it, some countries have plenty of oil right now — especially wealthier ones with their own refineries and reserves — while others can't get what they need and are rationing fuel. Plus, "starting has always been hard. This era is making it harder," said New York Times bestselling author Jodi Kantor. Today, we hear her job-hunting advice for new grads.

Maybe it's hoarding, or protectionist, or human nature. Whatever you want to call it, some countries have plenty of oil right now — especially wealthier ones with their own refineries and reserves — while others can't get what they need and are rationing fuel. Plus, "starting has always been hard. This era is making it harder," said New York Times bestselling author Jodi Kantor. Today, we hear her job-hunting advice for new grads.

Producteur tout-puissant, cofondateur de Miramax puis de The Weinstein Company, Weinstein règne pendant des décennies sur l'industrie du cinéma. Mais en 2017, deux journalistes du The New York Times, Jodi Kantor et Megan Twohey, brisent l'omerta. À travers une enquête minutieuse, leurs révélations participent à l'essor du mouvement Me Too, libérant la parole de milliers de victimes à travers le monde. Sous les projecteurs L'enquête dévoile les coulisses d'Hollywood, où le succès cache des rapports de pouvoir et un système opaque. Weinstein riposte en tentant de discréditer les victimes et de faire échouer l'enquête. Mais malgré les preuves, la peur empêche encore les témoignages publics. Le face-à-face entre journalistes et producteur devient inévitable. Crédits : Production : Bababam  Textes : Auréien Prévaux Voix : Anne Cosmao, Aurélien Gouas Learn more about your ad choices. Visit megaphone.fm/adchoices

Jodi Kantor, New York Times investigative reporter, co-author of She Said (Penguin, 2019) and author of How to Start: Discovering Your Life's Work (Hachette, 2026), expands on her Columbia University commencement address where she tried to answer the question: “How, in this environment, is anyone supposed to find and start their life's work?” Photo: Cover art for How to Start: Discovering Your Life's Work. (Credit: Hachette)

Tim Cook, who has been with Apple for nearly three decades and has served as the company's CEO for 15 years, will step down in September and stay on as chairman. The tech giant announced Monday who will replace Cook. Jo Ling Kent reports. Chief medical correspondent Dr. Jon LaPook joins "CBS Mornings" to break down how you measure your biological age and why it doesn't always align with your date of birth. Award-winning journalist Jodi Kantor addresses how young professionals and students can find a career path in the age of artificial intelligence while pursuing their dreams and finding meaning in their work. "CBS Mornings" exclusively revealed Leon Smith, a social studies teacher at Haverford High School in Havertown, Pennsylvania, has been selected as the 2026 National Teacher of the Year. Smith discusses the honor, how he starts his class each day and his tips for young teachers. To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices

Producteur tout-puissant, cofondateur de Miramax puis de The Weinstein Company, Weinstein règne pendant des décennies sur l'industrie du cinéma. Mais en 2017, deux journalistes du The New York Times, Jodi Kantor et Megan Twohey, brisent l'omerta. À travers une enquête minutieuse, leurs révélations participent à l'essor du mouvement Me Too, libérant la parole de milliers de victimes à travers le monde. Le mode opératoire  L'enquête met en lumière le mode opératoire d'Harvey Weinstein, qui attirait des femmes dans des hôtels pour les agresser sous pression. Des témoignages concordants montrent un système répété pendant des décennies, soutenu par le silence et la peur. Peu à peu, des victimes brisent l'omerta et confirment l'ampleur des abus. Face à la menace, Weinstein commence à organiser sa défense pour étouffer l'affaire. Crédits : Production : Bababam  Textes : Auréien Prévaux Voix : Anne Cosmao, Aurélien Gouas Learn more about your ad choices. Visit megaphone.fm/adchoices

Producteur tout-puissant, cofondateur de Miramax puis de The Weinstein Company, Weinstein règne pendant des décennies sur l'industrie du cinéma. Mais en 2017, deux journalistes du The New York Times, Jodi Kantor et Megan Twohey, brisent l'omerta. À travers une enquête minutieuse, leurs révélations participent à l'essor du mouvement Me Too, libérant la parole de milliers de victimes à travers le monde. Le premier pas Dans un contexte de révélations croissantes sur les abus de pouvoir masculins, des rumeurs émergent sur le comportement d'Harvey Weinstein, poussant les journalistes Jodi Kantor et Megan Twohey à enquêter. Malgré des débuts difficiles et le silence des victimes, l'actrice Rose McGowan finit par témoigner d'un viol, marquant un tournant décisif. Crédits : Production : Bababam  Textes : Auréien Prévaux Voix : Anne Cosmao, Aurélien Gouas Learn more about your ad choices. Visit megaphone.fm/adchoices

For the past decade, the Supreme Court has relied on a rushed and secretive system to make major rulings on issues from immigration to the presidential power. Now, a New York Times investigation brings to light the precise moment when that system began. Jodi Kantor and Adam Liptak, who reported the story, take us inside the five days that remade the Supreme Court. Guest: Jodi Kantor, a New York Times reporter whose job is to carefully uncover secrets and illuminate how power operates. Adam Liptak, the chief legal affairs correspondent of The New York Times and the host of The Docket, a newsletter on legal developments. Background reading:  The full investigation of the “shadow docket.” Takeaways from the Supreme Court's secret track. Photo: Tierney L. Cross/The New York Times For more information on today's episode, visit nytimes.com/thedaily. Transcripts of each episode will be made available by the next workday.  Subscribe today at nytimes.com/podcasts or on Apple Podcasts and Spotify. You can also subscribe via your favorite podcast app here https://www.nytimes.com/activate-access/audio?source=podcatcher. For more podcasts and narrated articles, download The New York Times app at nytimes.com/app. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

In a wide-ranging and fascinating discussion, the two authors sit down to discuss journalism, the #MeToo movement, the Supreme Court, and what it takes to tell a good story. Jodi Kantor is a best-selling author and prize-winning investigative reporter whose work reveals hidden truths about power, law, gender, technology and culture. She is the bestselling co-author of She Said, the book that details the story of decades of sexual abuse allegations against Harvey Weinstein. She specializes in stories on power, gender, and technology, including workplace investigations into Amazon and Starbucks, and recent coverage of the Supreme Court.  Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Bienvenue dans La Traque. Cette semaine, plongez au cœur d'une affaire qui a fait trembler Hollywood et qui a changé à jamais la parole des victimes : l'histoire de Harvey Weinstein. Producteur tout-puissant, cofondateur de Miramax puis de The Weinstein Company, Weinstein règne pendant des décennies sur l'industrie du cinéma. Derrière les tapis rouges et les Oscars, il impose son influence, façonne des carrières… et installe un système opaque, protégé par le silence. Mais en 2017, deux journalistes du The New York Times, Jodi Kantor et Megan Twohey, brisent l'omerta. Leur enquête minutieuse révèle des années d'accusations d'agressions sexuelles et de harcèlement, étouffées par des accords confidentiels et la peur de représailles. Leurs révélations déclenchent une onde de choc mondiale et participent à l'essor du mouvement Me Too, libérant la parole de milliers de victimes à travers le monde. Arrêté puis jugé, Harvey Weinstein est reconnu coupable et condamné à de lourdes peines de prison. Une chute spectaculaire qui met en lumière les dérives d'un système longtemps protégé. Entre pouvoir, enquête et vérité, La Traque de Harvey Weinstein raconte comment deux journalistes ont fait tomber l'un des hommes les plus puissants d'Hollywood. Découvrez cette nouvelle saison prochainement disponible sur toutes les plateformes d'écoute. Learn more about your ad choices. Visit megaphone.fm/adchoices

Pulitzer Prize-winning New York Times investigative reporter Jodi Kantor joins Kara to talk about her new book, “How to Start: Discovering Your Life's Work.” It's a guide for young people starting their careers in an age of AI disruption, economic instability and political chaos.  Jodi acknowledges the difficult reality graduates face and tries to offer practical yet empathic advice. She argues that meaningful careers are built on “craft” and “need.” Kara and Jodi discuss how to find workarounds in an automated hiring hellscape, and what key things to look for in a first job. Plus, Jodi explains why young people need to take calculated risks, and what that looks like for recent graduates.  Questions? Comments? Email us at on@voxmedia.com or find us on YouTube, Instagram, TikTok, Threads, and Bluesky @onwithkaraswisher. Learn more about your ad choices. Visit podcastchoices.com/adchoices

Finding your path to a meaningful career has never felt more complicated. The job market is entirely unpredictable, AI is reading your resume, and entire industries seem to be disappearing.  It's a particularly uncertain moment to be entering the workforce for the first time. This week on Hello Monday, Jessi Hempel talks with Jodi Kantor about navigating the early years of a career.  Jodi is one of the Pulitzer Prize–winning journalists who broke the Harvey Weinstein story, igniting the Me Too movement. Last year, she delivered a commencement speech to Columbia's class of 2025, offering practical and comforting advice for young people on the cusp of their professional lives. She's expanded on that guidance in her new book, How to Start, which offers a roadmap to a meaningful career. In this episode, Jessi and Jodi discuss: Why the early stages of a career are inherently difficult, and how to embrace a “fruitful struggle” instead of giving up Jodi's own winding path, from law school dropout to journalist How the job search itself has changed, including the rise of AI interviews and increasingly impersonal hiring processes Why the real measure of a career isn't prestige or stability, but how connected you feel to the work in your day-to-day tasks The challenge of distinguishing your own voice and interests from expectations coming from parents, culture, or conventional career advice Why trying to game the job market or chase the “safe” profession rarely works How to hold onto the belief that work can be meaningful, satisfying, and sustainable, even in a difficult job market How cold calling doesn't get easier, and why you should do it anyway This episode is for anyone starting out, starting over, or helping someone else navigate the messy early chapters of a career. Follow Jodi Kantor and Jessi Hempel on LinkedIn

New York Times investigative reporters Jodi Kantor and Megan Twohey work tirelessly to publish one of the most important stories of the decade. It will uncover systemic sexual assault in Hollywood and help bring one of it's most powerful men to justice.

Ada Lovelace loved machines from a young age. With the help of Charles Babbage, she became one of the mathematicians who wrote the first programming language in history. This story is read by Jodi Kantor, investigative reporter and author.

HPR's Ashley Mizuo talked with Lt. Gov. Sylvia Luke on details of a January 2022 meeting where she received two checks amid a current investigation on an "influential lawmaker" accused of accepting $35,000; New York Times journalist Jodi Kantor on her career and what she learned along the way

SCOTUS may be between argument sessions, but the legal news isn't slowing down. Kate, Melissa, and Leah cover the latest out of Minnesota before touching on the Department of Homeland Security's troubling use of administrative subpoenas and Jodi Kantor's reporting on the introduction of non-disclosure agreements to the Supreme Court. Then, some election news: the Tulsi Gabbard-supervised FBI raid on an elections office in Fulton County, Georgia, Trump's desire to “take over” elections, and an update on the challenge against California's Proposition 50, Gavin Newsom's counter to racial gerrymandering in Texas. Finally, Kristi Noem's attempt to revoke Temporary Protected Status for Haitians gets shot down by the District Court for the District of Columbia, and a smörgåsbord of other legal bits and pieces. Leah: What a “Melania” Cinematographer Hoped to Accomplish, Isaac Chotiner (New Yorker); Bad Bunny's Grammys speech; Melissa's upcoming book (link below); Margaritaville Resort Times Square Kate: The Secrets of the Whales (Disney Plus); Liam Ramos Was Just One of Hundreds of Children at This Detention Center. Release Them All., Elora Mukherjee (NYT); Ian McKellen on Colbert Melissa: Should You Buy a Newspaper or a Yacht? By Alexandra Petri, How Autocrats Meddle With Elections, Anne Applebaum (The Atlantic); This Guy Sucked; Nuremberg; Mona Lisa Smile; Mrs. America; Fleece Puppy Bag (Zara) Get tickets for STRICT SCRUTINY LIVE – The Bad Decisions Tour 2026!  3/6/26 – San Francisco 3/7/26 – Los Angeles Learn more: http://crooked.com/eventsPreorder Melissa's book, The U.S. Constitution: A Comprehensive and Annotated Guide for the Modern ReaderBuy Leah's book, Lawless: How the Supreme Court Runs on Conservative Grievance, Fringe Theories, and Bad VibesFollow us on Instagram, Threads, and Bluesky

Conflict is raging in more than 30 countries around the world, according to the Institute for Economics and Peace. Each conflict is creating a dire humanitarian situation for innocent civilians, but many aid organizations now call Sudan the world's worst humanitarian crisis. Volker Türk is the UN's High Commissioner for Human Rights. He just visited Sudan and joined the show to tell us what he saw there.  Also on today's show: Director/writer Kleber Mendonça Filho and actor Wagner Moura, "The Secret Agent"; Jodi Kantor, Investigative Reporter, The New York Times    Learn more about your ad choices. Visit podcastchoices.com/adchoices

Thirty-six hours before his wife was scheduled for a major surgery, New York Times personal finance columnist Ron Lieber got a letter in the mail that sent him reeling. Insurance was denying prior authorization for the surgery. The only way forward would be to appeal the decision. But it was Saturday night, and the surgery was Monday morning. There wouldn’t be any time. Should they even go to the hospital? They decided to bet on being able to reverse the denial later on, but the last minute coverage questions left Ron’s wife, New York Times reporter Jodi Kantor, going into surgery that Monday with a brand new sense of stress and anxiety. And along with worrying how his wife's surgery would go (spoiler: it was successful), and whether they’d end up on the hook for a bajillion dollars, it left Ron to wonder why no one had given them a heads-up earlier. He set out to find answers — and whether there might be a way to prevent these last-minute denials from sneaking up on other people. Ron turned to his "Your Money" newsletter subscribers for ideas, and eventually published a draft letter in his New York Times column that doctors and other health care providers could give their patients to better prepare them for insurance curveballs. Check out the column here – and consider passing it along to any health care workers whose patients you think might benefit. Here’s a transcript of this episode. Send your stories and questions. Or call 724 ARM-N-LEG. Of course we’d love for you to support this show. See omnystudio.com/listener for privacy information.

The Supreme Court's liberal minority has voted, over and over again, to oppose the court's conservative majority in what might look like a united front of resistance. But behind the scenes, there are growing tensions between those liberal justices over the best way to mitigate the rightward lurch of the court.Jodi Kantor, who uncovered the story, explains what she found.Guest: Jodi Kantor, a New York Times reporter whose job is to carefully uncover secrets and illuminate how power operates.Background reading: Read about the debate dividing the Supreme Court's liberal justices.Photo: Fred Schilling/Collection of the Supreme Court of the United States, via Associated PressFor more information on today's episode, visit nytimes.com/thedaily. Transcripts of each episode will be made available by the next workday. Subscribe today at nytimes.com/podcasts or on Apple Podcasts and Spotify. You can also subscribe via your favorite podcast app here https://www.nytimes.com/activate-access/audio?source=podcatcher. For more podcasts and narrated articles, download The New York Times app at nytimes.com/app.

New York Times investigative reporter Jodi Kantor joins Mixed Signals to explain how she's revealed the secrets of internal deliberations behind the ceremony and black robes of the US Supreme Court. Max and Ben ask whether the court is actually leaking more, how newer justices are reshaping its public face, and what Kantor has learned about the culture of secrecy and power inside a long-impenetrable institution. She also reflects on the post–#MeToo media landscape and the fracturing of “factual consensus.” Sign up for Semafor Media's Sunday newsletter: https://www.semafor.com/newsletters/media  For more from Think with Google, check out ThinkwithGoogle.com. Find us on X: @semaforben, @maxwelltaniIf you have a tip or a comment, please email us mixedsignals@semafor.com

Jess, Sarina, Jennie and Jess are all here to talk about taking a break from various angles: the mechanics angle, the guilt angle, the fear angle, the identity angle and inspiration angle. Mechanics. * Leave yourself notes about the project when you leave off, for example, “The next thing that needs to happen is this…” so when you come back, you know how to get back into the project. This is Sarina's daily practice, but it really helps when she has to leave a project behind. This can be especially helpful when you have to go away for an unexpected emergency. * Jennie adds that the only way you can do this is if you have a place to keep and find those notes to yourself. In one of your 47 notebooks or in the document itself? Or, as Jess adds, on the side of the cardboard box you use for trash in your basement workshop that you almost recycle by accident. * Jennie also notes that you have to have intentionality, to know what you are writing so you can know what comes next, whether that's in your outline, inside outline, or whatever. * Jennie has a little notebook she brings on vacation with her and she downloads those ideas into that just before going to sleep at night when she's away. * These vacation inspiration moments are much like shower thoughts, part of the magic of our brain unhooking, getting into deep default mode network, and becoming its most creative. * Sarina mentioned an article about how walking makes you more creative, also a study in why tapping into the default mode network is so effective as a practice. Fear * The only way to get over this is to sit down and do it. Open the document. Just start. * Jennie points out that getting back into a manuscript when it's disappeared feels horrifying but it's much easier than it sounds and has happened to one of our frequent guests, Sarah Stewart Taylor, when her then-toddler created a password for the document that was not recoverable. She had to give in to the fact that her book was gone, and recreate it out of her memory. Guilt and Identity* It only took Jess until her fiftieth year to figure out that her process - of walking, gardening, beekeeping, musing - is a part of writing, and that's cool. * Can you be a writer if you are not actively writing? Yes, if research, planning, thinking and otherwise cogitating is a part of your writing process. Get over it. The words have to land on the page eventually, of course, but if you are doing both, have grace for the not-actively-writing part of the writing process. #AmReadingTess Gerritsen's series set in Maine (The Spy Coast and The Summer Guests) and, once she finished those two books, Jess went back to The Surgeon, where it all started for Tess Gerritsen. Stay tuned for our interview with her! Andy Weir's Project Hail Mary (Don't watch the movie trailer if you plan to read the book!)Sarah Harman's All the Other Mothers Hate MeAmy Tintera's Listen for the LieRosemerry Wahtola Trommer The UnfoldingRichard Osman's The Thursday Murder Club (coming to Netflix in August!)Janelle Brown's What Kind of Paradise Want to submit a first page to Booklab? Fill out the form HERE.Writers and readers, KJ here, if you love #AmWriting and I know you do, and I know you do, and especially if you love the regular segment at the end of most episodes where we talk about what we've been reading, you will also love my weekly #AmReading email. Is it about what I've been reading and loving? It is. And if you like what I write, you'll like what I read. But it is also about everything else. I've been #AmDoing: sleeping, buying clothes and returning them, launching a spelling bee habit, reading other people's weekly emails. Let's just say it's kind of the email about not getting the work done, which I mean that's important too, right? We can't work all the time. It's also free, and I think you'll really like it. So you can find it at kjdellantonia.com or kjda.substack.com or by clicking on my name on Substack, if you do that kind of thing.Come hang out with me. You won't be sorry.Transcript below!EPISODE 458 - TRANSCRIPTKJ Dell'AntoniaWriters and readers, KJ here. If you love Hashtag AmWriting, and I know you do, and especially if you love the regular segment at the end of most episodes where we talk about what we've been reading, you will also love my weekly Hashtag AmReading email. Is it about what I've been reading and loving? It is. And if you like what I write, you'll like what I read. But it is also about everything else. I've been ‘hashtag am-doing', sleeping, buying clothes and returning them, launching a spelling bee habit, reading other people's weekly emails. Let's just say it's kind of the email about not getting the work done—which, I mean, that's important too, right? We can't work all the time. It's also free, and I think you'll really like it. So you can find it at KJdellantonia.com or kjda.substack.com or by clicking on my name on Substack, if you do that kind of thing or of course in the show notes for this podcast. Come hang out with me. You won't be sorry.Multiple SpeakersIs it recording? Now it's recording. Yay! Go ahead. This is the part where I stare blankly at the microphone. Try to remember what I'm supposed to be doing. All right, let's start over. Awkward pause. I'm going to rustle some papers. Okay. Now, one, two, three.KJ Dell'AntoniaHey, I'm KJ Dell'Antonia, and this is the Hashtag AmWriting Podcast, the weekly podcast, while writing all the things—short things, long things, pitches, proposals, fiction, nonfiction. And somebody told me they thought this was a recorded intro. And I just want you to know I do this live every time, which is why there's this, come on, there's more variety here, people, and you should know that. Anyway, here we are, all four of us, for we got a topic today. But before we do that, we should introduce ourselves in order of seniority, please.Jess LaheyI'm Jess Lahey. I am the author of The Gift of Failure and The Addiction Inoculation. And I laugh, because when you said seniority, all I could do was think of us in our little eave space in my old house, down the street from you, not knowing what the heck we were doing. But yeah, we've been doing this for a long time now. You can find my... you can find my journalism at The New York Times, at The Washington Post, at The Atlantic, and everything else at Jessicalahey.com.Sarina BowenI'm Sarina Bowen. I'm the author of many novels. My new one this fall is called Thrown for a Loop, and it will be everywhere that books are sold, which is very exciting to me, and all about me at Sarinabowen.com.Jennie NashI am the newest of the co-hosts, and so happy to be among this group of incredibly smart and prolific and awesome women, and I'm the founder and CEO of Author Accelerator, which is a company on a mission to lead the emerging book coaching industry. And you can find us at bookcoaches.com or authoraccelerator.com.KJ Dell'AntoniaI'm KJ Dell'Antonia. I'm the author of three novels, the latest of which is Playing the Witch Card, and the most televised of which is The Chicken Sisters—Season Two coming soon to a Hallmark network near you. And I'm also the former editor and lead writer of The Motherlode, making me our... well, and Jennie too, like the crossover. I've done too many different kinds of writing—probably should have stayed in my lane. Oh well. And our plan today—as we're recording, it is summer. And a pretty frequent thing that happens in the summer is that you need to put your project down for a little while, because you have house guests, because you're going on the kind of vacation that does not involve working, because you just need a break or you're sick. That's not really a summer thing, but it definitely happens. Anyway, we wanted to talk about how, you know, what—what do you do to make that work better?Jess LaheyI think a lot about being a parent and needing to take a break too. And you know, this is something I talk a lot about with, you know, other writers who are sort of struggling, especially since I read a lot about parenting—who are struggling to—with that guilt of, you know, like, I feel like I owe my time to the words, and I feel like I owe my time to the children. And finding a way to take a break from the words and not feel guilty about not being with the words can be really, really hard, especially when you're going gung-ho on something. So I want to make sure that we figure out a way to have a break without guilt. That's like the big question I get a lot—is, how do you, you know, either from the parenting or the writing side?KJ Dell'AntoniaAnd I was thinking about it more from a mechanics side.Jess LaheyYeah.KJ Dell'AntoniaHow do you put this thing aside for a week or two weeks or even a month? And know where you were?Jess LaheyRight.KJ Dell'AntoniaAnd come back and feel like it does not take you forever to dig in.Sarina BowenYeah. Um, so we've got the guilt question. We've got the mechanics of how to do it. And I would just like to add a layer, which is the fear factor.Jess LaheyYeah.Sarina BowenI have this thing where, when I walk away from a manuscript, I become afraid of it. So it seems scarier when I take a break. Like, even if it's not true—that I don't know where I am or that I become unmoored from the channel of that book and it seems intimidating to go back to.Jess LaheyCan I add one more layer as well? And that's the identity factor. You know, if I identify as a writer, what am I if I'm not actively writing something? And that messes my head up a lot. So I would love to add that added layer in as well and make sure we discuss that.Jennie NashWell, and I have something totally different from all of those, which is that I often find when I go on vacation, I am more inspired and motivated to work on my project than I was in my real life. It tends to light a fire under me. So then I'm faced with that choice of, you know, wanting to really lean into it. And, you know, just like a really small piece of that story is, I love to write on airplanes. I just love it. Give me a very long flight, and it's—I just want to work and not talk to anybody. And, you know, it's awesome. So I feel some guilt around that. When I'm with my family, it's like, don't talk to me, don't watch movies. You know, I'm—I'm enjoying my plane time, doing my work. So I have that reality.KJ Dell'AntoniaWell, that's the choice that you have to start with, is, am I just, you know, can I not? Am I—do I need to accept the reality, which is that this is a beach trip with extended family and some, you know, my—to multiple generations, and I inevitably am going to be the person who is cooking and figuring out where the garbage has to go in the Airbnb? I should, you know, I—I will feel better if I just accept the reality that I'm not going to wake and work. Or, you know, is it a—is it a trip where you can schedule some work time and want to? Or is it a trip where you affirmatively want to give yourself a break? Or is it also, I mean, I sort of think that the last possibility—well, there are probably multiples—is I just want to touch this every day. So I feel like you can kind of—you're like, you're either like, just—no, not going to happen, not going to pretend it's going to happen, not going to feel the guilt. That's the—that's where we are. And there's sort of a, I just want to open the file every day and keep it warm and friendly. And on, you know these three—three days I have an hour.Jess LaheySo let's do this. Let's—let's do mechanics first, since that's the real nuts-and-bolts stuff, and then we'll talk about all the touchy-feely stuff after that. So let's do mechanics first. It sounds like you have thoughts, KJ…?KJ Dell'AntoniaWell, I was actually thinking that Sarina did this pretty recently.Jess LaheyYeah, that's true.Sarina BowenYeah. Like, you know, I, um, I have found mechanically that leaving yourself notes every time you walk away from your manuscript is a good thing. So this is sort of like a best practices in your life idea, where I will have a writing day, and it's done now, and I'm going to get up and go do other things in my life. If I pick up my notebook, and I write down where I am—like, okay, and the next thing that has to happen is this—like, it could be really short or not. But taking better notes about the structure of the thing I'm working on is serving me on so many levels that it just slots right in here. Like, I took a big trip in April, and I thought I might work, but then I didn't, and I really seamlessly came right back in, because I knew where I was, and I avoided a lot of my own fear. So, if the practices that help you become a good day-to-day writer also can be practices that help you in this very instance, the mechanics of picking up your book again are that you left yourself a note right in your document, um, or in your notebook, that says, and here's what I think is supposed to happen next. And, yeah.KJ Dell'AntoniaThat's going to be gold for an unexpected break too, because that happens, you know, right? You get one of those phone calls, and it's a week before you're back or more.Sarina BowenYeah.KJ Dell'AntoniaYeah. I love this practice. This is one of those things I forget to do.Jennie NashI feel like I—I feel like I have to add to that a couple things. That the only reason you can do that is, A, if you have a place to take notes, which—which could be your, the document itself that you're working on. But Sarina talked about a notebook, right? You have a place that you know, that you can find that, which is not an insignificant thing to have, or...Sarina BowenCorrect!Jennie NashRight?! Or, in the case of me, it's like, I have 47 notebooks. Well, which one did I put the note in?Sarina BowenRight.Jennie NashBut then the second thing is, I mean, this is something that I find so inspiring about the way you work, Sarina, and it—and it's a thing that I teach—is you have to know what you're writing, you know, in order to know where you are, what the structure is, and what you're doing, and to ask those—like, you have to have done the thought work of what, what it is you're trying to do and what your intention is. Otherwise, you sort of don't ever know where you are or where you're going. So...Sarina BowenRight, but that's on two levels. Like, you could—let's just say you have successfully written yourself an Inside Outline, you know, the way that you do it—you still might need that granular thing.Jennie NashOh yeah!Sarina BowenLike, you might know where you are in the arc of the book, but you might actually need the note that's like, "And now we're going to wash the dishes." I mean, let's please not put that in the novel, but you know what I mean.Jennie NashYeah, yeah. But that intentionality of, on the big picture, what am I doing, and on the small picture—in this chapter, in this scene, in this moment, and with this character—what was I... how'd that fit into the whole? What was I thinking? And those things are not—they're not easy. Like, we're talking about them like, "Oh, you just..." You know, like I was saying, what if you have 47 notebooks? That literally is a problem I have. It's like, I know I wrote this note down, and I don't know where I put it—digitally or analog.Sarina BowenRight. I confess I actually do still have this problem. Like, even with all of my best practices, like, put into—sometimes it's like, well, is that in the document, or is it in my notebook? And then—or I thought about it at four in the morning and actually didn't write it down anywhere. And I'm looking anyway...Jennie NashOh, I do that too. I absolutely do that too. I'm convinced that I left a note while I was driving—that's a thing I often do. I'll leave—I'll have Siri write me a note, and then somehow it doesn't appear, or it's like, I know I did this, I know I asked her to do this... you know.Jess LaheyI actually have—I was doing the recycling, and I realized that I was in big trouble because three sides of a box I'd had down in the basement with me while I was working on a project—I was doing something with my, getting some beehives ready—and I was listening to an audiobook that is research for a project I'm working on, and I had scribbled some really important notes to myself about how I was supposed to start a chapter on. And it was a great start. It was like a whole paragraph on the three sides of the box, with an old Sharpie I found down in the basement. And then I realized I almost recycled, like, some really useful outline stuff.Multiple Speakers[all laughing]Jess LaheySo normally—no, so I actually have them. While you guys are talking about something else, since we do see each other while we're recording this, I'll show you later. But the thing that I normally do is either in the document, like right where I left off, or in my main notebook, because I am so bad at finding those notes that I have strewn all over my office or on the side of a cardboard box.KJ Dell'AntoniaI have had the problem lately of I'm not in a manuscript, and that it's much easier when you're in a manuscript to come back to a manuscript, but I'm in a notebook full of assorted random Blueprint challenge, you know, like trying to—I'm, I'm in figuring out where this is going mode, which means I do a lot of thinking while I'm not working that then hopefully I go and write down. But it also means that I frequently sit down and I'm like, well, am I going to think about who these people are? Am I going to think about what the plot is? What am I going to do? So I've been trying to leave myself like a task, something that will, that will just get me, get me back in, because sometimes that's the problem. I, you know, I open the notebook, and there's no obvious thing to do, and the next thing I know, I'm buying running shoes.Jennie NashWell, since we're talking about nuts and bolts, when I said that I often get inspired when I go away or go on vacation and I want to work, I'm not talking about I'm going to go sit in a library or coffee shop for three hours. What, what I mean by that is I often have ideas that I want to capture, and so I have a little notebook that I bring on vacation, and what I like to do is go to bed early enough that I can download all the things I thought that day. I need that space and time to—if it's, if I'm working on something, it's in my head. It's not going to not be in my head. And so the one sort of new mechanical thing that I, that I do, is have that "vacation notes notebook" with me.KJ Dell'AntoniaI always carry one, and I never use it. So there's that.Jess LaheyI get—I am at my most inspired to write when I specifically can't write, which is usually behind the wheel of my car. So I use, in my car, I have been known to, you know, either scribble on things—which, totally don't do that—or to record myself on my phone. But then, audio things, I'm particularly bad at going back and listening to; that seems like it's just too much work. So those tend to get lost a lot. I need to come up with a better system for that. But it is predictable that if I am in a place where I cannot physically write, I will be at my most inspired to write.Jennie NashJess, that's kind of what I'm talking about. That's what happens to me, is I might say I'm leaving all work behind. I'm going off the grid. I'm not doing the thing. And that's when I most want to do the thing. And I, like, my brain seems to really get inspired. What? What do you think that's about? Is that...Jess LaheyI, you know, I, I was very worried that it was my sort of, um—sorry, what's the word I'm looking for? It was—it's my, my brain's way of saying, "Oh, you couldn't possibly work now, so let's have some of the best ideas so that you seem like a good little doobie writer, but it's physically impossible for you to write now." It's just a really weird thing, and maybe one of the other things I thought about is that I'm often listening to a book that I'm really into, which also inspires me to write. I've been listening to a lot of really great books lately, and you can't listen to a book—even one that inspires you deeply—and actually write at the same time, which is another quandary.Sarina BowenYou know what, though? This is not uniquely your brain messing with you—like, this is shower thoughts.Multiple Speakers[Overlapping: “Mm-hmm.” “Sorry.” “Ohhh...”]Sarina BowenBut everybody—everybody has those great ideas in the shower, and it's because you have unhooked yourself. You are just in there with the shampoo and the conditioner and that razor that you probably should change the blade with, and like, you know, there is nowhere to write and nothing to do. So your brain is like, I am free right now to unclench and actually solve this problem of chapter 17, and that's what—that's what happens.Jess LaheyIt is my duty, whenever we mention this, to bring up that—years ago, Ron Lieber, the write... uh... the "Your Money" columnist at The New York Times, told me that he has a waterproof little whiteboard situation that's— that lives in the shower. He and his wife, Jodi Kantor—amazing writer as well, Pulitzer Prize–winning writer, even— that these would be people who might just need a waterproof whiteboard in the shower with them.Sarina BowenBut would that ruin the magic…?KJ Dell'AntoniaIt might just...Multiple Speakers[all laughing]Jess LaheyIf you had a place to write it down, your brain would—like—be... your brain would say, "Sorry, I'm not coming up with good ideas."Sarina BowenBecause I don't think I am willing to take this risk. I take a lot of risks in my life, but this one—like; we do not mess with the shower thoughts. I think, I think...KJ Dell'AntoniaSo, so what do we do if you didn't do any of this? If what—you know—what are—you're listening to this podcast, coming back from your trip, and you're like, I... was writing... something...Sarina BowenYou know what, though? I almost feel that we should point out the fact that, like, that is kind of unlikely. Like, somebody should feel welcome to take this trip and to have all those thoughts, and even if you didn't write them down on your whiteboard in the shower or on your handy notebook, like, I would argue that unhitching yourself in the first place possibly leads to a lot of creative development that, even if you don't capture it in the moment, is still with you. Like, I had this fantastic trip in April. I thought I was going to work, and then I did not, and it was, like, the best two weeks of my life. So then, the other day, my husband said, “Hey, there's a new article you need to read in The Athletic,” which is a New York Times sports blog, and I have just pulled it up so that we can recommend it, about how walking makes you a better problem solver. And the framing story of this article is about a retired baseball coach, but, um, but then, when they got around to studying it, um, they said this question planted the seed for the first set of studies to measure if walking produces more creativity. In the series of experiments, Oppezzo and Schwartz [Marily Oppezzo & Daniel L. Schwartz] asked 176 college students to complete different creative thinking tasks while sitting, walking on a treadmill, walking outside through campus, or being pushed in a wheelchair. In one example, the students had to come up with atypical uses for random objects, and anyway, on average, the students' creative output increased by 60% when they were walking.Jennie NashThat's so cool!Sarina BowenAnd the article is—it's so cool—it's called An MLB manager found value in long walks. Research suggests it's a ‘brain-changing power'.Jess LaheyI have put a spot for it in the show notes. And I should mention that this is all part of what we call the default mode network. This is the—the part of our brain that is the wandering, most creative part of our brain. And we can get there lots of ways. Walking is a fantastic way to do it.KJ Dell'AntoniaSarina, if you do have the fear of the manuscript when you're coming back to it, like, take—you know, travel back in time to maybe when you were a little less confident in your abilities. What do you do to get past the fear and sit down?Sarina BowenThere is only one solution, and that is sitting down. And I'm not so great at this—like, when, when the fear creeps up on me, in spite of my best intentions, man, I will do anything to avoid that sucker. And then when I finally do, and I wade back in, almost every time my response is, Oh, this isn't so bad. I know where—I kind of remember now. It's going to be fine, you know. But it's so easy to put off work out of fear. It's—it's the—it's the one big obstacle. Like, I don't put work off for other reasons, you know, because I'm tired or whatever. It's because I'm afraid that there's something fundamentally wrong with the project, or fundamentally wrong with me, and that is almost always what's keeping me from doing good work.Jennie NashThere was, back in the day before computers became what they are now, people would frequently lose manuscript drafts. It was just much harder to save your work. And I can't—I can't explain exactly what changed, but it was. People frequently lost huge chunks of their work if they didn't actively back up. And when I was a new coach and working with writers who would lose their manuscripts, they would be—understandably—beyond devastated. And this often was full manuscripts, just unrecoverable, full manuscripts. And it was true that if they sat down to recreate what they'd written, it would really flow from them, for that same reason—it was still in their brain. They—they had—they'd written it, so there was a sense that they had, they owned it, and they could sit down, and it was kind of quite remarkable. And I would confidently say to them, just sit down, start writing. I think it will come to you, and it always did. It's very interesting.Jess LaheyThere's an example—we've interviewed Sarah Stewart Taylor many times now, and she tells the story of, a long time ago, her youngest managed to crawl across the computer in such a way as to create a password for the document itself, and there's nothing that can be done. She was on the phone with Word—with Microsoft—for a long time, and they're like, look, this is a password you created. We can't—that's not recoverable. So she had to go and recreate—I believe she was about a third of the way into a book—but she said that it actually flowed really well, and that, you know, she'd had it, it had been cooking and stuff like that. So that massive fear of, oh my gosh, how am I going to get back into this project when it has just disappeared? It turned out to be not a thing—that it actually came really easily to her.Jennie NashJess, you're bringing all the very weird stories today, and I'm so here for it—notes on boxes, babies making passwords.Jess LaheyYeah, well, and the hard part—the funny part about that—is like, you cannot recreate a toddler, essentially, like bashing away at your keyboard and creating a password that's never coming back. Sorry.Sarina BowenThere is a writer—she once gave a talk that I heard—a very successful young adult author, Cynthia Leitich Smith, and she apparently wrote a discovery draft of the novel to, like, figure out what it was about and then deleted it and started over on purpose.Jennie NashOn purpose?!Sarina BowenYes, and everyone in the room gasped because, of course, you know that I just rather, like, been in a lot of pain. I'd rather have oral surgery than delete my first draft of a novel. But, um... but yeah, if she was unafraid to get back there after that kind of break, then I think we can all handle it.KJ Dell'AntoniaThis is true. I've never deleted a draft, but I have just gone—poofft—"Let's, let's, let's start again." In fact, almost every time. Kind of sad. I'm doing it now, actually, but it's not a full draft. Anyway. So take the breaks, right? That's what we're saying here.Sarina BowenYeah, take the break.KJ Dell'AntoniaYou can break however you do it, you know, whichever thing you pick, and if you don't do what you thought you were going to do, that's cool, too. It's going to—it's going to be fine.Jess LaheyCan I mention something that has—so that now that we've sort of done mechanics, we've done a little bit about the fear thing, the—the identity thing—has been really hard for me, in that I have these two books that I've written, and I've written a bunch and researched a bunch of things over the past couple of years, and people keep asking me, what are you writing? What are you writing? And the reality is, like, I'm not. I'm working on something, I'm researching something, and I've written a lot of things. In fact, now I'm holding up my cardboard box pieces—I found them. But the day—I'm not, like, meeting a 1200-words-a-day goal. And sometimes I feel really... I feel like a fraud. I feel like a massive fraud. Like, what kind of writer is not actually sitting down and writing 2,000 words a day? And that's incredibly difficult for me. Like, I don't deserve to call myself a writer, even though I have a couple of books out there and I wrote—you know—did all this other stuff. But the thing that I have—there are a couple of things that have really helped—and one of those is to understand that and have some grace for myself around what I happen to know full well what my process is. Yes, I wrote a couple of book proposals that didn't turn into books, but it was only through writing the book proposals that I discovered that those books weren't something that I wanted to write, and only through doing all of this research on audiobooks and writing on the side of cardboard boxes. That's the way I've written every one of my books. And it's not—it's just what works for me. And so having a little bit of this, you know, this feeling of insecurity as a writer, I don't think is—I don't think is unique to me. I think a lot of writers feel this, and it's...KJ Dell'AntoniaNo, all the rest of them are...Jess LaheyAll of them are really...KJ Dell'AntoniaYeah, no, everyone else is just like, well, of course. No, I'm not an imposter.Jess LaheyBut what's great is when I sit down with other writers and I say, what is an integral part of your process that isn't actually about putting the words on the page? That's not some bogus, like, excuse for not writing. You know, the gardening is part of it, the—the research is part of it, the listening to audiobooks is part of it. The writing—or the walking—is part of it. And it's not just a part of it. It is an incredibly important part of it for me, and—and understanding that and owning that about myself has been really a good thing for allowing myself to not—I'm not productive when I just feel guilty or like an imposter every day. It—that's not good for my process. But none of you ever feel that, right?KJ Dell'AntoniaOr apparently the people around you…Jess LaheyThe other thing that has been—well, the other thing that's been really, really helpful is the—and especially from the parenting perspective—is, or the marriage perspective, or the dog perspective, or the bees perspective, is I need to be fully committed to the thing right in front of me when I'm doing that thing. And if I'm feeling guilty about not being with the words when I'm with my children, or not being with my children when I'm with the words, that is awful, too. And so I have found that when I have to let go of all the other stuff and be fully, 100% in, I'm highly distractible. And so if I'm not fully in the thing, and that—all that guilt of not being over there doing that other thing—that's just taking away from the actual process of writing or researching or whatever it is, or taking care of my bees. I have to be fully in the thing I'm in and not feel guilty about not doing something else. And that's been a growth moment for me, too. It only took me—how old am I? I'm 55 now, and I got there somewhere around 50, I think.Jennie NashThere is also—I mean, I—I love what you're saying, and that is a thing to strive for, for sure—to be, to be present in whatever you're doing. But there is also this idea—I always think of it as mental real estate—that you leave for your project, for your idea, for your writing, for your book. That you, that you have a space in your brain devoted to that, and that you visit, whether or not you're producing words. And I think that that, too, is writing. I think, in some ways, that's more writing than sitting at the keyboard. I mean, I always object to the process of just putting words down. And a lot of the things that challenge writers to do that, because they skip that part—the thinking part and the having-the-part—you know, the real estate-in-your-brain part. And I think this connects to the shower—shower thoughts, right? You're gardening or beekeeping, you're walking, you're thinking, you're writing proposals and throwing them out. You're doing all that, that, that's writing. That's the—that's writing in my mind.KJ Dell'AntoniaAnd it's not... I mean the other thing we do say a lot is, you know, "Good writing comes last."Jennie NashYeah.KJ Dell'AntoniaYou've got to do the other stuff. So you can do it on vacation, or you could not do it on vacation. This—I don't think—we just—maybe I—this was my idea, and I think maybe I just needed the reassurance. I have a couple weeks coming up where I'm probably not going to do anything, and I just needed a reminder that that's cool. That's cool. It's all right. It's going to be okay. That's what I—if y'all could just pat me on the head and say "it's going to be okay."Multiple Speakers[Overlapping voices: “Mm-hmm,” “Sorry,” “Ohhh...”]KJ Dell'AntoniaSix or ten times an hour, that might be about what I need.Jess LaheyWell and one of the other things that has been really cool this summer is I've been on a streak of really good books. And every one of those really good books that I've been reading has made me like, Oh, I could do this. Oh my gosh, I could do that. I could write like her. I could I could write this other thing. And it's, it's all that energy is good and it's all a good thing to sit on a beach and read a book, or sit in the woods and read a book. It's all great.KJ Dell'AntoniaAll right, everybody, go collect some energy. Hey, on that note, who's read something good lately?Jennie NashI want to hear all these great books, Jess.Jess LaheySo I really have been on this roll. I've already talked about Atmosphere in an earlier podcast, the Taylor Jenkins Reid thing. But then I've been on this Tess Gerritsen jag, because we're—I'm interviewing Tess Gerritsen later this week. You guys will get to hear her later this summer. I am... Sarina and KJ, I believe, read the first of her new series that she has set in Maine and with a couple of retired CIA agents and spies in Maine. And then I enjoyed those so much that I went all the way back to the beginning—to her first book, The Surgeon, which I didn't even know was turned into this whole series called Rizzoli and Isles. It's a television show—I had no idea. And now I'm deep into Tess Gerritsen land. I'm still—I found out that there's going to be a movie of the book by the guy who wrote The Martian, Andy...Sarina BowenAndy WeirJess LaheyAndy Weir, thank you. And I was warned very specifically on social media not to watch the preview—the trailer—for the new movie that is going to be coming out with Ryan Gosling later on this summer, because it ruins the book. The book is called Hail Mary… Project Hail Mary. So I very quickly turned away from social media and said, Ooh, I better read the book really quickly before anyone ruins it for me, and I am enjoying the heck out of Project Hail Mary. So it's been really fun. Yeah.Sarina BowenI am reading a book that KJ put into my hands. And the fun part is that I don't remember why she put it into my hands, you know. Like, why did I pick up this book? Like, it happens all the time. It's called All the Other Mothers Hate Me by Sarah Harman.Jennie NashWhat a great title.Sarina BowenYeah, like, I picked up this book, and my husband said, oh my God, what a great title. And so, yes, that's super cool. And it's very voice-y. And the—the flap copy has the—a premise that smacks of a thriller, but the voice isn't like all deep, dark thriller. And so I think maybe the contrast of those two things might be why KJ put it into my hands. But I am enjoying the fabulous writing, and I'm—I'm still at the beginning, but the way she introduces characters is really sharp. So even that alone is like a little master class on introducing characters.KJ Dell'AntoniaYeah, that was why I gave it to you, was that we'd been talking about, you know, the voice, and also because we'd been talking about, like, funny thrillers versus thriller-y thrillers. And this isn't funny, but it's super voice-y. It reminds me of the one you pressed into my hands, which maybe is a little funnier—Listen for the Lie.Sarina BowenYeah, yeah.Jennie NashWell, I'm reading something very different, which is not—not very beachy. I go to a yoga class that is taught by a middle grade English teacher, and she runs her yoga class sort of like English class, where she always starts with a poem and throughout the class, she refers back to the poem in a very embodied way that you're doing the yoga around. And then she reads the poem again at the end. It's—its spectacular. She's—she's so popular at our yoga studio that you have to, you know, fight your way in. But she read a poem by a woman named Rosemerry Wahtola Trommer—and that's Rosemerry like Christmas Merry, so: Rosemerry. And the book is called The Unfolding. And I say it's very different from what you are all mentioning because this woman experienced the death of her young son and father in very close proximity, and her poems are ostensibly about grief, but they're just filled with joy and hope and delight. And, you know, it's kind of that thing you're talking about, Sarina—that it's—here's a book about tragedy and grief, but it's—there's something about the voice that just is—is fresh. And they're just—they're just stunning, just absolutely stunning. And I have gone and ordered all her books, of which there are—are many. So she's a new voice to me, and I just—I can't get enough of them. They're incredible.KJ Dell'AntoniaWell, here I am going to go back to the fiction summary read-y thing. I am very late to The Thursday Murder Club party, but it is joy. It is so much fun—really your sort of classic Agatha Christie stuff, but way, way funnier and more entertaining, with a dash of elderly spies. So we're on that theme. And then I also want to mention, just because I liked it so much—and I'm not sure I want everyone to read it—What Kind of Paradise by Janelle Brown. This could be your lit fic read of the summer. It's somewhere—but—but it's still a page turner. And I thought the premise was extremely great. Basically, it's: what if the Unabomber had also raised a young daughter with him in the woods on all of his theories, back when the Unabomber was living in the woods, and inadvertently involved her in his first kill before she got away? And now she's an adult looking back at what happened. And Janelle Brown is a Silicon Valley person. She's really steeped in this culture. She really knows this world. It's a really good book—plus super entertaining.Jennie NashI love it.KJ Dell'AntoniaThat's it!Jess LaheyI love it when we have a lot of good stuff, because there have been a couple weeks this year where we were like, I was just let down this time around. But yay, I'm loving this.KJ Dell'AntoniaAll right, I think that's it for us this week, kids. Remember, if you support the podcast, you get bonus content every week right now, because we are killing it. You might get Jess's Soup to Nuts series, where she is coaching a fellow writer on creating a nonfiction proposal that also will work with her speaking career. You can join me and Jennie on a weekly basis as we flail our way through the beginnings of writing a couple of books. And of course, on a monthly basis, we've got the Booklab, where we look at the First Pages of novels submitted by listeners. And if you'd like to submit to the Booklab, that'd be great. Jess will put the link in the show notes.Jess LaheyIndeed, Jess will. And until next week, everyone, keep your butt in the chair and your head in the game.The Hashtag AmWriting Podcast is produced by Andrew Perella. Our intro music, aptly titled Unemployed Monday, was written and played by Max Cohen. Andrew and Max were paid for their time and their creative output, because everyone deserves to be paid for their work. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit amwriting.substack.com/subscribe

Valerie's focus on the villain's monologue in She Said was always going to be risky because we'd have to hear Harvey Weinstein's justification but justification requires the villain owning his stuff! What's interesting is not what's said but who says it. There's also differences between the turning points in this movie and the others we've watched, and it has a big impact on the story. -M Get The Fundamentals of Storytelling today! Go to storynerd.ca/courses and use coupon code CANADA50, now through July 7, for 50% off. For access to writing templates and worksheets, and more than 70 hours of training (all for free), subscribe to Valerie's Inner Circle.To learn to read like a writer, visit Melanie's website.

After a eight-week trial whose every turn has grabbed headlines, a jury found Sean Combs, the music mogul known as Diddy, not guilty of the most serious charges against him.Ben Sisario, who has been covering the trial, explains why the prosecution's case fell short, and Jodi Kantor, an investigative reporter at The Times, discusses what the verdict may tell us about how prosecutors and juries see sexual abuse cases.Guest:Ben Sisario, a reporter for The New York Times covering music and the music industry.Jodi Kantor, a New York Times reporter whose job is to carefully uncover secrets and illuminate how power operates.Background reading: The music mogul was convicted of arranging for the travel of male escorts across state lines but acquitted of sex trafficking and racketeering conspiracy.After the verdict, the testimony of Cassie and “Jane” lingers.For more information on today's episode, visit nytimes.com/thedaily. Transcripts of each episode will be made available by the next workday. Photo: Shareif Ziyadat/Getty Images for Sean "Diddy" Combs Unlock full access to New York Times podcasts and explore everything from politics to pop culture. Subscribe today at nytimes.com/podcasts or on Apple Podcasts and Spotify.

Harvey Weinstein is once again in a Manhattan courtroom defending himself against sex crimes charges – allegations that came to light after deep investigative work by New York Times reporter Jodi Kantor. The best-selling co-author of “She Said” joins host Krys Boyd to talk about her work uncovering consequential stories, when she knows a story is ready for print, and what attracts her to stories that hold powerful people to account. Learn about your ad choices: dovetail.prx.org/ad-choices