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Send us a textEverywhere we look, the backlash against trans lives is growing louder. We're facing policies targeting healthcare, book bans erasing our stories, coordinated campaigns to sow fear and confusion. This backlash isn't happening in isolation, though. It's part of a much larger cultural and political force determined to roll back gender justice for all of us. Today In the Den, Sara and acclaimed policy analyst Julie Kohler dig into what's beneath the backlash across America—how it formed, why it's intensifying now, and how it's shaping our politics, our families, and our public life. Julie weaves research, history, and storytelling to show the connective tissue between attacks on the trans community, assaults on reproductive freedom, and attempts to reassert rigid gender norms.Special Guest: Julie KohlerJulie Kohler is an acclaimed writer whose work has appeared in CNN, The Washington Post, MSNBC, The Daily Beast, and many other outlets. She is also the co-creator, executive producer, and host of the Wonder Media Network podcast White Picket Fence. The podcast has won multiple awards, including a 2025 Webby Award for Best News & Politics (Limited Series & Special) Podcast and a 2024 Signal Award for Best News & Politics Podcast. Julie has two decades of experience working in philanthropy, advocacy, and higher education and is a highly sought out speaker on a variety of topics pertaining to gender justice, policy, and politics. She is the president of BMK Consulting, a philanthropic and nonprofit strategy consulting firm, and a Senior Advisor at the New School's Institute for Race, Power and Political Economy. Previously, she served as Senior Vice President and Managing Director for the Democracy Alliance, a progressive donor network, and as a fellow in residence at the National Women's Law Center. She has served on the boards of many organizations working to strengthen democracy, including, currently, the Pipeline Fund. She has a Ph.D. in family social science from the University of Minnesota and lives in Washington, DC with her family.Links from the Show:Julie's podcast White Picket FenceJulie's websiteJoin Mama Dragons today In the Den is made possible by generous donors like you. Help us continue to deliver quality content by becoming a donor today. Support the showConnect with Mama Dragons:WebsiteInstagramFacebookDonate to this podcast

Denver Broncos just caught a huge break at the perfect time as they learned the Los Angeles Chargers will be resting their starters for Week 18 meaning Bo Nix and the Broncos will essentially be handed the first seed in the AFC. Also, fans seem to be warming up to the idea of passing on free agent running back J.K. Dobbins in 2026 and moving forward with second-round pick RJ Harvey for the future. Stay until the end for a 'Would-you-rather' Bo Nix edition!Join the Broncos Avenue community to receive exclusive perks! Get early access to videos, ad-free episodes, special badges and MORE: https://www.youtube.com/channel/UCVaN0vAKhNky_bhTwW1VQFQ/joinWant us to cover MORE Denver Broncos news? Subscribe: https://www.youtube.com/@BroncosAvenue?sub_confirmation=1Socials: https://linktr.ee/broncosavenue

Most people are waiting.Waiting for the right moment.Waiting for permission.Waiting for someone else to fix what feels broken.In this powerful conversation, Kellan Fluckiger is joined by Gabriela Popescu to deliver a liberating truth: no one is coming to save you — and that's the best news possible.Together, they explore how modern programming, constant productivity, people-pleasing, and unhealed trauma disconnect us from our power. Gabriela shares her framework for moving from chaos to harmony, reclaiming sovereignty, setting boundaries, healing the four bodies, and learning to truly love yourself.This episode is a call to radical ownership, self-trust, and embodied healing — one step at a time.

Fr Toby with a bit of help from Tim Keller reflects on Matthew's Genealogy and what the Gospel is and is not.THE FRIARSIDE airs live on Radio Maria on Mondays and Tuesdays at 11.15am and is rebroadcast at 11.15pm on the same days. Radio Maria's priest director Fr Toby hosts special guests, reads spiritual books and talks everything from Aquinas to philosophy, making a wide range of content accessible for everyone. If you enjoyed this programme, please consider supporting us with a one-off or monthly donation. It is only through the generosity of our listeners that we are able to be a Christian voice by your side. ⁠www.radiomariaengland.uk⁠

On the podcast today we talk to the first of our Freelance Journalism Awards winners from 2025. Hannah Fearn won Best News Story and Best Opinion Writer for her work on social affairs. In this episode she talks about how she investigated a report from inside a children's prison. She also shares her invaluable tips on how to pitch to opinion desks.GuestHannah Fearn https://www.linkedin.com/in/hannahfearn/Bluesky @hannahfearn.bsky.socialResourcesHannah's powerful story on lockdown in child prisons stood out for its impact and writingHannah's columns on social affairs were called “well-researched and passionately argued”Freelance rights guide https://www.womeninjournalism.co.uk/guidelines/oldo7g1jr7say9zn95edt9agt3kviwInside Housing https://www.insidehousing.co.uk/Health Service Journal https://www.hsj.co.uk/

When Indian cricket fans unleash fury on Twitter about disputed LBW calls, host Steve Davis fields the abuse meant for someone else. This episode brings together both Steve Davises for the first time. The retired umpire who stood in 57 Test matches shares what it’s like to make split-second decisions in front of millions, survive a terrorist attack in Lahore, and maintain composure when Shane Warne announces his next delivery to the batter. The SA Drink of the Week features Ballycroft Vineyard and Cellars’ 2024 Small Berry Montepulciano from Langhorne Creek, tasted and endorsed by both Steve Davises. The wine presents an intriguing contradiction, its dark appearance suggesting heavy Barossa Shiraz, yet delivering a lighter, fruit-forward palette that Joe Evans recommends chilling for summer enjoyment. The Musical Pilgrimage features Steve Davis and the Virtualosos with “From the Cathedral to the City End,” weaving together Test cricket, Adelaide Oval, and the 1662 Book of Common Prayer into a meditation on how this game brings us together. You can navigate episodes using chapter markers in your podcast app. Not a fan of one segment? You can click next to jump to the next chapter in the show. We’re here to serve! The Adelaide Show Podcast: Awarded Silver for Best Interview Podcast in Australia at the 2021 Australian Podcast Awards and named as Finalist for Best News and Current Affairs Podcast in the 2018 Australian Podcast Awards. And please consider becoming part of our podcast by joining our Inner Circle. It’s an email list. Join it and you might get an email on a Sunday or Monday seeking question ideas, guest ideas and requests for other bits of feedback about YOUR podcast, The Adelaide Show. Email us directly and we’ll add you to the list: podcast@theadelaideshow.com.au If you enjoy the show, please leave us a 5-star review in iTunes or other podcast sites, or buy some great merch from our Red Bubble store – The Adelaide Show Shop. We’d greatly appreciate it. And please talk about us and share our episodes on social media, it really helps build our community. Oh, and here’s our index of all episode in one concisepage. Running Sheet: Steve Davis Talks Cricket With Former Umpire Steve Davis 00:00:00 Intro Introduction 00:01:50 SA Drink Of The Week The SA Drink Of The Week this week is a 2024 Ballycroft Montepelciano. Joe Evans of Ballycroft Vineyard and Cellars made an unexpected connection five weeks before this recording. During a Barossa wine tour for friends visiting from England, Steve Davis the umpire introduced himself at the cellar door. Joe mentioned knowing another Steve Davis from Adelaide, someone involved in cricket. The dots joined. Both Steve Davises then converged on this episode, linked by Langhorne Creek grapes and the patron saint of Adelaide. The 2024 Small Berry Montepulciano arrives in the glass looking deceptively heavy. Its dark colour suggests bold Barossa Shiraz, thick and commanding. Yet the first sip tells a different story. Light fruit dances on the palette, a brightness unexpected from that brooding appearance. Joe recommends chilling it slightly and serving through summer, perfect with Italian or Mexican food. Steve the umpire remembers that 10:30am Sunday morning tasting at Ballycroft. When Joe poured this wine, Steve thought immediately of Barossa Shiraz. That’s his drink. But then came the taste, revealing something gentler yet structured. The wine builds as it sits on the palette, gaining weight and presence. Like a pitch heading into day three or four, settling into its rhythm rather than losing life. The conversation meanders through wine, travel and cuisine. West Indies food has never won Steve’s heart, so more of this Montepulciano would help those meals considerably. Host Steve notes how the wine shifts from what seems like a marriage between Pinot Noir and rosé to something with genuine body and staying power. It’s not Pinot weight, not Grenache or Merlot either. The complexity reveals itself slowly, rewarding patience. The 2024 Small Berry Montepulciano from Ballycroft Vineyard and Cellars, endorsed by two Steve Davises, stands as this week’s South Australian drink. 00:10:25 Steve Davis and Steve Davis INTRODUCTION:So, I need to come clean about something. For years on Twitter, I’ve been fielding abuse meant for someone else. Indian cricket fans would see “Steve Davis” and unleash fury about a disputed LBW or a missed edge – and when I’d reply, mortified apologies would flood in. They’d meant the *other* Steve Davis. The one who stood in 57 Test matches, 137 ODIs, survived a terrorist attack in Lahore, and spent 25 years making split-second decisions in front of millions. Today, finally, I get to meet the bloke whose honour I’ve been accidentally defending. Steve Davis, welcome to The Adelaide Show. NOTES: The conversation begins with a revelation. Far from being retired, Steve Davis the umpire spends twelve months a year refereeing cricket across two continents. Every six months he travels to England for County Cricket, returning to Australia for Sheffield Shield and Big Bash matches. When he thought retirement from umpiring might leave him lost, the England and Wales Cricket Board offered him a lifeline that turned into a globe-trotting vocation. His cricket origins trace back to Elizabeth, newly formed with perhaps eight houses when his parents arrived as ten-pound Poms. His father Dave Davis played for WRE Cricket Club alongside John Scarce, whose son Kevin Scarce kept wicket for Steve at Elizabeth High School and later became Governor of South Australia. Cricket in Adelaide was woven through family, friendship and those Saturday afternoons where you’d stand in as a sub fielder, watching your father’s team and falling deeper into the game’s rhythm. The path to international umpiring began humbly in D Grade after finishing his playing career at West Torrens. Within two seasons he’d progressed to A Grade, and by November 1990 he was officiating his first Sheffield Shield match. His debut came partly through circumstance rather than genius. When Tony Crafter retired to become Australia’s first full-time umpire manager, a vacancy opened among South Australia’s two eligible international umpires. Steve joined Darryl Harper in that select group. On 12 December 1992, exactly 33 years ago yesterday, he walked onto Adelaide Oval for his first One Day International. Pakistan versus West Indies. His home ground, but the nerves were overwhelming. Terry Prue, his Western Australian colleague, radioed from square leg to report that Richie Richardson had noticed Steve missing all of Wasim Akram’s no balls. In his nervousness, he’d forgotten to look down at the front foot. When he finally started calling them, Wasim’s response was gentlemanly: “Oh, come on, we’re all friends out here. Give me a bit of warning.”The umpire’s process demands intense concentration. First, watch the front foot land. The moment it’s safe, eyes shoot straight to the bottom of the stumps, letting the ball come into view. As soon as the ball dies, switch off briefly, then begin again. Steve ran his counter one ball ahead, clicking after each delivery so the number five meant two balls remaining. This meant no clicking back for no balls, just not clicking forward. Tim May once stopped mid-delivery and demanded Steve stop clicking his counter during the run-up. His Ashes Test debut at Adelaide Oval in 1997, just his second Test match, stands as one of his finest days. He got every decision right on a 44-degree day when England lost the toss and their bowlers were bowling one-over spells in the heat. Steve Bucknor, his partner that day, also had a flawless match. Alex Stewart still calls him “legend” when they meet at English grounds. The Decision Review System arrived while Steve was umpiring, transforming the role completely. Some umpires, like Mark Benson, couldn’t handle seeing their decisions overturned repeatedly. Benson flew home after two days of a Test match in Australia and never returned to international cricket. Steve embraced DRS immediately. His philosophy was simple: we’re going to end up with the right decision. Better that than five days of a team reminding you about that first-ball error while the batter you gave not out compiles a century. These days, third umpires call all no balls in televised matches. The technology highlights the foot crossing the line, removing that split-second judgment from the on-field umpire. Steve wonders if he’d survive in today’s game, his neural networks so hardwired to glance down then up that retraining might prove impossible. The theatre of the raised finger remains cricket’s most iconic gesture. Steve took his time with it, though not as long as his late friend Rudy Koertzen, dubbed “Slow Death” for the excruciating journey his hand took from behind his back to above his head. Some umpires point at the batter instead of raising the finger, a practice Steve abhors. The law says raise the index finger above your head. The drama lies in that pause, that moment of tension before the finger rises. He carried the essentials: a counter, a wallet-style kit with sprig tightener, pen and pencil, notepad for recording incidents, light meter readings, and lip balm. Some umpires packed their pockets with everything imaginable, but Steve kept it minimal. His process worked. He knew what every ball demanded of him. Shane Warne’s deliveries would fizz through the air with such spin and accuracy that he’d announce his intentions to batters. “This is my wrong one. This one’s going on your leg stump.” It worked brilliantly, planting doubt even as batters wondered if he really meant it. Murali presented different challenges. Steve couldn’t predict where his deliveries would spin until he noticed Sangakkara’s gloves lining up behind the stumps. The great wicketkeeper knew exactly where every Murali ball was heading, providing Steve a crucial visual cue. The conversation turns to safety. Fast bowlers send the ball down at 150 kilometres per hour. When batters connect with the full force of their bats, that ball can come back even faster. Steve got hit more than once. At St Lucia during a West Indies versus Pakistan match, he turned at the wrong moment and the ball struck him square in the backside. Looking up at the big screen, he saw himself mouthing the words that immediately came out, while David Boon and Paul Reiffel, his Australian colleagues that day, doubled over in laughter. The Pakistani batter complained that Steve cost him four runs. Steve’s reply: “Bad luck. You cost me a bruised bum.” The smashing of glass still triggers something in him. Loud noises. Fireworks. His wife Annie says he didn’t get enough counselling after Lahore. She’s probably right. On 3 March 2009, terrorists attacked the Sri Lankan team’s convoy in Lahore. Steve’s van, carrying the umpires, was the only vehicle left in the roundabout after the team’s bus escaped. Every window was shot out. The driver died instantly from a gunshot wound. All five security outriders were killed. Lying on the floor among broken glass, Steve thought: this is not the way I should die. Not here. Not on the way to umpire a Test match. They survived. The terrorists realised the Sri Lankan team had escaped and stopped firing. Steve returned to umpiring but never went back to Pakistan. He did return to other parts of the subcontinent, to other places that required trusting local security. During the drive back to the hotel after the attack, past kids playing cricket on dust bowls, he knew Pakistan wouldn’t see international cricket for years. Those kids who loved the game wouldn’t see their heroes. The political and ideological conflicts would keep cricket away. Asked which game he’d relive for eternity, Steve chooses that second Test match at Adelaide Oval. The Ashes. England versus Australia. His home ground. Forty-four degrees. Every decision correct. Recognition from players like Alex Stewart who still speak warmly of his performance. It represents everything he worked towards: getting it right when it mattered most, on the ground where he grew up watching cricket, in the series that defines the sport. He umpired with characters who became dear friends. Ian Gould, whose father was also named Cyril George, just like Steve’s dad. An impossibly unlikely pairing of names that bonded them immediately. In Calcutta, when Gould was being carted off to hospital with dehydration, he had to fill out a form listing his father’s name while smoking and drinking black tea. Steve looked over his shoulder and saw “Cyril George” written there. On Gould’s final stint umpiring in Birmingham, Steve was the referee. They spent every evening walking the canals with a few pints, the only four-day match where Steve never filed a meal claim. Rudy Koertzen. Steve Bucknor. These were the colleagues who made the profession worthwhile. The spirit of cricket exists, though interpretation varies. Steve recalls Andrew Strauss making a fair point during the Steve Finn incident at Leeds. Finn had a habit of knocking the bails off at the bowler’s end with his knee during his delivery stride. Both batsmen, Graeme Smith and Alvaro Petersen, complained it was distracting. When Finn did it again and Smith edged to Strauss for a catch, Steve had already signalled dead ball. Strauss came over and said quietly: “Why didn’t you tell me you were going to do that?” Steve acknowledged it was a fair point. He probably should have warned the captain. The laws changed after that Test. If stumps are dislodged at the bowler’s end, it’s now a no ball. Cricket people sometimes call it the Steve Finn Steve Davis law change. Cricket’s hierarchy remains clear. Test cricket stands at the pinnacle. Always has, always will. Ask any umpire who the best officials are, and they’ll list those who’ve done the most Tests. Steve’s 57 Tests mean everything to him. The 137 ODIs are nice, but Tests define an umpiring career. The Hundred in England draws families beautifully, but Test cricket is where greatness lives. At the end of play, Steve would call “Time, gentlemen. That’s time.” A simple phrase marking the end of another day’s combat, another day of split-second decisions, theatre, and that noble spirit that still runs through cricket despite everything that tries to corrupt it. 02:00:15 Musical Pilgrimage In the Musical Pilgrimage, we listen to From The Cathedral To The City End by Steve Davis & The Virtualosos. IThe Cathedral looms over Adelaide Oval, watching cricket unfold from the city of churches. Steve Davis and the Virtualosos have woven together Test cricket, the Cathedral End, and the 1662 Book of Common Prayer into “From the Cathedral to the City End.” The song opens with the Prayer of Humble Access rewritten: “We do not presume to come to this thy over trusting in our own righteousness.” Host Steve explains his childhood love for that beautiful English language, attending Church of England services where those words embedded themselves in his memory. The prayer’s cadence and dignity stayed with him. When writing this song, he wanted to capture three elements: Test cricket, Adelaide Oval’s special significance through Bradman and Bodyline, and that cathedral presence overlooking the ground. The question arises: have you ever stood as an umpire and thought a captain made a terrible decision bringing on a particular bowler at the wrong end? Steve the umpire smiles. Sure, sometimes you think it’s surprising, maybe even adventurous under your breath. But someone who knows better than you made that choice, usually the bowler themselves selecting their preferred end. Most decisions are sound, even if they don’t prove successful. You can’t roll your eyes. You can’t show any reaction. Commentators now need special accreditation to enter certain areas. The hierarchy maintains that barrier. Umpires can visit the press box, but commentators can’t come into the umpires’ area without risking trouble. It’s a good separation. Before play they chat on the field, saying hello to the numerous commentators modern broadcasts require. Steve never worried about Tony Greig sticking his key into the pitch. Didn’t seem to do much damage. The song plays, capturing that ritual: hours before proceedings commence, sandwiches thoughtfully made, pushing close to the fence, ladies and gentlemen on the village green putting down their glasses. Two thousand balls, two thousand trials, each one potentially a wicket or hit for miles. Concentration demanded because no two are the same. From the Cathedral to the City End, making cricket bring us together again, forever and ever and ever.Support the show: https://theadelaideshow.com.au/listen-or-download-the-podcast/adelaide-in-crowd/See omnystudio.com/listener for privacy information.

It's the final Curve Weekly of the year and yes, we somehow open with eggs, sleep, and the pillow-fort Sophie made last night on her sleepover. But once we snap out of the delirium, we're diving into a wild week in finance: Warner Brothers is officially the belle of the ball with Netflix and Paramount clawing for it's attention (hostile bids, political puppeteering, billion-dollar drama - it's basically Succession but with more streaming). Then we chat about the world's biggest ice-cream brand going public, yep, Magnum is now a standalone stock, though the whole “health and wellness trend meets frozen sugar block” debate gets very real. Nvidia's China green light is finally confirmed, bringing in billions (and maybe some legally questionable tax mechanics). And to close out 2025? The best global news for women we've seen all year: India has started compensating women for unpaid domestic labour. No strings attached. No forms. Just cash, dignity, and a serious shift in economic power. If you need a year-end episode with corporate drama, sweet treats, geopolitical spice, and a big feminist mic drop… this one's for you!WTF does that mean? A guide to all the jargony bits:Acquisition – One company buys another.Bidding War – Companies fighting over who gets to buy something.Hostile Takeover – A takeover nobody asked for.Shareholder – Someone who owns a slice of a company.Equity – Shares.Spin-Off – A company turning part of itself into a new company.Conglomerate – One big company made of lots of little ones.GLP-1 Drugs – Ozempic-style appetite suppressants.Addressable Market – Everyone a company could sell to.Lobbying – Schmoozing politicians for business wins.Revenue – Money coming in (before bills).Red Tape – Annoying admin that slows everything down.Takeover Target – A company everyone suddenly wants to buy.Credits:Hosts: Victoria Harris & Sophie HallwrightProducer & Editor: Emily RigbySocial & Digital Manager: Lucy Munro⁠⁠Leave us a message on The Curve Hotline

What if the moment you stop waiting to be rescued is the moment real freedom begins?In this episode of Dare to Be Free, we explore the liberating truth that no one is coming to save you — and why that realization becomes the doorway to your power, your pleasure, and your wealth.You'll learn how the fantasy of rescue keeps you stuck, what radical ownership actually looks like, and how self-sourcing your safety shifts you from waiting to creating. We talk about energetic sovereignty, pleasure as self-trust, and the kind of freedom that can't be taken from you.Ready to reclaim your power and lead your life from within?Tune in — and meet the version of you who isn't waiting anymore.✨ Grab a copy of my book, Dare to Desire, and learn the steps to move from fear to freedom.

Join us as Austin Ridge preaches from Romans 10:9-13 to conclude our series.

Political commentator Robert Godden returns to The Adelaide Show with a thesis that cuts to the bone: The South Australian Liberal Party has no realistic chance of winning the forthcoming election. But his essay raises an even more unsettling question: can they realistically ever win another one? This episode doesn’t feature an SA Drink of the Week, allowing more time for a forensic examination of what’s gone wrong with liberalism itself, and the party that bears its name. In the Musical Pilgrimage, Steve shares “Spring Gully Road”, his song chronicling four generations of the Webb family’s beloved pickle company, from Edward McKee’s small brown onions in 1946 to the recent appointment of administrators, drawing a tenuous but poignant parallel to the Liberal Party’s own decline. You can navigate episodes using chapter markers in your podcast app. Not a fan of one segment? You can click next to jump to the next chapter in the show. We’re here to serve! The Adelaide Show Podcast: Awarded Silver for Best Interview Podcast in Australia at the 2021 Australian Podcast Awards and named as Finalist for Best News and Current Affairs Podcast in the 2018 Australian Podcast Awards. And please consider becoming part of our podcast by joining our Inner Circle. It’s an email list. Join it and you might get an email on a Sunday or Monday seeking question ideas, guest ideas and requests for other bits of feedback about YOUR podcast, The Adelaide Show. Email us directly and we’ll add you to the list: podcast@theadelaideshow.com.au If you enjoy the show, please leave us a 5-star review in iTunes or other podcast sites, or buy some great merch from our Red Bubble store – The Adelaide Show Shop. We’d greatly appreciate it. And please talk about us and share our episodes on social media, it really helps build our community. Oh, and here’s our index of all episode in one concisepage. Running Sheet: Do The Liberals Have No Chance Of Winning This Forthcoming South Australian Election? 00:00:00 Intro Introduction 00:00:00 SA Drink Of The Week No SA Drink Of The Week this week. 00:05:07 Robert Godden Before diving into party politics, Steve and Robert tackle a fundamental question: what is liberalism itself? Drawing on American political philosopher Patrick Deneen’s work (as sampled from the glorious podcast, Econtalk, episode July 9, 2018), they explore how liberalism originally meant self-governance within community, where individuals held themselves accountable within the framework of church and society. Deneen argues that modern liberalism, both classical and progressive, has fractured into two economic camps: classical liberals claiming government interferes with freedom, and progressive liberals arguing that economic inequality prevents people from achieving liberty. Robert offers his working definition: liberalism has always been about “the bigger pie theory”. Classical liberals like John Locke, Adam Smith and John Stewart Mill championed free markets as the path to prosperity for all. But as Robert notes, these philosophers wrote their treatises while people lived in gutters within ten miles of them, suggesting their definitions had blind spots about who they actually represented. The conversation turns to neoliberalism, which Robert describes as taking the apple of classical liberalism and focusing on its core: free market capitalism, fiscal austerity, individual responsibility, and globalisation. The problem? Many neoliberals benefited from generous government support before pulling up the ladder behind them. As Robert puts it, they’re “more like a wild jackal in a wolf’s clothing”, presenting themselves as something more palatable whilst pursuing fundamentally conservative ends. When Steve asks about the overlap between liberalism (lowercase L) and the Liberal Party (uppercase L), Robert’s answer is stark: “The Venn diagram of liberalism and the Liberal Party is not a perfect circle. It’s more like a third overlap.” John Howard’s famous declaration that the Liberal Party is “a broad church” marked both the high point and the beginning of the end. Where Howard allowed diverse opinions united by shared values, today’s party demands conformity. Robert observes you could “literally interchange” Angus Taylor with five other Liberal members and several Nationals, they’ve become so ideologically uniform. Robert shares a revealing personal story from his childhood in Whyalla. At age 12 or 13, he wagged school to attend a lunch where Malcolm Fraser was speaking. After enduring mumbled warnings about Bill Hayden, young Robert lined up afterwards and asked the Prime Minister where he could find out what the government would actually do if re-elected. The dismissive response and perfunctory policy booklet were Robert’s first disillusionment with political rhetoric over substance. This leads to a broader discussion about accountability’s erosion in Australian politics. Robert identifies a turning point: when Jay Weatherill wasn’t held responsible for abuse discovered in South Australian schools because “nobody had told him”. This represented a complete rewriting of Westminster conventions about ministerial responsibility. Compare that to Barry O’Farrell resigning as New South Wales Premier over failing to declare a $300 bottle of wine, or John Howard’s principled approach to the GST, admitting he was wrong, explaining why he’d changed his mind, and taking that position to an election. The discipline of the Fraser and Howard years came from a culture where the party room would discuss issues on merit, then Fraser or Howard would determine the right course, and the party would follow with discipline, not through fear but through shared purpose. Today’s Liberal Party has abandoned that model for something closer to authoritarianism without the competence to make it work. When discussing South Australia specifically, Robert doesn’t hold back about Vincent Tarzia’s challenges. Beyond policy positions, there’s the fundamental problem of presence. Robert recalls a body language seminar by Alan Pease where five people were cast for different film roles based purely on appearance. We can’t help making these visual judgements. Tarzia, Robert notes, is “one of the 5% of the population that never blinks”, creating an unfortunate vampire quality. He looks like “a Muppet version of Dracula”. Combined with a voice lacking joy, he presents as “the joyless undead” when facing off against Peter Malinauskas’s considerable charisma. Robert’s assessment of the Malinauskas government is admirably even-handed for someone with Liberal roots. He calls it “the best government in Australia” whilst adding the qualifier “a totalitarian dictatorship that makes you feel good”. Everything is done Malinauskas’s way, but unlike Putin or Trump, he’s careful never to say anything that isn’t actually true. He might make predictions that don’t pan out, but he won’t barefaced lie, and if an idea isn’t popular, he simply doesn’t voice it. The result is what Robert calls “preshrunk jeans” of political messaging. Robert’s father, a lifelong Liberal voter and member, has only been impressed by two political figures: Gough Whitlam, whose charisma was “absolutely off the chart” despite taking four people to dinner when a Whyalla event was mistakenly under-attended, and Peter Malinauskas, who regularly visits the Whyalla Men’s Shed. This speaks to something fundamental about political success. As Robert observes, great Labor leaders have consistently been better communicators and sellers of vision because their message is easier: “you’re being ripped off by the system, and we’re going to sort it for you” beats “if we govern ourselves, all will be great” in almost any contest. The federal picture offers one glimmer of hope: Victoria’s new opposition leader, Jess Wilson. In her thirties, a lawyer and former business advisor to Josh Frydenberg and the Business Council of Australia, she represents exactly the kind of moderate Liberal who should have been in the party all along but whom the party’s rightward drift has made anomalous. As Robert puts it, “the idea that Jess Wilson should be in the Liberal Party is an idea that is eight years out of date. She should be a teal.” The teals, after all, are liberal party people who haven’t gone down the right-wing rabbit hole. This raises the central question: are there eight to ten members of parliament the federal Liberals could have had? Yes, the teals. “All of those teal candidates could have been Liberal Party candidates and would have been 15 or 20 years ago if they had not wilfully taken this blindness about the climate.” Speaking of climate, Robert dissects Susan Ley’s recent positioning as if she’s discovered that abandoning net zero and embracing fossil fuels will bring electoral victory. The polling suggests otherwise. Among diverse Australians, Labor’s primary vote sits at 46%, the Coalition at 17%. Gen Z voters break 51% Labor, 10% Coalition. The Liberals are “aiming at the wrong target”, trying to chip 10% from groups with 10% when they should be targeting Labor’s 46%. They should be saying “your ideas are great, it’s a pity you’re not smarter, we’re going to get to where you want to get but we’ll do it better.” Instead, they get their facts from Facebook. The cognitive dissonance is staggering. National Party MPs stand up claiming farmers don’t want renewable energy whilst farmers lead the way with innovative approaches: solar panels in fields that collect water, provide shade for sheep grazing underneath, and generate income. Farmers don’t want bushfires or floods, they want to make money. Watch ABC’s Landline, Robert suggests, though the Nationals would dismiss it as left-wing propaganda. Looking ahead, Robert sees no Liberal victory on any horizon in the next five to six years. More likely? “No Liberal Party, or let me put it another way: the Liberal Party not being the opposition.” They’re seriously under threat of other parties overtaking them. Federally, if you separate the Coalition partners, the numbers are nowhere near the historical imbalance where Nationals made up numbers for the Liberals. Now those numbers are close. A One Nation-National coalition would be numerically viable. Victoria represents the critical test. If Jess Wilson’s woeful Liberals manage to topple a deeply unpopular Victorian government by picking the right leader, “that’ll be a critical moment for the Liberals to take that lesson.” Robert’s prediction? “The only reason we have to think they’re incapable of learning is all the evidence.” Robert’s father once said that Don Dunstan’s departure horrified him, not because of policy agreement, but because Dunstan was a strong leader with ideas who made the state feel good about itself. That’s what’s missing from the contemporary Liberal Party: ideas that inspire rather than divide, leaders who build rather than tear down, and the humility to recognise when the world has changed and they haven’t. The conversation closes with Winston Churchill’s 1920s quote distinguishing socialism from liberalism. Robert agrees it was “100% correct” for about 1924, when those ideologies were genuinely competing and distinct. But it’s become a caricature over the intervening century. The quote doesn’t really apply to 2025, when the ideologies have mingled, adapted, and in the case of the Australian Liberal Party, lost their way entirely. 01:14:33 Musical Pilgrimage In the Musical Pilgrimage, we play Spring Gully Road, a song written by Steve Davis and performed by Steve Davis & The Virtualosos, chronicling the four-generation story of Spring Gully, one of South Australia’s most beloved food companies. The story begins in 1946 when Edward McKee returned from the war and started growing small brown onions outside his back door on Spring Gully Road. His pickled onions became a South Australian staple. The company expanded under Allen and Eric, then weathered storms under Ross and Kevin’s leadership, before Russ and Tegan faced the modern challenge of cheap imports and changing market appetites. Steve reveals a personal connection: his colleague Domenic at Funlife Fitness in Ingle Farm remembers his father growing small onions and cucumbers, taking sacks to Spring Gully weekly to be weighed and paid. It was simply part of the fabric of South Australian life. In full disclosure, Steve is friends with Russell Webb, who along with Tegan led the company through its recent challenges before administrators were appointed. Most believe it’s written off and gone, but Steve holds hope for a way forward. They were doing innovative things to fight back against retailers bringing in cheap overseas alternatives, gutting the market for local sovereign food production capability. The song’s folk-influenced simplicity captures something essential about generational enterprise, family legacy, and the challenge of maintaining local production in a globalised economy. The repeated refrain, “Turn the earth, turn the earth when it’s harvest time, pick the bounty and preserve it in your sweetly seasoned brine”, becomes a meditation on the cycles of growth, harvest, and preservation that sustained Spring Gully through good years and hard years. Steve offers a tenuous but poignant link to the episode’s political discussion: the Liberal and Country League, precursor to the modern Liberal Party in South Australia, formed in 1932 and became the South Australian Division of the Liberal Party in 1945. Spring Gully started in 1946. Now in 2025, we have administrators appointed for Spring Gully, and Robert Godden suggesting you might as well call them in for the Liberal Party as well. Both represent South Australian institutions facing existential questions about their future in a changed world. Both have served their communities for generations. Both are confronting the reality that what worked for decades may not work anymore. And both deserve more than a quiet fade into history.Support the show: https://theadelaideshow.com.au/listen-or-download-the-podcast/adelaide-in-crowd/See omnystudio.com/listener for privacy information.

Join us as Pastor Bryan continues in our series.

The Day the Worst City Got the Best News (Jonah 3:1-10) - Morning SermonPastor Mitchell Leach

The Day the Worst City Got the Best News (Jonah 3:1-10) - Morning SermonPastor Mitchell Leach

Join us as Pastor Bryan continues in our series.

The ozone layer is healing—and that means good news for life on Earth!

Join us as Pastor Walter begins our series on the bad news.

In this special episode of Stories for the Future, I moderate a panel at the Beyond Oil Conference 2025: Changing Climate Futures conference in Bergen. Our theme: Actionable Hope in a Changing Climate Future.We talk about what hope does when the world feels like it's unraveling — and what it looks like when hope becomes something you act on. In this episode you'll hear voices from science, media, creative arts and strategy — and come away with ideas for how to lean into hope, not just as a feeling, but as a modality of change.

For months, as an algal bloom wreaked havoc on the South Australian coast, most residents steered clear but not Johanna Williams. She’s been down to Glenelg Beach daily, ruler and phone in hand, methodically tracking the carnage. What started as a small, concerned step by a self-described occupational therapist soon transformed into a citizen science project with over 10,000 observations of dead and dying marine life, offering a grim, close-up view of the ecological disaster. Johanna’s commitment, though personally confronting, gives scientists and the community essential data and a crucial human perspective. This episode does not feature the SA Drink of the Week segment. The show concludes with a Musical Pilgrimage that connects directly to the episode’s urgent environmental theme. We hear Steve Davis & The Virtualosos’ “While the Ocean Died,” a lyrical and sonic reflection on the collective pain and political complexities surrounding the algal bloom event. You can navigate episodes using chapter markers in your podcast app. Not a fan of one segment? You can click next to jump to the next chapter in the show. We’re here to serve! The Adelaide Show Podcast: Awarded Silver for Best Interview Podcast in Australia at the 2021 Australian Podcast Awards and named as Finalist for Best News and Current Affairs Podcast in the 2018 Australian Podcast Awards. And please consider becoming part of our podcast by joining our Inner Circle. It’s an email list. Join it and you might get an email on a Sunday or Monday seeking question ideas, guest ideas and requests for other bits of feedback about YOUR podcast, The Adelaide Show. Email us directly and we’ll add you to the list: podcast@theadelaideshow.com.au If you enjoy the show, please leave us a 5-star review in iTunes or other podcast sites, or buy some great merch from our Red Bubble store – The Adelaide Show Shop. We’d greatly appreciate it. And please talk about us and share our episodes on social media, it really helps build our community. Oh, and here’s our index of all episode in one concisepage. Running Sheet: Algal Bloom Beach Witness Johanna Williams 00:00:00 Intro Introduction 00:00:00 SA Drink Of The Week No SA Drink Of The Week this week. 00:02:55 Johanna Williams Arriving home from a holiday to find Glenelg Beach “covered in dead fish” , Johanna Williams had a choice: unpack and write an angry Facebook post, or take action. She chose the latter, inadvertently becoming one of the state’s most dedicated, non-professional "marine biologists". Initially hoping the algal bloom would be a “transient, short-term event,” the surreal extent of the death spurred her to use the citizen science platform iNaturalist to upload her observations, believing this crucial “coalface” data would reach qualified scientists and government bodies to “formulate responses”. Her daily 500-metre trek between Pier Street and the Jetty has revealed a tragic yet fascinating marine diversity. What she’s documenting—now over 10,000 observations—includes rare deep-sea fish like the long snout boar fish and warty prowl fish, species scientists rarely encounter alive. This wealth of data is heartbreakingly significant, as it allows researchers to collect, age, and perform genetic and toxicological testing on specimens that could never be found otherwise, highlighting the deep reach of the bloom into the ecosystem. The work is intensely confronting, involving more than just dead fish. Johanna describes a traumatic encounter with a still-alive, spiky globe fish whose eyes were “really gazing and tracking” her. This and finding a paralysed silver gull due to toxic effects highlight the profound emotional toll and moral dilemmas faced by citizen scientists, such as whether to “prolong its death by putting it back in the water”. Johanna discusses how a supportive network of friends and a new community, including people from the university, has helped her “channel that energy” and despair into empowerment and meaningful data collection. This environmental disaster also casts a shadow over the Glenelg foreshore, with Johanna noting a ripple effect of reduced foot traffic and the closure of local businesses, a “double whammy” alongside local tram disruptions. For listeners wanting to help, Johanna suggests starting with iNaturalist uploads, or connecting with projects like the SA Marine Mortality Project 2025 to assist with collecting fish for testing or contributing to local rehabilitation efforts, such as making oyster beds (wind chimes) to help filter the water. Great Southern Reef Website Mission: “Our mission is to inspire and empower society to protect and sustain Australia’s Great Southern Reef by promoting recognition, stewardship, and sustainable actions through impactful education, community engagement, and collaborative science.” Janine Baker OzFish Unlimited Website Description: OzFish Unlimited is a not-for-profit organisation dedicated to helping the millions of Aussie recreational fishers take control of the health of their rivers, lakes and estuaries and shore up the future of the sport they love. OzFish Unlimited partners with fishers and the broader community to invest time and money into the protection and restoration of our waterways, counteracting decades of degradation. Brad Martin Data gathering for South Australian 2025 marine mortality events Project Link Description: This project is set to automatically add aquatic vertebrates and macroinvertebrates annotated ‘dead’ from Feb 2025 onwards. Janine Baker is a key contact for this projects and has links with universities and researchers. SA Surf and Bloom SA hub for information on our bloom. Share surfing/algae/ocean/coastal pictures and videos. Ask questions. I aim to share the love we have for our oceans, and keep surfers informed of the symptomatic surf spots. Facebook Group ADELAIDE ALGAE BLOOM DISASTER Facebook Group Description: A place to upload pictures of this marine disaster that’s going to impact the Adelaide fishing scene for many years to come. Phytoplankton Society of South Australia Facebook Group Description: This group is for sharing knowledge on the Phytoplankton of South Australia, particularly in regard to the 2025 algal bloom we are experiencing. We welcome photos of microscopic phytoplankton (and accompanying pics of where they were taken) and especially experts who can identify them. This is a citizen science project for the benefit of everyone. We are also on iNaturalist. Big Thanks to Faith and Peri Coleman, Gabby at www.asisscientific.com.au, the Big Duck Boat, Victor Harbor Dolphin Watch and others who have made this possible. Sarah Hanson-Young, Manager of Greens Business in the Senate & Senator for South Australia Annual Report 2025 Further articles: “Harmful Algal Bloom Aerosols and Human Health“ “Thousands of seadragons dead in South Australia’s worst recorded harmful algal bloom — IUCN Seahorse, Pipefish & Seadragon“ An underwater guide to plants and animals in South Australia PDF Guide PIRSA Factsheet – What to do if you have seen sick or dead birds PDF Factsheet Birdlife Australia: Helping injured birds Article Fishwatch SA If you find an injured fish on the beach, stay a safe distance away and do not touch it. Report the animal by calling the local fish authority, such as FISHWATCH in South Australia (1800 065 522), or a wildlife rescue hotline, as professionals are trained to handle these situations. 00:37:06 Musical Pilgrimage In the Musical Pilgrimage, we play a deeply personal and thematically appropriate piece by Steve Davis and the Virtualosos, titled “While the Ocean Died”. The song, which Johanna describes as an “earworm” that helps her “process what’s going on”, was inspired by Johanna’s ground-level work, leading Steve to appreciate the “cost of this whole thing”. The host reveals that songwriting is his way of thinking out loud to process complex issues. The track’s bridge reflects on the political challenge leaders face in times of crisis, where a long chain of “short-cuts and shortcomings” has left the region vulnerable to a multitude of causes—from the River Murray flood of nutrients to the sea heatwave—that have fuelled the toxic bloom. It’s a poignant, urgent piece that closes the show by connecting the human story of witnessing with the broader South Australian environmental tragedy.Support the show: https://theadelaideshow.com.au/listen-or-download-the-podcast/adelaide-in-crowd/See omnystudio.com/listener for privacy information.

The papers still dangle the dream of a sun-dappled retirement. Yet millions have nowhere near the savings they'll need, while a fortunate few are amassing family wealth that could change Britain forever. Meanwhile the generational wealth gap is forcing younger people to forget about starting families. Is the old “work hard and you'll make it” model broken? And do we need a wealth tax to fix it? Will Snell of the Fairness Foundation joins Andrew and Hannah to discuss a growing crisis.   • Our partner pod American Friction  just won Best News and Politics show at the Independent Podcast Awards. Listen and see what you've been missing.   ESCAPE ROUTES   • Will recommends Chief of War on Apple TV+.   • Hannah recommends going to see Self Esteem, still just about on tour.   • Andrew went to see The Magnetic Fields perform their classic 69 Love Songs.    • Head to https://www.nakedwines.co.uk/ohgodwhatnow to get 6 top-rated wines from our sponsor Naked Wines for £39.99, delivery included. • Advertisers! Want to reach smart, engaged, influential people with money to spend? (Yes, they do exist). Some 3.5 MILLION people download and watch our podcasts every month – and they love our shows. Why not get YOUR brand in front of our influential listeners with podcast advertising? Contact ads@podmasters.co.uk to find out more  • Back us on Patreon at https://www.patreon.com/ohgodwhatnow for ad-free listening, bonus materials and more.   Written and presented by Andrew Harrison with Hannah Fearn. Audio and video production by award-winning Chris Jones. Theme music by Cornershop. Art direction: James Parrett. Produced by award-winning Chris Jones. Managing Editor: award-winning Jacob Jarvis. Group Editor: Andrew Harrison. OH GOD, WHAT NOW? is a Podmasters production.  www.podmasters.co.uk  Learn more about your ad choices. Visit podcastchoices.com/adchoices

After the collapse of the China spying case, do we have to accept that Britain is way past being able to spar with Beijing? Especially when we depend so much on their students? Green MP Siân Berry talks about the party's future under new eco-populist leader Zach Polanski, how to square green infrastructure with their support's suspicion of development, and whether the Greens would enter a coalition with Labour to keep Farage out. And in the Extra Bit for Patreon people… Sunak's back, sort of. What do ex-PMs get up to these days? And the terror of the A.I. Margaret Thatcher ChatBot.  • Our partner pod American Friction just won Best News and Politics show at the Independent Podcast Awards. Listen and see what you've been missing.  ESCAPE ROUTES  • Raf recommends Film Club on BBC iPlayer.  • Rachel recommends The Finest Hotel In Kabul by Lise Doucet.  • Siân Berry recommends The French Lieutenant's Woman .  • Ros recommends The Line on ITVX.  Buy The Finest Hotel In Kabul through our affiliate bookshop and you'll help fund OGWN by earning us a small commission for every sale. Bookshop.org's fees help support independent bookshops too. • Head to nakedwines.co.uk/ohgodwhatnow to get 6 top-rated wines from our sponsor Naked Wines for £39.99, delivery included. • Get our exclusive NordVPN deal here: nordvpn.com/ohgodwhatnow. It's risk- free with Nord's 30-day money back guarantee! • Advertisers! Want to reach smart, engaged, influential people with money to spend? (Yes, they do exist). Some 3.5 MILLION people download and watch our podcasts every month – and they love our shows. Why not get YOUR brand in front of our influential listeners with podcast advertising? Contact ads@podmasters.co.uk to find out more • Back us on Patreon for ad-free listening, bonus materials and more.  Written and presented by Ros Taylor with Rachel Cunliffe and Rafael Behr. Audio production by Tom Taylor. Theme music by Cornershop. Art direction: James Parrett. Produced by award-winning Chris Jones. Managing Editor: award-winning Jacob Jarvis. Group Editor: Andrew Harrison. OH GOD, WHAT NOW? is a Podmasters production. www.podmasters.co.uk Learn more about your ad choices. Visit podcastchoices.com/adchoices

By the time you hear this podcast, you already know that on October 13, 2025, all living hostages held by Hamas were returned to their families in Israel. But when we recorded this podcast the evening before, we still weren't sure if the deal would hold. Sure, we were optimistic...but couldn't exhale until everyone was safely back home. Under that backdrop, we shared songs of homecoming, hope, optimism, and the promise of a better tomorrow - songs that are even more relevant now that we know THEY'RE FREE. It's hard to believe that our national nightmare is over (though we still pray for the return of 19 murdered hostages), but it is glorious to know that our country can begin to heal from two long, difficult, painful years of war and trauma. (Original Air Date: October 12, 2025) 'The Emotional Soundtrack of Israel: Two Years in 20 Songs' - get it here! https://joshwave354.gumroad.com/l/emotional-soundtrack-israel Full YouTube playlist at https://tinyurl.com/edyxrrby Love the show? Please help us grow by becoming a member of MyIsraeliMusic.com: https://myisraelimusic.com/membership

Welcome to NCFM Today! Today, we're reviewing the Best News in North Carolina Family Medicine: The 65.50 AAFP credits available at the 2025 Winter Family Physicians Weekend, the recent Medicaid rate and service cuts, how one NCAFP became a world leader in Family medicine, and other topics!Learn more about the Academy at www.ncafp.com!

The red stage of the Semaphore Workers Club provides the backdrop for conversations that capture the essence of community-driven music culture. Festival director Debra Thorsen explains how she’s become a “mother” to the music scene, connecting emerging artists with opportunities that change their careers. The festival spans multiple venues across Semaphore, creating what participants describe as a “love fest” where friendships form naturally over shared musical experiences. With no SA Drink of the Week this episode, focus remains entirely on the music and community connections that define this seaside suburb’s cultural heartbeat. Although, “Green Death” does get a mention. The extended Musical Pilgrimage becomes an intimate exploration of songwriting craft with Don Morrison, featuring two of his compositions alongside stories of guitar-making, touring with Midnight Oil and Bo Diddley, and the creative process behind songs that capture Grand Junction Road’s gritty poetry. You can navigate episodes using chapter markers in your podcast app. Not a fan of one segment? You can click next to jump to the next chapter in the show. We’re here to serve! The Adelaide Show Podcast: Awarded Silver for Best Interview Podcast in Australia at the 2021 Australian Podcast Awards and named as Finalist for Best News and Current Affairs Podcast in the 2018 Australian Podcast Awards. And please consider becoming part of our podcast by joining our Inner Circle. It’s an email list. Join it and you might get an email on a Sunday or Monday seeking question ideas, guest ideas and requests for other bits of feedback about YOUR podcast, The Adelaide Show. Email us directly and we’ll add you to the list: podcast@theadelaideshow.com.au If you enjoy the show, please leave us a 5-star review in iTunes or other podcast sites, or buy some great merch from our Red Bubble store – The Adelaide Show Shop. We’d greatly appreciate it. And please talk about us and share our episodes on social media, it really helps build our community. Oh, and here’s our index of all episode in one concisepage. Running Sheet: Semaphore Workers Strike Up The Music 00:00:00 Intro Introduction 00:00:00 SA Drink Of The Week No SA Drink Of The Week this week. 00:04:24 Debra Thorsen, Don Morrison, Sally Mitchell Our three guests take us deep into different parts of Semaphore’s musical DNA. The Semaphore Music Festival Debra Thorsen’s eyes light up when describing a recent moment that encapsulates her role in Adelaide’s music ecosystem. A young musician approached her at Don Morrison’s fundraising show, wrapping her in a grateful hug after she’d connected his duo with booking agent John Howell. That introduction led to their first interstate gig at the Echuca Moama Blues Festival. “He put his arms around me, gave me the biggest hug, and said, ‘we think of you like a mother,'” Thorsen recalls, her voice catching slightly at the memory.This nurturing approach has shaped the Semaphore Music Festival‘s character over 21 years. Rather than simply booking acts, Thorsen cultivates relationships that extend far beyond single performances. The festival operates across multiple venues throughout Semaphore, creating what has been described as “the joy of going from one venue to the next with your friends and catching up with people along the way.”Don Morrison, observing from his perspective behind the scenes, notes the festival’s uniqueness lies in its sprawling, community-integrated format. “We get to play all over Semaphore, you know, and Debra’s organising it and organising all these venues all over the place,” he explains, acknowledging the massive coordination effort required. The Semaphore Workers Club Sally Mitchell arrives mid-conversation, bringing with her the institutional memory of the Semaphore Workers Club‘s transformation from exclusive yacht squadron to community music hub. The venue’s journey mirrors broader social change, she explains, describing how a dying men’s club was revitalised by members who prioritised music and inclusion over tradition.The club’s unique positioning becomes clear through Mitchell’s description of its diverse patronage. “We have people who travel here regularly from the likes of Mallala and Clare to come here for shows,” she notes, before adding the observation that captures the venue’s spirit: “People come from all walks of life, all political persuasions, all economic backgrounds, but they come here because of the music and the place that it is.”This levelling effect extends to behaviour expectations. Steve then teases out a discussion about Geoff Goodfellow’s birthday party story, where “crooks, poets and federal court judges” mingled naturally, with a poet lighting her cigarette from a coal provided by a judge managing the barbecue. The poet’s comment, “isn’t it good to have friends in high and low places,” could serve as the club’s unofficial motto. Musical Craft and Community Connection Don Morrison’s relationship with songwriting emerges through discussion of the Semaphore Songs project, where local artists created works inspired by their experience of Semaphore and Port Adelaide. His contribution, “Semaphore Workers Club,” captures the venue’s character with lines like “they got cougars there by the dozen, some of them look like they might have killed their husband,” delivered with characteristic dry humour.When pressed about his songwriting process, Morrison remains characteristically modest: “Once I’ve finished a song, I sort of look back and said, well, where does that come from? And I can’t think of it. It just flows out.” This intuitive approach extends to his guitar-making, where instruments crafted from the rubble of his father’s childhood home in Perponda and his grandmother’s cottage in Broken Hill became his primary performance guitars.The conversation touches on broader questions about community participation in music-making. Morrison recalls the ukulele groups that flourished a decade ago, bringing together people who “had never played in a band before” but would “come along and they’d learn a song and then we’d all sing it together.” This grassroots musical participation contrasts with the professionalisation that can distance audiences from creative expression. The October Long Weekend Thorsen drops a significant announcement near the episode’s end: for the October long weekend festival, South Australian public transport will feature blues musicians in the front carriage of the 12:17 train from Adelaide to Glanville. This innovation, months in negotiation with the Department for Infrastructure and Transport, creates a musical journey that begins before festival-goers reach Semaphore.The train connection resonates with both hosts’ memories of using public transport to access Semaphore’s music scene, creating a full-circle moment that links past and present community experiences. 00:48:02 Musical Pilgrimage In the Musical Pilgrimate, we play two tracks by Don Morrison, Grand Junction Road, and Five Men In A Car. Instruments Built from Memory Don Morrison’s guitar-making extends far beyond craft into emotional archaeology. His most treasured instruments were constructed from materials salvaged from family homes, creating objects that carry both musical and personal history. “I didn’t really care nor expect that they would turn out to be very good guitars,” he admits, “because I just wanted to make something out of the memories.”The irony that these memory-guitars became his primary performance instruments speaks to the intersection of sentiment and practicality in Morrison’s artistic life. With close to 500 guitars, 60 mandolins and 80 ukuleles crafted over his career, Morrison has built instruments that found their way across America, where the once-favourable exchange rate made his handmade resonator guitars accessible to blues musicians seeking alternatives to vintage Nationals. Grand Junction Road’s Poetry Morrison’s most-streamed song, “Grand Junction Road,” emerged from a Christmas Day observation that reveals his songwriter’s eye for finding universal themes in specific places. Walking home from family lunch, he encountered a sex worker operating on Christmas Day, which crystallised his understanding of the road’s character and the people whose lives intersect with its industrial landscape.The song’s final verse connects personal history with broader social observation: “My father worked in a factory there just down from the prison, sometimes six days a week, but most often seven. And I wonder what he thought about all those years, he drove first thing every morning down Grand Junction Road.” Family Music and the Raging Thirst Morrison’s current project, Raging Thirst, brings together his sons Eddie and Jake in a configuration that demonstrates musical heredity. “They’re so good at their instruments that they wouldn’t be playing with me unless I was their dad,” Morrison jokes, characterising their involvement as “a charity move.”The family dynamic reveals itself through natural musical communication. “We don’t even need to practice quite often,” Morrison explains, crediting their shared rhythmic sensibility to familial connection. His observation that “what they got from me was music is a human thing you can do” suggests an approach to musical education that prioritises accessibility over formal training. Memphis Blues Challenge Ahead Morrison’s upcoming representation of Adelaide at the Memphis International Blues Challenge places him on Beale Street alongside musicians from around the world. His preparation remains characteristically low-key, with set lists roughly planned but not overthought. The competition format includes various performance lengths, from 20-minute sets to half-hour showcases, requiring versatility in song selection and pacing.His plan to potentially sell his handmade guitar in Memphis rather than transport it home reveals the practical mindset that underlies his artistic career, where sentiment and business considerations maintain careful balance. Five Men in a Car The episode concludes with Morrison’s reflection on his touring days with The Bogie, encapsulated in “Five Men in a Car.” The song captures the grinding reality of professional musicianship in the 1980s Australian circuit, where bands would “finish at the Mansfield room at four o’clock in the morning and then hop in the van to drive back down to Melbourne for a gig the next night.”These experiences, detailed in Morrison’s autobiography “This Could Be Big: 45 Years at the Dag End of the Australian Music Industry,” provide context for understanding the difference between romantic notions of musical career and its often-unglamorous reality. Yet the song’s tone suggests fondness for those shared experiences, even when “not sure where we’re going” becomes both literal navigation and career metaphor.Support the show: https://theadelaideshow.com.au/listen-or-download-the-podcast/adelaide-in-crowd/See omnystudio.com/listener for privacy information.

The LATE FOR CHANGEOVER Show has been nominated for 3 awards: "Best News and Current Events Podcast", "Best Entertainment and Pop Culture Podcast" and "Air Force Podcast of the Year"!   Go to https://paradedeck.com/creator-awards/6191 and vote for us! On today's episode, the Late Crew talks about the passing of Apollo 13 astronaut Jim Lovell (06:28),  an Airman has been arrested for the death that prompted an Air Force-wide safety review of the Sig M18 (16:28), the Army has released a spirituality fitness guide and battle book (24:50), we play the guess the Movie E-7 game (41:46), and Japan surrenders to the Allies on 15 August 1945 (59:17). https://lateforchangeover.com/

Welcome to NCFM Today! Today, we're reviewing the Best News in North Carolina Family Medicine: The 2025 Winter Family Physicians Weekend, the expected impacts of the recent HR 2 federal bill, which NCAFP members are moving into new leadership roles, and other topics!Learn more about the Academy at www.ncafp.com!

VolQuest's Brent Hubbs recaps the best news from SEC Media Days + a new rule changeSee omnystudio.com/listener for privacy information.

VolQuest's Brent Hubbs recaps the best news from SEC Media Days + a new rule changeSee omnystudio.com/listener for privacy information.

Bruce and Gaydos explain why you won't have to take off your shoes the news time you to through airport security.

Second Thessalonians | 2 Thessalonians 2:6-12 | Todd Burgett Watch on YouTube

Sermon Series: “The Gospel: God's Power in Our Salvation” Sermon Text: Romans 5:1-11 Sermon Title: “Glorification: Tomorrow's News – Today” Sermon Slides: SLIDE 1 – Sermon Title Slide= SLIDE 2 – Today's Big Idea: Glorification is the Best News of the Gospel. It is the Capstone of our Salvation in Jesus… and the Consummation of Christ's Glory to Us. SLIDE 3 – Point 1: Glorification is… the Capstone of our Salvation in Jesus. (vv. 1-9) SLIDE 4 – Point 2: Glorification is… the Consummation of Christ's Glory to Us. (vv. 10-11) SLIDE 5 – Sermon Uses: Three about God's Glory. SLIDE 6 – We Must Deflect All Glory from Ourselves… SLIDE 7 – …So, We May Give All Glory to God Alone. SLIDE 8 – This Releases Us… to Live All of Life for the Glory of Jesus Christ.

Welcome to NCFM Today! Today, we're reviewing the Best News in North Carolina Family Medicine: The Care First Act (and its progress through the NC House!), the 2025 Family Medicine Match results, the Collaborative Care Management Capacity Building Fund, and other key topics!Learn more about the Academy at www.ncafp.com!

A lot of people who go to church think, "You do good, you get good." But that totally misses the concept of salvation. We can never be good enough to get into heaven. Rather, if we simply repent of our sin and then trust Jesus as our Savior, heaven is where we're going! All the law does is tell us we're a mess. But when we look to Jesus, we see our Savior.

They couldn’t—or wouldn’t—tell Biden it was time to go. Journalist Chris Whipple reveals the human drama behind the political failure, captured in his must-read book Uncharted. Why did no one stop Joe Biden from running again? In this eye-opening interview, Chris and Katie pull back the curtain on the 2024 election, delving into the loyalty, fear, and misjudgment that shaped the race.

THEORY SABERS - https://theorysabers.com/ Learn more about your ad choices. Visit megaphone.fm/adchoices

Call of the Day

From the NC Academy of Family Physicians, this is The Best News in North Carolina Family Medicine! This month's episode includes the 25th anniversary of state oral health plans, new CDC vaccine guidance, the installation of NCAFP member Dr. Dev Sangvai as the new NCDHHS Secretary, and much more!

 Down Right Sports: College Football Playoff Preview, NBA's Megastar Problem, and What's Going on in Sports? On this episode of Down Right Sports, Brent Reid, The Notorious Sports Critic, takes you on a ride through the biggest stories in sports this week.   College Football Playoff First-Round PreviewThe playoff matchups are set, and we're breaking them all down: Indiana at Notre Dame: Can the Hoosiers shock the world in South Bend? SMU at Penn State: Will the Mustangs bring the magic to Happy Valley? Clemson at Texas: A clash of titans—who has the edge? Tennessee at Ohio State: Can the Volunteers topple the Buckeyes in the Horseshoe?  The State of the NBAIs the NBA losing its spark? Brent dives into why the league might be becoming unwatchable, whether it's in desperate need of a new megastar, and what needs to change to recapture the magic.  The Best News in Four MinutesA rapid-fire roundup of the week's biggest and quirkiest sports stories.  What's Going on in Sports?From the chaos to the controversy, Brent unpacks the moments and headlines that have left fans everywhere scratching their heads. It's a packed episode full of bold takes, sharp analysis, and plenty of surprises.  Subscribe now and don't miss a second of Down Right Sports!

Stand Up is a daily podcast. I book,host,edit, post and promote new episodes with brilliant guests every day. This show is Ad free and fully supported by listeners like you! Please subscribe now for as little as 5$ and gain access to a community of over 700 awesome, curious, kind, funny, brilliant, generous souls Today's News Segment starts at 11 minutes  My interview with Christian starts at 36 minutes Subscribe to Christian's Music NewsLetter "New Music for Olds" I teased him for not letting me giving out his Venmo account to make him whole but I thought it would be funny if anybody wants to send him a couple of bucks as a way to thank him for joining us so often here on the show. if you want to buy Christian a coffee, send it to Christian-finnegan-1 (if it asks for the last four digits of his phone number it's 1814) Christian Finnegan  is an American stand-up comedian, writer and actor based in New York City. BUY HIS NEW ALBUM--- "Show Your Work: Live at QED"   Finnegan is perhaps best known as one of the original panelists on VH1's Best Week Ever and as Chad, the only white roommate in the “Mad Real World” sketch on Comedy Central's Chappelle's Show. Additional television appearances as himself or performing stand up have included “Conan”, “The Late Late Show with Craig Ferguson”, "Would You Rather...with Graham Norton", “Good Afternoon America” and multiple times on The Today Show and Countdown with Keith Olbermann, and on History's I Love the 1880s. He hosted TV Land's game show "Game Time". As an actor, Finnegan portrayed the supporting role of "Carl" in the film Eden Court, a ticket agent in "Knight and Day" and several guest roles including a talk show host on "The Good Wife". In October 2006, Finnegan's debut stand up comedy CD titled Two For Flinching was released by Comedy Central Records, with a follow-up national tour of college campuses from January to April 2007. “Au Contraire!” was released by Warner Bros. Records in 2009. His third special "The Fun Part" was filmed at the Wilbur Theatre in Boston on April 4, 2013 and debuted on Netflix on April 15, 2014. The Stand Up Community Chat is always active with other Stand Up Subscribers on the Discord Platform.   Join us Thursday's at 8EST for our Weekly Happy Hour Hangout!  Pete on Threads Pete on Tik Tok Pete on YouTube  Pete on Twitter Pete On Instagram Pete Personal FB page Stand Up with Pete FB page All things Jon Carroll  Follow and Support Pete Coe Buy Ava's Art 

A new MP3 sermon from Grace Audio Treasures is now available on SermonAudio with the following details: Title: The best news that unbelievers could ever hear! Subtitle: Puritan Devotional Speaker: C. H. Spurgeon Broadcaster: Grace Audio Treasures Event: Devotional Date: 11/19/2024 Bible: Job 34:21-22; Hebrews 4:13 Length: 3 min.

Here's a preview of the final episode of MASTER PLAN, The Lever's investigative audio series exposing the 50-year plot to legalize corruption in America—winner of awards for Best Writing and Best News & Politics Podcast. To listen to the whole series for free, search Master Plan in your podcast app or visit MasterPlanPodcast.com.

The Best News Report Youll Hear All Year.

The war in Gaza has been among the deadliest for civilians, including children, of any war in the 21st century. After spending five weeks volunteering and administering at a field hospital in Rafah, Mohammad Subeh, an American doctor, describes what he saw to Intercepted co-hosts Jeremy Scahill and Murtaza Hussain. Subeh spent weeks treating wounded Palestinian children, many of them orphaned by Israeli attacks. He also described treating those who survived the aftermath of “mass casualty incidents” in which dozens of civilians were killed or wounded; many of these attacks appeared deliberately targeted at civilians, Subeh says, rather than “indiscriminate.” As the Strip reels from the consequences of a breakdown of public health infrastructure following the destruction of most Gazan hospitals, Subeh says that ordinary civilians are paying a gruesome price for Israel's military assault.Intercepted has been nominated for a Webby award under the category of Best News and Politics podcast. Help us win by casting your vote today.If you'd like to support our work, go to theintercept.com/join, where your donation, no matter what the amount, makes a real difference.And if you haven't already, please subscribe to the show so you can hear it every week. And please go and leave us a rating or a review — it helps people find the show. If you want to give us additional feedback, email us at Podcasts@theintercept.com. Hosted on Acast. See acast.com/privacy for more information.

The conflict in Gaza has galvanized a new generation of young anti-war activists, in the same way that opposition to the Vietnam War and apartheid South Africa did in decades past. A backlash is now building in the United States, led by right-wing activist and pro-Israel groups aimed at eliminating any public dissent over U.S. foreign policy in the Middle East.As the death toll of Palestinians rises, a new authoritarian climate is sweeping across the U.S. — particularly on college campuses, which have transformed into laboratories for censorship and surveillance. Intercepted host Murtaza Hussain discusses this new political reality with Sahar Aziz, distinguished professor of law at Rutgers Law School and author of a new report on free speech and discrimination in the context of the Gaza conflict.Intercepted has been nominated for a Webby award under the category of Best News and Politics podcast. Help us win by casting your vote today. If you'd like to support our work, go to theintercept.com/join, where your donation, no matter what the amount, makes a real difference.And if you haven't already, please subscribe to the show so you can hear it every week. And please go and leave us a rating or a review — it helps people find the show. If you want to give us additional feedback, email us at Podcasts@theintercept.com. Hosted on Acast. See acast.com/privacy for more information.