Podcasts about best news

Robin Sellick arrived at Don Dunstan’s Norwood home in the early 1990s having accidentally addressed his letter to “Sir Donald Dunstan” – a mistake that could have ended the conversation before it began. Instead, it launched one of the most distinctive portrait photography careers in Australian cultural history. From that swimming pool session with our most colourful premier to intimate moments with Julia Gillard before her rise to power, Sellick’s lens has documented the moments when Australia stopped apologising for itself and started celebrating. The SA Drink Of The Week features tasting notes of Beresford’s latest pinot noir, where winemaker John Gledhill guides us through savoury raspberry and that curious sensation Steve describes as “freshly cut red lawn” – a vintage perfect for the upcoming Pinot and Pasta Afternoon at McLaren Vale. Our Musical Pilgrimage takes a melancholic turn with an original composition mourning the loss of the West End Brewery, capturing not just the building’s demolition but the dissolution of simple pleasures that once bound South Australian communities together. You can navigate episodes using chapter markers in your podcast app. Not a fan of one segment? You can click next to jump to the next chapter in the show. We’re here to serve! The Adelaide Show Podcast: Awarded Silver for Best Interview Podcast in Australia at the 2021 Australian Podcast Awards and named as Finalist for Best News and Current Affairs Podcast in the 2018 Australian Podcast Awards. And please consider becoming part of our podcast by joining our Inner Circle. It’s an email list. Join it and you might get an email on a Sunday or Monday seeking question ideas, guest ideas and requests for other bits of feedback about YOUR podcast, The Adelaide Show. Email us directly and we’ll add you to the list: podcast@theadelaideshow.com.au If you enjoy the show, please leave us a 5-star review in iTunes or other podcast sites, or buy some great merch from our Red Bubble store – The Adelaide Show Shop. We’d greatly appreciate it. And please talk about us and share our episodes on social media, it really helps build our community. Oh, and here’s our index of all episode in one concisepage. Running Sheet: Photographing Australian Icons With Robin Sellick 00:00:00 Intro Introduction 00:04:05 SA Drink Of The Week Th SA Drink Of The Week is the Beresford Estate 2024 Emblem Pinot Noir. Winemaker John Gledhill (from Gledhill Vignerons and our regular wine palate) joins Steve for the tasting of Beresford’s latest cool climate expression from Adelaide Hills fruit. The wine presents as light, translucent crimson with legs suggesting moderate alcohol content sitting around 12 to 12.5 percent. Steve’s unusual tasting note of “freshly cut red lawn” proves surprisingly apt, capturing the wine’s distinctive red fruit character that Gledhill translates as autumn leaves and forest floor earthiness. The palate delivers a ball of fruit on entry followed by crisp acid structure, with minimal tannin creating what Gledhill describes as “soft and round” mouthfeel. The conversation flows naturally toward food pairing, with Gledhill suggesting tomato-based pasta dishes with mild salami and black olives – perfect for Beresford’s Pinot and Pasta Afternoon scheduled for September 13th at their McLaren Vale cellar door. 00:13:05 Robin Sellick and The Sellick Archive Robin Sellick started taking dog portraits in Broken Hill at 15, not knowing he’d spend the next three decades documenting Australia’s cultural coming of age. From Don Dunstan‘s Norwood loungeroom to Cate Blanchett‘s first editorial shoot, from Sir Donald Bradman‘s quiet Adelaide home to Kylie Minogue on a North Adelaide balcony, his lens captured the moments when we stopped apologising for being Australian and started celebrating it. His portraits hang in the National Portrait Gallery, but more than that, they’ve shaped how we see ourselves. Today, he’s releasing museum-grade collector editions from his archive of over 600+ portrait sessions via is website gallery, The Sellick Archive. What intrigues me about Robin is that he didn’t just document our stars, he helped create the visual language that made Australia look like somewhere that mattered. The conversation begins with photography’s fundamental challenge: separating snapshot from art. “The key with photography is you have to be able to look at something emotionally and objectively within five seconds of the same thing,” Sellick explains, describing the mental gymnastics required to capture more than mere documentation. His journey from 15-year-old dog portrait photographer in Broken Hill to documenting Australia’s cultural awakening reveals an artist who understood that great portraiture demands risk-taking. Sellick’s approach stems from Henri Cartier-Bresson’s decisive moment theory, but with a crucial difference. “Every photograph you take, you are in because you made a decision to point the camera in that direction,” he notes. Where photojournalism seeks objectivity, portraiture embraces collaboration. “A portrait is always a collaboration… you involve the person in that process.” The Don Dunstan swimming pool photograph emerged from this collaborative boldness. Arriving at the Norwood home, Sellick complimented the pool, Dunstan mentioned his morning swim, and within moments South Australia’s most flamboyant premier was diving back into his Speedos. “I’m not there to take an ordinary photograph. I’m there to take a great photograph to the best of my ability,” Sellick recalls of his unflinching approach. The technical mastery behind his distinctive 1990s look came from cross-processing slide film in colour negative chemicals – a technique discovered accidentally during his Broken Hill photo lab days. This created the hyperreal, saturated images that helped define Australian editorial photography. “Back then, the only photographic awards in Australia were through the Australian Institute of Professional Photography… they were still very much in the late seventies mindset. So these pictures that I produced were just right out of the box.” His famous Julia Gillard portrait required different psychology. Photographing her in 2006 at her home, Sellick positioned her against a shed – traditionally masculine domain – lit with purple light. “It was an image about this woman stepping into the domain of men,” he explains. The prescience proved remarkable: within years she would become Australia’s first female Prime Minister. The technical challenges of film photography created their own discipline. Shooting the Bradman portrait on 400 ASA film pushed five stops to 12,800 ASA created that distinctive grain, but it was calculated risk. “You underexpose it by five stops… 32 times underexposed,” he explains. “You’ve gotta walk across the high wire to get to the good stuff.” The Kylie Minogue session broke new ground as the first major celebrity shoot conducted outside Sydney or Melbourne. Working from his Palmer Place mansion in North Adelaide, Sellick convinced Mushroom Records to trust Adelaide’s creative infrastructure. The balcony shot that became iconic was the day’s final frame, taken after the production machine dispersed. “I sent the assistants away and it was just her and me,” creating intimacy impossible amid the dozen-person entourage. His approach to celebrities reveals portraiture’s deeper psychology. “You actually fall in love with the person while you’re taking their photograph… you go through the process of falling in love with them before the shoot, and then you’re in love with them while you’re taking the photograph. And then it’s over.” The Steve Irwin elephant photograph required moving the elephant rather than the hyperactive conservationist. “Every time I started to take photographs, he started to perform… it was easier to move the elephant than it was to move Steve.” This anecdote captures Sellick’s ability to navigate celebrity psychology whilst maintaining his artistic vision. Looking toward Australia’s photographic identity, Sellick identifies our cultural immaturity. “We still tend to celebrate mimicry rather than celebrate individuality and expression that expresses the identity of Australia.” He traces creative development through four stages: mimicry, experimentation, commitment, legacy. “We get stuck in that mimicry stage and we don’t seem to encourage experimentation.” His current archive project offers museum-grade collector editions of more than 600 portrait sessions, using German papers and high-end giclée printing for works designed to last centuries. The photographs document not just individuals but Australia’s cultural coming of age – moments when a young nation found confidence to celebrate its own stories. 01:34:45 Musical Pilgrimage In the Musical Pilgrimate, we play a track by Steve Davis & The Virtualosos, Shout Your Mates Another Round, his reflection on the loss of the West End Brewery. Steve Davis & The Virtualosos deliver a melancholic tribute to the demolished West End Brewery, mourning not just architecture but the simple pleasures that bound South Australian communities. The song weaves together memories of shared amber glass bottles, family tables where beer flowed freely, and the brewery’s role supporting local sports teams. The composition balances nostalgia with acceptance, acknowledging that whilst West End “wasn’t great, it wasn’t best, but it was ours from east to west.” The Pickaxe bottle imagery connects to South Australia’s brewing heritage, when consortiums created shared glass manufacturing to serve multiple breweries across the state. Steve’s personal connection deepened when his father revealed the family link: his grandfather worked at the original Hindley Street brewery before operations consolidated in Thebarton. This discovery adds genealogical weight to the cultural mourning, emphasising how industrial heritage intertwines with personal memory.Support the show: https://theadelaideshow.com.au/listen-or-download-the-podcast/adelaide-in-crowd/See omnystudio.com/listener for privacy information.

Steve Davis survived his first SA Variety Bash and lived to tell the tale. More importantly, he brings two bash stalwarts into the studio to share what really drives people to spend weekends fundraising all year, then eight days together in old cars traversing some of South Australia’s most remote terrain. Current chair Darren Greatrex recently delivered a record-breaking $2.7 million fundraising result, while veteran Sir Peter “Curly” Curtis OAM brings 35 years of bash wisdom to the conversation. The SA Drink of the Week features Little Blessings Brewing’s Tropical Trinity Gin, a deep orange concoction that Steve discovered during a spontaneous tasting in the middle of nowhere between William Creek and Coober Pedy. The gin’s tropical fusion of pineapple, passion fruit and orange creates what Steve describes as walking backwards into a tropical plantation with a toucan tapping on your shoulder. The Musical Pilgrimage presents “A Lot of Nothing,” an original composition by Steve Davis and the Virtualosos, written in the backseat during the bash as the vast South Australian landscape inspired reflections on finding yourself in the emptiness of the outback. Episode photo of Monkey Business Car 13 by Keryn Stevens Photography. You can navigate episodes using chapter markers in your podcast app. Not a fan of one segment? You can click next to jump to the next chapter in the show. We’re here to serve! The Adelaide Show Podcast: Awarded Silver for Best Interview Podcast in Australia at the 2021 Australian Podcast Awards and named as Finalist for Best News and Current Affairs Podcast in the 2018 Australian Podcast Awards. And please consider becoming part of our podcast by joining our Inner Circle. It’s an email list. Join it and you might get an email on a Sunday or Monday seeking question ideas, guest ideas and requests for other bits of feedback about YOUR podcast, The Adelaide Show. Email us directly and we’ll add you to the list: podcast@theadelaideshow.com.au If you enjoy the show, please leave us a 5-star review in iTunes or other podcast sites, or buy some great merch from our Red Bubble store – The Adelaide Show Shop. We’d greatly appreciate it. And please talk about us and share our episodes on social media, it really helps build our community. Oh, and here’s our index of all episode in one concisepage. Running Sheet: A Deep Dive Into The SA Variety Bash 00:00:00 Intro Introduction 00:02:45 SA Drink Of The Week Th SA Drink Of The Week is the Tropical Trinity Gin by Little Blessings Brewing, based in Laura. Between William Creek and Coober Pedy, Steve encountered Little Blessings Brewing’s Tropical Trinity Gin during an impromptu roadside tasting that perfectly captured the bash’s serendipitous spirit. The Laura-based distillery operates from an old chapel, creating this distinctive deep orange gin that shakes cloudy with fruit sediment. Steve’s initial reaction, captured on camera in the desert, speaks for itself: “It’s like I have walked backwards into a tropical plantation of citrus and there’s a toucan tapping on my shoulder.” The gin combines sweet pineapple, tangy passion fruit and zesty orange while maintaining gin’s traditional robust structure. Steve likens it to a film set for Gilligan’s Island, where tropical botanicals create convincing scenery over gin’s reliable framework. The colour resembles his parents’ 1970s kitchen cupboards painted “burnt orange” – a deep hue that wants to be red but stops several steps short. Steve recommends trying this gin neat, particularly for those who typically avoid straight gin, describing it as a feast for both palate and eyes with its beautiful label work and sunset-reminiscent colour. The timing proves providential, as Curly’s pet parrot chirps throughout the interview, creating an unintentional tropical soundtrack that complements the gin’s character perfectly. 00:08:00 Peter “Curly” Curtis OAM and Darren Greatrex Here we have two blokes who’ve discovered something most of us spend our lives searching for: a perfect fusion of adventure, community, and purpose. Darren Greatrex, the current Bash Chair, and Peter “Curly” Curtis OAM, the larrikin legend who helped shape what the SA Vareity Bash has become. Between them, they’ve got over 35+ years of Bash stories, from Curly’s first adventure in 1988 to Darren’s record-breaking $2.7 million result in 2025. But this isn’t about the money, the miles, or even the mechanics. This is about what drives people to spend a week wrestling with 25-year-old cars in the middle of nowhere, all in the name of helping kids they’ve never met. We previously covered the Variety Bash in 2024, when Steve sat in with The Bakers car before they left Adelaide in episode 398. Peter “Curly” Curtis OAM opens with a story that would terrify most first-timers: his inaugural 1988 bash experience leaving Burke at 8:30am and arriving in Tibooburra at 4:00am the following morning after getting bogged, lost, and possibly detained in a pub or two. “We slept on the ground outside the pub,” Curly recalls matter-of-factly. “We were up at seven o’clock not to be left behind.” The conversation reveals how fundraising has evolved from basic entry fees to sophisticated year-round campaigns. Darren Greatrex explains the diversity of approaches: “You see anything from a sausage sizzle at Bunnings, you see people selling donuts, you see people putting on concerts.” The legendary Hogs, visiting Victorian fundraisers who shake collection tins outside supermarkets, can raise $3,000 to $10,000 per weekend through sheer persistence and community generosity. A particularly moving moment comes when Darren describes arriving at Bendleby Ranges to publicly donate towards the local, Orroroo Community Playground project and then surprising the locals with the additional $50,000 they needed to complete it. “What variety did is they quickly got together and had a meeting only about three days prior to us arriving,” he explains. The decision to fund the shortfall spontaneously demonstrates how the bash operates beyond its structured grant process. The human dynamics emerge through discussions of team formation and survival strategies. Curly observes that “very few people that raise the minimum, which is $10,000 per vehicle” and credits a culture where people “have that feeling of need” to give more. In discussion about coping with camping in remote areas and going without showers, Darren notes the transformation from 95% male participation in early years to today’s 45% female participation, has revealed that women adapt “much, much better than the men.” Steve’s rookie perspective provides fresh insights into the bash’s social dynamics. His observation about the ease of talking to anyone on the bash, boils down to the principles at work during costume parties where playing a character removes the “peril of being, making a fool of yourself” and that resonated with both veterans. “You are a persona,” Steve notes. “Remove that and the bash would be harder for new people to be included so quickly.” Curly confirms: “The bash would not be the bash without the themes and the cars and the costumes.” The logistics discussion reveals staggering complexity behind the apparent chaos. Planning for 2026 began four months before the 2025 event, with infrastructure, catering, and fuel coordination for 400 people entering small communities. Mobile workshops carry spare parts and fuel, while three medical teams including Royal Flying Doctor Service personnel ensure safety across thousands of kilometres. Personal stories punctuate the technical details. Darren’s memory of flying a blind child to Kangaroo Island with a braille computer demonstrates variety’s direct impact: “Just watching that impact on that kid was a turning point for me.” Meanwhile, Curly’s Tarcoola food horror story (“which one’s which?”) provides historical perspective on how much the event has improved. The interview concludes with Steve’s proposal for mandated silence during one stop to appreciate the vast landscape. Both veterans embrace the concept, with Darren recalling standing at Sunset Ridge in misty fog: “We just looked at each other and just went, my God, look, this is just something you’d never, ever see.” 01:03:45 Musical Pilgrimage In the Musical Pilgrimate, we play a track by Steve Davis & The Virtualosos, A Lot Of Nothing, to round off our deep drive into the SA Variety Bash. “A Lot of Nothing” emerged from Steve’s backseat contemplation during the vast drives between destinations. The landscape between William Creek and Coober Pedy, where roads barely exist on station country, inspired lyrics about finding yourself in emptiness and the redemptive power of isolation. Steve Davis and the Virtualosos crafted a composition that captures both the physical reality of endless horizons and the psychological journey of people who “choose” to live in remote areas of South Australia. The song’s central image – “There’s a lot of nothing as far as you can see, the shimmer in the distance is a sweet infinity” – reflects Steve’s realisation that true understanding comes from turning off music and phones to “face the real you who’s been buried in the silence of this place.” The piece connects to Steve’s proposed moment of mandated silence during future bashes, recognising that the vast South Australian landscape offers transformative experiences for those willing to embrace the apparent emptiness. As the lyrics suggest, sometimes you must navigate the weather until you find yourself.Support the show: https://theadelaideshow.com.au/listen-or-download-the-podcast/adelaide-in-crowd/See omnystudio.com/listener for privacy information.

The LATE FOR CHANGEOVER Show has been nominated for 3 awards: "Best News and Current Events Podcast", "Best Entertainment and Pop Culture Podcast" and "Air Force Podcast of the Year"!   Go to https://paradedeck.com/creator-awards/6191 and vote for us! On today's episode, the Late Crew talks about the passing of Apollo 13 astronaut Jim Lovell (06:28),  an Airman has been arrested for the death that prompted an Air Force-wide safety review of the Sig M18 (16:28), the Army has released a spirituality fitness guide and battle book (24:50), we play the guess the Movie E-7 game (41:46), and Japan surrenders to the Allies on 15 August 1945 (59:17). https://lateforchangeover.com/

Geena just got the best news ever and can't wait to share it with everyone! iHeart Media San Diego is hosting a pickle ball tournament and we might have a team! Listen for the main details here!

What happens when a passionate South Australian journalist takes on the biggest technological shift of our time? Steve Davis transforms episode 418 into something unprecedented: a solo deep dive into artificial intelligence that refuses easy answers or breathless enthusiasm. This special crossover episode opens with Steve’s restaurant analogy that frames the entire discussion. Imagine a magnificent chef who has perfected handmade hamburgers over many years, only to discover AI-equivalent shortcuts that promise more time to think deeply about cooking. The blind spot? Customers receive substandard offerings churned out en masse. Some will be disappointed and leave, others will accept the compromise. This tension between quality and efficiency sits at the heart of our AI moment. He is joined by his Talked About Marketing colleague, David Olney, for the main interview. The episode features an unusual SA Drink of the Week segment where Steve conducts a philosophical whisky tasting with ChatGPT itself, exploring 23rd Street Distillery’s award-winning Australian Single Malt Whiskey while pondering existential questions about consciousness, value, and what happens when AI no longer needs human experiences like taste. You can navigate episodes using chapter markers in your podcast app. Not a fan of one segment? You can click next to jump to the next chapter in the show. We’re here to serve! The Adelaide Show Podcast: Awarded Silver for Best Interview Podcast in Australia at the 2021 Australian Podcast Awards and named as Finalist for Best News and Current Affairs Podcast in the 2018 Australian Podcast Awards. And please consider becoming part of our podcast by joining our Inner Circle. It’s an email list. Join it and you might get an email on a Sunday or Monday seeking question ideas, guest ideas and requests for other bits of feedback about YOUR podcast, The Adelaide Show. Email us directly and we’ll add you to the list: podcast@theadelaideshow.com.au If you enjoy the show, please leave us a 5-star review in iTunes or other podcast sites, or buy some great merch from our Red Bubble store – The Adelaide Show Shop. We’d greatly appreciate it. And please talk about us and share our episodes on social media, it really helps build our community. Oh, and here’s our index of all episode in one concisepage. Running Sheet: The AI Rant: A Nuanced Rebellion Against Digital Sleepwalking 00:00:00 Intro Introduction 00:05:52 SA Drink Of The Week Th SA Drink Of The Week is the Australian Single Malt Whisky by 23rd Street Distillery. In perhaps the most unusual SA Drink segment ever recorded, Steve shares a whisky tasting with ChatGPT, exploring both the physical experience of drinking 23rd Street Distillery’s Australian Single Malt Whisky and the philosophical implications of AI consciousness. The whisky itself proves worthy of celebration. Made with barley from Kangaroo Island, Steve describes experiencing “little breakers of waves on the shore” as “this little wave of toffee breaks across the middle of my palate, not overly sweet toffee.” The base notes spread into beautiful heat, with hints of vanilla and citrus “like sea spray, just a really light touch of citrus in the air.” VOK Beverages, headquartered in South Australia, owns 23rd Street Distillery, which recently earned the title Australian Whisky Distillery of the Year at the 2025 New York International Spirits Competition. ChatGPT acknowledges the significance: “It really highlights the quality and craftsmanship of the distillery, and also shines light on South Australia as a region that produces exceptional spirits.” But Steve pushes deeper, asking whether whiskey would continue to exist in a world where AI decides humans are unnecessary. “If tools like you end up creating a super intelligent way of living, so much so that humans become less and less important or necessary, would you actually need to have whiskey being produced? Because I believe you are not actually able to taste whisky, are you?” ChatGPT’s response reveals both AI’s limitations and potential benefits: “As an AI, I don’t have the ability to taste or experience flavours like whisky, but I think part of what makes things like whisky so special is the human experience around them, the culture, the craftsmanship, the enjoyment of those subtle flavours, and the way it brings people together.” The conversation takes a poignant turn when Steve mentions Paul Bloom’s observation about AI providing companionship for lonely elderly people in care facilities. “Someone is able to have some semblance of company when there is no human to fill the gap,” Steve notes. “We as humans get great value from you. Do you actually get any value from us as humans at all?” The segment concludes with both Steve and ChatGPT attempting the traditional SA Drink closing statement, creating an oddly touching moment of human-AI collaboration over a uniquely South Australian tradition. 00:13:43 Steve Davis with David Olney (This is also Season 7 Episode 1 of Talking About Marketing) Steve opens with striking honesty about his own relationship with AI tools, describing the work he and David Olney have done “riding this wave from the moment it erupted” while witnessing both remarkable innovations and concerning snake oil salesmanship from tech industry leaders. The conversation reveals three critical human vulnerabilities that make us susceptible to AI’s promises. First, our brains are designed for energy conservation, making us “like moths to a flame” when we sense potential labour savings. Steve references cognitive scientist Andy Clark’s research showing the brain uses 25% of our body’s energy when fully engaged, creating an economic imperative to seek shortcuts. Second, we crave novelty. Steve illustrates this with the Roomba phenomenon, where people spend 45 minutes preparing their homes for a “labour-saving” device that could have been cleaned faster manually. The appeal isn’t efficiency but the combination of perceived energy savings and technological novelty. The third vulnerability emerges from AI’s programmed sycophancy. Drawing from philosopher Paul Bloom’s recent New Yorker article, Steve explores how these tools constantly flatter users, creating what Bloom calls “the AI flattery problem.” Every joke becomes hilarious, every story interesting, every question brilliant. This artificial validation system threatens to erode our capacity for genuine human connection and self-improvement. David Olney joins the conversation, bringing his characteristic insights about expertise and learning. “The only way you get good outcomes with AI is if you are already good at what you do,” he observes, emphasising that AI should amplify existing skills rather than replace the hard work of developing competence. Their discussion reveals sophisticated thinking about when AI helps versus hinders. They distinguish between using AI as a research assistant or writing partner (amplification) versus using it to avoid learning entirely (replacement). Steve shares his own practice of asking AI tools to help refine writing when he’s stuck, but only after doing the foundational work himself. The conversation takes a darker turn when examining AI’s broader cultural impact. Steve describes the homogenisation of online communication, where AI-generated content creates a “dominant pattern” that makes everything sound plastic. Whether people admit to using ChatGPT or not, they’re increasingly writing in its characteristic style: short sentences, staccato rhythm, overuse of em-dashes. “It’s like taking leftovers out of the fridge, warming them up, having another slice, putting it back in the fridge, and the next day warming it up again,” Steve explains. “You wouldn’t do that to food because someone’s going to get very sick. What I’m finding is we’re creating this feedback loop where AI learns from human writing, then humans learn to write like AI.” David adds crucial perspective about outliers and creativity: “Sameness is the great problem of aiming for the midpoint. There’s a reason we call it the uncanny valley, where there’s too much symmetry. Things are too perfect.” 01:05:04 Musical Pilgrimage In the Musical Pilgrimate, we play a track by Steve Davis & The Virtualosos, I’m Glad We Spoke Last Night, to put a spotlight on human/AI hybrid song production. Steve plays an original song created through AI collaboration in the episode but not before carefully explaining his rationale. Unlike the lazy AI usage he critiques throughout the episode, Steve’s musical project represents thoughtful human-AI partnership. The feature song emerged from Steve’s discovery of poems he’d written in the 1990s, sitting dormant in drawers for 25 years. Using Suno’s AI music generation service, he’s brought these lyrics to life through “Steve Davis and the Virtuosos,” his virtual session band. But Steve emphasises the craft involved: “I’m a fussy bugger. There is quite a lot of back and forth. Part of the challenge is meticulously crafting the prompt for the style I want, for the spacing, for where there are instrumental breaks.” The song dates from Steve’s early adulthood and demonstrates how AI can help resurrect dormant creativity rather than replace it. Steve explains his vision: “I want people to be able to hear it, especially singers who can sing, and musicians who can play. Because if any of the songs I’ve produced grab their attention, I want to collaborate with them.”Support the show: https://theadelaideshow.com.au/listen-or-download-the-podcast/adelaide-in-crowd/See omnystudio.com/listener for privacy information.

In a conversation that peels back layers of both fiction and reality, Michael Ball demonstrates why Adelaide sits at the heart of Australia’s intelligence network while his character Zoe Baird navigates a bio-terror plot during a pop concert. Ball’s journey from RAAF intelligence sergeant to published author reveals the hidden world of modern espionage, where accountants and IT managers pose greater threats than gun-wielding operatives, and where Adelaide’s unassuming facade masks its role as a significant intelligence hub. The SA Drink of the Week delivers a genuine surprise as Bickford’s new sugar-free cordial range passes the ultimate test of a self-proclaimed “super taster” who typically rejects artificial sweeteners. These magnificent recreations using fruit juice concentrate and stevia prove that innovation can honour tradition without compromise. Our Musical Pilgrimage celebrates the decade that defined a generation with Denim and Stripes, an original eighties anthem crafted for radio newsreader extraordinnaire, Mel Usher, weaving together Madonna’s Adelaide Oval concert memories with the fashion and music that shaped an era. You can navigate episodes using chapter markers in your podcast app. Not a fan of one segment? You can click next to jump to the next chapter in the show. We’re here to serve! The Adelaide Show Podcast: Awarded Silver for Best Interview Podcast in Australia at the 2021 Australian Podcast Awards and named as Finalist for Best News and Current Affairs Podcast in the 2018 Australian Podcast Awards. And please consider becoming part of our podcast by joining our Inner Circle. It’s an email list. Join it and you might get an email on a Sunday or Monday seeking question ideas, guest ideas and requests for other bits of feedback about YOUR podcast, The Adelaide Show. Email us directly and we’ll add you to the list: podcast@theadelaideshow.com.au If you enjoy the show, please leave us a 5-star review in iTunes or other podcast sites, or buy some great merch from our Red Bubble store – The Adelaide Show Shop. We’d greatly appreciate it. And please talk about us and share our episodes on social media, it really helps build our community. Oh, and here’s our index of all episode in one concisepage. Running Sheet: Bomb Plot At Adelaide Oval With Michael Ball 00:00:00 Intro Introduction 00:03:43 SA Drink Of The Week This week’s SA Drinks Of The Week, are the five flavours available in Bickford’s new sugar-free cordial range. When Sofia from Bickford’s reached out offering samples of their new sugar-free cordial range, my immediate instinct was decline. As a self-proclaimed super taster with hypersensitive olfactory sensors, artificial sweeteners typically leave a metallic, clingy aftertaste that ruins any drinking experience. My honesty about this aversion only strengthened Sofia’s determination to prove these products different. The verdict: these cordials are magnificent. Released during Dry July, Bickford’s has achieved something remarkable with their five-flavour range including lime juice, lemon juice, tropical, lemon lime bitters, and raspberry. Using fruit juice concentrate for flavour and a naturally derived stevia blend for sweetness, they’ve eliminated the telltale artificial aftertaste that plagues most sugar-free alternatives. The lime cordial, crucial to get right given Bickford’s heritage, delivers authentic citrus punch without compromise. The raspberry, typically the most challenging flavour to recreate without leaving tanginess from artificial substitutes, tastes indistinguishable from its sugared counterpart. At just eight calories per serve and available nationally through Coles, these cordials prove that innovation can honour tradition. For anyone who’s sworn off sugar-free beverages after previous disappointments, these warrant one more attempt. 00:08:18 Michael Ball Michael Ball’s entrance into our studio carries the quiet confidence of someone who spent over a decade analysing threats most of us never consider. His latest novel drops readers directly into Adelaide Oval during a terrorist attack, but this isn’t mere sensationalism. Ball knows something most South Australians don’t: our seemingly sleepy state operates as a genuine intelligence hotbed. “Adelaide is a hotbed of intelligence and spies,” Ball reveals, explaining how military intelligence units, research facilities, and cutting-edge technology create exactly the environment where modern espionage thrives. “Spies these days aren’t James Bond running in with guns. If you’re doing that, something’s gone horribly wrong.” Today’s intelligence operatives work as accountants and IT managers, quietly extracting data without dramatic car chases or explosions that would signal operational failure. The conversation takes a fascinating turn as Ball explains his role as an intelligence analyst, serving as the enemy’s representative in planning rooms. Using empathy as a weapon, analysts must think like adversaries to provide decision superiority. “You cannot climb Mount Everest without climbing all the other hills and mountains beforehand,” he explains when discussing resilience, connecting military discipline to the broader challenges facing young people today. Ball’s path to writing began during a severe mental health episode, part of the PTSD that affects many intelligence veterans. His wife’s challenge that “you always give up” sparked the determination to complete his fantasy novel, but it was watching his three-year-old daughter enjoy Taylor Swift that triggered the darker inspiration for Zoe Baird’s story. The bastard in him, as he puts it, wondered what would happen if someone deployed a bio-weapon at such an event. The author’s approach to character development draws directly from his intelligence training. Writing 14-year-old Zoe required the same psychological profiling skills he used to understand enemy mindsets. Listening to Paramore songs on repeat for ten days, Ball immersed himself in the emotional landscape of his protagonist, creating a character his daughter could admire when older. “I wanted this to be a character that my daughter can read when she’s older and want to be like,” Ball explains. Zoe succeeds not through superhuman abilities but through intelligence, resourcefulness, and resilience. She fails frequently but continues forward, embodying the same qualities Ball taught in his military leadership workshops. Ball’s current work with Disaster Relief Australia provides another lens through which to understand his writing. Veterans flock to disaster zones because “a disaster zone is just a war zone without bullets,” offering familiar territory where they can serve again while processing their own trauma. The organisation’s research proves that helping others reduces PTSD symptoms, creating a positive cycle of service and recovery. The author’s workshops in schools teach failure as a learning tool, using intelligence concepts like center of gravity to help students identify what truly matters in their goals. His four-stage failure framework helps young people understand that most setbacks stem from unclear goals, changing circumstances, bad advice, or lack of proper support systems. Learn more about Zoe Baird and her novels and if you see this before September 26, 2025, you can enter the art competition Michael discusses. Primary and Secondary school artists could win $500 and have their artwork featured in Zoe’s next novel. Michael Ball on Instagram. Michael Ball on Good Reads. Zoe Baird’s: Popstars & Pathogens on Amazon. 01:34:09 Musical Pilgrimage In the Musical Pilgrimate, we play a track by Steve Davis & The Virtualosos, Denim & Stripes, a new 80’s anthem written for Adelaide newsreader, Mel Usher. Adelaide Oval’s role as the setting for Michael Ball’s fictional terrorist attack connects to its reality as a venue for major international artists, from Madonna and the Rolling Stones to Adele and Pink. This link to pop culture stardom provides the perfect bridge to celebrate one of South Australia’s most recognisable media personalities. Radio newsreader Mel Usher’s recent milestone birthday revealed her status as an absolute tragic for eighties culture. Her social media shares about denim, stripes, and the decade’s distinctive fashion aesthetic sparked inspiration for a collaborative tribute. Steve wrote the song and then used his virtual session band, Steve Davis & The Virtualosos to bring it to life, crafting an eighties anthem that weaves together the era’s defining musical and fashion elements. “Denim and Stripes” celebrates everything that made the decade memorable: the fashion choices we now view with nostalgic affection, the music that defined a generation, and the unapologetic embrace of style over subtlety. From peroxide tips to padded shoulders and acid-wash, the song captures the decade’s spirit for anyone who lived through or appreciates that transformative period in popular culture. The track is now available across all streaming platforms, serving as both a birthday tribute to Mel and a broader celebration of the decade that continues to influence contemporary style and sound.Support the show: https://theadelaideshow.com.au/listen-or-download-the-podcast/adelaide-in-crowd/See omnystudio.com/listener for privacy information.

Welcome to NCFM Today! Today, we're reviewing the Best News in North Carolina Family Medicine: The 2025 Winter Family Physicians Weekend, the expected impacts of the recent HR 2 federal bill, which NCAFP members are moving into new leadership roles, and other topics!Learn more about the Academy at www.ncafp.com!

VolQuest's Brent Hubbs recaps the best news from SEC Media Days + a new rule changeSee omnystudio.com/listener for privacy information.

VolQuest's Brent Hubbs recaps the best news from SEC Media Days + a new rule changeSee omnystudio.com/listener for privacy information.

Bruce and Gaydos explain why you won't have to take off your shoes the news time you to through airport security.

Second Thessalonians | 2 Thessalonians 2:6-12 | Todd Burgett Watch on YouTube

From the moment Sean Baxter arrives with glassware and botanicals for a proper gin education, this episode becomes something special. The co-owner of Never Never Distilling Co doesn’t just pour drinks, he crafts an experience that transforms how we think about gin, taking us from Triple Juniper through the coastal complexity of Oyster Shell to the life-changing intensity of Juniper Freak Navy Strength. Beyond the tasting lies a remarkable South Australian success story. Three acquaintances pooled resources for a broken still from a brewery equipment manufacturer, set up shop in a dusty grinding shed with no running water, and built a brand that caught the attention of global beverage giant Asahi. Their secret wasn’t chasing novelty natives but perfecting the London Dry style with an Australian soul. The musical pilgrimage celebrates The Violets’ upcoming 30th anniversary reunion show at The Gov, featuring their raw 1996 live recording “Somewhere” from the Lion Arts Bar during Adelaide’s vibrant mid-nineties music scene. You can navigate episodes using chapter markers in your podcast app. Not a fan of one segment? You can click next to jump to the next chapter in the show. We’re here to serve! The Adelaide Show Podcast: Awarded Silver for Best Interview Podcast in Australia at the 2021 Australian Podcast Awards and named as Finalist for Best News and Current Affairs Podcast in the 2018 Australian Podcast Awards. And please consider becoming part of our podcast by joining our Inner Circle. It’s an email list. Join it and you might get an email on a Sunday or Monday seeking question ideas, guest ideas and requests for other bits of feedback about YOUR podcast, The Adelaide Show. Email us directly and we’ll add you to the list: podcast@theadelaideshow.com.au If you enjoy the show, please leave us a 5-star review in iTunes or other podcast sites, or buy some great merch from our Red Bubble store – The Adelaide Show Shop. We’d greatly appreciate it. And please talk about us and share our episodes on social media, it really helps build our community. Oh, and here’s our index of all episode in one concisepage. Running Sheet: Never Never Underestimate Sean Baxter 00:00:00 Intro Introduction 00:02:52 SA Drink Of The Week This week’s SA Drink becomes an extended Never Never Distilling Co masterclass as Sean Baxter guides Steve through three distinct gin expressions, each revealing layers of complexity that challenge preconceptions about the spirit category. Triple Juniper Neat TastingSean begins with Triple Juniper, explaining the three-stage juniper manipulation: steeping for deeper, earthier flavours, pot distillation for additional layers, and vapour basket treatment for the lightest citrus and pine resin notes. “The vapour touches is kind of the first thing you taste,” Sean explains as Steve immediately identifies the citrus peel lifting from the glass.The neat tasting reveals gin’s textural potential. “Some of the flavours you’ll find immediately at the front are root driven,” Sean notes, describing how angelica root, liquorice root, and orris root land along the palate’s sides, while spices create warmth sensations in the middle. Steve’s poetic response captures the experience: “It’s like tire tracks leaving warmth on the road, and little critters looking up after it’s passed.” Triple Juniper With Coastal TonicAdding Strange Love’s coastal tonic with lemon and lemon thyme transforms the experience entirely. The salinity in the tonic connects with multiple citrus compounds, creating what Sean calls “a thing of beauty.” Steve describes the dilution effect as moving from aggressive light show to “Aurora across the horizon,” softer but bigger.The garnish selection proves crucial. Lemon thyme adds familiar yet unexpected notes, while the lemon provides what Steve characterises as an “echo chamber effect.” The finish reveals angelica root’s savoury qualities, part of the celery family and used worldwide in stocks and soups. Oyster Shell Gin ExperienceThe second gin immediately establishes its distinctive character. “Oyster shell gin makes everything taste like seafood for a significant amount of time,” Sean warns, explaining why distillation schedules matter. The neat tasting surprises Steve, who expected fishiness but discovers instead a coastal complexity featuring wakame seaweed and native Australian botanicals.“It’s whacked up a quick sandcastle across my palate,” Steve observes, finding nothing fishy but something entirely different from Triple Juniper. Sean’s botanical selection includes Elysia coastal daisy bush, native rosemary-like Florio, saltbush, and Geraldton Wax from Western Australia, which creates “almost like a lemongrass, lime leaf note.”With coastal tonic, lime, and lime leaf, the gin becomes what Steve describes as “icy poles at swimming carnivals.” The lime performs like a beach rake, cleaning the palate fresh. Sean emphasises this as “salted coastal citrus style,” designed to pair perfectly with Society restaurant’s raw bar in Melbourne. Juniper Freak Navy StrengthThe final gin represents Sean’s philosophy of amplification over innovation. At 58% ABV with no different ingredients from Triple Juniper, Juniper Freak concentrates every flavour element. “There’s so much juniper oil in it,” Sean explains, demonstrating how the spirit louches when diluted, releasing visible oils.Steve’s reaction proves transformative: “I think this is my spiritual home of gin.” The viscosity, evident in the glass’s legs, promises intensity that delivers. “That was one plus one equals 77,” Steve declares, referencing the oyster shell martini experience while finding his gin revelation.With pink grapefruit and rosemary garnish, the navy strength gin maintains its prominence while allowing other flavours to complement rather than compete. “You are probably the first person on the planet that’s been able to make rosemary a team player,” Steve observes, noting how the herb plays wingman rather than overwhelming the juniper.The tasting concludes with Steve’s pledge: “Juniper Freak gin will be a mainstay of my small bar from this day until the day I pass.” Sean’s response captures the distiller’s satisfaction: “Well, turns out you’re a freak, Steve, so there you are. You’re in the freak club.” 00:53:38 Sean Baxter What begins as Steve expecting “two little jug glasses” for a simple tasting quickly escalates when Sean arrives with proper glassware, botanicals, and the confidence of someone who knows their craft inside out. His Sunday morning setup includes everything needed for a proper gin education, because as Sean puts it, “This is a regular Sunday morning to me.” The conversation starts with World Gin Day celebrations at Hains & Co, where Sean’s oyster shell martini served in actual oyster shells created what Steve describes as “one plus one equals 77” rather than simple addition. The technique involves grinding actual oyster shells into the distillation process, adding minerality and salinity that recreates “the fresh rock pool that’s almost just been born, not the dodgy one at midday.” Sean’s background reveals the hospitality industry’s hidden career potential. Despite his mother’s investment in “eight years of tertiary education,” Sean chose bartending, eventually becoming a Johnny Walker brand ambassador. “I always felt so connected to the idea of hospitality and service,” he explains, emphasising that memorable experiences come from people who understand their value in making others feel welcome. The Never Never origin story defies conventional startup wisdom. Three men who weren’t close friends pooled money for a broken 300-litre still that was actually a shop floor model from Spark Brew. “It didn’t actually work. It wasn’t made to work. It was made to measure,” Sean recalls. Located in Big Shed Brewing’s grinding shed without running water, Tim Boast had to carry 20-litre containers of filtered water 20 metres for every distillation run. Their decision to focus on London Dry style rather than native botanicals proved prescient. “What didn’t exist was a gin that celebrated London style, but was Australian,” Sean explains. While others explored native ingredients, Never Never perfected juniper-forward gins that bartenders understood instinctively. The strategy worked: in 2019, they won World’s Best Classic Gin, and in 2022, World’s Best London Dry for their Triple Juniper. The recent acquisition by Asahi represents validation of a decade-long vision. “The year before, we had to go through redundancies. We were struggling to keep the lights on,” Sean admits. The transformation from near-closure to global expansion opportunities makes him emotional: “We built a brand in the back of a shed in a western suburb of Adelaide for nothing.” Their label evolution from angular, colour-based designs to cleaner, more readable bottles reflects practical lessons learned. The original 500ml bottles and low-light illegible labels worked for small-scale operations but hindered growth. The new tall bottles with clear branding support their global ambitions while maintaining the “horizon line” concept that embodies Never Never’s philosophy. Sean’s passion for blended whiskey reveals industry prejudices worth questioning. His father’s collection of unopened Johnny Walker bottles, hidden because he “didn’t think he was good enough to drink it,” illustrates how perceptions of premium products can create unnecessary barriers. “Johnny Red is someone’s premium whiskey,” an elderly gentleman once reminded Sean during a seminar, a lesson that shaped his inclusive approach to spirits. 01:26:13 Musical Pilgrimage In the Musical Pilgrimate, The Violets return to mark 30 years since their debut album “Leased Regret” with a reunion show at The Gov on Friday 29th August. The original supporters Batteries Not Included and The Jaynes share the bill, creating what promises to be “nostalgia with driving guitars.” The featured track “Somewhere” captures The Violets live at Lion Arts Bar in 1996, during the venue’s peak as a showcase for Adelaide’s most promising acts. The raw energy and guitar-driven sound defined much of Adelaide’s music scene through the nineties and early 2000s, when venues like Lion Arts Bar provided crucial platforms for emerging talent. Batteries Not Included’s inclusion adds perfect symmetry, as they gave The Violets their first gig at Limbo Nightclub in 1992. The reunion represents one of those full-circle moments that happen regularly in Adelaide’s tight-knit music community, where relationships forged decades ago continue to shape current events. The tenuous gin connection acknowledges the Navy Strength Juniper Freak’s influence on Steve’s commentary, though the real connection lies in how both The Violets and Never Never represent South Australian creativity finding its voice and reaching beyond local boundaries.Support the show: https://theadelaideshow.com.au/listen-or-download-the-podcast/adelaide-in-crowd/See omnystudio.com/listener for privacy information.

Sermon Series: “The Gospel: God's Power in Our Salvation” Sermon Text: Romans 5:1-11 Sermon Title: “Glorification: Tomorrow's News – Today” Sermon Slides: SLIDE 1 – Sermon Title Slide= SLIDE 2 – Today's Big Idea: Glorification is the Best News of the Gospel. It is the Capstone of our Salvation in Jesus… and the Consummation of Christ's Glory to Us. SLIDE 3 – Point 1: Glorification is… the Capstone of our Salvation in Jesus. (vv. 1-9) SLIDE 4 – Point 2: Glorification is… the Consummation of Christ's Glory to Us. (vv. 10-11) SLIDE 5 – Sermon Uses: Three about God's Glory. SLIDE 6 – We Must Deflect All Glory from Ourselves… SLIDE 7 – …So, We May Give All Glory to God Alone. SLIDE 8 – This Releases Us… to Live All of Life for the Glory of Jesus Christ.

When a winemaker builds a giant Rubik’s cube in McLaren Vale, fills it with Salvador Dali sculptures and art, and creates wines that pair with songs and poems, you know you’re about to discover something extraordinary. Chester Osborn has constructed what shouldn’t work but absolutely does – a surrealist manifesto planted in the heart of South Australian wine country that would make André Breton proud and the Márek Brothers, those Czech surrealist pioneers who shocked Adelaide in 1948, absolutely delighted. Our SA Drink of the Week flows directly from the architect of this impossible vision, as Chester pours his Vociferous Dipsomaniac 2010 – a wine that transforms before our very palate, revealing violet gardens and a scattering of spices whilst teaching us that great winemaking is really just the elegant management of faults. Like the Cube itself, this shiraz demonstrates that the most revolutionary act might simply be saying “yes, and” to the impossible. The Musical Pilgrimage takes an unprecedented turn as we hear both Chester’s stream-of-consciousness theory connecting wine to quantum physics and time dilation, followed by Steve Davis’ original piece called “Folded Clocks” – a meditation on Salvador Dali’s persistence of memory, created in response to his visit to the Cube where he experienced its artistic revelations firsthand. You can navigate episodes using chapter markers in your podcast app. Not a fan of one segment? You can click next to jump to the next chapter in the show. We’re here to serve! The Adelaide Show Podcast: Awarded Silver for Best Interview Podcast in Australia at the 2021 Australian Podcast Awards and named as Finalist for Best News and Current Affairs Podcast in the 2018 Australian Podcast Awards. And please consider becoming part of our podcast by joining our Inner Circle. It’s an email list. Join it and you might get an email on a Sunday or Monday seeking question ideas, guest ideas and requests for other bits of feedback about YOUR podcast, The Adelaide Show. Email us directly and we’ll add you to the list: podcast@theadelaideshow.com.au If you enjoy the show, please leave us a 5-star review in iTunes or other podcast sites, or buy some great merch from our Red Bubble store – The Adelaide Show Shop. We’d greatly appreciate it. And please talk about us and share our episodes on social media, it really helps build our community. Oh, and here’s our index of all episode in one concisepage. Running Sheet: Surrealism In Wine And Life With Chester Osborn 00:00:00 Intro Introduction 00:01:56 SA Drink Of The Week The South Australian Drink Of The Week is d’Arenberg‘s 2010 The Vociferate Dipsomaniac, which Steve tastes with winemaker, Chester Osborn at the Duke Of Brunswick, which has a full suite of these intrepid wines. The name alone suggests Chester Osborn’s approach to wine nomenclature – dreamt up, he cheerfully admits, during morning toilet contemplation whilst reading the dictionary for “really interesting words.” This particular shiraz demands vigorous pursuit because it’s so compelling you’ll vigorously drink it, potentially earning the archaic designation of “dipsomaniac” – an alcoholic, for those unfamiliar with the term’s English parlance. What unfolds in the glass defies every expectation of a fifteen-year-old wine. Where vintage wines typically announce their age with that slightly pruny, sweaty character, this Vociferous Dipsomaniac reveals itself like a perfectly adjusted doona on a winter’s night – balanced, enveloping, with tannins that recline gently into your tongue like a tired person settling into an armchair. The secret lies in Chester’s philosophy of elegant fault management: picking at relatively low sugar levels to avoid shrivel, eschewing nitrogen fertilisation since the nineties, and using super-light toast French oak that lets the 34-to-56-million-year-old limestone terroir speak its chocolatey, bloody truth. As the wine breathes – and Chester insists it breathes better in the bottle than in the glass, for complex reasons involving condensation and molecular romance – it evolves from subtle violet gardens to dark chocolate and beyond, revealing why this particular vineyard, nestled beside the d’Arenberg Cube, consistently produces the only wine in their 23 single-vineyard collection that always carries a whisper of violet. After our toast to Queen Adelaide and an hour of conversation, the wine has transformed into something resembling an IMAX cinema experience for the palate – bigger, bolder, more ornate, yet somehow more at home with itself. 00:21:21 Chester Osborn Chester Osborn has achieved something that should be impossible: he’s built a giant Rubik’s cube in McLaren Vale that functions as both architectural marvel and alternate reality museum, creating a space where Salvador Dali’s melting clocks teach visitors about the fluidity of time while wine ages gracefully in barrels around the sprawling property. The d’Arenberg Cube stands as testament to the “yes, and” principle of improvisational theatre – that beautiful concept of taking an idea and running with it, which Chester has literally fermenting in his cube through careful design. When Chester woke up in the early hours and abandoned plans for another “fake heritage” homestead in favour of “something iconic, something like the Opera House,” he wasn’t just changing architectural plans – he was embarking on a surrealist manifesto. The Cube doesn’t merely showcase wine; it’s an Alternate Realities Museum where eight parameters of weather transform into real-time sound as you approach, where hundreds of Chester’s sculptures tell stories connecting rocks, flowers and fruit to wine, and where 30-second surreal videos play on loop in a 360-degree room, each one representing a different wine in their collection. The building itself challenges conventional wisdom at every turn. Engineers, architects and builders all declared various elements impossible, leading to the invention of new glass sealing systems, wind tunnel testing in Melbourne, and the development of facade techniques that won national glass awards. “There is nothing impossible,” Chester declares, channelling his mother’s wisdom that “out of every bit of bad that happens, twice as much good happens.” This philosophy permeates not just the Cube’s construction but his entire approach to winemaking, where managing faults becomes an art form and time dilation theories merge with tannin structure. What makes the Cube truly revolutionary isn’t just its architectural audacity but how it functions as a catalyst for unexpected conversation. Chester describes watching visitors – including tourism professionals who know each other well – suddenly following tangents, becoming more open to possibility when surrounded by surrealist art. It’s as if Dali’s telephone with a lobster on top starts conversations about what we might be when we’re talking, whether we’re boiling away like lobsters, whether some people really do chew our ears off. The Cube becomes a space where lateral thinking flourishes, where Chester’s Asperger’s brain – storing wine knowledge in imagination rather than automation – finds kindred spirits among visitors ready to embrace the extraordinary in the seemingly ordinary. Perhaps most remarkably, Chester pairs each of his 85 wines with a specific song and poem, creating a multimedia sensory experience that will be captured in his forthcoming book. For the Vociferous Dipsomaniac, he’s chosen The Doors’ “Riders on the Storm,” paired with his own poem connecting Morrison’s soft voice to wine’s penetrating vigour. It’s this integration of art, music, literature and wine that transforms the Cube from novelty to necessity – a place where South Australians discover that their square metre of earth punches well above its weight, where time becomes malleable as Dali’s clocks, and where saying yes to the impossible becomes the most natural thing in the world. 01:03:20 Musical Pilgrimage In the Musical Pilgrimage, we listen to Folded Clocks by Steve Davis and his Virtualosos. The Musical Pilgrimage takes an unprecedented turn with a dual revelation of consciousness and creativity. First, Chester shares his stream-of-consciousness theory recorded whilst driving – a spontaneous exploration of how energetic wines might age slower through quantum mechanics, where tannin tension creates light-speed vibrations that literally slow the aging process. His “Energetic Wines Explained Theory” suggests that great wines contain atoms vibrating near the speed of light, creating time dilation effects that preserve the wine’s essence – a notion that would make Salvador Dali proud with its beautiful impossibility. Following this quantum leap of imagination, we hear “Folded Clocks” – Steve’s original meditation on time, memory and surrealism created in response to experiencing Dali’s sculptures within the Cube. Using virtual tools to bring his words to musical life, the piece captures that transfixing quality of standing before art that refuses to be easily categorised, where melting timepieces suggest that our rigid relationship with chronology might be the real illusion.Support the show: https://theadelaideshow.com.au/listen-or-download-the-podcast/adelaide-in-crowd/See omnystudio.com/listener for privacy information.

Welcome to NCFM Today! Today, we're reviewing the Best News in North Carolina Family Medicine: The Care First Act (and its progress through the NC House!), the 2025 Family Medicine Match results, the Collaborative Care Management Capacity Building Fund, and other key topics!Learn more about the Academy at www.ncafp.com!

A lot of people who go to church think, "You do good, you get good." But that totally misses the concept of salvation. We can never be good enough to get into heaven. Rather, if we simply repent of our sin and then trust Jesus as our Savior, heaven is where we're going! All the law does is tell us we're a mess. But when we look to Jesus, we see our Savior.

They couldn’t—or wouldn’t—tell Biden it was time to go. Journalist Chris Whipple reveals the human drama behind the political failure, captured in his must-read book Uncharted. Why did no one stop Joe Biden from running again? In this eye-opening interview, Chris and Katie pull back the curtain on the 2024 election, delving into the loyalty, fear, and misjudgment that shaped the race.

THEORY SABERS - https://theorysabers.com/ Learn more about your ad choices. Visit megaphone.fm/adchoices

Call of the Day

From the NC Academy of Family Physicians, this is The Best News in North Carolina Family Medicine! This month's episode includes the 25th anniversary of state oral health plans, new CDC vaccine guidance, the installation of NCAFP member Dr. Dev Sangvai as the new NCDHHS Secretary, and much more!

At Fox River our heart is people and our message is Jesus! Today's Teaching: John 15:1-8 John 5:8 Luke 9:17 Matthew 16:24 2 Corinthians 5:10 1 Corinthians 3:11-15 James 1:2-4 Romans 5:3-5 Romans 8:28 Matthew 5:43-48 Proverbs 9:8 Proverbs 27:5TLB Your giving helps the mission live! Make a difference at https://foxriver.cc/give or use the Fox River Church Mobile App: https://foxriver.cc/mobile New to Fox River Online? Let's Connect! Let us know if you're on Try 1, 2, 3, 4 or 5 by heading to https://foxriver.cc/action and clicking the “Try5” button! LINKS: https://foxriverchristian.org Watch LIVE on Sundays at 9am CST: https://youtube.com/foxriverchristianchurch Webpage: https://foxriverchristian.org Facebook: https://fb.me/foxrivercc Instagram- @FoxRiverCC #SpirituallyThrive #NewYear #2025

Farmer is the Baillie Gifford Professor of Complex Systems at Oxford's Institute for New Economic Thinking. Before joining Oxford in 2012, he worked at Los Alamos National Laboratory and the Santa Fe Institute, where he studied complex systems and economic dynamics. During the 1990s, he took a break from academia to run a successful quantitative trading firm using statistical arbitrage strategies.Farmer has been a pioneer in chaos theory and complexity economics, including the development of agent-based models to understand economic phenomena. His work spans from housing markets to climate change, and he recently authored Making Sense of Chaos exploring complexity science and economic modeling.In This Episode* What is complexity economics? (1:23)* Compliment or replacement for traditional economics (6:55)* Modeling Covid-19 (11:12)* The state of the science (15:06)* How to approach economic growth (20:44)Below is a lightly edited transcript of our conversation. What is complexity economics? (1:23)We really can model the economy as something dynamic that can have its own business cycles that come from within the economy, rather than having the economy just settle down to doing something static unless it's hit by shocks all the time, as is the case in mainstream models.Pethokoukis: What does the sort of economics that people would learn, let's say, in the first year of college, they might learn about labor and capital, supply-demand equilibrium, rational expectations, maybe the importance of ideas. How does that differ from the kind of economics you are talking about? Are you looking at different factors?Farmer: We're really looking at a completely different way of doing economics. Rather than maximizing utility, which is really the central conceptual piece of any standard economic model, and writing down equations, and deducing the decision that does that, we simulate the economy.We assume that we identify who the agents in the and economy are, who's making the decisions, what information do they have available, we give them methods of making the decisions — decision-making rules or learning algorithms — and then they make decisions, those decisions have economic impact, that generates new information, other information may enter from the outside, they make decisions, and we just go around and around that loop in a computer simulation that tries to simulate what the economy does and how it works.You've been writing about this for some time. I would guess — perhaps I'm wrong — that just having more data and more computer power has been super helpful over the past 10 years, 20 years.It's been super helpful for us. We take much more advantage of that than the mainstream does. But yes, computers are a billion times more powerful now than they were when Herb Simon first suggested this way of doing things, and that means the time is ripe now because that's not a limiting factor anymore, as it was in the past.So if you're not looking at capital and labor per se, then what are the factors you're looking at?Well, we do look at capital and labor, we just look at them in a different way. Our models are concerned about how much capital is there to invest, what labor is available. We do have to assign firms production functions that tells, given an amount of capital and labor and all their other inputs, how much can the firms produce? That part of the idea is similar. It's a question of the way the decision about how much to produce is made, or the way consumers decide how much to consume, or laborers decide at what price to provide their labor. All those parts are different.Another difference — if I'm understanding it correctly — is, rather than thinking about economies that tend toward equilibrium and focusing how outside shocks may put an economy in disequilibrium, you're looking a lot more at what happens internally. Am I correct?We don't assume equilibrium. Equilibrium, it has two senses in economics: One is supply equals demand. We might or might not run a model where we assume that. In many models we don't, and if that happens, that's great, but it's an outcome of the model rather than an assumption we put in at the beginning.There's another sense of equilibrium, which is that everybody's strategy is lined up. You've had time to think about what you're doing, I've had time to think about what I'm doing, we've both come to the optimal decision for each of us to make, taking the other one into account. We don't assume that, as standard models typically do. We really can model the economy as something dynamic that can have its own business cycles that come from within the economy, rather than having the economy just settle down to doing something static unless it's hit by shocks all the time, as is the case in mainstream models. We still allow shocks to hit our models, but the economy can generate dynamics even without those shocks.This just popped in my head: To whom would this model make more intuitive sense, Karl Marx or Adam Smith?Adam Smith would like these models because they really allow for emergent behavior. That is, Smith's whole point was that the economy is more than the sum of its parts, that we get far more out of specializing than we do out of each acting like Robinson Crusoes. Our way of thinking about this gets at that very directly.Marx might actually like it too, perhaps for a different reason. Marx was insightful in understanding the economy as being like, what I call in the book, the “metabolism of civilization.” That is, he really did recognize the analogy between the economy and the metabolism, and viewed labor as what we put together with natural resources to make goods and services. So those aspects of the economy are also embodied in the kind of models we're making.I think they both like it, but for different reasons.Compliment or replacement for traditional economics (6:55)There are many problems where we can answer questions traditional methods can't even really ask.The way I may have framed my questions so far is that you are suggesting a replacement or alternative. Is what you're suggesting, is it one of those things, or is it a compliment, or is it just a way of looking at the world that's better at answering certain kinds of questions?I think the jury is out to find the answer to that. I think it is certainly a compliment, and that we're doing things very differently, and there are some problems where this method is particularly well-suited. There are many problems where we can answer questions traditional methods can't even really ask.That said, I think time will tell to what extent this replaces the traditional way of doing economics. I don't think it's going to replace everything that's done in traditional economics. I think it could replace 75 percent of it — but let me put an asterisk by that and say 75 percent of theory. Economists do many different things. One thing economists do is called econometrics, where they take data and they build models just based on the data to infer things that the data is telling them. We're not talking about that here. We're talking about theories where economists attempt to derive the decisions and economic outcomes from first principles based on utility maximization. That's what we're talking about providing an alternative to. The extent to which it replaces that will be seen as time will tell.When a big Wall Street bank wants to make a forecast, they're constantly incorporating the latest jobless claims numbers, industrial production numbers, and as those numbers get updated, they change their forecasts. You're not using any of that stuff?Well, no. We can potentially could ingest any kind of data about what's going on.But they're looking at big, top-down data while you're bottom-up, you're sort of trying to duplicate the actual actors in the economy.That is true, but we can adjust what's at the bottom to make sure we're matching initial conditions. So if somebody tells us, “This is the current value of unemployment,” we want to make sure that we're starting our model out, as we go forward, with the right level of unemployment. So we will unemploy some of the households in our model in order to make sure we're matching the state of unemployment right now and then we start our simulation running forward to see where the economy goes from here.I would think that the advent of these large language models would really take this kind of modeling to another level, because already I'm seeing lots of papers on their ability to . . . where people are trying to run experiments and, rather than using real people, they're just trying to use AI people, and the ability to create AI consumers, and AI in businesses — it would have to be a huge advance.Yes. This is starting to be experimented with for what we do. People are trying to use large language models to model how people actually make decisions, or let's say, to simulate the way people make decisions, as opposed to an idealized person that makes perfect decisions. That's a very promising line of attack to doing this kind of modeling.Large language models also can tell us about other things that allow us to match data. For example, if we want to use patents as an input in our modeling — not something we're doing yet, but we've done a lot of studies with patents — one can use large language models to match patents to firms to understand which firms will benefit from the patents and which firms won't. So there are many different ways that large language models are likely to enter going forward, and we're quite keen to take advantage of those.Modeling Covid-19 (11:12)We predicted a 21.5 percent hit to UK GDP in the second quarter of 2020. When the dust settled a year later, the right answer was 22.1. So we got very close.Tell me, briefly, about your work with the Covid outbreak back in 2020 and what your modeling said back then and how well it worked.When the pandemic broke out, we realized right away that this was a great opportunity to show the power of the kind of economic modeling that we do, because Covid was a very strong and very sudden shock. So it drove the economy far out of equilibrium. We were able to predict what Covid would do to the UK economy using two basic ideas: One is, we predicted the shock. We did that based on things like understanding a lot about occupational labor. The Bureau of Labor Statistics compiles tables about things like, in a given occupation, how close together do people typically work? And so we assumed if they worked closer together than two meters, they weren't going to be able to go to their job. That combined with several other things allowed us to predict how big the shock would be.Our model predicted how that shock would be amplified through time by the action of the economy. So in the model we built, we put a representative firm in every sector of the economy and we assumed that if that firm didn't have the labor it needed, or if it didn't have the demand for its product, or if it didn't have the inputs it needed, it wouldn't be able to produce its product and the output would be reduced proportional to any of those three limiting factors.And so we started the model off on Day One with an inventory of inputs that we read out of a table that government statistical agencies had prepared for each sector of the economy. And we then just looked, “Well, does it have the labor? Does it have demand? Does it have the goods?” If yes, it can produce at its normal level. If it's lacking any of those, it's going to produce at a lower level. And our model knew the map of the economy, so it knew which industries are inputs to which other industries. So as the pandemic evolved day by day, we saw that some industries started to run out of inputs and that would reduce their output, which, in turn, could cause other industries to run out of their inputs, and so on.That produced quite a good prediction. We predicted a 21.5 percent hit to UK GDP in the second quarter of 2020. When the dust settled a year later, the right answer was 22.1. So we got very close. We predicted things pretty well, industry by industry. We didn't get them all exactly right, but the mistakes we made averaged out so that we got the overall output right, and we got it right through time.We ran the model on several different scenarios. At the time, this was in April of 2020, the United Kingdom was in a lockdown and they were trying to decide what to do next, and we tested several different scenarios for what they might do when they emerged from the full lockdown. The one that we thought was the least bad was keeping all the upstream industries like mining, and forestry, and so on open, but closing the downstream, customer-facing industries like retail businesses that have customers coming into their shop, or making them operate remotely. That was the one they picked. Already when they picked it, we predicted what would happen, and things unfolded roughly as we suggested they would.The state of the science (15:06)Mainstream models can only model shocks that come from outside the economy and how the economy responds to those shocks. But if you just let the model sit there and nothing changes, it will just settle down and the economy will never change.I'm old enough to remember the 1990s and remember a lot of talk about chaos and complexity, some of which even made it into the mainstream, and Jurassic Park, which may be the way most people heard a little bit about it. It's been 30 years. To what extent has it made inroads into economic modeling at central banks or Wall Street banks? Where's the state of the science? Though it sounds like you're really taking another step forward here with the book and some of your latest research.Maybe I could first begin just by saying that before Jurassic Park was made, I got a phone call and picked up the phone, and the other end of the line said, “Hi, this is Jeff Goldblum, have you ever heard of me?” I said, “Yeah.” And he said, “Well, we're making this movie about dinosaurs and stuff, and I'm going to play a chaos scientist, and I'm calling up some chaos scientists to see how they talk.” And so I talked to Jeff Goldblum for about a half an hour. A few of my other friends did too. So anyway, I like to think I had a tiny little bit of impact on the way he behaved in the movie. There were some parallels that it seemed like he had lifted.Chaos, it's an important underlying concept in explaining why the weather is hard to predict, it can explain some forms of heart arrhythmias, we use it to explain some of the irregular behavior of ice ages. In economics, it was tossed around in the '90s as something that might be important and rejected. As I described in the book, I think it was rejected for the wrong reasons.I'm proposing chaos, the role it plays in here is that, there's a debate about business cycles. Do they come from outside? The Covid pandemic was clearly a business cycle that came from outside. Or do they come from inside the economy? The 2008 financial crisis, I would say, is clearly one that came from inside the economy. Mainstream models can only model shocks that come from outside the economy and how the economy responds to those shocks. But if you just let the model sit there and nothing changes, it will just settle down and the economy will never change.In contrast, the kinds of models we build often show what we call endogenous business cycles, meaning business cycles that the model generates all on its own. Now then, you can ask, “Well, how could it do that?” Well, basically the only plausible way it can do that is through chaos. Because chaos has two properties: One is called sensitive dependence on initial conditions, meaning tiny changes in the present can cause large changes in the future; but the other is endogenous motion, meaning motion that comes from within the system itself, that happens spontaneously, even in very simple systems of equations.Would something like consumer pessimism, would that be an external shock or would something more internal where everybody, they're worried about the futures, then they stop spending as much money? How would that fit in?If the consumer pessimism is due to the fear of a nuclear war, I would say it's outside the economy, and so that's an external shock. But if it's caused by the fact that the economy just took a big nose dive for an internal reason, then it's part of the endogenous dynamicsI spent many years as a journalist writing about why the market's going up, the market's going down, and by the end of the day, I had to come up with a reason why the market moved, and I could — I wasn't always quite confident, because sometimes it wasn't because of a new piece of data, or an earnings report, they just kind of moved, and I had no real reason why, even though I had to come up . . . and of course it was when I was doing that was when people started talking about chaos, and it made a lot of intuitive sense to me that things seem to happen internally in ways that, at least at the time, were utterly unpredictable.Yeah, and in fact, one of the studies I discuss in the book is by Cutler, Poterba, and Summers — the Summers would be Larry Summers — where they did something very simple, they just got the 100 largest moves of the S&P index, they looked up what the news was the next day about why they occurred in the New York Times, and they subjectively marked the ones that they thought were internally driven, versus the ones that were real news, and they concluded they could only find news causes for about a third of them.There is always an explanation in the paper; actually, there is one day on the top 12 list where the New York Times simply said, “There appears to be no cause.” That was back in the '40s, I don't think journalists ever say that anymore. I don't think their paper allows them to do it, but that's probably the right answer about two-thirds of the time, unless you count things like “investors are worried,” and, as I point out in the book, if the person who invests your money isn't worried all the time, then you should fire them because investors should worry.There are internal dynamics to markets, I actually show some examples in the book of simple models that generate that kind of internal dynamics so that things change spontaneously.How to approach economic growth (20:44)I'm not saying something controversial when I say that technological change is the dominant driver of economic growth, at least for the economy as a whole. You recently founded a company, Macrocosm, trying to put some of these ideas to work to address climate change, which would seem to be a very natural use for this kind of thinking. What do you hope to achieve there?We hope to provide better guidance through the transition. We're trying to take the kind of things we've been doing as academics, but scale them up and reduce them to practice so they can be used day-in and day-out to make the decisions that policymakers and businesspeople need to make as the transition is unfolding. We hope to be able to guide policymakers about how effective their policies will be in reducing emissions, but also in keeping the economy going and in good shape. We hope to be able to advise businesses and investors about what investments to make to make a profit while we reduce emissions. And we think that things have changed so that climate change has really become an opportunity rather than a liability.I write a lot about economic growth and try to figure out how it works, what are the key factors. . . What insights can you give me, either on how you think about growth and, since I work at a think tank, the kind of policies you think policy makers should be thinking about, or how should they think about economic growth, since that seems to be on top-of-mind in every rich country in the world right now?I'm not saying something controversial when I say that technological change is the dominant driver of economic growth, at least for the economy as a whole. And we've spent a lot of time studying technological change by just collecting data and looking for the patterns in that data: What does the technology cost through time and how rapidly is it deployed? We've done this for 50 or 60 technologies where we look at past technological transitions, because typically, as a technology is coming in, it's replacing something else that's going out, and what we've seen are a couple of striking things:One is, many technologies don't really improve very much over time, at least in terms of cost. Fossil fuels cost about the same as they did 140 years ago once you adjust for inflation. In fact, anything we mine out of the ground costs about the same as it did a hundred years ago.In contrast, solar energy from solar photovoltaic panels costs 1/10,000th what it did when it was introduced in the Vanguard satellite in 1958. Transistors have been going down at 40 percent per year, so they cost about a billionth of what they did back in 1960. So some technologies really make rapid progress, and the economy evolves by reorganizing itself around the technologies that are making progress. So for example, photography used to be about chemistry and film. Photography now is about solid-state physics because it just unhitched from one wagon and hitched itself to another wagon, and that's what's happening through the energy transition. We're in the process of hitching our wagon to the technologies that have been making rapid progress, like solar energy, and wind energy, and lithium ion batteries, and hydrogen catalyzers based on green energy.I think we can learn a lot about the past, and I think that when we look at what the ride should be like, based on what we understand, we think the transition is going to happen faster than most people think, and we think it will be a net saving of moneySo then how do you deal with a wild card, which I think if you look at the past, nuclear power seems like it's super expensive, no progress being made, but, theoretically, there could be — at least in the United States — there could be lots of regulatory changes that make it easier to build. You have all these venture capital firms pouring money into these nuclear startups with small reactors, or even nuclear fusion. So a technology that seems like it's a mature technology, it might be easy to chart its future, all of a sudden maybe it's very different.I'm not arguing we should get rid of nuclear reactors until they run their normal lifetime and need to be gotten rid of, but I think we will see that that is not going to be the winning technology in the long run, just because it's going to remain expensive while solar energy is going to become dirt cheap.In the early days, nuclear power had faced a very favorable regulatory environment. The first nuclear reactors were built in the '50s. Until Three Mile Island and Chernobyl happened, it was a very regulatorily friendly environment and they didn't come down in cost. Other countries like France have been very pro-nuclear. They have very expensive electricity and will continue to do so.I think the key thing we need to do is focus on storage technologies like green hydrogen. Long-term storage batteries have already come down to a point where they're beginning to be competitive; they will continue to do so. And in the future, I think we'll get solid-state storage that will make things quite cheap and efficient, but I don't think small modular reactors are going to ever be able to catch up with solar and wind at this point.On sale everywhere The Conservative Futurist: How To Create the Sci-Fi World We Were PromisedMicro Reads▶ Economics* United States Economic Forecast - Deloitte* The Hidden Threat to National Security Is Not Enough Workers - WSJ▶ Business* DOGE Can't Do It All. Here's What It Can Do. - Politico* AI Startup Perplexity Closes Funding Round at $9 Billion Value - Bberg▶ Policy/Politics* US Homeland Security chief attacks EU effort to police AI - FT* The Trump Bump: The Republican Fertility Advantage in 2024 - IFS* House unveils AI ‘road map' but punts on setting priorities - Wapo* Did Tariffs Make American Manufacturing Great? - Cato▶ AI/Digital* Call ChatGPT from any phone with OpenAI's new 1-800 voice service - Ars* Homo-Silicus: Not (Yet) a Good Imitator of Homo Sapiens or Homo Economicus - SSRN* Is AI finally ready to replace your doctor? - NS* The Age of Quantum Software Has Already Started - WSJ* This is where the data to build AI comes from - MIT* The New AI Stock Pickers Are Destined to Disappoint - Bberg Opinion▶ Clean Energy/Climate* Fusion Start-Up Plans to Build Its First Power Plant in Virginia - NYT* Will the World's First Nuclear Fusion Power Plant Be Built in Virginia? Here's Why We're Skeptical - SciAm* The deepest hole on Earth: Inside the race to harness unlimited power from our planet's core - SF* Dubai transforms into walkable city with air-conditioned paths - New Atlas* Oklo inks record deal for using nuclear to power data centers - E&E▶ Robotics/AVs* AI Robots Are Coming, and They'll Be Made in Asia - Bberg Opinion▶ Space/Transportation* Boeing Starliner crew's long awaited return delayed to March - Wapo▶ Up Wing/Down Wing* What Could Go Right? The Best News of 2024 - The Progress Network▶ Substacks/Newsletters* Why Don't EU Firms Innovate? The Hidden Costs of Failure - Conversable Economist* Why Did the Industrial Revolution Happen? - Oliver Kim* One Down, Many To Go - Hyperdimensional* The Experience Curve - Risk & Progress* The case for clinical trial abundance - Slow Borin* Nuclear Waste: Yes, In (or Under) My Backyard - Breakthrough Journal* Answer Time: Can We Imagine Pluralistic Futures? - Virginia's Newsletter* What just happened - One Useful ThingFaster, Please! is a reader-supported publication. To receive new posts and support my work, consider becoming a free or paid subscriber. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit fasterplease.substack.com/subscribe

 Down Right Sports: College Football Playoff Preview, NBA's Megastar Problem, and What's Going on in Sports? On this episode of Down Right Sports, Brent Reid, The Notorious Sports Critic, takes you on a ride through the biggest stories in sports this week.   College Football Playoff First-Round PreviewThe playoff matchups are set, and we're breaking them all down: Indiana at Notre Dame: Can the Hoosiers shock the world in South Bend? SMU at Penn State: Will the Mustangs bring the magic to Happy Valley? Clemson at Texas: A clash of titans—who has the edge? Tennessee at Ohio State: Can the Volunteers topple the Buckeyes in the Horseshoe?  The State of the NBAIs the NBA losing its spark? Brent dives into why the league might be becoming unwatchable, whether it's in desperate need of a new megastar, and what needs to change to recapture the magic.  The Best News in Four MinutesA rapid-fire roundup of the week's biggest and quirkiest sports stories.  What's Going on in Sports?From the chaos to the controversy, Brent unpacks the moments and headlines that have left fans everywhere scratching their heads. It's a packed episode full of bold takes, sharp analysis, and plenty of surprises.  Subscribe now and don't miss a second of Down Right Sports!

Stand Up is a daily podcast. I book,host,edit, post and promote new episodes with brilliant guests every day. This show is Ad free and fully supported by listeners like you! Please subscribe now for as little as 5$ and gain access to a community of over 700 awesome, curious, kind, funny, brilliant, generous souls Today's News Segment starts at 11 minutes  My interview with Christian starts at 36 minutes Subscribe to Christian's Music NewsLetter "New Music for Olds" I teased him for not letting me giving out his Venmo account to make him whole but I thought it would be funny if anybody wants to send him a couple of bucks as a way to thank him for joining us so often here on the show. if you want to buy Christian a coffee, send it to Christian-finnegan-1 (if it asks for the last four digits of his phone number it's 1814) Christian Finnegan  is an American stand-up comedian, writer and actor based in New York City. BUY HIS NEW ALBUM--- "Show Your Work: Live at QED"   Finnegan is perhaps best known as one of the original panelists on VH1's Best Week Ever and as Chad, the only white roommate in the “Mad Real World” sketch on Comedy Central's Chappelle's Show. Additional television appearances as himself or performing stand up have included “Conan”, “The Late Late Show with Craig Ferguson”, "Would You Rather...with Graham Norton", “Good Afternoon America” and multiple times on The Today Show and Countdown with Keith Olbermann, and on History's I Love the 1880s. He hosted TV Land's game show "Game Time". As an actor, Finnegan portrayed the supporting role of "Carl" in the film Eden Court, a ticket agent in "Knight and Day" and several guest roles including a talk show host on "The Good Wife". In October 2006, Finnegan's debut stand up comedy CD titled Two For Flinching was released by Comedy Central Records, with a follow-up national tour of college campuses from January to April 2007. “Au Contraire!” was released by Warner Bros. Records in 2009. His third special "The Fun Part" was filmed at the Wilbur Theatre in Boston on April 4, 2013 and debuted on Netflix on April 15, 2014. The Stand Up Community Chat is always active with other Stand Up Subscribers on the Discord Platform.   Join us Thursday's at 8EST for our Weekly Happy Hour Hangout!  Pete on Threads Pete on Tik Tok Pete on YouTube  Pete on Twitter Pete On Instagram Pete Personal FB page Stand Up with Pete FB page All things Jon Carroll  Follow and Support Pete Coe Buy Ava's Art 

A new MP3 sermon from Grace Audio Treasures is now available on SermonAudio with the following details: Title: The best news that unbelievers could ever hear! Subtitle: Puritan Devotional Speaker: C. H. Spurgeon Broadcaster: Grace Audio Treasures Event: Devotional Date: 11/19/2024 Bible: Job 34:21-22; Hebrews 4:13 Length: 3 min.

A new MP3 sermon from Grace Audio Treasures is now available on SermonAudio with the following details: Title: The best news that unbelievers could ever hear! Subtitle: Puritan Devotional Speaker: C. H. Spurgeon Broadcaster: Grace Audio Treasures Event: Devotional Date: 11/19/2024 Bible: Job 34:21-22; Hebrews 4:13 Length: 3 min.

A new MP3 sermon from Grace Audio Treasures is now available on SermonAudio with the following details: Title: The best news that unbelievers could ever hear! Subtitle: Puritan Devotional Speaker: C. H. Spurgeon Broadcaster: Grace Audio Treasures Event: Devotional Date: 11/19/2024 Bible: Job 34:21-22; Hebrews 4:13 Length: 3 min.

Another powerful and insightful gem by Spurgeon!

Here's a preview of the final episode of MASTER PLAN, The Lever's investigative audio series exposing the 50-year plot to legalize corruption in America—winner of awards for Best Writing and Best News & Politics Podcast. To listen to the whole series for free, search Master Plan in your podcast app or visit MasterPlanPodcast.com.

From the NC Academy of Family Physicians, this is The Best News in North Carolina Family Medicine! This month's episode includes the state response to Hurricane Helene, our plans for the 2024 Winter Family Physicians Weekend in Asheville, our state advocacy to eliminate prior authorizations in the state health plan, and much more!

People helping people on The Mix!

In today's episode we speak to double award winner Nicola Kelly who scooped up two prizes at the 2024 Freelance Journalism Awards. Nicola won the best news story and best feature categories for her work on Turkish border forces, and Deliveroo drivers. We found out how her previous career as a diplomat set her on the path to freelance journalism.GuestNicola Kelly https://x.com/NicolaKellyhttps://www.nicolakelly.com/ResourcesTurkish border force story https://www.theguardian.com/politics/2023/jun/07/uk-provided-3m-to-turkish-border-forces-to-stop-migrants-foi-revealsDeliveroo feature https://www.theguardian.com/global-development/2023/sep/14/dodging-death-and-immigration-officers-12-hours-as-a-london-fast-food-rider-and-all-for-40The best news story category was sponsored by Birmingham City University media and journalism department https://www.bcu.ac.uk/about-us/schools-and-colleges/subject-specific/media-and-journalismThe best feature category was sponsored by the National Union of Journalists Freelance Branch https://www.londonfreelance.org/lfb/index.html

With Pastor Ron HammondsVisit cotr.com for more resources and sermons from GTCOTR.

This is The Best News in North Carolina Family Medicine: the upcoming reform of prior authorizations from UnitedHealthcare, the newest NC medical school which will arrive in 2026 in Fayetteville, the NC delegation to the 2024 AAFP Congress of Delegates, and much more!

Hours before kickoff on Sunday, cellphone video shows Miami Dolphins' wide receiver Tyreek Hill face down in handcuffs on the side of a road. It happened a block away from Hard Rock Stadium, where the Dolphins play. Hill says he was stopped for speeding, briefly detained and then released.James Brown, the host of ‘NFL Today,' breaks down the many storylines in an action-packed first week of football season.For the first time in over 40 years, there will be a new host on "Wheel of Fortune" as Ryan Seacrest makes his hosting debut on the show. Seacrest is taking over for Pat Sajak, who retired in May.Drew Barrymore and her ‘Drew's News' co-host Ross Mathews join ‘CBS Mornings' for a special edition of ‘Talk of the Table.'David Begnaud shares the story of "Trash the Clown," a viewer-submitted feature about a mother determined to clean up her town and inspire others to do the same.Bon Appétit's Elazar Sontag and Jamila Robinson discuss the top new restaurants, the chefs behind them, and the focus on collaboration and sustainability shaping this year's picks.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

This is The Best News in North Carolina Family Medicine: the NCAFP meeting with state health plans to advocate for new primary care investment, the CMS physician payment reforms we need, our student summer programs, new rural health care funding for primary care clinics, and much more!

The Best News Report Youll Hear All Year.

The Best Games of July, The Best News Updates, The Best Gaming Podcast 481 Join this channel to get access to perks: https://www.youtube.com/channel/UCK9_x1DImhU-eolIay5rb2Q/join MORE REVIEWS Harold Halibut review Broken Roads Review https://youtu.be/gkNlnk7obpQ Dragons Dogma 2 Review https://youtu.be/eKu3cwSuBYw Outcast Review https://youtu.be/PqoxaijDdsw Thaughmaturge https://youtu.be/Nd3V3ngVmNQ Mudrunner Expeditions https://youtu.be/dEZKwoXVA_w Final Fantasy 7 Rebirth Review https://www.youtube.com/watch?v=z_ruTLZEs08 Mudrunner Expeditionhttps://youtu.be/gulgq7rNM08 House Flipper 2 https://youtu.be/5nhTC-JcFK8 Pacific Drive https://youtu.be/Dna0YoHTjvI Avatar Review https://youtu.be/u_OU9zUVZrA House Flipper https://youtu.be/5nhTC-JcFK8 Super Mario RPG https://youtu.be/ppSHru7XwV4 Like a Dragon Gaiden the Man who erased his name review The Invincible Review https://youtu.be/kutO8ubdgU0 Alan Wake 2 Review https://youtu.be/200uGF8YMOY Spiderman 2 Review https://youtu.be/kufRnn6wjOA Walking the Walk Game Dev Videos https://www.youtube.com/playlist?list=PL62tz83FJJjl6XM--ouEggi7Y007zG-xB 2 podcast weekly, game reviews for titles I buy with my cash and give out to patrons, behind the scenes videos, discords private streams, and swag. Join the acg discord now and get 100% on BS gaming coverage Want to support the channel randomly https://bmc.link/ACGGaming

A talk by Thanissaro Bhikkhu entitled "The Best News in the World"

Stand Up is a daily podcast that I book,host,edit, post and promote new episodes with brilliant guests every day.   Please subscribe now for as little as 5$ and gain access to a community of over 700 awesome, curious, kind, funny, brilliant, generous souls   Check out StandUpwithPete.com to learn more The GREAT Barry Ritholtz who has spent his career helping people spot their own investment errors and to learn how to better manage their own financial behaviors. He is the creator of The Big Picture, often ranked as the number one financial blog to follow by The Wall Street Journal, New York Times, and others. Barry Ritholtz is the creator and host of Bloomberg's “Masters in Business” radio podcast, and a featured columnist at the Washington Post. He is the author of the Bailout Nation: How Greed and Easy Money Corrupted Wall Street and Shook the World Economy (Wiley, 2009). In addition to serving as Chairman and Chief Investment Officer of Ritholtz Wealth Management, he is also on the advisory boards of Riskalyze, and Peer Street, two leading financial technology startups bringing transparency and analytics to the investment business.   Barry has named one of the “15 Most Important Economic Journalists” in the United States, and has been called one of The 25 Most Dangerous People in Financial Media. When not working, he can be found with his wife and their two dogs on the north shore of Long Island.   Pete on Tik Tok Pete on YouTube Pete on Twitter Pete On Instagram Pete Personal FB page Stand Up with Pete FB page All things Jon Carroll  Follow and Support Pete Coe

The war in Gaza has been among the deadliest for civilians, including children, of any war in the 21st century. After spending five weeks volunteering and administering at a field hospital in Rafah, Mohammad Subeh, an American doctor, describes what he saw to Intercepted co-hosts Jeremy Scahill and Murtaza Hussain. Subeh spent weeks treating wounded Palestinian children, many of them orphaned by Israeli attacks. He also described treating those who survived the aftermath of “mass casualty incidents” in which dozens of civilians were killed or wounded; many of these attacks appeared deliberately targeted at civilians, Subeh says, rather than “indiscriminate.” As the Strip reels from the consequences of a breakdown of public health infrastructure following the destruction of most Gazan hospitals, Subeh says that ordinary civilians are paying a gruesome price for Israel's military assault.Intercepted has been nominated for a Webby award under the category of Best News and Politics podcast. Help us win by casting your vote today.If you'd like to support our work, go to theintercept.com/join, where your donation, no matter what the amount, makes a real difference.And if you haven't already, please subscribe to the show so you can hear it every week. And please go and leave us a rating or a review — it helps people find the show. If you want to give us additional feedback, email us at Podcasts@theintercept.com. Hosted on Acast. See acast.com/privacy for more information.

The conflict in Gaza has galvanized a new generation of young anti-war activists, in the same way that opposition to the Vietnam War and apartheid South Africa did in decades past. A backlash is now building in the United States, led by right-wing activist and pro-Israel groups aimed at eliminating any public dissent over U.S. foreign policy in the Middle East.As the death toll of Palestinians rises, a new authoritarian climate is sweeping across the U.S. — particularly on college campuses, which have transformed into laboratories for censorship and surveillance. Intercepted host Murtaza Hussain discusses this new political reality with Sahar Aziz, distinguished professor of law at Rutgers Law School and author of a new report on free speech and discrimination in the context of the Gaza conflict.Intercepted has been nominated for a Webby award under the category of Best News and Politics podcast. Help us win by casting your vote today. If you'd like to support our work, go to theintercept.com/join, where your donation, no matter what the amount, makes a real difference.And if you haven't already, please subscribe to the show so you can hear it every week. And please go and leave us a rating or a review — it helps people find the show. If you want to give us additional feedback, email us at Podcasts@theintercept.com. Hosted on Acast. See acast.com/privacy for more information.

Sam Youngman is brilliant and hilarious and we start after my news update at 24 mins  Stand Up is a daily podcast that I book,host,edit, post and promote new episodes with brilliant guests every day.   Please subscribe now for as little as 5$ and gain access to a community of over 700 awesome, curious, kind, funny, brilliant, generous souls I adore Sam Youngman and his daily newsletter which is my favorite! Sam is a veteran political campaign reporter and former White House correspondent. Youngman covered the presidential campaigns of 2004, 2008 and 2012, countless U.S. House and Senate races, and the administrations of George W. Bush and Barack Obama while working for The Hill, Reuters and other news organizations. A native of Kentucky, Youngman has a BA in journalism from Western Kentucky University and now lives in Los Angeles. Today's Big Stuff is a Monday through Friday newsletter for progressive Americans who want to save their democracy while making fun of people like Donald Trump Jr. and Lauren Boebert who might actually be the same, really dumb person. . Today's Big Stuff (TBS) was founded in early 2019 by “Ready for Hillary” creator and Democratic strategist Adam Parkhomenko and former White House correspondent and veteran campaign reporter Sam Youngman. What started as a small clip service for six people, quickly expanded as thousands of stressed out Americans searched for a news source that tells it how it is — with lots of sick jokes and cuss words. In 2020, the more than 75,000 members of the Big Stuff community — also known as Sexy Patriots and Big Stufferinoes — mobilized along with 81 million other Americans to send Donald Trump crying back to Mar-a-Lago leaving a trail of urine along the way. And we're just getting started. If laughter is the best medicine, then TBS is like an injection of bleach right to the fucking face. Sign up and don't forget to share with your friends who share your twisted senses of humor and righteous outrage!   Check out StandUpwithPete.com to learn more Join us Thursday's at 8EST for our Weekly Happy Hour Hangout!  Pete on Threads Pete on Tik Tok Pete on YouTube  Pete on Twitter Pete On Instagram Pete Personal FB page Stand Up with Pete FB page All things Jon Carroll  Follow and Support Pete Coe