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2 episodes with Thomas Bartlett
2 episodes with Thomas Bartlett
2 episodes with Thomas Bartlett
2 episodes with Thomas Bartlett
This week Jeremy and Reid are discussing Thomas Bartlett in The Work of Art, Lemon Fennel Cake and more on Étoile. Other topics include Gardening, Andor, and the NEA.Elusive MuseNEA Four◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠➩ WEBSITE ◦YOUTUBE ◦ INSTAGRAM ➩ SUPPORT:✨VIA VENMO!✨ or PATREON➩ REID ◦ JEREMY ◦ JACK◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠➩ withdanceandstuff@gmail.com
2025 Dublin Literary Award Shortlist - Caoimhín Ó Raghallaigh and Thomas Bartlett - Why are we still telling fairytales?
On this episode, Lauren is joined by the wonderful Olivia Chaney. Born in Florence to a writer and painter-turned-academic, Olivia grew up listening to everything from Prince to Henry Purcell. In 2015, she released her first solo album 'The Longest River', receiving rave reviews. Three years later, she recorded her second album 'Shelter' in NYC with genius producer-pianist Thomas Bartlett.These records established Olivia's reputation as the author of an unmistakable brand of luscious, sophisticated music that explores inherited trauma, the clash of tradition and modernity, and the paradoxes of love.'Circus of Desire', released in March this year, is the highly anticipated third studio album from Olivia. Worked up over five eventful years, this collection of songs was recorded in NYC with long-time collaborator, producer and musician Thomas Bartlett. Featuring an all-star line-up of friends old and new, 'Circus of Desire' is Olivia set free. This podcast is recorded on the lands of the Wurundjeri people of the Kulin nation. I pay my respects to the traditional custodians of this country and elders past, present....-Find Olivia Chaney on Instagram-Follow LP: Uncovered on Instagram
Jennifer Charles is a proud childless cat lady writer, singer/songwriter, actor, and poet, best known as one half of the New York cult band Elysian Fields. She has performed and collaborated with artists worldwide, singing in over 10 languages. Notable projects include Lovage with Mike Patton and Dan the Automator, and her Sephardic Diaspora group La Mar Enfortuna. Elysian Fields has created original music for television, film, and stage, including works by Jim Findlay and the French dance company Affari Esteri. Jennifer originated the role of Girl Angel in the Pulitzer-winning opera Angel's Bone and played Emily Dickinson in BAM's Lightning at our Feet. Elysian Fields recently released their 14th record, What the Thunder Said. Jennifer also launched a new project called Bohemian Flesh with Thomas Bartlett and has recorded audiobooks, including Edith Wharton's The Touchstone. In her free time, she creates art, gardens, cooks, travels, and cares for her cats.
Connor and Dylan are joined by Pulitzer Prize-winner and Tony-nominated playwright Martyna Majok (Gatsby: An American Myth, Cost of Living). Fresh off their summer vacation to Palm Springs, the twins discuss drag brunches, paradise in the desert, and whether or not Isaac Powell strips down at A.R.T. in this summer's hottest show: Gatsby: An American Myth. There's no one better to chat about it all with than Martyna Majok, the show's book writer. We dive DEEP into the process of writing this new musical, from rediscovering the source material of The Great Gatsby, to collaborating with music and lyricist Florence Welch (of Florence and the Machine, y'all!) and Thomas Bartlett, and her involvement in the casting process. Martyna bares her soul on themes, topics, and life experiences close to her heart, as well as the role they play in her writing. She tells the story of meeting her love, Bobby Conte, what it was like winning a Pulitzer for Cost of Living, and the transcendent experience of seeing John Stamos in Cabaret at Studio 54. Pool hustling, The Bear season 3, and taking stock of life are just a few more things the three of them get into in this insightful, heartfelt, and thrilling conversation. Go see Gatsby: An American Myth at A.R.T. through August 3.Follow Martyna on InstagramFollow DRAMA. on Twitter & Instagram & TiktokFollow Connor MacDowell on Twitter & InstagramFollow Dylan MacDowell on Twitter & InstagramEdited by DylanSupport the podcast by subscribing to DRAMA+, which also includes bonus episodes, Instagram Close Friends content, and more!
In 2003, the Whitaker family went out to their favorite restaurant to celebrate that their oldest son had just completed his college courses and was set to graduate. The night of celebration would end tragically with two members of the family dead, the other two injured, and the most unlikely dirtbag as the mastermind behind the tragedy. If you enjoy listening, there are a few ways for you to help us out: Buy us a snack, follow us on social media, click 'follow' where ever you're listening from, and give us a rating and review! Thanks for listening! BUY US A SNACK: https://ko-fi.com/buriedmotives Follow us on FaceBook: https://m.facebook.com/Buried-Motives-107918331555188/ Follow us on Instagram: https://instagram.com/buriedmotives Email us: buriedmotives@gmail.com Learn more about your ad choices. Visit megaphone.fm/adchoices
Patrick sits down with Thomas Bartlett, Myasthenia Gravis patient and advocate, about the unique struggles of living with an invisible chronic disorder. Also, we all know if you want real answers — ask a nurse. We've got Andrea Buxton, Nurse Practitioner at the Hemophilia Outreach Center in Green Bay, WI, with her account of the first commercial dosing of gene therapy for hemophiia B. Show Notes: Subscribe: The BloodStream Podcast Presenting Sponsor: Takeda, visit bleedingdisorders.com to learn more. It's a Whole New World Gene Therapy Segment brought to you by CSL Behring, which now has a first-of-its-kind hemophilia B treatment. Visit BeyondHemB.com or download B SUPPORT wherever you get your apps for more information. On the Shoulders of Giants Film Watch the movie and host a screening: ontheshouldersfilm.com Beyond our Blood Watch the short films and download the facilitation guide: beyondourblood.com Connect with BloodStream Media: BloodStreamMedia.com BloodStream on Facebook BloodStream on Twitter
Thomas Bartlett is a wire jewelry craftsman and artist out of Minneapolis Minnesota. His work utilizes weaving and coiling of wire to create detailed highly textural settings for natural stones and crystals. In addition to jewelry work Thomas has a BFA in 2d media and creates psychosexual surrealist illustrations and paintings. Instagram.com/_whiskey_kitten_ Instagram.com/thomasbartlettart
Winner of the Pulitzer Prize and just recently on Broadway, Cost of Living traces two relationships: one between a wealthy graduate student with cerebral palsy and his female caregiver, the other between a woman recovering from a terrible accident being tended to by her ex-husband. Heartfelt, funny, and deeply moving, this exquisitely written play examines the fiscal and emotional cost of human connection.Ross Beschler - EddieGianna Castro - JessRachel Handler - AniChristian Prentice - JohnJeffrey L. Page (director), an Emmy-nominated director and choreographer celebrated for his dynamic theater and dance direction, earned the Douglas and Ethel Watt Critics' Choice Award for his vibrant choreography in the 1776 Broadway Revival. Collaborating with icons like Beyoncé and influencing productions from Memphis to Ain't Misbehavin', Page's work resonates globally. His film credits include Making Micheaux (director) and Freedom(choreographer). Academically distinguished as the first African American to receive The Juilliard School's Marcus Institute Fellowship, Jeffrey also imparts knowledge at Harvard and The New School. As the leader of Movin' Legacy, Page's artistry continues to innovate with projects like The Trojan Women, solidifying his stature in modern performing arts. | @jeffreylpage | www.jeffreylpage.comMartyna Majok (playwright) was born in Bytom, Poland and raised in Jersey and Chicago. She was awarded the 2018 Pulitzer Prize for Drama and received a nomination for Best Play at the 2023 Tony Awards for Cost of Living. Other plays include Sanctuary City, Queens, and Ironbound, which have been produced across American and international stages. Other awards include the Obie Award for Playwriting, the Hull-Warriner Award, the Academy of Arts and Letters' Benjamin Hadley Danks Award for Exceptional Playwriting, the Off-Broadway Alliance Best New Play Award, the Lucille Lortel Award for Outstanding New Play, the Hermitage Greenfield Prize as the first female recipient in drama, the Champions of Change Award from the NYC Mayor's Office, the Francesca Primus Prize, two Jane Chambers Playwriting Awards, the Lanford Wilson Prize, the Lilly Award's Stacey Mindich Prize, the Helen Merrill Emerging Playwright Award, the Charles MacArthur Award for Outstanding Original New Play, the Jean Kennedy Smith Playwriting Award, the ANPF Women's Invitational Prize, the David Calicchio Prize, the Global Age Project Prize, the NYTW 2050 Fellowship, the NNPN Smith Prize for Political Playwriting, and the Merage Foundation Fellowship for The American Dream. Martyna studied at Yale School of Drama, Juilliard, University of Chicago, and Jersey public schools. She was a 2012-2013 NNPN playwright-in-residence, the 2015-2016 PoNY Fellow at the Lark Play Development Center, and a 2018-2019 Hodder Fellow at Princeton University. Martyna is currently writing a musical adaptation of The Great Gatsby, with music by Florence Welch and Thomas Bartlett, and developing TV and film for Plan B, Pastel, and MRC.FOR TICKETS AND INFORMATION: https://philadelphiatheatrecompany.org/cost-of-living/
Martyna Majok was recently nominated for a Tony award for her riveting, profound and funny play "Cost of Living." The play delves into the lengths we go to care for others and what it means to fight for ourselves. Presented by Manhattan Theatre Club, "Cost of Living" was nominated for five Tony Awards and has already won a 2018 Pulitzer Prize for Drama. Martyna's work, which also includes the plays "Sanctuary City," "Queens" and "Ironbound," has been performed in theaters around the world. Martyna is currently writing a musical adaptation of "The Great Gatsby," with music by Florence Welch and Thomas Bartlett. Learn more about your ad choices. Visit megaphone.fm/adchoices
Episode 2: Rosie CarneyRosie is an Anglo-Irish, singer-songwriter, who can count Lily James, Aaron Dessner, Robin Pecknold and Cigarettes After Sex among her followers. She has amassed over 200 million streams. She has worked with Grammy and Oscar-nominated producer Thomas Bartlett. Her latest album “i wanna feel happy” explores Rosie's personal mental health struggles against the backdrop of a musical career. Have You Got Your Sh*t Together? with Caitlin O'Ryan, is a podcast that celebrates not having your sh*t together! In each episode, Caitlin interviews guests who seemingly “have their sh*t together” - be that in life/love/work/hobbies. Throughout the conversation, the questions unveil whether they actually do, or whether the whole concept is a lie! With a mix of guests from various backgrounds, the podcast is sure to be relatable, honest and an antidote to Instagram culture. Producer - Ant Hickman (www.ahickman.uk)Artwork - Tim Saunders (www.instagram.com/timsaunders.design)Photography - Patch Bell (www.patchstudio.uk)Music - Cassia - 'Slow' (www.wearecassia.com)Web: www.hygystpod.comInsta: www.instgram.com/hygystpodEmail: hygystpod@gmail.comRSS: https://feeds.acast.com/public/shows/644a8e8eadac0f0010542d86 Hosted on Acast. See acast.com/privacy for more information.
Martin Hayes is an internationally renowned Irish fiddler beloved for his expressive playing and his collaborations with many great musicians in different genres including Bill Frisell, Sting, Paul Simon and more recently Yo Yo Ma with the Silk Road Project. During this episode we spoke of his wonderful book Shared Notes, and he plays some beautiful music live (you can always use the timestamps if you're curious to jump to some music right away), but I encourage you to listen through the whole episode. Martin speaks eloquently about life, culture, friendship, identity, and staying true to what you value, and I hope this episode will thrill lovers of Irish music and bring new listeners to many of Martin's projects including The Common Ground Ensemble, The Gloaming, and many more. We talked about the loss and legacy of Dennis Cahill, how he met Thomas Bartlett, the rich depths of traditional music that Martin learned from the older generation, and the rhythm of life growing up on the farm in County Clare. Like all my episodes, this is available as both a video and a podcast on your favourite podcast platform, and the transcript is also linked:https://www.leahroseman.com/episodes/martin-hayes Martin's website: http://www.martinhayes.com/ During the episode we talked about the tribute to Dennis Cahill, which I hoped to link directly but can't find now. It's called: Litir ó do Chara Timestamps (00:00) Intro (02:33) “Shared Notes” book and Martin's childhood, PJ Hayes, Paddy Canny, Tulla Ceili band and learning fiddle (09:59) the nature of memory and writing the book “Shared Notes” (13:42) fiddle: jigs by Sean Ryan (16:12) different approaches to fiddling with musical demonstrations (23:10) challenges of recording, self-consciousness (25:06) The Common Ground Ensemble (29:51) pandemic reflections, teaching, mindfulness in nature (34:15) fiddle: The Glen of Aherlow (37:28) Dennis Cahill (43:15) Irish diaspora, Irish in America, immigrant experience (48:27) communicating on stage and playing what you want to play instead of what the audience expects (52:49)story about offering money back to disruptive audience (55:35) meeting Thomas Bartlett, The Gloaming (01:02:30) harmonizing Irish music (01:05:46) The Martin Hayes Quartet, Liz Knowles viola d'amore, Caoimhín Ó Raghallaigh (01:08:35) Irish language (01:11:09) Celtic culture in Spain and close cousins musically with different Celtic traditions (01:13:40) negotiating performance conditions; playing on Capitol Hill for Obama (01:16:25) traditional Irish airs (01:18:06) Fiddle: Air A Stór mo Chroí (01:19:52) the immigrant experience (01:24:19) keeping the love of music alive, performing in the moment, Mary McNamara Fleadh Cheoil (01:34:08) Fiddle: The Caolite Mountains --- Send in a voice message: https://podcasters.spotify.com/pod/show/leah-roseman/message
2022 viu nascer uma Débora nova e um disco incrível para acompanhar esta nova fase. Por isso, quando a recebemos na Chasing Rabbits, “Alla” deu o mote para uma conversa que nos levou por mil e um caminhos: falámos de ídolos; da inspiração que muitas vezes vem do universo cinematográfico; da infância ao som de Hank Williams e da grande “caldeirada” de influências que depois criam os universos experimentais com a marca distinta de Surma. Podemos ter perdido uma cantora country, mas ganhámos uma artista que se recusa a pôr rótulos na sua música e que fala com o mesmo entusiasmo contagiante do passado, do presente e dos sonhos para o futuro. Se já é um enorme privilégio assistir a toda esta energia transformadora e finalmente livre em disco, poder conversar sobre isso com a Surma foi inesquecível! E como a experiência não podia ficar só para nós e para quem assistiu a tudo ao vivo, o episódio está agora disponível nas várias plataformas :) Não percam!Playlist:"Human Racing", St. Vincent"Love Theme", Emile Mosseri"Jambalaya (On The Bayou)", Hank Williams"Lucida", Thomas Bartlett
Hey there freaky fam! On December 10, 2003, the Whitaker family was celebrating the college graduation of their eldest son, Thomas Bartlett—known as “Bart,” with dinner at a local seafood restaurant. After the dinner ended, the family returned to their home in a wealthy Houston suburb to continue the celebration. When they arrived, Bart remained outside to call his girlfriend while his mother, Trish, his father, Kent, and his brother, Kevin, all went to the front door. Behind the door was an intruder wielding Kevin's gun, and within seconds the family was ambushed. Only two of the Whitakers would survive…and one was responsible for the shooting.Follow Along Online:Instagram: @madzmonstersmaniacsEmail: madzmonstersmaniacs@gmail.comSources:-https://en.wikipedia.org/wiki/Thomas_Bartlett_Whitaker-https://the-line-up.com/bart-whitaker-and-the-savage-murder-of-his-own-family-https://loriajohnston.medium.com/the-whitaker-family-murders-of-sugar-land-texas-885ff8468b0b-https://www.cbsnews.com/news/bart-whitaker-sugar-land-texas-murders-father-fights-to-save-son-from-execution/
Joining Dr. Patrick Geoghegan to discuss the life and death of Lord Castlereagh is: - Prof. Thomas Bartlett, Emeritus Professor of Irish History at Aberdeen University and recently general editor of the four-volume 'Cambridge History of Ireland'. - Dr. Georgina Laragy, Lecturer in History at Trinity College Dublin - Dr. Tim Murtagh by phone. Archival Research Fellow, with the Beyond 2022 project, based in Trinity College Dublin'. - Dr. Maeve Ryan, Senior Lecturer in History and Grand Strategy at Kings College London.
Martyna Majok is a playwright who won the 2018 Pulitzer Prize for Drama for Cost of Living. Her newest play, Sanctuary City from New York Theatre Workshop is now playing at The Lucille Lortel Theatre. Her plays, including Queens and Ironbound, have been performed throughout the United States and abroad. She studied playwriting at the Yale School of Drama and Juilliard School. She is currently writing two musical librettos and developing an original series and film for HBO. Martyna is also adapting The Great Gatsby for the Broadway stage with Florence Welch and Thomas Bartlett writing music. This episode was recorded on September 24, 2021. Learn more about your ad choices. Visit megaphone.fm/adchoices
This week, we discuss Thomas Bartlett “Bart” Whitaker, a young man from a wealthy family who was ready to throw it all away. In court, his defense discusses his mental health concerns. Stay tuned to hear more!Please give us a rating and leave a review! Every review counts and helps us out. Follow us on social media @specialcriminals on Facebook and Instagram. Twitter @SpecialCrimePod. You can also send us an email at specialcriminals@gmail.com.Or visit our website at www.specialcriminals.com. We appreciate all of our listeners! Share us with a friend!
Today we chat with celebrated American composer http://www.nicomuhly.com (Nico Muhly) about everything from Star Wars to drones (no, not that kind), the gamelan, and tons of other fun stuff. Buckle up, kids, it’s going to be a fun ride! https://www.inunisonpodcast.com/episodes/s02e04#transcript (Episode Transcript) Music Excerpts https://open.spotify.com/track/11CIr0sl7fE2uQ151KoNuD?si=0PnAp1hwS4St1hGFncqjig (Gambangan), trad., from Peter Pears: Balinese Ceremonial Music by Thomas Bartlett, Nico Muhly https://www.youtube.com/watch?v=J3PacNDMneE (Pemoengkah), trad., from Balinese Ceremonial Music for Two Pianos performed by Colin McPhee, Benjamin Britten https://open.spotify.com/track/4bUUACPI6aT1lsx00E1Ems?si=aaZpa77tRWqeSqOeBVyXEg (Gambang Suling), trad., performed by Gong Kebyar of Peliatan https://open.spotify.com/track/6i2jG6f2VGb5QI0vBcprls?si=MKhUUHvJTMyXH10AeS2pUw (Act 2: Interlude: “Ah, No!”), from Death in Venice, Op.88, by Benjamin Britten performed by English Chamber Orchestra https://www.youtube.com/watch?v=pvkW3PP62fM (Tetabeuhan Sungut), by Slamet A. Sjukur, performed by IOCSF (https://www.inunisonpodcast.com/episodes/s02e04/#score (score sample)) https://music.apple.com/us/album/lord-heare-my-prayer-instantly-live/1250551821?i=1250552246 (Lord, Heare My Prayer Instantly), by Nico Muhly, performed by IOCSF https://www.catapultopera.org/the-glitch (The Glitch), by Nico Muhly and Greg Pierce, performed by Krysty Swann, soprano; Lester Lynch, baritone; and Adam Tendler, piano https://open.spotify.com/track/1bElF30JQY2SNb18EpFfFX?si=6OMB69S0QYePFkZbNNP7fQ (Mothertongue): I. Archive, by Nico Muhly https://open.spotify.com/track/5n7LL6AiqF2wPswKKROptA?si=8HIWvRoFQguFInd8ZeUU0A (Look for Me), by Nico Muhly, performed by Calefax Reed Quintet https://www.youtube.com/watch?v=pT5JEQ8nqG0 (Throughline), by Nico Muhly, performed by the San Francisco Symphony Orchestra https://open.spotify.com/track/2eOey0ShKaOte31o9xBwTW?si=5zus13XPRdm34IC5-usTaw (New York Counterpoint: III. Fast), by Steve Reich, performed by Roeland Hendrikx https://open.spotify.com/track/4kV0ukRQ8l8Xn3sqefw2wy?si=JHEoIiluT5enZxm2FuXw0Q (Viola Concerto, Pt.1), by Nico Muhly, performed by Nadia Sirota https://open.spotify.com/track/1WtRY74hkSsuydtvyw6xop?si=23Slx2CFTNCGTxEaAaLSKQ (Drones in Large Cycles), by Nico Muhly https://open.spotify.com/track/5R7j2GU1prSKmZzM8Ne5Ee?si=9mO1-HsKTdudr0QxPrElkQ (Drones & Violin: Part I Material in Eb), by Nico Muhly, performed by Pekka Kuusisto Theme Song: https://music.apple.com/us/album/mr-puffy/1457011536?i=1457011549 (Mr. Puffy) by Avi Bortnik, arr. by Paul Kim. Performed by http://www.dynamicjazz.dk/ (Dynamic)
Thomas Bartlett and Casey Armstrong, two care experienced young people, talk openly about the subject of mental health as part of a project titled the ‘Mental health and care experienced children and young people: a partnership for change’. The project seeks to improve understanding and practice in relation to care experienced young people’s mental health. A training workshop has been developed, aimed at students and professionals in residential child care, social care and social work which was piloted at the European Social Research Council’s Festival of Social Sciences in conjunction with the British Association of Social Work. The episode forms part of the project and is co-produced with TRIUMPH (Transdisciplinary Research for the Improvement of Youth Mental Public Health) at the University of Glasgow; the Champion’s Board; Who Cares? Scotland; the University of Edinburgh; and Iriss. Health warning: This episode describes scenes of traumatic events that listeners may find disturbing. Transcript of episode Music Credit: Make your dream a reality by Scott Holmes.
En este noviembre de 2020, Béco Dranoff inaugura la série "Brazilab Foco", programas enteros dedicados a un artista o grupo considerados pilares de la música moderna de Brasil. El primer programa de esta serie se enfoca en Bebel Gilberto y su álbum Tanto Tempo (Ziriguiboom/Crammed Discs), lanzado en abril de 2000. Como co-productor del disco, Béco participó activamente en la creación del proyecto que envolvió a un equipo selecto de productores como Suba, Mario Caldato, Thievery Corporation, Chris Franck, Amon Tobin y otros. Tanto Tempo recibió dos nominaciones al Premio Grammy y se convirtió en la banda sonora del comienzo del nuevo milenio, catapultando el talento de Bebel a escenarios internacionales. Bebel ha colaborado en proyectos de personajes como Caetano Veloso, Carlinhos Brown, Cazuza, Arto Lindsay, David Byrne, Towa Tei o Thomas Bartlett, haciendo que sus creaciones fueran remixadas por nombres influyentes de la música electrónica como Peter Kruder, Guy Sigsworth, King Britt, Chateau Flight y muchos más. Sus proyectos especiales incluyen un dueto póstumo con Nat King Cole, el proyecto solidario Red Hot + Rio, y el soundtrack del filme de animación Rio. Esta selección musical es personal y subjetiva en medio de una vasta cantidad de perlas de Bebel. Su trabajo en Tanto Tempo renovó el interés por la bossa nova abriendo las fronteras del pop internacional para la música de Brasil. Tanto Tempo fue incluido en el libro 1001 Records You Must Hear Before You Die, de Robert Dimery.
Para esta nueva edición de Brazilab, el presentador y productor Béco Dranoff selecciona música nueva de mucho nivel, todos álbumes de MPB moderno recientemente lanzados. El programa presenta nuevo material de la cantante y compositora Bebel Gilberto, quien acaba de lanzar Agora, su primer álbum nuevo en seis años coproducido en Nueva York con Thomas Bartlett y que Radio Gladys Palmera mostró en Future Beats. También la versión ultra-cool de Lovely Day de Bill Withers, fallecido este año, un proyecto del baterista franco-brasileño Stephan San Juan & Sambacool. Están igualmente dos pistas del álbum debut de la rapera de Río de Janeiro Priscila Tossan, producido por Kassin; además de nuevos lanzamientos de Aricia Mess, DJ Marcelinho Dalua Feat. Profesor Loco, Boorgarins, Lavoura, Kunumi MC Feat. Criolo, Astralplane, Fernanda Abreu, Léo Leobons, Kauan Marco; y dos remixes muy chulos de Murilo Mugelo y Banker Beats. Un amplio panorama para todos los gustos musicales. ¡A Disfrutar!
Neste episódio do Vozes do Brasil, Patricia Palumbo conversa com Bebel Gilberto, para falar sobre o lançamento do novo disco “Agora”. Com produção de Thomas Bartlett, Bebel conta que as primeiras composições do novo trabalho surgiram durante uma longa viagem à Itália, em especial à Puglia. No papo Patricia relembra a época do lançamento de “Tanto Tempo”, um disco todinho atemporal que transformou o jeito de se fazer música no Brasil. Além dessa deliciosa conversa, você ouve algumas faixas de “Agora”, novo disco de Bebel Gilberto!
Welcome to Episode 49! Conrad Life Report is a podcast about life, including digital media, music, books, food, drink, New York City, and more. Episode 49 topics: trip to Rhode Island, Pepe's pizza in New Haven, Other Half tie dye session, Greenbelt Nature Preserve, Staten Island beaches, Folklore by Taylor Swift, Recumbent Speech by Ezra Feinberg, Anthem + 3 by Father John Misty, Women In Music Pt 3 by Haim, Shelter by Thomas Bartlett, Wild East Brewing in Gowanus, Bissell Brothers, Dogs & Boats by Beer'd, Tiddly by Fox Farm, In Absentia Luci by Other Half.
Der von den Färöer-Inseln stammende Singer-Songwriter, Komponist und Produzent Teitur kommt auf leisen Sohlen daher, seine Musik ist sehr sparsam instrumentiert und dafür umso intensiver. Sein neuntes Studio-Album „I Want To Be Kind“ nahm er mit Thomas Bartlett aka Dovemoan auf, der bereits mit Sufjan Stevens oder Martha Wainwright zusammenarbeitet hat. Teiturs Kompositionen sind meist in Moll gehalten, aber ein trauriger Mensch ist der Däne nicht. Er erfreut sich an den kleinen Dingen des Lebens und scheint seinen Seelenfrieden gefunden zu haben. Das Konzert von Teitur heute Abend musste leider abgesagt werden, aber wir haben den Musiker live am Telefon.
Thomas Bartlett é o produtor do sexto trabalho solo de estúdio feito pela cantora e compositora.
..........THE.FAREWELL.LETTERS........................................... By Anatoly Brooks http://www.filefactory.com/file/6wmql97ol4of/farewell.mp3 01. Max Richter – All Alone 02. Library Tapes – Sevilla 03. Winter Family – So soon 04. King Kreosote – Crystal 8s 05. Joe Strummer – Willesden Cricklewood 06. Hanne Hukkelberg – Erik 07. Thomas Bartlett & Nico Muhly – Grendel 08. Zerova – Drift 09. Rachel Unthank & Winterset – Sea song 10. Scott Matthew – Annie’s song 11. Richard Hawley – Remorse code 12. At Swim Two Birds – Let her go 13. Paul Buchanan – A movie magazine 14. Vinicio Capossela – Dove siamo rimasti a terra nut 15. Massive Attack – Silent Spring (feat. Elizabeth Fraser) 16. The Delgados – The city consume us 17. Hans-Joachim Roedelius & Stefan Schneider – Pedal piece Total time – 1.19:33 A photo by A. Brooks Sultry voice of Radio Etiopia – Ana Ribeiro www.radioetiopia.com Phase 108.1: http://www.phase108.net/Show.aspx?podcastId=13 https://radiolisboa.pt/
...........THE.TIMES.THEY.ARE.A-CHANGIN?..................................... By Anatoly Brooks http://www.filefactory.com/file/2o4np6plfoar/THETIMESTEHEYAREACHANGING.mp3 01. Ned Hoper – Frisbee (0.00:07) 02. Mamerico – Kirari futari (0.01:50) 03. Hjaltalín – Ethereal (0.0:22) 04. Emiliana Torrini – Today as been ok (0.10:51) 05. Electric President – Wearing influences on our sleeves-less t-shirts (0.14:13) 06. Anois – A noise (0.18:01) 07. The Shanghai Restoration Project – Vox (feat. The Virginia Sil’hooettes) (0.22:06) 08. Ölafur Arnalds – Say my name (feat. Anór Dan) (0.24:38) 09. Julianna Barwick – Forever (0.29:55) 10. A Whisper in The Noise – The times they are a-changing (0.35:11) 11. Amiina – Rugla (0.40:17) 12. Aidan Baker – Tout jouste sous la sourface, je guette (feat. Genevieve Castree) (0.44:05) 13. At Swim Two Birds – Little white lies (0.52:01) 14. Arco – Dry (0.55:37) 15. The Low Lows – Raining in Eva (0.57:04) 16. Anamar – 7 mares (1.00:39) 17. Thomas Bartlett & Nico Muhly – Nicholas (1.04:52) 18. Aqualung – Just for a moment (1.08:13) 19. Bird – Bullet (1.12:10) 20. Novo Amor – Oh, round lake (1.14:00) 21. Goodbye Ivan – East river (1.16:40) Total time – 1.23:05 A photo by Luis Pellegrini Sultry voice of Radio Etiopia – Ana Ribeiro www.radioetiopia.com Phase 108.1: http://www.phase108.net/Show.aspx?podcastId=13 https://radiolisboa.pt/
Ahead of released a new self-titled collaboration album with fellow Gloaming member Thomas Bartlett, Caoimhín Ó Raghallaigh joins the TPOE podcast to talk about how it was recorded, his journey in music, his own bespoke instrument the hardanger d'amore, improvising, and not having a phone. Caoimhín and Thomas play Live at St Luke's on Saturday, September 14, as part of Sounds From A Safe Harbour Festival
Mary Hickson is the director of Sounds From A Safe Harbour festival, which returns to Cork city for its third edition from September 10-15, 2019, featuring the likes of Feist, Damien Rice, Efterklang, Thomas Bartlett and Caoimhin O Raghallaigh, and lots more. It's curated by Mary, alongside the Dessner brothers Aaron and Bryce, Enda Walsh and Cillian Murphy. I talked to Mary about the new Bon Iver album (she's worked with him on festivals and he appeared at Sounds From A Safe Harbour 2017), Cillian Murphy's musical potential, 37d03d festival in Berlin and beyond, and what to expect at Safe Harbour this year.
Clara Martínez nos habla en esta ocasión de Carrie & Lowell, séptimo disco de estudio de Sufjan Stevens, que dedicó a su entonces recientemente fallecida madre. Clara repasa la obra de Sufjan, la inspiración detrás del disco, y el proceso creativo, con guest appearances de Thomas Bartlett y como no podía ser de otra manera Lowell Brams, el otro gran inspirador del disco y co-responsable, junto al propio Sufjan, del sello Asthmatic Kitty.
Thomas Bartlett, Chair of Irish History at University of Aberdeen and author of Ireland: A History, discusses “A History of Ireland, 431AD–2010, in 45 Minutes: The Long and the Short of It.”
Welcome to the Social Policy Connections audio podcast on the topic of moral implications of Australia’s close economic ties with China. The following podcast features a discussion between Dr Thomas Bartlett and Dr Paul Rule on Wednesday May 23rd 2010 in the Study Centre of Yarra Theological Union. Thomas Bartlett and Paul Rule have been teaching and researching about China in universities in Australia and the United States as well as visiting and living in China through the changes from the Cultural Revolution to the present economic dominance. Both have recently retired from teaching Chinese history at La Trobe University but remain active in research and publications on China. Thomas mainly writes about Qing dynasty history but also has a strong interest in current events in China. Paul specializes in the study of Chinese religion past and present. If you would like attend one of our events please refer to our website www.social policyconnections.com.au. Please feel free to subscribe to our podcast via itunes or via an RSS feed located on our website’s home page, as we will be publishing podcasts regularly, free of charge.
Two is a famously bad age for toddlers, but it seems to be a prime number for a reading series marking a rite of passage—in this case, the celebration this past Wednesday of the Happy Ending Music and Reading Series’ two-year anniversary at Joe’s Pub. Host and curator Amanda Stern called the evening “Old Friends/New Friends” and invited as readers Nelly Reifler and A.M. Homes—her first two guests when she started the series at a Chinatown bar seven years ago. Both women read stories that might be called modern fables. Reifler’s “Formica Dinette” was written for the Web site Underwater New York, which collects writing and art inspired by the waterways around New York City (take that, James Cameron). In this darkly comic piece (the actual dinette is somewhere in the East River) the Formica company somehow joins with a survivalist family gearing up for the final battle, and kitchen redesign is linked to the rehabilitation of a possessed parent. A.M. Homes’ untitled piece, written for her friend, the English painter Rachel Whiteread, shares some characteristics with its protagonist, a shapeshifter who treats sick buildings. It is a protean, lyrical work in which the woman moves through her day adapting her body to each circumstance she encounters. And she’s given to randomly sprouting feathers, which I take to be a metaphor for writing itself—the sharp feathery thing that makes its way to the surface and lets the possessor take wing. The Pulitzer Prize-winning novelist Michael Cunningham, who represented “New Friends” on the program, and whose work is often as lyrical and complex as a Beethoven sonata, seemed to be channeling Norman Mailer, who he later cited, in a passage from his new novel “By Nightfall.” In a glimpse of the early courtship of the married couple whose story the novel tells, Pete Harris is dazzled by the opulent gentility of his girlfriend Rebecca’s Virginia home, and is equally titillated by tales of the sexual adventures of her sister. (Click on the link above to hear selections from the evening’s readings.) Happy Ending’s trademark (other than good literature read in good company) is host Stern’s insistence that her authors take a risk on stage. This trio met the challenge inventively. Reifler translated randomly selected passages of T.S. Eliot’s “The Wasteland” into an imaginary language, Idiga. A.M. Homes courted four volunteers from the audience using “speed dating” techniques from various Internet sites. (Hint, ask outrageous questions designed to reveal your candidate’s personality: “Do you think of chocolate as part of the food triangle?”; “Do you have a flat side?”; If you were a stalker, would you be a good one?”). Cunningham, whose novel “The Hours” drew on the life of Virginia Woolf, offered a five-minute (all right, eight minute) history of the novel, concluding that rumors of its death have been greatly exaggerated, and quoting Mailer, who once told a panel audience, with characteristic brio, that “The novel will be at your funeral.” Listen to Cunningham’s own version of “Cliff’s Notes” here: The musical guests for the evening were Thomas Bartlett and Sam Amidon, who offered up an eclectic mix of folk tunes, original songs, and pop standards, distinguished by fragile vocals that almost seemed to morph into the accompanying instruments. Hear their first set here: Bon Mots "Mother may be disoriented mentally and spatially. This is just one more reason we suggest timing Mother’s emergence with the kitchen re-do."—Nelly Reifler, “Formica Dinette”. "She’s a navigator, a mover, a shifter. She’s flown as a gull over the ocean, she’s dived deep as a whale, she spent an afternoon as a jellyfish, floating, as an evergreen with the breeze tickling her skin…She’s in constant motion, trying to figure out what comes next."—Reader A.M. Homes "If you were young Pete Harris, you felt the modesty of it eroding you, depopulating you. All those little satisfactions, and no big dangerous ones."—Michael Cunningham, “By Nightfall.” "The novel is born as a sort of lower form of entertainment, not unlike 'Real Housewives of Beverly Hills.'”—Michael Cunningham’s history of the novel in five minutes.
Crime Classics was a U. S. radio docudrama which aired over CBS from June 15, 1953 to June 30, 1954. Created, produced, and directed by radio actor/director Elliott Lewis, the program was basically a historical true crime series, examining crimes, and especially murders, from the past. It grew out of Lewis's personal interest in famous murder cases, and took a documentary-like approach to the subject, carefully recreating the facts, personages, and feel of the time period. Comparatively little dramatic license was taken with the facts and events, but the tragedy was leavened with humor, expressed largely through the narration.
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