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Bookwaves/Artwaves is produced and hosted by Richard Wolinsky. Links to assorted local theater & book venues Kate MacKay: John Cassavetes Directs Gena Rowlands Kate MacKay Kate MacKay, Associate Film Curator at Pacific Film Archive, in conversation with host Richard Wolinsky, discussing the films of John Cassavetes directing his wife Gena Rowlands. Kate MacKay is the curator of a retrospective of the films in which John Cassavetes directs his wife, Gena Rowlands, at Berkeley Art Museum and Pacific Film Archives from May 2 through May 14, 2025. In this interview, she discusses Cassavetes as a pioneer of the American independent film, then goes into detail on the films shown in the restrospective, including A Woman Under The Influence, Faces, Gloria, Opening Night, and Minnie and Moskowitz. She also talks about putting together a retrospective, and the upcoming Pacific Film Archive schedule for summer, 2025. Complete Interview. Susan Oxtoby: The Life and Career of Agnes Varda Susan Oxtoby. Photo: BAMPFA. Susan Oxtoby, Director of Film and Senior Film Curator at Berkeley Art Museum and Pacific Film Archive (BAMPFA), discusses the work of the great Belgian-French film maker Agnes Varda (1928-2019) with host Richard Wolinsky. The first major biography of Agnes Varda, A Complicated Passion: The Life and Work of Agnes Varda by Carrie Rickey, was published in 2024 and will come out in paperback on August 12, 2025. Agnes Varda began her career as a stills photographer and became a director with La Point Courte (1954), having seen very few films in her life. She went on to international fame with Cleo from 5 to 7 and Vagabond, but her late life films The Beaches of Agnes and Faces, Places established her as one of the most important directors of the modern era. All the films discussed in this interview (except the recent documentary Viva Varda!) are available to stream on the Criterion app, save for Faces, Places, which can be streamed on Kanopy. Cleo from 5 to 7 can also be streamed on Max Complete Interview. Book Interview/Events and Theatre Links Note: Shows may unexpectedly close early or be postponed due to actors' positive COVID tests. Check the venue for closures, ticket refunds, and vaccination and mask requirements before arrival. Dates are in-theater performances unless otherwise noted. Some venues operate Tuesday – Sunday; others Wednesday or Thursday through Sunday. All times Pacific Time. Closing dates are sometimes extended. Book Stores Bay Area Book Festival See website for highlights from the 10th Annual Bay Area Book Festival, June 1-2, 2024. Book Passage. Monthly Calendar. Mix of on-line and in-store events. Books Inc. Mix of on-line and in-store events. The Booksmith. Monthly Event Calendar. BookShop West Portal. Monthly Event Calendar. Center for Literary Arts, San Jose. See website for Book Club guests in upcoming months. Green Apple Books. Events calendar. Kepler's Books On-line Refresh the Page program listings. Live Theater Companies Actors Ensemble of Berkeley. Summers at John Hinkel Park: Cymbeline opens July 4; The Taming of the Shrew opens August 16. See website for readings and events. Actor's Reading Collective (ARC). See website for upcoming productions. African American Art & Culture Complex. See website for calendar. Afro-Solo Theatre Company.See website for calendar. American Conservatory Theatre Two Trains Running by August Wilson, April 15 -May 4, and The Comedy of Errors, April 22 – May 3 with The Acting Company, in repertory, Toni Rembe Theater. Aurora Theatre Crumbs from the Table of Joy by Lynn Nottage, April 26-May 25, 2025 Awesome Theatre Company. See website for information. Berkeley Rep. Here There Are Blueberries by Moises Kaufman and Amanda Gronich, April 5 – May 11, Roda Theatre. Berkeley Shakespeare Company Julius Caesar, June 13-21, Live Oak Theater, Berkeley. y. See website for upcoming events and productions. Boxcar Theatre. The Illusionist with Kevin Blake, live at the Palace Theatre, through April 27. Brava Theatre Center: See calendar for current and upcoming productions. BroadwaySF: Mamma Mia! April 30 – May 11, Orpheum. See website for complete listings for the Orpheum, Golden Gate and Curran Theaters. Broadway San Jose: Six. April 22-27. See website for other events. Center Rep: The Unfair Advantage created and performed by Harry Milas, April 29 – May 11. Lesher Center. Central Stage. See website for upcoming productions, 5221 Central Avenue, Richmond Central Works The Last Goat by Gary Graves, June 28 – July 27. Cinnabar Theatre. Bright Star, June 13-29, Sonoma State. Club Fugazi. Dear San Francisco ongoing. Check website for Music Mondays listings. Contra Costa Civic Theatre Fiddler on the Roof June 7 – 22. See website for other events. 42nd Street Moon. See website for upcoming productions. Golden Thread AZAD (The Rabbit and the Wolf) by Sona Tatoyan in collaboration with Jared Mezzocchi, April 11 – May 3. See website for other events. Hillbarn Theatre: Writing Fragments Home by Jeffrey Lo, April 17 – May 4. Lorraine Hansberry Theatre. Come Thru: A Celebration of Black Artistry, Story Telling and Community, May 5-18, Magic Theatre, Fort Mason. See website for specific workshops and events. Los Altos Stage Company. Cyrano by Edmund Rostand, April 10 – May 4. Lower Bottom Playaz See website for upcoming productions. Magic Theatre. Reading: Muse of Fire by Lauren Gunderson, April 26, 1 pm/8 pm; Anne by Anne Kenner, May 19, 7:30 pm. Aztlan by Luis Alfaro, World Premiere, June 25 – July 13. See website for additional events. Marin Shakespeare Company: See website for calendar. Mission Cultural Center for Latino Arts Upcoming Events Page. New Conservatory Theatre Center (NCTC) Simple Mexican Pleasures by Eric Reyes Loo, April 18 – May 11. New Performance Traditions. See website for upcoming schedule Oakland Theater Project. Ironbound by Martyna Majok, May 2 – 18. Odd Salon: Upcoming events in San Francisco & New York, and streaming. Palace of Fine Arts Theater. See website for event listings. Pear Theater. Henry V by William Shakespeare, April 18 – May 11. See website for staged readings and other events. Playful People Productions. Disney's Frozen Jr., May 16-25, Hoover Theater, San Jose. Presidio Theatre. See website for complete schedule of events and performances. Ray of Light: Next to Normal. May 30 – June 21. Ross Valley Players: The Book of Will by Lauren Gunderson, May 9 – June 8. See website for New Works Sunday night readings and other events. San Francisco Playhouse. The Curious Incident of the Dog in the Night-Time based on the novel by Mark Haddon, adapted by Simon Stephens. May 1-June 21. SFBATCO. See website for upcoming streaming and in- theater shows. The Day The Sky Turned Orange by Julius Ernesto, Sept 5 – Oct. 5, Z Space. San Jose Stage Company: The Underpants by Steve Martin, April 3 -27. Shotgun Players. Yellowface by David Henry Hwang, May 10 – June 8. South Bay Musical Theatre: Brigadoon, May 17-June 7, Stagebridge: See website for events and productions. Storytime every 4th Saturday. The Breath Project. Streaming archive. The Marsh: Calendar listings for Berkeley, San Francisco and Marshstream. Theatre Lunatico Romeo and Juliet by William Shakespeare, April 26 – May 18. LaVal's Subterranean Theatre. Theatre Rhino Doodler by John Fisher, extended to May 2, at Safehouse Arts. Gumiho by Nina Ki, April 17 – May 11. Streaming: Essential Services Project, conceived and performed by John Fisher, all weekly performances now available on demand. TheatreWorks Silicon Valley. The Heart-Sellers by Lloyd Suh, April 2-27. Word for Word. See website for upcoming productions. Misc. Listings: BAM/PFA: On View calendar for Berkeley Art Museum/Pacific Film Archive. Berkeley Symphony: See website for listings. Chamber Music San Francisco: Calendar, 2025 Season. Dance Mission Theatre. On stage events calendar. Fort Mason Center. Events calendar. Crushing, live monologue show, Feb. 27-28. Oregon Shakespeare Festival: Calendar listings and upcoming shows. San Francisco Gay Men's Chorus. See schedule for upcoming SFGMC performances. San Francisco Opera. Calendar listings. San Francisco Symphony. Calendar listings. Filmed Live Musicals: Searchable database of all filmed live musicals, podcast, blog. If you'd like to add your bookstore or theater venue to this list, please write Richard@kpfa.org . . The post May 1, 2025: Pacific Film Archive. John Cassavetes Directs Gena Rowlands appeared first on KPFA.
Parts of the U.S. are an eco-disaster, a sacrifice zone. Take Newark, NJ. If you travel down a one-mile stretch of Doremus Avenue in Newark you pass a natural gas plant next to a sewage treatment facility next to an animal fat rendering plant next to a series of ominous-looking chemical storage containers behind acres of fencing. Airplanes pass overhead every two minutes, their engines rattling windows, while a putrid smell wafts from the open pools at the sewage treatment plant. Nationally, where are these polluters located? Overwhelmingly in poor communities of color like the Ironbound section of Newark where activists are organizing and fighting back to create a just, vibrant and sustainable community.
Bookwaves/Artwaves is produced and hosted by Richard Wolinsky. Links to assorted local theater & book venues The Making of the film “Bushman” Rob Nillson, Gail Schickele, Jon Shibata Film director Rob Nillson, Activist and Environmentalist Gail Schickele, and Film Archivist Jon Shibata in conversation with Richard Wolinsky, discussing the film “Bushman,” directed by David Schickele, recorded January 25, 2024 at Berkeley Art Museum/Pacific Film Archive. Released in 1971 but filmed in 1968, the film “Bushman” is a masterpiece detailing the story of a Nigerian educator in San Francisco. The film vanished following its showing at various film festivals, and has now been digitized and restored, and can be viewed on the Kanopy and Hoopla, the free public library film apps. This discussion with Gail Schickele, wife of the late director David Schickele (1937-1999), his friend, colleague and collaborator director Rob Nillson, and BAMPFA film archivist John Shibata focuses first on “Bushman” and David Schickele, how the film came about and what happened during and after the filming, and later with the film's restoration, and a look at Rob Nillson's career as film-maker. Special thanks to AJ Fox and Susan Oxtoby of Pacific Film Archive. Inside photo: Richard Wolinsky. Complete Interview. Previously Unaired excerpts: Richard Chamberlain (1934-2025) in conversation with Richard Wolinsky, recorded in the KPFA studio on a book tour for his memoir “Shattered Love,” June 10, 2003. In this segment, he discusses his work on “The Three Musketeers” films as well as other projects, and discusses his own self growth. Complete Interview, Review of “Two Trains Running” at ACT Toni Rembe Theatre through May 4, 2025. Book Interview/Events and Theatre Links Note: Shows may unexpectedly close early or be postponed due to actors' positive COVID tests. Check the venue for closures, ticket refunds, and vaccination and mask requirements before arrival. Dates are in-theater performances unless otherwise noted. Some venues operate Tuesday – Sunday; others Wednesday or Thursday through Sunday. All times Pacific Time. Closing dates are sometimes extended. Book Stores Bay Area Book Festival See website for highlights from the 10th Annual Bay Area Book Festival, June 1-2, 2024. Book Passage. Monthly Calendar. Mix of on-line and in-store events. Books Inc. Mix of on-line and in-store events. The Booksmith. Monthly Event Calendar. BookShop West Portal. Monthly Event Calendar. Center for Literary Arts, San Jose. See website for Book Club guests in upcoming months. Green Apple Books. Events calendar. Kepler's Books On-line Refresh the Page program listings. Live Theater Companies Actors Ensemble of Berkeley. Summers at John Hinkel Park: Cymbeline opens July 4; The Taming of the Shrew opens August 16. See website for readings and events. Actor's Reading Collective (ARC). See website for upcoming productions. African American Art & Culture Complex. See website for calendar. Afro-Solo Theatre Company.See website for calendar. American Conservatory Theatre Two Trains Running by August Wilson, April 15 -May 4, and The Comedy of Errors, April 22 – May 3 with The Acting Company, in repertory, Toni Rembe Theater. Aurora Theatre Crumbs from the Table of Joy by Lynn Nottage, April 26-May 25, 2025 Awesome Theatre Company. See website for information. Berkeley Rep. Here There Are Blueberries by Moises Kaufman and Amanda Gronich, April 5 – May 11, Roda Theatre. Berkeley Shakespeare Company Julius Caesar, June 13-21, Live Oak Theater, Berkeley. y. See website for upcoming events and productions. Boxcar Theatre. The Illusionist with Kevin Blake, live at the Palace Theatre, through April 27. Brava Theatre Center: See calendar for current and upcoming productions. BroadwaySF: Mamma Mia! April 30 – May 11, Orpheum. See website for complete listings for the Orpheum, Golden Gate and Curran Theaters. Broadway San Jose: Six. April 22-27. See website for other events. Center Rep: The Unfair Advantage created and performed by Harry Milas, April 29 – May 11. Lesher Center. Central Stage. See website for upcoming productions, 5221 Central Avenue, Richmond Central Works The Last Goat by Gary Graves, June 28 – July 27. Cinnabar Theatre. Bright Star, June 13-29, Sonoma State. Club Fugazi. Dear San Francisco ongoing. Check website for Music Mondays listings. Contra Costa Civic Theatre Fiddler on the Roof June 7 – 22. See website for other events. 42nd Street Moon. See website for upcoming productions. Golden Thread AZAD (The Rabbit and the Wolf) by Sona Tatoyan in collaboration with Jared Mezzocchi, April 11 – May 3. See website for other events. Hillbarn Theatre: Writing Fragments Home by Jeffrey Lo, April 17 – May 4. Lorraine Hansberry Theatre. Come Thru: A Celebration of Black Artistry, Story Telling and Community, May 5-18, Magic Theatre, Fort Mason. See website for specific workshops and events. Los Altos Stage Company. Cyrano by Edmund Rostand, April 10 – May 4. Lower Bottom Playaz See website for upcoming productions. Magic Theatre. Reading: Muse of Fire by Lauren Gunderson, April 26, 1 pm/8 pm; Anne by Anne Kenner, May 19, 7:30 pm. Aztlan by Luis Alfaro, World Premiere, June 25 – July 13. See website for additional events. Marin Shakespeare Company: See website for calendar. Mission Cultural Center for Latino Arts Upcoming Events Page. New Conservatory Theatre Center (NCTC) Simple Mexican Pleasures by Eric Reyes Loo, April 18 – May 11. New Performance Traditions. See website for upcoming schedule Oakland Theater Project. Ironbound by Martyna Majok, May 2 – 18. Odd Salon: Upcoming events in San Francisco & New York, and streaming. Palace of Fine Arts Theater. See website for event listings. Pear Theater. Henry V by William Shakespeare, April 18 – May 11. See website for staged readings and other events. Playful People Productions. Disney's Frozen Jr., May 16-25, Hoover Theater, San Jose. Presidio Theatre. See website for complete schedule of events and performances. Ray of Light: Next to Normal. May 30 – June 21. Ross Valley Players: The Book of Will by Lauren Gunderson, May 9 – June 8. See website for New Works Sunday night readings and other events. San Francisco Playhouse. The Curious Incident of the Dog in the Night-Time based on the novel by Mark Haddon, adapted by Simon Stephens. May 1-June 21. SFBATCO. See website for upcoming streaming and in- theater shows. The Day The Sky Turned Orange by Julius Ernesto, Sept 5 – Oct. 5, Z Space. San Jose Stage Company: The Underpants by Steve Martin, April 3 -27. Shotgun Players. Yellowface by David Henry Hwang, May 10 – June 8. South Bay Musical Theatre: Brigadoon, May 17-June 7, Stagebridge: See website for events and productions. Storytime every 4th Saturday. The Breath Project. Streaming archive. The Marsh: Calendar listings for Berkeley, San Francisco and Marshstream. Theatre Lunatico Romeo and Juliet by William Shakespeare, April 26 – May 18. LaVal's Subterranean Theatre. Theatre Rhino Doodler by John Fisher, extended to May 2, at Safehouse Arts. Gumiho by Nina Ki, April 17 – May 11. Streaming: Essential Services Project, conceived and performed by John Fisher, all weekly performances now available on demand. TheatreWorks Silicon Valley. The Heart-Sellers by Lloyd Suh, April 2-27. Word for Word. See website for upcoming productions. Misc. Listings: BAM/PFA: On View calendar for Berkeley Art Museum/Pacific Film Archive. Berkeley Symphony: See website for listings. Chamber Music San Francisco: Calendar, 2025 Season. Dance Mission Theatre. On stage events calendar. Fort Mason Center. Events calendar. Crushing, live monologue show, Feb. 27-28. Oregon Shakespeare Festival: Calendar listings and upcoming shows. San Francisco Gay Men's Chorus. See schedule for upcoming SFGMC performances. San Francisco Opera. Calendar listings. San Francisco Symphony. Calendar listings. Filmed Live Musicals: Searchable database of all filmed live musicals, podcast, blog. If you'd like to add your bookstore or theater venue to this list, please write Richard@kpfa.org . . The post April 24, 2025: The Making of the film “Bushman” appeared first on KPFA.
Columbia University professors are taking the Trump administration to court over hundreds of millions of dollars in revoked federal funding. Meanwhile, officials in Newark are weighing a major housing development in the Ironbound and not everyone's on board. Plus, Governor Hochul and top lawmakers are pushing President Trump to help cover the MTA's budget gap. WNYC's Jon Campbell explains why that may be a tough sell.
¿Qué es lo mejor del año 2024? Bueno acá está el episodio de los discos al menos que a mi más me gustaron publicados a lo largo de 2024. ¿Cuáles es su top 10? No se olvide de etiquetarme en Fb o Ig y para hacermelo saber. Enlaces de lo que hablo: Puede suscribirse al podcast y encontrar las plataformas disponibles en: https://colmilloroquero.com/plataformas/ Catalogo completo y enlaces importantes en: https://linktr.ee/ColmilloRoquero ¿Dónde puedo comprar el Libro de Andrés? https://amzn.to/3SDBTJ1 Los discos que mas me han gustado. 1. Judas Priest - “Invincible Shield” 2. Toxikull - “Under The Southern Light” 3. Traveler - “Prequel To Madness” 4. Accept - “Humanoid” 5. Smoking Snakes - “Danger Zone” 6. Saxon - “Hell, Fire And Damnation” 7. Maverick - Silver Tongue 8. Praying Mantis - “Defiance” 9. Ironbound - “Serpent’s Kiss” 10. Sebastian Bach - “Child Within The Man” Recomendaciones: - Pablo Cruz Negra - “Pastor” EP - Lacremosa - Cresmosmosis EP - Iron Curtain - "Savage Dawn" - Durbin - “Screaming Steel” - Striker - “Ultrapower” - Mick Mars - “The Other Side Of Mars” - Bruce Dickinson - “The Mandrake Project” - Blaze Bayley - “Circle Of Stone” Estudio de: ¿Por qué a partir de los 30 no escuchamos música nueva? https://www.abc.es/cultura/musica/abci-partir-30-no-escuchamos-musica-nueva-201807181304_noticia.html Libro “Heavy Metal: 15 mitos del Rock” Este episodio de Colmillo Roquero es traído a usted por el libro “Heavy Metal: 15 mitos del Rock” El libro que le trae las respuestas que yo desde mis 15 años quise tener, hablando del estereotipo y los prejuicios en el mundo del Rock. Obtenga su copia impresa Amazon a nivel internacional o en Costa Rica puede dejarse una de las 200 copias impresas limitadas en Tiendas Insomnio o en Subterranean Shop. Más detalles en colmilloroquero.com/libro Ayude a este podcast a llegar mas oídos correctos Si le agrada el contenido de Colmillo Roquero, siga el podcast y no se perderá ningún nuevo episodio. Si realmente le gusta este podcast le agradecería muchísimo si le hace llegar este podcast a un amigo (o tal vez a dos). Voz de la intro: Fernando Arreola. Edición y post-producción por Andrés Brenes. Mis redes sociales: Instagram: https://www.instagram.com/andresbrenesv/ Threads: https://www.threads.net/@andresbrenesv Aviso: Esta descripción podemos añadir algunos enlaces de afiliados.
Just got back from the epic Night Demon, Overkill, and King Diamond show, and WOW – what a night!
It's that time of the year when the boys get all spiffed up to attend the 2024 Tony Awards! No, not those Tony awards. The ones where we hand out golden pentagrams to bands that wear their denim and leather proudly! What's old is new again with the re-interpretation of the New Wave Of British Heavy Metal known as the New Wave Of Traditional Heavy Metal! These are all bands selected for the coveted Tony Award by the man himself: our esteemed Chairman, Mr. Tony Griggs!What's this InObscuria thing? We're a podcast that exhumes obscure Rock n' Punk n' Metal and puts them in one of 3 categories: the Lost, the Forgotten, or the Should Have Beens. This week we discuss the SHOULD BEs. Taking their cues from the music, fashion, and attitude from 40+ years ago, these younger bands unashamedly bask in a new underground movement of hard rock and metal poised to make the kids rock and the old timers smile!Songs this week include:Kerrigan – “Bloodmoon” from Bloodmoon (2023)LIVEWIRE – “Turbo Shark” from Turbo Shark - Single (2024)Haunt – “Visions” from Dreamers (2024)Traveler – “Take The Wheel” from Prequel To Madness (2024)Savage – “Thirty & Dirty” from Glory Riders (2023)Mean Mistreater – “One By One” from Razor Wire (2024)Owlbear – “Hour Of The Dragon (Manilla Road)” from Legends And Lore (2024)Ironbound – “Holy Sinners” from Serpent's Kiss (2024)Please subscribe everywhere that you listen to podcasts!Visit us: https://inobscuria.com/https://www.facebook.com/InObscuriahttps://x.com/inobscuriahttps://www.instagram.com/inobscuria/Buy cool stuff with our logo on it!: https://www.redbubble.com/people/inobscuria/og-shopCheck out Robert's amazing fire sculptures and metal workings here: http://flamewerx.com/If you'd like to check out Kevin's band THE SWEAR, take a listen on all streaming services or pick up a digital copy of their latest release here: https://theswear.bandcamp.com/If you want to hear Robert and Kevin's band from the late 90s – early 00s BIG JACK PNEUMATIC, check it out here: https://bigjackpnuematic.bandcamp.com/
A global network outage is still disrupting some services around New York, including airlines and customer information systems. The problems stem from an update to a Microsoft program called CrowdStrike. Meanwhile, a proposed power plant for Newark's Ironbound neighborhood is getting the green light from New Jersey Governor Phil Murphy's administration. Plus, Mayor Eric Adams details the city's response to the tech outage. WNYC's Alec Hamilton has more.
Cracks in PoMo contributor AJ Fezza joins me for a walk around Newark's Ironbound neighborhood, as we discuss our shared plight of being assimilated suburban ethnics, as well as Tae Kwon Do, bullies, Italian stuff, and New Jersey life. Follow AJ's on Substack https://substack.com/@ajfezza?utm_source=about-page and on IG https://www.instagram.com/ajfezz/ Follow Cracks in Pomo on IG @cracksinpomo and on Twitter @stephengadubato Subscribe to the Substack here: https://cracksinpomo.substack.com/about 15% discount on Masa Chips: http://www.masachips.com/cracksinpostmodernity --- Support this podcast: https://podcasters.spotify.com/pod/show/stephen-adubato/support
Cracks in PoMo contributor AJ Fezza joins me for a walk around Newark's Ironbound neighborhood, as we discuss our shared plight of being assimilated suburban ethnics, as well as Tae Kwon Do, bullies, Italian stuff, and New Jersey life. Follow AJ's on Substack https://substack.com/@ajfezza?utm_source=about-page and on IG https://www.instagram.com/ajfezz/ Follow Cracks in Pomo on IG @cracksinpomo and on Twitter @stephengadubato Subscribe to the Substack here: https://cracksinpomo.substack.com/about 15% discount on Masa Chips: http://www.masachips.com/cracksinpostmodernity --- Support this podcast: https://podcasters.spotify.com/pod/show/stephen-adubato/support
After a hugely successful seven-season run, Riverdale came to an end in August 2023 with its 137th episode. Yes, being part of such a show is a blessing, but there's a significant amount of pressure that comes with answering the question, “What's next?” Camila Mendes is powering through that pressure right now in a big way — as a multi-hyphenate.Mendes stars in and executive produced her latest feature, Música. Director Rudy Mancuso also stars in the film as a young street performer from Newark's Ironbound neighborhood. He's in a relationship with Francesca Reale's Haley, but is coming to learn that they might not be on the same page about how and when to find success and stability as a young adult in this world. Could Mendes' Isabella be the solution? Soon after meeting her, he becomes convinced she understands him better than anyone. But, is it ever that simple?With Música celebrating its big debut on Prime Video this week, Mendes carved out some time to join me for a Collider Ladies Night conversation to discuss her experience finding her way after Riverdale, and coming to realize that producing is of great interest. Hosted on Acast. See acast.com/privacy for more information.
It is Episode 44 of the Nerdcast Empire and Episode 7 of Music Mondays!This week, Matt, Mike and Chris will take a look at the new rock and metal releases from March 15, 2024. They will check out awesome new music from Ironbound, Winterborn, Almo, Grieving, Lipz and Whom Gods Destroy. Then, they'll head into the vault to check out the Spawn 1997 soundtrack and albums by Marty Friedman and Yes.It's Music Mondays on the Nerdcast Empire. Tune in!
Winner of the Pulitzer Prize and just recently on Broadway, Cost of Living traces two relationships: one between a wealthy graduate student with cerebral palsy and his female caregiver, the other between a woman recovering from a terrible accident being tended to by her ex-husband. Heartfelt, funny, and deeply moving, this exquisitely written play examines the fiscal and emotional cost of human connection.Ross Beschler - EddieGianna Castro - JessRachel Handler - AniChristian Prentice - JohnJeffrey L. Page (director), an Emmy-nominated director and choreographer celebrated for his dynamic theater and dance direction, earned the Douglas and Ethel Watt Critics' Choice Award for his vibrant choreography in the 1776 Broadway Revival. Collaborating with icons like Beyoncé and influencing productions from Memphis to Ain't Misbehavin', Page's work resonates globally. His film credits include Making Micheaux (director) and Freedom(choreographer). Academically distinguished as the first African American to receive The Juilliard School's Marcus Institute Fellowship, Jeffrey also imparts knowledge at Harvard and The New School. As the leader of Movin' Legacy, Page's artistry continues to innovate with projects like The Trojan Women, solidifying his stature in modern performing arts. | @jeffreylpage | www.jeffreylpage.comMartyna Majok (playwright) was born in Bytom, Poland and raised in Jersey and Chicago. She was awarded the 2018 Pulitzer Prize for Drama and received a nomination for Best Play at the 2023 Tony Awards for Cost of Living. Other plays include Sanctuary City, Queens, and Ironbound, which have been produced across American and international stages. Other awards include the Obie Award for Playwriting, the Hull-Warriner Award, the Academy of Arts and Letters' Benjamin Hadley Danks Award for Exceptional Playwriting, the Off-Broadway Alliance Best New Play Award, the Lucille Lortel Award for Outstanding New Play, the Hermitage Greenfield Prize as the first female recipient in drama, the Champions of Change Award from the NYC Mayor's Office, the Francesca Primus Prize, two Jane Chambers Playwriting Awards, the Lanford Wilson Prize, the Lilly Award's Stacey Mindich Prize, the Helen Merrill Emerging Playwright Award, the Charles MacArthur Award for Outstanding Original New Play, the Jean Kennedy Smith Playwriting Award, the ANPF Women's Invitational Prize, the David Calicchio Prize, the Global Age Project Prize, the NYTW 2050 Fellowship, the NNPN Smith Prize for Political Playwriting, and the Merage Foundation Fellowship for The American Dream. Martyna studied at Yale School of Drama, Juilliard, University of Chicago, and Jersey public schools. She was a 2012-2013 NNPN playwright-in-residence, the 2015-2016 PoNY Fellow at the Lark Play Development Center, and a 2018-2019 Hodder Fellow at Princeton University. Martyna is currently writing a musical adaptation of The Great Gatsby, with music by Florence Welch and Thomas Bartlett, and developing TV and film for Plan B, Pastel, and MRC.FOR TICKETS AND INFORMATION: https://philadelphiatheatrecompany.org/cost-of-living/
We've got a lightning round of 2024 recommendations! Rob Dunkelberger of The Stages of MN, Julie Jackson of Minnesota Theater Love, Mary Aalgaard of Play Off the Page, Keith Russell of Life in Revue, and Jill Schafer of Cherry and Spoon discuss the shows they recommend and are anticipating.Shows discussed include:Ironbound by Frank Theatre at the Gremlin - 1/19/24 to 2/11/24The Last Five Years at Lyric Arts - 1/19/24 to 2/11/24Crazy for You at Artistry - 1/25/24 to 2/11/24A variety of upcoming events at Hive CollaborativeMacPhail Presents: Faculty Spotlight – It Takes Two - 2/3/24The Broadway Songbook: Broadway in Love at Park Square Theatre - 2/16/24 to 2/18/24Elixir of Love at Minnesota Opera - 1/27/24 to 2/4/24Radiant Vermin at Lyric Arts - 3/1/24 to 3/24/24In the Green at Theatre Elision - 2/22/24 to 3/9/24 Toil and Trouble at Yellow Tree Theatre - 2/2/24 to 3/3/24Silent Sky at Theatre in the Round - 2/23/24 to 3/17/24 Cabaret at Theatre 55 - 2/2/24 to 2/10/24Stones in His Pockets at Theater Latte Da - 1/24/24 to 2/25/24Twin Cities Theater Chat is produced and hosted by Carol Jackson of Minnesota Theater Love and members of the Twin Cities Theater Bloggers collective. As always, you can find the Twin Cities Theater Bloggers on Facebook and on Instagram. Read our review round-ups and go see a show today!
I know it's been a while since I've been on the Mic, but make no mistake, I've been work hard behind the scenes on all things IRONBOUND and DWB. I launched a new series FRAGO Friday, which I drop each week via our newsletter. I got a fellowship to the Fund For New Leadership, a social impact fellowship supporting change makers across the country, and I went on Vacation to Peru. Needless to say it's been an eventful summer. With that said, I am back and happy to announce our official sponsor for Dog Whistle Branding, Mission Plus, a tech platform that helps nonprofit organizations upgrade their websites and leverage technology to deliver services online. The Mission Plus team is based in Newark, NJ and has actually been supporting me for over 5 years, through their nonprofit the G.I. Go Fund, where IRONBOUND Media is incubated. Now, I get a chance to return the favor, by highlighting their efforts on the DWB Platform. On today's show, I caught up with Mission Plus CEO Jack Fanous, to talk about the platform and the market opportunity with the nonprofit sector.Visit our website to Download your free copy of the Dog Whistle Branding Playbook here: https://ironboundmedia.com/Be sure to subscribe to the Dog Whistle Brand Newsletter on Substack here: www.dogwhistlebranding.comOrder my book, “Black Veteran Entrepreneur” here: https://amzn.to/3gme7kg
Sponsored by parts, just put it in the box of stuff I will use later. Description: Chris joins us for a cameo and plays Milley the Ironbound. The players return as the children this time to help a friend in need. Sibling rivalry becomes a thing and bets are made. Main timeline wise, this episode is flexible but at least after 16. In this game we use the Wildsea system. Ian plays the Firefly, Austin plays Colt, Bev plays Rocky, Dylan plays Tums-Tums, and Jonathan plays Roast.
Welcome to the Nothing Shocking Podcast 2.0 reboot episode 184 with our guest Jason Bittner of Overkill and Shadows Fall. In this episode we discuss the Overkill Scorched album. We also discuss Shadows Fall reunion shows, recording new album tracks, and more! For more information visit: https://jasonbittner.com/ http://wreckingcrew.com/Ironbound/ https://www.facebook.com/shadowsfall/ Hong Kong Sleepover: https://thehongkongsleepover.bandcamp.com Please like our Facebook page which can be found right here: https://www.facebook.com/nothingshockingpodcast/ or follow us on twitter at https://twitter.com/hashtag/noshockpod Help support the podcast and record stores by shopping at Ragged Records. http://www.raggedrecords.org
Martyna Majok was recently nominated for a Tony award for her riveting, profound and funny play "Cost of Living." The play delves into the lengths we go to care for others and what it means to fight for ourselves. Presented by Manhattan Theatre Club, "Cost of Living" was nominated for five Tony Awards and has already won a 2018 Pulitzer Prize for Drama. Martyna's work, which also includes the plays "Sanctuary City," "Queens" and "Ironbound," has been performed in theaters around the world. Martyna is currently writing a musical adaptation of "The Great Gatsby," with music by Florence Welch and Thomas Bartlett. Learn more about your ad choices. Visit megaphone.fm/adchoices
Hello Metal Mayhem ROC Maniacs'. To kick off summer 2023 ,we have an absolutely incredible interview with Bobby "BLITZ" Ellsworth from OVERKILL. We take a deep dive into the new CD SCORCHED with detailed observations on the tracks, our interpretations and plenty of back stories from Bobby. Metal Walt and Bobby discuss the New Jersey metal history,with memories of vintage tri state area shows. Vernomatic and Blitz discuss the live set list, us Touring plans and Bobby takes listener questions. That is just the start of this awesomeness. The guys joke, bust balls and we even get BLITZ to sing an impromptu acapella track from the new release. Another example of a great unique, conversation filled with in-depth antidotes and disclosures found only here at Metal Mayhem ROC Thank you for the support and remember to always KEEP IT HEAVY!! Visit the website and join the Metal mayhem ROC community. Sign up for our weekly newsletter keeping you updated on all new podcast episodes as well as reminders for our live Radio show on Monday nights. Metal Mayhem ROC Socials https://metalmayhemroc.com/ https://metaldevastationradio.com/ http://pantheonpodcasts.com/ https://twitter.com/MetalmayhemR https://www.youtube.com/channel/UC1Y8gRcKQODNMWwyLBfIHOA https://www.instagram.com/metalmayhemroc/ https://www.facebook.com/groups/metalmayhemroc OVERKILL SOCIALS: http://wreckingcrew.com/Ironbound/ https://www.instagram.com/overkillofficial/?fbclid=IwAR1MkUl6Q6e57WSDRT2ajoqhZ58LhUZAdS5vDmcFsRYmDcRaxnaMCkBL0QQ https://twitter.com/OverkillBand?fbclid=IwAR3cj5UI_LXIy11sjBsXM-8acsCHCzI7-1AayNNy4x0u5yaA0AwzLszAaQY https://www.facebook.com/OverkillWreckingCrew/ Learn more about your ad choices. Visit megaphone.fm/adchoices
It's another episode of The Liquidity Event and AJ is back in the saddle and has a lot of catching up to do. Is trading stocks 24 hours a day a good thing? We think Robinhood's new 24/7 trading promise is bad news. We've got breaking news from the tax world too. Brace yourselves for a new IRS free e-filing system. Oh, and we have a meaty New York Times report on the greatest wealth transfer in history, with the usual wealthy white winners. And don't forget to keep an eye out for the elusive 12-foot 4-inch great white shark off the South Carolina shore. It's Jaws IRL! Get ready for laughs and financial chaos on the Liquidity Event Podcast! Links Brew Another Pot, Robinhood's 24-Hour Stock Trading Is Here Ryuichi Sakamoto's management has shared the late musician's “last playlist,” which he had prepared for his own funeral before his death. IRS tests free e-filing system that could compete with tax-prep giants Big Tech Resumed Hiring Foreign Workers Just Weeks After Layoffs The Greatest Wealth Transfer in History Is Here, With Familiar (Rich) Winners S&P Sheds $500 Billion from Fake Pentagon Explosion Elusive 12-foot 4-inch great white shark Ironbound found swimming off South Carolina shore CAVA Group IPO Want to know more about working with BrooklynFI, contact us here
Everyone knows that Veterans love Swag, there's a reason you constantly see us wearing hoodies and T-shirts of the brands we love. Here in Newark, I'm constantly rocking my IRONBOUND Boxing hoodie, not only to bring more visibility to the IRONBOUND brand, but also to symbolize that I'm part of the team and a movement. Apparel is a hard business model to scale, but that hasn't stopped Army Veteran and West Point graduate, Dean Wagner, from taking his chances. Dean is the Founder & CEO of Authentically American, an American Made apparel company that provides corporations and organizations high-quality branded apparel and accessories. Dean and his team are on a mission to bring jobs back to America by selling competitively priced, premium branded apparel, and believes it's his patriotic duty to do so. On the show, Dean shares insight into the market opportunity he saw with Authentically American, tapping into the growing American made movement, some of the pivots he's made along the way, and his overall strategy for scaling the brand nation wide. Be sure to subscribe to the Dog Whistle Brand Newsletter on Substack here: www.dogwhistlebranding.comOrder my book, “Black Veteran Entrepreneur” here: https://amzn.to/3gme7kgLearn more about Authentically American here: https://www.authenticallyamerican.us/
Flawless Acceleration: Black Veteran Entrepreneur “Iron” Mike Steadman is Empowering the Next Generation of Business Leaders As a black veteran entrepreneur, Steadman has made it his mission to empower others to achieve their highest potential in the business arena. Steadman's journey to entrepreneurship began at the Naval Academy, where he discovered his love for boxing and leadership. He went on to become a three-time National Collegiate Boxing Champion. He then commissioned as a Marine Corps Infantry officer and serving until 2015. After leaving the military, Steadman turned his attention to serving inner-city youth through teaching boxing and leadership. He co-founded IRONBOUND Boxing, a non-profit that provides free boxing and fitness classes to underprivileged youth in Newark, New Jersey. Steadman's passion for mentoring and coaching others led him to co-found Flawless Acceleration, a coaching business that provides accountability and support to help individuals achieve their highest potential in the business world. Steadman's entrepreneurial spirit doesn't stop there. He recently published a book titled, Black Veteran Entrepreneur, which explores the challenges and triumphs of being a black entrepreneur in today's society. Steadman hopes his book will inspire and encourage other aspiring entrepreneurs to pursue their dreams, no matter the obstacles they may face. “YOU DON'T NEED MORE BULLSHIT BUSINESS ADVICE. YOU NEED AN ACCELERATION COACH.” Flawless Acceleration This statement encapsulates the philosophy behind Flawless Acceleration. The company recognizes that there is no shortage of generic business advice available today, but that what business owners and entrepreneurs really need is personalized guidance and support. The company's approach is centered around accountability, building a battle rhythm, and performing at the highest levels of business ownership. Learn More “Iron” Mike Steadman LinkedIn Flawless Acceleration VeteranCrowd Network Our "forever promise" is to build the veteran and military spouse community a place to connect and engage. VeteranCrowd is simply a national network of veterans, veteran led businesses and the resources they need to prosper. Subscribe to stay in touch. by VeteranCrowd Network Why do thousands of merchants put us through a bootcamp to join their loyalty program? Why do they make checkout an obstacle course? It's embarrassing. Time consuming. Intrusive. Cumbersome. Broken. Why? Because no one ever built a simple & secure way to validate our veteran status at checkout. Until now. Want to be recognized at select merchants simply by swiping your existing Visa card? Join our waitlist and be one of the first veterans to have this power in your wallet. About Your Host Bob Louthan is a VMI Graduate, Army veteran, and executive with over 25 years of experience in mergers, acquisitions and private capital formation. He founded the VeteranCrowd Network to bring veterans and veteran-led businesses together with each other and the resources they need to prosper.
Colabora Con Biblioteca Del Metal: En Twitter - https://twitter.com/Anarkometal72 Y Donanos Unas Propinas En BAT. Para Seguir Con El Proyecto De la Biblioteca Mas Grande Del Metal. Muchisimas Gracias. La Tienda De Biblioteca Del Metal: Encontraras, Ropa, Accesorios,Decoracion, Ect... Todo Relacionado Al Podcats Biblioteca Del Metal Y Al Mundo Del Heavy Metal. Descubrela!!!!!! Ideal Para Llevarte O Regalar Productos Del Podcats De Ivoox. (Por Tiempo Limitado) https://teespring.com/es/stores/biblioteca-del-metal-1 Overkill es una banda estadounidense de thrash metal formada en 1980 en la ciudad de Old Bridge, Nueva Jersey. Es considerada una de las pioneras de este estilo, además de ser una de las agrupaciones enmarcada en el thrash metal que más álbumes ha publicado a nivel mundial. A lo largo de su carrera la banda ha experimentado constantes cambios en su alineación, siendo el cantante Bobby "Blitz" Ellsworth y el bajista D.D. Verni los únicos miembros de la formación original que aún continúan en la agrupación. A menudo se les menciona como los "Motörhead del thrash metal". Al igual que otras bandas como Iron Maiden, Megadeth o los mismos Motörhead, Overkill creó una especie de mascota a la que llaman "Chaly". Se trata de un murciélago esquelético con una calavera humana como cara, cuernos, alas óseas y ojos verdes. Chaly ha aparecido en la mayoría de las portadas de sus discos. A la fecha, Overkill ha publicado 19 álbumes de estudio, uno de versiones, tres EP y tres álbumes en vivo. Fueron una de las primeras bandas de thrash metal en fimar con una discográfica importante (Atlantic Records en 1986), pero no lograron el éxito masivo de sus contemporáneos Anthrax, Exodus, Metallica, Megadeth, Slayer y Testament. Sus álbumes más populares y exitosos son Under the Influence (1988), The Years of Decay (1989), I Hear Black (1993), The Electric Age (2012) y White Devil Armory (2014), los cuales debutaron en las posiciones 142.ª, 155.ª, 122.ª, 77.ª y 31.ª respectivamente en la lista de éxitos estadounidense Billboard 200. En 2006, Overkill había vendido cerca de 625.000 copias de sus álbumes en los Estados Unidos desde la fundación del sistema Nielsen SoundScan y cerca de 16 millones de discos en todo el mundo al 2012. Overkill fue uno de los primeros grupos de thrash metal en aparecer en la escena. Formados originalmente en Nueva Jersey por D. D. Verni Y Rat Skates (sus nombres reales son Carlos Verni Y Lee Kundrat), aunque bajo el nombre de "The Lubricunts". Para avanzar con el proyecto, D.D. Verni puso un anuncio en un periódico local en busca de vocalista, anuncio que respondió un tal Bobby Ellsworth, que, por aquel tiempo tocaba también el bajo. Bobby fue contratado y junto con él apareció el primer guitarrista de la banda proveniente de la anterior agrupación de Ellsworth. Durante algún tiempo la banda fue dando tumbos, al igual que su nombre, el cual cambió varias veces hasta asentarse como Overkill. Inicialmente se dedicaron a hacer versiones de canciones de punk de bandas como The Ramones, Aron mc Garrigle y The Dead Boys, entre otros. Luego empezaron a versionar canciones como "Overkill" de Motörhead, "Prowler" de Iron Maiden o "Tyrant" de Judas Priest. En 1981, luego del abandono del guitarrista Robert Pisarek, ingresaron otros guitarristas a la agrupación, entre ellos Dan Spitz (quien integraría Anthrax poco tiempo después), Anthony Ammendola, Rich Conte, Mike Sherry y finalmente Bobby Gustafson. Posteriormente la banda comenzó a escribir sus propios temas, entre esas canciones destacan "Grave Robbers" (nombrada luego "Raise the Dead"), "Overkill" y "Unleash the Beast (Within)", esta última contenida en el demo Power in Black, publicado el 14 de septiembre de 1983, y considerada una de las primeras muestras de thrash metal de la historia. Para ese entonces, Overkill inició una etapa de presentaciones en clubes nocturnos en Nueva York y Nueva Jersey. En 1983, la alineación compuesta por Rat Skates, D.D. Verni, Bobby Gustafson y Blitz publica el mencionado demo Power in Black, grabación que causaría un gran impacto entre los coleccionistas “underground”. La canción "Feel the Fire" fue incluida en el compilado New York Metal '84 y la canción "Death Rider" apareció en el quinto volumen de la legendaria serie de compilaciones Metal Massacre. Tras la repercusión del demo, la banda aseguró un contrato con la disquera Azra/Metal Storm Records, que dio como resultado el EP Overkill de 1984, el cual agotó sus existencias en poco tiempo. Jon Zazula, propietario de Megaforce Records, decidió darle un contrato a la banda luego de escuchar el EP. Con Megaforce la agrupación grabó su primer larga duración: Feel the Fire en 1985. Entre 1985 y 1986 la banda salió de gira en soporte de su nuevo álbum, inicialmente abriendo conciertos en los Estados Unidos para Megadeth (que se encontraban en ese momento promocionando su disco Peace Sells) y luego junto a Anthrax y Agent Steel en territorio europeo. 1987 marcó el lanzamiento de la segunda producción de Overkill: Taking Over, publicado por Megaforce en cooperación con Atlantic Records. Este trabajo discográfico les valió el reconocimiento inmediato, especialmente por la canción "In Union We Stand", cuyo vídeo obtuvo fuerte rotación. Siguió otra gira por Europa, en este caso junto a los alemanes Helloween. A finales de 1987 publicaron un EP titulado !!!Fuck You!!!, que consistía en un cover de la canción del mismo nombre (original de la banda canadiense Subhumans) y de algunas versiones en vivo grabadas en Cleveland ese mismo año. 1987 también trajo consigo el abandono del baterista Rat Skates. Fue reemplazado por Mark Achabal para dar algunos conciertos, y luego de manera definitiva por Bob "Sid" Falck (anterior miembro de la banda Paul Di'Anno's Battlezone). Overkill lanza Under the Influence en 1988. Producido por Alex Perialas, Under the Influence presentó un sonido mucho más agresivo que Taking Cover. La canción "Hello From The Gutter" fue publicada como sencillo, con su vídeo rotando frecuentemente en el programa Headbangers Ball del canal MTV. Overkill siguió girando alrededor del mundo de manera constante. En 1989 vio la luz The Years of Decay, producido por el famoso Terry Date (Pantera, White Zombie y Soundgarden). El álbum se convirtió en un éxito instantáneo, mezclando la agresividad de Under the Influence con elementos épicos y estructuras musicales complejas. "Elimination" fue lanzada como sencillo. La gira soporte del disco se llevó a cabo en parte en una serie de conciertos llamada "Dawn of the Decade", junto a sus compañeros de disquera Testament. En 1990, el guitarrista y compositor Bobby Gustafson abandona Overkill. Verni y Gustafson habían tenido problemas en cuanto a la dirección que estaba tomando la banda, con Blitz compartiendo la misma opionión que Verni, y pidiéndole a Gustafson que abandonara el proyecto. Se añadieron dos nuevos guitarristas a la formación, Rob Cannavino y Merritt Gant. La nueva formación graba Horrorscope, nuevamente con el productor Terry Date, en 1991. El álbum es considerado como el más pesado de su catálogo, esto influenciado principalmente por los aportes de los dos nuevos guitarristas. Sin embargo, durante la gira promocional del disco, Sid Falck abandona la formación, interesado en grabar otro tipo de música. Fue reemplazado por el baterista Tim Mallare, con el que grabaron el álbum I Hear Black, producido esta vez por Alex Perialas y lanzado exclusivamente por la disquera Atlantic Records. Nuevamente se presentó un cambio en el sonido, esta vez influenciado por el stoner y el blues rock similar al sonido de Black Sabbath. Se grabó un vídeo para "Spiritual Void", aunque no logró la rotación esperada. La gira en soporte del álbum en tierras europeas los llevó a compartir escenario con Savatage. El séptimo álbum de la banda, W.F.O., fue publicado el 15 de julio de 1994. El disco retoma el sonido rápido y agresivo de sus primeras producciones, abandonando la experimentación. El vídeo de la canción "Fast Junkie" fue prácticamente ignorado por MTV, debido principalmente al protagonismo que estaban tomando bandas como Nirvana, Alice in Chains y Pearl Jam en el canal musical. Todos estos factores, sumado el decaimiento del género a mediados de los años 1990, llevaron a que Atlantic Records dejara de publicar discos de Overkill. En 1995 se publica el primer directo de la banda, Wrecking Your Neck Live bajo el sello CMC International. Ese mismo año Cannavino y Gant deciden dejar la banda; Rob Cannavino para enfocarse en su pasión: las motocicletas, y Merritt Gant para pasar más tiempo junto a su familia. Se contrató a Joe Comeau, cantante de la banda Liege Lord, ahora encargado de las guitarras. Comeau trajo consigo al guitarrista Sebastian Marino (ex-Anvil), con el que había trabajado en proyectos anteriores. La nueva alineación grabó el disco The Killing Kind en 1996, producido por la propia banda y mezclado por Chris Tsangarides (Judas Priest, Tom Jones, Thin Lizzy y Gary Moore, entre otros). Aunque la respuesta por parte de la crítica al álbum fue generalmente positiva, una porción de sus fanáticos se vio defraudado por lo "moderno" del sonido, que incorporaba elementos del recién surgido hardcore. En octubre de 1997 sale a la luz From the Underground and Below, conservando la misma fórmula de su producción anterior y agregando algunos elementos de metal industrial, particularmente notorios en la canción "Save Me". Se grabó un vídeoclip para la canción "Long Time Dyin'", pero su exposición en la televisión fue prácticamente nula. En 1998 nuevamente la banda optó por hacer la gira promocional solamente en Europa, esta vez acompañados de las bandas Nevermore, Angel Dust y Nocturnal Rites. En 1998, Blitz fue diagnosticado con cáncer nasal y fue sometido a cirugía inmediatamente, logrando controlar la enfermedad. Luego de su operación, la banda empezó a trabajar en su décimo álbum, que terminó llamándose Necroshine y fue publicado en febrero de 1999. Dave Linsk ingresó en la banda en reemplazo de Sebastian Marino. Septiembre de 1999 vio el lanzamiento de Coverkill, un álbum consistente en versiones de bandas que influenciaron el sonido de Overkill en sus primeros años, como Black Sabbath, Kiss, Motörhead, Manowar, Deep Purple, Judas Priest, The Sex Pistols y The Ramones. Una gira fue llevada a cabo para promocionar Necroshine y Coverkill en el año 2000 junto a las bandas Annihilator y Dew-Scented. La agrupación retornó al estudio esta vez sin Joe Comeau, y a finales del año 2000 grabó Bloodletting, producido por la banda y mezclado por Colin Richardson. Luego de tomar un descanso de dos años, Overkill regresó a escena con Wrecking Everything, su segunda producción en vivo, grabada en el Teatro Paramount en Asbury Park, Nueva Jersey. La gira de ese mismo año en promoción de Bloodletting y Wrecking Everything vio a Blaze y Wicked Mystic abriendo para Overkill. La agrupación logró un contrato con Spitfire Records e ingresó al estudio a finales de 2002 para grabar el disco Killbox 13. A finales del año 2004, luego de una gira por Japón junto a Death Angel y Flotsam and Jetsam, la banda empezó a trabajar en otro disco en el estudio privado de D.D. Verni. ReliXIV fue publicado en marzo de 2005. Tim Mallare abandona y es reemplazado por Ron Lipnicki. Ese mismo año Overkill anuncia su primera gira por la costa oeste estadounidense en más de diez años, convirtiéndose en un éxito de taquilla. Luego de su experiencia con Spitfire, Overkill firmó un contrato con el sello Bodog Records y lanzó su decimoquinta producción, Immortalis, el 9 de octubre de 2007. El cantante Randy Blythe (Lamb of God) aportó su voz para la canción "Skull And Bones". El 30 de octubre de 2009 la banda firma con Nuclear Blast Records. El álbum Ironbound — descrito como una obra maestra del thrash metal — fue publicado el 9 de febrero de 2010.The Electric Age (2012) y White Devil Armory (2014) fueron los siguientes discos, nuevamente producidos bajo el sello Nuclear Blast. En 2013 la banda se embarca en la gira Dark Roots of Thrash junto a Testament y Flotsam and Jetsam. Sin embargo, su presentación del 15 de febrero en Huntington fue cancelada por problemas de salud de Bobby "Blitz". Esto ocasionó que la banda fuera excluida del resto de la gira. El 16 de abril de 2016 la banda dio un concierto en la ciudad de Oberhausen, donde tocaron los álbumes Feel the Fire y Horrorscope en su totalidad. El concierto fue grabado de manera profesional, y se planea utilizar el material para la edición de un DVD. El 11 de agosto de 2016, Bobby Ellsworth reveló en una entrevista el título del nuevo álbum de la banda, el cual llevaría por nombre The Grinding Wheel. El álbum fue publicado finalmente el 10 de febrero de 2017 por el sello Nuclear Blast. El 6 de mayo de 2017, Overkill anuncia la incorporación de Jason Bittner como batería para cubrir la baja de Ron Lipnicki. El 22 de febrero de 2019 lanzan su decimonoveno álbum de estudio de material propio titulado The Wings of War. En abril de 2020, D. D. Verni avanzó que están trabajando en un nuevo álbum, con 9 temas ya escritos, para lanzarlo antes de la gira europea de marzo de 2021. Estos planes han quedado en el aire debido al Covid-19. Pagina Oficial: https://www.facebook.com/OverkillWreckingCrew/?locale=es_ES
Martyna Majok was born in Bytom, Poland and raised in Jersey and Chicago. She was awarded the 2018 Pulitzer Prize for Drama for her play, Cost of Living, which debuted this past fall on Broadway. Other plays include Sanctuary City, Queens, and Ironbound, which have been produced across American and international stages. Keep up with her projects at www.martynamajok.com
TalkISrael is beyond thrilled to have Jeremy Newberger with us. I met with Jeremy and one of his film partners Seth at the Florida screening of new film Israel Swings for Gold, a documentary by Seth Kramer, Daniel A. Miller, and Jeremy Newberger. Jeremy is joinning us here on TalkISrael to tell us about this film, their other film about Team Israel Baseball and a new film that will be coming out about AntiSemitism on college campuses. With Antisemitism on the rise at an alarming rate their film could not be at a more critical time. Seth Kramer, Daniel A. Miller, and Jeremy Newberger are Ironbound Films. Headquartered in an old inn on the Hudson River opposite West Point, Ironbound creates documentaries for theaters, television, streaming, and the web. We produced and directed Israel Swings for Gold. In addition, Daniel wrote, Seth edited, and Jeremy field produced the film. They are gifted in how they create such engaging films and messages. You will not even want to blink when watching heir films. There are so many films that these three have created, and simply put not enough space within our word count limits.n. Stay tunes to learn more about Ironbound films, the minds behind all this creativity and their "dad schedules". TalkISrael could not be more proud to welcome Jeremy Newberger.
Thrash icons Overkill's 20th album "Scorched" will be unleashed April 14th. We chat with vocalist Bobby Blitz about this landmark release, place in metal history, and the impact of Guns N' Roses in the 80s. Then, front man John Diva of John Diva & The Rockets of Love chats their new album "The Big Easy," hair metal, and love of GN'R. More info: http://wreckingcrew.com/Ironbound/ https://www.johndiva.com/home Theme music provided by Mike Squires https://www.patreon.com/theafdpodcast #gunsnroses #overkill #musicpodcast
Carey spoke with Iron Mike Steadman, a former Marine Corps Infantry Officer, national champion boxer at the US Naval Academy, and the founder of Ironbound Media. They talked about finding your niche, building systems, and following frameworks to effectively scale. You can follow Iron Mike and Ironbound Boxing on Instagram where you can also follow Veteran Made for daily updates. https://ironboundmedia.com/ https://ironboundboxing.org/
The invention of plastic changed the way we live — and now we're hooked. We travel from Louisiana, where plastic is born, to New Jersey, where plastic goes to die… or live again. We explore greenwashing, wish-cycling, and our collective culpability as we try to understand how we became so reliant on plastic — despite knowing its harm to the earth and the communities closely impacted. This series is presented in partnership with Only One, the action platform for the planet. Only One is on a mission to restore ocean health and tackle the climate crisis in this generation — with your help. Visit only.one to learn more and get involved. SHOW NOTES Beyond Plastics Ironbound Community Corporation The Recycling Myth: Big Oil's solution for plastic waste littered with failure CREDITS Discarded is a Lemonada Media original, presented by Only One. Gloria Riviera is our host. Our producers are Alie Kilts, Alexa Lim, and Gloria Riviera. Tess Novotny is our associate producer. Chrystal Genesis is our supervising producer. Jackie Danziger is our vice president of narrative content. Mix and sound design by Natasha Jacobs with additional mixing by Ivan Kuraev. Music is by Hannis Brown. Naomi Barr is our fact checker. Executive producers are Stephanie Wittels Wachs and Jessica Cordova Kramer. To learn more and take action, go to only.one/discarded. Follow Gloria on Twitter at @griviera. Stay up to date with us on Twitter, Facebook and Instagram at @LemonadaMedia. There's more Discarded with Lemonada Premium. Subscribers get exclusive access to bonus content, like a longer cut of our conversation with JV Valladolid about environmental activism in Ironbound, New Jersey. Subscribe now in Apple Podcasts. Want to become a Lemonada superfan? Join us at joinsubtext.com/lemonadasuperfan. Go to lemonadamedia.com for a list of current sponsors and discount codes for this and all other Lemonada series. To follow along with a transcript, go to lemonadamedia.com/show/Discarded shortly after the air date. Follow Discarded wherever you get your podcasts or listen ad-free on Amazon Music with your Prime Membership.See omnystudio.com/listener for privacy information.
Today, we interrupt your regularly scheduled programming, to talk about execution with Bill Watkins, in particular scoreboards, because this is my show and there are no rules in audio. But in all seriousness, at IRONBOUND, we like to teach you how to bridge the gap between brand strategy and execution, and measuring your performance with scoreboards is essential, in order to do so. Be sure to subscribe to the Dog Whistle Brand Newsletter on Substack here: www.dogwhistlebranding.comOrder my book, “Black Veteran Entrepreneur” here: https://amzn.to/3gme7kg
Agradece a este podcast tantas horas de entretenimiento y disfruta de episodios exclusivos como éste. ¡Apóyale en iVoox! Colabora Con Biblioteca Del Metal: En Twitter - https://twitter.com/Anarkometal72 Y Donanos Unas Propinas En BAT. Para Seguir Con El Proyecto De la Biblioteca Mas Grande Del Metal. Muchisimas Gracias. La Tienda De Biblioteca Del Metal: Encontraras, Ropa, Accesorios,Decoracion, Ect... Todo Relacionado Al Podcats Biblioteca Del Metal Y Al Mundo Del Heavy Metal. Descubrela!!!!!! Ideal Para Llevarte O Regalar Productos Del Podcats De Ivoox. (Por Tiempo Limitado) https://teespring.com/es/stores/biblioteca-del-metal-1 Que tal familia aqui os traigo un Podcats mas especial de la biblioteca del metal, esta vez dedicado al PowerMetal y Heavy Metal, espero que sea de vuestro agrado. saludos Txarly Metal. 01. Bruce Dickinson „Road To Hell” 0:00 - 3:56 02. Blind Guardian 3:56 - 8:42 „Don’t Talk To Strangers” (tribute to Dio) 03. Grave Digger ”The Last Supper” 8:42 – 14:10 04. Divine Weep ”Falding Glow” 14:10 – 18:44 05. Dio „Lord Of The Last Day” 18:44 – 22:49 06. Blind Guardian ”Mirror Mirror” 22:49 – 27:55 07. Virgin Steele „The Burning Of Rome” 27:55 – 34:34 08. Rage „From The Cradle To The Grave” 34:34 – 39:28 09. Dio „Killing The Dragon” 39:28 – 43:54 10. Ironbound „The Lightbringer” 43:54 – 48:21 11. Grave Digger „Excalibur” 48:21 – 53:17 12. Manowar 53:17 – 59:23 „The Gods Made Heavy Metal” 13. Blind Guardian ”Valhalla” 59:23 – 1:04:20 14. Dio „Challis” 1:04:20 – 1:08:47 15. Rage „Down” 1:08:47 – 1:14:11 16. Bruce Dickinson „Abduction” 1:14:11 – 1:18:03 17. Manowar 1:18:03 – 1:23:45 „Warriors Of The World United” for Ben Ju edition 18. Grave Digger „Rebellion” 1:23:45 – 1:28:56 19. Blind Guadrian „Nightfall” 1:28:56 – 1:34:38 20. Virgin Steele ”I Will Come For You” 1:34:38 – 1:40:22 21. Black Sabbath „Heaven And Hell” 1:40:22 – 1:50:26Escucha este episodio completo y accede a todo el contenido exclusivo de Biblioteca Del Metal - (Recopilation). Descubre antes que nadie los nuevos episodios, y participa en la comunidad exclusiva de oyentes en https://go.ivoox.com/sq/308558
Agradece a este podcast tantas horas de entretenimiento y disfruta de episodios exclusivos como éste. ¡Apóyale en iVoox! Colabora Con Biblioteca Del Metal: En Twitter - https://twitter.com/Anarkometal72 Y Donanos Unas Propinas En BAT. Para Seguir Con El Proyecto De la Biblioteca Mas Grande Del Metal. Muchisimas Gracias. La Tienda De Biblioteca Del Metal: Encontraras, Ropa, Accesorios,Decoracion, Ect... Todo Relacionado Al Podcats Biblioteca Del Metal Y Al Mundo Del Heavy Metal. Descubrela!!!!!! Ideal Para Llevarte O Regalar Productos Del Podcats De Ivoox. (Por Tiempo Limitado) https://teespring.com/es/stores/biblioteca-del-metal-1 Que tal familia aqui os traigo un segundo especial de la biblioteca del metal, esta vez dedicado al PowerMetal y Melodico, espero que sea de vuestro agrado. saludos Txarly Metal. 01. Kiske Somerville „City Of Heroes ‘‘ 0:00 - 4:01 02. Stratovarius „Unbreakable’’ 4:01 – 8:35 03. Falconer „The Clarion Call” 8:35 – 14:19 04. Ironbound „The Children Left By God” 14:19 – 20:57 05. Stratovarius „Black Diamond” 20:57 – 26:37 06. Divine Weep „The Mentor” 26:37 - 31:02 07. Hammerfall „Templars Of Steel” 31:02 – 36:24 08. Kiske Somerville „Walk On Water” 36:24 – 40:39 09. Gammaray „Heaven Or Hell” 40:39 – 44:54 10. Ironbound „The Turn Of The Tide” 44:54 – 51:30 11. Stratovarius „Halycon Days” 51:30 – 56:59 12. Ironbound „Smoke And Mirrors” 56:59 – 1:03:50 13. Edguy „Out Of Control” 1:03:50 – 1:08:52 14. Hammerfall „Hearts On Fire” 1:08:52 – 1:12:43 15. Stratovarius „Hunting High And Low” 1:12:43 – 1:16:50 16. Edguy „Vain Glory Opera” 1:16:50 – 1:22:58Escucha este episodio completo y accede a todo el contenido exclusivo de Biblioteca Del Metal - (Recopilation). Descubre antes que nadie los nuevos episodios, y participa en la comunidad exclusiva de oyentes en https://go.ivoox.com/sq/308558
“Hazard NJ” is another environmental podcast from The WNET Group covering Superfund sites in New Jersey. They will be releasing four new episodes this fall to take fresh looks at the relationship between these Superfund sites and climate change, starting on September 28th. We hope you enjoy this episode, and encourage you to subscribe to “Hazard NJ” wherever you get your podcasts. Our regularly scheduled “Tip of the Iceberg” and “Deep Dive” episodes will resume next week. About the episode: The chemical company Diamond Alkali, one of the nations main producers of Agent Orange, spent years dumping chemical waste into the Passaic River and polluting Newark's Ironbound neighborhood. In the early 80's, state and federal authorities pledged to clean the mess up but today, nearly 40 years later, toxic mud still lies beneath the water. Now the cleanup is facing a $1.8 billion price tag, an uncertain timeline, and the growing threat that intense storms fueled by climate change could stir the pollution up. About the show: New Jersey is home to the largest number of Superfund sites in the country — and while federal cleanup is underway — the bigger threat to them now is climate change. Flooding, fires, and rising sea levels could make life even harder for those who live nearby. Hazard NJ digs through the muck of each contaminated site to give a clearer picture of what the threat is and what it will take to clean it up before it's too late. Hosted by journalist Jordan Gass-Poore', produced by NJ Spotlight News.
The largely immigrant area is surrounded by pollution sources. Learn more at https://www.yaleclimateconnections.org/
The chemical company Diamond Alkali, one of the nation's main producers of Agent Orange, spent years dumping chemical waste into the Passaic River and polluting Newark's Ironbound neighborhood. In the early 80's, state and federal authorities pledged to clean the mess up but today, nearly 40 years later, toxic mud still lies beneath the water. Now the cleanup is facing a $1.8 billion price tag, an uncertain timeline, and the growing threat that intense storms fueled by climate change could stir the pollution up.
Bobby, Griff, and the Rik invited Mike from Neatcast on this episode, because 3 hours of Mike is what everyone needed this week! We continue our celebration of national Maysturbation Month with a look at what states searched on pornhub more than others. Then we talk : Eurovision, Fred Ward, Ironbound, Tom Brady, and capybaras! Lastly we play a family feud style game, learning all about the PornHub trends of 2021! Come on in and get yourself Effin Cultured!
(0:00) Zolak and Bertrand open hour three debating whether or not Patriots personnel executive Matt Groh had more of a say in the team's draft selections. (11:08) We continue our conversation about the Patriots draft and our experiences with the TV show ‘Pawn Stars.' (21:03) The guys discuss if the Patriots should have drafted WKU QB Bailey Zappe in the fourth round. (31:40) The crew react to a report that the great white shark ‘Ironbound' has reached the New Jersey coast.
Implementing a marketing plan without a Customer Activation Cycle (CAC), is the equivalent of catching a fish and not knowing what you're going to do with it. On today's episode I share IRONBOUND's CAC and how to build and improve your own. Add me on Linkedin: https://www.linkedin.com/in/iron-mike-steadman-3387586a/ Be sure to subscribe to the Dog Whistle Brand Newsletter on Substack here: www.dogwhistlebranding.com
I decided to invite you behind the scenes of IRONBOUND Media, as I think through our own branding, and sandbox strategy, i.e. where I hope to see us in the next 3-5 years. I'm joined by our new Head of Growth, Erica Rajchel Add me on Linkedin: https://www.linkedin.com/in/iron-mike-steadman-3387586a/ Be sure to subscribe to the Dog Whistle Brand Newsletter on Substack here: www.dogwhistlebranding.com
Martyna Majok is a playwright who won the 2018 Pulitzer Prize for Drama for Cost of Living. Her newest play, Sanctuary City from New York Theatre Workshop is now playing at The Lucille Lortel Theatre. Her plays, including Queens and Ironbound, have been performed throughout the United States and abroad. She studied playwriting at the Yale School of Drama and Juilliard School. She is currently writing two musical librettos and developing an original series and film for HBO. Martyna is also adapting The Great Gatsby for the Broadway stage with Florence Welch and Thomas Bartlett writing music. This episode was recorded on September 24, 2021. Learn more about your ad choices. Visit megaphone.fm/adchoices
Episode 974. Playing great heavy music since the Dawn of Heavy Music .
Midnight Madness Radio Episode 129 with The Chimpz, MADMAN'S LULLABY, After Silence, American Greed ft. Nancy J Ramirez, J67, Lonehead, George Porter, KingQueen, Neil Frost, The Pretty Fragile, The Subways, Dead Soul Revival, Glen Poland, Nick Hudson, Modesty Blaise, Ghosts Of Men, and Ironbound.
The push to promote disposable plastics created mountains of new waste that will never biodegrade. The burden of that waste has been placed almost entirely on the shoulders of low-income communities of color. This week, activists share a story of community opposition to the construction of a garbage incinerator in the Ironbound neighborhood of Newark during the 1980s, and their ongoing fight for environmental justice. For more information, head to our website at healthymaterialslab.org/podcast, or give us a follow on Instagram @healthymaterialslab and Twitter @parsons_HML. If you've been enjoying this season, please take a moment to rate and review us on Apple Podcasts.
Steve Adubato is joined by Nicole Swenarton, Executive Producer, Think Tank with Steve Adubato, to discuss this episode of Think Tank. Steve Adubato speaks with Vicky Hernandez, Executive Director, Ironbound Community Corporation, about the impact of the pandemic on Ironbound's mission and work, the issues surrounding childcare in Newark, and the importance of encouraging the […]
“Iron” Mike Steadman - Shares About Boxing, Entrepreneurship, Leadership and Making an Impact in Your Community Mike Steadman didn't grow up boxing, but found his love for it at the Naval Academy. He became a three-time National Collegiate Boxing Champion during his time there. After graduation he was commissioned as a Marine Corps Infantry officer and served until 2015. His experience gave him a passion to serve the inner city youth, teaching both boxing and leadership. “There's no better way to unleash your inner bad-ass than training like a boxer. You'll build the grit, confidence, and discipline that will enhance and improve every aspect of your well-being, personal development, and job performance.” Ironbound Media As a self-proclaimed renaissance man, Mike is a successful entrepreneur and founder of Ironbound media. He produces his own podcasts and helps other businesses do the same. “I feel like podcasting is the future of publishing, writing the book and stuff is awesome, but there is nothing like hearing your guests' voices and sharing it to the universe. I think it's really powerful.” Ironbound Boxing After visiting boxing gyms in various cities, Mike felt “the kids didn't have any options outside the ring, that it was either turn pro or go back to the streets. In the inner city, that's what a boxing gym does.” This frustration led to the creation of Ironbound Boxing, a reproduction of Mike's own training at the Naval Academy. “Our goal is to use the transformative powers of boxing to create champions both inside and outside of the ring. As an organization, we're committed to providing free amateur boxing training, entrepreneurial education, and employment opportunities to inner-city youth & young adults.” Curious to see who else has been in the VeteranCrowd Spotlight? Check them out here. Learn More: LinkedIn: https://www.linkedin.com/in/iron-mike-steadman-3387586a/ Instagram: https://www.instagram.com/ironmikesteadman/ Twitter: https://twitter.com/NativeSonSpeaks Ironbound Media Website: https://ironboundmedia.com/ Ironbound Boxing Website: https://ironboundboxing.org/ Podcasts: About Your Host Bob Louthan is a VMI Graduate, Army veteran, and executive with over 25 years of experience in mergers, acquisitions and private capital formation. He founded the VeteranCrowd Network to bring veterans and veteran-led businesses together with each other and the resources they need to prosper.
A self-proclaimed Political Satirist, Jeremy Newberger has more than earned that title with a dedicated Twitter following of nearly 95K and with coverage of his funny and insightful tweets in outlets like Forbes, UPROXX, Washington Post, as well as many others. The Emmy-Nominated Director and CEO of Ironbound Films tells Briana and Josh that having this social media voice helps to compensate for not being the successful "Saturday Night Live writer” he had once dreamed he would be. Jeremy also discusses "Woke" culture, his time as an NBC Page and a memorable moment in the halls of SNL, as well as a creepy Twitter stalker, and a very NSFW/DATELINE photo he received.
This is a very special episode. After more than a year of recording remotely, we had the opportunity to record onsite and in-person. And what a place to launch our first in-person recording in such a long time. ODR Studios sits in the heart of the Ironbound and is a gorgeous place. It is a curated 4,500 square foot industrial loft about a five minute walk from Penn Station that offers a wide array of studio services for filming, photography, and audio production. It also has a 5,000 square foot workshop below the studio space. ODR has been the setting for music videos, documentaries, fashion shorts, and a whole host of other productions. Alex Hodgkinson is the founder of ODR Studios and joins the podcast to talk about what he loves about the space, how he manages it, and his story. Guest:Alex Hodgkinson—Alex is the founder of ODR Studios. He has also played rugby professionally for the Sacramento Express. He is a graduate of Syracuse University. Background & Articles: ODR Studios Webpage: hereKulture Klub Article on Alex: hereDua Lipa/Mark Ronson Music Video filmed on site: here So Far Sounds Webpage: here“Framing Britney Spears” Documentary: hereQuote:“Toward the end of his life, Roth would walk (very slowly) from his Upper West Side apartment to the Museum of Natural History and back, stopping on almost every bench along the way—including the bench on the museum grounds near a pink pillar listing American winners of the Nobel Prize. ‘It’s actually quite ugly, isn’t it?’ a friend observed one day. ‘Yes.',’ Roth replied, ‘and it’s getting uglier by the year.’ ‘Why did they put it there anyway?’ Roth laughed: ‘To aggravate me.’“ Blake Bailey, Philip Roth: A Biography
Aries Clean Technologies has proposed the construction of the Newark Biochar Production Facility near an existing site on Doremus Avenue in the Ironbound Section of Newark. If it becomes operational, it will be able to process up to 430 wet tons of domestic wastewater treated biosolids a day from New Jersey and New York. The resulting product will be sold as a concrete thickener to construction companies. The announcement has ignited a fierce backlash from members of the Ironbound and Newark community, including several nonprofits in the city. In response to the push back, city leadership has held virtual meetings to discuss the issue, and the city planning board adjourned its meeting in February where Aries was scheduled to present its proposal for approval. At the center of this resistance is the Ironbound Community Corporation (ICC). The ICC, aside from providing direct services to residents of the East Ward, has had a rich history in environmental activism and social justice work. Among the many accomplishments of the organization are the cleaning up of the Passaic River, the creation of Riverfront Park, and the continued resistance of pollution and environmental degradation in Newark. Maria Lopez-Nunez and Christian Rodriguez are deeply enmeshed in this fight and came onto the podcast to share their thoughts on why this proposal should not be allowed, how they have organized around this issue, and their hopes for a just and equitable Newark. Guests:Maria Lopez-Nunez—Maria is a Bushwick native and Deputy Director of Advocacy and Organizing at the Ironbound Community Corporation, where she fights the bad and builds the new while challenging the current political system, holding power brokers and polluters accountable while fighting for environmental, housing, immigrant, and racial justice. She has organized and helped the passage of historic and landmark city and state legislation, including the Right to Counsel, the Civilian Complaint Review Board, and the Environmental Justice Cumulative Impacts Bill. She was also featured in the documentary, The Sacrifice Zone and is a member of Right to City, Grassroots Global Justice, JUST Transition, Down Bottom Farms, and a whole host of other community-centered nonprofits. Christian Rodriguez—Christian is a Newark native, raised in the Ironbound, and a Community Organizer with the Ironbound Community Corporation, where they advocate for the right to breathe clean air, have access to clean water, to healthy food, safer housing, as well as advocating to stop racism and capitalism under the White supremacist system. They are also a youth organizer/mentor, working with young adults throughout the neighborhood, and an Urban Farmer at Down Bottom Farms, where they teach the community how to to appreciate the land and soil for healthy agriculture. Background & Articles:Ironbound Community Corporation Main Site: hereAries Clean Technologies Main Site: hereTAPinto Article on Proposed Site (February 4, 2021): hereCity Zoom Meeting on Proposed Site (March 4, 2021): here “Stop The Sludge” (ICC): hereThe Sacrifice Zone (Documentary): hereWomen’s Herstory Month Virtual Celebration: hereQuote: “Cities are an immense laboratory of trial and error, failure and success, in city building and city design. This is the laboratory in which city planning should have been learning and forming and testing its theories. Instead the practitioners and teachers of this discipline (if such it can be called) have ignored the study of success and failure in real life, have been incurious about the reasons for unexpected success, and are guided instead by principles derived from the behavior and appearance of towns, suburbs, tuberculosis sanatoria, fairs, and imaginary dream cities—from anything but cities themselves.” Jane Jacobs, The Death and Life of Great American Cities
Você se lembra dos álbuns de metal da década passada? Nesse episódio os quatro ignorantes se reúnem mais uma vez pra discutir os álbuns marcantes dos últimos 10 anos. Alguns dos álbuns mencionados: Blind Guardian, At The Edge of Time (2010) Overkill, Ironbound (2010) SYMPHONY X, Iconoclast (2011) Iced Earth, Dystopia (2011) Sabaton, 'Carolus Rex' (2012) Black Sabbath, 13 (2013) Judas Priest, Redeemer of Souls (2014) Arch Enemy, War Eternal (2014) Sabaton, Heroes (2014) Slayer, Repentless (2015) Nightwish, Endless Forms Most Beautiful (2015) Iron Maiden, The Book Of Souls (2015) Vektor, Terminal Redux (2016) Metallica, Hardwired... To Self-Destruct (2016) Unleash the Archers, Apex (2017) Judas Priest, Firepower (2018) Sabaton, The Great War (2019) Escute as músicas deste episódio: Comenta aí o que você achou deste episódio! Sobre o que quer ouvir no próximo? Um brinde de Plinio, Rodrigo, Cristiano e Leandro! Siga BOTECO DO METAL nas redes sociais: https://twitter.com/botecodometal https://www.instagram.com/botecodometal/ https://www.facebook.com/Boteco-do-Metal-115676903597206/ ASSINE NOSSO PODCAST Anchor FM - https://anchor.fm/botecodometal Spotify - https://open.spotify.com/show/3wz83HYy7eBd8o6T6YeILB Apple Podcast - https://podcasts.apple.com/podcast/id1532780388 YouTube - https://www.youtube.com/channel/UClYwOXr0pxgC5g1MOmCUC6w Google Podcast - https://www.google.com/podcasts?feed=aHR0cHM6Ly9hbmNob3IuZm0vcy8zNWEwY2FiNC9wb2RjYXN0L3Jzcw== Overcast - https://overcast.fm/itunes1532780388/boteco-do-metal Pocketcasts - https://pca.st/jvq1navt Castro FM - https://castro.fm/podcast/8ad7ecd5-535c-4fc0-af16-757e3adf95a2 Breaker - https://www.breaker.audio/boteco-do-metal Radio Public - https://radiopublic.com/boteco-do-metal-WxRN2O RSS Feed - https://anchor.fm/s/35a0cab4/podcast/rss Boteco do Metal Episódio Álbuns marcantes da última década (2010s), Papo de Boteco #47 - 11/3/2021
“Iron” Mike Steadman - Shares About Boxing, Entrepreneurship, Leadership and Making an Impact in Your Community Mike Steadman didn't grow up boxing, but found his love for it at the Naval Academy. He became a three-time National Collegiate Boxing Champion during his time there. After graduation he was commissioned as a Marine Corps Infantry officer and served until 2015. His experience gave him a passion to serve the inner city youth, teaching both boxing and leadership. “There's no better way to unleash your inner bad-ass than training like a boxer. You'll build the grit, confidence, and discipline that will enhance and improve every aspect of your well-being, personal development, and job performance.” Ironbound Media As a self-proclaimed renaissance man, Mike is a successful entrepreneur and founder of Ironbound media. He produces his own podcasts and helps other businesses do the same. “I feel like podcasting is the future of publishing, writing the book and stuff is awesome, but there is nothing like hearing your guests' voices and sharing it to the universe. I think it's really powerful.” Ironbound Boxing After visiting boxing gyms in various cities, Mike felt “the kids didn't have any options outside the ring, that it was either turn pro or go back to the streets. In the inner city, that's what a boxing gym does.” This frustration led to the creation of Ironbound Boxing, a reproduction of Mike's own training at the Naval Academy. “Our goal is to use the transformative powers of boxing to create champions both inside and outside of the ring. As an organization, we're committed to providing free amateur boxing training, entrepreneurial education, and employment opportunities to inner-city youth & young adults.” Learn More: LinkedIn: https://www.linkedin.com/in/iron-mike-steadman-3387586a/ Instagram: https://www.instagram.com/ironmikesteadman/ Twitter: https://twitter.com/NativeSonSpeaks Ironbound Media Website: https://ironboundmedia.com/ Ironbound Boxing Website: https://ironboundboxing.org/ Podcasts: The Transition Confessions of a Native Son About Your Host Bob Louthan is a VMI Graduate, Army veteran, and executive with over 25 years of experience in mergers, acquisitions and private capital formation. He founded the VeteranCrowd Network to bring veterans and veteran-led businesses together with each other and the resources they need to prosper.
At the corner of Prospect and Ferry Streets, a restaurant had a quiet opening. The usual fanfare around grand openings had to wait. The Ironbound was in the grips of a pandemic that brought the usually bustling thoroughfare to a mute standstill. Nevertheless, SIhana set its tables and opened its doors to the community, presenting a fresh new take on a space to eat, hang out, and absorb art. Kreshnik Beresha, one of the founders and owners of Sihana, joins the pod to discuss the unique mission of Sihana and what it is like to open a space during what may be the most challenging epoch in this city’s history—at least in the last 50 years.. Guest: Kreshnik Beresha—Kreshnik is an owner and founder of Sihana. Originally from Albania, he grew up in New Jersey and has spent time in other cities like Boston/Cambridge. He is currently a Newark resident. Background & Articles:Sihana’s Facebook Page: hereQuote: ““To tell the truth, this was one of the few cases in which she had not told him just what she was thinking. Usually, she let him know whatever thoughts happened to come to her, and indeed he never took it amiss if she let slip a word that might pain him, because when all was said and done that was the price one paid for sincerity.” Broken April,, Ismail Kadare
Matthew Berry is a fraud but we sure aren't! We do something different this week and we recap our fantasy football season that was. Filled with heartbreaks, injuries and just bad luck. We sample Ironbound, a Hard Cider from Highlands Farmhouse. Find out what we think about the beer and just how sad Scott is! Episode recorded on 12-8-20 --- Support this podcast: https://anchor.fm/brewdupandspitout/support
In this episode of Rock Steady, Fran discusses with Julie Winokur the ‘big pivot’. Julie's film production company, Talking Eyes Media, which is the communication arm of Express Newark Partner, Newest Americans, pivoted their work with immigrant communities to Covid times by launching Stories from the Pandemic - a project that has garnered serious attention and an article in the NY Times. Julie also discusses her new film The Sacrifice Zone which centers on the Ironbound neighborhood in Newark - the largest superfund site in the U.S and the people on the ground working for environmental justice.
Interview with Bobby Blitz Ellsworth Original Air Date = July 24, 2014 https://wfmu.org/playlists/shows/56581 Overkill website: http://wreckingcrew.com/Ironbound/ https://www.wfmu.org/playlists/shows/98620
On this episode India explores Brazil and highlights the diversity and melting pot of cultures and cuisines. She travels to Los Angeles to meet chef Renni Flores of Sabor de Bahia to learn about and taste the Afro-Brazilian food from Salvador de Bahia, a rare find outside of Brazil. A singer turned chef who has put Bahian food on the map in California. Then India meets up with Chris de Sauza who runs the family-run restaurant, Brasilia Grill in Newark to try traditional Brazilian BBQ, churrascaria. Chris speaks about growing up in Ironbound, a neighborhood in Newark that is arguably the oldest and strongest Brazilian community in America. Tom Le Mesurier, a food and travel writer based in Rio who runs EatRio.com helps explain the history and roots of Brazilian cuisine. Scott Barton, a chef, food scholar and NYU professor explains Afro-Brazilian culture, cuisine and history. Follow Eating America with India at @eatingamericawithindia on Instagram and Twitter Follow Renni Flores at @sabordebahiaFollow Chris de Sauza at @brasiliagrill Follow Tom le Mesurier at @eatrioCreated and produced by India WitkinThis episode was co-produced with MixedMag @mixedmagCover art by Suzanne Borderies @art_bysuzOriginal song by Kilcool @kilcoolbeatsSupport the show (https://www.paypal.com/donate?hosted_button_id=8CYUK3HB9XYAQ)
#Dnd5E News = Hoffer (@CHofferCBus) claims there are Spelljammer hints in Tashas’! Find out why you are paying to play for D&D Virtual weekends. Plus,Here about Todd Crapper (@Warden_Op) & Danielle DeLisle’s (@DanielleDeLisle) new Patrion campaign called Ironbound! Also, Jon Fuge of Movieweb reports on new D&D live action TV Show. Subsequently, Christian Hoffer (@CHofferCBus) on comicbook dot com writes there is a new Spelljamer hint in Tasha's Cauldron Everything. Moreover, find out who Tasha is. In the bargain, find out the D&D prison situation from ALEXANDRIA TURNEY of ScreenRant.In total it lasts about 46 and one-half minutes.
101620 Covid's therapeutics, Eviction Moratorium, The Ironbound by WBAI News with Paul DeRienzo
Tonight the boys were joined by a real brit and drank Ironbound ciders. They talked about America the state of the country and whats going on. Is the British Parliament elite tune in to find out.
We kick off our second year with one of our favorite guides on our journey, Charles Rosen. Through his diverse experiences, but especially through Ironbound, Charles now realizes that his success is tied to the success of everyone around him. This has been the driving force as Iron Bound has sought to be a sustainable creator of wealth, empowerment and progress for every stakeholder involved. And, thanks in part to the pandemic, Charles thinks they have found their road to viability.
Rachel & Martyna recorded this episode in late April. While it was only 5 months ago, in some ways, it feels like an entirely different lifetime. As summer draws to a close, and we head into fall, Rachel can't think of a better time to share this episode with one of her theater heroes. Martyna Majok is the 2018 pulitzer prize winner in drama for her play, Cost of Living. Other plays include: Queens, Ironbound, and Sanctuary City. She is a Yale School of Drama and Juilliard alum, a former PoNY fellow at the Lark, Women's Project Lab member, and Ensemble Studio Theatre Youngblood. In this episode Rachel & Martyna talk about what she's finding comfort in during these unprecedented times, how she ended up working in the theater during her University of Chicago days, and the advice she'd give her former self during her first year in New York.More about Martyna at: http://www.martynamajok.com/Information about her latest production Sanctuary City here.Follow us on Instagram: @upstageleftpodcastTwitter: @upstageleftpod---Music by David HilowitzSupport the show (https://www.patreon.com/upstageleft)
As New York Times theater critic Ben Brantley wrote, Marin Ireland is “one of New York theater’s most inspired and entertaining interpreters of people programmed to self-destruct.” Just a few of her theater credits include Happy Talk, Blue Ridge, Summer and Smoke, Ironbound, On the Exhale, Kill Floor, Marie Antoinette, The Big Knife, Three Sisters, Miss. Julie, A Lie of the Mind, Reasons to Be Pretty, Far Away and Nocturne. On TV, Ireland starred in the series Sneaky Pete and the Umbrella Academy. She was also in Mildred Pierce, Homeland, The Divide, Girls and on and on and on. Next up Ireland stars in The Dark and the Wicked, The Empty Man and the highly anticipated TV series based on the comic, Y: The Last Man. This episode was recorded on June 17, 2020. Produced in part by the Broadway Podcast Network. Learn more about your ad choices. Visit megaphone.fm/adchoices
Ironbound Hard Cider, founded by Charles Rosen, is a company that straddles every strata of American society: farmers, urbanites, suburbanites, the economically well-off, and everyone else. And, Charles thinks deeply about everyone and how we are all connected in good times and now bad. According to Charles, the degree with which we acknowledge, celebrate, and truly rely on that interconnectedness will determine how we get beyond our current crisis.
Buckle up for Part 2 of our two-part podcast recorded live at the first annual Food Ballers Retreat hosted by Ben Walmer and Mike Lee on site at Ironbound Farm, home of Jersey's finest Ironbound Hard Cider.
Welcome to Part 1 of our adventures at the first Ironbound Food Ballers Retreat November 4-5, 2019, hosted by food pirates Benjamin Walmer, of Highlands Dinner Club, and Mike Lee of Food+Tech Connect, The Future Market and Alpha Food Labs in NYC. Held onsite at the beautiful Ironbound Farm, home of NJ's finest Ironbound Hard Cider it was a 2-day food filled fire fest. Viva la Mother Fire!
Michael was born in the Ironbound section of Newark NJ in 1958. Born of Italian descent, and one of six children. He graduated from East Side High School in 1976. After high school, he mainly worked in his father's restaurant until he sold it in 1986. Although he was part of a very close and loving family, he seemed to always feel like something was amiss inside. His mother and father afforded him every opportunity to get ahead in life, but he always seemed to make the wrong decision. This continued to happen until June of 1987, which is when it seemed like his life went in a completely different direction. To Michael, it seemed that way because although his life got better on the material plane, he still did not have a sense of completeness within. Quotes from Michael [03:35] The reason why a person gets addicted to anything, is because the inward tells you to reach out for something. You need something to fill your void. [10:45] We're all addicts, we just use different things. Society only addresses the ones that are devastating. [11:18] If you can't just be with yourself, without needing to reach for something, that's the question. Why? [12:02] You become distracted by the distractions that distract you. [14:17] The thought is energy. It comes into your head, and what you do with it from there determines your life. [16:20] The labels that we apply to things, destroy us. They keep us entrapped in our suffering. That's what the conditioned mind is. [24:33] It's your own conditioning that limits you. Your own mind tells you to do something, and the same mind, questions why it was done. [28:36] The more that you can spend your life in the present moment, the more at peace you're going to be. [33:25] The older you get, the more conditioning you have, and the more of a puppet you become, and society is the puppeteer. [36:00] Your body is always in the present moment, your mind is all over the place. When you develop your body as an anchor, you put yourself in harmony with life, with universal energy. Timestamps. [14:58] How Michael embarked on his book writing. [18:13] Michael's experience and lessons learned while promoting his book. [21:24] Michael's experience with a fan Do you live a life that you've always wanted and you're still not happy? Are you not getting the most out of your life? Then it's time for you to look within and find out why. Joining us in the studio today is the author of It's Monday Only in your Mind, Michael Cupo. [01:56] The story behind the book, It's Monday Only in your Mind. Michael had addiction problems when he was young. He was, however, able to conquer his addictions when he was 28; got a job, got married, and even started a family. It was 13 years later though, that the real change happened. Although Michael's life was going on just fine, Perfect job, perfect family, perfect life. He couldn't help but think of how he was going to be there for his kids. This act of unselfishness is what caused the chain reaction leading to Michael's deep reflections and thoughts about his life. [8:07] Conquering his alcohol and drug addiction. Describing it as one of the most pivotal moments of his life, Michael's eldest brother died as a result of addiction. At the time, Michael was only 26 and knee-deep in drug and alcohol addiction. The death of their eldest son broke Michael's parents, who gave Michael the ultimatum of either straightening up or getting out. This began Michael's 2-year process of quitting his addictions. [23:32] The conditioned mind. What Michael presents, is the next step in the evolutionary process. When you don't need to reach for anything and you're o.k with who you are, just the way you are, just as it is. You're not looking to change what's happening in the present moment. It's your own conditioning that limits you. Your own mind tells you to do something, and the same mind, questions why it was done. Once you're able to start looking at yourself and understanding that it's you, that it's your own mind that's the enemy, it's when you start to understand the conditioned mind and you no longer blame the world. [32:30] The rat race The beginning stages of why humanity has developed the way it has is because, from the moment you're born, you're given a name. It's your attachment to that name that the problem begins. You spend the rest of your life identifying the name with jobs, marital status, social status, likes, dislikes, this, and that, and in the process, you fail to understand. You miss the process. You fail to understand what humanity's existence is all about. As your attachments increase every day, you lose your true essence, you lose who you truly are in the process. And you start looking more outside yourself for the answers. It's nobody's fault, of course, it just how humanity and society have designed itself. Website: www.mondayinyourmind.com WordPress blog: www.michaelcupo40.wordpress.com Facebook Group: @itsmondayinyourmind Pinterest: @michaelcupo40 Twitter: @MichaelCupo1 Amazon Thanks for joining us, and be sure to connect with us on social media! Follow our Host: www.thejamesoconnoragency.com Facebook Twitter Instagram Follow our Podcast www.dharmicevolution.com Check out our YouTube channel! Join our community on dHarmic Evolution Community Facebook Group
In the second part of Doug's conversation with Charles Rosen, CEO & Founder of Ironbound Hard Cider, they discuss why Charles chose not to be a B Corp, not to be a nonprofit, not to be a benefit corporation, and why he doesn't call Ironbound a social enterprise. They also talk about Charles's plans for expanding the mission across the country but keeping Ironbound Hard Cider regional. Most importantly, the plan ensures the mission does not get co-opted by chasing profits.
Hi everyone, and thank you for tuning in to another episode of the We Make Books Podcast - A podcast about writing, publishing, and everything in between! Week Four and the final official episode of Submissions September! We will be back next Monday for one more episode to answer some questions we received. But for today’s episode, we’re talking about the other side of the submissions process. Who is reading these manuscripts? Do they have a process? What are they looking for? Rekka and Kaelyn discuss what is happening on the publisher’s side of this and Kaelyn goes on a few minor tirades. In case you’re just joining us, this month is Submissions September on the We Make Books Podcast, we’re doing seven (7!) episodes this month all about the process of submitting your novel. We have a lot of awesome discussions lined up and even some special guests. Here’s what will be coming your way for the month: Week 1 (9/3/2019): Is This Ready For Other People to See?- Submitting Your Manuscript Week 2 (9/10/2019): My Entire Novel in Three Hundred Words - The Dreaded Query Letter Week 3 (9/17/2019): Agents of Literature, Part 1: An Interview with Literary Agent Caitlin McDonald (9/18/2019): Agents of Literature, Part 2: Interviews with Agented Authors (9/19/2019): Agents of Literature Part 3: Interviews with Agented Authors Week 4 (9/24/2019): What is Going On Over There? - The Other Side of the Submissions Process Week 5 (9/30/2019): Now I’m Even More Confused – Submissions September Q&A Episode We Make Books is hosted by Rekka Jay and Kaelyn Considine; Rekka is a published author and Kaelyn is an editor and together they are going to take you through what goes into getting a book out of your head, on to paper, in to the hands of a publisher, and finally on to book store shelves. We Make Books is a podcast for writer and publishers, by writers and publishers and we want to hear from our listeners! Hit us up on our social media, linked below, and send us your questions, comments, concerns, and your thoughts on Eli Manning as a future Hall of Famer. It’s a minimum of six years off, but apparently the entirety of anyone associated with the NFL needs to have this discussion right now. We hope you enjoy We Make Books! Twitter: @WMBCast | @KindofKaelyn | @BittyBittyZap Instagram: @WMBCast Patreon.com/WMBCast Rekka:00:00 Welcome back to, we make books, a podcast about writing, publishing and everything in between. I'm Rekka, I write science fiction and fantasy as RJ Theodore. Kaelyn:00:07 And I'm Kaelyn. I am the acquisitions editor for Parvus Press. And this is my episode. Rekka:00:12 It's all yours. I'll interrupt a couple of times, but you throw things at me right back down. Kaelyn:00:17 This is my wheelhouse. This is my end of things which we are talking about. Okay. We did all this submission stuff. I've sent my manuscript, what's happening to it? Is it being well taken care of? Is someone feeding it, taking it for walks? Rekka:00:28 No, it's all trampled through the mud. Kaelyn:00:31 No, we're very nice to manuscripts and submissions. We take excellent care of them. Rekka:00:35 Also they're digital. Kaelyn:00:35 Yeah, we have a little, it's a, it's like a playpen submissions portal. They all go there and play together it's adorable. You should see it. Yes. Anyway, so yeah, we kinda, that's what we talk about. This episode is what's happening on the other end. Um, and what I'm looking for, what I'm looking at, what I'm doing and when I say, I mean general acquisitions process kind of stuff. Um, we do, you know, we do kind of mention obviously everything and everyone is different, but there are some broad strokes that are pretty universal. Rekka:01:06 Yeah. Kaelyn:01:06 So, um, you know, this is, this is sort of the end of Submissions September. Um, we've mentioned in the episode we are going to do a questions, follow up episode. Rekka:01:17 Yeah, we've been collecting questions and so we'll take the ones that we have so far, um, time being what it is. There might be more that follow up later, but these are the ones that we've collected in time to record for this month. Kaelyn:01:28 God, that whole linear time. Rekka:01:30 Time can be wobbly. New Speaker: 01:31 Yes. Um, so yeah. Anyway, hope you enjoy this episode. We hope you enjoyed submissions September. Rekka:01:37 Yes. Kaelyn:01:37 It was fun. We enjoyed doing this. Um, I enjoyed doing it. Rekka:01:41 It was awful because a lot of work. Kaelyn:01:43 Yeah. It really was. Rekka:01:45 Between scheduling all the interviews you've heard and uh, and then editing them in different weird ways depending on how we recorded them. Yeah. So, um, yeah, it's, it's been a lot of production on our part. Kaelyn:01:56 I learned a lot about audio files. Like more than - Rekka:02:00 More than you ever wanted. Kaelyn:02:01 It's more than I ever thought would be necessary for me to, so we've all grown here. Yeah. Rekka:02:06 So after this we're taking off and we're going to go mini golfing and we're going to enjoy ourselves more. We have to edit all the episodes you're going to be hearing. Kaelyn:02:14 So, um, you know, thanks for sticking with us and uh, we hope you enjoyed the episode. Rekka:02:19 Thanks everyone. Speaker 4: 02:28 [music] Kaelyn:02:37 So, last episode Submission September. Rekka:02:41 It has been a long and winding month. Kaelyn:02:43 I have not come out of this in one piece. I'm falling apart. Rekka:02:46 Yes. And that's not because of submissions. Well, actually we don't know. Kaelyn:02:49 You don't know that. Rekka:02:50 We have no proof. Kaelyn:02:53 Okay. Um, yeah. I, when I was on vacation, I broke my toe and as a result of walking funny on it, I have now messed up my lower back. I'm currently sitting propped up with a lot of pillows behind me and trying not to move too much. Um, it's not the most comfortable I've ever been in my life. Rekka:03:11 And later we're going hiking. Kaelyn:03:13 We're going to play mini golf. Rekka:03:14 That's worse because you gotta bend over. Kaelyn:03:17 Yeah, I can walk,walking's well actually that's not true. I can't really walk with - Rekka:03:22 You can do a, an imitation of a walk. Kaelyn:03:24 Yes. It's fine. Rekka is just going to carry me on her back. Rekka:03:28 Yeah. Kaelyn:03:28 Yoda-style. Rekka:03:29 Because my back's in great shape too. Kaelyn:03:31 Exactly. Rekka:03:32 So there you go. Kaelyn:03:33 Perfect. Rekka:03:33 We've got to plan. Kaelyn:03:34 Our voices are still working. That's all that matters. Rekka:03:36 Hey, you know. Kaelyn:03:37 Actually for you that's touch and go. Rekka:03:38 Yeah, that's not necessarily true, I need water. Kaelyn:03:42 Um, so yeah, we're talking today about, um, you know, we spent all of September going over everything, leading up to turning your submission into someone. So here's what's happening on the other side. Now somebody gets those submissions and reads them and has emotional reactions at Parvus that someone is me. Rekka:04:03 Yes. Kaelyn:04:04 So, you know, as I said in the beginning of every episode, I'm, I'm the acquisitions editor for Parvus Press. So, uh, you're not sending your work into a black hole. You're sending it to me. Um, and I'm going to look at it and say, sure, let's move forward with this. Or thank you, but we can't accept this right now. Um, so before we really get into this, there was one thing I wanted to clarify and that was that I was surprised when I started getting into this that I'm actually a little bit of a rare breed. There are not a lot of strictly acquisitions editors, any- Rekka:04:43 Yeah. Kaelyn:04:44 Anymore. Yeah. Um, a lot of places now, especially especially in our genre and Scifi and fantasy, um, I'd imagine across most places, um, editors kind of are doing their own acquisition process. They're kind of picking what they want to work on. Um, larger publishing houses will absolutely have more of a system in place just because they have to. Um, but a lot of times editors, um, especially when dealing with agents will kind of pick and choose their own stuff. Now they still typically have to take it to a publisher, to a senior editor, and it still has to go before the committee, so to speak. Rekka:05:23 Right. Kaelyn:05:24 They don't get to just say, Yup, this one I'm taking this. Um, they still have to get it, I don't want to say approved - Rekka:05:30 But kind of, I mean, like it's a group decision, um, because it's for the entire company, you know, the, the book and its sales will benefit the company and it's a production costs will come from the company's coffers. So it's not just an editor can decide on their own in most cases. Now maybe there are editors who just get a budget and they're like, here's your budget, turn it into something for the company. Kaelyn:05:54 Those editors have have multiple awards. Rekka:05:56 Yes, exactly. Kaelyn:05:57 And the sales and marketing team's also gonna have like something to say about it. Rekka:06:01 Right. Kaelyn:06:01 But the whole point here is that, um, while there are definitely the acquisitions editors, acquiring editors, whatever you want to call them, absolutely still do exist. Um, especially if you're have having an open submissions period because someone's gotta be in charge of, it's me at Parvus. Rekka:06:20 Um, so in a way, would you say that an acquisitions editor is more like a project manager these days? Kaelyn:06:27 Um, I'm not sure project manager is the exact correct analogy, but yes, and similar. Rekka:06:35 I don't think so, but yeah. Kaelyn:06:36 Yeah. It's, well, because I really more of a filter. I'm the first one you have to get past, right? Rekka:06:45 When you delegate from there and you, you make decisions, having seen the broad landscape as a whole. Kaelyn:06:51 Yeah, it's definitely that. Yeah. And an acquisitions editor will also work very closely with a sales and marketing team to kind of determine like, Rekka:06:58 Is there a vision? Kaelyn:06:59 Here's what I think we can do with this book and here's the plan I have for it and here's who we can sell it to, et cetera. How to position it. Rekka:07:07 Yeah, exactly. Kaelyn:07:08 So on my end, I'm taking all of that into consideration when I'm looking at these things. So, you know, you submit online, I've got a submissions manager, I've got a portal that I log into and I see everyone's query letters and their submissions and um, and I just dive in and this is very typical. You're going to get into the submissions manager. They're going to give you, um, you know, the steps of how to do all of this. If you go to Parvus's website, we have a video up of, you know, here's how you walk through your submissions process. Um, usually it generates like a number, an ID of some kind, just so you know, you can reference that. Rekka:07:51 Yeah. I like an order number. Kaelyn:07:53 Yeah, exactly. I referenced them a lot because I have a notebook that I keep track of all of this stuff in and um, the, this is going to come as a galloping shock to everyone I'm sure, but a lot of the same words get used in titles and stuff. And so I sometimes actually just remember things by their number because you get so many of the same words popping up in titles. I don't want to confuse anything. Rekka:08:20 In the noun of Noun or something. Kaelyn:08:22 Yes, exactly The This of The Thing. Yes. Um, so we've talked a lot in previous episodes for submission, September about a lot of do's and don'ts and we'll get to some more of that at the end. But - Rekka:08:39 But this one isn't so much about what you would be doin, the writer as what Kaelyn is experiencing on the back end in terms of what she receives, what her process is, her thoughts and like the decisions she's making and how she comes to them. Kaelyn:08:55 And of course I speak for all acquisitions editors. Rekka:08:58 Absolutely, 100%. Everything you hear is uh, like Ironbound. Kaelyn:09:03 We are a collective hive mind. I'm communicating with them right now mentally. Rekka:09:07 That is not true. This is the opposite, uh Kaelyn is an individual and works for one company and other companies may do things differently and contain other individuals who are not part of a hive mind, whatever, Kaelyn would like you to believe about her supernatural abilities. Kaelyn:09:22 Um, it's true. I'm only part of the only part of the Parvus Hive Mind. Rekka:09:27 Yeah. So, um, of course what we're saying is that your results may vary with another publisher. Um, that publisher will have their own practices and their own, you know, way of going about this. So, um, this is just to give you some insight, but it is not the end all be all encyclopedia entry on how this do. Kaelyn:09:47 Now, that said, I will say that some of the things I'm about to say right now, they're pretty universal across the board. One of the things is if I open your submission and you have not followed the submission guidelines, that's probably gotten tossed right away. Um, it's, yeah, we've talked about this a little bit, but it's one of those things that I have hundreds of these. Rekka:10:08 And you're not going to pick the person that's clearly not going to follow instructions even from the get go when they are supposed to be making their best impression. And can't even follow the instructions you have given and laid out for them. Kaelyn:10:23 It's harsh to say, but I don't have time for that. I don't mean that to be callous. I don't mean it to be rude. It's a business decision. Rekka:10:28 It's your first business decision of the query. Kaelyn:10:30 It's a business decision. But it's also, I mean, I literally don't have the time for this. Um, so if you have done something that, you know, you haven't followed the submissions guidelines, there is a very, very, very good chance, not just me, most anyone interested in acquiring books are just going to go in the garbage. Um, so that's sad. You know, let's say they've got your submission lined up and correct and everything. Um, this is something maybe everyone doesn't want to hear, but I probably have a list of things that I'm interested in. Rekka:11:05 Right. Kaelyn:11:06 It's not carved in stone. It's definitely not, you know, like pleasant surprises. Absolutely. I love pleasant surprises. Um, but every time we have an open submissions period, uh, we do put, you know, like Kaelyn is interested in this, Colin is interested in this and we do kind of say like, Hey, you know, these are what we're especially excited to look for. Pleasant surprises absolutely happen. Um, but I am kind of on the lookout for certain things and I, we'll come out and admit this, that there are certain things that I'm kind of like, I can't do anymore of this, or we just don't have a space for urban fantasy right now. Rekka:11:49 And some of this is going to be your bias, just to be clear, like you're human and if you are sick of certain kind of story, there's probably a good chance that it's not something that the team as a whole is really open to. Kaelyn:11:55 Yeah. And also it might be, well we just acquired two urban fantasies. I can't do another one right now. We have to change it up, be a little, you know, more diverse in our selections. Um, so that said, you know, I'm going through everything. Um, the Colin method is being applied here. Rekka:12:24 Before we get to that, can I ask? Kaelyn:12:26 Sure. Rekka:12:26 Cause I don't know the answer to this yet. Um, so say you put out a call for military science fiction. Kaelyn:12:31 Yes. Rekka:12:32 Is there anything in your system that indicates that that's in a query so you could like sort filter for the military science fiction? So when you log into our submissions manager and um, I would imagine a lot of places do this. Kaelyn:12:49 You can select which genre you're writing in. Rekka:12:52 Even down to the sub genre? Kaelyn:12:53 Oh yeah, well, I mean, we have, you know, for us, we have a lot of different sub genres you can pick from because you know, we only do, well, that's why I said even because it seems like there's a new one every day, so - Rekka:13:04 I didn't know if it was just, if you've got the basic, um, you know, book code, library codes, you've got custom ones in there. Kaelyn:13:12 Oh, we've got, yeah, we've got some interesting ones. I sometimes I want to go in there and just add things as a joke to see if anything, anyone picks up on it. Yeah. Um, so we, um, you know, I'm, I'm using the Colin Method, which for those of you who. Rekka:13:27 Passed that episode. Kaelyn:13:37 Missed that episode, I know we've run, your first sentence is buying me your first paragraph, your first paragraph's by me, your first page, your first page is buying me your first chapter. Every little bit I read that I like, I'm gonna keep going farther. Rekka:13:41 And back to the start of that, your query buys, the first sentence buys opening the document. Kaelyn:13:45 Yes. Rekka:13:46 And so you do read the queries before you? Kaelyn:13:48 Oh, absolutely. Absolutely. Um, and the reason for that is I need to know what I'm getting into when I'm opening the manuscripts to set up an expectation. Rekka:14:02 But also to like an energy sort of allotment. New Speaker: 15:09 I am not just purchasing your book. I am purchasing you as a person and a concept and a brand that sounds illegal. I am purchasing your personality. Rekka:15:21 You are investing in the author. Let's, let's choose some. Kaelyn:15:26 Okay. Rekka:15:27 2019. Kaelyn:15:28 All right. Rekka:15:29 Terminology. Kaelyn:15:29 Well I mean we are buying your book but we're buying into you. Rekka:15:32 Yeah. Kaelyn:15:34 And that you as an author are important as the brand. But also I need to make sure that you're not posting awful things, awful things. I need to like, you know, I think we will get to this more when I get to that, but that part of this, but I need to know about you. There's no such thing as writing a book in a vacuum. Rekka:15:59 Right. So let me ask, so you said that sometimes there are slush readers and sometimes it's just you. So if a slush reader turns away a book, do you ever go, oh wait, I want to look at that before we actually turn it away? Kaelyn:16:23 A lot of times with slush readers, okay. There, the parameters of, you know, them are completely, are different all over the place. Um, I tell them if this seems even a little interesting. Rekka:16:31 Okay. Yup, Yup. Kaelyn:16:32 Yeah. Kick it up. Um, a lot of times for slush readers, like the one we most used them for was when we did our anthology because short stories are easier to do and that was very important for anonymous submissions. One of the other reasons for that is I might send it to someone else. Um, I might send it to editors within our company. Um, we have freelance editors that work with us. Sometimes I might send it to them. So that's why I want to make sure there's no information on there because I just want them to get a manuscript that's come from me that I already said this is cool. Rekka:17:25 Yeah. Kaelyn:17:27 And circulate it to the other. So that's kind of the next step. If you're, if this is something that I'm very interested in, what I'll do is I'll say like, oh, okay, uh, Ryan Kelley, he likes this kind of stuff. I'm going to send this over to him and see if that's something he would be interested in working on. Rekka:17:45 Right. Kaelyn:17:45 Because as the acquisitions editor, I don't get to just you, you're doing this now. Um, editor isn't, you know, Rekka, I'm sure you can attest to this because you've worked with a couple of different editors just at Parvus now they've got to be passionate about the stuff they're working on. Rekka:18:02 Absolutely. Yeah. I would not want an editor who is only mildly interested in my story or not at all. Kaelyn:18:10 Yeah. If you're getting assigned things that's well like, okay for copy, edit the final copy, edit fine, get as many eyes on it as possible and someone can just go through and make sure the commas are in the correct place. Rekka:18:23 But yeah, if I'm working on someone with a developmental edit. Kaelyn:18:27 Yeah, no, they, they need to be passionate and excited about this. So this is where when I said earlier how editors kind of pick what they want to work on, this is where that comes in. So like, you know, let's say for the sake of round numbers, I started out with a hundred submissions. Maybe 10 of them were interesting enough. We're going to take three books. I will send the ones that I think would work best to the editor, I think would work best with them. Rekka:18:56 Right. Kaelyn:18:57 And they'll take a look and decide, okay, well I have room on my calendar for one more book. I want it to be this one. So that sounds like it's the end of the story. But here's the thing, it's not always, and I'm going to stop here because I want to backtrack a bit and say this is assuming an open submissions call and you don't have an agent. Rekka:19:20 Right. That's important to know. Kaelyn:19:22 Yes. We should've said that earlier. Yes. So if you have an agent, what's happening is instead of just going through this open submissions call, your agent is typically directly in touch with either like me and acquisitions editor or editors specifically that they work with and know, and this is when I said that, you know, editors a lot of times pick their own things frequently. it's through relationships with agents that they have or things that people send them directly to them. Rekka:19:50 Yeah. This is why you don't see a lot of open submissions calls at a lot of publishers because the editors have already developed relationships with agents and they're, they're getting their slate filled before they could even consider having an open submissions call. Kaelyn:20:06 Yeah. And a lot of them, a lot of editors will not take unsolicited manuscripts because they just, they'll be inundated. Rekka:20:13 Right. It's a lot of work to go through all these. Kaelyn:20:15 Yeah. So you have an agent that you've worked with before, you trust their, their taste, their um, screening process. Rekka:20:23 You know, you work well together. You know, that if they have an author in their stable, that chances are it's someone you could work with because you know that that author would have to work with this agent. So it's almost like a, it's an endorsement. Yes. It's a patronage, an endorsement sort of thing that, that they can trust you because they know your agent. Kaelyn:20:46 So, that's, you know, that's where a lot of editors are frequently getting it. And that's part of the reason, you know, we talked last week was all about agents and stuff and these mythical creatures, Unicorns, why they're so important. And you know, it's, it's hard to say because we do open submission calls a lot and I like that we do them, but having a literary agent is very good. Yeah. And it's, uh, if nothing else, it's a foot in the door. It's like a little badge you get. I've got a literary agent. Rekka:21:23 Yeah. It's a little more fast track to the front of the line. Yeah. It's, um, it's guaranteeing that there's somebody who's gonna speak for your book, um, more than just your query letter. Kaelyn:21:34 Right. Um, and I mean with Parvus, we've had every book that is released as of when this is coming out. Rekka:21:42 Right. You got to be specific. Kaelyn:21:43 We've gotten through our open submissions call, um, that will change soon. But every single one of our books that we've put out already have come through our open submission call. Rekka:21:54 And that was pretty intentional on Parvus's part. Kaelyn:21:56 Yeah. Um, it, I mean, I like it. I like that we do that. Um, I like that we can find books from people that just wanted to write a good book and submitted it. And we were like, yep, we'll publish that. Rekka:22:09 Which was kind of, I mean, having talked to Colin before in other interviews, that was sort of his entire concept. Kaelyn:22:14 Yeah. Rekka:22:14 For wanting to open a publishing house. Kaelyn:22:16 Exactly. Rekka:22:17 To find the books that are out there that he knew was out there that are great and written by passionate people who love writing. Kaelyn:22:23 Yeah, exactly. So, um, so we found a book by a passionate person who loves writing and - Rekka:22:30 Who is adorable. Kaelyn:22:31 And is adorable. And they found, we have an editor who's really interested in it. So what happens next? Rekka:22:39 You tear that book to shreds. We start over. Kaelyn:22:41 No. Well before that you're probably gonna get a phone call. Rekka:22:44 Oh yeah. Okay. Sorry. I just remember the painful part. Phone call with lots of fun. Kaelyn:22:49 Um, you're probably going to get a phone call from me, but then I need to know about you. I need to make sure that if I go to your Twitter feed, it is not full of horrible misogynistic jokes and pictures. I need to make sure that you're not writing about your favorite ways to torture animals. And yeah, I know we like to think that we write books in a vacuum. We don't, I don't care if you've written the greatest thing in the history of literature. If you're a shitty person, we can't publish that and we're not going to and we don't want to. And maybe some you listening are going, well, shouldn't the book just stand on its own merit? It doesn't. Rekka:23:48 It can't. Kaelyn:23:49 It can't these days. It can't because it's not, we're not simply purchasing your book. We are investing in you as a person, as a brand, as an author. Rekka:23:59 And when they invest in an author, that author's name becomes attached to the company. Kaelyn:24:07 Exactly. And we're small, but even the bigger places, we, no one wants to affiliate themselves with crappy people. Rekka:24:15 And you see this happening a lot, um, problematic or otherwise in social media where somebody spouts off and suddenly they've lost their contract. Kaelyn:24:25 Yeah. Rekka:24:26 And you know, better or worse. I mean, we're not going to comment on different - Kaelyn:24:28 Yeah. That's uh - Rekka:24:29 situations. Some go, some go sideways real fast, you know. Kaelyn:24:33 And that's, that's a whole other thing. But the other part of this is that besides just making sure that, you know, you don't have a secret life, um, you know, with the KKK, I also want to talk to you and get a feel for what I think working with you will be like. Rekka:24:48 Right. Kaelyn:24:49 Because if I get on a phone call with you and oh, it's about time you guys called. I was wondering when I was going to hear from you this, this a 90 day turnaround. I mean, I should have been right at the top of your list. I just called - Rekka:25:07 You just found yourself at the bottom. Kaelyn:25:11 I just called to say, we hope you're having a good day. Bye. Um, you know, I want to kind of get an idea also for what you'd be willing to do with the book because as Rekka said, tear the book to shreds that they've already got ideas. The thing is, before I call you, I've already talked to your editor, who I've already said, hey, so what do you think you're going to want to work with on this? What do you, you know, what's the scale of the changes and revisions you're going to want them to make? Um, so you're probably wondering, why doesn't the editor call me? They might, it depends. It's just, you know, I'm the acquisitions editor. I'm the one who kind of - Rekka:25:48 Spearheads this operation. Kaelyn:25:49 Yeah. And it's just a little more of a streamlined process where, you know, you're going to talk to me first. It's just, just how it goes. Your editor might be on the call with me. Very possible. Um, so once you get past that, then it's, you know, into contract negotiations and I won't go too much into that right now because we're kind of, that's moving out of the submission phase of things. But then that's, I mean that's the end of the story then. Rekka:26:14 Yeah. Kaelyn:26:17 Is the contract. Rekka:26:18 Then you, from the contract. Once that's all complete, it's get to work, you know, you get your revision notes from your editor and you move into the production and then you're done. This is this whole, uh, Submission September thing is behind you. At least for this book. Kaelyn:26:32 Yeah. So, um, that's, that's kind of like, I mean, it's weird to feel like we've come to a hard stop, but like that - Rekka:26:40 That's what happens. It goes off your plate at that point, unless you decide to be the editor yourself. Kaelyn:26:44 You know, it's the submissions process I think in general is, you know, well, how, how do you go through it? Slowly at first and then suddenly all at once. Rekka:26:54 Right? Kaelyn:26:55 It's, it's a lot of hurry up and wait. Rekka:26:57 And then, and then it's everything. Kaelyn:27:02 Things can progress very quickly.Um, so that's kind of where you end up. Uh, we did, you know, I wrote down some things just to, you know, sort of run through some do's and don'ts about this kind of stuff. Rekka:27:12 A couple of questions that, you know, pop up in my mind as I'm listening to you talk. Kaelyn:27:16 Yeah. Um, you know, again, please read the submissions guidelines. I know we talked about this already, but just the fastest way to get your book taken out of consideration is to not do what they ask you to do. Rekka:27:30 Is to display that you think you are above that process or that you don't know how to read. Kaelyn:27:37 And it is so easy to just do this. This is not, this isn't a monumental insurmountable task and no one is going to put submissions guidelines up there that are like now once you have killed to the owl, you must address the letter to us in its blood. Yeah. Rekka:27:55 Although that is a nice additional filter you could use. Kaelyn:27:58 I mean, um, I don't want people killing owls though. Rekka:28:01 I was just going to say as to figure out who is willing to kill an owl and you don't want those authors, but that's sort of backwards. Kaelyn:28:06 Um, I like owls. Rekka:28:07 Yeah. So like I know having gone through the process of submitting things before that it is nerve wracking to think like, am I doing this right? Are they gonna like me? Do I come off as - Kaelyn:28:22 Please like me. Rekka:28:22 Um, do I come off as someone who's, you know, professional, et Cetera. The most professional thing you can do is follow the set of instructions they give you and it makes it a heck of a lot easier to click send on something when you know, like, okay, I have done steps one through five out of five and now I can send to this because I've given them exactly what they asked for. There's nothing left for me to provide here. Kaelyn:28:47 You actually even then touched on something that I think also is overlooked frequently, which is professionalism. So in my company we publish science fiction and fantasy and there's certainly like a tone and attitude a, it's fun that comes along with it. Absolutely feel free, especially in email correspondence to joke around with me because you will frequently get email responses from me that contain ridiculous things. But part of that is I'll cop to it here and now part of that is a ploy on my end that I'm trying to put the person at ease. Like it's cool, like don't. Um, but that said, and when I was on a Rekka's, um - Rekka:29:31 Podcast. Kaelyn:29:31 Previous podcast, Hybrid, Author um, one of the things I pointed out that a lot of people don't think about is your email address. If you have an email address that you've had since like college and what do we call it? SnotMonster27, you know, whatever. Unless your book is about 27 snot monsters, maybe try to come up with one that's like just your name somehow. Um, you know, if you have like some kind of, I won't say ridiculous, but maybe like silly things that are like hold over from your early Reddit days that you know, you still use, it's not a bad idea when you're getting ready to go through this process, one, to have a separate email account to manage all of these things. Rekka:30:14 Right. Kaelyn:30:15 But two, also something just a little more. Rekka:30:18 Grounded? Neutral? Kaelyn:30:19 Yeah. Neutral's good. Just like maybe just your name or maybe you know, RekkaWritesBooks@gmail. Like, you know that you can still be fun with it and you know, but just something to kind of be aware of is, you know, like I got, I get some things some times and people have stuff in their signature that they don't realize is like things you should well, things you should maybe change before you send this to someone you're hoping to work with professionally. Rekka:30:47 Gotcha. Kaelyn:30:48 Um, so just kind of be aware of that and um, all kind of transition this into the next thing, which I think you were touching on, which is emailing and asking questions. Rekka:31:02 Yeah. Kaelyn:31:04 Absolutely do it. If you are unsure of something, I get - Rekka:31:08 I have not seen a submissions page, like the guidelines that don't include an email address for you to ask questions before you submit incorrectly. Kaelyn:31:15 Exactly. And um, I will say sometimes I do get questions where I'm like, did you read the submissions guidelines? But, um, we had a problem with our submissions portal this time, just something clicked off and wasn't supposed to. And I got a whole bunch of emails and we were like, oh shoot, that's a problem. And we fixed it. And I get right back to those people and say, thank you, we fixed it. Rekka:31:39 Yeah, go ahead. Kaelyn:31:40 Now, um, if you have a question about like, you know, listen, I'm not sure this is what you're looking for. I mean, my answer to that is always, I'm not either, send it over. Let's see. You know, I'm never gonna - Rekka:31:51 It is open submissions. Kaelyn:31:52 Yeah. So, yeah. Um, but along those lines and going back to the professionalism, don't start your emails off with Yo. Um, I'm - Rekka:32:04 Kaelyn is from New York. She gets that enough. Kaelyn:32:05 I am frequently taken aback by the crassness of some of the emails that I get that - take the time and write, you know, dear whoever. And you know, like at Parvus you can just write "Dear Hive Mind," and I mean, yeah, you can still be cute about it, but like light about it. This is to whom it may concern or, you know, I, I even get the ones that are like, "Hi, I'm not sure who I'm supposed to be addressing this to", but you know, just - Rekka:32:41 You've tried. Kaelyn:32:42 Yes. Um, Rekka:32:44 Don't lean far into like, I don't even care who this is addressing. Yo. Kaelyn:32:47 Um, I get emails that are just like the, hey, what do I do about this? Like take a minute and say hi, I'm so and so. I'm submitting to your open call. I'm having a problem with this. Be Professional, be considerate, be courteous, be polite. Rekka:33:06 Yeah. Kaelyn:33:07 Because right off that if you don't think I am mentally, I am not mentally making a note of this person and when I get to their submission, because what did I say before when I talked to you, I want an idea of what it's going to be like to work with you. Rekka:33:21 Right. So you've already provided your first clue. Kaelyn:33:25 Everything, every interaction you have with anyone in any professional setting really. But especially if it's something like this, you're, this is all information we're putting away about working with you. Rekka:33:38 This is like showing up to the job interview and you're ripped up sweat pants that you've been wearing for four days. Kaelyn:33:43 Yes. Yeah. So just, you know, be cognizant of that kind of stuff that yes, we're a fun organization. We're cool people we like interacting with and this isn't just Parvus, this is most places. Okay. We don't know you. Rekka:34:01 Yeah. Kaelyn:34:02 Yet. Not yet. So just be aware of that. And first impression first. Rekka:34:08 Yeah. There's a reason your mom and your grandma havetalked about that. Kaelyn:34:11 Yeah. And I know it sounds silly. It's really not. First impressions are very important. Um, so that's, you know, it's kind of the do's and don'ts a little bit, um, with, you know, other stray submissions related things. Rekka:34:27 Right. Kaelyn:34:28 Um, one thing and actually Rekka should be the one to talk about. This is uh organizing who you're submitting to and tracking that is very important, Rekka:34:41 Right. So they're um, depending on how you query, um, well, okay, so acquiring agents, there's a whole system for that. Kaelyn:34:49 Yes. Rekka:34:49 And much like the submissions grinder for short fiction submissions, it will kind of keep track of stuff for you. But this is the day and age where you never know what's going to strike on the Internet. You want to have a local copy that's tracing all this stuff. So I recommend if you can download, um, your submissions history, uh, in some way to like a excel file spreadsheet. Do that. But at the very least maintain your own spreadsheet and say, you know who, what story and if you have a tendency to keep working on stories after you submit them, like what revision, um, then what, you know the date, the publisher and if you like, you can copy paste your query letter into that, the next cell and in excel in the spreadsheet. And then you know what you've said to them last time. So the next time you submit you don't send them the exact same words again. And also, um, you know the, the salutation at the beginning, the little opening warmup, text. Kaelyn:35:55 Make sure you change that for - Rekka:35:56 Make sure that that is not identical with just the names, you've done, you know, find and replace for each, um, each place you submit it to. And then when they acknowledge it, what, um, what follow up conversations you have and the dates and stuff like that, just keep track of it. Because this is stuff you're going to want to refer back to at some point. And if you, um, you know, if you have questions for them, you can write those questions down and the answers and you can just all keep it in one basic like real simple spreadsheet dashboard where you have everything and you can do tabs at the bottom. So each piece, you know, each manuscript you work on has a different tab and, or each publisher has a different tab. Kaelyn:36:39 I think we're gonna have Rekka do some kind of like a youtube instructional video on the best way to do, Rekka:36:46 I don't know if I'm the best one because I don't really have a system I, I queried to Parvus and uh, it was accepted. Kaelyn:36:52 We're going to have you develop a system and um, and along those lines, one thing that I should've brought up earlier, one of the good things to keep track of is if they say expect a response within this time, if not, feel free to follow up. Rekka:37:07 Yeah. So we've covered that in the previous one. You can even like add a formula to your spreadsheet that calculates the day for you. Like this day, you know from Column D add 90 days and column E displays the day that you sh- you can follow up if you haven't heard. Here's the thing, cause we can't do math in our heads, apparently not. Kaelyn:37:27 If you submit January sixth - 15th and they say 90 days, 90 days is not March 15th I know in that's three months in the calendar in your mind, but 90 days is April 15th ish, whatever it is. The way the, actually that is because of February. So - Rekka:37:45 February makes up for the third one. Kaelyn:37:47 So get out, like if you don't want to do in the spreadsheet, get out a calendar and count out 90 days because 90 days is not three months. Rekka:37:59 Yeah. Kaelyn:38:00 90 days is 90 days. Rekka:38:02 Right. And you can, if you find counting to 90 difficult because of distractions or whatever, or nerves, just Google. What's the date? 90 days from today, Kaelyn:38:15 Because there is, I don't know if this is just a pet peeve of mine, but when I get ones that are like, hi, I submitted 90 days ago and I go and look and I go, no you didn't. You submitted 60 days ago, but thanks. And the ones that I, it's amazing. It's always the people that submitted like the first week and it's like you could not have submitted 90 days ago. We were not open for submissions 90 days ago. And then it puts me in the position of I don't want to write the back and make them feel silly. Like I want like I don't want to have to go 'Actually you submitted 60 days. Like I'll talk to you in a month.'. Rekka:38:48 Yeah. Kaelyn:38:49 Um, so yeah, that's um, that's kind of the, the end of the submissions process is the contract then. So that's also the end of Submissions September. Rekka:39:02 Almost. Kaelyn:39:02 Almost. Cause we have one last uh, one last treat here. Rekka:39:06 Probably be a quick episode I think. Kaelyn:39:07 Very quick. We're actually going to try and keep it at, we keep, we always say we're going to and then we never, yeah. Rekka:39:13 Yeah. Kaelyn:39:13 We've got, we're gonna do one last episode. We are going to really try to keep it short. It's just we did, we got a few questions and we want to kind of round out Submissions September. Rekka:39:25 Yes. And thank you to everyone who did send the questions. If you feel like we skipped over your question, we promise you we didn't. Um, but we can cover it in another episode. Kaelyn:39:34 Yeah. Well, and I mean, who knows, maybe that could turn into an episode. Rekka:39:38 Yeah. I might end up being an entire episode on So-and-so. I'm, we hear you if you sent them. Thank you. And uh, we will get to your questions. Either you'll hear it in the next episode or we will, uh, talk about it in the future. Kaelyn:39:51 Yep. So, um, that's the end of the official episodes of Submissions September we will be back, uh, and I guess we're going to do less than a week because we're gonna yeah, we're going to put that up the last day of September. Rekka:40:04 Just to stick the whole - Kaelyn:40:05 Just to round it out. Yeah, exactly. Rekka:40:08 And then we will have- Kaelyn:40:09 We'll be back to our regular schedule. Rekka:40:12 Yes. Kaelyn:40:12 Of every other week. Rekka:40:13 Yeah. New Speaker: 40:14 So thank you for sticking with us all September. We know this was a lot of listening to us talk Rekka:40:19 Hopefully. It was exciting for you because these are the things that people are always wondering but not necessarily finding answers to. Kaelyn:40:25 Yes. So, um, you know, as always, if you have questions that, you know, after listening to this, you know, send them to us, we'll, we'll still talk about this stuff. It's not like we're never going to talk about submissions ever again. Rekka:40:38 This is it. Kaelyn:40:38 This is exactly everything. Rekka:40:42 Um, so you can find us @WMBcast on Twitter, Instagram, and on Patreon Kaelyn:40:47 And um, thank you. Yeah. Thank you. So we'll, we'll be back in six days now? Rekka:40:52 Yes. Kaelyn:40:52 This time with uh, with questions. So thanks everyone and we'll see you in six days. Speaker 5: 40:58 Thanks.
Everything Charles Rosen has ever done comes into play while creating and running Ironbound Hard Cider. From his training as a lawyer, to his days making movies in Hollywood, to the time he spent traveling the country during the 2008 presidential campaign, to his experience starting an ad agency with socially-minded clients, it all informs his vision and every daily interaction. That's important because Iron Bound is about a lot more than making cider that will remain fresh and pure no matter what. It's also about regenerating farms and people with all sorts of other products born from a very special place, enriching the lives of everyone who participates.
Seth A. Grossman is the Executive Director and CEO of the Ironbound Business Improvement District (IBID). Home to over 570 businesses and more than 170 restaurants, the IBID is Newark’s shining star, promoting interest in the City as a great place to visit in addition to fostering economic growth and employment opportunities. Grossman joins Host Tamisha Hallman to discuss the Ironbound and much more on this edition of the Newark Is... Podcast.
The gang confronts Larry and the zombified engineer at the front of the train as it barrels towards Baldur's Gate. They learn of Larry's intentions, work to recover the stolen cargo, and weigh the cost/benefit analysis of stopping the train before it kills them and a bunch of innocent civilians. This episode concludes the Manslaughter on the Ironbound Express arc.
More zombies! These ones have pants on. Relic splorches a dude. Neko takes a cat nap. Jeff almost dies. Being a wolf has Gorlax all messed up. The gang finally catches up to Larry.
The gang investigates the next train car, and find themselves in even more danger than before! The consequence of having left Malone alive rears its ugly head. We get distracted by a website with funny names on it. Everybody taps into their newfound abilities, especially Jeff, who is really casting spells now. Boy does he do it. I say Train OF Busan and it's haunted me for weeks. I know what it's called.
The gang investigates the passengers' rooms and dumps all their shit all over the floor. They find some clues connecting the passengers to the victim, but the culprit is the one they least expected! Neko dumps milk all over a child.
The gang wakes up to discover a gruesome murder has been committed on the train. Gorlax throws up and turns into a werewolf. There's a detective on the train and he is definitely not a poorly fleshed out Poirot analogue. Everybody tries to get me to name the episode "Un-Puss" but as you can see, I wasn't having it.
Newark, New Jersey is more than meets the eye. There's an under-the-radar food movement going on "The Gateway City," and we ventured across the Hudson River to check it out! We start at Philip's Academy Charter School to see how Ecospaces Education is transforming the way students eat and incorporating food into curriculum. Then, we head to the Ironbound neighborhood to taste the historically-charged spirits of All Points West Distillery and some of the finest presunto ibérico at Caseiro E Bom. The grand finale of our Newark tour is tour of AeroFarms, the world's largest vertical indoor farm. We bring you inside to hear how they use aeroponics to grow local leafy greens year-round with 390 times more productivity and 95% less water than field farming. This program is supported, in part, by public funds from the New York State Department of Cultural Affairs, in partnership with the City Council. Meat + Three is a production of Heritage Radio Network, the world’s pioneer food radio station. Learn more at heritageradionetwork.org. Meat + Three is powered by Simplecast.
The lineup for todays show, Chris "the Heat" Van Heerden, Team OJ, Otto Wallin with his trainer Joey Gamache, and Mike Steadman. Chris Van Heerden phones in and talks dedicating the rest of his career to his father who was tragically taken from him last December. He has a fight coming up on March 23rd, and you won't want to miss where he is in preparation for this one! Next we have both OJ 2 and 3 phoning in from Soul City Toledo Ohio! Otha Jones III is coming off an impressive debut win against an opponent whom many thought was a tough opening act. Huge heavyweight prospect and Swedish import, Otto Wallin joins the set live in the Everlast New York HQ. Otto is 20-0, has previous sparring experience with the likes of Anthony Joshua, and shares his thoughts on the current heavyweight division. Last but not least, founder of Ironbound boxing gym, Mike Steadman, rejoins the studio to provide us an update from episode 128. Hear about the beautiful work he is doing helping the inner city youth and connecting large corporate companies together at his Iron bound gym. A little bit of everything today! Tune in to Talkbox episode 151 now!
Effekt Radio Episode 028: Realm Guest Mix - Presented by CicchinoIn this months show ill be presenting a guest mix by one of Ironbound's finest, Realm.Tweet @Cicchinofficial your favorite track or interact with the #EffektRadio hashtag. Subscribe on iTunes, Mixcloud and SoundCloud to stay tuned in!Subscribe: iTunes – GooglePlay – Mixcloud – Soundcloud1. Option4 - Lifeline2. Volkoder - Special Guest3. ZDS Feat. Will Clarke - The Beat4. Josh Butler - Sinawava5. Nick Curly - Trick Nuts6. Eli Brown, Mason Maynard - Jungle Cry7. Husky, Nat Conway - Can’t Shake It Offf (Alia & Gallo Remix)8. Darius Syrossian - Moxy9. Reelow - I’ve Been Low, I’ve Been High10. Fisher - Stop It11. Mikey V - Rush12. Celeda, Henrix - The Underground (Ronnie Spiteri Remix)
Website link: https://www.sabmgroup.com/mike-steadman Mike Steadman (USNA ’10) is the Founder and CEO of IRONBOUND Unlimited, a veteran owned social enterprise that runs on-site corporate boxing classes for forward-thinking companies. IRONBOUND Boxing strives to strengthen community, relieve stress, and promote physical fitness as a way of life. Proceeds from the corporate classes power the IRONBOUND Boxing Academy, IRONBOUND’s nonprofit boxing gym. The Academy provides free recreation to youth and young adults in Newark, NJ. In this episode, Mike and I discuss: How he found his passion in boxing and became a three-time national champion. How the Bunker Labs program helped him go from “idea to invoice.” His experience at Stanford Ignite and how it opened his eyes to entrepreneurship. Connect with Mike: IRONBOUND Mike on LinkedIn If you found this episode valuable, please share it with a friend or colleague. If you are a Service Academy graduate and want to take your business to the next level, you can join our supportive community and get started today. Subscribe and help out the show: Subscribe on iTunes Subscribe on Stitcher Leave us a 5-star review! Special thanks to Mike for joining me this week. Until next time! -Scott Mackes, USNA ’01
A change in the zoning rules, known as MX3, will allow for higher building heights just east of Penn Station in the Ironbound, with plans for a 12 story building upon the Newark City Council's approval of the ordinance. Join Lillian Ribeiro, Lisa Scorsolini, and Drew Curtis as we discuss this change
In this episode, poet Marina Carreira and I talk about her new full-length collection of poetry, Save the Bathwater (Get Fresh Books LLC, 2018), a book that draws from her experiences growing up in a Luso-American immigrant family in the Ironbound neighborhood of Newark, New Jersey. Marina describes the immigrant experience of "existing in two places at once," and she brings honesty and tenderness to this portrait of a family that is raw, real and pulsing with life. Ultimately, she shows how love and forgiveness have shaped her relationship to her family, her culture, her own layered identities, and her work as an artist bent on justice. For more information about the episode and Marina, visit the Shownotes page.
In today’s episode, of Our Portuguese Table, we chat with Michael Casalinho of Broa Café in Jersey City, NJ. The episode was recorded just before one of the last winter storms of the year. With roots in the district of Leiria, Michael dabbled in many careers before devoting himself to the culinary world. Michael grew up in the Ironbound neighborhood of Newark and has had the opportunity to dine around the world. At Broa, he is working within his so-called “grandma boundaries” to provide guests with the most authentic and traditional dining experience. He wants to transport you to being in a tasca in Portugal, where the day’s menu is dictated by what’s fresh and in season. Michael even designed and decorated the restaurant to include personal family photos and heirlooms. He also discusses the emphasis he places on educating his guests about the origins behind their dishes. For example, did you know that the Portuguese brought curry to India during the Age of Exploration? He also spoke about the importance of being open and learning from others around you—we all bring different experiences to the table and should use them as a learning opportunity. As Michael said during the interview, “Follow your heart and your dreams. Be proud of where you came from and reach for the stars.” For more information, visit Broa’s website: www.broacafe.com Facebook: facebook.com/broacafe Instagram: www.instagram.com/broacafe
Charles Rosen started Ironbound Hard Cider to rekindle the Newark economy by hiring it's chronically unemployed, formerly incarcerated population. James Williams is one such employee who shares his passion for working as a crew chief on the cidery's orchard. Reimagine what's possible in business, life, community, social enterprise + sustainable agriculture on today's episode: NOTES: "The Ironbound Hard Cider community is blended, guys wearing 'Make America Great Again' hats sitting side-by-side with black gang members from Newark and they treat each other like brothers." This business is an unintentional exploration into how to address the biggest gap that exists in our country: Urban v. rural. "We are much stronger as a collective then when thinking only of our own individual pursuits." Helping people shift out of a state of chronic poverty takes time. I'm not seeing entities in any sector willing to put in that time. Instead of a winner take all approach to business, our approach is that my success shouldn't come at the expense of yours. My success should actually be connected to yours. If you like this podcast, you will love Live Inspired IN STUDIO.It's my membership community where like-minded friends join me via live webcast to live inspired together. Registration opens soon! Join the waitlist. This is what success should feel like, service to the other. Our guys know that the past does not define them and that they have the capacity to define their own future. Read the article about James that he read to his kids here. "I feel blessed, happy, and like I'm doing what I'm supposed to do as a father. A beautiful lesson: If I can do it, he can do it." Listen to another episode with inspiring ideas around hiring and building a business around cause and community onEp. #85 Amy + Ben Wright, Demystifying Disabilities. JAMES WILLIAMS’ LIVE INSPIRED 7 1. What is the best book you’ve ever read? Biography of Makaveli, Tupac Shakur. Tupac was naturally someone people looked up to in the urban community. 2. What is a characteristic or trait that you possessed as a child that you wish you still exhibited today? Listening. Listen first. Ask questions later. 3. Your house is on fire, all living things and people are out. You have the opportunity to run in and grab one item. What would it be? Honestly nothing, I'm good. 4. You are sitting on a bench overlooking a gorgeous beach. You have the opportunity to have a long conversation with anyone living or dead. Who would it be? Obama. I'd ask, "How did you do it?" 5. What is the best advice you've ever received? Don't give up. 6. What advice would you give your 20-year-old self? I wish I could take it back. I would have been in a different place, but I do accept where I am at now. 7. It’s been said that all great people can have their lives summed up in one sentence. How do you want yours to read? Very optimistic, eager to learn and capable. *** If you enjoyed today’s episode: Subscribe, rate & review wherever you get your podcasts. See you here next Thursday! Live Inspired with John every day on Facebook, Twitter, YouTube, LinkedIn, Pinterest, Instagram and get his Monday Motivation email: www.JohnOLearyInspires.com/Monday-Morning
On our 6th episode, we talk with Mike Steadman about his path to the Naval Academy, his time as a Marine Infantry Officer and the internship at St Benedict’s Prep School in Newark, New Jersey that lead to the birth of the Ironbound Boxing Academy. Mike talks about the road to where Ironbound is now and who helped to get it there. http://ironboundboxing.org https://www.instagram.com/ironmikesteadman https://www.facebook.com/IronboundBoxingAcademy/
71 takes place around a kitchen table at a kitschy Air B & B right outside Atlantic City NJ with Cam and Erin from Ironbound Cider. Ironbound is located on a farm in northwest NJ that produces legitimate, handmade, artful, hard cider. With over 25 years of wine making experience under his belt, Cam is the Cider Maker at Ironbound and walks us through the steps it takes to make such a beautiful beverage. Erin is one of the people responsible for getting the cider from the farm, to your hands. We discuss regenerative farming, employing ex-cons and refugees, cider apples vs eating apples, and the challenges involved with going up against giant multinational sweet cider producers on shelves and on tap. This one is very educational!
Aron and the SOFLETE crew are joined by Mike Steadman of Ironbound Boxing, a remarkable dude trying to make a difference in New Jersey. Mike opened Ironbound to provide underserved kids with a safe place to learn and grow; the story behind it is incredible and we're sure you'll enjoy it.
Actress Marin Ireland sits down with John to talk about her current play at the Geffen, “Ironbound”, developing HR for the Arts to help deal with harassment in the industry, misrepresentation in entertainment, and the feeling of coming in to save a show at the last minute.
November 3, 2017 Local Beat is the NJ News Commons’ weekly roundup of the best reporting by community news sources. RESIDENTS TALK NJ POLITICS AT VOTING BLOCK POTLUCKS Six more partners in the ongoing Voting Block collaborative reporting series hosted political potlucks in their communities over the last week. TAPinto Newark sat down with residents of Halsey Street and Central Ave. in Newark to discuss gentrification and the changing cityscape. Residents of Atlantic City's Bungalow Park neighborhood dined with Route 40 to talk about the ongoing state takeover of the city. Reporte Hispano spoke with residents about the lack of political enthusiasm among Elizabeth's Hispanic community. Neighbors in Berkeley Heights discussed everything from education to taxes with CivicStory. Turkish-American residents in Woodland Park told Zaman Amerika that they're looking for lower taxes and a friend to immigrants in the next governor. Finally, residents in Morristown told Morristown Green that a new governor is only one of many changes they hope to see in New Jersey. Visit votingblocknj.com to read the full series. LITTLE SILVER ENTREPRENEUR MAKES HIGH SCHOOL SPORTS HIS BUSINESS Broadcaster Rich Chrampanis and a small team of multimedia journalists have been documenting high school sports in Monmouth and Ocean counties for three years at his online startup, Shore Sports Zone. Now, Christina Johnson of Two River Times says Chrampanis' unique brand of professionally produced scholastic sports coverage is going statewide under the new Jersey Sports Zone banner. Chrampanis is also the sports editor at Two River Times. MORRISTOWN HISTORIC DISTRICT DODGES DEADLY CARBON MONOXIDE; RESIDENT KNOCKS OUT FIRE, FIREFIGHTERS SAVE CATS Several homes in Morristown’s Historic District were evacuated Wednesday night after a downed power line set fire to a fence and an underground electrical condition filled three houses with dangerous levels of carbon monoxide. Luckily, Kevin Coughlin of Morristown Green says a quick-thinking resident put out the fire with a kitchen extinguisher. After the residents were moved to safety, Morristown firefighters went back into one of the evacuated homes and saved five cats from the deadly gas. IN WESTFIELD, RARITAN VALLEY RAIL COALITION GIVES UPDATES ON ONE-SEAT RIDE Commuters along the Raritan Valley train line were hoping for good news Monday concerning a "one seat ride" to New York City during peak hours. Instead, Kate Brochu of TAPinto Westfield says they were told they would have to keep switching trains at Newark for the foreseeable future. NEWARK ORDERS SHUTDOWN OF CONTROVERSIAL PARKING LOT The City of Newark has ordered the shutdown of a controversial parking lot in the Ironbound neighborhood, which has been a point of contention for the last several years and was at the center of a lawsuit first filed by residents in 2013. Elana Knopp of TAPinto Newark says despite the ordered shutdown, many residents wonder why it took the city more than a year to take action. FOOTBALL COMMUNITY PACKS BOE MEETING TO SUPPORT RACIOPPE Members of the Verona High School football community, including current players and parents of former players, attended the Board of Education meeting on Monday night in support of Coach Lou Racioppe, who was placed on administrative leave three weeks ago. Virginia Citrano of MyVeronaNJ says the crowd was critical of many aspects how they felt the leave had been handled, but those criticisms were not always accurate. Want more? Check us out on Facebook, Twitter, and YouTube.
Joshua Teves IPA GYM Part 1 of 2 Ironbound Performance Athletics Gym Facebook Page https://www.facebook.com/IronboundPerformance/ Website https://www.ironboundperformance.com/ Yelp https://www.yelp.com/biz/ironbound-performance-athletics-jersey-city Intro and other music credited to Fat Cat Beats Outro By E-FX Productions (Links Found Below) Intro (free) chill J. Cole x Russ type beat / hip hop instrumental | 'Mundi' prod. by SID WHITE https://www.youtube.com/watch?v=6hdQyYRM4mw Music (free) Chill Hip Hop Instrumental x Soulful Rap Beat | 'Latte' prod. by BEATOWSKI https://www.youtube.com/watch?v=nY8CDONFLY8 (free) Chill jazz boom bap type beat / instrumental | 'It would be great if' prod. by INFERNOBTZ https://www.youtube.com/watch?v=SSaBtMqdFmk (free) 90s Old School boom bap type beat hip hop instrumental | 'Gang Wars' prod. by SMOKEONEBEATS https://www.youtube.com/watch?v=A53g64Q3Ves Outro By E-FX Productions https://www.youtube.com/watch?v=1XE7bAwgcF4
This is part one of a two part interview with the playwright Martyna Majok. Martyna graciously allowed me to transform her kitchen into my portable recording studio. This interview covers her life as a playwright in NJ and NY. We also discuss "IronBound”, which hit the Rattlestick Playwrights Theater in the spring of 2016. I met Martyna in 2012 where she was teaching a class in play writing for the NJ Repertory Theater in Long Branch. I can still hear her voice in my head, guiding me to be an honest writer. I admire her strength and her ability to bring realistic language to characters to life. Sitting in the audience in one her plays, you don't feel like you’re watching a play, but real life. A truly miraculous achievement for a talented playwright, my friend, Martyna. Martyna is preparing for her first Broadway play; Cost of Living". Previews will start May 16th, opening night in June 7th. Part two of the interview will launch in March.
It's been over 20 years that I've been blasting Overkill's albums. They are one of the few bands that I follow adamantly (releases, tours, interviews, news, side projects, etc.), so you could say I have a vested interest. So when I have a chance to speak with Blitz, I take it. Back in '07 we hung out in the back of the tour bus and talked at length. This time, I only had 20 minutes on the phone with him so I had to stay on track with talking about the Ironbound album and the Killfest tour. But I was able to throw in a few other things, such as a tour with Motorhead and Bobby's home life ("mommy, daddy, doggy"). It's not too surprising he remodels rooms in his house. Guess which room he's working on now. Yeah, it figures. My fault for asking. To which Blitz could only say, "Sorry. Haha!" After you listen to this new interview, listen to my lengthy 2007 interview with Blitz here: http://bnm.podomatic.com/entry/2008-07-06T11_37_30-07_00 Email/Requests: blacknightmeditations@msn.com Playlists: http://wsca.radioactivity.fm/show.html?showoid=1242 BLACK NIGHT MEDITATIONS - A heathenish foray along the shining path. Aural ruminations of Black, Death, Speed, Thrash, Doom, Folk, Shred, Power, Prog & Traditional Metal. Tuesday Nights 10pm-2am e.s.t. - WSCA 106.1 FM - Portsmouth, NH USA - Listen online live @ http://asx.abacast.com/wsca-wsca-128.m3u