Podcasts about east lansing

Justin and Tanner break down Michigan's win over the Spartans in East Lansing and discuss the state of the program midway through the season.

Fresh off a win in East Lansing, the Wolverines are back to work in preparation of a home date with Purdue on Saturday. We talked about those topics and more with three guests on this week's radio show - Head Coach Sherrone Moore (2:00), Run Game Coordinator/Running Backs Coach Tony Alford (24:00), and sophomore running back Jordan Marshall (38:00).See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Steve Deace injects some (what he says is) MUCH-NEEDED optimism on this week's Michigan Podcast! After a gritty 31-20 win over Michigan State, Steve pushes back on the fanbase's meltdown. Context matters: Michigan is 6-2 with a true freshman QB, three redshirt freshmen on the O-line, and no playable tackles left. They just beat Sparty on the road with 80 points in two straight trips to East Lansing, the most since the early 80s. Joined by Mark Rogers of The Voice of College Football, they break down Bryce Underwood's growth, the flattened parity of CFB, and why this team is exactly where it should be.

What does it take to keep your voice—and your purpose—strong through every season of life? In this episode of Unstoppable Mindset, I sit down with my friend Bill Ratner, one of Hollywood's most recognized voice actors, best known as Flint from GI Joe. Bill's voice has carried him through radio, animation, and narration, but what stands out most is how he's used that same voice to serve others through storytelling, teaching, and grief counseling. Together, we explore the heart behind his work—from bringing animated heroes to life to standing on The Moth stage and helping people find healing through poetry. Bill shares lessons from his own journey, including losing both parents early, finding family in unexpected places, and discovering how creative expression can rebuild what life breaks down. We also reflect on 9/11, preparedness, and the quiet confidence that comes from trusting your training—whether you're a first responder, a performer, or just navigating the unknown. This conversation isn't just about performance; it's about presence. It's about using your story, your craft, and your compassion to keep moving forward—unstoppable, one voice at a time. Highlights: 00:31 – Hear the Flint voice and what it takes to bring animated characters to life. 06:57 – Learn why an uneven college path still led to a lifelong acting career. 11:50 – Understand how GI Joe became a team and a toy phenomenon that shaped culture. 15:58 – See how comics and cartoons boosted classroom literacy when used well. 17:06 – Pick up simple ways parents can spark reading through shared stories. 19:29 – Discover how early, honest conversations about death can model resilience. 24:09 – Learn to critique ads and media like a pro to sharpen your own performance. 36:19 – Follow the pivot from radio to voiceover and why specialization pays. 47:48 – Hear practical editing approaches and accessible tools that keep shows tight. 49:38 – Learn how The Moth builds storytelling chops through timed, judged practice. 55:21 – See how poetry—and poetry therapy—support grief work with students. 59:39 – Take notes on memoir writing, emotional management, and one-person shows. About the Guest: Bill Ratner is one of America's best known voice actors and author of poetry collections Lamenting While Doing Laps in the Lake (Slow Lightning Lit 2024,) Fear of Fish (Alien Buddha Press 2021,) To Decorate a Casket (Finishing Line Press 2021,) and the non-fiction book Parenting For The Digital Age: The Truth Behind Media's Effect On Children and What To Do About It (Familius Books 2014.) He is a 9-time winner of the Moth StorySLAM, 2-time winner of Best of The Hollywood Fringe Extension Award for Solo Performance, Best of the Net Poetry Nominee 2023 (Lascaux Review,) and New Millennium "America One Year From Now" Writing Award Finalist. His writing appears in Best Small Fictions 2021 (Sonder Press,) Missouri Review (audio,) Baltimore Review, Chiron Review, Feminine Collective, and other journals. He is the voice of "Flint" in the TV cartoon G.I. Joe, "Donnell Udina" in the computer game Mass Effect, the voice of Air Disasters on Smithsonian Channel, NewsNation, and network TV affiliates across the country. He is a committee chair for his union, SAG-AFTRA, teaches Voiceovers for SAG-AFTRA Foundation, Media Awareness for Los Angeles Unified School District, and is a trained grief counsellor. Member: Actors Equity Association, Screen Actors Guild-AFTRA, National Storytelling Network • https://billratner.com • @billratner Ways to connect with Bill: https://soundcloud.com/bill-ratner https://www.instagram.com/billratner/ https://twitter.com/billratner https://www.threads.net/@billratner https://billratner.tumblr.com https://www.youtube.com/@billratner/videos https://www.facebook.com/billratner.voiceover.author https://bsky.app/profile/bilorat.bsky.social About the Host: Michael Hingson is a New York Times best-selling author, international lecturer, and Chief Vision Officer for accessiBe. Michael, blind since birth, survived the 9/11 attacks with the help of his guide dog Roselle. This story is the subject of his best-selling book, Thunder Dog. Michael gives over 100 presentations around the world each year speaking to influential groups such as Exxon Mobile, AT&T, Federal Express, Scripps College, Rutgers University, Children's Hospital, and the American Red Cross just to name a few. He is Ambassador for the National Braille Literacy Campaign for the National Federation of the Blind and also serves as Ambassador for the American Humane Association's 2012 Hero Dog Awards. https://michaelhingson.com https://www.facebook.com/michael.hingson.author.speaker/ https://twitter.com/mhingson https://www.youtube.com/user/mhingson https://www.linkedin.com/in/michaelhingson/ accessiBe Links https://accessibe.com/ https://www.youtube.com/c/accessiBe https://www.linkedin.com/company/accessibe/mycompany/ https://www.facebook.com/accessibe/ Thanks for listening! Thanks so much for listening to our podcast! If you enjoyed this episode and think that others could benefit from listening, please share it using the social media buttons on this page. Do you have some feedback or questions about this episode? Leave a comment in the section below! Subscribe to the podcast If you would like to get automatic updates of new podcast episodes, you can subscribe to the podcast on Apple Podcasts or Stitcher. You can subscribe in your favorite podcast app. You can also support our podcast through our tip jar https://tips.pinecast.com/jar/unstoppable-mindset . Leave us an Apple Podcasts review Ratings and reviews from our listeners are extremely valuable to us and greatly appreciated. They help our podcast rank higher on Apple Podcasts, which exposes our show to more awesome listeners like you. If you have a minute, please leave an honest review on Apple Podcasts. Transcription Notes: Michael Hingson ** 00:00 Access Cast and accessiBe Initiative presents Unstoppable Mindset. The podcast where inclusion, diversity and the unexpected meet. Hi, I'm Michael Hingson, Chief Vision Officer for accessiBe and the author of the number one New York Times bestselling book, Thunder dog, the story of a blind man, his guide dog and the triumph of trust. Thanks for joining me on my podcast as we explore our own blinding fears of inclusion unacceptance and our resistance to change. We will discover the idea that no matter the situation, or the people we encounter, our own fears, and prejudices often are our strongest barriers to moving forward. The unstoppable mindset podcast is sponsored by accessiBe, that's a c c e s s i capital B e. Visit www.accessibe.com to learn how you can make your website accessible for persons with disabilities. And to help make the internet fully inclusive by the year 2025. Glad you dropped by we're happy to meet you and to have you here with us.   Michael Hingson ** 01:21 Well on a gracious hello to you, wherever you may be, I am your host. Mike hingson, and you are listening to unstoppable mindset. Today, we get to have a voice actor, person, Bill Ratner, who you want to know who Bill Radnor is, go back and watch the old GI Joe cartoons and listen to the voice of Flint.   Bill Ratner ** 01:42 All right. Lady Jay, you better get your battle gear on, because Cobra is on their way. And I can't bring up the Lacher threat weapon system. We got to get out of here. Yo, Joe,   Michael Hingson ** 01:52 there you go. I rest my case Well, Bill, welcome to unstoppable mindset.   Bill Ratner ** 02:00 We can't rest now. Michael, we've just begun. No, we've just begun.   Michael Hingson ** 02:04 We got to keep going here. Well, I'm really glad that you're here. Bill is another person who we inveigled to get on unstoppable mindset with the help of Walden Hughes. And so that means we can talk about Walden all we want today. Bill just saying, oh goodness. And I got a lot to say. Let me tell you perfect, perfect. Bring it on. So we are really grateful to Walden, although I hope he's not listening. We don't want to give him a big head. But no, seriously, we're really grateful. Ah, good point.   Bill Ratner ** 02:38 But his posture, oddly enough, is perfect.   Michael Hingson ** 02:40 Well, there you go. What do you do? He practiced. Well, anyway, we're glad you're here. Tell us about the early bill, growing up and all that stuff. It's always fun to start a good beginning.   Bill Ratner ** 02:54 Well, I was a very lucky little boy. I was born in Des Moines, Iowa in 1947 to two lovely people, professionals, both with master's degree out at University of Chicago. My mother was a social worker. My father had an MBA in business. He was managing editor of Better Homes and Gardens magazine. So I had the joy of living in a better home and living in a garden.   Michael Hingson ** 03:21 My mother. How long were you in Des Moines?   Bill Ratner ** 03:24 Five and a half years left before my sixth birthday. My dad got a fancy job at an ad agency in Minneapolis, and had a big brother named Pete and big handsome, curly haired boy with green eyes. And moved to Minneapolis, Minnesota, and was was brought up there.   Michael Hingson ** 03:45 Wow. So you went to school there and and chased the girls and all that stuff.   Bill Ratner ** 03:54 I went to school there at Blake School for Boys in Hopkins, Minnesota. Couldn't chase the girls day school, but the girls we are allowed to dance with certainly not chase. Michael was at woodhue dancing school, the Northrop girls from Northrop girls school and the Blake boys were put together in eighth grade and taught the Cha Cha Cha, the waltz, the Charleston, and we danced together, and the girls wore white gloves, and we sniffed their perfume, and we all learned how to be lovers when we were 45   Michael Hingson ** 04:37 There you are. Well, as long as you learned at some point, that's a good start.   Bill Ratner ** 04:44 It's a weird generation. Michael,   Michael Hingson ** 04:46 I've been to Des Moines before. I was born in Chicago, but moved out to California when I was five, but I did some work with the National Federation of the Blind in the mid 19. 1970s 1976 into 1978 so spent time at the Iowa Commission for the Blind in Des Moines, which became a top agency for the Blind in well, the late 50s into the to the 60s and so on. So   Bill Ratner ** 05:15 both my parents are from Chicago. My father from the south side of Chicago, 44th and Kenzie, which was a Irish, Polish, Italian, Jewish, Ukrainian neighborhood. And my mother from Glencoe, which was a middle class suburb above Northwestern University in Evanston.   Michael Hingson ** 05:34 I Where were you born? 57th and union, north, south side, no, South   Bill Ratner ** 05:42 57th union is that? Is that west of Kenzie?   Michael Hingson ** 05:46 You know, I don't remember the geography well enough to know, but I know that it was, I think, Mount Sinai Hospital where I was born. But it was, it's, it's, it's a pretty tough neighborhood today. So I understand,   Bill Ratner ** 06:00 yeah, yeah, my it was tough, then it's tough now,   Michael Hingson ** 06:03 yeah, I think it's tougher, supposedly, than it was. But we lived there for five years, and then we we moved to California, and I remember some things about Chicago. I remember walking down to the local candy store most days, and had no problem doing that. My parents were told they should shut me away at a home somewhere, because no blind child could ever grow up to amount to anything. And my parents said, You guys are you're totally wrong. And they brought me up with that attitude. So, you   Bill Ratner ** 06:32 know who said that the school says school so that   Michael Hingson ** 06:35 doctors doctors when they discovered I was blind with the   Bill Ratner ** 06:38 kid, goodness gracious, horrified.   Michael Hingson ** 06:44 Well, my parents said absolutely not, and they brought me up, and they actually worked with other parents of premature kids who became blind, and when kindergarten started in for us in in the age of four, they actually had a special kindergarten class for blind kids at the Perry School, which is where I went. And so I did that for a year, learn braille and some other things. Then we moved to California, but yeah, and I go back to Chicago every so often. And when I do nowadays, they I one of my favorite places to migrate in Chicago is Garrett Popcorn.   Bill Ratner ** 07:21 Ah, yes, with caramel corn, regular corn, the   Michael Hingson ** 07:25 Chicago blend, which is a mixture, yeah, the Chicago blend is cheese corn, well, as it is with caramel corn, and they put much other mozzarella on it as well. It's really good.   Bill Ratner ** 07:39 Yeah, so we're on the air. Michael, what do you call your what do you call your program? Here I am your new friend, and I can't even announce your program because I don't know   Michael Hingson ** 07:48 the name, unstoppable mindset. This   Bill Ratner ** 07:51 is unstoppable mindset.   Michael Hingson ** 07:56 We're back. Well, we're back already. We're fast. So you, you, you moved off elsewhere, out of Des Moines and all that. And where did you go to college?   Bill Ratner ** 08:09 Well, this is like, why did you this is, this is a bit like talking about the Vietnam War. Looking back on my college career is like looking back on the Vietnam War series, a series of delusions and defeats. By the time I the time i for college, by the time I was applying for college, I was an orphan, orphan, having been born to fabulous parents who died too young of natural causes. So my grades in high school were my mediocre. I couldn't get into the Ivy Leagues. I got into the big 10 schools. My stepmother said, you're going to Michigan State in East Lansing because your cousin Eddie became a successful realtor. And Michigan State was known as mu u it was the most successful, largest agriculture college and university in the country. Kids from South Asia, China, Northern Europe, Southern Europe, South America all over the world came to Michigan State to study agricultural sciences, children of rich farmers all over the world and middle class farmers all over the world, and a huge police science department. Part of the campus was fenced off, and the young cadets, 1819, 20 years old, would practice on the rest of the student body, uniformed with hats and all right, excuse me, young man, we're just going to get some pizza at eight o'clock on Friday night. Stand against your car. Hands in your car. I said, Are you guys practicing again? Shut up and spread your legs. So that was that was Michigan State, and even though both my parents had master's degrees, I just found all the diversions available in the 1960s to be too interesting, and was not invited. Return after my sophomore year, and in order to flunk out of a big 10 University, and they're fine universities, all of them, you have to be either really determined or not so smart, not really capable of doing that level of study in undergraduate school. And I'd like to think that I was determined. I used to show up for my exams with a little blue book, and the only thing I would write is due to lack of knowledge, I am unable to complete this exam, sign Bill ranter and get up early and hand it in and go off. And so what was, what was left for a young man like that was the theater I'd seen the great Zero Mostel when I was 14 years old and on stage live, he looked just like my father, and he was funny, and if I Were a rich man, and that's the grade zero must tell. Yeah, and it took about five, no, it took about six, seven years to percolate inside my bread and my brain. In high school, I didn't want to do theater. The cheerleaders and guys who I had didn't happen to be friends with or doing theater. I took my girlfriends to see plays, but when I was 21 I started acting, and I've been an actor ever since. I'm a committee chair on the screen actors guild in Hollywood and Screen Actors Guild AFTRA, and work as a voice actor and collect my pensions and God bless the union.   Michael Hingson ** 11:44 Well, hey, as long as it works and you're making progress, you know you're still with it, right?   Bill Ratner ** 11:53 That's the that's the point. There's no accounting for taste in my business. Michael, you work for a few different broadcast entities at my age. And it's, you know, it's younger people. It's 18 to 3418 years to 34 years old is the ideal demographic for advertisers, Ford, Motor Company, Dove soap, Betty, Crocker, cake mixes and cereals, every conceivable product that sold online or sold on television and radio. This is my this is my meat, and I don't work for religion. However, if a religious organization calls, I call and say, I I'm not, not qualified or not have my divinity degree in order to sell your church to the public?   Michael Hingson ** 12:46 Yeah, yeah. Well, I, I can understand that. But you, you obviously do a lot, and as we talked about, you were Flint and GI Joe, which is kind of cool.   Bill Ratner ** 13:01 Flynn GI Joe was very cool. Hasbro Corporation, which was based in Providence, Rhode Island, had a huge success with GI Joe, the figure. The figure was about 11 and a half inches tall, like a Barbie, and was at first, was introduced to the public after the Korean War. There is a comic book that was that was also published about GI Joe. He was an individual figure. He was a figure, a sort of mythic cartoon figure during World War Two, GI Joe, generic American soldier, fighting man and but the Vietnam war dragged on for a long time, and the American buying public or buying kids toys got tired of GI Joe, got tired of a military figure in their household and stopped buying. And when Nixon ended the Vietnam War, or allotted to finish in 1974 Hasbro was in the tank. It's got its stock was cheap, and executives are getting nervous. And then came the Great George Lucas in Star Wars, who shrank all these action figures down from 11 and a half inches to three and a half inches, and went to China and had Chinese game and toy makers make Star Wars toys, and began to earn billions and billions dollars. And so Hasbro said, let's turn GI Joe into into a team. And the team began with flint and Lady J and Scarlett and Duke and Destro and cover commander, and grew to 85 different characters, because Hasbro and the toy maker partners could create 85 different sets of toys and action figures. So I was actor in this show and had a good time, and also a purveyor of a billion dollar industry of American toys. And the good news about these toys is I was at a conference where we signed autographs the voice actors, and we have supper with fans and so on. And I was sitting next to a 30 year old kid and his parents. And this kid was so knowledgeable about pop culture and every conceivable children's show and animated show that had ever been on the screen or on television. I turned to his mother and sort of being a wise acre, said, So ma'am, how do you feel about your 30 year old still playing with GI Joe action figures? And she said, Well, he and I both teach English in the Pittsburgh, Pennsylvania school system, and last year, the literacy level of my ninth graders was 50% 50% of those kids could not read in ninth grade. So I asked the principal if I could borrow my son's GI Joe, action figures, comic books and VHS tapes, recordings of the shows from TV. And he said, Sure, whatever you want to try. And so she did, and she played the video tapes, and these kids were thrilled. They'd never seen a GI Joe cartoon in class before. Passed out the comic books, let him read comics. And then she said, Okay, you guys. And passed out notebooks and pens and pencils, and said, I want you guys to make up some some shows, some GI Joe shows. And so they said, Yeah, we're ready. All right, Cobra, you better get into the barber shop, because the barber bill is no longer there and the fire engines are in the way. And wait a minute, there's a dog in the street. And so they're making this up, using their imagination, doing their schoolwork, by coming up with scenarios, imaginary fam fan fiction for GI Joe and she raised the literacy level in her classroom by 50% that year, by the end of that year, so, so that was the only story that I've ever heard about the sort of the efficacy of GI Joe, other than, you know, kids play with them. Do they? Are they shooting each other all the time? I certainly hope not. I hope not. Are they using the action figures? Do they strip their guns off and put them in a little, you know, stub over by the side and and have them do physical battle with each other, or have them hump the woods, or have them climb the stairs, or have them search the trees. Who knows what kids do? Same with same with girls and and Barbies. Barbie has been a source of fun and creativity for lots of girls, and the source of of worry and bother to a lot of parents as   Michael Hingson ** 17:54 well. Well, at the same time, though, when kids start to react and relate to some of these things. It's, it's pretty cool. I mean, look what's happened with the whole Harry Potter movement and craze. Harry Potter has probably done more in the last 20 or 25 years to promote reading for kids than most anything else, and   Bill Ratner ** 18:17 that's because it's such a good series of books. I read them to my daughters, yeah. And the quality of writing. She was a brilliant writer, not only just the stories and the storytelling, which is fun to watch in the movies, and you know, it's great for a parent to read. If there are any parents listening, I don't care how old your kids are. I don't care if they're 15. Offer to read to them. The 15 year old might, of course, say mom, but anybody younger than that might say either, all right, fine, which is, which means you better do it or read, read a book. To me, sure, it's fun for the parent, fun for the kid, and it makes the child a completely different kind of thinker and worker and earner.   Michael Hingson ** 19:05 Well, also the people who they got to read the books for the recordings Stephen Fry and in the US here, Jim Dale did such an incredible job as well. I've, I've read the whole Harry Potter series more than once, because I just enjoy them, and I enjoy listening to the the voices. They do such a good job. Yeah. And of course, for me, one of the interesting stories that I know about Jim Dale reading Harry Potter was since it was published by Scholastic he was actually scheduled to do a reading from one of the Harry from the new Harry Potter book that was coming out in 2001 on September 11, he was going to be at Scholastic reading. And of course, that didn't happen because of of everything that did occur. So I don't know whether I'm. I'm assuming at some point a little bit later, he did, but still he was scheduled to be there and read. But it they are there. They've done so much to help promote reading, and a lot of those kinds of cartoons and so on. Have done some of that, which is, which is pretty good. So it's good to, you know, to see that continue to happen. Well, so you've written several books on poetry and so on, and I know that you you've mentioned more than once grief and loss. How come those words keep coming up?   Bill Ratner ** 20:40 Well, I had an unusual childhood. Again. I mentioned earlier how, what a lucky kid I was. My parents were happy, educated, good people, not abusers. You know, I don't have a I don't have horror stories to tell about my mother or my father, until my mother grew sick with breast cancer and and it took about a year and a half or two years to die when I was seven years old. The good news is, because she was a sensitive, educated social worker, as she was actually dying, she arranged a death counseling session with me and my older brother and the Unitarian minister who was also a death counselor, and whom she was seeing to talk about, you know, what it was like to be dying of breast cancer with two young kids. And at this session, which was sort of surprised me, I was second grade, came home from school. In the living room was my mother and my brother looking a little nervous, and Dr Carl storm from the Unitarian Church, and she said, you know, Dr storm from church, but he's also my therapist. And we talk about my illness and how I feel, and we talk about how much I love you boys, and talk about how I worry about Daddy. And this is what one does when one is in crisis. That was a moment that was not traumatic for me. It's a moment I recalled hundreds of times, and one that has been a guiding light through my life. My mother's death was very difficult for my older brother, who was 13 who grew up in World War Two without without my father, it was just him and my mother when he was off in the Pacific fighting in World War Two. And then I was born after the war. And the loss of a mother in a family is like the bottom dropping out of a family. But luckily, my dad met a woman he worked with a highly placed advertising executive, which was unusual for a female in the 1950s and she became our stepmother a year later, and we had some very lovely, warm family years with her extended family and our extended family and all of us together until my brother got sick, came down with kidney disease a couple of years before kidney dialysis was invented, and a couple of years before kidney transplants were done, died at 19. Had been the captain of the swimming team at our high school, but did a year in college out in California and died on Halloween of 1960 my father was 51 years old. His eldest son had died. He had lost his wife six years earlier. He was working too hard in the advertising industry, successful man and dropped out of a heart attack 14th birthday. Gosh, I found him unconscious on the floor of our master bathroom in our house. So my life changed. I My life has taught me many, many things. It's taught me how the defense system works in trauma. It's taught me the resilience of a child. It's taught me the kindness of strangers. It's taught me the sadness of loss.   Michael Hingson ** 24:09 Well, you, you seem to come through all of it pretty well. Well, thank you. A question behind that, just an observation, but, but you do seem to, you know, obviously, cope with all of it and do pretty well. So you, you've always liked to be involved in acting and so on. How did you actually end up deciding to be a voice actor?   Bill Ratner ** 24:39 Well, my dad, after he was managing editor of Better Homes and Gardens magazine in Des Moines for Meredith publishing, got offered a fancy job as executive vice president of the flower and mix division for Campbell within advertising and later at General Mills Corporation. From Betty Crocker brand, and would bring me to work all the time, and would sit with me, and we'd watch the wonderful old westerns that were on prime time television, rawhide and Gunsmoke and the Virginian and sure   Michael Hingson ** 25:15 and all those. Yeah, during   Bill Ratner ** 25:17 the commercials, my father would make fun of the commercials. Oh, look at that guy. And number one, son, that's lousy acting. Number two, listen to that copy. It's the dumbest ad copy I've ever seen. The jingles and and then he would say, No, that's a good commercial, right there. And he wasn't always negative. He would he was just a good critic of advertising. So at a very young age, starting, you know, when we watch television, I think the first television ever, he bought us when I was five years old, I was around one of the most educated, active, funny, animated television critics I could hope to have in my life as a 56789, 1011, 12 year old. And so when I was 12, I became one of the founding members of the Brotherhood of radio stations with my friends John Waterhouse and John Barstow and Steve gray and Bill Connors in South Minneapolis. I named my five watt night kit am transmitter after my sixth grade teacher, Bob close this is wclo stereo radio. And when I was in sixth grade, I built myself a switch box, and I had a turntable and I had an intercom, and I wired my house for sound, as did all the other boys in the in the B, O, R, S, and that's brotherhood of radio stations. And we were guests on each other's shows, and we were obsessed, and we would go to the shopping malls whenever a local DJ was making an appearance and torture him and ask him dumb questions and listen obsessively to American am radio. And at the time for am radio, not FM like today, or internet on your little radio tuner, all the big old grandma and grandpa radios, the wooden ones, were AM, for amplitude modulated. You could get stations at night, once the sun went down and the later it got, the ionosphere would lift and the am radio signals would bounce higher and farther. And in Minneapolis, at age six and seven, I was able to to listen to stations out of Mexico and Texas and Chicago, and was absolutely fascinated with with what was being put out. And I would, I would switch my brother when I was about eight years old, gave me a transistor radio, which I hid under my bed covers. And at night, would turn on and listen for, who knows, hours at a time, and just tuning the dial and tuning the dial from country to rock and roll to hit parade to news to commercials to to agric agriculture reports to cow crossings in Kansas and grain harvesting and cheese making in Wisconsin, and on and on and on that made up the great medium of radio that was handing its power and its business over to television, just as I was growing As a child. Fast, fascinating transition   Michael Hingson ** 28:18 and well, but as it was transitioning, how did that affect you?   Bill Ratner ** 28:26 It made television the romantic, exciting, dynamic medium. It made radio seem a little limited and antiquated, and although I listened for environment and wasn't able to drag a television set under my covers. Yeah, and television became memorable with with everything from actual world war two battle footage being shown because there wasn't enough programming to 1930s Warner Brothers gangster movies with James Cagney, Edward G   Michael Hingson ** 29:01 Robinson and yeah   Bill Ratner ** 29:02 to all the sitcoms, Leave It to Beaver and television cartoons and on and on and on. And the most memorable elements to me were the personalities, and some of whom were invisible. Five years old, I was watching a Kids program after school, after kindergarten. We'll be back with more funny puppets, marionettes after this message and the first words that came on from an invisible voice of this D baritone voice, this commercial message will be 60 seconds long, Chrysler Dodge for 1954 blah, blah, blah, blah, blah. And I watched hypnotized, hypnotized as a 1953 dodge drove across the screen with a happy family of four waving out the window. And at the end of the commercial, I ran into the kitchen said, Mom, mom, I know what a minute. Is, and it was said, it had suddenly come into my brain in one of those very rare and memorable moments in a person's life where your brain actually speaks to you in its own private language and says, Here is something very new and very true, that 60 seconds is in fact a minute. When someone says, See you in five minutes, they mean five times that, five times as long as that. Chrysler commercial, five times 60. That's 300 seconds. And she said, Did you learn it that that on T in kindergarten? And I said, No, I learned it from kangaroo Bob on TV, his announcer, oh, kangaroo Bob, no, but this guy was invisible. And so at five years of age, I was aware of the existence of the practice of the sound, of the magic of the seemingly unlimited access to facts, figures, products, brand names that these voices had and would say on the air in This sort of majestic, patriarchal way,   Michael Hingson ** 31:21 and just think 20 years later, then you had James Earl Jones,   Bill Ratner ** 31:26 the great dame. James Earl Jones, father was a star on stage at that time the 1950s James Earl Jones came of age in the 60s and became Broadway and off Broadway star.   Michael Hingson ** 31:38 I got to see him in Othello. He was playing Othello. What a powerful performance. It was   Bill Ratner ** 31:43 wonderful performer. Yeah, yeah. I got to see him as Big Daddy in Canada, Hot Tin Roof, ah, live and in person, he got front row seats for me and my family.   Michael Hingson ** 31:53 Yeah, we weren't in the front row, but we saw it. We saw it on on Broadway,   Bill Ratner ** 31:58 the closest I ever got to James Earl Jones. He and I had the same voice over agent, woman named Rita vinari of southern Barth and benare company. And I came into the agency to audition for Doritos, and I hear this magnificent voice coming from behind a closed voiceover booth, saying, with a with a Spanish accent, Doritos. I thought that's James Earl Jones. Why is he saying burritos? And he came out, and he bowed to me, nodded and smiled, and I said, hello and and the agent probably in the booth and shut the door. And she said, I said, that was James Earl Jones. What a voice. What she said, Oh, he's such a nice man. And she said, but I couldn't. I was too embarrassed. I was too afraid to stop him from saying, Doritos. And it turns out he didn't get the gig. So it is some other voice actor got it because he didn't say, had he said Doritos with the agent froze it froze up. That was as close as I ever got to did you get the gig? Oh goodness no,   Michael Hingson ** 33:01 no, you didn't, huh? Oh, well, well, yeah. I mean, it was a very, it was, it was wonderful. It was James Earl Jones and Christopher Plummer played Iago. Oh, goodness, oh, I know. What a what a combination. Well, so you, you did a lot of voiceover stuff. What did you do regarding radio moving forward? Or did you just go completely out of that and you were in TV? Or did you have any opportunity   Bill Ratner ** 33:33 for me to go back at age 15, my brother and father, who were big supporters of my radio. My dad would read my W, C, l, o, newsletter and need an initial, an excellent journalism son and my brother would bring his teenage friends up. He'd play the elderly brothers, man, you got an Elvis record, and I did. And you know, they were, they were big supporters for me as a 13 year old, but when I turned 14, and had lost my brother and my father, I lost my enthusiasm and put all of my radio equipment in a box intended to play with it later. Never, ever, ever did again. And when I was about 30 years old and I'd done years of acting in the theater, having a great time doing fun plays and small theaters in Minneapolis and South Dakota and and Oakland, California and San Francisco. I needed money, so I looked in the want ads and saw a job for telephone sales, and I thought, Well, I used to love the telephone. I used to make phony phone calls to people all the time. Used to call funeral homes. Hi Carson, funeral I help you. Yes, I'm calling to tell you that you have a you have a dark green slate tile. Roof, isn't that correct? Yes. Well, there's, there's a corpse on your roof. Lady for goodness sake, bring it down and we laugh and we record it and and so I thought, Well, gee, I used to have a lot of fun with the phone. And so I called the number of telephone sales and got hired to sell magazine subscriptions and dinner tickets to Union dinners and all kinds of things. And then I saw a new job at a radio station, suburban radio station out in Walnut Creek, California, a lovely Metro BART train ride. And so I got on the BART train, rode out there and walked in for the interview, and was told I was going to be selling small advertising packages on radio for the station on the phone. And so I called barber shops and beauty shops and gas stations in the area, and one guy picked up the phone and said, Wait a minute, wait a minute. Wait a minute. Are you on the radio right now? And I said, No, I'm just I'm in the sales room. Well, maybe you should be. And he slams the phone on me. He didn't want to talk to me anymore. It wasn't interested in buying advertising. I thought, gee. And I told somebody at the station, and they said, Well, you want to be in the radio? And he went, Yeah, I was on the radio when I was 13. And it just so happened that an older fellow was retiring from the 10am to 2pm slot. K I S King, kiss 99 and KD FM, Pittsburgh, California. And it was a beautiful music station. It was a music station. Remember, old enough will remember music that used to play in elevators that was like violin music, the Percy faith orchestra playing a Rolling Stone song here in the elevator. Yes, well, that's exactly what we played. And it would have been harder to get a job at the local rock stations because, you know, they were popular places. And so I applied for the job, and   Michael Hingson ** 37:06 could have lost your voice a lot sooner, and it would have been a lot harder if you had had to do Wolfman Jack. But that's another story.   Bill Ratner ** 37:13 Yeah, I used to listen to Wolf Man Jack. I worked in a studio in Hollywood. He became a studio. Yeah, big time.   Michael Hingson ** 37:22 Anyway, so you you got to work at the muzack station, got   Bill Ratner ** 37:27 to work at the muzack station, and I was moving to Los Angeles to go to a bigger market, to attempt to penetrate a bigger broadcast market. And one of the sales guys, a very nice guy named Ralph pizzella said, Well, when you get to La you should study with a friend of mine down to pie Troy, he teaches voiceovers. I said, What are voice overs? He said, You know that CVS Pharmacy commercial just carted up and did 75 tags, available in San Fernando, available in San Clemente, available in Los Angeles, available in Pasadena. And I said, Yeah. He said, Well, you didn't get paid any extra. You got paid your $165 a week. The guy who did that commercial for the ad agency got paid probably 300 bucks, plus extra for the tags, that's voiceovers. And I thought, why? There's an idea, what a concept. So he gave me the name and number of old friend acquaintance of his who he'd known in radio, named Don DiPietro, alias Johnny rabbit, who worked for the Dick Clark organization, had a big rock and roll station there. He'd come to LA was doing voiceovers and teaching voiceover classes in a little second story storefront out of the San Fernando Valley in Los Angeles. So I signed up for his class, and he was an experienced guy, and he liked me, and we all had fun, and I realized I was beginning to study like an actor at 1818, who goes to New York or goes to Los Angeles or Chicago or Atlanta or St Louis to act in the big theaters, and starts acting classes and realizes, oh my goodness, these people are truly professionals. I don't know how to do what they do. And so for six years, I took voice over classes, probably 4050, nights a year, and from disc jockeys, from ex show hosts, from actors, from animated cartoon voices, and put enough time in to get a degree in neurology in medical school. And worked my way up in radio in Los Angeles and had a morning show, a lovely show with a wonderful news man named Phil Reed, and we talked about things and reviewed movies and and played a lot of music. And then I realized, wait a minute, I'm earning three times the money in voiceovers as I am on the radio, and I have to get up at 430 in the morning to be on the radio. Uh, and a wonderful guy who was Johnny Carson's staff announcer named Jack angel said, You're not still on radio, are you? And I said, Well, yeah, I'm working in the morning. And Ka big, get out of there. Man, quit. Quit. And I thought, well, how can I quit? I've always wanted to be a radio announcer. And then there was another wonderful guy on the old am station, kmpc, sweet Dick Whittington. Whittington, right? And he said at a seminar that I went to at a union voice over training class, when you wake up at four in the morning and you swing your legs over the bed and your shoes hit the floor, and you put your head in your hands, and you say to yourself, I don't want to do this anymore. That's when you quit radio. Well, that hadn't happened to me. I was just getting up early to write some comedy segments and on and on and on, and then I was driving around town all day doing auditions and rented an ex girlfriend's second bedroom so that I could nap by myself during the day, when I had an hour in and I would as I would fall asleep, I'd picture myself every single day I'm in a dark voiceover studio, a microphone Is before me, a music stand is before the microphone, and on it is a piece of paper with advertising copy on it. On the other side of the large piece of glass of the recording booth are three individuals, my employers, I begin to read, and somehow the text leaps off the page, streams into my eyes, letter for letter, word for word, into a part of my back brain that I don't understand and can't describe. It is processed in my semi conscious mind with the help of voice over training and hope and faith, and comes out my mouth, goes into the microphone, is recorded in the digital recorder, and those three men, like little monkeys, lean forward and say, Wow, how do you do that? That was my daily creative visualization. Michael, that was my daily fantasy. And I had learned that from from Dale Carnegie, and I had learned that from Olympic athletes on NBC TV in the 60s and 70s, when the announcer would say, this young man you're seeing practicing his high jump is actually standing there. He's standing stationary, and the bouncing of the head is he's actually rehearsing in his mind running and running and leaping over the seven feet two inch bar and falling into the sawdust. And now he's doing it again, and you could just barely see the man nodding his head on camera at the exact rhythm that he would be running the 25 yards toward the high bar and leaping, and he raised his head up during the imaginary lead that he was visualizing, and then he actually jumped the seven foot two inches. That's how I learned about creative visualization from NBC sports on TV.   Michael Hingson ** 43:23 Channel Four in Los Angeles. There you go. Well, so you you broke into voice over, and that's what you did.   Bill Ratner ** 43:38 That's what I did, darn it, I ain't stopping now, there's a wonderful old actor named Bill Irwin. There two Bill Irwin's one is a younger actor in his 50s or 60s, a brilliant actor from Broadway to film and TV. There's an older William Irwin. They also named Bill Irwin, who's probably in his 90s now. And I went to a premiere of a film, and he was always showing up in these films as The senile stock broker who answers the phone upside down, or the senile board member who always asks inappropriate questions. And I went up to him and I said, you know, I see you in everything, man. I'm 85 years old. Some friends and associates of mine tell me I should slow down. I only got cast in movies and TV when I was 65 I ain't slowing down. If I tried to slow down at 85 I'd have to stop That's my philosophy. My hero is the great Don Pardo, the late great   Michael Hingson ** 44:42 for Saturday Night Live and Jeopardy   Bill Ratner ** 44:45 lives starring Bill Murray, Gilder Radner, and   Michael Hingson ** 44:49 he died for Jeopardy before that,   Bill Ratner ** 44:52 yeah, died at 92 with I picture him, whether it probably not, with a microphone and. His hand in his in his soundproof booth, in his in his garage, and I believe he lived in Arizona, although the show was aired and taped in New York, New York, right where he worked for for decades as a successful announcer. So that's the story.   Michael Hingson ** 45:16 Michael. Well, you know, I miss, very frankly, some of the the the days of radio back in the 60s and 70s and so on. We had, in LA what you mentioned, Dick Whittington, Dick whittinghill on kmpc, Gary Owens, you know, so many people who were such wonderful announcers and doing some wonderful things, and radio just isn't the same anymore. It's gone. It's   Bill Ratner ** 45:47 gone to Tiktok and YouTube. And the truth is, I'm not gonna whine about Tiktok or YouTube, because some of the most creative moments on camera are being done on Tiktok and YouTube by young quote influencers who hire themselves out to advertisers, everything from lipstick. You know,   Speaker 1 ** 46:09 when I went to a party last night was just wild and but this makeup look, watch me apply this lip remover and blah, blah, blah, blah, blah, no, I have no lip.   Bill Ratner ** 46:20 You know, these are the people with the voices. These are the new voices. And then, of course, the faces. And so I would really advise before, before people who, in fact, use the internet. If you use the internet, you can't complain if you use the internet, if you go to Facebook or Instagram, or you get collect your email or Google, this or that, which most of us do, it's handy. You can't complain about tick tock, tick tock, tick tock. You can't complain about tick tock or YouTube, because it's what the younger generation is using, and it's what the younger generation advertisers and advertising executives and creators and musicians and actors are using to parade before us, as Gary Owens did, as Marlon Brando did, as Sarah Bernhardt did in the 19 so as all as you do, Michael, you're a parader. You're the head of the parade. You've been in on your own float for years. I read your your bio. I don't even know why you want to waste a minute talking to me for goodness sakes.   Michael Hingson ** 47:26 You know, the one thing about podcasts that I like over radio, and I did radio at kuci for seven years when I was in school, what I really like about podcasts is they're not and this is also would be true for Tiktok and YouTube. Primarily Tiktok, I would would say it isn't as structured. So if we don't finish in 60 minutes, and we finish in 61 minutes, no one's gonna shoot us.   Bill Ratner ** 47:53 Well, I beg to differ with you. Now. I'm gonna start a fight with you. Michael, yeah, we need conflict in this script. Is that it The Tick Tock is very structured. Six. No,   Michael Hingson ** 48:03 no, I understand that. I'm talking about podcasts,   Bill Ratner ** 48:07 though, but there's a problem. We gotta Tone It Up. We gotta pick it up. We gotta there's a lot of and I listen to what are otherwise really bright, wonderful personalities on screen, celebrities who have podcasts and the car sucks, and then I had meatballs for dinner, haha. And you know what my wife said? Why? You know? And there's just too much of that. And,   Michael Hingson ** 48:32 oh, I understand, yeah. I mean, it's like, like anything, but I'm just saying that's one of the reasons I love podcasting. So it's my way of continuing what I used to do in radio and having a lot of fun doing it   Bill Ratner ** 48:43 all right, let me ask you. Let me ask you a technical and editorial question. Let me ask you an artistic question. An artist, can you edit this podcast? Yeah. Are you? Do you plan to Nope.   Michael Hingson ** 48:56 I think conversations are conversations, but there is a but, I mean,   Bill Ratner ** 49:01 there have been starts and stops and I answer a question, and there's a long pause, and then, yeah, we can do you edit that stuff   Michael Hingson ** 49:08 out. We do, we do, edit some of that out. And I have somebody that that that does a lot of it, because I'm doing more podcasts, and also I travel and speak, but I can edit. There's a program called Reaper, which is really a very sophisticated   Bill Ratner ** 49:26 close up spaces. You   Michael Hingson ** 49:28 can close up spaces with it, yes, but the neat thing about Reaper is that somebody has written scripts to make it incredibly accessible for blind people using screen readers.   Bill Ratner ** 49:40 What does it do? What does it do? Give me the elevator pitch.   Michael Hingson ** 49:46 You've seen some of the the programs that people use, like computer vision and other things to do editing of videos and so on. Yeah.   Bill Ratner ** 49:55 Yeah. Even Apple. Apple edit. What is it called? Apple? Garage Band. No, that's audio. What's that   Michael Hingson ** 50:03 audio? Oh,   Bill Ratner ** 50:06 quick time is quick   Michael Hingson ** 50:07 time. But whether it's video or audio, the point is that Reaper allows me to do all of that. I can edit audio. I can insert, I can remove pauses. I can do anything with Reaper that anyone else can do editing audio, because it's been made completely accessible.   Bill Ratner ** 50:27 That's great. That's good. That's nice. Oh, it is. It's cool.   Michael Hingson ** 50:31 So so if I want, I can edit this and just have my questions and then silence when you're talking.   Bill Ratner ** 50:38 That might be best. Ladies and gentlemen, here's Bill Ratner,   Michael Hingson ** 50:46 yep, exactly, exactly. Now you have won the moth stories. Slam, what? Tell me about my story. Slam, you've won it nine times.   Bill Ratner ** 51:00 The Moth was started by a writer, a novelist who had lived in the South and moved to New York City, successful novelist named George Dawes green. And the inception of the moth, which many people listening are familiar with from the Moth Radio Hour. It was, I believe, either late 90s or early 2000s when he'd been in New York for a while and was was publishing as a fiction writer, and threw a party, and decided, instead of going to one of these dumb, boring parties or the same drinks being served and same cigarettes being smoked out in the veranda and the same orders. I'm going to ask people to bring a five minute story, a personal story, nature, a true story. You don't have to have one to get into the party, but I encourage you to. And so you know, the 3040, 50 people showed up, many of whom had stories, and they had a few drinks, and they had hors d'oeuvres. And then he said, Okay, ladies and gentlemen, take your seats. It's time for and then I picked names out of a hat, and person after person after person stood up in a very unusual setting, which was almost never done at parties. You How often do you see that happen? Suddenly, the room falls silent, and someone with permission being having been asked by the host to tell a personal story, some funny, some tragic, some complex, some embarrassing, some racy, some wild, some action filled. And afterward, the feedback he got from his friends was, this is the most amazing experience I've ever had in my life. And someone said, you need to do this. And he said, Well, you people left a lot of cigarette butts and beer cans around my apartment. And they said, well, let's do it at a coffee shop. Let's do it at a church basement. So slowly but surely, the moth storytelling, story slams, which were designed after the old poetry slams in the 50s and 60s, where they were judged contests like, like a dance contest. Everybody's familiar with dance contests? Well, there were, then came poetry contests with people singing and, you know, and singing and really energetically, really reading. There then came storytelling contests with people standing on a stage before a silent audience, telling a hopefully interesting, riveting story, beginning middle, end in five minutes. And so a coffee house was found. A monthly calendar was set up. Then came the internet. Then it was so popular standing room only that they had to open yet another and another, and today, some 20 years later, 20 some years later, from Austin, Texas to San Francisco, California to Minneapolis, Minnesota to New York City to Los Angeles. There are moth story slams available on online for you to schedule yourself to go live and in person at the moth.org as in the moth with wings. Friend of mine, I was in New York. He said, You can't believe it. This writer guy, a writer friend of mine who I had read, kind of an avant garde, strange, funny writer was was hosting something called the moth in New York, and we were texting each other. He said, Well, I want to go. The theme was show business. I was going to talk to my Uncle Bobby, who was the bell boy. And I Love Lucy. I'll tell a story. And I texted him that day. He said, Oh man, I'm so sorry. I had the day wrong. It's next week. Next week, I'm going to be back home. And so he said, Well, I think there's a moth in Los Angeles. So about 15 years ago, I searched it down and what? Went to a small Korean barbecue that had a tiny little stage that originally was for Korean musicians, and it was now being used for everything from stand up comedy to evenings of rock and roll to now moth storytelling once a month. And I think the theme was first time. And so I got up and told a silly story and didn't win first prize. They have judges that volunteer judges a table of three judges scoring, you like, at a swim meet or a track beat or, you know, and our gymnastics meet. So this is all sort of familiar territory for everybody, except it's storytelling and not high jumping or pull ups. And I kept going back. I was addicted to it. I would write a story and I'd memorize it, and I'd show up and try to make it four minutes and 50 seconds and try to make it sound like I was really telling a story and not reading from a script. And wish I wasn't, because I would throw the script away, and I knew the stories well enough. And then they created a radio show. And then I began to win slams and compete in the grand slams. And then I started submitting these 750 word, you know, two and a half page stories. Literary magazines got a few published and found a whole new way to spend my time and not make much   Michael Hingson ** 56:25 money. Then you went into poetry.   Bill Ratner ** 56:29 Then I got so bored with my prose writing that I took a poetry course from a wonderful guy in LA called Jack grapes, who had been an actor and a football player and come to Hollywood and did some TV, episodics and and some some episodic TV, and taught poetry. It was a poet in the schools, and I took his class of adults and got a poem published. And thought, wait a minute, these aren't even 750 words. They're like 75 words. I mean, you could write a 10,000 word poem if you want, but some people have, yeah, and it was complex, and there was so much to read and so much to learn and so much that was interesting and odd. And a daughter of a friend of mine is a poet, said, Mommy, are you going to read me one of those little word movies before I go to sleep?   Michael Hingson ** 57:23 A little word movie, word movie out of the   Bill Ratner ** 57:27 mouths of babes. Yeah, and so, so and I perform. You know, last night, I was in Orange County at a organization called ugly mug Cafe, and a bunch of us poets read from an anthology that was published, and we sold our books, and heard other young poets who were absolutely marvelous and and it's, you know, it's not for everybody, but it's one of the things I do.   Michael Hingson ** 57:54 Well, you sent me pictures of book covers, so they're going to be in the show notes. And I hope people will will go out and get them   Bill Ratner ** 58:01 cool. One of the one of the things that I did with poetry, in addition to wanting to get published and wanting to read before people, is wanting to see if there is a way. Because poetry was, was very satisfying, emotionally to me, intellectually very challenging and satisfying at times. And emotionally challenging and very satisfying at times, writing about things personal, writing about nature, writing about friends, writing about stories that I received some training from the National Association for poetry therapy. Poetry therapy is being used like art therapy, right? And have conducted some sessions and and participated in many and ended up working with eighth graders of kids who had lost someone to death in the past year of their lives. This is before covid in the public schools in Los Angeles. And so there's a lot of that kind of work that is being done by constable people, by writers, by poets, by playwrights,   Michael Hingson ** 59:09 and you became a grief counselor,   Bill Ratner ** 59:13 yes, and don't do that full time, because I do voiceovers full time, right? Write poetry and a grand. Am an active grandparent, but I do the occasional poetry session around around grief poetry.   Michael Hingson ** 59:31 So you're a grandparent, so you've had kids and all that. Yes, sir, well, that's is your wife still with us? Yes?   Bill Ratner ** 59:40 Oh, great, yeah, she's an artist and an art educator. Well, that   Michael Hingson ** 59:46 so the two of you can criticize each other's works, then, just   Bill Ratner ** 59:52 saying, we're actually pretty kind to each other. I Yeah, we have a lot of we have a lot of outside criticism. Them. So, yeah, you don't need to do it internally. We don't rely on it. What do you think of this although, although, more than occasionally, each of us will say, What do you think of this poem, honey? Or what do you think of this painting, honey? And my the favorite, favorite thing that my wife says that always thrills me and makes me very happy to be with her is, I'll come down and she's beginning a new work of a new piece of art for an exhibition somewhere. I'll say, what? Tell me about what's, what's going on with that, and she'll go, you know, I have no idea, but it'll tell me what to do.   Michael Hingson ** 1:00:33 Yeah, it's, it's like a lot of authors talk about the fact that their characters write the stories right, which, which makes a lot of sense. So with all that you've done, are you writing a memoir? By any chance, I   Bill Ratner ** 1:00:46 am writing a memoir, and writing has been interesting. I've been doing it for many years. I got it was my graduate thesis from University of California Riverside Palm Desert.   Michael Hingson ** 1:00:57 My wife was a UC Riverside graduate. Oh, hi. Well, they   Bill Ratner ** 1:01:01 have a low residency program where you go for 10 days in January, 10 days in June. The rest of it's online, which a lot of universities are doing, low residency programs for people who work and I got an MFA in creative writing nonfiction, had a book called parenting for the digital age, the truth about media's effect on children. And was halfway through it, the publisher liked it, but they said you got to double the length. So I went back to school to try to figure out how to double the length. And was was able to do it, and decided to move on to personal memoir and personal storytelling, such as goes on at the moth but a little more personal than that. Some of the material that I was reading in the memoir section of a bookstore was very, very personal and was very helpful to read about people who've gone through particular issues in their childhood. Mine not being physical abuse or sexual abuse, mine being death and loss, which is different. And so that became a focus of my graduate thesis, and many people were urging me to write a memoir. Someone said, you need to do a one man show. So I entered the Hollywood fringe and did a one man show and got good reviews and had a good time and did another one man show the next year and and so on. So But writing memoir as anybody knows, and they're probably listeners who are either taking memoir courses online or who may be actively writing memoirs or short memoir pieces, as everybody knows it, can put you through moods from absolutely ecstatic, oh my gosh, I got this done. I got this story told, and someone liked it, to oh my gosh, I'm so depressed I don't understand why. Oh, wait a minute, I was writing about such and such today. Yeah. So that's the challenge for the memoir is for the personal storyteller, it's also, you know, and it's more of a challenge than it is for the reader, unless it's bad writing and the reader can't stand that. For me as a reader, I'm fascinated by people's difficult stories, if they're well   Michael Hingson ** 1:03:24 told well, I know that when in 2002 I was advised to write a book about the World Trade Center experiences and all, and it took eight years to kind of pull it all together. And then I met a woman who actually I collaborated with, Susie Florey, and we wrote thunder dog. And her agent became my agent, who loved the proposal that we sent and actually got a contract within a week. So thunder dog came out in 2011 was a New York Times bestseller, and very blessed by that, and we're working toward the day that it will become a movie still, but it'll happen. And then I wrote a children's version of it, well, not a children's version of the book, but a children's book about me growing up in Roselle, growing up the guide dog who was with me in the World Trade Center, and that's been on Amazon. We self published it. Then last year, we published a new book called Live like a guide dog, which is all about controlling fear and teaching people lessons that I learned prior to September 11. That helped me focus and remain calm.   Bill Ratner ** 1:04:23 What happened to you on September 11,   Michael Hingson ** 1:04:27 I was in the World Trade Center. I worked on the 78th floor of Tower One.   Bill Ratner ** 1:04:32 And what happened? I mean, what happened to you?   Michael Hingson ** 1:04:36 Um, nothing that day. I mean, well, I got out. How did you get out? Down the stairs? That was the only way to go. So, so the real story is not doing it, but why it worked. And the real issue is that I spent a lot of time when I first went into the World Trade Center, learning all I could about what to do in an emergency, talking to police, port authorities. Security people, emergency preparedness people, and also just walking around the world trade center and learning the whole place, because I ran an office for a company, and I wasn't going to rely on someone else to, like, lead me around if we're going to go to lunch somewhere and take people out before we negotiated contracts. So I needed to know all of that, and I learned all I could, also realizing that if there ever was an emergency, I might be the only one in the office, or we might be in an area where people couldn't read the signs to know what to do anyway. And so I had to take the responsibility of learning all that, which I did. And then when the planes hit 18 floors above us on the other side of the building, we get we had some guests in the office. Got them out, and then another colleague, who was in from our corporate office, and I and my guide dog, Roselle, went to the stairs, and we started down. And   Bill Ratner ** 1:05:54 so, so what floor did the plane strike?   Michael Hingson ** 1:05:58 It struck and the NOR and the North Tower, between floors 93 and 99 so I just say 96 okay, and you were 20 floors down, 78 floors 78 so we were 18 floors below, and   Bill Ratner ** 1:06:09 at the moment of impact, what did you think?   Michael Hingson ** 1:06:13 Had no idea we heard a muffled kind of explosion, because the plane hit on the other side of the building, 18 floors above us. There was no way to know what was going on. Did you feel? Did you feel? Oh, the building literally tipped, probably about 20 feet. It kept tipping. And then we actually said goodbye to each other, and then the building came back upright. And then we went,   Bill Ratner ** 1:06:34 really you so you thought you were going to die?   Michael Hingson ** 1:06:38 David, my colleague who was with me, as I said, he was from our California office, and he was there to help with some seminars we were going to be doing. We actually were saying goodbye to each other because we thought we were about to take a 78 floor plunge to the street, when the building stopped tipping and it came back. Designed to do that by the architect. It was designed to do that, which is the point, the point.   Bill Ratner ** 1:07:02 Goodness, gracious. And then did you know how to get to the stairway?   Michael Hingson ** 1:07:04 Oh, absolutely. And did you do it with your friend? Yeah, the first thing we did, the first thing we did is I got him to get we had some guests, and I said, get him to the stairs. Don't let him take the elevators, because I knew he had seen fire above us, but that's all we knew. And but I said, don't take the elevators. Don't let them take elevators. Get them to the stairs and then come back and we'll leave. So he did all that, and then he came back, and we went to the stairs and started down.   Bill Ratner ** 1:07:33 Wow. Could you smell anything?   Michael Hingson ** 1:07:36 We smelled burning jet fuel fumes on the way down. And that's how we figured out an airplane must have hit the building, but we had no idea what happened. We didn't know what happened until the until both towers had collapsed, and I actually talked to my wife, and she's the one who told us how to aircraft have been crashed into the towers, one into the Pentagon, and a fourth, at that time, was still missing over Pennsylvania. Wow. So you'll have to go pick up a copy of thunder dog. Goodness. Good. Thunder dog. The name of the book is Thunder dog, and the book I wrote last year is called Live like a guide dog. It's le

Ryan and Tim are back to wallow in their miseries regarding Spartan Football after another loss to their rival. Is this the end of the Smith era in East Lansing?After that, it is finally time to talk about the defending B1G Champions on the hardwood. They had an opening exhibition win against Tum Tum and Bowling Green. The Spartans head out to the east coast for a big exhibition test against UConn. And following that, they have the opening game of the season at home against Colgate. All of that and more on this week's Spartan Crazies!

Sean Baligian dives into Michigan's dominant win over Michigan State, what it says about the Wolverines' ceiling, and where MSU goes from here. He calls out the “momentum” crowd, questions coaching futures in East Lansing, and explains why NIL has reshaped college football's balance of power. From there, Sean vents about an ugly NFL Sunday during the Lions' bye week, predicts how Detroit stacks up against Minnesota, and debates MVP favorites. The show rounds out with listener banter, college playoff math, and a fiery defense of Ryan Day's résumé. Tune in and get your mid-season fix of unfiltered Detroit sports talk.

9:00 HOUR: Brian Kelly... to Michigan? Are Jonathan Smith's days numbered in East Lansing?

Smith lamented the Spartans "weren't good enough" in their loss to Michigan

The Wolverines earned a rivalry win on Saturday in East Lansing! We begin this postgame episode with the radio crew's reaction to Michigan's 31-20 victory over the Spartans. Then, our locker room interviews begin around the 22-minute mark, as Jon caught up with Head Coach Sherrone Moore, and Jason chatted with four players: Derrick Moore, Brandyn Hillman, Jordan Marshall, and Blake Frazier.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Michigan is involved in one of the biggest rivalries in college football, but that game is not played until the end of the season. However, to make "The Game" mean even more, they have to get through their in-state rival on Saturday as #25 Michigan visits Michigan State. Andy Staples, Ross Dellenger and Steven Godfrey dive into what has happened to Michigan State over the years to diminish this rivalry. They look at the tenure of Jonathan Smith in East Lansing and then they chat about how Michigan's future schedule shapes up leading into their matchup with #1 Ohio State. Will Ohio State's lack of challenging games this season come back to bite them? Plus, there was breaking news Thursday morning in the NBA with Chauncey Billups and Terry Rozier getting arrested for separate gambling investigations. The guys chat about this and what impact gambling issues could have on the future of college football. Later, Andy, Ross and Godfrey chat about a couple of National Championship winning coaches who want back into college football. Jimbo Fisher and Ed Orgeron want to return to the sidelines. The guys discuss how realistic this desire is and how it can be accomplished.Then, Ross gives an update in Ross' Congressional Minute on the SCORE Act and the Big Ten's private equity discussions. Lastly, it's time for I've Got A Feeling as the guys make their picks. Michigan, Mississippi State & North Dakota State are who the guys are taking this week.Get ready for Week 9 with College Football Enquirer.  (1:01) - Chauncey Billups and Terry Rozier arrested(6:01) - Gambling impact on college football(10:30) - #25 Michigan @ Michigan State preview(18:12) - Michigan's schedule leading up to Ohio State(26:40) - Jimbo Fisher and Ed Orgeron want back into college football(43:39) - Ross' Congressional Minute(48:05) - I've Got A Feeling Subscribe to the College Football Enquirer on your favorite podcast app:

The latest installment of the Michigan vs. Michigan State rivalry has arrived! The Spartans and Wolverines will battle for Paul Bunyan on Saturday night in East Lansing. Is this game a last stand for MSU coach Jonathan Smith? What has and hasn't gone well throughout his year-and-a-half tenure? And, most importantly: What are Michigan State's strengths this season, and what are the areas Michigan can exploit against a team that has started 0-4 in Big Ten play? On this week's episode of Behind Enemy Lines, Michigan State beat reporter Stephen Brooks gives us the inside scoop on the Spartans. To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices

Jon reflects on the best aspects of Michigan's win over Washington, details the emotions around the Michigan-Michigan State rivalry, and reacts to another wild week of college football in our "Seven from 77." Then, Michigan's newest #77, left tackle Blake Frazier, stops by around the 32-minute mark to discuss his play in relief of Evan Link last week and the opportunity ahead for the Wolverines in East Lansing.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

CB and Clay discuss the upcoming state rivalry match between Michigan and Michigan State. How long of a leash does Coach Smith have in East Lansing after three seasons with little to no growth as a program? What the hell is going on with the Miami Dolphins and who is to blame? We make our NFL week 8 predictions.

It's a huge week for Michigan Football with the Spartans on the horizon! We began our coverage on Monday night with the weekly radio show, as Jon Jansen caught up with Head Coach Sherrone Moore (2:00), Co-Offensive Coordinator and Tight Ends Coach Steve Casula (24:00), and junior tight end Zack Marshall (39:00). They discussed Saturday's victory over Washington and looked ahead to this weekend's trip to East Lansing.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Oh how quickly things can change. Just a week ago, Tony and Andrew were discussing a Michigan team that looked flat and overmatched on the road against USC. One game later, and the discussion is entirely different. Michigan played one of its most complete games under Sherrone Moore against Washington in Week 8, beating the Huskies 24-7 at the Big House. The guys open the show by discussing Michigan's impressive showing over Washington and how the Wolverines are playing entering the rivalry game vs. MSU. Plus, what years can you compare this year's matchup to? And do the Wolverines have anything to worry about with MSU? Then in the second half of the show, the guys make predictions for the big game and discuss why the narrative around this year's rivalry game is so weird, before making picks for some huge games around the country this week. Last but not least, Tony shares a boots-on-the-ground report from Michigan's exhibition loss to Cincinnati and talks about what went wrong. Read all about the Michigan Wolverines by heading to our website at freep.com/sports.

The Lions have been hit with the injury bug but that didn't hold them back vs the Bucs on MNF. A huge win heading into their Bye week, should they be the favorite in the NFC? Michigan gets a win over Washington and MSU drops a game to Indiana, should the Wolverines be on upset alert though with the big game in East Lansing this weekend? Tigers offseason, Pistons and Red Wings getting going, and more! Take a listen and hit us up @3pointpod! Thanks to: Memorial Healthcare Wellness Center, Nelson House Funeral Home, Nichols Painting, Success Group Mortgage & Servicing, Kori Shook & Associates, Rivals Taphouse & Grille, Jacobs Insurance, AZee Branding Solutions, Shiawassee County Fair, SportsNet MI

8:00 HOUR: Ross Tucker joins us, Is Jonathan Smith not long for East Lansing?

Could Jonathan Smith not be long for East Lansing?

Mike Niziolek and Zach Osterman host their weekly live podcast, putting a bow on Oregon before looking at this week's matchup against a struggling Michigan State team. What are Curt Cignetti's keys to this game, what's going on in East Lansing and how it might affect Saturday's Old Brass Spittoon matchup. Chapters: 0:00 -- Intro 3:06 -- Tying a bow on Oregon 5:57 -- Michigan State's current troubles 9:40 -- IU staying focused out of Oregon 13:21 -- Michigan State scout, game preview 31:15 -- Final thoughts, predictions Read: https://www.indystar.com/story/sports/college/indiana/2025/10/13/curt-cignetti-penn-state-coaching-candidate-firing-james-franklin-indiana-football-nil-pat-kraft/86666741007/ Get IndyStar's IU coverage sent directly to your inbox with our IU Insider newsletter: https://profile.indystar.com/newsletters/iu-insider/?ipid=NLsignupIU

It was a brutal weekend for Michigan sports fans, and Sean Baligian isn't holding back. From the Lions' late-night loss in Kansas City to Michigan State's collapse in East Lansing and the Tigers' disappointing end-of-season presser, Sean and Todd dig into all of it.Sean breaks down why the Lions' loss isn't the end of the world—but the Tigers' trade deadline failures and Scott Harris's spin are a different story. He questions whether Jonathan Smith and Sherrone Moore are the right long-term answers for their programs, praises Dylan Larkin's leadership, and shares his frustrations with Detroit's “apologist” culture in sports management.

It was an ugly day in Michigan college football. Sean Baligian breaks down a disastrous Saturday for both Michigan and Michigan State — from the Spartans' collapse in East Lansing to the Wolverines' playoff hopes taking a major hit out west. He questions whether Jonathan Smith's time at MSU is nearing an end, if Sherrone Moore is the right guy to lead Michigan post-Harbaugh, and why James Franklin's Penn State squad continues to spiral.Sean also looks around the national landscape, highlighting surprise contenders like Miami and Georgia Tech, and revisiting his take on why a three-loss at-large team still isn't making the playoff. He closes with a little Detroit Tigers talk, frustration at the trade deadline, and a dose of hockey sanity to end a brutal football weekend.Listen in for unfiltered, honest analysis — the kind only Sean Baligian delivers — plus your comments, questions, and cathartic venting after a rough week in local sports.

After an incredibly frustrating performance in Lincoln, the Spartans return to East Lansing for Homecoming in what should be a great opportunity to restore some confidence against the Bruins of UCLA. After that, Ryan and Tim discuss Midnight Madness and B1G Media Day as the basketball season is just around the corner. All of that and more on this week's Spartan Crazies!

Schick and Nick discuss Mike Ekeler's excitement for his 54th birthday.  Schick watched the game on a plane.  Is this Husker game a dangerous sign of things to come?  Fluidess references.  Bo, what type of challenges?  Big Red Wonderful.  More Fluidess.  Matt Rhule his the podium.  The year Sipple met Cracker Barrel.  What a day for the Neuheisel family.  Penn State fans want more.  You the teacher Tweets.  Connect with us! SchickandNick.com Facebook, Twitter, or email  We would hate it if you missed an episode! So PLEASE subscribe, rate the pod, and throw us a review. It helps us out so much! We'd likey that.  This is another Hurrdat Media Production. Hurrdat Media is a podcast network and digital media production company based in Omaha, NE. Find more podcasts on the Hurrdat Media Network by going to HurrdatMedia.com or Hurrdat Media YouTube channel! Learn more about your ad choices. Visit megaphone.fm/adchoices

This week on the Five Heart Podcast, it's time to get back in the saddle and preview some Nebraska football. The 3-1 Huskers host the 3-1 Michigan State Spartans for the fourth straight home game (fifth if you include Husker Nation's takeover of Arrowhead Stadium). Nebraska is coming off a 30-27 loss to Michigan. Sparty also won their first three games just to lose their conference opener. The Spartans have two wins over lesser competition (Western Michigan and Youngstown State) as well as a two-point win over the ACC's Boston College. Yes, the same Boston College that Nebraska beat in the Pinstripe Bowl at the end of 2024. Every indication is that the Huskers will not see a defensive front like Michigan's, probably for the rest of the season. So heading into this weekend, are you optimistic? What's your mindset? Where are your five hearts? We'll peel back the bandages and prepared to hope again.

Recording Date: September 23, 2025 Location: Capital Region International Airport (LAN) Mike McFall - Co-Founder and Co-CEO at BIGGBY® COFFEE Born and raised in Michigan, Mike McFall's journey with BIGGBY® COFFEE began in 1996 when he took a job as a minimum-wage barista at the original store in East Lansing. Fast forward to today, and Mike is now co-CEO alongside his business partner Bob Fish, having grown BIGGBY® COFFEE into a thriving brand with over 400 locations in 13 states, primarily midwest. Under Mike's leadership, BIGGBY® COFFEE continues to expand rapidly, serving tens of thousands of cups of coffee each day while fostering a culture rooted in purpose, people, and community. In addition to his role at BIGGBY, Mike is the author of Grind and Grow — two books that provide practical guidance for entrepreneurs at different stages of their journey. Grind focuses on establishing positive cash flow and building a strong foundation for early-stage businesses, while Grow dives into leadership development and scaling a company with intention and purpose. Outside of business, Mike is deeply passionate about youth hockey and is committed to growing the love of the game. Whether coaching, mentoring, or supporting hockey programs, he believes in using the sport as a platform to teach valuable life skills like teamwork, discipline, and resilience. When he's not leading BIGGBY, writing, or at the rink, Mike is dedicated to helping entrepreneurs and leaders build meaningful, successful organizations that make a positive impact. » Visit MBN website: http://www.michiganbusinessnetwork.com/ » Watch MBN's YouTube: http://www.youtube.com/@MichiganbusinessnetworkMBN » Like MBN: http://www.facebook.com/mibiznetwork » Follow MBN: http://twitter.com/MIBizNetwork/ » MBN Instagram: http://www.instagram.com/mibiznetwork/

Chris Holman welcomes Pete Martin, Director of Portfolio Management, MSU Research Foundation, East Lansing, MI. Welcome Pete tell us a little about the MSU Research Foundation and the PitchMI Startup Competition? Michigan's Innovation Showcase PitchMI is now one of the nation's richest state-based startup competitions, offering $4 million in investment. How does this expanded competition elevate Michigan's position as a leader in startup innovation and funding? Regional & Statewide Strategy The competition features four regionally themed events—healthcare in Grand Rapids, clean tech in Traverse City, mobility in Detroit, and AI/software in Ann Arbor—each awarding $250,000, with finalists moving on to compete for a $1 million prize. What's the strategic intent behind aligning region with specific startup industries, and how does it benefit both local ecosystems and statewide momentum? Building Momentum & Ecosystem Engagement Regional winners receive funding and, importantly, time to grow before the statewide finals—an intentional six-month runway for impact and support. Why is this momentum-building phase so critical, and what role do regional networks and ecosystems play in supporting startup trajectories? Long-Term Vision & Scalability With $3 million from the Michigan Innovation Fund and $1 million from Michigan Rise ensuring this is a multi-year initiative, PitchMI aims to run through 2026 and potentially become annual. How does this level of long-term funding and planning reflect Michigan's broader economic development priorities? Equity & Access in Startup Support Although each region focuses thematically, startups from anywhere in Michigan can enter any regional event that matches their focus. How does PitchMI's open and inclusive structure help break down geographic silos and create equitable opportunities across the state's innovation ecosystem? » Visit MBN website: www.michiganbusinessnetwork.com/ » Subscribe to MBN's YouTube: www.youtube.com/@MichiganbusinessnetworkMBN » Like MBN: www.facebook.com/mibiznetwork » Follow MBN: twitter.com/MIBizNetwork/ » MBN Instagram: www.instagram.com/mibiznetwork/

Chris Holman welcomes back Scott Weaver, President, and Co-Owner of Douglas J Companies, Okemos, East Lansing, across Michigan, Illinois, Tennessee, Nebraska. What drove the decision to end the 30+ year exclusive Aveda partnership and rebrand as Douglas J Institute? How does introducing multiple product lines better prepare students for the realities of today's salon and spa industry? With new distribution of Back of Bottle and Color Space, how does this expand Douglas J's business model beyond education? Douglas J is now several generations strong—how do you balance honoring tradition with making bold, future-focused changes? What trends in beauty, wellness, and education do you see shaping the next decade for Douglas J and the industry at large? » Visit MBN website: www.michiganbusinessnetwork.com/ » Subscribe to MBN's YouTube: www.youtube.com/@MichiganbusinessnetworkMBN » Like MBN: www.facebook.com/mibiznetwork » Follow MBN: twitter.com/MIBizNetwork/ » MBN Instagram: www.instagram.com/mibiznetwork/ More details shared in this release by Douglas J. Douglas J Institute Rebrands, Moves Away from Exclusive Aveda Partnership Across all MI and TN Locations This switch gives students access to broader training through a multi-product educational approach, fully preparing them for the realities of today's salon environment. East Lansing, Mich., Aug. 20, 2025 – After more than 30 years with the Aveda name, Douglas J is moving forward from its exclusive partnership and rebranding itself as Douglas J Institute, with a multi-line product education across each of its locations. With presence in Grand Rapids, Mich., East Lansing, Mich., Ann Arbor, Mich., Royal Oak, Mich., Knoxville, Tenn., and two recently acquired locations in Lincoln, NE., the educational group is pivoting to feature several product lines for students to utilize, learn specialized techniques from, and retail to guests. “We couldn't be more excited about what this means for the students and their future education,” said Scott Weaver, president of Douglas J Companies. “While it was a good run with Aveda, they didn't make us what we have become today. It's always been about the people — extending our education model with new product lines and continuing to focus on the people side of the business, is really what fires me up and excites all of us for the future.” Douglas J Institutes will now use Back of Bottle, Color Space (color), Davines, and Mizani for hair care services and retail, and offer PCA Skin and Eminence for skin care offerings. While this is an initial launch, the team will continue to stay flexible, with potential to add in new and trending lines in the future for students to utilize. With Douglas J now offering distribution for Back of Bottle (BOB) and Color Space products, this shift also strengthens these brands within communities where there's Douglas J presence, bringing additional awareness to these high performing, clean products. Founded in 1967 by Doug Weaver, Douglas J Salon eventually grew to launch their first spa in the 70's, and into the institute education model in 1986. In 1993, Douglas J partnered with Aveda to launch their education program. Today, the company is run by President Scott Weaver and Vice President TJ Weaver, Doug's two sons. Douglas J is a family-owned company spanning four generations over more than 55 years and consisting of eight institute and four salon locations across Michigan, Tennessee and Nebraska. The institutes offer cosmetology, esthiology, barbering, and massage therapy programs with proven methods and real-world training for future beauty and wellness professionals. All locations are built on these same values: care, community, and commitment. For more information on the institutes, visit douglasj.edu, or douglasj.com for salons. # # #

The Slamfest Podcast brings the premier rock concert pregaming experience from the parking lot to the podcasting airwaves. Episode 276 - Brad saw another musical in 2025, this time it revolved around a songwriting legend.  He saw A Beautiful Noise: A Neil Diamond Musical on 9/17/25 at the Wharton Center in East Lansing, MI.  For the Band on the Bill Spotlight, he dives into hit songs Neil Diamond wrote for others, some he recorded himself and some he did not. After a Slamfest Tip of the Week, he is faced with a "Which Side are you On?" Side 1, 2, 3 and 4 from Neil Diamond's live album, Hot August Night II, from 1987.Music in this episode by:Neil DiamondBon JoviMotorheadThe MonkeesSmashmouthDeep PurpleUB40Urge OverkillThe AngelsBlack SabbathKissOzzyVisit the Slamfest Podcast online at: https://slamfest-podcast.simplecast.comRequest to join the Slamfest Podcast private Facebook page here:https://www.facebook.com/groups/slamfestpodcastE-mail us at : slamfestpodcast@gmail.com

Gas prices in Michigan fall below $3 a gallon in some places Dearborn mayor tells resident he's not welcome in city after opposing sign for Arab leader The Athletic says this East Lansing 'college bar' is among best in nation. See the list

Ryan and Tim are back to discuss the crucial win over Boston College for MSU Football this past weekend and what that means for the outlook of the season. There were some good takeaways and some bad takeaways, but the most important takeaway was the W!After that, they discuss a little bit of Grind Week and the culture that Izzo has put together over the last three decades in East Lansing. All of that and more on this week's episode of Spartan Crazies!

Michigan State University unveiled a new strategic plan -- MSU 2030 – in September 2021, articulating a shared vision for the university and six bold priorities for continuous improvement. As originally planned, and now under the leadership of President Kevin Guskiewicz, the strategic plan is being refreshed to reflect on lessons learned, adjust course and make progress toward becoming a more contemporary institution focused on cross-cutting priorities and solutions – with “synergy unleashed.” The refreshed, reframed and reimagined strategic plan, MSU 2030: Excellence for Global Impact, reaffirms leadership's commitment to a shared vision for the university through the end of the decade. Here to discuss the evolution of MSU 2030 are MSU President Kevin Guskiewicz and MSU Vice President for Strategic Initiatives Bill Beekman.Conversation Highlights:(1:15) – Kevin, you've said that the compelling vision of an institution taking on the challenges of the 21st century is among the things that attracted me to Michigan State. How so?(2:08) – Bill, you've been involved with the plan's development and implementation since the start. What strikes you about the plan's refresh?(4:11) – Kevin, you've often referred to MSU 2030 as a roadmap. Why is it important for MSU to have this plan and to refresh it now? And what do you mean by “synergy unleashed?(6:24) - The newly revised MSU 2030 plan maintains as foundational elements six strategic and cross-cutting themes and priorities — Student Success, Staff and Faculty Success, Discovery and Innovation for Impact, Sustainable Health, Stewardship for a Sustainable Future, and Access, Opportunity and Excellence.Let's talk about the cross-cutting themes that are injecting new energy into these ongoing efforts and uniting key areas. How do they complement the themes? How and why were they developed and elaborate on what you mean.First, Grow Talent for Michigan and Beyond.(9:10) - Drive Health Transformation.(11:27) - Enroll for the Future.(14:27) - Build Community Together.(17:05) - Achieve Next-Generation Operations and Organization.(18:50) - Access, Opportunity and Excellence.(20:15) - What's next? How will implementation proceed, and how will we measure progress and success?(21:48) – Final thoughts.Listen to “MSU Today with Russ White” on the radio and through Spotify, Apple Podcasts, and wherever you get your shows.Conversation Transcript:Russ White:Michigan State University unveiled a new strategic plan MSU 2030 in September, 2021, articulating a shared vision for the university and six bold priorities for continuous improvement as originally planned. And now under the leadership of President Kevin Kasowitz, the strategic plan is being refreshed to reflect on lessons learned, adjust course and make progress toward becoming a more contemporary institution focused on cross-cutting priorities and solutions. With Synergy Unleashed, the refreshed, reframed, and re-imagined strategic plan MSU 2030 Excellence for Global Impact reaffirms leadership's commitment to a shared vision for the university through the end of the decade. Here to discuss the evolution of MSU 2030, our MSU President, Kevin Guskiewicz and MSU, vice President for Strategic Initiatives, bill Beekman and Kevin and Bill, great to have you back in the state of the art studios of Impact Radio here on campus. And Kevin, you've said that the compelling vision of an institution taking on the challenges of the 21st century is among the things that attracted you to Michigan State. How so, and why?Kevin Guskiewicz:Well, Michigan State University is a proudly public university, one that fills a commitment to the people of Michigan. We rely on taxpayer dollars to transform the lives and improve the quality of life for Michiganders. And so much of the work that's done here through our teaching research and outreach is about the common good. I mean, the new strategic plan that we're here talking about, it's woven throughout the entire roadmap. It's about all that we do is for the public good, the common good. And we felt that the first time we touched down here in East Lansing. And 18 months in, I feel even better about where we're headed than what I did two years ago when I started exploring the opportunity.Speaker 1:And Bill, you've been involved with the plan's development and implementation from the start. What strikes you about the refresh?Bill Beekman:Well, I think one of the most important things about the refresh is the fact that we're actually doing it. So often you have strategic plans that get built and there's inordinate amounts of time spent working on them, and then they sort of drift away. And I think what's really wonderful about the creation of this plan and those that were there at the start, is that they very intentionally decided that we should have a refresh that about a third 40% of the way into the implementation of the plan, that we should pause, take a look at the environment, what's changed, what's going well, what should we be thinking about changing based on internal and external factors and recalibrate. And so it's really a living plan. And to me that's one the most important aspects of the plan is that it does change. It does adapt to our circumstances and our environment.(03:08):It allows for us to think about where should we be course correcting? What things should we be doing differently? How should we learn from what we've done? And that constant course correcting and a living plan, I think continues to make it relevant to what we're doing. And so the process has really been wonderful and allowed our team to focus on the future. It was fortuitous that it happened as Kevin had been here for about nine months or thereabouts, so his energy and vision could be incorporated into the work we're doing. And so yeah, it's been a wonderful process and it's great to see it finished and the work of implementation goes on.Speaker 1 (03:57):Yes. And Kevin, you've often referred to MSU 2030 as a roadmap in addition to a strategic plan. Why is it important for MSU to have this plan and to refresh it now? And what do you mean by synergy unleashed?Speaker 2 (04:12):Well, I've always used the word roadmap rus because I think you need a roadmap to get to a destination. And the destination that was agreed upon back in 2021 were set of established goals and priorities and how we were going to get there needed to be sort of re-imagined. But again, I think as Bill's already said, it's sort of reaffirming those six initial prio...

Micah and Nick sit down and preview the Week 2 ACC Slate!Most teams are playing "cupcakes" but we do have some premier nonconference games!Starting with Virginia at NC State. Yes, you read that right. Virginia and NC State will be playing a nonconference game.Louisville welcomes a tough Group of 5 team in JMU. SMU takes on in-state rival and Big 12 foe, Baylor.Boston College has a rematch against Michigan State in East Lansing. Duke welcomes in Big 10 foe #11 Illinois. Syracuse welcomes in a pesky UConn team. Virginia Tech looks to get the offense going and seeks revenge against Vanderbilt. Stanford travels to Provo to take on BYU.

Ryan and Tim are back to discuss the opening win for MSU Football over the Broncos of Western Michigan, and to look forward to this weekend's matchup against Boston College! The Spartans defense look to take their dominant display in Game 1 to Spartan Stadium as they prepare for one of the biggest games of the Jonathan Smith era. Will this be the make-or-break moment in the Smith's career in East Lansing? All of that and more in this week's episode of Spartan Crazies!

The weather is cooling down in East Lansing and football season is officially upon us. Join Ryan and Tim as they break down the first matchup of the season against the Broncos of Western Michigan, and make predictions on how the overall season will go!

Originally uploaded February 5th, reloaded July 30th. January 25th 2025, MBN was on the road to MSU Kellogg Center in East Lansing, MI. This four part video will let you experience or relive the event experience from that evening. Burns Suppers have been part of Scottish culture for well over 250 years as a means of commemorating Scotland's best loved bard. The ritual was started by close friends of Burns, a few years after his death, as a tribute to his memory. You can go back to see the Pre-Program performed by Celtic Jam in video 1. Videos 2,3,4 take you through the program elements focusing on podium and stage presentations. In the program MBN's Chris Holman serves as Master of Ceremonies. Presentations include those by Glen Erin Pipe Band P/M William Collins, Address to a Haggis by John Downing. The Selkirk Grace delivered by The Rev. Robet A. Higle. As the evening progressed Chef Angus Campbell delivers a Keynote. Entertainment continues with Highland Dancing by Lochanna Mora Highland Dance Company, punctuated by music of Celtic Jam. The Glen Erin Pipe Band showcases on the evening, and you get to peak in on the Raffle Drawings.

Chris Holman welcomes Randy Shacka, President, TWO MEN AND A TRUCK, East Lansing, MI. Randy, take us back to the beginning—how did TWO MEN AND A TRUCK grow from a local side hustle in Lansing to an international brand? How has the company diversified beyond traditional moving services into areas like storage, junk removal, and packing? You've built a leadership culture where many owners started on the frontlines—how has that shaped the business? After 40 years in business, what major shifts in customer needs or industry trends have stood out to you the most? TWO MEN AND A TRUCK is known for its community outreach—how do programs like Movers for Moms® reflect the company's values today? » Visit MBN website: www.michiganbusinessnetwork.com/ » Subscribe to MBN's YouTube: www.youtube.com/@MichiganbusinessnetworkMBN » Like MBN: www.facebook.com/mibiznetwork » Follow MBN: twitter.com/MIBizNetwork/ » MBN Instagram: www.instagram.com/mibiznetwork/

Originally uploaded February 3rd, reloaded July 30th. January 25th 2025, MBN was on the road to MSU Kellogg Center in East Lansing, MI. This four part video will let you experience or relive the event experience from that evening. Burns Suppers have been part of Scottish culture for well over 250 years as a means of commemorating Scotland's best loved bard. The ritual was started by close friends of Burns, a few years after his death, as a tribute to his memory. You'll see the Pre-Program performed by Celtic Jam. Videos 2,3,4 will take you through the program elements focusing on podium and stage presentations. In the program MBN's Chris Holman serves as Master of Ceremonies. Presentations include those by Glen Erin Pipe Band P/M William Collins, Address to a Haggis by John Downing. The Selkirk Grace delivered by The Rev. Robet A. Higle. As the evening progressed Chef Angus Campbell delivers a Keynote. Entertainment continues with Highland Dancing by Lochanna Mora Highland Dance Company, punctuated by music of Celtic Jam. The Glen Erin Pipe Band showcases on the evening, and you get to peak in on the Raffle Drawings.

Originally uploaded February 4th, reloaded July 30th. January 25th 2025, MBN was on the road to MSU Kellogg Center in East Lansing, MI. This four part video will let you experience or relive the event experience from that evening. Burns Suppers have been part of Scottish culture for well over 250 years as a means of commemorating Scotland's best loved bard. The ritual was started by close friends of Burns, a few years after his death, as a tribute to his memory. You can go back to see the Pre-Program performed by Celtic Jam in video 1. Videos 2,3,4 take you through the program elements focusing on podium and stage presentations. In the program MBN's Chris Holman serves as Master of Ceremonies. Presentations include those by Glen Erin Pipe Band P/M William Collins, Address to a Haggis by John Downing. The Selkirk Grace delivered by The Rev. Robet A. Higle. As the evening progressed Chef Angus Campbell delivers a Keynote. Entertainment continues with Highland Dancing by Lochanna Mora Highland Dance Company, punctuated by music of Celtic Jam. The Glen Erin Pipe Band showcases on the evening, and you get to peak in on the Raffle Drawings.

Originally uploaded February 4th, reloaded July 30th. January 25th 2025, MBN was on the road to MSU Kellogg Center in East Lansing, MI. This four part video will let you experience or relive the event experience from that evening. Burns Suppers have been part of Scottish culture for well over 250 years as a means of commemorating Scotland's best loved bard. The ritual was started by close friends of Burns, a few years after his death, as a tribute to his memory. You can go back to see the Pre-Program performed by Celtic Jam in video 1. Videos 2,3,4 take you through the program elements focusing on podium and stage presentations. In the program MBN's Chris Holman serves as Master of Ceremonies. Presentations include those by Glen Erin Pipe Band P/M William Collins, Address to a Haggis by John Downing. The Selkirk Grace delivered by The Rev. Robet A. Higle. As the evening progressed Chef Angus Campbell delivers a Keynote. Entertainment continues with Highland Dancing by Lochanna Mora Highland Dance Company, punctuated by music of Celtic Jam. The Glen Erin Pipe Band showcases on the evening, and you get to peak in on the Raffle Drawings.

M&P's QB Carousel spins into Duval County I What would a successful season look like in East Lansing, Atlanta, Norman and Salt Lake City I What are the expectations for CJ Carr and the Notre Dame fighting Irish?

Originally uploaded June 13th, reloaded July 6th. Chris Holman welcomes back Eric Olmscheid, Executive Director, Wharton Center for Performing Arts, East Lansing, MI. Welcome back Eric, remind the Michigan business community about the Wharton Center? We spoke to you early last autumn, what turned out to be the highlights of the 2024-2025 season? So, the audience is ready to hear about the 2025–2026 Broadway and Performing Arts Season, what can we expect? Eric, tell us about your deep passion for the arts and the vital role they play in our lives? Remind us about the Wharton Center's behind-the-scenes initiatives—especially our education and community engagement programs? Eric, I understand there's an important reminder about online ticketing? » Visit MBN website: www.michiganbusinessnetwork.com/ » Watch MBN's YouTube: www.youtube.com/@MichiganbusinessnetworkMBN » Like MBN: www.facebook.com/mibiznetwork » Follow MBN: twitter.com/MIBizNetwork/ » MBN Instagram: www.instagram.com/mibiznetwork/ www.whartoncenter.com is the official site to purchase tickets, and Seat Geek is an approved partner.

We dug into our takes and yours — on Michigan State football and the state of the defense and other areas, on MSU basketball's need for go-to players to emerge, on the Lions' injuries, the Tigers' season, what MSU fans want for CMU, people watching in East Lansing, and more.

Michigan State is on deck for this weeks opponent preview on the Nebraska Fan Perspective! Parks has on former Sparty Quarterback Brian Lewerke from the You Are The Program Podcast to talk all things Michigan State Football in 2025! Let us know your thoughts on what's in store in East Lansing for Jonathan Smith in year 2! Play it!

This is the 2025 Big Ten football preview, the 2nd season of an 18-team coast-to-coast juggernaut that stretches from East Lansing to Eugene. Penn State looks to be the team to beat—loaded with veteran starters and fresh off a playoff run—followed closely by Ohio State, which returns championship momentum and a friendly home-heavy schedule. Oregon (new to the conference) slides in at No. 3, buoyed by explosive offensive playmakers and quality transfers a year after winning the conference, while Michigan reloads behind its veteran core and fresh leadership after hoisting the national title.Teams like Illinois, Indiana, Iowa, USC and Nebraska each boast enough experience and play-makers to keep them in the hunt, and traditional powers Wisconsin, Rutgers, Minnesota, Washington, UCLA, Northwestern, Michigan State, Maryland and Purdue are all scheming for wrinkle plays and upset weekends.On the individual side, numerous all-conference teams are anchored by stars like QB Drew Allar (Penn State), RB Makhi Hughes (Oregon via Tulane), RB Nicholas Singleton (Penn State) and WR Jeremiah Smith (Ohio State) on the first team, with a laundry list of elite linemen, linebackers and defensive backs filling out the lineups.It all adds up to a 2025 Big Ten season loaded with weekly marquee matchups, deep divisions, and more playoff–caliber rosters than ever before.

Cheryl Pope is an interdisciplinary visual artist who questions and responds to issues of identity as it relates to the individual and the community, specifically regarding race, gender, class, history, power, and place. Her practice emerges from the act and politics of listening, and recently introduces a novel material to explore the artist's memories. Referencing the familiar repertoire of the French Post-Impressionist, Intimist, and Imagist paintings, Pope recreates deeply personal recollections that cinematically compose the silent complexities of beautiful and tragic oscillations between love and loss in our everyday lives. Images of couples are drawn from memory, referencing the artist's own relationships and moments of disconnect, anxiety, and desire, while beach scenes depicting a mother and child accentuate a tender stillness of caregiving. In these scenes, the figures exist in a nest of choreography–a rotating stage of mystery, tragedy, and poetry of day-to-day living with feelings of presence and absence woven throughout.     Pope (b.1980, Chicago, IL) received her MA in Design (2010) and BFA (2003) from the School of the Art Institute, Chicago, IL, where she is an Adjunct Professor.  Pope has had recent solo exhibitions at moniquemeloche, Chicago, IL (2022, 2019); The Ulrich Museum of Art, Wichita, KS (2022); Rockford Art Museum, Rockford, IL (2019); Galleria Bianconi, Milan, Italy (2019); Andres Guerrero Gallery, San Francisco, CA (2018); and Fort Gansevoort, New York, NY (2017). Notable group presentations include Eli and Edythe Broad Art Museum, East Lansing, MI (2023); The FLAG Art Foundation, New York, NY (2023 2021); Everson Museum, Syracuse, NY (2023); Kalamazoo Institute of Arts, Kalamazoo, MI (2022); Weinberg/Newton Gallery, Chicago, IL (2022); Skin in the Gamecurated by Zoe Lukov, Chicago, IL (2022); Fountainhead, Miami, FL (2021); Santa Barbara Museum of Art, Santa Barbara, CA (2021); Virginia MOCA, Virgina Beach, VA (2021); and the Museum of Contemporary Art, Chicago, IL (2020). Pope's work will be included in the upcoming group exhibition Get in the Game: Sport and Contemporary Culture at SFMoMA in 2024. Pope's work is in the collections of Museum of Contemporary Art Jacksonville, FL; the Museum of Contemporary Art, Chicago, IL; UBS Art Collection, New York, NY; Joan Flasche Artists Book Collection, Chicago, IL; Seattle Art Museum, WA; Honolulu Museum of Art, HI; Museum of Contemporary Art, San Diego, CA; Poetry Foundation, Chicago, IL; DePaul University Art Museum, Chicago, IL; Virginia Museum of Fine Arts, Richmond, VA; Baltimore Museum of Art, Baltimore, MD; United States Embassy, Santo Domingo, Dominican Republic; The Jackson West Memorial Hospital, Miami, FL; and The Ulrich Museum of Art, Wichita, KS. She has been the recipient of several awards and fellowships, including the Public Artist Award, Franklin Works, Minneapolis, MN (2017); Selected Artist, Year of Public Art, Chicago Cultural Center, IL (2017); Mellon Fellowship, Kenyon College, Gambier, OH (2016); and 3Arts Award, Chicago, IL (2015). Pope lives and works in Chicago, IL and Miami, FL. Artist https://www.cherylpope.net/ monique meloche https://www.moniquemeloche.com/artists/35-cheryl-pope/works/ Hyperallergic https://www.moniquemeloche.com/press/492-talking-a-big-game-the-art-of-sports/ | https://www.moniquemeloche.com/press/280-artists-on-basketball-and-its-discontents/ Art Daily https://www.moniquemeloche.com/press/451-the-baltimore-museum-of-art-announces-approximately-75/ Observer https://www.moniquemeloche.com/press/437-early-sales-and-excitement-at-art-basel-miami/ The Guardian https://www.moniquemeloche.com/press/430-strike-fast-dance-lightly-largest-ever-boxing-exhibition/ BOMB https://www.moniquemeloche.com/press/420-cheryl-pope-by-carolina-wheat/ Chicago https://www.moniquemeloche.com/press/406-fall-fashion-artists-in-their-natural-habitats/ Reader https://www.moniquemeloche.com/press/418-chicago-is-a-protest-town/

Caution - 911 audio in this episode. On February 13, 2023, a mass shooting occurred in two buildings on the campus of Michigan State University (MSU) in East Lansing. Three students were killed and five others were injured. This episode was originally released on PATREON - https://www.patreon.com/AlreadyGone  Consider supporting the show by supporting Already Gone on PATREON. For a few dollars a month, you get early ad-free episodes, plus bonus content and access to early episodes you can't find anywhere else.  Written by Jackie Jean & Nina Innsted Audio production by Bill Bert #SpartanStrong #SchoolShooting #Lansing #EastLansing 

No Agenda Episode 1770 - "Control Grid" "Control Grid" Executive Producers: Commodore ArchDuke (CAD) Sir HorseMeds Associate Executive Producers: Preston Isaacson Matthew Martell Eli the coffee guy Travis West Linda Lu—Duchess of Jobs & Writer of Resumes PhD's: Commodore ArchDuke (CAD) Blake Luther 1770 Club Members: Commodore ArchDuke (CAD) Become a member of the 1771 Club, support the show here Boost us with with Podcasting 2.0 Certified apps: Podverse - Podfriend - Breez - Sphinx - Podstation - Curiocaster - Fountain Knights & Dames Blake Luther > Sir HorseMeds Eric Clay Thomason > Sir Snortle Jeffrey Morrill > Sir M of Spokane Anonymous Black Sheep > E61 BlackSheep Lord of the East Lansing hinterlands. Art By: Blue Acorn End of Show Mixes: Fletcher - Vinnie Payne - Mellow D Engineering, Stream Management & Wizardry Mark van Dijk - Systems Master Ryan Bemrose - Program Director Back Office Jae Dvorak Chapters: Dreb Scott Clip Custodian: Neal Jones Clip Collectors: Steve Jones & Dave Ackerman NEW: and soon on Netflix: Animated No Agenda Sign Up for the newsletter No Agenda Peerage ShowNotes Archive of links and Assets (clips etc) 1770.noagendanotes.com Directory Archive of Shownotes (includes all audio and video assets used) archive.noagendanotes.com RSS Podcast Feed Full Summaries in PDF No Agenda Lite in opus format Last Modified 06/05/2025 17:00:50This page created with the FreedomController Last Modified 06/05/2025 17:00:50 by Freedom Controller