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Send us a textGeorge Feltenstein of the Warner Archive and animation historian Jerry Beck introduce the Looney Tunes Collector's Vault, Volume 1, featuring 50 beautifully restored in High Definition classic cartoons across two discs. Hear directly from the two men who curated this collection about what makes this new Blu-ray series of cartoons for collectors the logical next step in their ongoing attempts to bring all of the Looney Tunes cartoons to HD.• Evolution from single-disc Collector's Choice to the two-disc Collector's Vault format, offering twice the content for just a few dollars more• Disc One features 24 cartoons never before included in a Warner Brothers cartoon collection in remastered form• Disc Two presents 25 classic character cartoons making their HD/Blu-ray debut• Stunning restoration quality, particularly visible in 1934's "Beauty and the Beast" in two-color Cinecolor• Chuck Jones' "Good Night Elmer" reveals beautiful lighting and color work previously impossible to appreciate• Complete alphabetical listing of all 50 cartoons spanning from 1934 to 1963• Announcement that Looney Tunes Platinum Collections 1 & 2 will be returning to print in June at reasonable prices• Confirmation that Collector's Vault Volume 2 is already in developmentPre-orders for Looney Tunes Collector's Vault, Volume 1 should be available at major online retailers very soon, with official release scheduled for June 17th.DISC ONE-25 all never before included remastered in any DVD or Blu-ray Looney Tunes collection:BARS AND STRIPES FOREVER (1939)BEAUTY AND THE BEAST (1934)A DAY AT THE ZOO (1939)THE DIXIE FRYER (1960)DOUBLE OR MUTTON (was on LTCC V. 4)EACH DAWN I CROW (1949)EASY PECKIN'S (1953)FEATHER DUSTED (1955)FOX IN A FIX (1951)GOOD NIGHT ELMER (1940)THE GOOFY GOPHERS (1947)I'D LOVE TO TAKE ORDERS FROM YOU (1936)KIDDIES KITTY, A (1955)LET IT BE ME (1936)OF FOX AND HOUNDS (1940)QUACKODILE TEARS (1962)READY, WOOLEN AND ABLE (1960)ROBIN HOOD MAKES GOOD (1939)SQUAWKIN' HAWK, THE (1942)TERRIER-STRICKEN (1952)TWEET AND LOVELY (1959)TWEETY'S CIRCUS (1955)TWO'S A CROWD (1950)WILD ABOUT HURRY (1959)ZIP 'N SNORT (1961)DISC TWO-25 all never before included remastered in HD as part of any Blu-ray Looney Tunes collection:AIN'T SHE TWEET (1952)BANTY RAIDS (1963) BIRTH OF A NOTION (1947)BYE BYE BLUEBEARD (1949)CAT-TAILS FOR TWO (1953)DAFFY DILLY (1948)DAFFY DUCK AND EGGHEAD (1938)GEE WHIZ-Z-Z-Z-Z-Z-Z (1956)GONZALES' TAMALES (1957)HARE CONDITIONED (1945)HARE TRIGGER (1945)HARE TRIMMED (1953)HORTON HATCHES THE EGG (1942)LITTLE BOY BOO (1954)MUCH ADO ABOUT NUTTING (1953)ODOR-ABLE KITTY (1945)PAST PERFUMANCE ( REVIEW - THE DAY THE EARTH BLEW UP: A LOONEY TUNES MOVIE with Tim Millard, host of The Extras Podcast.The Extras Facebook pageThe Extras Twitter Warner Archive & Warner Bros Catalog Group As an Amazon Affiliate, The Extras may receive a commission for purchases through our purchase links. There is no additional cost to you, and every little bit helps us in the production of the podcast. Thanks in advance. Otaku Media produces podcasts, behind-the-scenes extras, and media that connect creatives with their fans and businesses with their consumers. Contact us today to see how we can work together to achieve your goals. tim@theextras.tv
On the 100th episode of Final Fantasy Weekly (where did the time go?) we continue down the path of FFVIII at the beginning of Disc Two. We get to spend a lot of time with Laguna in this one and that's always good.
Lonnie and I roll on with part two of our "Mind Games" SDE review. This week, disc two - the Elemental mixes (not to be confused with the Elements mixes). Lonnie also unveils his initial thoughts on the Mind Games (Ultimate Collection) Super Deluxe Box Set! Roll the I-Ching and see if it advises you to drop the cash!
Marv and I review the second disc of the "One Hand Clapping' set, and the contents of the vinyl EP. It is becoming popular for many internet types to claim that this collection is now amongst their favorite Wings albums. That might be a bit of hyperbole, and it might be recency bias, but even so, this new mix and official release of the 1974 Paul McCartney and Wings bootleg favorite is at a minimum, quality product from Sir Macca and MPL.
Me. I Am. A Memoir. The Meaning of 'The Meaning of Mariah Carey'
PoshLo and FabLeck return to The Regularverse to find out if they can cope with 'Dear Ben, Part II,' from the ReguLo album This is Me... Now, a sequel to 'Dear Ben,' an execrable song from the 2002 album This is Me... Then. Also, the story of someone who took OnlyFans a bit too literally. Hosted on Acast. See acast.com/privacy for more information.
Me. I Am. A Memoir. The Meaning of 'The Meaning of Mariah Carey'
Poshlo and Fableck continue their odyssey through JenReg's Non-English Non-Album, including a visit to the Regular Game of Thrones. Hosted on Acast. See acast.com/privacy for more information.
Me. I Am. A Memoir. The Meaning of 'The Meaning of Mariah Carey'
Stuck in The Regularverse listening to the soundtrack album Marry Me, Poshlo and Fableck are experiencing deja poo as they trawl through part twos, remixes and ballad versions of songs they've already been subjected to. Hosted on Acast. See acast.com/privacy for more information.
Me. I Am. A Memoir. The Meaning of 'The Meaning of Mariah Carey'
Poshlo and Fableck continue their trawl through Jen-Reg's many desperate tilts at relevance, hopping on the coat-tails of everyone from will.i.am and Pitbull to Santana and Bryan Adams. There has been a disturbance in the regular force, as Fableck goes pro when Poshlo goes no, and nothing may ever be the same again. Hosted on Acast. See acast.com/privacy for more information.
Me. I Am. A Memoir. The Meaning of 'The Meaning of Mariah Carey'
PoshLo and Fableck continue being aurally assaulted by the J.Reg album A.K.A. which has many mids and lows. Hosted on Acast. See acast.com/privacy for more information.
Me. I Am. A Memoir. The Meaning of 'The Meaning of Mariah Carey'
PoshLo and Fableck are shocked by their reactions to the Jennifer Lopez album Love? and a berserk music video. Plus, do you love scratchy blankets? (That's rhetorical, nobody likes them). Hosted on Acast. See acast.com/privacy for more information.
Me. I Am. A Memoir. The Meaning of 'The Meaning of Mariah Carey'
Poshlo and Fableck remain trapped in the Regularverse, and the most bizarre nightclub of all time, as they make their way through the Jennifer Lopez album, Brave. Hosted on Acast. See acast.com/privacy for more information.
Me. I Am. A Memoir. The Meaning of 'The Meaning of Mariah Carey'
Poshlo and Fableck continue to almost enjoy the Jennifer Lopez album Como Ama una Mujer, until they are waylaid by the autotune balladpocalypse. Hosted on Acast. See acast.com/privacy for more information.
Me. I Am. A Memoir. The Meaning of 'The Meaning of Mariah Carey'
Poshlo and Fableck remain trapped in the Regularverse with Rebirth, an album of songs allegedly sung by Jennifer Lopez, to which they most often reply, No Lo. Hosted on Acast. See acast.com/privacy for more information.
Me. I Am. A Memoir. The Meaning of 'The Meaning of Mariah Carey'
Posh and Fab continue assembling their ultimate compilation of Mariah Carey songs. It's Posh's turn to choose 12 songs from Mariah's entire discography, and a further three for a deluxe edition, and Fab has a second crack at things, because he's needy. Play along while you listen with the Ultimate MC playlist on Spotify. Hosted on Acast. See acast.com/privacy for more information.
Me. I Am. A Memoir. The Meaning of 'The Meaning of Mariah Carey'
Poshlo and Fableck are drenched in The Regularverse with the very regular album This is Me... Then, featuring the return of 'Lo and Order: Regular Victims Unit.' Hosted on Acast. See acast.com/privacy for more information.
Me. I Am. A Memoir. The Meaning of 'The Meaning of Mariah Carey'
Posh is subjected to yet more of Fab's favourite Mimi doof doof, featuring a shooting and dribbling metaphor that has nothing to do with basketball, the Mariah Avengers, Kim Scatrall, the return of the Serif Sisters (Soffa and Soray) and the longest and girthiest of all twelve minute twelve inchers. Hosted on Acast. See acast.com/privacy for more information.
In this week's episode of 36 From The Vault, we celebrate the Series Finale of Dick's Picks as well as the Series Finale of 36 From The Vault. Featuring a complete show from Philadelphia, PA on 9/21/72, we also hear segments of 9/3/72 from Boulder, CO. One of the greatest Dick's Picks of all time, it's a fitting conclusion to the series and yet another showcase of the brilliance of September 1972.Disc One features the majority of Set One from 9/21/72 which includes a brilliant “Bird Song” as well a stunning take on “Loser.” A loose and vibey “China Cat Sunflower>I Know You Rider” showcases the standards heavy Set I played with exceptional verve. Disc Two straddles Set One and Two from 9/21/71 and is highlighted by an outstanding “Playing In The Band” closer before “He's Gone>Truckin'” brings us into the second frame. An elongated 4+hr show, the staple of Disc Three is an absolutely incredible “Dark Star>Morning Dew.” Nearly 50min of stunning music, including 35+min of deep 1972 jamming, this is one of the greatest pieces of music released in the entire Dick's Picks series. Disc Four closes out the Spectrum show before giving us a three song snapshot from Folsom Field with “He's Gone> The Other One> Wharf Rat.” And with that, we've finally reached the end of the Dick's Picks series. Thank you to everyone who has joined us for this long, strange trip.36 from the Vault is a production of Osiris Media. It is edited, produced and mastered by Brian Brinkman. All music composed by Amar Sastry, unless otherwise noted. Logo design by Liz Bee Art & Design. The executive producer of 36 from the Vault is RJ Bee. ---We're thrilled to be sponsored by Grady's Cold Brew. Use Promo Code: VAULT for 20% off your first orderVisit Sunset Lake CBD and use promo code VAULT for 20% off your purchase---Please consider reviewing this podcast on Apple Podcasts, or wherever you get your podcasts. We invite you to join us for our next deep dive, sometime in the not too distant future… Our GDPR privacy policy was updated on August 8, 2022. Visit acast.com/privacy for more information.
Post Show Recaps: LIVE TV & Movie Podcasts with Rob Cesternino
In this ninth chapter of the journey, Zed and Adam explore the colder realms of the world map and make it to the Re-u-nion. If you want to play along while you listen to the podcast journey, “Final Fantasy VII” is available on various platforms: Nintendo Switch, PS4, Steam and even the original PSX version, assuming you, like Zed, still have an old-school system. Coming up next week, we hopefully escape from captivity and find Cloud! The post Final Fantasy 7 Again Part 9: Enter Disc Two appeared first on PostShowRecaps.com.
In this ninth chapter of the journey, Zed and Adam explore the colder realms of the world map and make it to the Re-u-nion. If you want to play along while you listen to the podcast journey, “Final Fantasy VII” is available on various platforms: Nintendo Switch, PS4, Steam and even the original PSX version, assuming you, like Zed, still have an old-school system. Coming up next week, we hopefully escape from captivity and find Cloud! The post Final Fantasy 7 Again Part 9: Enter Disc Two appeared first on PostShowRecaps.com.
In this week's episode of 36 From The Vault, we dip into the Fall of 1977, because we haven't explored enough of 1977 in this series. Featuring the complete show from Rochester, NY on 11/5/77, we also hear segments of 11/2/77 from Toronto. A volume that puzzles Rob and Steve, we wonder a bit about why this show was selected in the series, while also admiring the subtle shifts we hear from the band between May and November 1977.Disc One features the complete first set from 11/5 and is highlighted by a stunning “Mississippi Half-Step Uptown Toodeloo” alongside a vibrant “Big River” which features some stunning leads from Jerry before Mickey & Billy push it into a disco space. Disc Two features the first half of S2 from 11/5 before providing snippets of 11/2. In the 11/5 half we hear one of the best “Take A Step Back's” ever alongside a gorgeous “Eyes Of The World.” The 11/2 half showcases “St. Stephen” alongside a ripping “Around & Around.” (That was not a typo)Finally, Disc Three is highlighted by the back half of 11/5's S2 with a mellow take on “Estimated Prophet>He's Gone>Rhythm Devils>The Other One>Black Peter>Sugar Magnolia.” We close with “Lazy Lightning>Supplication Blues” from 11/2. It's a confounding release - especially this deep in the series - but Rob and Steve provide the kind of insight needed to make it shine.36 from the Vault is a production of Osiris Media. It is edited, produced and mastered by Brian Brinkman. All music composed by Amar Sastry, unless otherwise noted. Logo design by Liz Bee Art & Design. The executive producer of 36 from the Vault is RJ Bee. ---We're thrilled to be sponsored by Grady's Cold Brew. Use Promo Code: VAULT for 20% off your first orderVisit Sunset Lake CBD and use promo code VAULT for 20% off your purchase---Please consider reviewing this podcast on Apple Podcasts, or wherever you get your podcasts. We invite you to listen to Dick's Picks Vol. 35 in anticipation of our next (and penultimate) episode which will drop on Monday, August 1! See acast.com/privacy for privacy and opt-out information.
In this week's episode of 36 From The Vault we find the band just a few weeks past the shocking brilliance of the Dick's Picks Vol. 20 two-show set from Fall 1976, here in Oakland, CA for a pair of opening gigs for The Who from the “Day On The Green” at the Oakland Coliseum Stadium. Two completely day lit shows, we hear the band try to channel energy through surprising segues and upbeat selections, crafting one of the more BBQ appropriate Dick's Picks of the larger series.Diss One, from 10/9, finds us in familiar territory as the Berry bookend opens the show before the greatest Grateful Dead song of all time is played and later “Jed.” The disc is highlighted by a gorgeous outro on “Looks Like Rain” and a loose & jammy “Scarlet Begonias,” just months away from its meeting point with “Fire On The Mountain.” Disc Two is highlighted by a phenomenal “Help -> Slip -> Drums -> Samson -> Slip -> Franklin's” showcasing the brilliant suite in 1976. Disc Three, from 10/10, features some rarities before closing with a wild & gorgeous “Dancin -> Wharf Rat -> Dancin.” Disc Four features another sandwich, with Playin' leading the way this time around: “Playin -> Drums -> The Wheel -> Space -> The Other One -> Stella -> Playin.” On the whole it's a bit of an underwhelming volume in terms of transcendent moments, but it showcases The Dead in a more traditional 70's classic rock setting, while giving many dreams of what “Space” would sound like at 3pm.36 from the Vault is a production of Osiris Media. It is edited, produced and mastered by Brian Brinkman. All music composed by Amar Sastry, unless otherwise noted. Logo design by Liz Bee Art & Design. The executive producer of 36 from the Vault is RJ Bee. ---We're thrilled to be sponsored by Grady's Cold Brew. Use Promo Code: VAULT for 20% off your first orderVisit Sunset Lake CBD and use promo code VAULT for 20% off your purchase---Please consider reviewing this podcast on Apple Podcasts, or wherever you get your podcasts. We invite you to listen to Dick's Picks Vol. 34 in anticipation of our next episode which will drop on Monday, July 18! See acast.com/privacy for privacy and opt-out information.
Me. I Am. A Memoir. The Meaning of 'The Meaning of Mariah Carey'
Posh and Fab listen to the second half of the 2014 Mariah Carey album Me. I Am Mariah... The Elusive Chanteuse. In this Freaky Friday edition of the podcast, Fab is suffering from Lo-vid and has become frugal with infinities, whereas Posh is flinging them around with abandon. See acast.com/privacy for privacy and opt-out information.
In this week's episode of 36 From The Vault we find the band playing a Sunday - Tuesday run in late-Summer 1974. The jams are deep, the country is in turmoil, and idiots are climbing the fence. This volume hears The Dead at perhaps their most exhausted, two months shy of their hiatus, but willing to explore the outer realms of their musical ideas. Like two of the three previous ‘74 Dick's Picks, this one works like a playlist, capturing some of the best - and some of the most questionable moments - of the mid-Atlantic run.Disc One begins with a wild 25min dive into expansive 70's Miles jamming by way of “Playin' In The Band” before moving into a groovy “Scarlet Begonias.” Elsewhere “China Cat Sunflower -> I Know You Rider” shows off its 1974 breezy jamming. Disc Two is highlighted by a mellow “Weather Report Suite” which then moves into a jam proper that, while not as extended as the Dick's Picks 12 version, still highlights the sense that anything could be jammed amidst the Watergate scandal. On Disc Three we hear a stunning “Mississippi Half-Step Uptown Toodeloo -> It Must Have Been The Roses” segue. Later, we hear “Truckin'” take over the set through a vast jamming segment that touches on “The Other One” and “Space” before moving into a gorgeous “Stella Blue.” Disc Four is in the running for the best Discs of the entire Dick's Picks series. One of the greatest “Eyes Of The World” ever kicks us off before moving into a 38min “Playin' In The Band -> Scarlet Begonias -> Playin' In The Band” and then finally, “Uncle John's Band” closes us out. It's a stunning release for jamheads and a vivid picture of The Dead at the end of their hallowed 1972-1974 single drummer run.36 from the Vault is a production of Osiris Media. It is edited, produced and mastered by Brian Brinkman. All music composed by Amar Sastry, unless otherwise noted. Logo design by Liz Bee Art & Design. The executive producer of 36 from the Vault is RJ Bee. ---We're thrilled to be sponsored by Grady's Cold Brew. Use Promo Code: VAULT for 20% off your first orderVisit Sunset Lake CBD and use promo code VAULT for 20% off your purchase---Please consider reviewing this podcast on Apple Podcasts, or wherever you get your podcasts. We invite you to listen to Dick's Picks Vol. 32 in anticipation of our next episode, which will drop on Monday, June 6! See acast.com/privacy for privacy and opt-out information.
Welcome to Season 4 of 36 From The Vault! We begin our final season before the vault closes with a peek back into the world of 1973 Dead. Joining them for their midwest/west tour through the frigid US, we hear the band at the peak of their powers. Capable of transitioning from cowboy rock to show-stopping ballads to deeply psychedelic jazzy jamming, it's one of the most complete Dick's Picks released thus far and a fitting kick off to the season. Disc One opens features some great playing in “Loser” and “Jack Straw” before “Playing In The Band” gives us the first taste of experimental Dead of the set. Disc Two is in strong competition for the best of the set with “Dark Star” -> “Eyes Of The World” > “Mississippi Half Step” going deep. Disc Three is another classic set of some of the best Dead songs ever written played by one of the greatest versions of The Dead. However it's in Disc Four where the true magic strikes again. “Row Jimmy,” “Truckin'” -> “The Other One”> “Eyes Of The World>” “Morning Dew” is close to an hour of brilliant and fluid Dead. A great reminder why we all listen to this band so much, and why Rob & Steve dedicate 2hrs to chatting about them every other week. 36 from the Vault is a production of Osiris Media. It is edited, produced and mastered by Brian Brinkman. All music composed by Amar Sastry, unless otherwise noted. Logo design by Liz Bee Art & Design. The executive producer of 36 from the Vault is RJ Bee. ---We're thrilled to be sponsored by Grady's Cold Brew. Use Promo Code: VAULT for 20% off your first orderVisit Sunset Lake CBD and use promo code VAULT for 20% off your purchase---Please consider reviewing this podcast on Apple Podcasts, or wherever you get your podcasts. We invite you to listen to Dick's Picks Vol. 29 in anticipation of our next episode, which will drop on Monday, April 25! See acast.com/privacy for privacy and opt-out information.
Me. I Am. A Memoir. The Meaning of 'The Meaning of Mariah Carey'
Normality reasserts itself as Posh and Fab continue their appraisal of Mariah Carey's 2009 album Memoirs of an Imperfect Angel, and Fab once again starts throwing infinities about with abandon. Warning: this episode contains Minaj-shade, reprise-fatigue and a stadium from The Sims. See acast.com/privacy for privacy and opt-out information.
We continue our look at the collected "Beatles at the Beeb" (Lord Reith 2021 edition) with disc two. It took the lads 14 months to generate a single disc worth of material, and now the BBC invites them back often enough that they can fill the second before the end of the summer. The disc closes with the momentous event of "Pop Goes the Beatles" (they had moved all the way to the top of the BBC radio food chain), as their album appeared atop the British LP charts!
Me. I Am. A Memoir. The Meaning of 'The Meaning of Mariah Carey'
Posh and Fab continue their appraisal of E=MC2, Mariah Carey's follow-up album to The Emancipation of Mimi, featuring the welcome return of Da Brat's Grandma. See acast.com/privacy for privacy and opt-out information.
Me. I Am. A Memoir. The Meaning of 'The Meaning of Mariah Carey'
Posh and Fab continue their sidestep from the Mariah Carey memoir to examine her multiple-platinum selling album The Emancipation of Mimi, and all the hits therein, including some distressing references to the Corrs and another horrible recorder impression. See acast.com/privacy for privacy and opt-out information.
In this week's episode we hop back to 1969 to hear two shows from the spring that showcase The Grateful Dead in significant transition. We hear two Midwestern shows: April 26, 1969 from Chicago, IL and April 27, 1969 from Minneapolis, MN. Hearing the band shift between the summer of love English Folk of their late-60's output to Pigpen bar blues to the Live Dead inspired suite from Minneapolis, is a revealing insight into who The Dead were & who they could've become.Disc One opens with a string of songs the band would essentially leave in the 60's, highlighting the Garcia/Hunter penchant for pastoral lyrics & fitting 3-4 songs together into one. The highlight is undeniably the “Mountains Of The Moon” which fades into a “Dark Star” jam. The disc ends with a stunning jam from 4/27 out of “Turn On Your Lovelight -> Me & My Uncle” which showcases the looseness the band could play with during this period. Disc Two continues on 4/27 with a suite based around “Dark Star” that essentially mimics the Live Dead release, showcasing a similar selection of songs through different passages of improvisation. On the whole, the set proves to be a controversial one for Rob & Steve as the two find numerous disagreements with Disc One, as well as with the place The Dead find themselves in early 1969. The Velvet Underground co-headlined the 4/26 show with The Dead, offering another avenue for discourse on this release.36 from the Vault is a production of Osiris Media. It is edited, produced and mastered by Brian Brinkman. All music composed by Amar Sastry, unless otherwise noted. Logo design by Liz Bee Art & Design. The executive producer of 36 from the Vault is RJ Bee. ---We're thrilled to be sponsored by Grady's Cold Brew. Use Promo Code: VAULTCheck out Green Future Wealth and mention OSIRIS to get a free report on your existing investmentsVisit Sunset Lake CBD and use promo code VAULT for 20% off your purchaseWe're thrilled to be sponsored by Melophy. Use Promo Code VAULT to save 20% on virtual music lessonsWe're grateful to be sponsored by Garcia Cannabis. Discover Garcia Hand Picked at GarciaHandPicked.com, and connect with Fellow Fans at @garciahandpicked on Instagram---Please consider reviewing this podcast on Apple Podcasts, or wherever you get your podcasts. We invite you to listen to Dick's Picks Vol. 27 in anticipation of our next episode, OUR SEASON FINALE which will drop on Monday, July 26! See acast.com/privacy for privacy and opt-out information.
Me. I Am. A Memoir. The Meaning of 'The Meaning of Mariah Carey'
Posh and Fab listen to the rest of Rainbow, Mariah Carey's last studio album for Sony, which features many early noughties boy bands, which leads Posh to be confused by Ronan Keating. Shockingly, on one song, Fab gives a score lower than Posh. See acast.com/privacy for privacy and opt-out information.
In this week's episode we celebrate 25 volumes of the Dick's Picks series. A monumental moment in the series, as it showcased the viability of a single band releasing a trove from their archives over a significant period in time. We're treated to two Spring 1978 shows from the NE, May 10, 1978 from New Haven, CT and May 11, 1978 from Springfield, MA. Two archetypal Spring ‘78 shows, we hear the band engage in tight interplay around fairly standard setlists, while showcasing some of the best parts of their 77/78 period, while also pointing the way towards the future of the band in the 1980s.Disc One features quality song selection with an excellent “Jack Straw” opener, a sultry “They Love Each Other,” and a gorgeous “Peggy-O.” A wild “Deal” showcases the interplay between Donna & Bob which would be a major theme of the overall volume. Disc Two picks up midway through Set II of 5/10 with a seedy “Estimated Prophet” before a massive “Drums” jam. The disc closes with a stunning “The Other One” into an impassioned “Wharf Rat” that showcases the power of the Garcia outro solo. Disc Three opens on 5/11 with a more laid back approach, showcasing some of the more standard Set I tunes in Dead History. The disc concludes with a very solid “Scarlet -> Fire.” Disc Four is a wild party. Rumors abound about mescaline intake, we hear one of the best “Dancing In The Streets” of all time followed by a massive “Drums -> NFA,” and concluded with a gorgeous “Stella Blue.” The volume concludes with a Double-Barry bookending a fantastic take on “Werewolves Of London.” It's a full-scale dive into Spring ‘78 Dead, seedy, tight, wild, and grooving. Dive in.36 from the Vault is a production of Osiris Media. It is edited, produced and mastered by Brian Brinkman. All music composed by Amar Sastry, unless otherwise noted. Logo design by Liz Bee Art & Design. The executive producer of 36 from the Vault is RJ Bee. ---We're thrilled to be sponsored by Grady's Cold Brew. Use Promo Code: VAULTCheck out Green Future Wealth and mention OSIRIS to get a free report on your existing investmentsVisit Sunset Lake CBD and use promo code VAULT for 20% off your purchaseWe're thrilled to be sponsored by Melophy. Use Promo Code VAULT to save 20% on virtual music lessons.---Please consider reviewing this podcast on Apple Podcasts, or wherever you get your podcasts. We invite you to listen to Dick's Picks Vol. 26 in anticipation of our next episode, which will drop on Monday, July 12! See acast.com/privacy for privacy and opt-out information.
In this week's episode we join the Dead in early 1974 for the very first Wall of Sound show. Just five shows removed from the Dick's Picks one selection, we hear the band in a loose, soundchecky vibe, as they work through the kinks of their revolutionary PA, and begin to dip their toes in the wild and exploratory sounds of 1974. One of the most laid-back Dick's Picks ever, it's a great warts & all peek into the Dead on the cusp of one of their most experimental & challenging years. Disc One is a trot through some DP standards, here played with space and patience in a way that fits the airiness of the Wall Of Sound they were plugged into. We hear the big machine slowly turn on in a choogly “US Blues” before great takes on “Brown-Eyed Women” and “Black-Throated Wind” settle everyone in. The debut of “Scarlet Begonias” and “Cassidy” prelude a truly 1974 take on “China Cat Sunflower > I Know You Ride” before a gorgeous “Weather Report Suite” closes out the set. Disc Two is anchored by an emotive, 45min palindrome segment which reads: “Playing In The Band -> Uncle John's Band -> Morning Dew -> Uncle John's Band -> Playing In The Pand.” The raw power of the band in 1974 is heard clearly here, while their sectional jamming of Fall 1973 is on full display as well. The set ends with some standard takes on out of place tunes, while “Wharf Rat” serves as the emotional climax we all needed during the set. The seeds of the band we'd hear on full display in Dick's Picks 7 and 12 is here in its earliest origins. 36 from the Vault is a production of Osiris Media. It is edited, produced and mastered by Brian Brinkman. All music composed by Amar Sastry, unless otherwise noted. Logo design by Liz Bee Art & Design. The executive producer of 36 from the Vault is RJ Bee. ---We're thrilled to be sponsored by Grady's Cold Brew. Use Promo Code: VAULTCheck out Green Future Wealth and mention OSIRIS to get a free report on your existing investmentsVisit Sunset Lake CBD and use promo code VAULT for 20% off your purchaseWe're thrilled to be sponsored by Melophy. Use Promo Code VAULT to save 20% on virtual music lessons.---Please consider reviewing this podcast on Apple Podcasts, or wherever you get your podcasts. We invite you to listen to Dick's Picks Vol. 25 in anticipation of our next episode, which will drop on Monday, June 28! See acast.com/privacy for privacy and opt-out information.
This is "disc two" of our conversation. T-Real and I are joined by musical experts, Dwayne and Marq, and we begin talking about The Funk and the impact it had on the music of our generation. We also discuss: - the disco and it's role in our music of the 80s - why we are fortunate enough to be a part of such a pivotal part of music history - The birth of Hip-Hop - The death of album/CD covers - A time of "musical integration" --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app
In this week’s episode we take a momentary pause from our march through the Dick’s Picks series to discuss one of the best (some would say the best) live performance of all time: Bob Dylan & The Hawks 05/17/1966 concerts from the Free Trade Hall in Manchester, UK, known throughout history as the “Royal Albert Hall” Concert. Catching Dylan in the midst of a creative peak, just weeks prior to the release of his monumental album, Blonde On Blonde, and just months before he’d disappear from live performances for 8 years, it’s an incredible peek into an artist challenging the norms of his era, battling with an audience of imbeciles, and playing some of the best rock & roll ever made with The Hawks.Disc One is a complete acoustic set, which shows Dylan playing songs from Bringing It All Back Home, Highway 61 Revisited, and the yet-unreleased Blonde On Blonde. Every song has a claim for The Greatest Dylan Song of All Time, but highlights are found in the languid “Visions Of Johanna,” the haunting “It’s All Over Now, Baby Blue,” the wild and atonal “Desolation Row,” and the stunning energy in “Mr. Tambourine Man.” Disc Two opens with stray guitar riffs before launching into “Tell Me, Momma.” From there we’re off. One of the greatest sets of rock & roll ever played. Reworking old songs like “I Don’t Believe You (She Acts Like We Never Have Met,” “Baby Let Me Follow You Down,” and “One Too Many Mornings” as well as blasting tunes from his latest releases, “Just Like Tom Thumb’s Blues” and “Leopard Skin Pill-Box Hat,” Dylan battles his audience for the whole set, chastising them “It used to be like this….now it goes like that….” “...If only you wouldn’t clap so loud…” and forcing some of the best rock music ever played upon their ears. The boo’s are hurtled from afar from a crowd of fucking morons who want Dylan to be the Dylan they want them to be, and all the while the band plays louder and tighter and groovier. The set peaks following a searing “Ballad Of A Thin Man” with an audience member calling Dylan “Judas!” before Dylan responds with: “I don’t believe you….you’re a liar,” before instructing The Hawks to “Play it fucking loud!” They do just that, and one of the greatest versions of “Like A Rolling Stone” is unleashed on the world. The show is an absolutely stunning picture of Dylan, who, at 24, was at an early creative peak - some would say his highest - and on the tail end of a 18mo dive into amphetamine abuse. Strung out, exhausted, angry, but writing some of the best music he ever will, he combines all of this into a dual performance, acoustic/electric, that showcases the sheer genius of Dylan, and the lasting legacy of his craft.36 from the Vault is production of Osiris Media. It is edited, produced and mastered by Brian Brinkman. All music composed by Amar Sastry, unless otherwise noted. Logo design by Liz Bee Art & Design. Special Curveball logo design by Mark Dowd. The executive producer of 36 from the Vault is RJ Bee. ---We’re thrilled to be sponsored by Grady’s Cold Brew. Use Promo Code: VAULTCheck out Green Future Wealth and mention OSIRIS to get a free report on your existing investmentsVisit Sunset Lake CBD and use promo code VAULT for 20% off your purchase---Please consider reviewing this podcast on
In this week’s episode we dive into the heart of the 1980s for a complete show at the Richmond Coliseum in Richmon, VA on November 1, 1985, as well as a segment of the September 2, 1980 show at Community War Memorial in Rochester, NY. The main show finds the band competing with the intense vibe of the scene and working to will the crowd back from the brink. As a result, it features some of the most unique setlisting we’ve heard featured on a Dick’s Picks release, regardless the era. In the 1980’s segment, we hear the band toying with “Space.” before showcasing Brent’s initial impacts on the band, through a stunning “Morning Dew.”Disc One gives us our third “Dancing In The Streets” in the last two releases. The remainder of the set is upbeat, and updated takes on 70’s Dead classics here with their full band from the 80’s. Disc Two might be the most mellow set in Dick’s Picks history as “Samson & Delila” is really the only upbeat song of the night. What follows is an hour of deeply methodical and meditative music that only makes sense when one knows the intensity of the events of the night. “High Time>He’s Gone -> Spoonful>Comes A Time>Lost Sailor>Drums -> Space -> Saint Of Circumstance” bridges the second and third discs in stunning fashion. In Disc Three we move from the contemplative to the wedding party as “Gimme Some Lovin’,” “She Belongs To Me” and “Gloria” cap off a weird set that has to be heard. Finally, the set ends with a segment from 9/2/80 with a deeply engaged “Space” fading into “Iko Iko” before a stunning “Morning Dew” and “Sugar Magnolia” closes things down. It’s a wild and unique release in the overall catalogue, one that showcases The Dead at their most 80’s in 1985.This episode is dedicated to Thoughts On The Dead.36 from the Vault is production of Osiris Media. It is edited, produced and mastered by Brian Brinkman. All music composed by Amar Sastry, unless otherwise noted. Logo design by Liz Bee Art & Design. The executive producer of 36 from the Vault is RJ Bee. ---We’re thrilled to be sponsored by Grady’s Cold Brew. Use Promo Code: VAULTCheck out Green Future Wealth and mention OSIRIS to get a free report on your existing investmentsVisit Sunset Lake CBD and use promo code VAULT for 20% off your purchase---Please consider reviewing this podcast on Apple Podcasts, or wherever you get your podcasts. We invite you to listen to Dick’s Picks Volume 22 in anticipation of our next episode, which will drop on Monday, May 3! See acast.com/privacy for privacy and opt-out information.
In this week’s episode we explore 1976 for the first time in the series with two shows culled together from the Fall of 1976: September 25, 1976 from the Cap Centre in Landover, MD, and September 28, 1976 from the Onondaga County War Memorial in Syracuse, NY. Offering a peek into the transition the Dead was embarking on as they returned to the road, we hear new songs debut, old songs return, the band tighten up, and jams flow with more song-oriented focus, rather than atmospheric jamming.Disc One, in Landover, hears the band showcase energy and tightness as “Bertha” and “New Minglewood Blues” hit on a high. “Let It Grow” features the jamming peak of the disc. Disc Two provides insight into what 1971 Dead would sound like mid-decade as older tunes return, while in the midst of a fluid set. Highlights include a pre-77 “Dancing In The Streets” groove, a “Scarlet Begonias” with a “Fire” jam, some five months before the debut of “Fire On The Mountain,” and a languid “St Stephen/NFA” suite. Disc Three kicks us up to Syracuse with a few repeats, and great playing in “New Minglewood Blues” + another killer “Let It Grow,” this time segueing into “Going Down The Road Feelin’ Bad.” Disc Four might be the peak of the whole release with a transcendent segment that reads: “Playing In The Band -> The Wheel -> Samson & Delila -> Comes A Time> Drums -> Eyes Of The World -> Orange Tango Jam -> Dancing In The Streets -> Playing In The Band.” A full “Playing” suite Set II, a great preview of the highs of 77/78.36 from the Vault is production of Osiris Media. It is edited and produced and mastered by Brian Brinkman. All music composed by Amar Sastry, unless otherwise noted. Logo design by Liz Bee Art & Design. The executive producer of 36 from the Vault is RJ Bee. ---We’re thrilled to be sponsored by Grady’s Cold Brew. Use Promo Code: VAULTCheck out Green Future Wealth and mention OSIRIS to get a free report on your existing investmentsVisit Sunset Lake CBD and use promo code VAULT for 20% off your purchase---Please consider reviewing this podcast on Apple Podcasts, or wherever you get your podcasts. We invite you to listen to Dick’s Picks Volume 21 in anticipation of our next episode, which will drop on Monday, April 19! See acast.com/privacy for privacy and opt-out information.
In this week’s episode we dive back into Fall 1973 Dead for an exploration of Dick’s Picks Vol. 19 from October 19, 1973 at the Fairgrounds Arena in Oklahoma City, Oklahoma. A single-show snapshot of The Dead as they launched into their lauded Fall 1973 Tour, we hear the musical explorations and immediate brilliance which would lead to two previous Dick’s Picks releases in Vol. 1 and Vol. 14. Disc One features some quality, albeit slowed down, performances of some of the band’s favorite tracks from the era, with excellent takes on “Sugaree” and “Tennessee Jed.” Disc Two kick’s off with a wild, near-20min take on “Playin’ In The Band” alongside a fiery take on “China Cat Sunflower -> I Know You Rider.” Disc Three is the gem of the release, with a 25min “Dark Star -> Mind Left Body Jam” kicking things off before moving into “Morning Dew” and a hot “Sugar Magnolia''. A double encore closes out the release with a phenomenal ‘73 “Eyes Of The World” moving into “Stella Blue” before “Johnny B Goode” sends us on our way with a Berry Bookend. It’s a great way to jump back into Season 3 of 36 From The Vault!36 from the Vault is production of Osiris Media. It is edited and produced and mastered by Brian Brinkman. All music composed by Amar Sastry, unless otherwise noted. Logo design by Liz Bee Art & Design. The executive producer of 36 from the Vault is RJ Bee. ---We are proud to be sponsored by The Latin Dead who seek to channel the music of The Grateful Dead through Latin & Jazz influences. Get on the bus at http://musicbenefactors.com/latindeadWe’re thrilled to be sponsored by Grady’s Cold Brew. Use Promo Code: VAULTCheck out Green Future Wealth and mention OSIRIS to get a free report on your existing investmentsVisit Sunset Lake CBD and use promo code VAULT for 20% off your purchase---Please consider reviewing this podcast on Apple Podcasts, or wherever you get your podcasts. We invite you to listen to Dick’s Picks Volume 20 in anticipation of our next episode, which will drop on Monday, April 5! See acast.com/privacy for privacy and opt-out information.
Frank, Harrison and Nan at last come to the end of their Fellowship, Do not weep, for not all tears are an evil. Thank you, Nan. Twitter @pod_frank, @hdlichtner IG @MuscleNerdStudios Art by Paul Taylor, wapsisquare.com, twitter @pablowapsi
Frank, Harrison and Nan are now two thirds of the way through their six episode miniseries covering the Extended Editions of The Lord of the Rings. You are allowed a week intermission before beginning The Return of the King. Twitter @pod_frank, @hdlichtner IG @MuscleNerdStudios Theme Music: "Harry's A Big Nerd," By Sean Monahan Art by Paul Taylor, wapsisquare.com, twitter @pablowapsi
Frank, Harrison and guest Nan (Harrison's Grandmother) reconvene the fellowship to talk about THE fellowship. Of the Ring. THAT fellowship. Twitter @pod_frank, @hdlichtner IG @MuscleNerdStudios Theme Music: "Harry's A Big Nerd," By Sean Monahan Art by Paul Taylor, wapsisquare.com, twitter @pablowapsi
In this week’s episode we explore Dick’s Picks Vol. 18, a midwestern compilation from February 3, 1978 at the Dane County Coliseum in Madison, Wisconsin, February 4, 1978 at the Milwaukee Auditorium in Milwaukee, Wisconsin, and February 5, 1978, at the UNI-Dome in Cedar Falls, Iowa. Just six weeks on from the magical year of 1977, we find The Dead fusing their disco-dead sound with expert & lengthy jams, giving the run a mixed feeling of 1973 meeting 1977. Pieced together like a standard Set I for the era with a double-pack of Set II jam vehicles, this is a joyous compilation that gives one a true sense of what The Grateful Dead were up to in the Winter of 1978.Disc One opens with the back-to-back combo of “Bertha” and “Good Lovin’” before we dive into a seasonally appropriate “Cold Rain & Snow.” Elsewhere, “Deal” shines in the lively rock of late-70’s Dead. Disc Two is a masterpiece as the late-70’s combo of “Estimated Prophet> Eyes Of The World” before “Playin’ In The Band” jams for nearly 25min in a fusion of the late-70’s groove & early-70’s psychedilia. From there we hear the first “The Wheel” of the Dick’s Picks series before returning to “Playin’.” Disc Three provides a bonus Set II to the overall show, with a scorching “Scarlet -> Fire” that concludes with a jam heavy “Truckin’ -> Drums -> Other One> Wharf Rat.” All the flavors of Winter/Spring 1978 are represented here in a compilation that matches Dick’s Picks 4, 12 and 14 for its mastery of encapsulating an era.36 from the Vault is production of Osiris Media. It is edited and produced and mastered by Brian Brinkman. All music composed by Amar Sastry, unless otherwise noted. Logo design by Liz Bee Art & Design. The executive producer of 36 from the Vault is RJ Bee. ---In honor of the Dicks Picks series’ first appearance of “The Wheel” in Volume 18, we have a very special sponsor for this episode, the Chicago-based On Tour Brewing Company! Chicago area locals can also order for pickup or no-contact delivery, and On Tour is extending the $5 off to online orders over $30 with the Promo Code: 36VaultOnTourPlease check out Synlanwn at: https://www.synlawn.com/36ftv/Visit Section 119 at: Section119.com and enter the Promo Code: 36FROMTHEVAULTPlease visit Sunset Lake CBD at: sunsetlakecbd.com and enter the Promo Code: VAULT15---Please consider reviewing this podcast on Apple Podcasts, or wherever you get your podcasts. We invite you to listen to Dick’s Picks Volume 19 in anticipation of our next episode - our SEASON THREE PREMIER - which will drop in early 2021! See acast.com/privacy for privacy and opt-out information.
In this week’s episode we explore Dick’s Picks Vol. 17 from the Boston Garden in Boston, MA on September 25, 1991. In addition, this show features two bonus tracks from Charlotte, NC on March 31, 1991. Midway through a fantastic run at the Garden, and in some of the last shows the band would play with Bruce Hornsby, this is a great peek into the consistency of The Dead in 1991, and the benefits of playing extended gigs during this period. Steve & Rob are joined by Dead Archivist, David Lemieux, who made this his first pick in the series, for a fantastic conversation about the Grateful Dead organization & his approach to picking releases. Disco One opens with a hot “Help -> Slip -> Franklin’s” before “It Must Have Been The Roses” and “Dire Wolf” provide the surprise Double Jerry dip. Disc Two flows with jamming precision. Kicking off with the dimly lit “Victim Or The Crime,” the disc peaks with the “Playing -> Terrapin” jam session, which only goes to showcase the similarities of the two songs. Disc Three opens with the rare cover of Paul McCartney’s “That Would Be Something,” before diving into an endless run of Set Closers. The bonus material is highlighted by one of the best “Eyes Of The World” of the 90’s, and one of the best versions of it we’ve featured on the show. An absolute gem to spin, it showcases the experimental communication of the Hornsby years. 36 from the Vault is production of Osiris Media. It is edited and produced and mastered by Brian Brinkman. All music composed by Amar Sastry, unless otherwise noted. Logo design by Liz Bee Art & Design. The executive producer of 36 from the Vault is RJ Bee. ---Join the 10 million who have tried Harry’s. Claim your special trial offer by going to HARRYS.COM/36FTV.Please check out Synlanwn at: https://www.synlawn.com/36ftv/Visit Section 119 at: Section119.com and enter the Promo Code: 36FROMTHEVAULTPlease visit Sunset Lake CBD at: sunsetlakecbd.com and enter the Promo Code: VAULT15---Please consider reviewing this podcast on Apple Podcasts, or wherever you get your podcasts. We invite you to listen to Dick’s Picks Volume 18 in anticipation of our next episode - our SEASON TWO FINALE - which will drop on Monday, November 16. See acast.com/privacy for privacy and opt-out information.
In this week’s episode we explore Dick’s Picks Vol. 16 from the Fillmore Auditorium in San Francisco, CA on November 7 and 8, 1969. PRIMAL DEAD! Coming just a few weeks shy of the Altamont Festival & the end of the 1960’s, we hear The Dead in a period of growth and transition. Just three months later they’ll be performing what many consider their greatest shows of all time (2/13-14/70 at the Fillmore East), we hear the seeds of that show, while also taking a reflective look back at their thematic brilliance of the 1960s.In Disc One, we hear an early, up-beat & extended take on “Dire Wolf,” a fiery “China Cat Sunflower -> I Know You Rider,” and the first ever “Cumberland Blues.” Disc Two is up there with the best of the entire series as “Dark Star” jams deep before transitioning into a stunning segment which reads: “-> The Other One -> Dark Star -> Uncle John’s Band Jam -> Dark Star -> St. Stephen -> The Eleven.” Displaying their fluidity during the era, while also preluding some of their lengthy excursions from the early 70’s, it’s a monumental jam segment & should be a standard CD in every Deadhead’s car. Finally, in Disc Three, we throw the reigns to Pigpen while hearing some of the wildest psychedelic/blues jamming in Dead history. 36 from the Vault is production of Osiris Media. It is edited and produced and mastered by Brian Brinkman. All music composed by Amar Sastry, unless otherwise noted. Logo design by Liz Bee Art & Design. The executive producer of 36 from the Vault is RJ Bee. ---Join the 10 million who have tried Harry’s. Claim your special trial offer by going to HARRYS.COM/36FTV.Please check out Synlanwn at: https://www.synlawn.com/36ftv/Visit Section 119 at: Section119.com and enter the Promo Code: 36FROMTHEVAULTPlease visit Sunset Lake CBD at: sunsetlakecbd.com and enter the Promo Code: VAULT15---Please consider reviewing this podcast on Apple Podcasts, or wherever you get your podcasts. We invite you to listen to Dick’s Picks Volume 17 in anticipation of our next episode which will drop on Monday, November 2. See acast.com/privacy for privacy and opt-out information.
As we continue our journey through the tracklisting of the HELP album we meet Neneh Cherry, James Dean Bradfield from Manic Street Preachers, Blur, Paul Weller, Terrorvision and Salad. Plus we hear some rather fine music and we find out how War Child got The KLF and Sir Paul McCartney on their record.
Bob Dylan's Japanese Las Vegas Part Two. Featuring new segment "what mustard is this album?" plus a shocking star-ranking reveal. Jokermen. See acast.com/privacy for privacy and opt-out information.
another self portrait See acast.com/privacy for privacy and opt-out information.
Carole Baskin. Killed her husband—whacked him, can't convince me—that it didn't happen, fed him to tigers—they snackin. What's happnin? Carole Baskin. Okay, Okay now log off of TikTok, put the kids to bed, throw on your favorite band tee, pour yourself a cold one while charging yourself $11, and have a seat. It's episode 18, we're live and always 6 feet apart. This week is part two of a two-part discussion about live albums. A live album certainly has a place in recorded music, but not everyone agrees on what that place is or even how important a live album is overall. This week we talk more about "fake" live albums, our overall favorites, live albums that are considered iconic, their relevancy in today's music, and more. We cover it all in this jam-packed two-parter! Disc 2 of 2, LET'S GO!!! #TellKyleWhatToDo --- Support this podcast: https://anchor.fm/infectiousgroovepodcast/support
Jason Arriola and Dominic Chavez continue with the Falcom madness! We continue our discussion on The Legend of Heroes: Trails of Cold Steel III as we cover the second disc of the soundtrack. We’ll give you a few days to get caught up, and then the next two episodes will be up, with the final one coinciding with […]
Jason Arriola and Dominic Chavez are wrapping their discussion on Baten Kaitos: Eternal Wings and the Lost Ocean. We loved this one, but Jason may have picked a few that Dominic wasn’t as keen on. Hey, we can’t always agree! All in all though. we loved this soundtrack and we’re looking forward to covering more of Motoi Sakuraba’s […]
Jason Arriola and Dominic Chavez finish up their tribute to the longtime Editor-in-Chief of RPGamer, Michael ” Macstorm” Cunningham. We take a deep look into the second disc of the Ys Seven soundtrack for what is easily our longest episode yet. This episode also acts as a great primer for people looking to get into […]
Happy birthday to us - sixth birthday, to be exact. What better way to celebrate than digging into six sextets like they were delicious pieces of cake? And if anyone has the complete run of John Zorn birthday cd's (all five-hundred of 'em), please let Mike or your therapist know. Jeremy Pelt – INSIGHT; Jon Jang – TWO FLOWERS ON A STEM; Lester Young – SEXTET 1939; John Kirby – COMPLETE SEXTET RECORDINGS DISC ONE; Albert Ayler – NEW YORK EYE AND EAR CONTROL; Bar Kokhba Sextet – 50th BIRTHDAY CELEBRATION VOL 11 DISC TWO.
Faramir ponders the nature of war, and Gimli explains about dwarf women. GUEST: Rachel Gatlin Email us: contact@lordoftheringsminute.com Follow us on Facebook, Twitter, and Tumblr And be sure to join our listener group: Fellowship of the Mic! Special Thanks to Patreon Associate Producer: Ed Foster
For their third album, Rae Sremmurd have released a massive triple-disc of new music. Disc One, called Sr3mm, is a spiritual successor to the first two Rae Sremmurd albums, with the artful mix of catchy hooks and shout-along verses. Disc Two is a solo album from Swae Lee called Swaecation. Disc Three is a solo album from Slim Jxmmi called Jxmtro. All together it clocks in at a staggering hour and 40 minutes.An album review by Wren Graves.Learn more about your ad choices. Visit megaphone.fm/adchoices For information regarding your data privacy, visit acast.com/privacy
20 years later - A Modern Mix, Vol. 2
Don’t miss Ryan Hagan talk about what he learned leading teams at an ‘idyllic’ company that was growing quickly, had some of the top customer engagement, employee engagement and manager effectiveness scores in the country and was a nationally recognized Best Place to Work. More importantly, hear about how he applied those philosophies to a struggling software company to completely transform the way they do business. Today we sound off about: Stories: Why Ryan took on the challenge of turning around a struggling software company as a way to prove that his methodologies are sound When and why he became focused on being a great leader How the book “Drive” by Daniel Pink changed the way he leads Tips, Tools & Resources: Lack of discipline: How it gets companies into trouble Agile Philosophies & Daily Standups: How they helped strengthen the company Performance Review Process: Why they blew theirs up Employee Engagement Surveys: Why they matter and how he uses them Intentional Process Design: How he transformed the product development process, the sales process and the culture Net Promoter Scores: What it is, why and how they use it Strengths Profile and DISC: Two tools that help him build strong relationships with the members of his team One on One’s: Why you need to do them weekly even though you don’t agree Culture Change: The number one thing he’s done
First Impressions is back once again! This week, we talk about news, Kesha vs. Dr Luke, festival lineups and then our albums of the week: The Black Album and Forget and Not Slow Down. We hope you enjoy it! Apologies for the slight sound issues (again) at the beginning of the podcast, it gets sorted 10 minutes in! To make up for this, have a photo of us (and Charlotte) being idiots at Enter Shikari - http://imgur.com/CmDGuHC Recommendations - Listen to Sahara from Forget and Not Slow Down! - Wes Anderson films! We watched Rushmore this week and it was great, as is the Life Aquatic - Rick - The Used's In Love and Death, Two Steps From Hell's Solaris (especially if you play video games) - Romy - Somos's First Day Back, The Lightning Seeds' Cloudcuckooland You can subscribe to the podcast on iTunes if you so desire (and rate/review us too if you’re feeling super generous!), and is also available on Overcast, Stitcher and TuneIn. iTunes - itunes.apple.com/gb/podcast/first…d1079801210?mt=2 Overcast - https://overcast.fm/itunes1079801210/first-impressions Stitcher - http://www.stitcher.com/s?fid=82642&refid=stpr TuneIn - http://tunein.com/radio/First-Impressions-p831744/ Please direct any questions/thoughts/abuse (please don’t abuse us, we’re very sensitive souls) to one of us, Soundcloud or our email, podcastfirstimpressions@gmail.com. Next week’s albums: Dream Theater's "Six Degrees of Inner Turbulence" (Disc Two) vs. Frightened Rabbit's "The Midnight Organ Fight"
Yup... we're back to Steam Powered Giraffe. And it's a special double disc day! The Vice Quadrant, the fourth installment of the steampunk / "broadway"-esque act (chronicling the adventures of three antique malfunctioning musical robots) was released September 2015, and, as promised in their previous release MK III, they're in spaaaace! Although today marks a rare third visit to an artist for us (after episodes 39 & 72), the "space" sales pitch was simply too tempting to resist. We will, however, bite the hook on one count: being a double disc, an unstreamable album, and an extra long episode, this one's likely just for the SPG fans. If you count yourself in that crowd---but still have a critical ear---then join us in this hefty analysis and share your thoughts below! Hopefully our 'Disc Two' "bookmark" at 1:23:30 will help manage your time. Continue reading
Disc Two of a mix set from the Sound Cartel bros. DJ Nugz and Marshall Jones. The 2 mixes were recorded for a Hurricane Sandy Red Cross fundraiser held in Raleigh NC in December of 2012. Nugz's mix contains a variety of flavors from deep house, to jackin and funkin with a hint of latin to round it off. A great mix for the ipod or the dance floor! Visit www.soundcartel.net Track list: 1. Mainline (Dub) -Tensnake feat. Syron2. Everybody Get Up -Max Padovani3. Gotta Do Right -Rescue & Uriah West4. Street Dreamz -James Shoji5. Imma Let You Know -J Paul Getto6. 48 Hours (Original Mix) -J Paul Getto7. Don't Underestimate -Gabriel & Castellon8. A Digital Frontier (Jask Re-Work) -Jedthai Knights9. Jungle Strut (Club Mix) - Terry Hunter10. Rumba Catalana (Souljackerz Eivissa Remix) -Garrett and Ojelay11. Babylon (Into A Groove) Remix -Grant Nelson12. Lust For Life (Soulavengerz Remix) -Hardsoul feat. Candy Dulfer13. Summer Haze (Ibiza Vocal Mix) -Grant Nalder
Disc Two. Flashback to 2003 - 2007 Day-club Vocal House. For more in this series head to www.markalsop.com . In 2003, a small club opened it's doors underneath the famed JBF building at Taylor Square, Sydney. It's name : Manacle. Within a few months the idea of a Day Club emerged. At first it was slow going and I remember playing to only a few people, but as word spread, all that was to change.Within the next six weeks it quickly became THE place to be. The name Manacle was on everybody's lips and the new Day Club "BENT" was born.People arrived after dancing all night in the nightclubs as well as those that would miss the Saturday nights entertainment along Oxford Street, so that they could awake at 6.30am and be fresh faced for the opening of BENT at 7am on the Saturday, Sunday and Monday mornings.Manacle not only saw the emergence of BENT, but also other regular events like D2D (Dusk@Dawn), Man Hole and Manoeuvres. Throughout the history of Manacle I also became the Friday night resident and saw the birth of an extremely popular night entitled BOYZONE and then the later famed GRUNT.I hope you enjoy this journey back to those days. The double CD was originally entitled UNITY. The triple set was FAITH, HOPE & CHARITY. The earliest recording done in 2003/04 is called League. ALL these releases were only given to friends and the most loyal customers. This is the very first time that they have ever appeared digitally and available on the internet.I sincerely hope you enjoy this Flashback to the music that helped create the most popular and notorious Day Club in Australian history.A special thank you to Andrew Clarke & Stuart Fraser for creating such an amazing piece of Australian Gay history and for also providing the logo! For a complete listing of Podcasts please navigate to www.markalsop.com Join the MA15+ Facebook group click here For i-Tunes subscriptions click here
Rare Frequency Podcast 30: Hot Stuff Note: Yes, I play the same Philip Jeck piece in consecutive podcasts. What excuse can I possibly offer? Well, uh, it really is hot. (opening music: Warner Jepson, “Skate Date,” Totentanz And Other Electronic Work 1958-1973 (Disc Two) (Expanding Melon) 2CD) 1 Alva Noto, "u_07" Unitxt (Raster-Noton) CD 2008 2 Frank Bretschneider, "Rand" Rand (Mille Plateaux) CD 2000 3 Philip Jeck, "Shining" Sand (Touch) CD 2008 4 DJ /Rupture vs. Badawi Quintet, "Ipanema Under Fire" Unit of Resistence (Roar) CD 2008 5 Asmus Tietchens, "Rosenkranz" Mysteries of the Organ (Die Stadt) CD 2008 6 Burning Star Core, "Challenger" Challenger (Hospital Productions) CD 2008 7 Kevin Drumm, "Snow" Imperial Distortion (Hospital Productions) CD 2008 8 Byetone, "Heart" Death of a Typographer (Raster-Noton) CD 2008 9 Gas, "Zauberberg 6" Nah und Fern (Kompakt) 4CD 2008