Podcasts about ionesco

Episode 095: Rhinoceros by Eugène Ionesco Host: Douglas Schatz Guest: Omar Elerian Welcome to The Play Podcast where we explore the greatest new and classic plays. Each episode we choose a single play to talk about in depth with our expert guest. We'll discuss the play's origins, its themes, characters, structure and impact. For us the play is the thing. A rhinoceros charges through the square of a small French village, and soon all of its inhabitants are being transformed into rhinoceros themselves. Eugène Ionesco's 1959 absurdist satire, Rhinoceros, was conceived as a metaphor for support for the rise of Fascism in Europe between the world wars, and for conformism more generally. As we record this episode an imaginative new adaptation of the play is playing at the Almeida theatre in London, and I'm delighted to be joined by the show's translator and director, Omar Elerian.

O piesă avangardistă scrisă în 1959, în care dramaturgul franco-român Eugène Ionesco avertiza împotriva puterii subjugatoare a fascismului. Într-un articol de opinie, The Boston Globe lansează un avertisment relevant pentru America lui Donald Trump. Dar și pentru Europa. Și, evident, pentru România. Povestea este următoarea: într-o zi, într-un sat francez liniștit, oamenii încep brusc și fără explicații să se transforme în rinoceri. La început, locuitorii sunt șocați și scandalizați. Trebuie făcut ceva! Dar aproape imediat se răzgândesc și, după ce îi comndamnă pe rinoceri, ajung și ei să fie transformați.Bérenger, un funcționar public ciufulit căruia îi place să bea și să lenevească, este singurul care se opune. La sfârșitul piesei, el este literalmente ultimul om în picioare, înconjurat de rinocerii furioși care îi fuseseră odată prietenii, colegii, vecinii. „Vai de cel care vrea să-și păstreze originalitatea!” declară el publicului, stând în picioare pe scenă, singur și neajutorat.Piesa poate părea teribil de sumbră și deprimantă, dar este de fapt destul de amuzantă. Mai ales când săteanul care se opune cel mai deschis vânării rinocerilor explică de ce se răzgândește și se alătură turmei: „Trebuie să te miști odată cu vremurile!”Citeste siPiesele lui Eugen Ionescu se joacă neîntrerupt de 67 de ani la ParisIonesco, acest român năzdrăvan și cu o față tristă, care și-a petrecut cea mai mare parte a vieții în Franța, a explicat că s-a bazat pe experiențele sale din România interbelică, în timpul ascensiunii Gărzii de Fier, mișcarea fascistă a țării. Dar el a insistat, de asemenea, că nu era vorba doar despre nazism.Rinocerii sunt naziștii, dar pot fi și comuniștii, staliniștii, totalitarii în general.Lecțiile? Să nu urmezi orbește pe nimeni sau ceva, mai ales o mulțime. Fii mereu sceptic. Pune întotdeauna întrebări. Gândește întotdeauna pentru tine.Avem adesea senzația că asistăm la o punere în scenă dementă și superlativă a piesei, în timp ce o mulțime de persoane și instituții, una după alta, se închină în fața lui Donald Trump și a mișcării sale autoritare MAGA.Acest sentiment s-a înzecit de când Trump a câștigat un al doilea mandat și, împreună cu acolitul său Elon Musk, a început să guverneze prin decrete, fără ca republicanii să scoată măcar un cuvânt de dezaprobare.Citeste siPoșta franceză îi aduce un omagiu lui Eugène Ionesco și publică un timbru în ediție limitatăEste tulburător să vezi cât de îndeaproape a urmat traiectoria Partidului Republican în ultimii zece ani pe cea a sătenilor rinocerizați. La fel ca ei, instituțiile, oficialii și aleșii republicani au reacționat inițial la sosirea lui Trump cu dezgust și repulsie. Și, la fel ca ei, au strigat că trebuie făcut ceva pentru a opri acest lucru. Apoi, brusc, ca și cum ar fi fost peste noapte, s-au răzgândit.La fel ca sătenilor din piesă, în acest moment le-au apărut umflături, primele semne ale coarnelor, iar pielea lor s-a îngroșat și s-a înverzit [în piesă, rinocerii sunt verzi, poate o aluzie la culoarea cămășilor membrilor Gărzii de Fier].Dar republicanii nu sunt singurii care au cedat rinocerizării.Conformismul a infectat, de asemenea, mari secțiuni ale Partidului Democrat, precum și o mare parte din mediul academic, industria editorială, Hollywood-ul, elitele jurnalistice, organizațiile de advocacy, organizațiile non-profit și ONG-urile, precum și intelectualii de stânga.Rinocerul ne arată unde ne aflăm și cum am ajuns aici. Ora poate părea întunecată, dar finalul piesei este o sursă de alinare și inspirație. În ultimul moment, Bérenger se smulge din disperare și jură să lupte: „Sunt ultimul om, voi rămâne așa până la sfârșit! Nu mă voi preda!”(Articol adaptat după Courrier International). Ascultați rubrica ”Eurocronica”, cu Ovidiu Nahoi, în fiecare zi, de luni până vineri, de la 8.45 și în reluare duminica, de la 15.00, numai la RFI România

durée : 00:06:33 - Le Masque et la Plume - Dans "Grand Amour", Eva Ionesco poursuit son œuvre autobiographique en explorant les thèmes de l'amour, de la liberté de la quête d'innocence. Un récit marqué par la beauté et la réminiscence qui a divisé les critiques du Masque.

durée : 00:47:48 - Le Masque et la Plume - par : Rebecca Manzoni - Un roman d'horreur dans une maison abandonnée de banlieue avec cinq ados ; une éducation aisée confrontée aux carcans du genre et à la liberté sexuelle ; la lutte et la mort solitaire d'un juge antimafia ; un roman basé sur la fascination des procès Depp/Heard ; le récit d'une jeunesse détruite… - invités : Arnaud Viviant, Hubert ARTUS, Jean-Marc Proust, Elisabeth Philippe - Arnaud Viviant : Critique littéraire (Revue Regards), Hubert Artus : Journaliste et chroniqueur littéraire (Lire, L'Optimum), Jean-Marc Proust : Auteur et critique (Slate), Elisabeth Philippe : Critique littéraire (L'Obs) - réalisé par : Guillaume Girault

durée : 00:35:25 - Les Nuits de France Culture - par : Mathilde Wagman - Par Roger Pillaudin - Lectures "Exercices de style" de Raymond Queneau, par Raymond Queneau, Eugène Ionesco, François Le Lionnais, Armand Salacrou et Jacques Prévert - Réalisation Henri Soubeyran - réalisation : Virginie Mourthé

Extrait de l'épisode SARTRE - On a la vie qu'on mériteCet épisode sera publié sur YouTube et en podcast vendredi prochain le 2 maiIl est d'ores et déjà disponible en intégralité sur ma page Patreon : https://www.patreon.com/posts/127269685Distribué par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

Michel Vust, directeur général de la culture de lʹEtat de Vaud, présente lʹexposition "Etienne Delessert. Illuminateur", conçue en hommage à lʹartiste qui a fait don peu avant sa disparition en 2024 de 220 œuvres au Canton de Vaud. Autodidacte et artiste protéiforme distingué par le Grand Prix suisse du Design en 2023, Etienne Delessert, en 60 ans de carrière, a illustré plus de 80 livres pour enfants, certains traduits en 14 langues, et vendus à des millions dʹexemplaires. Précurseur du nouveau livre dʹimages pour enfants apparu dans les années soixante, il a notamment collaboré avec Jean Piaget, Henri Dès ou encore Eugène Ionesco, et contribué à The Atlantic Monthly, The Boston Globe, Fortune, The New York Times ou encore The Wall Street Journal ainsi quʹaux magazines suisses Construire ou LʹHebdo. Cette exposition co-organisée avec Plateforme 10 et ses musées (MCBA, mudac et Photo Elysée) est à voir à lʹEspace Arlaud du 28 mars au 29 juin 2025. Michel Vust est lʹinvité de Rafael Wolf. Avec lʹinterview-portrait de Yacine Nemra.

From MPR News, Art Hounds are members of the Minnesota arts community who look beyond their own work to highlight what's exciting in local art. Their recommendations are lightly edited from the audio heard in the player above. Want to be an Art Hound? Submit here.Vanishing flora, captured on handmade PaperMinneapolis-based visual and teaching artist Ilene Krug Mojsilov recommends “Vanishing Flora: Fiber Art,” an exhibition by Amanda Degener at the Northside Artspace Lofts Gallery in Minneapolis. The show runs through May 25. Visitors can enter the gallery by calling or buzzing the office, open Thursdays 9 a.m. to 3 p.m. and Fridays 9 a.m. to 1 p.m. A poetry and potluck event will be held May 18.Mojsilov explains that Degener's work highlights endangered plant species. The exhibition includes 18 framed handmade paper works, with pulp manipulated to form plant imagery. Eight handmade planters, constructed from up-cycled wood, spell out “in danger.” Suspended discs depicting endangered plants, made from frozen paper, gradually melt into the planters, which are seeded with native flowers that will grow over the exhibit's duration.Krug said: I could go on and on about Amanda's artwork, because she's part scientist. She's a chemist. She researches all her subjects to the T. She's a specialist in handmade paper and the history of handmade paper, she collects fibers from all over the world.— Ilene Krug MojsilovA 21st Century Take on Theater of the AbsurdTheater maker Harry Waters, Jr. attended the opening night of Pangea World Theater's staging of “Rhinoceros,” directed by Dipankar Mukherjee. The absurdist play by French playwright Eugène Ionesco was written in 1958 and follows the transformation of a town's residents into rhinoceroses — all except one, the least heroic character.The show runs through April 19 at the Southern Theater in Minneapolis.Waters praised the production's creativity: inventive lighting, a soundscape of Indigenous music, strong choreography and a diverse cast of professional and amateur actors.Harry said: The gift, I would have to say, of what Dipankar gives to this adaptation [is] that it starts huge, and then, as the story goes, it winnows down to this very simple, important issue of the one human being that's standing in resistance to all the totalitarianism and the conformity ... how are we also taking our own stands in spite of everything that's being thrown [at us] that really allows us to know that we're not crazy, that it is not insane that you're standing strong. So that's a conceptual thing that I was really quite pleased to see without being beaten over the head by it.— Harry Waters, Jr.A Multimedia Symphony in the South MetroRetired attorney and former St. Olaf Choir singer Maren Swanson of Burnsville is excited for a joint choral performance at Shepherd of the Lake Lutheran Church in Prior Lake this Saturday at 4 p.m. South Metro Chorale will perform alongside Singers in Accord and Kantorei, with the Metropolitan Symphony Orchestra, conducted by Kathy Saltzman Romey.The concert features “The Notebooks of Leonardo da Vinci,” a multimedia symphony by Minnesota composer Jocelyn Hagen.Maren said: I heard Jocelyn speak once about having grown up in a musical family in a small town in North Dakota, and about singing and playing piano from the age of three, she said that she lay in bed as a as an older child, hearing orchestral music in her head and wishing she knew how to write the music down. Well now we get to hear the enchanting music in her head. The work has been performed all across the country and internationally. I actually heard it in Croatia in 2023. The libretto features an English translation of select texts from the notebooks of Da Vinci. The score is soaring, sometimes lyrical, sometimes percussive, always gorgeous. The video uses a new technology that allows it to be synced to the nuances of the music as conducted in a live event. In effect, the video is played like an instrument of the orchestra responding to the conductor, and so every performance is spontaneous and unique. The video features an unfolding of text and images from the notebooks and other animated images that bring the music to life.— Maren Swanson

Gabriella Bosco"I frutti del Congo"Alexandre VialattePrehistorica Editorewww.prehistoricaeditore.itI Frutti del Congo, è innanzitutto un volantino pubblicitario di una magnifica donna nera che porta con sé dei limoni d'oro. Ma anche i sogni degli scolari di una cittadina della montagnosa Alvernia, per i quali questa illustrazione simboleggia l'impresa estrema, la poesia stessa dell'esistenza.Cos'è del resto l'adolescenza? Proprio questa è la questione cui l'autore risponde, senza di fatto avere bisogno di rispondere, in questo romanzo. Vialatte infatti ci mostra l'adolescenza, con le sue stravaganze, le sue sublimi aspirazioni, i suoi amori febbrili; ci mostra al tempo stesso una città di provincia con le sue kermesse, il suo assassino, il suo dottore, il liceo e la piazza.Ode alla poesia del quotidiano, alla creatività e all'evasione, ma anche dura critica della società di consumo, I Frutti del Congo si dà come “uno dei più grandi romanzi francesi del XX secolo” – secondo il critico Pierre Jourde –, il capolavoro dell'avventura immaginata. Si tratta di un'opera dall'ambizione altissima, fulgida metafora della Letteratura.Alexandre Vialatte, divenuto celebre per aver fatto conoscere per primo ai francesi le opere di Kafka, e per avere tradotto autori del calibro di Nietzsche, Goethe, von Hoffmannsthal, Mann, Brecht, Alexandre Vialatte (1901 Magnac-Laval – 1971 Parigi) ha nel corso degli anni dato prova di un'immensa creatività artistica, che lo ha portato a spaziare dalla poesia alla cronaca letteraria, per arrivare al romanzo. Ha pubblicato presso alcune delle più prestigiose case editrici d'oltralpe, tra le quali Gallimard e Juillard. Oggi, è universalmente annoverato dalla Critica nella categoria dei grandi classici senza tempo.Gabriella Bosco, la traduttrice di questo libro, insegna letteratura francese all'Università di Torino. Si occupa di teoria della letteratura, stadiando in particolare le neo-avanguardie e le scritture narrative in prima persona. Scrive di letteratura su varie testate italiane e francesi. Traduce romanzi e saggi. Tra gli autori tradotti Eugène Ionesco, Samuel Beckett, Philippe Forest.IL POSTO DELLE PAROLEascoltare fa pensarewww.ilpostodelleparole.itDiventa un supporter di questo podcast: https://www.spreaker.com/podcast/il-posto-delle-parole--1487855/support.

durée : 00:03:23 - Le Regard culturel - par : Lucile Commeaux - L'écrivaine et réalisatrice Eva Inonesco fait paraître, chez Robert Laffont, un nouveau récit dans lequel elle revient sur son adolescence mouvementée. Un récit de jeune fille complètement à contre-courant de ce qui s'écrit et se décrit aujourd'hui.

Os convidados do programa Pânico dessa quarta-feira (12) são Eduardo Sterblitch e Ricardo Ventura.Eduardo SterblitchLuiz Eduardo Sterblitch Páschoa é humorista, ator, roteirista, cantor e apresentador de TV que se tornou conhecido nacionalmente quando se juntou ao Pânico na TV, exibido de 2003 a 2012 pela RedeTV! e posteriormente pela Rede Bandeirantes, exibido entre 2012 e 2017. É casado com a atriz Louise D'Tuani.De origem judaica, Eduardo começou a estudar teatro aos três anos de idade, quando sua mãe, Jacqueline Sterblitch, matriculou-o em um curso livre na Casa de Cultura Laura Alvim, no RJ. Aos três anos de idade, ficou fascinado com a tradicional dupla de palhaços Xuxu e Xuxuzinho, que foi contratada por sua família para seu aniversário.A partir daí, por muitos anos exigia a presença desta dupla de artistas, que foram a primeira grande influência em sua futura carreira. Além destes, recebeu influência de referências como Antonin Artaud, Samuel Beckett, Eugène Ionesco, Jim Carrey, Mr. Bean, Charlie Chaplin, Buster Keaton, Monty Python, Nietzsche, Schopenhauer, Harold Lloyd, Andy Kaufman e diversos nomes igualmente importantes. Mais tarde, aos 8 anos, ingressou no Teatro O Tablado, onde sua tia avó era diretora.Eduardo Sterblitch, estreou no gênero musical com o premiado “Beetlejuice”, eleito o musical do ano em 2024 e que o consagrou como melhor ator de musicais nos prêmios PRIO do Humor, Bibi Ferreira e Destaque Imprensa Digital. Recentemente, sua atuação na temporada carioca de "Uma Babá Quase Perfeita" garantiu a ele uma nova indicação ao Prêmio PRIO do Humor, reafirmando sua capacidade de se reinventar e surpreender. O musical está em cartaz em São Paulo, no Teatro Liberdade.Redes Sociais:Instagram: https://www.instagram.com/sterblitch/Instagram musical: https://www.instagram.com/umababaquaseperfeitaomusical/Ricardo VenturaRicardo Ventura é psicanalista, cientista comportamental, autor e criador do canal “Não Minta Pra Mim” no YouTube. Ele é pioneiro na aplicação da Programação Neurolinguística (PNL) e escreveu cinco livros de sucesso, incluindo “Crenças”, “Comunicar, Vender e Negociar com PNL” e “Espero que Você Morra”, que se tornaram best-sellers na Amazon.Redes Sociais:Instagram: https://www.instagram.com/naomintapramimoficial/YouTube: Não Minta Pra Mim

durée : 01:22:50 - Toute une vie - Qui était Alphonse Allais ? Son nom sonne parfois comme un mot de passe. Né en 1854 à Honfleur, en Normandie, et mort en 1905 à Paris, il est écrivain et humoriste. Avec ses personnages récurrents comme le Captain Cap ou d'inventions délirantes comme la belle-mère explosible, voici une référence. - invités : Jacques Roubaud Poète et mathématicien français; François Caradec; Eugène Ionesco; Gérard Calvi

Dokumentarische Ästhetik und theaterhafte Inszenierung sollen das Bühnenstück Die Nashörner von Eugène Ionesco lose adaptiert, mehr als Inspiration umgesetzt, auf die Kinoleinwand bringen. Regisseur Amos Gitai gelingt das mit Shikun nur bedingt und insgesamt zu arm an inhaltlicher Vielschichtigkeit, als dass dessen filmisch reduzierte Darstellung nicht schnell bloß in gut gemeinte, stark gespielte Banalität abdriftet.

Staging Sovereignty: Theory, Theater, Thaumaturgy (Columbia University Press, 2024) explores the relationship between theater and sovereignty in modern political theory, philosophy, and performance. Author Arthur Bradley considers the theatricality of power—its forms, dramas, and iconography—and examines sovereignty's modes of appearance: thrones, insignia, regalia, ritual, ceremony, spectacle, marvels, fictions, and phantasmagoria. He weaves together political theory and literature, reading figures such as Plato, Aristotle, Montaigne, Leibniz, Kant, Hegel, Schmitt, Benjamin, Derrida, and Agamben alongside writers including Shakespeare, Cervantes, Schiller, Melville, Valéry, Kafka, Ionesco, and Genet. Arthur Bradley is professor of comparative literature at Lancaster University. His most recent book is Unbearable Life: A Genealogy of Political Erasure (Columbia, 2019). Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Staging Sovereignty: Theory, Theater, Thaumaturgy (Columbia University Press, 2024) explores the relationship between theater and sovereignty in modern political theory, philosophy, and performance. Author Arthur Bradley considers the theatricality of power—its forms, dramas, and iconography—and examines sovereignty's modes of appearance: thrones, insignia, regalia, ritual, ceremony, spectacle, marvels, fictions, and phantasmagoria. He weaves together political theory and literature, reading figures such as Plato, Aristotle, Montaigne, Leibniz, Kant, Hegel, Schmitt, Benjamin, Derrida, and Agamben alongside writers including Shakespeare, Cervantes, Schiller, Melville, Valéry, Kafka, Ionesco, and Genet. Arthur Bradley is professor of comparative literature at Lancaster University. His most recent book is Unbearable Life: A Genealogy of Political Erasure (Columbia, 2019). Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/political-science

Staging Sovereignty: Theory, Theater, Thaumaturgy (Columbia University Press, 2024) explores the relationship between theater and sovereignty in modern political theory, philosophy, and performance. Author Arthur Bradley considers the theatricality of power—its forms, dramas, and iconography—and examines sovereignty's modes of appearance: thrones, insignia, regalia, ritual, ceremony, spectacle, marvels, fictions, and phantasmagoria. He weaves together political theory and literature, reading figures such as Plato, Aristotle, Montaigne, Leibniz, Kant, Hegel, Schmitt, Benjamin, Derrida, and Agamben alongside writers including Shakespeare, Cervantes, Schiller, Melville, Valéry, Kafka, Ionesco, and Genet. Arthur Bradley is professor of comparative literature at Lancaster University. His most recent book is Unbearable Life: A Genealogy of Political Erasure (Columbia, 2019). Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

Staging Sovereignty: Theory, Theater, Thaumaturgy (Columbia University Press, 2024) explores the relationship between theater and sovereignty in modern political theory, philosophy, and performance. Author Arthur Bradley considers the theatricality of power—its forms, dramas, and iconography—and examines sovereignty's modes of appearance: thrones, insignia, regalia, ritual, ceremony, spectacle, marvels, fictions, and phantasmagoria. He weaves together political theory and literature, reading figures such as Plato, Aristotle, Montaigne, Leibniz, Kant, Hegel, Schmitt, Benjamin, Derrida, and Agamben alongside writers including Shakespeare, Cervantes, Schiller, Melville, Valéry, Kafka, Ionesco, and Genet. Arthur Bradley is professor of comparative literature at Lancaster University. His most recent book is Unbearable Life: A Genealogy of Political Erasure (Columbia, 2019). Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/performing-arts

Staging Sovereignty: Theory, Theater, Thaumaturgy (Columbia University Press, 2024) explores the relationship between theater and sovereignty in modern political theory, philosophy, and performance. Author Arthur Bradley considers the theatricality of power—its forms, dramas, and iconography—and examines sovereignty's modes of appearance: thrones, insignia, regalia, ritual, ceremony, spectacle, marvels, fictions, and phantasmagoria. He weaves together political theory and literature, reading figures such as Plato, Aristotle, Montaigne, Leibniz, Kant, Hegel, Schmitt, Benjamin, Derrida, and Agamben alongside writers including Shakespeare, Cervantes, Schiller, Melville, Valéry, Kafka, Ionesco, and Genet. Arthur Bradley is professor of comparative literature at Lancaster University. His most recent book is Unbearable Life: A Genealogy of Political Erasure (Columbia, 2019). Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/intellectual-history

Staging Sovereignty: Theory, Theater, Thaumaturgy (Columbia University Press, 2024) explores the relationship between theater and sovereignty in modern political theory, philosophy, and performance. Author Arthur Bradley considers the theatricality of power—its forms, dramas, and iconography—and examines sovereignty's modes of appearance: thrones, insignia, regalia, ritual, ceremony, spectacle, marvels, fictions, and phantasmagoria. He weaves together political theory and literature, reading figures such as Plato, Aristotle, Montaigne, Leibniz, Kant, Hegel, Schmitt, Benjamin, Derrida, and Agamben alongside writers including Shakespeare, Cervantes, Schiller, Melville, Valéry, Kafka, Ionesco, and Genet. Arthur Bradley is professor of comparative literature at Lancaster University. His most recent book is Unbearable Life: A Genealogy of Political Erasure (Columbia, 2019).

Shikun | Das Nashorn im Menschen In „Shikun“ geht es um eine Gruppe von Menschen unterschiedlicher Herkunft und Sprache, die gemeinsam in einem Gebäude in Israel – dem titelgebenden „Shikun“ – leben. Der Film erzählt in episodenhafter Struktur, wie Intoleranz und totalitäres Denken entstehen. Doch es wird surreal: Einige Bewohner beginnen, sich in Nashörner zu verwandeln, während andere versuchen, sich diesem Wandel entgegenzustellen. Das klingt abstrakt und anspruchsvoll – was durchaus spannend sein kann. Unser Chris hat den Film, der ab dem 9. Januar in den deutschen Kinos startet, genauer unter die Lupe genommen. Im Podcast mit Dom erfahrt ihr, ob sich ein Kinobesuch lohnt oder ob „Shikun“, der insperiert wurde von dem Theaterstück "Die Nashörner" von Eugène Ionesco, sich umsonst die Hörner abstößt. Viel Spaß mit der neuen Folge vom Tele-Stammtisch! Trailer Werdet Teil unserer Community und besucht unseren Discord-Server! Dort oder auch auf Instagram könnt ihr mit uns über Filme, Serien und vieles mehr sprechen. Wir liefern euch launige und knackige Filmkritiken, Analysen und Talks über Kino- und Streamingfilme und -serien - immer aktuell, informativ und mit der nötigen Prise Humor. Website | Youtube | PayPal | BuyMeACoffee Großer Dank und Gruß für das Einsprechen unseres Intros geht raus an Engelbert von Nordhausen - besser bekannt als die deutsche Synchronstimme Samuel L. Jackson! Thank you very much to BASTIAN HAMMER for the orchestral part of the intro! I used the following sounds of freesound.org: 16mm Film Reel by bone666138 wilhelm_scream.wav by Syna-Max backspin.wav by il112 Crowd in a bar (LCR).wav by Leandros.Ntounis Short Crowd Cheer 2.flac by qubodup License (Copyright): Attribution 4.0 International (CC BY 4.0) Folge direkt herunterladen Folgt uns ab sofort regelmäßig live auf Twitch: twitch.tv/dertelestammtisch

Julio Antonio Gómez Fraile. Zaragoza, 27-05-1933 / Las Palmas de Gran Canaria, 20-04-1988. Nacido en nuestro barrio de San José, fue un poeta original, diferente, que no bebía de las fuentes tópicas de los poetas de su tiempo. Sus lecturas y amistades foráneas, su educación y formación cosmopolitas, sus frecuentes, prolongadas y hasta definitivas estancias en otros lugares forjaron una voz poética distinta, influenciada por la poesía de Vicente Aleixandre, también de la de T.S. Eliot y del teatro del absurdo de Ionesco. Nos dejó una poesía llena de color, sonido, imágenes, metáforas y símbolos, sensual y apasionada, todos esos elementos hacen de él un gran poeta que culmina su trayectoria con ‘Acerca de las trampas’, condensación y cenit de su poética, un libro repleto de aciertos expresivos que, sin embargo, fue escandalosamente silenciado por el establishment de la crítica literaria en el momento de su aparición. Deshonor que también sufrieron otros grandes poetas de posguerra, como nuestro Miguel Labordeta, José Antonio Rey del Corral, el barcelonés José María Fonollosa y otros tantos. Llama nuestra atención que cuando su poesía se refiere a su ciudad, Zaragoza es descrita con crueldad, contemplada como símbolo de la desesperación, el confinamiento, la muerte y la miseria moral. Poemas como ‘Zaragoza amarilla’ o ‘Geografía’ nos muestran un panorama desolador de la vida zaragozana. La dureza con la que es tratada la ciudad es incuestionable, seguro que justificada por su dura experiencia personal, marcada por su desinhibida homosexualidad y su compromiso social siempre expresado de forma rebelde en el entorno hostil de aquella Zaragoza gris y cateta, de la que siempre intentó escapar gracias al refugio que para él y otros como él supuso la O.P.I. de Miguel Labordeta y compañía, de la que fue miembro activo y destacado. Sin embargo el dolor deja paso al rencor, algo que también podemos ver en algún gran poeta, como Cernuda. Resentimiento del que pudo alejarse al principio en sus estancias en Paris, más tarde en su definitivo exilio en Tánger, para terminar tristemente en Las Palmas de Gran Canaria. Hemos seleccionado once de sus poemas para esta grabación que, como siempre, resultará una muestra insuficiente. En todo caso, te invitamos a que la escuches, pues los poemas de Julio Antonio Gómez son memorables. OBRAS • Los negros, 1955 (publicado en 1992 en Una pasión sombría). • Las islas y los puertos (plaquette), Zaragoza, Autor, 1958. • La edad definitiva (teatro), escrito en 1958, apareció en Andalán en 1983. • El Cantar de los Cantares (plaquette), Zaragoza, Autor, 1959. • Al oeste del lago Kivú los gorilas se suicidaban en manadas numerosísimas, Zaragoza, Col. Papageno, 1960. / Zaragoza, IFC, 1993. • Acerca de las trampas (1960-1970), Zaragoza, Javalambre, Col. Fuendetodos de Poesía, 1970. • El corazón desbordado (epistolario, incluye El fuego de la historia, 1977), Zaragoza, Olifante-Ibercaja, 1989. • Una pasión sombría. Vida y obra de Julio Antonio Gómez, tomo II (textos), Zaragoza, DPZ, 1992. CRÉDITOS DEL MONTAJE (Poema / Voz): 1. Los Negros / Lola Orti 2. La amada / Ika Ventura 3. Las islas y los puertos / José Luis Hernández 4. Prólogo para un silencio interminable / Mingo España 5. Francis Bacon – Paisaje cerca de Malabatqa / Elena Parra 6. España, ardida lanza / Manuel Alcaine 7. En qué trinchera huiste a la alegría / Ika Ventura 8. Hay edades como penínsulas de sombra / José Luis Hernández 9. Zaragoza amarilla / Mingo España 10. Algunas madrugadas / Elena Parra 11. Geografía / Trafulla Teatro (coral) Presentación, montaje y ambientación sonora: Manuel Alcaine (IA-Udio) Referencias: • Alfredo Saldaña: https://www.ieturolenses.org/revista_turia/index.php/actualidad_turia/julio-antonio-gomez-in-terra-incognita • Javier Barreiro: https://javierbarreiro.wordpress.com/2011/12/20/julio-antonio-gomez/

Actor-Director Colin Cunningham has been nominated for 3 GEMINI'S (Canada's Oscar) for 'Best Actor' and for 11 'Best Actor' LEO AWARDS (Canada's Emmy) for which he won 3. As a Director, he made the 'short list' for an Academy Award Nomination in the Madison Graie produced, CENTIGRADE. His work has been recognized by The Hollywood Reporter, The New York Times, TIME magazine and Rolling Stone.Series regs include Steven Spielberg's FALLING SKIES, AMC's PREACHER and Universal's BLOOD DRIVE. And, Kevin Costner's highly anticipated 2 part epic saga, HORIZON.Sometimes referred to as Canada's Gary Oldman, Cunningham has built a reputation as a true chameleon. For 5 Seasons, Cunningham starred alongside Noah Wyle and Will Patton in the Steven Spielberg / DreamWorks produced series "Falling Skies," for TNT. Cunningham played "John Pope," the rogue survivor of the alien attack that has hit the world.Colin Cunningham was raised in Los Angeles, California with an older sister and younger brother. He traveled extensively in his late teens and first took to the stage on a dare. He was part of the founding company of the critically acclaimed "Open Fist Theatre" in Los Angeles and as an accomplished theater actor, gained critical praise in the early 1990s in Eugène Ionesco's "Exit the King". After leaving Los Angeles in 1993 and relocating to Vancouver, Canada, Colin attended Vancouver Film School. Colin is also a musician and plays the saxophone professionally.His latest film HE NEVER LEFT is now available for streaming.The Douglas Coleman Show VE (Video Edition) offers video promotional packages for authors. Please see our website for complete details. https://www.douglascolemanmusic.com/vepromo/Please help us to continue to bring you quality content by showing your support for our show. https://fundrazr.com/e2CLX2?ref=ab_eCTqb8_ab_31eRtAh53pq31eRtAh53pq

Title: Raising Hearts: Addressing Childhood Unhappiness in the UK Synopsis: In this episode of Pathway to Peace, we explore why UK children are so unhappy. We'll discuss factors like academic pressure, social media, and a decline in family connections, drawing on Islamic values of compassion and community to suggest solutions. Through a focus on empathy, mindful parenting, and balanced technology use, the presenters explore how a return to core values can address this crisis and foster a brighter, more joyful future for children. Presenters: Hafia Khan, Sabiha Iqbal & Dr Anne-marie Ionesco

Populism is on the rise everywhere, and the long arc of history has bent away from freedom. Shikha Dalmia joins Amit Varma in episode 403 of The Seen and the Unseen to discuss the derangements of our modern times -- and the threat that Donald Trump poses. (FOR FULL LINKED SHOW NOTES, GO TO SEENUNSEEN.IN.) Also check out: 1. Shikha Dalmia on Twitter, LinkedIn, Reason, The Week and ISMA. 2. Institute for the Study of Modern Authoritarianism. 3. The UnPopulist. 4. The Seen/Unseen episode on immigration with Shikha Dalmia. 5. The Populist Playbook -- Episode 42 of Everything is Everything. 6. Why Both Modi and Trump are Textbook Populists (2017) -- Amit Varma. 7. Rhinoceros -- Eugène Ionesco. 8. Stopping the Rhinoceros Takeover -- Shikha Dalmia. 9. Gita Press and the Making of Hindu India — Akshaya Mukul. 10. The Gita Press and Hindu Nationalism — Episode 139 of The Seen and the Unseen (w Akshaya Mukul). 11. Colours of the Cage: A Prison Memoir — Arun Ferreira. 12. The Reactionary Spirit -- Zack Beauchamp. 13. Narendra Modi takes a Great Leap Backwards — Amit Varma (on demonetisation). 14. Beware of the Useful Idiots — Amit Varma. 15. Stay Away From Luxury Beliefs -- Episode 46 of Everything is Everything. 16. The Good and Bad of Critical Race Theory -- Fabio Rojas. 17. The Color of Law -- Richard Rothstein. 18. Identity -- Francis Fukuyama. 19. Coleman Hughes, Glenn Loury and John McWhorter on Twitter/X. 20. The Fall of Minneapolis -- Alpha News. 21. What Really Happened to George Floyd? -- Coleman Hughes. 22. The retconning of George Floyd: Parts One, Two, an Update, Three -- Radley Balko. 23. The Murder Trial of OJ Simpson. 24. Glenn Loury & John McWhorter do a second take. 25. The Intellectual Foundations of Hindutva — Episode 115 of The Seen and the Unseen (w Aakar Patel). 26. A Typology of the New Right -- Shikha Dalmia. 27. The Flight 93 Election -- Michael Anton. 28. A Passage to India -- EM Forster. 29. Jane Austen on Amazon, Wikipedia and Britannica. 30. Thomas Hardy and W Somerset Maugham on Amazon. 31. Ayn Rand on Amazon, Wikipedia and Britannica. 32. Milton Friedman on Amazon, Wikipedia and Britannica. 33. Friedrich Hayek on Amazon, Wikipedia and Britannica. 34. Memories and Things — Episode 195 of The Seen and the Unseen (w Aanchal Malhotra). 35. Remnants of a Separation — Aanchal Malhotra. 36. Arnold Kling and the Four Languages of Politics -- Episode 394 of The Seen and the Unseen. 37. The Life and Times of Vir Sanghvi — Episode 236 of The Seen and the Unseen. 38. A Rude Life — Vir Sanghvi. 39. The Use of Knowledge in Society — Friedrich Hayek. 40. Four Papers That Changed the World -- Episode 41 of Everything is Everything. 41. Don't Mess With the Price System -- Episode 66 of Everything is Everything. 42. The Road to Serfdom -- Friedrich Hayek. 43. Dadabhai Naoroji, Mahadev Govind Ranade, Gopal Krishna Gokhale and Gopal Ganesh Agarkar. 44. Caste, Capitalism and Chandra Bhan Prasad — Episode 296 of The Seen and the Unseen. 45. Yugank Goyal Is out of the Box — Episode 370 of The Seen and the Unseen. 46. What Is Populism? -- Jan-Werner Müller. 47. The State of Indian Politics — Episode 50 of The Seen and the Unseen (w JP Narayan). 48. The Gentle Wisdom of Pratap Bhanu Mehta — Episode 300 of The Seen and the Unseen. 49. The Liberalism of Fear -- Judith Shklar. 50. Nusrat Fateh Ali Khan, Rahat Fateh Ali Khan, Nooran Sisters and Hadiqa Kiani on Spotify. 51. Kamli -- Hadiqa Kiani. This episode is sponsored by CTQ Compounds. Check out The Daily Reader and FutureStack. Use the code UNSEEN for Rs 2500 off. Amit Varma and Ajay Shah have launched a new course called Life Lessons, which aims to be a launchpad towards learning essential life skills all of you need. For more details, and to sign up, click here. Amit and Ajay also bring out a weekly YouTube show, Everything is Everything. Have you watched it yet? You must! And have you read Amit's newsletter? Subscribe right away to The India Uncut Newsletter! It's free! Also check out Amit's online course, The Art of Clear Writing. Episode art: ‘Unpopulist' by Simahina.

“El porvenir está en los huevos”, es una versión adaptada de obras de Ionesco, por Mercedes Rein y Jorge Curi. Las obras versionadas son: Jacobo o La sumisión y el porvenir está en los huevos, La lección y La cantante Calva. Está dirigida por María Varela y su elenco lo integran: Marcelo Badano, Cecilia Baranda, Jorge Bolani, Denise Daragnès, Xabier Lasarte, Oliver Luzardo, Moré, Nancy Salaberry y Norma Salvo. Funciones los sábados a las 20:30 y los domingos a las 19:00 horas, en la Sala 2 del Teatro Circular (Rondeau 1388). Las entradas en venta en Redtickets y boletería de la sala.

Inspired by Ionesco's Rhinoceros, an absurdist play about the rise of fascism, my Skool Daze is an absurdist tragicomedy about teachers and students getting distracted by all sorts of things, effectively putting blinders on to a real threat, in this case an armed intruder (or two) in their own school. After a general introduction to the play and the actors, Daze opens with a faculty meeting where administrators head a workshop on protocol for the event of an armed intruder. Things do not quite go as planned in the simulation and the faculty are not quite as attentive as they should be and are easily distracted by this and that, which does not bode well should a routine workshop spiral out of control as alarms jangle nerves and an intruder runs through the halls of the school... Enjoy the distracted dysfunction of Act I, Part I of this version of Skool Dayz.

Din 1957, în mica sală pariziană a Teatrului de la Huchette se joacă fără întrerupere două piese: ”Cântăreața cheală” și ”Lecția”, de Eugène Ionesco. De 67 de ani, cu aceeași punere în scenă și cu peste 20.000 de reprezentații la activ, acest succes continuă neabătut, scrie corespondentul RFI Arthur Ponchelet 

With Shikun, Amos Gitai adapts Ionesco's anti-totalitarian fable, Rhinoceros, to today's Israel The post “Shikun”, interview with director Amos Gitai appeared first on Fred Film Radio.

Welcome to the Instant Trivia podcast episode 1241, where we ask the best trivia on the Internet. Round 1. Category: Ken Jennings: International Nerd Of Mystery 1: After hobnobbing with world leaders in May 2023 at this alphanumeric gathering in Hiroshima, it's off to Comic-Con in July. G7. 2: Ah, an 1869 bottle from this 2-name château in Pauillac, France! It's worth 6 figures and will certainly be savored during our DandD game. Lafite Rothschild. 3: That "Battlestar Galactica" Viper helmet will pair well with my $3,200 black peak satin tux by this designer from Piacenza, Italy. Armani. 4: This Paris-trained artist's painting of the marketplace back home in Vitebsk is okay, but John Byrne's "X-Men" art? Perfection. Chagall. 5: I am going to have a serious discussion of Asimov's 3 laws with this Mass.-based co. that makes Atlas, a robot that does parkour. Boston Dynamics. Round 2. Category: Oh, A Wise Guy! 1: World Book says this barefoot Greek was "the first philosopher to make a clear distinction between body and soul". Socrates. 2: Wisdom from this man includes Linus' line "I love mankind... it's people I can't stand!!". Charles Schulz. 3: This late gonzo journalist said, "a word to the wise is infuriating". (Hunter S.) Thompson. 4: Born a slave, this scientist would create more than 75 products from pecans. (George Washington) Carver. 5: In his "Art of War":"Hold out baits to entice the enemy. Feign disorder, and crush him". Sun Tzu. Round 3. Category: Play Titles In Their Original Language 1: "En Attendant Godot". Waiting for Godot. 2: Sophocles: "Oidipous Tyrannos". Oedipus Rex. 3: Chekhov: "Tri Sestry". Three Sisters. 4: Ionesco at the opera: "La Cantatrice Chauve". The Bald Soprano. 5: Latin American thriller: "La Muerte y la Doncella". Death and the Maiden. Round 4. Category: Biography Subtitles 1: An entrepreneur:"Bargain Billionaire". Sam Walton. 2: A president:"Remembering Jack". John Kennedy. 3: A Frenchman:"The Boy Who Invented Books for the Blind". (Louis) Braille. 4: A Revolutionary War figure:"Sailor, Hero, Father of the American Navy". John Paul Jones. 5: A '60s civil rights leader:"By Any Means Necessary". Malcolm X. Round 5. Category: Car Repair 1: Appropriate for this American brand: CHEER VOLT. Chevrolet. 2: Not so appropriate for this fancy schmancy car: CLOSE LORRY. Rolls Royce. 3: It made the Cutlass Ciera:LIMO BE SOLD. Oldsmobile. 4: Revolutionary brand launched in 1975: LO, ERA END. the DeLorean. 5: An Italian job: I EAT ARMS. Maserati. Thanks for listening! Come back tomorrow for more exciting trivia!Special thanks to https://blog.feedspot.com/trivia_podcasts/ AI Voices used

Danny Bacher is an award-winning singer, saxophonist, songwriter and entertainer in the fullest sense of the term. He's not only a master of the demanding soprano sax, but combines his virtuosity on the instrument with a talent for comedy and narrative storytelling. He's a smooth and cool individual who makes hot jazz and pop, cut fromthe cloth of the great Louis Prima and Mel Torme. With Lived Experience, JAMES BEAMAN returns to the cabaret stage for the first time since 2002, when he, Goldie Dver and David Maiocco received the MAC Award for Revue of the Year for their show Crazy World: Songs of Leslie Bricusse. Jamie came to New York in 1993 with his solo act, Bacall: By Herself (CaB Magazine Award). After headlining the world famous La Cage Revue at The Blue Angel, he created three shows as Marlene Dietrich, Queen of the World (Bistro Award), Marlene! Alive at the Café de Paris and Black Market Marlene, which he toured to San Francisco, New Orleans, and Berlin, Germany for the Millennium. His acting career spans three decades, including Off Broadway (The Road To Qatar!, When Pigs Fly, A Wilder Christmas, Howard Crabtree's Whoop-Dee-Doo!) and regional theatres, from Goodspeed Musicals to The Kennedy Center. Jamie starred as Sir Robin in the First National Tour of Monty Python's Spamalot, playing 62 cities and 700 performances, opposite stars Richard Chamberlain, Jonathan Hadary, Gary Beach and John O'Hurley. Tessa began acting as a teenager in Ionesco's “The Bald Soprano” at the Washington Theater Club, and as Sandy in “The Prime of Miss Jean Brodie” for the Chevy Chase Players before heading off to SUNY Purchase to study Political Economy and Film. 

Why French youth are once again under fire as the government vows to crack down on violent crime. The staying power of Ionesco's The Bald Soprano in one of Paris's smallest theatres. And why French women won the right to vote so much later than many of their European neighbours. In recent weeks President Emmanuel Macron and Prime Minister Gabriel Attal have been looking for ways to tackle what Macron has called a wave of ultraviolence sweeping the country. They've put the focus on young people, but not everyone agrees with the assessment. Critics have denounced the government proposals as reactionary, fuelling yet another "war" on youth. Sociologist Laurent Mucchielli, who says statistics do not show any rise in violent crime committed by youngsters, talks about why France regularly targets young people, and how it is often linked to electoral politics. (Listen @2'15'')The Bald Soprano and The Lesson, by Romanian-French avant-garde playwright Eugène Ionesco, have been running at the tiny Théatre de la Huchette in Paris five times a week non-stop since 1957. Two million people have flocked to watch the plays, which are performed in their original staging and set. But what's it like for the 45-member company, some of whom have been acting in Ionesco's absurdist universe for more than 30 years? We went along to the 20,024th performance to find out. (Listen @18'50'')French women obtained the right to vote on 21 April 1944, later than most other countries in Europe. Historian Anne-Sarah Moalic talks about the long road to equal suffrage, which required patient activism along with a bit of geopolitical chaos. And a woman who voted in France's very first elections open to all adults, in April 1945, recalls the excitement and pressure of her maiden trip to the ballot box. (Listen @11'05'')Episode mixed by Cecile Pompéani. Spotlight on France is a podcast from Radio France International. Find us on rfienglish.com, Apple podcasts (link here), Spotify (link here) or your favourite podcast app (pod.link/1573769878).

durée : 00:29:59 - Les Nuits de France Culture - par : Philippe Garbit - Pour ces deux derniers des douze entretiens diffusés en mars 1975 sur France Culture, l'écrivain Eugène Ionesco fait le bilan de sa vie personnelle et littéraire, sur fond d'inquiétude, de pessimisme et d'un peu d'espoir... - invités : Eugène Ionesco

durée : 00:29:59 - Les Nuits de France Culture - par : Philippe Garbit - Parvenu à se hisser au rang des grands auteurs de théâtre du 20ème siècle, Eugène Ionesco s'est vu décerner de nombreux prix et récompenses littéraires. Au cours de cette avant-dernière série d'entretiens, il analyse cette notoriété et commente la littérature de son temps. - invités : Eugène Ionesco

durée : 00:29:59 - Les Nuits de France Culture - par : Philippe Garbit - Au cours des entretiens 7 et 8 des 12 enregistrés en 1975 pour France Culture, l'écrivain Eugène Ionesco analyse son rapport à la littérature et à l'écriture, et ses questionnements existentiels d'homme de lettres. - invités : Eugène Ionesco

durée : 00:29:59 - Les Nuits de France Culture - par : Philippe Garbit - Pour les entretiens 5 et 6 de la série de 12, diffusée en 1975 sur France Culture, le dramaturge Eugène Ionesco revient sur sa vision du théâtre et de l'écriture théâtrale, ainsi que sur la réception critique de quelques-unes de ses pièces. - invités : Eugène Ionesco

durée : 00:29:59 - Les Nuits de France Culture - par : Philippe Garbit - L'écrivain et dramaturge Eugène Ionesco s'entretient avec la journaliste et critique littéraire Claudine Chonez en mars 1975 sur France Culture. Un échange savoureux dans lequel Ionesco dévoile la philosophie existentielle qui nourrit son œuvre théâtrale. - invités : Eugène Ionesco

durée : 00:29:59 - Les Nuits de France Culture - par : Philippe Garbit - Le dramaturge Eugène Ionesco (1909-1994) s'entretient avec la journaliste Claudine Chenez en mars 1975 sur France Culture. Dans ces deux premiers entretiens d'une série de six, Ionesco évoque son enfance et son adolescence en France et en Roumanie dans les années 1920. - invités : Eugène Ionesco

In this week's episode the fellas are a man down. Keith had technical difficulties. We were not the only ones dealing with difficulties. Trump has resorted to selling sneakers to help support himself after losing almost a half billion dollars in two lawsuits in 2024. Its just February. As a fuction, #DJT is selling his #AirFelons, His #ConAirs to his rabid base for $400 dollars a pop. The guys all agree that the #NBAAllStarGame isn't what it used to be. The game was unwatchable. #NBAAllStarSaturdayNight on #TNT featured some highlights . #DameLilliard won the #3PtContest in #DameTime. #StephCurry and #WNBA star #SabrinaIonesco of the #NYLiberty put on a show in their head to head matchup. #KennySmith got in some hot water over comments made regarding Ionesco's choosing to shoot from the NBA 3Pt line. #ChrisBrown wasn't allowed to play in the #NBACelebrityGame24 due to his domestic violence years ago with #Rihanna. #Breezy is still paying the price. #DonaldTrumpDefenseTeam paid the price by trying to catch #FultonCounty DA #FaniWillis out there.  News flash, don't Eff around and find out with #HowardUniversity Black Women lawyers. Fani, #KamalaHarris , and #LeticiaJames are her. PeriodT

Alexandra Stevenson and Hugues Laverdière in Serving Aces discuss the one handed back hand - the art of the one-handed backhand and why it is disappearing.  Alexandra says no more one-handed players in men's top 10 with the new rankings. Sakkari and Pegula let go of their coaches.  Sakkari had Tom Hill for six years.  Pegula had David Witt for five years.  They discuss winners and losers in the different ATP and WTA Tours. Alexandra mentions the NBA All Star Game.  Tells Ougi about Steph Curry and Sabrina Ionesco from the WNBA.  They did a 3 point challenge shoot-out.  Curry 29 and Ionesco 26. Ougi and Alexandra get into footwork on the tennis court before and after the shot.  Things to look out for.  Newsy notes with BAFTAS and Peoples Choice Awards, Genesis Open at the Riviera and the disqualification of Jordan Spieth for messing up his scorecard.  The shootings in Kansas City.  In America it's Presidents Day.  Quote of the podcast goes to John Wooden..."We can have no progress without change...whether it be basketball or anything else."

Le groupe de services informatiques, géant français du secteur et autrefois fleuron, n'en finit pas de s'enfoncer dans la crise. Dans « La Story », le podcast d'actualité des « Echos », Pierrick Fay et ses invitées décryptent les raisons de la tourmente d'Atos.La Story est un podcast des « Echos » présenté par Pierrick Fay. Cet épisode a été enregistré en janvier 2024. Rédaction en chef : Clémence Lemaistre. Invitées : Leïla Marchand (journaliste au service Tech Medias des « Echos ») et Gwenaëlle Barzic (cheffe du service Enquêtes des « Echos »). Réalisation : Willy Ganne. Musique : Théo Boulenger. Identité graphique : Upian. Photo : REUTERS/Stephane Mahe. Sons : « James Bond 007 contre Dr. No » (1962), RTL, Atos France, « Le Roi se meurt » Eugène Ionesco, BFM TV, « Les bronzés font du ski » (1979). Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.

Elena Rossi"Natale a Parigi"Neos Edizioniwww.neosedizioni.itVentisei racconti natalizi che raccontanole tante anime della Ville LumièreA cura di Elena RossiPrefazione di Cesare Martinetti Ventisei racconti ci portano nella Ville Lumière durante i frenetici giorni del Natale, i più amati o detestati; fra luoghi iconici e piccoli scorci nascosti – quelli che solo i veri parigini conoscono – si snodano vicende sorprendenti che fanno brillare la città di tante luci nuove. Parigi addobbata a festa è un gran crocevia di vite e speranze, affetti e solitudini. “Nei giorni di Natale a Parigi si respira un'aria diversa. Non è come tutte le altre città che a Natale si colorano di luci variopinte. No. Parigi semplicemente si accende”.Fra luminarie che risplendono e angoli bui si muovono personaggi e storie disparate: Ionesco, gli artisti dell'Est e le loro intervistatrici, il leopardo e la faraona, il gatto pronubo, il violinista di strada. E poi la sorpresa di un padre ritrovato, l'invito a cena con estranei e la cena che può attendere, l'ombra inseguitrice, l'acqua non più nemica, le foto e le cartoline.Tanti i sogni, e a sognare sono il clochard, l'ostrica, il fidanzato deluso nel metrò, la ragazzina che decide il suo futuro. E i luoghi: i grandi boulevards e le strette vie in pavé della Butte aut Cailles, gli Champs-Elysées e il canale di Saint-Martin, i ristoranti étoilés e i bistrot dove l'oste fa il conto a penna sulla tovaglia di carta, le Galeries Lafayette e i grandi Magazzini Samaritaine, le boutiques di faubourg Saint-Honoré e gli ateliers dei grandi couturiers di Avenue Montaigne, il mercatino delle Tuileries e i vicoli di Montmartre, le bancarelle di libri del lungo Senna, le librerie e i mercati… Gli Autori, ognuno con il proprio stile narrativo, hanno saputo cogliere con eleganza e ironia le tante anime della città, guardata attraverso gli occhi del visitatore o di chi ci vive da sempre.Ventisei racconti lievi, ognuno con il suo angolo di città, perché “ognuno ha la sua Parigi, perché Parigi non è-soltanto-una città, ma è un sentimento” (Cesare Martinetti). Racconti di:Donatella Actis, Guido Aloia, Graziella Bonansea, Paola Canova, Cesare Capitani, Giovanni Casalegno, Caterina Cortese, Giorgia D'Anna, Patrizia D'Antonio/Donneconlozaino, Giorgio Enrico Bena, Tiziana Ercole, Francesco Forlani, Raffaella Gambardella/Donneconlozaino, Fulvio Gianaria, Simona Anna Giovannone, Andrea Inglese, Sylvie Lainé, Anna Mazzini, Chiara Mezzalama, Eva Monti, Agnese Oblieght, Antonella Pollo, Daniela Possagno, Elisabetta Rava Granozio, Micaela Strippoli, Antonella Tarquini.In copertina illustrazione di Giorgio Enrico BenaIL POSTO DELLE PAROLEascoltare fa pensarewww.ilpostodelleparole.itQuesto show fa parte del network Spreaker Prime. Se sei interessato a fare pubblicità in questo podcast, contattaci su https://www.spreaker.com/show/1487855/advertisement

Par l'autrice & Marianne Denicourt Festival Paris en toutes lettres « Quand j'ai rencontré l'écrivain qui allait devenir mon mari, j'ai cru à une vie possible. Malgré l'ambiguïté de nos rapports mêlant intimement séduction et littérature, l'amour fou existait. Puis tout a basculé. L'inspiration est devenue transgression, jusqu'à rendre la famille dysfonctionnelle. Pendant des mois, j'ai voulu m'échapper, en vain. Mon histoire est celle d'une femme mariée en proie à l'emprise. La descente aux enfers que j'ai vécue, je devais l'écrire pour qu'émerge la vérité. » E. Ionesco À lire – Eva Ionesco, La bague au doigt, Robert Laffont, 2023.

Disfrutamos de la interpretación de un fragmento de “La cantante calva”. Esta obra pertenece a la corriente literaria llamada Teatro del absurdo. El autor, a través de su obra, se propone romper con toda ley literaria, por lo cual sus personajes y sus respectivas personalidades parecerían carecer de lógica. Los lectores son los alumnos de la Escuela Municipal de Teatro Javier Sainz y Andrea Baztán y la profesora Marisa Nolla.

We welcome Dori Engel. Dori Engel is an Actor and Theatre Director, based in Tel Aviv, Israel. BA in Theatre and Acting from Tel-Aviv University, Graduated with distinction, 2004. Graduate of the course Acting Shakespeare in the Royal Academy of Dramatic Art, London, 2009. Played in several theatres in Israel, among them Haifa Municipal Theatre and the Yiddish National Theatre. Among his main roles: Hamlet (title role), Raskolnikov in Crime and Punishment, Vladimir in Waiting for Godot and David in Love and Money. Dori started directing in 2010, aiming for international collaborations. His show Youth & Will, including artists from different countries, participated in the Edinburgh Fringe Festival 2011. He focuses on adaptations of classical texts, as his version of Kafka's The Trial and the opera The Lesson by composer Israel Sharon, based on Ionesco's play. Dori is highly involved in producing independent artistic projects, which focus on cross-cultural dialogue as means to create understanding and mutual learning. Among his recent directing works is a production of Romeo & Juliet in Hebrew and Arabic – a unique collaboration of Palestinian and Israeli artists, in a piece of political theatre.   Contact Ray at Green Room on Air: greenroomonair@gmail.com Leave a review on Apple Podcasts (iTunes) Visit Green Room On Air website: http://greenroomonair.com Connect with us on Facebook: https://www.facebook.com/raysgreenroom/ Closing Music by Carly Ozard

Two adaptations of Rhinoceros by Eugène Ionesco open this month, one in Belfast and a Welsh language adaptation in Cardiff. The adaptors Patrick J O'Reilly and Manon Steffan Ros both join Kathy Clugston to discuss how this 1950s play about the rise of Fascism speaks to audiences now. Singer Cara Dillon is known globally for her interpretations of traditional Irish songs. As she performs at the Belfast International Arts Festival, she explains why she's taking a new direction with her upcoming album, the first time she's released an album of original songs. In the first of Front Row's interviews with the authors shortlisted for this year's Booker Prize, Paul Lynch talks about Prophet Song, his dystopian novel which imagines a future in which Ireland is in the grips of an oppressive regime. And as Glasgow Museums say that they are unable to locate a sculpture by the French artist Auguste Rodin, arts correspondent Jan Patience explains that it may not be the only major work of art that's gone missing. Presenter: Kathy Clugston Producer: Olivia Skinner

durée : 01:31:30 - Les Nuits de France Culture - par : Albane Penaranda - Par la Communauté Radiophonique des Programmes de Langue Française, Gérald Cazaubon (Radio France), Jules Gérard-Libois et Georges Wielemans (Radio-Télévision Belge), Jérôme Deshusses (Radio Suisse Romande), Naïm Kattan et Yves Lapierre (Société Radio-Canada) - Avec les Archives de la CRPLF et de la BBC : les voix de Pierre-Marie Gallois, Jean Duvignaud, Jacques Guillermaz, François Mitterrand, Georges Marchais, Harry Truman, Jules Romains, Henry de Montherlant, Pierre Brasseur, Hassan II, Pablo Neruda, Eric Rouleau, Eugène Ionesco, Michel Ragon, Gisèle Halimi et Athenagoras Ier - Réalisation Jean-Jacques Vierne

durée : 00:18:56 - Les Nuits de France Culture - par : Philippe Garbit - En 1966, Patrice Chéreau est un tout jeune metteur en scène, il a 21 ans et monte la pièce de Labiche "L'Affaire de la rue de Lourcine". Au micro de Moussa Abadi, il évoque ses débuts et dit avec une franche assurance ce qu'il pense de Vilar, Planchon, Barrault, Brecht, Beckett et Ionesco. - invités : Patrice Chéreau Metteur en scène de théâtre et d'opéra, réalisateur français

durée : 00:54:47 - Le masque et la plume - par : Jérôme Garcin - En cette rentrée littéraire, les critiques vous disent ce qu'ils ont pensé de "La Foudre" de Pierric Bailly, "L'Echiquier" de Jean-Philippe Toussaint, "Stupeur" de Zeruya Shalev, "La Bague au doigt" d'Eva Ionesco, "Perspective(s)" de Laurent Binet et s'ils valent le coup. - réalisé par : Xavier PESTUGGIA

I fatti più interessanti della settimana, secondo il vostro Titolare. In questa puntata: salario minimo, il diavolo nelle tasche di Pantalone; "Dedicata a te, Kafka e Ionesco"; salari impoveriti, un problema di contrattazione collettiva? Bce for dummies e presidenti di Confindustria; la policrisi italiana del Regno Unito; la tortuosa e levantina svolta del Sultano; e molto altroQuesto show fa parte del network Spreaker Prime. Se sei interessato a fare pubblicità in questo podcast, contattaci su https://www.spreaker.com/show/4672101/advertisement

durée : 00:55:56 - Affaires sensibles - par : Fabrice Drouelle - Tout commence par un rapt : celui de son image, volée par sa mère, la photographe Irina Ionesco.  - invités : Michel FIZE - Michel Fize : Sociologue, chercheur au CNRS