Podcasts about les demoiselles

Imaginez une armée nocturne, dévalant les forêts des Pyrénées, armée de faux, de bâtons, de fusils parfois. Ce ne sont pas des soldats, ni des brigands… mais des paysans déguisés en femmes, en jupons et bonnets. Leur nom ? Les Demoiselles. Et leur révolte, l'une des plus saisissantes de la France du XIXe siècle.Tout commence en 1829, dans le département de l'Ariège, au cœur des montagnes. Cette année-là, le gouvernement de Charles X adopte une nouvelle loi forestière. L'État centralise les droits d'usage des forêts, interdisant aux populations locales l'accès libre au bois, à la chasse, au pacage. Or, pour les paysans ariégeois, ces ressources sont vitales. Les forêts sont leur banque, leur garde-manger, leur réserve de chauffage et de matériaux.Privés de ces droits ancestraux, ils entrent en résistance. Mais pas à visage découvert. Dans une stratégie aussi symbolique qu'efficace, les insurgés se griment en femmes : robes, corsages, foulards, parfois même maquillage. Ils adoptent ainsi le nom de "Demoiselles".Ce travestissement a un double effet. D'un côté, il désarme symboliquement l'adversaire, tournant en ridicule les gendarmes et gardes forestiers. De l'autre, il renforce la cohésion du groupe, dans une mise en scène à la fois grotesque et terrifiante. La nuit, des centaines d'hommes se rassemblent dans les bois, masqués, hurlant des chants de guerre ou frappant aux portes des fonctionnaires forestiers pour les menacer, les humilier, voire les expulser.La révolte se propage vite. De 1829 à 1832, les Demoiselles mènent une guérilla rurale intense. Plus de 300 incidents sont recensés, certains très violents. Gendarmes, ingénieurs forestiers, percepteurs : tous deviennent des cibles.Mais malgré les arrestations, les condamnations, et même l'envoi de troupes, l'État ne parvient jamais à éteindre complètement la révolte. Car elle repose sur une solidarité communautaire profonde. Les villages couvrent les insurgés. Les femmes, cette fois les vraies, les soutiennent, les ravitaillent, les cachent. Et puis, comment faire la différence entre un simple paysan et une Demoiselle, une fois la robe tombée ?Finalement, l'État plie. Dans les années 1840, une série de concessions sont faites sur la gestion forestière. La révolte s'essouffle, mais le mythe reste.Aujourd'hui encore, dans l'Ariège, le souvenir des Demoiselles perdure. À la fois mouvement de contestation sociale et geste de théâtre politique, elles sont restées dans l'histoire comme une preuve que même dans les coins les plus reculés, le pouvoir peut être défié… en robe. Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.

Yeni bölümde yasaklar üzerine konuşuyoruz. Pek çok yasakla kuşatıldığımız bir dönemden geçerken nasıl ilişkileniyoruz yasaklarla? Yasak neyi yasaklar, nasıl bir söylem üretir? Arzuyla ilişkisi nedir? Yaratıcılığı nasıl besler? Kitapların ve filmlerin yardımıyla anlamaya çalışıyor, akıl yürütüyoruz.Bölümde adı geçen tüm kitap ve filmlerin listesini ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@1kitap1film.us⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ instagram hesabımızda bulabileceğinizi hatırlatalım.Bu bölüme sponsor olarak bizi destekleyen ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠vitruta⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠'ya katkılarından ötürü çok teşekkür ederiz. ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠vitruta.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠'dan yapacağınız alışverişlerde, 1kitap1film kodu ile indirimsiz ürünlerde %20 indirim avantajından faydalanabilirsiniz. ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠vitruta.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠'dan yapacağınız alışverişlerde geçerli olacak 1kitap1film özel avantaj kodunu, ürünü sepete ekledikten sonra çıkan sayfadaki “hediye kartı veya indirim kodu” alanına ödeme işlemi öncesinde tanımlayabilirsiniz.Kapak görseli: Pablo Picasso, Les Demoiselles d'Avignon (1907)

durée : 00:05:19 - C'est une chanson - par : Frédéric Pommier - A l'occasion des 40 de l'ouverture de sa maison de couture parisienne, deux shows auront lieu au Palais de Chaillot les 4 et 5 avril. Au micro de Frédéric Pommier, la créatrice Fifi Chachnil évoque son affection pour Les Demoiselles de Rochefort et la chanson "Nous voyageons de ville en ville".

Derrière le nom "French With Panache", il y a Nathan et Violaine, journalistes de formation et maintenant spécialistes du français étrangère. Ils transmettent leur passion pour l'enseignement

durée : 00:21:11 - « Les Demoiselles de Rochefort » - En 1967, Michel Legrand compose la bande-originale du film "Les Demoiselles de Rochefort", 3ème collaboration entre le compositeur et le réalisateur Jacques Demy.

durée : 01:28:22 - « Lady Be Good » , 100 ans ! - par : Laurent Valière - Pour cette dernière 42e rue de l'année, nous célébrons le centenaire d'une comédie musicale qui a lancé la vague du Jazz Age à Broadway et la carrière de George Gershwin. Avec aussi une interview de Lin-Manuel Miranda qui raconte la composition de "Mufasa".

Il était une fois un musicien de 86 ans resté toute sa vie un enfant, un enfant du classique et du jazz, qui a fait tourner les moulins de nos cœurs. David Hertzog Dessites célèbre, dans son documentaire «Il était une fois Michel Legrand», le génie du compositeur qui n'a eu de cesse de se réinventer jusqu'à sa mort. Né en 1932, Michel Legrand se distingue par des prédispositions précoces : il se met au piano à 4 ans, intègre le Conservatoire de Paris à 11, et connaît un grand succès dès ses 24 ans avec le disque I Love Paris vendu à plus de 8 millions d'exemplaires.L'amoureux du jazz formé à la musique classique devient un arrangeur que les maisons de disques et les chanteurs et chanteuses s'arrachent. Puis Michel Legrand se retrouve aspiré par la Nouvelle Vague qui déferle sur le cinéma : Jean-Luc Godard, Jean-Paul Rappeneau et surtout Jacques Demy font appel à lui.Michel Legrand signe les bandes originales des films de Demy : Les parapluies de Cherbourg, Les Demoiselles de Rochefort et Peau d'Âne. Le succès de ces comédies musicales à la française lui ouvre les portes de Hollywood. Il y gagnera trois Oscars, dont un pour la chanson «Les moulins de mon cœur» composée pour L'Affaire Thomas Crown.Le documentaire «Il était une fois Michel Legrand» revient sur ce parcours exceptionnel, mêlant images d'archive et interviews exceptionnelles ainsi que la captation du dernier concert de Michel Legrand, celui de la Philharmonie de Paris en décembre 2018. Ce film a été présenté en sélection au festival de Cannes dans la section Cannes classic.Avec vous, nous reviendrons sur la vie et l'œuvre de ce génie de la musique, rendu célébrissime par ses bandes originales de films comme Les demoiselles de Rochefort, Les parapluies de Cherbourg, L'affaire Thomas Crown ou Yentl.À l'affiche également de notre cinéma, une rencontre avec la réalisatrice syrienne Hala Alabdalla célébrée par les Rencontres du cinéma documentaire de Montreuil.Musiques : Michel Legrand (Les moulins de mon cœur, Legrand Jazz, Yentl), Matthieu Boogaerts Ma jeunesse.

durée : 00:03:48 - Capture d'écrans - par : Eva Roque - Elles ont porté les couleurs du sport français au niveau européen dans les années 70. Les basketteuses du club de Clermont-Ferrand - le CUC - sont le sujet d'un documentaire remarquable à voir sur L'équipe. Quand le basket devient un objet d'émancipation et de liberté !

Dans son zapping, Dimitri Vernet revient sur les événements politiques de la semaine.

Dans son zapping, Dimitri Vernet revient sur les événements politiques de la semaine.

C'est l'été, l'occasion de revoir Les demoiselles de Rochefort, à notre prochain cinema club... ou sans raison particulière ! Ce grand classique de Jacques Demy n'a pas fini de nous étonner et de nous enchanter. On essaie de comprendre ce qui fait sa réussite, son charme et sa profondeur. Plus d'info : https://allthatjazzpodcast.wordpress.com/2024/07/10/cinema-club-les-demoiselles-de-rochefort/

When it comes to works of art, “Picasso” is synonymous with brilliance and innovation. Spanish painter and sculptor Pablo Picasso is famously known for spearheading the Cubist movement during the 20th century art revolution. What most people don't know is that Picasso was heavily inspired by Africans and the African diaspora. One of his most famous works, Les Demoiselles d'Avignon, depicts a striking resemblance to African masks and sculptures, which has our hosts asking, “Does Picasso owe Black people?” We're also chatting about the history of braids. See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

☂️ Ready to dive into the magical world of Catherine Deneuve's films? After six decades of magic (and still active), she is undoubtedly one of the top icons of French cinema. She constantly raised the bar of quality with such films as the musicals of Jacques Demy (“The Umbrellas of Cherbourg,” “The Young Girls of Rochefort”), or François Truffaut's “The Last Metro.” Lights, camera, conversation! Join this week's sessions on https://www.frenchconversationgroup.com Related episodes: la Nouvelle Vague (https://youtu.be/_wNBkj46Tg4), Gérard Depardieu (https://youtu.be/dB1tt944qi0), Agnès Varda (https://youtu.be/rU1sxx23W6I), Brigitte Bardot (https://youtu.be/HISlNTszfOM)

The Daily Quiz - Art and Literature Today's Questions: Question 1: In which story does the schoolboy "Piggy" star? Question 2: Which author wrote 'Madame Bovary'? Question 3: In a 2001 novel by Neil Gaiman, what is the secret about Mr. Wednesday? Question 4: Which author wrote 'Kidnapped'? Question 5: The painting "Les Demoiselles d'Avignon" by Pablo Picasso is a part of which art movement? Question 6: Which author wrote 'The War of the Jewels'? Question 7: Which book contains the character 'Atticus Finch'? Question 8: Which author wrote 'Waiting for Godot'? Question 9: Which author wrote 'The Adventure of the Red-Headed League'? This podcast is produced by Klassic Studios Learn more about your ad choices. Visit megaphone.fm/adchoices

durée : 00:03:12 - La chanson de Frédéric Fromet - par : Frédéric FROMET - On parle de la montée de l'extrême droite, mais ils n'ont pas beaucoup de chanteurs. Ça pourrait être marrant, un chanteur qui s'appellerait Michel Legrand Remplacement. Une prestation à la guitare signée Frédéric Fromet sur un air de "La Chanson des Jumelles" du film "Les Demoiselles de Rochefort".

durée : 00:03:12 - La chanson de Frédéric Fromet - par : Frédéric FROMET - On parle de la montée de l'extrême droite, mais ils n'ont pas beaucoup de chanteurs. Ça pourrait être marrant, un chanteur qui s'appellerait Michel Legrand Remplacement. Une prestation à la guitare signée Frédéric Fromet sur un air de "La Chanson des Jumelles" du film "Les Demoiselles de Rochefort".

durée : 00:10:00 - Les Nuits de France Culture - par : Albane Penaranda - Si ça vous chante - Le poète qui a baptisé les demoiselles d'Avignon : André Salmon (1ère diffusion : 16/08/2013)

The Le Random team of ⁠thefunnyguys⁠, Peter Bauman (⁠Monk Antony⁠) and Conrad House (⁠Nemo Cake⁠) spoke to special guest and acclaimed gallerist Kate Vass about a whirlwind ⁠one hundred years of generative art history (1850-1949)⁠,the Modern Era. This episode corresponds with: ⁠Generative Art Timeline: Chapter 2 10 Significant Modern Era Moments (Covered in the talk)⁠ The Great Exhibition of London Lights Early Spark of the Arts & Crafts Movement (1851) Modern art Begins: Manet's Work Rejected by Paris Salon (1863) + Cézanne's Mont Sainte-Victoire Series (1870-1906) Les Demoiselles d'Avignon by Picasso kicks off Cubism (1907) The Ten Biggest, No 7 by Hilma af Klint (1907) Tatlin and Rodchenko Found Constructivism and Malevich Stages the 0.10 Exhibition with Black Square. (1915) Walter Gropius Founds Bauhaus (1919) Marcel Duchamp and Man Ray Create Rotary Glass Plates (1920) Gunta Stölzl Named Director of Bauhaus Weaving Workshop (1927) Birth of digital computing: Konrad Zuse Completes the Z3 (1941) + ENIAC (1945) 10. Cybernetics Is Born: Norbert Wiener's Cybernetics + Claude Shannon's "A Mathematical Theory of Communication.” (1948)

“Le Paris de la modernité” 1905-1925au Petit Palais, Parisdu 14 novembre 2023 au 14 avril 2024Interview de Juliette Singer, conservatrice en chef du patrimoine et commissaire scientifique de l'expositionpar Anne-Frédérique Fer, à Paris, le 13 novembre 2023, durée 15'06,© FranceFineArt.https://francefineart.com/2023/11/14/3493_paris-de-la-modernite_petit-palais/Communiqué de presseCommissariat :Annick Lemoine, directrice du Petit Palais, commissaire généraleJuliette Singer, conservatrice en chef du patrimoine, commissaire scientifiqueAprès « Paris Romantique, 1815-1858 » et « Paris 1900, la Ville spectacle », le Petit Palais consacre le dernier volet de sa trilogie au « (Le) Paris de la modernité, 1905-1925 ». De la Belle Époque jusqu'aux Années folles, Paris continue plus que jamais d'attirer les artistes du monde entier. La Ville-Monde est à la fois une capitale au cœur de l'innovation et le foyer d'un formidable rayonnement culturel. Paris maintiendra ce rôle en dépit de la recomposition de l'échiquier international après la Première Guerre mondiale, période pendant laquelle les femmes jouent un rôle majeur, trop souvent oublié. Ambitieuse, inédite et trépidante, cette exposition souhaite montrer combien cette période est fascinante, en faisant ressortir les ruptures et les géniales avancées tant artistiques que technologiques. Le parcours présente près de 400 oeuvres de Robert Delaunay, Sonia Delaunay, Marcel Duchamp, Marie Laurencin, Fernand Léger, Tamara de Lempicka, Jacqueline Marval, Amedeo Modigliani, Chana Orloff, Pablo Picasso, Marie Vassilieff et tant d'autres. L'exposition montre également des tenues de Paul Poiret, de Jeanne Lanvin, des bijoux de la maison Cartier, un avion du musée de l'Air et de l'Espace du Bourget et même une voiture prêtée par le musée national de l'automobile à Mulhouse. À travers la mode, le cinéma, la photographie, la peinture, la sculpture, le dessin, mais aussi la danse, le design, l'architecture et l'industrie, l'exposition donne à vivre et à voir la folle créativité de ces années 1905-1925.L'exposition, dont le parcours est à la fois chronologique et thématique, tire son originalité du périmètre géographique sur lequel elle se concentre largement, celui des Champs-Élysées, à mi-chemin des quartiers de Montmartre et de Montparnasse. S'étendant de la Place de la Concorde à l'Arc de Triomphe et à l'Esplanade des Invalides, il comprend le Petit et le Grand Palais, mais aussi le Théâtre des Champs-Élysées, ou encore la rue de la Boétie. Ce quartier est au coeur de la modernité à l'oeuvre. Le Grand Palais accueille alors chaque année la toute dernière création aux Salons d'Automne et des Indépendants, y sont montrées les oeuvres du Douanier Rousseau, d'Henri Matisse, de Kees van Dongen parmi tant d'autres. Durant la Première Guerre mondiale, le Petit Palais joue un rôle patriotique important, en exposant des oeuvres d'art mutilées et des concours de cocardes de Mimi-Pinson.En 1925, il est au centre de l'Exposition Internationale des Arts Décoratifs et Industriels Modernes où se côtoient pavillons traditionnels, Art Déco et de l'avant-garde internationale. À quelques pas, dans l'actuelle avenue Franklin Roosevelt alors appelée avenue d'Antin, le grand couturier Paul Poiret s'installe dans un superbe hôtel particulier en 1909. Il marque les esprits en y organisant en 1911 la mémorable fête de « La Mille et Deuxième Nuit » pour laquelle le couturier crée des tenues accompagnées d'accessoires. Le lieu abrite aussi la galerie Barbazanges, où Les Demoiselles d'Avignon de Picasso est révélé pour la première fois en 1916. L'artiste vit rue de la Boétie avec sa femme Olga. [...] Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.

Claudette Johnson talks to Ben Luke about her influences—from writers to musicians, film-makers and, of course, other artists—and the cultural experiences that have shaped her life and work. Johnson, who was born in 1959 in Manchester, UK, and now lives in London, has created some of the most powerful figurative art of recent years. Working primarily in what she has called the “very small, twisted space offered to Black women”, she uses drawing and painting together in works that are bold yet sensitive, imposing in scale and intimate in their handling. She subverts the conventions of portraiture in her dramatic approach to composition and pose and in foregrounding the figure's presence in the viewer's space rather than establishing the context in which they are depicted. As a result, she confronts the historic invisibility, distortion and denial of Black subjects, and particularly Black women, in art. She discusses her discovery of Picasso's Les Demoiselles d'Avignon at university and how it has proved both inspirational and problematic. She reflects on the huge importance of Lubaina Himid to her early career and the recent resurgence in her work. She recalls the impact of Toni Morrison's fiction on her subject matter. And she eulogises Paula Rego's approach to pastels, a key element in her work. Plus she answers our usual questions, including the ultimate: what is art for?Claudette Johnson: Presence, The Courtauld, London, 29 September-14 January 2024; Women in Revolt! , Tate Britain, 8 November-7 April 2024; The Time is Always Now, National Portrait Gallery, 22 February-19 May 2024. She has a solo presentation at The Barber Institute in Birmingham, UK, opening in late March and is taking on a commission from Art on the Underground in London, scheduled for November 2024.For web article: Hosted on Acast. See acast.com/privacy for more information.

durée : 00:35:00 - Les Nuits de France Culture - par : Philippe Garbit - Au printemps 1907, le collectionneur et marchand d'art Daniel-Henry Kahnweiler ouvre sa galerie d'art. Il se souvient du choc quand il voit pour la première fois "Les Demoiselles d'Avignon" dans l'atelier de Picasso. D'autres témoins de cette époque racontent leurs impressions. - invités : Daniel-Henry Kahnweiler Écrivain, collectionneur et marchand d'art; Fernande Olivier

durée : 00:10:00 - Les Nuits de France Culture - par : Albane Penaranda - Par Sophie Nauleau - Réalisation Nathalie Salles

En mai fait ce qu'il te plait alors BIM : nouveau format de DRS ! Le concept est simple : chacun fait découvrir à l'autre un de ses films de coeur. Et pour cette première, faites bien vos échauffements pré-séance car nous partons sur un grand écart facial digne des grandes heures de JCVD. Au programme donc, Les Demoiselles de Rochefort de Jacques Demy recommandé par Antoine et Doomsday de Neil Marshall, défendu par Stefan. Eclectisme, bagarre, tendresse... Bref, du Entourloupe dans l'Azimut pur jus. Très bonne écoute à toutes et à tous ! Entourloupement vôtre 00:00:00 Générique 00:02:00 Les Demoiselles de Rochefort, Jacques Demy, 1967 00:25:30 Doomsday, Neil Marshall, 2008

"Les Demoiselles d'Avignon" by Pablo Picasso is a seminal work of art that marks a turning point in the history of modern art. Its innovative approach to perspective, use of symbolism and allegory, and influence on the development of Cubism and other modern art movements make it a touchstone of 20th-century art history. The painting remains a testament to Picasso's revolutionary vision and enduring legacy, and its significance in the canon of modern art is undisputed. --- Support this podcast: https://podcasters.spotify.com/pod/show/vidalsocial/support

durée : 00:58:52 - Cabaret 42ème rue : Le Châtelet Musical Club ; Gaby Deslys ; Les Demoiselles - par : Laurent Valière - En direct et en public du Carreau du Temple à Paris, avec les trois spectacles : Le Châtelet Musical Club #5 - Gaby Deslys - Les Demoiselles. - réalisé par : Fabien Fleurat

“Doucet et Camondo”une passion pour le XVIIIe siècleau musée Nissim de Camondo – Musée des Arts Décoratifs, Parisdu 16 mars au 3 septembre 2023Interview de Juliette Trey, directrice adjointe du Département des études et de la recherche à l'INHA, et commissaire de l'exposition,par Anne-Frédérique Fer, à Paris, le 15 mars 2023, durée 17'39.© FranceFineArt.https://francefineart.com/2023/03/18/3407_doucet_musee-des-arts-decoratifs/Communiqué de presseCommissaire :Juliette TREY, directrice adjointe du Département des études et de la recherche à l'INHALes Arts Décoratifs et l'Institut national d'histoire de l'art (INHA) présentent, au musée Nissim de Camondo, du 16 mars au 3 septembre 2023, une exposition consacrée à la riche collection d'œuvres d'art du XVIIIe siècle constituée par Jacques Doucet.Célèbre couturier et grand mécène, Jacques Doucet (1853-1929) est aussi l'un des plus importants collectionneurs de son temps. Une sélection de dessins, photographies et documents d'archives conservés à l'INHA retrace l'histoire de ce prestigieux patrimoine. L'exposition dévoile les décors éphémères de l'hôtel particulier situé rue Spontini dans le XVIe arrondissement que Doucet fait spécialement édifier pour accueillir cet ensemble de tableaux, dessins, sculptures, meubles et objets d'art du XVIIIe siècle. Elle met en lumière les œuvres ayant appartenu à Jacques Doucet, conservées notamment au musée Nissim de Camondo, ancien hôtel particulier de Moïse de Camondo, tissant ainsi le lien entre ces deux grands collectionneurs.Homme aux multiples facettes, grand couturier, fondateur de la première bibliothèque d'art et d'archéologie publique en France et d'une bibliothèque littéraire, Jacques Doucet est aujourd'hui plus connu pour son activité de mécène et de collectionneur d'art moderne. Il compte, parmi ses plus belles acquisitions, des œuvres d'Henri Matisse, Francis Picabia, Amedeo Modigliani, Paul Klee, Marcel Duchamp ou encore Constantin Brancusi et surtout Les Demoiselles d'Avignon. C'est sur les conseils d'André Breton que Doucet achète en 1923 ce chef d'œuvre de Pablo Picasso, aujourd'hui au Museum of Modern Art à New York. Jacques Doucet est également un des grands mécènes de l'Art déco. Une partie de sa collection de mobilier, qui comprend plusieurs pièces de créateurs tels que Paul Iribe, Pierre Legrain ou André Groult, est aujourd'hui conservée au musée des Arts décoratifs.Pourtant, avant de se consacrer avec tant d'enthousiasme à la modernité, Doucet rassemble entre le milieu des années 1870 et 1912 une importante collection d'oeuvres d'art du XVIIIe siècle : objets d'art français et asiatiques, peintures italiennes, espagnoles et anglaises, dessins, pastels… C'est pour abriter sa collection qu'il décide de se faire construire en 1903 son hôtel particulier, situé rue Spontini à Paris que des photographies et archives de l'INHA viennent ici illustrer.[...] Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.

Jake and Phil discuss Aldous Huxley's "Meditation on El Greco", and Picasso's Les Demoiselles d'Avignon. The Manifesto: Aldous Huxley - "Meditation on El Greco" https://cooperative-individualism.org/huxley-aldous_meditation-on-el-greco-pleasure-that-comes-from-ignorance.pdf The Art: Picasso - Les Demoiselles d'Avignon https://www.moma.org/collection/works/79766?sovreferrer=theme&themeid=5135

Dans cet épisode, Sébastien Poiret, confrère podcasteur de notre partenaire La Salamandre, rappelle la différence entre les Libellules vraies (de grosses mémères aux ailes déployées et perpendiculaires au corps) et les Demoiselles (plus fines, aux ailes repliées). _______ Le FIFO (Festival international du film ornithologique) de Ménigoute est un rendez-vous incontournable pour les passionnés du documentaire animalier et pour les amoureux du Vivant. Le FIFO propose des projections de films, mais aussi un forum des assos et autres acteurs naturalistes, un salon d'Art animalier, des rencontres-débats, un festival off, des sorties et ateliers nature. L'entrée est gratuite et chaque projection payante. C'est simple, riche et “familial”. BSG a eu l'honneur et la chance d'y être invité cette année, pour la 38 e édition, fin octobre 2022. Marc y a réalisé 48 interviews, en se laissant guider par le hasard, au petit bonheur la grande chance. Il en est revenu les cales pleines de belles rencontres et de pépites naturalistes. 24 sont partagées dans BSG, 1 dimanche sur 2. Les 24 autres passent dans Combats, le jumeau “sur le front” de BSG, 1 vendredi sur 2, en alternance. Voici les 24 interviews dispos dans BSG :  https://bit.ly/butor_FIFO22 https://bit.ly/natrix_pue_F22 https://bit.ly/martinet_F22 https://bit.ly/busard_F22 https://bit.ly/lpo_F22 https://bit.ly/arbre3_F22 https://bit.ly/arbre2_F22 https://bit.ly/arbre1_F22 https://bit.ly/tengmalm_F22 https://bit.ly/4viperes_F22 https://bit.ly/collober_F22 https://bit.ly/blaireau_F22 https://bit.ly/loup3_F22 https://bit.ly/loup2_F22 https://bit.ly/loup1_F22 https://bit.ly/ours_F22 https://bit.ly/gcorb_gduc_F22 https://bit.ly/coulvs2_F22 https://bit.ly/coulvs1_F22 https://bit.ly/libellule_F22 https://bit.ly/girard_F22 https://bit.ly/lezard_o_F22 https://bit.ly/sterne_F22 https://bit.ly/cerastes_F22 … et les 24 dispos dans Combats :  https://bit.ly/poteau_F22 https://bit.ly/animalcross_F22 https://bit.ly/charbonnier1_F22 https://bit.ly/charbonnier2_F22 https://bit.ly/bargeqn_F22 https://bit.ly/teich_F22 https://bit.ly/morphe_F22 https://bit.ly/orga_F22 https://bit.ly/freux_F22 https://bit.ly/brochet_F22 https://bit.ly/rale_F22 https://bit.ly/ambroisie_F22 https://bit.ly/bassine_F22 https://bit.ly/iffcamien_F22 https://bit.ly/iffgars_F22 https://bit.ly/iffille_F22 https://bit.ly/mesange_F22 https://bit.ly/hulotte_F22 https://bit.ly/kleenex_F22 https://bit.ly/aoc_F22 https://bit.ly/cner_F22 https://bit.ly/blairoudeur_F22 https://bit.ly/fest_aqc_F22 https://bit.ly/batracien_F22 _______ Pour réécouter la grande série insectes de BSG : http://bit.ly/insectes1_BSG https://bit.ly/insectes2b_BSG https://bit.ly/insectes3_coccs_BSG https://bit.ly/insectes4_puns_BSG https://bit.ly/insectes5_IR_BSG https://bit.ly/insectes6_IR_BSG https://bit.ly/insectes7_mantes_BSG   https://bit.ly/insectes8_mantes2_BSG _______    Sous notre Gravillon vous trouverez... 4 podcasts, 1 site, 1 compte Instagram, 1 page + 1 groupe Facebook et 1 asso dédiés au Vivant : https://baleinesousgravillon.com/liens-2   Tous ces podcasts sont réalisés par des bénévoles. Ils sont gratuits et accessibles à tous. Nous avons besoin de votre soutien pour continuer à vivre. Vous pouvez faire un don sur Helloasso (ou sur Tipeee) ou adhérer à l'asso BSG.   Si vous aimez nos productions, partagez nos liens et abonnez-vous! Profitez-en pour nous laisser des étoiles et surtout un avis sur Apple Podcast, Spotify et les autres applis d'écoutes. Grâce à vos avis, nous serons plus visibles. Grand merci :)   Nous proposons de vous accompagner pour créer votre podcast, ou de sous-traiter tout ou partie de votre projet d'émission.   Nous proposons aussi des conférences et animons des tables rondes pour diffuser la connaissance sur le Vivant et la biodiversité dans les écoles, les universités et les entreprises.   Nous cherchons des partenaires : contact@baleinesousgravillon.com

This week's episode is a roundtable discussion about our evolving relationships with art. Maggie kicks us off with Picasso's 1907 painting Les Demoiselles d'Avignon. Tristan leads a discussion about his complicated relationship with Benvenuto Cellini's 16th-century sculpture, Perseus with the Head of Medusa. Cam rounds things out with his journey of finding, outgrowing, and rediscovering Shakespeare's Hamlet. Subscribe to our Substack here: https://substack.com/secondbreakfastpod Feedback & Theories: secondbreakfastpod@gmail.com Instagram / TikTok / YouTube: @secondbreakfastpod Cam's Work: https://www.cameronfucile.com/

This week's show covers the southern part of the Côte de Beaune, south of Meursault. In this part of the Côte de Beaune you will find some of the most famed, stunning Chardonnay on earth. We start with a recap of episode 455 to tie these two shows together. Then we work our way through the southern half of the Côte de Beaune and the most famed Chardonnays in the world from the Montrachet family of vineyards. Like the first show, this is quite a download and we try to provide a structure for understanding this study in terroir, which sets us up well to do deeper dives on other parts of Bourgogne so we can understand the villages even better.   As in the first show, we don't need much in the notes besides this wonderful map from the Vins de Bourgogne site, but I'll throw a few things down here just for recap.   Here are the show notes: We discuss the pricing of Burgundy and why wines are so expensive. We talk about the difference between Burgundy and Napa that was sparked by a conversation on Patreon. Here is the podcast I talk about with Laurent Delaunaywhere we address some of the pricing issues. We talk a bit about the negociant system and the secondary market before moving to the communes.   _____________________________ This show covers the southern communes of the Côte de Beaune only, from Blagny to Marange    Blagny (Blaeh-NE  -- Pinot Noir) Between Puligny-Montrachet and Meursault, Blagny is a small village appellation with red wines exclusively of Pinot Noir. The majority of wine is classified as Premier Cru. Whites are permitted to be Meursault or Puligny-Montrachet, but not Blagny – since white is often better here, Blagny is not well-known because the name is only for red Blagny has steeper vineyards than most spots in Burgundy and they are at higher altitudes 340- 400 metres/1,116 -1,312 ft vineyards. In the past, vignerons didn't want to make wine in the village because it was too cool, but with climate change it is becoming more popular Blagny's Pinot is like red fruit, black fruit, sandalwood, and spice. With age which it needs because tannins can be strong, leather, pepper, cocoa, licorice, earthy, gamy notes appear.   St. Aubin: (Pinot Noir and Chardonnay) Aubin is between Chassagne-Montrachet and Puligny-Montrachet, but it does not lie on the main Côte d'Or escarpment, but rather in a valley west of Chassagne. In warmer years, this cooler climate area does well, especially the top Premier cru En Remilly, Murgers des Dents de Chien (means teeth of the dog -due to the sharp stones there) and La Chatenière Aubin grows a majority of white (Chardonnay), and the best sites arecloser to Puligny and Chassagne. Common notes are white flowers, lime, flint, chalk, mineral, almond, hazelnut, orange, mineral, and cinnamon. St. Aubin blanc can be sharp in youth or can be full – depending on vintage, terroir and producer. With age the wine is more like beeswax and honey and marzipan. Whites can age up to 10 years. The Pinot Noir is has black fruit with spice and cocoa notes. The wine can be tannic in youth but becomes softer and more herbal with 5-8 years.     Puligny-Montrachet & Chassagne-Montrachet (with Meursault, termed the "Côte des blancs" or “the slope of the "whites" Puligny-Montrachet  (Chardonnay and Pinot Noir) A very small vineyard area (95 ha/235 acres) of nearly all Chardonnay –the terroir is complex in Puligny. The hillside has many different limestone, marl, and alluvial soils. The slopes face east and southeast. Four Grands Crus of Montrachet are located in the borders of Puligny.  Top Premiers Crus: Le Cailleret, Les Pucelles, Les Demoiselles, Les Combettes, Folatières The Chardonnay is known for floral, mineral, marzipan, hazelnut, lemongrass, croissant, honey, lemon curd, limeade, peach, and green apple aromas and flavors. Producers traditionally use oak fermentation and aging but the flavors are restrained. We discuss the Grands Crus, all in the southern part of the appellation: Bâtard-Montrachet (10.27 ha/25.38 acres, shared with Chassagne) and Bienvenues-Bâtard-Montrachet (3.43 ha/8.48 acres, all in Puligny) are lower down the hill from Montrachet. The wines are honeyed and minerally, but less rich than Le Montrachet and Chevalier-Montrachet Le Montrachet (9.59 ha/ 23.7 acres, shared with Chassagne) is considered the best white wine on earth. The Grand Cru is from the ideal mid-slope. The wines are (apparently) elegant with powerful fruit, minerality, smoke, toasty aromas and flavors. Bottles start at about US$600/bottle Chevalier-Montrachet (7.48 ha/18.48 acres, only in Puligny) is nearly as good as Le Montrachet, lying at a higher elevation, with less clay Photo Credit: BIVB  Chassagne (Chardonnay and Pinot Noir) Chassagne is one of the largest communes in the Cote d'Or with 761 acres/308 ha – Chardonnay is 70% of production and Pinot Noir is 30%. With complex soils, there is a range of quality and flavor in the village wines. The Chardonnay has pronounced mineral, white flower (verbena, honeysuckle), toasted almonds, toast (from oak), and fresh butter. The wine can be like peach in riper years. They are full but always have a backbone of acidity. The Pinots are fruity with black fruit, strawberry briar, and earth notes. It is soft but has tannin and needs time to mellow. There are 55 Premier crus of varying quality, since most of the steep slopes are for Premier Crus and Grands Crus of Chardonnay, much of the Village wine on the flatter areas is Pinot Noir Grands Crus: Shared with Puligny: Bâtard Montrachet, Le Montrachet Criots-Bâtard-Montrachet: 100% in Chassagne -- 1.57 ha/3.88 acres, very small production   From the Bourgogne Website: To remember their names, here is the story they offer: The Seigneur of Montrachet set off on a crusade, entrusting his virgin daughter to his favorite Chevalier (knight). In his absence, what happened, happened, and a child was born illegitimately. On his return from the Crusades, the Seigneur discovered this Bâtard (bastard), who started to cry when he saw him. The Seigneur then said: “Criots-Bâtard!” (The bastard cries!). But he was a good man, and welcomed the child into the family with these words: “Bienvenues-Bâtard-Montrachet” (Welcome, Bastard of Montrachet).     Santenay  (Pinot Noir and Chardonnay) This is the last major village of the Côte d'Or and makes nearly all red wine, only 1/8 is Chardonnay. The orientation is still eastern and southern but here there is a shift to more southerly facing vineyards, still with limestone and clay. Santenay's Pinot Noir is earthy, with dark flower notes like rose petals, violet, red fruit and licorice. It can have lighter tannin, is acidic, and is a great intro to Burgundy that we can sort of afford. The Chardonnay is minerally and floral with great acidity, and a trace of nuts and spice. 

   Maranges MAHR-ohnjhze (Pinot Noir and Chardonnay) This is where a total shift takes place and the Côte de Beaune terroir changes. In Maranges, the hills face south and southwest and the slopes become gentler, soils break down and become more of a patchwork. Gentler slopes, more heat and heavy clay lead to dark, rich wines (they were used as vins de médecin, to beef up the wines of the Côte de Nuits in bad years, so they never focused much on their own quality). Maranges is located in a different administrative department, Saône-et-Loire, where the Côte Chalonnaise lies. It's made up of three villages of Cheilly-lès-Maranges, Dezize lès-Maranges and Sampigny-lès-Maranges The Pinot Noir is fuller and darker with red preserves, black cherry, earth, licorice, pepper, and less nuance. The wines have smooth tannin, medium acidity and are similar to those of the Côte Chalonnaise. The Chardonnay is floral with minerals and honey, it is an easy drinking wine.   We hope you enjoyed the two part series on the Côte de Beaune. Lots to learn and this is just the start.     Photo Credit: BIVB  _______________________________________________________________ Thanks to our sponsors this week: Wine Spies uncovers incredible wines at unreal prices - on every type of wine in a variety of price points. It's not a club and there's no obligation to buy. Sign up for their daily email and buy what you want, when you want it. They have a build-a-case option, so you can mix and match wines while enjoying free shipping on every purchase. Visit www.winespies.com/normal you'll get $20 credit to use on your first order! Check them out today!   If you think our podcast is worth the price of a bottle or two of wine a year, please become a member of Patreon... you'll get even more great content, live interactions and classes!  www.patreon.com/winefornormalpeople   To register for an AWESOME, LIVE WFNP class with Elizabeth go to: www.winefornormalpeople.com/classes

Mandy tells Caelan and Hoots all about the many loves of this infamous painter and womanizer.Follow Respect the Dead on Twitter or Instagram and sign up on our Patreon Here!Episode Links:Picasso: https://www.biography.com/.image/t_share/MTY2NTIzNTAyNjgwMDg5ODQy/pablo-picasso-at-his-home-in-cannes-circa-1960-photo-by-popperfoto_getty-images.jpg Fernade Oliver: https://www.blogmuseupicassobcn.org/wp-content/uploads/2018/04/Fernande-Oliver-01.jpg Eva Gouel: https://imgix.ranker.com/user_node_img/50084/1001670237/original/picasso-kidnapped-irene-lagut-before-she-left-him-for-another-woman-photo-u1?w=650&q=50&fm=pjpg&fit=crop&crop=faces Les Demoiselles d'Avignon painting: https://en.wikipedia.org/wiki/Fernande_Olivier#/media/File:Les_Demoiselles_d%27Avignon.jpg Olga: https://i.pinimg.com/originals/de/5d/c3/de5dc356e8853db0257a784c4a1f5159.jpg Marie-Therese Walter: https://4.bp.blogspot.com/-kcYcL7-X3G8/Tbiq6QQFOdI/AAAAAAAAafY/7icc78L_iSU/s1600/marie+the%25CC%2581re%25CC%2580se+walter.jpg Dora Maar: https://ilarge.lisimg.com/image/6483548/753full-dora-maar.jpg The Weeping Woman: https://www.abc.net.au/news/image/1531472-3x4-700x933.jpg Francoise Gilot: https://static01.nyt.com/images/2019/06/10/t-magazine/13tmag-francoise-slide-8I4B/13tmag-francoise-slide-8I4B-videoSixteenByNineJumbo1600.jpg Jacqueline: https://www.artsandcollections.com/wp-content/uploads/2019/05/Roque.jpg

Đồi Montmartre, ở Paris, lại tưng bừng với Hội mùa Thu hoạch (Fête des Vendanges) từ ngày 05 đến 09/10/2022. Hàng năm, khoảng 3.000 chai vang đỏ và hồng được ủ từ nho của gần 1.900 gốc, trong đó nhiều gốc trồng năm 1933. Toàn bộ số tiền bán rượu được dành cho các chương trình xã hội của quận 18. Được tổ chức từ 80 năm nay, Hội mùa Thu hoạch là dịp thưởng thức ẩm thực và đắm mình trong không khí hội hè nổi tiếng của Montmartre. Montmartre từng là vùng đất hoang vu với một tu viện được xây vào thế kỷ XII và vài ruộng nho xung quanh. Rồi người ta đến trồng rau, trồng nho, lập làng quanh tu viện. Nét điền dã dần biến mất với quá trình đô thị hóa từ thế kỷ XIX. Một tầng lớp cư dân mới, chủ yếu là người nghèo, trộm cắp, công nhân và cả những nghệ sĩ nay đây mai đó, bị đẩy khỏi quá trình đô thị hóa Paris theo kế hoạch của kiến trúc sư Haussmann, đến sống ở rìa làng, hình thành khu ổ chuột (maquis de Montmartre), không điện, không nước với những căn nhà lụp xụp xen giữa thảm thực vật hoang dại. Từ khu ổ chuột thành “mồi” cho giới bất động sản Chính quyền cũng quay lưng với những “thành phần không một xu dính túi”, ít nhất cho đến cuối thế kỷ XIX. Vào Thời kỳ Tươi đẹp (Belle Epoque, 1871-1880), những vùng trên cao ở Paris trở thành khu vực giải trí sành điệu. Làng Montmartre lột xác. Các quán rượu mọc lên ầm ầm, thu hút giới tinh hoa Paris và những nghệ sĩ nổi tiếng đương thời. Đất ở Montmartre lên giá. Ngôi làng trở trành miếng mồi cho giới thầu xây dựng. Người dân nghèo bị đuổi khỏi khu ổ chuột, đôi khi không được tái định cư. Những tòa nhà theo kiến trúc Haussmann lần lượt mọc trên đại lộ Junot ở chân đồi, thêm vài ngôi biệt thự theo kiến trúc Anh, Tân Nghệ thuật dành cho nhà giầu (biệt thự Léandre). Quá trình thay đổi của khu đồi được tái hiện rõ ở Bảo tàng Montmartre (Musée de Montmartre, được bà Saskia Ooms, phụ trách bảo tàng, giới thiệu với RFI Tiếng Việt : “Bảo tàng muốn giới thiệu quá trình thay đổi của khu phố theo thứ tự thời gian. Những chiếc cối xay gió và mỏ khai thác thạch cao dần biến mất để mở đại lộ Junot, rồi Montmartre được sáp nhập vào quận 18 Paris năm 1860. Ngoài ra, còn có lịch sử của tu viện Montmartre, cùng với những cánh đồng nho gắn liền với lịch sử của khu đồi. Chúng tôi may mắn có bộ sưu tập đa ngành rất đa dạng, gồm tranh, ảnh, ma-két, đồ vật… cho thấy quá trình thay đổi của khu phố. Ngoài ra, bảo tàng còn có rất nhiều tấm áp-phích do các nghệ sĩ lúc đó thực hiện, đồ sứ Clignancourt sang trọng, cũng như những đồ vật mang tính dân gian cho thấy nét đặc biệt của khu phố. Khách tham quan có thể xem kịch bóng được tái dựng ở phòng trưng bày Chat Noir. Đây là khu trưng bày hiếm có, nơi người xem như hòa mình vào khung cảnh huyên náo, nhộn nhịp của khu phố và tiệm hát huyền thoại do Rodolphe Salis thành lập”. Nhà thờ Thánh Tâm (Basilique du Sacré-Coeur de Montmartre), được khởi công năm 1875, ban đầu bị coi là lời thóa mạ đến tinh thần cách mạng, nhưng lại góp phần làm thay đổi cảnh quan đồi Montmartre. Một bên là tâm linh, bên kia là trần tục, nhộn nhạo với những hàng cà phê, quán rượu trong thập niên 1880. “Nét đặc trưng của khu phố được truyền tải qua những quán rượu, cà phê mọc trên đồi Montmartre từ năm 1888. Thực ra, rất nhiều nghệ sĩ đã đến Montmartre vào khoảng thập niên 1870, sau đó, họ thường xuyên lui tới những quán cà phê, ngày càng đông hơn ở trên đồi, đặc biệt phải kể đến quán Café du Chat noir (Cà phê Mèo Đen), rất nổi tiếng, rất đông khách và thường chiếu kịch bóng. Tất cả được chúng tôi trưng bày trong phòng triển lãm Mèo Đen. Ngoài ra, còn có nhiều diễn viên sân khấu, cũng như những anh hề của Gánh xiếc Medrano nổi tiếng, được nhiều nghệ sĩ tái hiện trong tác phẩm của họ. Trong bảo tàng, khách tham quan có thể thấy tấm áp-phích rất đẹp của họa sĩ Toulouse-Lautrec quảng cáo buổi diễn mỗi tối của Aristide Bruant ở quán rượu-cà phê Mirliton, hoặc về Jane Avril và Yvette Guilbert, hai vũ nữ rất nổi tiếng”. Cái nôi của nghệ thuật, nơi giao lưu của văn nghệ sĩ Montmartre trở thành trung tâm của thủ đô nghệ thuật Paris vào đầu thế kỷ XX. Chính tại khu phố thời thượng này, Bateau-Lavoir, một trong những nơi cư trú nổi tiếng của các nghệ sĩ đã ra đời. Dãy nhà cấp bốn, ban đầu là phòng khiêu vũ, sau đó là xưởng làm đàn piano, được ngăn dọc thành khoảng 20 xưởng vẽ nhỏ, làm liên tưởng đến hành lang trên boong tầu nên được nhà thơ Max Jacob đặt tên là Bateau-Lavoir. Lúc đầu, đây chỉ là nơi lưu trú của các nghệ sĩ Ý và Tây Ban Nha, dần dần Bateau-Lavoir trở thành nơi giao lưu của giới văn-nghệ sĩ. Guillaume Apollinaire, Amedeo Modigliani, Henri Matisse, Georges Braque, Jean Cocteau… từng sống trong “ngôi nhà chung”. Bateau-Lavoir trở thành “Villa Medicis của hội họa hiện đại”, nơi danh họa Picasso gặp người bạn đời, người mẫu Fernande Olivier. “Tại khu Bateau-Lavoir, Picasso vẽ bức Les Demoiselles d'Avignon (Những cô gái ở Avignon). Đó cũng là nơi sáng tác của Kees Van Dongen, Othon Friesz, Juan Gris và nhiều nghệ sĩ khác. Các nghệ sĩ tiên phong trong khu phố đã thực sự ganh đua với nhau vào thời đó. Rất nhiều tác phẩm của những nghệ sĩ đã sống trong bảo tàng cũng được trưng bày, như Suzanne Valadon, Maurice Utrillo và André Utter. Trước khi trở thành bảo tàng hiện nay, khu nhà này có những xưởng vẽ, rất nhiều nghệ sĩ đã sống ở đây, trong đó có Raoul Dufy, Othon Friesz, Charles Camoin, Émile Bernard”. Từ khu vườn của bảo tàng có thể nhìn xuống ruộng nho duy nhất Clos-Montmartre, chếch xa hơn một chút là quán rượu Lapin Agile, được coi là “ngôi đền” của giới nghệ sĩ và người thích hát. Họa sĩ biếm họa André Gill vẽ biển hiệu cho quán rượu là một chú thỏ đang nhảy ra khỏi nồi. Từ đó, người ta gọi là Chú thỏ của Gill (le Lapin à Gil), sau được lái thành Chú thỏ nhanh nhẹn (le Lapin Agile) và giữ cho đến nay. Bà Saskia Ooms nhận xét : “Montmartre là một trong những khu phố hiếm hoi vẫn giữ được nét quyến rũ đặc biệt. Phần lớn khu phố vẫn như xưa. Người ta vẫn thấy những địa điểm nổi tiếng như nhà hàng Lapin Agile, Lâu đài Sương mù (Château des Brouillards), Ngôi nhà mầu hồng (Maison Rose), Cối xa gió đỏ (Moulin Rouge), nghĩa trang Saint-Vincent tạo nên nét quyến rũ, cổ kính và rất độc đáo cho khu phố”.  Làng trong phố Hầu hết những địa điểm được bà Saskia Ooms nhắc đến đều nằm quanh khu phố Abreuvoir, hiện là điểm “check-in” không thể bỏ qua của du khách. Đầu phố là nhà hàng Maison rose (Ngôi nhà mầu hồng) nổi tiếng, được xây vào khoảng năm 1850, sau đó bị bỏ hoang, rồi được Laure Gargallo, người mẫu cho Picasso, mua lại và sơn hồng để làm quán ăn nhỏ cho những người bạn nghệ sĩ. Giữa phố Abreuvoir là tượng ca sĩ Dalida, ngay cạnh Lâu đài Sương mù với những câu chuyện ma chưa có lời giải. Có lẽ nhờ một số người dân chống cưỡng chế để đô thị hóa Montmartre vào đầu thế kỷ XX mà khu phố vẫn giữ được nét nông thôn điểm xuyết trong cảnh quan đã thay đổi. Họ buộc phải rời đi vào những năm 1940 do tình trạng nhà xuống cấp. Montmartre có khoảng 15 cối xay gió được xây từ năm 1591 đến 1741 và hiện còn lại hai, được trùng tu, nằm ở phố Lepic. Nổi tiếng nhất và ở trên cao nhất là cối xay gió Blute-fin nằm trong khu nhà riêng nên chỉ có thể nhìn từ ngoài đường. Radet, cối xay gió còn lại thứ hai, được di chuyển đến vị trí hiện nay từ thế kỷ XIX để làm quán rượu và hiện là nhà hàng Moulin de la Galette. Riêng Moulin Rouge (Cối xay gió đỏ), quán rượu nổi tiếng với vũ điệu Cancan, được Joseph Oller và Charles Zidler cho xây năm 1889 làm tụ điểm giải trí. Quá trình phát triển của Montmartre và Moulin Rouge gắn chặt nhau suốt thế kỷ XX và được tái hiện trong bảo tàng : “Bảo tàng dành riêng một gian trưng bày về quán rượu Moulin Rouge nổi tiếng với một đoạn trích trong phim French Cancan (Điệu nhảy cancan của Pháp) của Jean Renoir. Ngoài ra còn có rất nhiều ảnh của những vũ nữ nổi tiếng. Họ có bưu thiếp riêng, in hình họ, để bán hoặc tặng cho người hâm mộ vì đó cũng là những nghệ sĩ tài hoa, quyến rũ. Bên cạnh đó còn có Quảng trường Pigalle. Còn trong tấm áp-phích của Toulouse-Lautrec, có thể thấy Cối xay gió Đỏ (Moulin Rouge)”. Ngoài những điểm quá nổi tiếng, như Nhà thờ Thánh Tâm Sacré-Coeur, nhà thờ Saint-Pierre, Quảng trường Tertre với những quán cà phê và họa sĩ dạo dưới bóng cây tiêu huyền, bà Saskia Ooms gợi ý một số điểm quyến rũ nhưng không đông người : “Trước tiên là khu vườn của bảo tàng Montmartre, được coi là chốn thanh bình, rất hiếm ở Paris và rất đặc biệt nhờ quán Café Renoir, nơi khách tham quan có thể nhâm nhi từng khoảnh khắc hạnh phúc.  Tiếp theo là khu phố Abbesse, rất quyến rũ với quảng trường cùng tên và nhà thờ tuyệt đẹp ngay cạnh. Rồi còn có những con ngõ, con phố nhỏ, như phố Chevalier de la Barre, phố Lepic, công viên Marcel Bleustein-Blanchet ở ngay sau Nhà thờ Thánh Tâm, vườn hoa Clignancourt, hay vườn hoa Suzanne Buisson ẩn mình giữa đại lộ Genet và phố Simon Dereure. Tất cả cho thấy vẻ đẹp tuyệt vời của Montmartre. Du khách có thể cảm nhận được không khí hư ảo trong khu phố tuyệt vời này”.

Đồi Montmartre, ở Paris, lại tưng bừng với Hội mùa Thu hoạch (Fête des Vendanges) từ ngày 05 đến 09/10/2022. Hàng năm, khoảng 3.000 chai vang đỏ và hồng được ủ từ nho của gần 1.900 gốc, trong đó nhiều gốc trồng năm 1933. Toàn bộ số tiền bán rượu được dành cho các chương trình xã hội của quận 18. Được tổ chức từ 80 năm nay, Hội mùa Thu hoạch là dịp thưởng thức ẩm thực và đắm mình trong không khí hội hè nổi tiếng của Montmartre. Montmartre từng là vùng đất hoang vu với một tu viện được xây vào thế kỷ XII và vài ruộng nho xung quanh. Rồi người ta đến trồng rau, trồng nho, lập làng quanh tu viện. Nét điền dã dần biến mất với quá trình đô thị hóa từ thế kỷ XIX. Một tầng lớp cư dân mới, chủ yếu là người nghèo, trộm cắp, công nhân và cả những nghệ sĩ nay đây mai đó, bị đẩy khỏi quá trình đô thị hóa Paris theo kế hoạch của kiến trúc sư Haussmann, đến sống ở rìa làng, hình thành khu ổ chuột (maquis de Montmartre), không điện, không nước với những căn nhà lụp xụp xen giữa thảm thực vật hoang dại. Từ khu ổ chuột thành “mồi” cho giới bất động sản Chính quyền cũng quay lưng với những “thành phần không một xu dính túi”, ít nhất cho đến cuối thế kỷ XIX. Vào Thời kỳ Tươi đẹp (Belle Epoque, 1871-1880), những vùng trên cao ở Paris trở thành khu vực giải trí sành điệu. Làng Montmartre lột xác. Các quán rượu mọc lên ầm ầm, thu hút giới tinh hoa Paris và những nghệ sĩ nổi tiếng đương thời. Đất ở Montmartre lên giá. Ngôi làng trở trành miếng mồi cho giới thầu xây dựng. Người dân nghèo bị đuổi khỏi khu ổ chuột, đôi khi không được tái định cư. Những tòa nhà theo kiến trúc Haussmann lần lượt mọc trên đại lộ Junot ở chân đồi, thêm vài ngôi biệt thự theo kiến trúc Anh, Tân Nghệ thuật dành cho nhà giầu (biệt thự Léandre). Quá trình thay đổi của khu đồi được tái hiện rõ ở Bảo tàng Montmartre (Musée de Montmartre, được bà Saskia Ooms, phụ trách bảo tàng, giới thiệu với RFI Tiếng Việt : “Bảo tàng muốn giới thiệu quá trình thay đổi của khu phố theo thứ tự thời gian. Những chiếc cối xay gió và mỏ khai thác thạch cao dần biến mất để mở đại lộ Junot, rồi Montmartre được sáp nhập vào quận 18 Paris năm 1860. Ngoài ra, còn có lịch sử của tu viện Montmartre, cùng với những cánh đồng nho gắn liền với lịch sử của khu đồi. Chúng tôi may mắn có bộ sưu tập đa ngành rất đa dạng, gồm tranh, ảnh, ma-két, đồ vật… cho thấy quá trình thay đổi của khu phố. Ngoài ra, bảo tàng còn có rất nhiều tấm áp-phích do các nghệ sĩ lúc đó thực hiện, đồ sứ Clignancourt sang trọng, cũng như những đồ vật mang tính dân gian cho thấy nét đặc biệt của khu phố. Khách tham quan có thể xem kịch bóng được tái dựng ở phòng trưng bày Chat Noir. Đây là khu trưng bày hiếm có, nơi người xem như hòa mình vào khung cảnh huyên náo, nhộn nhịp của khu phố và tiệm hát huyền thoại do Rodolphe Salis thành lập”. Nhà thờ Thánh Tâm (Basilique du Sacré-Coeur de Montmartre), được khởi công năm 1875, ban đầu bị coi là lời thóa mạ đến tinh thần cách mạng, nhưng lại góp phần làm thay đổi cảnh quan đồi Montmartre. Một bên là tâm linh, bên kia là trần tục, nhộn nhạo với những hàng cà phê, quán rượu trong thập niên 1880. “Nét đặc trưng của khu phố được truyền tải qua những quán rượu, cà phê mọc trên đồi Montmartre từ năm 1888. Thực ra, rất nhiều nghệ sĩ đã đến Montmartre vào khoảng thập niên 1870, sau đó, họ thường xuyên lui tới những quán cà phê, ngày càng đông hơn ở trên đồi, đặc biệt phải kể đến quán Café du Chat noir (Cà phê Mèo Đen), rất nổi tiếng, rất đông khách và thường chiếu kịch bóng. Tất cả được chúng tôi trưng bày trong phòng triển lãm Mèo Đen. Ngoài ra, còn có nhiều diễn viên sân khấu, cũng như những anh hề của Gánh xiếc Medrano nổi tiếng, được nhiều nghệ sĩ tái hiện trong tác phẩm của họ. Trong bảo tàng, khách tham quan có thể thấy tấm áp-phích rất đẹp của họa sĩ Toulouse-Lautrec quảng cáo buổi diễn mỗi tối của Aristide Bruant ở quán rượu-cà phê Mirliton, hoặc về Jane Avril và Yvette Guilbert, hai vũ nữ rất nổi tiếng”. Cái nôi của nghệ thuật, nơi giao lưu của văn nghệ sĩ Montmartre trở thành trung tâm của thủ đô nghệ thuật Paris vào đầu thế kỷ XX. Chính tại khu phố thời thượng này, Bateau-Lavoir, một trong những nơi cư trú nổi tiếng của các nghệ sĩ đã ra đời. Dãy nhà cấp bốn, ban đầu là phòng khiêu vũ, sau đó là xưởng làm đàn piano, được ngăn dọc thành khoảng 20 xưởng vẽ nhỏ, làm liên tưởng đến hành lang trên boong tầu nên được nhà thơ Max Jacob đặt tên là Bateau-Lavoir. Lúc đầu, đây chỉ là nơi lưu trú của các nghệ sĩ Ý và Tây Ban Nha, dần dần Bateau-Lavoir trở thành nơi giao lưu của giới văn-nghệ sĩ. Guillaume Apollinaire, Amedeo Modigliani, Henri Matisse, Georges Braque, Jean Cocteau… từng sống trong “ngôi nhà chung”. Bateau-Lavoir trở thành “Villa Medicis của hội họa hiện đại”, nơi danh họa Picasso gặp người bạn đời, người mẫu Fernande Olivier. “Tại khu Bateau-Lavoir, Picasso vẽ bức Les Demoiselles d'Avignon (Những cô gái ở Avignon). Đó cũng là nơi sáng tác của Kees Van Dongen, Othon Friesz, Juan Gris và nhiều nghệ sĩ khác. Các nghệ sĩ tiên phong trong khu phố đã thực sự ganh đua với nhau vào thời đó. Rất nhiều tác phẩm của những nghệ sĩ đã sống trong bảo tàng cũng được trưng bày, như Suzanne Valadon, Maurice Utrillo và André Utter. Trước khi trở thành bảo tàng hiện nay, khu nhà này có những xưởng vẽ, rất nhiều nghệ sĩ đã sống ở đây, trong đó có Raoul Dufy, Othon Friesz, Charles Camoin, Émile Bernard”. Từ khu vườn của bảo tàng có thể nhìn xuống ruộng nho duy nhất Clos-Montmartre, chếch xa hơn một chút là quán rượu Lapin Agile, được coi là “ngôi đền” của giới nghệ sĩ và người thích hát. Họa sĩ biếm họa André Gill vẽ biển hiệu cho quán rượu là một chú thỏ đang nhảy ra khỏi nồi. Từ đó, người ta gọi là Chú thỏ của Gill (le Lapin à Gil), sau được lái thành Chú thỏ nhanh nhẹn (le Lapin Agile) và giữ cho đến nay. Bà Saskia Ooms nhận xét : “Montmartre là một trong những khu phố hiếm hoi vẫn giữ được nét quyến rũ đặc biệt. Phần lớn khu phố vẫn như xưa. Người ta vẫn thấy những địa điểm nổi tiếng như nhà hàng Lapin Agile, Lâu đài Sương mù (Château des Brouillards), Ngôi nhà mầu hồng (Maison Rose), Cối xa gió đỏ (Moulin Rouge), nghĩa trang Saint-Vincent tạo nên nét quyến rũ, cổ kính và rất độc đáo cho khu phố”.  Làng trong phố Hầu hết những địa điểm được bà Saskia Ooms nhắc đến đều nằm quanh khu phố Abreuvoir, hiện là điểm “check-in” không thể bỏ qua của du khách. Đầu phố là nhà hàng Maison rose (Ngôi nhà mầu hồng) nổi tiếng, được xây vào khoảng năm 1850, sau đó bị bỏ hoang, rồi được Laure Gargallo, người mẫu cho Picasso, mua lại và sơn hồng để làm quán ăn nhỏ cho những người bạn nghệ sĩ. Giữa phố Abreuvoir là tượng ca sĩ Dalida, ngay cạnh Lâu đài Sương mù với những câu chuyện ma chưa có lời giải. Có lẽ nhờ một số người dân chống cưỡng chế để đô thị hóa Montmartre vào đầu thế kỷ XX mà khu phố vẫn giữ được nét nông thôn điểm xuyết trong cảnh quan đã thay đổi. Họ buộc phải rời đi vào những năm 1940 do tình trạng nhà xuống cấp. Montmartre có khoảng 15 cối xay gió được xây từ năm 1591 đến 1741 và hiện còn lại hai, được trùng tu, nằm ở phố Lepic. Nổi tiếng nhất và ở trên cao nhất là cối xay gió Blute-fin nằm trong khu nhà riêng nên chỉ có thể nhìn từ ngoài đường. Radet, cối xay gió còn lại thứ hai, được di chuyển đến vị trí hiện nay từ thế kỷ XIX để làm quán rượu và hiện là nhà hàng Moulin de la Galette. Riêng Moulin Rouge (Cối xay gió đỏ), quán rượu nổi tiếng với vũ điệu Cancan, được Joseph Oller và Charles Zidler cho xây năm 1889 làm tụ điểm giải trí. Quá trình phát triển của Montmartre và Moulin Rouge gắn chặt nhau suốt thế kỷ XX và được tái hiện trong bảo tàng : “Bảo tàng dành riêng một gian trưng bày về quán rượu Moulin Rouge nổi tiếng với một đoạn trích trong phim French Cancan (Điệu nhảy cancan của Pháp) của Jean Renoir. Ngoài ra còn có rất nhiều ảnh của những vũ nữ nổi tiếng. Họ có bưu thiếp riêng, in hình họ, để bán hoặc tặng cho người hâm mộ vì đó cũng là những nghệ sĩ tài hoa, quyến rũ. Bên cạnh đó còn có Quảng trường Pigalle. Còn trong tấm áp-phích của Toulouse-Lautrec, có thể thấy Cối xay gió Đỏ (Moulin Rouge)”. Ngoài những điểm quá nổi tiếng, như Nhà thờ Thánh Tâm Sacré-Coeur, nhà thờ Saint-Pierre, Quảng trường Tertre với những quán cà phê và họa sĩ dạo dưới bóng cây tiêu huyền, bà Saskia Ooms gợi ý một số điểm quyến rũ nhưng không đông người : “Trước tiên là khu vườn của bảo tàng Montmartre, được coi là chốn thanh bình, rất hiếm ở Paris và rất đặc biệt nhờ quán Café Renoir, nơi khách tham quan có thể nhâm nhi từng khoảnh khắc hạnh phúc.  Tiếp theo là khu phố Abbesse, rất quyến rũ với quảng trường cùng tên và nhà thờ tuyệt đẹp ngay cạnh. Rồi còn có những con ngõ, con phố nhỏ, như phố Chevalier de la Barre, phố Lepic, công viên Marcel Bleustein-Blanchet ở ngay sau Nhà thờ Thánh Tâm, vườn hoa Clignancourt, hay vườn hoa Suzanne Buisson ẩn mình giữa đại lộ Genet và phố Simon Dereure. Tất cả cho thấy vẻ đẹp tuyệt vời của Montmartre. Du khách có thể cảm nhận được không khí hư ảo trong khu phố tuyệt vời này”.

The book, Old Masters and Young Geniuses shows there are two types of creators: experimental, and conceptual. Experimental and conceptual creators differ in their approaches to their work, and follow two distinct career paths. Experimental creators grow to become old masters. Conceptual creators shine as young geniuses. University of Chicago economist, and author of Old Masters and Young Geniuses, David Galenson – who I interviewed on episode 105 – wanted to know how the ages of artists affected the prices of their paintings. He isolated the ages of artists from other factors that affect price, such as canvas size, sale date, and support type (whether it's on canvas, paper, or other). He expected to find a neat effect, such as “paintings from younger/older artists sell for more.” But instead, he found two distinct patterns: Some artists' paintings from their younger years sold for more. Other artists' paintings from their older years sold for more. He then found this same pattern in the historical significance of artists' work: The rate at which paintings were included in art history books or retrospective exhibitions – both indicators of significance – peaked at the same ages as the values of paintings. When he looked closely at how painters who followed these two trajectories differed, he found that the ones who peaked early took a conceptual approach, while those who peaked late took an experimental approach. Cézanne vs. Picasso The perfect examples of contrasting experimental and conceptual painters are Paul Cézanne and Pablo Picasso. Paintings from Cézanne's final year of life, when he was sixty-seven, are his most valuable. Paintings from early in Picasso's career, when he was twenty-six, are his most valuable. A painting done when Picasso was twenty-six is worth four times as much as one done when he was sixty-seven (he lived to be ninety-one, and his biographer and friend called the dearth of his influential work later in life “a sad end”). A painting done when Cézanne was sixty-seven – the year he died – is worth fifteen times as much as one done when he was twenty-six. Cézanne, the experimenter Cézanne took an experimental approach to painting, which explains why it took so long for his career to peak. Picasso took a conceptual approach, which explains why he peaked early. Cézanne left the conceptual debates of Paris cafés to live in the south of France, in his thirties. He spent the next three decades struggling to paint what he truly saw in landscapes. He felt limited by the fact that, as he was looking at a canvas, he could only paint the memory of what he had just seen. He did few preparatory sketches early in his career, but grew to paint straight from nature. He treated his paintings as process work, and seemed to have no use for them when he was finished: He only signed about ten percent of his paintings, and sometimes threw them into bushes or left them in fields. Picasso, the conceptual genius Picasso, instead, executed one concept after another. He had early success with his Blue period and Rose period, then dove into Cubism. He often planned paintings carefully, in advance: He did more than four-hundred studies for his most valuable and influential painting, Les Demoiselles d'Avignon. One model described how he simply stared at her for an hour, apparently planning a series of paintings in his head, which he began painting the next day, without her assistance. Cézanne said, “I seek in painting.” Picasso said, “I don't seek; I find.” Cézanne struggled to paint what he saw, and Picasso said, “I paint objects as I think them, not as I see them.” Experimental vs. conceptual artists Here are some qualities that differ between experimental and conceptual artists: Experimental artists work inductively. Through the process of creation, they arrive at their solution. Conceptual artists work deductively. They begin with a solution in mind, then work towards it. Experimental artists have vague goals. They're not quite sure what they're seeking. Conceptual artists have specific goals. They already have an idea in their head they're trying to execute. Experimental artists are full of doubt. Since they don't already have the solution, and aren't sure what they're looking for, they rarely feel they've succeeded. Conceptual artists are confident. They know what they're after, so once they've achieved it, they're done, and can move on to the next thing. Experimental artists repeat themselves. They might paint the same subject over and over, tweaking their approach. Conceptual artists change quickly. They'll move from subject to subject, style to style, concept to concept. Experimental artists do it themselves. They're discovering throughout the process, so they rarely use assistants. Conceptual artists delegate. They just need their concept executed, so someone else can often do the work. Experimental artists discover. Over the years, they build up knowledge in a field, to invent new approaches. Conceptual artists steal. To a greater degree than experimental artists, they take what others have developed and make it their own. Other experimental & conceptual artists Some other experimental artists: Georgia O'Keeffe: She painted pictures of a door of her house in New Mexico more than twenty times. She liked to start off painting a subject realistically, then, through repetition, make it more abstract. Jackson Pollock: He said he needed to drip paint on a canvas from all four sides, what he called a “‘get acquainted' period,” before he knew what he was painting. Leonardo da Vinci: He was constantly jumping from project to project, rarely finishing. He incorporated his slowly-accrued knowledge of anatomy, optics, and geology into his paintings. Some conceptual artists: Georges Seurat: He had his pointillism method down to a science. He planned out his most-famous painting, Sunday Afternoon, through more than fifty studies, and could paint tiny dots on the giant canvas without stepping back to see how it looked. Andy Warhol: Used assistants heavily, saying, “I think somebody should be able to do all my paintings for me,” and “Why do people think artists are special? It's just another job.” Raphael: Who had a huge workshop of as many as fifty assistants, innovated by allowing a printmaker to make and sell copies of his work, and synthesized the hard-won methods of Leonardo and Michelangelo into his well-planned designs. Experimental & conceptual creators in other fields Galenson has found these two distinct experimental and conceptual trajectories in a variety of fields. This runs counter to the findings of Dean Simonton, who believes the complexity of a given field determines when a creator peaks. Galenson argues that the complexity of having an impact in a field changes, as innovations are made or integrated into the state of the art. Sculpture In sculpture, Méret Oppenheim had a conversation in a café with Picasso, and got the idea to line a teacup with fur. It became the quintessential surrealist sculpture, Luncheon in Fur, but it was totally conceptual. She continued to make art into her seventies, and never did another significant work. Constantin Brancusi spent a lifetime as an experimental sculptor. He said, “I don't work from sketches, I take the chisel and hammer and go right ahead.” He did his most famous work, Bird in Space, when he was fifty-two. Novels In novels, Mark Twain wrote The Adventures of Huckleberry Finn experimentally, in at least three separate phases, over the course of nine years. He finally published it when he was fifty. Hemingway's novels were conceptually driven, using his trademark dialog as one of his major devices. He picked up this technique and synthesized it from studying the work of Gertrude Stein, Sherwood Anderson, and Twain himself. When I talked to Galenson on episode 105, he explained the way to spot the difference between an experimental and a conceptual novel is to ask, “are the characters believable?” Conceptual novelists focus on plot, while experimental novelists focus on character. Poetry In poetry, Robert Frost, who spent his career trying to perfect how rhythms and stress patterns affected the meanings of words – so-called “sentence sounds” – wrote “Stopping by Woods on a Snowy Evening” when he was forty-eight. Ezra Pound developed his technique of “imagism” when he was twenty-eight, and had thought it through so well he published a set of formal rules. With this conceptual approach, he created the bulk of his influential poems before he was forty, despite living well into his eighties. Movies In film, Orson Welles created Citizen Kane when he was only twenty-six. The carefully-planned conceptual innovations in cinematography and musical score make it widely-regarded as the most influential film ever. Alfred Hitchcock didn't make his most-influential films until the final years of his life, as he was about sixty. He said, “style in directing develops slowly and naturally.” Are you an old master, or young genius? I really enjoyed Old Masters and Young Geniuses. I find this dichotomy of experimental versus conceptual approaches really helpful in understanding why, in general, some creative solutions come quickly, while others take months or years of searching. Do you have a choice in the matter? Galenson is careful to stress that you aren't either an experimental or conceptual creator – it's a spectrum, not a binary designation. But in case you're wondering if you can make yourself a conceptual creator, to become successful more quickly, Galenson says you can't. You might switch from a conceptual to an experimental approach, and find it works better for you, as did Cézanne, or you might try to go from experimental to conceptual and find it doesn't, as did Pissarro. But you can't change the way you think. He told me, “It's like trying to change your brain, and we don't know how to do that.” About Your Host, David Kadavy David Kadavy is author of Mind Management, Not Time Management, The Heart to Start and Design for Hackers. Through the Love Your Work podcast, his Love Mondays newsletter, and self-publishing coaching David helps you make it as a creative. Follow David on: Twitter Instagram Facebook YouTube Subscribe to Love Your Work Apple Podcasts Overcast Spotify Stitcher YouTube RSS Email Support the show on Patreon Put your money where your mind is. Patreon lets you support independent creators like me. Support now on Patreon »       Show notes: http://kadavy.net/blog/posts/old-masters-young-geniuses

In deze aflevering praat Andrew met rapper Freez. Hij kwam rond 2010 in beeld met door G-funk geïnspireerde hiphop. In de jaren daarna maakte hij met de Zwolse producer A.R.T. het album Les Demoiselles. De afgelopen jaren hoorden we Freez vooral via featurings op singles van collega's zoals Sticks, Typhoon en Gerson Main. Maar 2022 is zijn jaar; afgelopen zomer verraste hij iedereen met zijn nieuwe album 'Parachute'.

durée : 00:11:01 - Les demoiselles de Saint-Cyr - par : Marianne Vourch - La Maison de Saint-Cyr, érigée par l'architecte Mansart et dirigée par Madame de Maintenon est réservée aux fillettes de la vieille noblesse désargentée. Louis XIV veut donner à l'état des femmes bien élevées. C'est par le théâtre et la musique que Madame de Maintenon compte éduquer ces demoiselles. - réalisé par : Sophie Pichon

Dans l'épisode d'aujourd'hui je reçois un de mes meilleurs amis, Maxime Roedel. Il est scénariste et réalisateur. On a discuté ensemble du film Les Demoiselles de Rochefort, mais aussi de comédie musicale en général et de la curiosité qu'on peut avoir vis à vis de l'art, et surtout du cinéma.  Suivez Maxime sur Instagram : https://www.instagram.com/maxroedel/?hl=fr TikTok : https://vm.tiktok.com/ZM8oCGrtH/ Letterboxd : https://letterboxd.com/maxroedel/ Retrouvez moi sur YouTube : www.youtube.com/channel/UCPB2FwEpTvdUFVVWxfxNpuA Hébergé par Ausha. Visitez ausha.co/politique-de-confidentialite pour plus d'informations.

Carlos, Ho, Deng en Pablo, het zijn voornamen als klokken die allemaal een belletje deden luiden in Parijs. Als u soms denkt dat er veel doden vallen in deze podcastreeks, dan heeft u dat goed opgemerkt. Er is al wat bloed gevloeid en, heel eerlijk, vandaag komt daar nog wat bij. Agenten Raymond Dous en Jean Donatini overleven deze aflevering immers niet, zij hebben de pech op Carlos te stoten. Later stoten we met Deng Xiao Ping en Ho Chi Min op revolutionaire rebellen. Gelukkig passeren we aan het slot bij Picasso, Pablo. De schilder. Maar als u denkt dat u zijn schilderijen en zijn verhaal wel kende, dan moet u toch blijven luisteren.  “Allons-y !” Commissaris Jean Herranz van de DST [Direction de la surveillance du territoire] gebaart zijn collega's kort. En tegen de verklikker die net ‘gezongen' heeft: “Tu nous accompagnes!” De man moet zijn verraden kompaan identificeren. Bestemming is het huis nummer 9 in de rue Toullier, een rimpelloze straat tussen het Panthéon en de Sorbonne. De agenten laten hun wapens op kantoor en stappen in een anonieme wagen zonder radioverbinding. “Het ging om een verificatie,” zegt de enige overlevende van de nuit brûlante van 27 juni 1975, “niet om een aanhouding.” De Parijse universiteit La Sorbonne is voor velen onlosmakelijk verbonden met de studentenrevolte van mei '68. Lang daarvoor, in de eerste jaren van de twintigste eeuw, ontkiemen er echter ook al revoluties in dit intellectuele broeinest. Ze worden zelfs een overzees exportproduct: strijders voor de Volksrepubliek China en voor de koloniale ontvoogding van Laos, Cambodja en Vietnam halen de revolutionaire mosterd rechtstreeks in Parijs. Dat is vooral te danken aan één man: Li Shizeng. In 1912 richt deze Chinese Sorbonne-alumnus de beweging Travail et Etudes op en haalt duizenden Chinese studenten naar Parijs, onder wie een zekere Deng en Zhou. Ook vanuit het naburige Indochina, dan onder Frans bewind, trekken jongeren naar Parijs om er te werken en tegelijk te studeren. Onder hen een zekere Ho. En dat heb je met studenten: al snel loopt Li's goedbedoelde plan om de jongelui wetenschap, techniek en bestuurskunde te leren behoorlijk uit de hand. In de plaats van te leren besturen, leren ze in Parijs vooral hoe besturen omver te werpen. Na de Tweede Wereldoorlog staat de Parti communiste français [PCF] ijzersterk. Ze is niet alleen le parti de la Résistance, omwille van haar vooraanstaande rol in het verzet, ze is ook le parti des fusillés, omwille van de hoge tol die ze daarvoor heeft betaald. Tegelijk stelt ze zich op als de partij van de wederopbouw, le parti de la Renaissance française. Daarmee wint ze de stemmen van honderdduizenden arbeiders die weer dromen van brood op de plank. Met thema's als antikolonialisme, anti-imperialisme, wereldvrede en volksverheffing tout court werkt ze ook als een magneet op wetenschappers, intellectuelen en kunstenaars. Een belangrijke aanwinst is Pablo Picasso. De partijkrant l'Humanité verwelkomt de schilder van Guernica en Les Demoiselles d'Avignon als: “Le plus grand des peintres aujourd'hui vivants dans le monde entier.” In haar rangen beleeft Picasso, die ook al een blauwe en een roze periode achter de rug heeft, er nu ook nog een rode. Die loopt niet altijd over rozen. Stemmen: Dirk Velghe en Rik Van Puymbroeck Scenario en regie: Karel Dierickx Montage: Stef Lenaerts Mix en muziek: Jordan Hudson Extra stem: Roan Van Eyck Alle originele muziek werd gecomponeerd en gearrangeerd door Jordan Hudson. In deze aflevering horen we ook fragmenten uit: 'Dimanche à Orly', Bécaud à l'Olympia, Gilbert Bécaud, 1963 'Son Montuno', Tierra Va A Temblar, Johnny Colon, 1976 'I'm a Fool for Loving you', E.A 1727, Fletcher Henderson, 1936 'Singin' the Blues', A 500.389, Fletcher Henderson, 1932 'You Fell Victim', Anton Arkhangelsky and Nikolay Ikonikov See omnystudio.com/listener for privacy information.

Picasso shifted his point of view while working on Les Demoiselles d'Avignon. This perspective change shows in the painting. In fact, he fragmented the figures into ambiguous planes. This gives viewers a sense of looking at them from several angles. We get a combination of views within a single scene. For instance, the woman at the bottom right squats. Her legs face away from us. But this same woman's head looks straight at us. This serves as the most extreme example of ambiguity. Read LadyKflo's collected works and learn about more masterpieces with a click through to LadyKflo's site. https://www.ladykflo.com/category/masterpieces/ Checkout her socials too: https://www.instagram.com/ladykflo/ https://twitter.com/ladykflo

Pour ce nouvel épisode, nous accueillons Luce Grosjean, distributrice chez Miyu, société de productions de films d'animations, et plus particulièrement de courts métrages d'animation. Evoquant aussi bien les « films de viande » (films en prises de vue réelle) que les films d'animations, Luce nous parle de son amour pour la couleur verte de « Vertigo » (A. Hitchkock), les scènes traumatisantes et les making off de N. Shyamalan dans « Le Sixième sens », et la fluidité du très beau « The Social Network »(D. Fincher) - à consommer surtout en cas de turbulences aériennes. Revenant ensuite à sa cinéphilie adolescente, notre invitée décrit sa première rencontre avec l'inclassable film de C. Marker « Sans Soleil » qui représente cet « endroit vague » où peu d'informations nous sont donnés mais où - si on veut bien l'accepter - le cinéma nous emmène dans un ailleurs perturbant, sublime, et surprenant. Inscrivez-vous à la newsletter en cliquant sur ce lien : https://forms.gle/HgDMoaPyLd6kxCS48 Pour nous soutenir, rendez-vous sur https://www.patreon.com/cinephilesdnt I. PORTRAIT - 3'55 Un geste violent au cinéma ? La séquence de la plaquette de beurre du Dernier Tango à Paris (B. Bertolucci, 1972) - 3'55 Une couleur au cinéma ? Le vert de Vertigo (A. Hitchcock, 1958) - 9'29 Un corps au cinéma ? Celui de Brigitte Bardot, dans le Mépris (J-L Godard, 1963 )- 13'40 II. CIRCONSTANCES ET CONDITIONS DE VISIONNAGE - 16'19 Le rapport de Luce à internet comme espace de partage (ou non) 16'19 La découverte d'un cinéaste d'animation sur internet : Nikita Diakur pour son film Ugly - 18'03 Un court métrage qu'il ne faudrait voir qu'en salle ? La chute (B. Labbé, 2018) - 24'45 III. MÉMOIRE & SOMMEIL - 28'46 Des images aux sources de l'engagement féministe de Luce ? - 28'46 Un film venu troublé le sommeil de Luce - Sixième sens (M. Night Shyamalan, 1999) CARTE BLANCHE - 38'05Sans Soleil (Chris Marker, 1983) IV. CINÉMA & TRANSMISSION - 46'41Un film qui vous aiderait à dire : le cinéma d'animation c'est du cinéma, et ce n'est pas que pour les enfants ? Acid Rain (Tomek Popakul, 2019) - 46'41Un film à transmettre aux générations futures ? Souvenir Souvenir (B. Dubois, 2020) - 53'24 REFUGES - 56'01The Social Network (D. Fincher, 2010)Les Demoiselles de Rochefort (J. Demy, 1967) REMERCIEMENTSMusique : Gabriel RénierGraphisme : Lucie AlvadoCréation & Animation : Phane Montet & Clément CoucoureuxRemerciements spéciaux : Nolwenn Thivault

Ein "Radioclash" ist eine 60-minütige Mischung aus Teilen von 12 oder 15 Minuten zu einem Thema. Gemacht oder Ausgesucht durch Sie oder jemanden Anderen. ## ThisIsRadioclash #018 : Les Signes du Zodiaque 1. This is radioclash - Introduction Jingle ### GLAFOUK 1. Publicité - "Madame Soleil" 2. Sarah Webster Fabio - Sweet Songs 3. The Electric Hair - Age of Aquarius 4. Publicité - "Eurofil"] 5. Publicité - "36.15 Nostradamus"] 6. Publicité - "36.15 Salomon"] 7. Glafouk - Mon heureuscope 8. Clothilde - Fallait pas écraser la queue du chat 9. Boards Of Canada versus Verseau Transversal Versatile - Aquarius (astralopithek rmx) 10. Publicité - "TV24" ### THE BRAIN 1. Michel Polnareff - Sous quelle étoile suis-je né ? 2. Les Demoiselles de Rochefort - La chanson des jumelles 3. Ariane - Les gémeaux 4. Les Shadoks - Unknown 5. François de Roubaix - Astralement votre 6. Patricia Carli - Le Lion 7. Marie José - Parle-moi Tzigane 8. Phan trat quan - Der grosse Capricorne 9. Brezel Goering - Bad news from the stars ### MC C-IMPERATRIZ 1. Funky'ç - Holst ist Tot ( The Planet's Mars Remix) 2. Zodiac Cosmic Sounds - Cancer / The Moon Child 3. Zodiac - Zodiac VS Jean-Yves Lafesse - L'Horoscope 4. Zodiac Cosmic Sounds - Aries / The Fire Fighter 5. Arleen Frey - Gémeaux lui ### AL CROTAL 1. Unknown - La constellation du sagittaire 2. Cheops and Nefertiti - Franco de gemini 3. Tindrum - Horoscope 4. Unknown - La constellation du sagittaire 5. Fantomas - Taurus the bull (astrological calendar) 6. Wise guys - Das horoscop 7. La chansson du dimanche - Horoscope 8. Legowelt Vs paul cardinal - Micro Theme/Le poisson 9. Intelligence - Astrology 10. Jean-jacques perrey - Music of the planets 11. Deerhoof - Gren cosmos Une émission présidée par The Brain. # This is Radioclash Dieses Projekt wurde im "Musiques Incongrues Forum" nach einer Idee von Ogon Feraille geboren. Es ist alles Partizipative und Interaktiv, jeder ist herzlich willkommen. Machen Sie mit oder schlagen Sie ein Thema vor. Was immer Sie wollen, wann immer Sie wollen! Sind Sie ein Profi oder nicht, Mädchen oder nicht, Roboter oder nicht, geil oder nicht! * http://www.musiques-incongrues.net/ * http://www.thisisradioclash.org/

Following the German occupation of France in 1940, French women moved deftly into the jobs and roles left by their male compatriots—even the role of soldier. One of the more notable such female soldiers was Lt. Sonia Vagliano, who was part of a team of young French women attached to a US First Army unit that arrived in Normandy two weeks after D-Day. From 1943 to 1945, Vagliano followed her unit from Normandy to Paris, through Belgium, and finally into Germany, where they cared for 41,000 total displaced persons and prisoners of war.She published a memoir of her experiences under the title Les Demoiselles de Gaulle. Vagliano not only described her experiences in rich detail—from caring for thousands of refugees in the worst possible conditions to defusing landmines and being kidnapped, shot at, torpedoed, and bombed—she also recounted the major events of the war in Europe, including the liberation of Paris, the Battle of the Bulge, and finally, the liberation of the concentration camps. Spending five weeks at Buchenwald repatriating the 21,000 remaining prisoners, she is a unique witness to the transition period between the camp's liberation and its transferal to Russian oversight in July 1945. She saw firsthand "to what extremes the human imagination can go in its search for the most cruel methods of torture."Today's guest, Martha Noel Evans, is translator of Vagliano's memoir into English under the title Lieutenant Sonia Vagliano: A Memoir of the World War II Refugee Crisis. We discuss both the dare devil escapades and the sobering reality of a wartime account

Closing out the month with another movie from an unofficial trilogy, The Young Girls of Rochefort (Les Demoiselles de Rochefort). This Jacques Demy film is a fun, french, stylistic series of missed connections, with gorgeous visuals, great choreography and Gene Kelly. So join us as we follow twins Delphine and Solange as the find love and follow their dreams.

(00:00) - La scène de la semaine : “Les Demoiselles de Rochefort“ de Jacques Demy(07:17) - News Dans cette 33ème émission :(19:23) - "Le Secret de la Cité perdue" d'Aaron et Adam Nee(31:23) - "Un talent en or massif" de Tom Gormican(45:52) - "Murina" d'Antoneta Alamat Kusijanovic(56:32) - "Bop To The Top !" (59:51) - La carte blanche : les méta-films (1:09:09) - Quiz "Dans son propre rôle" (1:27:57) - Le générique de fin

Post-synchro # 92 - le cinéma chantant de Jacques DemyA l'occasion de la disparition de Jacques Perrin, les images du jeune Maxence qu'il interprète dans Les Demoiselles de Rochefort ont couvert les murs des réseaux sociaux. Cela nous a donné envie de réécouter la fameuse chanson de Maxence (Perrin y était doublé par Jacques Reveaux) et, dans la foulée, de nous replonger dans le cinéma chantant de Jacques Demy, avec un petit florilège tiré des Parapluies de Cherbourg, de Lola, Peau d'âne, Une chambre en ville, et Trois places pour le 26, avec les compositions irrésistibles de Michel Legrand et Michel Colombier. Bonne écoute !     Durée : 48'Production et présentation : Dick Tomasovic

Post-synchro # 92 - le cinéma chantant de Jacques DemyA l'occasion de la disparition de Jacques Perrin, les images du jeune Maxence qu'il interprète dans Les Demoiselles de Rochefort ont couvert les murs des réseaux sociaux. Cela nous a donné envie de réécouter la fameuse chanson de Maxence (Perrin y était doublé par Jacques Reveaux) et, dans la foulée, de nous replonger dans le cinéma chantant de Jacques Demy, avec un petit florilège tiré des Parapluies de Cherbourg, de Lola, Peau d'âne, Une chambre en ville, et Trois places pour le 26, avec les compositions irrésistibles de Michel Legrand et Michel Colombier. Bonne écoute !     Durée : 48'Production et présentation : Dick Tomasovic

Welcome to the Instant Trivia podcast episode 432, where we ask the best trivia on the Internet. Round 1. Category: Art And Artists 1: This term for a painting of inanimate objects is from the Dutch "stilleven". Still life. 2: In 1956 Time magazine dubbed this abstract expressionist "Jack the Dripper". Pollock. 3: Masterpieces in this Manhattan museum include "Starry Night" and "Les Demoiselles d'Avignon". Museum of Modern Art. 4: Known for his religious art, Sebastien Bourdon served as court painter to this queen of Sweden in the 1650s. Christina. 5: This Romanian known for his "Endless Column" also sculpted the scandalous "Princess X". (Constantin) Brancusi. Round 2. Category: Washington State 1: This dam on the Columbia River has a generating capacity of nearly 6.5 million kilowatts. Grand Coulee Dam. 2: Whidbey Island is the largest of the many islands in this inlet. Puget Sound. 3: The portrait of Washington on the state seal is from a portrait by this artist. (Gilbert) Stuart. 4: In 1962 Seattle got one of the first elevated ones of these in a U.S. city; it carried people to the World's Fair. a monorail. 5: An 1846 treaty set Washington's northern boundary at the 49th parallel; but Britain got to keep this island. Vancouver. Round 3. Category: Double D Words 1: Colby is a mild variety of this cheese. cheddar. 2: It follows step-, corporate and Jacob's. ladder. 3: Siddhartha Gautama's title. Buddha. 4: It can mean the mean, or the waist. the middle. 5: This little bear of children's lit was named for the London locale in which he was found. Paddington. Round 4. Category: Celebrities' Favorite Books 1: (I'm Jack Ford.) I couldn't choose just one; my favorite books are "Trinity", Leon Uris' novel of Ireland, and this Margaret Mitchell novel with an Irish-American heroine. Gone with the Wind. 2: (Hi, I'm Harry Shearer.) John Kennedy Toole committed suicide, unable to find a publisher for this satiric novel that later won a Pulitzer Prize. A Confederacy of Dunces. 3: Lauren Bacall said his "All The Pretty Horses" was "the most beautiful writing I have read in years". Cormac McCarthy. 4: A fan of history books and bios, Lucille Ball said one of her favorites was James Boswell's "Life of" this man. (Samuel) Johnson. 5: (Former President Clinton presents the clue.) My favorite work of nonfiction is the "Meditations" of this Roman emperor who used his stoic philosophy to face the troubles of his reign in his own life. Marcus Aurelius. Round 5. Category: The Starting Infield 1: In 1977 Chambliss, Randolph, Dent and Nettles took the field for this team. the Yankees. 2: From 1974 through 1981 the Dodgers fielded Garvey, Lopes, Russell and this third baseman, "The Penguin". Ron Cey. 3: The 1908 Chicago Cubs featured Harry Steinfeldt and these 3 guys of yore. Tinker, Evers and Chance. 4: The 1955 Brooklyn Dodgers sent out Hodges, Gilliam, Reese and this groundbreaking infielder. Jackie Robinson. 5: The 1975 Reds fielded Rose, Concepcion, Perez and this Hall of Fame second sacker, now a broadcaster. Joe Morgan. Thanks for listening! Come back tomorrow for more exciting trivia!

Les seins au carré : le nue cubiqueCliquez ici pour voir l'oeuvreAuteure des textes : Anne SchmauchDirection Editoriale: Pénélope BoeufVoix : Pénélope BoeufProduction : La Toile Sur Écoute Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.

Academy Award & Golden Globe winner, George Chakiris, is perhaps best known internationally for his role of Bernardo in West Side Story. In Nov of 2012, Chakiris received what many refer to as the highest honor in Hollywood - His Hand & Foot Prints were placed in cement for all history in connection with the 50th anniversary of classic film West Side Story which premiered at Grauman's over 50 years ago.  George Chakiris was born in Norwood, Ohio. He is the son of Steven and Zoe Chakiris. They were immigrants from Greece.  A graduate of the American School of Dance, Chakiris recalls the early days of passing the Grauman's Chinese Theatre, "where the worlds most glamorous people were seen," never thinking that one day he would be attending his own premiere for "Westside Story" (For which he received a Golden Globe and an Academy Award) and eventually, in Dec, 2011, would have his hand and foot prints placed in the famous forecourt, among those whom he had idolized. In 1947, Chakiris made his film debut in the chorus of Song of Love. Later he appeared in several small roles, usually as a dancer or a member of the chorus in various musical films. He was one of the dancers in Marilyn Monroe's "Diamonds Are a Girl's Best Friend" number in Gentlemen Prefer Blondes released in 1953. He again appeared as a dancer alongside Rosemary Clooney in "White Christmas" in "Love, You Didn't Do Right by Me." In 1961, George's biggest success came with the film West Side Story, for which he won the Golden Globe and the Academy Award for Best Supporting Actor for his role as Bernardo, leader of the Sharks.  He had also appeared as Riff, leader of the Jets, in the West End in London. He starred as a doctor in the film Diamond Head released in 1963, opposite Charlton Heston and Yvette Mimieux, and in 1967, he appeared alongside Gene Kelly in Jacques Demy's French musical Les Demoiselles de Rochefort. Besides films, Chakiris performed on Broadway and for television. In the early 1960s, he embarked on a career as a pop singer, resulting in a couple of minor hit songs. In 1960, he recorded one single with noted producer Joe Meek. George worked more in television in the 1970s and 1980s, appearing on such shows as Wonder Woman, Medical Center, Hawaii Five-O, Dallas, Murder, She Wrote and the TV daytime drama Santa Barbara In Superboy, he appeared as Professor Peterson during the series first two seasons from 1988-1990. Chakiris's last role to date was in a 1996 episode of the sitcom Last of the Summer Wine. FROM THE SILVER SCREEN TO STERLING SILVER -  George Chakiris, parlayed his talent from the Silver Screen to Sterling Silver Jewelry, featuring necklaces, bracelets, earrings, dramatic belts and more.  Many of his designs have been inspired by colleagues such as Marilyn Monroe and Rosemarie Clooney, whom he had the privelege of dancing with, in "Gentlemen Prefer Blonds" and "White Christmas" respectfully.  Living a life with passion for the creative arts drew George quite by chance to jewelry making as a hobby. What began as a diversion became a full time appreciation for design and construction and a new creative outlet, which became The George Chakiris Collections.   Chakiris recently unveiled his latest collection in Japan.  The George Chakiris collections are now on display at Tokyo's prestigious Mitsukoshi Department Store as well as in America online at his georgechakiris.com. Among those artists seen on red carpets and national interviews such as The Today Show and CNN wearing George's accessory creations are Morgan Fairchild, Rita Moreno, Tippi Hedren, Loni Anderson, Carol Channing, Donna Mills, Romi Dames, Phyllis Diller, Alison Arngrim, Mary McDonough, Michael Learned and Judy Norton. 

durée : 00:34:59 - Les Nuits de France Culture - Par Roland Auguet - Avec Françoise Parent - Réalisation Samia Madar

Na série "Grupos de estudo", você vai receber o conteúdo de todas as disciplinas de forma prática e objetiva, facilitando os seus estudos durante a rotina. Nesta edição, vamos falar sobre o Cubismo, movimento artístico europeu que surgiu no início do século 20 na França, tendo como estilo marcante o uso das formas geométricas, esse modo buscava romper com o modelo padrão da estética que valorizava apenas a perfeição . Teve o seu maior destaque em 1907 com a pintura “Les Demoiselles d'Avignon” de um “desconhecido” pintor espanhol chamado Pablo Picasso, que ao lado do francês Georges Braque foram os principais nomes e fundadores deste movimento. A série "Grupos de estudo" é uma produção da Escola de Comunicação e Marketing da UNISUAM. Apresentação e edição : Lucas Alberici (@olucasalberici) - Oitavo período - Jornalismo Texto: Augusto Junior (@augusto.jn) - Oitavo período - Jornalismo

Studies for "Les demoiselles d'Avignon" [1907] and "The Three Women" [late 1907/early 1908] by Acquavella Galleries

Salia Sanou, chorégraphe du Burkina Faso et figure de la danse contemporaine africaine depuis près de trente ans, met en scène Les demoiselles d'Afrique. Un spectacle réunissant six jeunes danseuses et chorégraphes originaires de six pays du continent : Bénin, Burkina Faso, Cameroun, Côte d'Ivoire, Mali et Togo. Une création collective qui résonne comme un manifeste dansé sur la place des femmes en Afrique au XXIe siècle.

Deux sœurs jumelles, jouées par Catherine Deneuve et Françoise Dorléac, qui vivent dans la musique, les rêves d'amour et le décor pastel de la ville de Rochefort… Avec « Les Demoiselles de Rochefort », Jacques Demy et Michel Legrand lancent, en 1967, une comédie musicale française qui raconte, en alexandrins parlés et chantés, la quête du bonheur. Cette quête du bonheur aussi fraîche que délicieusement impertinente fascine le metteur en scène Dorian Rossel, qui rêve d'adapter ces « Demoiselles » au théâtre. Les recommandations de Dorian Rossel Les films « Perdrix », d'Erwan Le Duc (2019) et « L'Emploi du Temps », de Laurent Cantet (2001) Les œuvres de l'artiste Markus Raetz La série « Better Call Saul » de Vince Gilligan et Peter Gould (cinq saisons à son actif, première saison sortie en 2015) Le Teshima Art Museum de Ryue Nishizawa et Rei Naito

We're pleased to present a special collaboration with the ArtCurious podcast. In this bonus episode, Top Artist host Jessica Stewart and ArtCurious host Jennifer Dasal discuss some great moments in art history, where art—or the artist—made an impact.  Listen along as we discuss 19th-century sociologist and photographer Lewis Hine, a surprising stance against racism by Norman Rockwell, Picasso's controversial Les Demoiselles d'Avignon, and Artemisia Gentileschi's landmark career as a female painter in the 17th century. Then, on August 9, the conversation continues over on ArtCurious, as Jessica and Jennifer dissect some more great moments in art history, so be sure to go over and subscribe to ArtCurious. Timestamps: Lewis Hine - 4:40 Norman Rockwell - 11:40 Pablo Picasso - 17:30 Artemesia Gentileschi - 24:04 Follow us on Instagram to see some of the visuals we talked about in today's episode. We want to hear from you! Leave us a listener voicemail and subscribe to our newsletter so you can submit questions for upcoming interviews. You'll find everything on podcast.mymodernmet.com.  Want to learn more about these topics? How an Early 1900s Photographer Helped Change America as We Know It Norman Rockwell's “The Problem We All Live With,” a Groundbreaking Civil Rights Painting 9 Facts About Picasso‘s Groundbreaking Painting ‘Les Demoiselles d‘Avignon‘ 5 Powerful Paintings by the Under-Appreciated Female Artist Artemisia Gentileschi

The most important painting of the 20th century marks the end of the transition of Pablo Picasso from a young lad in Malaga to the art-world giant in Paris.  Some adore it – some don't.For more information and to see the artwork being discussed please visit www.seventh-art.com/podcast

Leonard Shlain (1937 - 2009) was a surgeon, inventor, and author whose 1991 book "Art & Physics: Parallel Visions in Space, Time, and Light" shaped much of our artistic thinking. Shlain's core argument is: the great (visual) artists are visionaries who are able to presage discoveries in other fields by cultivating their own, more individualistic work. But how can we actually use Leonard Shlain's theories for understanding individual works of art? And is this form of analysis enough? You can also watch this episode on our YouTube channel: https://www.youtube.com/watch?v=6nbQp9mGnHs Read the latest writing from the automachination universe: https://automachination.com Joel's website: https://poeticimport.com Read Alex's (archived) essays: https://alexsheremet.com Music sample: Lowkemia - "Lorem Ipsum" (CC BY-SA 3.0) Timestamps: 0:00 – Defining Leonard Shlain's core argument 5:20 – Does art ‘merely' organize one's perceptions? 9:28 – Joel: people don't want to parse out ambiguous terms 11:05 – Alex: nonvisual artists prefigure reality, as well 19:38 – Why society laughs at innovators 25:12 – Joel opines on the mutual benefits of art/science 29:30 – Euclidean geometry in ancient art 34:40 – Alex: art over-compensates for new knowledge 39:30 – Mosaic in the Middle Ages: Shlain's “just-so” story? 44:00 – Giotto's proto-perspective 48:57 – Joel on the need to contextualize Giotto & period art 55:05 – Alex: every artistic “problem” forces its own solution 57:50 – A few words on Leonardo da Vinci 01:05:56 – Joel shows off his woolen lamb 01:09:47 – Rembrandt's use of chiaroscuro 01:13:54 – Edouard Manet's “Luncheon on the Grass” 01:36:21 – Claude Monet's Rouen Cathedral series 01:50:04 – Van Gogh's “Wheatfield with Crows” 02:01:32 – Henri Matisse's “The Dance” 02:12:21 – Leonard Shlain's argument for Cubism 02:17:38 – Pablo Picasso's “Les Demoiselles d'Avignon” 02:29:50 – Alex: Marcel Duchamp was a lot more mature than big-name Modernists 02:32:52 – Marc Chagall's "I And The Village" 02:36:43 – Leonard Shlain on Asian art 03:01:49 – Hokusai's "36 Views of Mount Fuji" 03:43:17 – What does today's art tell us about society?

"Pour l'honneur des Rochambelles", c'est le titre de l'ouvrage publié par Karine Lebert aux éditions des Presses de la Cité.  L'histoire est la suivante : De nos jours, à Trouville, lors d'une remise de médaille pour saluer son action héroïque durant la Libération, Alma est victime d'un malaise. Elle a ces mots : "Pardonne-moi, Lucie..." Car elle porte en elle un secret qui a hanté longtemps son existence hors du commun. En 1944, Alma s'est enrôlée parmi les Rochambelles, ces infirmières et ambulancières de la 2e DB. Elle était au plus près des soldats, de l'Angleterre aux plages du Débarquement, de Paris à l'Allemagne, conciliant son engagement et sa vie de femme. Au sein d'une famille désunie, sa petite-fille, Marion, va chercher à remonter le fil du temps et le passé d'Alma, en interrogeant des témoins de l'époque. Afin de savoir qui est Lucie. Et de découvrir le secret coupable d'Alma... Née en Normandie, dans l'Orne, Karine Lebert a été biographe pendant quinze ans, puis journaliste à Paris Normandie. Elle a notamment publié aux Presses de la Cité Ce que Fanny veut... (2015), Les Demoiselles de Beaune (2017), Les Amants de l'été 44 (2018), sa suite, indépendante, Pour l'amour de Lauren (2019) et Les Murmures du lac.

“Les Demoiselles de Rochefort”, “Belle de Jour”, “Peau d'âne”… La filmographie de Catherine Deneuve est vertigineuse. Née en 1943, l'actrice se fait connaître avec la comédie musicale de Jacques Demy, “Les Parapluies de Cherbourg”, qui remporte la Palme d'or à Cannes en 1964. Depuis, elle enchaîne les films à succès. En 2019, Catherine Deneuve accepte un rôle dans le nouveau long-métrage d'Emmanuelle Bercot, “De son vivant”. Mais le mercredi 6 novembre, en plein tournage, l'actrice est victime d'un accident vasculaire. Après un an et demi d'absence, elle prépare son grand retour et montera les marches du festival de Cannes le mois prochain, aux côtés de toute l'équipe du film. Récit d'un come-back très attendu avec Catherine Balle, journaliste au service culture du Parisien, et Benoît Daragon, journaliste au service récit du Parisien. Direction de la rédaction : Pierre Chausse - Rédacteur en chef : Jules Lavie - Reporter : Clawdia Prolongeau - Production : Clara Hage, Thibault Lambert, Raphael Pueyo et Ambre Rosala - Réalisation et mixage : Julien Montcouquiol - Musiques : François Clos, Audio Network - Identité graphique : Upian - Archives : INA, BFMTV, Le bon coin Voir Acast.com/privacy pour les informations sur la vie privée et l'opt-out.

In this episode of Accessible Art History: The Podcast, I discuss a controversial Cubist work. (Marked explicit for discussion of sex work) For images and sources: https://www.accessiblearthistory.com/post/podcast-episode-41-les-demoiselles-d-avignon-by-pablo-picasso --- Support this podcast: https://anchor.fm/accessiblearthistory/support

durée : 00:03:49 - Capture d'écrans - par : Dorothée Barba - Le film de Charlie Chaplin et celui de Jacques Demy, parmi d'autres, vont bientôt quitter le catalogue Netflix. Et si on repensait notre rapport à la nouveauté, sur la plateforme? Le plus urgent à voir n'est pas ce qui vient de sortir, mais ce qui va bientôt s'en aller...

Den 18 mars 2021 bjöd Studentafton in Lars Vilks till en afton om den konstnärliga frihetens gränser. Moderator var Dan Jönsson, författare, kulturjournalist och kritiker vid flera svenska tidningar samt medarbetare på Sveriges Radio.   Lars Vilks är känd för sitt skulpturala projekt Nimis i nordvästra Skåne och för Mohammed-karikatyrerna där profeten Mohammed tecknas som rondellhund. I podden pratar han bland annat om sin syn på konst som en mångtydig process där betraktarna är medskapare, om varför konst inte kan vara gränsöverskridande ständigt och om när frågan om konstens gränser förlorar sin poäng.    Aftonen finns att se i sin helhet på Youtube.   Tack till denna studentaftons sponsor – Broder Jakobs Stenugnsbageri.   Under aftonen visas några bilder och konstverk. Nedan anges vilka bilder som visas vid respektive tidsangivelse. Vid intresse kan bilderna finnas antingen via Google eller via YouTube-klippet av denna afton.  12.19: Fotografi av Lars Vilks vid litet Nimis 12.53: Fotografi av Nimis 43:44: Les Demoiselles d’Avignon av Pablo Picasso 44:39: Fountain av Marcel Duchamp 45:40: Bed av Robert Rauschenberg 45:46: Warhol's Brillo Boxes på Stable Gallery (fotografi av Fred W. McDarrah) 46:48: Statement of Intent av Lawrence Weiner 47:10: On May 9, 1969 Postcard (recto verso) 10,2 x 15,2 cm Private collection av Jan Dibbets (fotografi av Tom Haartsen) 47:59: Telegram från serien I Am Still Alive av On Kawara 48:29: Stillbild från videon Human Mask av Pierre Huyghe 50:15: Fotografi på konstnären Nina Canell 51:09: Brief Syllable (Skewed) av Nina Canell 51:24: Piss Christ av Andres Serrano

durée : 00:06:46 - Ces chansons qui font l'actu - par : Bertrand DICALE - Pendant ces vacances de fin d'année, nous glanons des cadeaux de plaisir et de partage dans les classiques de la chanson française. Aujourd'hui, le duo incarné à l'image par Catherine Deneuve et Françoise Dorléac dans le film "Les Demoiselles de Rochefort".

Een warme ontmoeting met Freez en Rob Peters. Freez kennen we van z'n hiphop platen (8.6 en Les Demoiselles) en z'n samenwerkingen met o.a. Typhoon, Sticks en Spinvis. Rob kennen we van z'n oeuvre en natuurlijk de eerste podcast aflevering. We spraken elkaar ik de Studio van Rob, de plek waar de mannen werken aan het langverwachte nieuwe album. Een gesprek over de start en groei van z'n muzikale carrière, het schrijfplezier, onzekerheid in het proces en de wisselwerking tussen de twee muzikanten.

Какими дефицитными товарами наполнена отдельная квартира главного героя фильма «Дайте жалобную книгу»? Что общего у французской кинозвезды Франсуазы Дорлеак (сестры Катрин Денев) и актрисы Микаэлы Дроздовской, которая сыграла роль Маши? И почему даже на 16 минуте киноленты Рязанова журналист Никитин никак не может поесть? Об этом в очередном выпуске подкаста «Дайте жалобную книгу на минутку» рассказывают историки кино Наталья Рябчикова и Станислав Дединский. В выпуске использованы фрагменты из фильмов «Девушки из Рошфора» (“Les Demoiselles de Rochefort”, реж. Жак Деми, 1967, советская дублированная версия 1969 г., реж. дубляжа Г. Калитиевский) и «Бриллиантовая рука» (реж. Леонид Гайдай, 1968).

À lʹoccasion des trente ans de la disparition du réalisateur français Jacques Demy, le service des archives de la RTS vous propose dʹécouter lʹartiste au micro de Jean-Jacques Château pour lʹémission Cinémagazine. Cʹétait en 1966, juste avant la sortie du film culte "Les Demoiselles de Rochefort".

The November podcast for Chichester Cinema at New Park, Chichester, West Sussex, includes previews of some of the films planned for the month – The Secret Garden; The Trial of the Chicago 7; Pinocchio; Les Miserables; Rocks; and The Sleeping Car Murders. Also, we meet Richard Warburton, the new operations manager at the cinema. The feature this time is about French director Jacques Demy, and films such as Lola (1961); La Baie des Anges – Bay of Angels (1963); Les Parapluies de Cherbourg – Umbrellas of Cherbourg (1964); Les Demoiselles de Rochefort (1967); and Model Shop (1969). Finally, the CineCircle returns with discussions about La Femme de l'Aviateur – The Aviator's Wife (1981); The Last Waltz (1978); and Hell or High Water (2016). If you want to find out where to watch these films, we recommend the justwatch.com website.

Durée : 1:47 - Plongée en 1923, à la rencontre des Demoiselles, femmes libres et oubliées de l'Histoire... - Les Demoiselles, Anne-Gaëlle Huon (Albin Michel)

Sommaren fortsätter i Salong 3! Martin Degrell och Susanna Bernstrup går igenom Jacques Demys sprudlande glada och tjusiga Les demoiselles de Rochefort / Flickorna i Rochefort (1967), en musikalkomedi som kretsar kring ett par tvillingsystrar i den sömniga staden Rochefort. Hjärta och smärta! Jazzbalett! Gene Kelly! Soundcloud: https://soundcloud.com/salong3 Instagram: salong3pod Email: salong3pod@gmail.com

durée : 00:02:12 - Les Trésors du Nord Pas-de-Calais

Pour ce premier épisode déconfiné, nous avons passé en revue ce spectacle produit par Gérard Louvin en 2003, adaptation du célèbre film de Jacques Demy sur des musiques de Michel Legrand. En cette période d'examens, dans un plan en deux parties (deux actes), nous allons donc nous demander si le spectacle de 2003 est constitué desdites exécrables reprises ou si, plot twist, la participation de Michel Legrand permet d'enrichir les propositions musicales. See acast.com/privacy for privacy and opt-out information.

Réalisateur -entre autres- de "Les Parapluies de Cherbourg", "Les Demoiselles de Rochefort" ou encore "Peau d'âne", retour sur la carrière de JacquesDemy, pour l'arrivée d'une grande partie de ses films sur Netflix. Abonnez-vous au podcast pour ne rater aucune épisode du Plan Q Une oeuvre à nous suggérer ? Laissez-nous un commentaire !

En este episodio platicaremos un poco sobre Paris y sobre Picasso. Además analizaremos la obra de Les Demoiselles d'Avignon o Las Señoritas de Avignon que fue un parteaguas para el inicio del cubismo. --- Send in a voice message: https://anchor.fm/arteyartistas/message

Versione audio: Tra la fine del 1906 e il luglio del 1907, a Montmartre, nel suo umido atelier privo di luce elettrica e gas (battezzato, poeticamente, “Bateau-Lavoir”, lavatoio sul fiume), Pablo Picasso (1881-1973), maestro indiscusso delle avanguardie novecentesche, dipinse Les demoiselles d’Avignon, in italiano ‘Le signorine di Avignone’ (dal nome di via Avignone, una strada […] L'articolo Les demoiselles d’Avignon di Picasso proviene da Arte Svelata.

Today we look at Pablo Picasso including his art work The Old Guitarist, Portrait of Gertrude Stein, Les Demoiselles d'Avignon Woman in White and Nude Standing by the Sea. Quick warning, at minute 54 we talk about the not great parts of Ole PP including some talk of sex, rape and suicide without going into detail. Hope you enjoy!

durée : 00:02:59 - Terres de légende 06 Les demoiselles coifées de Serre Ponçon - Amis randonneurs et amateurs d’insolite, ce conseil est pour vous ! Au hasard de vos pérégrinations ne manquez pas de faire un détour par la commune de Théus sur les hauteurs du défilé de Serre-Ponçon, à la frontière entre les Alpes du sud et celles de Hautes Provence.

A musical évadunkban egy alkalomra Európába látogatunk, és megnézzük Jacques Demy 1967-es filmjét, a Les Demoiselles de Rochefort-t, magyarul A rochefort-i kisasszonyokat. A francia új hullám rendezőjének ez volt a második kísérlete a zenés műfajjal, a '64-es Cherbourg-i esernyők melankóliája után egy vérbeli, Hollywoodot megidéző musical-komédiát készített, és még Gene Kellyt is kölcsönvette egy jelentős szerepre. A női főszerepekben Catherine Deneuve-öt és testvérét, Françoise Dorléac‎-t láthatjuk, és visszatér a West Side Storyból George Chakiris is. Hogyan idézi meg A rocherfort-i kisasszonyok Gene Kelly nemzedékének a musicaljeit, és hogyan csavar egyet a jól bevált paneleken a Nouvelle Vague-os Jacques Demy? Lehet-e a hollywoodi stúdiórendszeren kívül is újrateremteni a musical aranykorának a sikereit? Vajon az évadunkban harmadszor visszatérő Madarász Isti lelkesedése ugyanolyan töretlen, mint amikor Robert Wise képeiről kell beszélni? Megvitatjuk, jól áll-e a franciáknak a musical, mennyire kell egy rendezőnek kicentiznie a nézőkre gyakorolt hatást, mechanikusak vagy melankolikusak-e inkább a szerelmes szereplők majdnem-találkozásai. És persze mérlegre tesszük, mi mindent vett kölcsön Damien Chazelle a La La Landhez Jacques Demy munkásságából. Linkek A Vakfolt podcast Facebook oldala és a Facebook-csoportunk A Vakfolt podcast a Twitteren A Vakfolt Patreon-oldala (új!) Vakfolt címke a Letterboxdon A Vakfolt az Apple podcasts oldalán A Vakfolt a Spotify-on A Vakfolt a YouTube-on A főcímzenéért köszönet az Artur zenekarnak András a Twitteren: @gaines_ Péter a Twitteren: @freevo Emailen is elértek bennünket: feedback@vakfoltpodcast.hu

Perchè si parla di periodo blu e periodo rosa di Picasso?Chi sono Les Demoiselles d'Avignon, protagoniste di uno dei suoi capolavori più importanti?Come mai Pablo Picasso fu sospettato per il furto della Gioconda avvenuto nel 1911?Un breve viaggio nella vita e nelle opere del più grande artista del xx secolo.opera periodo blu: https://bit.ly/2mKJuZKopera periodo rosa: https://bit.ly/2mI5VyHLes Demoiselles d'Avignon: https://bit.ly/2miUcGQFurto della Gioconda: https://bit.ly/2llg2czmusic by Giorgio di CampoBossa Blue for you https://bit.ly/2DCsxH3

Ils sont deux frères jumeaux, la pensée de l'un épouse celle de l'autre, ensemble ils auront de très beaux enfants qui marquent une page essentielle du cinéma français. Jacques Demy, Michel Legrand, "parce que c'était lui parce que c'était moi". Ensemble ils vont inventer le cinéma en chanté : Les Parapluies de Cherbourg, Les Demoiselles de Rochefort, Peau d'Âne... Le plus beau duo du 7e art couronné d'une palme d'or et un Oscar !

Ils sont deux frères jumeaux, la pensée de l'un épouse celle de l'autre, ensemble ils auront de très beaux enfants qui marquent une page essentielle du cinéma français. Jacques Demy, Michel Legrand, "parce que c'était lui parce que c'était moi". Ensemble ils vont inventer le cinéma en chanté : Les Parapluies de Cherbourg, Les Demoiselles de Rochefort, Peau d'Âne... Le plus beau duo du 7e art couronné d'une palme d'or et un Oscar !

Works that we take for granted today as masterpieces, or as epitomes of the finest of fine art, could also have been considered ugly, of poor quality, or just bad when they were first made. With the passage of time comes a calm and an acceptance. But that doesn’t change the fact that there are many works peppered throughout art history that were straight-up shocking to the public when they were first presented decades, or even hundreds of years ago. Today's work of "shock art:" Picasso's Les Demoiselles d'Avignon. Please  SUBSCRIBE and REVIEW our show on Apple Podcasts! Twitter / Facebook/ Instagram   Sponsors Art and Object The Great Courses Plus Kaboonki Learn more about your ad choices. Visit megaphone.fm/adchoices

Dans ce dixième épisode (déjà !)... Je vous présente Helena, 39 ans, artiste plasticienne et coordinatrice au Groupement d'Art Contemporain. Elle nous raconte son enfance entre le Danemark et la France, sa rencontre avec le milieu artistique, son année dans une ferme au Minnesota ou encore ses études à la Villa Arson à Nice. Sa vie d'adulte de Lyon à Saint-Julien-Molin-Molette, son métier quotidien au GAC, l'histoire de l'association Moustache et Dentelles qu'elle a fondé, le regard qu'elle porte sur la province, sa vision de l'art et de sa manière de travailler son art, les enjeux d'être à la fois une femme-mère-compagne et artiste, et enfin la place qu'ont, selon elle, les femmes-artistes dans la société… Bonne semaine et bonne écoute à toutes et tous ! Disponible sur iTunes / Souncloud / Player FM / TuneIn... #MondayPodcast #PodcastVie #CafeSimonePodcast Crédit photo : " Les Demoiselles de Rochefort " Jacques Demy Crédit audio : " Du bout des lèvres " Barbara

Can we maintain a lightness of being using heavy materials? What is the role of a public artist and how is this changing? In this spirited conversation, Tai Snaith and Sanné Mestrom discuss what it means to be a self-made woman interested in the relationship between the lived world and the perceived world. They talk about depicting women with ‘gravity’ and a new way of how the female form might fit into the landscape. They discuss embarking on motherhood as an early to mid career artist and being okay with breastfeeding in the foundry, amongst many other things. Additional Resources: Sanné’s website: http://www.mestrom.org/ Les Demoiselles d’Avignon: https://www.moma.org/collection/works/79766 Prudence Flint: http://www.prudenceflint.com/ Architectural follies: https://en.wikipedia.org/wiki/Folly Manifesto: https://en.wikipedia.org/wiki/Manifesto_(2015_film)

À l’occasion du retour de Marseille pour sa saison 2, les critiques de l’ACS se penchent sur la politique européenne de Netflix en matière de séries. Entre Dark en Allemagne, The Crown en Angleterre ou encore Les Demoiselles du téléphone en Espagne, la plateforme américaine innove-t-elle vraiment ? Quel pays s’en sort le mieux (spoiler : pour le moment, ce n’est pas la France) ? Dans son sillage, Amazon Prime Vidéo se lance aussi dans des productions européennes. Que faut-il en attendre ? Réponse avec Corentin Durand de Numerama (@CorentinJL), Sylvain Trinel d’IGN (@SylvainTrinel) et Marion Olité (@marionolite) dans un débat animé par Pierre Langlais de Télérama (@MrSeries). À PROPOS DE L'ACS (Association des Critiques de Séries)L’Association des Critiques de Séries (A.C.S.) a pour objectif de représenter la branche journalistique, professionnelle de la critique de séries, de mieux la définir, de discuter de ses outils, de ses codes et de ses fonctions. Elle regroupe ceux qui pratiquent régulièrement la critique de séries télévisées et qui souhaitent participer à la fois à la reconnaissance d’un métier mais aussi, à travers elle, d’une forme artistique dont les lettres de noblesse restent à acquérir en France.CRÉDITSEnregistré le 27 février 2018 à l’Antenne Paris (10, rue la Vacquerie 11ème). Production : ACS / Joël Ronez. Moyens techniques : Binge Audio / L’Antenne Paris. Réalisation : Jules Krot. Chargée de production et d’édition : Camille Regache. Générique : extrait de "Television” de Pinche.Negro.Beatz (Creative Commons License). Un Épisode et J’arrête est un podcast de l’Association française des Critiques de Séries en partenariat avec Binge Audio. Voir Acast.com/privacy pour les informations sur la vie privée et l'opt-out.

À l'occasion du retour de Marseille pour sa saison 2, les critiques de l'ACS se penchent sur la politique européenne de Netflix en matière de séries. Entre Dark en Allemagne, The Crown en Angleterre ou encore Les Demoiselles du téléphone en Espagne, la plateforme américaine innove-t-elle vraiment ? Quel pays s'en sort le mieux (spoiler : pour le moment, ce n'est pas la France) ? Dans son sillage, Amazon Prime Vidéo se lance aussi dans des productions européennes. Que faut-il en attendre ? Réponse avec Corentin Durand de Numerama (@CorentinJL), Sylvain Trinel d'IGN (@SylvainTrinel) et Marion Olité (@marionolite) dans un débat animé par Pierre Langlais de Télérama (@MrSeries). À PROPOS DE L'ACS (Association des Critiques de Séries)L'Association des Critiques de Séries (A.C.S.) a pour objectif de représenter la branche journalistique, professionnelle de la critique de séries, de mieux la définir, de discuter de ses outils, de ses codes et de ses fonctions. Elle regroupe ceux qui pratiquent régulièrement la critique de séries télévisées et qui souhaitent participer à la fois à la reconnaissance d'un métier mais aussi, à travers elle, d'une forme artistique dont les lettres de noblesse restent à acquérir en France.CRÉDITSEnregistré le 27 février 2018 à l'Antenne Paris (10, rue la Vacquerie 11ème). Production : ACS / Joël Ronez. Moyens techniques : Binge Audio / L'Antenne Paris. Réalisation : Jules Krot. Chargée de production et d'édition : Camille Regache. Générique : extrait de "Television” de Pinche.Negro.Beatz (Creative Commons License). Un Épisode et J'arrête est un podcast de l'Association française des Critiques de Séries en partenariat avec Binge Audio. Voir Acast.com/privacy pour les informations sur la vie privée et l'opt-out.

Stéphane Lerouge se penche sur les deux dernières sorties de sa collection "Ecoutez le Cinéma", le très joli coffret "Les Demoiselles de Rochefort” et le double CD The essential Howard Shore.

« Littérature sans Frontières » est une chronique de Pierre Guelff. Balbine, l'héroïne du remarquable roman à connotation historique « Les Demoiselles de Beaune » de Karine Lebert (Les Presses de la Cité) eut une enfance se déroulant principalement à la ferme et aux vignobles familiaux. Cependant, elle y avait appris la lecture, l'écriture et le calcul grâce à […]

Suite de l'évocation du film de Jacques Demy avec l'interview téléphonique de l'acteur George Chakiris. Voir Acast.com/privacy pour les informations sur la vie privée et l'opt-out.

À l'occasion de la restauration et de la numérisation du film culte de Jacques Demy, à laquelle participe BNP Paribas, Laurent Bourdon et Antoine Sire reviennent sur l'histoire de cette comédie musicale en compagnie de Rosalie Varda, fille d'Agnès Varda et de Jacques Demy, ainsi que Chantal Jourdain, employée de la BNP mais sutout Rochefortaise de naissance et figurante sur le film ! Voir Acast.com/privacy pour les informations sur la vie privée et l'opt-out.

Clamer haut et fort que La La Land est LE film de l’année n’est pas un mensonge, mais il faut de toute urgence relativiser cette information. Oui, c’est un beau film, l’histoire est charmante, l’univers est délicieux, les deux acteurs sont bluffants et la bande originale est exaltante. Après Whiplash, Damien Chazelle confirme son talent pour filmer la musique. Et oui, il y a un gros potentiel de critiques et d'exigences pour les haters ou les fidèles du genre. Mais sachez bien que ce film ne vous fera aucun mal, bien au contraire. Vous en retiendrez des couleurs, des mélodies et des émotions, teintées de jazz et de mélancolie.Animé par Thomas Rozec avec Léa Bodin, Charline Roux et David HonnoratRÉFÉRENCES CITÉES DANS L’ÉMISSIONWhiplash (Damien Chazelle, 2014), Les Demoiselles de Rochefort (Jacques Demy, 1967), Chantons sous la pluie (Singin’ in the Rain, Stanley Donen - Gene Kelly, 1952), All That Jazz (Que le spectacle commence, Bob Fosse, 1979), technologie EclairColorRECOMMANDATIONS & COUPS DE COEURCharline Roux : Moulin Rouge ! de Baz Luhrmann (2001) où ça chante et ça danse dans tous les sens. Mention spécial pour le Tango de RoxanneDavid Honnorat : la saga Sexy Dance et notamment le 3ème opus à voir en 3D avec de très bons numéros de danse. Et du côté du chant, la série Pitch Perfect est à découvrir (The Hit Girls en France). Aussi, les récents clips de Beyoncé pour ces morceaux de l’album Lemonade, qui sont de belles créations et de bonnes pistes de développement.Léa Bodin : Hairspray de Adam Shankman (2007), une comédie musicale très agréable et un vrai feel good movieCRÉDITSEnregistré le 24 janvier 2017 à l’Antenne Paris (10 rue la Vacquerie, Paris 11ème). Production : Binge Audio. Direction de production : Joël Ronez. Chargée de production et d’édition : Elsa Neves. Direction générale : Gabrielle Boeri-Charles. Moyens techniques : Binge Audio / L’antenne Paris. Réalisation : Jules Krot. Générique : "Soupir Articulé", Abstrackt Keal Agram (Tanguy Destable et Lionel Pierres). NoCiné est une production du réseau Binge Audio www.binge.audio.POUR ASSISTER AUX ENREGISTREMENTSPour assister à notre prochain enregistrement en public à L'antenne Paris, rendez-vous sur notre page bingeaudio.eventbrite.com See acast.com/privacy for privacy and opt-out information.

Essaï (pronounced S-I ) is a multifaceted artist. He is a songwriter, singer,  keyboardist, music producer and an actor.  He composed his first songs at the age of 12.  France’s First Lady Bernadette Chirac asked him to write and produce the title  “Un peu de moi”. That single went gold. Essai then collaborated with Michel Legrand. They co-produced 25 songs together for  “Les Demoiselles de Rochefort” and had a successful run at Palais des Congres in Paris.  He then wrote “Saimer est interdit” for the famous musical comedy “Le Roi Soleil” for Warner Music France. That album went double Platinum. Over 3 million tickets were sold during the three years of its run.  In 2008, he composed the soundrack for the film “Incontrolabe” starring Michael Youn.   Essai has also written and arranged musical pieces for many shows in one of the most famous and mythical Parisian Cabarets, “Bobino”.  There he directed entire musical productions.  Today, Essai has decided to take a big step and cross the Atlantic to the United States where his musical influence originated. He loves the thought of collaborating with the cats from Detroit, Memphis and Los Angeles.  He put his soul into recording the new album. He is looking forward to meeting up with his new production partner, music veteran, Kerry Gordy, who promised to feed him some black eyed peas, candied yams, collard greens and fried chicken.

ESSAI a singer-songwriter from Paris whose spin on Urban Pop music makes his vocal talents really stand out from the rest of the musical pack. Taking a leap of faith Essai crossed the ocean with his talents and found Kerry Gordy, son of music legend Berry Gordy, to help him spread his musical talents to North America. His first English Hit "FAMILY" is poised to dash to the top of the music charts; in the official music video for FAMILY Essai's dramatic, conspicuous and stunning performance comes through vigorously.  He wrote his first song when he was only 12, being inspired by the songs of Quincy Jones, Donny Hathaway, Michael Jackson, Prince and Stevie Wonder to name a few; after studying Law at a Paris University he was soon signed to Sony France as lead singer of the urban and pop idol group,“Ideal-3”. His solo career started when he was 21 with Mercury/Universal and had instant success after the First Lady of France Bernadette Chirac asked him to write and produce the title: “Un peu de moi”. Landed the role of Count Paris in Gerard Presgurvic's musical comedy “Romeo and Juliet with his vocal prowess. The cast album sold over 2 million copies. Collaborating with Michel Legrand, they co-produced 25 songs together for “Les Demoiselles de Rochefort” and had a successful run at Palais des Congres in Paris. He then wrote “Saimer est interdit” for the famous musical comedy “Le Roi Soleil” for Warner Music France. The album went double Platinum and Over 2 million tickets were sold during the three years of its run. Essai joins Take 2 Radio Music on Wednesday, Oct. 15th at 3pm eastern!

 Essaï (pronounced S-I ) is a multifaceted artist. He is a songwriter, singer,  keyboardist, music producer and an actor.  He composed his first songs at the age of 12.  France's First Lady Bernadette Chirac asked him to write and produce the title  “Un peu de moi”. That single went gold. Essai then collaborated with Michel Legrand. They co-produced 25 songs together for  “Les Demoiselles de Rochefort” and had a successful run at Palais des Congres in Paris.  He then wrote “Saimer est interdit” for the famous musical comedy “Le Roi Soleil” for Warner Music France. That album went double Platinum. Over 3 million tickets were sold during the three years of its run.  In 2008, he composed the soundrack for the film “Incontrolabe” starring Michael Youn.   Essai has also written and arranged musical pieces for many shows in one of the most famous and mythical Parisian Cabarets, “Bobino”.  There he directed entire musical productions.  Today, Essai has decided to take a big step and cross the Atlantic to the United States where his musical influence originated. He loves the thought of collaborating with the cats from Detroit, Memphis and Los Angeles.  He put his soul into recording the new album. He is looking forward to meeting up with his new production partner, music veteran, Kerry Gordy, who promised to feed him some black eyed peas, candied yams, collard greens and fried chicken.

 Essaï (pronounced S-I ) is a multifaceted artist. He is a songwriter, singer,  keyboardist, music producer and an actor.  He composed his first songs at the age of 12.  France's First Lady Bernadette Chirac asked him to write and produce the title  “Un peu de moi”. That single went gold. Essai then collaborated with Michel Legrand. They co-produced 25 songs together for  “Les Demoiselles de Rochefort” and had a successful run at Palais des Congres in Paris.  He then wrote “Saimer est interdit” for the famous musical comedy “Le Roi Soleil” for Warner Music France. That album went double Platinum. Over 3 million tickets were sold during the three years of its run.  In 2008, he composed the soundrack for the film “Incontrolabe” starring Michael Youn.   Essai has also written and arranged musical pieces for many shows in one of the most famous and mythical Parisian Cabarets, “Bobino”.  There he directed entire musical productions.  Today, Essai has decided to take a big step and cross the Atlantic to the United States where his musical influence originated. He loves the thought of collaborating with the cats from Detroit, Memphis and Los Angeles.  He put his soul into recording the new album. He is looking forward to meeting up with his new production partner, music veteran, Kerry Gordy, who promised to feed him some black eyed peas, candied yams, collard greens and fried chicken.Become a supporter of this podcast: https://www.spreaker.com/podcast/i-am-indi-entertainment-show--3433195/support.