Podcasts about Duplass brothers

Don't miss this informative episode with host Tisha Morris and Christie Marchese, founder and CEO of Kinema, the global film distribution and exhibition platform. On the heels of The Duplass Brothers announcing their upcoming episodic, The Long Long Night, on the Kinema platform, Tisha and Christie discuss the rising potential of independent filmmaking, the changing landscape of film distribution, and the tools Kinema offers to filmmakers. The episode also explores successful case studies, the importance of building an audience, and the valuable resource of the Distribution Playbook co-authored by Christie and Emily Best of Seed & Spark. This comprehensive discussion offers essential insights for filmmakers navigating the complex world of film distribution. 02:49 Christie's Journey into Filmmaking 04:06 Early Career and Nonprofit Work 07:28 Founding of Kinema and Its Mission 11:28 Distribution Strategies and Filmmaker Support 15:36 Success Stories and Case Studies 23:27 The Distribution Playbook 25:58 Contact Information Connect with Kinema at: www.kinema.com IG/YouTube: @kinemaHQ Visit The Distribution Playbook at www.thedistributionplaybook.com About Christie Marchese: Christie is the founder and CEO of Kinema, a global film distribution and exhibition platform that leverages the power of community and social interaction to screen and stream films. She was previously the founder of Picture Motion where she continues to serve as Executive VP. Prior to Picture Motion, she ran impact for Righteous Pictures and led digital strategy at Participant Media. Christie is also the co-author of The Distribution Playbook and won several industry recognitions, including being named one of Fortune's Rising Female Founders in 2023 and Fast Company's Most Creative People in 2021.

In this episode, GG Hawkins sits down with editor Celia Beasley to discuss her role in shaping Penelope, the new episodic series by the Duplass Brothers, now on Netflix. They explore the unique process of editing an episodic series that was shot like an indie film and edited entirely in the cloud. Celia shares her experiences of working outside major film hubs and the impact of community on her career. Through insightful conversations on editing, storytelling, and collaboration, Celia reveals her creative process and what it means to find success beyond New York and LA. In this episode, No Film School's GG Hawkins and Celia Beasley discuss: Transitioning from still photography to filmmaking and discovering editing as a storytelling tool Navigating the industry outside of major film hubs and the importance of a supportive community The unique challenges of editing Penelope, including cloud-based editing and handling extensive footage Using editing techniques to convey the protagonist's journey, especially in time-compressed scenes Advice for emerging filmmakers on trusting instincts, building collaborative relationships, and allowing a film to develop organically Memorable Quotes: “Editing is not an afterthought. It's the last chance for the film to be the best version of itself.” (46:44) “In the edit, I feel like I'm getting a giant bin of Legos, and it's up to me to put the pieces together to make it all work.” (30:24) “It's okay to ask questions, especially as an editor. I need to understand the vision, and I'm here to serve that.” (52:16) “People outside of New York and LA are in film for the love of it; we're doing it because we're passionate.” (12:32) Resources: Celia Beasley's Website: CeliaBeasley.com Celia on Instagram: @CeliaBeasley_Films Netflix Series Penelope: Watch on Netflix Find No Film School everywhere: On the Web: No Film School Facebook: No Film School on Facebook Twitter: No Film School on Twitter YouTube: No Film School on YouTube Instagram: No Film School on Instagram Send us an email with questions or feedback: podcast@nofilmschool.com Learn more about your ad choices. Visit megaphone.fm/adchoices

Originally from New Orleans, Andy Young is a Film & TV editor based in Los Angeles who specializes in comedy. He has experience in both animation & live-action projects working for studios like Warner Bros, Netflix, and HBO. His work has premiered at major film festivals like SXSW, won Webby Awards, and earned +850 million views online. As a writer for Moviemaker Magazine, Andy has interviewed such filmmakers as The Duplass Brothers, Richard Linklater, Edgar Wright, Frank Oz, James Gunn, Joseph Gordon-Levitt, Robert Duvall, and many others. Film Fights with Friends typically centers around the exploration of live-action fight scenes and their production. With Andy Young, the first editor to appear on the show, they take a first and very deep dive (appropriate as Andy is also a certified scuba diver) into the production of animated fight scenes from script to screen. The focal point of this episode are several fights from Max's Harley Quinn (2022) and Amazon's Merry Little Batman (2023).Andy's Instagram: https://www.instagram.com/andyyoungfilmAndy's IMDB: https://www.imdb.com/name/nm4041044/?ref_=ext_shr_lnkMENTIONSHarley Quinn S3, Ep1 "Harley and Ivy vs Plastique " - https://youtu.be/qXVLONmbz7A?si=9p-gTNHHmSrnaolQHarley Quinn S3, Ep7 “King Shark Kills His Brother” - https://youtu.be/Od063htzas0?si=sBjM-378jzjwP1ZyMerry Little Batman, Mr. Freeze vs Batman - https://youtu.be/frOjzgx35mk?si=YW32LHJ8nA0FTAvPMerry Little Batman, Penguin vs Damian - https://youtu.be/SlOvzjhDMfE?si=GHMU9I0N_s4DOD4THow Animated Movies Are Edited - Andy Young (Los Angeles Pro User Group): https://www.youtube.com/watch?v=i5SHA3Y2zk4 TAMMFF Film Freeway: https://filmfreeway.com/TAMMFFFILM FIGHTS WITH FRIENDSDo you listen to our show as an audio podcast? Give video a try. Subscribe to our YouTube channel for the video version with awesome behind the scenes pics and video! https://www.youtube.com/@FilmFightsFriendsPod?sub_confirmation=1Dig the show? Consider supporting our Patreon. There are some cool perks! Patreon: http://patreon.com/FilmFightsFriendsPodJoin our e-mail list! Hit us up here: fightingwithfriends@gmail.comInstagram: http://instagram.com/FilmFightsFriendsPodFacebook: http://facebook.com/FilmFightsFriendsPodSteve's Instagram: Instagram.com/sambosteve Steve's IMDB:

In this compelling episode of Documentary First, Christian engages in a candid and profound conversation with acclaimed documentary filmmaker Nick Bruckman. The spotlight is on Bruckman's recently released film, "Not Going Quietly," a poignant exploration of resilience featuring the inspiring Ady Barkan. The duo delves into the raw and transparent process of making the film, unraveling the intricate threads of Nick's personal journey into filmmaking, shaped by a family legacy rooted in social advocacy and disability activism. The discussion spans the breadth and depth of "Not Going Quietly," offering insights into Nick's profound connection with Ady Barkan and his family, as well as the transformative impact of bringing this powerful feature to life. As the conversation unfolds, Nick also gives a sneak peek into another upcoming project, "Minted," a documentary delving into the fascinating world of NFTs. Beyond the creative process, the episode ventures into the pragmatic realms of budgeting and distribution, shedding light on the challenges and triumphs of filmmaking. Nick shares invaluable advice for aspiring filmmakers, emphasizing the importance of carving out a niche and identifying a marketable skill within the industry to provide income stability. Brimming with wisdom and practical insights, this episode is a must-listen for anyone passionate about the art of documentary filmmaking. Plus, for our Patreon supporters, there's an exclusive extra with Nick where he shares what it's like to work with Bradly Whitford and The Duplass Brothers! As the episode concludes, the anticipation lingers for future conversations with Nick Bruckman, promising even more captivating discussions on the horizon. Timecodes Documentary filmmaking with Nick Brockman. 0:00 The impact of Ady Barkan and “Not Going Quietly” 3:23 Healthcare activism and personal stories. 8:57 Empathy and connection through documentary filmmaking with Ady. 13:46 Personal experiences with healthcare challenges. 18:07 How did this story come to Nick and how it evolved from a short YouTube promo to a Feature. 24:03 Budget and distribution thoughts. 30:24 “Minted” - All about NFTs and their impact on society. 35:21 Nick's brief story of getting into filmmaking and advice to filmmakers. 40:44 *No Docuview DéjàVu this week. Nick Bruckman's websites: https://nickny.com/ https://peoples.tv/

We catch up with a bunch of cinematic recommendations with After Hours, The Manson Family Vacation, Theatre Camp, I Don't Feel at Home in This World Anymore, Kenny, Brother's Nest, Jeff Who Lives at Home, Biosphere and a few more along the way.  Check out Alexei's Q&A anniversary screening of The Rage in Placid Lake with Ben Lee at The Ritz in Sydney HERE For bonus pods, Alexei is testing Cameron on his film knowledge running a quiz over at the patreonSee omnystudio.com/listener for privacy information.

When dealing with a creep there are a couple rules...One: Don't end every conversation with a hug that last over a minute. Two: Don't let them convince you to watch them take a bath with a fictional baby(you'll understand when you see the film). Three: Do not! I repeat! DO NOT PODCAST WITH THEM! I broke rule three, that's right I got a new guest joining the podcast this week and we get creepy with our thoughts on this Duplass Brothers horror flick! Enjoy and Stay Creepy!THANK YOU FOR LISTENINGPLEASE FOLLOW THE INSTAGRAM:https://instagram.com/fromdusktilldonpodcast?igshid=YmMyMTA2M2Y=

This week on BEHIND THE LENS we take a look at two films and three directors, each making their feature directorial debut. SOPHIA CASTUERA brings us the "mumblecore" narrative AUGUST AT TWENTY-TWO while GARY MATOSO and CAMERON ZOHOORI take us behind the lines of volunteer firefighting in the United States with ODD HOURS, NO PAY, COOL HAT. First up is SOPHIA CASTUERA talking about her debut narrative feature – AUGUST AT TWENTY-TWO. A wannabe actress fresh out of school trying to make it in the Big Apple and filled with all the confusion and trouble that comes with being 22 from floundering in a career, making bad decisions, pushing away a BFF, jealousy, partying versus work, etc. Very much in the vein of the Duplass Brothers early "mumblecore" films, not to mention being very female-centric in front of and behind the camera, Sophia discusses the challenges and the joys of directing not just this film, but a feature film at that. Then things get hot when directors GARY MATOSO and CAMERON ZOHOORI join us live discussing their new documentary ODD HOURS, NO PAY, COOL HAT. An insightful and intimate look behind the lines of volunteer firefighting in the United States, Gary and Cameron hone in on this diverse community of firefighting brethren across the country meeting select volunteer fire companies and their members and getting "up close and personal" with these brave dedicated men and women. It may come as a shock to many that we have such a large number of volunteer firefighting companies in this country, but these firefighters are essential to the fabric of first responders, especially in more rural or very small communities without a municipal budget to sustain a career firefighter company. http://eliasentertainmentnetwork.com

Michael Tennant grew up San Diego with a “disdain” for Los Angeles. “You're taught the Dodgers are the devil,” he jokes. “LA is the worst. Don't do this. But my brother did a play, I heard him get a laugh and that first hit of dopamine, I started chasing that. I liked the idea of performing.” In the early days, Tennant wanted to become an actor. “Good Will Hunting was a seminal movie,” he says. “These two guys just got together and wrote something? And Gus Van Sant is directing it? How did these guys do that?” Tennant says he somewhat lost track of that and focused on acting. “I got stuck in the linear idea of it for a while, but then I fell into producing.” While on set one day, a producer had lunch with Tennant and this somewhat led to work in development. “I saw the sausage getting made and it made me kind of sad.” Tennant adds, “I was watching people set money on fire, never their own but other people's money, making movies for the wrong reasons and after a few years reading thousands of scripts, I thought I wanted to give writing a crack. Let me see if can do this.” Inspired originally by Matt Damon and Ben Affleck, and more recently by the Duplass Brothers (see the speech, “The Calvary Isn't Coming”), Tennant knew he needed to take his shot. “I keep asking other people — writers, directors, casting agents — to hand me this creative life that I want and no one is doing it. Why is no one doing it? Because you have to do it yourself.” Want more? Steal my first book, Ink by the Barrel - Secrets From Prolific Writers right now for free. Simply head over to www.brockswinson.com to get your free digital download and audiobook. If you find value in the book, please share it with a friend as we're giving away 100,000 copies this year. It's based on over 400 interviews here at Creative Principles. Enjoy! If you enjoy the podcast, would you please consider leaving a short review on Apple Podcasts? It only takes about 60-seconds and it really helps convince some of the hard-to-get guests to sit down and have a chat (simply scroll to the bottom on your iTunes Podcast app and click “Write Review"). Enjoy the show!

Gabi Bennett's takeover of The Barn in Princeton marks the third generation of her family's ownership since 1983. Under her management, the restaurant is serving 'mountain chalet.' Bennett grew up in Princeton, but spent the bulk of her professional career in Hollywood. 

Today, you'll be hearing from the independent film industry's favorite duo, The Duplass Brothers. Mark and Jay Duplass are known for their generosity, creativity, and transparency. Two undercover agents who successfully infiltrated a notoriously cutthroat and self-centered industry, Hollywood. Together, they broke into the business via a seven-minute short film they shot on their parents' video camera, with a total production budget of $3 — the cost of the blank tape they purchased to shoot it. Erik, Mark, and Jay discuss allowing your work to speak for itself, embracing limits and constraints, inspiration waiting at the bus stop, the value of keeping a lot of irons in the fire and hiring for personality over experience.   You may know Mark and Jay through their acting careers. The lists are long but Mark currently stars on Apple TV's The Morning Show as Charlie Black. And Jay, perhaps most famously, played Josh Pfefferman in the Emmy Award winning Amazon original series, Transparent.   5x #1 Bestselling Author and Motivational Speaker Erik Qualman has performed in over 55 countries and reached over 50 million people this past decade. He was voted the 2nd Most Likable Author in the World behind Harry Potter's J.K. Rowling.   Have Erik speak at your conference: eq@equalman.com   Motivational Speaker | Erik Qualman has inspired audiences at FedEx, Chase, ADP, Huawei, Starbucks, Godiva, FBI, Google, and many more on Focus and Digital Leadership.   Learn more at https://equalman.com

I had the pleasure the other night to see two of my inspirations speak on stage. Mark and Jay Duplass or as they are known The Duplass Brothers, were at a book signing for their new book, Like Brothers, and gave an awesome talk about how they got started, playing the Hollywood game and making​ up your own rules.Many of you know that the Duplass Brothers are the reason why I got off my ass and made my first feature film This is Meg. Their “just go out and do it” attitude inspired me to go and do it. The further inspired me to make my latest film On the Corner of Ego and Desire. If you have seen their $3 short film, This is John, that got into Sundance and launched their careers you can watch it in the show notes​. Here's a bit on their new book Like Brothers:How do you work with someone you love without killing each other? Whether producing, writing, directing, or acting, the Duplass Brothers have made their mark in the world of independent film and television on the strength of their quirky and empathetic approach to storytelling. Now, for the first time, Mark and Jay take readers on a tour of their lifelong personal and professional partnership in LIKE BROTHERS, a unique memoir told in essays that share the secrets of their success, the joys and frustrations of intimate collaboration, and the lessons they've learned the hard way.Part coming-of-age memoir, part underdog story, and part insider account of succeeding in Hollywood on their own terms, LIKE BROTHERS, is also a surprisingly practical roadmap to a rewarding creative partnership. From a childhood spent wielding an oversized home video camera in the suburbs of New Orleans to their shared years at the University of Texas in early ‘90s Austin, and from the breakthrough short they made on a $3 budget to the night their feature film Baghead became the center of a Sundance bidding war, Mark and Jay tell the story of a bond that's resilient, affectionate, mutually empowering, and only mildly dysfunctional. They are brutally honest about how their closeness sabotaged their youthful romantic relationships, about the jealousy each felt when the other stole the spotlight as an actor (Mark in The League, Jay in Transparent), and about the challenges they faced on the set of their beloved HBO series, Togetherness—namely, too much togetherness.From their obsession with people-watching at airports to their always-evolving “top 10 films of all-time” list to their personal email conversations to their defense of Air Supply, LIKE BROTHERS is as openhearted and lovably offbeat as Mark and Jay themselves.I highly recommend any and all filmmakers and screenwriters read this book. Enjoy an evening with the Duplass Brothers.

Spielberg, Take Me & Directing for the Duplass Brothers with Pat HealyToday's guest prolific actor/writer/director Pat Healy. Pat discuss his new Netflix film Take Me starring himself and Orange is the New Black's Taylor Schilling. He also talks about his experience working with the Duplass Brothers, working with the legend Steven Speilberg, and how he has made a living being a script doctor over the years. Pay Healy's feature film screenplays Strange Skies and Snow Ponies found their way on the Black List in 2006 and 2007.Enjoy my conversation with Pat Healy.

Rewinding back to just a decade ago that seems unfathomable today where little indie pictures could still populate several hundred screens during their release, Mike introduces Dino to one of the more contemporary offerings in our canon in I Eat Movies #28: Dino's First Time - Jeff, Who Lives at Home (2011). Starring Jason Segel (TV's How I Met Your Mother) as a grieving stoner searching for a purpose in the signs that surround us everyday, this Duplass Brothers production finds Segel on a journey that finds him reconnecting with his estranged brother (Ed Helms, The Office) as they try to determine whether or not his wife is cheating on him. Along the way, their mother (played by the legendary Susan Sarandon, Thelma & Louise) is also longing for a connection not experienced since her husband passed away that will somehow lead this fractured family down a path they never could imagine. Will Mike's own emotional reaction to this charming little picture be enough to sway Dino? Find out in I Eat Movies #28: Dino's First Time - Jeff, Who Lives at Home (2011).

I had the pleasure the other night to see two of my inspirations speak on stage. Mark and Jay Duplass or as they are known The Duplass Brothers, were at a book signing for their new book, Like Brothers, and gave an awesome talk about how they got started, playing the Hollywood game and making​ up your own rules.Many of you know that the Duplass Brothers are the reason why I got off my ass and made my first feature film This is Meg. Their “just go out and do it” attitude inspired me to go and do it. The further inspired me to make my latest film On the Corner of Ego and Desire. If you have seen their $3 short film, This is John, that got into Sundance and launched their careers you can watch it in the show notes​. Here's a bit on their new book Like Brothers:How do you work with someone you love without killing each other? Whether producing, writing, directing, or acting, the Duplass Brothers have made their mark in the world of independent film and television on the strength of their quirky and empathetic approach to storytelling. Now, for the first time, Mark and Jay take readers on a tour of their lifelong personal and professional partnership in LIKE BROTHERS, a unique memoir told in essays that share the secrets of their success, the joys and frustrations of intimate collaboration, and the lessons they've learned the hard way.Part coming-of-age memoir, part underdog story, and part insider account of succeeding in Hollywood on their own terms, LIKE BROTHERS, is also a surprisingly practical roadmap to a rewarding creative partnership. From a childhood spent wielding an oversized home video camera in the suburbs of New Orleans to their shared years at the University of Texas in early ‘90s Austin, and from the breakthrough short they made on a $3 budget to the night their feature film Baghead became the center of a Sundance bidding war, Mark and Jay tell the story of a bond that's resilient, affectionate, mutually empowering, and only mildly dysfunctional. They are brutally honest about how their closeness sabotaged their youthful romantic relationships, about the jealousy each felt when the other stole the spotlight as an actor (Mark in The League, Jay in Transparent), and about the challenges they faced on the set of their beloved HBO series, Togetherness—namely, too much togetherness.From their obsession with people-watching at airports to their always-evolving “top 10 films of all-time” list to their personal email conversations to their defense of Air Supply, LIKE BROTHERS is as openhearted and lovably offbeat as Mark and Jay themselves.I highly recommend any and all filmmakers and screenwriters read this book. Enjoy an evening with the Duplass Brothers.

To wrap up the year, Morley and Ryan talk about the top 10 things that broadened or changed our perspective about creativity in 2021: Ryan: Independent Film & FIlmmakers (Jim Cummings, Richard Linklater, Chloe Zhao, Gus Van Sant, Quentin Tarantino, Debra Granik, Duplass Brothers, David F. Sandberg, Assem Kroma). Midnight Mass (Limited Series on Netflix, 2021). Folk Music & Musicians (Gregory Alan Isakov, Alexi Murdoch, Bob Dylan & more). Raymond Jacobs (American Photographer). Gone Home (Indie Game, 2013). Morley: Rick Rubin: The Invisibility of Hip Hop's Greatest Producer by Soulr Les Stroud - Survivorman Once Upon a Time in Hollywood Andrew Szeto Switched on Pop Mentions: Broken Record Podcast Casey Neistat Grant Alexander Adam Mackey The Danocracy Justin Mabie What we're putting Into the Spotlight this week: Morley: Tai Verdes on Switched On Pop Ryan: WTF with Marc Maron Where You Can Find Us: Ryan O'Connor: Instagram: @ry.oconnor Twitter: @RyanOConnorCA Medium: @ryan.oc Morley Kert: Instagram: @morleykert YouTube: Morley Kert Collectively: Instagram: @intothespotlightpodcast Twitter: @into_spotlight Youtube: Into The Spotlight

Trevor and Ellen Scherer Crafts and Face2Face host David Peck talk about Street Gang, revolutionary ideas, the definition of genius, lightening in a bottle, TV as a wasteland and Kermit the Frog.TrailerFind out more about Street Gang here.Synopsis:Street Gang: How We Got To Sesame Street takes us inside the minds and hearts of the Sesame Street creators, artists, writers, and educators who, together established one of the most influential programs in television history.In late 1960s, Joan Ganz Cooney, a socially conscious female television executive was working in the fledgling world of public television. She was asked by friend Lloyd Morrisett, who worked for the Carnegie Corporation of New York and who specialized in the psychological studies of pre-school children, to take on revolutionary experiment. Could Joan create a children's show that would "master the addictive qualities of television and do something good with them?"Inspired by the civil rights movement, Joan and Lloyd took this experiment one step further and began to envision using the new medium of television to educate all children, and specifically reach America's "inner city" children to help close the educational gap that systemic racism and poverty had created. It was the right project, at the right time, and she needed the right group of people to make it happen.To harness the burgeoning power of television and create an educational, impactful, and entertaining show that could reach children nationwide. Cooney recruited visionary Muppets creator Jim Henson and acclaimed children's television writer and director Jon Stone to craft the iconic and uplifting world of what became Sesame Street.Street Gang: How We Got To Sesame Street focuses on the first two experimental and groundbreaking decades of Sesame Street, highlighting this visionary "gang."With interviews with the original surviving creators, and their families, we hear and see how “the gang” came together. They share stories of the challenges and stumbling blocks involved to create the show and its iconic characters, and also speak to confronting boundaries that came their way with unflinching purpose. All with a wicked sense of humor, and pure joy. The gang knew that they were part of something that was special, critically important, and bigger than themselves.Street Gang: How We Got To Sesame Street reintroduces the world to Joan's gang. With exclusive behind-the-scenes footage, and original cast and creator interviews, audiences will meet the people that audaciously interpreted radical changes in society and engaged children in ways that entertained and educated them like never before.Now is the perfect time to tell the story of the show's origins and inspire people to use purpose, and the power of creativity, to make a positive impact in our world.About Trevor and Ellen:Known for creativity, flexibility, and a sense of humor, Trevor Crafts is a Producer/Director whose work has won an Emmy®, the LATV Festival, and 13 additional industry awards.With a visionary creative drive, strong leadership abilities, and a true understanding and passion for the cinematic arts, Trevor has spent his career creating dynamic stories with striking visuals featuring strong characters.His proven track record of leading studio teams to produce innovative story-driven content has helped film projects like the recently completed Sundance 2021 Premiere Street Gang: How We got to Sesame Street (2021) a feature length documentary on the origins of Sesame Street distributed by Screen Media and HBO, based on the book of the same name. Other Films include 7 Splinters in Time (2018) 12 Feet Deep (2016), Experimenter with Peter Sarsgaard and Winona Ryder (2015) which premiered at Sundance, Manson Family Vacation from the Duplass Brothers (2015), Deep in the Heart (2013) and Smokewood, Nevada (2013).In publishing, Trevor is currently working on The Unseen Photos of Street Gang a photo book of behind-the-scenes pictures from renown photographer David Attie. Also he recently released The Not-So Secret Society Graphic Novel for middle readers, published by BOOM! Studios, under their KaBoom imprint. BOOM! Studios also published his original IP series Lantern City in 2015.Ellen Scherer Crafts started her career in entertainment producing special events to include headline entertainment for Cesar's Entertainment and live boxing co-productions with HBO and Telemundo. She went on to prominent roles in promotion and marketing in the corporate arena executing large scale meetings and product launches for Fortune 500 companies all over the world.Ellen partnered with her husband and producer Trevor Crafts to build Macrocosm Entertainment, helping to market their original transmedia property Lantern City and co-create the original children's property The Not-So Secret Society. Ellen is a producer on the anticipated documentary Street Gang: How We Got To Sesame Street premiering in 2021.Image Copyright and Credit: Macrocosm and levelFilm.F2F Music and Image Copyright: David Peck and Face2Face. Used with permission.For more information about David Peck's podcasting, writing and public speaking please visit his site here.With thanks to Josh Snethlage and Mixed Media Sound. See acast.com/privacy for privacy and opt-out information.

Join Luz Cabrales and Desiree Zielinski as they chat with filmmakers Hannah Black & Megan Petersen of the film Drought.Hannah and Megan are awesome female filmmakers who are all about spreading the word that you can make movies where you live; no matter how big or small the town. They won the Seed & Spark Hometown Challenge back in 2017 and got the Duplass Brothers to executive produce their film. Be sure to check out the film and join us for this inspiring conversation.Rent/Purchase Drought on Amazon Prime Video.

The boys fall for 50 First Dates as they talk Segal, Eastwood, the heavy plot, the strong stable ensemble, the Sandlerverse, the swing of different sensibilities, building an on set reality, his ending problem, Ben's realism rumination, 00's indie, Mumblecore, the Duplass Brothers, Twee, Joe Swanberg, the Safdies, & looking ahead to what this season my bring.Links:A Crash Course In The Sandlerverse Twee: A Gentle Revolution in Music, Books, Television, Fashion & Film—Keep up with the show on twitter or instagram @sandtrappod, dm us there or email us at yabbayew@gmail.comHostsBen Kasl (instagram @ben.kasl)Jeffrey Lehman (twitter @Dostojeffsky)Cover ArtMadeline Horwath (instagram @madelinehorwath)Buy their merch here 

I crave more sex- and age-positivity, a wider range of human sexuality and relationship, in the romantic TV shows and movies that I watch now. Romance novels have always done a great job at representing shame-free sexuality, desire, and fantasy. But the Netflix series Easy and the movie The Overnight also get it right.https://www.confessionsofaclosetromantic.comSalt-n-Pepa Let's Talk About Sex. The late 80s-early 90s style in this video! It dates from 1991 and wow, things were different back then. But the ladies got it goin' on: let's talk about it.A good, brief definition of the different types of human sexuality. I love that they point out that sexuality can change throughout your life.Britannica has a fascinating worldwide sociological overview of human sexuality. There's even a good section on solo sex :)What it means to be on the asexual spectrum.It's possible to have hot sex and intimacy without intercourse.  Here's an excellent article full of ideas on how to go about it.Movie/TV ShowAn exploration of the lo-fi, indie mumblecore film movement.Joe Swanberg created, wrote, directed and co-produced the TV series Easy which is quite a feat. Just look at the size of that cast! The range of subjects! The Overnight works because of the cast. I've crushed on Adam Scott for ages, and he's the perfect straight man here -– the main reason this even works. Ditto for Jason Schwartzman. Taylor Schilling and Judith Godrèche are also amazing. The Duplass Brothers produced this movie, and they're also big in the mumblecore movement.The Amazon TV series Transparent is a touching tragicomedy about a trio of LA-based siblings who struggle with sex, love and relationships, while supporting their father coming out as trans. Jay Duplass stars in this show, and he's so good in it. It's a small world.BooksI can't say enough about the respectful, passionate way Naomi and Ethan relate in The Intimacy Experiment. It's mostly a slow burn, but when things heat up, they heat up. Check out The Roommate, too, which defines a steamy, sex-positive plot.The Belle and the Beard by Kate Canterbary is a clever and sexy romance, loosely based on Beauty and the Beast. It features a Southern-born, super-capable woman with childhood trauma and a grumpy arborist hero who identifies as pansexual. He's been in love with a man in his past, and now he loves her. I love romances that bring the emotional baggage, as well as sex positivity, to relationship. It makes the story richer, deeper, and more compelling.

Welcome back to the show! This week we're taking a look at the post-divorce David Cronenberg classic THE BROOD! In our FIRST CHOP, Tim goes hunting for THE SECRET OF SKINWALKER RANCH, while Brian goes cryptid hunting in APE CANYON! Then we'll both take a look at the new Hulu documentary from The Duplass Brothers, SASQUATCH! We'll also talk FANGORIA CHAINSAW AWARDS and CREEPSHOW SEASON 2 EPISODE 4! Then we turn our attention to a cult classic that Brian never got to see! That's right, we're turning the table this week and reviewing a film that Tim has seen but Brian hasn't. And just what did Brian think of this extremely odd body horror outing by Mr. Cronenberg? You'll have to tune in to find out. All this plus our beer pairing, Triple Threat Trivia, Fan Topic Fu Listener Question and more!

Welcome to Episode 378! In this episode we are joined by Joe Stark of Starkcast as well as popcultureleftovers.com movie/tv critic Stephanie Chapman. In this episode we have a new contest that will run 2 weeks and it’s for Night of the Sicario. Listen to find out how to win your free digital copy of Night of the Sicario. In this episode we talk about Episode 6 of The Falcon and the Winter Soldier and what this means for the future of the characters and the MCU. In Good Pop Bad Pop for Movies we talk about the new Netflix sci-fi Stowaway starring Anna Kendrick and Toni Collette. A three-person crew on a mission to Mars faces an impossible choice when an unplanned passenger jeopardizes the lives of everyone on board. In TV there’s a bizarre true crime documentary on Hulu right now, Sasquatch. Sasquatch follows investigative journalist David Holthouse as he attempts to solve a bizarre twenty-five year old triple homicide that was said to be the work of a mythical creature. We also talk about Cinema Toast on Showtime from the Duplass Brothers that’s an experimental new series from eclectic group of celebrated indie filmmakers who’ve re-edited and re-scored footage from public domain films and overdubbed them with performances of contemporary actors to tell new, wholly original stories. We also talk about HBO’s Mare of Easttown starring Kate Winslet who plays a detective in a small Pennsylvania town investigates a local murder while trying to keep her life from falling apart. And the new Peacock comedy Rutherford Falls dropped starring Ed Helms. In News we talk about the potential of new product placement popping up in old movies on streaming services. And Vin Diesel is starring in an upcoming Rock ‘Em Sock ‘Em Robots movie. In Marvel News we have some Secret Invasion castings. And we’ve learned who Russel Crowe will be playing in Thor: Love and Thunder. And in DC News Michael Keaton will in fact be joining production for the new Flash movie. Remember, we’re taking next week off. See you in 2 weeks!

“Sasquatch” is the brand-new, three-part documentary series directed by Joshua Rofe that premiered on Hulu yesterday (April 20, 2021). It’s a murder-mystery, true crime thriller that takes place on a marijuana farm in the infamous Emerald Triangle area of Northern California, and involves Big Foot! Josh Rofe explains how he and journalist David Holthouse investigated and documented the 1993 triple homicide allegedly perpetrated by Sasquatch! He shares what they uncovered in journey, how it literally became a life and death situation for them at some points, what the notorious Patterson Gimlin film has to do with their investigation, and why Josh wasn’t convinced until the project was nearly complete that they actually had something worthy of release. Josh also talks about the Duplass Brothers involvement, the use of animation, his own exploration of the Sasquatch community, and how they managed to get participants to appear on film. 

“Sasquatch” is the brand-new, three-part documentary series directed by Joshua Rofe that premiered on Hulu yesterday (April 20, 2021). It's a murder-mystery, true crime thriller that takes place on a marijuana farm in the infamous Emerald Triangle area of Northern California, and involves Big Foot! Josh Rofe explains how he and journalist David Holthouse investigated and documented the 1993 triple homicide allegedly perpetrated by Sasquatch! He shares what they uncovered in journey, how it literally became a life and death situation for them at some points, what the notorious Patterson Gimlin film has to do with their investigation, and why Josh wasn't convinced until the project was nearly complete that they actually had something worthy of release. Josh also talks about the Duplass Brothers involvement, the use of animation, his own exploration of the Sasquatch community, and how they managed to get participants to appear on film. 

In this episode, the guys discuss the upcoming documentary from Hulu, "Sasquatch." Did the legendary Sasquatch murder three-pot growers in California's Emerald Triangle Region in 1993? Investigative Journalist David Holthouse teams up with the Duplass Brothers and uncovers an intriguing story into this bizarre homicide. PLEASE RATE AND REVIEW ON ALL PLATFORMS: Apple Podcasts, Spotify, Stitcher Radio, Spreaker, or wherever you listen! If you enjoy this podcast, please consider supporting us on Patreon! Become a Track Caster or an Experiencer today: https://www.patreon.com/sasquatchexperienceSASQUATCH EXPERIENCE is brought to you by ForkerMEDIA Ventures and VanNess Studios. Hosted by Sean Forker and Henry May, with Les Sincavage, Vance Nesbitt, and James Baker. Our Intro Music “Epic Action Trailer” by Roman Senyk Music is licensed to us under commercial use. If you’d like to hear a particular topic or guest, EMAIL US: squatchexperience@gmail.com.Check us out on Social Media:facebook.com/sasquatchexperienceTwitter.com/SquatchEXPInstagram.com/sasquatchexperienceVisit Our Website: http://www.sasquatchexperience.com

Jay and Mark Duplass sit down with Kate and Oliver on this week's episode. They open up about their close bond throughout the years - from sharing a twin bed to the challenges of working together. They also discuss their love of storytelling, growing up in New Orleans, the process of writing their book, and Oliver's petition to become the third Duplass brother.Executive Producers: Kate Hudson and Oliver HudsonProduced by Allison BresnickEdited by Josh WindischMusic by Mark HudsonThis show is powered by Simplecast.This episode is sponsored by Zack’s Mighty Tortilla Chips, Each & Every, and Helix.

"I'm the dying guy!" "I'm the other guy!" The Duplass Brothers have made their name in producing/directing some of the most interesting indie films over the years, and the movie of this week is no different! This week join Tuong La and Master of the Death Punch (Kristy Matheson) as they discuss a movie about an unlikely friendship, a made up sport, and a whole lot of emotions wrapped up in an hour and a half talking about 2019's Paddleton! The post Ep 64 – Paddleton (2019) with Kristy Matheson appeared first on PodCavern.

Ginger Gonzaga (Togetherness, Family Guy, Space Force) stops by the yard to talk about her amazing and multi-faceted career, her interest in all things comedy, and Bill's obsession with the Duplass Brothers. --- Support this podcast: https://anchor.fm/the-after-laugh/support

Linas Phillips is a director, actor, writer, screenplay doula and a two-time Sundance alum. His first film, WALKING TO WERNER landed him in Filmmaker Magazine's 25 NEW FACES. He's also received the Genius award in film from Seattle's newspaper The Stranger and premiered his first narrative film BASS ACKWARDS at the Sundance Film Festival. He also premiered his film RAINBOW TIME, produced by the Duplass Brothers, at the SXSW Film Festival. He recently wrote and directed a short form episodic show, also produced by the Duplass Brothers, entitled THE RIDE. As an actor he has appeared in TWIN PEAKS, EASTBOUND and DOWN, TOGETHERNESS and MANSON FAMILY VACATION. As screenplay doula, he teaches a character-based approach to screenwriting by applying techniques drawn from the work of Eckhart Tolle and other notable spiritual teachers. In this podcast we chat about confidence vs vulnerability vs arrogance, good vs bad, judgement, his screen writing approach, breakups, courage, doubts, shame, self-awareness and working on yourself, helping others, internal narratives and passion. Check out Linas on: Instagram: linasphillips Twitter: LinasPhillips Website: www.screenplaydoula.com Follow @Funny in Failure on Insta and FB and @Michael_Kahan on Insta & Twitter to keep up to date with the latest info.

Prarthana Mohan is our guest for EP 55 of THE ARTISTS. Her film THE MISEDUCATION OF BINDU is currently doing the festivals rounds and is Executive Produced by The Duplass Brothers. We discuss: 1) Why do you want to make a film? 2) Choosing a story 3) Raising Funds 4) Does the price point of a film gets affected with the festival rounds- how much? 5) Dodging the Gatekeepers when putting your film together 6) Recommendation chains to get your script/ film/ project discovered- is it always justified ? 7) Percentge of efforts while raising funds, making and distibuting the film- 40%, 10%, 50% Email id: metaphysicallab@gmail.com/ whats app - 9324431451   Music- "Hard Boiled" by Kevin MacLeod (https://incompetech.com) License: CC BY (http://creativecommons.org/licenses/by/4.0/ You can follow us and leave us feedback on Facebook, Instagram, and Twitter @eplogmedia, For partnerships/queries send you can send us an email at bonjour@eplog.media.   DISCLAIMER: The views expressed on all the shows produced and distributed by Ep.Log Media are personal to the host and the guest of the shows respectively and with no intention to harm the sentiments of any individual/organization. See omnystudio.com/listener for privacy information.

This week Liz and Alrik welcome return guests Hannah Black and Megan Petersen to talk about their first feature film Drought, which won Seed and Spark's Hometown Heroes competition back in 2017. Megan and Hannah talk to us about what they have learned from working with Mark and Jay Duplass on their film and the long road they took to getting their film finished once they got their greenlight! We also have international filmmakers (names) to talk about their latest 1980's inspired sci-fi short film ‘Slice of Life' which they made using all the old techniques used on films like Blade Runner and no CGI whatsoever!   Where to Find Megan, Hannah, Dino and Luka! Megan and Hannah's Website! Drought on Facebook! Slice of Life's Website Dino Julius' Website Contact Liz & Alrik Send us an email You can find Liz Manashil @ www.lizmanashil.com You can find Alrik @ www.alrikbursell.com You can now find MMIH @ mmihpodcast on instagram! Leave a comment on our website Find us on our Facebook Community Page Contact us on Twitter and Facebook

Jas Shelton's career has spanned nearly every genre, from comedy to horror and suspense. Jas grew up in East Texas and attended the University of Texas in Austin. He had difficulty getting into the film program, so he started shooting music videos for bands, then began shooting student films. Austin was a hub for fairly large films at the time, where Jas found work as a gaffer or on second unit, including Miss Congeniality, Varsity Blues, and The Ladykillers. When he and director Kyle Alvarez began planning for the second season of Homecoming on Amazon, they chose to use a different color palette from season one, with darker, moodier looks for the flashback sequences vs. the present day. They were influenced by the look of 70's movies and Brian DePalma films, with slow push-in zooms on the characters, several split-screen sequences and off-center framing. Jas shot all seven episodes of the series, and has received an Emmy nomination for his work. Jas had also worked with Kyle Alvarez on The Stanford Prison Experiment, which was another challenging project since most of it was shot on a white laboratory set, but careful use of close-ups and shadow helped bring more depth to the film. Jas's tight camerawork and careful planning for Homecoming was a much different approach from Jas's previous work with the Duplass brothers on the series Togetherness, The Do-Deca-Pentathalon and Cyrus. Mark and Jay Duplass favor a rough, homemade, documentary style, with lots of improvisation, so scenes often began with close ups on long lenses, with wider shots at the end. For the film Keanu, Jas's experience with more improvisational filmmaking was useful, since Jordan Peele would often rewrite scenes right before shooting. See Homecoming season 2 on Amazon Prime Find Jas Shelton: https://www.jasshelton.com/ Instagram: @jasshelton Find out even more about this episode, with extensive show notes and links: http://camnoir.com/ep89/ Sponsored by Hot Rod Cameras: www.hotrodcameras.com Website: www.camnoir.com Facebook: @cinepod Instagram: @thecinepod Twitter: @ShortEndz

Are you tired of hauling other people’s expectations? And, are they really their expectations, or just what you think they are? The topic of shattering the myth requires deep self-inquiry, especially when it comes to deciding what’s ours and what’s not ours to haul on the next leg of the journey. Shatter the myth that you came with, you’ve been perpetuating, or what’s been perpetuated for you.This episode references Alicia Keys, the Duplass Brothers, Glennon Doyle, and Louise L. Hay.

Hoy hablamos sobre la segunda temporada de Hunters, la nueva película de Joey King y Brad Pitt, Mulan directo a VOD, Peter Dinklage protagonizará una musical con The National, HBO tendrá dos nuevas docuseries creadas por Issa Rae y los Duplass Brothers, Tom Hanks será Geppetto, Selena Gómez tiene dos proyectos en puerta: "Selena + Chefs" y Only Murders in the Building, Zac Efron protagonizará el remake de Three men and a baby. Además hablamos del young Hollywood, las jóvenes estrellas que están tomando fuerza en la industria del entretenimiento. --- Send in a voice message: https://anchor.fm/taquitodepop/message

We have two wonderful guests today, both from HBO’s excellent show, Room 104 – executive producer & director Sydney Fleischmann, and executive producer, writer, director, & president of Duplass Brothers Productions, Mel Eslyn. They join April to discuss Tim Burton’s, Beetlejuice. Both Mel and Sydney chat about writing dark material and keeping it rooted in character. They discuss the creative fulfillment that comes with being a producer. Plus, they also chat about their show, Room 104, and how it has allowed them to exercise their personal creative fantasies.Please consider financially supporting our show by becoming a Maximum Fun member at Maximumfun.org/joinYou can watch Room 104 on HBO.If you haven’t seen Beetlejuice, then you are an odd person.With April Wolfe, Mel Eslyn, and Sydney Fleischmann

Room 104 is set in a single hotel room, where every guest who comes to stay reveals a unique set of circumstances and quirks. From the Duplass Brothers.

Room 104 is set in a single hotel room, where every guest who comes to stay reveals a unique set of circumstances and quirks. From the Duplass Brothers.

Room 104 is set in a single hotel room, where every guest who comes to stay reveals a unique set of circumstances and quirks. From the Duplass Brothers.

I had the pleasure the other night to see two of my inspirations speak on stage. Mark and Jay Duplass or as they are known The Duplass Brothers, were at a book signing for their new book, Like Brothers, and gave an awesome talk about how they got started, playing the Hollywood game and making up your own rules.Many of you know that the Duplass Brothers are the reason why I got off my ass and made my first feature film This is Meg. Their "just go out and do it" attitude inspired me to go and do it. This further inspired me to make my latest film On the Corner of Ego and Desire.Enjoy an evening with the Duplass Brothers.

The filmmaking world is not an easy one (to put it extremely lightly) and filmmakers are rarely prepared to cope with the ups and downs of the emotional journey. Hudson chats with actors/writers/directors Megan Peterson & Hannah Black about the insane roller coaster journey they've experienced on their Duplass Brothers produced film, Drought, and what it takes to keep going in the face of smashed expectations. --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app

Today, I am joined by the transformative talent that is Leonardo Nam. Over the course of the next hour, you will hear how Leo found his way as a young actor growing up in Australia, how he relentlessly hustled in NYC, and how he built the career of his dreams, starring in shows like Westworld and working with the Duplass Brothers on Room 104. Whether he’s auditioning for Hamlet still wearing his rollerblades or deciding to eat a turkey sandwich DURING his audition for The Perfect Score, the studio film that changed his life, Leo has faced every chapter in his career with a sense of adventure and a brilliant connection to his instincts. Recent notable credits for Leonardo include the DC Universe series "Swamp Thing,” Amazon’s "Sneaky Pete,” and the Arthouse film “Hummingbird." He has also recurred on titles such as the Amazon series “Betas,” and has appeared on “The Flash,” Disjointed,” “Hawaii 5-0,” “Royal Pains,” “Bones,” “Franklin & Bash,” and “Stalker.” His breakout role came in the Paramount Pictures comedy “The Perfect Score,” starring Scarlett Johansson, Chris Evans, and Erika Christensen. Since then, he has gone on to star in a string of movies, namely “The Sisterhood of the Traveling Pants” 1 and 2, “The Fast and the Furious: Tokyo Drift,” “Vantage Point,” “He’s Just Not That Into You,” and “One for the Money." For exclusive content surrounding this and all podcast episodes, sign up for our amazing newsletter at AlyshiaOchse.com. And don't forget to snap and post a photo while listening to the show and tag me (@alyshiaochse)! Show Links: INSTAGRAM: @alyshiaochse INSTAGRAM: @thatoneaudition WEBSITE: AlyshiaOchse.com ITUNES: Subscribe to That One Audition on iTunes SPOTIFY: Subscribe to That One Audition on Spotify STITCHER: Subscribe to That One Audition on Stitcher #SELFTAPEMAY: Learn How to Create Self-Tapes That Actually Book Guest links: IMDB: Leonardo Nam INSTAGRAM: @leonardo_nam TWITTER: @Leonardo_Nam WEBSITE: NancyBanksStudio.com WEBSITE: NIDA.edu.au WEBSITE: HBStudio.org TRAILER: MacGyver Dresses to Kill, Gets chased by a Bomb (TVLine.com) Credits: WRITER: Nicole Steinwedell SOUND DESIGN: Zachary Jameson WEBSITE & GRAPHICS: Chase Jennings ASSISTANT: Elle Powell SOCIAL OUTREACH: Bebe Katsenes

I de svåra tider som vi nu lever i nu så fortsätter TT FILMPODCAST oförtröttligt att lysa upp er tillvara med lite verklighetsflykt. När hela världen stänger ner så fortsätter vi att leverera skönt snack om film. I kvällens avsnitt har tagit oss en titt på Mike Flanagans adaption av Stephen Kings DOCTOR SLEEP. Ewan McGregor spelar Dan Torrance i uppföljaren till klassikern THE SHINING. Frågan är om den Netflix-regissören Mike Flanagan åter igen lyckas göra en solid skräckfilm är om detta ok var för tungt?Vi har också kollat in den splitternya filmen från The Duplass Brothers och filmen heter HORSE GIRL. Titeln är kanske inte så spännande men bakom film lurar en komplex film om en riktigt udda tjej vars tid helt plötsligt börjar försvinna för henne. Kan det kanske vara något?Vi har dessutom tagit oss en titt på Blu-ray/DVD aktuella ZOMBIELAND DOUBLE TAP. Ett återbesök som tagit 10 år att får fram en uppföljare på den otroligt omtyckta zombiefilmen. Men så många år så måste det här väl ända vara minst lika bra? Eller?Vi avslutar programmet med vår nya programpunkt : ÅTERTITTEN. Den här gången har vi sett Jeff Bridges, The Dude, i filmen THE BIG LEBOWSKI för att se om bröderna Cohens märkliga förvecklingskomedi för 1998 fortfarande håller 22 år efter släppet. Det vi vet att White Russian blev enn jättepopulär drink efter denna film.Så glöm alla bekymmer en stund och följ med oss en stund till lite verklighetsflykt. Välkomna./Thomas & Tomas

Hugi hat das “Ninja Sex Party”-Konzert nicht gut überstanden. Verkatert bis die Schwarte kracht schläft […]

Welcome to Screen Tea Podcast! Join Lisha and Juliet as they fight the sleepy hahas to dissect charming indie film Jeff, Who Lives at Home, argue over character development in major film franchises, and mess up a whole lotta words.Sources for information gathered for this episode were: www.imdb.com, www.wikipedia.org, www.rottentomatoes.com, and www.metacritic.com Find us on Facebook at www.facebook.com/screenteapodcast, hit us up on Twitter @screenteapod, shoot us an e-mail at thescreenteapodcast@gmail.com, and check out our website at www.screenteapodcast.com!Happy listening!(Excellent podcast logo commissioned from the talented Mel. Find Mel on Instagram @javadoodler, website www.javadoodleart.com, or on Facebook at www.facebook.com/Javadoodle.Art.Our incredible intro music was composed by Detroit musician Sasha Kashperko!)

In this episode of The Post Cast, Jon takes us through a brief history of the Mumblecore movement. CHECK US OUT:

This week we chat with Sadie Director Megan Griffiths. www.thecinechick.com Megan Griffiths is a writer/director working in film and television. She recently directed two episodes of the Duplass Brothers' HBO anthology series Room 104 and an episode of the Epix comedy Graves, starring Nick Nolte. Prior to this, she wrote and directed the thriller The Night Stalker, starring Lou Diamond Phillips as serial killer Richard Ramirez. Her film Lucky Them starring Toni Collette, Thomas Haden Church and Johnny Depp premiered at the Toronto International Film Festival and was distributed by IFC Films. Megan's film Eden, based on the true story of a young woman captured into the world of human trafficking, was a breakout at SXSW 2012, winning the Emergent Narrative Director Award, the Audience Award for Narrative Feature as well as a Special Jury Prize for lead actress Jamie Chung. Megan's feature The Off Hours, distributed by Film Movement, premiered at the 2011 Sundance Film Festival. Additionally, she has produced several other projects including Lynn Shelton's Your Sister's Sister and the Sundance absurdist buddy comedy The Catechism Cataclysm. Megan and Lynn Shelton also co-wrote a feature for This American Life, and together with producer Gregg Fienberg sold an original pitch to HBO. In her adopted hometown of Seattle, Megan was the recipient of the 2012 Stranger Genius Award for Film, was named the 2013 City Arts Film Artist of the Year, and received the 2015 Seattle Mayor's Award for Film. She is the vice president of the board of the Northwest Film Forum and is an active advocate for sustainable production. Megan's sixth feature film, entitled Sadie, which stars Melanie Lynskey, John Gallagher Jr, Danielle Brooks and Tony Hale, and features breakout performances from its young stars Sophia Mitri Schloss and Keith L. Williams, premiered at the 2018 South by Southwest Film Festival. Megan also sporadically writes about her experiences in the entertainment industry for her blog Thoughts on Film, and discusses recent releases for the film commentary site The Talkhouse. Please visit us on the socials as we'd love to hear from you!https://www.instagram.com/goguerillafilmwww.twitter.com/goguerillafilmgoguerillafilm@gmail.com

We catch up with composer Ben Lovett just before the 2017 TIFF premier of "The Ritual" (Now available on Netflix) Ben is best known for his score on Magnolia Pictures' “The Signal,” which received an Independent Spirit Award nomination. He has also scored the Duplass Brothers' thriller “Black Rock,” and Magnolia Pictures' sci-fi noir “Synchronicity”

[ep. 5] The boys are back in town after surviving Hurricane Irma to bring you an all new episode! This week, they talk the latest Stephen King adaptation, IT, the trailer for the upcoming THE DISASTER ARTIST, the Duplass Brothers' ROOM 104, and the excellent “The Ricklantis Mixup,” S3E7 of RICK AND MORTY. This and more on WBAM! Go team! Thanks for listening to this brand new entertainment podcast. Please comment or contact us with any questions and feedback you may have. Anything that we can improve on helps us and you! email: weboughtamic@gmail.com Follow @WeBoughtAMic on Instagram and like our Facebook page Twitter: @caldernest @HuntMobley @DrewDietzen letterboxd: letterboxd.com/caldernest/ letterboxd.com/hearshot/ letterboxd.com/drewd/ EPISODE 5 SHOWNOTES Intro Movie/TV news (00:03:13) One Flew Over the Cuckoo's Nest prequel (Netflix, Ryan Murphy, Sarah Paulson) Emmy Awards (00:07:00) Star Wars IX (JJ is back) (00:09:30) Trailers: Downsizing, The Disaster Artist (00:12:21) What we've been watching (00:18:23) Room 104 (Ernest) Meet Me In the Bathroom (book, Drew) (00:23:24) LCD Soundsystem (00:26:46) Hurricane Irma (00:30:10) Rick and Morty (Season 3, Episode 7 – “The Ricklantis Mixup”) (00:32:07) South Park Unwrapped (00:44:25) Review: It (00:47:07) Spoilers (01:01:56) Outro (01:21:44) --- Send in a voice message: https://anchor.fm/weboughtamic/message Support this podcast: https://anchor.fm/weboughtamic/support

Sadie Dupuis of Speedy Ortiz talks about egalitarianism in music and how she went from math major to major label employee. Mark and Jay Duplass discuss the positives and negatives of being successful filmmakers and family men.

The boys are back with praise for the Duplass Brothers’ “Togetherness”, adoration for Steve Zissis and admonishment for Amanda Peet.  Sanders declares himself a “boob [...]

The boys are back to discuss Under Deflategate, SU Hoops, and their love affair with the Duplass Brothers.  Liv painstakingly procures his Mardi Gras Tree, Sanders [...]