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Bhau Torsekar, Anuj Bharadwaj, Baba Ramdas & Omkar Chaudhary | Bihar Results Will be a Shocker

How has the classical music industry approached representation and how has the new music community forged new paths to embrace diverse musics? On tonight's episode of Obbligato on APEX Express, Isabel Li is joined by violinist Shalini Vijayan, who discusses her vibrant career and reflects upon the ways contemporary classical music can build community.  Violinist Shalini Vijayan, deemed “a vibrant violinist” by Mark Swed of the Los Angeles Times is an established performer and collaborator on both coasts. Always an advocate for modern music, Shalini was a founding member and Principal Second Violin of Kristjan Jarvi's Absolute Ensemble, having recorded several albums with them including 2001 Grammy nominee, Absolution. Shalini was also a founding member of the Lyris Quartet, one of Los Angeles' most beloved chamber ensembles. With Lyris, she has performed regularly at Walt Disney Concert Hall on the Green Umbrella series, for Jacaranda Music and helped to found the Hear Now Music Festival in Venice, California, a festival dedicated to the music of living composers in Los Angeles.  Shalini performed for over a decade with Southwest Chamber Music and can be heard on their Grammy nominated Complete Chamber Works of Carlos Chávez, Vol. 3. She has been a featured soloist with the Los Angeles Master Chorale in Chinary Ung's Spiral XII and Tan Dun's Water Passion, including performances at the Ravinia Festival. As a chamber musician, Shalini has collaborated with such luminaries as Billy Childs, Chinary Ung, Gabriela Ortiz, and Wadada Leo Smith on whose Ten Freedom Summers she was a soloist. Shalini joined acclaimed LA ensemble, Brightwork New Music in 2019 and also serves as the curator for Brightwork's Tuesdays@Monkspace series, a home for contemporary music and performance in Los Angeles. As a teacher, she has been on the faculty of the Nirmita Composers Workshop in both Siem Reap and Bangkok and coaches composition students through the Impulse New Music Festival.  Shalini received her B.M. and M.M. degrees from Manhattan School of Music as a student of Lucie Robert and Ariana Bronne. As a member of the New World Symphony in Miami Beach, Florida, Shalini served as concertmaster for Michael Tilson Thomas, John Adams, Reinbert de Leeuw and Oliver Knussen. She was also concertmaster for the world premiere performances and recording of Steven Mackey's Tuck and Roll for RCA records in 2000. Shalini was a member of the Pacific Symphony Orchestra for ten seasons and also served as Principal Second Violin of Opera Pacific. She lives in Los Angeles with her son, husband and two dogs and spends her free time cooking Indian food and exploring the culinary landscape of Southern California.  Check out more of her work at:  https://brightworknewmusic.com/tuesdays-at-monk-space/  https://www.lyrisquartet.com/    Transcript  Opening: [00:00:00] Apex Express Asian Pacific expression. Community and cultural coverage, music and calendar, new visions and voices, coming to you with an Asian Pacific Islander point of view. It's time to get on board the APEX Express.    00:01:03 Isabel Li  You're listening to Obbligato, which is a segment about the Asian American Pacific Islander community, specifically in classical music.  00:01:11 Isabel Li  I'm your host, Isabel Li, and today joining me is Shalini Vijayan, who is a violinist, established performer, and always an advocate for modern music.  00:01:21 Isabel Li  Shalini is also a founding member of the Lyris Quartet, one of Los Angeles most beloved chamber ensembles. With Lyris, she has performed regularly at Walt Disney Concert Hall on the Green Umbrella series for Jacaranda Music, and helped to found the Here and Now Music Festival in Venice, California, a festival dedicated to the music of living composers in Los Angeles. She joined acclaimed LA ensemble Brightwork New Music in 2019, and also serves as the curator for Brightwork's Tuesdays at Monk Space series. She currently lives in Los Angeles with her son, husband and two dogs, and spends her free time cooking Indian food and exploring the culinary landscape of Southern California.  00:02:04 Isabel Li  Well, Shalini, thank you so much for joining me in this conversation today.  00:02:09 Shalini Vijayan  I'm so happy to be with you.  00:02:11 Isabel Li  Awesome. I'd like to just get to know you and your story. How do you identify and what communities do you consider yourself a part of?  00:02:18 Shalini Vijayan  I use the pronouns she, her, and I. Um, I identify as South Asian. I grew up in an Indian family. My parents immigrated to the US in the sixties to teach at medical school. And I grew up with a great deal of Indian culture. And I've spent a lot of time going back and forth to India from the time that I was very young. You know, it's interesting because I feel like in LA, where I live and work specifically, there is so much overlap between all of our different musical communities. You know, I went to school in New York, and I feel like there I was much more, I'm very connected to the new music community in New York and felt really kind of entrenched in that at the time I was there. And after coming to LA, I realized that, um, there are a lot of musicians doing so many different things. That's one of the things I love about Los Angeles, actually. And, you know, I'm definitely very, very rooted in the new music community in LA. And that was where I made my first sort of connections when I first moved to Los Angeles. But I also, you know, worked in an orchestra when I first came to LA. I played in the Pacific Symphony for almost ten seasons, and so I became a part of that community as well. And you know, as the years went on, I also became much more involved in the studio music community of LA studio musicians playing on movie scores, playing on television shows, records, what have you, Awards shows, all sorts of things. And these are all very distinct communities in LA in music. But I see a ton of overlap between all of them. There are so many incredibly versatile musicians in Los Angeles that people are able to really very easily move from one of these groups to the other and, you know, with a great deal of success. And I feel like it gives us so much variety in our lives as musicians in LA, you don't feel like you're ever just in one lane. You can really occupy all these different kinds of spaces.  00:04:23 Isabel Li  Right, yeah. So you're classically trained, from what I know, and you describe yourself as an advocate for modern music. So why modern music?  00:04:33 Shalini Vijayan  That's a great question. I have have had to answer this question quite a bit over the years, especially to non-musicians. And it's always an interesting story for me. You know, as a violinist in particular, you know, we have such a storied history of repertoire and pedagogy, and there is such an incredible, um, library of music that we have access to from the very standard classical repertoire. And there is a great deal to be learned about the instrument and about music from playing all that repertoire. I think at some point when I was in high school, I started to become interested in more modern music. And actually I grew up in Davis in Northern California.   My parents both taught at the university there, at the medical school and in Sacramento. Nearby there was a festival of modern American music that I think still goes on to this day at Cal State University, Sacramento. And it was really a great festival. And at that time, you know, they would bring professional artists, they'd have composers, they'd have commissions, all sorts of things. But at the time that I was like in high school, they also had a junior division to the festival, and I was asked to play a couple pieces in the Festival of, um, Modern Works, and I can't remember at this time what the pieces were, but it left such a huge impression on me. And I think what I really took away from that experience as a kid is that in my studies as a violinist, I was always being asked to sort of live up to this history and this legacy of violin music and violin playing in Western classical music. And it's a very high bar. And it's, um, you know, of course, there's so much great stuff there. But there was something so freeing about playing this music that had either never been played or not been recorded. So there was nothing to reference in terms of listening to a recording, um, and listening to how you, you know, quote, should be playing it that it made me feel, uh, you know, all this, this freedom to really interpret the music, how I felt, rather than feeling like I had to live up to a standard that had been set for me, you know, decades or centuries before. And I think that really something really clicked for me with that, that I wanted to have that kind of freedom when I, when I was playing. And so from there on out, um, you know, when I went to college and I really sought out opportunities in new music as much as I could.  00:07:00 Isabel Li  So you were first exposed to new music when you were in high school. Did that influence your decision to become a musician at all? Or were you already set on becoming a musician and that was just part of what shaped your works over the years.  00:07:15 Shalini Vijayan  I think by that time, I had already decided that I wanted to be a musician. I mean, as you know, so many of us as musicians and I think particularly string players, we decide so young because we start our instruments at such a young age and we start studying so early. Um, that I think by that time I, I had decided I wanted to do music, but this sort of opened another door for me that made me realize that it wasn't just one path in music necessarily. I think it's very easy as a, as a kid and as a violinist to think you admire these great soloists that you see and, you know, people like Perlman and, you know, Isaac Stern, who were the stars of the time when I was growing up. But, you know, you get to be in high school and you realize that hasn't happened yet. It's probably not going to happen. And so, you know, what's then then what's your path forward? How do you find a life in music if you're not going to be one of these stars? And I think, you know, new music really opened up that opportunity for me. And yeah, made me look at things a little differently for sure.  00:08:18 Isabel Li  And currently you're in the contemporary classical music ensemble, Brightwork newmusic, and you curate the ensemble's concert series, Tuesdays @ Monk Space. So how do you go about curating concerts with music by contemporary or living composers? What do you look for?  00:08:33 Shalini Vijayan  Well, right now I'm really focused on trying to represent our new music community in LA at Monk Space, which is such, you know, we have such a diverse community of musicians, not just in the makeup of who the people are making the music or writing the music, but also in just the styles of music. And so I think I try to really represent a very diverse set of aesthetics in our season. Um, you know, everything from, you know, last season we had, uh, Niloufar Shiri, who is a traditional Persian kamancheh player, but she also she can play very in a very traditional way, but she also plays with a jazz pianist. And, you know, it does all this very improvisatory stuff. And, you know, then we would have other programs where everything is very much written out and very through, composed and you know, it's been a very wide variety. And, you know, when I try to build the season, I try to make sure that it's really balanced in terms of, you know, the different types of things you'll be hearing because not every audience member is going to want to engage with every type of music. Um, or, you know, if we if we really stuck to one style and it was just in that language for the whole season, then I feel like we would, you know, alienate potential audience members. But with this, I feel like if we can bring people in for one concert and they're really into it, then hopefully they'll come to something else that is new and different for them and be exposed to something that they may really get into after that. So yeah, I think diversity and variety is really where I try to start from.  00:10:09 Isabel Li  How does that engage the community? Have you observed audience reception to this type of new music when there are composers from all different types of backgrounds?  00:10:20 Shalini Vijayan  Yeah, definitely. I mean, I think that each composer and each artist brings their own community into the space, which and so that's another. I feel like another strong reason why I try to make things very different from concert to concert. And, you know, we have some younger players who come in and bring in, you know, everyone from college students to, you know, their friends and family. And then, you know, really established composers. Like this season we have Bill Roper, who is kind of a legend in the music community in LA. Mult instrumentalist and composer who has been around for decades. And, you know, I think people will come out just because they want to see him and he's such a draw. And, um, you know, I, I also would love to be able to incorporate more world music into the series. Like I said, we did do Niloufar concert, which I felt like I really hoped would like engage with the Persian community in LA as well. And a couple seasons ago we had Rajna Swaminathan, who is, I just think, an incredible artist. Um, she plays mridangam, which is a South Indian percussion instrument, but she also writes for Western instruments, uh, and herself. And we had her and a pianist and then Ganavya, who's a vocalist who's amazing. And, you know, Ganavya had her own following. So we had and Rajna has her own following. So we had a whole full audience that night of people who I had never seen in the space before. And that was for me. That's a success because we're bringing in new friends and new engagement. And, um, I was really excited about that. When I'm able to make those kinds of connections with new people, then that feels like a success to me.  00:12:05 Isabel Li  Certainly.  00:12:06 Isabel Li  Let's hear one of Shalini's performances. This is an excerpt from the 10th of William Kraft's “Encounters”, a duologue for violin and marimba, performed here by Shalini Vijayan with Southwest Chamber Music.  00:12:20 [MUSIC – Encounters X: Duologue for Violin & Marimba]  00:17:18 Isabel Li  An excerpt from William Kraft's Encounters, the 10th of which is called Duologue for Violin and Marimba, that was performed by Shalini Vijayan, the violinist, with Southwest Chamber Music.  00:17:31 Isabel Li  And Shalini is here with me in conversation today. We've been discussing contemporary music and her involvement in the new music scene, specifically in Los Angeles.  00:17:40 Isabel Li  Music is all about community, drawing people together. So going back to how you describe yourself as an advocate for modern music, what are other ways that you have advocated for modern music besides curating the concert series?  00:17:53 Shalini Vijayan  Well, over the years, um, you know, I feel like in all the ensembles I've been in, there's been a real focus on commissioning composers and on performing works that have not been, uh, either performed or recorded before. And I feel like the only way to really get the music out there is to, obviously, is to play it and hopefully to be able to record it. We've worked especially with the lyrics quartet. We've worked with so many young composers in LA either just strictly, you know, contemporary classical composers or even film composers who, um, have works that they'd like to have recorded. And, you know, it's been great to see a lot of those people go on to really amazing things and to be a part of their journey, uh, and to help support them. And, uh, the other thing that the quartet has been heavily involved in and now Bright Work Ensemble has been involved in as well, is the Here Now music festival, which has been going on in LA for well over a decade now. We were involved in the first, um, seasons of that festival. We've been one of the resident ensembles since the very beginning, and that festival is dedicated to the music of LA and Southern California composers. And, um, we have a call for scores every year that we, the four of us in the quartet, are part of the panel that reviews all the scores, along with a lot of our other colleagues, um, who are involved with the festival, and Hugh Levick, who is the artistic director of the festival and has we've worked side by side with him on this for a very long time. And that's also been a fantastic avenue for, um, meeting new composers, hearing new works, having them performed. And the thing I always say about that festival every time it comes around, usually in the spring we have at least three concerts. It's this incredible coming together of the new music community in Southern California, where all these great composers and all these amazing players come together and play these series of concerts, because there's such a vast number of pieces that end up getting programmed. They can't rely on just like one group or one or two groups to play them. So it really pulls in a lot of players from all over town. And I don't know, it always just feels like a really fun time, a fun weekend for all of us to see each other and connect. And, um, and again, just build our community to be even stronger.  00:20:20 Isabel Li  That's really cool. How do you ignite interest in new music? Because this is a genre that I think is slightly underrepresented or just underrepresented in general in both the classical music community and the music industry as a whole.  00:20:35 Shalini Vijayan  That's a great question, and I think it's a really important question for our whole industry and community. How do you engage people in new music and get them into a concert? Um, you know, I think one of the biggest hurdles for classical music in general, I will say, um, when I talk to people about why they don't want to come to a concert or why they don't want to, you know, let's say, go see the LA Phil or, you know, wherever, whatever city they're in, the major cultural music institution. I think there is a misconception generally that, oh, it's, you know, I have to be dressed a certain way or I it's going to be really stuffy. And, um, I, you know, I don't know what to wear or I don't know how I'm supposed to dress or how I'm supposed to act when I'm in the concert. Am I going to clap at the wrong time? You know, is it going to be really long? And, you know, and I and I get it, you know, I mean, I understand why that would be uncomfortable for a lot of people.   And it's not, um, it's something that necessarily everyone has grown up with or that it's been a part of their life. So I think it's really up to us, as you know, when we're on the side of programming concerts or putting together festivals or whatever, um, that we make things more accessible in terms of, um, concert length and interaction with audience. And, um, you know, I think it's I know I've been told so many times and I really think it's important that I think audiences love it when performers talk to them, when they talk about the music and, and set things up for a listener. I think that puts a kind of context on things that makes it so much easier for perhaps a new audience member, someone who's never come to a concert before to feel at ease and feel like, okay, I know what I'm getting into.   One of our, actually our former executive director at Brightwork, Sarah Wass, who was fantastic, and I was very happy to work with when I was just starting out programming, Monk Space had the idea of putting on the program the running time of the pieces, and I think even that is just something that, like, can prepare people for what they're getting into when they're about to listen to something new. And in terms of the music itself, I think that if someone, especially a younger person, doesn't feel like they have any connection to Beethoven or Brahms or Mozart, they might actually feel more connected to someone who is their age or a little older.   Someone who has had similar life experiences to them, or grown up in the same era as them, rather than someone who grew up, you know, in the seventeen hundreds. You know, there can be more of a real connection there, and that that person is writing this music and reflection of their life and their experiences. And, um, you know, again, I think that kind of context is important for a listener. And yeah. And then just lastly, I would say also, I feel like our space at Monk space is very inviting. It's very low key. It's, um, you know, it's casual, it's comfortable. Role. Um, we have, you know, snacks and a bar and, you know, everyone is very relaxed at intermission and has a good time. And I mean, for me, every time we host one of those concerts, I feel like I'm hosting a little party, you know? That's what it feels like for me. And that's what I want it to feel like for the audience as well.  00:23:52 Isabel Li  That brings up a really good point in that new music can make classical music or a new classical music, contemporary music, more accessible to different audiences. And certainly I've definitely heard the complaint from people over the years about classical music being a little too uptight. Would you say that these are two different genres?  00:24:11 Shalini Vijayan  I think that there is overlap, and I think, you know, for an ensemble like ours, like Brightwork, we have chosen to make our focus new music. So that's our thing. That's what we do. Um, and, uh, all of our concerts and our programming reflect that. Very rarely do we do anything that's not considered a contemporary piece. Um, but, you know, if you do look at some of our major institutions, like I think the LA Phil and I think the San Francisco Symphony, um, earlier, you know, like in the nineties under MTT, really started to pave the way for incorporating contemporary music into a standard classical format. And, you know, I think that's been very important. And I think it's really changed the way that orchestras have programmed across the country. And there has been such a nurturing of contemporary music in larger spaces. Now that I think that kind of overlap has started to happen much more frequently. I think that in more conservative settings, sometimes there's pushback against that. And even even, you know, in some of the places that I play, you know, sometimes with with the lyrics quartet, um, we are asked to just purely program standard classical repertoire, and we will occasionally throw in a little short piece, you know, just to try and put something in there, you know, something that's very accessible. Um, and, uh, you know that we know the audience will like so that we can help them, you know, kind of get over that fear of connecting to a newer piece. And I, I think in some ways, that's where the path forward lies, is that we have to integrate those things, you know, in order to keep kind of the old traditions of classical music alive. I think we have to keep the newer tradition alive as well, and find a way to put them in the same space.  00:26:00 Isabel Li  I certainly agree with that.  00:26:01 Isabel Li  Let's hear more of Shalini's work in new music. This is a performance of the first movement of Atlas Pumas by Gabriela Ortiz. Violinist Shalini Vijayan is joined by percussionist Lynn Vartan.  00:26:18 [MUSIC – Atlas Pumas, mvt 1 by Gabriela Ortiz]  00:29:21 Isabel Li  The first movement of Gabriela Ortiz's Atlas Pumas played here by violinist Shalini Vijian, and Lynn Vartan plays the marimba.  00:29:30 Isabel Li  And Shalini is actually joining us here for a conversation about new music, performances, identity, and representation.  00:29:38 Isabel Li  Many Asian American Pacific Islander artists in music have varying relationships between their art and their identity. I was wondering, to what extent do you feel that perhaps your South Asian identity intersects or influences the work that you do with music?  00:29:54 Shalini Vijayan  Growing up, um, you know, I grew up in a in a university town in Northern California and, you know, a lot of highly educated and, you know, kids of professors and, you know, but still not the most terribly diverse place. And then going into classical music. And this was, you know, in the early nineties when I went to college, um, it still was not a particularly it was very much not a diverse place at all. And, um, there certainly were a lot of Asian students at, um, Manhattan School of Music where I did my my studies.   But I would say it was a solid decade before I was ever in any sort of classical music situation where there was another South Asian musician. I very, very rarely met any South Asian musicians, and it wasn't until I went to the New World Symphony in the early late nineties, early two thousand, and I was a musician there. I was a fellow in that program there for three years that I walked into the first rehearsal, and there were three other South Asian, I think, of Indian descent musicians in the orchestra, and I was absolutely blown away because I literally had not, um, other than here and there at some festivals, I had not met any other South Asian classical musicians.   So it was really like that was the hallmark moment for me. It was a really big deal. And coming with my family, coming from India, you know, there is such a strong tradition of Indian classical music, of Carnatic music and Hindustani music. And, um, it's such a long, long tradition. And, you know, the people who have studied it and lived with it are, you know, they study it their whole lives to be proficient in it. And it's such an incredible, incredible art form and something that I admire so much. And I did as a kid. Take a few lessons here and there. I took some Carnatic singing lessons, um, and a little bit of tabla lessons when I was very young. Um, but I think somewhere in middle school or high school, I kind of realized that it was, for me at least, I wasn't, um, able to put enough time into both because both of them, you know, playing the violin in a Western classical style and then studying Indian classical music require a tremendous amount of effort and a tremendous amount of study. And I at that point chose to go with Western classical music, because that's what I'd been doing since I was five years old. But there has always kind of been this longing for me to be more connected to Indian classical music. Um, I'll go back again to Rajna. When I presented Rajna Swaminathan on Monk Space a couple of years ago, it was a really meaningful thing for me, because that's kind of what I'd always wanted to see was a joining together of that tradition, the Indian tradition with the Western tradition. And, um, I'm so happy that I'm starting to see that more and more with a lot of the artists that are coming up now. But at the time when I was young, it just it felt almost insurmountable that to to find a way to bring the two together. And, um, I remember very clearly as a kid listening to this, um, there was an album that Philip Glass did with Ravi Shankar, and I thought that was so cool at the time. And I used to listen to it over and over again because I just again, I was so amazed that these things could come together and in a, in a kind of successful way. Um, but yeah, there is, you know, there there's a part of me that would still love to go back and explore that more that, that side of it. Um, and but I will say also, I'm very happy now to see a lot more South Asian faces when I, you know, go to concerts on stage and in the audience. And, you know, a lot of composers that I've worked with now, um, of South Asian descent, it's been, you know, I've worked with Reena Esmail and Anuj Bhutani and Rajna and, um, there's so many more, and I'm so glad to see how they're all incorporating their connection to their culture to, to this, you know, Western kind of format of classical music. And they're all doing it in different ways. And it's it's really amazing.  00:34:22 Isabel Li  That's fantastic.  00:34:24 Isabel Li  I was wondering if you could maybe describe what this merging or combination of different styles entails. Do you think this makes it more accessible to audiences of two different cultures?  00:34:36 Shalini Vijayan  For me, one example, before I started running the series at Tuesdays at Monk Space, Aron Kallay, who is our Bright Work artistic director, had asked me to come and do a solo show on Monk Space, which I did in November of 2019.  00:34:52 Shalini Vijayan  And at the time, I wanted to commission a piece that did exactly that, that, that, um, involved some sort of Indian classical instrument or kind of the language of Indian classical music. And so I actually did reach out to Reena Esmail, and she wrote me a very cool piece called blaze that was for tabla and violin. Um, and I really had so much fun doing that. And Reena, Reena really has a very fluid way of writing for the violin, which she actually was a violinist, too. So she's she's really good at doing that. But being able to write for any melodic instrument or for the voice, which she does quite a bit as well, and incorporating sort of the tonality of Indian classical music, which obviously has its own scales and, um, has its own harmonic, harmonic world that is different from the Western world, um, but finds a way to translate that into the written note notation that we require as, uh, Western classical musicians. And, you know, I think that's the biggest gap to bridge, is that in Indian classical music, nothing is notated. Everything is handed down in an oral tradition, um, over the generations. And for us, everything is notated. And in Indian classical music, you know, there's much more improvisation. And now, of course, with modern classical music, there now is a lot more improvisation involved. But in our old standard tradition, obviously there isn't. And in the way that we're trained, mostly we're not trained to be improvisers. And um, so it's it was great. She has a great way of writing so that it kind of sounds like things are being tossed off and sounding sounds like they're being improvised, but they are actually fully notated, um, which I really appreciated.  00:36:50 Isabel Li  Yeah.  00:36:51 Isabel Li  So your career has spanned orchestras, recording ensembles, chamber music. Having had so much experience in these types of performance, what does representation in classical music mean to you?  00:37:04 Shalini Vijayan  Well, representation is is very important because we're talking about a tradition that was built on white men from centuries ago, European white men. And and it's again, it's an incredible tradition and there's so much great repertoire. But I'm going to circle back to what you were saying or what you asked me about connecting to audiences and, you know, connecting to audiences with new music. It's I think people like to see themselves reflected in the art that they choose. They choose to consume. And, you know, whether that's movies or television or music, I think that's how you connect with your audience is by being a bit of a mirror.  I think the only way that we can really continue to connect with a diverse audience is by having that type of diverse representation on our stages and on our recordings. And again, also not just the people, but the types of music, too. You know, musical tastes run wide, genres run wide as well. And it's I think It's good for all of us to be exposed to a lot of different kinds of music, to figure out what we connect with the most. And, um, yeah, the only way we can do that is by really, you know, opening our arms to a, a much wider variety of styles of music. And so I, you know, I mentioned improvisation, improvisation earlier. And I think that is something that's now starting to happen so much more in modern classical music. And, you know, I think there's something about the energy that a player has when they're improvising that is maybe not something that an audience member could quantify verbally, but there's a looseness and a freedom there that I think, you know, for a lot of audience members, they probably really can connect to. And, you know, that's a lot of why people go and listen to jazz is because there's so much freedom and there's so much improvisation.   I've been very lucky to be able to work with, um, Wadada Leo Smith, who's a trumpet player and composer. I've worked with him for probably almost ten years now. And um, through Wadada, actually, I have learned to become much more comfortable with improvising on stage and not within a jazz language of any kind or any kind of harmonic structure necessarily, but within the language of his music, which is very unique and very open and very free and, um, but also has a really strong core in its connection to history. And, um, you know, he's written a lot of amazing works about the civil rights movement and about a lot of, you know, important moments in history for our country. And, um, that's been a real learning experience for me to connect with him in that, in that way and learn from him and learn to be more comfortable with improvisation. Because I think growing up, improvisation for me always meant jazz, and that was not a language I was comfortable in. And um, or even, you know, jazz or rock music or folk music or whatever, you know, it was just not something that came naturally to me as a kid to, I mean, I listened to all of it. I listened to everything when I was a kid, but I never played in any of those styles. And I think the older you get, the scarier it gets to start branching out in those ways. But, um, I think, uh, that's been a an incredible, like, new branch of my life in the last decade has been working with Wadada.  [MUSIC – “Dred Scott, 1857,” from Ten Freedom Summers, by Wadada Leo Smith]  00:42:23 Isabel Li  An excerpt of Wadada Leo Smith's music to give you a sense of the jazz influences in these types of contemporary new music pieces that also touch on pieces of history. This was an excerpt from his album, Ten Freedom Summers, which also consists of compositions based on pieces of American history. For example, what we just heard was from a piece called Dred Scott, 1857.  00:42:49 Isabel Li  Now that I realize that we've been having a conversation about new music, I realize that, hmm, when does new music really start? So if you take a look at maybe music history, when does new music really become new music?  00:43:07 Shalini Vijayan  I guess it depends on who you ask, probably. Um, it's it's pretty recent. You know, it has to be really legitimately pretty new. And, um, again, you know, if you ask an audience member, um, and I think of some of my friends or family who are maybe who are not musicians who come to concerts, and I'm always so interested in talking to them and hearing their opinions about things. Um, you know, they will listen to Bartok and say, oh, that sounds like new music to me. But, you know, Bartok, Bartok passed away a long time ago, and it's, you know, and for me, that's more like canon now. You know, that's like now for me, part of the the standard repertoire. But there was a time when Bartok was new music. And I think for, you know, maybe the listeners who are more comfortable with the very diatonic, you know, world of Beethoven, Brahms, Mozart, then something like Bartok really does sound so modern for me. Boy, maybe around the time that minimalism started, you know, John Adams and Steve Reich, Terry Riley, Philip Glass, all of that for me feels like maybe that's the older like the The edge of new music now even though that was that would be the eighties, probably seventies 80s, you know, but that we're talking about like, you know, fifty years ago. So yeah, I mean, it's not that new, but those are all still living composers. So maybe, maybe that's part of what it is for me is that it's the composers of our era, the composers who are alive, who we can communicate with and ask questions of. And, um, you know, at the very least, if you can't talk to John Adams, you can talk to somebody who has worked directly with him and get their impressions of how something should be played, um, as opposed to composers who have been gone for hundreds of years. And you can't have that level of communication with them. I think that, for me is what new music, new music is about. It's about working with living composers and, um, having that type of interaction.  00:45:15 Isabel Li  Yeah. So would the word or the phrase contemporary classical music, be a little oxymoronic in a sense?  00:45:26 Shalini Vijayan  No, I don't think so. I think it's still part of the same tradition. Um, yeah. I really do think it is, because I think there is a lineage there. Um, for a lot of composers, not all of them, um, that I mean, I think particularly if you're writing for, let's say, an orchestra or a string quartet or sort of one of these very standard classical ensembles. Um, even if you're writing in a very new language and you're writing in a very different way, I think there is still a through line to the canon of classical music. I guess for me, new music and classical music are not mutually exclusive. I think they can be the same. So I don't I don't think they're totally different. I think that there is a lot of a lot of overlap.  00:46:16 Isabel Li  For sure, considering how new music fits into the classical music or the classical music industry as a whole. Have you noticed any sorts of shifts in the classical music industry in the past several decades in regards to diversity, equity, inclusion? And have you just noticed any changes?  00:46:35 Shalini Vijayan  I have noticed some changes. I mean, I think that most organizations in this country are making an effort to be more inclusive in their programming now. And, um, you know, another another South Asian composer who I just think is fantastic is Nina Shekhar. And, um, she has had pieces played by the New York Phil for the last couple seasons. I mean, you know, so on on major, major stages, I feel like now I'm seeing more representation and that is definitely Encouraging and, um, you know, uh, same for Anuj and Rajna and Reena. They've all, you know, had their works done by major ensembles. And, um, I think I think there is definitely movement in that direction, for sure. I think it could always be more.   I think also for women and women composers, women performers, I think that has also always been a struggle to find enough representation of women composers and you know, especially if like as I mentioned before, when you're in a situation where an organization asks you to program a concert, like, let's say, for our quartet and wants much more standard repertoire than it does limit you, you know, how because there isn't much from the older canon. You know, there is. You know, there's Fanny Mendelssohn and Clara Schumann and, um, you know, I think in the last five to ten years they've both been played a lot more, which is great. But, you know, I think, uh, there's so many amazing female composers right now that I think are starting to get much more recognition. And I think that just needs to be more, more and more, um, but, uh, you know, that is why, again, like on those programs, sometimes we try to just sneak one modern piece in because it's important for those voices to be heard as well. But yes, I do see some forward movement in that direction with, um, classical programming. And, you know, you just have to hope that the intent is always genuine in those situations. And I think, um, you know, I think that's the most important thing. And giving a platform to those voices is really important.  00:48:59 Isabel Li  How would you go about arts advocacy during this current time when, well, the arts are being defunded and devalued by our current administration and how everything is going on right now?  00:49:10 Shalini Vijayan  Yeah, it's really, really difficult right now. And, um, you know, I think a lot of arts organizations are losing a lot of government funding. Obviously, I know of a couple projects that lost their NEA funding because of DEI, and which is so disheartening. And, um, I think, you know, there's going to be a lot of leaning on private donors to try and, uh, make up that difference or, you know, private foundations to make up the difference in funding, hopefully. And, um, uh, you know, it's yeah, it's scary. It's  a scary time. And I think, you know, even for private funding and, um, private donors, it's, you know, everyone is feeling stressed and feeling concerned about our future right now, just as a country. and there's so much uncertainty. And, um, but I think people who really rely on the arts for all the things that it can provide, you know, an escape and pleasure and, you know, stimulation of a different kind. And especially in a time like this, when you want to be able to get away from maybe what's going on around you, you know, I'm hoping we can find a way to really come together and, um, kind of, you know, rally around each other and find a way to support each other. But, um, I think it is going to be hard for the next few years if we can't find ways to replace that funding that so many people have lost. And I certainly don't think that anyone wants to back away from the progress that's been made with inclusion and representation, you know, just to get funding. So I know we have to be very creative with our path ahead and find a way to, to keep doing what we're doing in this current environment.  00:51:07 Isabel Li  Yeah, on a brighter note, I read about your work with Lyris Quartet earlier this year when you presented a concert with Melodia Mariposa called Altadena Strong with the Lyris Quartet, raising funds for those who have been affected by the LA fires. Can you talk a bit about the power of music? And we're going to end on a stronger note here about the power of music in bringing communities together and accelerating community healing.  00:51:31 Shalini Vijayan  Well, I have to say that concert was really a special one for us. You know, um, so many musicians were affected by the fires in LA. And, you know, I, I've lived in LA for over twenty years now, almost twenty five years and, um, certainly seen my share of wildfires and disasters, but this one hit so much more close to home than any of the other ones have. And, you know, I know at least twenty five people who lost their homes in between the Palisades and Altadena and Altadena in particular.   When I moved to LA, it was a place where a lot of musicians were moving to because you could it was cheaper and you could get a lot of space, and it's beautiful. And, you know, they really built a beautiful community there among all the musicians out there. And it's just heartbreaking, um, to see how many of them have lost everything. And I have to say, Irina Voloshina, who is the woman who runs Melodia Mariposa, and just an amazing violinist and an amazing, wonderful, warm, generous person. You know, she started that series in her driveway during COVID as a way to just keep music going during the pandemic, and it really turned into something so great. And she's, you know, got a whole organization with her now and puts on multiple concerts a year. And when she asked us if we would play that concert for the community in Altadena is, you know, there's no question that we were going to do it. I mean, we absolutely jumped at the chance to support her and support the organization and that community. And people really came out for that concert and were so excited to be there and were so warm and, um, you know, and and she talked to the crowd and really connected with everybody on a very personal level, because she also lost her home in Altadena and, um, you know, it was it was a really meaningful show for all of us. And again, those are the moments where you realize that you can use this art to really connect with people that you may have never met before and show your your love for them, you know, through music, as corny as that may sound, but it's true.  00:53:54 Isabel Li  Yeah, definitely. Well, thank you so much, Shalini, for sharing your visions, your knowledge with new music and community building with us today. Thank you so much for being on Obbligato.  00:54:07 Shalini Vijayan  Thank you so much for having me, Isabel. It was really a pleasure.  00:54:10 Isabel Li  What a wonderful conversation that was with LA-based violinist Shalini Vijayan. If you go to kpfa.org, you can check out more of her work. I put the links to two of her ensembles, Brightwork New Music and Lyris Quartet up on kpfa.org. And thank you for listening to our conversation here on Obbligato on Apex Express.  00:54:32 Isabel Li  We thank all of you listeners out there. Keep resisting, keep organizing, keep creating, and sharing your visions with the world. Your voices are important.  00:54:42 Isabel Li  APEX Express is produced by Miko Lee, Jalena Keane-Lee, Preeti Mangala Shekar, Anuj Vaidya, Swati Rayasam, and Cheryl Truong. Tonight's show was produced by Isabel Li. Thanks to the team at KPFA for their support. Have a great night.  [OUTRO MUSIC]  The post APEX Express – 11.13.25 – Obbligato with Violinist Shalini Vijayan appeared first on KPFA.

Today I'm chatting with Anuj Sanghi, who's opened Bar Mercado on Peel Street, right across from the Queen Victoria Market. The name Mercado means “market” in Spanish, and that's really the heart of what Anuj has created, a place for people to gather, share food, drink, stories, and cultures. Every morning he walks over to the market to hand-pick his produce, chatting with the traders and letting what he finds inspire the day's menu. The food at Bar Mercado is a vibrant mix of South American, Spanish and Latin flavours; think wood-fired chorizo with chimichurri, oysters with chilli and lime granita, slow-cooked lamb sandwiches and churros with dark chocolate. It's not fine dining, but you can feel the finesse of someone who's worked at places like Maha, Rockpool and Entrecôte. Anuj moved from Delhi to Melbourne to study at Le Cordon Bleu and never looked back. We talked about how his mum inspired his love of food, what he's learned from his mentors, and how he's building something that feels like community.

No matter where you are with money, this episode is for you.In this episode, Shantanu's college best friend Anuj takes us through his journey - from the pressures of corporate banking and quarterly targets to building My Fundbox, a financial services platform helping people like us manage, invest, and grow our money smarter.Along the way, he's experienced all the highs and lows, cleared the mutual fund distribution exam, and is now empowering people to take control of their finances.On the pod, they talk about corporate fraud, credit card traps, insurance, and how My Fund Box is solving real problems in financial services. Plus, Anuj shares his own and his 7-year-old Adwik's personal experience with content creation, passive income as social media influencers, and what money really means in life to them.What's the biggest financial lesson you've learned so far? Share it in the comments!Navigate your way through these chapters:00:00:00 Coming Up 00:01:46 Anuj's Early Career 00:15:42 How My Fundbox Started 00:18:11 The Dark Side of Banks 00:22:05 Investments & Insurance Truths 00:28:28 How to manage Credit Cards & Debts 00:48:25 Life Lessons & My Fundbox Vision 01:07:55 Finance Advisory, MFDs & NFOs 01:13:44 Adwik's Fitness & Social Media Journey 01:31:04 Anuj's Social Media Story 01:36:45 Building Passive Income 01:54:24 Banter with Adwik & Closing Thoughts

Anuj knows about asteroids, Noah has a hot take about football, and Daniel starts conspiracy theories.

Send us a textIn this episode of The Riley Black Project, we hit the road to Atlanta for the Georgia Laser & UV Printing Business Meetup with Sumita & AnujWe dive into:✨ Why in-person events hit different compared to online groups and tutorials✨ The power of simple tools like Keychain Thingies—and why seeing them live makes it click✨ Lessons on outsourcing, staying organized, and investing in the right tools (like accounting & Shopify)✨ How makers are diversifying—from laser engraving and jigs to apparel, acrylic, and even video content✨ Real talk on balancing family, ADHD distractions, and scaling a creative business without burning outFrom hilarious stories to practical advice, this episode captures what makes the maker community so special: support, inspiration, and the push to keep creating.

In this episode, Nathan is joined by Anuj from the Investor Relations team, as they break down the top 20 fears that hold most investors back. From overpaying for the property to dealing with bad tenants, they explain how to overcome them so you can keep moving forward with confidence. Show Notes:  00:00 - Overpaying for Property 07:03 - Market Volatility 08:13 - High Vacancy Rates 09:03 - Bad Tenants 12:06 - Unexpected Maintenance 14:33 - Buying Site Unseen/Interstate 16:59 - Houses vs Units 18:44 - Cashflow vs Growth 20:18 - Poor Location 22:28 - Economic Downturns 23:40 - Legal/Zoning Issues 25:22 - Bad Building Reports 28:09 - Fear of Commitment 31:14 - No Exit Strategy 33:05 - Government Policy Changes 35:17 - Strata Hassles 38:07 - Emotional Decisions 39:34 - Lack of Support/Knowledge Make your move on your property journey today: https://binvested.com.au/discovery-session/ What are your thoughts on this video? Share them below and show us some love if you found this video useful.

Anuj is having audio problems, John takes photos, and Daniel has great internet.

How can product leaders balance scaling product teams and maintaining an innovative edge? In this podcast hosted by Mark Bailes, Merge Director of Product Anuj Jhunjhunwala will be speaking on scaling teams with intentionality and avoiding complacency. Anuj shares insights from his experience at a high-growth startup, offering practical strategies for building high-performance product teams while maintaining a lean, focused approach.

Are you unemployed, or just an entrepreneur who doesn't know it yet? Drawing on a decade of experience building a social platform that connects self-employed pioneers in the informal economy, social entrepreneur Anuj Tanna unpacks three surprising levers — from identity shifts to “jungle‑gym” career paths — that could help you pick up the mindset and moves you need to spot opportunity, build trust and grow your earning power.For a chance to give your own TED Talk, fill out the Idea Search Application: ted.com/ideasearch.Interested in learning more about upcoming TED events? Follow these links:TEDNext: ted.com/futureyouTEDSports: ted.com/sportsTEDAI Vienna: ted.com/ai-viennaTEDAI San Francisco: ted.com/ai-sf Hosted on Acast. See acast.com/privacy for more information.

Thank you for watching! #emptyshelfgang Check out Anuj here: https://www.instagram.com/anuj.mp4?utm_source=ig_web_button_share_sheet&igsh=ZDNlZDc0MzIxNw==Coasters is finally restocked get it here!: https://thehstshow.comFollow us on Instagram! https://www.instagram.com/thehavingsaidthatshow?igsh=a3lsd2dmNTNreDBkCheck out Adi's channel! ​⁠​  @AdiSaidThat  Follow him on IG: https://www.instagram.com/adisaidthat?igsh=MWFkZXIxZGxlODQ0Yw==Check out his new song: https://linktr.ee/adi.avgFollow Jeh on IG: https://www.instagram.com/coach.jeh?igsh=c2lzeTBpaWJoYTljJoin our FPL league: https://fantasy.premierleague.com/leagues/auto-join/px6mcrChapters:00:00 Intro 00:21 How Aman met Anuj 05:11 Anuj's controversial opinion 08:04 Anuj's Content creation journey 23:20 Anuj on Creating long form content 27:14 What would Anuj do?52:03 New music! 56:10 Anuj's recommendations 57:45 Anuj's empty shelf item

Gastroenterologist Anuj Vikrant Sharma discusses his article, "Fatty liver disease is no longer reserved for older adults." He warns of a quiet epidemic of metabolic dysfunction-associated steatohepatitis (MASH), a serious liver condition now increasingly appearing in people in their 20s and 30s who may not appear outwardly unhealthy. Anuj explains that a primary, and often overlooked, driver is the gut-liver axis. The modern Western diet, high in ultra-processed, low-fiber foods, disrupts the gut microbiome, leading to a "leaky gut" that allows harmful substances to travel to the liver and cause inflammation and fat accumulation. The conversation explores why this connection explains the rise of MASH in younger, non-obese patients and makes a compelling case for a "gut-first" strategy. Listeners will learn why we need earlier screening and a renewed focus on food quality over calorie counting to prevent and reverse this silent but progressive disease before irreversible damage occurs. Careers by KevinMD is your gateway to health care success. We connect you with real-time, exclusive resources like job boards, news updates, and salary insights, all tailored for health care professionals. With expertise in uniting top talent and leading employers across the nation's largest health care hiring network, we're your partner in shaping health care's future. Fulfill your health care journey at KevinMD.com/careers. VISIT SPONSOR → https://kevinmd.com/careers Discovering disability insurance? Pattern understands your concerns. Over 20,000 doctors trust us for straightforward, affordable coverage. We handle everything from quotes to paperwork. Say goodbye to insurance stress – visit Pattern today at KevinMD.com/pattern. VISIT SPONSOR → https://kevinmd.com/pattern SUBSCRIBE TO THE PODCAST → https://www.kevinmd.com/podcast RECOMMENDED BY KEVINMD → https://www.kevinmd.com/recommended

Anuj had spondylolisthesis which gave him such bad lower back pain that he couldn't stand for more than 20 minutes. Now he has no pain, has built his dream garden and goes hiking.Check out his inspiring story.#lowerbackpain #spondylolisthesis #spondylosis ------------------------------------------------Here's the video I mentioned that shows how we make people limitless — even with injuries and setbacks

What makes a great private equity investment? At Brookfield, we find unique opportunities in core sectors that map to our strengths and use our operational expertise to help businesses reach their full potential. Today, Anuj Ranjan, Katie Zorbas, and Adrian Letts join us to share learnings from 25 years of investments and operating experience, as well as how AI is driving Brookfield's value creation approach forward in industrials and essential services. Read disclaimers (https://www.brookfield.com/brookfield-perspectives-podcast-disclaimer) for this episode.

What if the key to great product management wasn't certainty but your ability to navigate without it? In this episode we sit down with Anuj Jhunjhunwala, Director of Product Management at Merge, to explore the often-overlooked realities of product leadership. From his early days in finance to shaping integration strategies at a fast-growing B2B startup, Anuj shares insights on thriving amid ambiguity, aligning roadmaps with reality, and making your “no” just as powerful as your “yes.” Anuj explains why product managers must go beyond data dashboards and embrace storytelling, stakeholder empathy, and rapid learning. He also offers candid reflections on how to design meetings, docs, and team communication to actually work in fast-paced environments. For detailed takeaways, show notes, and more, visit: www.pragmaticinstitute.com/resources/podcasts Pragmatic Institute is the global leader in Product, Data, and Design training and certification programs for working professionals. Learn more at www.pragmaticinstitute.com.

“United States soybean seed protein concentrations – current status, challenges and some potential crop management solutions” with Dr. Anuj Chiluwal. Soybeans are a crucial crop in the United States for a variety of uses, including for its use as a protein source in animal feed. However, in recent years, high yield varieties have seen a steady decline in seed protein concentration. In this episode, Anuj joins me to discuss the sources of this decline and some potential strategies to combat it. Tune in to learn: ·         Why soybean seed protein is declining in US soybean ·         How the US may be a template for other countries with similar problems ·         What temporary solutions may be available for this problem ·         Which future research paths may bring about more sustainable solutions If you would like more information about this topic, this episode's paper is available here: https://doi.org/10.1002/agj2.21731 This paper is always freely available. Contact us at podcast@sciencesocieties.org or on Twitter @FieldLabEarth if you have comments, questions, or suggestions for show topics, and if you want more content like this don't forget to subscribe. If you'd like to see old episodes or sign up for our newsletter, you can do so here: https://fieldlabearth.libsyn.com/. If you would like to reach out to Anuj, you can find him here: anuj.chiluwal@kysu.edu https://www.kysu.edu/directory/faculty-staff/anuj-chiluwal.php https://www.linkedin.com/in/anuj-chiluwal/ Resources CEU Quiz: Coming soon Transcripts: https://www.rev.com/app/captions/Njg1MWI0MjE2MDAzODViYzNhZjVkNjYzWE4wOEZYc1pLNHNQ/o/Q1AwMTA4NTk3MzE4 “Soybean management for seed composition: The perspective of U.S. farmers” paper: https://doi.org/10.1002/agj2.21082 “Exploring Nitrogen Limitation for Historical and Modern Soybean Genotypes” paper: https://doi.org/10.2134/agronj2018.04.0271 “Quantification of Soybean Leaf Senescence and Maturation as Impacted by Soil- and Foliar-Applied Nitrogen” paper: https://doi.org/10.2134/cftm2018.07.0051 “Probability of Yield Response to Inoculants in Fields with a History of Soybean” paper: https://doi.org/10.2135/cropsci2009.04.0185 “Late-Season Nitrogen Applications Increase Soybean Yield and Seed Protein Concentration” paper: https://doi.org/10.3389/fpls.2021.715940 “Is soybean yield limited by nitrogen supply?” paper: https://doi.org/10.1016/j.fcr.2017.08.009 “Assessing Variation in US Soybean Seed Composition (Protein and Oil)” paper: https://doi.org/10.3389/fpls.2019.00298 “Regional analysis of planting date and cultivar maturity recommendations that improve soybean oil yield and meal protein concentration” paper: https://doi.org/10.3389/fpls.2022.954111 Extension fact sheet: https://www.kysu.edu/documents/college-of-agriculture-communities-the-sciences/2025-Fact%20Sheet%20Soybean%20Seed%20Quality.pdf University of Minnesota annual soybean quality reports: https://extension.umn.edu/soybean/soybean-seed-quality Thank you to our volunteer Om Prakash Ghimire for help with the shownotes and other assets. Thank you to Cole Shalk from 12twelve Media for the Audio Processing on today's episode. Field, Lab, Earth is Copyrighted by the American Society of Agronomy, Crop Science Society of America, and Soil Science Society of America.

In this week's episode, Nathan Birch reflects on the sacrifices he made early in his property journey, and what it really takes to build wealth in today's market. Alongside him is Anuj, one of B.Invested's IR team, who opens up about his personal transformation, from working as a real estate agent to becoming a buyers agent. He shares what triggered the switch, the differences he's seen from both sides of the industry, and why he now helps everyday Aussies invest smarter. Whether you're just starting or scaling your portfolio, this episode gives you a raw look at the mindset, strategy, and inside knowledge that drives real results. 00:55 – Nathan reflects on turning 40 and shares his mindset around aging, goals, and purpose. 03:25 – Talks about sacrifice, delayed gratification, and going without to build wealth early. 11:45 – Recalls buying property in Sydney's west for $60k–$100k and what those are worth today. 15:19 – Securing a first home for a buyer in just one phone call. 16:31 – Why emotional buyers struggle with investment decisions. 18:10 – Breaks down the shift from growth-focused investing to cash flow and legacy-building. 19:07 – Seeing clients go from zero to five properties in months. 20:36 – Why most B.Invested clients are open about their finances. 21:14 – Real estate agents rarely ask about long-term goals—why that's a problem.

Anuj has been writing music again and Daniel is having technical issues.

Anuj Chhabra, Portfolio Lead at Pernod Ricard, joins Amanda Ma, CEO & Founder at Innovate Marketing Group for a powerful conversation on brand evolution. Expect insights on experiential marketing, human-centered leadership, and how staying curious can future-proof your career. Listen now!About the guest:Anuj is a classically-trained brand marketer currently managing Pernod Ricard's industry-leading mezcal portfolio of Del Maguey and Ojo de Tigre. Prior to this role, Anuj served on the brand marketing teams of iconic billion dollar spirits brands including Johnnie Walker, Absolut Vodka and Malibu Rum. Anuj started his career at Procter & Gamble on Old Spice & Gillette.  He strives to be an empowering and inclusive people leader/champion, learning from and elevating those around him. He enjoys bringing others together through products and experiences as he's done leading Absolut's Coachella activation and launches like Malibu Peach.Follow Anuj on ⁠LinkedIn⁠!EventUp is brought to you by Innovate Marketing Group. An award-winning Corporate Event and Experiential Marketing Agency based in Los Angeles, California. Creating Nationwide Immersive Event Experiences to help brands connect with people. To learn more, click ⁠here⁠⁠⁠.Follow us!Find us on ⁠⁠⁠LinkedIn, ⁠⁠⁠⁠⁠⁠EventUp Podcast LinkedIn⁠⁠⁠ , and ⁠⁠⁠Instagram⁠

Becoming a parent profoundly changes how you approach product leadership, blending personal and professional challenges in unexpected ways. Anuj Jhunjhunwala, Director of Product at Merge, shares how parenting teaches lessons in influence without authority, clear communication, and time management that directly apply to leading products.Anuj offers candid insights on how managing toddlers parallels managing stakeholders, why career growth feels more like navigating a mountain than climbing a ladder, and the paradoxes that trip up many product managers today. This conversation reveals the surprising overlaps between parenting and product leadership, offering fresh perspectives for anyone balancing both worlds.Resources from this episode:Subscribe to The Product Manager newsletterConnect with Anuj on LinkedInCheck out Merge

For episode 517, Brandon Zemp is joined by Anuj, a researcher in computer science and philosophy. He's the Co-founder of Smart Transactions (STXN), building the transaction layer for all crypto. Previously, he served as the CTO of Ubisoft and architected the blockchain platform for the Nasdaq. He was instrumental in the research that lead to Account Abstraction in Ethereum. As a philosopher, his work involved how socio-political movements and cultural values can be leveraged to foster better technologies that help us in the long run.

Anuj is interested in a cult, Arianna is progressing her career, and Daniel has been traveling.

In this special episode of The Crop Science Podcast Show, we're marking International Seed Day, which is celebrated this month. Dr. Anuj Chiluwal from Kentucky State University joins us to talk about the connection between soybean yield and seed quality. He explains why seed protein levels are falling, what that means for growers, and how late-season nitrogen strategies and sustainable practices can help. Tune in now on all major platforms!"Nitrogen limitation during seed fill is the key reason for declining soybean protein levels."Meet the guest: Dr. Anuj Chiluwal earned his B.Sc. in Agriculture from Tribhuvan University, M.Sc. in Biotechnology from Fort Valley State University, and Ph.D. in Agronomy from Kansas State University. Currently, he is an Assistant Professor of Agronomy at Kentucky State University, focusing on soybean seed quality, nitrogen management, and crop physiology.Liked this one? Don't stop now — Here's what we think you'll love!What you will learn:(00:00) Highlight(01:02) Introduction(06:26) Soybean protein concentration(10:42) Yield vs. quality(14:17) Recommendations for growers(24:27) Fertilizer vs. fixation(29:02) Cultural practices(31:28) Final three questionsThe Crop Science Podcast Show is trusted and supported by the innovative companies:- CNH Reman- S&W Seed Co.- KWS

  Anuj Gandhi | Founder & CEO, StreamBox Media Anuj Gandhi is a seasoned media and entertainment professional with expertise in Digital Media, TV Broadcasting, International Media, and the OTT ecosystem. As the Founder of Streambox Media, backed by Micromax Informatics, he is transforming India's Connected Screens landscape with Dor OS, an advanced platform integrating smart TV technology with an extensive OTT content library. Previously, Anuj was a Group Resource at Reliance Jio Media, overseeing media partnerships, Jio's ISP & cable businesses (Den, Hathway, GTPL), and leading IndiaCast (TV18-Viacom JV). He was the Founder CEO of Den Networks, building India's largest cable TV company, and played a key role in Set Discovery (Sony-Discovery JV). He has served on key MIB & TRAI committees for India's digital media transformation. Recognized among India's Media Heavyweights (2020) by Indiatelevision.com, Anuj is also a board member at Antarang, supporting skill development for underprivileged youth. An SPJIMR postgraduate, he is passionate about sports, cinema, travel, and reading. 

Anuj sits down with Captain Matthew Hoh, former US Marine and now Fellow with the Eisenhower Media Network. Matt's personal journey has literally moved through war, to trying to take on the machine of war making. While Matt is prominent as a writer, podcast and media guest for sharing his informed perspectives on current affairs, this conversation is a deeper look into Matt the man, and the personal journey that led him to be who he is today. Recorded in January 2025, this conversation captures many questions that we all should be asking ourselves about the state of the world, our perpensity for war, and what we can do to change the narrative of the future. EMN Associate Director Matthew Hoh had nearly twelve years experience with the US military and the wars overseas with the United States Marine Corps, Department of Defense and State Department. Matthew Hoh is the Associate Director of the Eisenhower Media Network. In 2009, Matthew Hoh resigned in protest from his post in Afghanistan with the State Department over the American escalation of the war. Prior to his assignment in Afghanistan, Matt took part in the American occupation of Iraq; first in 2004-2005 in Salah ad Din Province with a State Department reconstruction and governance team and then in 2006-2007 in Anbar Province as a Marine Corps company commander. When not deployed, Matt worked on Afghanistan and Iraq war policy and operations issues at the Pentagon and State Department from 2002-2008. From 2010-2024, Matt was affiliated with the Center for International Policy, first as a senior fellow and later as a senior fellow emeritus. He is a disabled veteran. Special Guest: Matthew Hoh.

Summary: The first memory of Fighter Solus in the halls and caverns of The Iron Realm. Of Special Note: Part 1 of a NEW Character Eight mini-series: The Choice. Download Chapter 142: The Origin of Solus Download All Future Episodes & Bonus Episodes --HERE-- The fiction of John Merle Holes is read for you, with his permission, on Travellers of the Maze. Follow John on Twitter A shout-out to Anuj for awarding The Iron Realm a top spot on Feedspot's Dark Fantasy Podcast spotlight. Be sure to check it out for ourself: Top 15 Solo RPG Podcasts My thanks as well for all audio featured under the cc0 license on tonight's podcast. The Iron Realm is intended for adult audiences. Listener Discretion is advised. The Iron Realm album art/website art was created from a public domain image/CC0 image from PixaBay. Audio on the podcast, unless otherwise noted, has either been created by the author or has been used in accordance with the Creative Commons Zero license. A new Iron Realm Podcast is released periodically and each is a labor of my love for Solo RPG Gaming. Enjoy and support the show. And fare ye well, Traveler of The Maze, in the light and in the dark. Subscribe to The Iron Realm Podcast!

In this engaging conversation, Anuj Radia, a British film journalist and broadcaster, shares his journey in promoting South Asian cinema through his platform, Filme Shilmy. He discusses the evolving trends in Indian cinema, the impact of OTT platforms, and the lessons Bollywood can learn from regional cinema. Anuj also reflects on the significance of the #MeToo movement and its implications in the film industry, providing a thoughtful perspective on the current landscape of cinema. Anuj and Mohua later delve into the complexities of the film industry, the representation of LGBTQ individuals in Bollywood, and the importance of preserving the legacy of Indian cinema. They explore the challenges faced by survivors of abuse, the need for authentic storytelling, and the role of ‘cancel' culture in shaping public discourse around films. Anuj emphasizes the importance of hope and integrity in narratives, advocating for a balanced approach to storytelling that honors both tradition and contemporary issues.Chapters00:00 Highlights00:59 Introduction 01:54 The Journey of Filmi Shilmy06:04 What's the Inspiration Start Platform In London? 09:01 The Underdog Spirit12:06 Surprising Insights from Celebrities14:56 Upcoming Trends In Bollywood Films20:07 The Shift to OTT Platforms24:00 What Do Bollywood can Learn Form The Success of Regional Cinema?26:50 The Impact of the Me Too Movement33:15 LGBTQ Representation in Bollywood37:12 Underrated Talents in BollywoodConnect with UsMohua Chinappa: https://www.linkedin.com/in/mohua-chinappa/The Mohua Show: https://www.themohuashow.com/Connect with the GuestAnuj Radia: https://www.instagram.com/ianujradia/?hl=enFilme Shilmy: https://www.instagram.com/filmeshilmy/?hl=enFollow UsInstagram: https://www.instagram.com/themohuashow/Instagram:https://www.instagram.com/litlounge_pod/ YouTube: https://www.youtube.com/@TheMohuaShowLinkedIn: https://www.linkedin.com/company/themohuashow/Facebook: https://www.facebook.com/themohuashowFor any other queries EMAILhello@themohuashow.comDisclaimerThe views expressed by our guests are their own. We do not endorse and are not responsible for any views expressed by our guests on our podcast and its associated platforms.#TheMohuaShow #MohuaChinappa #Films #Bollywood #IndianCinema #Media #Journalism #LGBTQ #RegionalFilms #SouthAsianCinema #OTTPlatforms #Storytelling #CancelCulture #MeTooThanks for Listening!

Punjab में कुछ बड़ा होने वाला है | Attack on Hindus | Waqf हटने वाला है | Anuj Choudhary | HarshKumar

Anuj Ojha: Helping PO's Move Beyond User Story Templates to True Customer Understanding Read the full Show Notes and search through the world's largest audio library on Agile and Scrum directly on the Scrum Master Toolbox Podcast website: http://bit.ly/SMTP_ShowNotes. The Great Product Owner: The Vision Setter Who Empowers Teams In this segment, Anuj describes an exemplary Product Owner who mastered the art of inclusive product development. This PO excelled at bringing everyone together to discuss the product and potential solutions, while maintaining a clear focus on the vision and problem space. Rather than dictating solutions, they created an environment where team members could freely explore solutions while the PO remained available for questions and guidance. Their success came from building strong relationships with stakeholders and customers, and effectively using the Eisenhower matrix to prioritize work. The Bad Product Owner: The Requirements Translator Anuj discusses common anti-patterns he's observed in Product Owners, particularly those who may have previously been project managers. A crucial issue arises when POs create user stories without first understanding the customer and their journey with the product. Some POs become mere translators, rigidly adhering to story templates instead of truly understanding customer needs. The key to improvement lies in helping POs learn to engage directly with customers, focus on problem exploration rather than immediate solutions, and collaborate with the whole team in solution discussions. Self-reflection Question: How can you help your Product Owner move from being a requirements translator to becoming a true value maximizer? [The Scrum Master Toolbox Podcast Recommends]

Anuj Ojha: Building Agile Team Maturity Through Honest Feedback Read the full Show Notes and search through the world's largest audio library on Agile and Scrum directly on the Scrum Master Toolbox Podcast website: http://bit.ly/SMTP_ShowNotes. A successful Scrum Master should work towards making themselves unnecessary, but Anuj warns against common anti-patterns in this journey. He emphasizes the danger of viewing Scrum as a universal solution or behaving like a "cult master" who rigidly follows rules instead of listening to team needs. He advises against manipulating conversations or using others' authority to validate decisions. Instead, he promotes viewing Scrum as a continuous PDCA cycle and maintaining an open mind about different approaches. Self-reflection Question: How comfortable is your team with giving and receiving direct, constructive feedback to each other? Featured Retrospective Format for the Week: Team Shared Self-Evaluation This retrospective format focuses on building interpersonal relationships through structured feedback. Using a Google Form, team members answer two key questions about each colleague: what they appreciate about working with them and one change that could make them an even better team member. The format includes a sharing session where team members can process the feedback and discuss it openly. This approach encourages personal accountability by having participants first communicate what they themselves want to change before asking others to change. [The Scrum Master Toolbox Podcast Recommends]

Anuj Ojha: Beyond the Iron Triangle, A Path to True Agility Read the full Show Notes and search through the world's largest audio library on Agile and Scrum directly on the Scrum Master Toolbox Podcast website: http://bit.ly/SMTP_ShowNotes. Anuj shares his journey of understanding the complexities behind Scrum implementation, particularly when faced with fixed time and scope demands. He emphasizes the importance of learning to communicate effectively with different stakeholders in their own language. Through experience, he discovered that the traditional iron triangle (fixed time, scope, and resources) is a fiction in agile environments. His key insight is that while you can fix two sides of the triangle, attempting to fix all three undermines agility. He suggests building cases for critical needs like technical debt and ensuring all voices are heard when determining what's possible. Self-reflection Question: How do you handle situations where stakeholders demand certainty in all three aspects of the iron triangle? [The Scrum Master Toolbox Podcast Recommends]

Anuj Ojha: Transforming Agile Team Meetings, Less Time, More Value Read the full Show Notes and search through the world's largest audio library on Agile and Scrum directly on the Scrum Master Toolbox Podcast website: http://bit.ly/SMTP_ShowNotes. When Anuj started working with a team that believed asynchronous communication could replace their Daily Scrum, it sparked a journey of meaningful transformation. The team was frustrated with meeting overload and took bold steps to evaluate and modify their meeting structure. They questioned the value of Sprint Reviews and Retrospectives, ultimately creating a more focused approach to meetings. A significant breakthrough came when they removed managers from the Daily Scrum, leading to more effective communication and increased quality time for actual work. The team's success came from creating a backlog of improvements and integrating these directly into their sprint work. Self-reflection Question: How might your team benefit from critically evaluating your current meeting structure and making bold changes? Featured Book of the Week: The Five Dysfunctions of a Team by Patrick Lencioni The Five Dysfunctions of a Team by Patrick Lencioni was a game-changer for Anuj, offering a model for understanding team dynamics. The author's five-level model proved especially valuable during challenging periods, providing insights applicable to teams across all domains. The book's framework helped Anuj better understand and address the fundamental dysfunctions that teams commonly face. [The Scrum Master Toolbox Podcast Recommends]

On the latest episode of the podcast, we talk about freeing up time for creative thinking thanks to speeding up and automating processes with AI. Our guest Anuj Adhiya, Expert-in-Residence for Growth at Techstars, shares what he's learnt from Dr Richard Feynman's autobiography, why he advises marketers to focus on decisions and hypotheses first, and how he thinks AI growth ops can help brands grow faster and more efficiently. 

Anuj Ojha: From Process Police to People Partner, Self-Accountability and Self-Awareness for Scrum Masters Read the full Show Notes and search through the world's largest audio library on Agile and Scrum directly on the Scrum Master Toolbox Podcast website: http://bit.ly/SMTP_ShowNotes. In this insightful episode, Anuj shares a powerful story of personal growth as a Scrum Master. Initially caught up in the mechanics of Scrum, he found himself trying to control situations and please everyone while rigidly adhering to the Scrum Guide.  Through a three-step journey of self-awareness, feedback-seeking, and actualization, Anuj discovered that his true challenge lay in understanding himself and his purpose. He learned to shift his focus from velocity and burndown charts to delivering value, and from being process-oriented to being people-oriented. This transformation led him to become more of a listener than a talker, embracing conflict as a natural part of growth. Self-reflection Question: How might your current focus on processes or metrics be affecting your ability to connect with and serve your team members? [The Scrum Master Toolbox Podcast Recommends]

Summary: The Healers partake of an esoteric ritual in the warmth of one anothers' presence. Of Special Note: The Iron Realm is named to the Top 10 of Dark Fantasy Podcasts on Travellers of the Maze. Download Chapter 140: Healer's Nest Download All Future Episodes & Bonus Episodes --HERE-- The following music for The Iron Realm Podcast was contributed to The Iron Realm by Max at Coltrin Compositions: Cosmotic I edited tracks for volume, length, pitch, and mood. The following selection by AmeAngelofSin was sampled for use during the intro for this episode and also for the Contributor Spotlight: Custom Audio for The Iron Realm Podcast I edited tracks for volume, length, pitch and mood. Find AmeAngelofSin online on: Twitter YouTube or email AmeAngelofSin at AMEANGELOFSIN AT GMAIL DOT COM AmeAngelofSin's aforementioned audio is included in accordance with Creative Commons: By Attribution 3.0 http://creativecommons.org/licenses/by/3.0/ A shout-out to Anuj for awarding The Iron Realm a top spot on Feedspot's Dark Fantasy Podcast spotlight. Be sure to check it out for ourself: 10 Best Dark Fantasy Podcasts My thanks as well for all audio featured under the cc0 license on tonight's podcast. The Iron Realm is intended for adult audiences. Listener Discretion is advised. The Iron Realm album art/website art was created from a public domain image/CC0 image from PixaBay. Audio on the podcast, unless otherwise noted, has either been created by the author or has been used in accordance with the Creative Commons Zero license. A new Iron Realm Podcast is released periodically and each is a labor of my love for Solo RPG Gaming. Enjoy and support the show. And fare ye well, Traveler of The Maze, in the light and in the dark. Subscribe to The Iron Realm Podcast!

While at Devcon I spoke to Anuj Das Gupta, co-founder of Smart Transactions with Vlad Zamfir. Smart Transactions offers advanced blockchain solutions with context-aware, decentralized, and customizable transaction capabilities.We spoke about how MEV (maximum extractable value) gives someone the ability to control time for a split second, how the control of time has influenced the transition to capitalism and why we must nationalize designers. We also talk about communism and why it's free time, or real freedom.If you liked the podcast be sure to give it a review on your preferred podcast platform. If you find content like this important consider donating to my Patreon starting at just $3 per month. It takes quite a lot of my time and resources so any amount helps. Follow me on Twitter (@TBSocialist) or Mastodon (@theblockchainsocialist@social.coop) and join the r/CryptoLeftists subreddit and Discord to join the discussion.Send me your questions or comments about the show and I'll read them out sometime. Support the showICYMI I've written a book about, no surprise, blockchains through a left political framework! The title is Blockchain Radicals: How Capitalism Ruined Crypto and How to Fix It and is being published through Repeater Books, the publishing house started by Mark Fisher who's work influenced me a lot in my thinking. The book is officially published and you use this linktree to find where you can purchase the book based on your region / country.

Ryan has an announcement, Anuj traveled the country, John doesn't understand time zones, and Daniel doesn't have an invitation.

Paul Simon and Anuj are joined by Ronnie Edwards to talk about his loan move and how he is looking forward to the challenge of playing for QPR.We then reflect on our latest triumph v Luton and look forward to the FA Cup tie away at the King Power. Hosted on Acast. See acast.com/privacy for more information.

On episode 53 of the Innovators Podcast Alison Doyle, Associate Director of the Iowa State University Research Park, interviews Anuj Sharma, Director of FAST TrAC. In this episode, Anuj shares the story of how he joined FAST TrAC, along with his impressive career journey beyond it. Thank you for listening!

In today's rapidly evolving tech landscape, Product-Led Growth (PLG) has emerged as a pivotal strategy for companies aspiring to thrive. At the heart of a successful PLG approach lies an outstanding product—one that effortlessly captivates users and inspires them to share their experience with others.In this episode, Hannah Clark is joined by Ramli John (Founder of Delight Path), Dani Grant (CEO of Jam.dev), and Anuj Adhiya (Expert In Residence at Techstars) to delve into the transformative power of PLG, especially in conjunction with Artificial Intelligence (AI).Resources from this episode:Subscribe to The Product Manager newsletterCheck out this episode's sponsor: Wix StudioConnect with Ramli, Dani, and Anuj on LinkedInCheck out Delight Path, Jam.dev, and Techstars

Noah is struggling, Anuj was on a flight, and Daniel is not smart. --- Support this podcast: https://podcasters.spotify.com/pod/show/the-experience/support

On this episode of Deans Counsel, moderators Ken Kring and Dave Ikenberry speak with Anuj Mehrotra, Dean and Stephen P. Zelnak Jr. Chair, and Professor of Operations Management, at Georgia Tech University. Prior to his time at the Scheller College of Business, Mehrotra served as the dean of the George Washington University School of Business (GWSB) since 2018. Before GWSB, Anuj was senior vice dean and vice dean of Faculty Development and Research at the University of Miami School of Business Administration. He was also the school's interim dean, vice dean of Graduate Business Programs and Executive Education, vice dean for Faculty Affairs, and chairperson of the Department of Management Science. Anuj is in his third deanship and, as such, he's perfectly positioned to offer a birds eye view of the evolution and demands of the position. During this jam-packed conversation, he speaks with Ken and Dave about:• The state of business education today• How a modern B-school must serve as a hub for connectivity• The importance of business schools being proactive in collaborating across campus to solve big problems• Generative AI and the future of business education• The many ways Anuj has had to adapt his leadership style over the yearsLearn more about Anuj Mehrotra.Comments/criticism/suggestions/feedback? We'd love to hear it. Drop us a note.Thanks for listening.-Produced by Joel Davis at Analog Digital Arts--DEANS COUNSEL: A podcast for deans and academic leadership.James Ellis | Moderator | Dean of the Marshall School of Business at the University of Southern California (2007-2019)David Ikenberry | Moderator | Dean of the Leeds School of Business at the University of Colorado-Boulder (2011-2016)Ken Kring | Moderator | Co-Managing Director, Global Education Practice and Senior Client Partner at Korn FerryDeansCounsel.com

Anuj Dhar is an Indian author, researcher, and activist known for his work in uncovering the mysteries surrounding the disappearance of Netaji Subhas Chandra Bose, one of India's most iconic freedom fighters. Dhar, a former journalist, has devoted much of his career to investigating the enduring questions surrounding Bose's life and legacy, challenging official accounts with thorough research and evidence-based arguments. His best-selling book, India's Biggest Cover-Up, brought significant public attention to the theory that Bose did not die in the alleged 1945 plane crash but lived on under a different identity. A co-founder of the Mission Netaji organization, Dhar has been instrumental in advocating for declassification of government files related to Bose and in pushing for transparency around India's historical records. His work has led to a surge of public interest in Netaji's story, and his insights have been discussed in mainstream media and debated at the highest levels of government. Dhar's commitment to unearthing forgotten chapters of Indian history has made him a notable figure among Indian historians, researchers, and patriots alike. His influence extends beyond his books, as he often delivers lectures, participates in discussions, and actively engages with a global audience through social media and public forums. His latest book 'The Bose Deception: Declassified' is out. Order your copy here: https://amzn.in/d/b0zuk0U

So, Anuj and I were brainstorming podcast topics, and we stumbled upon a thought-provoking one: why looking broke might actually be key to building wealth.It sounds counterintuitive, right? But think about it: sometimes showing up unassuming—like you're not a big deal—can give you an edge. It keeps expectations realistic and the pressure low, so you can move strategically and surprise people with your results.Whether it's a tactic for business or just a life philosophy, being underestimated has its perks.Stick around, and let's break down the power of being the underdog.LEAVE A REVIEW if you liked this episode!! Let's Connect On Social Media! youtube.com/anthonyvicino twitter.com/anthonyvicino instagram.com/theanthonyvicino https://anthonyvicino.com Join an exclusive community of peak performers at Beyond the Apex University learning how to build a business, invest in real estate, and develop hyperfocus. www.beyondtheapex.com Learn More About Investing With Anthony Invictus Capital: www.invictusmultifamily.com Multifamily Investing Made Simple Podcast Passive Investing Made Simple Book: www.thepassiveinvestingbook.com

Anuj has thoughts about GT football, Chase has a hot take on NIL, and Daniel loses control of his show. --- Support this podcast: https://podcasters.spotify.com/pod/show/the-experience/support

On this episode, Anuj, shares his journey from India to Purdue University in the field of machine learning and artificial intelligence. He also mentions the difference between India and US culturally — he can't support eating donuts for breakfast. Anuj, explains how AI works and explains the different types of artificial intelligence and how he […]

After the previously independent company that he'd worked for had been bought up by a much larger one, Anuj had begun to lose his passion for his job. The one benefit that had remained was his team, who he thoroughly enjoyed working with. But even that would come under threat as Anuj was told that he needed to make two of them redundant. Anuj decided that it was time for him to formulate a plan. Once he had it clearly formulated, he steeled himself to tell his boss about it before the scheduled redundancy meeting would take place. With trepidation in his heart, he would prepare to tell his boss what he felt needed to be said.Alex Melia, and the Stories of Men team are on a mission to uncover what it means to live an independent and meaningful life. We'll be sharing this knowledge with you every week.We'd like to extend our appreciation to today's guest, Anuj. His thoughtful and open reflections on the workplace and the pressures of being a breadwinner are deeply appreciated. They also provide a vital part of the puzzle as we try to piece together what it means to be a man in today's world. [Original air date: November 14th, 2023]*********************Check out the Stories Of Men website for more on this storyWe're also on Facebook, Twitter and InstagramA Fascinate Production Mentioned in this episode:Take The Man Test here: https://bit.ly/som_the_man_test

Anuj dropped a new single, John live reacts, and Daniel definitely didn't have any problems before the show. https://drive.google.com/file/d/1JOV3NZ45dSPvQByRdRA3YQYVm3uG5w8G/view --- Support this podcast: https://podcasters.spotify.com/pod/show/the-experience/support

In this episode, Anuj Mehta, Chief Clinical Officer South Region at Hackensack Meridian Health shares his inspiring MBA journey and the motivations behind his career in healthcare. He discusses effective strategies in the inpatient and outpatient systems, the role of AI in healthcare, and offers valuable advice for emerging healthcare leaders aiming to make an impact in the industry.

Anuj Rathi is the Chief Product and Marketing Officer at Jupiter Money, where he leads product management, marketing, design, growth, and analytics. Before Jupiter Money, Anuj served as the Senior Vice President of Revenue and Growth at Swiggy, VP of Product at SnapDeal, a Senior PM at Walmart Labs and the first-ever PM at Flipkart. He's also one of the most beloved and respected product leaders in India. In this episode, we discuss:• How product management is different in India• How to rethink your approach to new users• How Anuj operationalizes the “working backwards” framework• Why Anuj thinks PMs should be more full-stack than they are• How to use Anuj's “4BB” framework to get better at product strategy and prioritization• Advice on developing innovative roadmap ideas• The three essential skills of a successful PM• Three reasons why leadership fails• Why OKRs don't work in marketplaces—Brought to you by Sanity—The most customizable content layer to power your growth engine | Vanta—Automate compliance. Simplify security | Wix Studio—The web creation platform built for agencies—Find the transcript for this episode and all past episodes at: https://www.lennyspodcast.com/episodes/. Today's transcript will be live by 8 a.m. PT.—Where to find Anuj Rathi:• X: https://twitter.com/anujrathi• LinkedIn: https://www.linkedin.com/in/anujrathi1—Where to find Lenny:• Newsletter: https://www.lennysnewsletter.com• X: https://twitter.com/lennysan• LinkedIn: https://www.linkedin.com/in/lennyrachitsky/—In this episode, we cover:(00:00) Anuj's background(04:28) How product differs in India (08:34) When modern product thinking started to gain traction in India(14:01) How Anuj thinks about new-user experiences(15:07) Scott Belsky's “lazy, vain, and selfish” framework (19:59) Why PMs must understand category consumers(22:30) Anuj's philosophy on the PM job(23:59) How Anuj applies the working-backwards framework(28:36) The importance of FAQs(30:10) The full-stack PM mindset(33:06) Anuj's “show don't tell” framework(36:19) How to use the show-don't-tell framework(39:14) The impact of using this framework(41:27) Anuj's “4BB framework” for product strategy(48:59) Contrarian corner(50:49) Anuj's “framework of 3” for great PMs(52:34) How to develop grit and influence(54:00) Three reasons why leaders fail (56:21) AI corner(57:51) Lessons from building a successful marketplace(1:02:19) How to balance and maintain stability on all sides of a marketplace(1:07:48) Lightning round—Referenced:• MakeMyTrip: https://www.makemytrip.com/• Shaadi.com: https://www.shaadi.com/• Bharat Matrimony: https://www.bharatmatrimony.com/• Flipkart: https://www.flipkart.com/• Ola: https://www.olacabs.com/mobile• Swiggy: https://www.swiggy.com/• Jio: https://www.jio.com/• UPI: http://cashlessindia.gov.in/upi.html• The First 15 Seconds by Scott Belsky: https://medium.com/positiveslope/the-first-15-seconds-9590d7dabc• Jupiter: https://jupiter.money/• How to get better at influence: https://www.lennysnewsletter.com/p/how-to-get-better-at-influence#• Working Backwards: https://www.workingbackwards.com/• Range: Why Generalists Triumph in a Specialized World: https://www.amazon.com/Range-Generalists-Triumph-Specialized-World/dp/0735214484• In Search of Greatness on Prime Video: https://www.amazon.com/Search-Greatness-Wayne-Gretzky/dp/B07P5X99P5• Team Topologies: Organizing Business and Technology Teams for Fast Flow: https://www.amazon.com/Team-Topologies-Organizing-Business-Technology/dp/1942788819• Conway's Law: https://www.atlassian.com/blog/teamwork/what-is-conways-law-acmi• Lessons from scaling Spotify: The science of product, taking risky bets, and how AI is already impacting the future of music | Gustav Söderström (Co-President, CPO, and CTO at Spotify): https://www.lennyspodcast.com/lessons-from-scaling-spotify-the-science-of-product-taking-risky-bets-and-how-ai-is-already-impac/• Taobao: https://world.taobao.com/• Alibaba: https://offer.alibaba.com/• Working Backwards: https://www.amazon.com/Working-Backwards-PB/dp/1529033845• How Brands Grow: What Marketers Don't Know: https://www.amazon.com/How-Brands-Grow-What-Marketers/dp/0195573560• The Luxury Strategy: Break the Rules of Marketing to Build Luxury Brands: https://www.amazon.com/Luxury-Strategy-Break-Marketing-Brands/dp/0749464917• The Office on Peacock: https://www.peacocktv.com/stream-tv/the-office• Rise: https://www.risescience.com/—Production and marketing by https://penname.co/. For inquiries about sponsoring the podcast, email podcast@lennyrachitsky.com.—Lenny may be an investor in the companies discussed. Get full access to Lenny's Newsletter at www.lennysnewsletter.com/subscribe