Podcasts about intrada

Music Credits: Intro: "Zero Signal," Sean Kolton, MechWarrior 5 Mercenaries Personal 1: "The Reckoning," Sean Kolton, MechWarrior 5 Mercenaries RA: "Act 1: Pas de Trois: 1. Intrada," Tchaikovsky, Swan Lake Personal 2: "Island," Austin Wintory, The Pathless: Meditations Planning: "The Search (Remastered)," Frank Klepacki and the Tiberian Sons, Command and Conquer Remastered Collection Enemy Territory: "Iron Piston," Jeehun Hwang, MechWarrior 2 Definitive Soundtrack Infiltration: "Back Door," Jeehun Hwang, MechWarrior 2 Definitive Soundtrack Nobility: "Slow Burn," Duane Decker, MechWarrior 4 Vengeance Soundtrack Chaos: "Chaos (Remastered)," Frank Klepacki and the Tiberian Sons, Command and Conquer Remastered Comfort: "Truths, Two," Austin Wintory, The Pathless: Meditations Outro: "Tenacity, Two," Austin Wintory, The Pathless: Meditations

On this edition we look back to a time when Disney went dark. Not like the lights went out... but when they were trying to reach a new audience with more adult themed content. Films like The Black Hole, Tron, and Something Wicked This Way Comes to name a couple. These films produced some beloved scores and we invited Roger Fielgelson from Intrada records to discuss these scores and more. Also, Justin Clark from the Grand Circle Tour Podcast and Ken the Voiceover Guy, crowd into the Solo Studio.  ----------------------- Hello and welcome to this edition of The Solo Show. THANK YOU for your support by joining us and our fun little podcast where YOU can be the co-host. Simple reach out to me at thesoloshow01@gmail.com with your idea for a show and we will see about being my co-host for a day. All you need is a love for Disney, a show idea, and a decent internet connection. ~Stan Solo ----------------------- If you enjoy the show then show some love by sharing out that your listening, and be sure to subscribe. Plus, take a few minutes to write a review on Apple Podcast…only one rule, make it good.  ----------------------- If you ever dreamed about living next to the most Magical place on Earth by moving to the Orlando area be sure to visit our sponsor Victor Nawrocki, he to help you make your dream a reality. Visit CelebratingFlorida.com today and find your future near the magic. Remember to tell him The Solo Show sent you. -------------------- Ken the Voiceover Guy is available for hire. Maybe you need him to read an ad for you, or record your podcast intro, etc. Send him an email at tvfella67@gmail.com for more information and prices. ----------------------- LET'S CONNECT!  Facebook.com/TheSoloShow01 Facebook.com/groups/TheSoloShow •Instagram.com/the_solo_show_podcast •Twitter.com/@thesoloshow1 •YouTube.com/TheSoloShow TheSoloShow.com- Visit our website for quick access to past shows. ----------------------- © 2024 - The Solo Show is in no way part of, endorsed or authorized by, or affiliated with the Walt Disney Company or its affiliates. As to Disney artwork/properties: © Disney. Disclosure | Privacy Policy  

Music Credits: Intro: "Zero Signal," Sean Kolton, MechWarrior 5 Mercenaries Planning: "The Search (Remastered)," Frank Klepacki and the Tiberian Sons, Command and Conquer Remastered Collection Infiltration: "Back Door," Jeehun Hwang, MechWarrior 2 Definitive Soundtrack Building Up 1: "Trenches (Remastered)," Frank Klepacki and the Tiberian Sons, Command and Conquer Remastered Collection Nobility: "Slow Burn," Duane Decker, MechWarrior 4 Vengeance Soundtrack RA: "Act 1: Pas de Trois: 1. Intrada," Tchaikovsky, Swan Lake Enemy Territory: "Iron Piston," Jeehun Hwang, MechWarrior 2 Definitive Soundtrack Mission Briefing: "Threshold," Sean Kolton, MechWarrior 5 Mercenaries Soundtrack Outro: "Tenacity, Two," Austin Wintory, The Pathless: Meditations

In this episode, CINEMATIC SOUND RADIO pays tribute to a genuine soundtrack hero and pioneer… Intrada Records founder, Douglass Fake, who passed away at the age of 72 on July 13, 2024. Who was Douglass Fake? Well, one of Doug's closest friends and colleagues, Joe Sikoryak, wrote a beautiful obituary a few days after Doug's passing on Facebook. You can read it HERE! I personally never met Doug, but I did communicate with him and Roger Fiegelson, Intrada's executive producer, many times when requesting albums to play on my soundtrack show, which began in 1996. Doug and the rest of the crew at Intrada have been supporting the show for over 25 years, and I do remember Doug telling me that if I ever needed anything, I should call or email him or Roger and they'd send whatever I requested down immediately. It didn't matter if it was a new release or a release that came out ten years ago; if they had it in stock, they'd send it down. We planned to release this episode a few weeks ago but a few things popped up that slowed down production (work and illnesses). On top of that, the fine folks at Intrada Records were guests on Robert Emmett's soundtrack radio program "The Norman Bates Memorial Soundtrack Show," where they produced their own three-hour tribute show to Doug on Saturday August 24, 2024. So, not to step on any toes, I decided to delay the release of my own tribute show to today. So, on today's show, we'll be playing not only selections from Intrada's extensive soundtrack library, but also messages of remembrance from fans such as Amer Zahid, Chris Malone, Ian Clark, Jason Drury, Jim Wilson, Nick Zwar, Lee Wileman, and Victor Field. Doug's was a legend in the soundtrack community and we owe him a debt of gratitude for bringing much joy into our lives. Thank you, Doug. You will be missed. Enjoy the show! PS – During the program, you'll hear me mention that Chris Malone produced a heartfelt tribute to Doug on YouTube. You can see that video by clicking HERE! I also mentioned an episode of The Goldsmith Odyssey dedicated to the production of Intrada Records RIO CONCHOS recording. You can listen to that episode HERE! —— Special thanks to our Patreon supporters: Matt DeWater, David Ballantyne, Joe Wiles, Maxime, William Welch, Tim Burden, Alan Rogers, Dave Williams, Max Hamulyák, Jeffrey Graebner, Don Mase, Victor Field, Jochen Stolz, Emily Mason, Eric Skroch, Alexander Schiebel, Alphonse Brown, John Link, Andreas Wennmyr, Matt Berretta, Eldaly Morningstar, Jim Wilson, Glenn McDorman, Chris Malone, Steve Karpicz, Deniz Çağlar, Brent Osterberg, Jérôme Flick, Sarah Brouns, Aaron Collins, Randall Derchan, Angela Rabatin, Michael Poteet, Larry Reese, Thomas Tinneny, William Burke, Rudy Amaya, Stacy Livitsanis, Rick Laird, Carl Wonders, Nathan Blumenfeld, Lee Wileman, Daniel Herrin, Scott Bordelon, James Alexander, Brett French, Ian Clark —— Cinematic Sound Radio is fully licensed to play music by SOCAN. Support us on Patreon https://www.patreon.com/cinematicsoundradio Check out our NEW Cinematic Sound Radio TeePublic Store! https://www.teepublic.com/stores/cinematic-sound-radio Cinematic Sound Radio Web: http://www.cinematicsound.net Twitter: http://www.twitter.com/cinsoundradio Facebook: http://www.facebook.com/cinematicsound Cinematic Sound Radio Fanfare and Theme by David Coscina https://soundcloud.com/user-970634922 Bumper voice artist: Tim Burden http://www.timburden.com

Ron Howard en 1991 dirigió "Llamaradas" con un gran reparto copuesto por Kurt Russell, William Baldwin, Scott Glenn, Jennifer Jason Leigh, Rebecca De Mornay, Donald Sutherland y Robert De Niro. Con un presupuesto de 40 millones de dólares. hizo en taquilla 150 millones. Yo le tengo mucho aprecio, ya que una y otra vez me ponía el VHS, porque me gustaban las escenas con el fuego y por su banda sonora, compuesta por Hans Zimmer. De hecho, fue una de las primeras que me compré en CD. A finales de junio, Intrada ha editado una edición expandida que me parece espectacular y quiero compartir con vosotros algunos de los temás que más me han gustado. Espero que disfrutes de la proyección... Listado de temas - Hans Zimmer - Llamaradas - Backdraft 1. Backdraft Main Titles 2. Burnt Out Beamer 3. Mannequin Fire 4. Show Me Your Firetruck - She´s Hot And Smokey - Tim Burns 5. Swayzak´s OK 6. Final Fire - Who´s Your Brother! 7. Funeral 8. Hard Lesson To Learn 9. Burn It All 10. Bruce Hornsby and the Range - Set Me in Motion 11. Bruce Hornsby and the Range – The Show Must Go on 12. Fahrenheit 451 @AcomodadorEl

In the Clive Barker Podcast, long-time fans Ryan and Jose interview guests, bring you the news, and take deep dives into Barker-related stuff.  In Episode 457 We go over the new Nightbreed Soundtrack 2-disc CD Release from Intrada. Available in Podcast Audio and Youtube Video. Sponsor : Don Bertram's Celebrate Imagination | ETSY Store Check Out  “Stained Glass Tulip” on his Facebook page.  Check Out his videos going over the original painting “The Bug Brothers” and his intro to the 35th Anniversary screening of Hellraiser. There are some paintings on his Etsy shop to check out. Mother and Child II, The Star Gazer, The Folk Singer, The Pearl, The Portal, Top of the World.  And don't forget about his books, The Chimney Sweep's Tale and Celebrate Imagination Discussion: Nightbreed Soundrack Intrada 2-Disc Release Liner Notes Disc 1 – Music Cues Disc 2 – 1990 Soundtrack Release, Plus Extras Buy it From Intrada Intrada YouTube Channel Soundtrack Trailer Patreon Members Shout-Out (Become a Patron) David Anderson Erik Van T' Holt Daniel Elven Returning Sponsor: Don Bertram's Celebrate Imagination  Feedback From Listeners Coming Soon for our Patreon Subscribers Collector's Corner: Jericho Coming Next  Jericho Squad 77 Returns Phantasmagoria Hellraiser Interview Book Review of 4K Rawhead Rex More Boom Hellraiser comics discussion  Hellraiser Quartet of Torment Coverage And this podcast, having no beginning will have no end.  web www.clivebarkercast.com iOS App| Android App, Apple Podcasts, Google Podcasts, Android, Stitcher, Spotify, Pandora, Libsyn, Tunein, iHeart Radio, Pocket Casts, Google Play, Radio.com, DoubleTwist and YouTube and Join the Occupy Midian group Discord Community Twitter: @BarkerCast| @OccupyMidian  Buy Our Book: The BarkerCast Interviews Occupy Midian | Hardcover | Kindle | Apple Become a Patreon Patron Support the show, Buy a T-Shirt Music is by Ray Norrish All Links and show notes in their Entirety can be found at http://www.clivebarkercast.com

En este programa podrás escuchar una selección de temas de la edición expandida que ha editado Intrada de "La Roca". Cuando en 1996 se editó la música realizada por Nick Glennie Smith, Hans Zimmer y Harry Gregson-Williams apenas fueron 8 cortes de una hora total de duración. Ahora tenemos dos discos con 27 cortes más 8 de extras con un total de 3 horas y 5 minutos. Una gozada de banda sonora, la mejor de acción de los noventa. Espero que disfrutes de la proyección... Por cierto, "La Roca" ya tuvo monográfico junto a "Arma letal" y "Máximo riesgo" https://go.ivoox.com/rf/27288032 Lista de temas - Nick Glennie-Smith , Hans Zimmer y Harry Gregson-Williams - La Roca (edición expandida) - Programa 170 1. Opening–Naval Weapons Depot 2. Romance I–Tour's Over Bob 3. San Francisco Montage 4. Window Crash/Fairmont 5. Haircut/Escape: The Chase!! 27:32 6. Mason Into Furnace/SEALs Tunnel–SEAL Attack 7. Bombs 8. SEAL Attack (Alternate Segment) 9. Main Theme Idea (Nick's Demo Sketch) 10. Indiana Jones/Fight With Marines 51:51 11. Hammer Head 12. Mission's Over/Final Attack/Finale Despedida End Titles (Hummel / SEALs) Telegram: https://t.me/+RouezCycwBk1NGU0 X: @AcomodadorEl Bluesky: @elacomodador.bsky.social

Another titan of the game industry, George "The Fat Man" Sanger, joins us live at MAGWest! George has done so much to shape the course of game audio in America that the best we can hope for is scratching the surface with this post. During his career he's worked on numerous games, alongside his legendary group of cowboy composers under the moniker "Team Fat" which consisted of himself, Dave Govett, Joe McDermott and K. Weston Phelan. A short list of projects that George and Team Fat worked on: Thin Ice for Intellivision, Maniac Mansion and Rad Gravity for NES, Zombies Ate My Neighbors on SNES, a litany of computer games including Loom, The 7th Guest, The 11th Hour, Wing Commander I and II, Ultima Underworld, Putt-Putt Goes to the Moon, Putt-Putt Saves the Zoo, Pajama Sam 3, and many other games. He's done work for so many companies it'll be faster to just link to his Wikipedia or Mobygames pages. His influence in PC game music is especially strong. He's created think tanks and collaborated with audio companies which led to the adoption of hardware like the MT-32, General MIDI, and even redbook audio as data on CD-ROM games like the 7th Guest. In the 1990s, he was also one of the first to bring American VGM composers together through "Project Barbecue", an early precursor to events like GameSoundCon, MAGWest and others. We loved every minute of talking with George and hearing his hilarious stories; from his humble beginnings, to his lengthy career and accomplishments, to his work with Team Fat. He is a larger than life character in a suit and cowboy hat and we wouldn't have it any other way. If you haven't got your fill of George yet, check out a few more things: Team Fat Bandcamp page - buy some of their classic albums! George's website - Learn more about the man himself And a few plugs from George for good measure The 7th Guest VR Soups On - Remade music from 7th Guest and 11th Hour in a 4 vinyl set (fully funded Kickstarter) Pixelated Audio and the Fat Man Music composed by George Sanger or other members of Team Fat (Dave Govett, Joe McDermott, K. Weston Phelan) unless otherwise stated 0:00:00 (Bedding) Swing Commander (Rec Room) ver 1.7 - Wing Commander Remastered (MT-32) - Dave Govett and George Sanger 0:05:39 Surfin on Thin Ice - Intellivision Lives! (GC) Based on "Carnival of the Penguins" for the 1983/1986 Intellivision game "Thin Ice" - George Sanger 0:13:49 (Excerpt) Main Music - Capture the Flag (Atari 8-bit) 0:15:08 (Excerpt) Surfin on Thin Ice (Live) - Intellivision Lives! (GC) 0:18:02 Planet Theme - Rad Gravity (NES) 0:22:19 Title Theme - Rad Gravity (NES) 0:23:31 Go Get 'Em! - Wing Commander Remastered (MT-32) - Dave Govett and George Sanger 0:26:22 (Excerpt) Main Theme - Loom (MT-32) Based on "Pas de trois - Intrada" originally by Pyotr Ilyich Tchaikovsky, transcribed by George Sanger and Gary Hammond 0:27:32 Main Theme - SSN-21 Seawolf (MT-32) 0:34:33 Putt in Tunisia - Putt-Putt Goes to the Moon Remastered 0:48:28 Bedspread - The 7th Guest Remastered 0:54:00 I R Sam or Sam's House - Pajama Sam 3 Remastered 1:01:51 Train: The Lost Puzzle Piece (Unused) - The 7th Guest Remastered 1:06:57 Zombie Panic - Zombies Ate My Neighbors (SNES) - Joe McDermott and George Sanger 1:18:13 Dave's Theme - Maniac Mansion (NES) - David Hayes and David Warhol 1:21:53 Welcome to the Zoo (Final) - Putt-Putt Saves the Zoo Remastered - George Sanger and Team Fat

durée : 00:16:14 - Disques de légende du vendredi 16 septembre 2022 - Vincent Warnier, aux grandes orgues de l'église Saint-Etienne-du- Mont (Paris)

SOUNDTRACK ALLEY has become THE ESSENTIAL SOUNDTRACKS! Two years ago this month, host and producer Randy Andrews brought his film music podcast SOUNDTRACK ALLEY to the CINEMATIC SOUND RADIO PODCAST. We've enjoyed the partnership immensely and his show has brought a new dimension to the podcast in the form of long-formed reviews and analyses of soundtracks. However, we felt the need to separate our version of the show from the version that he still produces on his own under the SOUNDTRACK ALLEY moniker. Therefore, all SOUNDTRACK ALLEY episodes produced expressly for CINEMATIC SOUND RADIO will now be known as THE ESSENTIAL SOUNDTRACKS. The format of the show won't change. It will always remain a deep dive review into some of the best soundtracks of all time… scores that everyone should have in their collections… THE ESSENTIAL SOUNDTRACKS. On this premiere episode of the newly rebranded THE ESSENTIAL SOUNDTRACKS, host Randy Andrews and Erik Woods talk about the film and score to the 1984 Nick Castle-directed sci-fi/fantasy/adventure film, THE LAST STARFIGHTER, starring Lance Guest, Robert Preston, Dan O'Herlihy, Catherine Mary Stewart, Norman Snow, and Kay E. Kuter. The film tells the story of Alex Rogan, a teenager recruited by an alien defence force to fight in an interstellar war. Randy and Erik also detail the numerous themes in the score, the recording of the soundtrack, the composition and form of the action material, and the heart behind the music, especially the finale cue "Into The Starscape" The original score for the film was composed by Craig Safan and was recorded by Lyle Burbridge in Los Angeles. The original soundtrack recording was originally released on Southern Cross Records both on CD and LP in 1987. Intrada Records expanded the album both in 1995 and 2015. Earlier this year, Intrada released the definitive release of the score featuring the same program as the 2015 version but with greatly improved sound quality. You can buy that version of the album HERE! Thanks to Jason Drury and Tim Burden for their assistance. And a big thanks to Intrada's own Roger Fiegelson for providing the updated album to play on this show for you. Enjoy the program! Soundtrack Alley Theme by Alexander Schiebel —— Special thanks to our Patreon supporters: Matt DeWater, David Ballantyne, Mindtrickzz, Joe Wiles, Rich Alves, Maxime, William Welch, Tim Burden, Alan Rogers, Dave Williams, Max Hamulyák, Jeffrey Graebner, Douglas Lacey, Don Mase, Victor Field, Jochen Stolz, Emily Mason, Eric Skroch, Alexander Schiebel, Alphonse Brown, John Link, Andreas Wennmyr, Matt Berretta, Eldaly Morningstar, Glenn McDorman, Chris Malone, Steve Karpicz, Deniz Çağlar, Brent Osterberg, Jérôme Flick, Sarah Brouns, Aaron Collins, Randall Derchan, Paul Helmuth, Angela Rabatin, Michael Poteet, Larry Reese, Thomas Tinneny, William Burke, Clint Morgan, Rudy Amaya, Eric Marvin, Stacy Livitsanis. —— Cinematic Sound Radio is fully licensed to play music by SOCAN. Support us on Patreon https://www.patreon.com/cinematicsoundradio Check out our NEW Cinematic Sound Radio TeePublic Store! https://www.teepublic.com/stores/cinematic-sound-radio Cinematic Sound Radio Web: http://www.cinematicsound.net Twitter: http://www.twitter.com/cinsoundradio Facebook: http://www.facebook.com/cinematicsound Cinematic Sound Radio Fanfare and Theme by David Coscina https://soundcloud.com/user-970634922 Bumper voice artist: Tim Burden http://www.timburden.com

Soundtrack producer Mike Matessino returns to The Magic of John Williams as he, Ron and Laird reminisce about the 80’s with a particular focus on the movies of the era highlighted by SpaceCamp and its recently released expanded soundtrack from Intrada. Mike chats about the movie and its music and how it works throughout the film plus a whole lot more. [Part 1 of 2]

Soundtrack producer Mike Matessino returns to The Magic of John Williams as he, Ron and Laird reminisce about the 80’s with a particular focus on the movies of the era highlighted by SpaceCamp and its recently released expanded soundtrack from Intrada. Mike chats about the movie and its music and how it works throughout the film plus a whole lot more. [Part 1 of 2]

Soundtrack producer Mike Matessino returns to The Magic of John Williams as he, Ron and Laird reminisce about the 80’s with a particular focus on the movies of the era highlighted by SpaceCamp and its recently released expanded soundtrack from Intrada. Mike chats about the movie and its music and how it works throughout the film plus a whole lot more. [Part 1 of 2]

Soundtrack producer Mike Matessino returns to The Magic of John Williams as he, Ron and Laird reminisce about the 80’s with a particular focus on the movies of the era highlighted by SpaceCamp and its recently released expanded soundtrack from Intrada. Mike chats about the movie and its music and how it works throughout the film plus a whole lot more. [Part 1 of 2]

Producer Mike Matessino talks the latest John Williams expanded reissues just released: the 1986 space adventure film SpaceCamp and the 1990 courtroom drama Presumed Innocent Hosted by Maurizio Caschetto and Tim Burden For the joy of fans and admirers of the Maestro around the world, the first two John Williams expanded archival releases of 2022 have been recently announced. They are respectively SpaceCamp (from Intrada) and Presumed Innocent (from Varèse Sarabande), two sought-after titles that have been long out of print and that now are finally available in expanded and remastered form courtesy of Soundtrack Producer Mike Matessino, giving a new chance to listeners to appreciate and rediscover two very unique and distinctive film works in John Williams' catalogue. In this conversation, Matessino returns to The Legacy of John Williams podcast to discuss how both SpaceCamp and Presumed Innocent fit into the chronology of John Williams' career, talking about how the composer became a household name during the 1980s and how he challenged himself in new and diverse projects. Special Thanks to Douglass Fake & Roger Feigelson (Intrada), Cary Mansfield (Varèse Sarabande) and to Mike Matessino. For more information, visit https://thelegacyofjohnwilliams.com/

Listen to an exclusive preview of the new expanded release of John Williams' SpaceCamp, now available from Intrada Hosted by Maurizio Caschetto and Tim Burden The Legacy of John Williams presents a special podcast "bonus" episode celebrating the release of the expanded edition of one of John Williams' most uplifting and joyous scores from the 1980s: SpaceCamp, composed for the 1986 film directed by Harry Winer and starring Kate Capshaw, Lea Thompson, Kelly Preston and a very young Joaquin Phoenix, telling the story of a group of young kids accidentally launched deep into outer space during an astronaut training program. Specialty soundtrack label Intrada just announced the release of a 2-CD set featuring the complete film score composed by John Williams on disc 1 (mastered from the recently found original three-track film mixes by engineer Armin Steiner), and the original soundtrack album program as mixed for record by Len Engel from a newly mastered hi-res transfer of the 1/4" album master on disc 2. This new edition is once again assembled, mastered and produced brilliantly by Mike Matessino, who also wrote detailed liner notes chronicling the film's history and production and providing an excellent analysis of the score. A conversation with Mike Matessino discussing this new release is coming soon on The Legacy of John Williams podcast, but as a gift to our readers and listeners, The Legacy of John Williams presents a bonus "prologue" episode featuring two full tracks from this new release, including the long-awaited unreleased cue "Arriving at Daedalus", perhaps one of the most sought-after in the long list of previously unreleased pieces from Williams' filmography. So, sit back, relax and prepare to enjoy a special treat, courtesy of Intrada and Mike Matessino. Order your copy of SpaceCamp Expanded Edition at Intrada's website: SpaceCamp Expanded Edition 2-CD set   Special Thanks to Douglass Fake, Roger Feigelson and Jeff Johnson at Intrada, and to Mike Matessino.

 This episode we discuss some of our favorite science fiction and fantasy film scores. There have been some truly amazing and memorable scores, music which helps define the films and give them their identity. These scores are inseparable from the visuals and they invoke the story just as much.  Each of us shares three film scores and describes just what it is about that score that we find so fascinating.Bob's picks:The Bride of Frankenstein by Franz WaxmanForbidden Planet by Bebe and Louis BarronMothra by Yuji KosekiKaren's picks:Star Trek The Motion Picture by Jerry GoldsmithPredator by Alan SilvestriThe Omega Man by Ron GrainerLarry's picks:Superman by John WilliamsStar Trek II: The Wrath of Khan by James HornerThe Lord of the Rings: The Two Towers by Howard ShoreFor our Sensor Sweep we continue the theme with Chief Engineer Bob providing info on sites where soundtrack albums can be purchased - we are all big fans of physical media! Check out these sites:IntradaLa La Land RecordsWaxWorks RecordsMondoThat's all for now. Our big 100th episode is coming soon...what strange surprises await? Stay tuned!Twitter: https://twitter.com/Planet8CastFacebook: www.Facebook.com/Planet8PodcastYouTube: https://youtube.com/Planet8podcastThanks for listening! 

Знаменитый альбом группировки Wu-Tang Clan "Once Upon a Time in Shaolin" выкуплен криптовалютной патформой PleasrDAO. Альбом был записан Кланом 7 лет назад в знак протеста против обесценивания музыки в эпоху цифровых технологий. До последнего времени единственная копия пластинки, записанной в 2015 году, принадлежал скандально известному предпринимателю и "фармацевту" Мартину Шкрели, а после его заключения в тюрьму была конфискована правительством и в июле 2021 года была продана с государственного аукциона, чтобы покрыть долги Шкрели перед правительством США. На момент продажи имя покупателя не разглашалось. PleasrDAO приобрела альбом за криптуовалюту - сделка эквивалентна сумме в 4 миллиона долларов, но поскольку правительство не считает криптовалюту реальными деньгами, покупка была осуществлена ​​через посредника. PleasrDAO ранее покупала цифровые предметы коллекционирования, связанные со скандальной российской группой Pussy Riot и Эдвардом Сноуденом, и компания считает, что «Once Upon a Time in Shaolin» вписывается в этот дух «бунтовщиков против истеблишмента». PleasrDAO (DAO расшифровывается как «децентрализованная автономная организация») возглавляет 34-летний Джеймис Джонсон, который называет свою должность «главное доверенное лицо» (Chief Pleasing Officer). - Это прекрасное произведение искусства, это решительный протест против посредников и соискателей ренты музыкантов и художников, пошло не тем путем, попав в руки Мартина Шкрели, главного интернет-злодея, - говорит Джонсон. - Мы хотели бы вернуть его людям. Мы считаем, что можем что-то сделать с этим произведением, чтобы им могли делиться и в идеале частично владеть фанаты и все в мире. PleasrDAO пока не совсем понимает, как это сделать в соответствии с условиями договора купли-продажи. Некоторые идеи включали в себя вечеринки для прослушивания, выставки в стиле галереи или предоставление фанатам возможности стать совладельцами альбома. Снуп Догг подарил себе на 50-летие новый проект при участии звёзд Def Jam. Snoop Dogg отмечает 50-летний юбилей - и отмечает его анонсом нового музыкального проекта. Он будет называться The Algorithm, и рэпер уже поспешил назвать его "всеобъемлющим новым проектом, в котором представлены артисты из прошлого, настоящего и будущего легендарного лейбла Def Jam", как говорится в официальном заявлении. Среди уже заявленных участников "Алгоритма" - сам Снуп, а также его коллеги Ice Cube, E-40 и Too $hort. Последний также выпустил под ником Mount Westmore трек ‘Big Subwoofer', которым Снуп поделился в соцсетях. "В этом альбоме столько талантов, столько музыкальных стилей, что это нарушает алгоритм ”, - говорится в заявлении Снупа. - "Прямо сейчас алгоритм говорит нам, что мы должны именно так читать рэп, мы должны так звучать, но он не говорит нам, как это должно ощущаться. Мой алгоритм даст вам ощущение, а не звук". Поп-ап-фестиваль Sound UP меняет привычный формат — на выступлении в Театре Маяковского музыканты займут партер, а зрители разместятся прямо на сцене. Главной темой перформанса станет феномен тишины в музыке. Что это такое? Как тишину воспринимали музыканты разных эпох? Как они с ней работали? Какой диалог они вели с ней? Означает ли она тотальную беззвучность? Какие фигуры умолчания скрывает тишина и какие смыслы роятся в ее пространстве? На все эти вопросы зрители смогут ответить себе в ходе концерта. Куратор проекта Дмитрий Курляндский объединил диджитал-арт-дуэт 404.zero, оркестр фестиваля новой музыки Sound Up и вокальный ансамбль Intrada, чтобы исполнить в этот вечер симфонию Гайдна, вариации для фортепиано Антона Вебера, "Метамузыку" Сергея Загния и другие произведения. финал выступления ознаменуется исполнением восьми тактов Lacrimosa из «Реквиема» Моцарта — последнего нотного текста, написанного композитором. Фронтмен Depeche Mode и группа Soulsavers выпускают третий совместный альбом. На нем - песни Боба Дилана, a-ha, Нила Янга и других классиков поп-музыки. Фронтмен Depeche Mode Дэвид Гэан выпускает третий совместный альбом с британской группой Soulsavers. Альбом будет называться "Imposter", он выйдет 12 ноября 2021 года на Columbia Records. В треклисте - 12 "переосмысленных песен разных жанров и временных периодов" - Нила Янга, P.J. Harvey, Cat Power, Боба Дилана и других. - Когда я слушаю голоса и песни других людей и, что более важно, то, как они их поют и интерпретируют слова, я чувствую себя как дома, - говорит Дэйв Гэан. - Я отождествляю себя с ними. Меня это утешает больше всего на свете. На альбоме нет ни одного музыканта, который бы меня не тронул. Я знаю, что мы сделали что-то особенное, и я надеюсь, что другие люди это почувствуют, и это заставит их совершить небольшое путешествие - особенно людей, которые любят музыку и любили музыку годами. Первые две работы Гэага и Soulsavers - "The Light the Dead See" (2012) и "Angels & Ghosts" (2015) - пользовались огромным успехом. На обоих Гэан выступал в роли вокалиста и соавтора оригинальных песен. Coldplay выпустили новый альбом "Music of the Spheres". Это уже девятая студийная пластинка в дискографии группы. Её продюсированием занимался один из самых знаменитых шведских продюсеров - Макс Мартин (Max Martin), на счету которого огромное множество композиций с первых строчек хит-парадов. Под его руководством альбом явно записан с прицелом на поп-радиоэфир: в целом это скорее танцевальная запись, разбавленная холодной электроникой, которая призвана имитировать звуки далёкого космоса. LP насчитывает 12 треков, один из которых - "My Universe" - записан вместе с группой BTS. Видеоклип на этот трек был выпущен ещё в конце сентября и уже пользуется большой популярностью у армии поклонников BTS.

Ted and John welcome Jeff Johnson from Intrada Records in Oakland, CA to talk about soundtracks. Intrada is both a record label and store that's committed to releasing quality film, television and game soundtracks on CD. Ted, John, and Jeff talk about some of their favorite movie and TV soundtracks and spotlight some songs and music cues that they love.

Sct. Olai Kirke. Helsingør Domkirke. Helsingør stift. Afskedsgudstjeneste for biskop Liselotte Rebel. Prædikant: Biskop Liselotte Rebel. Organist: Else-Marie Kristoffersen. Det danske Pigekor, trompetist Jeppe Lindberg. Salmer: 402: "Den signede dag". 305: "Kom Gud Helligånd, kom brat". 319: "Vidunderligst af alt på jord". 192, v. 7-9: "Hil dig frelser og forsoner". Præludium: Intrada. Komponist: Carl-Aage Eliasson. Kyrie af Bo Grønbech (skrevet til Liselotte Rebel). Korsang efter prædikenen. Morgenstund har guld i mund. Komponist: C.E.F. Weyse. Postludium: Festival Toccata. Komponist: Percy Fletcher. Vært: Katarina Lewkovitch. www.dr.dk/tro

“A Restored Innocence,” the 9/13/2020 sermon by Pastor Matt Sturtevant, based on the week’s Narrative Lectionary topic, “Creation and Fall.” This is part of the “A Narrative Journey” series that will follow the Narrative Lectionary from September 13 through the end of May 2021. Podcast includes entire worship service. Scripture reference: Genesis 3:1–8. Music licensing: The following music is used by permission under CCLI license #20126570: “Intrada” Matthew H. Corl ©2000, The H.W. Gray Publications “All Glory Be To God on High” Tune: MIT FREUDEN ZART Text: Nicolaus Decius, 1522; trans. By Gilbert E. Doan, 1978 Music: Bohemian Brethren’s Kirchengeange, 1566; harm. by Heinrich Reimann, 1895 Words: 1978 Augsburg Fortress Press. “We Praise Thee, O God” Tune: REVIVE US AGAIN. Words: William P. Mackay, 1863. Music: John J. Husband, 1815. Public domain. “God Who Made Us, Christ Who Calls Us” Tune: GALILEE Words: Terry W. York, 2006 Music: William H. Jude, 1874 ©2010 George W. Truett Theological Seminary, Baylor University (words) “Take Time to Be Holy” by George C. Stebbins/arr. by Tom Fettke ©2004 Alfred Music Publishing Co. “Praise God From Whom All Blessings Flow” (Doxology) Tune: OLD 100th Tune & text by Thomas Ken (1674) Public domain. “Make Room” Words & Music by Kyle Matthews ©2000 Kyle Matthews/BMG Songs, Inc./Above The Rim Music/ASCAP. “For the Healing of the Nations” Tune: CWM RHONDDA Words:  Fred Kaan, 1965 Music: John Hughes, 1907 ©1968 Hope Music Publishing Co. (words) “Intrada Festiva” Dale Wood ©1998, The Sacred Music Press

间谍文学一度被视为上不得台面的商业文学。然而在20世纪，伴随着冷战的发生，涌现出了一批间谍小说大师，他们作品的深度与思想性丝毫不弱于严肃文学，他们的读者里有商界领袖、学术精英甚至大国情报头目。本期《忽左忽右》，正在进行类型小说创作的《上海书评》执行主编郑诗亮为大家带来有关间谍文学的一切。【主持】程衍樑（新浪微博：@GrenadierGuard）杨一（新浪微博：@杨一1 ）【嘉宾】郑诗亮，《上海书评》执行主编（豆瓣ID:PomBom）沙青青，上海图书馆历史文献中心副主任（豆瓣ID：BBpanda） 04:00英国为何能在在间谍小说领域占据崇高地位05:00吉卜林笔下的文学形象启发了“剑桥五杰”06:50为什么冷战题材的间谍小说人物更具深度07:40勒卡雷与格雷厄姆·格林的有趣对比10:40肯·福莱特间谍文学里的工党价值观12:50 007系列原著在英国上流社会遭遇冷眼13:50间谍小说家的苦恼：受欢迎还是被认可？15:00英国情报机构充斥着大量左派人士16:10《锅匠裁缝士兵间谍》其实是一本职场小说17:30情报人员的日常工作并不神秘18:45詹姆斯·邦德在勒卡雷小说里成了干脏活的蓝领22:10冷战时代的记者作家常充当编制外的情报人员26:30美国国家档案馆与《信息自由法》27:15文化名流与情报机构互相利用、各取所需30:30苏联情报头子爱读勒卡雷小说31:25每个作家内心深处都有一个间谍梦32:40西方文艺作品对于对手的社会描述往往很浅薄34:05张爱玲、钱钟书都爱看《柏林谍影》35:10间谍电影的一个问题在于男主太帅36:05英美情报机构青睐历史学者与摩门教徒40:10人类学“脑后有反骨”，不被情报机构喜欢41:00历史研究与情报工作方法论上契合41:40学界特工揪出学界“鼹鼠”的经典案例49:00每一座“谍都”都值得诞生一部经典小说52:10沙青青谈自己的情报纪实作品58:43局势复杂的地区永远都会有情报掮客60:10同一阵营的不同情报机构也会互相抢条线61:16韩国电影倾向于夸大自身情报机关的作用62:40英国人在面对CIA的存在时从容很多69:25满铁调查部曾容纳许多左翼日本人73:50郑诗亮谈《春天的十七个瞬间》76:45苏联七八十年代的间谍文学很优秀79:06许多类型文学作家最好的作品都是冷战题材80:39福赛斯的技术流小说堪称操作指南83:13类型文学发达得益于大众商业社会84:33金·费尔比准确预言了今天的俄国领袖86:36间谍出身与军人出身是完全不同的思维方式87:26情报人员跳槽前往商业公司很普遍87:59后冷战时代的出色间谍将在码农中诞生88:15剿灭拉登行动背后的“码农立志传”90:23未来间谍文艺还有很大的延伸空间【延伸资料】《三十九级台阶》约翰·巴肯《密探》约瑟夫·康拉德《柏林谍影》约翰·勒卡雷《锅匠裁缝士兵间谍》约翰·勒卡雷《寒鸦行动》肯·福莱特《007全集》伊恩·弗莱明《代号D机关》柳广司《伯恩的身份》罗伯特·陆德伦《澳新内幕》约翰·根室《春天的十七个瞬间》尤·谢苗诺夫《伟大的经典》F.R.利维斯《古典传统》吉尔伯特·海厄特《满铁调查》《豺狼的日子》弗·福赛斯【音乐】"James Bond Theme"（John Barry & Orchestra·Dr. No·1962·United Artists Records and Liberty Records）"National Anthem Of The USSR"（The Red Army Choir·The Best Of The Red Army Choir - The Definitive Collection·2002·Silva Screen）"Piano Prelude"（Sol Kaplan·The Spy Who Came In From the Cold (Original Soundtrack)·1965·Intrada）"La Mer (El Mar)"（Julio Iglesias·En El Olympia·1976·RCA）【logo设计】杨文骥【制作总监】王若弛【收听方式】推荐您使用「苹果播客」、Spotify、小宇宙App或任意安卓播客客户端订阅收听《忽左忽右》，也可通过喜马拉雅FM收听。【本节目由JustPod出品】【互动方式】联系方式：contact@justpod.fm微博：@忽左忽右leftright微博：@播客一下微信公众号：忽左忽右Leftright微信公众号：播客一下

间谍文学一度被视为上不得台面的商业文学。然而在20世纪，伴随着冷战的发生，涌现出了一批间谍小说大师，他们作品的深度与思想性丝毫不弱于严肃文学，他们的读者里有商界领袖、学术精英甚至大国情报头目。本期《忽左忽右》，正在进行类型小说创作的《上海书评》执行主编郑诗亮为大家带来有关间谍文学的一切。【主持】程衍樑（新浪微博：@GrenadierGuard）杨一（新浪微博：@杨一1 ）【嘉宾】郑诗亮，《上海书评》执行主编（豆瓣ID:PomBom）沙青青，上海图书馆历史文献中心副主任（豆瓣ID：BBpanda） 04:00英国为何能在在间谍小说领域占据崇高地位05:00吉卜林笔下的文学形象启发了“剑桥五杰”06:50为什么冷战题材的间谍小说人物更具深度07:40勒卡雷与格雷厄姆·格林的有趣对比10:40肯·福莱特间谍文学里的工党价值观12:50 007系列原著在英国上流社会遭遇冷眼13:50间谍小说家的苦恼：受欢迎还是被认可？15:00英国情报机构充斥着大量左派人士16:10《锅匠裁缝士兵间谍》其实是一本职场小说17:30情报人员的日常工作并不神秘18:45詹姆斯·邦德在勒卡雷小说里成了干脏活的蓝领22:10冷战时代的记者作家常充当编制外的情报人员26:30美国国家档案馆与《信息自由法》27:15文化名流与情报机构互相利用、各取所需30:30苏联情报头子爱读勒卡雷小说31:25每个作家内心深处都有一个间谍梦32:40西方文艺作品对于对手的社会描述往往很浅薄34:05张爱玲、钱钟书都爱看《柏林谍影》35:10间谍电影的一个问题在于男主太帅36:05英美情报机构青睐历史学者与摩门教徒40:10人类学“脑后有反骨”，不被情报机构喜欢41:00历史研究与情报工作方法论上契合41:40学界特工揪出学界“鼹鼠”的经典案例49:00每一座“谍都”都值得诞生一部经典小说52:10沙青青谈自己的情报纪实作品58:43局势复杂的地区永远都会有情报掮客60:10同一阵营的不同情报机构也会互相抢条线61:16韩国电影倾向于夸大自身情报机关的作用62:40英国人在面对CIA的存在时从容很多69:25满铁调查部曾容纳许多左翼日本人73:50郑诗亮谈《春天的十七个瞬间》76:45苏联七八十年代的间谍文学很优秀79:06许多类型文学作家最好的作品都是冷战题材80:39福赛斯的技术流小说堪称操作指南83:13类型文学发达得益于大众商业社会84:33金·费尔比准确预言了今天的俄国领袖86:36间谍出身与军人出身是完全不同的思维方式87:26情报人员跳槽前往商业公司很普遍87:59后冷战时代的出色间谍将在码农中诞生88:15剿灭拉登行动背后的“码农立志传”90:23未来间谍文艺还有很大的延伸空间【延伸资料】《三十九级台阶》约翰·巴肯《密探》约瑟夫·康拉德《柏林谍影》约翰·勒卡雷《锅匠裁缝士兵间谍》约翰·勒卡雷《寒鸦行动》肯·福莱特《007全集》伊恩·弗莱明《代号D机关》柳广司《伯恩的身份》罗伯特·陆德伦《澳新内幕》约翰·根室《春天的十七个瞬间》尤·谢苗诺夫《伟大的经典》F.R.利维斯《古典传统》吉尔伯特·海厄特《满铁调查》《豺狼的日子》弗·福赛斯【音乐】"James Bond Theme"（John Barry & Orchestra·Dr. No·1962·United Artists Records and Liberty Records）"National Anthem Of The USSR"（The Red Army Choir·The Best Of The Red Army Choir - The Definitive Collection·2002·Silva Screen）"Piano Prelude"（Sol Kaplan·The Spy Who Came In From the Cold (Original Soundtrack)·1965·Intrada）"La Mer (El Mar)"（Julio Iglesias·En El Olympia·1976·RCA）【logo设计】杨文骥【制作总监】王若弛【收听方式】推荐您使用「苹果播客」、Spotify、小宇宙App或任意安卓播客客户端订阅收听《忽左忽右》，也可通过喜马拉雅FM收听。【本节目由JustPod出品】【互动方式】联系方式：contact@justpod.fm微博：@忽左忽右leftright微博：@播客一下微信公众号：忽左忽右Leftright微信公众号：播客一下

间谍文学一度被视为上不得台面的商业文学。然而在20世纪，伴随着冷战的发生，涌现出了一批间谍小说大师，他们作品的深度与思想性丝毫不弱于严肃文学，他们的读者里有商界领袖、学术精英甚至大国情报头目。本期《忽左忽右》，正在进行类型小说创作的《上海书评》执行主编郑诗亮为大家带来有关间谍文学的一切。【主持】程衍樑（新浪微博：@GrenadierGuard）杨一（新浪微博：@杨一1 ）【嘉宾】郑诗亮，《上海书评》执行主编（豆瓣ID:PomBom）沙青青，上海图书馆历史文献中心副主任（豆瓣ID：BBpanda） 04:00英国为何能在在间谍小说领域占据崇高地位05:00吉卜林笔下的文学形象启发了“剑桥五杰”06:50为什么冷战题材的间谍小说人物更具深度07:40勒卡雷与格雷厄姆·格林的有趣对比10:40肯·福莱特间谍文学里的工党价值观12:50 007系列原著在英国上流社会遭遇冷眼13:50间谍小说家的苦恼：受欢迎还是被认可？15:00英国情报机构充斥着大量左派人士16:10《锅匠裁缝士兵间谍》其实是一本职场小说17:30情报人员的日常工作并不神秘18:45詹姆斯·邦德在勒卡雷小说里成了干脏活的蓝领22:10冷战时代的记者作家常充当编制外的情报人员26:30美国国家档案馆与《信息自由法》27:15文化名流与情报机构互相利用、各取所需30:30苏联情报头子爱读勒卡雷小说31:25每个作家内心深处都有一个间谍梦32:40西方文艺作品对于对手的社会描述往往很浅薄34:05张爱玲、钱钟书都爱看《柏林谍影》35:10间谍电影的一个问题在于男主太帅36:05英美情报机构青睐历史学者与摩门教徒40:10人类学“脑后有反骨”，不被情报机构喜欢41:00历史研究与情报工作方法论上契合41:40学界特工揪出学界“鼹鼠”的经典案例49:00每一座“谍都”都值得诞生一部经典小说52:10沙青青谈自己的情报纪实作品58:43局势复杂的地区永远都会有情报掮客60:10同一阵营的不同情报机构也会互相抢条线61:16韩国电影倾向于夸大自身情报机关的作用62:40英国人在面对CIA的存在时从容很多69:25满铁调查部曾容纳许多左翼日本人73:50郑诗亮谈《春天的十七个瞬间》76:45苏联七八十年代的间谍文学很优秀79:06许多类型文学作家最好的作品都是冷战题材80:39福赛斯的技术流小说堪称操作指南83:13类型文学发达得益于大众商业社会84:33金·费尔比准确预言了今天的俄国领袖86:36间谍出身与军人出身是完全不同的思维方式87:26情报人员跳槽前往商业公司很普遍87:59后冷战时代的出色间谍将在码农中诞生88:15剿灭拉登行动背后的“码农立志传”90:23未来间谍文艺还有很大的延伸空间【延伸资料】《三十九级台阶》约翰·巴肯《密探》约瑟夫·康拉德《柏林谍影》约翰·勒卡雷《锅匠裁缝士兵间谍》约翰·勒卡雷《寒鸦行动》肯·福莱特《007全集》伊恩·弗莱明《代号D机关》柳广司《伯恩的身份》罗伯特·陆德伦《澳新内幕》约翰·根室《春天的十七个瞬间》尤·谢苗诺夫《伟大的经典》F.R.利维斯《古典传统》吉尔伯特·海厄特《满铁调查》《豺狼的日子》弗·福赛斯【音乐】"James Bond Theme"（John Barry & Orchestra·Dr. No·1962·United Artists Records and Liberty Records）"National Anthem Of The USSR"（The Red Army Choir·The Best Of The Red Army Choir - The Definitive Collection·2002·Silva Screen）"Piano Prelude"（Sol Kaplan·The Spy Who Came In From the Cold (Original Soundtrack)·1965·Intrada）"La Mer (El Mar)"（Julio Iglesias·En El Olympia·1976·RCA）【logo设计】杨文骥【制作总监】王若弛【收听方式】推荐您使用「苹果播客」、Spotify、小宇宙App或任意安卓播客客户端订阅收听《忽左忽右》，也可通过喜马拉雅FM收听。【本节目由JustPod出品】【互动方式】联系方式：contact@justpod.fm微博：@忽左忽右leftright微博：@播客一下微信公众号：忽左忽右Leftright微信公众号：播客一下

间谍文学一度被视为上不得台面的商业文学。然而在20世纪，伴随着冷战的发生，涌现出了一批间谍小说大师，他们作品的深度与思想性丝毫不弱于严肃文学，他们的读者里有商界领袖、学术精英甚至大国情报头目。本期《忽左忽右》，正在进行类型小说创作的《上海书评》执行主编郑诗亮为大家带来有关间谍文学的一切。【主持】程衍樑（新浪微博：@GrenadierGuard）杨一（新浪微博：@杨一1 ）【嘉宾】郑诗亮，《上海书评》执行主编（豆瓣ID:PomBom）沙青青，上海图书馆历史文献中心副主任（豆瓣ID：BBpanda） 04:00英国为何能在在间谍小说领域占据崇高地位05:00吉卜林笔下的文学形象启发了“剑桥五杰”06:50为什么冷战题材的间谍小说人物更具深度07:40勒卡雷与格雷厄姆·格林的有趣对比10:40肯·福莱特间谍文学里的工党价值观12:50 007系列原著在英国上流社会遭遇冷眼13:50间谍小说家的苦恼：受欢迎还是被认可？15:00英国情报机构充斥着大量左派人士16:10《锅匠裁缝士兵间谍》其实是一本职场小说17:30情报人员的日常工作并不神秘18:45詹姆斯·邦德在勒卡雷小说里成了干脏活的蓝领22:10冷战时代的记者作家常充当编制外的情报人员26:30美国国家档案馆与《信息自由法》27:15文化名流与情报机构互相利用、各取所需30:30苏联情报头子爱读勒卡雷小说31:25每个作家内心深处都有一个间谍梦32:40西方文艺作品对于对手的社会描述往往很浅薄34:05张爱玲、钱钟书都爱看《柏林谍影》35:10间谍电影的一个问题在于男主太帅36:05英美情报机构青睐历史学者与摩门教徒40:10人类学“脑后有反骨”，不被情报机构喜欢41:00历史研究与情报工作方法论上契合41:40学界特工揪出学界“鼹鼠”的经典案例49:00每一座“谍都”都值得诞生一部经典小说52:10沙青青谈自己的情报纪实作品58:43局势复杂的地区永远都会有情报掮客60:10同一阵营的不同情报机构也会互相抢条线61:16韩国电影倾向于夸大自身情报机关的作用62:40英国人在面对CIA的存在时从容很多69:25满铁调查部曾容纳许多左翼日本人73:50郑诗亮谈《春天的十七个瞬间》76:45苏联七八十年代的间谍文学很优秀79:06许多类型文学作家最好的作品都是冷战题材80:39福赛斯的技术流小说堪称操作指南83:13类型文学发达得益于大众商业社会84:33金·费尔比准确预言了今天的俄国领袖86:36间谍出身与军人出身是完全不同的思维方式87:26情报人员跳槽前往商业公司很普遍87:59后冷战时代的出色间谍将在码农中诞生88:15剿灭拉登行动背后的“码农立志传”90:23未来间谍文艺还有很大的延伸空间【延伸资料】《三十九级台阶》约翰·巴肯《密探》约瑟夫·康拉德《柏林谍影》约翰·勒卡雷《锅匠裁缝士兵间谍》约翰·勒卡雷《寒鸦行动》肯·福莱特《007全集》伊恩·弗莱明《代号D机关》柳广司《伯恩的身份》罗伯特·陆德伦《澳新内幕》约翰·根室《春天的十七个瞬间》尤·谢苗诺夫《伟大的经典》F.R.利维斯《古典传统》吉尔伯特·海厄特《满铁调查》《豺狼的日子》弗·福赛斯【音乐】"James Bond Theme"（John Barry & Orchestra·Dr. No·1962·United Artists Records and Liberty Records）"National Anthem Of The USSR"（The Red Army Choir·The Best Of The Red Army Choir - The Definitive Collection·2002·Silva Screen）"Piano Prelude"（Sol Kaplan·The Spy Who Came In From the Cold (Original Soundtrack)·1965·Intrada）"La Mer (El Mar)"（Julio Iglesias·En El Olympia·1976·RCA）【logo设计】杨文骥【制作总监】王若弛【收听方式】推荐您使用「苹果播客」、Spotify、小宇宙App或任意安卓播客客户端订阅收听《忽左忽右》，也可通过喜马拉雅FM收听。【本节目由JustPod出品】【互动方式】联系方式：contact@justpod.fm微博：@忽左忽右leftright微博：@播客一下微信公众号：忽左忽右Leftright微信公众号：播客一下

Tema: Herre Gud, fyld vort liv med din Ånd Tekster: Jer 31,31-34. ApG 2,1-11. Joh 14,15-21 Præludium: Intrada. Carl-Aage Eliasson Solveig Bach Tofft, orgel og Stefanos Sokianos, saxofon Salmer 290: I al sin glans nu stråler solen 302: Gud Helligånd! o, kom Fællessang 057 Helligånd, vor sorg du slukke Sange og salmer 642 Dine løfter er mange 292: Kærligheds og sandheds Ånd Motet: Kraften fra det høje. DDS 287. Musik: Christian Præstholm Postludium: Trumpet Tune. Maurice Green Præst, optagelse og redigering: Jóannis Fonsdal

Interview with soundtrack producer Mike Matessino on his restoration work for two lesser-known scores from John Williams' filmography Hosted by Maurizio Caschetto and Tim Burden In this new episode, soundtrack producer Mike Matessino talks in-depth about his work on the expanded soundtrack releases of John Williams's scores for Far and Away and The River, released respectively on La-La Land Records and Intrada. Matessino joins The Legacy of John Williams editor Maurizio Caschetto and co-host Tim Burden to offer background information about the remastering and production process of each release. Matessino comments on John Williams's creative journey for these films in a long and engaging conversation, where several topics beyond the two releases are also discussed. Discover more at thelegacyofjohnwilliams.com

Vabljeni k poslušanju posnetka koncerta Katedre za sakralno glasbo Akademije za glasbo, ki je potekal maja lani v Gallusovi dvorani Cankarjevega doma. Na orglah se bodo predstavili študenti, ki vadijo pod vodstvom mentorjev Maria Perestegija in Maksa Strmčnika, in izvedli dela več različnih slogovnih obdobij: Anđelko Klobučar: Intrada, Pastorala in Tokata Vincent Lübeck: Preludij ex E Dietrich Buxtehude: Koralna obdelava »In dulci Jubilo« Dietrich Buxtehude: Koralna obdelava »Von Gott will ich nicht lassen« Vilko Ukmar: Preambulum Nikola Lovrić Caparin: Improvizacija – Velikonočno jutro

05 20 2018 - Intrada And March From “Purcell Suite” by Snowmass Chapel

On this special episode of SlyCast - The Sylvester Stallone Fan Podcast Craig sits down with composer Vince DiCola to discuss his work on Staying Alive, Rocky IV and more.Big thanks to Vince for taking the time to chat with us and a special thanks to BJ from the Rock and/or Roll Podcast for getting us in touch with Mr. DiCola.Download (right click, save as)Vince DiCola on FacebookVince DiCola Scores via IntradaMAGFest 2018: Vince DiCola with LONELYROLLINGSTARSRock and/or Roll

Episode 90 of The DFC is brought to you by www.twoheadeddog.com TG brings you another action packed episode of the latest film/related/electronic sounds around! Featuring releases from Intrada, Ship To Shore Phono Co, Burning Witches Records, Data Discs, Invada and more. Be sure to swing by our Patreon and find out how you can help keep The DFN on the air: https://www.patreon.com/damnfinenetwork Created by Tony Giles & Scott Johannsson DFN Ident by Repeated Viewing DFC Logo by Dan Cullinan

The Hunt for Red October with Lukas Kendall.   For eighty episodes and three supplementals, Melodic Treks has explored the world of Star Trek composers and their works outside of the Star Trek franchise. Basil Poledouris is a talented composer, and while he never composed for the franchise, he did appear in roles as an extra for three episode of the original Star Trek. In this episode of Melodic Treks, host Brandon-Shea Mutala is joined by film music historian Lukas Kendall to discuss the score for the film The Hunt for Red October. We also talk about Poledouris' career, why soundtracks used to be so short, the meaning of a "cult film," and how the budget for the scoring of the film was truncated during production and how that affected the score. Chapters Intro (00:00:00)  Welcome, Lukas! (00:01:28)  Basil Poledouris (00:02:50)  The Hunt for Red October (00:13:38)  "Main Titles" (00:16:31)  "Course Two Five Zero" (00:20:30)  "Opening Title" (from The Abyss composed by A. Silvestri) (00:20:50)  "Two Wives" (00:24:44)  "The Payoff" (from the film No Man's Land) (00:25:50)  "Nuclear Scam" (00:28:45)  Finding Lukas (00:33:33)  Closing (00:37:37) *all music composed by B. Poledouris, except where noted **all music from The Hunt for Red October, except where noted Hosts Brandon-Shea Mutala   Guest Lukas Kendall Production Brandon-Shea Mutala (Editor) C Bryan Jones (Executive Producer) Matthew Rushing (Executive Producer) Ken Tripp (Executive Producer) Norman C. Lao (Associate Producer) Tony Robinson (Associate Producer)  Stephen Boyd  (Associate Producer) Richard Marquez (Production Manager) Brandon-Shea Mutala (Patreon Manager)

En 1975, a pesar de los tremendos problemas de producción y rodaje, "Tiburón" ganadora de 3 Oscars (Sonido, Montaje y Música) fue todo un taquillazo, el primer blockbuster de la historia. La primera película en superar la barrera de los 100 millones de dólares y se convirtió en un fenómeno de la cultura popular en todo el mundo. "Tiburón" cambió el cine para siempre, por la genialidad de un joven director de 26 años y por la sorprendente banda sonora de uno de los más grandes compositores de la historia de la música de cine. Ambos consiguieron que a la generación de los 70 y 80 les diera pánico entrar en el agua. Dos icónicas notas que todo el mundo recuerda, fáciles de tararear y asociar a Tiburón. En su sencillez reside su grandeza. Y en su maravillosa creatividad en la composición y orquestación. La primera vez que Spielberg escuchó en el piano de Williams esas dos notas, que ya forman parte de la historia del cine y su música, pensó que se trataba de una broma. Cuando lo repitió una y otra vez, dándose cuenta de la intención que tenían y que podían incrementar el tempo a su antojo, Spielberg supo que Williams había dado con la idea de toda la película y del tema de Tiburón. Posteriormente llegó a afirmar que "la mitad del éxito de esta película se debía a la música". Este tema principal, conductor de la partitura, es recibido al instante por el público y podemos escuchar nuestros corazones martilleando en nuestro pecho. Junto a las dos notas bajas que componen el tema principal, también se escuchan un trío de trompas -tres notas ascendentes- anunciando la majestuosa presencia y la fuerza predominante del Tiburón, utilizándose en la película casi tanto como el motivo de dos-nota Dum-Dum... De alguna forma John Williams juega con el subconsciente del espectador nos adelanta con su música la presencia o no del Tiburón, incluso juega con la aparición sorpresa en algún momento del filme. Musicalmente hace una especie de tocata y fuga contrapuntisticamente de la aventura y misterio mezclada con el espíritu marinero de Quint (un "hornpipe" marinero de Nueva Inglaterra que acompaña a la salida del Orca), seguido de la fanfarria "Korngold-esca" y de los sucesivos ataques del tiburón que se van acelerando en tempo y ritmo, dramatismo y frenesí en un obstinato del motivo del Tiburón. De la esperanza y el optimismo de los cazadores se pasa al drama y la impotencia de la muerte simbolizada por la fuerza sinfónica del gran blanco. Desgarradora, desoladora y frenética en sus últimos acordes. Ya no es un juego de caza. Ya es la muerte sin remisión. Y a la muerte del Tiburón, Spielberg sugiere al técnico de sonido que introduzca al final del corte "Blown To Bits" del score de Williams la muerte de todos sus demonios fílmicos hasta la fecha, el camión despeñándose de "El Diablo sobre ruedas" ("The Duel") y ese premonitorio rugido de dinosaurio de serie B que sin saberlo simboliza lo que está por llegar en el futuro ("Jurassic Park"). Una obsesión de Spielberg de su infancia convertida en realidad. Aunque había ordenado quitar del guión de Carl Gothieb toda conexión de la novela de Peter Benchley con Moby Dick, Spielberg no consiguió los derechos y la autorización de Gregory Peck para rodar una secuencia del caza tiburones Quint (Robert Shaw) viendo en un cine Moby Dick y partiéndose de risa cuando muere el capitán Ahab ahogado, enredado en las cuerdas de los arpones clavados en el lomo de la ballena blanca. Esta y muchas otras anécdotas las contamos en este completo y exhaustivo análisis de la película y de su música, gracias a nuestro equipo de colaboradores en sus diferentes secciones: "El Acomodador" con Alí Trujillo, "Conexión Berlín" con Celia Martínez, "Cuaderno de cine" con Fernando Alonso Barahona, "Dirigido por" con César Bardes, "Al límite" con Fran Beltrán, "Grandes esperanzas" con Alma López, "Repartiendo Zapatilla" con los Hermanos Jimenez, "El Rincón del Coleccionista" y "Bonus Track" con el gran Miguel Casares (autor de las cabeceras y del montaje de este mega Tiburón, se merece un Oscar como la gran Verna Fields), y quien les habla, suscribe estas líneas y orquesta toda esta locura, vuestro servidor Juan Ramón López. Además en este Programa número 4 de Cinemasmusic hemos ido más allá haciendo un 2x1. Es decir, dos podcast en uno, con la inclusión al final del mismo de un especial titulado "Carnada de Tiburón" con nuestros amigos de Carne de Videoclub, los hermanos David e Isaac Gómez. Dos de las personas que mejor conocen, viven y sienten el universo de JAWS. Esas "mandíbulas" que aquí titularon "Tiburón" y marcó a toda una generación formando parte de nuestras vidas como una película mítica, una obra maestra del cine. Esperamos que os guste este sentido homenaje y completa masterclass de más de 6 horas a dos maestros Spielberg-Williams y a una gran película. Como decía Brody "vamos a necesitar un barco más grande" y por si acaso "salgan todos del agua". Tracklist Música de John Williams (Duración corte) - Localización minutaje 1. Main Title and First Victim (3:30) - 7:05 -. Trailer español - 10:30 -. "El Acomodador" con Alí Trujillo - 32:38 2. The Empty Raft (1:23) - 42:24 -. "Conexión Berlín" con Celia Martínez - 43:40 3. The Pier Incident (2:22) - 53:28 -. "Cuaderno de cine" por Fernando Alonso Barahona - 55:45 -. Moby Dick - Philip Sainton - 1:04:54 4. The Shark Cage Fuge (2:00) - 1:15:32 -. "Dirigido por" con César Bardes - 1:17:29 5. Shark Attack (1:18) - 1:29:36 -. "Al límite" con Fran Beltrán - 1:30:50 6. Ben Gardner's Boat (3:31) - 1:34:40 -. "El Rincón del Coleccionista" con Miguel Casares - 1:38:05 -. Main title (Alternate) de Jaws ed. Intrada - 1:43:38 -. "Bonus Track" con Miguel Casares - 1:44:29 -. John Williams conducts Medley (Oscars 2002) - 1:46:30 Casablanca, Citizen Kane, 20th Century Fox Fanfare, Star Wars, The Sea Hawk, Spellbound, Titanic, Psycho, Jaws, The Pink Panther, Exodus, Out of Africa, Doctor Zhivago, Bridge on the River Kwai, Patton, Rocky, The Magnificent Seven, The Natural, Cinema Paradiso, The Godfather, ET, Gone With the Wind. 7. Montage (1:31) - 1:55:17 8. Father and Son (3:43) - 2:08:50 -. "Grandes Esperanzas" con Alma López - 2:12:30 -. Eiffel 65 - Blue (Da Ba Dee) - 2:20:44 -. Happy Birthday, Maggie (Point Of No Return) - Hans Zimmer - 2:27:18 9. Into The Stuary (2:51) - 2:38:21 10. Out To Sea (2:58) - 2:50:17 -. Steven Spielberg and John Williams talks about Jaws - 2:53:17 11. Man Against Beast (5:34) - 2:56:00 12. Quint's Tale (2:41) - 3:07:14 -. Quint y su discurso sobre el U.S.S. Indianápolis 3:09:54 13. Brody Panics (1:10) - 3:13:40 14. Barrel Off Starboard (1:31) - 3:19:10 15. The Great Shark Chase (3:28) - 3:25:41 -. John Williams winning Oscar Best Original Score from Jaws (1975) 3:29:04 16. Three Barrells Under (2:05) - 3:30:49 17. Between Attacks (2:06) - 3:29:57 -. "Repartiendo Zapatilla" con los Hermanos Jiménez - 3:42:04 18. The Shark Approaches (2:41) - 3:52:59 19. Blown To Bits (3:03) - 4:05:37 20. End Titles (1:52) - 4:12:26 -. "Carnada de Tiburón" con David e Isaac Gómez de Carne de Videoclub - 4:15:04 -. John Williams conducts Theme From Jaws (Boston Pops) - (3:05) - 5:59:54 -. De Guella and The Green Leaves of Summer - Dimitri Tiomkin (2:06) - 4:09:13

Damn Fine Focus Episode 11. The home team take a focused look at the epic ROCKY IV score by Vince diCola, newly released by Intrada for the very first time on vinyl. www.store.intrada.com Hosted by Tony Giles & Scott Johannsson May 5th 2016

Carbon Creek. Everyone knows that first contact occurred in Montana on April 5, 2063. Or at least that's what the history books tell us. But is it really true? Enterprise kicked off its sophomore season by ruffling the feathers of many canon purists with the story of an earlier first contact between humans and Vulcans. In this story, which T'Pol tells Archer and Trip over dinner, the first encounter between these two founding races of the Federation took place in 1947, in Pennsylvania. In this episode of The Ready Room we're joined by Michael Fisher as we discuss the episode “Carbon Creek,” its place in canon, and how it is an excellent example of Star Trek's exploration of social issues. In news we cover new fine art prints from Bye Bye Robot, new Star Trek goods for your kitchen, Intrada's extended Star Trek VI soundtrack release, STO's “The 2800,” John Tenuto's March events celebrating Ricardo Montalban and Khan, and some mysterious happenings in London. 

News: Lost TOS audio is finding its way to the internet. Takei Apprentice moment of the week. Icewarm sends us a link of pictures from the set of the new film. Complete Star Trek VI soundtrack now available from Intrada. Ten Forward: Animals in Trek (blame Darrell for this one) ;) Star Trek in pop culture: Semisonic - Never You Mind (it's a song about Spock's Brain) 1992 Shuttlecraft Ornament commercial Episode Insight: "Blink of an Eye" from Voyager Season 6 Subspace Communications: Collectables: Insignia badges auctioned by Christies and Star Trek cologne?