American actress and producer
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2 episodes with Rebecca De Mornay
2 episodes with Rebecca De Mornay
2 episodes with Rebecca De Mornay
4 episodes with Rebecca De Mornay
2 episodes with Rebecca De Mornay
2 episodes with Rebecca De Mornay
2 episodes with Rebecca De Mornay
2 episodes with Rebecca De Mornay
2 episodes with Rebecca De Mornay
NostalgiaCast turns up the heat as Paul of The Countdown Podcast joins our latest '90s Bucket List episode for a fiery discussion of BACKDRAFT, starring real-life stuntmen Kurt Russell and William Baldwin, plus Robert De Niro, Donald Sutherland, and Jennifer Jason Leigh. Grab your boots, gloves, and Self-Contained Breathing Apparatus as Paul, Jonny, and Darin obsess over the pyrotechnics, melodramatics, and classic Hans Zimmer score that brand Ron Howard's 1991 firefighter thriller.
Welcome back to Morgan Hasn't Seen with Jeannine Brice & Morgan Robinson!!Nannies Know Best this month as Jeannine has curated a series of movies themed around babysitters, caregivers, and nannies for Morgan to discover! Expect genre whiplash!The series gets extremely twisted this week with a hugely suspenseful psychological thriller in that oh-so-particular early 90s dark thriller style as Jeannine & Morgan talk Curtis Hanson's THE HAND THAT ROCKS THE CRADLE (1992) starring Rebecca De Mornay, Annabella Sciorra, Matt McCoy, Ernie Hudson & Julianne Moore!Our YouTube Channel for all our regular videos:https://www.youtube.com/channel/UCvACMX8jX1qQ5ClrGW53vowDonate:https://www.buymeacoffee.com/ItsAWonderful1Join our Patreon:https://www.patreon.com/ItsAWonderful1IT'S A WONDERFUL PODCAST STORE:https://www.teepublic.com/user/g9designSub to the feed and download now on all major podcast platforms and be sure to rate, review and SHARE AROUND!!Keep up with us on (X) Twitter:Podcast:https://twitter.com/ItsAWonderful1Morgan:https://twitter.com/Th3PurpleDonJeannine:https://twitter.com/JeannineDaBean_Keep being wonderful!!
Send us a textRISKYSometimes you gotta say, “What the Fuck” to research, make your move. This week Season 14's penultimate 1x1 is co-host Ryan's pick: RISKY BUSINESS (1983). His reason: TGTPTU normally pairs filmographies of a single director or actor, and the writer-director on this film was so triggered by the experience of having his written, shot, and edited original ending replaced in the final cut that he never directed another film again… or at least not until his second film in 1990 (WTF, Ryan?). This film that would go on to become part of 1980s iconography by first-time director Paul Brickman, who had previously written the Michael Pressman-directed The Bad News Bears in Breaking Training (1977) and the Jonathan Demme-directed Handle with Care (1977) and would later be one of three credited writers on Clint Eastwood's True Crime (alternately known as Speed Zoo) (1999), Risky Business as dark teen comedy and potential Reagon-era satire stars a number of early roles by actors who'd become comedy stars of the 1980s, including as the protagonist Joel's fellow yuppie North Shore friends and entrepreneuring high school seniors in their first film appearances Curtis Armstrong (also known as Booger in the 1980s) and Bronson Pinchot (aka Balki in the 80s). It costars Rebecca De Mornay (later in the 90s known for her roles as a terrible nanny and as Milady de Winter) as the business-savvy prostitute, and has an early movie appearance by Joey Pants (known in the late-90s for taking the blue pill, Ralphie Cifaretto in the 00s, and a Bad Boy 4 life) as Guido the pimp. Oh, and it's also the first time that actor born Thomas Mapother IV, better known later in life by his stage name Tom Cruise, stars in the leading role in a film (but not the first time he danced in his underwear or kissed a female person, if DVD commentary tracks are to be believed). Behind the camera, you have two cinematographers: Eastwood's 70s and early-80s collaborator Bruce Surtees as well as regular Hollywood comedy lenser Reynaldo Villalobos. Pod-favorite Tangerine Dream scores. And the film scores big with first watches by host Tom and guest host Jack and with the Gen X'ers Ken and Ryan. It's a wild ride, so mind your parking brake. In this episode Ryan explains the economic milieu behind the 80's yuppie culture to the two young hosts while drawing comparisons to American Psycho (2000); the two Zoomers discover how to shorten future episodes; and Broom Hilda's creator, whose life strangely overlaps with Ken's past and present, drops by studio. Our podcast is The Good, The Pod, and The Ugly. We deal in human fulfillment. We grossed over eight thousand listeners in one night. An hour of your life, huh, kid? FURTHER NOTESThomas requested we share the following Wikipedia links for those who'd like to perform additional research or to simply follow along: https://en.m.wikipedia.org/wiki/Cory_Booker%27s_marathon_speechhttps://en.m.wikipedia.org/wiki/Doctor_Detroit https://en.m.wikipedia.org/wiki/Cop_Rock https://en.wikipedia.org/wiki/Star_Trek:_RenegadesTHEME SONG BY: WEIRD A.I.Email: thegoodthepodandtheugly@gmail.comFacebook: https://m.facebook.com/TGTPTUInstagram: https://instagram.com/thegoodthepodandtheugly?igshid=um92md09kjg0Bluesky: @goodpodugly.bsky.socialYouTube: https://www.youtube.com/channel/UC6mI2plrgJu-TB95bbJCW-gBuzzsprout: https://thegoodthepodandtheugly.buzzsprout.com/Letterboxd (follow us!): Podcast: goodpodugly
This week we explore two movies where danger comes not from a stranger, but someone much closer to home. First, Julia Roberts must escape the “Husband from Hell” in SLEEPING WITH THE ENEMY (1991). Then we encounter the “Nanny from Hell” in Curtis Hanson's THE HAND THAT ROCKS THE CRADLE (1992) starring Rebecca De Mornay, Annabella Sciorra, Matt McCoy and Ernie Hudson.
We're taking a look at the start of Tom Cruise's star career by digging into the romance of Paul Brickman's 1983 hit Risky Business, starring Cruise alongside Rebecca De Mornay, who was not in her 90s when this was made. Join in as we discuss the film as a response to Reaganism, expensive hot chocolate, our dads' favorite movies, and "Old Time Rock and Roll." Plus: Why was Brickman's original ending replaced? What's Lana's last name? What's the sexiest public transit system? And, most importantly, what's the deal with that big egg? Make sure to rate, review, and subscribe! Next week: Lust, Caution (2007)----------------------------------------------------Key sources and links for this episode:1983 trailer for Risky Business (YouTube)Roger Ebert's four-star review of Risky Business"At 20, Risky is Still Frisky" (Variety)"My Wild Summer with Tom Cruise: Women, Sean Penn, and the Making of Risky Business" by Curtis Armstrong (The Hollywood Reporter)"1983: MTV Aesthetics, Flashdance, and Risky Business (Erotic 80s Part 6)" (You Must Remember This)"Rebecca De Mornay on Dating Tom Cruise and the Success of Risky Business" (Celebrity Page on YouTube)"Risky Business Director: "Some People Like the Visibility. I Don't" (Salon)"Adam McKay 'Wouldn't Be Surprised' if Wicked was Banned in '3-5 Years' Due to its 'Radical' Storyline" (The Hollywood Reporter)
For their 193rd episode, two suburbanite film critics, two nanny-gawking dads, and two accosted school teachers, Will Johnson and Don Shanahan, circle back to a cinematic cottage industry found in the 1980s and 1990s of so-called domestic terror: stories that preyed on the pearl-clutching fears of the upper middle class. One of the best to get the audience's blood boiling was 1992's "The Hand That Rocks the Cradle" directed by the late Curtis Hanson and starring Rebecca De Mornay. It's time to steal a baby, but this show won't steal yours. Come learn more and stay for the mutual love and respect that fun movies encapsulate. Enjoy our podcast!https://discord.gg/N6MKWXU2https://www.teepublic.com/user/ruminationsradionetworkhttps://www.instagram.com/cinephilehissyfit/https://www.instagram.com/casablancadon/Twitter: https://twitter.com/CinephileFitwww.RuminationsRadioNetwork.comwww.instagram.com/RuminationsRadioNetworkTwitter: RuminationsRadioNetwork@RuminationsNProduction by Mitch Proctor for Area 42 Studios and SoundEpisode Artwork by Charles Langley for Area 42 Studios and Soundhttps://www.patreon.com/RuminationsRadiohttps://everymoviehasalesson.com/https://ruminationsradio.transistor.fm/ ★ Support this podcast on Patreon ★
Due detenuti in fuga da un carcere di massima sicurezza, nel cuore dell'Alaska. Un treno senza macchinista, che sfreccia impazzito tra i paesaggi innevati.Una caccia senza tregua, mentre il confine fra uomo e belva si assottiglia sempre di più.Un film mostruoso, intenso, brutale e struggente, che Končalovskij dirige con mano precisa, ritagliando un profondo ritratto di disperazione, rimorsi, speranze e una durissima lotta per la sopravvivenza e la libertà. Visto da ragazzino, mi folgorò immediatamente.Tra le migliori interpretazioni di Jon Voight, affiancato dai notevoli Eric Roberts e Rebecca De Mornay, questa pellicola non vi darà tregua e, nel contempo, vi indurrà profonde riflessioni.Colonna sonora immensa.
Kevin Spacey made his comeback movie in 2024 called Peter Five Eight. We've been sitting on this one for a long while but wanted to drop it on you before we take our Spring Break. This neo-noir thriller went directly to video-on-demand and stars Spacey, Rebecca De Mornay, Jet Jandreau, and Jake Weber. Spacey plays Peter who is an assassin who comes to a small mountain community to wreak havoc. "In this town NOTHING is what it seems." We talk all things Spacey in this controversial new episode of the Lodgecast!
“If this movie was made today… it would absolutely be a direct-to-VOD situation!” - Steve On this week's episode, we kick off our dumbest theme month yet, Wait-WHUT-uary, with a long-time-coming episode on the psychological thriller, Identity! How hard does the twist ending destroy this movie? Can we all agree to let John Cusack be great in worthwhile stuff once again? Is the whole judicial situation above board in this movie? And how hilarious are some of these deaths? PLUS: Coming this summer, John Cusack stars in Limousine Cop! Identity stars John Cusack, Amanda Peet, Ray Liotta, John Hawkes, Alfred Molina, Clea DuVall, John C. McGinley, William Lee Scott, Jake Busey, Rebecca De Mornay, Carmen Argenziano, Marshall Bell, Leila Kenzle, Frederick Coffin, Holmes Osborne, and Pruitt Taylor Vince as Malcolm Rivers; directed by James Mangold. This episode is brought to you in part by Factor! Eat smart with Factor. Get started at FACTOR MEALS dot com slash whm50off and use code whm50off to get 50% off your first box plus free shipping. That's code whm50off at FACTOR MEALS dot com slash whm50off to get 50% off plus free shipping on your first box. Don't miss the replay of our Ghostbusters: Frozen Empire show, available now through February 13th! Full replays of both the WHM Live show and the After Party Q&A! UK and European listeners, be sure to catch us this summer during our 3-night residency at the Oxford Comedy Festival! We'll be doing WHM, WLM, Animation Damnation, The Nexus, AND The Gleep Glossary! Click through here to get your tickets now, they're really moving fast! Throughout 2025, we'll be donating 100% of our earnings from our merch shop to the Center for Reproductive Rights. So head over and check out all these masterful designs and see what tickles your fancy! Shirts? Phone cases? Canvas prints? We got all that and more! Check it out and kick in for a good cause! Original cover art by Felipe Sobreiro.
R.J. Stewart spent more than 20 years as a writer and producer in Hollywood. He got his first break writing for the NBC romantic-detective drama, Remington Steele that starred Pierce Brosnan and Stephanie Zimbalist. He's best known for developing, writing and producing Xena: Warrior Princess (starring Lucy Lawless), once the highest-rated television show in syndication. Among his other Hollywood credits are movies like The Rundown, starring Duane “The Rock” Johnson, Major League 2, starring Charlie Sheen, and the TV series Cleopatra 2525. He's also worked on projects with Kevin Costner, Rebecca De Mornay and James Garner.Recently, R.J. published the terrific post-apocalyptic thriller, Crazy Hawk, which I've read and can tell you is a fantastically action-packed dystopian western set in an inhospitable American future. I thoroughly enjoyed reading Crazy Hawk, and highly recommend it to you. For more information, please see www.hovartus.com
Mark and Erik talk about the 1983 cult classic Risky Business. Directed by Paul Brickman, and starring Tom Cruise, Rebecca De Mornay and a glass egg, the movie expertly tackles teen angst and 1980s business practices. In this episode, they also talk about movie soundtracks, expensive movie cars, and Guido the killer pimp
Paul and Erin review two films about vengeful stalkers out to destroy seemingly picture-perfect households: Martin Scorsese's pulpy 1991 drama CAPE FEAR, and Curtis Hanson's 1992 domestic thriller THE HAND THAT ROCKS THE CRADLE. Music: "Stalkin'" by Duane Eddy
National Chop Suey day. Entertainment from 2001. Hurricane Katrina hit New Orleans and Gulf Coast, Netflix formed, Banana Spider Venom found to stop ED. Todays birthdays - Jean Leffite, Ingred Bergman, Isabel Sanford, Richard Attenborough, Elliott Gould, Michael Jackson, Rebecca De Mornay. Ed Asner died.Intro - Pour some sugar on me - Def Leppard https://defleppard.com/Chop Suey movie soundtrackFallin- Alicia KeysAustin - Blake SheltonBirthdays - In da club - 50 Cent https://www.50cent.com/The Jeffersons TV themeABC - Jackson 5Exit - Its not love - Dokken https://www.dokken.net/Follow Jeff Stampka on facebook and cooolmedia.com
Paul Brickman's 1983 capitalist coming-of-age sleek sex comedy, RISKY BUSINESS, is our feature presentation this week. We talk Tangerine Dream's musical score elevating the film, Tom Cruise setting the stage for his entire career, Rebecca De Mornay, character actor Richard Masur, the style and tone, and much more! We also pick our TOP 7 ICONIC 80s MOVIE SCENES in this week's SILVER SCREEN 7. Check out the show, subscribe and become a regular here at THE BROKEN VCR. To watch the LIVE VIDEO RECORDING of BVCR, sign up to the PATREON ($2.99/month) at theturnbuckletavern.com. You'll get the episodes in video form days/weeks early.
Elaine's business idea to only sell the tops of muffins is stolen by her old boss, Mr. Lippman. After cutting a deal for the profits, she helps him succeed but also incurs the issue of disposing the muffin stumps. A very fun plot for JLD, we get a lot of hilarious moments, the best of which is opposite the brilliant Sonya Eddy, who plays Rebecca De Mornay. Insta - @hotheavyelaine TikTok - @elainebenespodcast Email - elainepodcast@gmail.com
Hold your little one's close... as we take on the 1992 classic, Hand That Rocks the Cradle. Directed by Curtis Hanson, and Written by Amanda Silver. This thriller features the 1992 MTV Movie Award best actress Rebecca De Mornay, along with Julianne Moore (in her breakout role) as well as fan favorite Earnie Hudson, in a daring role!
Paul Brickman's 'Risky Business' is one of the greatest films of the 80's and is so much more than the "teen sex comedy" many people thought they were getting at the time. Frame by frame, it's really a masterpiece with so many aspects and elements of brilliance. The score by Tangerine Dream, Tom Cruise at NINETEEN, Rebecca De Mornay, the genius editing of Richard Chew...on and on...what an incredible film. And Paul Brickman would direct only ONE more feature film in his career to date. Astounding. Worthy of a rare Saturday pod!
R.J. Stewart - Crazy Hawk: A Post-Apocalyptic Thriller. This is episode 696 of Teaching Learning Leading K12, an audio podcast. R.J. Stewart, the author of the post-apocalyptic thriller, Crazy Hawk, is best known for developing, writing and producing Xena: Warrior Princess (starring Lucy Lawless), once the highest-rated television show in syndication. He started out as a teamster for nine years and a fledgling stage actor, until he got his first break, writing for the NBC romance detective drama starring Pierce Brosnan, Remington Steele. It would parlay into a 22-year Hollywood career that includes writing credits for movies The Rundown, starring Duane “The Rock” Johnson, Major League 2, starring Charlie Sheen, and television's Cleopatra 2525. He also worked on projects with Kevin Costner, Rebecca De Mornay and James Garner. Stewart was born in Brooklyn, New York, but has lived most of his life in the American West. His youth as the son of an Air Force sergeant was spent across six states and Greece, Italy, and Germany. His American family roots trace back nearly two centuries. He has spent thousands of hours riding a trail horse and likes to collect historical documents specializing in 18th century history. Stewart graduated from Florida International University. He lives on a San Diego County horse ranch with his wife of 51 years, Kat O'Connor. Various horses and dogs have been kind enough to share their ranch with R.J. and Kat, including Danny, a beautiful palomino who inspired the creation of the buckskin character in Crazy Hawk, his first novel. For more information, please see www.hovartus.com. Awesome conversation! I am a big fan of the Xena series and Remington Steele! It was so cool to talk to their creator. So much to learn! Crazy Hawk is an awesome adventure story! You need to read this novel! Before you go... You could help support this podcast by Buying Me A Coffee. Not really buying me something to drink but clicking on the link on my home page at https://stevenmiletto.com for Buy Me a Coffee or by going to this link Buy Me a Coffee. This would allow you to donate to help the show address the costs associated with producing the podcast from upgrading gear to the fees associated with producing the show. That would be cool. Thanks for thinking about it. Hey, I've got another favor...could you share the podcast with one of your friends, colleagues, and family members? Hmmm? What do you think? Thank you! You are AWESOME! Thanks so much! Connect & Learn More: https://www.hovartus.com/ Order Crazy Hawk on Amazon https://www.imdb.com/name/nm0829739/?ref_=nmbio_ov https://www.imdb.com/title/tt0112230/?ref_=ttawd_ov_i Length - 39:43
Ron Howard en 1991 dirigió "Llamaradas" con un gran reparto copuesto por Kurt Russell, William Baldwin, Scott Glenn, Jennifer Jason Leigh, Rebecca De Mornay, Donald Sutherland y Robert De Niro. Con un presupuesto de 40 millones de dólares. hizo en taquilla 150 millones. Yo le tengo mucho aprecio, ya que una y otra vez me ponía el VHS, porque me gustaban las escenas con el fuego y por su banda sonora, compuesta por Hans Zimmer. De hecho, fue una de las primeras que me compré en CD. A finales de junio, Intrada ha editado una edición expandida que me parece espectacular y quiero compartir con vosotros algunos de los temás que más me han gustado. Espero que disfrutes de la proyección... Listado de temas - Hans Zimmer - Llamaradas - Backdraft 1. Backdraft Main Titles 2. Burnt Out Beamer 3. Mannequin Fire 4. Show Me Your Firetruck - She´s Hot And Smokey - Tim Burns 5. Swayzak´s OK 6. Final Fire - Who´s Your Brother! 7. Funeral 8. Hard Lesson To Learn 9. Burn It All 10. Bruce Hornsby and the Range - Set Me in Motion 11. Bruce Hornsby and the Range – The Show Must Go on 12. Fahrenheit 451 @AcomodadorEl
Backdraft is a 1991 American film that's part crime thriller, part family drama, part love story, part bildungsroman, and part macho bullshit directed by Ron Howard and written by Gregory Widen. The stacked cast features Kurt Russell, William Baldwin, Jennifer Jason Leigh, Scott Glenn, Rebecca De Mornay, Robert De Niro, J. T. Walsh, and the late great Donald Sutherland. The film is about two estranged firefighter brothers who dodge flaming buildings and family therapy alike while unraveling an arson conspiracy hotter than their sibling rivalry. If you have anything to add to the discussion, please don't hesitate to do so by reaching out to us on social media @TheFilmFlamers, or call our hotline and leave us a message at 972-666-7733! Watch Backdraft: https://amzn.to/3Lqf476 Out this Month: Week 1: Shooting the Flames Week 2: Backdraft Week 3: Twister Week 4: Top Ten Disaster Movies Patreon: 90s Disaster Movie Poll Coming in August 2024: The Grudge Ju-On Get in Touch: Support us on Patreon: https://www.patreon.com/TheFilmFlamers Visit our Store: https://teespring.com/stores/thefilmflamers Twitter: https://twitter.com/TheFilmFlamers TikTok: https://www.tiktok.com/@thefilmflamers Facebook: https://www.facebook.com/TheFilmFlamers/ Letterboxd: https://letterboxd.com/thefilmflamers/ Our Website: https://www.filmflamers.com Call our Hotline: 972-666-7733 Our Patrons: Alex M Andrew Bower Anthony Criswell Ashlie Thornbury BattleBurrito Benjamin Gonzalez Bennett Hunter BreakfastChainsawMassacre Call me Lestat. Canadianmatt3 CenobiteBetty Christopher Nelson Cj Mcginnis Dan Alvarez Gia-Ranita Pitt Gillian Murtagh GlazedDonut GWilliamNYC Irwan Iskak James Aumann Jessica E Joanne Ellison Josh Young Julia 90 Alison Kimberly McGuirk Kitty Kelly Laura O'Malley Lisa Libby Livi Loch Hightower Marissa E M Hussman Mac Daddy Mary Matthew McHenry Nicole McDaniel Nikki (phillyenginerd) Niko Allred Orion Yannotti Penelope Nelson random dude Robert Eppers Rosieredleader Ryan King Sean Homrig Sinesthero The Dean Swann Tony Pellonari Walstrich William Harris William Skinner Sweet dreams... "Welcome to Horrorland" by Kevin MacLeod (incompetech.com). Licensed under Creative Commons: By Attribution 3.0 License http://creativecommons.org/licenses/by/3.0/ Includes music by Karl Casey @ White Bat Audio
The Wiz RECOMMENDS Risky Business Enjoyment of Risky Business will be entirely based on the answer to this one question: Do you like teen sex comedies? If yes, enjoy. It's considered one of the godfathers of the genre. If the answer is either "I'm kind of too old to watch these" or "no", then don't bother. It is, very simply, a teen sex comedy. The nuts and bolts is this: Risky Business is a movie that has had elements from the movie that were either repurposed or downright stolen in other films. Some examples like Ferris Bueller's Day Off, Van Wilder, American Pie, The Girl Next Door and others owe a lot to this film and its success for it's creation. But as true as that is, it also shares its tropes and conventions. The main character is sheltered and thrusted into a world he has no comprehension of but learns to adapt to succeed. There's an outside element that is threatening and dangerous...but not that dangerous. He has wacky, horny friends. But there are really two things in the film that stick out: the excellent soundtrack by Tangerine Dream and Rebecca De Mornay's performance. The soundtrack fits incredibly well with the visual style of the film, especially in it's darker scenes in both setting and mood. De Mornay's performance as Lana is charismatic and enjoyable on many fronts. Her girl next door look and streetwise intelligence is highly believable in this film and she's a constant highlight in the film. To be frank though, Risky Business is simply a good one of those: a funny, if unremarkable, teen sex comedy. It certainly is enjoyable in spots, but it's not something that compares to such peerless classics as Dazed and Confused and Fast Times at Ridgemont High. It's a film to have maximum enjoyment, you essentially have to adopt the credo of the main character and say "ahh f*** ir!" when the film goes into its less interesting parts.
This week, in Summerville, South Carolina, two women meet in rehab, and one invites the other to live at her house, rent free. This new tenant has a cray past, and present, because she is a meth smoking, pill popping, booze swilling maniac, with an estranged husband, living behind a Wal Mart. Problems arise with the roommates, resulting in a most heartless, and brutal murder. But was it the roommate, or her abusive husband? Secret recordings answer it all!!Along the way, we find out that there is a birthplace of sweet tea, that you shouldn't invite people home from rehab to live with you, that when your husband lives behind a Wal Mart, anything is possible!!Hosted by James Pietragallo and Jimmie WhismanNew episodes every Thursday!Donate at: patreon.com/crimeinsports or go to paypal.com and use our email: crimeinsports@gmail.comGo to shutupandgivememurder.com for all things Small Town Murder & Crime In Sports!Follow us on...twitter.com/@murdersmallfacebook.com/smalltownpodinstagram.com/smalltownmurderAlso, check out James & Jimmie's other show, Crime In Sports! On Apple Podcasts, Spotify, Amazon Music, Wondery, Wondery+, Stitcher, or wherever you listen to podcasts!See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.
Tread Perilously begins a month of would-be prestige TV series that failed to connect with the debut episode of John from Cincinnati -- "His Visit: Day One." Retired surfer Mitch Yost is spotted on the water by an ambitious promoter and a mysterious man who repeats what he hears called John. Back in town, Mitch's son, Butchie -- also a retired pro surfer -- is anxious to score, but discovers his heroin has been cut so much, it might as well be nothing. Meanwhile, Butchie's son, Shaun, is looking to participate in his first surfing competition and maybe get a sponsorship from the promoter hounding Mitch. Do any of these things matter? And why does Mitch spontaneously hover two feet in the air? Erik and Justin confront one of the most infamous examples of failed prestige: John From Cincinnati. They laud a deep cast which includes Rebecca De Mornay and Bruce Greenwood, but are unsure about some of the less-seasoned actors, including the person who plays John. Geography Corner gets into detail about the Interstate 5 freeway between the Mexico border and Huntington Beach. The pair also theorize why Butchie is banned from that particular part of the coast. The show's credit sequence gets analyzed and the cadence of Deadwood dialogue trips up Justin. Also, an attempt is made to recast the title character and Erik introduces his appropriate nemesis.
Runaway Train, dʹAndreï Konchalovsky est un express pour lʹenfer, du suspens sur les rails, un drame qui ne ralentis jamais, un film spectacle lancé à grande vitesse sorti en 1986 Pour ce projet, on réunit autour dʹun scénario dʹAkira Kurosawa : un réalisateur russe, des producteurs israéliens et un tournage américain dans les neiges de lʹAlaska. Le film raconte lʹévasion de deux criminels dʹune prison en Alaska qui finissent par monter dans un train. Le conducteur meurt et le train roule à grande vitesse sans contrôle. Lʹintrigue est relativement simple, mais Konchalovsky va y chercher lʹhumanité des êtres confrontés à leurs propres limites, à la peur et à la mort. Du maitre japonais, Konchalovsky a dʹabord retenu la qualité du regard porté sur les êtres envisagés dans toutes leurs contradictions, avec le désir de conserver intacte toute leur ambiguïté de leur laisser le droit de se tromper et dʹavoir tort. Les personnages de Runaway Train sont improbables mais pas impossibles. A lʹécran, Jon Voight, vieilli, et Eric Roberts, le frère de Julia, survolté, accompagnés de Rebecca De Mornay, en contrepoint. Runaway Train est sélectionné à Cannes en 1986. Il repart bredouille, mais il fait un score correct en salles. Il est nominé aux Oscars et reçoit le Golden Globes 1986 du meilleur acteur dans un film dramatique pour Jon Voight. Ne tardons pas. Il y a la neige, le froid, la vie, la mort, lʹespoir puis le renoncement, le tout lancé à grande vitesse. Ça ne se rate pas ! REFERENCES Un article sur Konchalovsky, lʹinsaisissable. http://www.close-upmag.com/2020/10/19/andrei-konchalovsky-linsaisissable/ Andreï Konchalovsky. Ni dissident, ni partisan, ni courtisan, Conversations avec Michel Ciment, Editions Actes Sud, collection Beaux-Arts, 2019 Claire Bueno, entretiens avec Andreï Konchalovsky https://www.youtube.com/watch?v=LO-clNQJsOM
Welcome back to another exciting episode of Not A Bomb Podcast. This is the podcast where we re-examine some of the biggest bombs in cinematic history. Oh man, do we have a treat for you! This week's show is all about Cannon films, and you can't talk about Cannon without Austin Trunick. Austin is the author of two excellent retrospective books - The Cannon Film Guide: Vol 1 and 2. If you have ever wanted to know something about Cannon Films, Austin is the guy to talk to. While Cannon created a ton of cult favorites, they also dipped their toes into some prestige storytelling. We decided to go a bit more “highbrow” with this week's choice and are discussing 1985's Runaway Train. This Academy Award nominated film started as a screenplay by legendary filmmaker Akira Kurosawa and was passed around by several Hollywood executives. The story of two escaped convicts who become stuck on a…you guessed it…runaway train finally found a home with Menahem Golan and Yoram Globus. Austin brings so much insight to this film and we are super excited he joined us for this week's conversation. So, sit back, relax, and learn all about one of the best stories to come out of The Cannon Group, Runaway Train. Runway Train is directed by Andrei Konchalovsky and stars John Voight, Eric Roberts, Rebecca De Mornay, Kyle T. Heffner, John P. Ryan, T.K. Carter, and Kenneth McMillian.Be sure to check out The Cannon Film Guide: Vol 1 and Vol 2, or please support your local bookstore and ask them to order it for you. If you want to leave feedback or suggest a movie bomb, please drop us a line at NotABombPod@gmail.com or Contact Us - here. Also, if you like what you hear, leave a review on Apple Podcast. For invite to the Not A Bomb Discord, hit us up here. Cast: Brad, Troy, Austin Trunick
The Ringer's Bill Simmons and Chris Ryan quit playing it safe and trade in their microphones to deal in human fulfillment after rewatching 1983's ‘Risky Business,' starring Tom Cruise and Rebecca De Mornay. Producer: Jessie Lopez Learn more about your ad choices. Visit podcastchoices.com/adchoices
Let's Talk - MoviesEpisode 54: Risky Business (1983) - Movie MattersJason Connell and Sal Rodriguez discuss the origin story of Let's Talk - Movies, which began with the short-lived show, Movie Matters.Risky Business (1983) Synopsis: A Chicago teenager is looking for fun at home while his parents are away, but the situation quickly gets out of hand.Director: Paul BrickmanWriter: Paul BrickmanCinematographer: Bruce Surtees, Reynaldo VillalobosCast: Tom Cruise, Rebecca De Mornay, Joe Pantoliano, Bronson Pinchot, Curtis ArmstrongComposer: Tangerine DreamOriginal Episode: S01E02 (Movie Matters) Recorded: 02-21-24 & 11-18-19Studio: Just Curious MediaListen:BuzzsproutApple PodcastsSpotifyGoogle PodcastsAmazon MusiciHeartRadioTuneInWatch:YouTubeSpotifyFollow:FacebookInstagramHosts:Jason ConnellSal Rodriguez#justcuriousmedia #letstalkmovies #mrjasonconnell #salvadorlosangeles #cinema #classicmovies #movies #moviereviews #film #filmreviews #studios #producers #directors #writers #actors #moviestars #boxoffice #riskybusinessSupport the show
For the latest Everything Action commentary, Zach and Chris celebrate the 30th anniversary of the 1993 Disney version of The Three Musketeers with special guests Addam and Chris Ali. Starring Chris O'Donnell as d'Artagnan, the movie loosely follows the plot of the Alexandre Dumas novel but with more swashbuckling action and 90s power ballads. Kiefer Sutherland, Charlie Sheen and Oliver Platt are the titular Musketeers while Tim Curry devours scenery as Cardinal Richelieu and Rebecca De Mornay is the sultry spy Milady. While watching the movie, the guys discuss the color coordinated armies, the over the top horniness, the episodic nature of the movie, the wild shifts in tone and more. You can watch The Three Musketeers on Disney+ and sync it up with our commentary.You can find Adam at @addamthecomic on Twitter and Twitch and at theadman2315#2135 on Discord. Also check out his friend Mike Rainey's book On Percs here: https://www.onpercs.com/store/p/golden-mist-cup-weny8-k3h8lWe want to hear your comments and feedback. Send them all to contact@everythingaction.com.Also, be sure to subscribe, rate, and review us on Apple Podcasts, Stitcher, Amazon Music, & SpotifyCheck us out on Twitter (@evaction) Facebook (www.facebook.com/everything.action), and Instagram (@everything.action).
A film that boldly asks “What if we made a good version of Ferris Buehler's Day Off?” It has all the beats of a John Hughes teen movie—especially that one—while actually saying something about America, capitalism, and class. It's the film that made Tom Cruise a star, and unfortunately is saddled in pop culture memory with one very silly dance scene that has very little to do with what's otherwise a very dark, funny, nervy movie about facing adulthood and disillusionment. A smarter film than expected, it eviscerates the model of “teen goes wild when his parents are away and has to set everything back the way it was before they get home” just as that template was being set for teen comedies. Starring Tom Cruise, Rebecca De Mornay, Curtis Armstrong, Bronson Pinchot, Joe Pantoliano, and Richard Masur. Written and directed by Paul Brickman.
0:05:45 - Box Office and upcoming releases. 0:19:00 *** What's Streaming *** DISNEY+ THE THREE MUSKETEERS, Dir. Steven Herek – Charlie Sheen, Kiefer Sutherland, Chris O'Donnell, Oliver Platt, Tim Curry, Rebecca De Mornay. 1993 HEAVYWEIGHTS, Dir. Steven Brill – Tom McGowan, Aaron Schwartz, Ben Stiller, Tim Blake Nelson, Paul Feig. 1995 0:25:00 - Trailers: AHSOKA – Rosario Dawson, Wes Chatham, Natasha Liu Bordizzo, Mary Elizabeth Winstead, Ray Stevenson, David Tennant, Hayden Christensen, Mini Series, Disney+ A MILLION MILES AWAY – Michael Pena, Feature. REBEL MOON, Dir Zack Snyder – Sofia Boutella, Charlie Hunnam, Ed Skrein, Jena Malone, Cary Elwes, Anthony Hopkins, Djimon Hounsou, Cleopatra Coleman, Feature. 0:41:45 - BLUE BEETLE, Dir. Angel Manuel Soto ( Grayson 6 / Roger 6 ) Hosted, produced and mixed by Grayson Maxwell and Roger Stillion. Music by Chad Wall. Guest appearance by Christopher Boughan. Quality Assurance by Anthony Emmett. Visit the new Youtube channel, "For the Love of Cinema" to follow and support our short video discussions. Roger wears aviators! Please give a like and subscribe if you enjoy it. Follow the show on Twitter @lovecinemapod and check out the Facebook page for updates. Rate, subscribe and leave a comment or two. Every Little bit helps. Send us an email to fortheloveofcinemapodcast@gmail.com
National chop suey day. Entertainment from 1989. Ishi meets civilization, The Fugitive finale, Soviet Union detonates nuclear bomb. Todays birthdays - Jean Lafitte, Ingrid Bergman, Isabel Sanford, Richard Attenborough, Elliott Gould, Michael Jackson, Rebecca De Mornay. Ed Asner died.Intro - Pour some sugar on me - Def Leppard http://defleppard.com/Chop Suey movie sound trackRight here waiting - Richard MarxI'm still crazy - Vern GosdinBirthdays - In da club - 50 Cent http://50cent.com/The Jeffersons TV theme songABC - Jackson 5Exit - It's not love - Dokken http://dokken.net/https://www.coolcasts.cooolmedia.com/show/history-factoids-about-today/
Love On A Real Train with Tom, Stephen, and Parker. Paul Brickman's iconic fantasy (and directorial breakout) starring Tom Cruise and Rebecca De Mornay. Hosted by Stephen Kuhn + Parker Smith Produced by Sam Robinson Theme song vocals by Stephen Kuhn with music by Trevor Dowdy Show Art designed by Jaime Justen https://www.WeMadeItForTom.com everywhere as @WeMadeItForTom --- Send in a voice message: https://podcasters.spotify.com/pod/show/wemadeitfortom/message Support this podcast: https://podcasters.spotify.com/pod/show/wemadeitfortom/support
Friend of the pod Justin McDevitt returns to discuss 1992's better-than-you-remember domestic thriller, THE HAND THAT ROCKS THE CRADLE. We also talk cancel culture, parallels with a certain Bette David classic, and the absolute horror show that is AND JUST LIKE THAT... Let's go RICK OR TREATING!PODCAST:www.RickOrTreat.comINSTA: @RickOrTreatPodJUSTIN McDEVITT (Guest):Insta: @justinwritesplaysRICKY (Host):MY WRITING:www.Rue-Morgue.comwww.SpoilerFreeReviews.comINSTA: @rickrtreatLESTAT VON MONDLICHT (Music by):Youtube:https://www.youtube.com/@lestatvonmondlichtCRIMSON SOUL:Insta: @crimsonsoulofficialhttps://www.facebook.com/crimsonsoulofficialAFTER DARK (Band):https://www.facebook.com/afterdarkofficialuyhttps://www.instagram.com/afterdarkuyhttps://www.youtube.com/@afterdarkuyDROP BEAT EMPIRE (Electrogoth project):https://linktr.ee/dropbeatempireuyEVELYN DEVERE (Website Design)www.evelyndevere.com/PHILIP ROMANO ( Logo Design)www.philip-romano.com
These are two VERY hard things to do. EXTREMELY difficult. So know that I know this as you listen. I still struggle with empathy and compassion. Every day. Whether it's something connected to my life or when I watch the news, initially my emotions take over and I have a VERY hard time finding that empathy and compassion. It takes time, reading, therapy, podcasts and talking with others to find it again. Especially with evil and unkindness in the world. I had to work hard when a child in Brooklyn's class was constantly saying unkind things to her. I initially wanted to pull a Rebecca De Mornay from "The Hand That Rocks the Cradle" and find that kid on the playground, pull him to the side, and tell him not to F with my daughter. I had to breathe. Talk to people. Have a session with my therapist. I had to find a way to TEACH Brooklyn not only to stick up for herself but to also find empathy and compassion for this child. So that Brooklyn could release the anger. I don't support many actions or behaviors out there, but how do I move on and not hold on to the anger? The resentment? Sadness? Confusion? How do I grow into a stronger person and avoid crumbling and holding on to feelings that can defeat me? Especially with all that I cannot control in the world. Here are some quotes that resonated with me and may help you with this journey we are all on every day of our lives. Empathy is simply listening, holding space, withholding judgement, emotionally connecting, and communicating that incredibly healing message of you're not alone. - Brene Brown Empathy is really the opposite of spiritual meanness. It's the capacity to understand that every war is both won and lost. And that someone else's pain is as meaningful as your own. - Barbara Kingsolver I think we all have empathy. We may not have enough courage to display it. - Maya Angelou What we don't realize is that the world does not need more perfection. It needs more compassion and empathy. - Tessa Dare Mom Card Drawing of the Week: "Listen to the whispers of your heart. Look within." -Sarah Ban Breathnach My Favorite Thing This Week: Vintner's Daughter Active Botanical Serum and Active Treatment Essence. Find it at www.vintersdaughter.com, Goop or Nordstrom's Thank you so much for listening, sharing, and if you do have time, reviewing the podcast. If you want to let me know directly, you can connect with me more on Instagram @thehonestmompodcast or on my website www.michellemansfieldauthor.com
Samantha and Kristen braved the wilds of the 2023 TCM Classic Film Festival again and are back with a king-sized slate of audio introductions and panels from your favorite stars. Whether you want to relive the festival or had to miss out, we hope you enjoy! Lineup: Opening Night with Steven Spielberg and Paul Thomas Anderson Mario Cantone and The Old Maid (1939) Cari Beachamp and No Man of Her Own (1932) Frankie Avalon before Beach Party (1963) Brian Henson and Muppets Take Manhattan (1984) Assisting the Classics Panel Butterfield 8 (1960) with Mario Cantone Leonard Maltin at Heaven Can Wait (1943) Ann-Margret at Bye Bye Birdie (1963) Rebecca De Mornay and Risky Business (1983) Casablanca (1942) with Eddie Muller and Ben Mankiewicz A Conversation With Russ Tamblyn
Jane & Brandon cover the movie about music that nobody asked for. We can be grateful for the cringiest scene of all time that plays out like a demon escaping the inner sanctum of Hilary Duff's diaphragm as we are gaslit to think she is giving Whitney Houston level vocals. We are left with one question for John Corbett, Jason Ritter, Rebecca De Mornay, and Rita Wilson: Why?
0:00 - Intro & Summary2:00 - Movie Discussion50:46 - Cast & Crew/Awards59:50 - True Crime & Pop Culture 1:06:43 - Rankings & Ratings To see a full list of movies we will be watching and shows notes, please follow our website: https://www.1991movierewind.com/Follow us!https://linktr.ee/1991movierewind Theme: "sunrise-cardio," Jeremy Dinegan (via Storyblocks)Don't forget to rate/review/subscribe/tell your friends to listen to us!
Welcome back, Mr. Torrence and hi there! It's part two of Keri's birthday story: The Shining. Here we learn what it took to get the creative gears in the mind of Stephen King flowing before Stanley Kubrick turned it into the iconic GOAT that horror fans still love today. We talk about the tv reboot and yes, of course, we talk about Doctor Sleep! She's packed. To send in topics of interest, please email quiteabitpodcast@gmail.comFollow us on instagram/facebook/youtube:https://linktr.ee/quiteabitpodcast Sources for this episode:The Shining: A novel by Stephen King (1977)The Shining: A film by Stanley Kubrick (1980)The Shining: A Miniseries by Stephen King and Mick Garris (1997)Room 237: A Documentary by Rodney Ascher (2012)Doctor Sleep: A novel by Stephen King (2013)Doctor Sleep: A film by Mike Flanagan (2019)Making the Shining (1980) by Vivian Kubrick:https://m.youtube.com/watch?v=OukJ7jR4CaMMaking the Shining Mini-Series:https://m.youtube.com/watch?v=aIgptpKE13shttps://www.rollingstone.com/tv-movies/tv-movie-news/stephen-king-ewan-mcgregor-doctor-sleep-interview-894174/amp/https://en.m.wikipedia.org/wiki/The_Shining_(film)https://en.m.wikipedia.org/wiki/The_Shining_(novel)https://en.m.wikipedia.org/wiki/The_Shining_(miniseries)https://www.goodhousekeeping.com/life/entertainment/g34331965/the-shining-facts-trivia/?utm_source=google&utm_medium=cpc&utm_campaign=arb_ga_ghk_md_pmx_us_urlx_19597983321&gclid=EAIaIQobChMImeag4tPt_QIV8v_jBx3U0QsUEAAYASAAEgJTZvD_BwEhttp://www.visual-memory.co.uk/amk/doc/interview.ts.htmlhttps://m.imdb.com/title/tt0081505/triviahttps://www.cinemablend.com/news/2551221/the-shining-behind-the-scenes-facts-about-the-legendary-horror-filmhttps://www.theguardian.com/film/2017/oct/27/danny-lloyd-the-kid-in-the-shining-i-was-promised-that-tricycle-after-filming-but-it-never-camehttps://www.mentalfloss.com/article/55893/25-things-you-might-not-know-about-shininghttps://screenrant.com/shining-movie-connection-david-lynch-eraserhead/https://m.youtube.com/watch?v=uZr1gaAOin4https://ew.com/movies/2019/11/05/stephen-king-doctor-sleep-redeems-the-shining-stanley-kubrick/https://m.youtube.com/watch?v=Em3OG3Xi0Nshttps://en.m.wikipedia.org/wiki/Doctor_Sleep_(2019_film)https://en.m.wikipedia.org/wiki/Doctor_Sleep_(novel)https://www.buzzfeed.com/crystalro/doctor-sleep-behind-the-scenes-factshttps://m.youtube.com/watch?v=uGOd_cM_voY
Friend of the show Ray hit the crew up for a viewing of the 1993 HBO TV movie Blind Side starring Rutger Hauer, Ron Silver and Rebecca De Mornay. Naturally they obliged. They also threw in an extensive list of what they have been watching.
Derik & Jimmy talk Wynonna and Rebecca, check it out! Two great interviews with Jimmy Carter and the girls!
We continue our look back at the movies released by independent distributor Vestron Pictures, focusing on their 1988 releases. ----more---- The movies discussed on this episode, all released by Vestron Pictures in 1988 unless otherwise noted, include: Amsterdamned (Dick Maas) And God Created Woman (Roger Vadim) The Beat (Paul Mones) Burning Secret (Andrew Birkin) Call Me (Sollace Mitchell) The Family (Ettore Scola) Gothic (Ken Russell, 1987) The Lair of the White Worm (Ken Russell) Midnight Crossing (Roger Holzberg) Paramedics (Stuart Margolin) The Pointsman (Jos Stelling) Salome's Last Dance (Ken Russell) Promised Land (Michael Hoffman) The Unholy (Camilo Vila) Waxwork (Anthony Hickox) TRANSCRIPT From Los Angeles, California, the Entertainment Capital of the World, it's The 80s Movies Podcast. I am your host, Edward Havens. Thank you for listening today. At the end of the previous episode, Vestron Pictures was celebrating the best year of its two year history. Dirty Dancing had become one of the most beloved movies of the year, and Anna was becoming a major awards contender, thanks to a powerhouse performance by veteran actress Sally Kirkland. And at the 60th Academy Awards ceremony, honoring the films of 1987, Dirty Dancing would win the Oscar for Best Original Song, while Anna would be nominated for Best Actress, and The Dead for Best Adapted Screenplay and Best Costumes. Surely, things could only go up from there, right? Welcome to Part Two of our miniseries. But before we get started, I'm issuing a rare mea culpa. I need to add another Vestron movie which I completely missed on the previous episode, because it factors in to today's episode. Which, of course, starts before our story begins. In the 1970s, there were very few filmmakers like the flamboyant Ken Russell. So unique a visual storyteller was Russell, it's nigh impossible to accurately describe him in a verbal or textual manner. Those who have seen The Devils, Tommy or Altered States know just how special Russell was as a filmmaker. By the late 1980s, the hits had dried up, and Russell was in a different kind of artistic stage, wanting to make somewhat faithful adaptations of late 19th and early 20th century UK authors. Vestron was looking to work with some prestigious filmmakers, to help build their cache in the filmmaking community, and Russell saw the opportunity to hopefully find a new home with this new distributor not unlike the one he had with Warner Brothers in the early 70s that brought forth several of his strongest movies. In June 1986, Russell began production on a gothic horror film entitled, appropriately enough, Gothic, which depicted a fictionalized version of a real life meeting between Mary Godwin, Percy Shelley, John William Polidori and Claire Clairemont at the Villa Diodati in Geneva, hosted by Lord Byron, from which historians believe both Mary Shelley's Frankenstein and John William Polidori's The Vampyre were inspired. And you want to talk about a movie with a great cast. Gabriel Byrne plays Lord Byron, Julian Sands as Percy Shelley, Natasha Richardson, in her first ever movie, as Mary Shelley, Timothy Spall as John William Polidori, and Dexter Fletcher. Although the film was produced through MGM, and distributed by the company in Europe, they would not release the film in America, fearing American audiences wouldn't get it. So Vestron would swoop in and acquire the American theatrical rights. Incidentally, the film did not do very well in American theatres. Opening at the Cinema 1 in midtown Manhattan on April 10th, 1987, the film would sell $45,000 worth of tickets in its first three days, one of the best grosses of any single screen in the city. But the film would end up grossing only $916k after three months in theatres. BUT… The movie would do quite well for Vestron on home video, enough so that Vestron would sign on to produce Russell's next three movies. The first of those will be coming up very soon. Vestron's 1988 release schedule began on January 22nd with the release of two films. The first was Michael Hoffman's Promised Land. In 1982, Hoffman's first film, Privileged, was the first film to made through the Oxford Film Foundation, and was notable for being the first screen appearances for Hugh Grant and Imogen Stubbs, the first film scored by future Oscar winning composer Rachel Portman, and was shepherded into production by none other than John Schlesinger, the Oscar winning director of 1969 Best Picture winner Midnight Cowboy. Hoffman's second film, the Scottish comedy Restless Natives, was part of the 1980s Scottish New Wave film movement that also included Bill Forsyth's Gregory's Girl and Local Hero, and was the only film to be scored by the Scottish rock band Big Country. Promised Land was one of the first films to be developed by the Sundance Institute, in 1984, and when it was finally produced in 1986, would include Robert Redford as one of its executive producers. The film would follow two recent local high school graduates, Hancock and Danny, whose lives would intersect again with disastrous results several years after graduation. The cast features two young actors destined to become stars, in Keifer Sutherland and Meg Ryan, as well as Jason Gedrick, Tracy Pollan, and Jay Underwood. Shot in Reno and around the Sundance Institute outside Park City, Utah during the early winter months of 1987, Promised Land would make its world premiere at the prestigious Deauville Film Festival in September 1987, but would lose its original distributor, New World Pictures around the same time. Vestron would swoop in to grab the distribution rights, and set it for a January 22nd, 1988 release, just after its American debut at the then U.S. Film Festival, which is now known as the Sundance Film Festival. Convenient, eh? Opening on six screens in , the film would gross $31k in its first three days. The film would continue to slowly roll out into more major markets, but with a lack of stellar reviews, and a cast that wouldn't be more famous for at least another year and a half, Vestron would never push the film out to more than 67 theaters, and it would quickly disappear with only $316k worth of tickets sold. The other movie Vestron opened on January 22nd was Ettore Scale's The Family, which was Italy's submission to that year's Academy Awards for Best Foreign Language Film. The great Vittorio Gassman stars as a retired college professor who reminisces about his life and his family over the course of the twentieth century. Featuring a cast of great international actors including Fanny Ardant, Philip Noiret, Stefania Sandrelli and Ricky Tognazzi, The Family would win every major film award in Italy, and it would indeed be nominated for Best Foreign Language Film, but in America, it would only play in a handful of theatres for about two months, unable to gross even $350k. When is a remake not a remake? When French filmmaker Roger Vadim, who shot to international fame in 1956 with his movie And God Created Woman, decided to give a generational and international spin on his most famous work. And a completely different story, as to not resemble his original work in any form outside of the general brushstrokes of both being about a young, pretty, sexually liberated young woman. Instead of Bridget Bardot, we get Rebecca De Mornay, who was never able to parlay her starring role in Risky Business to any kind of stardom the way one-time boyfriend Tom Cruise had. And if there was any American woman in the United States in 1988 who could bring in a certain demographic to see her traipse around New Mexico au natural, it would be Rebecca De Mornay. But as we saw with Kathleen Turner in Ken Russell's Crimes of Passion in 1984 and Ellen Barkin in Mary Lambert's Siesta in 1987, American audiences were still rather prudish when it came to seeing a certain kind of female empowered sexuality on screen, and when the film opened at 385 theatres on March 4th, it would open to barely a $1,000 per screen average. And God Created Woman would be gone from theatres after only three weeks and $717k in ticket sales. Vestron would next release a Dutch film called The Pointsman, about a French woman who accidentally gets off at the wrong train station in a remote Dutch village, and a local railwayman who, unable to speak the other person's language, develop a strange relationship while she waits for another train that never arrives. Opening at the Lincoln Plaza Cinemas on New York's Upper West Side on April 8th, the film would gross $7,000 in its first week, which in and of itself isn't all that bad for a mostly silent Dutch film. Except there was another Dutch film in the marketplace already, one that was getting much better reviews, and was the official Dutch entry into that year's Best Foreign Language Film race. That film, Babette's Feast, was becoming something more than just a movie. Restaurants across the country were creating menus based on the meals served in the film, and in its sixth week of release in New York City that weekend, had grossed four times as much as The Pointsman, despite the fact that the theatre playing Babette's Feast, the Cinema Studio 1, sat only 65 more people than the Lincoln Plaza 1. The following week, The Pointsman would drop to $6k in ticket sales, while Babette's Feast's audience grew another $6k over the previous week. After a third lackluster week, The Pointsman was gone from the Lincoln Plaza, and would never play in another theatre in America. In the mid-80s, British actor Ben Cross was still trying to capitalize on his having been one of the leads in the 1981 Best Picture winner Chariots of Fire, and was sharing a home with his wife and children, as well as Camilo Vila, a filmmaker looking for his first big break in features after two well-received short films made in his native Cuba before he defected in the early 1980s. When Vila was offered the chance to direct The Unholy, about a Roman Catholic priest in New Orleans who finds himself battling a demonic force after being appointed to a new parish, he would walk down the hall of his shared home and offered his roomie the lead role. Along with Ned Beatty, William Russ, Hal Holbrook and British actor Trevor Howard in his final film, The Unholy would begin two weeks of exterior filming in New Orleans on October 27th, 1986, before moving to a studio in Miami for seven more weeks. The film would open in 1189 theatres, Vestron's widest opening to date, on April 22nd, and would open in seventh place with $2.35m in ticket sales. By its second week in theatres, it would fall to eleventh place with a $1.24m gross. But with the Summer Movie Season quickly creeping up on the calendar, The Unholy would suffer the same fate as most horror films, making the drop to dollar houses after two weeks, as to make room for such dreck as Sunset, Blake Edwards' lamentable Bruce Willis/James Garner riff on Hollywood and cowboys in the late 1920s, and the pointless sequel to Critters before screens got gobbled up by Rambo III on Memorial Day weekend. It would earn a bit more than $6m at the box office. When Gothic didn't perform well in American theatres, Ken Russell thought his career was over. As we mentioned earlier, the American home video store saved his career, as least for the time being. The first film Russell would make for Vestron proper was Salome's Last Dance, based on an 1891 play by Oscar Wilde, which itself was based on a story from the New Testament. Russell's script would add a framing device as a way for movie audiences to get into this most theatrical of stories. On Guy Fawkes Day in London in 1892, Oscar Wilde and his lover, Lord Alfred Douglas, arrive late at a friend's brothel, where the author is treated to a surprise performance of his play Salome, which has recently been banned from being performed at all in England by Lord Chamberlain. All of the actors in his special performance are played by the prostitutes of the brothel and their clients, and the scenes of the play are intertwined with Wilde's escapades at the brothel that night. We didn't know it at the time, but Salome's Last Dance would be the penultimate film performance for Academy Award winning actress Glenda Jackson, who would retire to go into politics in England a couple years later, after working with Russell on another film, which we'll get to in a moment. About the only other actor you might recognize in the film is David Doyle, of all people, the American actor best known for playing Bosley on Charlie's Angels. Like Gothic, Salome's Last Dance would not do very well in theatres, grossing less than half a million dollars after three months, but would find an appreciative audience on home video. The most interesting thing about Roger Holzberg's Midnight Crossing is the writer and director himself. Holzberg started in the entertainment industry as a playwright, then designed the props and weapons for Albert Pyun's 1982 film The Sword and the Sorcerer, before moving on to direct the second unit team on Pyun's 1985 film Radioactive Dreams. After making this film, Holzberg would have a cancer scare, and pivot to health care, creating a number of technological advancements to help evolve patient treatment, including the Infusionarium, a media setup which helps children with cancer cope with treatment by asking them questions designed to determine what setting would be most comforting to them, and then using virtual reality technology and live events to immerse them in such an environment during treatment. That's pretty darn cool, actually. Midnight Crossing stars Faye Dunaway and Hill Street Blues star Daniel J. Travanti in his first major movie role as a couple who team with another couple, played by Kim Cattrall and John Laughlin, who go hunting for treasure supposedly buried between Florida and Cuba. The film would open in 419 theaters on May 11th, 1988, and gross a paltry $673k in its first three days, putting it 15th on the list of box office grosses for the week, $23k more than Three Men and a Baby, which was playing on 538 screens in its 25th week of release. In its second week, Midnight Crossing would lose more than a third of its theatres, and the weekend gross would fall to just $232k. The third week would be even worse, dropping to just 67 theatres and $43k in ticket sales. After a few weeks at a handful of dollar houses, the film would be history with just $1.3m in the bank. Leonard Klady, then writing for the Los Angeles Times, would note in a January 1989 article about the 1988 box office that Midnight Crossing's box office to budget ratio of 0.26 was the tenth worst ratio for any major or mini-major studio, ahead of And God Created Woman's 8th worst ratio of .155 but behind other stinkers like Caddyshack II. The forgotten erotic thriller Call Me sounds like a twist on the 1984 Alan Rudolph romantic comedy Choose Me, but instead of Genevieve Bujold we get Patricia Charbonneau, and instead of a meet cute involving singles at a bar in Los Angeles, we get a murder mystery involving a New York City journalist who gets involved with a mysterious caller after she witnesses a murder at a bar due to a case of mistaken identity. The film's not very good, but the supporting cast is great, including Steve Buscemi, Patti D'Arbanville, Stephen McHattie and David Straithairn. Opening on 24 screens in major markets on May 20th, Call Me would open to horrible reviews, lead by Siskel and Ebert's thumbs facing downward, and only $58,348 worth of tickets sold in its first three days. After five weeks in theatres, Vestron hung up on Call Me with just $252k in the kitty. Vestron would open two movies on June 3rd, one in a very limited release, and one in a moderate national release. There are a lot of obscure titles in these two episodes, and probably the most obscure is Paul Mones' The Beat. The film followed a young man named Billy Kane, played by William McNamara in his film debut, who moves into a rough neighborhood controlled by several gangs, who tries to help make his new area a better place by teaching them about poetry. John Savage from The Deer Hunter plays a teacher, and future writer and director Reggie Rock Bythewood plays one of the troubled youths whose life is turned around through the written and spoken word. The production team was top notch. Producer Julia Phillips was one of the few women to ever win a Best Picture Oscar when she and her then husband Michael Phillips produced The Sting in 1973. Phillips was assisted on the film by two young men who were making their first movie. Jon Kilik would go on to produce or co-produce every Spike Lee movie from Do the Right Thing to Da 5 Bloods, except for BlackkKlansman, while Nick Weschler would produce sex, lies and videotape, Drugstore Cowboy, The Player and Requiem for a Dream, amongst dozens of major films. And the film's cinematographer, Tom DiCillo, would move into the director's chair in 1991 with Johnny Suede, which gave Brad Pitt his first lead role. The Beat would be shot on location in New York City in the summer of 1986, and it would make its world premiere at the Cannes Film Market in May 1987. But it would be another thirteen months before the film arrived in theatres. Opening on seven screens in Los Angeles and New York City on June 3rd, The Beat would gross just $7,168 in its first three days. There would not be a second week for The Beat. It would make its way onto home video in early 1989, and that's the last time the film was seen for nearly thirty years, until the film was picked up by a number of streaming services. Vestron's streak of bad luck continued with the comedy Paramedics starring George Newbern and Christopher McDonald. The only feature film directed by Stuart Margolin, best known as Angel on the 1970s TV series The Rockford Files, Newbern and McDonald play two… well, paramedics… who are sent by boss, as punishment, from their cushy uptown gig to a troubled district at the edge of the city, where they discover two other paramedics are running a cadavers for dollars scheme, harvesting organs from dead bodies to the black market. Here again we have a great supporting cast who deserve to be in a better movie, including character actor John P. Ryan, James Noble from Benson, Lawrence Hilton-Jacobs from Welcome Back Kotter, the great Ray Walston, and one-time Playboy Playmate Karen Witter, who plays a sort of angel of death. Opening on 301 screens nationwide, Paramedics would only gross $149,577 in its first three days, the worst per screen average of any movie playing in at least 100 theatres that weekend. Vestron stopped tracking the film after just three days. Two weeks later, on June 17th, Vestron released a comedy horror film that should have done better. Waxwork was an interesting idea, a group of college students who have some strange encounters with the wax figures at a local museum, but that's not exactly why it should have been more popular. It was the cast that should have brought audiences in. On one side, you had a group of well-known younger actors like Deborah Foreman from Valley Girl, Zack Gailligan from Gremlins, Michelle Johnson from Blame It on Rio, and Miles O'Keeffe from Sword of the Valiant. On the other hand, you had a group of seasoned veterans from popular television shows and movies, such as Patrick Macnee from the popular 1960s British TV show The Avengers, John Rhys-Davies from the Indiana Jones movies, and David Warner, from The Omen and Time after Time and Time Bandits and Tron. But if I want to be completely honest, this was not a movie to release in the early part of summer. While I'm a firm believer that the right movie can find an audience no matter when it's released, Waxwork was absolutely a prime candidate for an early October release. Throughout the 1980s, we saw a number of horror movies, and especially horror comedies, released in the summer season that just did not hit with audiences. So it would be of little surprise when Waxwork grossed less than a million dollars during its theatrical run. And it should be of little surprise that the film would become popular enough on home video to warrant a sequel, which would add more popular sci-fi and horror actors like Marina Sirtis from Star Trek: The Next Generation, David Carradine and even Bruce Campbell. But by 1992, when Waxwork 2 was released, Vestron was long since closed. The second Ken Russell movie made for Vestron was The Lair of the White Worm, based on a 1911 novel by Bram Stoker, the author's final published book before his death the following year. The story follows the residents in and around a rural English manor that are tormented by an ancient priestess after the skull of a serpent she worships is unearthed by an archaeologist. Russell would offer the role of Sylvia Marsh, the enigmatic Lady who is actually an immortal priestess to an ancient snake god, to Tilda Swinton, who at this point of her career had already racked up a substantial resume in film after only two years, but she would decline. Instead, the role would go to Amanda Donohoe, the British actress best known at the time for her appearances in a pair of Adam Ant videos earlier in the decade. And the supporting cast would include Peter Capaldi, Hugh Grant, Catherine Oxenberg, and the under-appreciated Sammi Davis, who was simply amazing in Mona Lisa, A Prayer for the Dying and John Boorman's Hope and Glory. The $2m would come together fairly quickly. Vestron and Russell would agree on the film in late 1987, the script would be approved by January 1988, filming would begin in England in February, and the completed film would have its world premiere at the Montreal Film Festival before the end of August. When the film arrived in American theatres starting on October 21st, many critics would embrace the director's deliberate camp qualities and anachronisms. But audiences, who maybe weren't used to Russell's style of filmmaking, did not embrace the film quite so much. New Yorkers would buy $31k worth of tickets in its opening weekend at the D. W. Griffith and 8th Street Playhouse, and the film would perform well in its opening weeks in major markets, but the film would never quite break out, earning just $1.2m after ten weeks in theatres. But, again, home video would save the day, as the film would become one of the bigger rental titles in 1989. If you were a teenager in the early 80s, as I was, you may remember a Dutch horror film called The Lift. Or, at the very least, you remember the key art on the VHS box, of a man who has his head stuck in between the doors of an elevator, while the potential viewer is warned to take the stairs, take the stairs, for God's sake, take the stairs. It was an impressive debut film for Dick Maas, but it was one that would place an albatross around the neck of his career. One of his follow ups to The Lift, called Amsterdamned, would follow a police detective who is searching for a serial killer in his home town, who uses the canals of the Dutch capital to keep himself hidden. When the detective gets too close to solving the identity of the murderer, the killer sends a message by killing the detective's girlfriend, which, if the killer had ever seen a movie before, he should have known you never do. You never make it personal for the cop, because he's gonna take you down even worse. When the film's producers brought the film to the American Film Market in early 1988, it would become one of the most talked about films, and Vestron would pick up the American distribution rights for a cool half a million dollars. The film would open on six screens in the US on November 25th, including the Laemmle Music Hall in Beverly Hills but not in New York City, but a $15k first weekend gross would seal its fate almost immediately. The film would play for another four weeks in theatres, playing on 18 screens at its widest, but it would end its run shortly after the start of of the year with only $62,044 in tickets sold. The final Vestron Pictures release of 1988 was Andrew Birkin's Burning Secret. Birkin, the brother of French singer and actress Jane Birkin, would co-write the screenplay for this adaptation of a 1913 short story by Austrian novelist Stefan Zweig, about a about an American diplomat's son who befriends a mysterious baron while staying at an Austrian spa during the 1920s. According to Birkin in a 2021 interview, making the movie was somewhat of a nightmare, as his leading actors, Klaus Maria Brandauer and Faye Dunaway, did not like each other, and their lack of comfort with each other would bleed into their performances, which is fatal for a film about two people who are supposed to passionately burn for each other. Opening on 16 screens in major markets on Thursday, December 22nd, Burning Secret would only gross $27k in its first four days. The film would actually see a post-Christmas bump, as it would lose a screen but see its gross jump to $40k. But after the first of the year, as it was obvious reviews were not going to save the film and awards consideration was non-existent, the film would close after three weeks with only $104k worth of tickets sold. By the end of 1988, Vestron was facing bankruptcy. The major distributors had learned the lessons independents like Vestron had taught them about selling more volumes of tapes by lowering the price, to make movies collectables and have people curate their own video library. Top titles were harder to come by, and studios were no longer giving up home video rights to the movies they acquired from third-party producers. Like many of the distributors we've spoken about before, and will undoubtedly speak of again, Vestron had too much success with one movie too quickly, and learned the wrong lessons about growth. If you look at the independent distribution world of 2023, you'll see companies like A24 that have learned that lesson. Stay lean and mean, don't go too wide too quickly, try not to spend too much money on a movie, no matter who the filmmaker is and how good of a relationship you have with them. A24 worked with Robert Eggers on The Witch and The Lighthouse, but when he wanted to spend $70-90m to make The Northman, A24 tapped out early, and Focus Features ended up losing millions on the film. Focus, the “indie” label for Universal Studios, can weather a huge loss like The Northman because they are a part of a multinational, multimedia conglomerate. This didn't mean Vestron was going to quit quite yet, but, spoiler alert, they'll be gone soon enough. In fact, and in case you are newer to the podcast and haven't listen to many of the previous episodes, none of the independent distribution companies that began and/or saw their best years in the 1980s that we've covered so far or will be covering in the future, exist in the same form they existed in back then. New Line still exists, but it's now a label within Warner Brothers instead of being an independent distributor. Ditto Orion, which is now just a specialty label within MGM/UA. The Samuel Goldwyn Company is still around and still distributes movies, but it was bought by Orion Pictures the year before Orion was bought by MGM/UA, so it too is now just a specialty label, within another specialty label. Miramax today is just a holding company for the movies the company made before they were sold off to Disney, before Disney sold them off to a hedge fund, who sold Miramax off to another hedge fund. Atlantic is gone. New World is gone. Cannon is gone. Hemdale is gone. Cinecom is gone. Island Films is gone. Alive Films is gone. Concorde Films is gone. MCEG is gone. CineTel is gone. Crown International is gone. Lorimar is gone. New Century/Vista is gone. Skouras Films is gone. Cineplex Odeon Films is gone. Not one of them survived. The same can pretty much be said for the independent distributors created in the 1990s, save Lionsgate, but I'll leave that for another podcast to tackle. As for the Vestron story, we'll continue that one next week, because there are still a dozen more movies to talk about, as well as the end of the line for the once high flying company. Thank you for joining us. We'll talk again soon. Remember to visit this episode's page on our website, The80sMoviePodcast.com, for extra materials about the movies we covered this episode. The 80s Movies Podcast has been researched, written, narrated and edited by Edward Havens for Idiosyncratic Entertainment. Thank you again. Good night.
Rebecca De Mornay and Mary Gross join the FBI training academy in hopes of becoming FBI agents. Co-starring Fred Dalton Thompson.
Join us for a 90's thriller classic. Rebecca De Mornay and Annabella Sciorra face off in the way only two fierce femme fatales from the 90's can — with a mountain of traumatic events between them and through a sea of problematic choices. Jane and Brandon are here for every moment of it. Press play but remember, this episode deserves a trigger warning for just about everything.
Remember Cannon Films? They were an independent production company started in the '70s run by two Israeli cousins (Yoram Globus, Menahem Globus) who wanted to bring their cinematic ambitions to the United States....and they released a LOT of movies, most of which were considered schlock in retrospect. But every once in a while, they would release a GENUINE quality film and this was one of them. :) Directed by Andrei Konchalovsky, this is a tense action adventure focusing on two escaped convicts of an Alaskan prison who jump on to a nearby train before eventually realizing that its conductor has died and its breaks are not working. Hence it's a.....RUNAWAY TRAIN. ;) Jon Voight and Eric Roberts star as the two convicts along with Rebecca De Mornay as a rail worker who they encounter on their adventure. Host: Geoff Gershon Editors: Geoff and Ella GershonProducer: Marlene Gershonhttps://livingforthecinema.com/Facebook:https://www.facebook.com/Living-for-the-Cinema-Podcast-101167838847578Instagram:https://www.instagram.com/livingforthecinema/Letterboxd:https://letterboxd.com/Living4Cinema/
Join our Discord https://discord.gg/jDrUtNcRq2 Well before we go off for a couple of weeks we have a bonus episode for you! As always the bonus episode is connected to the main season. How is Disney's Three Musketeers connected to 90s Kurt Russell movies you say? Well, glad you asked so this episode connections are a) Rebecca De Mornay starred alongside Russell in "Backdraft" and b) Oliver Platt starred alongside him in "Executive Decision." This is special episode too as our special guest Caleb Knutson completes what we are calling the "Caleb trilogy" as Caleb was previously on both the "Backdraft" and " Executive Decision" episodes. Over the course of the episode you will hear regular host Scott and Caleb talk about the greatness of Tim Curry, the blandness of Chris O'Donnell and how this might be the horniest family movie ever made. Plus, they get how this film wants to be "Robin Hood: Prince of Thieves," how this is the most American telling of the Musketeers tale and how you have almost certainly seen more Stephen Herek movies than you think you have.
This episode of SVU is so goddamn fun, guys. Rebecca De Mornay (no, not from the homeless shelter) hatches possibly the most outlandish plot ever devised on network television involving implanted mouth semen and Special Forces assassins, all to ensure that her milquetoast husband only ever has eyes for her. Wild stuff. Obviously there is a TON of stuff to talk about including the 1951 Academy Awards, the unionization of Strip Clubs, Lethal Weapon, the greater Shermerverse, the Bronx Zoo, and the future of this podcast. This is an episode to enjoy with your entire family--provided, of course, that they are down to listen to detailed discussions of the half-life of jizz loads. Special thanks go out to my other favorite Rebecca De Mornay, Sonya Eddy, who has sadly never performed in a Law & Order franchise. Sources: ‘Strippers are standing up': Los Angeles dancers move to unionize with actors group - The Guardian No Justice: A Working Girl's Guide to Labor Organizing in the Sex Industry - Lusty Lady Theater Co-Owners The Exotic Dancers Union - Working Class History Podcast Live Nude Girls Unite! - Amazon Prime Video Music: Divorcio Suave - "Munchy Business" Thanks to our gracious Munchies on Patreon: Jeremy S, Jaclyn O, Pedro H, Amy Z, Nikki B, Louise M, Whitney C, Diana R, Tony B, Zak B, Barry W, Karen D, Sara L, Miriam J, Drew D, Meghan M, Nicky R, Stuart, Jacqi B, and Natalie T - y'all are the best! Be a Munchie, too! Support us on Patreon: patreon.com/munchmybenson Follow us on: Twitter, Facebook, Instagram, and Reddit (Adam's Twitter and Josh's Twitter) Check out Munch Merch: Munch Merch at Zazzle Check out our guest appearances on: …These Are There Stories (Adam and Josh), both of us on FMWL Pod (1st Time & 2nd Time) and Chick-Lit at the Movies Visit Our Website: Munch My Benson Email the podcast: munchmybenson@gmail.com Next Week's Episode: Season 4, Episode 23 "Grief"
Ben thinks he might have run into actress Rebecca De Mornay
This week Jackie and Danielle are talking about the 2004 drama, Raise Your Voice. And they're joined by their Instagram pal and fashion historian Jesse from Vintage Juicy Couture & This Olde Thing. After her brother dies in a car accident, Terri wants to honor her brother's wishes and attend a performing arts school in Los Angeles. The one small hitch is that her father is an overprotective bear and forbids her from going. That's where Terri's cool aunt and mom come in to help her lie her way to her music school dreams. Can Terri fool her dad while keeping up at this very competitive music school in LA? Starring: Hilary Duff; Rita Wilson; David Keith; Jason Ritter; Oliver James; Rebecca De Mornay; John Corbett – No More Late Fees --- Jesse Vintage Juicy Couture Instagram Vintage Juicy Couture TikTok This Olde Thing Instagram This Olde Thing TikTok This Olde Thing Website --- --- Send in a voice message: https://anchor.fm/nomorelatefees/message Support this podcast: https://anchor.fm/nomorelatefees/support
Yellowjackets director and producer Jamie Travis joins me to talk about the 1992 "lady thriller" The Hand That Rocks the Cradle. Annabella Sciorra, Rebecca De Mornay, Ernie Hudson, Matt McCoy, and Julianne Moore star in this wild, upsetting, and incredibly entertaining movie about a psychotic usurping nanny.
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