Podcast appearances and mentions of joe edwards

Dani & Joe are joined by Commercial Manager of Monmore Green Greyhound Stadium, Joe Edwards. He talks about his entry into the sport from a world of football, and his plans for making Monmore one of the best greyhound stadia to visit.Intro: 17sJoe E: 12min 02sLink to Greyhound Gossip UK podcast: https://open.spotify.com/show/5J3CF6rUQH3VKsouXt4ffY?si=ab333e4931a74b64 Hosted on Acast. See acast.com/privacy for more information.

Keeping cannabis clean is more critical than ever. In this episode, I sit down with Joe Edwards, Chief Science Officer at Yofumo Technologies, to discuss the game-changing role of decontamination in the cannabis industry. We dive into: ✅ The hidden contamination risks in cannabis cultivation ✅ How Yofumo's ozone-based technology is revolutionizing decontamination ✅ The tightening of compliance and new testing regulations ✅ How cultivators can stay ahead of the curve and avoid costly recalls ✅ The future of cannabis decontamination beyond cultivation With over 15 years of experience in cannabis science and innovation, Joe shares his deep insights on facility design, regulatory challenges, and industry best practices. If you care about the future of clean, safe, and high-quality cannabis, this episode is a must-watch!

Joe Cole and Ashley Cole are back to preview the FA Cup 4th round in Football's Greatest: Could It Be Magic? Nottingham Forest and England legend Stuart Pearce is their guest and they discuss his former club's brilliant season so far. Also on the show: Which players at a top club aren't running enough? Should Trent Alexander-Arnold stay at Liverpool or go to Real Madrid? Why are Manchester City easier to play against this season? Plymouth Argyle captain Joe Edwards joins them to talk about their 3rd round win against Brentford and facing Liverpool next, and Tamworth captain Jas Singh is back to discuss their 3rd round tie against Tottenham. Also, Ashley reveals how involved Tom Brady really is at Birmingham and Stuart recalls the time his West Ham team-mates made him lose his head. Football's Greatest: Could It Be Magic? is brought to you by Carling, the official beer of the Emirates FA Cup and Adobe Women's FA Cup.18+ - please drink responsibly. You can watch Joe and Ashley go head-to-head in the ultimate Carling football showdown as their football skills are put to the test:  https://www.youtube.com/watch?v=aLss99gujIc&t=0s Email: ⁠footballsgreatest@foldingpocket.co.uk ⁠ Follow Football's Greatest and join in the debate: YouTube: https://www.youtube.com/@footballsgreatestpod Instagram: ⁠www.instagram.com/footballsgreatestpod⁠ X/Twitter: ⁠www.twitter.com/ftblsgreatest⁠ TikTok: ⁠www.tiktok.com/@footballsgreatestpod⁠ Facebook: ⁠www.facebook.com/footballsgreatestpod Learn more about your ad choices. Visit podcastchoices.com/adchoices

In this episode of the Pilgrims Podcast, the hosts break down a much-needed victory, analysing the debut of new centre-backs, the game plan, and a controversial penalty that proved to be a turning point. Ryan Hardie takes centre stage as they assess his impact—not just as a substitute in the match, but across his five-year spell at Argyle.Part Two shifts focus to transfer activity, player performances, and the race against the clock as the deadline looms. Morgan Whittaker's departure remains a key talking point, alongside the urgent need for smart recruitment and a possible replacement. The conversation also touches on the goalkeeper situation, with rumours of a Grimshaw exit. There's also time to discuss Joe Edwards' appearances on Sky, Schumacher at Bolton, and, most importantly, Nance receiving his richly deserved “Freedom of the City.”Finally, attention turns to the road ahead, with growing optimism (or is it false hope?) surrounding Argyle's relegation fight. With crucial battles against relegation rivals on the horizon—and a surreal FA Cup tie against Liverpool thrown into the mix—how do Argyle balance survival and spectacle? There's even time for a rare quiz, much to Mark's delight, with the squad's diverse international make-up as the topic of the day.Emirates FA Cup Live Tour with Dion Dublin: https://www.eventbrite.co.uk/e/emirates-fa-cup-live-tour-with-dion-dublin-plymouth-tickets-1214814395559?aff=oddtdtcreator Support the show: https://ko-fi.com/pilgrimspodcast Hosted on Acast. See acast.com/privacy for more information.

This is 'EFL: All Access' where every Monday we discuss all of the big stories across the EFL!Adrian Clarke steps in as host for this week and he is joined by Plymouth Argyle Captain Joe Edwards for a special episode discussing the Pilgrims season so far, dealing with injury, insight into Wayne Rooney as a manager and reflecting on the competitive nature of the EFL! We discuss the Championship title race, the relegation battle and what it's like to be part of a team struggling down the bottom after Plymouth stayed up on the final day of last season. We also analyse the strength of League One and give a mention to two of Joe's former sides in League Two with Walsall and Colchester United. Hosted on Acast. See acast.com/privacy for more information.

Chris and Amy hold their NFL pick 'em challenge with listener Matt as well as The Duke of Delmar himself, businessman Joe Edwards.

In this hour, Chris and Amy discuss the trend of fewer and fewer kids are getting their driver's license, and take your calls and texts to get your thoughts. Later, the Duke of Delmar himself Joe Edwards calls in to play our No Prize Football Pick 'Em!

Another international break, so we dive into Argyle's recent struggles and how they balance against last season. We discuss our predicted finish, chances of survival, and revisit the “5 Things Argyle Must Do” to assess Rooney's progress. We also analyse January transfer rumours, provide updates on players out on loan, and consider Joe Edwards' coaching journey during his injury recovery. Plus, a look ahead to Watford and the big double-header at home. Don't blink, or you'll miss the quiz to round it off!Any contribution towards running costs is always welcome:https://ko-fi.com/pilgrimspodcast Bluesky Page : https://bsky.app/profile/pilgrimspod.bsky.socialInstagram:https://www.instagram.com/podforpilgrims/profilecard/?igsh=bzUyMDNmZDFydTAw Hosted on Acast. See acast.com/privacy for more information.

A euphoric full house pours over another afternoon for the ages. The ultimate game of two halves: first-half relegation certainties replaced by a heroic, never-to-be-forgotten second phase. It was a rollercoaster, Clive.After reliving the joy, focus turns to individual performances. A strong outing for the new number 1, overall squad depth (winners and losers), an improving midfield, and some validation for a certain Wayne Rooney, all precede shout-outs for Centurion Bali and, of course, club captain Joe Edwards. Next stop, another game against the league leaders. Hosted on Acast. See acast.com/privacy for more information.

Joe Edwards is a developer and businessman with the Delmar Loop and affectionately known as "The Duke of Delmar." He joined us this morning to discuss the 52nd Annual Blueberry Hill Darts Tournament and other happenings from one of the greatest streets in America.

We know phones are the hot button issue with students but Chris and Amy take some time to see what other things are being banned at schools. Plus, Joe Edwards talks the 52nd Annual Blueberry Hill Darts Tournament and Bernie Miklasz chats sports with us.

Aaron Paul is joined by Curtis Davies and Mark Bonner to chat about the big topics in the EFL.Bonner discusses his new role after being appointed as Gillingham's new manager while BBC Radio Humberside Sport editor Mike White gives his thoughts after Liam Rosenior's shock sacking as Hull City manager.Plymouth captain Joe Edwards chats about scoring the winning goal to secure Championship survival last weekend and the panel discussion the night's playoff action.TOPICS: 1 mins - Mark Bonner on being appointed Gillingham manager 9 mins - Liam Rosenior sacked as Hull City manager 19 mins - Plymouth Argyle captain Joe Edwards 25 mins - Play off reaction

Bethany Manktelow hosted the NOLUT Team of Gary Staff, Ted Robinson and Stan Godwin. Bethany expressed our condolences to the family and friends of former Lion Dave Mehmet and pannounced the funeral arrangements supplied his daughter Alice. Post the heartbreaking loss at Huddersfield on Saturday The team reviewed the welcomed win against Championship leaders Leicester City on Tuesday night.They team were joined by guest Alan Dunne, who:Remembered Dave Mehmet, shared his memories of Mem, and expressed his condolences to his family and friends;Talked about Millwall's predicament in the Championship; Gave updates on Lions on loan Nana Boateng and Kamarl Grant, and former Lions Byron Webster and Besart Toppalloj;Explained the Millwall DNA;Spoke about the departure of Gary Rowett, arrival and departure of Joe Edwards, and the return of Neil Harris;Responded to Fan in the Dugout questions;The formation that Bromley play and the formation brought in by Pep Guardiola; andMillwall v Cardiff PredictionIn the next section of the show we heard from the friends, former teammates, along with our panel memories of Dave (Mem) Mehmet:Phil Coleman:Our panel;Paul Roberts;Jeff Burnige; andThis was followed by a November interview with Mem about the Millwall Academy.Paul Loding reported on Millwall Romans, Eamonn updated on Millwall Pride. Jeff Burnige gave his Millwall Lionesses report. The panel previewed Millwall v Cardiff and they made predictions. Gary talked about the Millwall Heritage and History tour.Ted gave a heads-up on next week's show and the Lionesses next match.Stan provided ticket news on Millwall U18's cup final at the Den next week. RIP Dave (Mem) MehmetMusic and Audio credits:https://www.FesliyanStudios.com Background Musichttps://www.maritimeradio.co.uk/ Background Music and Reports

What a week for our Myles Thornton to host this weeks edition of our millwall fans show with his team of Sreve Warren , Dave Hart and Teddy Robinson.Joe Edwards is sacked by the Lions and Neil Bomber Harris returns, plus Millwall U18 beat Chelsea U18 in the Youth Cup quarter finals.Our main guest this evening has also starred for our youth team before moving on to the first team our very own Phil Coleman, talking about playing not only for the club he loves but also playing along side his brother.Moving on to our second guest is Henry Morgan , who is a big Neil Harris fan but is not sure it's a good move for the Lions to bring him back ?As we do very week we cover the Lionesse's . Pride and Romans.some great interviews get listening.. .Music and Audio credits: https://www.FesliyanStudios.com Background Music https://www.maritimeradio.co.uk/ Background Music and Reports

Ryan Dilks and Justin Peach discuss the latest news and action from the Championship.Millwall sack Joe Edwards!Southampton lose again!Are Ipswich the most entertaining team in the Championship?A review of the latest season of Sunderland 'Til I Die!It's the Second Tier.Watch this episode on YouTube! Link: https://www.youtube.com/channel/UCjqVFKB1yw2z_XyVINhB9qA/featuredWebsite: www.secondtierpod.co.uk Twitter: twitter.com/secondtierpod **Please rate and review us on Apple, Spotify or wherever you get your pods. It means a lot and makes it easy for other people to find us. Thank you!** Hosted on Acast. See acast.com/privacy for more information.

Saints suffered their first home defeat since mid-September against Hull, a lack of courage the buzzword for the week. Does the blame land with the manager for picking the wrong side? And Millwall will have a new manager for the trip to St Mary's on Saturday. After a run of seven defeats in eight games, Millwall have sacked Joe Edwards! On this episode of TSP, we'll break down the courage-lacking loss to Hull City and discuss if Millwall have what it takes with a new head coach at the helm.Welcome to TSP 266!Martin Starke is joined by Steve Grant (SaintsWeb), Glen de la Cour (League One Minus 10), and Alfie House (Daily Echo) to get you up to date on all things SaintsFC.We're excited to announce the launch of the new TSP Shop! Featuring all-new original designs and podcast merch! If you want to see the new store, head to shop.totalsaints.co.ukTSP is supported by our loyal TSP Patrons, thanks to everyone supporting the podcast, we couldn't do it without your support. If you'd like to support the podcast you can find more information at www.patreon.com/TotalSaintsPodcast Don't forget we're also on YouTube! You can find the team live on YouTube at 19:15pm every Sunday evening, make sure to subscribe to be notified when that's happening.Keep Marching In!www.totalsaints.co.ukTwitter: @TotalSaintsPodFacebook: facebook.com/TotalSaintsPodInstagram & Threads - @TotalSaintsPodTikTok - @totalsaintspodProduced by Audio Coast Hosted on Acast. See acast.com/privacy for more information.

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For his Roaming St. Louis segment this week, KMOX host Scott Jagow ventured to the Del Mar Loop to hang out at the Moonrise Hotel. Celebrating its 15th anniversary this year, the hotel features a lunar theme combined with a one-of-a-kind solar panel setup on the rooftop. Scott chats with owner Joe Edwards, whose passion for the moon comes through with his collections on site and GM Jake Wescott. 

The Hollywood Blonds: E5- Lame Leg: Aug-Oct ‘93 Original Release Date: March 30, 2022 This week Mike & JV continue their coverage of the Hollywood Blonds. On this episode “Stunning” Steve Austin & “Flyin” Brian Pillman are set to defend their titles against Arn Anderson & Paul Roma at the Clash of the Champions 24, but a freak injury will sideline Brian Pillman, and Lord Steven Regal will replace him. During Pillman's injury, Stunning Steve will work singles matches and get interest from Col. Robert Parker. We will discuss the following: WCW Saturday Night  - 08/07/93 (Taped 07/09/93) - Audio - Promo - The Four Horsemen (Flair, Arn, & Roma) -  (40:05- 41:31) WCW Saturday Night  - 08/14/93 (Taped 07/09/93) - Match - Arn Anderson & Paul Roma vs. Bobby Eaton & Dick Slater (02:14- 07:35) BREAKING NEWS - WCW Saturday Night Taping - Pillman Injury - 08/09/93 WCW Clash of the Champions XXIV - 08/18/93 - Audio - Promo - Brian Pillman (0:59- 02:15) WATCH ALONG -  WCW Clash of the Champions XXIV - 08/18/93 - (02:15- 17:26) -  Match - NWA/WCW World Tag Team Championship Match-  Stunning Steve Austin & Lord Steven Regal vs. The Four Horseman (Arn Anderson & Paul Roma) WATCH ALONG - WCW Saturday Night 08/28/93 (0:39-13:21) - Pillman's Injury - Hollywood Blonds vs. Frankie Lancaster & Mark Starr WCW Saturday Night  10/02/93 - “Stunning” Steve Austin vs. “Pistol” Pez Whatley (08:37- 13:29) WCW Saturday Night  10/02/93 - Audio - Interview - “Stunning” Steve Austin & Col. Robert Parker (14:00- 16:11) WCW Saturday Night  - 10/09/93 - Audio - Interview - “Stunning” Steve Austin w/ Tony Schiavone…& Col Robert Parker (26:15- 27:50) WCW Saturday Night - 10/16/93 - Match - The Hollywood Blonds vs. Joe Edwards & Dave Hart (49:45- 55:24) WCW Saturday Night - 10/16/93 - Audio - Promo - Interview - Tony Schiavone w/ The Hollywood Blonds… and Col. Parker (55:50- 57:30) Please reach out and support us on Twitter  @bottomlinecast, @MPRU83 & @JOHNVANDAMAGE Please take the time to Subscribe and write a Five Star Rating on Apple Podcasts! Thank you for listening! Find out more at https://bottomlinecast.pinecast.co Send us your feedback online: https://pinecast.com/feedback/bottomlinecast/cb4d911d-97a2-4cb8-9225-6eedd830c51c This podcast is powered by Pinecast.

Eamonn Barclay hosted this week's first show of 2024 with his panel of Patricia Maslin, Myles Thornton, and Ted Robinson who reviewed the team performances, versus Bristol City, our current form, and the cries for players to come in and BIG money to be spent. Our 1st guest this week is Millwall's matchday commentator, BBC's Karl Bates and carl talked about:Substitute matchday co-commentator Dan Walker is a member of Millwall's media team;Karl Bates and his Crystal Balls;Feelings from Gary Rowett's departure and Joe Edwards arrival;Brooke Norton-Coffey and Aidomo Emaku being highlighted in Arsenal's Daily Cannon;Do we need new players or is our squad sufficient;Working with Max McClennan;His chalk and cheese Millwall performances;Where he sees us finishing this season; andHis prediction for Millwall v Leicester City.Also:Jeff Burnige talked about Millwall Lionesses' up-and-coming fixture at home to Sutton United in the London and South East League this Sunday at 1.30 pm at Rotherhithe; andThe team previewed and gave predictions for our FA Cup Tie against Leicester City on Saturday.Our second guest is Sean Daly, the CEO of our Millwall Community Trust. Sean spoke about the following:Provision of services to the Community over the festive season and staffing arrangements;Millwall Girls Player Performance Pathway Trials;Santas Dash fun, raising funds, and more participants revealed for 24; andA prediction for Millwall v Leicester.As always, this show covers our club in-depth and is worthy of a listen.Music and Audio credits: https://www.FesliyanStudios.com Background Music https://www.maritimeradio.co.uk/ Background Music and Reports

Myles Thornton hosted this week's show with his panel of Jeff Burnige, Dave Hart, and Stan Godwin who reviewed the team performances, versus Cardiff City and Leicester City. They also considered the need for additional players in the forthcoming transfer window.Our 1st guest this week is a former Lion who also played for the Republic of Ireland, Jon Goodman tells us about:How he came to step up from Non-league football to play for Millwall;Playing in two Championship play off 1st legs in two seasons;Managers Bruce Rioch and Mick McCarthy;Sports science and the modern game and its need and impact in the modern game;Possession-based football in today's game;His hopes for Joe Edwards and Millwall this season and also his current club Watford.Also:Paul Loding updated on Millwall Pride and Romans's involvement in the Santa Dash;Stan Godwin spoke of his involvement in Santa's Dash and congratulated Myles Thornton, Millwall Romans, and Pride for taking part. He wished all participants all the best!Jeff Burnige talked about Millwall Lionesses' result away to Moneyfields Women in the Adobe Womens FA Cup Tie;The Lionesses' away trip to Dorking Wanderers this Sunday at 3.30 pm; andThe team previewed Millwall v Huddersfield Town and made predictions.Our second guest Paul Connor is a Millwall and Fisher fan man and boy. Paul spoke about: His most memorable game at the Den in the last 30 years;Millwall and Fisher being in his football destiny;Fisher discounts for Millwall ST holders and Supporters Club members;Fisher and our Millwall Community Trust partnership;The departure of Fisher manager Ajay Ashanike and who replaces him; andA prediction for Millwall v Huddersfield. As always, this show covers our club in-depth and is worthy of a listen.Music and Audio credits: https://www.FesliyanStudios.com Background Music https://www.maritimeradio.co.uk/ Background Music and Reports

A year of Evergreen.A year ago, you were asked to 'be the difference' and it is fair to say, you have stepped up to the mark.6,000 members have already signed up in the first 12 months and the membership fees have already helped, hugely across the football club.In this week's episode of the podcast, Tim Herbert and Samantha Bonney from the Evergreen team, were joined by the newly appointed Evergreen custodian - former BBC Senior Football Correspondent, Mike Ingham - to discuss the first year, the successes from it and what is still to come.There is also a question and answer session with captain, Joe Edwards. 

Joe's losing his hosting virginity as he's joined by Fin, PAFC Display's Nick to review Tuesday's 1-0 defeat at the hands of Mark Robins' Coventry City up at the CBS, which involved a talking point or two! Huge thanks to those who jumped on to join in too - namely Gab Sutton and Jack. In or Out? They'll shake it all about and discuss Haji Wright's goal after that controversial officiating decision, an Unchanged XI, Weird subs at wrong times? Joe Edwards' 200! Tyreik Wright's standing in the fanase, Preview Stoke City's visit to Home Park this Saturday and a whole lot more! #pafc #pusb Hosted on Acast. See acast.com/privacy for more information.

We welcome the British Basketball League's Head of Marketing Joe Edwards to the Flyers Podcast to talk us through the league's new rebrand.On this week's show - proudly sponsored by Webgains:Learn more about Joe's background before joining the leagueWe learn more about the backroom staff at the British Basketball LeagueWhat goes into the process of bringing the league's new identity to life?Joe gives us an exclusive look at what could have been the league's new logoOur forfeit bucket makes a long-awaited returnA round up of the latest news around the league this weekThe Bristol Flyers Podcast brings supporters a unique perspective from behind the scenes, and is available to listen on all major podcast providers, including Spotify and Apple Podcasts. The Flyers Podcast is proudly sponsored by Webgains - if any of our listeners want to learn more about affiliate marketing and add it into their marketing strategy - head to webgains.com/public/en/bristol-flyers/ to find out more.

This week's show was hosted by Bethany Manktelow with her panel of Debbie Julians, Patricia Maslin, and Ted Robinson who reviewed the team performance, along with the tactics employed and the longer-term views of Joe Edwards, our new coach, and Andy Myers, his No 2.Our 1st guest this week is former Lion and Millwall youth product who played at the U21 level for the Republic of Ireland, Tony Kinsella tells us about:How he came to play for Ireland;Joining Millwall as a youth player;The route to winning the FA Youth Cup;His call up to the 1st team squad;Leaving for Tampa Bay Rowdies;Returning to England and joining Ipswich;His eventual return to Millwall;His room partner Phil Coleman; andCoaching in non-league football.Also:Paul Loding updated on Millwall Pride and Romans;Jeff Burnige and Emma Whitter talked about Millwall Lionesses result at home to Dulwich Hamlet and highlighted the forthcoming Womens FA Cup Tie against Bromley this Sunday at Rotherhithe; andThe team previewed Millwall v Coventry City and made predictions.All guests predicted the Millwall v Coventry City result.Our second guest Alex Russell is a Millwall fan man and Boy. He is an experienced Pest Technician with a demonstrated history of working in the environmental services industry. He currently looks like an extra in the 60s movie The Good, The Bad, and The Ugly and is also a volunteer in media, has a player liaison role, provides maternity cover for the Supporters Liaison Officer & joint manager at Millwall Lionesses. Lastly, items of interest to Millwall fans are highlighted, in particular the Christmas events, the local derby, and Womens FA Cup tie at St Pauls Sports Ground on Sunday.As always, this show covers our club in-depth and is worthy of a listen.Music credits: https://www.FesliyanStudios.com Background Music

This week, we're thrilled to have Aaron Cusack, one of the most insightful voices on Plymouth Argyle, joining the podcast. The panel delves into a comprehensive review of the season thus far—exploring the advantages of employing a four-at-the-back system and examining whether it's accountable for our defensive mishaps. Furthermore, are the inverted full-backs no more? They also unpack the nuances of our attacking brilliance, discuss how to optimize Ben Waine, explore the qualities of Joe Edwards, and scrutinize the factors influencing Pleggy's mixed start and where best to play him (possibly not in defense?!).The conversation extends to aspirations for the rest of the season, with a focus on the crucial upcoming Christmas run, as well as looking ahead to the weekend's game against Sunderland. Hosted on Acast. See acast.com/privacy for more information.

Argyle Fives on Argyle captain.From Howard C. Grose in 1886 through to Joe Edwards in 2023, the job of the Argyle captain has always been a prestigious one.In the second of the Argyle Fives series, Charlie Price, Kevin Nancekivell and Rob McNichol dives into the club's history to narrow the list down to just five.There is a lot to debate with promotion winners, heroic figures, local lads and inspirational players all worthy of a mention.  Five captains have been chosen, no doubt you will have a list of your own though.Argyle Fives is also available to watch on Argyle TV - enjoy!

Ryan sits down with a true legend of the Championship with three promotions to his name: it's former Watford, West Brom, Bolton and Birmingham City defender, Paul Robinson!How he started his career under Graham Taylor.The great escape with West Brom.Coaching a young Jude Bellingham at Birmingham!And how it all ended at Millwall after Joe Edwards' arrival.It's the Second Tier.Watch this episode on YouTube! Link: https://www.youtube.com/channel/UCjqVFKB1yw2z_XyVINhB9qA/featuredWebsite: www.secondtierpod.co.uk Twitter: twitter.com/secondtierpod Hosted on Acast. See acast.com/privacy for more information.

In this episode of Last Stroke Counts, we sit down with John Ewans and Joe Edwards, the duo behind Active Tools which since 2002 has been at the forefront of developing technology, accessories, and products for the rowing community. John and Joe guide us through their journey, highlighting the intricacies, challenges and breakthroughs in bringing tech to rowing. We discuss the crucial role of tech in monitoring performance, reducing injury risks and accelerating athlete development. We also reveal how their latest speed-coaches and oarlocks, loaded with plenty of user-friendly features are making data collection and telemetry more accessible than ever for rowers. The duo also shares insights into their ongoing projects and visions for the future, shedding light on the intricate relationship between innovation and tradition in the sport and offering a glimpse into what the future holds for rowing. So tune in & join us for a chat, as we dive into the fascinating world of rowing technology and discover how innovation can help not only improve performance but reshape the rowing experience, where enhanced by the power of technology every last stroke counts. FOLLOW US ON INSTAGRAM @active_tools @laststrokecounts @rowgearuk @thomasclark.gb @piotrgggolawski

This week's show was hosted by Eamonn Barclay with his panel of Jeff Burnige, Stan Godwin and Steve Warren.Millwall's defeat of Sheffield Wednesday was reviewed, along with the tactics employed and the longer-term views of Joe Edwards, our new coach.Our 1st guest this week is former Lion and Millwall Academy product Alfie Pavey, who tells us about:Where he was brought up;Joining Millwall as an academy player;His call up to the 1st team squad;What the club was like when he joined;His loan periods and his debut at Wolverhampton Wanderers;His eventual departure from Millwall;Recently being coached by Phil Coleman; andPlaying now for Woking in tier 5.Also:Andy Dolan updated on Millwall Pride and their 3rd win on the spin;Jeff Burnige and Alex Russell talked about Millwall Lionesses result against Denham United in the Womens FA Cup;and Jeff Previewed this Sunday's game at Rotherhithe against Dulwich Hamlet Women;Steff Powell talked to Eamonn about the FA initiative ‘Your Game' at the Lions Centre this weekendAll guests predicted the match result ahead of Coventry City next weekend.Our second guest is a Millwall fan and former London Firefighter, who went on to serve in the Fire Brigades Union as a regional rep. He went to the Den as soon as he could and has followed the Lions for an age. He grew up in New Cross and now lives in Kent.Lastly, items of interest to Millwall fans are highlighted, in particular the Christmas party's and the local derby at St Pauls Sports Ground on Sunday.As always, this show covers our club in-depth and is worthy of a listen.Music credits: https://www.FesliyanStudios.com Background Music

Dan Leads A Show with special guest @HCfootball01 talking about Joe Edwards. Hosted on Acast. See acast.com/privacy for more information.

In this episode, the panel reviews Argyle's narrow defeat at Elland Road, praising Schuey's tactical genius and Waine getting on the scoresheet, dissect Dan Scarr's comeback, ponder Pleggy's mysterious dip in form, eulogise over Argyle's attacking prowess and touch on yet more defensive mishaps ( but are we missing the bigger picture?) .Things heat up with a split verdict on Joe Edwards' potential red card. Hosted on Acast. See acast.com/privacy for more information.

With a 4-0 loss at Home to Millwall, who have very much found that “new manager bounce” with new manager Joe Edwards, leaving the England scene to take over at the Lions Sheffield Wednesday remain bottom of the table with only one win in 16… it's going a long old season this one Hosted on Acast. See acast.com/privacy for more information.

Aaron Paul and Jobi McAnuff dive into the week's big EFL stories. They're joined by the Charlton head coach Michael Appleton. Hear from Liam Manning after he swapped Oxford United for Bristol City, catch up with new Millwall boss Joe Edwards, and Bradford's new manager Graham Alexander joins the pod LIVE. Also get the latest as the Reading sale nears a 'much-needed conclusion', and dip into the club's work as part of the EFL Week of Action. All that and Jobi gives his best and worst moments of the week in 72PLUS 72MINUS. Send your suggestions to 72plus@bbc.co.uk HIGHLIGHTS 02:25 Liam Manning moves on up to the Championship 09:15 Fresh managerial blood in the EFL at Millwall 18:10 Michael Appleton lifts the lid on life at Charlton 20:35 Reading sale nears a ‘much-needed conclusion' 22:20 New Bradford boss Graham Alexander LIVE on the pod 30:55 Aaron visits Reading as part of the EFL's Week of Action 34:05 72PLUS 72MINUS… ‘goalkeepers are going to start hating me'

This week's show was hosted by Myles Thornton with his panel of Dawn Turley, Ted Robinson, and George Lampey.Millwall's defeat to Southampton was reviewed and Joe Edwards, our new coach was discussed. Our 1st guest this week is former Lion and Millwall Academy coach Dave Mehmet, who tells us about:What he is up to now;Joining Millwall as a Youth player;The managers at the Den;His FA Youth Cup Final;Leaving Millwall for Tampa Bay Rowdies and returning to the Den in 1986;Working for the Millwall Academy; andThe game now in comparison to then.Also:Jeff Burnige and Masie Joyce talked about Millwall Lionesses result against Newhaven;and Jeff Previewed this Sunday's Womens FA Cup.Sheffield Wednesday v Millwall was previewed. All guests and panel predicted the match result.Our second guest tonight is a Millwall fan and a Millwall Lioness. She is one of our two sponsored Lionesses and also their captain, Grace Seely. Grace spoke about how she joined and came back again, cup success, and her hopes for the Lions and Lionesses this weekend.Lastly, items of interest to Millwall fans are highlighted, in particular the Remembrance weekend, the passing of lifelong Millwall fan Pam, and the success of Our Millwall Community Trust in winning a Mayor of Lewisham Business Award.As always, this show covers our club in-depth and is worthy of a listen.Music credits: https://www.FesliyanStudios.com Background Music

We are joined by Omer from @ThatMillwallPodcast to preview the upcoming game as the Lions travel up north to take on the Owls.Will Millwall have the new manager bounce as Joe Edwards takes charge in his first match while SWFC's manager Danny Rohl is looking for his second win on the bounce at S6. Hosted on Acast. See acast.com/privacy for more information.

Ryan Dilks and Justin Peach discuss the latest news in the Championship.Bristol City appoint Liam Manning!Millwall confirm Joe Edwards!A change is coming at Norwich!Our predictions for the weekend!It's the Second Tier.Watch this episode on YouTube! Link: https://www.youtube.com/channel/UCjqVFKB1yw2z_XyVINhB9qA/featuredWebsite: www.secondtierpod.co.uk Twitter: twitter.com/secondtierpod **Please rate and review us on Apple, Spotify or wherever you get your pods. It means a lot and makes it easy for other people to find us. Thank you!** Hosted on Acast. See acast.com/privacy for more information.

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Feat Neil Fissler, Harry Warren, Michael Avery in conversation with yours truly, plus 'the voicemails'...Arrivederci MillwallNick@AchtungMillwallachtungmillwall@gmail.com Hosted on Acast. See acast.com/privacy for more information.

Feat Neil Fissler, Harry Warren, Michael Avery in conversation with yours truly, plus 'the voicemails'...Arrivederci MillwallNick@AchtungMillwallachtungmillwall@gmail.com Hosted on Acast. See acast.com/privacy for more information.

On this week's episode, Josh has the chance to catch up with Joe Edwards, the “Duke of Delmar”, who is the visionary and developer behind the Delmar Loop – one of the 10 greatest streets in America (per the American Planning Association 2007). Joe opened his first business – the iconic restaurant, Blueberry Hill – in 1972 with the hope of revitalizing a once popular high fashion district in St. Louis, MO. During the next 50+ years, Joe has added music venues, a hotel, additional restaurants, a bowling alley, and, most recently, a mini golf spot to the now bustling entertainment district. Josh and Joe discuss the early challenges, pushing all chips into the center of the table on multiple occasions and his optimistic vision for the future. #STL #DelmarLoop #minigolf #blueberryhill #renovation

Debbie Monterrey talks with Joe Edwards about his idea behind Magic Minigolf which incudes a bar, and wedding chapel. 

CarneyShow 10.20.23 Yolanda Lankford, Joe Edwards, Dr. Allison Walsh, Ryan Raphael, Tom O'Keefe by

Does an evaporated black hole leave a trace? Neil deGrasse Tyson and comedian co-host Chuck Nice answer questions about the fabric of spacetime, black holes, cosmic evolution and more. NOTE: StarTalk+ Patrons can listen to this entire episode commercial-free here: https://startalkmedia.com/show/cosmic-queries-wormhole-universe/Thanks to our Patrons Cory James Hohs, Barbara Christian, Massimiliano Squire, Nickthelight, Stacey Kelch, and Joe Edwards for supporting us this week.Photo Credit: ESO/WFI (Optical); MPIfR/ESO/APEX/A.Weiss et al. (Submillimetre); NASA/CXC/CfA/R.Kraft et al. (X-ray)Derivative work including grading and crop: Julian Herzog, CC BY 4.0, via Wikimedia Commons

In this episode, Ryan engages in a conversation with Joe Edwards, a professional rugby player from New Zealand who has transitioned to playing as a loose forward for RC Vannes in France's Rugby Pro D2. Joe's journey began in the All Blacks under '20s team and has now progressed into his thirties.In a pivotal moment at the tender age of 22, Joe faced a concussion that threatened to cast a shadow over his promising career. However, rather than viewing it as a setback, Joe perceived it as an opportunity to rejuvenate his sporting journey. Displaying tremendous courage, he made the audacious choice to bid farewell to his homeland of New Zealand, relinquishing the pursuit of his lifelong aspiration to represent the All Blacks on the international stage, and ventured to France instead. Little did he know that this bold move would not only shape his athletic trajectory but also unveil an entirely new passion: the captivating world of property.Tune in to learn more about:Joe's first game playing at the top levelThe injury that almost put Joe's professional career to an end when he was 22 years oldWhat makes it hard about being injured when one is a pro athlete and how Joe got through hisLearning your trade in multiple facets as a pro playerHis bold decision to refresh his career in FranceThe amazing French sports culture and passion Why it is important to refine the direction you want to transition to as early as possibleHow he found his other passion out of rugby; in property… and so much more! Are you looking for Career Clarity for your next step, for more information, or to book a consultancy, make sure you check outwww.2ndwind.io Links:LinkedIn: Joseph Edwards Instagram: @joseph_edwards

Joe Edwards, U. City Loop Developer joins Megan Lynch talking about the latest projects in the Loop which includes mini golf.    © Aimee Blume / Courier & Press, Evansville Courier & Press via Imagn Content Services, LLC

Alvin Reid debates with Wendy Wiese, Joe Holleman, Ray Hartmann and Bill McClellan. On Donnybrook Next Up, Wendy Wiese and Ray Hartmann are joined by Joe Edwards, St. Louis businessman and developer of the Delmar Loop.  

Stamford Chidge & Jonathan Kydd are joined by Alex Churchill to welcome Super Frankie Lampard back with a massive joyous hug as the legend returns for his second stint as Chelsea manager.In part one, Frankie Goes to Boehlywood!! We discuss what could well be a very shrewd move by the club, but is there footballing sense to it or is it just good PR to keep the supporters off their back? With the appointment of Lampard and his coaching staff of Ashley Cole, Joe Edwards, Chris Jones and Paul Clements are the club rightly de-Brightonising and re-Chelseafying things? What will it mean for the squad – Mount, James, Gallagher, Pulisic, Ziyech and Kepa in particular? And where are we with the various new manager rumours - Nagelsmann, Enrique, Pochettino, Mourinho, Conte, Gallardo…even Lampard?In part two we look back at the 0-0 draw against LIverpool. Bruno at least played players in their right positions and set up with a 5 man midfield. Kante was excellent and it was so good to see him back. Chelsea created chances, couldn't score any goals of course and Havertz and Kovacic were particularly inept, whilst Liverpool were hilariously very poor, but was 0-0 a fair result?In part two we look ahead to Wolves v Chelsea, starting with Chidge's team selection. Will Frank go full English and play those he knows well? Will he go with four at the back or stay with three? How can Frank get Chelsea scoring? Will he leave big holes at the back? Wolves can't score, we can't score, does the match have 0-0 written all over it? We wrap up with our predictions. Hosted on Acast. See acast.com/privacy for more information.

I'm digging into the mailbag for today's episode. For the first time in over a year, I asked Trapital listeners and readers to send me their most burning questions about the music industry. I've pulled out nine questions from the bunch to cover on the show. We're covering everything from NFTs to artificial-intelligence-assisted music creation to investing in music catalogs going forward and a whole lot more. I'm hitting you with my honest thoughts on each. Here's a look at the topics:[0:54] State of music NFTs [4:40] Customer problems as a music startup[8:35] Lack of new music superstars [12:07] Future of AI-assisted music creation [17:00] Tradeoff for artists wanting ownership [22:11] Hasbro selling eOne[26:16] Music catalog investing in 2023[29:41] Globalization of hip-hop [33:21] Emerging artists as startup founders Trapital's first-ever Cultural Report for 2022: https://trapital.co/culture-report/Listen: Apple Podcasts | Spotify | SoundCloud | Stitcher | Overcast | Amazon | Google Podcasts | Pocket Casts | RSSHost: Dan Runcie, @RuncieDan, trapital.co Sponsors: MoonPay is the leader in web3 infrastructure. They have partnered with Timbaland, Snoop Dogg, and many more. To learn more, visit moonpay.com/trapital Check out The Drop, REVOLT's weekly newsletter to stay ahead of the latest news in hip-hop and Black culture. To learn more, visit revolt.tv Enjoy this podcast? Rate and review the podcast here! ratethispodcast.com/trapital Trapital is home for the business of music, media and culture. Learn more by reading Trapital's free memo.TRANSCRIPTION[00:00:00] Dan Runcie: If you're an owner of I.P., often times that I.P. may be the most valuable thing that you have. But does it always make sense for you to then be the ones that produce it? Of course, there's unique examples of this, right? I think Disney is a company that clearly does both, but Disney is such a unicorn in what it does in so many ways, and we've all seen that flywheel of what they've done, and that flywheel is so relevant because it's hard to see another company that could really do that to that level. But it's more likely than not that if you are an I.P. owner or it's probably in your best financial interest to partner with a company that you can leverage their production because they are skilled at being a production company to do that thing.[00:00:46] Dan Runcie: Hey, welcome to the podcast. I'm your host and the founder of Dan Runcie. This podcast is your place to gain insights from the executives in music, media, entertainment, and more who are taking hip hop culture to the next level. [00:01:04] (Intro) Dan Runcie: From you, the listeners who make Trapital, exactly what it is. So this is a mailbag question where you all sent in your best questions. Some of you emailed them, some of you posted them on socials, but I looked at the questions and picked the best ones, and this is a mailbag episode. It's been a while since we did one of these, so it felt good to do one. I actually wanna do these more often just because I think the questions were really great and we're able to address a bunch of topics that we'll get into A.I, the future of music, globalization, ownership, and all the topics that we love to break down on capital and a few ones. So let's jump in.[00:01:41] (Pre Roll Ad Moonpay) [00:02:11] Dan Runcie: All right. Today we have our one and only Mailbag episode from Trapital. It's been a while since we did one of these. I feel, maybe at some point earlier this year we did a mailbag, so it was finally good to dig back in, hear from folks and be able to answer the questions that a lot of you have been thinking. This podcast has grown quite a bit this past year and was in the 1% for the most shared podcast according to Spotify wrap, so that was pretty good. Some applause for that. And I wanted to bring in some of the questions from some of the avid listeners and readers we have. So I posted in social media, posted in the newsletter, and this is a roundup of the best ones. Covered a bunch of topics. We're gonna talk about the future of A.I and music, the state of NFTs, globalization, ownership, and a whole lot more. So let's dive into the first question we have here. So, Ken Penn wants to know what is the current state of music NFTs and our major labels as interested in them as they were? So first for some clear context, a lot of people have been asking questions about this because the general trends of N F T discussions from last year to this year is not quite what you would expect. A lot of people saw that Bloomberg report that came out earlier in 2022, I think they said, N F T transactions were down 97% from the peak that they were at in 2021. And if you type in the word NFTs in Google Trends, you'll probably see a slope that looks quite downward. That is very true, and that's clearly where that is. But I think there's a big difference between that, which I think 97% of that was the hype and a lot of the crap that you likely would only see at the height of the pandemic when money was flowing like crazy. Think about the time when like Pet rocks were being sold and Logan Paul was buying his NFTs or trying to sell his NFTs for whatever. If that was the top of the market, then I think we're seeing things level off a bit more now because you are still seeing partnerships from the major labels and from a lot of artists. I look at Warner Music Group. Warner's been active, more active than any other major label, I think, when it comes to active investments and being forward-looking and being public about those investments. And it was just six, seven weeks ago that they had formed a partnership with Open Sea, which is one of the largest platforms out there to be able to trade in as a marketplace to be able to buy and sell NFTs. So you also have other deals that we've seen. Universal Music Group recently hired two SVPs that are focused on web three with a pretty strong focus on NFTs themselves. And more broadly, you have companies like Public Pressure that just raised $6 million to continue to build in this space. I have said this a few times in this podcast, but I think that Web three and NFT specifically, you had to get through the.com era. You had to get through that heads.com phase of people just starting shit because it sounded like it was something that was gonna resonate, but after a lot of that didn't work out. You obviously had the.com bubble burst. That era still gave us Google, it still gave us Amazon and all these other companies that have still continued to be successful and be some of the biggest companies in the world today. And I think there was a very strong chance that we will still have that with this current wave. It may look slightly different in music, but I still think that we're gonna see, and we have seen more of the true opportunities, whether it's on the artist side of artists that are selling actual NFTs that their fans would find valuable and that others will wanna buy into as well. And I think you'll see this on the major label side with more investment going into acts that can actually reap the rewards from it. One of the biggest deals of 2022 when it comes to N F T sales was Snoop. and what he was able to do, just capturing that momentum. After the Super Bowl. We wrote, or I covered a lot of this in the culture report that Trapital put out will include a link to it in the show notes if you haven't checked it out yet, but still a lot of upside on NFTs. I do not see it quite as much as the bubble that I think was clearly there in 2021. A lot of that quarantine rapid growth needed to calm back down a bit, and I think NFTs are one of the areas that were hit a lot harder than others, but I still think that there's plenty of upside for people that actually wanna build and don't just wanna do grifter, whatever the hell else people were trying to buy itself time. Another question here is from David from Santa Monica, and this was actually a reply to a newsletter that I recently put out where I was talking about some of the cost challenges that music startups and music tech companies will face as in regards to working with customers and customer service and working and dealing with unprofitable customers and wanting to move further up. Mark's question was whether or not I had any data on the customer service costs that these companies have. And I wanna answer that question in a slightly different way. It's less about customer service in the same way that you know, you or I may go call Comcast or may call Xfinity when we're having an issue with our cable or our internet, but it's more so you are a client or customer that is trying to use this particular service, whether it's free or you're relying on it to grow your own business, and you are now having some challenges, you're having some type of question. The thing is a lot of the companies, especially a lot of the distribution platforms, started off being available to everyone, but I think they realized how expensive it is to serve the clients and to serve the customers who are not driving the most business possible. It's no different than a lot of people see when they're working with client services. Overall, your $2 million clients in a lot of ways can be so much more enjoyable to deal with and work with than your $2,000 clients or $2,000 clients will chat a nickel and a dime. They have a bunch of questions about this, that, and the third, but your clients that have a bit more money, they normally come in a bit more clear and confident with what they're looking for, and it can lead to better business in the long run. And I think to a lot of extent, the same is true with a lot of the artists that you end up serving or a lot of the customers that a lot of these platforms end up serving because a lot of their time gets spent with customers that just don't justify the ROI of how much it costs to have that person on staff continue to work and continue to coach and work directly with someone who's just not generating enough revenue to be able to justify the spend. And if you think about how a lot of the companies focus on these things, especially if you're being built out like a tech customer success. This is a role where whether even at the high individual contributor, or the middle level manager role, you're talking, you know, $150, $200,000 plus for someone that can do that roll on annual basis. I mean, I'm thinking of myself, it was six years ago at this point, I was offered a customer success role from a startup that has, you know, now been acquired. I believe the offer was right around that $150, or maybe it was a little bit more than that K range. And that's how much you're paying to have one person that is dedicated to not just you, but to other clients.But if you were to fractionize my time, let's say that, you know, I was someone that was making $160k a year and I had 12 to 16 clients per year that I was serving, you have to justify, okay, is it worth $10k of the company's time to be able to continue to serve this person if that's what I'm spending my timeline, and we all know that it's less likely that it's gonna be an even split. So that's where these things I think, can often come into play, which is why I think you've seen a lot of the distribution services and a lot of the others start to be more selective over time. And they start to have cut-offs in terms of who they're willing to serve and who they're not willing to serve. And that's one of the reasons why I think we see that shift where, especially in music distribution, it ends up leaning itself towards just having a low cost option, like Distrokid or a tunecore where it essentially doesn't cost much at all to upload the services, but it's a bit more do it yourself or you get something that is a bit more boutique. But by being able to join the boutique offering, it's much more selective as a result. So the next question here is from Arthur from Twitter. He didn't specifically say his name, but it was a good question here. He asked, who gets more blame for the lack of consistent superstar X, labels or customers? The answer is neither. The answer is technology. If you're trying to blame anyone, I personally don't call it blame. I more so call it the driving factor, but this is more about technology. Technology was the driving force that lowered the barriers to entry for artists to be able to create more music than they've ever created, and to be able to release it the way that they've done it. And because they're releasing music the way that they've done it, it then becomes harder and much more noisier for new artists to be able to enter the scene and be able to hit the same heights that they did. And because of the increased number of options that are there, it makes it even easier for powers that be to continue to invest more in what they already see proven. Whether that is your superstar artist or ones who have already proven themselves that seem like they'd be most likely to be the next next bets, whether that's your Taylor Swift or your Adele, or your Beyonce on the proven side or on the artist coming up, whether it's someone like, Olivia Rodrigo, or like Blast, or Billie Eilish or someone like that. So these things that are, I think, a big factor just based on where things are and barriers continuing to be lower and lower. And there's been countless reports on just how difficult it is and how record labels are starting to feel like it's having a harder time to break new stars in the way that they once did. It's harder to have new superstars reach the levels that they did. I think you see this in some of the analysis that's been done on charts and stuff like that too. It's a lot of the same names that have been household names for over a decade that are continuing to stay there and it's harder for the new artists to really come through. So I guess if there's anyone to blame for that, we can blame the founders and the product managers from the companies that enabled the barriers actually to happen in the first place. I know a lot of people disagree. I do think it's a good thing that people have more options than ever just in terms of the artist's perspective, but just because I think that it brought a lot of flexibility. But with that, there's always trade-offs like any new technology brings. There's good with that. There's bad that comes with that. I do think that the pros and the cons outweigh them. I do think that the pros do outweigh the cons with that, but still very aware of the downsides of the current timing. This next question is from Joe Edwards and he asked, what is the ultimate potential of GPT-3? This is a hot topic right now, I think for a lot of folks, and it's a question that I think everyone from record labels to attorneys, to emerging artists are trying to figure out, but here's my perspective. I think that GPT-3 is a great tool that will be able to give songwriters an extra tool that they can have by their side. I think we recently heard Bruce Springsteen on a podcast talk about how he could use A.I., whether it's something like something that can help jog his memory or jog his thoughts, specifically if he's having a better writer's block and how difficult that can be for a songwriter. You just wanna be able to have a few things that can aid your process of bringing thoughts together. The pen that comes from that would ever truly replicate something that Bruce Springsteen would wanna put out himself. But just give it how advanced these tools get and how better and better they get. It's likely gonna provide someinspiration that can be helpful. That said, I think it would be more helpful to help existing artists, and I'm a bit less bullish right now on new artists coming up. I think we all saw what happened with Capitol Records and FN Meka and that whole mess, while I don't think that that's all A.I. driven, part of that's driven by the people that were running it. I do think that that is an inherent challenge that some people may be a bit weary of, at least for now. But one place that I do think A.I. and GPT-3 specifically could be unique for is for giving certain artists or certain people the ability to access a sound catalog or an ability to access a group of songs that they can use to then scour to figure out what they can then glean from that to be able to create the new songs that are able to create lyrics that they could use in the future. The reason I highlight this is because I'm sure if you're trying to use a song that is based on a song that is owned by a major record label, the record labels and their lawyers will come after you, and it is something that I know that is already top of mind for. But there's a lot of music out there, a lot of music that people would want to hear that isn't owned or controlled by the major record labels. And I think in the same way that you saw platforms like Epidemic Sound or Splice and others be able to create, whether it's monthly subscriptions or other types of opportunities to buy access to a right to use any of the songs in the catalog. I think you could see something very similar to that happening with A.I. and GPT-3 specifically, because yes, if GPT-3 tries to scour all of the songs available, that is a legal nightmare. But if you're an artist and you wanna be able to pay $10.99 a month or whatever it is, to be able to access this tool where you could type. Any prompt that could help spur your thought, that could be a very great use of $10.99, especially if that gives you the ability to make the next album from your bedroom that could be nominated and win a bunch of Grammys or sell, or, you know, do a bunch of commercial success or just have enough success for you to be a standalone successful musician in your own right. Because I do think a lot of those things are likely to appeal more so to independent artists. I also think that we'll see some potential with GPT-3 with an artist that breaks out on TikTok in general, I almost feel like it's inevitable that there's gonna be some artist in 2023 that has some song that goes viral on TikTok, and people are gonna be like, oh, where did the idea for the song come come from? And the artist is gonna say, oh, I just typed in a prompt. Write me a song about X, Y, Z. And here's what came up. Because we already started to see little hints of how artists would use name generation or using tools to come up with things, right? You've all heard the story about how Lil Nas X used insights from Reddit and insights from Twitter to create Old Town Road and how he essentially engineered that song to reach a type of success that it did grant. A lot of that was outside of his influence, just given things going viral after the whole country music controversy. But a lot of the things leading up to that point were influenced by him. And I think even on a more simpler side, artists like Childish Gambino and Post Malone, I'm pretty sure that both of them got their names from some random computer generators. So there's been things like that that we've seen and I think we'll continue to see more of that. And I think even the answer to this question is gonna continue to evolve. So you could ask me this question in a year. I think I could probably have this as an end of the year podcast question for some time now. And their law used to be something new to glean. The next question here is from Mercedes G. She wants to know why don't artists prioritize ownership even though artists have been pushing ownership for decades? So this question is a bit nuanced because I do think that there are a lot of artists out there that do push ownership, and they are clear that they wanna be able to own their masters and own their publishing and understand the value. I think the challenge comes though, when it becomes a trade off and that trade off is likely offering the artist something that they couldn't have otherwise had because owning your masters and owning all those things sounds great and it sounds great if we assume that the artist could have reached the same heights that they could without giving up something in exchange.The thing is, when an artist is starting to pop and they are already experiencing what some of the challenges are, being able to really hit that next level and whether that is something that they want to do because of some of the things I answered with earlier questions. With more and more music coming out, it's harder for everyone to break out. It's especially harder for artists that are already signed to two record labels to break through. That means it's gonna be even hard for an artist that doesn't have the major label resources behind them to break out as well, which could make them even more likely to wanna then sign with the major record label, especially if they are cutting you a check. I'll look at a few examples of younger artists as well. Look at an artist like Lil Dirk or even NBA Young Boy, I'm pretty sure little Dirk. Posted that he had gotten a 40 million deal recently this year. And I think Dirk is someone that has been popular. I mean, it's several years ago at this point that he was on double XLS freshman list, but even as an independent artist, it could have taken him quite a bit of time to ever hit that amount of money, especially if he's trying to cash it in on the moment that he has. So it's one thing to push ownership and it's another thing to still be able to say, you know what, no, I'm good. I don't want that check. Let me continue to do what I'm doing. When someone offers you an eight figure check that's right in front of you. And I think there's a bit of that human element that can sometimes get a bit lost cuz it's easy for the people in the pita gallery playing Monday morning quarterback to go say, oh, why would you do that deal? Or us to focus on some of the survivorship stories of Master P turning down a million dollar record label deal. Different people that may have offered it to him. Because for every success story like Master P, there are other people that turned those same type of deals down but it didn't take off the way it did for P and then they go back to the record label and being like, oh, hey, could I still get that deal? And the record label's like, no, like the moment passed and the only reason you're coming to me is because you don't feel like you have the momentum that you had before. So there's a few factors here that I think are important to consider, and there is that human element that I think just changes. It's one thing to be a Twitter pundit and put your thoughts out there, but it's another thing to really still say no when a company that you know, they're rolling out the red carpet for you their show, they're presenting the seven, eight figure check, whatever it is, and then you still saying, no, I'm good. And then I think you even see us at the highest levels as well. You look at the deals that you know, someone like Drake or the weekend, you're more so hitting now into the nine figure deals and these artists are more likely to be able to continue to have ownership, but they're still licensing their masters or licensing their music out to the major company. So there's still some trade off there. It's very rare that you ever are really seeing superstar artists that still are hitting those superstar artists levels that is like, you know what? I'm good. Let me just go release everything independently. Cause I think at the end of the day, if you are a priority on these labels, and if you are still getting the best that you can get, you're more likely to figure out, okay, what trade-off is commensurate at what level? And that doesn't mean there wasn't a better way that could be done optimally. My explanation here is more of an explanation of the entire landscape of less of an advocacy for one position or another. But I do think in general, just given how much harder it is for record labels to be able to truly, I think, focus and invest on that artist development piece because they're expecting artists to come to them when they've already hit zero to 60. I think it really puts the onus on the artist to be like, okay, are you happy at 60? Because if you're happy at 60, you may not need the record label, and maybe you think you could get to 70 or 80 yourself, but it may take some time. But if you're trying to get to a hundred, it's gonna be really hard for you to do that independently. So a lot of it requires some questioning on where you wanna go, how far you wanna go, and why that may or may not be as important to you. [00:22:52] (Mid Ad): Today's episode of The Trapital Podcast was brought to you by Revolt. Revolt is on a mission to curate and share the best of the best in hip hop culture and social justice. You may remember a couple months back I had the CEO of Revolt, Detavio Samuels on the podcast scene. He talked all about the mission and where things are going, and I think this is one leading company that is elevating what's happening in black culture. It was launched by Sean Diddy Combs back in 2013, and the multi-platform Network offers breaking news videos, artist interviews, exclusive performances, and original programming. They have content for everyone, like Asset over liabilities and original podcast with the host of Earn Your Leisure that gives you a behind the scenes look into the business investments of artists like Soulja Boy and Rick Ross. They also have the Drop Revolts weekly newsletter and curation of the latest in hip hop and black news, and they have the black print where sits down with innovators and change makers laying the ground up for the next generation for the culture. You can learn more and sign up for Revolt's newsletter, the drop@revolt.tv.[00:24:00] Dan Runcie: All right, this next question here is about a specific deal that's going on, but it's gonna be a good one to answer. JB from Atlanta asked, now that Hasbro has sold E-One's TV and film division, could quality control be a potential buyer? So a few things to unpack here. Earlier in November, Hasbro announced that it will be selling its TV and filled divisions of the comp company. Note that this news, three years after Hasbro had initially acquired all of Entertainment One, which included its music division. And then I think it's been about a year now. My time may be off, but it's been about a year plus now that it had rolled off its music division, which then became Monarch, which is run by Chris Taylor and that team. You may remember them because they were the team that was involved with the selling and the acquisition of Death Row records and then that deal with Snoop Dog. But Hasbro overall has kind of been in this, oops, maybe we should have done this deal when they went and bought E-One. And I think the big takeaway away for Hasbro has been that if we want to leverage the IP that we have, and as many of you know, Hasbro toy companies, so it has the IP there, but it also has some brands that were in that production, like Peppa Pig and things like that. They can still own the IP, but they don't have to own the in-house production to be able to then leverage that IP and make it happen, and then when you own those divisions, it just can be so costly to try to do that. So they got a lot of pressure from Wall Street and other analysts to sell that division and focus on what they do. If you're an owner of an IP, Oftentimes that IP may be the most valuable thing that you then have, but does it always make sense for you to then be the ones that produce it? Of course, there's unique examples of this, right? I think Disney is a company that clearly does both, but Disney is such a unicorn in what it does in so many ways, and we've all seen that flywheel what they've done, and that flywheel is so relevant because it's hard to see another company that could really do that to that level. But it's more likely than not that if you are an IP owner or it's probably in your best financial interest to partner with a company that you can leverage through their production because they are skilled at being a production company to do that thing. So that was a lot of the reason why that sale happened in the first place. Now let's talk about the QC part of this. I would be very surprised if Quality Control was to go on and buy a TV and film division because I also look at Quality Control as an IP. I mean just given the ownership structure, they may joint own some of that with Motown, give the joint venture there. But they are IP owners that can then use that to leverage, whether it's the brand or the story of your little baby Migos and even the rise of coach K and P and and things like that. And while QC does do investments, like I know they're involved with SoundCloud and they have a few other things going. I would be very surprised if they went on to acquire a type of, you know, studio themselves. I know that QC does have a film division, but my impression of that has always been more so, yeah, let's stay quiet, let's have that something that we could have that small and manageable in-house, but if they still have a big release, I think they would probably wanna go to shop that and market the same way that any other big time producer would want if they wanted to push something further. No different than, I think you kind of saw with the Little baby documentary that eventually went on, Amazon was released on Amazon Prime a couple of months ago. So I would be surprised there, if anything, I mean, I think QC is one of these record labels that may be looking for an outside investor itself, but I'm not quite sure what the Motown relationship, just given the joint venture ownership there and how that may look, whether or not who the actual company is that owns, whether it's the brand or the artist or anything like that.Moving forward from that. All right. Couple more questions here. So is music investing specifically, like in catalogs, is music investing still a good idea in 2023? And my answer is yes, but not in some of those 2021 pandemic era evaluations. And that's because I think what I liked about the catalog boom is that it brought awareness to something that I think a retail investors in the niche knew, but a lot of others weren't focusing on, is that there's a lot of value to be had with owning some of these catalogs because there's certain artists that I think do have the potential to just feel similar to a evergreen stock or something like that continues. Provide consistent revenue that isn't correlated with the economy time and time again. But I think there's a few things that happened that people may have missed. One, there is a decay curve with all of those assets. And even as much as people wanna tell you that the Beach Boys or Michael Jackson or the Beatles are timeless, everything has a decay curve. I mean, you could even go back, you know, decades, even. Frank Sinatra or Elvis. I know that you know that the movie that came out recently, but even folks like that, the discussions that are happening now about those people aren't anywhere near the type of discussions that you may have heard, at least when I was growing up, and that just shows you how much has changed in several decades since then. So, and I think the music listening would've probably aligned with that as well. So there's that, and I just think that the valuations that were being paid for a lot of these things probably just wouldn't happen again. One, because interest rates are nowhere near as low as they were, but I think even regardless of interest rates, there was a lot of overpaying for those assets just given the excitement. So smart on a lot of the artists for cashing out when they did and getting a lot of those returns because at least from what we've seen from a lot of the reports, You've seen some of these financial time stories talking about Hypnosis. And Hypnosis has at least from what the returns have been from their catalog has not been able to generate returns that a lot of the investors feel satisfied with and feel are in line with what they had, which is why I think you started to see more challenges there. There was almost an entire year period where the company didn't make an investment, and I think you've seen a lot of things ring true for others. There are still catalog sales happening. It just may not happen at the particular dollar amount that people wanted. For instance, there was Pink Floyd deal that was being talked about for a while. It's still being talked about. I believe they wanted $500 million, but based on some of the recent findings that had come out, the offers that they started to get were much smaller than they would've liked. So people are still interested in buying Pink Floyd. It may not be for the amount of money that the rights holders wanna sell it for, but there's still interest there, and I think that rings true all the way up and down the board. Listen, it wasn't even just music investing. The quarantine era of the pandemic led to a lot of sales for things happening that just probably wouldn't happen in the same way today. All right. Another question here is how does the globalization of hip hop Influence its business and cultural impact? And this question came from chat GPT. Someone had submitted this question and then it came back as, oh, what do you think is a good question to ask about the business of music or the business of hip hop? So this is a fun one. I know I've written about it a few times, but for the sake of brevity, I'll tackle it in two ways. First, A lot of the Western hip hop artists were able to reach a much bigger audience as a result of globalization, and I think it made it easier for some of them to launch global brands as a result. I look at folks like Rihanna and folks like Jay-Z. Look at some of the deals they've done with, whether it's ACE of Spades for Jay-Z, or the Fenty partnerships with Rihanna. These partnerships are tied in with European companies and there has to be some relevance for how big you are seen in Europe and other areas for those things to really have an impact. And I think you saw that compound as well. When you look at someone like Rihanna and Fenty Beauty, being able to enter Africa and just given the ethos of that brand being able to be inclusive and have shades for all skin tones, it makes perfect sense to be able to do it in Africa, which you just think about the beauty industry. This is an entire continent of people, especially women. Different complexion and skin tones that were largely overlooked by the many other major brands. So being able to have that influence there directly ties into an artist like Rihanna, you know, years, decades earlier, being able to tour in these places and being able to have her name out there, being able to be seen in that way. So I think it affects it from that perspective. And of course, Jay-Z, Rihanna are more so people at the top of that chain that are billionaires, but I think it really made a large impact on everyone else on the other side, I think it's made a huge impact on international artists too, because we've seen in so many other places that hip hop has truly been that connective tissue. It's really been that gateway that can help. Raise and elevate the voice of the unheard or elevate the voice of the people that may not have either gotten a chance to get their word out there or can really speak to some of the challenges that are happening. And that's the way that hip hop started. You look at Public Enemy, they saw themselves as the black CNN. They were trying to voice what's really happening. You listen to songs like Grandmaster Flash, The Message. This is what's going on in the streets of New York right now. And I think that if you listen to a lot of hip hop from other areas and you hear things translated, you're hearing a lot of that. And even someone like Bad Bunny, how he speaks about some of the challenges and the oppression that's happening in Latin America, or even things that are happening in Puerto Rico specifically, or even how we spoke out about disaster relief and even L G B T Q issues. It's not a coincidence that this is a hip hop artist that is doing this in their own language and that's happening. So I think we've just continued to see more and more influence and we'll continue to see how hip hop continues to be such a big driver. And it's not just Latin America. You're seeing it in France and you're seeing it elsewhere. And as globalization of music more broadly has made it more possible for artists in local languages to truly rise up. I think you're gonna see more and more of that coming from hip hop in a lot of those local language areas. All right. And the last question we have here is from Quai Bangs who asks, do I notice similarities in emerging artists that follow the start-up path to start-ups themselves? And I definitely do see a lot of those. And I like the question because I've been hearing so much from founders in the space and start-ups in other companies about two things. Truly identifying and seeing artists as founders, not just as the creative talent behind what they're doing, but they are the ones that are the founding person of this company that if successful as it can be, it'll be a company built around them to then help focus and really benefit and speak to their strengths and address their weaknesses as well. No different than a start-up would be who is that? Who are your co-founders that you're gonna find that may not be on the talent side, but can help with the business? Or if you wanna do it all yourself, who are the people that can be around you to at least help support in that way? And I think that you've seen some of those things happen, from time and time again. You look at the start of Dreamville, I very much do. Ibrahim Hamad and Jay Cole as two people that are in line with being able to do that and continuing to push forward, which I think has been pretty strong, seeing how they've been able to do that over the past decade. Plus, you look at any of these record labels and I think you're more likely than not going to see some type of tandem there. We talked about Quality Control. I think you see a lot of that too, and I think no different than a start-up may try to get equity for what they're doing. I think you're seeing certain artists start to explore this as well, whether they're trying to explore on chain, we're trying to sell tokens or they're trying to get a more formal structure in place. I recently had the investor, Cooper Turley, Cooper Tupa on the podcast, and he was talking about this as well, and how he's investing in companies that are looking at this investing artist specifically so that he can take an equity stake out of the artists themselves and be a bit, you know, less dilutive than a record label that may wanna take 80% of the cut moving forward in exchange for in advance. So there's plenty of trade-offs there. I think it's an interesting thing to continue to explore, but I think that it is a sign of what that path to the future looks like. Cuz I think that artists, our founders, at the end of the day, how they go about that, you know, is one thing or another. And who wears that CEO hat. Whether it's someone that artist proactively puts in place or it's someone. It ends up being at the record label that they signed to, or it's their manager. There's so many ways that these hats can be worn, so you'll be interested to see how it plays out. But wow, that was fun.That was a quick bunch of rapid fire questions there, but this was really great. I hope you enjoyed it and I hope you enjoyed the podcast this year as well. Definitely continue to share it with anyone that you think would be in. And let me know if you have any other questions. We can keep this in mind. I wanna do these more regularly in general. So, yeah, if you're listening and you enjoyed this episode, send us a quick note, whether it's, you know, on social media or email. And then we'll keep them rolling so that the next time we do a mail bag podcast, we can keep it rolling.