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This episode we look at the Hakuchi era.  Specifically, the implementation of something called the "Equal Fields" system, which seems to be what the court was trying to implement in some of their early Ritsuryo edicts.  And then we'll see why this era is the "Asuka" period and not the "Naniwa" period, despite the grand temple to government erected in that area of ancient Osaka. For more, check out https://sengokudaimyo.com/podcast/episode-114 Rough Transcript Welcome to Sengoku Daimyo's Chronicles of Japan.  My name is Joshua and this is Episode 114: Public Lands and Remote Work   In the early evening, Karu paced through the halls of the inner palace.  The grand scale of the construction was impressive, and it was built and furnished with the finest materials available.  In all aspects it was the shining jewel.  The center of the Yamato world.  The entire thing still felt new. And yet, for all of that, it now felt strangely empty.  So many of those who had previously graced its halls were only memories.  Karu looked over the halls and wondered:  Was it worth it?    He had worked with his nephew and others to build a Kingdom worthy of the name.  They had instituted reforms to model themselves after the major powers of the day.  They had a built a palace to last the test of time.  This wasn't just another place to be abandoned—this was meant to be the bedrock on which the new State would stand.  It was the center of ritual and of the government. But was it?  The government was more than just buildings.  It was the people who made up the offices and the ministries.  It was the entire royal family.  It was the scholars and the officials, debating just how things should work. What would happen when Karu was gone?  Would this system last the test of time?  Or would it disappear, to be replaced by something new?  For centuries, every sovereign had made a new home for themselves every time the previous sovereign passed away.  Is that what would happen to Karu as well? As the sun set, and darkness set in, Karu could only wonder what the future might hold. So here we are in the Hakuchi era, during the reign of Karu, aka Ame Yorodzu Toyohi, which is to say between the years 650 and 654.  The era of Great Change was now the era of the White Pheasant – listen to our last couple of episodes to understand why -- and all of the changes weve been discussing were starting to really come together.  Front and center of those changes was the Nagara Toyosaki Palace, a physical manifestation of the new bureaucratic system of government that the sovereign, Karu; the Crown Prince, Naka no Oe; and others had put into place.  The work of this government was happening on a stage much grander than anything that had previously been seen in the islands. This was the start of what we know as the Ritsuryo Era, and it was finally coalescing.  In this episode we'll talk about how, in the Hakuchi era, we see the implementation of the continental system known as the “Equal Field System”, and how the bureaucratic government was extended down to the individual household.  This was all part of what we've come to know as the Ritsuryo state, which we talked about back in Episode 108 as we started all of these changes.  We are now seeing the foundations of that new state, and we are several years into its implementation, seeing those early edicts finally starting to bear fruit.All of this, of course, was focused on the seat of government in Naniwa. And yet, spoiler alert, this is not called the “Naniwa Era”.  We are still in what many refer to as the Asuka Era.  So what happened?  Towards the end of the episode we'll talk about what happened as the era came to a close, or at least as much as we know. To kick us off, let's talk about where we stand in the Hakuchi era, and look at the culmination of these early Ritsuryo changes we've been talking about. Whatever else had happened, various good omens, crises, and so on – the work of the government was continuing.  Once again, we see records of various envoys from the continent —and we'll get into the international situation, later—but for now, let's focus on what was going on in the archipelago itself.  Specifically, I want to talk about something called the Equal Field System, another innovation that Karu and his administration introduced to Yamato. The Equal Field System goes back to at least the Northern Wei dynasty, over on the continent, in the late 5th century.  It attempted to solve several issues regarding how the government could make sure that land was being worked—and that the government was also getting its cut.  To that end, let's back up a bit and talk about concepts of public versus private land, and how they apply to Yamato at the time. The concept of “private” land may seem simplistic, as we have an idea of what it means today.  Your “private” land is land you own, of course.  “Public” land belongs to the government.  But in Japan—and in much of East Asia—those concepts weren't necessarily the same.  In many early theories of land ownership, all land belonged to the State—individuals were simply using it.  To a certain degree, even today, land is often held only so long as you have a deed or other proof of ownership that is recognized by the State, but concepts like eminent domain can supercede that ownership. So for our purposes, here, Private land was land where all the produce went to a private individual or private interest,  such as a family—or even a temple or shrine.  If it was truly privately-owned land, then all of the produce of that land went to the owner.  Even if the government technically owned the land, the land could still be considered private, meaning that it wasn't  considered taxable by the government – whoever controlled the land got all the produce. In contrast to that, public land was land where the government was owed some or all of the produce.  It might have been worked by individuals, but was still taxable in part or full.  An early system that goes back to at least the Zhou dynasty was known as the Well Field System.  In this system, land was ideally divided into nine squares.  The eight squares of land on the outside of the square would all be held and worked by private farmers, who were able to keep whatever they produced on the land.  In return, they were to provide labor on the public land in the center, the produce of which went to the State, which could then be stashed away in case of famine or used to help increase the State's coffers and thus pay for other amenities. Of course often it just went into the pockets of various aristocrats.  I also wonder just how much effort was actually put in to working the public land in the Well Field System. That name, by the way, comes from how the whole schematic looked when drawn out.  The hanzi, or kanji, for a “well”—as in a place where you draw water—is much like a modern hashtag mark.  Think two horizontal and two vertical lines, like a tic-tac-toe board.  This comes from the fact that wells were often square or rectangular holes, the sides of which could be reinforced with wood.  At the top, the well frame was often formed with overlapping wooden beams, forming a shape similar to a hashtag.  And so in the Well Field System, the center of the tic-tac-toe board was the public land, and everything else was private.  This system fell apart with the fall of the Zhou during the Summer and Autumn periods, though there were attempts to revive it.  After all, it had been mentioned in the Book of Rites, the Liji, and it was praised by Mengzi—the famous scholar and philosopher we known to the West by his latinized name of  “Mencius”.  As such, it was officially documented as a “good idea” and so there were often attempts to revive it. The Northern Wei, however, took a slightly different approach.  In the late 5th century, they were looking for a way to curb the power of aristocratic families.  Since the Qin dynasty and onwards, they had seen the growth of families accumulating land and thus wealth and power.  These powerful families were both necessary and a threat, as they held the power to prop up or tear down a government.  Farmers would need to rent land from the powerful landowners, paying them a portion of their harvest as rent. To counter this, the Northern Wei instituted the Equal Field system.  Under this system, they claimed government ownership of vast swaths of land and then provided equal parts of that government land to every adult person.  Upon a person's death, their land would revert back to the government, who could then redistribute it to others.  The peasants would then be expected to provide a portion of the harvest as tax—they would provide food-rent for the land, as well as payment in cloth and a set number of days of corvee labor.  The key was that all of this payment was due to the government, and not to private aristocratic families. After the Northern Wei fell, the Equal Field system was reinvigorated by the Sui and Tang dynasties, who extended the system across their territories—or at least within the Yellow River and Yangzi River basins.  The system did have some allowances for inheritance—especially in instances like mulberry groves, which would be maintained by successive generations.  In general, however, most of the land was to be reclaimed by the government upon a person's death or at the point that they reached 60 years of age, and then it would be redistributed. This is still a relatively simplistic overview, and there were plenty of different adjustments and changes to the system over the years.  Key for us, though, is looking at the adoption of the Equal Field concept in the archipelago. Up to this point, land ownership in Yamato, such as it was, fell under various family groups.  They would own the land and whatever was produced on it, so it was truly private land.  “Yake” were set up by the families as central storehouses and administrative centers.  In this case, the royal family was, in many ways, just another landowner, and their “yake” are indicated in the Chronicles with the royal “mi” honorific—hence the “miyake”. As the reformers went about making changes in the period between 645-650, they adopted the concept of the Equal Field System.  Prominent figures such as Naka no Oe himself gave up their private fields, and the royal lands were turned into government lands.  They instituted the concept that all land in the archipelago nominally belonged to the State, and that others worked it at the Sovereign's pleasure. As we talked about in the past several episodes, this made the Sovereign and the State more prominent in people's lives, and it built bonds with the peasants in that they were granted land on which to work and make a livelihood.  They didn't necessarily have to work out a separate arrangement with some noble family, and the fields and taxes were “equal” for every person. Of course, surveying the land, taking a census, and distributing the land to the people didn't happen overnight, and it isn't even clear how well it occurred outside of the lands originally owned by the royal family, at least initially.  We are told that even though the project had kicked off years earlier, back in 646, it wasn't until the second month of 652 that we are told that the distribution of rice-land had been completed.  30 paces of land—Aston notes that it was 30 paces long by 12 paces wide—made up a single TAN of rice-land, and 10 TAN made up a CHOU.  Each TAN or land a person was granted was expected to provide back to the government a sheaf and a half of rice, with each CHOU providing 15 sheaves. This effort simplified taxation, in a way—everyone owed the same thing, based on their household and how much land they had been granted.  However, it also would have required an enormous bureaucratic engine.  Scribes would have been in high demand—anyone who could read and write.  Without modern computers, they would need to hand count everything in a given district, then send those numbers up to the governor, and then send them again to the capital.  Hence the giant government complex set up in Naniwa to oversee all of this and to ensure that the government worked as intended. In the fourth month of 652, the work continued.  We are told that the registers of population were prepared—presumably based on the information that had been previously acquired from around the provinces and sent to the court.  The earlier edicts from 646 that outlined this system—which we mentioned back in Episode 109—was finally put in force.  As we noted back in that episode, 50 houses made up a township, or RI—the character used is also pronounced “SATO”, today, and often refers to a village.  Each RI had an appointed elder, or head, using the term “CHOU”.  This term is still found today in modern parlance:  The head of a company, or “KAISHA” is the “SHACHOU”, while the head of a division, or BU, within said company would be the BUCHOU.  KAICHOU is the head of an association, or “KAI” and the “GAKUCHOU” is the head of a “DAIGAKU”, a university—basically the University President.  In this case the “CHOU” of the “RI” would be the “RICHOU”, using the Sino-Japanese On'yomi pronunciation, though in the vernacular they probably would have been called the “Sato-osa”.  All of this just means village head or village chief. So 50 houses made up a RI, with one RICHOU at the head.  In addition, each house would have a senior member appointed as the official head of household, or KACHOU.  From there, houses were associated together in groups of five for mutual protection, with one head, or CHOU, per group of five.  And okay, so they were creating groups of people for administrative purposes?  Who cares?  Well, the thing about this is that it was encoded into the new legal system, and it had several implications.  Chief among them was the implication of primogeniture: Since the most senior person was made the KACHOU or head of household (and by “person” I think we can assume that “man” was a given, unless there were no men in the house for some reason), this meant that the eldest person in the household was automatically the one who inherited that position, along with the status and control that came with it.  As we've seen, up to this point, it was not necessarily the case that the most senior person would inherit in ancient Yamato tradition.  Inheritance could pass from a younger brother to an older brother, or to a younger son of a younger son.  While there was some apparent concern over lineage and making sure that the individual was of the proper bloodline, at least for royal inheritance, there was not an automatic assumption of precedence for who would inherit. Of course, as we've seen, this set off all sorts of disputes and problems, especially among the elite where wealth and power was involved.  However, I think it is fair to assume that these problems weren't relegated purely to the upper levels of society.  Inheritance is always tricky, even in cases where it seems like it should be straightforward. I imagine that the institution of primogeniture as a legal concept would have had consequences beyond just inheritance.  It set up ideas of who was “important” in the family, and the family is often a microcosm of society at large.  Primogeniture meant that age and masculinity were both valued over youth and femininity.  That isn't to say that pre-Taika Ritsuryo was a bastion of equality, but we do see more instances where men and women seem to be on closer to equal footing. In the concept of primogeniture, I believe we can also see the institution of Confucian values—not surprising as this whole thing is cribbed from the continent, with a lot of it being taken from the Tang court.  We've discussed Confucian concepts of filial piety and how that fed into patriarchal—and frankly monarchical—ideas.  The Father and Son, the Ruler and Subject, the Husband and Wife, Elder Brother and Younger Brother, etc.  These were the relationships that were important and they defined much of the way people were expected to interact. As the new system being instituted copied the form of continental government, it would have also been preaching many of its values, as well.  Scholars will continue to debate how widespread the changes actually were.  Did the equal-fields system exist all the way out to the edge of Emishi territory?  Did it cover the mountainous regions of Honshu?  How about to the West of Yamato?  We don't know, but nonetheless, we do see both the expansion and centralization of Yamato power, so there seems to be something to it. By all accounts, the work that had taken place in this era appears to have been a smashing success.  The Taika reforms had taken hold, and the Ritsuryo state seemed to be off to a roaring start.  At the center of it was the newly built Nagara Toyosaki Palace, a giant stage for carrying out the business and ritual of the State.  One would think that the founders of this new State would have been overjoyed.  Naka no Oe, Nakatomi no Kamatari, and the sovereign, Karu, among them.  And yet, the story doesn't seem quite that simple. The first Ministers of the Right and Left had already passed away.  Abe no Oho-omi had passed of what appears to be natural causes, but Soga no Oho-omi, aka Ishikawa no Maro, was undone by slander, accused of treason, and took his own life rather than being killed by the government forces sent after him.  And in the 6th month of 653, the sovereign was told that the Priest Min had passed away. Min—Aston sometimes transcribes it as “Bin”—was one of the sources for much of the information about the continental systems of government.  We've mentioned him on and off for the last 5 or 6 episodes, though you may not have always caught the reference.  Also, since even Aston switches between pronunciations at times, I apologize if I haven't been consistent.  If I said Priest “Min” or “Bin”, we're talking about the same person.  He was a Buddhist priest who had traveled to the Sui dynasty in 608, spending 24 years there, witnessing the change from the Sui to the Tang, returning to Yamato in 632.  He was consulted on various omens, and he and Takamuko Kuromaro, who had also been made a State Scholar, or Hakase, at the same time, both worked to set up the eight ministries of the state, the core of the Ritsuryo bureaucracy. The death of Min was felt across the organs of state.  Both the Queen Dowager and Naka no Oe, the Crown Prince, sent messengers to offer condolences.  The sovereign commanded the painters, Koma no Tachibe no Komaro, Funado no Atahe, and others to make a large number of figures of the Buddha and Boddhisatvas.  They were to be placed in the temple of Kawaradera, though other sources say Yamadadera.  Both of these are in Asuka—although the capital had moved to Naniwa, and there was the temple of Shitennoji there, just south of the palace, I can't help but notice that many of the established temples remained in and around the old capital at Asuka. 653 saw something else, which also seems a bit odd, given the apparent success of the government.  We see that in this year the Crown Prince, Naka no Oe, petitioned his uncle, the Sovereign, to move the royal residence back to the Yamato capital, which is to say Asuka—in the heartland of Yamato as opposed to outside the Nara Basin, like Naniwa.  This is quite the request.  They had just finished establishing a large palace complex in Naniwa.  Why would they pull up stakes and move everything back to Asuka? So the sovereign, Karu, denied Naka no Oe's petition.  Regardless, Naka no Oe took his mother, the Queen Dowager, as well as Karu's own Queen, Hashibito and the younger royal princes, and he moved all of them back to Asuka, moving into the temporary palace of Kawabe.  The ministers and the various Daibu all followed him.  He basically moved the royal family and the court back to Asuka, without Karu's permission, and everyone followed him. We aren't told why this happened.  Was there a falling out between Naka no Oe and the Sovereign?  Was there some other issue that caused Naka no Oe to want to abandon the capital they had worked so hard to build? Karu was understandably upset by this apparent betrayal.  He expressed himself in a poem which he sent to his wife: KANAKITSUKE / AGAKAFU KOMA WA / HIKIDESEZU AGAKAFU KOMA WO / HITO MITSURAMUKA The pony which I keep/ I put shackles on / And led it not out Can anyone have seen / The pony which I keep? And if it wasn't enough that the people had left. We see once more, on the New Year's Day of 654, that the rats likewise left Naniwa and migrated towards Asuka.  This last one I certainly question as to whether or not it happened, but the meaning and symbolism is clear.  The Chroniclers are telling us that the effective capital was moving back to Asuka.  The time in Naniwa was limited. This doesn't appear to have negatively affected the fortunes of Naka no Oe and his supporters.  On the contrary: Nakatomi no Kamatari no Muraji, on this same New Year's Day, was granted the Shikwan, the purple cap, and his fief was increased.  The Toushi Kaden, the History of the Fujiwara House, says that it was increased by 8,000 households. It seems that the business of the government continued apace through 654, though it is a bit unclear just how things worked, given the split between Asuka and Naniwa.  Was Karu left alone in the giant complex he had built?  Or was it still where all of the government work happened?  If so, just how much were the high ministers missed, or were they working remotely, via messenger and post-horse? Whatever the situation, it would resolve by the end of the year.  On the 1st day of the 10th month, Naka no Oe learned that his uncle, the Sovereign, had taken ill.  Naka no Oe and the entire court returned to Naniwa to see him.  Nine days later, on the 10th day of the 10th month, Karu passed away in the state bedchamber he was around 57 or 58 years old.  He was temporarily interred in the southern courtyard, and Mozu no Hashi no Muraji no Doutoko oversaw the palace of temporary interment.  He would be buried in the Ohosaka Shinaga Tomb, which was built near the site of tombs associated with Kashikiyahime and others, south of the Yamato river, on the west side of the mountains that separate the Kawachi plain from the Nara basin. Two months later, Naka no Oe and his mother made it official, and formally moved to the temporary palace of Kawabe in Asuka.  Naka no Oe's mother, Takara Hime, would come to the throne on the third day of the first month of the new year, 655.  It would be her second time on the throne.   Since she reigned twice, the Chroniclers actually gave her two posthumous regnal names.  For the first reign they named her “Kougyoku Tennou”.  In the second reign they named her “Saimei Tennou”, to distinguish from her first reign on the throne.  As far as I know this has only happened twice—the second time being with Kouken, aka Shoutoku, Tennou in the late 8th century. Why she took the throne again is not addressed.  She had been the sovereign, stepping down during the Isshi Incident, when Soga no Iruka was killed in front of her.  At that time, Naka no Oe had been urged to take the throne, but he decided against it.  After all, Furubito no Oe was still around at that time, and seems to have had his own claim.  Naka no Oe couldn't take the throne while Furubito was still alive and, at the same time, claim to be the filial person that Confucian theory said he should be.  And so his uncle, Karu, took the throne, since nobody could really say anything against it.  Now, though, Furubito no Oe and Karu were both deceased.  Why didn't Naka no Oe, the Crown Prince, ascend the throne?  Again, we aren't given an answer.  There is one other thing that is possibly worth noting, however: Karu had a son.  This may be whom they are referring to as the “younger princes” who were brought to Asuka when everyone moved there.  This was Prince Arima.  He is believed to have been born in 640, so he would have been about 15 years old at the time of his father's death.  Naka no Oe was the Crown Prince, but did Arima also have a claim?  He was, after all, the male son of the most recent sovereign, Karu, and his queen, Hashibito hime.  This is something that we will definitely look at in a future episode. It should be noted that Naka no Oe was born in 626.  He would have been 18 or 19 years old during the time of the Isshi incident, and was only ten years old, 29 years old, when his mother took the throne for the second time, in 655.  She, on the other hand, was about 62 years old when she took the throne the second time.  The consensus is that even though she reigned as sovereign, the true power continued to rest with the young Naka no Oe and his clique, and they would continue to direct the government for the next several decades. And with that we largely bring to a close the Hakuchi era.  The era ended with Karu's death, and no new era was declared for Takara Hime's reign.  The period from the Hakuchi era to the start of the Nara period is often referred to as the Hakuho period.  An unofficial name taken from the names of the nengo on either side of it.  It often is used specifically to reference the art of the period, as more and more continental influence continued to pour in. Next episode, we'll take a look at the various interactions with the continent and go a little more into the politics of the time.  Takara Hime's second reign—for which she was posthumously given the name “Saimei Tennou”—dealt a lot with the continent, among other things.  Things on the Korean peninsula were heating up, and the Tang was continuing to push against those on their borders, both along the Silk Road to the West, but also against states like Goguryeo, in the northeast.  And yet it wasn't a time of constant warfare, either.  We'll do our best to look at what was happening. Until then thank you for listening and for all of your support. If you like what we are doing, please tell your friends and feel free to rate us wherever you listen to podcasts.  If you feel the need to do more, and want to help us keep this going, we have information about how you can donate on Patreon or through our KoFi site, ko-fi.com/sengokudaimyo, or find the links over at our main website, SengokuDaimyo.com/Podcast, where we will have some more discussion on topics from this episode. Also, feel free to reach out to our Sengoku Daimyo Facebook page.  You can also email us at the.sengoku.daimyo@gmail.com.  Thank you, also, to Ellen for their work editing the podcast. And that's all for now.  Thank you again, and I'll see you next episode on Sengoku Daimyo's Chronicles of Japan.

The 6A finale "Kaisha" is a grim, anticlimactic affair. Does it work as a finale to 6A? Does it tie up the beautiful sweeping philisophical themes presented at the top of 6A? Chris, Paul, Jordan & Lily think so! We make the case for the underappreciated 6A finale in this lengthy discussion. Phil and New York almost boil over, but dont. Tony and Chris almost boil over, but dont. Carmela almost looks into Adriana's disappearance, but doesn't. All this amidst a backdrop of characters falling into old habits, and further aggravating deep wounds. It's a beautiful disintigration. All this and so much more, right after we look Paul in the eye and jam a icepick through his lung...   WE HAVE A PATREON NOW! Please check us out and support us so we can keep dishing out some audio Sunday dinner for you at www.patreon.com/thesopranospodcast   TheSopranosPodcast@Gmail.com @TheSopranosPodcast - Facebook & Instagram @SopranosPodcast - X (Formerly Twitter)    

Our guest today is the remarkable Thomas Slaughter, founder of SRCG IT Solutions, whose journey is nothing short of inspirational. Thomas shares his candid experiences of growing up amidst frequent school changes, racial challenges, and exposure to violence, all of which shaped his resilient character.Despite the odds, Thomas found discipline and purpose in boxing, thanks to the mentorship of a tough but caring coach named Smitty. This foundation of grit served him well as he navigated the complexities of adulthood, including quitting a secure corporate job alongside his wife, tackling severe financial strains, and almost two years of relationship turbulence that had them sleeping separately and contemplating divorce. A breakthrough came when Thomas seized an unexpected opportunity with an IT company, leading to contracts that turned his financial situation around rapidly.Thomas' story isn't just about business success; it's about the power of mutual support, especially the unwavering belief from his wife Kaisha, who stood by him during the toughest times. Today, Thomas is not only a successful business owner but also a mentor to at-risk youth, embodying the values of hard work, integrity, and gratitude. His dedication to paying it forward and giving back is a testament to his character and the lessons he's learned along the way.Join us in this episode as we delve deep into Thomas Slaughter's incredible journey. From the pivotal moments that defined his path to the mentors who shaped his principles, we'll unpack valuable life lessons and entrepreneurial insights. Whether you're an aspiring entrepreneur or looking for motivation to overcome your own obstacles, this episode promises to deliver inspiration and practical wisdom. Sit back, relax, and prepare to get down 'n dirty with us and Thomas Slaughter.Follow Thomas Slaughter on LinkedIn: ↙️ https://www.linkedin.com/in/thomasslaughter/Special thanks to this episodes sponsor, A.L.I.V.E. Active Shooter Survival! Be sure to head on over and check out the website to know more about how to better protect yourself! ↙️

In this episode I sit down with the multifaceted Kaisha Huguley, actor, host, and digital creator. Kaisha opens up about her untraditional path into musical theater, her move to New York, and the impacts of the pandemic on her self-discovery journey. We dive into the joys and challenges of performing, the societal pressures faced by black women in the entertainment industry, and discover we both one day want to reach the "offer only" club and not have to audition for roles. We also explore the concept of feeling settled, the importance of alignment in career choices, and the impact of New York City on our growth as people. Kaisha shares her journey of pivoting from theater to becoming a successful digital creator on platforms like TikTok and Instagram, and provides valuable advice for artists on navigating the industry without losing sight of their values. Podcast Instagram  Podcast Patreon Podcast Merch  Podcast Youtube Channel   Kaisha Huguley Website  Instagram Youtube   Ayana Major Bey  Website  Instagram  Show Sponsors:  WeAudition: Get 25% off your membership when you use the code PIVOT, join at https://www.weaudition.com/ Host & Exec. Producer: Ayana Major Bey  Editor: Kieran Niemand  Theme Song: Lyrics co-written by Ayana Major Bey and Melissa Victor, with performance by Ayana Major Bey   Part of the Atabey & Co Network Learn more about your ad choices. Visit megaphone.fm/adchoices

Käymme läpi Japanin-matkaamme Okinawalta Tokioon ja mietimme kaikkia tekemiämme hauskoja mangasta tuttuja asioita – kävimme akvaariossa, kesäfestivaaleilla, teemapuistossa, kirjakaupoissa, bambulehdossa, uimarannalla ja onsenissa, söimme höylättyä jäätä, ostimme suojelusamuletteja temppelineidolta ja niin edespäin. Ajankohtaisosiossa puhumme mangaa konekäännöksinä julkaisevasta startup-firma Orangesta sekä Japanin mangamarkkinan tilasta vuonna 2023. Lukujonossa muistelemme Japanissa esillä olleita ja vastaan tulleita sarjoja. --- Kommentoi | Threads | Mastodon | Bluesky | X | Instagram --- (01:03) – KUULUMISET: DESUCON - Anime-Alias Desuconissa (01:26) – JAPANISSA: ESITTELY (02:44) – JAPANISSA: OKINAWA JA NAHA - Kuriiripalvelu Kuroneko - Hotel Strata Naha - Kattobaari ja näköalat (08:28) – JAPANISSA: OKINAWA JA KESTÄFESTIVAALIT - Naha haarii -lohikäärmevenesoutukisa ja sen ympärille rakennettu festivaali - Lohikäärmevene soutaa (kuva) - Golden Week (29.4.–5.5.) - Kultakalojen kalastamista (kuva) - Monthly Girls' Nozaki-kun ja kesäfestivaalin epäkatarttinen ilotulituskohtaus (YouTube) - A Silent Voice, josta puhuimme jaksossa 35 - …ja eri tavalla käänteentekevä kohtaus (YouTube, SPOILERIVAROITUS) - Sound! Euphonium (15:04) – JAPANISSA: OKINAWA JA HERKUT JA LINNA - Ryuukyuu-kuningaskunta - Koonti okinawalaisista herkuista - Okinawan zenzai on okinawalainen yhdistelmä kylmästä höylätystä jäästä (kakigoori) ja lämpimästä shiruko-papukeitosta - Beni-imon (eli purppurabataatin) makuinen zenzai (kuva) - Azuki-pavut ja kidney-pavut - Saataa andaagii suoraan uppopaistosta (kuva) - Azumanga Daioh ja saataa andaagii (YouTube) - Okinawan kieli - Ryukyu-saaren kielet eivät ole keskenään ymmärrettäviä edes keskenään, saati japanin kanssa - Shequasar-sitrus - Lawson-konbiniketjun kananugetti Karaage-kun - Shequasar-maustettu versio - Harukana Receive on erinomainen urheilusarja - Sarja Crunchyrollissa - Happy Happy Shequasar -laulu (YouTube) - Gooya eli kitkerämeloni (suomeksi ilmeisesti karvaskurkku) - Myös merirypäleitä tuli maistettua, vaikka niitä ei tässä mainittukaan - Shurin linna, joka ikävä kyllä paloi lähes täysin vuonna 2019 - Linnan päärakennus oli peitetty rakennushallilla… (kuva) - ….mutta rakennustöitä pääsi seuraamaan ikkunan takaa useassa kerroksessa (kuva) - Linnan rakenteen ja jälleenrakentamisen esittelyä (kuva) (25:25) – JAPANISSA: OKINAWA JA MOTOBU JA AKVAARIO - Churaumin akvaario - Churaumin valashai Jinta-kun (kuva) - The Aquatope on White Sand - Sarja Crunchyrollissa - Jakso 92, jossa puhuimme sarjasta I Want to Hold Aono-kun So Badly I Could Die - Shisa-leijonat - Kilpikonnahaudat - Esimerkki Nahasta (kuva) - Ma Blue Garden House, havaijilainen ravintola jolla on kaksi vierashuonetta - Huoneemme Ma Blue Garden Housessa (36:58) – JAPANISSA: OSAKA - Dootonbori, “Osakan Kabukicho” - Glico-mies - Minami no tea - The Ryuou's Work Is Never Done - The Fable - Tsuutenkaku Tower - Shinsekain alue, jonka keskellä torni sijaitsee - Tobita Shinchin punaisten lyhtyjen alue - Petterin Twitter-ketju alueen maamerkin, Japanin ainoan säilyneen Taisho-kauden bordellirakennuksen, kunnostamisesta - Osakassa on vielä pari muutakin vastaavaa aluetta, mutta yhä vähemmän - Ne perinteiset ristikkoikkunat, joita näkee Edo-kaudelle sijoittuvissa sarjoissa - Den-Den Town, “Osakan Akihabara” (42:29) – JAPANISSA: KIOTO - Arashiyaman bambulehto - Moso-bambu, Phyllostachus edulis - Keisarillinen palatsi - Kamogawa-joen delta - Maaret kivillä (kuva) - Kyoto International Manga Museum (46:43) – JAPANISSA: SHINKANSEN - Shinkansen - Ekibenit (kuva) (47:42) – JAPANISSA: ATAMI JA ONSEN-RYOKAN - Atami - Yuyado Ichibanchi -ryokan - Huoneemme Yuyado Ichibanchissa (kuva) - Jakso 73, jossa puhuimme sarjasta Sweat and Soap - Jakso 27, jossa puhuimme sarjasta Everyone's Getting Married - Dento Hayane - See You Later, Mermaid (Manga Planetissa) - Last Stop Is Tokyo (Manga Planetissa) - Jakso 38, jossa puhuimme sarjasta Tokyo Tarareba Girls (jonka ryokan-osio oli perseestä kuten muutkin osat sarjaa t. Maaret) - Nanayu Oyu -geysir, johon törmäsimme sattumalta - Atamin erotiikkamuseo Hihoukan - Kiss x Sis - Shimoneta - Museoitu entinen ryokan Kiunkaku - Osamu Dazain kuuluisin teos Ei enää ihminen - 2100-vuotiaan kamferipuun Kinomiya-pyhättö - Miko eli temppelineito - Omamori eli suojelusamuletti - Jakso 95, jossa puhuimme sarjasta I'm in Love and It's the End of the World - …jossa päähenkilö keräilee omamoreja suojautuakseen huonolta onnelta (kuva) (1:02:32) – JAPANISSA: ENOSHIMA - Enoshima - Tsuritamassa Enoshiman paikallinen ruoka-annos Enoshima-don auttaa hahmojaan opettelemaan kalastamaan (YouTube) - Rascal Does Not Dream of Bunny Girl Senpai - Sarjan ihastuttava lopputunnari… (YouTube) - …muuttuu joka juonikaaressa (YouTube) - Jakso 97, jossa puhuimme sarjasta Perfect World - …jossa pääpoika oli nuorempana käynyt Enoshimassa, mutta ei enää vammauduttuaan pystynyt kiipeämään huipulle asti (kuva) - Shirasu - Samuel Cocking Garden (1:06:06) – JAPANISSA: KAMAKURA - Enoden-junalinja (kiskobussi viittaa oikeasti veturittomaan dieseljunaan, toisin kuin Petteri tässä sanoo) - …Jonka Kamakura koukomae -aseman tasoristeys on kuuluisa - Risteys näkyy Slam Dunkin OP-biisissä noin minuutin kohdalla (YouTube) - …Ja samoja nurkkia ja vähän asemaakin näkyy myös kakkos-OP:ssa (YouTube) - Sama tasoristeys on myös ikuistettu Akimi Yoshidan Umimachi Diary -sarjan ensimmäisen pokkarin kanteen (kuva) - Banana Fish - Tosei Hotel Cocone Kamakura oli kivan ryokan-teemainen moderni hotelli - Kamakura Daibutsu eli iso Buddhan patsas - Dr. Stonessa buddhapatsas toimii maamerkkinä vielä 3700 vuoden päästä kun muut merkit ihmisyhteiskunnasta ovat jo tuhoutuneet (YouTube) - Hasederan buddhalaistemppeli, jossa on 9-metrinen Kannonin patsas ja hieno hortensiapuisto - Komachidoori ja shintolaispyhäkkö Tsurugaoka Hangimangu - Kamakuran tuliaisherkkuja (1:13:52) – JAPANISSA: TOKIO - Otome Road - Sunshine City - Hana to yume -lehdessä ei ole furiganoja - Dessert-lehdessä on furiganat - Shonen Jump -lehdessä on furiganat - GFantasy-lehdessä on furiganat - Tokyo DisneySean uusi maa on juuri avautumassa - Wotakoi - You Got Me, Sempai! - Nakano Broadway - Käytettyjen nörttituotteiden kauppaketju Mandarake - Marumujun Mastodon-ketju Akihabaran Steins;Gate-lokaatioista - Suga-pyhäkön punaiset portaat tunnetaan Your Namen takia (1:26:45) – JAPANISSA: YHTEENVETO (1:28:34) – ORANGE AIKOO JULKAISTA 500 POKKARIA KONEKÄÄNNETTYÄ MANGAA KUUKAUDESSA - ANN: Orange Inc. to Release e-Bookstore Service emaqi Featuring Manga This Summer - Deb Aokin artikkeli Comics Beatissa - Orangen mangamuotoinen promoesittely, jossa mangaa rakastava Mr. Orange keksii tekoälyrobotin saadakseen mangaa julkaistua maailmalle - Syksyllä 2023 syntyi pieni kohu, kun Manga Plus alkoi julkaista Rugby Rumble -mangaa Orangen konelatomana - Manga Plus korvasi ensimmäisen luvun ihmisen latomalla versiolla - Epäuskoisuutta siitä, voiko suunnitelma edes teoriassa toimia - Päänpyörittelyä sille, että ongelma olisi muka rajallinen määrä kääntäjiä - Huomio siitä, että tällä rahalla olisi voinut julkaista 10 000 pokkaria ihmisten kääntämää mangaa - Laskelma siitä, että Orangen kertomat luvut mangan julkaisemisen kustannuksista eivät kovin hyvin pidä paikkaansa - The Old Man Who Got Reincarnated as a Cat (Neko ni tensei-shita ojisan) (1:42:39) – JAPANIN MANGAMARKKINA 2023 - Jakso 80, jossa puhuimme vuoden 2022 Top 10 -sarjoista - Jakso 71, jossa puhuimme vuoden 2021 Top 10 -sarjoista - Jakso 43, jossa puhuimme vuoden 2020 Top 10 -sarjoista - Journal du Japonin artikkeli Japanin 2023 Top 10 -mangamyynneistä (ranskaksi – mutta sarjat, myyntimäärät ja vertailut edellisvuoteen löytyvät artikkelista selkeästi taulukosta, ja lisäksi artikkelissa on lista yksittäisten mangapokkarien Top 50 -myynneistä) - Jakso 72, jossa puhuimme kuolemanpelisarjoista - Nippon.com: Japan Comic Sales Reach Record High of ¥693 Billion in 2023 - Animenomics: Manga captures 90% of Japan e-book market (2:00:15) – KUULIJAKOMMENTTI: MANGALISENSSISOPIMUKSET - Antti Valkaman Twitter-viesti (2:02:24) – KUULIJAKOMMENTTI: HIROMU ARAKAWA JA ARKI - Arki - Jakso 34, jossa puhuimme Hiromu Arakawan sarjasta Silver Spoon - Jakso 84, jossa puhuimme Hiromu Arakawan sarjoista Fullmetal Alchemist ja Daemons of the Shadow Realm (2:06:39) – KUULIJAKOMMENTTI: LASTMAN JA ANIMANGALISTAUSPALVELUT - Lastman (YouTube) - MyAnimeList eli lyhyemmin MAL - AniList - AniChart ja LiveChart (2:22:41) – KUULIJAKOMMENTTI: ARON MORSIAMET - Aron morsiamet, josta puhuimme jaksossa 8 - Jakso 63, jossa puhuimme sarjasta Given ja sen autistihahmosta - My Love Story with Yamada at Lv999 (2:27:35) – KUULIJAKOMMENTTI: SARJAEHDOTUKSIA - RuriDragon - Flying Witch - Non Non Biyori - Aria - Rave - Frieren: Beyond Journey's End - Rurouni Kenshin - Jakso 82, jossa puhuimme kuulijakommenttiosiossa siitä, miten kuluttaa viihdettä jonka tekijällä on moraalisesti arveluttavia näkemyksiä ja tekoja - Salapoliisi Conan - Kindaichi Case Files - Domestic Girlfriend - JoJo's Bizarre Adventure - The Promised Neverland (2:39:20) – LUKUJONOSSA: JAPANISSA NÄKYNYTTÄ - Uusi Salapoliisi Conan -elokuva (YouTube) - The Dangers in My Heart - Assassin & Cinderella - Assassin & Cinderella Manga Up! -palvelussa - Inu × Boku SS ja Spirits & Cat Ears - You and I Are Polar Opposites - You and I Are Polar Opposites Manga Plus -palvelussa - Lala's Married Life - Ennead - Shosen Book Tower -kirjakauppa - Kou iu no ga ii - Kase-san and Yamada - Wings-lehti - How Do We Relationship?, josta puhuimme jaksossa 81 - Laid-Back Camp (Yuru Camp) - Saunoa! - Hotel Metsäpeura e youkoso - 40 made ni shitai 10 no koto - Jakso 79, jossa puhuimme sarjasta Old-Fashioned Cupcake - Uragirimono no Love Song - Slam Dunk - Numa sugite mohaya koi - Manga Up! -palvelu mainostaa Twitterissä My Dress-Up Darlingia (kuva) - Gangan Online mainostaa myös Twitterissä omia tulevia hittejään - Kaisha to shiseikatsu (2:58:31) – LOPETUS

Cajun Catholics ft. Kaisha Halloway 2-26-24 (255) by Cajun Catholics

Dive into the world of sports marketing with Michaela Patt, the Marketing Automation Manager at Paciolan, Kaisha Excell, the Email Marketing Manager at the University of Notre Dame, and Gabe Merville, the Analytics and Strategy Coordinator at LSU Athletics, as they discuss the transformative impact of Oracle's Eloqua software on their marketing strategies. Michaela shares her insights on transitioning their client base to Eloqua and the effectiveness of landing pages and invoices. Kaisha highlights how email marketing accounts for a significant share of their tracked revenue streams and her innovative approach to creating unique membership packages. Gabe discusses the importance of timing in fan surveys and the role of analytics in enhancing fan experiences. The panel explores the evolving landscape of sports marketing, including the impact of invoices on season ticket renewals and the significance of Name, Image, and Likeness (NIL) in sponsorships and student-athlete relationships. This episode is a must-listen for anyone interested in how advanced marketing tools like Eloqua can revolutionize communication and revenue generation in the sports industry.

1: ELEGANTO - Make Me Feel (feat. Myke Tyler)2: CHAPTER & VERSE - Tighten Up (Extended Mix)3: BUNT. – Moment 4: SHYGIRL, COSHA - Thicc5: GENIX & FLOWANASTASIA – Dependent On You6: COLORJAXX - Let Me Love You (Extended Mix)7: VINTAGE CULTURE, MAVERICK SABRE, TOM BREU – Weak  LISTENERS' CHOICE8: Digidance - The Horn 9:  ROBIN SCHULZ & TOPIC - One By One (feat. Oaks)10: LUMI – Look The Other Way11: TOBIAHS – Lifetime 12: PURPLE DISCO MACHINE & ASDIS - Beat Of Your Heart (Extended Mix) TRIED & TESTED13: WESTEND & MAX STYLER - Rhythm Machine (Extended Mix) 14: ASTRALITY - Goosebumps15: CHARLIE XCX & SAM SMITH - In The City (DJ HEARTSTRING Remix)16: BRAD MULLINS & LEER – Day and Night  GUEST SELECTION: SUNSET BROS THE WARM UP SELECTION 17: SHERMANOLOGY - U Got Me (Extended Mix)18: DOUVELLE19 - Skin to Skin (feat. Kaisha)19: DUBVISION - G.O.D. (Extended Mix)20: HANNAH WANTS + SAM DIVINE + JEM COOKE - Cruel Intentions (Extended Mix) THE MAINSTAGE MIX  21: SPACE JUMP & GEORGE REID - Being Free (Extended Mix)22: RUBACK, TICON FT. RAJA RAM - Dance Is The Answer (Extended Mix)23: PLACEBO EFX - Nocebo (Extended Mix)24: CAMELPHAT - Running Man25: JSTJR – 432126: ROBBIE MENDEZ - Memory27: YORK FEAT. AVA SILVER – Above The Clouds28: VUDUCRU – Under Pressure

We continue our Ladies of the Oval month with Mini Truck driver Kaisha Zimoch! Kaisha is one of the 2023 Ladies of the Oval Sponsorship winners so naturally we HAD to sit down and chat with her! She offers some amazing insight into the mini truck division, racing at Varney, her future goals, her ideal walk up song and a whole lot more! Kaisha was a great guest and we can't wait to see how she does in 2024 at Varney as she battles for a championship!

Kaisha Huguley joins us for episode 092 of Actorcast! I had a wonderful time speaking with Kaisha. I learned about her work after taking a workshop with her on how to develop your social media as an actor and I decided that I had to have her on the show for you all to listen to and enjoy. In this episode, we talk about Kaisha's journey into the wide world of acting, why content creation is important for actors, and how actors can get started in making content. To learn more about Kaisha, please visit https://kaishacreates.com/ or following her on all social media platforms @kaishacreates. Kaisha S. Huguley is a New York based multi-hyphenate (actor, theatre maker, & creative) originally from Washington, D.C. Kaisha's recent stage credits include Kinky Boots (Arts Center of Coastal Carolina & John Engeman Theatre), The Full Monty and Miracle on 34th Street (Argyle Theatre) Kaisha has performed in a solo cabaret at The GreenRoom 42 in promotion of her first EP Villain Era which is available on all music streaming platforms. Most Recently, Kaisha is in production of Clue! Kaisha creates content on TikTok, Instagram, & YouTube documenting her journey as a musical theatre artist & creative living and working in New York City. Kaisha's audience knows her as the woman who quit her full time job with the federal government to move to New York City to become an actor and she's been taking them on this journey with her ever since she took the leap.  Kaisha is the quintessential multi-hyphenate as she works as an actor, arts administrator, educator, EDI Professional, and is currently training to become an Intimacy Director. Follow my work at https://patrick-mcandrew.com and @patrick.mcandrew

“My hope is that Eternity resonates as a reminder of the strength and resilience of First Nations communities during such a challenging and momentous time in Australian political history" - Mi-kaisha

As broadcast @ www.totallywiredradio.com Tuesday 05.09..23Hour One and Two with Ket Shah01. The Sindecut & Ijeoma - What You Love (Tru Thoughts 2023)02. Cee ElAssaad & Lee_Wilson - Music Is The Cure (RnB Mix) (Sub Urban 2023)03. Ana Frango Elétrico - Insista em Mim (Mr Bongo 2023)04. Jacob Gurevitsch ft Arturo Sandoval - For Your Love (Music For Dreams 2023)05. Eric Hilton ft. Natalia Clavier - Amore Astral (Monserat House 2023)06. The Kevin Fingier Collective ft. Jo Ann Hamilton - Only For Me (Fingier / Acid Jazz 2023)07. Sabrina Starke - Love The Mystery (Zip / Vokall 2023)08. Liam Mockridge ft. Zimmer 90 - Overatted (Supersonic 2023)09. Pale Jay - My Dirty Desire (Karmic Chief / Colemine 2023)10. Jalen Ngonda - That's All I Wanted From You (Daptone 2023)11. Kenneth Bager & Finlay Brown - Don't Give Up (Music For Dreams 2023)12. Gary B. Poole - Alright (Self Released 2023)13. Teddy Douglas & Friends - Bedtime Story (Basement Boys 2023)14. Marc Staggers & Brian Cunnigham - With Me (Self Released 2023)15. Léon Phal ft K.O.G - Idylla (Heavenly Sweetness 2023)16. El Train ft. Kaisha & Loelash - Nostalgia (Shimmy 2023)17. Searchlight Ft. Manny - Long Time (Fallen Tree 1Hundred 2023)18. smck - Again (YLP Remix) (Deepwit 2023)19. Barry Can't Swim - How It Feels (Ninja 2023)20. WheelUP ft Abacus & Steelo - Singularity (Tru Thoughts 2023)21. Amanda Whiting - Too Much (Kaidi Tatham Remix) (Alberts Favorites 2023)22. Hypaphonik - Derived Samba (Stay True Sounds 2023)23. For The Culture - Nightlife (Grounded 2023)24. James Juke - Body Action (Nervous 2023)25. Satoshi Fume - Fractale (Rhythm Cult 2023)26. Temzar & Vince deDJ - In Motion (Soulva Remix) (Deepwit 2023)27. Col Lawton - Music Showed Me Love (Uniting Souls Music 2023)28. Yuichi Inoue - Good Morning Yesterday (No Fuss 2023)

MAGZ FM RADIO / PHILLY / 406 Noname - Black Mirror Noname - Toxic El Train - Nostalgia (ft Kaisha & Loelash) JP Prentiss - Dance For You Crystal Waters - Gypsy Woman (CHAMOS rmx) Breakplus - Magnetar Flare Laliboi & Spoke Mathambo - Abantu Abadala BlakMaul - The people ft Holy Smokes Ramson Badbonez - Destiny Sargeant X Comrade - Incredible Science Jungle - Us Against The World chromonicci. - Reset. Tomi Jenkins - Like We Used To Don-E - Out Here! ft Omar, Eneeks Skripture - You Bring Me Joy Róisín Murphy - What Not To Do (Moodymann RMX) DJ Kanda - A m p h i g r a v i t y jet$ki - Undisclosed Locations EPIC - Love letter MC Kadence - Baby (Freedom) MC Kadence - Peace (ft Georgia Anne Muldrow & L05) Connan Mockasin - I'm the Man, That Will Find You Toto Pena - Now Sons Of The James - I Want More (Telemakus Fast-Jazz Mix)

TRKLST:Noname - Black MirrorNoname - ToxicEl Train - Nostalgia (ft Kaisha & Loelash)JP Prentiss - Dance For You Crystal Waters - Gypsy Woman (CHAMOS rmx)Breakplus - Magnetar Flare Laliboi & Spoke Mathambo - Abantu Abadala BlakMaul - The people ft Holy Smokes Ramson Badbonez - Destiny Sargeant X Comrade - Incredible Science Jungle - Us Against The Worldchromonicci. - Reset. Tomi Jenkins - Like We Used To Skripture - You Bring Me Joy Róisín Murphy - What Not To Do (Moodymann RMX)DJ Kanda - A m p h i g r a v i t y jet$ki - Undisclosed Locations EPIC - Love letter MC Kadence - Baby (Freedom) MC Kadence - Peace (ft Georgia Anne Muldrow & L05) Connan Mockasin - I'm the Man, That Will Find You Toto Pena - NowSons Of The James - I Want More (Telemakus Fast-Jazz Mix) magz fm / musik you haven't heard yetconnect: www.maggysrooftopaerial.com

Der erste Podcast zur Sommerseason 2023 Animes in dieser Folge: Atelier Ryza: Ever Darkness & the Secret Hideout The Animation (Ryza no Atelier: Tokoyami no Joou to Himitsu no Kakurega) / My Happy Marriage (Watashi no Shiawase na Kekkon) / Genjitsu no Yohane: Sunshine in the Mirror (Yohane the Parhelion – Sunshine in the Mirror) / My Tiny Senpai (Uchi no Kaisha no Chiisai Senpai no Hanashi)(Werbung) Sichere dir jetzt 5 Euro Rabatt auf deine erste Bestellung bei HOLY mit dem Promocode NANAONE5: https://weareholy.com/nanaoneWeitere Infos im Podcast!

Kaisha e Andrea sono una coppia di designers e creativi di Milano che condividono la vita, il lavoro e la passione per il collezionismo Mid-Century che li ha portati a creare Vaspaar, galleria che vive tra contemporaneo e passato. La nostra conversazione ci ha portato dal design al collezionismo ai film e al finto valore dei diamanti.

Bonita Music Show 049
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The first monthly show 100% dedicated to Women artists Rnb / Soul & Future Sounds 

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Godo Kaisha IP Bridge 1 v. Micron Technology Inc.

www.kaishalawrence.com At mid-life I found myself frustrated, overwhelmed, and craving a lot of sugar. I was exhausted and not focusing well in any area of my life. I could keep it together for the most part during the day, but my poor family took the brunt of me when I got home. I felt like I was constantly yelling, always feeling resentful and impatient with them. Ugh. And then the guilt sets in... I had to find another way, this wasn't the way I wanted to live; this wasn't living at all! After years of unknown symptoms and debilitating fatigue, I finally learned how to break free from exhaustion, anxiety, and depression through getting to the root and calming my candida overgrowth. One of the greatest gifts in my journey was to find other women who felt alienated, ashamed, and exhausted too. People who understood. Otherwise, everyone around me seemed like they always had it all together. NOT ME! I felt like I was losing my sh*t all over the place.

Kaisha Lawrence is a Certified Integrative Nutrition Health Coach.  She helps women with candida overgrowth to calm anxiety and depression so they can boost energy and focus during the working hours, and actively live a life they love after work. After years of unknown symptoms and debilitating exhaustion, she learned how to break free and restore her energy. She is dedicated to her passion to help women feel stronger and more confident, to feel better in their bodies, their careers, their parenting, in all aspects of their lives!  Kaisha's free time is filled with walks in nature, gardening, mountain biking, and eating good food with good people. You can find her on IG: @kaisha.lawrence ************************Your hosts of Are You Waiting for Permission? are Meridith Grundei and Joseph Bennett. They're friends, co-hosts, actors, improvisers, and coaches. She lives in NYC and coaches actors, business professionals, and presenters to fully engage with their audience, and themselves. She also mentors young actors and directors. He lives in San Miguel de Allende, México, and coaches artists and other creative beings about the beautiful business of art — and life. You can find Meridith: Meridith Grundei the performer artist gal. Or if you are looking to be a more confident and credible speaker, please reach out to Meridith here at Meridith Grundei CoachingYou can find Joseph at Joseph Bennett the artist/coach extraordinaire*Special thanks to Amy Shelley and Gary Grundei of high fiction for letting us use their music for the Are You Waiting for Permission? podcast.And... while the podcast is free, it's not cheap. We'd be thrilled to have your support on PATREON

yo! Today we have on a ride or die home girl, who always come through clutch and ALWAYS shows love and support for us! it is an absolute pleasure to introduce the amazing Ms. Kaisha! if you know this young lady then you would assume she is sweet and innocent, but at the root of it she is a gnarly dope fiend like the rest of it, but also sweet and kind. A strong woman of Recovery and Harley owner, you absolutely do not want to miss this episode!

It's Tuesday and that means it's time for a new episode of the Self Publish N 30 Days Podcast! If you desire to share your story with the world, want to advance in your career, and don't want to take years to do it then this is for you. This week on Self Publish N 30 Days Podcast

This amazing episode features an incredible live panel from BroadwayCon 2022, featuring some of the leading multi-hyphenates in the Broadway, television, and film communities. Topics include process and product, boundaries, and so much more.  John Cariani – Broadway: Caroline, or Change; The Band's Visit; Something Rotten! (Outer Critics Circle Award nom.); Fiddler on the Roof (Tony Award nom.; Outer Critics Circle Award). Off-Broadway: The Atlantic, The Public, Transport Group. Regional: Williamstown Theatre Festival, The Old Globe, Center Theatre Group, Barrington Stage Company, Hudson Valley Shakespeare Festival. Several films. Television includes The Marvelous Mrs. Maisel, Blacklist, The Good Wife, Homeland; recurring roles on Law & Order (CSU Tech Beck), Numb3rs, and The Onion News Network. Playwright: Almost, Maine; Last Gas; LOVE/SICK; cul-de-sac. Jen Waldman has been working in the Broadway community for over two decades, first as an actor (Wicked and Titanic) and now as a coach to some of Broadway's brightest stars. She is the founder and artistic director of Jen Waldman Studio (JWS), and her clients have appeared in nearly every single Broadway musical for the last 15 years. In addition to her work at JWS, her hypens include: director, choreographer, artistic director, keynote speaker, leadership coach, speaking coach, podcaster, actor, teacher, and mentor. Jen co-hosts the podcast The Long and the Short of It, with listeners in over 100 countries. JenWaldman.com Kaisha S. Huguley is a New York based actor, singer, entrepreneur, creative, & educator originally born and raised in Washington, D.C. Most recently, Kaisha performed in solo cabaret, @kaishacreates, A One Woman Showcial making her Green Room 42 Debut. When Kaisha is not on the stage, she's creating content for her online fanbase on her TikTok, Podcast: A Kaisha Story, YouTube Channel, and Blog. Additionally, Kaisha is the Director of Diversity & Cultural Creative Initiatives as well as a Faculty Member at The American Musical & Dramatic Academy in New York. She develops curriculum and teaches courses on the business of the arts & entertainment industry. Kaisha is committed to giving back to the next generation of artists & creatives. To follow Kaisha's journey to her dreams, simply follow her on Instagram @KaishaCreates to join her Gram Fam :) Jennifer Ashley Tepper is producer of the musicals Be More Chill, Broadway Bounty Hunter, and Love In Hate Nation. She is also the Creative and Programming Director at Feinstein's/54 Below, and the author of The Untold Stories of Broadway book series. She is the creator of The Jonathan Larson Project and historian consultant on the upcoming film version of tick, tick...BOOM! Tepper was recently named recipient of a 2020 Lincoln Center Emerging Artist Award. Learn more about your ad choices. Visit megaphone.fm/adchoices

Spriggan - 00:08 / Houseki no Kuni - 21:15 / Kono Kaisha - 36:15 O Rokushita agora também faz lives na Twitch! Só entrar no link abaixo para acompanhar gravações ao vivo além de nossas jogatinas e reacts! Participantes desse podcast: @Pellucks, @ferniefurtado e @Bobuxo Twitch: twitch.tv/rokushita Twitter: @rkstpodcast PicPay: https://picpay.me/rkstpodcast Apoia-se: apoia.se/rkstpodcast Editado por: @Pellucks

This episode features soul and R&B musician Mi-kaisha, a Darumbal Murri and Tongan artist raised in Sydney who shares her experiences of performing for her community, as well as abroad. She made her dream come true studying at NYU's Clive Davis Institute of Recorded Music and has many achievements in her pocket: she was NAIDOC Youth of the Year in 2019, the same year she released her first EP titled Mi-kaisha, she won FBi Radio's Next Big Thing Award and has even appeared on Australian X Factor. We've talked about her passion for bringing lightness and joy to the world through music, and about taking space when it feels right and what it's like to navigate white-dominated spaces. Her latest single Brand New was released last year, which you can hear at the end of this episode. Enjoy! Please be advised that this podcast contains references to people who have passed. Show script: https://docs.google.com/document/d/1HF0bhu35QmTynLc3ZLHr0eHPfTREhbFjR6p2CESgSXs/edit?usp=sharing Website: http://www.mi-kaisha.com/ Instagram: https://www.instagram.com/iammikaisha/ Facebook: https://www.facebook.com/iammikaisha YouTube: https://www.youtube.com/Mi-kaisha SoundCloud: https://soundcloud.com/search?q=iammikaisha Twitter: https://twitter.com/iammikaisha Links for more information: - Vivid: https://www.vividsydney.com/event/music/mi-kaisha-tumbalong-nights - Tell Me Why track: https://open.spotify.com/track/4G7rDZaZ8cHahlhUHhoNRu?si=f195e375ca984773 - Just Reinvest: https://www.justreinvest.org.au/ - Kimberwalli: https://kimberwalli.com.au/ - Uluru Statement from the Heart: https://ulurustatement.org/the-statement/ - Brand New track: https://open.spotify.com/track/1vjyekD56hO5NIsJAgjKgc?si=2790521e7afd4046 - Barkaa – Come Back track: https://open.spotify.com/track/7u7LezZrwHy3B9ip0munxc?si=99ccf99a5cc64bda - Deadly Hearts compilation How Deep Is Your Love, Bee Gees cover by Mi-kaisha: https://open.spotify.com/track/2VP7auXd1zuZQy8ccS9bfV?si=03e3ef3ebeaf41b3 - NAIDOC week: https://www.naidoc.org.au/ - Seed Mob: https://www.seedmob.org.au/

Bienvenue dans ce 62 numéro très éclectique avec de la sciences fiction (The Five Star Stories), du jeu vidéo en anime nanardesque avec Dragon Quest La légende de Abel, et de la sorcellerie avec Yuugen Kaisha ! On retrouve aussi avec plaisir l'ami Yankuza avec son Retro Time Machine où à partir d'un petit jeu il vous/nous fera découvrir des génériques d'animés ou des sons cultes ! Allez on y va ! -----------------------Mes réseaux sociaux-------------------------- Facebook : https://www.facebook.com/AnimeNoMelody Twitter : https://twitter.com/DamienTremollet-Twitch : https://www.twitch.tv/yotadelatisane Instagram : https://www.instagram.com/yotadelatisane Voici les pochettes et infos des cd ! La RETRO TIME MACHINE avec Yankuza The Five Star Stories Original Soundtrackファイブスター物語 オリジナル・サウンドトラックRéférence : VDR-1590 https://vgmdb.net/album/20562Edition du 08 Mars 1989 Editeur : Victor Musical Industries, IncMusique de Tomoyuki Asakawa TV Anime Soundtrack Dragon Quest ~Suite Dragon Legend~TVアニメ・サウンドトラック ドラゴンクエスト -組曲ドラゴン伝説-TV Anime Soundtrack Dragon Quest -Kumikyoku Dragon Densetsu-Référence : APCM-5001 https://vgmdb.net/album/5562Edition du 21 Mai 1990 - Editeur :ApollonMusique de Tomoyuki Asakawa Phantom Quest Corp. Music Collection幽幻怪社 音楽篇Yuugen Kaisha OngakuhenYOU-GEN-KAI-SYARéférence : PICA-1045 https://vgmdb.net/album/21909Edition du 25 Aout 1995 Editeur - Pionner LDC, INCMusique de Junichi Kanezaki[PUB]

Kaisha Blackstone is an RRCA Certified Coach, business owner, athlete and mom. Through her platform RUNBLKMOM on Instagram, Kaisha seeks to encourage and inspire all black women, youth and girls to get out into the world exercise and become the best version of themselves. ****To follow RUNBLKMOM visit on Instagram: @runblkmom (https://www.instagram.com/runblkmom/). *** ****Host, Coach Pilar Arthur-Snead, https://linktr.ee/mindfulrunner **** Leave me a message at https://anchor.fm/pilar-arthur-snead/message*** ***Please Like and Subscribe to The Last Tenth Podcast on You Tube: https://bit.ly/37foa2f ***Listen toThe Last Tenth Podcast on: Anchor.fm (https://anchor.fm/pilar-arthur-snead), Apple Podcasts (https://apple.co/3lXB5ek), Please be sure to leave your positive feedback and 5 star review on Apple Podcasts Google Podcasts (https://bit.ly/3oqGUTo), Spotify (https://spoti.fi/37Oowgm) and so much more! *** ****THANK YOU FOR YOUR CONTINUED SUPPORT!! *****If you like what you've heard on the show, please consider contributing to or sponsoring the show. Contact the host Pilar Arthur-Snead for more information on sponsorship! A portion of the sponsorship dollars and donation proceeds will benefit my charity of choice. So consider a monthly donation of $1.00, $5.00 or even $10.00. *** --- Support this podcast: https://anchor.fm/pilar-arthur-snead/support

We've made it to the milestone episode 30! After all the guests i've had in the past from a wide variety of backgrounds and professions I'm finally here. Who better to have on as a guest to hit this milestone with than a voice of the future? The elegant and sophisticated Saïna! Had to organise and host 2 concerts but yes I finally have a British artist on here (sorry not sorry) lol It may be episode 30 but we hit a lot of firsts with this one. Saïna is my first guest who is a British recording artist, first guest of Japanese heritage and first guest to have performed at my concert! We talk about her journey into music, the inner workings of her process and how it's all been so far. As much as you might see things online about how it all works, there are a lot of gems in there on how the music industry in the UK is like. Between this and the last episode a few big events have taken place:1. Hear:HER International Women's Day concert which I organised with Asian Tones and hosted Saïna and 5 other amazing up and coming Asian artists (Pritt, Lucy Tun, Lila Yin, Kaisha, Keydott). Good turn out and really positive responses at the iconic XOYO, Shoreditch!2. The Migration Museum opened the Taking Care Of Business exhibition in Lewisham which tells the story of migrants who have come to the UK and set up the shops which make up the heart and soul of neighbourhoods across the UK. Chinese takeaways, corner shops, laundry mats and much more, it's a preservation of an untold legacy which has paved the way for . Angela Hui (TimeOut journalist and author of Takeaway) curated the takeaway section where she recreated the shop front she grew up with and featured pictures of takeaway fronts across the UK, one of them being mine. There are also interviews she conducted with takeaway kids too which can be heard on the wall phone, mine is number 4! 3. I did a podcast episode with Saïna  for her podcast Lost In The Mix! So this is a nice little swapsies situation we have. After you've listened to this episode go and listen to the episode I did with her!And with that thank you everybody who's made it with me this far. Go check out all the guests i've had in the past and until next time, peace!SaïnaWebsite: http://sainamusic.com Instagram: @baby.zeenhttps://www.instagram.com/baby.zeenLost In The Mix Podcast:https://lostinthemix.buzzsprout.comCrazy Brit Asian  Instagram: @crazybritasian   https://www.instagram.com/crazybritasianFacebook: https://www.facebook.com/crazybritasian/  

Is AJ a virgin? Does Tony lay pipe? Who did 9/11? Who assassinated JFK? These are just some of the hard-hitting questions Matt & Vince try to answer on this week's edition of Pod Yourself A Gun with the help of guest Brendan James. Co-host, producer, and music composer of the Blowback podcast, Brendan joins the pod to discuss The Sopranos season 6A episode twelve, “Kaisha.” There is a definitive answer to the question about AJ's virginity in the episode, as we see him bribe some noisy neighborhood teens with a bike to get them to go somewhere else long enough to give his new 30-year-old single mom friend from work the peace and quiet she needs to climb up on Anthony Jr Jr. Inspired by the scene, I've been driving around with a lightly used mountain bike in the back of my Ford Explorer, and so far it has not lead to sex, but I'm hopeful. The question posed on the pod is, was this AJ's first time? He's definitely hanging around girls his age throughout the show, but as Matt points out, he's got the energy of a guy who has resigned himself to a life of sweaty handjobs. Describe, in disgusting detail, what you imagine AJ's sex life was like in five-star review on  Apple Podcasts. *ALSO* Matt Lieb will be on a LIVE edition of The Bitchuation Room with Francesca Fiorentini on Thursday March 10th in Brooklyn!! Tix: https://bit.ly/TBRBrooklyn Subscribe to Pod Yourself A Gun on Apple Podcasts. Email us at frotcast@gmail.com; leave us a voicemail at 415-275-0030 Support the Pod: become a patron at patreon.com/Frotcast and get more bonus content than you could ever want, AND if you sign up for the Pod Yourself a Shoutout tier, you can bask in the glory of hearing your name on the podcast like this week's newest members: Champion Patron, Sesame Street, A Little, The Ogre, Cinnamon Eagle, Dr. Starsky, Friend Zone, Die Hard, & The River. -Description by Brent Flyberg.

Kaisha The Sopranos: Season 6, Episode 12 Tony gets Carmela's career back on track; Chris picks up where Tony left off; A.J. gets a work perk.

Kaisha spent decades working up through the ranks of Corporate Management, but then decided the timing was right for her to start her own business.She saw the need to show people how to do what she did for over 20 years, but to do it better and faster.If you've ever wondered if you have what it takes to succeed, Kaisha can look at your situation in a holistic way by looking at your personality profile, your resume and by just talking to you to hear what your dreams and goals are.Her only goal, is to make sure that your next job is your best job!-----------------------------------------------------------------------------------Do you want to start your own Podcast? Download the FREE E-book I have for you 'Starting a Podcast Mini-Course'.Need help getting your online business or Podcast started? Book a call with Tom's Online CalendarCheck out my FREE, E-book of the Month Club that deals with a lot of the core issues that small business startups can have.Website: www.tomclairmont.comFree Resources: www.tomclairmont.com/resourcesLinkedIn: https://www.linkedin.com/in/thomasclairmont/We'd love to hear from you about this episode! Click on this link to rate the episode or leave a comment and get a free gift: Episode RatingSupport this podcast at — https://redcircle.com/small-biz-essentials/exclusive-contentAdvertising Inquiries: https://redcircle.com/brands

The best of the best of 2021 part 2! Nuff Said!PlaylistDJ YZOCleo Sol - SunshineZo! & Tall Black Guy - Connected (feat. Josh Milan)Sipprell - More Than We AreDJ Simon S feat LaNote - What Goes AroundPaul Grant - Don't Know Why (feat. Adrienne Indigo)Kara Marni - Twisted FantasyMensing & Tally Schwenk - Hangin' OnMisha, Kaisha & cocabona - Good Together (feat. Ian Ewing)BudaMunk & J.Lamotta - The Very Thought of YouClaire Reneé - Red LightsK.ZIA - I Got Your BackRuby Francis - Cross the Line (feat. Laura Roy)KEI-LI & HMLT - Remote LoveDego - Recovered Memories (feat. Samii)Pachakuti, young.vishnu & Ceeopatra - KyaneSidibe - Ready Enough (feat. Devin Morrison & Herb Alpert)DJ LotusPaul Grant – Get Back (feat. Adrienne Indigo)Saber Agnew – Reset TimeFényan & Kosmo Kint – Break Your RulesV. Cartier – TouchingAbby Diamond – Nice and SlowTaylor Eigsti & Becca Stevens – Play With Me (feat. Gretchen Parlato)Adeline – Whisper My NameMELONYX – Black ElixirSampology & Allysha Joy – Suffer and SwimMild High Club – It's Over AgainAkemi Fox – Carry OnAmalie Bryde – Like This Like ThatMac Ayers – Where U Goin' Tonight?jus. – Take It (feat. yutaka hirasaka)Teemid – L.A.Amaria – Roses

Being back feels so good!!! Shouting out DJ Derek Brown for doing his thing last week. If you listen to the podcast, please give your pledge of support at WPFWFM.org.PlaylistDJ YZOSipprell - More Than We AreBudaMunk & J.Lamotta - Put It AsideNico Harris, Anu & Sariah Rowe - StableAlice Auer - Turn Back TimeGianni Brezzo - Hold Tight (feat. Otis Junior) [FloFilz Remix]BeMyFiasco - Outside The Lines (feat. Little Brother)Ms. Kriss - SummertimeFKAjazz - Meet Me Halfway (feat. Brooke D.)Mos Def - KaliforniaSa-Ra - HollywoodCoultrain - GreenAloe Blacc - One InnaAYA - Looking For The SunDJ Center - You Got The Love (Featuring Gretchen Parlato)AYA - Nobody Knows MeDJ LotusRowena Fysx – IdfkAnthony Hamilton – Thew It All AwayVanJess – Feelz RightGeorgie Sweet – CircledMimikat – Where It StartedGene Noble – Beautiful and BrokenMarcus Harvey – Reflection (feat. Khan Khalii)BeMyFiasco – Love FeelsMisha, Kaisha & cocabona – Good Together (feat. Ian Ewing)Bathe – SaintsJoesef – FireKevin Ross – Sweet ReleaseKacy Hill – The StarsBathe - JetlaggedKatie Tupper – Live InsideNick Colionne – Hurry Up This WayAgain

     This week Michael and Steve welcome the one and only Steven Van Zandt back to the podcast. Steven is best known as the guitarist for Bruce Springsteen's E Street band, and for playing Silvio Dante on the Sopranos. But now Stevie has added author to his list of accomplishments. He just released his biography “ Unrequited Infatuations”. This book is an incredible story of Steven's life in music, the entertainment business and as a political activist. in this episode Michael and Steve talk to him about it all. Stevie's book is available through Amazon or wherever books are sold, It's a must read!     Then we get in the Season 6 finale! Another fantastic episode with lots to discuss. Don't miss Talking Sopranos #79 S6-Ep-12 “Kaisha”. Don't forget to subscribe to the Talking Sopranos podcast wherever you get your podcasts and go to TalkingSopranos.com to ask Michael and Steve questions and get official merchandise.  Check out Comedy and Conversations with the Sopranos Live. Get your tickets today!https://www.ticketmaster.com/in-conversation-with-the-sopranos-tickets/artist/2683319 Pre-order your copy of  WOKE UP THIS MORNING: The Definitive Oral history of the Sopranoseverywhere books are sold, or go to hc.com/sopranosoralhistory See Zopa Live at Crossroads in Garwood NJhttps://www.xxroads.com https://www.talkingsopranos.comhttps://www.themanysaintsofnewarkmovie.comhttps://www.betterhelp.com/talkinghttps://vitalfarms.comhttps://rothys.com/talking 

In today's episode; I sat down with my friend Kaisha to take a look down memory lane as we talk about some of our favourite things from our childhood! We look at food, games, the media and so much more! You may hear some voices closer to the end of the show from some of you listeners! Enjoy the show! -Stay connected with Chris through social media; @chrisbehindthemic on all platforms! 

Kaisha S. Huguley is a New York based actor, singer, entrepreneur, creative, & educator originally born and raised in Washington, D.C. Prior to the Covid-19 crisis, Kaisha was preparing to take the stage as Mama Euralie in Once on This Island in Concert at 54 Below. She was also preparing to join the ensemble (Pat/Trish U/S) in the cast of Kinky Boots at Arts Center of Coastal Carolina. Most recently, Kaisha performed in Miracle on 34th Street and The Full Monty (Argyle Theatre). Prior to those productions, she made her Off-Broadway Debut in Revelation: The Musical at The Players Theatre.  People know Kaisha as the woman who quit her full time job with the federal government to become an actress. She documents her journey to Broadway and all things creative online via her personal brand, “Kaisha Creates”. When Kaisha is not on the stage, she’s creating content for her online fanbase on her Podcast: A Kaisha Story, YouTube Channel, and Blog. She also recently started a podcast with her husband, Quinton called The Happily Huguley Podcast.  Additionally, Kaisha is the Director for Cultural Competency & Creative Initiatives and a Faculty Member at The American Musical & Dramatic Academy (AMDA NY) where she teaches courses on business of the arts & entertainment industry and social media/marketing. Kaisha is committed to giving back to and teaching the next generation of artists/creatives. To follow Kaisha’s journey to her dreams, simply follow her on TikTok/Instagram @KaishaCreates to join her TikTok &  Gram Fam :)   To join the Actor Aesthetic Alliance Facebook group, click here. Spread love and don't forget to rate, review and subscribe to the Actor Aesthetic Podcast on your favorite podcast app. Visit actoraesthetic.com for more info. Follow Maggie Bera on social media Instagram: @actoraesthetic / @maggiebera Facebook: www.facebook.com/ActorAesthetic/ Email: maggie@actoraesthetic.com

Coach Weeks discusses the academic and athletic opportunities at Xavier, Coach Weeks talks about the type of student-athlete she is looking to recruit, and Coach Weeks discusses indoor/outdoor training and the track and field goals of the team. --- Support this podcast: https://anchor.fm/theathletesgrindby5starathltcs/support

Welcome everyone to volume 32 of Left and Right. Today we are joined by Brooklyn's finest, Quinoa Jones. Quinoa Jones is a producer and DJ based in Brooklyn, NY. Known for his eclectic edits and remixes, he blurs the lines between hip-hop, house, and funk while reimagining classic samples. Follow Quinoa Jones: Instagram - @quinoajones Soundcloud - https://soundcloud.com/quinoajones Bandcamp - https://quinoajones.bandcamp.com/ Spotify - https://open.spotify.com/artist/2O3wHj4sVKwCawhkAidfRK?si=oO1dzmWATl-rkLP5OEMAbg&n d=1 Tracklisting: TURNA Promise Me - GoodMostlyBad Whisper (Want my Luv) ft. Steve Lacy, Durand Bernarr, Allen Love - Patrick Paige II What Do You Say (Move it Baby) ft. PJ - Common Get it On the Floor (Sigray Flip) - DMX MIRINDA - Dips & Lo-Wu ChillInfinity - Fybe:One All In - Kartell Oneiro - TURNA falling_apart - Jay Cass supernova (w Mar'One) - LPACA Elation - Bon Psy Quinoa Jones Quinoa Jones - Bolero KMB - I SAY (kmb hot summa street dance mix) Lil Mama - Lip Gloss (Quinoa Jones Edit) Missy Elliot - Lose Control (BlaaqGoldRMX) CANCREJO - WAKA CANCREJO Junior Mafia - Crush On You (Magic Flowers Flip) K, Le Maestro - THROW IT UP!!! TEK.LUN - KNOW U HEARDA THAT Khruangbin - Pelota (Nick Bike Edit) TEK.LUN - HANDZ UP THUMBZ DOWN Kaytranada - Lite Spots (SicStyle Edit) August Mae - To Congo, To Columbo DMX - Party Up (Quinoa Jones Edit) Chief Keef - I Don't Like (Quinoa Jones Edit) Three 6 Mafia - Sippin On Some Syrup JR JARRIS - Still Flippin LAKIM - mi_amigos Mike Nasty - 901 Shelby Drive Hyalyte - Pony Tom Veo touch it bring it - dilushselva Lockdown (Q-Rush Remix) - Anderson Paak Don't Walk Away (WaxFiend Amapiano Remix) - Jade Through The Night (El Train Amapiano VIP) - El Train & Kaisha don't touch my hair (MOJVKI Edit) - Solange BIRD BOI (e.c.l.i.p.s.3) - SKinniez nasty [soulection radio 491] - lovesome WAR - andi dontmindd (anything u want) - BZAR Kaleidoscope - lovesome Big love to everyone that keeps on listening!

This is a flashback episode from YouTube Season 1 of Confidence & Creativity that launched last spring. I spoke with Kaisha S. Huguley, a New York based actor, entrepreneur, creative, and educator. People know her as the girl who quit her full-time job with the federal government to become an actor. Since graduating from The American Musical & Dramatic Academy in 2018, Kaisha made her Off-Broadway Debut in “Revelation The Musical” and has performed in “The Full Monty” & “Miracle on 34th Street” at The Argyle Theatre. When Kaisha is not on stage, she's creating content for her online fanbase on her podcast: “A Kaisha Story” and her blog. She finds enjoyment in creating authentic and inspirational content documenting her journey to making her Broadway dreams a reality. The best way to connect with Kaisha is through Instagram. It's where she hangs out the most! Follower her @KaishaCreates. Since we had this conversation last summer, Kaisha has been accepted into the TikTok for Black Creatives Program. Connect with Kaisha on Instagram at @KaishaCreates. --- Send in a voice message: https://podcasters.spotify.com/pod/show/missionkey/message

Soul from Kaisha, Kinny, Aaron Frazer and Gabriels. Brand new music from Anchorsong on Tru Thoughts. A classic from The Fugees. Deep Boogie from The Secret Soul Society. A great dancefloor track from Close Counters. Music from STR4TA on Brownswood. Hip Hop from Organised Konfusion and A Tribe Called Quest. A great uplifting Soul re-issue from Roz Ryan. Plus plenty more musical treats.

New music from Hiatus Kaiyote featuring Arther Verocai. Doo Wop from The Flamingos. Soul from Kaisha, Tiawa and Gabriels. Hip Hop from Rasco (a Stones Throw classic), Common,  L'Orange & Solemn Brigham. New music from Crafty 893 and Grime from Norf Face and JME (with a little nod to Orbital’s Chime…which also gets a spin). A big tune by Victor Uwaifo from the new Analog Africa compilation. Drum & Bass from GLXY feat Rhi, Danny Breaks, Kings Of The Rollers feat Chimpo. Plus plenty more musical treats.

We got World Premieres!!!! New Hiatus Kaiyote, Jorja Smith and so much more. DJ YZO & DJ Lotus gave you nothing but Fire!!!PlaylistDJ YZOHiatus Kaiyote - Get Sun (feat. Arthur Verocai)Misha, Kaisha & cocabona - Good Together (feat. Ian Ewing)Kiefer - SuperheroLaura Roy - CompanyFlwr Chyld & Sebastian Mikael - Lucky MeConor Albert & Alice Auer - ForgetHer Songs - Just My Luck (feat. Marie Dahlstrom, Emily C. Browning, Emmavie, The Naked Eye & Dani Murcia) [Baker Aaron Remix]Majii & Steve Sxaks - The Birds and the BeesHazel - For YouFunkommunity - Never FadingDiggs Duke - Secrets Seem RehearsedDaniel Crawford - Home (Africa) [feat. Cleveland P. Jones]Robert Glasper - Move Love (feat. KING)Samantha James - Find a WayDJ LotusKwaku Asante - DustJorja Smith – Rose RougeZara McFarlane– Future EchoesMichelle – SUNRISE (feat. Arlo Parks)Wilcynski & Nuramer – On the RunFaye Meana – Your TypeDebórah Bond - patienceThierry Ganze & Bertholet - EverydayMalta Mina & Sepalot – UFO (Sepalot Remix)KALLITECHNIS – Colo(U)RsGianni Brezzo & J. Lamotta – BeirutSeba Kaapstad – Free (feat. Georgia Anne MuldrowNao Yoshioka – Invest in Me (feat. Carolyn Malachi)Nick Hakim & BADBADNOTGOOD – QADIR (BADBADNOTGOOD Remix)James Vickery – Come To Me (with Musiq Soulchild)SIR – Teach MeEstelle – Do My Thing (feat. Janelle Monáe)

Bryony Jarman-Pinto joins Robert via Zoom for an interview about her recent releases on Tru Thoughts and her music journey plus some of her excellent tunes. Plus Robert spins Broken Beat from WheelUP, Daz I Cue remixing Hector Plimmer and Close Counters feat Allysha Joy. Hip Hop from The Notorious B.I.G and The Herbaliser feat MF DOOM and a track from the Judas and The Black Messiah soundtrack by Masego feat JID & Rapsody. New music from Greentea Peng and Brighton based singer Kaisha. Plus plenty more musical treats.

The BH Radio Show hosted by Patrick Morris built on 10 plus years of community involvement, with a mission to be a community voice delivering positive information within the black community

Douglass v. Nippon Yusen Kabushiki Kaisha

We are back! Hope everyone's holidays were merry and high! This week's sister smoke session is with Kaisha, a cannabis journalist and Oakland native. She breaks down the M.O.R.E act and what it does/doesn't mean. We also talk about Smoke, the BET documentary produced by Nas. If you haven't watched it yet, go watch now! It's definitely worth it. Contact Kaisha @ahsiak on IG www.kaishadyan.com Contact Bluntly Black Girls @bluntlyblackgirls on IG @bluntlyblkgirls on TW email us at bluntlyblackgirls@gmail.com

Facebook. Twitter. Instagram. And now Tik Tok? After changing her major seven times, Kaisha Huguley went from Government worker to fresh faced artist in NYC. When her co-workers asked her where she'd be working in New York, they expected her to say The United Nations - but Kaisha had other plans... to be an actor. Upon moving to NYC, Kaisha quickly understood that her collegiate experiences could help her identify as an artistic multi-hyphenate. As she discovered the word 'multi-hyphenate' described her best, she wanted to inspire other artists to go on their own artistic journey. So, she got on social media and started to get to work. Now Kaisha has built an incredible network of social media followers who engage with Kaisha and her creative endeavors on Tik Tok. In this episode, we break down the social media scaries and how to stop comparing ourselves to others on our screens - especially when it's thrown directly into our faces. Learn the importance of establishing a dedicated audience that will follow you from social media and into the theatre. Kaisha S. Huguley is a New York based actor, singer, entrepreneur, creative, & educator originally born and raised in Washington, D.C. Prior to the Covid-19 crisis, Kaisha was preparing to take the stage as Mama Euralie in Once on This Island in Concert at 54 Below. She was also preparing to join the ensemble (Pat/Trish U/S) in the cast of Kinky Boots at Arts Center of Coastal Carolina. Most recently, Kaisha performed in Miracle on 34th Street and The Full Monty (Argyle Theatre). Prior to those productions, she made her Off-Broadway Debut in Revelation: The Musical at The Players Theatre. People know Kaisha as the woman who quit her full time job with the federal government to become an actress. She documents her journey to Broadway and all things creative online via her personal brand, “Kaisha Creates”. When Kaisha is not on the stage, she's creating content for her online fanbase on her Podcast: A Kaisha Story, YouTube Channel, and Blog. She also recently started a podcast with her husband, Quinton called The Happily Huguley Podcast. Additionally, Kaisha is the Manager of Special Programmings & Initiatives and a Faculty Member at The American Musical & Dramatic Academy (AMDA NY) where she teaches courses on business of the arts & entertainment industry and social media/marketing. Kaisha is committed to giving back to and teaching the next generation of artists/creatives. To follow Kaisha's journey to her dreams, simply follow her on Instagram/TikTok @KaishaCreates to join her Gram Fam & TikTok Fam. Connect with Michael: @themichaelkushner (IG and TikTok) @dearmultihyphenate (IG) www.michaelkushneronline.com Produced by Alan Seales and the Broadway Podcast Network. Learn more about your ad choices. Visit megaphone.fm/adchoices

Season 4 of Insecure was a whirlwind, and I brought some special guests to the living room to discuss it all. Hold on tight. This is a long listen, but it is worth all of your time.     This week's guests: John Wood - @poetjohnwood  Katelynn Johnson - @katelynnj88  Kaisha McCain - @kaishh_     Email: thejigsawpodcast@gmail.com   Instagram: @thejigsawpodcast

Kaisha Huguley sits down with Sean in between shows on a contract and she shares how she had the courage to quit her steady, well paying government job to pursue acting as a career. She opens up about how she “trains her village” to support her and how she handles the many mental, emotional and practical challenges of being a performer in New York. She is a wonderful professional actress, content creator, teacher and brilliant businesswoman who is making things happen on her journey to Broadway. Find her on Instagram at @kaishacreates and online at kaishacreates.com

Why are all the women Tony is with the same? Will any of Tony's experiences actually change him? Why would Carmela even get that beret for Tony? Alex and Val examine gift giving, power dynamics, drugs, manipulations, and AJ being great in bed. Thanks for a great Season 6A! We're taking a little break but will be back on August 15th to close out the series!Alex and Val (Obsessive Analysis) dive into the deeper issues of The Sopranos episode by episode immediately after watching.  New episodes come out Thursdays at 2:30pm.  Email us at inattheendpodcast@gmail.com and please rate and review!