Podcasts about kodak film

What is the role of landscape photography in a post-industrial world? In today's podcast, we consider some possibilities in a chat with Jade Doskow, current photographer in residence for Staten Island's Freshkills Park, and Cal Flyn author of the book Islands of Abandonment. Above image: © Jade Doskow While our two guests work in different disciplines, which leads to divergent approaches to the pictures they make, their shared purpose tells similar stories. Among the topics we discuss are a distinction between romantic landscapes of the past and a more ambivalent attitude to the subject today, and a photographer's responsibility to make pictures that go beyond merely decorative intent. You'll also discover how dedication to a fine art passion project can lead to career advancement through paid assignments. Join us for this fascinating discussion about recording the gradual process between post-industrial decay and engineered regeneration, or other states of rewilding Guests: Jade Doskow & Cal Flyn For more information on our guests and the gear they use, see: https://www.bhphotovideo.com/explora/podcasts/photography/reclaiming-a-natural-landscape-with-jade-doskow-cal-flyn Stay Connected: Jade Doskow Website: https://jadedoskowphotography.com/  Jade Doskow Instagram: https://www.instagram.com/j_doskow/ Jade Doskow Facebook: https://www.facebook.com/jade.doskow/ Jade Doskow at Freshkills Park: https://freshkillspark.org/os-art/jadedoskow Jade Doskow Lost Utopias Documentary: https://www.philipshane.com/lost-utopias Jade Doskow Urban Omnibus Project: https://urbanomnibus.net/2022/11/extra-terrestrial Cal Flyn Website: https://www.calflyn.com/Cal Flyn Instagram: https://www.instagram.com/calflyn/ Cal Flyn Linktree: https://linktr.ee/calflynCal Flyn Islands of Abandonment: https://linktr.ee/IslandsofAbandonment

Listen in this week as we laud our mediocre achievements, and to celebrate them what better way could there possibly be than chatting about the Top 5 Celebrations.  It may have taken four hundred episodes to do so but the Dads finally sat down together in the man cave to watch director Mark Jenkin's ENYS MEN (2022). A kind of twisted lovechild of David Attenborough and H.P. Lovecraft, the film is set in 1973 on an uninhabited island off the Cornish coast and follows a lone woman, played with haunting subtlety by Mary Woodvine, as she observes a rare flower in the shadow of an ancient stone monument. A study in solitude, where the most dialogue you'll get is the scribbling of ‘No change' in a ledger, which becomes increasingly ironic as everything on screen suggests otherwise, ENYS MEN is a film that both marvels at and fears the power of nature. It looks stunning of course, filmed on 16mm Kodak Film giving it an authentic feel of the era, almost lending a kind of found footage or documentary quality but also being dreamlike and cinematic, and the sound design helps to strengthen the sense of foreboding. That being said this is not going to be everybody's cup of tea, with the director's debut BAIT a far more traditional offering in terms of plotting and pacing than this more avant-garde follow-up.Theme tune aside, Sidey sees nothing of value in this week's kids tv choice as we look at classic children's drama GRANGE HILL. We look at the first episode which features wallpaper almost as mind-bending as this week's film was. Stuff I remember from Grange Hill which traumatised me: the kid who fell off the multi-storey car park, Zammo getting into a fight at the zoo and falling into the sea lion enclosure, Michael Sheard's terrifying Mr Bronson and of course,  Just Say No when Roland discovered Zammo slumped against a wall in the back room of an amusement arcade, surrounded by drug paraphernalia, his eyes fixed in a dead-eyed stare. Good stuff, We love to hear from our listeners! By which I mean we tolerate it. If it hasn't been completely destroyed yet you can usually find us on twitter @dads_film, on Facebook Bad Dads Film Review, on email at baddadsjsy@gmail.com or on our website baddadsfilm.com. Until next time, we remain... Bad Dads

Terry is LOVING the fact that 35mm film is back for Kodak. We also talk about how if our studio is any sample of the population, we are in for a long sick winter!

If you're looking to discuss photography assignment work, or a podcast interview, please drop me an email. Drop Billy Newman an email here. If you want to book a wedding photography package, or a family portrait session, please visit GoldenHourWedding.com or you can email the Golden Hour Wedding booking manager here. If you want to look at my photography, my current portfolio is here. If you want to purchase stock images by Billy Newman, my current Stock photo library is here. If you want to learn more about the work Billy is doing as an Oregon outdoor travel guide, you can find resources on GoldenHourExperience.com. If you want to listen to the Archeoastronomy research podcast created by Billy Newman, you can listen to the Night Sky Podcast here. If you want to read a free PDF eBook written by Billy Newman about film photography: you can download Working With Film here. Yours free. Want to hear from me more often?Subscribe to the Billy Newman Photo Podcast on Apple Podcasts here. If you get value out of the photography content I produce, consider making a sustaining value for value financial contribution, Visit the Support Page here. You can find my latest photo books all on Amazon here. Website Billy Newman Photo https://billynewmanphoto.com/ YouTube https://www.youtube.com/billynewmanphoto Facebook Page https://www.facebook.com/billynewmanphotos/ Twitter https://twitter.com/billynewman Instagram https://www.instagram.com/billynewman/ About   https://billynewmanphoto.com/about/ 0:14 Hello, and thank you very much for listening to this episode of The Billy Newman photo podcast. Today we're looking at a video or excuse me, a photograph that was taken on film on avatar film. It's one of those Kodak films, there's portrait there's actor, I'm sure there's probably a whole bunch out there like Kodak gold or whatever the cheap stuff that used to get for your, your disposable camera used to be or your little point and shoot back in the 90s. But this was shot on acti I think it was one of the professional-grade films. I have not never known too much about film or film stocks or like the difference between slide film or was it Velvia or porch, or active. But I knew I got into acting because I liked that contrast II just had a crisp look to it and pulled out a lot of blues and a lot of greens that I had trouble getting in some of the other film stocks I was using, like, like I think if you use Fujifilm, you get a lot of all of the tones, that sort of thing. So I liked a lot of the crisp look that I got into color reproduction using this film stock. And this was back in, I think 2014 when reality when we were out at Loma lo like in Central Oregon, or kind of the central cascades of Oregon, maybe sort of north of Crater Lake, but a cool spot up there. And I just kind of like the silver lining of the clouds and the width of the light sort of diffused amongst this photo. It was kind of cool. But I think everything in this role turned out. Pretty interestingly, I think it was from a trip around the token e falls area, which will probably run through a few more photos up. 1:49 You can see more of my work at Billy Newman photo comm you can check out some of my photo books on Amazon. I think if you look at Billy Newman under the author's section there and see some of the photo books on film on the desert, on surrealism, camping, and cool stuff over there. So 360-degree photo work over the last couple of weeks has been cool. And I enjoyed it a lot. I liked doing the 360 stuff. I think back in June of 2018 we had done a bunch of podcasts about some of the 360 photography stuff that we were trying to do and some of the video stuff we were doing with the GoPro fusion at the time. And that was all cool and I liked that video a lot this time I was working with a Ricoh Theta zone. And I was going around to a few locations to try and get the photographs. Specifically, I think photographs are a lot in this circumstance, but not so many videos. But yeah, really interested in 360 photography, stuff that I was able, to edit together and capture during that time. So that was cool. But I went out to an area in, Central Oregon, that was pretty cool and went up on like a hillside to do some 360 work. And it's cool out there because you can see the topography of how the Great Basin was formed at the well I guess like during the whole era of the Pleistocene as it was for a long-standing period. Like a lake, it was just a big lake out there. And then as things started changing at the end of the Pleistocene, I think there were huge changes that ended the Great Basin stuff that ended a lot of the megafauna that was in the area. And that kind of changed the topography of the landscape over the last 10,000 years to be something much more of the high desert sagebrush Juniper tree exposed rock landscape that we see today and a lot less of the forested temperate kind of mountain climate that we have through the Cascades and three part of Oregon, I'm sure it was always more dry, given the rain, shatter the Cascade Mountains there. But I think for a long period, as according to signs posted on my drives, in areas where I go hiking sometimes but you know, like when you go up to someplace and it says, you know, this area so such and such time ago had these animals in it, where you see like giant beavers, or you see, like camels, or giant sloths, I guess, out of the area, too. There are all sorts of stuff that they had. That ended up being wiped out 100,000 years ago, 60,000 years ago, 210 20 10,000 years ago, or something like that. There are a lot of changes that happened throughout the Pleistocene, I guess, during what they call the quarternary period, a period of glaciations that the Earth has been involved in for the last 100,000 or 200, maybe million years. I'm not sure it's its last couple of 100,000 years we've been going in these cycles of glaciations, or you know, we're in an ice age period. So we go into an ice age like we have ice on the Earth right now. It'll be more ice at a point and then less ice at a point. More ice at a point less ice. So the point, I guess that's been going on for what they say somewhere around like 200,000 years, these 30,000-year periods of glaciation to nonglaciation, where like, I think we're coming, we're like on the far end of the Glacial Maximum now. So we had the, with the Glacial Maximum about like, what, 11,000 12,000 years ago? Or is that right? No, I must have been, like 15 20,000 years ago that we are the maximum, then it started receding. I suppose. That's when we were able to know that does it make sense we had like the land bridge, like the Beringia stuff where people got over that was probably 15 to 20,000. sea levels were low, or they were like, 400 feet, they squared along the coastlines. They came over through the land. So that was a pretty long ago. Why anyway, at some point, like I was there, like I'm gonna figure out Wait, let me remember. Let me think back to 15,000 years ago, where was I? Yeah, I wasn't here. So I don't know what happened. But apparently, there's been some recorded evidence that I was learning about. And I think it's like Montverde down in Chile. And that's a location where I think they carbon dated something to 15,000 years old, like human remains, the human element remains, there's, there's like a few locations here in Oregon, where they I guess, have evidence of the Clovis people that sort of around like the 1112 13,000 year mark. And then there's other evidence of things that are I don't know within like it's time it's like anything from like 7500 years to 15,000 years ago seems to all kind of be in flux have a date, because there's not many, 6:47 not many perfect ways to date that. And if it's a cultural artifact, like, an arrowhead, or a pot shard, or a scraper, there's some indication of how those things are going to be created, or how those artifacts are going to be created and how there's are going to remain like Folsom points or Clovis points are pretty distinct from each other, but they're not culturally distinct from each other. So it could be like a variation of many different tribes and languages and peoples. All well unrelated to each other but related with a similar vein of technology for a few 1000 years of you know, their tool use shape was kind of similar because they're all kind of from a similar descendency. But I think when you get like more than 100 miles away, your language is separate over like a couple of generations, you just got to speak different languages. But man wild stuff anyway. So I don't remember where we started with this. But I was out in Eastern Oregon, exploring the Great Basin, I went up on a hillside and public land and I was doing some 360 photography work with the Ricoh zeta Oh, Ricoh Theta zone. That's what it is. And yeah, I was capturing some stuff on a hillside really beautiful areas up there where those ridges kind of drop in and out. And so it's cool when you get like up to a higher elevation, you can kind of see the pockets of where these lakes and pools of water and kind of sat and rested for what seems like I think I was saying something about recording some 360 photographs up on some public land in the high desert, in the Lake County in Great Basin area of Eastern Oregon, beautiful spot over there. I enjoy it. And yeah, it was awesome to use the Ricoh Theta zone to be capturing some images up in that area, it's cool when you're at a higher elevation. And with a 360 camera, you can kind of it provides a little bit of a different perspective is seems silly to see like wider, but when you re when you kind of replay those images, and you're able to sort of look around in the context of what's the left and to the right of you, you're kind of able to put together the context of the landscape a little better, a little faster than you could if you just had a series of individual photographs that had segments of the wider landscape captured in it. So it's cool at that higher elevation, you can you can kind of look down to areas that we had been hiking around earlier in the day through some of the ridges and troughs that would be over in that area. And you can look down you know, it's like 500 feet down in elevation to what we thought was kind of the mountain top pass and then pass that as another maybe 1000 foot or a couple of 100-foot drop in elevation as it goes down toward the lake basin area. So all that was pretty cool. And what was also cool about it is just sort of visualizing how populated that area had been in the past, I think, you know before the Western expansion of the United States and as 1000s of years passed by, and This region of land and the Northwest that had been populated and that region specifically been populated by nomadic tribes that had been able to travel and subsist off of the wild game that was there, I think a lot of like antelope and deer, and it looks like bighorn sheep by some of their planning some kind of sheep, but it looks like that from some of their, their pictographs and petroglyphs information that they left then the dynamics of some of those populations of animals have changed in the time. Now given like modern day, I don't know, I don't know if we're gonna see a lot of sheep out there in Lake County. But there's one drawn on a rock out there. So they must have been trying to look for it. There's a lot of them in the southwest as he moved into the I think the Mohawk tribes. For him, that's more of a 3000 to 25 2000. I don't know, it's probably bad. It was 3600 years ago, so everything but 100 years ago I think it was like Captain jack over there Captain jack's stronghold for the Murdoch Indian Reservation area. That was like in the Indian Wars of the 1850s. So the last to tell them but yeah, there's some information about some of the pipe, the Piute Indians, I think the Northern piute that were in that area of Southern southeastern Oregon, Nevada, then into Utah, Arizona, and New Mexico if I kind of understood, right, but I know there's some fluctuations in there. And differences in timing and stuff. But yeah, dollar, is pretty cool stuff. 11:35 It was, it was awesome to get out there, it was cool to get out and kind of walk around in some areas of some public land, where we still have some access and still get out to try and do some photography stuff, even in this period where you're supposed to stay home and there's a lockdown it was, it was cool to kind of get out and try to do some exploring and some social distance conscious. I mean, that's fine with me, I don't, I don't have to be around a lot of people, it's better to do landscape wildlife photography work while you're sort of in some type of isolation. I'm sure like a lot of hunters are kind of considering something like that to you know, hunters, fishermen, people like hiking or you know, a lot of those solo activities, it's cool that you know, this kind of this time, sort of is provided a little bit of a reset for probably a lot of people out there to have a bit more time to invest in some of the things that they'd want to, I suppose a lot of folks are probably stuck more in their local area but it's a great time too, to get to invest in some things that seem more important to you. So that's what I've been trying to do. I hope you guys are doing well. Thanks a lot for listening to this episode of The Billy Newman photo podcast. You can check out more at Billy Newman's photo calm I'll be doing a ton of updates over there. The airplane is taking off. Sounds like prop plans are about to fly over my head. It's like that scene in North by Northwest or Cary Grant starts getting run down by that biplane. That'd be scary. 13:04 So that's that in the future. You can check out more information at Billy Newman's photo comm 13:14 you can go to Billy Newman photo.com Ford slash support if you want to help me out and participate in the value-for-value model that we're running this podcast with. If you receive some value out of some of the stuff that I was talking about, you're welcome to help me out and send some value my way through the portal at Billy Newman photo comm forward slash support you can also find more information there about Patreon and the way that I use it if you're interested or feel more comfortable using Patreon that's patreon.com forward slash Billy Newman photo and I'm happy with the seminar so far I've been looking at trying to pick up a battery grip for it you know I did a wedding this weekend which is great shooting a wedding and those are really fun events to go through and a seven I did a pretty good job in almost every capacity I love the low light of it. The way the sensor works is great and super high quality all of those things fit the mark for what I need, but it was interesting I was noticing that in low life the autofocus for that camera doesn't function in a way that I need it to or I'm missing some stuff that I want and that's where I see the real benefit and in some of the older systems I mean even like Can't I contrast base autofocus systems that were in the Nikon or Canon systems for the last like 15 or 20 years are superior to what I'm seeing in some of the expression of what the early Sony autofocus stuff can do. You know it's like in focus, right you're looking at a frame it's in focus your autofocus point is on the thing. It's a contrast point, there's plenty of light on it. You go to auto focus and then your lens just spins out and it does not for like four seconds just spins out to infinity and to see just blurriness you lose the moment completely it comes kind of back in maybe it finally grabs focus and then you take the picture but you kind of miss everything or you just I don't know like there's a lot of times where you're waiting for the camera to focus who really should just be like pull up to your eye it sees focus hit it grab it click it go I'm having a harder time with that than what I thought I might and I think some of that could be because of the lack of the phase detection autofocus system that like the the newer a seven r two has the a seven to a seven as to a nine or a nine right yeah that's a that's a Sony one and like a lot of the new Canon cameras they have this phase detection system is supposed to be some better multiplexing system of finding autofocus but there used to be systems that worked pretty good like my d3 at 53 autofocus points and they can pull up I think I don't know something like that but you know, plenty autofocus points and they can grab your autofocus point even in pretty low light they could kind of get oh that's at infinity or that's pretty close to right next to me so I'll stay there so it's interesting kind of learning how that behaves. But overall the photos from the wedding came out really well a lot of this stuff worked out very nicely I've been really happy with it but another thing that I noticed is with running was running a camera as a device like more like an iPad or like more like your phone you know where it's got it's got some screen on a lot of the time it's got processing stuff going on it's moving gigabytes and gigabytes of data to a card it's just drawing from the battery almost constantly I mean like during a wedding I guess to kind of think of power consumption like this I wrote 48 gigabytes of data to SD cards and so that's going to take some amount of battery energy you know stored energy to write all that data to a card and so in that capacity I kind of do get that it would take a good bit of power to write that much information down to capture it and then write that much information if you think about everything that has to do so in that way and then run a screen and you know run the processing and run it visually and all that so I kind of forgive it and it capacity but what I noticed though is that I really did go through a couple batteries shooting and just sort of a regular fashion at this wedding for for most of the day is like a full day shooting but it really was burning through those batteries pretty quickly like you look at it like oh Whoa, I just I just use like 10% in a pretty short amount of time. And so with that, I was kind of thinking and as it's been the plan for a long time for just I don't know the kind of like a best use case for professionalism what I want to do is get the battery grip that goes in accompaniment with the seminar and the battery grip I think it's it's you know it's like a Sony piece that fits yeah I haven't seen a battery grip before but you know the one where you can throw the two camera batteries into the battery grip you can get an extended amount of life from your camera that way and you get like the portraits or what is it like the vertical shutter release? You know so you can flip the camera up and shoot in portrait mode and try yeah like the size of it the look of it, it'll be an awesome kind of compact professional 18:14 What is it not SLR I keep wanting to say professional SLR but it's an Interland interchangeable lens camera that's rolling right off my tongue isn't it so yeah, it's gonna be interesting I want to go for the battery grip though and I think that could kind of solve some of the problems that I'm having with battery usage issues of the camera kind of coming up dad after two or three hours or whatever it is? So I don't know I've heard plenty of other people about wedding photography kind of complain or grass a little bit about some of the features that are associated or some of the things that make the workflow of a wedding work of a wedding shoot go by a little bit more difficulty with a featured camera like the seminar, I've heard of people that are really into it, too. So you know, it seems like a couple of different things. But low light autofocus is an issue on that camera, I can tell that some stuff doesn't do now. So with that, and with the concept of like what I like to shoot or you know, like, kind of still moving things or landscapes, low light firearm stuff, if I try and get into that more, I wouldn't run into that same kind of problem with as much repetition because you know, you're not shooting a high volume of frames, you're not shooting an event based situation. So it's kind of a different sort of scenario and you don't seem to you're you're wanting to manually focus and take time and take multiple frames of the same thing. And in some of those, some of those more set up Fine Art situations or landscape situations like you're trying to take your time and those squares in with event and wedding photography, that kind of process. It's just it's really fast. You're trying to move different moving elements into different places and get photographs of You're just doing a lot all at one time over a short amount of length of the amount of time that the, you know the event. So not enough is all right. I did great and had a great time at the wedding. How about you are, you know, savage people out of it your food, got a bunch of great photos, brought them home started processing them. That's a really interesting part of me. I've gone through like a big batch of photos and I've gotten kind of used to that over time of getting through a big batch of photos, but it is always sort of overwhelming when you're like wow, that's a lot. That's like a whole big data project I got to go through now again, you don't realize how much it takes to get through a bunch of stuff when you finish it. Thanks a lot for checking out this episode of The Billy Newman photo podcast. Hope you guys check out some stuff on Billy Newman photo.com a few new things up there some stuff on the homepage, good links to other outbound sources, some links to books, and links to some podcasts. Like these blog posts are pretty cool. Yeah, check it out at Billy numina photo.com. Thanks a lot for listening to this episode and the back end. 21:08 Thank you

Buddy Williams is one of the best drummers in the music world. Buddy started playing professionally at the age of eight years old and attended the prestigious High School of Music and Art (along with Noel Pointer, Tom Browne, Dave Valentine, Marcus Miller, and Bernard Wright) and, later, the Manhattan School of Music.Buddy William's credentials list as 'Who's Who of the music industry: Tom Browne, Luther Vandross, Stevie Wonder, Regina Bell, The Manhattan Transfer, Al Jerreau, Bob James, Peabo Bryson, The Grp All-Stars, Will Downing, Saidah Garrett, Melissa Morgan, Jeffrey Osborn, Ernie Watts, Houston Persons, Hugh Masakela, Richard Tee, Alex Bugnon, Chaka Khan, Nancy Wilson, George Duke, Dave Valentine, David Sanborn, Bette Midler, Stanley Turrentine, Noel Pointer, Angela Bofill, Ashford & Simpson, Herb Alpert, Linda Ronstadt, Teruo Nakamura, Sadao Watanabe, Michael Franks, Nat Adderley Sr. & Jr., Michael Jackson, Rachael Farrell, The Sisters of Glory (Thelma Houston, Cece Peniston, Phoebe Snow, Lois Walden, and Alberta Walker), Mariah Carey, Anita Baker, Leslie Uggams, Lena Horne and many more.Buddy was an integral part of the Saturday Night Live Band for over twelve years. His work is heard on numerous recordings (audio & visual), radio, and television commercials: Double Mint Gum, Kodak Film, Western Union, Lysol, M&M Candies, Navy Perfume, Hawaiian Punch, Jamaica Tourism, etc.Broadway Drumming 101 is a reader-supported publication. To receive new posts and support my work, consider becoming a free or paid subscriber.Buddy was also the drummer for the first Broadway production of The Color Purple, Motown The Musical, and the recent Bette Midler revival of Hello Dolly.Clayton Craddock hosts the Broadway Drumming 101 Podcast and Newsletter. He has held the drum chair in several hit broadway and off-broadway musicals, including Tick, tick…BOOM!, Altar Boyz, Memphis The Musical, Lady Day At Emerson's Bar and Grill and Ain't Too Proud.The Broadway Drumming 101 Instagram page: InstagramThe Broadway Drumming 101 YouTube page: YouTubeFor more about Clayton, click HERE Get full access to Broadway Drumming 101 at broadwaydrumming101.substack.com/subscribe

「浅沼商会、フィルムカメラ「KODAK Film Camera i60」発売。135フィルム対応」　株式会社浅沼商会は、「KODAK Film Camera i60」を2022年8月26日に発売する。カラーはYellowとPeriの2色。希望小売価格はオープン、市場想定価格は税込7,480円。

This week on the Camerosity Podcast, we are joined by film historian, author, and ex-Kodak employee, Robert Shanebrook who gives us 90 straight minutes of pure Kodak history, covering everything from how film is made, his work on Apollo 11 designing cameras for moon photography, what is ESTAR base, whether or not Kodachrome will ever come back and much, much more.  Not to be overshadowed by Robert's visit, we were also joined by two listeners, Mario Piper and Howard Sandler who chimed in with some excellent questions as well. If you've never listened to a Camerosity Podcast before, THIS is the one to listen to! If you are interested in participating in our next episode, be sure to keep an eye here for a new link which will be posted around noon Central Time Sunday, October 17th! This Week's Episode Memorial to Dan Arnold (1959-2021) Introducing Robert Shanebrook, Author of "Making Kodak Film" Robert's stereo camera used on the Apollo 11 Mission What is ESTAR base? Differences between cinema and still photography film bases Why do some films have a transparent base? Why is TMax film purple, and why does it need extra fixer? How is static electricity controlled in film on satellites? Exposed film is caught from space and taken to Hawaii How Kodak Portra was created (Portra > Vericolor III) Kodak Panatomic-X is the best black and white film ever! Will Kodak ever bring back Kodachrome? Robert finds an unused roll of film for the 1888 Kodak camera Mario asks how Infrared Film works How color film is coated "We Stood on the Shoulders of Giants" Steve Sasson sat next to Robert while making the first digital camera Kodak helped advance digital photography, until it killed them How much of Kodak's film business was cinema film? Kodak Disc film didn't perform up to what was promised Why wasn't APS (Advantix) film larger? Mike finds a way to talk about the Kodak Ektra again... A short memorial for Ron Mowrey Robert inspects every single copy of his book Howard "Eckmans" the Petri Color 35 Show Notes If you would like to offer feedback or contact me with questions or ideas for future episodes, please email me at mike@mikeeckman.com. The Official Camerosity Facebook Page - https://www.facebook.com/CamerosityPodcast Camerosity Instagram - https://www.instagram.com/camerosity_podcast/ Robert Shanebrook - http://www.makingkodakfilm.com, makingkodakfilm@yahoo.com Mario Piper - Gen X Photography Podcast - https://anchor.fm/mario-piper0 Howard Sandler - https://www.flickr.com/photos/hsandler Theo Panagopoulos - https://www.photothinking.com/ Anthony Rue - https://www.instagram.com/kino_pravda/ Camerosity can also be heard on the following services: Google - https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkLnBvZGJlYW4uY29tL2NhbWVyb3NpdHkvZmVlZC54bWw Apple - https://podcasts.apple.com/us/podcast/camerosity/id1583252688

Everything SA Music Premium South African Music ContentOfentse Mwase is a filmmaker who grew up in the great city of Rustenburg in the North West Province, and now resides in Johannesburg, South Africa.Ofentse's infatuation with film and cameras started in 2005 and led to his enrolment at AFDA (The South African School of Motion Picture Medium and Live Performance) to study film and cinematography. Ofentse graduated with an Honours Degree in Cinematography in 2011.Ofentse was voted AFDA Best Cinematographer of 2010 for this work on the Short film IGOLIDE, shot on 16mm Kodak film. Further accolades include a nomination for AFDA Best Cinematography for his work on the short film “The Hajji” shot in in 2011.Thato, a Sterkinekor commercial shot in 2011 on 35mm Kodak Film by Ofentse was also nominated for the prestigious Loerie Award and went on to win a Silver Loerie in the Student Commercials category.Greatest Achievement thus far as a Music Video director was winning Music Video of the Year in the 2017 South African Music Awards (SAMA) for his video for Miss Pru titled Ameni.With over 10 years experience in Film, Commercials and Music Videos, Ofentse is set to be one to look out for in the South African film industry as he continues to be involved in great projects for TV and Commercials.AWARDS1. Best Film: ISAZELA (2009 Joburg Arts Festival)2. Best Cinematographer: IGOLIDE (AFDA 2010 Awards)3. Nominated for Best Cinematography: The Hajji (AFDA 2011 Awards)4. Best Film: The Hajji (AFDA 2011 Awards)5. Best Commercial: Thato (AFDA 2011 Awards)6. Silver Loerie: Thato (Loerie Awards 2012)7. Official Selection: The Hajji (Durban International Film Festival 2013)8. Best Music Video: Lundi – Noma Sekutheni Na (Crown Gospel Awards 2014)9. Best Music Video: Roll Up – Emtee (Metro FM Awards 2016)10. Best Music Video: Miss Pru – Ameni (SAHHA 2016)11. Music Video of the Year: Miss Pru – Ameni (SAMA 2017)12. Best Short Film: Durban International Film Festival 2017 – The Hangman13. Best Short Film: Zanzibar International Film Festival 2017 – The Hangman14. Sembene Ousman Award of Excellence: Zanzibar International Film Festival 2017 – The Hangman15. Best in Fest: Discover Film Awards London 2017 – The Hangman Short Film16. Best International Drama: Discover Film Awards London 2017 – The Hangman Short Film17. Best Critics Award: Kasi Film Festival 2017 – The Hangman Short Film18. Jury Award: Shnit Worldwide Short Film Festival 201719. Best Cinematography: Discover Film Awards London 2017 – The Hangman Short Film20. Best Direction: Silver Promax 2017 – DSTV Now Hospital Commercial21. Best VOD: Gold Promax 2017 – DSTV Now Hospital Commercial22. Cricket South Africa – Commercial of the Year 2017 (Fireball Music Video)23. Best Cinematography in a Drama Series – Tjovitjo (SAFTA's 2018)24. Best Produced Music Video – Prince Kaybee ft. Msaki – Fetch Your Life (SAMA 2020)Follow : https://www.instagram.com/ofentsemwas...https://www.instagram.com/everythings...#E

In this episode of PhotoWork with Sasha Wolf, Sasha and photographer, publisher and editor Jason Fulford discuss his latest book, Photo No-Nos: Meditations on What Not to Photograph, published by Aperture. Jason and Sasha discuss the inspiration for the book and read some of their favorite excerpts. https://www.jasonfulford.com https://aperture.org/books/coming-soon/photo-no-nos-meditations-on-what-not-to-photograph/ Jason Fulford is a photographer and cofounder of the non-profit publisher J&L Books. Fulford's photographs have been featured in Harper's, New York Times Magazine, Blind Spot, and Aperture magazine. He has published many books of his work, including Raising Frogs for $$$ (2006), The Mushroom Collector (2010), Hotel Oracle (2013), and Picture Summer on Kodak Film (2020), as well as coedited The Photographer's Playbook (with Gregory Halpern, Aperture, 2014). He is a 2014 Guggenheim Fellowship recipient. Find out more at https://photowork.pinecast.co

Which Kodak Color Negative Film is right for your project? FPP’s Leslie Lazenby highlights the strengths of each of the three Kodak Color Negative categories – Consumer and Professional Films. Blog Notes - https://filmphotographyproject.com/content/features/2021/01/kodak-color-film-whats-the-right-film-for-me/ Kodak Film at the FPP On-Line Store - https://filmphotographystore.com/collections/all/kodak-film?sort_by=best-selling  

In this episode of shutter talk I talk with Tony Le, about everything there is to know about film photography and videography and why it's his favorite medium. We go on to talk about his past his future plans and his whole process regarding film.In this episode, we talked about shooting, processing and editing film photos.Links Mentioned:Tony on InstagramFilm Photography on YoutubeFollow Us:Our WebsiteInstagramFacebook

Santino & Dayne of Failure Made Monsters discuss people sending dick pics to strangers, Trumps favorite 5 word mantra, AOC's absolute boss status, a quick tribute to the late great Regis, and pornstar and friend of show Payton Sin Claire's desire to add a Dayne tattoo next to her Santino tattoo. Join us every Friday at 6pm PST for the live interactive delicious video madness.

THE MOVIE PODCAST is a film news and entertainment podcast that covers the week's biggest movie stories and a unique topic of the show. You can catch Daniel, Shahbaz and Anthony in a new episode every Monday! Please be sure to rate the show and subscribe.Got a topic request? Have a movie suggestion? Did we get something wrong? Let us know at ThisTimeWith.com/talk EPISODE #45: Parasite Wins Best Picture and Everything That Happened at the 2020 Oscars - February 10, 2020 NEWSWarner Bros. Pictures Group and HBO Max Announce Warner Max, the Feature Film Production Arm for the New Streaming Service - Warner Bros / Media ReleaseKirk Douglas, Icon of Hollywood's Golden Age, Dies at 103 - Mike Barnes / THR‘Knives Out' Sequel Officially A Go As Lionsgate Hints At Franchise - Patrick Hipes / Deadline BOX OFFICE‘Birds Of Prey' Continues Warner Bros' Troubling Box Office Slump - Scott Mendelson / Forbes NEW TRAILERSThe Way BackSpiral: From the Book of SawRadioactiveThe Jesus Rolls OUT THIS WEEKDownhillSonic The HedgehogOlympic DreamsPortrait of a Lady on Fire WHAT WE'RE WATCHING [00:38:10]Anthony: Birds of Prey, Band of Brothers, The New PopeDaniel: Boy Meets World, Harley Quinn, The First Avenger, Birds of Prey, Brooklyn 99, Birds of Prey, Mythic Quest, Knives OutShahbaz: Harley Quinn, Inception, The Wolverine, Birds of Prey, Mythic Quest, Midsommar TOPIC OF THE SHOW [00:59:33]Daniel, Shahbaz, and Anthony recap everything that happened at the 2020 Oscars.THE 92ND ACADEMY AWARD WINNERS FOLLOW US:Follow Daniel on Twitter, Instagram, and LetterboxdFollow Shahbaz on Twitter, Instagram, and LetterboxdFollow Anthony on Twitter, Instagram, and LetterboxdFollow The Movie Podcast on Twitter, Instagram, Discord, and YouTube  

THE MOVIE PODCAST is a film news and entertainment podcast that covers the week's biggest movie stories and a unique topic of the show. You can catch Daniel, Shahbaz and Anthony in a new episode every Monday! Please be sure to rate the show and subscribe.Got a topic request? Have a movie suggestion? Did we get something wrong? Let us know at ThisTimeWith.com/talk EPISODE #44: Super Bowl Trailers and Oscar Predictions: 2020 - February 3, 2020 MAILBAGOscar Predictions (During Topic of the Show)Derrick says: Anthony's Mr. Peanut hot air balloon story from last week's episode was hilarious. I can't remember laughing so much while listening to your podcast and you guys are quite funny in general. Thanks for the weekly entertainment and Happy Oscars! NEWSKobe Bryant, NBA Superstar and Oscar Winner, Dies in Helicopter Crash - Mike Barnes / THRStudios Re-up Kodak Deals to Keep Celluloid Film Alive - Carolyn Giardina / THR BOX OFFICEBad Boys For Life Becomes Biggest January Release After 17.1 Million Weekend - Erik Childress / Rotten Tomatoes NEW TRAILERSF9: The Fast SagaA Quiet Place Part IIMortal Kombat Legends: Scorpion's RevengeSonic The HedgehogMulanSpongebob Squarepants: Sponge on the RunFree GuyTop Gun: MaverickBlack WidowOnwardNo Time to DieMinions: Rise of GruFalcon and the Winter Solider/WandaVision/Loki OUT THIS WEEKBirds of PreyThe LodgeCome to Daddy WHAT WE'RE WATCHINGAnthony: The Outsider, New Pope, 1917, The Art of Self Defence, Band of Brothers, Uncut GemsDaniel: The Outsider, Aaron Hernandez, 1917, Bad Boys For Life, Don't F with Cats, The Fast and the Furious, 2 Fast 2 Furious, Lamp Life, Invincible, Uncut Gems, A Few Good Men, The Jinx, Remember the TitansShahbaz: The Carter Effect, Bad Boys 1/2 for life, Hot Fuzz, 21 Jump Street, 1917, Little America, Contagion, Uncut Gems, Game Night TOPIC OF THE SHOW [01:22:27]Daniel, Shahbaz, and Anthony give their predictions for the 92nd Academy Awards! FOLLOW US:Follow Daniel on Twitter, Instagram, and LetterboxdFollow Shahbaz on Twitter, Instagram, and LetterboxdFollow Anthony on Twitter, Instagram, and LetterboxdFollow The Movie Podcast on Twitter, Instagram, Discord, and YouTube  

amsterdam letzten sommer, aber es fühlte sich an wie herbst. beim erzählen fühlte es sich an wie jetzt im sommer gerade in amsterdam. vielleicht auch nur, weil es warm um mein herz wurde und ich jedes wort wie der nötige sauerstoff gelebt habe

This week, Craig, Dave and Brad revisit the topic of celebrity privilege, discussing why certain people, companies and ideas need to just do what they do, and not try to be more than they should. From Jussie Smollett and Rob Gronkowski to Kodak Film, Motley Crue and even a desperate housewife, the guys get deep. Maybe not as deep as Marcia Cross' doctor BFF... but pretty deep. Also, Craig thinks he's right about English for most of the episode. Proving it's not just celebrities that need to stay in their lane...

Bill Manning has a one-on-one with the author of the book "Making Kodak Film" Bob Shanebrook. Excerpt from Bob Shanebrook's Bio: Bob Shanebrook graduated from Rochester Institute of Technology and worked at Eastman Kodak Company for 35 years before retiring in 2003. At Kodak he worked as an industrial photographer, researcher, product development engineer, manufacturing manager, company spokesman for Professional Films, and for more than twenty years was a Worldwide Product-Line Manager for Kodak Professional Films

Today Sam began our Advent series for 2018 with questions like: Tired of the endless consumerism that fills your airwaves and inboxes? Ever wonder if there’s more to life than this? Join us as we begin this journey of hopeful anticipation in the season of Advent.

Today Sam began our Advent series for 2018 with questions like: Tired of the endless consumerism that fills your airwaves and inboxes? Ever wonder if there’s more to life than this? Join us as we begin this journey of hopeful anticipation in the season of Advent.

More about the recent losses at Kodak and how Eastman Kodak and Kodak Alaris are intertwined. If you love Kodak Film we need both to be healthy!

James is back from his amazing Palm Springs Spring Break... in October?! He witnessed first hand the invasion of the Bachelorette Parties in Gay Clubs... THEY'RE TAKING OVER, and Nnekay just CANNOT handle it. She would much rather celebrate Helen Keller. Nnekay is no longer a Bridezilla... but a GUESTZILLA, ya'll betta watch out, because she's coming to tear up your NEXT wedding. In our Korners, James is educating why your camera and film miiiiight just be racist... and why is there a woman named Shirley Cards involved... and is she wearing black gloves?! Nnekay discusses how privatized prisons might be coming to an end soon... but while this is a cause to celebrate... we still have a ton of work to go. In Quizelet Korner will Nnekay be stumped by James' questions this time? We cover NBC's Mail Order Bride, Solange Knowles, Britney Spears, Shonda Rhimes, and the transgender community. Enjoy the show!   http://www.colorlines.com/articles/justice-department-phase-out-federal-private-prisons http://www.alternet.org/civil-liberties/what-you-need-know-about-dojs-claim-it-ending-private-prisons   https://www.washingtonpost.com/news/post-nation/wp/2016/08/18/justice-department-says-it-will-end-use-of-private-prisons/?utm_term=.9584cbddd5ce

Learn the history of Fujifilm, from defeating Kodak to cannibalizing their own business so they can take on Canon and Nikon. Our sponsor: http://squarespace.com/tony, coupon code 'portfolio'

Welcome to Episode 3 of the Retro Disney World Podcast. Thank you so much for listening and giving us feedback. We love hearing from everyone and sharing your thoughts live on the air! Introductions - The regular crew is all here, Todd, Brian, How & JT are all present and accounted for. We start off discussing the Tomorrowland Speedway changes through the years, Richard Nixon at the Contemporary and also more US Steel construction techniques for vibration resistance.  Main Topic - Our main topic this month, Fort Wilderness. This is one of the originals at WDW and actually, none of us stayed there in the early years. JT is a regular to the Fort and we hear all about the opening years and what makes Fort Wilderness a unique place to be on property. The Fort Wilderness Railroad & River Country are slightly discussed, but we would like to devote two full future episodes to those topics. Learn all about Fleetwood Homes, tent camping, Melvin The Moose Breakfast and of course more concrete evidence about Roy's Cabin. Hitch up your camper and join us for a great discussion all about one of the most relaxing resorts on property, that has changed quite a bit over the years. Audio Puzzler - Congratulations to Matthew for winning the Episode #2 Audio Puzzler, the answer was the Mike Fink Keel Boats background music. Matthew wins a great Mickey Christmas Ornament. If you think you know the answer to the audio puzzler, email us! podcast@retrodisneyworld.com - We will enter all correct answers into a drawing for retro prizes, this month you can win a great bar of vintage Contemporary Resort Dial Soap! All correct answers will be entered into a drawing in December 2015 for a Paul Hartley reproduction map from wdwmap.com!! Viewer Mail - Candler sent us a great email regarding the US Steel construction site where the Contemporary/Polynesian "drawers" were built.  If you would like to do some exploring, we have the actual address for you in this episode.  Thanks for your note Candler! - Send your questions to podcast@retrodisneyworld.com Film Restoration - We watch and discuss a retro film that has been restored with Pixcel and Imageworks. Follow along with us as we add color commentary to this film: Todd's personal trip to WDW back in 1980 - 30 minutes worth of outstanding Kodak Film. We hope you enjoyed this episode! If you have any questions, suggestions or find errors please email us podcast@retrodisneyworld.com.Be sure to check back with us very soon for Episode #4 when we move into the future and finally start discussing EPCOT Center. Until next time, "But enough of this chit chat, yick yack, and flim flam."     We have created some original artwork for t-shirts, stickers, pillows, phone cases and more. Our first two designs are inspired by the Electrical Water Pageant and the World of Motion. Get into the 4th of july spirit with the "It's Fun to be Free" red white and blue tee or have your morning coffee in an Electrical Water Pageant mug... All sales proceeds will go towards improving the equipment used to record the RetroWDW podcast!   Designs will be only available for a limited time order yours today before they are gone!www.retrodisneyworld.com/redbubble

How does Jeff Clarke, the new CEO of Kodak Film, propose to take a company that the digital age has rendered bankrupt back into prominence? He has a few tricks up his sleeve. If you ask him, analogue film, much like vinyl records in the music industry, is an art form that is bound to make a comeback. Furthermore, film has spurred many cutting edge technologies with exciting possibilities for everything from healthcare to smell free clothing. Clarke tells us why he welcomes the challenge.  Watch the video episode at http://spartanuppodcast.comLessons:1. Spartan values and philosophies are valuable in work and life.2. Maintaining a healthy diet and an active lifestyle helps the mind process clearly at work.3. As a leader it is important to take time to mentor employees and monitor their wellness by supporting the importance of living a balanced life.Panel Notes:Joe Desena: What kind of a guy, one who is already wealthy and a great family man, takes on the task of rebuilding one of the world’s if not the world’s greatest iconic brand, Kodak? He is basically done in life:  He has all he needs living in California with a wonderful family and decides this is going to be awesome, “I am going to help revive and save one of the world's greatest brands.” Col. Nye: Adaptation is crucial; individuals and corporations cannot remain stagnant. Environments change; goals change; technology changes. Competitors recognize and leverage change to their advantage.Sefra Alexandra: A true leader and proprietor of obstacle immunity is a successful CEO that consistently throws himself into difficult situations with faith in his role as a mentor/ leader and belief in the Phoenix model of resurrecting businesses such as the iconic Kodak.Johnny Waite: You always need to push limits and look for new opportunities. Kodak was enormously successful but rejected opportunity to grow by clinging to old way of being. You cannot be afraid to grow and evolve. Staying physically active keeps you mentally sharp. Always find a way to workout, especially when you are just out of your normal routine/element.

Zurück aus der Sommerpause reden Tony und Andreas nicht nur über digitale und analoge Fotografie. Tony stellt sein Lehrbuch über die X-Pro1 von Fujifilm vor das im Franzis Verlag erscheint. Sie reden über die Entwicklung von Kodak und über ihre Initiative zur Rettung von Kodak Film. Ganz nebenbei wird auch kräftig gelästert.