Podcasts about Lingua Ignota

Le sort en est jeté, je rencontre Léa Jacta Est, à l'occasion de la sortie de son album "Horizons du Fantastique". Léa et son univers singulier, bercée par le black metal et les univers oniriques et étranges. Nous avons parlé de Queen Adreena et sa fantasque chanteuse Katie Jane Garside, de Lingua Ignota, de Rowland S. Howard et aussi de Niagara. Léa Jacta Est nous embarque dans son monde folk gothique, avec des extra-terrestres, le Vaucluse et les chats qui parlent, notamment. Extraits de l'album "Horizons du Fantastique : Horizons du Fantastique, Les Pyrénées . ===== Dans Le Volume sur 11, je vais à la rencontre de nouveaux sons, de nouveaux noms. Dans chaque épisode, une nouvelle rencontre. Une interview. Un artiste qui parle de son parcours et présente sa musique. Avec de la pop, du rock, de l'electro, du metal, du punk, du rap… Ouvrez vos chakras!

Nous sommes dans la seconde moitié du XIIe siècle. Dans le « Liber divinorum operum simplicis hominis (« Livre des œuvres divines d'un homme simple »), l'abbesse Hildegarde de Bingen, écrit : « Tout ce que j'ai écrit (…) lors de mes premières visions, tout le savoir que j'ai acquis par la suite, c'est aux mystères des cieux que je le dois. Je l'ai perçu en pleine conscience, dans un parfait éveil de mon corps. Ma vision, ce sont les yeux intérieurs de mon esprit, et les oreilles intérieures qui me l'ont transmise […] Exclusivement, j'exposais ce que m'offraient les secrets du ciel. C'est alors que je réentendis la voix, qui, du ciel, m'instruisait. Et elle disait : Écris ce que je te dis ! » Huit siècles plus tard, en 2012, le pape Benoît XVI annonce la proclamation, comme docteur de l'Eglise, de la mystique allemande. Celle-ci devient ainsi la quatrième femme à endosser le titre après Catherine de Sienne, Thérèse d'Avila et Thérèse de Lisieux. Hildegarde fut l'une des figures les plus renommées de son temps. Autrice d'ouvrages précurseurs d'idées à venir en matière de physiologie. Grande connaisseuse de la pharmacopée, elle utilisait tout ce que la nature pouvait lui offrir en matière de remèdes. Poétesse, compositrice, elle a composé plus de septante chants liturgiques. Elle est aussi la révélatrice d'une langue artificielle : la Lingua Ignota. En quoi Hildegarde von Bingen a-t-elle été une pionnière ? Sa légende est-elle trop grande, est-elle bien ajustée ? Invité : Arnaud de la Croix, philosophe et historien. Sujets traités : Hildegarde Von Bingen, abbesse,vision, Benoît XVI , Eglise, Catherine de Sienne, Thérèse d'Avila ,Thérèse de Lisieux, nature, Lingua Ignota, pionnière Merci pour votre écoute Un Jour dans l'Histoire, c'est également en direct tous les jours de la semaine de 13h15 à 14h30 sur www.rtbf.be/lapremiere Retrouvez tous les épisodes d'Un Jour dans l'Histoire sur notre plateforme Auvio.be : https://auvio.rtbf.be/emission/5936 Et si vous avez apprécié ce podcast, n'hésitez pas à nous donner des étoiles ou des commentaires, cela nous aide à le faire connaître plus largement.

Check out the Divine Feminine App!https://thedfapp.com/v2/dashboard#a_aid=ChthoniaThis week we continue the series on Female Christian Mystics with the polymath saint Hildegard of Bingen. Hildegard began having spiritual visions at age 3, and was in a convent by age 8, where she was taught to read and write in Latin. She was an acclaimed mystic, philosopher, botanist, natural healer, and musician. She invented her own language and alphabet called Lingua Ignota. Hildegard's mystical revelations included the idea that nature was not imperfect, but a manifestation of God as Divine Feminine in our world. She was urged to write down her visions, though she also conveyed her experience through music, believing that celestial song existed "before Eden". We look at the traits of this remarkable medieval woman, her fierce independence with respect to Church authorities, and what her experiences say about female mystical experiences. Links:Music (chant with Lingua Ignota)https://www.youtube.com/watch?v=Ua4C2mzWfNQLingua Ignota:https://en.wikipedia.org/wiki/Lingua_ignota

Pour ce premier épisode, Mathieu nous présente une maison de disques basée à Kampala en Ouganda nommée Nyege Nyege Tapes et Stéphane nous parle de la carrière de Kristin Hayter, anciennement connue sous le nom de Lingua Ignota. En début d'épisode, les deux effectuent un survol de ce qu'ils ont écouté au cours des deux premiers mois de cette année musicale. King Vision Ultra avec Algiers - Shook World (Chanson Irreversible, Devil) The Smile - Wall of Eyes (chanson Read the Room) Pyur - Lucid Anarchy (chanson Night / Sea) Bill Ryder-Jones - Iechyd Da (chanson We Don't Need Them) Vijay Iyer Trio - Compassion (chanson Tempest) Chelsea Wolfe - She Reaches Out to She Reaches Out to She (chanson House of Self-Undoing) THÈMES DU MOIS Mathieu: Nyege Nyege Tapes / Hakuna Kulala Extraits: Lady Aicha & Pisko Crane's Original Fulu Miziki of Kinshasa - Mutangila (de l'album N'Djila Wa Mudujimu) Afrorack - African Drum Machine (de l'album The Afrorack) Duma - Corners of Nihil (de l'album Duma) Kabeaushé - Intolerance (de l'album The Comming of Gaze) Ocen James et Rian Treanor - Agoya (de l'album Saccades) MC Yallah - Miniboss (de l'album Yallah Beibe) Stéphane: Kristin Hayter Extraits: DISEASE OF MEN (de l'album Let the Evil of His Own Lips Cover Him) WOE TO ALL (de l'album All Bitches Die) SORROW! SORROW! SORROW! (de l'album Caligula) THE SOLITARY BRETHREN OF EPHRATA (de l'album Sinner Get Ready) MAY THIS COMFORT AND PROTECT YOU (de l'album Saved!) Bonne écoute !

Interview by Kris PetersAndorran metal outfit Persefone are a band unto themselves.With a sound that can be loosely described as progressive rock meets melodic death metal, Persefone have forged their name crafted in their sonic diversity.2024, and in particular the band's new EP Lingua Ignota - set for release on February 2 - ushers in a new era for the band, with vocal duties being assumed by Daniel Rodriguez Flys. His DNA is all over the new EP, which features five songs covering the entire spectrum of Persefone's music, with subtle nods at their future. Drummer Bobby joined HEAVY to talk more about the EP and Persefone's future."Man, I just want to release the new music," he smiled. "We've been working so much into this new release lately that I just want to release it and people to start listening to it. We finished the recording in August, so it's been a while now. And since we are about to go on tour in ten days, I really want people to listen to the new songs before that because we are playing the whole EP live and I want them to at least know the songs a little bit."In the full interview, Bobby talks more about the EP and what they were going for musically, describes the band's sonic structure, introduces their new vocalist and what he brings to the band, runs through each of the five EP tracks individually and explains where they fit in with the recording, how Lingua Ignota differs musically to previous release metanoia, what's next for the band and more.

Dreams of Consciousness Podcast Episode 312 features an interview with Eugene S. Robinson. My thanks again to Eugene for speaking with me, and to you for listening. Music In This Episode: Whipping Boy: "Human Farm" taken from the album Not So Quiet on the Western Front BUÑUEL: "When God Used A Rope" taken from the album Killers Like Us OXBOW: "Bull's Eye" taken from the album Fuckfest OXBOW: "A Gentleman's Gentleman" taken from the album Thin Black Duke OXBOW: "Lovely Murk" (ft_ Lingua Ignota) taken from the album Love's Holiday Thanks for listening! Interviews, reviews, and more at www.dreamsofconsciousness.com

Sargent House est un label et une société de gestion de musique basée à Los Angeles, en Californie. Fondée en 2006 par Cathy Pellow, elle a joué un rôle essentiel dans la promotion et le soutien d'artistes indépendants dans le monde de la musique. Au départ, le label a été créé pour permettre au groupe RX Bandits de sortir son album "...And the Battle Begun", mais il a rapidement évolué pour devenir une plateforme influente pour de nombreux groupes émergents et expérimentaux. Le label se distingue en préférant la découverte de nouveaux talents à l'intérieur de son propre réseau plutôt que d'accepter des propositions externes. Cette approche unique a permis au label de développer une identité distincte et d'attirer des artistes qui partagent sa vision artistique. En 2023, Henry Kohen, membre du groupe Mylets, a publiquement dénoncé des agressions qu'il aurait subies, ainsi que des réponses inadéquates de la part de la direction du label. Ces allégations d'abus et de comportement inapproprié ont impliqué Cathy Pellow, la fondatrice et gérante du label, ainsi qu'un ancien associé du label, Graeme Flegenheimer. En réponse à ces allégations, Cathy Pellow a présenté des excuses publiques et a annoncé la fermeture de la division de gestion du label. Elle a également indiqué qu'elle se retirait de Sargent House pour se concentrer sur son propre rétablissement et la correction de ses erreurs passées. Cette controverse a provoqué la rupture des liens entre Sargent House et des artistes tels que Chelsea Wolfe, Lingua Ignota et King Woman, qui ont manifesté leur soutien envers Henry Kohen. Elle a également eu un impact significatif sur Sargent House, suscitant des discussions sur la culture de l'industrie musicale et les comportements inappropriés dans le secteur. Cette situation a mis en évidence l'importance de la responsabilité et de la transparence dans la gestion des entreprises musicales et dans les relations avec les artistes. Au fil des années, Sargent House a géré et publié de la musique pour une grande variété d'artistes, allant du rock expérimental au post-rock, en passant par le math rock, le metal, et bien d'autres genres musicaux. Certains des artistes notables comme Russian Circles et Daughters ont été associés à Sargent House. Le label a été salué pour son soutien aux artistes émergents et expérimentaux, contribuant ainsi à la diversité musicale. Russian Circles/Memorial (feat. Chelsea Wolfe) Native/Backseat Crew Red Sparowes/In Every Mind Helms Alee/Pinniped Mutoid Man/Surveillance Marriages/Skin Miserable/Violet Deafheaven/In Blur Brutus/Liar David Eugene Edwards/Weaver's Beam

L'80° puntata di Illuminismo psichedelico è andata in scena il 9 novembre dal vivo al Fanfulla di Roma, insieme a Federico di Vita c'erano lo scrittore inglese Huw Lemmey, ed Enrico Gullo, nell'occasione in veste di interprete simultaneo (nonché traduttore del libro di Lemmey di cui abbiamo parlato durante l'incontro). Huw Lemmey ha infatti da poco pubblicato in Italia, con Timeo, un libro intitolato "Lingua Ignota", peculiarmente firmato insieme alla mistica tedesca vissuta a cavallo tra XI e XII secolo Ildegarda di Bingen, a sua volta autrice di una "Lingua Ignota". Ildegarda era una eretica visionaria, e insieme a Huw Lemmey abbiamo cercato di indagare la grana psichedelica delle sue visioni, benché sia impossibile a tanti secoli di distanza affermare che facesse uso di sostanze o farne alcuna diagnosi clinica, è al contrario evidente che l'impronta della sua esperienza mistica aveva una matrice da tipico "stato apicale", cui si può accedere per diverse vie.[Per questioni di fruibilità in questa puntata abbiamo mantenuto solo la traduzione delle risposte di Lemmey fatta dal vivo da Enrico Gullo]

We're back with two fresh new album breakdowns today, and the star of the show is the Reverend Kristin Michael Hayter, formerly known as Lingua Ignota, whose new album SAVED! is a fascinating and discomforting exploration of the tradition of the Christian hymnal, and a perfect playground for Hayter's continued explorations of the suffering and salvation that faith can bring. We also talk about a brilliant modern R&B masterclass from producer and songwriter Sampha, whose long-awaited follow-up to 2017's brilliant PROCESS is finally here in the form of LAHAI, an unencumbered and vibrant record of pulsing electronic bliss. Let us know what you think of either of these albums in the comments on YouTube! 0:00 Sampha - Lahai 29:55 The Reverend Kristin Michael Hayter - SAVED!

This week we're discussing SAVED! the debut album by Reverend Kristin Michael Hayter, formerly known as Lingua Ignota. We've been fans of Kristin Hayter and Lingua Ignota for years (both Caligula and Sinner Get Ready were Mike's albums of the year at their times of release). But Hayter has moved on to a whole new project and aesthetic, which revolves around old southern gospel. If you're familiar with Hayter's work, you already have an idea how disturbing it is. This ain't an easy listen, so get ready.Closing track: “I WILL BE WITH YOU ALWAYS”Patreonhttps://www.patreon.com/everyalbumeverMerchhttps://pandermonkey.creator-spring.com/Mike's EP:Pander Monkey on Bandcamp, Spotify, Apple,Instagram:Mike @pandermonkeyAlex @everyalbumalexHistory Tom's stuff:New album on BandcampDebut album on Bandcamp, Spotify, AppleSubstackWebsite

This episode contains discussions that may be triggering to some listeners. Discretion is advised. National Domestic Violence Hotline 800-799-7233 National Sexual Assault Hotline 800-656-4673 Suicide and Crisis Lifeline 988

Transit. Transition. Transformation. All words that share more than just the starting syllable. All also indicate a progression from one “spot” to another. Rylan Gleave has gone through such a progression which we already spoke about in our review of his debut album In Chemical Transit which took us by surprise because it plays on and with audio from three very different periods of time in Rylan's life. Furthermore it is a literally mesmerizing record as it combines Avantgarde soundscapes with real Classical vocal lines and songs. More than enough reasons to sit down and talk to Rylan. Rylan Gleave might be known to many of you as the live voice of Scottish Black Metal-Avantgardists Ashenspire and yet this record has only very few connections to the band's sound apart from him. His work might be better compared to Lingua Ignota or Diamanda Galas - I dare not name any Classical singer for sheer lack of good modern singers for such arias. The three different recordings of Mozart's “Voi che sapete cosa é amor” from Mozart's The Marriage of Figaro show Rylan's voice at three different points of his transit. When we were talking to him we found out a lot about that transition and the psychological effects connected to it, but of course we also touch on many, many other topics so you can be sure that this is one of the most interesting interviews we have done up to now. Enjoy!

4ª raya en este nuevo proyecto. Más planeado y con mucho que ofrecer. Lamentamos con un pequeño homenaje el retiro de la artista conocida como Lingua Ignota de los escenarios. Hablamos de las percusiones y baterías en el Rock. ¿Protagonistas o meros acompañantes en el Rock? Discutamos, disfrutemos de la música. Gracias por acompañarnos a platicar y disfrutar del arte procesual que tanto nos gusta.

Únorové vydání Soundsystému jsme věnovali hyperpopu. „Spíš než žánr je to přístup k tvorbě,“ vysvětluje hudební publicistka Nora Třísková, kterou jsme si do nového vydání pozvali jako posilu, a dál vysvětluje, že hyperpop je sice často spojován s konkrétní zvukovou estetikou, ale jde podle ní hlavně o experimentování a snahu posunout pop dál. To potvrzuje i Karel Veselý. „Využívá brakových elementů pro potřeby seriózního popu,“ říká a připomíná první singly hudebního průkopníka a vynálezce Václava Pelouška alias Toyoty Vangelise, který začal v Česku s hyperpopem jako jeden z prvních. Společně jsme pak probrali jeho debutovou desku, kterou pětatřicetiletý hudebník a zakladatel Bast Instruments vydal začátkem února. Album Výklopný světlomety je o poznání temnější a vážnější než starší hudebníkovy nahrávky, jejichž hlavním poselstvím bylo, že za pop není třeba se stydět. Podobně jako jeho mixtapy, kde prostřednictvím přepracovávání normalizačních hitů tematizoval třeba nefunkčnost kapitalismu nebo klimatickou změnu, je i jeho debutová deska politická, i když se ona političnost ukazuje v individuální nebo komunitní rovině. V únorovém dílu se mimo jiné dozvíte, proč si od svých oblíbených kulturních publicistů a publicistek nepřečtete víc článků, najdete v něm přehled nejzajímavějších novinek i pozvánek na nadcházející akce. V naštvané rubrice si mimo jiné stěžujeme na nedostatečnou inkluzivitu místní rave scény a připravili jsme pro vás dárek v podobě volného vstupu na už vyprodaný koncert Lingua Ignota, který se odehraje v Libeňské synagoze 20. května. O ten si s námi můžete zasoutěžit.

the gang sits down (in one room!) to discuss 2021. Memories! drinks in episode: Ew, alcohol music in episode by PARIS TEXAS, Jophn Coltraine and Lingua Ignota

Hyperblasts mulls over the news that the Lingua Ignota project is being retired, casts an eye over some potential festival hints, and picks a bunch of the perfect rock mixes.Releases:Devin Townsend - LightworkTurnover - Myself in the WayIngested - Ashes Lie StillChuggaBoom - Death PledgeDayseeker - Dark SunBorn Without Bones - DancerWarlung - Vulture's ParadiseInTechnicolour - Midnight HeavyweightThe Offering - Seeking the Elephant96 Bitter Beings - Synergy RestoredBlack Mirrors - Tomorrow Will Be Without UsBlack Anvil - RegenesisMord'A'Stigmata - Like Ants and SnakesFrank Bello - Then I'm Gone

02:18 Уничтожило, в хорошем смысле15:30 Напугало, в хорошем смысле26:42 Придавило, в хорошем смыслеМаша Аникеева, Вадим Макеев, Слава ОлиянчукLingua Ignota — Sinner Get ReadyАльбом «Sinner Get Ready» в Apple Music, Яндекс.Музыке, Spotify, TidalDiscogsСайт Lingua IgnotaYouTube: Pennsylvania FurnaceYouTube: Do You Doubt Me TraitorПесниLingua Ignota — I Who Bend the Tall GrassesLingua Ignota — Many HandsLingua Ignota — Repent Now Confess NowЧат в ТелеграмеВсе права на музыку принадлежат законным правообладателям. Запись и сведение — Вадим Макеев. Джингл — Дэн Лебовиц. Фотография на обложке — Laura Vinck.

CONTENT WARNING: Strong elements of existential dread, paranoia, and terror, depictions of a psychotic episode, and brief mentions of accidental death and suicide01192020: Recovering from his injuries, Sam Bailey rediscovers one of Anna's stranger tapesStarring Sophie Borjón as Detective Ramos, Ezra J. Wayne as Ned Leroux, Virginia Spotts as Kate Sheridan, Trevor Van Winkle as Sam Bailey, and Airen Neeley Chaconas as Anna Sheridan, with original music by Jesse Haugen. Written and produced by Virginia Spotts, with dialogue editing and sound design by Trevor Van Winkle. This episode was made possible by our supporters at Patreon.com/homesteadcorner, ko-fi.com/homesteadcorner, and our backers on Seed&Spark.For more information, additional content, and episode transcript, visit homesteadonthecorner.com/tst068Support this show http://supporter.acast.com/sheridantapes. Become a member at https://plus.acast.com/s/SheridanTapes. Hosted on Acast. See acast.com/privacy for more information.

Episode #24 Album|Artist #1: Run the Jewels 4 | Run The Jewels Album|Artist #2: Sinner Get Ready | Lingua Ignota Song|Artist: 01 Ghosts I | Nine Inch Nails This week, Rich selected the album “Run the Jewels 4” by Run The Jewels.  Jack selected “Sinner Get Ready” by Lingua Ignota and the instrumental song "01 Ghosts I" by Nine Inch Nails for Dad's listening. Join us for some episode #24 fun!!! This episode contains excerpts from the songs “Back Again” by Jaymes and “Call Me” by JJ BlueFlame. Both songs are licensed for use through Tripple Scoop Music.

On this week's episode, we talk the top 10 metal albums of 2009 before we check out this week's Unsigned Band Of The Week in Georgia's own Fractured. We talk some rock and metal news with stories on Kiss, Corey Feldman, Avenged Sevenfold, Genocide Pact, Lingua Ignota before checking out our first of two bands you should know artists in France's own Wrath Of The Nebula. We check out more rock and metal news with stories on Dio, Once Human, Korn, Megadeth, and then we end the show with our last bands you should know artist in Lord Of Confusion. Follow us on Twitter.com/pedal_radio, Facebook.com/eddiespedaltothemetalradioshow, Instagram.com/pedaltothemetalradioshow, and pedaltothemetalradioshow.blogspot.com. Follow Fractured facebook.com/FracturedOfficialPage/ fracturedband.com Follow Wrath Of The Nebula facebook.com/WrathOfTheNebula wrathofthenebula.bandcamp.com/releases Follow Lord Of Confusion facebook.com/lordofconfusion Instagram.com/lordofconfusion_band/ lordofconfusion.bandcamp.com/ --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app Support this podcast: https://anchor.fm/edward-gato/support

Join Rich & Jack for episode #10 of Music Swap! This week on Music Swap, Rich selects “It's a Shame About Ray” by Lemonheads, while Jack selects Big Theif's debut album, “Masterpiece” We also cover a song review of “O Ruthless Great Divine Director” by the artist Lingua Ignota! If you would like to enter for a chance to win the album “Like Vines” on colored vinyl, jump on over to our Instagram page @musicswap.pod to participate in our social media giveaway! This episode contains excerpts from the songs “Back Again” by Jaymes and “Call Me” by JJ BlueFlame. Both songs are licensed for use through Tripple Scoop Music.

//cws for discussion of rape allegation, 11:30-13:20; for sexual abuse and related injuries, 39:00-58:00. Kristin Hayter released a short statement alongside an extensive account of the abuse which can be found here - same thorough content warnings apply https://docs.google.com/document/d/1RashVW63u0JVl2WhjeUTo3nrnPgh4_sQpKF2j-6_iy0/  It's a big boy episode this time on Hot Singles as we work through some fucking cool, wild records. From punk to desolate American to whatever the fuck black midi are up to, we spend this episode getting mad, getting excited, disagreeing and ripping each other to shreds. It rules. The albums are Diaspora Problems by Soul Glo, SINNER GET READY by Lingua Ignota and Cavalcade by black midi. Next up, Autumn and Alexis are going to be joined by our dear friend Mark to talk through the rather literally titled 69 Love Songs by The Magnetic Fields. You can find Autumn on twitter @autumnal_coffee and listen to all the other podcasts on the Export Audio network at exportaud.io You can find Alexis on twitter @regresssion and listen to their other podcast at exportaud.io/kpop You can find Boo on twitter @boocanan, and find her visual art @designbyboo and her music at boocanan.bandcamp.com

In episode 60 of the Podcast for Social Research's Practical Criticism Series, Ajay Singh Chaudhary plays Lingua Ignota for Rebecca Ariel Porte, who, as usual doesn't know what the object of the week will be. They discuss commitment, committing to the bit, metal and its iconographies, ritual, decadence, Hildegard von Bingen, Audre Lorde, catharsis, exorcism, and choosing an enemy.

Bienvenue à toutes et à tous! Pour quelques émissions, Luke Seafer prend le volant de La Pause Clope. Et avec l'un de ses albums, "Sinner Get Ready" de la chanteuse américaine Lingua Ignota. Nos réseaux sociaux:   Instagram -- https://www.instagram.com/lapauseclopepod/   Twitter -- https://twitter.com/La_Pause_Clope      Notre site: lapauseclope.fr      Notre Patreon pour soutenir le podcast:  https://www.patreon.com/lapauseclope      Merci de votre fidélité, de nous écouter, et n'hésitez pas à vous abonner à nos flux pour ne rien louper!Hébergé par Ausha. Visitez ausha.co/politique-de-confidentialite pour plus d'informations.

The 12th Century polymath abbess Saint Hildegard von Bingen is the subject of our film this week via Margerethe von Trotta's compelling historical drama Vision. We're joined again by special guest Gemma Williams for whom Hildegard von Bingen has been something of an 'autistic special interest' for a while. We consider the themes of feeling othered and outcast, but also the strength those positions give for the forging of an individual path. We're careful to not retrospectively diagnose Hildegard as autistic, but reflect on the importance of identifying historical figures who may have been neurodivergent for the project of neurodiversity in the present day. Hildegard is a quietly revolutionary figure who stands up against the stringent rules of her day, and subsequently becomes a figurehead for the similarly neurodivergent seeking a place in the world. Following this idea, we soon identified another neurodivergent candidate in the film in the form of Hildegard's obsessive follower, Sister Richardis. A shout-out as well to the musicians Lingua Ignota and Hildegard von Blingin' who we think our listeners might enjoy following this discussion! In today's episode you heard Dr Gemma Williams, John-James Laidlow, Ethan Lyon, and Dr David Hartley. Contribute to our discussions or suggest future episodes at cinemautism@gmail.com     

00:00 Goin Off "BIG GAME" Half Time Show Review and Retrospective 34:05 Lingua Ignota "SINNER GET READY" album review 56:42 Jurassic 5 "Power in Numbers" album review linktr.ee/therealrapcritic linktr.ee/mues

00:00 Goin Off "BIG GAME" Half Time Show Review and Retrospective 34:05 Lingua Ignota "SINNER GET READY" album review 56:42 Jurassic 5 "Power in Numbers" album review linktr.ee/therealrapcritic linktr.ee/mues

In this episode of The Album Club, Jack is hosting and we're discussing “SINNER GET READY” by Lingua Ignota. Our talking points this week include the structure of the album, similar artists and what this album would be like live. Also this week, ham on a train, Seal eating bread and the William Yates Communication Device. Socials: Instagram: @thealbumclub.pod Facebook: thealbumclub.pod Twitter: @thealbumclub Email: thealbumclub.pod@gmail.com Voice mail: www.anchor.fm/thealbumclub --- Send in a voice message: https://anchor.fm/thealbumclub/message

Fire Draw Near Episode XXIX features songs by the Watersons, songs from the north of England, a song by Lingua Ignota, songs from Scotland, songs and tunes from Ireland as well as some puerile nonsense from the 1940s. Tracklist: Cormac Begley – The Flogging Reel Lick the Tins – Can't Help Falling in Love The Watersons – North Country Maid The Watersons – The Broom of the Cowdeknowes The Watersons – Rap Her to Bank Vin Garbutt – The Hartlepool Monkey The Wilson Family – I Am Coal Lainey Dempsey – Haiku Arun Sood – The Old Dictaphone Lingua Ignota – Katie Cruel Pádriac Keane – Old Hang You Have Killed Me / Garrett Barry's Jig Al O'Donnell – Lord Abore and Mary Flynn Unidentified Singers – The Lucan Dairy Packie Dolan – A Drink in the Morning Packie Dolan – Saddle the Pony / The Rakes of Kildare Unidentified – I Came in My Best Sunday Suit https://campsite.bio/firedrawnear

Dan and Erik go through their top 10 releases of 2021. Big fun for you, baby new year!

2021, the year that… we supposed technically “was” moreso than it “wasn’t”, but it still felt like an ungodly long stretch of time

"La nouvelle sortie Komos est un album de YOM" enregistré en duo avec le pianiste Leo Jassef (distribué par l'Autre Distribution). On s'éloigne du jazz des récents albums du label avec une esthétique où se mêlent la musique classique et minimale et les musiques orientales. C'est une longue suite contemplative très mélodique » nous confie Antoine Rajon, patron du label.     Clarinettiste virtuose et inspiré, Yom n'a eu de cesse d'explorer nombre d'esthétiques musicales. Du klezmer traditionnel revisité aux musiques électroniques, en passant par le rock, l'americana, la musique classique et contemporaine, sans parler de formes totalement inclassables, cet insatiable touche-à-tout en quête d'absolu ne perd cependant jamais de vue sa vision de la musique, l'approche de l'âme humaine, un besoin d'universalité et de spiritualité qui le conduisent depuis quelques années à s'inspirer des musiques sacrées pour faire évoluer son langage. Une sorte de fil rouge, au long duquel on trouve son duo avec Wang Li ainsi que Le Silence de l'Exode, mais aussi ses deux créations 2017, Prière et Illuminations. En 2018, ce cycle se poursuit avec la création "Lingua Ignota" célébrant la sainte mystique Hildegarde von Bingen. Par ailleurs, la re-création de Yom & the Wonder Rabbis est l'occasion de célébrer dix ans de scène en tant que leader, et de continuer activement à tisser les liens qui unissent musique et spiritualité.   Yom - Titres extraits de l'album Celebration Celebration voir le clip  Longing for the beat Elegy for the new Born Ancestors Dance     Puis nous recevons Stracho Temelkovski dans la #SessionLive à l'occasion de la sortie de l'album The Sound Braka. Pour un voyage aux confins du jazz, des musiques improvisées et du monde. Multi-instrumentiste, improvisateur et beatboxer, Stracho Temelkovski publie un premier album qui exhale l'esprit libre du jazz, le parfum des Balkans, de la Méditerranée et de l'Orient – Proche et Extrême – ou encore les faubourgs de Buenos Aires. The Sound Braka est la quintessence de ces influences, le fruit d'un univers musical inspiré par une curiosité sans limites et voué à se frayer un chemin dans le jazz.   Enregistré au studio La Buissonne et à la Bobine de Grenoble, ce disque est l'aboutissement d'un véritable processus de maturation ; il a pris sa forme actuelle lors d'une résidence de création à l'Opéra de Lyon en mai 2018 à laquelle Stracho a convié ses "frères de son", tous virtuoses et complices, pour créer ensemble un répertoire unique. Cette formation inédite magnifie ainsi des patrimoines musicaux issus des cultures populaires orales et des cultures savantes. Du solo à l'octet, parfois avec un grand ensemble, Stracho entend tracer sa route, originale et déroutante, lui qui possède une rare capacité à pouvoir passer tour à tour de la basse à la viola, du mandole aux percussions (daf, bendir, cymbale et udu), voire à en jouer simultanément.     Titres interprétés Saudade des Baumettes RFI Live voir le clip  Manzanilla, extrait de l'album The Sound Braka Gipsy RFI Live voir le clip  Make Dunia, extrait de l'album The Sound Braka   Musiciens Stracho Temelkovski : Basse, Viola, Beat box, Stomp box Jean-François Baëz : Accordéon. Son : Mathias Taylor, Fabien Mugneret. (Rediffusion)

Terminamos ya de repasar Sinner Get Ready de Lingua Ignota y, como no podía ser de otra manera, hoy ha tocado hacer un especial canciones navideñas publicadas o reeditadas este último mes. Desde Abba a Billy Nomates o un remimx de Blondie con Fab 5 Freddy.

La escasez de nuevos discos ya es un hecho y por eso esta semana repasamos uno de los álbumes favoritos del año de Sergi, Sinner Get Ready de Lingua Ignota. Despertamos directamente con un villancico del recopilatorio que hacen Chillwave Records, suenan novedades de Rojuu o Domo Genesis y tenemos más dosis de villancicos con Mac DeMarco o Cooking Soul.

La escasez de nuevos discos ya es un hecho y por eso esta semana repasamos uno de los álbumes favoritos del año de Sergi, Sinner Get Ready de Lingua Ignota. Además, suenan novedades de Martha Skye Murphy o STA, despertamos con Urge Overkill y un villancico perdido de Yoko Ono.

La escasez de nuevos discos ya es un hecho y por eso esta semana repasamos uno de los álbumes favoritos del año de Sergi, Sinner Get Ready de Lingua Ignota. Además, suenan novedades de TNGHT o Vulk, el villancico viene a cargo de Carlota y despertamos con una curiosa versión de Sleaford Mods.

Como es habitual por estas fechas, repasamos la música que más nos ha gustado en el asteroide Edén durante el año que está a punto de terminar. Sonarán hits de FLOATING POINTS, LIL NAS X, SHARON VAN ETTEN & ANGEL OLSEN, LANA DEL REY, BILLIE EILISH, CASSANDRA JENKINS, ABBA, LINDSEY BUCKINGHAM, THE WAR ON DRUGS, NICK CAVE & WARREN ELLIS, LITTLE SIMZ, TYLER THE CREATOR, KIKO VENENO, ALGORA, ZAHARA, ALIZZ, C. TANGANA, MARIA ARNAL I MARCEL BAGÉS, ESPANTO, CHVRCHES, HALSEY, WOLF ALICE, SLEAFORD MODS, AMYL & THE SNIFFERS, DRY CLEANING, LOW, BICEP, CABARET VOLTAIRE, DANNY L HARLE, ONEOTHRIX POINT NEVER, KORELESS y LINGUA IGNOTA. ¡ Felices Navidades, Edenitas!

Como es habitual por estas fechas, repasamos la música que más nos ha gustado en el asteroide Edén durante el año que está a punto de terminar. Sonarán hits de FLOATING POINTS, LIL NAS X, SHARON VAN ETTEN & ANGEL OLSEN, LANA DEL REY, BILLIE EILISH, CASSANDRA JENKINS, ABBA, LINDSEY BUCKINGHAM, THE WAR ON DRUGS, NICK CAVE & WARREN ELLIS, LITTLE SIMZ, TYLER THE CREATOR, KIKO VENENO, ALGORA, ZAHARA, ALIZZ, C. TANGANA, MARIA ARNAL I MARCEL BAGÉS, ESPANTO, CHVRCHES, HALSEY, WOLF ALICE, SLEAFORD MODS, AMYL & THE SNIFFERS, DRY CLEANING, LOW, BICEP, CABARET VOLTAIRE, DANNY L HARLE, ONEOTHRIX POINT NEVER, KORELESS y LINGUA IGNOTA. ¡ Felices Navidades, Edenitas!

Wir sind wieder da und haben einige heiße Eisen angefasst. Dennis und Britt sprechen über ESKIMO CALLBOY und den ESC, die ganze Situation bei LINGUA IGNOTA, sowie dem Drama bei EVERYTIME I DIE. Außerdem hab Dennis noch einen Jodel-Hardcore Song mitgebracht und wir erfinden nach Jumpscare-Metalcore ein weiteres neues Genre: Den Boomer-Hardcore. Außerdem hat Britt noch ein Interview mit KID DAD geführt. Hier findet ihr den Adventskalender, der im Podcast angesprochen wurde: https://steadyhq.com/de/fuzemagazine Timecodes:00:00:00 - Begrüßung00:05:12 - News00:18:50 - Wer die LINGUA IGNOTA Story wegen der Triggerwarnung überspringen will, kann hier fortfahren00:40:41 - KID DAD Interview01:31:50 - Verabschiedung Hier könnt ihr das aktuelle Heft runterladen: https://www.ox-fanzine.de/fuze-91 Hier könnt ihr das aktuelle Heft online lesen: https://issuu.com/oxzine/docs/fuze91 Hier gibt es das Heft im Abo: https://www.ox-fanzine.de/shop/abos/abo-fuze Und hier könnt uns bei Steady unterstützen: https://steadyhq.com/de/fuzemagazine Zum neuen FUZE-Letter (kostenfrei auf Steady): https://steadyhq.com/de/fuzemagazine

Here, we recommend some of our favorite records of 2021's third quarter, including the latest from Spellling (4:12), Lingua Ignota (14:10), Injury Reserve (26:01), Deafheaven (36:45), Indigo De Souza (46:42), and Low (54:02). Twitter: @WillBrost @PatrickAndersun

The possible future of Babymetal is pondered, Bloodstock tips given, Lingua Ignota's puritan nightmare album Sinner Get Ready tops an eclectic reviews batch with Gost and Lantlôs, and Album Club is Britrock heroes Funeral for a Friend's underrated hardcore turn Conduit.

Remfry's feeling very hoarse after making an extravagant re-entrance back into non-socially distanced gig-going, as he hurtled himself down to his old stomping ground of Bristol to see 80Trees, the mini-indoor festival hastily put together by the 2000Trees and ArcTanGent team. He huskily reports back on the weekend's events and shenanigans whilst trying to sound as little like Kathleen Turner as possible. For those of a more mainstream persuasion, we also celebrate Dave's #1 UK album success and break down a veritable feast of fascinating facts of its success. Releases reviewed this week include Sinner Get Ready by Lingua Ignota (43:34) Draw Down the Moon by Foxing (72:19) Darwin Falls by Fawn Limbs (92:45) and American Noir by Creeper (110:26) This podcast uses the following third-party services for analysis: Chartable - https://chartable.com/privacy

In this episode Dan and Erik review albums from Aesop Rock, Q'65, Lingua Ignota, Queens Of The Stone Age and do a classic local review of Brazil which featured Matt Davis (RIP) from Ten Grand from Iowa City. Dan and Erik also talk about Erik's fascination with cults and gangs, cheek and tongue tacos and Dan sings a little song for everyone!!!

After a deep intro about the etymology of the word Disability, we departure into an episode exploring music and nostalgia with Rio and his brother, Kino. Going down the rabbit hole about genre, looking at the similarities between black metal and blues, and diving deep into the beautiful emotion that is angst. Follow the Finnegan brothers as they wander out of the Spencer Gifts and into the Hot Topic, and then back out again to get an Orange Julius.Plus, in case you're a curious being that wants to know who we primarily listened to and chatted about, here is a list:Lingua IgnotaZeal & ArdorSOPHIERobert JohnsonNickelback

Oh man, yet another episode I've been pushing off for months! I'll be diving into LINGUA IGNOTA's 2019 masterpiece, “CALIGULA”. This record is just so hard to categorize but I know that it moves me emotionally and is also somewhat terrifying in the process? It's an absolutely beautiful album though in that way, in that it definitely makes you feel *something*, whether that's something is good or bad. Kristin Haytor is a force to be reckoned with for sure. Here is the article I mention in the show: https://www.loudersound.com/amp/features/lingua-ignotas-track-by-track-guide-to-new-album-caligula. I also pulled some information from this interview as well: https://linguaignota.net/blogs/news/posts/blissful-anguish-a-conversation-with-lingua-ignota-heaviest-of-art

Late 19th century Poland was a place of division and turmoil. The population was incredibly diverse, but not in a happy, elementary school math book illustration way. Yiddish, Russian, German, and Polish were all spoken - mostly used to hurl slurs and insults at opposing ethnicities. At any given moment you could look out of your window to see a craven German strong-arming a miserly Jew, while a drunken Russian looked on in disgust, and a dumb Pole tried in vain to tie his shoes. One group's success was perceived to be at the cost of another's. The police force was prejudiced against people they viewed as interlopers. Street signs were growing problematically jumbled. Tensions ran high and violence ran rampant. A breaking point was at hand. Sound familiar? It shouldn't. That was a very long time ago. There's no way you were around to see it. Unless you are a Crow, Lizard Person, or Dracula, of course. In that case – Welcome to the Podcast! Caw! Hissss! or Blah! to you! Don't forget to check out the web page at theirrationallyexuberant.com for past podcasts, pictures, videos, and the transcript of this episode! So, enter L.L. Zamenhof, a sensitive young Jewish lad with a penchant for peace and a yearning for learning. He also had, it is said, a yen for Zen, a lust for language, a dictate to abate hate, and a total boner for unity. He was, by all accounts, a great guy, worthy of respect, so shame on you for assuming that I was going to make some inane joke about LLs Cool J or Bean. Dismayed by his surroundings, he came to attribute the fractiousness of his homeland to what he later called “the heavy sadness of the diversity of languages”. He himself spoke Yiddish, Russian, German, French, Hebrew, Polish, Latin, Greek, Aramaic, Lithuanian, Italian, English, and something called Volapuk, which I assumed was old-timey nerd language along the lines of Klingon, but was actually something of a precursor to what we are discussing today. What are we discussing today? Esperanto. It's in the title. Pay attention, Champ. Zamenhof's solution to the problems he observed was a an easy to learn universal language, with a simple grammar and a vocabulary of root words that would be modified by standardized prefixes and suffixes, free from the irregularities that make a language like English so difficult to master. It was based on a combination of several European languages, as well as Latin, but, to this monolingual English speaker, anyway, sounds a lot like Spanish. He worked on the language for years while attending medical school and then practicing Ophthalmology, and finally introduced it in a book, the Unua Libro, in 1887, under the pseudonym Doktoro Esperanto (meaning Doctor Hopeful). He called the language Lingvo Internacia, but no one liked that, so they called it Esperanto, which has a nice ring to it. Now, constructed languages – languages created for an express purpose by a specific individual or individuals, as opposed to evolving naturally over time - have an estensive history that begins long before Esperanto and continues through modern times. They are rarely successful, as evidenced by the fact that the aforementioned Klingon is the second most successful of all time, behind Esperanto. The first known instance is the Lingua Ignota, created in the year 1200 by Hildegard of Bingen for “mystical purposes”. She didn't bother to teach it to anyone else, presumably because she didn't have any friends. In the 16th century, the alchemists and Kabbalists also constructed mystical languages of sorts. I'm sure they would have gotten on swimmingly with ol' Hilde. Many others came and went after that, typically constructed by idealistic philosophers and would be magicians or wizards or witches or whatever. In 1982, author Suzette Haden Elgin created Ladaan, a feminine-centric language to test the effects of gender normative language. Today, most constructed languages are for artistic purposes. Even as we speak,

Caleb and Cole talk about new music from Devourment, Meth, In Cold Blood, Lingua Ignota, Killswitch Engage, and Russian Circles.