Podcast appearances and mentions of Sargent House

This week we're diving into the wonderfully gloomy world of Emma Ruth Rundle. Or more specifically, we're having a bit of a discussion whether she's actually goth or not, what goth even means, and how it may be broader than some think. Musically, Chris thinks most of her catalogue is a bit pants but she has artistic integreity. Mark reckons she's brilliant. Emma Ruth Rundle has spent her career shape-shifting between projects like some sort of musical chameleon with commitment issues. From her early folk-gaze days with The Nocturnes to her brief stint with post-rock titans Red Sparrows. From the overlooked Marriages project to her increasingly experimental solo work. She's never been one to stay in her lane. The question is: does all this reinvention actually work, or is it just restless artist syndrome? We get deep into the weeds of her entire discography. Our main focus is 2016's "Marked for Death", which Mark insists is her masterpiece and Chris... well, Chris has opinions. We also tackle the thorny question of what actually constitutes "goth" in 2025. Spoiler: it's probably not what you think. Plus we discuss her genuinely unnerving experimental albums. And try to work out why Sargent House thought it was a good idea to send a recovering alcoholic to record alone in the desert. With unlimited booze. Episode Highlights: 00:00 Introduction and Studio Setup at Variety Bar 05:21 The Great Goth Debate Begins 18:45 Emma Ruth Rundle's Project History 32:48 Electric Guitar One: Ambient Experiments 39:00 Some Heavy Ocean: The Proper Debut 44:14 On Dark Horses: Chris's Least Favourite 52:26 The Thou Collaboration: Overrated or Underrated? 59:48 Engine of Hell: Stripped Back and Boring? 1:04:06 Electric Guitar Two: Pure Horror Movie Soundtrack 1:13:28 Marked for Death: The Desert Sessions 1:26:00 Final Verdicts and Wrap-Up

PVSP and Outer Roses get back together to follow up on their 2023 season predictions. As most know, the 2023 season was far under most people's expectations for the Timbers so most of the predictions are wildly incorrect (and shots might be consumed as punishment).  After defending some of their decisions, they move onto the 2024 season and some bold predictions are made based on they hype surrounding Phil Neville's arrival. Stay tuned for a mid season check in pod this year with PVSP and Outer Roses. Theme Music Credit:Slow Burn by Kevin MacLeodLink: https://incompetech.filmmusic.io/song/4372-slow-burnLicense: http://creativecommons.org/licenses/by/4.0/Outro Music Credit:Prehistoric Dog by Red FangLink: https://redfang.bandcamp.com/track/prehistoric-dogCopywrite owned by: Sargent House 

Sargent House est un label et une société de gestion de musique basée à Los Angeles, en Californie. Fondée en 2006 par Cathy Pellow, elle a joué un rôle essentiel dans la promotion et le soutien d'artistes indépendants dans le monde de la musique. Au départ, le label a été créé pour permettre au groupe RX Bandits de sortir son album "...And the Battle Begun", mais il a rapidement évolué pour devenir une plateforme influente pour de nombreux groupes émergents et expérimentaux. Le label se distingue en préférant la découverte de nouveaux talents à l'intérieur de son propre réseau plutôt que d'accepter des propositions externes. Cette approche unique a permis au label de développer une identité distincte et d'attirer des artistes qui partagent sa vision artistique. En 2023, Henry Kohen, membre du groupe Mylets, a publiquement dénoncé des agressions qu'il aurait subies, ainsi que des réponses inadéquates de la part de la direction du label. Ces allégations d'abus et de comportement inapproprié ont impliqué Cathy Pellow, la fondatrice et gérante du label, ainsi qu'un ancien associé du label, Graeme Flegenheimer. En réponse à ces allégations, Cathy Pellow a présenté des excuses publiques et a annoncé la fermeture de la division de gestion du label. Elle a également indiqué qu'elle se retirait de Sargent House pour se concentrer sur son propre rétablissement et la correction de ses erreurs passées. Cette controverse a provoqué la rupture des liens entre Sargent House et des artistes tels que Chelsea Wolfe, Lingua Ignota et King Woman, qui ont manifesté leur soutien envers Henry Kohen. Elle a également eu un impact significatif sur Sargent House, suscitant des discussions sur la culture de l'industrie musicale et les comportements inappropriés dans le secteur. Cette situation a mis en évidence l'importance de la responsabilité et de la transparence dans la gestion des entreprises musicales et dans les relations avec les artistes. Au fil des années, Sargent House a géré et publié de la musique pour une grande variété d'artistes, allant du rock expérimental au post-rock, en passant par le math rock, le metal, et bien d'autres genres musicaux. Certains des artistes notables comme Russian Circles et Daughters ont été associés à Sargent House. Le label a été salué pour son soutien aux artistes émergents et expérimentaux, contribuant ainsi à la diversité musicale. Russian Circles/Memorial (feat. Chelsea Wolfe) Native/Backseat Crew Red Sparowes/In Every Mind Helms Alee/Pinniped Mutoid Man/Surveillance Marriages/Skin Miserable/Violet Deafheaven/In Blur Brutus/Liar David Eugene Edwards/Weaver's Beam

Achtbaanritjes. Het weekend. Je favoriete boek of film. Slayer. Vakantie. Het leven. De aarde. Alle goede dingen zijn eindig. Alle slechte dingen ook, overigens. Dus Osmium evenzo. Ooit begon het als een grap, maar naarmate de vijftigste aflevering dichterbij kwam, werd het plan om de microfoons aan de wilgen te hangen steeds aannemelijker. Presentatoren Pim en Niels grijpen deze mijlpaal dan ook aan om eens openhartig te zijn richting elkaar, en jullie, de luisteraars. Is alles gezegd? Is de liefde in dit podcasthuwelijk voorbij? Is dit jubileum het perfecte moment om te stoppen, voor de melk zuur is geworden? Is dit dan de zwanenzang zijn van de zwaarste podcast in het Nederlands? Het antwoord op al die vragen is nee. En dus ploeteren de heren voort. Maar wel met een verbrede blik op het metalen landschap. Want metal is veel meer dan alleen maar boze mannen met baarden die spelen op laag gestemde gitaren. Men zou zich bijvoorbeeld kunnen afvragen welke film meer metal is: Oppenheimer of Barbie? Of wat de metalscene kan leren van megalomane dancefestivals als Tomorrowland? En wat te denken van Helmut Lotti, de wereldberoemde Belgische tenor: is hij een beetje metal? Het mag inmiddels duidelijk zijn: middelmatigheid is oneindig. Dus Osmium evenzo. Althans, voorlopig. Met beeldmateriaal van Graspop Metal Meeting en muziek van Heáfodbán. Onderwerpen: Heáfodbán ft. Three 6 Mafia (00:00) Introductie over ronde cirkels (00:23) De toekomst van Osmium (02:05) Waarom Barbie meer metal is dan Oppenheimer (07:15) Wat metalfestivals kunnen leren van Tomorrowland over onderdompeling (20:47) Festivalinspiratie van de Britse schoffies achter TPD TV (38:22) Luistertip van Pim: Heáfodbán - Heáfodbán, een contradictionair kneuzenpareltje vol atmosferische war metal en dubieuze muzikale ideologie wiens mysterie je niet moet willen ontrafelen (46:37) Luistertip van Niels: Mutoid Man - Mutants, hard en snel met melodische inslag - zoals Niels zelf (51:51) Concerttip van Pim: South Of Heaven festival in Maastricht, nieuw openluchtfestival in Maastricht dat voorlopig nog geen line-up heeft maar al het andere wel (54:15) Concerttip van Niels: Hellmut Lotti Goes Metal in Weert, de meest bezielde concerttip ooit waarbij Niels zijn hoogbejaarde leeftijd verklapt door veel te veel te weten over de Belgische campingzanger - of anders gezegd, de King Gizzard & The Lizard Wizard van de klassieke wereld (58:21) Shout-outs (01:05:29) Links: De megalomane podia van Tomorrowland TPD TV YouTube-kanaal Heáfodbán Bandcamp Mutoid Man Bandcamp South Of Heaven festival in Maastricht Helmut Lotti Goes Metal in Bosuil Graspop Metal Meeting Flickr

Chapter 404 - "I Can Choose The Way I Feel" ...as read by Evan Patterson Today we welcome Evan Patterson to the podcast. Evan has been a part of the hardcore and punk scene for a long time as a member of Breather Resist and Young Widows. More recently, Evan has been releasing music under the moniker Jaye Jayle. Jaye Jayle's new record, Don't Let Your Love Life Get You Down, is out today on Pelagic Records. Evan talks about the scene in Louisville, the transition from Breather Resist to Young Widows, pushing himself creatively, finding contentment, and more.  https://jayejayle.bandcamp.com/https://shirtkiller.com/collections/jayejaylehttps://pelagicrecords.indiemerch.com/b/jaye-jayle Make sure you join the As The Story Grows mailing list at https://asthestorygrows.substack.com/And come hang out on Discord!  Chapter 404 Music:Jaye Jayle - "The Party of Redemption"Breather Resist - "An Insomniac's Complexion"Young Widows - "Mr No Harm"Jay Jayle - "Black Diamonds and Bad Apples" --As The Story Grows links:​Help out at PatreonATSG WebsiteATSG Music and MerchJoin the Email ListATSG FacebookEmail: asthestorygrows@gmail.comYouTube - https://www.youtube.com/channel/UCNuP0_JUpT6DoIhhbGlwEYA?view_as=subscriber

This week on Toilet Radio: Breno announces his retirement from the Toilet ov Hell podcast. You should all send him some money so he can buy a gold watch. / Michale Graves had to testify to try to protect his Proud Boy friends from getting hammered on fucking sedition charges LOL / Russian Circles joins in on the fun of not selling merchandise at European shows, immediately issue a very stupid statement about… / Sargent House is imploding! Related, Botch reissues are coming soon / How in the world does Mudvayne think they're doing to sell out amphitheaters across the country on this upcoming tour? / Listening to modern rock radio because I can't get enough of that one Sublime record./ It sounds like dez from Coal Chamber came real close to dying of Covid. / Steel Panther fans cancel their own children from life. Folks, it's a show. Music featured on this ‘sode: Phase Meridian – Psychic Canine Overlords This program is available on Spotify. It is also available on iTunes or whatever they call it now, where you can rate, review, and subscribe. Give us money on Patreon to get exclusive bonus episodes and other cool shit.

Lukas Frank is a musician. Lukas performs under Storefront Church. A band I discovered during the days I was a barista and used to blast his music opening and closing of the storefront coffeeshop called Homecoming. Lukas has been a touring drummer for Portugal. the man, Phoebe Bridgers, Kitten, Alexandra Savior. Working with producing GZA's solo record, currently a Covers EP that features Phoebe Bridgers. Lukas put out his full length record “As We Pass” in 2021, after the Storefront Church EP. He eventually drew the interest Sargent House, which reissued the EP in 2019. His first song for the label, “The Gift,” was featured on the Netflix series The Queen's Gambit. Me and friend, guest and collaborator of the show Christian Schwartz of Commercial Type went to see Storefront Church open up for DIIV at Baby's All Right's short lived sister venue The Dance in NOHO and after the set, I copped a t-shirt from Lukas and we chatted for a bit. Fast forward to now and running into Phoebe Bridgers at the same Matchaful I go to, I'm having Lukas on the show. Please welcome Lukas Frank to Wear Many Hats. instagram.com/storefront_church instagram.com/wearmanyhatswmh instagram.com/rashadrastam rashadrastam.com wearmanyhats.com dahsar.com

Where to begin... vocalist for THE VSS / ANGEL HAIR / YEAR FUTURE etc. founder of the GSL label and Bottlenekk distribution as well as a graphic designer, art director for Sargent House and prolific digital collage artist. In 1997 The VSS travelled around Europe on the 'Nervous Circuits' tour. Seeing them play here was a total eye opener for me as a teenager. I was interested to know his perspective on touring the UK at that time and seeing the bands here like BOB TILTON / BABY HARP SEAL / STALINGRAD / HARD TO SWALLOW / KITO / EBOLA & RED MONKEY. This is the focus of the first bit of talk before a live VSS track leading into a section about ANGEL HAIR & GRAVITY records. There's a great chunk on this with lots of stories and facts I'd never heard before. The ANGEL HAIR track leads into more philosophical reflections on punk/hardcore & culture. It's a cool wide ranging talk with an awesome figure in the underground scene of the past 30 years. MUSIC: THE VSS - I Cut My Teeth (live at Gilman Street, 3/22/97) ANGEL HAIR - New Rocket YEAR FUTURE - Blundertown (The Birthday Party)

David Knudson's been having a busy year. He put out his first solo album, The Only Thing You Have to Change is Everything (including a song with his former Minus the Bear bandmate Jake Snider on vocals), his beloved '90s mathcore band Botch put out their first new song in over 20 years alongside Sargent House's new reissue of We Are The Romans, he's been posting tons of guitar playthrough videos of old Minus The Bear and Botch songs, and he's got another new solo EP that'll be out before the end of the year (which will feature Cursive's Tim Kasher). With all of that, plus the upcoming 20th anniversary of Minus The Bear's classic debut album Highly Refined Pirates, we decided to catch up with Dave for the latest episode of the BrooklynVegan podcast.   Music featured in episode - "Varv" by David Knudson

Once again it's Album of the Month time and for August it was a little crazy. We had a pick, or not, and then had another, or not, then we put it to a vote to decide once and for all. In the end Gnosis from Russian Circles (Sargent House) ended up getting the most votes, and for good reason. The usual gang of suspects are present for the discussion as well as MC Supreme Buke. Much is made of just how good Russian Circles' brand of post-instrumetal still is this far along and elsewhere the gang spends a good portion of the runtime gushing over everything else they listened to since they last got together. That and the usual banter back and forth on literally anything and everything.In other words, just another episode of the Nine Circles Audio Thing.9C LINKS: Website | Facebook | Twitter | Instagram

Die Resterampe und die Beschaffungskriminalität. ## März 2022 1. Dakh Daughters — Khtila tila (Make up — 2. Februar 2021 — Dakh Daughters) 2. Der Modulare Kreis — Lektion 8: Übung 34 (Bundesminister Der Verteidigung: Lehrbuch Russisch Leistungsstufe A — 1. Dezember 2020 — Not On Label) 3. Depeche Mode — Now This Is Fun: Extended Version (A Broken Frame: The 12" Singles — 31. August 2018 — Sony Music) 4. Der Modulare Kreis — Lektion 8: Übung 44: Version 2 (Bundesminister Der Verteidigung: Lehrbuch Russisch Leistungsstufe A — 1. Dezember 2020 — Not On Label) 5. Kozak System — Ace Of Spades: Motorhead Cover (Shablia — 20. November 2012 — Lou & Rocked Boys) 6. Blasorchester der Wiener Verkehrsbetriebe – Lied der Arbeit (Lieder der Freiheit — ??? — Schallplattengilde Gutenberg) 7. Mrs. Piss — Nobody Wants To Party With Us: Live (Self-Surgery: Live — 4. Februar 2022 — SARGENT HOUSE) 8. Die Grotte Von Postojna (Diaton Souvenir: Postojnska Jama — ??? — Jugoton) 9. Sinoptik — Apple Tree (The Calling — 11. Juni 2021 — SINOPTIK) 10. Alâettin Şensoy — Gözlerin Kömür Senin (Gözlerin Kömür Senin / Aşk bu değil yapma güzel — ??? — Sahibini Sesi) 11. Gina X Performance — Kaddish (Curses Presents Next Wave Acid Punx: Disc 1: Chapter 1: Origins — 25. Juni 2021 — Eskimo) 12. Fran Varfi & Gjyste Ceka – O Mollë E Kuqe (Pllake Me Kenge Dhe Muzike Shqiptare — ??? — Artimpex) 13. Tamikrest — Aicha (Coming Home by Tocotronic — 16. Juni 2017 — Stereo Deluxe) 14. Dursum Salkım — Cevher Gözler (Cevher Gözler / Felek bana gülme demiş — ??? — Sahibini Sesi ) 15. Front 242 — Funkahdafi (Curses Presents Next Wave Acid Punx: Disc 1: Chapter 1: Origins — 25. Juni 2021 — Eskimo) 16. Кат — Цвях (Цвях — 18. Febraur 2022 — Spivaki Records) 17. Cosmo Vitelli — Patient Zero (Medhead — 18. Februar 2022 — Les Yeux Orange / I'm a Cliché) 18. A Place to Bury Strangers — Ringing Bells (See Through You — 4. Februar 2022 — Dedstrange) 19. Dead End – The Road (Kino Volume 1 – 2. Februar 2022 – Saturate) 20. пуща — jardin de verre brisé (war is hell — 25. Februar 2022 — Not on Label) 21. Bassface — Centrifuge (Biomechanics EP — 15. Februar 2021 — Wubaholics) 22. Peach Kelli Pop — The Sign (Hardcovers — 15. April 2022 — LAUREN RECORDS) 23. Odie Leigh — Crop Circles (Crop Circles — 18. Februar 2022 — Not On label) 24. Meat Cheese — Fist (Fromage En Extase — 18. Februar 2022 — recordJet) 25. Dead End – Melee Attack (Kino Volume 1 – 2. Februar 2022 – Saturate) 26. Phosphor — Granola (Coming Home by Tocotronic — 16. Juni 2017 — Stereo Deluxe) 27. Omnist. — Expressions (Expressions — 18. Februar 2022 — Not On Label) 28. Grub — Airica (Year Of The... — 2. Februar 2022 — KimonoFox) 29. Firecops — Gasprom (Tag der Arbeitslosigkeit: Freudenhaus 2009 — 2009 — Ostberlin beatet Besseres) ### Informationen * Aprilsendung auf Pi Radio: 8. April 2022 um 1:00 Uhr * Aprilsendung auf dem Nachtprogramm der Freien Radios (zZ Radio Corax, Radio Blau, u.a.): 15. April 2022 und 17. April 2022 um 0:00 Uhr (Wenn alles gut geht) # Subtracks Neuste Errungenschafften und ungespielte Neuveröffentlichungen. Das was von einer Hitparade übrigbleibt, trocken wiederverwendet, um die Datenhalden abzubauen. * https://subtracks.funkwelle.org

This intro was a bit longer and I feel like I didn't necessarily do the subject justice. But I'll just keep trying to improve! Toki has made a new bed near my recording desk and has been present for all of the making of this episode. This week we are very honored to welcome innovative musician, righteous guitarist, and legit-ass human Nick Reinhart to the hall of discussion. You might know Nick from his band Tera Melos who were label and touring mates of RX during our Sargent House days, or you might know him from his more current projects such as Disheveled Cuss, Undo K From Hot, or Vertical Scratchers. Nick has a very hefty and droppable list of names of bands and musicians he's played with including playing with Best Coast on late night tv performances and jamming with various indie and mainstream legends. All the while, Nick maintains his authentic and vibrantly stoic vibe while always asking questions of how we listen to music. In this conversation we talk about burritos, Nick's sonic inspirations, home studio setups, whether or not we'd make music for a McDonals commercials, over stuffing guitar racks and pedal shelving and lots more! Be Excellent to each other. Learn more about your ad choices. Visit megaphone.fm/adchoices

Miss the show? Have no fear, the podcast is here! Please share the pod and tag me (and/or the show) in your post. Please also invite your pals to like The Whizbanger Show on Twitter, Insta, and FB - if you want your music featured on the one and only Whizbanger Show, gimme a holler!  Love y'all!   The Bands: 1945, Attic, Candlemass, Chelsea Wolfe, Devin Townsend Project, Eternal Champion, Ghost, Imminent Sonic Destruction, King Diamond, Lady Luna and The Devil, Puresonic Outcasts,  Satan, Splendidula, Thrice, Triptykon, Ulver, Unto Others     The Labels/PR: Argonauta Records, Black Dragon Records, Century Media Records, House of Mythology, Inverse Records, Kingside Records, Listenable Records, Metal Blade Records, Napalm Records, Roadrunner Records, Sargent House, The Swamp Records, Vagrant Records, Ván Records   Tune in to MMH – The Home Of Rock Radio every Friday from 2-4 PST | 10-midnight GMT to hear The Whizbanger Show. Stream ===>>> www.mmhradio.co.uk Whizbanger Show Podcasts ===>>> https://mmhradio.co.uk/podcasts/the-whizbanger-show/   Download the app ===>>> Google Play or Apple Store   Tell Alexa ===>>> Hey Alexa, play Midlands Metalheads Radio on TuneIn Tell Google ===>>> Hey Google, play MMH Radio on TuneIn   Get in touch with The Whizbanger: Email: thewhizbangershow@mmhradio.co.uk Facebook: www.facebook.com/whizbangershow Instagram: @sara.whizbanger Twitter: @SaraWhizbanger

Spontaneous trips to Genoa, bloop speakers, big Tori energy. The LA-based musician and visual artist discusses three important albums.Emma's picks:Sibylle Baier – Colour GreenShape Of Despair – Monotony FieldsTori Amos – Boys For PeleEmma's new album Engine Of Hell is out now via Sargent House. Head over to her site for three beautiful music videos, merch and links to buy the record. It's on Bandcamp too.Crucial Listening is taking donations on ko-fi: https://ko-fi.com/cruciallistening

On this episode, which take two of a conversation with singer, songwriter, musician Chelsea Wolfe, we discuss her music and the creative process and how that changes due to environment etc. We talk about the collaboration with Converge on the Blood Moon project, her band with Jess Gowrie called Mrs Piss and about her albums as Chelsea Wolfe. Its a rad episode and Chelsea is one of my favourite singers for the fact that her work is imbued with a very magickal current. The first couple of tracks of Blood Moon have recently been released with the album due shortly and if you aren't familiar with all her solo work or through her many collaborations, please do yourself a favour and check it out ASAP. The last few that came out on Sargent House in particular, are records I can't recommend enough. So very good.You can find here on instagram hereThe podcast can be found hereAnd Daniel is here on IG.The painting of Chelsea came out pretty rad and like all of the portraits for each episode, it is Oil, Acrylic and Ink on paper. If you want a print of it, punish me on my instagram and I'll consider adding it to my print collection on the Deathwish webstore hereThanks again. PeacexSupport this show http://supporter.acast.com/someonewhoisntme. See acast.com/privacy for privacy and opt-out information.

Joining us this week is Brian Cook, you may know him as bassist in heavy bands Russian Circles and Sumac. This conversation focuses on his first solo effort - under the name Torment & Glory - which was released in late August. We Left a Note with an Apology draws from a wide music palate, folk tradition, country storytelling, krautrock with moments of sludgy distortion that transport the listener to a series of moments in Brian's life. Our conversation also touches on the construction of the album, how Sargent House became involved in the release, social unrest, closing on a short discussion about recent Russian Circles brewery and coffee roaster collaborations. Brian created an exceptional playlist to accompany this episode that we've been digging since our conversation. Listen to the playlist HERE. Here's Brian's description of the playlist:  "A few weeks back I did a playlist of stuff that influenced the Torment & Glory (or stuff that I was listening to a lot while working on it) so I tried to make this one not have much/any stylistic overlap. So this one is basically starts with Dead Kennedys' "Terminal Preppie" cuz that was my gateway drug into punk, then kinda takes off into a bunch of weird punk stuff, fringe hardcore, art punk, krautrock, old school funk, dark drone, death metal, black metal, gloomy electronic stuff, guitar/savvy indie stuff, and a little wind-down with some jazz." Enjoy the playlist HERE. Enjoy the video for the song "No Big Crime". Find Brian Cook: Torment & Glory Russian Circles  Sumac Find Heavy Hops: Website (Listen to all episodes and access detailed show notes!) Facebook Instagram Twitter Support The Show By Donating Episode Art and HH Logo By: Bryn Gleason This episode was recorded, edited, mixed and mastered at Studio Berserk in Gothenburg, Sweden by: Esben Willems. Music by: Sam Cangelosi Please consider donating to our fundraiser to help Sam (Co-Host of Heavy Hops) fight cancer! Please Subscribe to our podcast via your preferred listening platform. Rate and leave us a review on Apple Podcasts to help others find us! Support The Show By Donating. Give the gift of HH by sharing our episodes on social media! Small actions such as these go a long way in helping others find us!

No doubt you know how this works by now...team members take turns picking their favorite album from a given month and for August 2021, it was a shoe in for Deafheaven's Infinite Granite (Sargent House) across the board. And, while no one on staff disagreed, not everyone was on the exact same page. Since 2010, Deafheaven have yet to make the same album twice or even close to the same album. The way they transition from black metal to shoegaze has made them critical darlings of a controversy that can never quite get its controversy correct. And now that they've gone full on shoegaze, the internet will never be the same. So it seems. The gang covers Infinite Granite and just how different it is as well as how much it rules, the fact that this might well be their "Opeth" moment, lyrics and how good George Clarke is in writing them as well as their impact over the years with certain team members, spooky season, a huge set of birthdays, and, as always, what else tripped our triggers during the month of August 2021 which features lengthy segments on both BTBAM's Colors II and WITTR's Primordial Arcana, obviously. So, do have a pen and paper on hand. All this and so much more as we dive head first into our eighth AOTM for 2021!  So jump in and get an earful!9C LINKS: Website | Facebook | Twitter | Instagram

In this episode, I chat with Cathy Pellow about the family-like community they've created with their label headquarters. We also chat about the dire condition of vinyl pressing wait times and how it's affecting artists. ►► Download our Free Record Label Toolkit → http://OtherRecordLabels.com/Toolkit Find more resources for independent record labels and DIY artists at http://OtherRecordLabels.com

Poet, artist, and Daughters vocalist Alexis Marshall has announced his solo debut LP HOUSE OF LULL. HOUSE OF WHEN for July 23rd via Sargent House and along with it the first song and video for “Hounds In The Abyss”. Directed by Jeremy W., Marshall notes of the video's concept “The long stare into the room of self—the universe's middle distance—the many hidden doors we locate, the many rooms we find. Populated not only by whom else we are, but by places, we have been. The places we are. We don't always pull away from the hot stove.”' Produced by Seth Manchester the album is crafted around moments of spontaneity and sonic detritus. For the album, Marshall brought together an impressive group of collaborators to execute his vision, a vision that for the first time was under his full creative direction. Jon Syverson (Daughters), Kristin Hayter (Lingua Ignota), Evan Patterson (Jaye Jayle, Young Widows) joined Marshall in Pawtucket, Rhode Island at Machines with Magnets studio with no material. The strategy was to embrace new sounds, employ the element of chance, and capture the creative process in a song format. The genesis of a song could be anything—a fragmented piano line, a drum pattern—but the impetus was often a non-musical sound. Marshall sourced a lot of his textural contributions from a hardware store all contributing to a proto-industrial rattle-and-rumble reminiscent of early Einstürzende Neubaten. The resulting material stands to be the boldest and exciting work of his career. Show Notes: 00:06:21 - Artwork acting as a mirror to the viewer 00:08:12 - Positive and negative feedback from his band, Daughters 00:10:54 - Alexis's personal growth 00:14:48 - Success, addiction, and trauma 00:21:30 - Romanticism and selfishness 00:25:17 - Discussing the progression of society 00:32:45 - His new solo album, “House of Lull. House of When” 00:40:14 - Arts affect on Alexis 00:48:37 - The recording process for “House of Lull. House of When” 00:53:46 - Lessons from Daughters comeback album and subsequent 01:02:34 - Wrap up www.artistdecoded.com www.instagram.com/asfmarshall Alexis Marshall's "House of Lull, House of When" on Bandcamp

We are joined with CEO of Bandzoogle, Stacey Bedford! After working at Bandzoogle for 11 years, Stacey was named CEO of the music website platform in 2018. She then received the title of Digital Power Player by Billboard Magazine the following year. Bandzoogle actively serves 60,000 artists and labels like Sargent House, from garage band to established artists like Warbringer, WOLFMOTHER, My Life with the Thrill Kill Kult, and Quiet Riot. The Set Up podcast listeners can go to Bandzoogle.com to try it free for 30 days, and use the promo code “thesetup” to get 15% off the first year of any subscription. -- Your artist website is the perfect space for meet-and-greets without the noise of ads or distractions that social media creates. It's a space belonging to you alone, that you can curate as the hub for your online presence as a musician. If someone sees your video on YouTube or hears your music on Spotify, they Google you and your website comes up. From there, you can capture their attention and engage them with your music and your brand. Artists tend to undervalue the power of websites just as much as mailing lists. Facebook is not a website. Bandcamp is not a website. Fans want a one-stop shop where they can listen to your music, watch your videos, learn about upcoming shows, and find out more about you. The easier it is to find you, the easier it is to follow you. Creating and maintaining a proper website isn't just for your fans, either. Talent buyers, music journalists, and all sorts of industry professionals are more biased towards artists who represent themselves well with a professional-looking online presence. -- Today, we are discussing websites and why artists need them. -- Intro to Bandzoogle Purpose of a Website How to Set Up Your Website Website Insights to Understand Your Fans Monetization & Ecommerce Tools Driving Traffic to Your Website (connect to SEO and Email Marketing and EPK) Creating a Mailing List The #1 Mistake -- “A website is really where the rubber meets the road for artists. You control the experience, you capture the data, you own the fan list. “ -- If you enjoy the podcast, would you please consider leaving a short review on Apple Podcasts/iTunes? It takes less than 30 seconds, and it really makes a difference in helping to convince hard-to-get guests. I also love reading the reviews! -- For show notes and past guests, please visit thesetupseries.com Sign up for Sydney's email newsletter (“Set Up Set List") at thesetupseries.com/community --- Send in a voice message: https://anchor.fm/thesetupseries/message Support this podcast: https://anchor.fm/thesetupseries/support

One of the ultimate aims of this podcast is to introduce lesser known bands to a new audience, which is why we're all pretty chuffed to be doing This is the Third Album of a Band Called Adebisi Shank by Adebisi Shank. Hailing from Wexford in Ireland, Adebisi Shank were a band for about 8 years, and in that time released three albums and one EP. Throughout their life, they were able to release music on some cool labels (Big Scary Monsters, Richter Collective, Sargent House) and tour a whole bunch with great bands. Their music is often classed as “math rock” and whilst they occasionally took issue with that, it's probably the closest genre to place these guys in. For a three piece, they made a tremendous racket, and made, we think, some of the craziest, catchiest pseudo-instrumental math rock that you can possibly imagine. Indeed, this, their final album, is their true zenith. It combines all the math rock time signature instrumental madness with a real sense of joyful abandon, coupled with ridiculous guitar and bass tones, awesome drum sounds and some appropriate robotic vocals. Most of all though, this album is just pure fun. Like, really really fun. It's quite over the top in places but it all works. It's carefree. Exuberant, even. In this episode we talk about that at length. We also talk about the rest of the band's catalogue and why they never once fall into the self serious overplayed nonsense that a lot of math rock falls into. More folk need to listen to this band and we think it absolutely is an unsung classic. Agree? Disagree? Vote below.

Die Resterampe und die Beschaffungskriminalität. Unsere Sendung auf Radio Corax (Halle) im Nachtprogramm der Freien Radios und als Ersatzsendung auf Pi Radio (Berlin Ost). Das Ende des Radios als Hoffnungsschub, insbesondere wenn sich die reichsten Teile der Welt aus einer Krise heraus impfen. ## April 2021 (#2) 1. $Ono$ Cliq Feat. Radrik Gee & Jonko2X — Kaassoufflé (Kaassoufflé — 14. März 2021 — Kumpelmusik) 2. Jimi Tenor — Plan 9 (Deep Sound Learning: 1993–2000 — 9. April 2021 — Bureau B) 3. Moscht — Hoss (Leg di hin, steh wieda auf — 12. Februar 2021 — Moscht Records) 4. Aphrodite — Cocaine: Remix (Stick Together: Remix/Cocaine: Remix — 2. März 2020 — Urban Wax/Vinyl Fanatiks) 5. The Armed — ULTRAPOP (ULTRAPOP — 16. April 2021 — Sargent House) 6. ltfll — two: ltfll DT1 (Deflect Trial — 4. März 2021 — Kaer'Uiks) 7. The Orb — Queen of Hearts: Duck or Drown/Moody Boyz Remix (Abolition of the Royal Familia: Guillotine Mixes — 19. November 2020 — Cooking Vinyl Limited) 8. Prefuse 73 — Sine Games (The Failing Institute of Season No.2 — 2. April 2021 — Not On Label) 9. The Psyched — Lucky Ducks (Body Buzz — 14. März 2024 — Specious Arts) 10. Interior Geometry — window glow (How to Be Invisible — 2. April 2021 — Interior Geometry) 11. Lee "Scratch" Perry — Ever Forward Dub (Dubz Of The Root — 12. März 2021 — MEGAWAVE) 12. Room Of Wires — Plague of People (Plague of People — 13. April 2021 — ant-zen) 13. Hainbach — Krisen (Landfill Totems — 8. April 2021 — SA Recordings) 14. Elegiac — He Folds (Elegiac — 30. April 2021 — UPP RECORDS) 15. Vatican Shadow — The Other Blackbirds Required Shipping To Their Final Resting Places Which Necessitated Their Wings Being Sawed Off By Worldwide Aircraft Recovery (SR-71 Blackbird Survivors — 29. April 2021 — Hospital Productions) 16. The Manges — Vengeance Is Mine (Go Down: Remastered — 2. Juni 2018 — Striped) 17. Jean-Michel Jarre — Amazônia, Pt. 1 (Amazônia — 19. März 2021 — Columbia/Sony Music) 18. Dry Cleaning — Scratchcard Lanyard (New Long Leg — 2. April 2021 — 4AD) 19. TANS — Contaminations (Contaminations — 30. März 2021 — Diffuse Reality Records) 20. Michael Kamen & Orbital — The Event Horizon (Event Horizon (Music From & Inspired By The Film) — 14. Oktober 1997 — London Records) 21. The Prodigy — Funky Shit (The Fat of the Land — 30. Juni 1997 — XL Recordings) 22. Godspeed You! Black Emperor — A Military Alphabet: Five eyes all blind-4521.0kHz 6730.0kHz 4109.09kHz/Job's Lament/First of the Last Glaciers/Where we break how we shine: Rockets For Mary (G_d’s Pee AT STATE’S END! — 2. April 2021 — Constellation) ### Informationen * Maisendung auf Pi Radio: 28. Mai 2021 um 1:00 Uhr * Maisendung auf dem Nachtprogramm der Freien Radios (zZ Radio Corax u.a.): 11. Juni 2021 um 0:00 Uhr (Wenn alles gut geht) * http://subtracks.funkwelle.org/ ## Subtracks Neuste Errungenschafften und ungespielte Neuveröffentlichungen. Das was von einer Hitparade übrigbleibt, trocken wiederverwendet, um die Datenhalden abzubauen. * https://subtracks.funkwelle.org

Cathy Pellow is the founder of Sargent House, a record label and artist management company based in Los Angeles. In putting the commitment to long term artist development at the center of her work, Cathy facilitates a growing community of highly respected, like-minded, artists from the dark and heavy worlds of music. You know these bands. Chelsea Wolfe, Russian Circles,

Greetings & Salutations my inimitable Whizbanger Show listeners! I hope today treats you fine, dandy, well, healthy, and blessed. If you missed the anniversary show, here’s the podcast! It is available for streaming or download.   Have at it, share it, tag me, and be well. Thank you for tuning in and listening, y’all   Xoxo   Tune in next week to hear new doom, old doom, no gloomy-gloom-gloom doom, and a coupla outliers. Just because.   Girlschool, Electric Citizen, Perversion, Bitch, Aeroscreamer, Kabbalah, Crimson Altar, Faetooth, Horehound, Ails, Lingua Ignota, Ye Goat-Herd Gods, Slant, Lunachicks, Rosy Finch, Lost Goat, Tines, Royal Thunder, Two Minutes to Late Night, Savage Master, Lady Luna & The Devil, Psychic Hit, Lady Ehepr Riding Easy Records, Metal Blade Records, Ripple Music, Doom Stew Records, Sargent House, The Flenser Records, Go-Kart Records, Discos Macarras, Spinefarm Records, Shadow Kingdom Records, Nocturnal Hustle      It has been real, you have been lovely, and this has been The Whizbanger Show with your host, me! Sara Whizbanger only on MMH - The Home of Rock Radio. Have a great weekend and whatever you do, keep that PMA!     Tune in to MMH – The Home Of Rock Radio every Friday from 2-4 PST | 10-midnight GMT to hear The Whizbanger Show.   Stream ===>>> www.mmhradio.co.uk   Whizbanger Show Podcasts ===>>> https://mmhradio.co.uk/podcasts/the-whizbanger-show/   Download the app ===>>> Google Play or Apple Store   Tell Alexa ===>>> Hey Alexa, play Midlands Metalheads Radio on TuneIn Tell Google ===>>> Hey Google, play MMH Radio on TuneIn   Get in touch with The Whizbanger: Email: thewhizbangershow@mmhradio.co.uk Facebook: www.facebook.com/whizbangershow Instagram: @sara.whizbanger

On this episode of the pod, we talk Lil Uzi Vert getting a $24 million diamond pierced to his forehead, Kanye West getting sued for $30 million for underpaying the Sunday Service Choir, and Joe Budden inking a deal with Patreon. This led to an unexpected and broader conversation about the importance of black ownership and how capitalism has it's roots deep in the music industry. Ryan and Ibe also head up a conversation about Public Enemy and their personal experiences regarding the themes of their music. SHOUTOUTSMadlib - Sound AncestorsFrazier Trill - S/TThe Koreatown Oddity - Little Dominque's NosebleedKirin J Callinan - "Dumb Enough"Music usedThe Armed - "ALL FUTURES" (all rights reserved to Sargent House, 2021)The Koreatown Oddity "My Name is Dominique" (all rights reserved to Stones Throw Records, 2021) Donate CTbailfund.orgphillybailfund.orgthebronxfreedomfund.orgbrooklynbailfund.orgDONATE TO YOUR LOCAL FOOD PANTRY, ETC. 

🔴 #fitz37 , 37 años la esperanza de vida en Ángola. Nadie habla de lo que está pasando en África con la pandemia. Esta semana hemos estado mirando mapas de París con nuestra lupa y realizando viajes literarios. En el programa sonaron “Roy” de Ambrose Akinmusire de su disco de 2020 “On the tender spot of every calloused moment” su quinto álbum de estudio, sexto en el total, uno de los mejores trompetistas actuales cada nuevo disco es un experimento, un artefacto delicioso. A través de su trompeta nos llega el aliento de un hombre negro que ha visto lo mejor y lo peor de su país. “Anhedonia” de Chelsea Wolfe y Emma Ruth Rundle , las cantautoras comparten el gusto por el folk oscuro, y sus voces estaban destinadas a unirse. Y así ha sido. El single se ha editado por Sargent House y parte de una composición inacabada que Chelsea Wolfe recuperó en el último confinamiento provocado por el Coronavirus. “Just Like the Moon” de Brett Dennen, cantante folk americano, que parece salido de Scooby doo, lleva dedes 2004 en activo, tiene una exitosa trayectoria a sus espada, esta canción forma parte de un EP acústico que lanzó el año pasado, pura selección gourmet para disfrutar. “Arise Therefore” de Bill Callahan (smog) y Bonnie Prince Billy ,dos pesos pesados del sonido alternativo del folk y el country, habituales de Fitzcarraldo, que junto a Ben Chasny lider del proyecto psicodélico Six Organs of Admittance, versionan, 25 años después, un viejo tema del proyecto Palace Music (liderado por Will Oldham aka Prince Billy). “Chamula” de Sonido Gallo Negro, es un grupo de cumbia y fusión procedente de San Juan de Aragón, colonia al oriente de la Ciudad de México. Su estilo se basa principalmente en la cumbia peruana y la inclusión de sonidos e instrumentos musicales de los años 70 así como la estética de la psicodelia. integrado en 2010 por miembros de bandas principalmente de surf como Espectroplasma, Twin Tones y Telekrimen. “Too good' de Arlo Parks, Acaba de salir “Collapsed in Sunbeams” el excelente debut de Arlo Park, aún que estamos enero, ya podemos afirma que será uno de los discos del año . Con tan solo 20 años esta artista londinense con raíces nigerianas y franco-chadianas, fue incluida por la BBC entre sus prometedores 'Sounds of 2020', y ahora con este disco confirma todas las expectativas. 39’ 552 ▶️▶️ Lux Æterna de Gaspar Noé, cineasta argentino afincado en Francia, e uno de los directores más provocadores del panorama contemporáneo , a sus 56 años, sigue buscando la transgresión y la experimentación como motor creativo. Su última apuesta es 'Lux Aeterna' un intenso, caótico y demoledor aquelarre metacinematográfico que nos sumerge en el arte de la dirección cinematográfica con dos actrices como Béatrice Dalle y Charlotte Gainsbourg. Aviso para personas fotosensibles, esta película contiene fuertes imágenes estroboscópicas durante gran parte de su metraje.

As an artist your career will last your lifetime, at least that should be the plan. And what you study in school may not always be what you do all the time. New opportunities come up, new technologies are developed, sometimes you find out that you are good at something you never even thought of. On this episode of Creative Mind, Bobby Brill talks with Aaron Guadamuz – he is a musician, stop motion artist, animator, curator and technologist if we can be so bold. In short Aaron is a working artist, and an artist working in the contemporary art scene as well. That hard to understand often frustrating world of art that few people like and even fewer “get” right now. Aaron Guadamuz is a Bay Area native, illustrator, animator, musician, photographer and handyman who lives and works in San Francisco, CA. He has worked closely with a number companies, organizations, and record labels including the Academy of Motion Pictures Arts and Sciences, Trouper Films, Sega of America, Sony, Namco, Napster, Stones Throw, Sargent House and Insect Records. Always with an ear to the ground for the strange and obscure, he works with a variety of underground and mainstream artists and filmmakers. He is one third of the art rock outfit Father Howl and a contributing writer and editor for Gowanus Film Society in Los Angeles.

'ONZWAAR, ONMETAAL', menig redacteur en fotograaf van Zware Metalen is wel eens geconfronteerd met deze leus tijdens het aanvragen van accreditatie voor optredens van bands die helemaal niet op Zware Metalen besproken zouden moeten worden. Green Day, Nickelback, Foo Fighters... gatekeepen is af en toe onvermijdbaar. Behalve dan in deze aflevering van Osmium - de zwaarste podcast in het Nederlands. Een bespreking van de death metal battle mondt uit in een discussie over de ruimte voor experimentatie in het metalgenre en niet-zware muziek die metalliefhebbers toch zouden kunnen waarderen. Uiteraard met muziek van Death. Onderwerpen: Death - Spirit Crusher (00:00) Introductie over verfsnuiven en het orakel van Delphi (00:17) Wederom een shout-out naar Kees, die eigenlijk Mike heet (01:14) De besproken onderwerpen van deze aflevering: death metal battle en niet-metal voor metalliefhebbers (02:25) Wees als Pim en laat een recensie van Osmium achter in iTunes (02:59) De verkiezing van de beste deathmetalbands volgens de lezers van Zware Metalen (04:28) Death metal uit de hoogtijdagen: vergane glorie en eentonigheid (08:28) Luistert de metalliefhebber tegenwoordig naar meer andere genres dan twintig jaar geleden? (13:10) Kunnen we de traditionele death metal doodverklaren? (14:54) Komt de hedendaagse innovatie binnen het metalgenre inderdaad van buitenaf? (18:40) De gitaar is verder verwijderd dan ooit, maar toch kruipt de metalen geest op andere manieren naar boven (26:01) Non-metal voor metalliefhebbers: Jaye Jayle - Prisyn. De elektronische kant van Nine Inch Nails gecombineerd met de onorthodoxe David Bowie en het doorleefde van Tom Waits en Nick Cave (28:01) Pim als Koning Wansmaak en Lowlands-ganger (38:08) Is elektronica de grootste blinde vlek van de metalluisteraar, en helpt Baroeg Open Air dat tegen te gaan? (40:10) Non-metal voor metalliefhebbers: Rival Consoles - Articulation. Ontroering, vernuft en onderdompeling binnen de minimalistische elektronica (49:12) Niels heeft het ineens over de soundtrack van Doom en Pim over Kanye West (58:29) Luistertip van Niels: Black Crown Initiate - Violent Portraits Of Doomed Escape, op het snijvlak van death en prog zonder de geur van rottende lijken (01:01:56) Luistertip van Pim: een deathmetaldrieluik van Katalepsy, Cytotoxin en Ingested op Unique Leader Records dat nostalgisch maakt naar het vervlogen Neurotic Deathfest (01:05:10) Shout-outs (01:09:22)

This week on Talking to Ghosts we talked to Jaye Jayle about making a collaborative album on the road, working in minimalism to find emotion, and how the COVID lockdown has allowed Evan and his wife, Emma Ruth Rundle, to take time off from touring and get a dog. Jaye Jayle's new album Prisyn is out August 7th on Sargent House. You can also find the stems for "Don't Blame The Rain" as part of the Isolate/Create project. “At Home” episodes are being recorded and released during the COVID-19 pandemic. Talking to Ghosts is produced and recorded by Michael Kurt and Wes Mueller. The best place to find more information, and an archive of previously released episodes, is on our Official Website.

For Episode 129, join The Boo Crew with the amazing and inspirational singer songwriter and creator, Chelsea Wolfe! We talk about her immersive and poetic song craft, spirituality, and sacred creative spaces. You’ll get some wonderful insight into the process, thought and intent laced into her music..and perhaps just how it ignites your soul. It was such an intense pleasure to speak with her and we are so happy you are here to go on this journey with us! She also shares some of her favorite dark genre films, a behind the scenes look at some of her music videos and more! Get her latest album BIRTH OF VIOLENCE and the debut of her new project Mrs.Piss arriving May 29th from Sargent House! Also-the ‘Crew practices distance learning with another edition of Horror Homework where we assign you some fright flicks! Go grab this one now! See acast.com/privacy for privacy and opt-out information.

Nick Reinhart is a Los Angeles based artist & musician. Getting his start in the three-piece Sacramento band Tera Melos, we talk about his new project Disheveled Cuss. The self-titled debut album comes out June 12th on Sargent House. We talk about Nick’s music journey, songwriting, touring, new album, & working with Best Coast & Portugal. The Man. Check out this fun interview!

Find calm in the violence of Author & Punisher? Or could Chelsea Wolfe extract your soul? Feat Anthony Pollock of Soda And Telepaths.THE SONGSSong 1 - ‘Terrorbird' by Author & PunisherApple Music - apple.co/2WNCYkNSpotify - spoti.fi/2zMxNbIYoutube - youtu.be/jjlBOPLWZywSong 2 - ‘The Mother Road' by Chelsea WolfeApple Music - apple.co/2TnlqK6Spotify - spoti.fi/2XgDIhkTHE GUESTDiscover where comic books meet tv pop culture with Soda and Telepaths. Forged by Anthony Pollock, this entertainment entity exists through a website, fortnightly podcast (Soda and Telecast) and video channel.With more than 10 contributors, the Soda and Telepaths crew deliver exciting and original content for your reading, viewing and listening pleasure.Listen / Follow below:Apple Podcasts - apple.co/2Thu64oSpotify - spoti.fi/2zc7lrNInstagram - instagram.com/soda.and.telepathsTwitter - twitter.com/sodatelepathsYouTube - youtube.com/SodaandTelepathsWeb - sodaandtelepaths.comSONG CREDITS‘Terrorbird' written by Tristan Shone. From the album ‘Ursus Americanus'. © 2012 - Seventh Rule Recordings.‘The Mother Road' written by Chelsea Wolfe. From the album ‘Birth Of Violence'. © 2019 - Sargent House.

Jimmy Buffett [01:17] "Dallas" A1A ABC Dunhill DSD-50183 1974 Still the decent country-oriented Buffett. This one was penned by the Coral Reefer's guitarist Roger Bartlett. Made it to number 25 on the Billboard 200. Darryl Hall & John Oates [04:42] "She's Gone" Abandoned Luncheonette Atlantic Records SD 7269 1973 To be honest, I really like "Las Vegas Turnaround", the track that precedes "She's Gone" but sometimes you just have to go with the hits. It's possible that somewhere out there in listener land, there is someone who has never heard "She's Gone". Hit #33 on the charts and turned platinum 29 years after its release. ABBA [10:09] "SOS" ABBA Atlantic Records SD 18146 1975 Too many tracks to choose from! I almost went with "Hey Hey Helen" but in the I had to send for help. While the album only just dented the Billboard 200 reaching #174, as a single "SOS" made it to #15 on the Hot 100. Count Basie Orchestra [13:31] "Jumpin' at the Woodside" The ABC Collection ABC Records AC-30004 1976 A 1976 reissue of Count Basie's 1969 Dot Records release Standing Ovation, recorded at the Tropicana in Las Vegas. Chelsea Wolfe [18:49] "Crazy Love" Abyss Sargent House SH141 2015 Continuing her evolution, this is one of the more brooding tracks from this excellent Sargent House release. This was also the first Chelsea Wolfe album to chart, making it up to #130. I'll also take this opportunity to let interested parties know that if you have the opportunity to see Chelsea Wolfe live, you should do it. Kiss [22:21] "New York Groove" Ace Frehley Casablanca Records NBLP 7121 1978 Back in the New York Groove, backed by such NY session musicians as Anton Fig and Will Lee. Of course this album made it well into the Billboard 200, peaking out at 26. It was also certified platinum a month after its release. Of course this is in the pre-Soundscan days, so that just meant that 1,000,000 copies of the album were shipped out, which explains why I picked up this remaindered copy for $1. Luke Sweeney [25:29] "Sympathy for the Night" Adventure: Us Aerobic International 2014 Speaking of grooves, this track by Bay Area musican Luke Sweeney has a very solid one. Nilsson [28:30] "One" Aerial Ballet RCA Victor LSP-3956 1968 Again, so many great songs to choose from, some of which we'll hear as we progress through the season, but I decided to go with this "One" ^.^ While this track failed to chart as a single, a year later Three Dog Night would take their rendition all the way up to number 5 on the Hot 100. Havens, Richie [32:45] "To Give All Your Love Away" Alarm Clock Stormy Forest SFS 6005 1971 A vert solid jam from Ritchie Haven's most successful album, featuring Rick Derringer on electric guitar. Monty Python [35:37] "Constitutional Peasants" Album to the Soundtrack of the Trailer of the Film of Monty Python and the Holy Grail, Executive Version Arista AB 4050 1975 Seems relevant. Alison Moyet [38:37] "Honey for Bees" Alf Columbia Records BFC 39956 1984 A solo outing from the vocal powerhouse half of Yaz, produced by early 80s mega producers Jolley & Swain. Patti Austin covered this song as a single a year later and took it into the top dance club singles. Moev [42:48] "Alibis" Alibis Nettwerk 12 NTWK 11 1984 I had almost forgotten about this Canadian synth pop outfit. I had their album Yeah, Whatever once upon a time as a cassette, and then this 12" single recently made it into my collection. Hakuna matata. The She’s [49:22] "Eva's Interlude/Anywhere But Here" All Female Rock and Roll Quartet Empty Cellar Records EMP 034 2017 Great band, great album, and a great interlude! The vinyl release has a fantastic bookley featuring artwork by women who inspire the band. Earth, Wind & Fire [54:24] "Magic Mind" All n’ All Columbia Records 34905 1977 Yet still even more hot stuff from Earth Wind & Fire. The gents made it all the way up to number 3 on the album charts and went on to go triple platinum. Diana Ross [58:09] "Upside Down" All the Great Hits Motown M13-960C2 1981 Defintely enjoying the handywork of Chic's Nile Rodger and Bernard Edwards on this late-disco classic. Sarah Vaughan [01:02:15] "It's Delovely" All Time Favorites Mercury Wing MGW 12123 1965 Two great classics that taste great together. I'm talking about Sarah Vaughan and Cole Porter. Music behind the DJ: "Gomez" by Vic Mizzy

Russian Circles - Arluck - from the 2019 album Blood Year on Sargent House.Support the show: https://www.kexp.org/donateSee omnystudio.com/listener for privacy information.

Welcome to Creative Loafing weekend roundup podcast for July 3rd through 7th! Will Cardwell, Jacob Chisenhall, and Narah Landress join Music Editor Chad Radford to talk about their top picks for weekend music and more. Turn on, tune in, go out! Photo Courtesy of Sargent House

Breathless openings, reassembled DNA, talking through the guitar. The Seattle-based duo talk about three important albums.

Emma Ruth Rundle - Darkhorse - from the 2018 album On Dark Horses on Sargent House.Support the show: https://www.kexp.org/donateSee omnystudio.com/listener for privacy information.

       Jason and Matt talk about the album Station by Russian Circles. A truly great band. Matt has seen them numerous times and took a photo with the drummer when he bought a shirt.    

Liberation Frequency Thema #35Podcast mensuel, présenté et programmé par Hugues de Castillo.Durée : 125 minutes.Stephen Brodsky musicien originaire de Boston a fait partie de nombreux projets, Cave In, Kid Kilowatt, Converge, Pet Genius et depuis quelques années il sévit au sein de Mutoid Man… En avril 2016 il accompagnait Converge dans le cadre de la tournée « Blood Moon ». L'occasion de lui poser quelques questions. Une émission d'actualité vu que Mutoid Man a sorti son second album il y a quelques mois via Sargent House et que le groupe sera à l'affiche du Roadburn 2018 et plus précisémment le vendredi 20 avril prochain. Enjoy!Liberation FrequencyMUTOID MAN, Lost In The Hive, ep « Helium Head », Magic Bullet Records (2012)CAVE IN, Ataraxia, alb « Perfect Pitch Black », Hydrahead (2005)CAVE IN, Ataraxia (SB Demo), alb « Perfect Pitch Black », Hydrahead (2017)CAVE IN, On The Prowl, alb « Perfect Pitch Black », Hydrahead (2017)CAVE IN, Mitigate, comp « Beyond Hypothermia », Hydrahead (1998)CAVE IN, Crambone, comp « Beyond Hypothermia », Hydrahead (1998)CAVE IN, Juggernaut, alb « Until Your Heart Stops », Hydrahead (1998)MUTOID MAN, Bridgeburner, alb « Bleeder », Sargent House (2015)MUTOID MAN, Bleeder, alb « Bleeder », Sargent House (2015)STEPHEN BRODSKY, Voice Electric, alb « Stephen Brodsky's Octave Museum », Hydrahead (2006)PET GENIUS, Man Of The Mountain, alb « Pet Genius », Hydrahead (2007)NEUROSIS, End Of The Harvest, alb « Times Of Grace », Relapse (1999)CAVE IN, Big Riff, alb « Jupiter », Hydrahead (2000)CAVE IN, Penny Racer, alb « Antenna », RCA (2003)KID KILOWATT, The Scope, alb « Guitar Method 1996-1999 », Hydrahead (2004)KID KILOWATT, , alb « Guitar Method 1996-1999 », Hydrahead (2004)CONVERGE, Conduit, alb « When Forever Comes Crashing », Hydrahead (1998)CONVERGE, Jane Doe, alb « Jane Live », Deathwish (2017)MUTOID MAN, Headrush, alb « War Moans », Sargent House (2017)MUTOID MAN, Bandages, alb « War Moans », Sargent House (2017)CAVE IN, Retina Sees Rewind, ep « Planet Of Old », Hydrahead (2009)CAVE IN, Plainsong, alb « Disintegrated: A Cure Tribute », (2003)

Liberation Frequency Thema #35 Podcast mensuel, présenté et programmé par Hugues de Castillo. Durée : 125 minutes. Stephen Brodsky musicien originaire de Boston a fait partie de nombreux projets, Cave In, Kid Kilowatt, Converge, Pet Genius et depuis quelques années il sévit au sein de Mutoid Man… En avril 2016 il accompagnait Converge dans le cadre de la tournée « Blood Moon ». L’occasion de lui poser quelques questions. Une émission d’actualité vu que Mutoid Man a sorti son second album il y a quelques mois via Sargent House et que le groupe sera à l’affiche du Roadburn 2018 et plus précisémment le vendredi 20 avril prochain. Enjoy! Liberation Frequency MUTOID MAN, Lost In The Hive, ep « Helium Head », Magic Bullet Records (2012) CAVE IN, Ataraxia, alb « Perfect Pitch Black », Hydrahead (2005) CAVE IN, Ataraxia (SB Demo), alb « Perfect Pitch Black », Hydrahead (2017) CAVE IN, On The Prowl, alb « Perfect Pitch Black », Hydrahead (2017) CAVE IN, Mitigate, comp « Beyond Hypothermia », Hydrahead (1998) CAVE IN, Crambone, comp « Beyond Hypothermia », Hydrahead (1998) CAVE IN, Juggernaut, alb « Until Your Heart Stops », Hydrahead (1998) MUTOID MAN, Bridgeburner, alb « Bleeder », Sargent House (2015) MUTOID MAN, Bleeder, alb « Bleeder », Sargent House (2015) STEPHEN BRODSKY, Voice Electric, alb « Stephen Brodsky’s Octave Museum », Hydrahead (2006) PET GENIUS, Man Of The Mountain, alb « Pet Genius », Hydrahead (2007) NEUROSIS, End Of The Harvest, alb « Times Of Grace », Relapse (1999) CAVE IN, Big Riff, alb « Jupiter », Hydrahead (2000) CAVE IN, Penny Racer, alb « Antenna », RCA (2003) KID KILOWATT, The Scope, alb « Guitar Method 1996-1999 », Hydrahead (2004) KID KILOWATT, , alb « Guitar Method 1996-1999 », Hydrahead (2004) CONVERGE, Conduit, alb « When Forever Comes Crashing », Hydrahead (1998) CONVERGE, Jane Doe, alb « Jane Live », Deathwish (2017) MUTOID MAN, Headrush, alb « War Moans », Sargent House (2017) MUTOID MAN, Bandages, alb « War Moans », Sargent House (2017) CAVE IN, Retina Sees Rewind, ep « Planet Of Old », Hydrahead (2009) CAVE IN, Plainsong, alb « Disintegrated: A Cure Tribute », (2003)

Today we welcome Aaron Gossett and Luke Jones from the band Blis. Go check out their new album “No One Loves You” on Sargent House. It’s one of my favorites of the year. Support the show (https://www.patreon.com/washedupemo)

“What I want is to open up. I want to know what's inside me. I want everybody to open up. I'm like an imbecile with a can opener in his hand, wondering where to begin—to open up the earth. I know that underneath the mess everything is marvelous. I'm sure of it.” - Henry Miller Digging beneath the mess of the world to find the beauty underneath is perhaps the most consistent theme in Chelsea Wolfe’s expansive discography—a theme that ties together her ceaseless explorations in unorthodox textures, haunting melodies, and mining the grandeur embedded within ugliness and pain. With her sixth official album Hiss Spun, Wolfe adopts Miller’s quest to become empowered by embracing the mess of the self, to control the tumult of the soul in hopes of reigning in the chaos of the world around us. “I wanted to write some sort of escapist music; songs that were just about being in your body, and getting free,” Wolfe says of the album before extrapolating on the broader scope of her new collection of songs. “You’re just bombarded with constant bad news, people getting fucked over and killed for shitty reasons or for no reason at all, and it seems like the world has been in tears for months, and then you remember it’s been fucked for a long time, it’s been fucked since the beginning. It’s overwhelming and I have to write about it.” Hiss Spun was recorded by Kurt Ballou in Salem, Massachusetts at the tail end of winter 2017 against a backdrop of deathly quiet snow-blanketed streets and the hissing radiators of warm interiors. While past albums operated on the intimacy of stripped-down folkmusic (The Grime and the Glow, Unknown Rooms), or the throbbing pulse of supplemental electronics (Pain Is Beauty, Abyss), Wolfe’s latest offering wrings its exquisiteness out of a palette of groaning bass, pounding drums, and crunching distortion. It’s an album that inadvertently drew part of its aura from the cold white of the New England winter, though the flesh-and-bone of the material was culled from upheavals in Wolfe’s personal life, and coming to terms with years of vulnerability, anger, self-destruction, and dark family history. Aside from adding low-end heft with gratuitous slabs of fuzz bass, longtime collaborator Ben Chisholm contributed harrowing swaths of sound collages from sources surrounding the artist and her band in recent years—the rumble of street construction at a tour stop in Prague, the howl of a coyote outside Wolfe’s rural house in California, the scrape of machinery on the floor of a warehouse at a down-and-out friend’s workplace. Music is rendered out of dissonance—bomb blasts from the Enola Gay, the shriek of primates, the fluttering pages of a Walt Whitman book are manipulated and seamlessly integrated into the feral and forlorn songs of Hiss Spun. The album opens with the sickening bang of “Spun”, where a lurching bottom-heavy riff provided by Chisholm and Troy Van Leeuwen (Queens of the Stone Age, Failure) serves as a foundation to a sultry mantra of fever-dream longing and desire. The first third of Hiss Spun—whether it’s the ominous twang and cataclysmic dynamics of “16 Psyche”, the icy keyboard lines, restless pulse and harrowing bellows of Aaron Turner (Old Man Gloom, SUMAC) on “Vex”, or the patient repetition and devastating choruses of “The Culling—all carry the weight of desperation, lost love, and withdrawal. Wolfe’s introspection and existential dread turns outwards to the crumbling world around us with “Particle Flux”, an examination of the casualties of war set against an aural sea of static. White noise is a constant thread through Hiss Spun, with Wolfe finding solace in the knowledge that radio static is the sound of the universe expanding outwards from the Big Bang—a reminder that even dissonance has ties to creation. The electronic thump of “Offering” serves as an ode to the Salton Sea and the encroaching calamities stemming from climate change. The obsession with white noise and global destruction carries over into “Static Hum”, where the merciless percussive battery of Wolfe’s former bandmateand current drummer Jess Gowrie helps deliver the dire weight of a sonnet dedicated to a “burning planet.” By the time the album closes with “Scrape”, Wolfe has come full circle and turned her examinations back inward, reflecting over her own mortality with arguably the most commanding vocal performance in her entire oeuvre. “The album is cyclical, like me and my moods,” Wolfe says of Hiss Spun. “Cycles, obsession, spinning, centrifugal force—all with gut feelings as the center of the self.” And it’s an album that Wolfe sees as a kind of exorcism. “I’m at odds with myself… I got tired of trying to disappear. The record became very personal in that way. I wanted to open up more, but also create my own reality.” Every Chelsea Wolfe album is cathartic, but never before has both the artist and her audience so desperately needed this kind of emotional purging. Sargent House is proud to release Hiss Spun to the world on September 22nd, 2017. Topics Discussed In This Episode: Her radio show through Red Bull Music Academy called "Hypnos Hour" The process of discovering yourself as an artist The novel "1Q84" written by Haruki Murakami The film "The Sevent h Seal" directed by Ingmar Bergman Writing lyrics and song writing Psychedelics opening up access portals Her collaboration with Converge Her new album "Hiss Spun" www.artistdecoded.com

Liberation Frequency Thema #28 Podcast mensuel, présenté et programmé par Hugues de Castillo. Durée : 140 minutes. Dernier regard porté vers les sorties de l'année 2016. Après une exploration le mois dernier centrée sur du son bien gras, ce mois-ci Liberation Frequency Thema vous a fait une sélection allant du post rock au folk hanté en passant par du shoegaze… Enjoy! BLACK MOUNTAIN, Space To Bakersfield, alb « IV », Jagjaguwar (2016) CULT OF LUNA & JULIE CHRISTMAS, Cygnus, alb « Mariner », Indie recordings (2016) DUCHESS SAYS, Travaillez, alb « Sciences Nouvelles », Slovenly Records (2016) EXPLOSIONS IN THE SKY, The Ecstatics, alb « The Wilderness », Temporary Residence Limited (2016) ELECTRIC CITIZEN, Social Phobia, alb « Higher Time », Riding Easy (2016) FÉROCES, Juliette, ep « Juliette », Impure Music (2016) GREENLEAF, Howl, alb « Rise above The Meadow », Napalm Records (2016) KING DUDE, The Girls, alb « Sex », Van Records (2016) NOTHING, Eaten By Worms, alb « Tired Of Tomorrow », Relapse (2016) RADIOHEAD, Identikit, alb « A Moon Shaped Pool », XL Recordings (2016) SINISTRO, Partida, alb « Semente », Season Of Mist (2016) SUBROSA, Killing Rapture, alb « For This We Fought The Battle Of Ages », Profound Lore (2016) SWANS, Frankie M, alb « The Glowing Man », Young God Records (2016) TRUE WIDOW, Theurgist, alb « Avvolgere », Relapse (2016) WITCHCRAFT, Nucleus, alb « Nucleus », Nuclear Blast (2016) WORM OUROBOROs, (What It) The Cruelest Thing, alb « What Graceless Dawn », Profound Lore (2016) WOVENHAND, Swaying Reed, alb « Star Treatment », Sargent House (2016) 40 WATT SUN, Beyond You, alb « Wider Than The Sky », Svart Records (2016)

Liberation Frequency Thema #28Podcast mensuel, présenté et programmé par Hugues de Castillo.Durée : 140 minutes. Dernier regard porté vers les sorties de l'année 2016. Après une exploration le mois dernier centrée sur du son bien gras, ce mois-ci Liberation Frequency Thema vous a fait une sélection allant du post rock au folk hanté en passant par du shoegaze… Enjoy!BLACK MOUNTAIN, Space To Bakersfield, alb « IV », Jagjaguwar (2016)CULT OF LUNA & JULIE CHRISTMAS, Cygnus, alb « Mariner », Indie recordings (2016)DUCHESS SAYS, Travaillez, alb « Sciences Nouvelles », Slovenly Records (2016) EXPLOSIONS IN THE SKY, The Ecstatics, alb « The Wilderness », Temporary Residence Limited (2016)ELECTRIC CITIZEN, Social Phobia, alb « Higher Time », Riding Easy (2016) FÉROCES, Juliette, ep « Juliette », Impure Music (2016)GREENLEAF, Howl, alb « Rise above The Meadow », Napalm Records (2016)KING DUDE, The Girls, alb « Sex », Van Records (2016)NOTHING, Eaten By Worms, alb « Tired Of Tomorrow », Relapse (2016) RADIOHEAD, Identikit, alb « A Moon Shaped Pool », XL Recordings (2016)SINISTRO, Partida, alb « Semente », Season Of Mist (2016)SUBROSA, Killing Rapture, alb « For This We Fought The Battle Of Ages », Profound Lore (2016)SWANS, Frankie M, alb « The Glowing Man », Young God Records (2016)TRUE WIDOW, Theurgist, alb « Avvolgere », Relapse (2016)WITCHCRAFT, Nucleus, alb « Nucleus », Nuclear Blast (2016)WORM OUROBOROs, (What It) The Cruelest Thing, alb « What Graceless Dawn », Profound Lore (2016)WOVENHAND, Swaying Reed, alb « Star Treatment », Sargent House (2016)40 WATT SUN, Beyond You, alb « Wider Than The Sky », Svart Records (2016)

Ape List #5 – Grrrl Power ! En ce mercredi 8 mars 2017, j'ai eu envie de célébrer la Journée internationale des droits des femmes en vous proposant une sélection de morceaux chanté par des femmes. J'adore le chant féminin et j'ai simplement eu envie de dégainer les 8 premiers morceaux qui me passait par la tête hier soir et c'est tout ! Comme pour chaque Ape List, cette sélection n'a absolument rien de définitif. Si j'avais enregistré cet épisode avant-hier, il y a fort à parier que j'aurais choisi 8 titres et 8 groupes différents ! Une fois n'est pas coutume, on va attaquer avec du R&B, un classique de chez classique de la Motown, à savoir (Love is like a) Heat Wave de Martha & The Vandellas, sorti en 1963 – et c'est l'occasion de faire un clin d'oeil à On s'écoute ça tout de suite, dont vous pouvez retrouver les épisodes ici ! On continue avec la pop/shoegaze de The Joy Formidable et le morceau Cradle, issu de leur premier EP (A Ballon Called Moaning) sorti fin 2008 chez Black Bell. Forcément, vu la thématique, il fallait bien que je sorte un morceau de L7. C'était pas évident de choisir et finalement, je me suis dit que Andres, sorti en 1994 chez Slash Rds sur l'abum Hungry for Stink - ce titre ! tout un programme !!! On enchaine dans le même délire musical avec Starfish et le morceau Run Around, extrait de l'album Stellar Sonic Solutions, sorti chez Trance Syndicate et produit par Bob Mould ! Pour info, ce titre est également dispo sur le deuxième volume de la compilation No Seattle, éditée par Soul Jazz Records. Ensuite, on quitte les État-Unis pour revenir en France, avec 5 seconds of your conversation de Drive Blind - produit par David Weber et enregistré au studio des Forces Motrices à Genève - sorti d'abord en 1996 chez Pias puis réédité en 2016 en double LP par Head Records, en version remasterisée (bon, je vous ai mis la version CD de 1996, parce qu'on est des vrais!). Et on reste en France avec Not Like You de Unlogistic, extrait du split 7'' avec Seanews, sorti en 2003 chez Happy Dick Milk et Rejuvenation. Ça va tout droit et à fond la caisse !!! On repart sur des routes plus sinueuses, plus grasses mais épiques, avec Hems Alee et leur Tumescence, issu de leur troisième LP, sorti chez Sargent House en 2013. On terminera avec un sujet difficile et le morceau Touch Me Again de Petrol Girls, extrait de l'album Talk of Violence, sorti en 2016 chez Bomber Music. Retrouvez les autres épisodes de Cornelius and Zira sur podCloud, iTunes et n'hésitez pas nous contacter sur Twitter @andzira et sur la page FB du podcast ou même par e-mail : corneliusandzirapodcast(at)gmail(dot)com ! À bientôt les Spartiates !!!

Liberation Frequency Thema #16Podcast mensuel, présenté et programmé par Hugues de Castillo.Durée : 152 minutes.Avant de s'imprégner pleinement de l'année 2016, petit ou grand regard dans le rétroviseur de l'année écoulée. 2015 a été riche en sorties, découvertes et autres coup de cœur. On profite de cette 16 livraison de Liberation Frequency pour vous proposer 27. Enjoy!https://www.facebook.com/pages/Liberation-Frequency/321280887969352BROTHER / GHOST, Freedom, alb « Buried », I Corrupt (2015)MILANKU, Fuir Les Jours, alb « De Fragments », Moment Of Collapse (2015)CHRIST, Rope, alb « TOWER », L'œil du Tigre (2015)SUNDER, Thinder And Storm, alb « Sunder », Tee Pee (2015)FÖLLAKZOID, Earth, alb « III », Sacred Bones (2015)THE ICARUS LINE, El Sereno, alb « All Things Under Haven », (2015)GRAVE PLEASURES, Utopian Scream, alb « Dreamcrash », Sony (2015)CEREMONY, The Party, alb « The L-Shaped Man », Matador (2015)PUBLICIST UK, Telegraphing, alb « Forgive Yourself », Relapse (2015)KEN MODE, Management Control, alb « Success », Season Of Mist (2015)MUTOID MAN, Sweet Ivy, alb « Bleeder », Sargent House (2015)ABRAMS, Sea Salt Lines, Alb « Lust. Love. Loss. », autoprod (2015)DEMON HEAD, Reveletions Of April, alb « Ride The Wilderness », This Charming Man Records (2015)WINDHAND, Forest Clouds, alb « Grief's Infernal Flower », Relapse (2015)MONOLORD, We Will Burn, Alb « Vænir », Riding Easy (2015)MAKE, Breathe, alb « The Golden Veil », autoprod (2015)CORRECTIONS HOUSE, Superglued Tooth, alb « Know How To Carry A Whip », Neurot Recordings (2015)THE BODY & THOU, Terrible Lie, alb « You, Whom I Have Always Hated », Thrill Jockey (2015)RIWEN, Stalking A Wounded Wolf, alb « The Cold », Indie Recordings (2015)REVOK, Polluted Ideas, alb « Bunt Auf Grau », Music Fear Satan (2015)RED APOLLO, Lovegazers, alb « Altruist », Moment Of Collapse (2015)THE RODEO IDIOT ENGINE, Passing Daemons, alb « Malaise », Throatruiner (2015)PRIMITIVE MAN, Bag Man, ep « Home Is WhereThe Hatred Is », Relapse (2015)COWARDS, Wish For Infamy, alb « Rise To Infamy », Throatruiner (2015)REGARDE LES HOMMES TOMBER, A Sheep Among The Wolfes, alb « Exile », Les acteurs de l'ombre production (2015)DELUGE, Naufrage, alb « Æther »,Les acteurs de l'ombre production (2015)HOPE DRONE, Carried Apart by the Ceaseless Tides, alb « Cloak Of Ash », Relapse (2015)

Liberation Frequency Thema #16 Podcast mensuel, présenté et programmé par Hugues de Castillo. Durée : 152 minutes. Avant de s’imprégner pleinement de l’année 2016, petit ou grand regard dans le rétroviseur de l’année écoulée. 2015 a été riche en sorties, découvertes et autres coup de cœur. On profite de cette 16 livraison de Liberation Frequency pour vous proposer 27. Enjoy! https://www.facebook.com/pages/Liberation-Frequency/321280887969352 BROTHER / GHOST, Freedom, alb « Buried », I Corrupt (2015) MILANKU, Fuir Les Jours, alb « De Fragments », Moment Of Collapse (2015) CHRIST, Rope, alb « TOWER », L’œil du Tigre (2015) SUNDER, Thinder And Storm, alb « Sunder », Tee Pee (2015) FÖLLAKZOID, Earth, alb « III », Sacred Bones (2015) THE ICARUS LINE, El Sereno, alb « All Things Under Haven », (2015) GRAVE PLEASURES, Utopian Scream, alb « Dreamcrash », Sony (2015) CEREMONY, The Party, alb « The L-Shaped Man », Matador (2015) PUBLICIST UK, Telegraphing, alb « Forgive Yourself », Relapse (2015) KEN MODE, Management Control, alb « Success », Season Of Mist (2015) MUTOID MAN, Sweet Ivy, alb « Bleeder », Sargent House (2015) ABRAMS, Sea Salt Lines, Alb « Lust. Love. Loss. », autoprod (2015) DEMON HEAD, Reveletions Of April, alb « Ride The Wilderness », This Charming Man Records (2015) WINDHAND, Forest Clouds, alb « Grief’s Infernal Flower », Relapse (2015) MONOLORD, We Will Burn, Alb « Vænir », Riding Easy (2015) MAKE, Breathe, alb « The Golden Veil », autoprod (2015) CORRECTIONS HOUSE, Superglued Tooth, alb « Know How To Carry A Whip », Neurot Recordings (2015) THE BODY & THOU, Terrible Lie, alb « You, Whom I Have Always Hated », Thrill Jockey (2015) RIWEN, Stalking A Wounded Wolf, alb « The Cold », Indie Recordings (2015) REVOK, Polluted Ideas, alb « Bunt Auf Grau », Music Fear Satan (2015) RED APOLLO, Lovegazers, alb « Altruist », Moment Of Collapse (2015) THE RODEO IDIOT ENGINE, Passing Daemons, alb « Malaise », Throatruiner (2015) PRIMITIVE MAN, Bag Man, ep « Home Is WhereThe Hatred Is », Relapse (2015) COWARDS, Wish For Infamy, alb « Rise To Infamy », Throatruiner (2015) REGARDE LES HOMMES TOMBER, A Sheep Among The Wolfes, alb « Exile », Les acteurs de l’ombre production (2015) DELUGE, Naufrage, alb « Æther »,Les acteurs de l’ombre production (2015) HOPE DRONE, Carried Apart by the Ceaseless Tides, alb « Cloak Of Ash », Relapse (2015)

Track Listing for podcast: Two wounded birds - My Lonesome Taken from the album "Keep Dreaming Baby" 2010 (Holiday records) Temiz - Dokuz Sekiz Taken From the Album "Turkish Freakout: Psych-Folk Singles 1969-1980" 2010 (Bouzouki jo) Saturnalia Temple - Sitra Ahra Ruled Solitary Before creation Taken From the Album "Aion of Drakon" 2011 (Ajna Offensive) You - Magooba Taken From the Album "Electric day" 1979 (cain) Night Sun - Got a bone of my own Taken From the Album "Mournin'" 1972 Vessels - Artchoke Taken From the Album "Helioscope" 2011 (Cuckundoo) Venetian snares - Ever Apparent All Being Shoulder Taken From the Album "Cubist Reggae" 2011 Brain Ticket - Places of light Taken From the Album "Cottonwoodhill" 1971 (Hallelujah) You - Controlled Demolition Taken From the Album "Time Code" 1980 (Rock City) John Mueller - Remembered Taken From the Album "The Whole" 2010 (Type) Red Sparowes - A Swarm Taken From the Album "The Fear Is Excruciating, But Therein Lies the Answer" 2010 (Sargent House)

In the upcoming debut podcast you will be hearing a spectacular interview with the amazing musician and singer Lisa Papineau, who will soon be releasing a new solo record as well as a great new album with Big Sir. Lisa Papinau's website and click here for her Sargent House House page.You will also be hearing from ZYZXXZINE correspondent and vegan feminist and womyn lover Shoshanna Mitchell, who was kind enough to do a promo for us. Listen and anticipate. My Podcast Alley feed! {pca-6eef27292af0127ea4d7ef62a6c6943f}