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Life Changes Show with Filippo Voltaggio and cohost Mark Laisure, with Executive Producer Dorothy With Guests, Brian Castleforte, Animator, Author, Advocate and, Keri Edwards, Folk-Rock Indie Music Artist, Singer, Songwriter Featuring Interview Guest, Brian Castleforte, a.k.a. Castleforte, Motionographer, Animator, Paper Toy Pioneer, Author, Creative Director, Mindfulness & Creativity Mentor and Advocate; and Performance Guest, Keri Edwards, Folk-Rock Indie Music Artist, Singer / Songwriter, on The Life Changes Show, Episode 817 Interview Guest: BRIAN CASTLEFORTE; and Performance Guest: KERI EDWARDS
Today, I'm making friends with Chris Do, an Emmy award-winning designer, director, CEO and Chief Strategist of Blind and the founder of The Futur—an online education platform with the mission of teaching 1 billion people how to make a living doing what they love.** What I Discuss with Chris:– NorCal VS SoCal– Growing up as a first generation immigrant– The problem with the education system– The struggles of being a true designer within the ad agency system** (Psst... Before I tell you more about the guest, do you like this show? Please leave us a review on Apple Podcasts — even one sentence helps!
Teresa Au chats with Emmy-winning design superstar Chris Do about his pivot from design to teaching, his education platform The Futur, and all the things he didn't learn in design school. You'll hear all about how Chris' 2M+ social followers inspire his content, and Chris answers questions from design students. Plus, Chris opens up about why now is the time for him to share his personal story as a refugee, what really fuels his work, and how he recharges.We want to hear from YOU, our listeners, so we put together a brief survey as we look ahead to season two: https://adobe.ly/podcastsurveyTo thank you for your feedback, we're giving away two 12-month memberships to Creative Cloud (valued at $659.88 each). Enter for your chance to win one of the two Creative Cloud licenses by completing the survey form from December 7 at 9pm PT to November 30 at 5pm PT. Winners will be drawn at random and notified at December 14 at noon PT. Valid one license per winner. No purchase necessary. You must be 18 years or older to enter. Please see Terms and Conditions on our website for full details. https://adobe.ly/podcastsurveyWhat you'll hear in this episode:How Chris' company The Futur is making education equitable for students and teachersThe breakthroughs that came with teachingLearning how to really readWhat you don't learn in design school about businessThe Futur's business modelCreating content to market a product vs creating content to help peopleCommunity and Chris' cult-like following of design fansWhy Chris spends 6 hours a day talking with his online communityWhy now is the time for Chris to share his story of coming to the US as a refugee from VietnamA little inspiration from Aaron DraplinPersonality tests and what it means to be an ambivertHow Chris rechargesWhy Chris gets his inspiration from friction with his audienceConflict becomes contentThe story behind Chris Do is a Fraud, featuring BeepleChris answers questions from students at the Adobe Creative RetreatIs design exploitation?Should your first job out of design school be in-person or remote?Why Chris started his own firm–the short answer and the real answer.Chris' One Word for 2024Chris Do is an Emmy award-winning designer and director, and the founder of The Futur—an online education platform with the mission of teaching 1 billion people how to make a living doing what they love. In his near-30-year career, he has served on boards for organizations such as the Society for the Promotion of Japanese Animation, AIGA Los Angeles, and the Emmys Motion & Title Design Peer Group. He taught Sequential Design for over 15 years at ArtCenter College of Design as well as Otis College of Art and Design. Chris has lectured at universities and conferences worldwide, including Adobe MAX. His firm's work has been recognized by industry organizations such as the Emmys, the Clio awards, and numerous design publications. Teresa Au is an executive for community engagement and driving customer empathy at Adobe. Her career spans diverse creative fields, primarily in New York's fashion industry, as well as architecture firms, and now Silicon Valley tech companies. She has always prized working with distinctive design and the interesting people behind it–from designer Elie Tahari to start-up CEOs. Find transcripts and links at adobe.ly/inthemaking. Past episodes of Wireframe can still be found in the show archive within this feed, or online on Behance. Design flyers, TikToks, resumes, and Reels with the new, all-in-one Adobe Express. Create video, marketing, and social content. Edit photos and PDFs. Make it all in one app, including generative AI tools from Adobe Firefly and easy, one-click tasks like removing backgrounds.Adobe Creative Cloud provides apps, web services, and resources for all your creative projects — photography, graphic design, video editing, UX design, drawing and painting, social media, and more. Learn more about the apps in Creative Cloud.
In this episode, Erin and Austin welcome Justin Cone, Director of Communications Strategy at BUCK, a global creative company that brings brands, stories, and experiences to life through art, design, and technology. With offices around the world, BUCK’s 600 makers, doers, and dreamers create work that is experienced by literally billions of people every day. Justin’s experience with many different roles within the industry makes him a great listen for any motion design student or experienced designer. You’ll hear about the state of the motion design industry both in the early days and now, trends in employment and education, and new ideas and concepts on the horizon. Discussion Points: Justin, Erin and Austin’s early days in the industry The state of education and employment in the industry today The “Cream of the Crop” list Big tech jobs The impact of Motionographer.com on the industry Internships/apprenticeships BUCK business update An LGBTQIA ‘zine project at BUCK Remote work and its lack of network building Writing and motion design Producers, EPs, and their roles Company culture The IRL student experience Private vs. public art schools Obligations and responsibilities, managing time Pros and cons within the motion design industry Talent vs. hard work Taco preferences, worst client notes, early mistakes, and gripes about kids these days Resources: Starter Story “How to Say No” Justin Cone Website Justin Cone Instagram Justin Cone Twitter Justin Cone LinkedIn Sarofsky Austin
If the hold system did not exist or was not respected by motion design studios and freelancers, there would probably be complete chaos. Even with this system, finding and reserving talent can be a “challenge.” The hold system is a constantly moving puzzle that must be delicately managed by both studios and talent. Today Austin and Erin are delving into the basic tenets of the hold system and giving you the inside scoop on how you as a freelancer are able and encouraged to work within this tenuous network. You are in control of your time and your fees, so be proactive, fair, and flexible. Your reputation will thank you. Discussion Points: Definition of a hold first and second holds How studios use holds to manage resources Building your reputation, being fair re: studio holds Studios and freelancers need to respect the system Holds vs. bookings What is a booking? Communication with studios – its okay to reach out as a hold approaches Juggling multiple holds– dos and donts What is a challenge? The etiquette around holds, bookings, and challenges Kill fees and canceled bookings Check out the 2019 Motionographer article on holds by Josh Van Praag Recap Resources: Josh Van Praag Motionographer Article on Holds Sarofsky Austin Shaw
Chris Do is the owner and CEO of The Futur, an online educational platform that plans to teach a BILLION students. On this podcast we talk about how Chris got started, why he think the education system is broken and how he intends on fixing it, how to charge clients and lots more. Chris Do is an Emmy award-winning designer, director, CEO and Chief Strategist of Blind and the founder of The Futur—an online education platform with the mission of teaching 1 billion people how to make a living doing what they love. He currently serves as the chairman of the board for the SPJA, and as an advisor to Saleshood. He has also served as: advisory board member for AIGA/LA, EmmysMotion & Title Design Peer Group, Otis Board of Governors, Santa Monica College and Woodbury University. He has taught Sequential design for over 15 years at ArtCenter College of Design as well as Otis College of Art and Design. Additionally, he has lectured all over the world including: AIGA National Design Conference, Birmingham Design Festival, Awwwards New York/San Francisco/Amsterdam, AIGA Miami, The Design Conference Brisbane, Creative South, Digital Design Days Milan/Geneva, Lu Xun Academy Fine Art Dalian, Motion Conference Santa Fe, VMA Design Conference, MIT Boston, Bend Design Conference, Graphika Manila, Create Philippines, Rise Up Summit Cairo, RGD Design Thinkers Toronto, California Institute of the Arts, LA Art Institute, Otis College of Design, UCLA, MGLA, Cal State Los Angeles/ Northridge, Post Production World, Adobe Video World and San Diego University. His firm’s work has been recognized by national and international organizations such as: the Emmy’s, Clio, Effie Gold, Huffington Post, Lynda.com, Webbie, Communication Arts, London International Awards, One Show, British D&AD, AICP 20, Pictoplasma, How, 72 dpi, L.A. Weekly, Boards, Res 10, Type Director’s Club (20, 22, 23, 26), IDN, Addy Awards, BDA, Create, Stash (2, 12, 22, 24, 35, 43, 65), Creatie Augustus 2010, Motion Design, Asia Image, Brief, 365 AIGA Year In Design 26, Art Director’s Club, Motionographer, New York Festivals, B Brand, PPaper, I.D., and Print. Mr. Do has given talks and conducted workshops on: Sales, Negotiations, Value Based Pricing, Mindset, Branding, Graphic & Motion Design, Social Media Marketing, Entrepreneurship, Business Management, and Client Relations.
In today's episode, I have the pleasure of inviting Dot Lung. Dot is short for Dorothy, and Lung is a dragon in Mandarin. She was born and raised in Southern California by Taiwanese immigrants. Dot wants to help designers and creative people leverage social media to grow their careers. After being sick and tired of life in corporate America, she immigrated from Los Angeles to Barcelona when she was 25 to follow her dream of living abroad and became the "Mother of Social Media Dragons." Then she created the six elements of the DRAGON Formula to make compelling content that has helped her end up working with clients (Facebook, Wix, Motionographer, OFFF, Digital Design Days, and Sonar+D)! She has helped develop digital marketing strategies for clients such as OFFF Festival, Teachable, Wix, Sonar, and Facebook. She has even led and collaborated on digital strategy for Hard Rock Cafe. On top of working with these brands, she is passionate about empowering creatives and personal brands to create successful social media strategies for their businesses. She has got 78,000 students enrolled in her online courses. There's a reason why her proven method generates such high brand awareness, builds such meaningful relationships with audiences, and is used to create a social strategy for some of the world's most recognizable companies.
There are moments in life when we find ourselves going through situations that we never imagined. It is there, where comes the moment to reflect, decide, and act. If you find yourself going through a difficult time, start by asking yourself what happiness is for you. From that, you can get down to work and start doing things that make you feel fulfilled, and that in turn lead to success. Keep in mind that happiness and success mean different things for each person, it is up to you to have those concepts very clear and strongly established. As we take action, we must fill ourselves with confidence. Everyone has a gift and it is their duty to share it with the world. The more confident you are of what you do, the more valuable you will be able to create opportunities for both yourself and those around you. Acting without fear is complex. We are human, and fear is felt naturally within us when we do not know or are not sure what is going to happen, how, or where we are going to be tomorrow. Reprogram yourself and do things that scare you, that's how the character is forged. Don't be afraid to be and show yourself as you really are. The time to take action is now, keep in mind that stars are born from moments of chaos. These are the tips Dot Lung gave us in this episode of the Resilient Minds Podcast. Dot Lung, ¨The Mother of Social Dragons¨ empowers young creatives, artists, and designers to take over the world and create a living with social media. She has worked on Instagram launches and strategies for clients like Facebook, Wix, Motionographer, Digital Design Days, FITC, OFFF, Ladies Wine and Design Barcelona, Sonar+D, and OCB. If you want to know more about how to get ahead in times of crisis and be truly happy, stay until the end of this podcast and remember: Everybody has a gift and is their duty to share it with the world - Dot Lung In this episode we explore: •How to make consciously decisions •How to reprogram ourselves •How to share your gift to the world •How to show yourself as you you truly are Connect with Dot Lung: Instagram: https://www.instagram.com/dotlung/ LinkedIn: https://www.linkedin.com/in/dotlung/ Youtube: https://www.youtube.com/c/DotLung Website: http://www.dotlung.com/ Hit me up on social media and say hi! Youtube: https://bit.ly/35nJ0uV Podcast: https://ericbalance.com/podcast/ Instagram: https://www.instagram.com/ericbalance/ Facebook: https://www.facebook.com/ericbalancecoaching Website: https://www.ericbalance.com/
The Motion Awards by Motionographer are shining a light on the people and work that comprise the best of the motion design community. Tune in to the live event on December 10th at 8pm EST at https://motionographer.com/2020/12/03/the-motion-awards-live/
Dot has worked on Instagram launches and strategies for clients like Facebook, Wix, Motionographer, Digital Design Days, FITC, OFFF, Ladies Wine and Design Barcelona, Sonar+D, OCB and Nipple Magazine. She's spoken about social media marketing at various universities and events like OFFF Festival, Digital Design Days, Teach What You Know Summit. She also has a course on Domestika called Instagram Strategy for Business Growth with almost 45,000 students. In this episode Dot tells us how not overthinking and just taking actions led her to a series of unexpected events and eventually where she is today. She talks about authenticity (of course), confidence, and why social media is for the audience, but also for yourself. Follow Dot on Instagram: https://www.instagram.com/dotlung/ (https://www.instagram.com/dotlung/) Visit Dot's website: http://www.dotlung.com/ (http://www.dotlung.com/) Dot's course on Domestika: https://www.domestika.org/en/courses/1102-instagram-strategy-for-business-growth (https://www.domestika.org/en/courses/1102-instagram-strategy-for-business-growth) FOLLOW US Watch it on Youtube: https://www.youtube.com/channel/UC52NhUquhOckeC5-Dmkmdlg (https://www.youtube.com/channel/UC52NhUquhOckeC5-Dmkmdlg) Follow Sun on Instagram: https://instagram.com/sun.yi (https://instagram.com/sun.yi)
Chris Do is an Emmy award-winning designer, director, CEO and Chief Strategist of Blind and the founder of The Futur—an online education platform with the mission of teaching 1 billion people how to make a living doing what they love.He currently serves as the chairman of the board for the SPJA, and as an advisor to Saleshood. He has also served as: advisory board member for AIGA/LA, Emmys Motion & Title Design Peer Group, Otis Board of Governors, Santa Monica College and Woodbury University.He has taught Sequential design for over 15 years at ArtCenter College of Design as well as Otis College of Art and Design. Additionally, he has lectured all over the world including: AIGA National Design Conference, Birmingham Design Festival, Awwwards New York/San Francisco/Amsterdam, AIGA Miami, The Design Conference Brisbane, Creative South, Digital Design Days Milan/Geneva, Lu Xun Academy Fine Art Dalian, Motion Conference Santa Fe, VMA Design Conference, MIT Boston, Bend Design Conference, Graphika Manila, Create Philippines, Rise Up Summit Cairo, RGD Design Thinkers Toronto, California Institute of the Arts, LA Art Institute, Otis College of Design, UCLA, MGLA, Cal State Los Angeles/ Northridge, Post Production World, Adobe Video World and San Diego University.His firm’s work has been recognized by national and international organizations such as: the Emmy’s, Clio, Effie Gold, Huffington Post, Lynda.com, Webbie, Communication Arts, London International Awards, One Show, British D&AD, AICP 20, Pictoplasma, How, 72 dpi, L.A. Weekly, Boards, Res 10, Type Director’s Club (20, 22, 23, 26), IDN, Addy Awards, BDA, Create, Stash (2, 12, 22, 24, 35, 43, 65), Creatie Augustus 2010, Motion Design, Asia Image, Brief, 365 AIGA Year In Design 26, Art Director’s Club, Motionographer, New York Festivals, B Brand, PPaper, I.D., and Print.Mr. Do has given talks and conducted workshops on: Sales, Negotiations, Value Based Pricing, Mindset, Branding, Graphic & Motion Design, Social Media Marketing, Entrepreneurship, Business Management, and Client Relations.
Do you ever feel that you have too much client work to focus on personal projects? It can be tough making the time for something that doesn’t bring you any direct income. However, these personal projects are an important part of your craft. They’ll help you sharpen your skills while imparting a sense of satisfaction that other work doesn’t. About Qais Sarhan Qais Sarhan is a 2D motion designer based in Reading. He creates simple, succinct animations in order to promote and explain complex marketing messages. When not creating for studios and agencies, Qais creates silly gifs about cats and food. The Rewards and Challenges of Remote Work As someone who works on all aspects of a project, Qais is able to work remotely. In this capacity, he seldom needs to come in-house and has the freedom to live outside of the major hubs. Even though you might not be physically in the room with clients, Qais urges you to stay in frequent communication. Regular emails, calls, and messages will put them at ease and let them know that their project is in good hands. Leveling Up with Personal Projects When not working for clients, Qais is constantly refining his own skills. Personal projects are a great avenue for this. By investing in yourself, not only will your craft improve, but you will also gain a sense of satisfaction that only comes creating for your own development. It will also help you avoid being too harsh on yourself so you can focus on the joy in what you do. Quotes “Every few months I’ll sit back and think, what’s one area in my skillset that I really want to develop and work on and how can I make that happen in my spare time.” [8:21] “Don’t stress about the idea of the personal project so much. You need to enjoy the process. You need to develop your skills.” [12:31] “You are a business and you’re promoting yourself as a business. If you are following any other kind of business, you don’t need to see personal posts from the employees. You just need to give people what they want.” [30:03] “Don’t obsess with being the best because that’s exhausting.” [33:12] In This Episode How remote work creates geographic freedom as a motion designer [2:09] Tips for communicating with clients remotely [4:45] Harnessing personal projects to improve your skills [6:48] Avoiding the pressure of perfectionism [15:30] Using Linkedin and other social media to share your work [20:20] How treating yourself as a business can still highlight your personal identity [30:28] Key Takeaways Being able to work remotely opens many doors. It allows you to live and work wherever you want and take on clients outside your geographical area. However, you still need to be in regular communication with clients. Keep them updated as much as possible on whatever platform they prefer. Personal projects are a necessary part of being in a creative line of work. They’ll help take your skills and abilities to the next level and keep you passionate about your craft. It’s often difficult balancing these projects with client work. Since they’re your own creations, you can break them down into manageable pieces that still leave room for your other work. Links & Resources Join the Motion Hatch Client Quest Find Qais Sarhan online Follow Qais on Linkedin | Twitter | Instagram | Facebook | Vimeo | Behance | Dribble Wipster Feck Perfuction Additional Resources Podcast music licensed by Big Waves sonosanctus.com dankoch.net Podcast production & marketing support by the team at Counterweight Creative Show Notes
Matt Sackley - Freelance Character Animator www.mattsackley.com Andrew Maggio - Editor framecycle.com Katrina Zimmerman - Senior Art Director kazimmerman.com Ryan Urban, Visual Effects Supervisor https://www.ryanurban.info https://www.turncoatpictures.com Sara Kopke, 2D animator and Illustrator http://sarakopke.com/ Applicable links that we mentioned in this episode: Wonderful job search google-doc that Chris Mayne keeps updated nearly daily with 100's of jobs - its become quite well know among the CG/VFX community. It may be a great resource for those new graduates to check out. https://docs.google.com/spreadsheets/d/1eR2oAXOuflr8CZeGoz3JTrsgNj3KuefbdXJOmNtjEVM/edit#gid=0 Motionographer article on the hold system: https://motionographer.com/2019/03/11/hold-me-im-scared-your-guide-to-navigating-the-hold-system/ Chicago Motion Artists Group https://www.facebook.com/ChicagoMotionArtists/ Chicago Women in Motion! https://www.instagram.com/chicagowmd/ 11:45 Blurb can be something along these lines... 11:49 Our ACCESS:VFX Chicago Chapter hosted episode 36 of the pod assembling a group of freelance VFX artists discussing a whole host of tips and supportive advice for anyone working as a freelancer or considering it. Hosted by Kate Soczka, Head of Production at Carbon VFX.
Starting a motion design career is hard and leaves you with a lot of questions. There are so many hurdles that new artists stumble into; it can feel like there is no clear path forward. Joe Donaldson joins us on the podcast and breaks down how he balances work and life, all while riding a wave of continual success.
In this episode we chat with motion designer and creative director Kennon Fleisher. We chat about the pros/cons of full-time vs freelance, and what makes people stay long-term at certain companies. We also talk about how a prestigious role and title might not be as appealing as we would think. We might find ourselves climbing the wrong mountain, and need to change our path in order to align with our career goals. LINKS Kennon's Website: https://www.kennonfleisher.com/ Kennon's Instagram: https://www.instagram.com/kennonfleisher/ Kennon's Behance: https://www.behance.net/kennonfleisher Joey Korenman's "Too Old for MoGraph" Article on Motionographer: http://motionographer.com/2017/02/15/too-old-for-mograph/ Greyscalegorilla Podcast "Too Old for Mograph" Discussion: https://podcasts.apple.com/us/podcast/episode-46-are-you-too-old-to-do-3d/id433976980?i=1000380127957 * Want to share your story? Reach out at hello@christianprieto.com -------------------------------------------------------------------------- *music provided by Sono Sanctus
Do you ever find yourself so busy with work for clients that you never create or do something just for your own enjoyment or personal fulfillment? It’s a tricky balance to have a career that pays the bills but that still leaves you time and energy to do what fulfills you as a person and a creator. Joe Donaldson knows this struggle as well as anyone. In addition to being the founder of Holdframe, editor of Motionographer, and an instructor at the Ringling College of Art and Design, he’s a father of two and avid runner. Joe’s ten years working in motion design have taught him countless lessons on finding that right balance between work and healthy living that so many of us struggle with. In today’s interview, we discuss building a healthy work-life balance that starts with your education. From there it’s all about navigating the outside pressures and demands that take up our time and energy. Through his own successes and setbacks, Joe has learned a lot about this and shares his wisdom in this episode. What has been your biggest struggle with maintaining a healthy work-life balance? Share it with us in the comments! In this episode: The outside influences that pressure us to be workaholics The experience of motion design students today and how it prepares them to enter the workforce How motion designers can learn from each other’s work and benefit from that exchange Finding the sweet spot between working for money and working for art’s sake How your priorities will change throughout your life and career Setting boundaries and regularly checking in with yourself so that you only take the right jobs Why it might be a good idea to go for a run! Quotes: “I think there is a pressure that is imposed on us from the industry at large to keep going and stay in fifth gear and that becomes difficult.” [4:09] “It’s always about that balance. You don’t want to be too artsy without marketable skills and you don’t want to be too industry and have everything just look like an advertisement or a logo. It’s about finding that balance.” [13:29] “You have to look at is the effort as working in the direction that you want to go, or is it working in the direction that inversely favors somebody else over yourself.” [43:24] “I have a constant dialogue of assessing why am I doing this and is it right for me. As long as you have that dialogue with yourself there might be times when you’re working too much, but if it’s for the right reason or it’s a stepping-stone to a goal you have, then, by all means, keep doing it.” [46:36] Links The Freelance Contract Bundle Is LIVE! Get all the info on it here! Find Joe Online Motionographer Holdframe Ringling College of Art and Design The Collective Podcast, Danny Yount Find the full show notes here Keep up with everything Motion Hatch Follow Motion Hatch on Twitter | Instagram If you haven't already, would you mind leaving us a rating and review? It really helps!
本期嘉宾:烧麦(独立动态设计师)Leo(动效设计师,现 BBDO Visual Engineer)Patrick(Frog Design 视觉设计师)烧麦(Somei)是来自上海的独立动态设计师,作为中国最有代表性的 C4D Power User 之一被广大视频设计师视为学习的偶像。他为 OPPO 制作了 R7、R9 及之后的系列和刚发布不久的 Find X 的外观概念片。与小米、一加、魅族、华为等国内一线厂牌合作。他的作品被收录在顶级数字媒体杂志 stash.tv,多部登上 Motionographer, Wine After Coffee, Stash Media 等业内顶尖媒体,并入选 Cinema 4D 官方收录的Feature Project。本期节目,烧麦和我们畅聊了他的成长历程:大学期间工科的专业背景,在当时并没有动态设计这个行业的情况下开始做动态视频广告,之后接踵而至的手机商业概念片这些背后的故事与细节;与我们分享了作为一个自由职业者面临的问题,优势与劣势。这些都会给初学者和设计师很多启发。 除了工作,烧麦还与我们聊了生活哲学,身为一个90后,已经是娃爸了噢。喜欢烧麦喜欢动态设计的朋友们来收听这期吧! --------------------------------------------------------------------- 感谢 INNOSPACE+ 为异能上海提供本期节目录制场地。INNOSPACE+ 是一个全要素、一站式创业社区,满足创业者办公、成长、交流、生活等全方位的需求。INNOSPACE+ 构建起国内创业要素最丰富、功能最完善并且充满活力的创业生态系统,不仅为创业者提供一流的空间,更重要的是提供最佳的创业服务和资源,助力优秀创业者更快地实现创业梦想。 --------------------------------------------------------------------- Poster:花花 文:晶晶剪辑:郑芃 本期主播:郑芃,晶晶,Olive,浦浦,大树
本期嘉宾:烧麦(独立动态设计师)Leo(动效设计师,现 BBDO Visual Engineer)Patrick(Frog Design 视觉设计师)烧麦(Somei)是来自上海的独立动态设计师,作为中国最有代表性的 C4D Power User 之一被广大视频设计师视为学习的偶像。他为 OPPO 制作了 R7、R9 及之后的系列和刚发布不久的 Find X 的外观概念片。与小米、一加、魅族、华为等国内一线厂牌合作。他的作品被收录在顶级数字媒体杂志 stash.tv,多部登上 Motionographer, Wine After Coffee, Stash Media 等业内顶尖媒体,并入选 Cinema 4D 官方收录的Feature Project。本期节目,烧麦和我们畅聊了他的成长历程:大学期间工科的专业背景,在当时并没有动态设计这个行业的情况下开始做动态视频广告,之后接踵而至的手机商业概念片这些背后的故事与细节;与我们分享了作为一个自由职业者面临的问题,优势与劣势。这些都会给初学者和设计师很多启发。 除了工作,烧麦还与我们聊了生活哲学,身为一个90后,已经是娃爸了噢。喜欢烧麦喜欢动态设计的朋友们来收听这期吧! --------------------------------------------------------------------- 感谢 INNOSPACE+ 为异能上海提供本期节目录制场地。INNOSPACE+ 是一个全要素、一站式创业社区,满足创业者办公、成长、交流、生活等全方位的需求。INNOSPACE+ 构建起国内创业要素最丰富、功能最完善并且充满活力的创业生态系统,不仅为创业者提供一流的空间,更重要的是提供最佳的创业服务和资源,助力优秀创业者更快地实现创业梦想。 --------------------------------------------------------------------- Poster:花花 文:晶晶剪辑:郑芃 本期主播:郑芃,晶晶,Olive,浦浦,大树
Carlos El Asmar of Motionographer.com tells all about the exciting Pop Up F5 live experience happening at this year's PromaxBDA Conference in New York City on Tuesday, June 12.
“I think it’s time to bring the community together in a space; so they can meet each other, and interact, and party, and get inspired.” - Carlos El Asmar In this 44th episode of the RevThinking podcast, Joel Pilger talks with Carlos El Asmar the Executive Creative Director of NBCUniversal and the unseen mastermind behind Motionographer and the F5 conference. Carlos is someone you probably haven’t heard of – although once you find out who he is you will probably find that strange. Carlos is one of the founders of Motionographer and the F5 conference. The fact that you haven’t heard of him has been very much by intention. He has stayed behind the scenes - in the shadows – but is now coming out into the spotlight. He was kind enough to sit down with Joel to have a conversation not only about Motionographer and F5, but also about Popup F5. A miniature F5 conference happening inside the Promax BDA Conference.
Dot Lung is a Social Media Marketing Director & the founder of Barcelona's Virtual Reality laboratory, 360VR.BARCELONA. After growing up in Los Angeles, Dot traveled the world working on a variety of campaigns until she decided to call Barcelona her home. Dot has worked on cross cultural campaigns in over a dozen countries and has been behind the launch of social media accounts and campaigns for the world's most recognized new media design brands: Motionographer, F5 New York, OFFF Barcelona, Reasons To Be Creative UK, Sónar+D & Off Sónar. She has also worked on global campaigns & digital strategy with brands like Volkswagen, SEAT, Mattel, Fisher-Price, OCB and many many more. Dot is also incredibly active in the design, digital, and entrepreneurial communities in Barcelona and always ready to talk food and travel. On this episode, we talk: What inspired Dot to move from corporate to digital nomad Why Barcelona was her choice to call home European vs. US Trends in Social Media & Digital Marketing What's next for 360 & VR Video (and more!) To connect with Dot: Instagram Website Twitter Facebook 360VRBarcelona To connect with Brittany: Instagram Twitter LinkedIn Website Sign up here if you want to receive the latest news on growing you industry influence! #beyondinfluential #beyondinfluentialpodcast
What's it take to be a master of hand-drawn animation? In this interview we sit down with Rachel Reid, one of the best animators in the Motion Design world. Rachel's work at Gunner, one of the hottest Motion Design studios on the block, has been seen all over the world. Her animation work has been staff picked by Vimeo, picked-up on Motionographer, and we frequently talk about her work here on School of Motion. Rachel was kind enough to sit down and chat with Joey about her experience in the industry. In the podcast Rachel get’s into all of the details about her equipment and process. It’s fantastic insight into one of the most challenging disciplines in art. Enjoy! https://www.schoolofmotion.com/podcast/rachel-reid-animator-interview
We sit down with Nol Honing to discuss how his experience as a political Motion Designer led to teaching After Effects in college and online. Have you ever messed up so bad on a Motion Design project that it makes headlines on the news? We’ll our guest today has. In today’s interview Nol Honing, the creator of our After Effects Kickstart course, tells us about his experience in the Motion Design industry. Nol made a name for himself by working on political campaigns for high-level politicians like Barrack Obama and Hillary Clinton. After working his way to the top of the political world Nol switched gears, by becoming a teacher at Parsons New School. As a contributor to Motionographer and Staff Pick awardee, Nol is no stranger to the MoGraph industry. He just so happens to be one of the most interesting people in the world. https://www.schoolofmotion.com/blog/interview-nol-honing
Are you brand new and figuring out how to start your freelance career? Maybe you’re at the point where you’re trying to decide if you should attempt to scale your business to become a studio as opposed to an individual freelancer? Wherever you’re at, we cover it all with one of the top motion design educators in our industry! Joey Korenman is the founder and head instructor at School of Motion, author of the Freelance Manifesto, husband and father to three cute kids, and all around awesome human-being. After taking his freelance motion career from freelancer to studio he realized that his true passion lay in education, and he shared enough of that knowledge with us today that you’ll leave with your head spinning. We dive into how to set the course for your life and career with an exercise called The Perfect Day and how to adjust and reevaluate your actions based on that ideal day. Joey also shares his take on the best way to make yourself stand out as a freelancer, and why you shouldn’t let the idea of lack of work scare you from freelancing. We also spend some time gushing over one of our favourite business educators and podcasters. Are you currently working a corporate job but considering freelancing? What scares you most about making that leap? Please leave a comment below! In this episode: The importance of systems and having great help “The Perfect Day” exercise and how can it help you determine the career (and life) choices you make The importance of validating your ideas before diving in fully How to get your foot in the door with big clients as a new freelancer How should you best handle revisions with your clients? The pros and cons to branding yourself as a studio vs an individual freelancer How to deal with pushback on your pricing Related Links: School Of Motion School of Motion Podcast Follow School of Motion on social media: Facebook & Twitter The Freelance Manifesto (Book) Remote (Book) Will It Fly (Book) Joey’s Motionographer article, Too Old For Mograph Some of the links above are affiliate links. Basically, this means that if you decide to make a purchase through one of these links, we will earn a small commission, at no extra cost to you. You can be sure that we would recommend these products whether or not we made any commission on them. Please don’t spend your money on them if you don’t think that they will truly help you improve your business, although, in our experience, they will.
As freelancers, we have to live with the fact that work often comes in waves. We might be really busy for stretches of the year, and then face a lean month or two. Learning to predict and work through these cycles is a big factor in creating a successful freelance career. Lilian Darmono is an Art Director who’s made a career spanning both the freelance and corporate worlds. In this, the first of a 2-part series, we dive deep into Art Direction, Graphic Design, and Animation. Lilian studied graphic design at University in Singapore, worked as a graphic designer in Australia before finding her niche as the world of art direction. We speak in depth about the path she took to become an art director, the importance of passion projects, the benefits of being a specialist vs a generalist. Plus, we get into the pro’s and con’s of climbing the corporate ladder and what it means to be an art director vs a creative director. How do you handle your downtime between projects or when slow season hits? Are you a “Jack (or Jill) of all trades or do you choose to specialize? Leave a comment below! In this episode: What is the distinguishing differences between Art Direction and Creative Direction? The benefits of both freelance and office work The pros and cons of climbing the corporate ladder How should you be spending your time when work is scarce? Some strategies to find work during slow seasons in your business Links: Follow Lilian on Twitter | Instagram | Facebook | Vimeo | Behance Lillian Darmono’s website Lillian's Graphic Painting “Dusk” Joey Korenman Article for Motionographer
Daniela Negrín Ochoa and Iria López are the co-founders of Wednesday Studio based in London, UK. We talk about how they work together as a team, why they often exchange roles, and the importance of always having a personal project on hand. Links: Website - www.wearewednesday.com Twitter - www.twitter.com/WeAreWednesday Instagram - www.instagram.com/wednesday__studio/ Anchorpoint - www.anchorpointanimation.com/ Strange Beast - strangebeast.tv/ NFTS - nfts.co.uk/ Daniel Clarke - http://www.daniel-clarke.com/ The School of Life - https://vimeo.com/188632975 Motionographer article - http://motionographer.com/2017/09/06/better-together-wednesday-studio/?utm_campaign=coschedule&utm_source=twitter&utm_medium=motionographer&utm_content=Better%20together:%20Wednesday%20Studio Notes: Wednesday Studio Fine Art beginnings Jumping off point vs. Starting from nothing Creating a brief for personal projects Music videos NFTS Collaboration in schooling and being prepared Getting people on board with a project Being hands on for a project vs. being an Animation Director Handing over the role of design Working with illustrator Daniel Clarke The School of Life Working with other designers and illustrators The beginning of Wednesday Studio Making the jump into freelance animation director at the same time Motionographer article Directing as a team Simultaneously developing a visual language Dividing work and coin flipping Growing as a studio and exchanging roles The future of Wednesday Fear Representation Direct to client or going through a studio Not so personal projects Paying yourself Next exciting steps Taking the studio to the next level Working with a remote team After Effects Hand drawn touches Incorporating 3D shapes Textures in photoshop The hunt for personal projects Dream Client: A charity, National Geographic Favorite Animated Film: Disney Classics like Dumbo and 101 Dalmations Animalator: Gorilla
Have you ever had a director say 'I shouldn't have hired you...'? Our guest today is proof that hard work can get you anywhere. Andrew Vucko (pronounced Voo-co) is killing it in the Motion Design world. He's had big-name clients like Facebook, Toyota and Patreon. His work is consistently featured on Motionographer. And he's an all-around great guy. For Vucko, animation school was simply not an option. So how did he get to where he is today? And what advice does Vucko have for someone looking to get deeper into the Motion Design industry? All of these questions will be answered in this weeks podcast. So grab a snack, a comfy chair, and a notepad. Vucko's dropping knowledge bombs for over an hour. Check out the episode on our site: https://www.schoolofmotion.com/blog/vucko-interview
Thanks to Maxon for sponsoring the GSG Podcast Go to gsg.maxon3d.com to start shopping - http://gsg.maxon3d.com Be sure to use the code "GSG2017" during checkout to save 10% Ends August 31st, 2017 In this episode, the crew discusses a new article that Chad Ashley contributed to for Motionographer on the state of rendering in C4D. They also tackle the age old issue of how to balance work that pays the bills and work that makes you happy. ***Show Notes Render Wars Article https://greyscalegorilla.com/2017/08/what-renderer-should-i-use-in-cinema-4d/ http://motionographer.com/2017/08/14/winning-the-render-wars-with-chad-ashley/ Sekani Solomon http://www.sekanimotiondesign.com/ Fracture Voronoi Tutorial https://greyscalegorilla.com/tutorials/cinema-4d-r19-voronoi-fracture-features/ Puma Shoe Spot - https://vimeo.com/6402604 Possible Studios - http://possibleproductions.com/
What does it mean to be a "King Maker"? With great power comes great responsibility. Chris talks to Justin Cone about how industry favorite website, Motionographer.com, came together, the ripple effect of being on their "Cream Of The Crop" list, and the landscape of revenue creation and usefulness for sites like his have changed over the last decade. Learn more about your ad choices. Visit megaphone.fm/adchoices
There is a TON of MoGraph work out there. If you’re only checking it out at places like Motionographer (who we love very dearly), you’re only seeing the tip of a massive MoGraph iceberg. Our goal here at School of Motion is to expose you to as many sides of the industry as possible, not just the work that big MoGraph studios are putting out. Let’s talk Television…. In this podcast episode Joey talks to the very funny and extremely passionate husband and wife duo, Joke and Biagio. They run Joke Productions, a small studio that does unscripted TV programs, which is a very broad genre of film that covers everything from reality TV shows like Jersey Shore to documentaries. Over the years these two have worked on all manner of unscripted film for networks like MTV, Oxygen, NBC, CNN, and many more. With all of that experience they give us a ton of insight into the process of producing unscripted television. They also have some very solid, actionable advice that you can use right away to break into the TV production word; from getting booked doing MoGraph for TV shows to designing with a kit mentality. Check out this episode on our site: http://www.schoolofmotion.com/going-unscripted-world-producing-reality-tv/
Motionographer does a lot for our industry... They inspire us, interview industry professionals, educate us, and put on the amazing F5 Conference. In this interview Joey talks to Motionographer Co-Founder Justin Cone about their Patreon campaign and the latest project Motionographer is heading up, The Motion Awards. Justin and Joey get deep into the nitty gritty about this new award, why the industry needs it, and what makes it different from all of the other award shows out there. Justin also offers his wisdom on what makes great design, well, great. We'll give you a hint, it has nothing to do with originality. If you want more than that you'll have give this one a listen. Don't forget to check out the show notes below for links to all of the studios, work, artists, and resources mentioned in this podcast. http://www.schoolofmotion.com/enter-the-cone-zone-the-motion-awards/
http://TheSparkAndTheArt.com/121 – Ash Thorp is a motion designer, illustrator, artist, and creative director and has worked on films like Ender's Game and Total Recall and X-Men: First Class. **- Links for this episode -**Ash Thorp - http://ashthorp.com/Prologue - http://oldsite.prologue.com/Kyle Cooper - https://en.wikipedia.org/wiki/Kyle_CooperDanny Yount - http://www.dannyyount.com/X-men First Class Opening Sequence - https://vimeo.com/48261400Motionographer - http://motionographer.com/Learn Squared - https://www.learnsquared.com/Andrew Hawryluk - http://www.andrewh.tv/None (short film) - http://www.ashthorp.com/noneLost Boy (short film) - http://lostboyworld.com/Ash Thorp - http://ashthorp.com/Prologue - http://oldsite.prologue.com/Kyle Cooper - https://en.wikipedia.org/wiki/Kyle_CooperDanny Yount - http://www.dannyyount.com/X-men First Class Opening Sequence - https://vimeo.com/48261400Motionographer - http://motionographer.com/Learn Squared - https://www.learnsquared.com/Andrew Hawryluk - http://www.andrewh.tv/None (short film) - http://www.ashthorp.com/noneLost Boy (short film) - http://lostboyworld.com/
Sander van Dijk is a freelance animator from Brooklyn, New York. During this episode, we talked about his background in architecture and carpentry, why he switched to freelance and the importance of designing work that matters. Links: Wish List After Effects http://www.sandervandijk.tv/after-effects-features Twitter https://twitter.com/georegulus Website http://www.sandervandijk.tv/ Sugar Detox Project: http://www.sugardetox.me/ Time Well Spent Project: http://timewellspent.io/ Facebook Redesign: http://dcurt.is/facebooks-predicament Motionographer article: http://motionographer.com/2015/12/15/trends-with-benefits/ Steve Jobs’ Speech: http://news.stanford.edu/news/2005/june15/jobs-061505.html Highlights: -Transition from architecture and carpentry into animation -King and Country brought Sander to the U.S. -Worked for Buck -Transition to freelance -Move away from advertising -Importance of communicating life changing ideas -Daily choices -Personal next steps -Choosing clients that support what you believe -New Projects: food, health, and technology -Sugar detox project -Time well spent project -Facebook redesign -After Effect’s wish list -Why motion graphics specifically can help bring about change -Getting close to a story and a concept when working on a project -Motionographer article - trends, learning -What new things Sander has been learning -Advice for people starting out in motion graphics -Dream client: someone with a complex idea and communicating it an easy, understandable way -Favorite animated film: Adventure Time Episodes -What does your parents think you do: they get what I do and are gracious enough to let me run with it. -Animalator: a squirrel Animalators is part of the Gradient Podcast Network. Learn more at Gradient.is.
Justin Cone, founder of Motionographer and Director of Special Operations at Psyop joins us this week to discuss the state of the industry, the winding tale of his journey in the industry, and where he thinks entertainment is headed. Justin's Site - http://justincone.com Justin's Twitter - https://twitter.com/justincone Justin's FB - https://www.facebook.com/justin.cone Motionographer - http://motionographer.com Psyop - http://www.psyop.tv Establishment for the greater good - http://greatergood.tv ---------------------------------------------------------- Subscribe on iTunes: www.bit.ly/collectiveitunes Like us on Facebook: www.facebook.com/thecollectivepodcast Follow us on Twitter: www.twitter.com/thecpodcast ---------------------------------------------------------- Show Notes Otis College of Art and Design: http://www.otis.edu/ SCAD: http://www.scad.edu/ Bombay Sapphire - Drift: https://www.youtube.com/watch?v=aCLGrQI7NMU Oculus Rift: http://www.oculusvr.com/ Leap Motion: https://www.leapmotion.com/ Unity: http://unity3d.com/ The Last Lecture: http://www.youtube.com/watch?v=ji5_MqicxSo Macaw: http://macaw.co/ Scott Ross episode: https://soundcloud.com/the-collective-podcast/the-collective-ep-27-scott 43 Folders: http://www.43folders.com/ Manage Your Day-to-Day: http://amzn.to/1fJneTb Who Owns the Future? http://amzn.to/1nVEDMg
Our guest this week is Jonathan Yuen from Melbourne, Australia. He is the author and creator of HUDS + GUIS, alongside his full time job of designing interactive experiences as Head of Art for the digital agency, Tribal DDB. I first found out about Jonathan via his project website hudsandguis.com, where he is able to share his love and passion for film and video game heads-up display (HUD) and graphical user interface (GUI). Through our talks, I further discovered that Jonathan also enjoys illustration and design. He is an artist of many talents indeed. Needless to say, it was truly great having him on this podcast. It was a terrific opportunity to discuss his family life, career aspirations, passion projects, and how he manages to fuel his creative needs. Jonathan's personal site - jonathanyuen.com.au HUDS + GUIS - hudsandguis.com Tribal Worldwide - http://tribalmelbourne.com.au/#/top ---------------------------------------------------------- Subscribe on iTunes: www.bit.ly/collectiveitunes Like us on Facebook: www.facebook.com/thecollectivepodcast Follow us on Twitter: www.twitter.com/thecpodcast ---------------------------------------------------------- SHOW NOTES : The future of sex: https://www.youtube.com/watch?v=nLXVinyXjgA Minority Report: http://www.imdb.com/title/tt0181689/ Motionographer: http://motionographer.com/ Microsoft Future Vision: http://www.youtube.com/watch?v=a6cNdhOKwi0 Oculus Rift: http://www.oculusvr.com/ Ghost in the Shell: http://www.imdb.com/title/tt0113568/ Manage Your Day-to-Day: http://amzn.com/1477800670 Jiro Dreams of Sushi: http://www.imdb.com/title/tt1772925/ Mike Mignola: http://www.artofmikemignola.com/ Todd McFarlane documentary: http://www.imdb.com/title/tt0262367/ Todd McFarlane documentary on YouTube: http://www.youtube.com/watch?v=57MhO750X2Q&list=PLQ-G1rBVOJxZNf2eVnDSwkIbOuA6Dt0AK&index=1 Anthony Jones Twitter: https://twitter.com/Robotpencil Invisible Ink: http://amzn.com/0984178627
QuickTime | Flash authors: AARON CHIESA, TORU KAGEYAMA, HENDY SUKARYA, LISA TEMES, & KATE TREMILLS - duration: 01:50 This nice short infographic kinda message was made by students of the VANCOUVER FILM SCHOOL. It was subsequently posted by MOTIONOGRAPHER, BOINGBOING and ROCKETBOOM. Link to the original posting: CLICK HERE Book about Iranian bloggers: CLICK HERE