Podcasts about nettwerk records

This week on the show Justin was assigned the year 2001, and selected Sense Field's post-major label album, Tonight and Forever. New Major Awards EP - majorawards.bandcamp.comJoin our Patreon to get bonus audio, videos, blog posts, and access to our Discord for only $1 at patreon.com/punklottopodPodcast platforms and social media links at linktr.ee/punklottopodCall our voicemail line: 202-688-PUNKLeave us a review and rating on Apple Podcasts and Spotify.Song clips featured on this episode:Sense Field - Fun Never EndsSense Field - Save YourselfSense Field - Weight of the World

On the show this time, it's the cinematic electronic compositions of The Album Leaf. The Album Leaf is Jimmy LaValle's recording project of nearly 25 years, spanning 7 studio albums, 8 EPs, multiple soundtracks and some killer collaborations. He's done it solo, he's done it with a band. The current touring band includes Walter Trapp on trumpet and Aaron Ray on drums and electronics. His latest album is called “Future Falling,” with guests including Kimbra and Bat For Lashes. It's available on Nettwerk Records. Recorded May 17, 2023. Prologue Dust Collects Breathe Stride Watch the full LIVE on KEXP Session on YouTube   Support the show: https://www.kexp.org/donateSee omnystudio.com/listener for privacy information.

On the show this time, it's the cinematic electronic compositions of The Album Leaf. The Album Leaf is Jimmy LaValle's recording project of nearly 25 years, spanning 7 studio albums, 8 EPs, multiple soundtracks and some killer collaborations. He's done it solo, he's done it with a band. The current touring band includes Walter Trapp on trumpet and Aaron Ray on drums and electronics. His latest album is called “Future Falling,” with guests including Kimbra and Bat For Lashes. It's available on Nettwerk Records. Recorded May 17, 2023. Prologue Dust Collects Breathe Stride Watch the full LIVE on KEXP Session on YouTube   Support the show: https://www.kexp.org/donateSee omnystudio.com/listener for privacy information.

Host Paul Cardall has been a fan of singer songwriter Aaron Espe for more than two decades. The musicians discuss Aaron's unique gift of writing songs that reconnect adults to their childhood. They discuss Aaron's latest album, Up North, which explores his childhood in a small Michigan town where he would eat "Liver and Onions" just to be with his grandfather as well as get a haircut to see his uncle and barber Duane. They talk about his grandmother in a rest home called Sheltering Oaks, which he wrote a song about. Paul asks about being a father today and what Aaron is doing to help re-create a time of innocence for his four sons. They talk about getting the kids off the iPads to explore outside.  The two discuss marriage and having wives who support an artist career and mentality. They also briefly talk about Deer Hunting as children, which Aaron wrote a song about. ABOUT AARON ESPEFacebook: https://www.facebook.com/aaronespepageInstagram: https://www.instagram.com/aaronespeYoutube: https://www.youtube.com/channel/UCpd-_G3rgyx40Vbg_X9v7XgSpotify: https://open.spotify.com/artist/11nbBcaBk8uXBPQsc3Sq9p?si=HDWhdyOgQhaJ4oSJZkclvAApple Music: https://music.apple.com/us/artist/aaron-espe/98279561 Raised in small-town northern Minnesota, singer-songwriter Aaron Espe writes tunes “…as delicate as his soft spoken voice,” says American Songwriter, “about the simple joys and occasional frustrations of life…[sometimes cloaking] his easy going lyrics in complex conceptual ideas.”Espe got his start in 2005 opening for the folk duo Storyhill in Minneapolis before dropping out of college to tour on his own. His career has taken him across the U.S. and overseas, playing in coffee shops, bars, churches, and the occasional yoga studio.As solo artist Espe has self-released five solo albums, a Christmas EP, and several singles. In 2012 Nettwerk Records released the EP Through Frozen Forests, which peaked at #7 on the iTunes Singer/Songwriter chart. His 2015 single “Making All Things New” emerged on numerous Spotify playlists, racking up over 21 million streams under the span of a year. It also won the attention of pop icon Taylor Swift on her self-curated playlist Songs Taylor Loves. Produced by Brian F. Joseph (Bon Iver, Sufjan Stevens), his first full-length album for Nettwerk, Passages, was released in September of 2017. His followup EP Wonder was released in November of 2019. The single “Anytime I Go” was featured in the Stella Artois 2019 holiday campaign. His latest EP, Rock & Roll Man, will be release in February 2021. Its singles “Sunny Day” and “Only Time” have both snagged spots on Spotify playlists like Hanging Out And Relaxing, Fresh Folk, and Infinite Acoustic.As a writer, Espe's song “Beyond the Sun” (cowritten by Claire Guerreso) was recorded by the Nashville Cast (feat. Lennon Stella) and “Who I Love” by the Nashville Cast (feat. Rhiannon Giddens). They aired on ABC and CMT respectively. Norwegian DJ Kygo recorded “Think About You” (cowritten by Kygo, Petey Martin Valerie Broussard). William Fitzsimmons recorded “What Kind of Love Is Like That” (cowritten by Madi Diaz) after hearing Espe's demo version featured on the CW TV series, iZombie.Among other placements, Espe's recordings have been featured in Grey's Anatomy, Orange Is The New Black, The Fosters, Hulu's The Path and the documentary film Where the Yellowstone Goes, as well as commercials by Sainsbury's, Volkswagen and Toys “R” Us.A resident of Nashville, Tennessee, Espe does not like to perform live, but occasionally does songwriter rounds at local venues The Basement and Bluebird Café. ABOUT THE HOST PAUL CARDALLOfficial Website - http://www.paulcardall.comFacebook - http://www.facebook.com/paulcardallmusicYotube - http://www.youtube.com/cardallInstagram - http://www.instagram.com/paulcardall LISTEN TO HIS MUSICAPPLE MUSIC - https://music.apple.com/us/artist/paul-cardall/4312819SPOTIFY - https://open.spotify.com/artist/7FQRbf8gbKw8KZQZAJWxH2AMAZON - Ask Alexa to play Peaceful Piano by Paul Cardall Paul Cardall is an artist who has given a new meaning to the phrase, a change of heart and how he used this radical change to take his music to an unexpected place.  Despite being born with a potentially life-threatening heart defect Paul Cardall has become a world recognized pianist. He is even endorsed by Steinway & Sons as one of the finest pianist of our time. A Dove award winner for his Christmas album, Paul's recordings have debuted on 11 No. 1 Billboard charts along with 46 other chart debuts. His music has 25 million monthly listeners with more than 3 billion lifetime streams and is often categorized as Classical, Christian, and Holiday. Although most of albums are instrumental, Paul has songs that feature Grammy winning gospel legend CeCe Winans, Matt Hammitt (Sanctus Real), Kristin Chenoweth, Country duo Thompson Square, David Archuleta, Tyler Glenn (Neon Trees), Audrey Assad, Steven Sharp Nelson (The Piano Guys), and more.    Paul has performed for audiences worldwide including the White House. Forbes, American Songwriter, Jesus Calling, Lifestyles Television, Mix Magazine, and countless other media outlets have share his remarkable journey of receiving a life changing heart transplant and using music as a tool to help God heal spiritual, mental, and emotional hearts.

While almost everyone is sharing the most polished and curated versions of themselves, Braxton Cook is asking “Who Are You When No One Is Watching?” Actually, as it turns out, it's a question he's asking of himself, and in a somewhat postmodern and ironic twist, he's doing it quite publicly on his new record, called (surprise!) Who Are You When No One Is Watching? which comes out February 24 on Nettwerk Records. Braxton Cook is an artist of his time - that is, he's hard to define, hard to categorize, highly educated, determined to share his most authentic self and in a constant state of searching.  He's a Juilliard trained jazz saxophone player who has worked with jazz artists Christian Scott, Christian McBride Big Band, Jon Batiste and Marquis Hill as well as more mainstream artists like Solange Knowles and Tom Misch. He's also a deeply sensitive solo artist, singer, songwriter, producer and multi-instrumentalist who is committed to keeping the saxophone alive in soul music, speaking his own personal truth in his songs, and bridging the gap between jazz, soul, and alternative R&B. In other words, he's a millennial jazz artist. No wonder he opened his 2017 album Somewhere In Between with the song “Millenial Music”. We spoke recently about his trajectory, starting out on the local scene in Washington D.C. as a high school and college student (he spent two years at Georgetown University studying English with a concentration in African American Studies and playing gigs in town before transferring to Juilliard to pursue his jazz education), his evolution from soloist to singer, sideman to leader, and child to parent. We also talked about the value of nostalgia and deep emotional connection in his writing, intentionality in raising children, his determination to make “music with impact”, where he cut his teeth and if that has anything to do with his lifelong fascination with dentistry. www.third-story.com www.patreon.com/thirdstorypodcast www.wbgo.org/studios www.braxtoncook.com  

Currently touring on their fifth full length album titled DYE, we got the special opportunity to sit and speak with Together Pangea's frontman, William Keegan, for a super in-depth discussion surrounding the record. Made up of William Keegan (guitar, vocals), Danny Bengston (bass), and Erik Jimenez (drums), Together Pangea are a rock band originating from Southern California. Released via Nettwerk Records, DYE marks the group's fifth record in which they're continuing to expand their sound and are so clearly still having a blast with it. Getting to speak with William was a fantastic experience and we covered so many topics such as the background of the record, it's roots, how it was recorded, and so much more. --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app Support this podcast: https://anchor.fm/wewriteaboutmusic/support

We had the pleasure of interviewing St. Lucia over Zoom video!Led by husband-and-wife duo South Africa-born Jean-Philip Grobler and Germany-born Patti Beranek, St. Lucia retreat from a fractured world on fire and into the glow of a rapturous synth-spiked electro-pop catharsis—like a dance party at the edge of existence. Now signed to Nettwerk Records, the group beams out a light of their own and shines brighter than ever. “In a way, this is my personal rebellion against the darkness of the world,” states Jean-Philip. “It's easy to feel depressed these days, so I'm trying to bring something joyous to the world. I was sick of seeing shit on the Internet, and I just wanted to feel good. That's what being human is about. We have to feel alive, despite whatever the fuck is going on.” St. Lucia has always stirred these kinds of emotions. It started with When The Night, which boasted fan favorites like “Elevate,” “All Eyes On You,” and “Closer Than This,” entered the Billboard Top 200 and hit #6 on Billboard's Heatseekers Album chart. Its follow-up Matter, yielded the hit “Dancing On Glass,” while the band collaborated with artists ranging from Jack Antonoff to RAC. Two years later, Hyperion represented a creative and critical high watermark with praise from Billboard, who hailed the album as “buoyant,” and PopMatters who raved, “it feels revelatory.” “When you listen to this, I hope you feel inspired and like life is worth living,” Jean leaves off. Patti adds, “it unleashes things, and I think we did a good job capturing that.” We want to hear from you! Please email Tera@BringinitBackwards.com. www.BringinitBackwards.com #podcast #interview #bringinbackpod #StLucia #NewMusic #zoom Listen & Subscribe to BiB https://www.bringinitbackwards.com/follow/ Follow our podcast on Instagram and Twitter! https://www.facebook.com/groups/bringinbackpod

My guest today is David Gnozzi a platinum mixing/mastering engineer and producer, as well as the creator and host of the popular YouTube channel MixbusTV and a Pro Mix Academy Tutor. David is a former professional musician with 2 albums published (Universal Records and Danse Macabre Records), and he has been recording and mixing for almost 20 years, he fully dedicated himself to recording, mix and mastering after ending his career as musician in 2010. David initially started to gain recognition as a mixing engineer after successful remixes for Ladytron and Felix Da Housecat. His credits include: Raygun Romance, MC Solaar, Ryan Shuck (Orgy, Adema, Julien-K), Daniel Graves (Aesthetic Perfection), Mad Gallica, Danny Blue, Stonebreed, The Nest, and Italian pop superstar, Valeria Rossi to name a few. He mixed various projects for Universal Records, Nettwerk Records and Virgin Radio and video games such as Fallout 4 and Rock Band 3. In 2017, David worked with one of France's most famous and influential hip hop artists of all times, MC Solaar, mixing the multiplatinum album Geopoetique. The release also went on to win “album of the year” at the French Music Awards. In 2014 he started the now popular Youtube channel MixbusTv, which became one of the most trusted and respected online resources for audio mix and mastering. David does “how to” video tutorials for the studio. And with an ever expanding list of partners like AMS Neve, SSL, Empirical Labs, and many more, he's known for his detailed and very technical reviews of pro audio hardware and software. Now located in Los Angeles, California, David has his own private mix and mastering suite, equipped with some of the best gear available on the market he is available as a producer, mix & mastering engineer. David also discovered and developed the upcoming alternative popstar Bella Kelly, and the new singles “Throat” and “Heartbreak Motel” are both in the Youtube playlist. Get access to FREE mixing mini-course: http://MixMasterBundle.com THANKS TO OUR SPONSORS! https://RecordingStudioRockstars.com/Academy Use code ROCKSTAR to get 10% https://samplyaudio.com Use code RSR20 to get 20% off for the first 3 months https://www.Spectra1964.com http://MacSales.com/Rockstars http://iZotope.com/Rockstars use code ROCK10 for 10% off http://www.thetoyboxstudio.com https://www.sonarworks.com https://apiaudio.com http://UltimateMixingMasterclass.com Hear guests discography on Spotify: https://open.spotify.com/playlist/3iZOusnhlqnWY9nck9SqZb?si=ca14b05377d24c78 If you love the podcast, then please leave a review: https://RSRockstars.com/Review CLICK HERE FOR COMPLETE SHOW NOTES AT: http://RSRockstars.com/346

Justice McLellan talks with Will Chernoff about his band Blue J and their first indie rock album, A Sign of Good Luck, on Nettwerk Records. The band released it from Vancouver on March 4, 2022. Justice also hosts a local music podcast, The JPod. Thank you to 12TH ST Sound for sponsoring this episode. Learn more about the boutique recording studio in New Westminster at https://www.12thst.ca/?utm_source=podcast&utm_medium=episode-description&utm_campaign=rcp-040 (12thst.ca).

We had the pleasure of interviewing Roses & Revolutions over Zoom video! Indie-pop duo Roses & Revolutions has just unveiled ‘Midnight Monsters,' their gorgeous and expansive new EP, out today via Nettwerk Records. Glide Magazine premiered the EP's final single “When The Moment's Gone” this week, calling it “a scorching, boot-stomping rock anthem that is soulful and hard-hitting.” “'When The Moment's Gone' is about the sickening realization that something really important has just passed you by,” the band explains. “It's about reliving that feeling daily. You're on repeat. This is the only song on the EP that we were able to 'test out' at live shows. The audience's reaction and excitement really pushed us to record it, and it was actually the first song we finished for the EP.” The songs on ‘Midnight Monsters' were written in the middle of the night, in the strange hours before dawn when the world seems to stand still. There's a quality of magical realism in each of the six tracks, where synth and analog sounds mix to create something otherworldly. But the album could only have been written during this past year, as the world experienced a collective warping of time and place. Inspired by the dystopian quality of quarantine and the emotional demons that hit hardest at night, the band created a sweeping album that blurs fantasy and reality with a sense of timelessness and escape that unfolds like a short film noir. The premiere of “When The Moment's Gone” followed the release of the EP's lead single “Lower Than Low,” featuring gorgeous, stacked harmonies that beautifully captured the utter stillness found in day's earliest hours. Roses & Revolutions is comprised of longtime collaborators Alyssa Coco (vocals) and Matt Merritt (guitar). Based in Rochester, NY, they first connected through music, playing in various bands together until it became apparent that there was a special creative alchemy between the two. They gained traction with their hit single “The Pines,” leading to 11 million+ streams, a headlining tour, and syncs from Netflix, ABC, NBC, and more. But when lockdown threatened to deflate the momentum they had built, the duo took the opportunity to explore a new way of making music, turning their dark experience into a thing of beauty.  Roses & Revolutions have just announced a string of tour dates in March 2022, opening for the acclaimed, gold-selling singer/songwriter Joshua Radin. Stay tuned for additional updates. Roses & Revolutions Tour Dates*Tuesday, March 15 – New York, NY – City WineryFriday, March 18 – Alexandria, VA – The BirchmereSaturday, March 19 – Boston, MA – City WinerySunday, March 20 – Boston, MA – City Winery * Opening for Joshua RadinWe want to hear from you! Please email Tera@BringinitBackwards.com.www.BringinitBackwards.com#podcast #interview #bringinbackpod #Roses&Revolutions #RosesandRevolutions #zoomListen & Subscribe to BiBFollow our podcast on Instagram and Twitter! 

New Orleans' Seán Johnson & The Wild Lotus Band create a universal style of cross-cultural spiritual music filtered through the depth, sincerity, and soul of their own American and ancestral roots. Their music merges conscious lyrics, sacred chants from the spiritual traditions of yoga and beyond, and roots, rock, gospel, and global grooves. They are known for creating interactive, soul-stirring songs to dance and sing along with as well as to grieve and heal. In 2005, Seán founded the band as a post-hurricane Katrina philanthropic music project, raising funds across the country for relief from the devastation of the storm. The theme of searching for grace and inspiration amidst challenge and destruction has permeated their music ever since. In 2007, they released their first album, ‘Calling The Spirits' which caught the ears of pioneering Canadian record producer Terry McBride, founder of Nettwerk Records and Lilith Fair. McBride signed the band to Nettwerk for the release of their follow-up album, ‘Devaloka.' When Putumayo World Music founder, Dan Storper heard ‘Devaloka,' he chose music off the record to be featured on Putumayo's first compilation of music designed for yoga. Inclusion on three Putumayo albums has helped propel the band's music to listeners across the globe. Their last album ‘Unity' debuted #1 on the iTunes World Music Chart and #3 on Billboard. Their upcoming album ‘Mystery' will be released on October 29th on Be Still Records. They are a favorite headliner at conscious music festivals across the U.S. and have played The New Orleans Jazz & Heritage Festival on multiple occasions. In addition to being a musician, Seán is also a respected yoga teacher and teacher trainer who teaches at conferences and retreat centers internationally including Yoga Journal, Kripalu, Bhakti Fest, and The German Yoga Conference. He is the founder of Wild Lotus Yoga in his beloved hometown dubbed "New Orleans' Home for Heart-Centered Yoga," and Soul School, an interdisciplinary yoga teacher training program that focuses on teaching yoga with skill, heart, and imagination that he guides with Mitchel Bleier. He has a Master's degree from The Naropa Institute-Oakland with focus on teaching chant as spiritual practice, apprenticing there with south Indian musician and teacher Russill Paul, author of 'The Yoga Of Sound.' He is the co-curator and coordinator of Putumayo World Music's yoga music series. Seán is passionate about his Irish roots and ancestry, a pillar of his spirituality. He co-leads online Celtic Spirituality gatherings and retreats in Ireland each year with his friend, Ireland native Mary Meighan, founder of Celtic Journeys. In all these roles, Seán relishes creating a playful, tender, brave space for people to open their hearts and voices, and embrace their innate creativity.   For more info, visit www.SeanJohnsonAndTheWildLotusBand.com   You can also connect with Seán on Instagram and Facebook. And you can find the band's music, including their new album 'Mystery' wherever music is available online.    -- :: EARTH BREEZE LAUNDRY SHEETS :: These Earth-friendly dehydrated laundry sheets will leave your clothes super clean, without the waste of bulky plastic containers. The referral money we get from YOU clicking on that link and ordering will help sustain this podcast AND help care for our beautiful Earth. Thank you in advance! MORE INFO: https://www.earthbreeze.com/?rfsn=6157640.8b8358   -- ABOUT YOUR HOST: Porter Singer is a spiritually-inclined musician, podcaster, and creative sound mentor. Her intention is to beam out a harmonious vibration that gathers lightworkers in collaborative community. More info: https://portersinger.com/

This month's We Have A Commentary takes up the third LP from Vancouver's chameleonic Moev. Yeah Whatever brought together elements of synthpop, post-punk, funk, nascent alt-rock, goth, and body music, all under the aegis of then-new vocalist Dean Russell's exploration of deeply spiritual and personal issues. The Senior Staff discuss it in relation to Moev's broader history (as well as that of Nettwerk Records)

Together with American Songwriter, we had the pleasure of interviewing Dylan Dunlap over Zoom video! LA-based singer/songwriter Dylan Dunlap recently dropped his first single of 2021, "Follow My Echo"Dylan speaks on "Follow My Echo":"I used to go to the movies every few days for an escape and really struggled for a bit when everything shut down back in March. I thought that the best way to cope with a pandemic was to write about anything other than a pandemic, so I decided to write about one of my favorite movies instead: Finding Nemo. I don't know if it's because I was 7 or because Thomas Newman is one of the best film composers of all time, but that movie holds such a special place in my heart and there are so many lessons in it. I resonate so much with the message of learning to let go of somebody, but also never giving up on them. Because I'm human, I often think that I can solve other people's problems for them. Sometimes I get so carried away about thinking how I can help that I forget I can only truly take care of myself. I'm also the absolute worst at taking my own advice. It's important to remind myself that I can be there for others, but I can't make their decisions for them, nor can they for me. We're all going to make mistakes along the way and it's up to us to encourage one another to at least try our best than to give up so quickly."MORE INFO:The Los Angeles-based singer, songwriter, producer, and multi-instrumentalist Dylan Dunlap developed a love for music at a very young age. At age 6, he taught himself piano to partake in a grade school talent show. At age 11, he picked up a copy of Pro Tools and crafted instrumental compositions “like time capsules.” As a teen, Dylan left the prestigious Berklee College of Music to get a head start on his music career and started busking in his hometown of Burbank, CA. Inspired by the likes of Coldplay and Mumford & Sons, he simultaneously fashioned a singular style, infusing cinematic scope and alternative eloquence into power pop. Over the last two years, he supported OneRepublic at the sold-out Stadium of Fire event in Provo, UT while releasing his first-ever original “Microphones & Lights,” toured across the US and the UK, dropped his debut EP Things I Can’t Explain and demonstrated a versatile songwriting prowess, writing with artists across country, hip-hop, pop and electronic genres. Most recently, Dylan released what would become his breakout single, “If That’s Alright.” Dylan has quietly amassed over 20 million streams and is currently recording new music for the follow up EP to be released via Nettwerk Records. On top of his artist pursuits, Dylan has put in countless hours of work to raise awareness around mental health. In this mission, Dylan received the "Fighting Stigma Rising Star" award from the National Alliance on Mental Illness and has partnered with Global Citizen, Autism Rocks, LA’s Children Hospital and many other organizations.We want to hear from you! Please email Tera@BringinitBackwards.com.www.BringinitBackwards.com#podcast #interview #bringinbackpod  #foryou #foryoupage #stayhome #togetherathome #zoom #aspn #americansongwriter #americansongwriterpodcastnetworkListen & Subscribe to BiBFollow our podcast on Instagram and Twitter! 

Directed by: Jim Hanft and Samantha Yonack Synopsis: After a decade of making music together, Jim and Sam, a recently married singer/songwriter duo from Los Angeles, were not the conventionally successful band they’d hoped they’d be. Feeling stuck and anxious about their future, the duo make a spontaneous decision to put their music and marriage to the ultimate test by making a pact to play one show every day for a year. With suitcases and a guitar, the troubadours ventured out for a 365-day tour down unexplored roads and onto unexpected stages, bringing their music to new audiences throughout 14 different countries. After So Many Days is a raw and intimate front row seat to the highs and lows of what it’s like for two people to pursue a dream, together. Featuring an incredible selection of Jim and Sam’s mesmerizing songs, the film is a love letter to life on the road and the power of music to unite – both the couple and the people they meet along the way. The film will be accompanied by the full length album, Songs from After So Many Days, released by Nettwerk Records on 10/9. After So Many Days will screen at the Nashville Film Festival in October and has been an official selection at more than 30 film festivals worldwide. Releasing digitally on iTunes, Amazon and more on October 20th.

Woodlock are a Melbourne based Alt-folk Trio who found success busking all over Australia. New Zealand-born brothers Zech and Eze Walters struck up a friendship with Bowen Purcell (drums) after moving to Australia. In search of adventure, the three traveled around the country busking, before eventually settling in Melbourne. Now signed to Nettwerk Records, the trio has been recording new music over nine months in a variety of locations – from Bowen’s garage to Homesurgery Recordings in Melbourne – and working with producers Hayden Calnin (Didirri, Harrison Storm, and a solo artist in his own right) and Jackson Barclay (Vera Blue, Winterbourne, Timberwolf). Their new music – a dynamic mix of organic, acoustic elements and electronic flourishes – is a breathtakingly candid collection of songs about heartbreak, trauma and hope. In this episode they shared how it all began, the lessons they have learnt along the way, the CRAZY success stories and the beautiful adventure they have been on together. They really opened up and touched on some of the reasons they have needed to take a break and come back bigger and stronger than ever. This is a super valuable conversation for anyone looking to build their career organically or just feel inspired to pursue music. Check them out on insta @woodlockmusic

Indie-folk singer-songwriter Harrison Storm has already amassed 160+ million combined streams on Spotify. He has made a name for himself on the road as an honest and charismatic performer with crowd-pleasing confidence, playing alongside artists such as Snow Patrol, The Paper Kites, Ziggy Alberts, and Hollow Coves. Diligently chasing his musical dream with a sense of urgency, he dropped out of university to solely devote his days to busking for tourists in Melbourne, eventually making enough to finance his 2015 debut EP Sense of Home, produced by friend Hayden Calnin. Harrison caught the attention of Nettwerk Records co-founder Terry McBride, who personally signed him after sending him a message on Facebook. Hear his story thus far and what it has taken to get where he is today. Check him out @harrisonstormmusic

Recorded on the day of Minnesota's Primary Election (you'll hear all about it at some point in the podcast), and roughly a week before dat rona related panic really set in, Kevin welcomes guest Page Foster Nelson back to the show. No longer his boss, the two gather in Page's living room (a chance of scenery!) and converse as civilians to further discuss women in music, and where these songs fell into Page's life. For more information about the AWARD WINNING music blog Anhedonic Headphones, click here! Episode 16 credits: The intro to the episode featured an instrumental version of "Labels," performed by GZA/Genius, taken from the 2012 Get On Down/Geffen/Universal Music Special Markets release Liquid Swords - The Chess Box (Instrumentals.) The song originally appears on the 1995 Geffen Records release Liquid Swords. The theme music is a YouTube rip of the intro to BET's "Rap City: The Bassment," airing from 1999 to 2005. In today's episode, we discussed: "Everything is Free," written by David Rawlings and Gillian Welch; performed by Gillian Welch. Taken from the 2001 Acony Records release Time (The Revelator). "Painting by Chagall," written by Deb Talan and Steve Tannen; performed by The Weepies. Taken from the 2006 Nettwerk Records release Say I Am You. "Thank You," written and performed by Bonnie Raitt. Taken from the self-titled 1971 Warner Brothers Records. "Silver Dagger" is a 'traditional' song; performed by Dolly Parton. Taken from the 1999 Sugar Hill Records release The Grass is Blue. "Goodbye Yellow Brick Road," written by Elton John and Bernie Taupin; performed by Yola. Taken from the 'deluxe edition' of the Easy Eye Sound release Walk Through Fire.  "Being Alive," written by Stephen Sondheim; performed by Adam Driver. Originally from the musical Company, and taken from the 2019 Netflix Original Film Marriage Story. 

compiled and mixed by Kolya Meeks cover design by Max River 01 - KAS:ST feat. Be No Rain - Hold Me to the Light (original mix) [Afterlife Records] 02 - Christopher Coe - Headland (Fabio Neural remix) [Awesome Soundwave] 03 - Habischman - Apex (original mix) [Knee Deep In Sound] 04 - Richie Blacker, Ciaran Duffy - Back To The Mayhem (original mix) [Global Underground] 05 - Agoria, Blase - You're Not Alone (Solomun remix) [Virgin/Mercury] 06 - Munimuni & Seelenwald - Missing Link (Kollektiv Turmstrasse remix) [Stripped Down Records] 07 - Zoo Brazil, Wolf & Moon - Thunderstorm (original mix) [Selador] 08 - Glenn Morrison - Tangerine Dream (Petar Dundov remix) [Fall From Grace Records] 09 - Bondi, Saand - Mission Control (Uone remix) [Beat & Path] 10 - Adison - Chemical Kingdom (original mix) [Global Underground] 11 - SYML - The Bird (Sasha remix) [Nettwerk Records] 12 - Habischman & Atora - Gone (original mix) [Knee Deep In Sound]

compiled and mixed by Kolya Meeks cover design by Max River 01 - KAS:ST feat. Be No Rain - Hold Me to the Light (original mix) [Afterlife Records] 02 - Christopher Coe - Headland (Fabio Neural remix) [Awesome Soundwave] 03 - Habischman - Apex (original mix) [Knee Deep In Sound] 04 - Richie Blacker, Ciaran Duffy - Back To The Mayhem (original mix) [Global Underground] 05 - Agoria, Blase - You're Not Alone (Solomun remix) [Virgin/Mercury] 06 - Munimuni & Seelenwald - Missing Link (Kollektiv Turmstrasse remix) [Stripped Down Records] 07 - Zoo Brazil, Wolf & Moon - Thunderstorm (original mix) [Selador] 08 - Glenn Morrison - Tangerine Dream (Petar Dundov remix) [Fall From Grace Records] 09 - Bondi, Saand - Mission Control (Uone remix) [Beat & Path] 10 - Adison - Chemical Kingdom (original mix) [Global Underground] 11 - SYML - The Bird (Sasha remix) [Nettwerk Records] 12 - Habischman & Atora - Gone (original mix) [Knee Deep In Sound]

Guest mix for Whose Haus on Proton Radio, aired July 2019. 1. Rauschaus - Bespik [Parquet Recordings]2. Monastetiq - Deep Inside (Betoko Remix) [OKO Recordings]3. Simon Berry - Black Rainbow [Platipus]4. Syml - The Bird (Sasha remix) [Nettwerk Records]5. Maceo Plex - When The Lights Are Out (Late Night Mix) [Ellum]6. Platunoff - Unbreakable Soul (Stan Kolev Remix) [Ellum]7. Enamour - Culture is Chaos (Extended Mix) [Bonzai Progressive]8. Sandrino, Franky - Lambda [Zerothree]9. Paul Deep (AR) - Ironic Reality [Sudbeat Music]10. Antrim - Trip to Red (Orsen Remix) - Replug11. Made By Pete - Aikido [Yoshitoshi Recordings]

Jen is also the founder of Lift Strategies, a company that helps business owners put effective systems in place so that their business has the best tools to succeed. Her proven 5-Step Strategic Marketing Process, the LIFFT® Process, has helped thousands of businesses in boosting their bottom line.Jen delivers these tools via her Lift Strategies book, consulting, in-person training programs, virtual-training programs, and interactive keynotes at conferences and conventions.With over 25 years of strategic marketing and business experience working for and with businesses, she has taken this knowledge and developed a number of interactive and engaging keynotes.Prior to business ownership, Jen DeTracey was the VP of Marketing working with Sarah McLachlan’s record label Nettwerk Records for five years, then joined the Virgin Entertainment Group and launched Canada’s first Virgin Megastore in Vancouver. With Jen at the helm of marketing for three years, Vancouver’s Virgin Megastore was a profitable and sustainable retail operation during this time.Jen believes business owners struggle with fears which can negatively impact their bottom line. These fears often prevent business owners from being able to step outside of their comfort zone and into the growth zone. Jen’s action-oriented and supportive approach is a winning combination for those business owners who want to be more profitable while effectively retaining and growing their customer/client base

Buckle your seat belt and get on the bus - we’re going on tour! The John Butler Trio returns to North America this fall for a 20-date tour following a new album out this month on Nettwerk Records. They’ll hit up the United States as well as Canada. Plus, fall touring news from some of our other favorite jam bands like Sound Tribe who returns home to Georgia for Thanksgiving weekend with two shows in Atlanta, Papadosio who will ring in 2019 in Nashville. 00:00 - Mic Break 01:03 - Give & Take - STS9 07:33 - Play - Pimps of Joytime 11:23 - Kyle Hollingsworth for Jam Session 11:33 - Tumbling - Kyle Hollingsworth 15:26 - Mic Break 16:12 - Used To Get High - John Butler Trio 20:33 - Maid Marian - Page McConnell 25:36 - Atabey - Giant Panda Guerilla Dub Squad 30:41 - Mic Break 31:14 - Lil Miss Cup Half Empty - moe. 36:28 - The Storm - Primus 44:15 - The Valley - Dangermuffin 46:53 - Mic Break 47:35 - Cue - Papadosio 56:11 - Fever Subsides - Octave Cat 62:32 - Finish

Brent Hayden is a former international swimmer from Canada. Hayden was a bronze medal winner in the 100m freestyle at the 2012 Summer Olympics in London. He was co-World Champion in the same event in 2007 with Filippo Magnini of Italy. By winning the 100m, Hayden became the first Canadian in 21 years to win a gold medal at the World Aquatic Championships. He was also the first Canadian to appear in the 100m final at the Olympics since Dick Pound at the 1960 Summer Olympics and the first Canadian to win an Olympic medal in the 100m. Hayden adds a further 3 silver and 1 bronze medal to his World Championship totals. He is the current reigning Commonwealth Games champion in both the 50m and 100m freestyle events. In addition, Hayden is currently the Canadian record holder in the 200m, 100m and 50m freestyle in both the short-course and long-course. He is also a former World Record Holder in the 4×100m medley relay, and the 4×200m freestyle relay.    Brent continues to live in Vancouver with his wife Nadina Zarifeh helping her pursue her music career. She signed with Nettwerk Records and released her debut album “In The Now” in 2012. Together, they have launched “Brent Hayden Swim Camps” and continue to coach privately together. They ar also the founders of an athletic clothing brand, Astra Athletica. Brent has also come off of two successful solo art exhibitions for his photography, the first titled “Nothing Witty” at the Mission Arts Centre in his hometown, and the second at the Cassera – Foot Of Main Gallery in Vancouver.   In this episode of Cool Things Entrepreneurs Do he shares the similarities in the efforts to win as an athlete and to win in business.  We cover a lot of ground about his newest venture, Astera Athletica. Astra Athletica is emerging as the premier performance and athletic lifestyle brand for the never stop active person. When you wear Astra Athletica, you are joining a community of individuals who never let a challenge stand in their way.      "My greatest successes came from overcoming my greatest challenges." -Brent Hayden, OLY    https://www.astraathletica.com/   http://www.brenthayden.com

There's a chill in the night. A cold wind blows. The gate creeks slowly open. A black cat is hanging out. His name is Jeffrey. Don't mind Jeffrey. But thank you for coming to this cemetery. The TOGA Boys are your host or date or something and on this, All Hallow's Eve Eve Eve Eve Eve Eve, The Only GHOUL Album Boys have terrifyingly lovely albums to get you in the mood and stay with you forever more. The Raven.  No, wait that was "nevermore," let me start over -- Sfx: Shocking Bowed Bouzouki.mp3 by amoyssiadis | License: Attribution http://freesound.org/people/amoyssiadis/sounds/181658/ Sfx: Spooky Ambiance #1 by KRISTIANKULTA | License: Attribution http://freesound.org/people/KRISTIANKULTA/sounds/326962/ Sfx: sfx_thunder blast.wav by bajko | License: Creative Commons 0 http://freesound.org/people/bajko/sounds/399656/ Sfx: 41.wav by y89312 | License: Attribution http://freesound.org/people/y89312/sounds/139924/ Sfx: Dramatic Organ, A.wav by InspectorJ | License: Attribution http://freesound.org/people/InspectorJ/sounds/401707/ Sfx: Dry Thunder3.wav by juskiddink | License: Attribution http://freesound.org/people/juskiddink/sounds/101948/ (In order of appearance) "Burning Up" - Velocifero by Ladytron. Nettwerk Records, May 19, 2008 "Deep Blue" - Velocifero by Ladytron. Nettwerk Records, May 19, 2008 "Jack and Sally Montage" by Vitamin String Quartet on Nightmare Revisited, September 30, 2008 "Town Meeting Song" by The Polyphonic Spree on Nightmare Revisited, September 30, 2008 "Jack's Obsession" by Sparklehorse on Nightmare Revisited, September 30, 2008 "In the Room Where You Sleep" - Dead Man's Bones "My Body's a Zombie for You" - Dead Man's Bones on Dead Man's Bones. ANTI- records, December 25, 2008 "Chicken Huntin'" - Insane Clown Posse on Riddle Box, Psychopathic Records, October 10, 1995

Make music with the love of your life. (The Weepies) Sell a million records. Tour the world. Have 3 kids. Get Stage 3 breast cancer. Survive. Now what? “I had to make this record, for me,” says Deb Talan, best known as the girl from the folk pop duo The Weepies. “Marriage, children, being in a band – if you do any of that, at some point you start to wonder what part is still you. And then I got cancer, with a brutal treatment and surgery, and then full recovery. And as lucky as I am with all of that, I just felt lost. This project has been a way to reclaim a part of myself.” The 13 gorgeous songs that make up Deb Talan's new record LUCKY GIRL, released this year on Nettwerk Records, are an exploration featuring Deb's pop sensibility, her signature confessional writing, and of course her unmistakable voice.

Jenny Oppenheimer, former publicist, manager, product manager, web producer (Mercury Records, Bill Graham Management, Artist Direct, Nettwerk Records, Sony Pictures Digital), and current National Director, Marketing and Promotions for House of Blues Entertainment shares stories, experiences, and advice gained from a career spent in the trenches of the music industry. The Dish: How Jenny got her start in the music business What she's learned from age and experience Why “No” is not something to be afraid of hearing  Why she loves Dave Grohl Who has impacted & influenced her career What independent artists need to be doing to market themselves Why you need to make friends where you tour Jenny's surprisingly simple #1 piece of advice for life and career success

1. Sea-Missile Motel - Moev 2. New Decisions - Manufacture 3. See How it Cuts (Extended Club Dub Dance Remix Version) - I Start Counting 4. Slave (Extended Mix) - Revenge 5. Das Omen (Razormaid! Mix) - Mysterious Art 6. Opportunities (Ron Dean Miller and the Latin Rascals Mix) - Pet Shop Boys 7. Who Needs Love Like That (The Love That Mix Version) - Erasure 8. Locomotion (Razormaid! Mix) - Orchestral Manoeuvres In The Dark 9. Our Lips are Sealed (12" Mix) - Fun Boy Three 10. Love Reaction (12" Mix) - Divine 11. Our Love / Lucky (Razormaid! Mix) - Donna Summer 12. Everything's Gone Green - New Order 13. When Smokey Sings (The Miami Mix) - ABC 14. Send Me an Angel '89 (Dance Mix) - Real Life 15. Pretty in Pink (Berlin Mix) - The Psychedelic Furs   Notes and other random things: A couple weeks back I left a note at the top of my podcast explaining my current bandwidth situation. In short, I pretty much use up my monthly allotment within the first couple days of each month anymore ... and I blame you all! No, really. I do. But, as I said then, it's a great problem to have and I'm so very thankful that you guys tune in like you do to hear these classic retro dance tunes on a frequent basis. The only drawback is that PodOMatic has become pretty strict about allowing DJs to post new episodes if they have gone beyond their bandwidth limitations. What does that mean exactly? Well, first it means I had to change the sub-title of my Podcast. Since its inception I have used the subhead: "An (almost) weekly retro dance experiment." With my current busy schedule, "almost weekly" was a stretch even using a qualifier such as "almost". Now, my window of opportunity is even smaller than before. As such, I altered the subhead to: "80s and 90s retro dance adventures of a boy and a cheap mixer." It's probably a better descriptor anyway as I'm a boy and I own a cheap mixer. Second, it means unless I can scrounge up the roughly $250 per year PodOMatic charges for the next tier of bandwidth, I'm going to be saddled with this problem for the foreseeable future.  Third, it means you'll probably be seeing a PayPal donation button appearing on my page very soon. I had the option to remove it in the beginning, which I did, but I'll probably put it back up there in case any of you would like to chip in towards an account upgrade. I don't make any money doing this, nor did I intend to, but I also didn't anticipate the amazing response I've received thus far either.  Fourth, I'm also looking into placing some Google AdSense ads onto my page. I know, I think it cheapens everything and makes me look desperate, but if I can convince you guys to click on them when you visit my page, it might go far in helping me upgrade my account, which means I can provide retro goodness to you on a more frequent basis. I should point out that neither begging for donations nor begging for clicks are desirable options, but doing only one new Podcast per month isn't really an attractive option either. All in all,  I haven't yet decided how I'm going to handle my current situation, but I'm sure it will become clear as we move closer to 2012. I just wanted you all to be aware of what's transpiring right now. I can say from reading the forum posts that many other podcasters share my predicament and are none too happy because ultimately it's the listeners, the lifeblood of our shows, who end up getting shortshrifted. So, my apologies to everyone on that front.   Okay, now that that's out of the way, I can catch you up on some of the artists in this episode. In the meantime, I hope to have another new episode up very soon. Hang tight!  Let's start with Harris Glenn Milstead, better known as Divine. This is Divine's first appearance on CRC. I've shied away from his work over the past year and a half so far because I just couldn't find a good segueway for it. Well, that and his stuff is pretty crappy. It's highly derivative schlock that anyone other than a flamboyant drag queen wouldn't be able to get away with. I mean, this is the same guy who somehow got industrial record label Wax Trax! to release his version of The Name Game song (you know: Tintin, Tintin, bo-bintin, Banana fana fo Fintin, Fe fi mo-minton, Tintin!) But this is Divine we're talking about and you'd expect nothing less from a member of John Waters' "Dreamlanders" troupe  ... and he delivered every time! I guess that sounds a little harsh if it weren't really the point. Heck, it was Waters, the guy who aspired to make the "trashiest motion pictures in cinema history", who gave Divine his name and enlisted him as the lead in several of his soon-to-be cult films. Those appearances piqued Divine's lust for more fame and fortune, which he would find at the start of the 80s when he delved into the club scene. His "act" consisted of yelling "f*ck you!" at the audience and getting into fisticuffs with a fellow drag queen. In a way, Jerry Springer owes his entire television career to Divine! Pairing up with composer and record producer Bobby Orlando, Divine's live spectacles began to include disco numbers including the song Love Reaction, which appears here. His growing popularity on the club circuit spawned world tours even though Divine admitted at the time not being able to sing a lick as you'll witness first-hand. Orlando had gone about producing an entire album and touring before Divine had even mastered the lyrics. But that didn't stop him as Divine thought that if porn stars could have successful stints in the studio (I'm guessing he meant The Andrea True Connection and that ilk) why couldn't he? Really, though, the music was secondary to the trash, which is perhaps why Divine has been a secondary thought so far on CRC compared to other artists whose focus was the music. Still Love Reaction was the third single to chart on the Dutch Singles Chart and peaked at #25. It also spent 7 weeks on the German Singles Chart peaking at #55. And if you can't quite get enough of New Order's Blue Monday, this is basically the version Divine would have recorded had he been the lead singer, so there's that.   Next up is Donna Summer. Though I don't like to discount the possibility of any artist showing up on CRC at any point, I can tell you now, with almost complete certitude, that this will probably be her only appearance. It has nothing to do with her persona or a patent dislike for her music, except for the fact the bulk of her career occurred in the 70s and her hardcore disco sound doesn't exactly fit with what I'm trying to do here. Technically though, Our Love was released in '79, but didn't find massive success until the 12" version was released in 1980. From there it sold over a million copies. The track appeared on Summer's seventh album called Bad Girls, which became her best-selling album of all time as it spawned six different singles including the title track and Hot Stuff. One of the key contributors to Our Love and the Bad Girls album as a whole? Giorgio Moroder (of course!)  Moving from Summer to Sumner, New Order's Everything's Gone Green would seem an odd choice to mix into Our Love until you hear the similar electronic undertones. At that point it becomes more of a logical (and rather nifty, if I may say so) choice. In fact (or factus for you New order junkies), New Order have cited Donna Summer as an inspiration for their own work. According to lead singer Bernard Sumner, Blue Monday was heavily influenced by four tracks in particular: Dirty Talk, by Klein + M.B.O.; You Make Me Feel (Mighty Real) by Sylvester; Our Love, by Donna Summer; and Uranium by Kraftwerk. As for Everything's Gone Green, it was released originally in 1981, peaking at #3 on the UK Independent Singles Chart and #34 on the U.S. Billboard Hot Dance Club Play Chart. It is supposedly the first New Order track to contain computer-generated sounds and the last of the band's tracks to be produced by Martin Hannett. The song is also responsible for a major labeling gaffe. That's because the b-sides, Cries and Whispers and Mesh, were listed correctly on the record, but in reverse order on the record sleeve. The mistake led to several misidentifications on subsequent New Order album releases. For instance, the song Mesh appears as the third track on disc 2 of the Substance compilation, but should be credited as Cries and Whispers. Strangely, the real Mesh does appear on the cassette version of the album. Pretty dorky, stuff, eh? But where else are you going to find this kind of juicy information ... except maybe on the internet. The lead track, Sea-Missile Motel, by Moev was the first track on their Dusk and Desire album, which was released in 1985. Originally formed in 1981 by keyboardist/percussionist Tom Ferris and keyboardist/vocalist Cal Stephenson, the band released their debut album, Zimmerkampf, in 1982, but was forced to find a new label after San Francisco-based Go! Records went under the following year. Interestingly, in 1984, band member Mark Jowett and manager Terry McBride formed Nettwerk Records in McBride's apartment as a way to release new Moev material. As many of you know, Nettwerk has attained worldwide success in the years since and is home to a musically diverse line-up of artists from Sarah McLachlan to Skinny Puppy. The band went through several personnel changes in the early going, but settled on Michela Arrichiello as lead vocalist during the years surrounding Dusk and Desire and she is the voice you'll hear on this track. Bassist/drummer Kelly Cook, vocalist Dean Russell and keyboardist/percussionist Anthony Valcic would eventually replace many of the early members and would form what is considered to be the classic Moev line-up. In 1988, their highly successful Yeah Whatever album spawned their best-known track, Crucify Me, which, unlike Donna Summer, I can assure you will appear in CRC at some point down the road.    Label mates Manufacture further exemplify the eccentricity that graced the Nettwerk Records musical stable. Formed in 1984 by Brian Bothwell and Perry Geyer, the group was originally created as a soundtrack company, making experimental music and video. After performing in front of live audiences, the duo eventually became a band. In 1987, they were signed to Nettwerk and were commissioned to make two full-length albums as well as a variety of 12" dance singles. The song here, New Decisions, comes from the second album, World Control. It was a bit more pop-friendly than their debut, Terrorvision, though Sarah McLachlan did perform vocal honors on the great track, As the End Draws Near. Believe it or not, that song eventually was awarded a platinum single in Canada when it appeared on her album, B Sides, Rarities, and other Stuff. For the record, Brian Bothwell continues to work in the film and video field and also works as a Photographer in New York City. Meanwhile, Perry Geyer continues to produce music and owns and operates CyberSound Studios in Boston and New York City. That's all for this episode. Thanks for listening! Cheers!   Note as of 12-18-11: Hello, once again! I'm sending out these notes as a way to fill in the long gap left by my lack of posting a recent episode and as a way to keep you up-to-date on my status. For all the gory details of my recent podcasting travails, read the previous two entries in red below. Despite all the seemingly unfortunate news, this note is to let everyone know I have recorded a new podcast and it's ready to post once my bandwidth resets again in just a few days! (For all the gory details about bandwidth, you can also read below.) Anyway, hang tough, gang - the light at the end of the tunnel is rapidly approaching and I think you're going to find the new podcast was worth the wait. In it there are a LOT of great tunes that you probably have not heard before, plus some very different versions of a couple of old classics. Again, thanks for your patience! DJ Tintin    Note as of 12-05-11: Hi, all. Well, what a long, strange hard drive breaking down, no computer for two weeks trip it has been. I am happy to report that I have my computer back and it appears to be functioning just fine. The good news is I can get back to podcasting. The bad news is I have gone over my bandwidth for December already! The good news is I have tracks all selected for my next episode and will record it this week. The bad news I probably won't be able to post it right away. The good news is I will begin work on subsequent podcasts so that when my bandwidth resets once again I can hopefully post several episodes at once. The bad news is I'm hungry so I need to go get something to eat. The good news is you won't have to read anymore of this drivel! You all are the best audience anywhere and I fully appreciate the support and your saint-like patience. Hell, if I were you I probably would have quit listening to me by now. But then I would have changed my mind and would have started listening to me more than ever! Gee, what a swell guy I'd be if I were you.  Cheers!     Note as of 11-28-11: I meant to post a new episode this past weekend. I really did. Unfortunately, the hard drive on my computer gave out and I'm currently in the process of getting it replaced. Installing a new hard drive is no big deal, but it's trying to save all the data on the old one that is taking some time. The good news is I hope to have my computer back today or maybe tomorrow. The bad news is that I'm already halfway to my bandwidth limit for the month and we're only 4 days in. I just have to hope I can find time to record before I reach my ceiling. Again, I apologize to everyone for the lack of a new episode over the past month. Thanksgiving holidays + no bandwidth + broken hard drive = not good. Hang with me just a little longer! Everything should be back to normal shortly. Cheers, DJ Tintin         

Matt Darey - Nocturnal Sunshine 93 01. Bad Boy Bill ft. Alex Peace - Fast Life (Tocadisco remix) [Nettwerk Records] 02. M'Black - Heartbreak (extended mix) [Destined Records] 03. Moonbeam ft. Blackfeel Wite - First Night (Tyler Michaud & Manuel De La Mare remix) [NewSchool] 04. Vasutin ft. SevenEver - But I Can [Sundesire Records] 05. Ali Payami - Roots (original mix) [Caballero Recordings] **Nocturnal Sunshine #1 with Marcie** 06. Way Out West - The Gift (Gui Boratto remix) [Deconstruction] 07. Ofrin - How Come (Phonique & Tigerskin dub mix) [Manual Music] 08. Incognet - My Side (French Government remix) [Digital Motion Records] 09. Fine Taste & Kid Broke - Lifebloom 10. Timo Garcia ft. Amber Jolene - Magic Roundabout [Daybreak] 11. DBN & Tommy Trash - Stars (DBN mix) [Caballero Recordings] 12. Andrew Bennett ft. Majuri - Let Me Breathe Again (original mix) [S2 Records] 13. Moonbeam ft. Daniel Mimra - Look Around 14. Okawa - Hush Hush **Flashback track** 15. Dallas Superstars - Like A Superstar