Podcasts about new musicals

Welcome to a very special episode of Backstage Pass. We recently attended the National Alliance for Musical Theatre's 37th Annual Festival of New Musicals in New York City, and have created a podcast experience that will make you feel like you're right there with us! Each year, the NAMT festival shares 45 minute preview performances of 8 new musicals in development. This episode features conversations with NAMT's New Works Director Frankie Dailey, and 4 of the 8 shows in this year's festival: FINN by Chris Nee, Chris Dimond, & Michael Kooman, Love is Dead by Brett Ryback and Jeff Lupino-Esposito, Soft Magical Tofu Boy(s) by Kevin Wong and Particle by Selda Sahin, Autumn Reeser and Derek Gregor. Tune in next week to hear the other 4 shows! We also share demo recordings of a song from each of these musicals so you can get a taste of the music from each show. From FINN you'll hear “Sparkle and Shine” performed by Zachary Noah Piser. From Love is Dead you'll hear “Fully Formed” performed by Lana McKissack. From Soft Magical Tofu Boy(s), you'll hear the song “Invincible” performed by Jonathan Tan. And from Particle you'll hear "Meet Your Heroes" sung by Gabe Violett. We also interviewed Sonya Hayden and Matthew Lowy who were featured in NAMT's College Road Trip program, which shines a spotlight on university theatre programs that develop new musicals. Their musical, Taking Off! was recently developed at Michigan State University and an excerpt of the show was performed at the Festival of New Musicals. You can hear their song, “Ready for the World” at the end of the episode performed by Sonya Hayden. Check out Part 2 next week to hear interviews with the other NAMT writers, as well as more bonus content from musical theatre creators who were present at the festival. Connect with NAMT: Website: https://namt.org Instagram: @namt_org Connect with New York Theatre Barn: Twitter: @nytheatrebarn Instagram: @newyorktheatrebarn  Facebook.com/nytheatrebarn nytheatrebarn.org  Pauls's personal instagram: @paulsmacs Teresa's personal instagram: @terijoyeaux Learn more about your ad choices. Visit megaphone.fm/adchoices

In this episode of “Half Hour,” we take a sharper look at the new Broadway musical The Queen of Versailles at the St. James Theatre, tracing Jackie and David Siegel's rise, their unfinished Orlando mega-mansion, and the show's transformation of Lauren Greenfield's documentary into a full-scale musical. We dig into Stephen Schwartz's score, Lindsey Ferrentino's book, and Michael Arden's staging, asking how the music, design, and performances serve the story's ideas about wealth, ambition, and collapse, with particular focus on sound design, vocal clarity, and the tension between flashy visuals and what the audience actually hears. We also examine Kristin Chenoweth's performance as Jackie, the ensemble around her, and the design team's scenic, lighting, and costume choices, before turning to how The Queen of Versailles may factor into this season's Tony Awards races and where it sits among the year's other large new musicals. Follow and connect with all things @HalfHourPodcast on ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠TikTok⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, and ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠YouTube⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠. Share your thoughts on this production in the comments on Spotify, and let us know what you would like us to cover next. If you enjoy these post-show conversations, follow Half Hour and leave a rating and review so more theater lovers can find the podcast. Learn more about your ad choices. Visit megaphone.fm/adchoices

House of Fallen WomenMusic, Lyrics & Book by Natalie Rebecca LovejoyHouse of Fallen Women is an original new musical that explores women's sexual liberation through the stories of historical women whose ambition, defiance, or desires cast them as cautionary tales or erased them from history entirely. It asks: what really makes the “fallen woman” so threatening?

Taro Angels & LoveMusic, Book & Lyrics by Dawa TenzinHarold married Carnation when they were young and living on the Earthly Plane.  Now a hundred years on they live on the Astral Plane, Carnation is a fully fledged angel but Harold is a lowly spirit guide still trying to earn his wings.​Harold is tasked with bringing a young couple, Erin and Adam together and Carnation has to reunite Erin with her estranged father.​Erin believes in destiny and consults with a tarot card reader who with the help of Harold forecasts certain happenings.​Things don't always go to plan, can Harold and Carnation succeed in their heavenly tasks or does random fate determine otherwise?

Dubbo Championship WrestlingBook & Lyrics by Daniel CullenMusic by Daniel & James CullenThere's not a spare seat in the Dubbo Dome. Ozzy the Aussie Battler flicks his cape and steps into the ring, and the crowd go troppo.This is Dubbo Championship Wrestling, the hilarious new Aussie rock musical that will change everything you thought you knew about professional wrestling, regional Australia, and musical theatre itself.Rose, a young woman from Dub-Vegas with wrestling in her blood, has long ago turned her back on the family business and Dubbo's stifling small-town ways. When circumstance brings her back to her hometown on the eve of Dubbomania, the biggest wrestling tournament of the year, Rose is drawn into a monumental battle over family and identity, featuring capes, choreography, and some of the most colourful characters you'll ever meet.The violence, the joy, the costumes, the thumbtacks. Will there be blood? We bloody hope so.

Pelvic Girdle Pain, also known as pubic symphysis dysfunction, affects an estimated one in five pregnant women. It is often mild but can sometimes be debilitating and it's been highlighted by a BBC news report that has come out today. It's not harmful to the baby, but it can affect simple things like the mother's mobility. Kylie Pentelow speaks to Victoria Roberton, who experienced Pelvic Girdle Pain during her first pregnancy - she is now coordinator at the Pelvic Partnership, and Dr Nighat Arif, a GP specialising in women's health.It's been one month since the first phase of the Israel-Hamas ceasefire began, aimed at halting the war, returning hostages, and increasing humanitarian aid to Gaza. However, both Israel and Hamas have accused each other of violating the truce. Despite the fragile ceasefire, some see hope for lasting peace. Kylie is joined by Layla Alsheikh from the West Bank, and Mor Ynon from Tel Aviv - both are members of the Parents Circle Families Forum, a group of bereaved families working for reconciliation.Witches are haunting London's Kiln Theatre for a brand new, all-female musical about the 1633 Pendle Witch Trials. Co-composer of Coven, Rebecca Brewer, and one of its stars, Diana Vickers, join Kylie to talk about sisterhood, survival and whether their show could be the next SIX.There's a brand new podcast launching today: CBeebies Parenting Download. It will focus on topical parenting stories, hearing real life experience along with expert advice and parenting dilemmas. Kylie is joined by its presenters: Radio 1 host, author and mum Katie Thistleton, and award-winning rapper and dad of two, Guvna B. Presenter: Kylie Pentelow Producer: Corinna Jones

fuzzy a New MusicalJeff Talbott - Book & LyricsWill Van Dyke - Music & Lyricsfuzzy is the story of a furry little monster (named Fuzzy) who has come home to take care of their currently-ailing mother (named Muzzy). fuzzy is also the story of a storyteller we'll call The Human, who has come to a theatre to tell the story of a furry little monster who . . .you get the gist. A teeny tiny musical (with puppets! lots and lots of puppets!) about great big things, fuzzy is mostly a story about stories themselves – why we tell them, how we tell them and what happens to a group of people listening when we do.

The Fitzgeralds of St. PaulBook, Music and Lyrics by Christie BaugherThe Fitzgeralds of St. Paul is a two-person, one act full-length chamber musical about F. Scott and Zelda Fitzgerald, celebrated literary figures of the Jazz Age. Part memory play, part gin-soaked vaudeville, The Fitzgeralds of St. Paul is a fictionalized, hyper-theatrical imagining of an infamous marriage – an evening in which two tragic, larger-than-life icons of a bygone era finally get to tell their story.

Perfect WorldRichard Winzeler - Composer & Co-LyricistAlan Edmunds - Librettist & Co-LyricistPerfect World began innocently as a research project to document and analyze the incredible writings of Barbara Follett. As a professional psychologist, Alan had been curious about precocious child writers for more than a decade. Children who write like adults are incredibly rare and Barbara's prolific work certainly fit the bill. Being an avid musical theatre fan and performer, he instinctively envisioned Barbara's compelling life story as a musical and the archives at Columbia University were a treasure trove of detail. The initial book and lyrics evolved over a few years and two table readings were held. Richard joined the project as composer/co-lyricist, the score was created, and the journey to hone and refine this original musical theater piece began. The third table reading included demo recordings of all songs. The participants' positive and inspiring feedback has led to more refinement and an upcoming staged reading. They say you never write a musical, you simply rewrite it until it works. The creative process continues.

Goin' HollywoodMusic by David KraneBook & Lyrics by Stephen ColeIt's Alice's birthday, and Garson, her musical writing partner and sometimes lover, takes her to lunch at the trendiest restaurant in Grand Central Station, The Super Chief Dining Car. The restaurant is a perfect replica of the Super Chief Dining car of the train that took everyone out to Hollywood back in the Golden Age.  Alice and Garson have always had one wish, to live back when movie musicals and MGM was at its hottest, and when Alice blows out her candles and makes her wish, the Super Chief Dining Car starts to move on a track, taking them cross country and back to Hollywood in 1949.They are told by the conductor that their ticket is good for one year.Once there, they get jobs at MGM, and find out that every era has its dangers and pitfalls as they encounter the decline of the studio system, sexism, anti-semitism, homophobia, and the Blacklist.L.B. Mayer has them investigated and finds that they have no identity (as they're from the future) and thinks they're Commie spies.Their year is up and they hot-foot it back home to their own time with a new understanding of who they are and where they are meant to be and that there is no time like the present.

A musical comedy called '44 The Musical' follows the rise of Barack Obama, as narrated by Joe Biden. Writer and director Eli Bauman talks about the show, alongside actor T.J. Wilkins, who plays Obama.

Robert Meffe, Head of the SDSU MFA Musical Theatre Program, spent twenty-two years in New York City as a professional conductor, music director, keyboardist, orchestrator, arranger and music copyist. His Broadway credits include: Associate Conductor of Little Women and the last six years of Les Misérables, keyboards for Evita (2012 revival), Newsies, The Phantom of the Opera, Avenue Q, The 25th Annual Putnam County Spelling Bee, Grey Gardens, and Bombay Dreams.National Tour credits include Music Director of Evita (2012 revival) and The Phantom of the Opera, Associate Conductor of Les Misérables, Little Women, and Sunday in the Park with George. Off-Broadway: Myths & Hymns, Violet, The Prince and the Pauper, Gutenberg! The Musical!, and music arrangements for Disenchanted. TV: Encore! (Disney+), Earth To America (TBS), Renee Fleming-Live at Lincoln Center (PBS). Las Vegas: Associate Conductor of Avenue Q, keyboards for Mamma Mia and Hairspray. Williamstown Theatre Festival: Ten Cents a Dance (directed by John Doyle). Paper Mill Playhouse: Peter Pan (Music Director), Forum, Thoroughly Modern Millie (Associate), A Wonderful Life, Seven Brides for Seven Brothers(keyboards). San Diego credits include a nomination for Best Musical Direction for Fun Home (San Diego Rep), keyboards for Wicked, Waitress, Beautiful and Priscilla, Queen of the Desert (San Diego Civic Theatre), Bright Star, Looking for Christmas, How the Grinch Stole Christmas (The Old Globe), Kiss My Aztec, Fly (La Jolla Playhouse) and Far Away Places, a one-night cabaret show with Patti Lupone (Balboa Theatre).Robert served as Music Prep Supervisor/Orchestrator for the benefit concert, You've Got a Friend at the Dolby Theatre in Los Angeles honoring legendary singer/songwriter Carole King. New orchestrations included “I Feel the Earth Move” for Alicia Keys and “It's Too Late” for Amy Grant.Mr. Meffe serves as the Head of the Faculty for the Musical Theatre Studio at the Trentino Music Festival in Mezzano, Italy. For this festival he has music directed Godspell, Evita, Into the Woods, and Rent.A champion of new works, Mr. Meffe has music directed many workshops and reading of new musicals including Postcard American Town by Lynne Shankel and Crystal Skillman,  'Til Death Do Us Part, by Bobby Cronin and Caroline Prugh, Mister Doctor and Mr. Holland's Opus, both written by B.D. Wong and Wayne Barker, We Foxes and Darling, both written by Ryan Scott Oliver, Quanah by Larry Gatlin and Tony Dodge, College: The Musical by Drew Fornarola and Scott Elmegreen, A Lasting Impression by Zoe Sarnak, Factory Girls by Sean Mahoney and Creighton Irons and I Capture the Castle by Cara Reichel and Peter Foley. SDSU New Musical InitiativeOver the course of two years, MFA students will rehearse and develop to full production a new work of musical theatre under the guidance of faculty director Stephen Brotebeck and faculty music director (and Head of MFA Program) Robert Meffe. Brotebeck and Meffe have years of Broadway experience developing new musical works for the stage including shows such as Peter and the Starcatcher, Ghost and Little Women. Past artists have included Derek Gregor, Phoebe Kreutz, T.C. Lind, Lynne Shankel, Crystal Skillman, Bobby Cronin, Caroline Prugh, Ryan Scott Oliver, BD Wong, Wayne Barker, Michael Federico and Home for Hovercraft band members Seth and Sean Magill. Our plan is to collaborate with a creative team in three stages from reading to workshop to full production. We are looking for completed scripts and scores from a team that is interested in developing their work in conjunction with our graduate students. The committee considers a host of factors in the selection process, including representation of writers and stories from a range of cultural, ethnic, racial, and other affinities, as well as the gender balance of the writers whose work is presented in a given theatrical season.

Larry Goldings, Peter Bernstein and Bill Stewart explore the organ, guitar, drums lineup in an exclusive session performance at Jazz Alley.

Last weekend Mickey-Jo flew to San Diego to catch one of the final performances of THE HEART, a new musical receiving its world premiere production at La Jolla Playhouse.The show, written by Ian and Anne Eisendrath and Kait Kerrigan, combines a medical drama plot with an EDM score in order to tell the story of a life saving heart transplant.Check out Mickey-Jo's thoughts about the show, the sensation of experiencing an electronic score on stage, and the potential for this musical to head to Broadway...•00:00 | introduction02:03 | synopsis / overview06:52 | the material13:15 | creative choices18:00 | the performances24:22 | Broadway transfer?About Mickey-Jo:As one of the leading voices in theatre criticism on a social platform, Mickey-Jo is pioneering a new medium for a dwindling field. His YouTube channel: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠MickeyJoTheatre⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ is the largest worldwide in terms of dedicated theatre criticism, where he also share features, news and interviews as well as lifestyle content for over 89,000 subscribers. With a viewership that is largely split between the US and the UK he has been fortunate enough to be able to work with PR, Marketing, and Social Media representatives for shows in New York, London, Edinburgh, Hamburg, Toronto, Sao Pãolo, and Paris. His reviews and features have also been published by WhatsOnStage, for whom he was a panelist to help curate nominees for their 2023 and 2024 Awards as well as BroadwayWorldUK, Musicals Magazine and LondonTheatre.co.uk. Instagram/TikTok/X: @MickeyJoTheatre Hosted on Acast. See acast.com/privacy for more information.

I speak with Frankie Dailey, the New Works Director at the National Alliance for Musical Theatre. The organization's 37th Annual Festival of New Musicals will take place on October 23-24, 2025 at New World Stages in New York City.   The Festival features eight new musicals in 45-minute staged reading presentations in front of an industry-only audience. This event brings together theatre producers, presenters and developers from around the world to celebrate the future of these promising new musicals!

Friend of the show Tom Morello once again joins Brian & Kenzie to talk about his upcoming production at the Goodman Theater. https://www.goodmantheatre.org/show/revolutions-2/ Chicago’s best morning radio show now has a podcast! Don’t forget to rate, review, and subscribe wherever you listen to podcasts and remember that the conversation always lives on the Q101 Facebook page. Brian & Kenzie are live every morning from 6a-10a on Q101. Subscribe to our channel HERE: https://www.youtube.com/@Q101 Like Q101 on Facebook HERE: https://www.facebook.com/q101chicago Follow Q101 on Twitter HERE: https://twitter.com/Q101Chicago Follow Q101 on Instagram HERE: https://www.instagram.com/q101chicago/?hl=en Follow Q101 on TikTok HERE: https://www.tiktok.com/@q101chicago?lang=enSee omnystudio.com/listener for privacy information.

Friend of the show Tom Morello once again joins Brian & Kenzie to talk about his upcoming production at the Goodman Theater. https://www.goodmantheatre.org/show/revolutions-2/ Chicago’s best morning radio show now has a podcast! Don’t forget to rate, review, and subscribe wherever you listen to podcasts and remember that the conversation always lives on the Q101 Facebook page. Brian & Kenzie are live every morning from 6a-10a on Q101. Subscribe to our channel HERE: https://www.youtube.com/@Q101 Like Q101 on Facebook HERE: https://www.facebook.com/q101chicago Follow Q101 on Twitter HERE: https://twitter.com/Q101Chicago Follow Q101 on Instagram HERE: https://www.instagram.com/q101chicago/?hl=en Follow Q101 on TikTok HERE: https://www.tiktok.com/@q101chicago?lang=enSee omnystudio.com/listener for privacy information.

In this episode, Jeff and Richie analyze Saturday Church, currently in its extended Off-Broadway run at New York Theatre Workshop. The discussion centers on Ulysses' journey as a young LGBTQ+ protagonist, with an original score by Sia and direction by Whitney White. We highlight performances from Bryson Battle and J Harrison Ghee, assess the show's staging and design, and examine the role of community engagement in new musicals. Follow and connect with all things @HalfHourPodcast on ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠TikTok⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, and ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠YouTube⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠. Share your thoughts with us ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠on our podcast cover post on Instagram. Learn more about your ad choices. Visit megaphone.fm/adchoices

Nietzsche unveils the cast of characters who shaped the life and legacy of the controversial philosopher—Friedrich (“Fritz”) Nietzsche. His mother wanted him to be a pastor. His musical mentor wanted him to defend antisemitism. His sister wanted power. His love interest wanted freedom. And Fritz wanted to love life—all of it. But how? What do you do when you adore people whose values you abhor? The musical unfolds as a series of flashbacks leading to an explosive conclusion: Fritz goes insane; his sister, Elisabeth, allies with the Nazis; and his love, Lou Salomé, vows to honor their bond and write a book that will set the record straight.Book, lyrics, and music by Kimerer LaMotheMusic and orchestrations by Geoffrey Gee

1816 : The Year Without A SummerTrapped indoors by torrential rain, legendary writers Byron, Percy and Mary Shelley and their friends, Polidori and Claire, search for inspiration by the gloomy Lake Geneva. But things fall apart the longer they are stuck together... Polidori's diary is brought to life in the 1816: The Year Without a Summer musical.Nat Riches + Natasha Atkinson; Co-writers

In 1865, Mary Surratt became the first woman hanged by the United States government. Was she capable of aiding in the murder of a president? Was her conviction a rational legal process, or the result of deception brought on by a public hungry for revenge?The events of her life are dramatized in a surreal montage of sight and sound that questions her role in the Lincoln conspiracy and her relationship with John Wilkes Booth.Tom Swimm - Music, Lyrics & Book

Follow Joe Weinberg @OverthinkingTheatre on TikTok and Instagram. Follow The Present Stage on Instagram at @thepresentstageThe Present Stage: Conversations with Theater Writers is hosted by Dan Rubins, a theater critic for Theatermania and Slant Magazine. You can also find Dan's reviews on Cast Album Reviews and in The New Yorker's Briefly Noted column.The Present Stage supports the national nonprofit Hear Your Song. If you'd like to learn more about Hear Your Song and how to support empowering youth with serious illnesses to make their voices heard though songwriting, please visit www.hearyoursong.org

Jimmy Kimmel is back and so is fall television! 

WBZ NewsRadio's Drew Moholland speaks with Darryl "DMC" McDaniels. 

Inspired by historical events surrounding Raquel Liberman, Bordello is the immigrant story of one heroic Polish woman who is forced into prostitution and risks everything to bring an international Jewish sex-trafficking ring to justice. With a musical palette that includes tango and klezmer, this never-been-told-before tale of love and bravery is set in the colorful world of Buenos Aires in 1920.Barbara Bellman - Co-Book and LyricsEmiliano Messiez - MusicJoan Ross Sorkin - Co-Book and Additional Lyrics

Kimerer LaMothe does it all. An award winning author, dancer, playwright, and farmer, Kimerer's latest endeavor has been writing the musical, Nietzsche, about the famous German philosopher. We discuss the process of writing and mounting the new musical, as well as the timeliness of it's message. "A love that teaches us to hate is not love." "Do not throw away your love and your hope." Off-Brand Opera in NYC is producing the musical, running from Oct 10th - 12th, 2025. https://offbrandopera.org/nietzsche This episode is sponsored by Harbinger Theatre's production of "Deep Blue Sound", playing Sept 12th - 21st, 2025 at Steamer No.10 Theatre.

Freedom Riders: The Civil Rights Musical dramatizes the story of the 1961 Freedom Rides — a series of integrated bus rides through the American South designed to test and defy segregation laws. Facing violent mobs, unjust arrests, and a federal government slow to intervene, these college-age activists changed the course of American history through nonviolent protest and unwavering resolve. With a dynamic original score that blends gospel, folk, and contemporary musical theatre, the show elevates both the pain and the power of that moment — making it essential viewing for audiences today.Music and Lyrics by Richard Allen and Taran GrayBook by Richard Allen

Set in the basement of a Brooklyn church, SOBER SONGS is a darkly comedic musical that follows six young adults in recovery at a local AA meeting founded by the gruff but loving “Cap.” Blending biting humor, emotional ballads, and sharp dialogue, the show evolves from light and charming to deeply emotional, offering a raw, character-driven, and emotionally authentic look at addiction, love, identity, and the complicated, messy road to sobriety. With heart, heartbreak, and cathartic honesty, SOBER SONGS offers a deeply human—and at times hilarious—glimpse into recovery culture.

The Sustain is an intimate musical about love, sex and connection in a senior living facility told through an indie rock score and interwoven stories of its elderly residents, the staff who takes care of them, and the lives they leave behind outside as they start a new chapter in this Encores!-style concert staging.​

Meghan and Melisa hung out with Mary. Melisa's saw a double feature of Naked Gun and Freakier Friday.  This leads to a hilarious discussion about actors who have seemingly been "old their whole lives." They're excited to see J. Lo's musical, “Spider Woman.” They then discuss what musicals they've never seen Later, Meghan shares her thoughts on the show Anatomy of a Scandal.  The duo also delves into a modern-day mystery: why are food delivery apps using AI-generated images? And to top it all off, Melisa recounts the wild story of how her Reddit account was hacked. Learn more about your ad choices. Visit megaphone.fm/adchoices

A barn in Newbury serves as the rehearsal space for the production, “Voices from Ukraine.” The show opens with the actors reciting letters written by Ukrainian children about their villages and parents.

Dolly Parton BioSnap a weekly updated Biography.Dolly Parton's week has been nothing short of headline-making. According to Parade, she dazzled audiences at the opening of Dolly: A True Original Musical at Nashville's Fisher Center, a theatrical biography featuring new and classic songs. Dolly herself cowrote the book, and the stage adaptation stars three actresses portraying her at different stages of life, generating enthusiastic reviews. On Instagram, Dolly proudly showcased opening night highlights and ticket info, using the platform to connect directly with her fans. American Songwriter added that she wanted the musical staged while she's still alive and involved, a philosophy that feels pure Dolly—living legend advancing her legacy in real-time.Business-wise, Dolly is in expansion mode yet again. IMDB and Country Music Alley report she's branching into another yet-to-be-public business venture, with continued revenue power stemming from her unrivaled catalog of over 3,000 songs—valued at around $150 million—and her entertainment, amusement park, and philanthropic endeavors. FreeJobAlert pegged her net worth at $650 million this year, making clear she's more a cultural institution than mere celebrity. Much of this wealth cycles back into charity, particularly the Imagination Library and community scholarships, re-enforcing her “do good with what you've got” ethos.Major on-screen appearances are brewing: The Indianapolis Symphony Orchestra announced a visually ambitious Pops Series dedicated to Dolly's career, running September 19–20. Though Dolly will appear only virtually, the concerts feature hits like Jolene and I Will Always Love You, interwoven with personal stories and archived footage. In a statement, Dolly called the show “threads of my life woven together,” highlighting the significance of sharing her journey through orchestral arrangement.On the Broadway front, Dolly's Smoky Mountain Christmas Carol will tour again this season according to The Carson Center, with performances scheduled through November. Her classic narrative of redemption set in Depression-era Tennessee remains a perennial crowd-pleaser, and group ticket sales are already strong.Social media was abuzz when Dolly performed Jesus and Gravity at The O2 Arena, drawing excitement among British fans via accounts like PartonNews. Meanwhile, AOL reports Dolly's long-awaited Las Vegas residency has tickets flying, marking her first resident show in decades and sparking a flurry of fan anticipation.As for speculation, details on her rumored new business project remain tightly guarded amid a swirl of online chatter, but outlets like IMDB and Country Music Alley hint at a significant, possibly industry-shifting reveal in the coming months. For now, everything else is fully verified—Dolly Parton continues to thread herself more intimately into America's cultural and musical fabric by the day.Get the best deals https://amzn.to/3ODvOta

Twelve Maids takes you behind-the-scenes of life in Ithaca during Odysseus's journey in The Odyssey, from the never-before-heard point of view of a palace maid. Often silenced or glossed over, Penelope's maids are given a voice for the very first time in this dynamic new musical. Our stellar cast will transport you to Bronze Age Greece, where love, loyalty, and laughs await. Featuring breathtaking ballads, dazzling duets, and electric ensemble numbers, Twelve Maids is sure to excite lovers of myth and musical theater alike.

Echolocation is a road trip musical in the dark. A teenage love story without a map. Echolocation is a musical performed in pitch blackness.Ethan and Sadie are best friends, but they have little else in common. He's serious, she's goofy. He works after-school jobs, she has a rooftop hot tub. He's sighted, and she's completely blind. One thing they share is that they're totally sick of life in safe, suburban Las Vegas. And so, to enjoy a last gasp of freedom before their SAT scores come back, they lie to their parents and set off on a secret road trip up to Yellowstone National Park – going on some unexpected misadventures along the way. Featuring skinny-dipping, wacky science, an environmentalist twist and a fizzing score, Echolocation is a podcast musical about Gen Z friendship, love, and disability. Eliza Randall is a composer, pianist, and music director from Boulder City, NV, currently based in New York City. She began playing the piano and composing music when she was six years old and has been hooked ever since!Her short musical THE YELLOW WALLPAPER, written with Sam Norman, was a finalist for the Mazumdar Short Play Prize and has been performed all over the country by Harp Theatricals, Irvington Theatre, Alleyway Theatre, and Blank Conversations. Her new musical THE DEBUTANTES was recently workshopped and performed at the 2022 Leeds Conservatoire Musical Workshop. Eliza's various other stand-alone compositions have been showcased at the Broadway Future Songbook at Lincoln Center, the Rattlestick Playwrights Theatre off-Broadway, and the Hackney Empire (nominated for the 2021 Stiles and Drewe Best New Song Prize). As a music director, Eliza especially loves directing new works, and most recently she has been MD/Keys 1 for multiple shows at Pace University, NYU's New Studio on Broadway, Dixon Place, the Scranton Fringe, and the Two Rivers Theatre with Joe Iconis and Sara Schlesinger. Education: BM in Piano Performance from BYU, MFA in Musical Theatre Writing from NYU Tisch.Hi, I'm Sam — an award-winning (but more often award-losing) rhymester who bounces between the UK and US.I mostly write lyrics and libretti for musicals and operas. Sometimes I write screenplays and light verse.Recently… Echolocation (winner of the 2025 MTI Stiles & Drewe Mentorship Award), The Shadow, Come Dine With Me: The Musical.You might have seen my work produced and/or developed off-West End, off-Broadway and regionally, at venues including the Kennedy Center, Lincoln Center, Turbine Theatre, Rattlestick Playwrights Theater, and the Edinburgh Fringe.I'm currently a Resident Artist at the American Lyric Theater. In the past I've been a Johnny Mercer Foundation Songwriter, an American Opera Initiative Fellow, a winner of the Stephen Spender Prize for Poetry in Translation, a Lincoln Center Broadway Future Songbook writer and a three-time finalist for the Stiles & Drewe Best New Song Prize. I'm a proud member of Mercury Musical Developments, the BMI Musical Theatre Librettists Workshop and the Dramatists Guild.

A few months ago, I attended BEAM - a biannual, two day conference platforming new British musical theatre writing.Over two days at Birmingham Hippodrome, 28 different new musicals were pitched to producers, theatremakers and other industry professionals.Previously pitched musicals include Operation Mincemeat and Two Strangers (Carry a Cake Across New York).In this special recap vlog, Mickey-Jo is taking you briefly inside the conference as well as sharing some short insights into each show that was presented there!00:00 | introduction01:31 | BEAM day 119:10 | BEAM day 2About Mickey-Jo:As one of the leading voices in theatre criticism on a social platform, Mickey-Jo is pioneering a new medium for a dwindling field. His YouTube channel: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠MickeyJoTheatre⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ is the largest worldwide in terms of dedicated theatre criticism, where he also share features, news and interviews as well as lifestyle content for over 80,000 subscribers. With a viewership that is largely split between the US and the UK he has been fortunate enough to be able to work with PR, Marketing, and Social Media representatives for shows in New York, London, Edinburgh, Hamburg, Toronto, Sao Pãolo, and Paris. His reviews and features have also been published by WhatsOnStage, for whom he was a panelist to help curate nominees for their 2023 and 2024 Awards as well as BroadwayWorldUK, Musicals Magazine and LondonTheatre.co.uk. Instagram/TikTok/X: @MickeyJoTheatre Hosted on Acast. See acast.com/privacy for more information.

The X-Files Season 5, Episode 5: “The Post-Modern Prometheus” It's alive... Recorded: 26 July 2025 Edited: 31 July 2025 Released: 01 August 2025 By the way, Nic remembered who the reporter reminded him of and why he was so attracted to her (which went unspoken in the episode) AND it is a blatant homage to one of his favourite, definitely top five, films... so he feels like a total idiot. Expect an update. Also, if you're interested in reading a lesser version of our failed Para(normal)-Palooza addendum recording, that be here: More PP:BBotS! Links: The Post-Modern Prometheus | X-Files Wiki Frankenstein - Wikipedia Frankenstein's monster - Wikipedia Frankenstein (1931 film) - Wikipedia Bride of Frankenstein - Wikipedia Son of Frankenstein - Wikipedia Young Frankenstein - Wikipedia Frankenstein - A New Musical - Wikipedia Frankenweenie (1984 film) - Wikipedia Edward Scissorhands - Wikipedia Year Without a Summer - Wikipedia Haunted Summer - Wikipedia John William Polidori - Wikipedia John O'Hurley - Wikipedia Mask (1985 film) - Wikipedia Walking in Memphis - Wikipedia Greystoke: The Legend of Tarzan, Lord of the Apes (1984 film) - Wikipedia Music: “Dark Science” by David Hilowitz “The Truth Is What We Make of It” by The Agrarians All our episodes are at iwtrw.com (or at iwanttorewatch.com, if you want to type more letters for some reason). Links for everything else I Want To Rewatch-related (including our sweet merch) are at the IWTRW Bio Site.

Beyond Perfection is Be More Chill meets Urinetown, it  is an original story so timely, we've been warned to stop writing before more of it becomes true. Ryan and his wife Kate are the flawless faces of Perfection LLC's government-run marriage program: an algorithmically crafted romance, broadcast for all to see. Their love is scripted, their happiness engineered…until a glitch breaks the illusion. As Ryan spirals, he stumbles into the No-See-Ums encampment, a hidden rebel society in Central Park where outcasts unveil a world: unscripted. Boisterous, funny, and surprising, Beyond Perfection is a zany dystopian musical adventure perfect for our current age.Kenady Sean (lyricist, composer, bookwriter and producer)Kenadyis currently working on three musical projects other than The Scarlet Letter Musical. The Birthmark was recently featured in Theatre Now's Soundbites Festival. We Can Do It! was an award-winning festival participant of the 2023 National Women's Theatre Festival. The Scarlet Letter Musical was a SheNYC Festival semi-finalist in 2022 and a Moxie Incubator Finalist in 2023. Beyond Perfection and The Scarlet Letter Musical have both had a workshop produced by or in conjunction with The Table Co/lab, now SheDFW. Kenady graduated with an MBA and a BS in Music Business from Dallas Baptist University where she received the Texas Business Hall of Fame Scholarship. She currently is the regional moderator of Texas for Maestra Music, and hopes to improve gender parity in the musical theatre business. She is also a member of Theatre Resource Unlimited's Producer Mentor Program.Kaylee Killingsworth (bookwriter, and lyricist)Kaylee Killingsworth is a playwright, librettist, teacher and performer. She holds a Bachelors of Fine Arts in Theatre focused on Theatre Studies from UT Arlington. Recent productions include: “The Birthmark” via Theatre Now New York's SOUNDBITES festival, “The One Who Drew Cats” via Ugly Radio Podcast, “Beyond Perfection (Now titled A Brave New York)” Developmental workshop via SheDFW, “Secular” via The Guinea Pig Festival. Kaylee is currently working as a Librettist for the musical “A Brave New York”. In addition to teaching and writing, Kaylee works at the intersection of holistic therapy and theater as a medical clown with The Laughter League. Her original clown character Dr. Hashtag is a cast member of Telly-Award winning show, On The Nose. In her collegiate career she contributed research to the Undergraduate Interdisciplinary Student Research Conference at Collin College. At UTA, Kaylee contributed to the University's 2016

Jessica Francis FichterBook and LyricsJessica Francis Fichter is a South Carolina-based director, playwright, and teaching artist, currently serving as the Executive Director of Trustus Theatre in Columbia, SC. She has directed and taught in various locations, including NYC, where she earned an MFA in Directing from the Actors Studio Drama School. Recent directing credits include Twelfth Night: Welcome to Our Table (New York Shakespeare Best Comedy 2020) and Dandelion: An Original Musical (NYMF finalist 2019). She is also the founder of Evolving Door Theatre Company.Hailee Beltzhoover ZunigaStory, Book, Addt. Music and LyricsHailee Beltzhoover Zuniga is an Atlanta-based theatre artist and the concierge of the renowned Woodruff Arts Center, home to the Tony Award-winning Alliance Theatre. She graduated from Winthrop University in Rock Hill, SC in 2019 with a Bachelors in Performance and has been heavily involved in the Atlanta theatre community since her relocation in 2022. Her most recent projects have been directing Brandon Jacobs-Jenkin's Everybody with Renegade Theatre Co. and performing as Mal in Disney's Descendants at OnStage Atlanta.DANDELION: An Original Musical is a contemporary show that captures the emotional ups and downs of familial love, loss, and change. Female-driven and fearless in its approach to storytelling, it is a universal story that will touch the lives of audience members across generations.

Emotions run high in the world of closed adoptions and sealed records, but the potential human stakes are even higher.  It's the fall of 1967, and an unexpected pregnancy thrusts teen lovers into the stark arena of adult realities. An infertile married couple longs to become parents via a system rooted in secrecy and shame. A beloved baby, named Joshua by his adoptive parents, must grow up severed from his roots. Forced to navigate seemingly insurmountable obstacles on the journey to learn his full identity as an adult, Joshua discovers a group with shared experiences who find their voices and fight for access to the truth about their origins.  Drawn from decades of real-life timeless stories of love, longing, loss and the visceral human quest for identity, empowerment and connection, For the Record(s) resonates with anyone who has lost or found family. 

GALLANO.H  tells the story of Ethan — a character shaped by loss — and the chorus of voices that surround him: Soul, Past, Present, and Future. Through live guitar, movement, and raw ballads, the performance dances between memory and momentum, stillness and song.This original musical was born from the real-life experience of TYK's Artistic Director, Ethan Persyko (they/them), who lost their beloved dog, Bailey, during a time of deep personal isolation. But GALLANO.H reaches far beyond one person's story — it is for anyone who has ever loved and lost, who has ever needed to be reminded they're not alone.

WINNER, is an original musical about coming out and coming-of-age set against the backdrop of a rigged school election in Southern California in 1999. The show's electrifying rock-pop score was created by Joe Barros (Artistic Director of New York Theater Barn) and Nico Juber (one of 2023's Women to Watch on Broadway) with a concept album launching July 2025.

What if Gypsy Rose Lee (from Gypsy the Musical) met Gypsy-Rose Blanchard (current true crime darling)?For millennia, musical theater writers never dared to ask: If your mother sucks, can you kill her?Well… that changes now

Twelve Maids takes you behind-the-scenes of life in Ithaca during Odysseus's journey in The Odyssey, from the never-before-heard point of view of a palace maid. Often silenced or glossed over, Penelope's maids are given a voice for the very first time in this dynamic new musical. Our stellar cast will transport you to Bronze Age Greece, where love, loyalty, and laughs await. Featuring breathtaking ballads, dazzling duets, and electric ensemble numbers, Twelve Maids is sure to excite lovers of myth and musical theater alike. Created by Amanda Fischler and Adam Gloc

 Listen to the Show Right Click to Save GuestsZach Theater WaitressThe VORTEX Jinkies What We Talked About   Eugene O'Neill Center NAMT Gospel at Colonus Japan Society Palm Beach Glazer Hall The Heathers Beautiful Noise – Neil Diamond Superstar Drowsy Chaperone – Trans Led Thank you to Dean Johanesen, lead singer of "The Human Condition" who gave us permission to use "Step Right Up" as our theme song, so please visit their website.. they're good! (that's an order)

It has been reported that the musical adaptation of CLUELESS, which opened in the West End earlier this year, will close on 23rd August 2025.The production, which began performances in February of this year, will end its run earlier than originally planned, just a few months after MEAN GIRLS closed at the nearby Savoy Theatre.With news of a tour and rumours about the next shows at the Trafalgar Theatre, check out this theatre news recap for everything we know, and can infer, about the early closing of Clueless...•00:00 | introduction02:57 | when is it closing?09:56 | why is it closing?13:50 | what happens next?About Mickey-Jo:As one of the leading voices in theatre criticism on a social platform, Mickey-Jo is pioneering a new medium for a dwindling field. His YouTube channel: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠MickeyJoTheatre⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ is the largest worldwide in terms of dedicated theatre criticism, where he also share features, news and interviews as well as lifestyle content for over 80,000 subscribers. With a viewership that is largely split between the US and the UK he has been fortunate enough to be able to work with PR, Marketing, and Social Media representatives for shows in New York, London, Edinburgh, Hamburg, Toronto, Sao Pãolo, and Paris. His reviews and features have also been published by WhatsOnStage, for whom he was a panelist to help curate nominees for their 2023 and 2024 Awards as well as BroadwayWorldUK, Musicals Magazine and LondonTheatre.co.uk. Instagram/TikTok/X: @MickeyJoTheatre Hosted on Acast. See acast.com/privacy for more information.

Award-winning Irish Canadian novelist, screenwriter and playwright Emma Donoghue (Room, The Wonder) is back with her first musical, “The Wind Coming Over The Sea.” It's based on the true story of Henry and Jane Johnson, a young married couple who left Ireland in the 1840s in search of a better life in Canada. Emma joins Tom Power to talk about what inspired the production, the traditional Irish folk music she used to tell the tale, and why this historical story about the immigrant experience still resonates today.

Welcome Back!In this week's episode of Always Looking Up I sat down with Jenna Bainbridge. Jenna is an actor, singer, co-founder, disability rights advocate and executive producer of two of my favorite TikTok series. She navigates the world as an ambulatory wheelchair user and, in 2024 became the first wheelchair user to perform in a New Musical on Broadway when she made her debut in Suffs. Now she is again making history portraying Nessarose in the Broadway production of Wicked, being the first wheelchair user to do so on stage. We discuss how she became Nessa, doing Broadway as a wheelchair user, why we all need to be asking ourselves if our outfits sit and much, much more.Follow Jenna: Instagram: @bainbridgejenna TikTok: @bainbridgejenna Website: https://www.jennabainbridge.comFollow ConsultAbility: Instagram: @consultability Website: https://www.consultability.orgFollow Me: Instagram: @jill_ilana , @alwayslookingup.podcast TikTok: @jillian_ilana Website: https://www.jillianilana.com Email: alwayslookingup227@gmail.comRead With Me:GoodreadsThe StoryGraphSupport Immigrant Communities (all links came from @chnge):The Coalition for Humane Immigrant Rights of Los Angeles (@chirla_org): https://www.chirla.org/donatenow/Immigrant Defenders Law Center (@immdef_lawcenter): https://www.immdef.orgInland Coalition 4 Imm Justice (@ic4ij): https://secure.actblue.com/donate/jornalerosRelief For Disabled People Impacted By The Los Angeles Fires:Richard Devylder Disaster Relief Fund: https://disabilitydisasteraccess.org/rd-relief-fund/United Spinal Disaster Relief Grant: https://unitedspinal.org/disaster-relief-grant/Inevitable Foundation Emergency Relief Fund: https://www.inevitable.foundation/erf

We're celebrating the 2025 Tony Award-winning 'Best Musical', Maybe Happy Ending. We'll talk to Tony-winner Darren Criss, just moments after he won the trophy for 'Best Actor' in a Musical. Then, Tamsen chats with Darren's co-star in the musical, Helen J. Shen. And later, Paul Wontorek talks to the Tony-winning Director and Tony-winning Set Designer, Michael Arden and Dane Laffrey.

In this episode, we dive into the Broadway production of Buena Vista Social Club at the Gerald Schoenfeld Theatre. We discuss the show's cultural impact, the role of Cuban music, and standout performances from the cast, including Natalie Venetia Belcon. We also talk about the production's design, audience reactions, and its chances at the Tony Awards. Tune in for our review and why we think this musical is a must-see. Follow and connect with all things @HalfHourPodcast on ⁠⁠⁠Instagram⁠⁠⁠, ⁠⁠⁠TikTok⁠⁠⁠, and ⁠⁠⁠YouTube⁠⁠⁠. Share your thoughts with us on Buena Vista Social Club ⁠⁠⁠⁠⁠on our podcast cover post on Instagram. Learn more about your ad choices. Visit megaphone.fm/adchoices

Brian, Blake, and Richard are back for Episode 563 of the Chasing Tone Podcast - Is the price of new musical gear about to go up...again?The gang is back together and start off with a look at some pasta based podcast that Blake is working on that involves Charles Manson, Hank Williams, and zero bolognaise sauce. Richard has been challenged to talk more about tone and fails instantly. Reverb has been sold and the guys talk about it and the second hand gear market which may become a little hotter in the heat of the new trade tariffs. Will we see a shift in the gear world as a result? Brian has a new course coming out and tells us all about it. Blake saw a new film and tries in vain to convince Brian to watch it because it has an amazing soundtrack. Brian has an idea for a manual for humanity and has become addicted to an amplifier. Joe Rifanella and Billy Powerchord, Belle joy, Bad ocular jokes, Brothers AM, Furries 5.0, Blues Vampires...it's all in this week's Chasing Tone!We are on Patreon now too!Support the show (https://www.patreon.com/chasingtonepodcast)Youtube:https://www.youtube.com/@chasingtonepodcastAwesome Course, Merch and DIY mods:https://www.guitarpedalcourse.com/https://www.wamplerdiy.com/Find us at:https://www.wamplerpedals.com/https://www.instagram.com/WamplerPedals/https://www.facebook.com/groups/wamplerfanpage/Contact us at: podcast@wamplerpedals.comSupport the show