Podcast appearances and mentions of pat patrick

FRANK STROZIER “LONG NIGHT” New York, September 12, 1961How little we know (gc,pp out), The need for love, The crystal ball (1), Pacemaker (gc,pp out)Frank Strozier (as,fl-1) George Coleman (ts) Pat Patrick (bar,fl-1) Chris Anderson (p) Bill Lee (b) Walter Perkins (d) JOE PASS “JOY SPRING” Encore Theatre, Los Angeles, February 6, 1964Joy spring, Relaxin' at CamarilloMike Wofford (p) Joe Pass (g) Jim Hughart (b) Colin Bailey (d) LUCKY THOMPSON “NEW YORK CITY 1964-65” Live, Jazz on Broadway, The Little Theatre, New York, February 28, 1964The world awakes (lt+rhythm only,2)Dave Burns (tp) Benny Powell (tb) Danny Turner (as) Lucky Thompson (ts-1,sop-2) Cecil Payne (bar) Hank Jones (p) Richard Davis (b) Al Dreares (d) Live “The Half-Note”, New York, February 19, 1965What's new (2)Lucky Thompson (ts-1,sop-2) Paul Neves (p) George Tucker (b) Oliver Jackson (d) Alan Grant (mc) Continue reading Puro Jazz 28 de febrero, 2025 at PuroJazz.

FRANK STROZIER “LONG NIGHT” New York, September 12, 1961How little we know (gc,pp out), The need for love, The crystal ball (1), Pacemaker (gc,pp out)Frank Strozier (as,fl-1) George Coleman (ts) Pat Patrick (bar,fl-1) Chris Anderson (p) Bill Lee (b) Walter Perkins (d) JOE PASS “JOY SPRING” Encore Theatre, Los Angeles, February 6, 1964Joy spring, Relaxin' at CamarilloMike Wofford (p) Joe Pass (g) Jim Hughart (b) Colin Bailey (d) LUCKY THOMPSON “NEW YORK CITY 1964-65” Live, Jazz on Broadway, The Little Theatre, New York, February 28, 1964The world awakes (lt+rhythm only,2)Dave Burns (tp) Benny Powell (tb) Danny Turner (as) Lucky Thompson (ts-1,sop-2) Cecil Payne (bar) Hank Jones (p) Richard Davis (b) Al Dreares (d) Live “The Half-Note”, New York, February 19, 1965What's new (2)Lucky Thompson (ts-1,sop-2) Paul Neves (p) George Tucker (b) Oliver Jackson (d) Alan Grant (mc) Continue reading Puro Jazz 28 de febrero, 2025 at PuroJazz.

Pat (Patrick) Gracey is a senior librarian at the Toronto Public Library where he is a children's services specialist, leading the team that selects new picture books for 17 downtown locations (!).  In our interview, Pat talks about the magic inherent in picture books, and focuses on some of his favorite Canadian (and semi-Canadian) picture books, including The Log Driver's Waltz by Wade Hemsworth, Illustrations by Jennifer Phelan , Think Again by JonArno Lawson, Illustrated by Julie Morstad, Nana's Cold Day by Adwoa Badoe Pictures by Budshra Junaid, Down by Jim Long's Stage: Rhymes for Children and Young Fish by Al Pittman Illustrated by Pam Hall, Canada Counts (A Charles Pachter Counting Book), Canada in Words by Per-Henrik Gürth, The Night Gardner by The Fan Brothers (Terry and Eric), A Face is a Poem by Julie Morstad, Sleep Little Creep by David Quinn and Ashley Spires (illustrator), The Paper Boat by Thao Lam, and What Happened on Thursday by Ayo Oyeku, illustrated by Lydia Mba. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Pat (Patrick) Gracey is a senior librarian at the Toronto Public Library where he is a children's services specialist, leading the team that selects new picture books for 17 downtown locations (!).  In our interview, Pat talks about the magic inherent in picture books, and focuses on some of his favorite Canadian (and semi-Canadian) picture books, including The Log Driver's Waltz by Wade Hemsworth, Illustrations by Jennifer Phelan , Think Again by JonArno Lawson, Illustrated by Julie Morstad, Nana's Cold Day by Adwoa Badoe Pictures by Budshra Junaid, Down by Jim Long's Stage: Rhymes for Children and Young Fish by Al Pittman Illustrated by Pam Hall, Canada Counts (A Charles Pachter Counting Book), Canada in Words by Per-Henrik Gürth, The Night Gardner by The Fan Brothers (Terry and Eric), A Face is a Poem by Julie Morstad, Sleep Little Creep by David Quinn and Ashley Spires (illustrator), The Paper Boat by Thao Lam, and What Happened on Thursday by Ayo Oyeku, illustrated by Lydia Mba. Learn more about your ad choices. Visit megaphone.fm/adchoices

Playlist   Track Time Start Time Opening and Introduction (Thom Holmes) 11:57 00:00 1.    Herbie Hancock, Herbie Hancock Demonstrates The Rhodes Piano (1973 Rhodes). A terrific flexi-disc produced by Rhodes and narrated by Hancock who tells an interesting story about his first encounter with the instrument on a Miles Davis session and then he walks the keyboard through a series of effects. He speaks with the authority of a proud electronics tinkerer who understands the nuances that make this instrument so beloved by jazz musicians. This flexi-disc was originally delivered in the November 8, 1973 issue of Down Beat magazine. I provide both sides of the disc, in entirety. Tunes included during the demonstration include parts of Watermelon Man, Maiden Voyage, and The Spook. Soloist, Rhodes Electric Piano, Voice, Herbie Hancock. I thought it would be wisest to lead off this podcast with an overview of the Rhodes even though it is out of chronological sequence, being from 1973. We then go back a few years to hear tracks in proper time order. 12:48 11:57 2.    The Don Ellis Orchestra, “Open Beauty” from Electric Bath (1967 Columbia). Alto Saxophone, Flute, Soprano Saxophone, Joe Roccisano, Ruben Leon; Baritone Saxophone, Flute, Bass Clarinet, John Magruder; Bass, Dave Parlato, Frank De La Rosa; Bass, Sitar, Ray Neapolitan; Congas, Bongos, Chino Valdes; Drums, Steve Bohannon; Leader, Trumpet, Don Ellis; Percussion, Alan Estes; Piano, Clavinet, Fender Electric Piano Fender, Mike Lang; Tenor Saxophone, Flute, Clarinet, Ron Starr; Tenor Saxophone, Flute, Piccolo Flute, Clarinet, Ira Schulman; Timbales, Vibraphone, Percussion , Mark Stevens; Trombone, Dave Sanchez, Ron Myers, Terry Woodson; Trumpet, Alan Weight, Bob Harmon, Ed Warren, Glenn Stuart. 5:33 24:44 3.    Miles Davis, “Stuff” from Miles In The Sky (1968 Columbia). I think this was Miles' first album recorded using the Fender Rhodes, played by Herbie Hancock. See the opening tracks from this podcast for a story about this session from Hancock. Bass, Ron Carter; Drums, Tony Williams; Piano, Fender Electric Piano, Herbie Hancock; Tenor Saxophone, Wayne Shorter; Trumpet, Miles Davis. 16:59 30:14 4.    Joe Zawinul, “The Soul Of A Village (Part II)” from The Rise & Fall Of The Third Stream (1968 Vortex). Zawinul, along with Hancock, was an early adopter of the Fender Rhodes. Cello, Kermit Moore; Double Bass, Richard Davis; Drums, Freddie Waits, Roy McCurdy; Percussion, Warren Smith; Piano, Fender Electric Piano, Joe Zawinul; Tenor Saxophone, Arranged by, William Fischer; Trumpet, Jimmy Owens; Viola, Alfred Brown, Selwart Clarke, Theodore Israel. 4:16 47:10 5.    Oliver Nelson and Steve Allen, “Go Fly a Kite” from Soulful Brass (1968 Impulse). Another Steve Allen record, whom we heard from in part 1 playing the Wurlitzer Electric Piano. Here is a selection from an album on which he plays the Rock-Si-Chord and occasional piano. Arranged by Oliver Nelson; Rock-Si-Chord, piano, Steve Allen; Drums, Jimmy Gordon; session musicians, Barney Kessel, Bobby Bryant, Larry Bunker, Roger Kellaway, Tom Scott; Produced by Bob Thiele. 2:30 51:24 6.    J & K “Mojave” from Betwixt & Between (1969 A&M, CTI). “J” is J.J. Johnson (trombonist) and “K” is Kai Winding (trombonist). Their ensemble included Roger Kellaway playing the electric clavinette. An example of using the clavinet in jazz. This was most likely a Hohner Clavinet Model C which had just been introduced in 1968. Recorded at Van Gelder Studios during late 1968. 2:31 53:54 7.    Albert Ayler, “New Generation” from New Grass (1969 Impulse). An electric harpsichord played by Call Cobbs adds some subtle comping to this buoyant tune written by Ayler, Mary Parks, Rose Marie McCoy. Baritone Saxophone, Buddy Lucas; Design Cover And Liner, Byron Goto, Henry Epstein; Drums, Pretty Purdie; Electric Bass, Bill Folwell; Piano, Electric Harpsichord, Organ, Call Cobbs; Producer, Bob Thiele; Tenor Saxophone, Flute, Seldon Powell; Tenor Saxophone, Vocals, Albert Ayler; Trombone, Garnett Brown; Trumpet, Burt Collins, Joe Newman; Vocals, The Soul Singers. 5:06 56:22 8.    Bill Evans, “I'm All Smiles” from From Left To Right (1970 MGM). Piano, Rhodes Electric Piano, Bill Evans; Bass, John Beal; Conducted, arranged by Michael Leonard; Double Bass, Eddie Gomez; Drums,Marty Morell; Guitar, Sam Brown; Liner Notes, Harold Rhodes, Helen Keane, Michael Leonard; Produced by Helen Keane. For his 24th solo album, the long-established jazz pianist Evans took his turn playing both the Fender Rhodes and Steinway acoustic piano on this album, as two-handed duets no less. Liner notes were written by Harold Rhodes, inventor of the Rhodes Electric Piano. 5:42 1:01:24 9.    Sun Ra And His Intergalactic Research Arkestra, “Black Forest Myth” from It's After The End Of The World - Live At The Donaueschingen And Berlin Festivals (1971 MPS Records). You can hear Sun Ra enticing other-worldly sounds from a Farfisa organ beginning at about 1:35. Recorded in 1970. Of the many electronic keyboards heard elsewhere on this album (and occasionally on this track), here the Farfisa is heard the most. Farfisa organ, Hohner Electra, Hohner Clavinet, Piano, Performer, Rock-Si-Chord, Spacemaster, Minimoog, Voice, composed by, arranged by, Sun Ra; ; Alto Saxophone, Clarinet, Flute, Abshlom Ben Shlomo; Alto Saxophone, Flute, Clarinet, Danny Davis; Alto Saxophone, Flute, Oboe, Piccolo Flute, Drums, Marshall Allen; Baritone Saxophone, Alto Saxophone, Flute, Danny Thompson; Baritone Saxophone, Tenor Saxophone, Alto Saxophone, Clarinet, Bass Clarinet, Flute, Drums, Pat Patrick; Bass, Alejandro Blake Fearon; Bass Clarinet, Robert Cummings; Drums, Lex Humphries; Drums, Oboe, Flute, James Jackson; English Horn, Augustus Browning; Mellophone, Trumpet, Ahk Tal Ebah; Oboe, Bassoon, Bass Clarinet, Leroy Taylor; Percussion African, Other Fireeater, Dancer , Hazoume; Percussion Hand Drums, Nimrod Hunt; Percussion, Other Dancer, Ife Tayo, Math Samba; Photography By, Hans Harzheim; Producer, Liner Notes, Joachim E. Berendt; Tenor Saxophone, Percussion, John Gilmore; Trumpet, Kwame Hadi; Violin, Viola, Cello, Bass, Alan Silva; Voice, June Tyson. 9:07 1:07:05 10.Joe Scott And His Orchestra, “Raindrops Keep Fallin' On My Head” from Motion Pictures - The NOW Generation (1970 Mainstream). Listen for the Rock-Si-Chord in electric harpsichord mode. Bass, Charles Rainey; Cello, Charles McCracken, Gene Orloff, George Ricci, Maurice Bialkin;  Drums, Alvin Rogers, Joe Cass; Flute, Alto Flute, Bassoon, Tenor Flute, George Dessinger, Joe Soldo, Joseph Palmer, Philip Bodner; Flute, Flute Tenor, Alto Flute, Bassoon, Walt Levinsky; French Horn, Donald Corrado; Guitar, Jay Berliner, Stuart Scharf; Keyboards Rock-Si-Chord, Frank Owens; Mastered By Mastering, Dave Crawford (2); Percussion, Joseph Venuto; Piano, Frank Owens; Producer, Bob Shad; Trombone, Buddy Morrow, Tony Studd, Warren Covington, Wayne Andre; Trumpet, Bernie Glow, James Sedlar, John Bello, Mel Davis; Viola, Emanuel Vardi, Harold Coletta, John DiJanni, Theodore Israel; Violin, Aaron Rosand, Arnold Eidus, Emanuel Green, Frederick Buldrini, Harold Kohon, Harry Lookofsky, Joseph Malignaggi, Jules Brand, Leo Kahn, Lewis Eley, Mac Ceppos, Max Pollikoff, Paul Gershman, Peter Buonoconsiglio, Raymond Gniewek, Rocco Pesile, Winston Collymore. 2:28 1:16:12 11.The Phoenix Authority, “One” from Blood, Sweat & Brass (1970 Mainstream). Note the Rock-Si-Chord. Arranged by Ernie Wilkins; Bass, Charles Rainey; Drums, Grady Tate, Herbie Lovelle; Flute, Alto Saxophone, Baritone Saxophone, Tenor Saxophone, Chris Woods, Hubert Laws; Guitar, David Spinosa, Kenneth Burrell; Organ, Piano, Rock-Si-Chord, Frank Anderson, Frank Owen; Producer, Bob Shad; Trombone, Benny Powell, George Jeffers; Trumpet, Joseph Newman, Lloyd Michaels, Ray Copeland, Woody Shaw. 2:43 1:18:38 12.The Phoenix Authority, “Sugar, Sugar” from Blood, Sweat & Brass (1970 Mainstream). Listen for the Rock-Si-Chord. Arranged by Ernie Wilkins; Bass, Charles Rainey; Drums, Grady Tate, Herbie Lovelle; Flute, Alto Saxophone, Baritone Saxophone, Tenor Saxophone, Chris Woods, Hubert Laws; Guitar, David Spinosa, Kenneth Burrell; Organ, Piano, Rock-Si-Chord, Frank Anderson, Frank Owen; Producer, Bob Shad; Trombone, Benny Powell, George Jeffers; Trumpet, Joseph Newman, Lloyd Michaels, Ray Copeland, Woody Shaw. 3:34 1:21:20 Sun Ra's flare for electronic sound in performance is demonstrated in the following three tracks that make excellent use of the several keyboards, the Farfisa organ, Minimoog, and Rock-Si-Chord. 13.Sun Ra And His Astro-Intergalactic-Infinity-Arkestra,' “Discipline No. 11” from Nidhamu (Live In Egypt Vol. II) (1974 El Saturn Records). Recorded at Ballon Theater, Cairo, Egypt December 17, 1971. Sun Ra playing several electronic keyboards in turn, the organ, Minimoog, and Rock-si-Chord. What I hear is some organ (Farfisa?) in the opening, then Sun Ra turns to a wild exchange between the Minimoog (monophonic) and Rock-Si-chord (polyphonic) during the second half of the track. Alto Saxophone, Congas, Larry Northington; Alto Saxophone, Flute, Danny Davis, Hakim Rahim; Alto Saxophone, Flute, Oboe, Marshall Allen; Baritone Saxophone, Pat Patrick; Baritone Saxophone, Flute, Danny Thompson; Bass Clarinet, Elo Omoe; Composed By, Arranged By, Piano, Organ, Minimoog, Rock-Si-Chord, Sun Ra; Engineer Recording Engineer, Tam Fiofori; Percussion, Lex Humphries, Tommy Hunter; Photography By, Sam Bankhead; Photography Liner Photo, Mike Evans; Producer, Infinity Inc. And The East; Tenor Saxophone, Percussion, John Gilmore; Trumpet, Congas, Kwame Hadi; Vocals, June Tyson. 9:31 1:24:52 14.Sun Ra And His Astro-Intergalactic-Infinity-Arkestra,' “Cosmo-Darkness” from Live In Egypt Vol. I (Nature's God) (Dark Myth Equation Visitation) (1972 Thoth Intergalactic). Beginning around 0:26, you get an example of Sun Ra's rhythmic, trace-like playing of the Rock-Si-Chord. Alto Saxophone, Congas, Larry Northington; Alto Saxophone, Flute, Danny Davis, Hakim Rahim; Alto Saxophone, Flute, Oboe, Marshall Allen; Baritone Saxophone, Pat Patrick; Baritone Saxophone, Flute, Danny Thompson; Bass Clarinet, Elo Omoe; Composed By, Arranged by, Piano, Organ, Minimoog, Rock-Si-Chord, Sun Ra; Engineer Recording Engineer, Tam Fiofori; Percussion, Lex Humphries, Tommy Hunter; Photography By, Sam Bankhead; Photography Liner Photo, Mike Evans; Producer, Infinity Inc. And The East; Tenor Saxophone, Percussion, John Gilmore; Trumpet, Congas, Kwame Hadi; Vocals, June Tyson. 2:05 1:34:25 15.Sun Ra And His Astro-Intergalactic-Infinity-Arkestra,' “Solar Ship Voyage” from Live In Egypt Vol. I (Nature's God) (Dark Myth Equation Visitation) (1972 Thoth Intergalactic). This track features Sun Ra and the Minimoog in an extended solo. Alto Saxophone, Congas, Larry Northington; Alto Saxophone, Flute, Danny Davis, Hakim Rahim; Alto Saxophone, Flute, Oboe, Marshall Allen; Baritone Saxophone, Pat Patrick; Baritone Saxophone, Flute, Danny Thompson; Bass Clarinet, Elo Omoe; Composed By, Arranged by, Piano, Organ, Minimoog, Rock-Si-Chord, Sun Ra; Engineer Recording Engineer, Tam Fiofori; Percussion, Lex Humphries, Tommy Hunter; Photography By, Sam Bankhead; Photography Liner Photo, Mike Evans; Producer, Infinity Inc. And The East; Tenor Saxophone, Percussion, John Gilmore; Trumpet, Congas, Kwame Hadi; Vocals, June Tyson. 2:40 1:36:30 Herbie Hancock mastered an array of keyboards, including the Fender Rhodes and several ARP models in the next three tracks tracing only two years in his musical journey. 16.Herbie Hancock, “Rain Dance” from Sextant (1973 Columbia). Patrick Gleason provides beats and beeps using the ARP 2600 and ARP Soloist. Bass Trombone, Tenor Trombone, Trombone Alto Trombone, Cowbell, Pepo (Julian Priester); Congas, Bongos, Buck Clarke; Drums, Jabali (Billy Hart); Effects Random Resonator, Fundi Electric Bass Fender Electric Bass With Wah-Wah And Fuzz, Double Bass, Mchezaji (Buster Williams); Electric Piano Fender Rhodes, Clavinet Hohner D-6 With Fender Fuzz-Wah And Echoplex, Percussion Dakka-Di-Bello, Mellotron, Piano Steinway, Handclaps, Songs by Mwandishi (Herbie Hancock); Synthesizer, Mellotron, John Vieira; Soprano Saxophone, Bass Clarinet, Piccolo Flute, Afoxé Afuche, Kazoo Hum-A-Zoo, Mwile (Benny Maupin); ARP 2600, ARP Soloist, Dr. Patrick Gleeson; Trumpet, Flugelhorn, Mganga (Dr. Eddie Henderson). 9:19 1:39:08 17.  Herbie Hancock, “Palm Grease” from Thrust (1974 Columbia). Hancock himself plays all the keyboards and synthesizers on this album. Drums, Mike Clark; Electric Bass, Paul Jackson; Electric Piano Fender Rhodes, Clavinet Hohner D-6, Synthesizer Arp Odyssey, Arp Soloist, Arp 2600, Arp String, written by Herbie Hancock; Percussion, Bill Summers; Producers, David Rubinson, Herbie Hancock; Soprano Saxophone, Tenor Saxophone, Bass Clarinet, Alto Flute, Bennie Maupin. 10:36 1:48:18 18.Herbie Hancock, “Nobu” = ノブ from Dedication = デディケーショ(1974 CBS/Sony). Fascinating recording because it is Hancock solo with an assortment of keyboards, including the Fender Rhodes and multiple ARP models. Piano, Fender Rhodes, Arp Pro Soloist, Arp Odyssey, Arp 3604, Arp 2600, Arp PE-IV String Ensemble, composed by Herbie Hancock; Engineer, Tomoo Suzuki; Producer, David Rubinson. 7:33 1:58:46 The analog synthesizer became a regular companion of the Fender Rhodes in jazz, leading up to the end of the 1970s. 19.Bobbi Humphrey, “My Little Girl” from Satin Doll (1974 Blue Note). The great jazz funk flutist Bobbi Humphrey released a series of albums around this time that often-featured fantastic synthesizer players. Here you can pick out the Minimoog by Don Preston and the ARP (Odyssey?) by Larry Mizell. The synths included here are in contrast to the more experimental sounds that Herbie Hancock was issuing at the same time. Flute, Vocals, Bobbi Humphrey; ARP Synthesizer, Larry Mizell; Minimoog, Don Preston; Bass, Chuck Rainey; Congas, King Errison; Drums, Harvey Mason; Electric Piano Fender Rhodes, Fonce Mizell, Larry Mizell; Guitar, John Rowin, Melvin "Wah Wah" Ragin; Percussion, Roger Sainte, Stephany Spruill; Piano, Jerry Peters; Produced by Chuck Davis, Larry Mizell; Trumpet, Fonce Mizell. 6:39 2:06:19 20.Ramsey Lewis, “Jungle Strut” from Sun Goddess (1974 Columbia). Another mainstream jazz artist who found many interesting sounds to accompany his electric piano. ARP, ARP Ensemble, Piano, Fender Rhodes, Wurlitzer electric piano, Ramsey Lewis; Congas, Drums, Derf Rehlew Raheem, Maurice Jennings; Electric Upright Bass Fender, Cleveland Eaton; Guitar, Byron Gregory; Synthesizer Freeman String, Ramsey Lewis; Tambura, Percussion, Maurice Jennings; Vocals, Derf Rehlew Raheem; Written by, R. Lewis. 4:40 2:12:54 21.  Ramsey Lewis, “Tambura” from Sun Goddess (1974 Columbia). ARP, ARP Ensemble, Piano, Fender Rhodes, Wurlitzer electric piano, Ramsey Lewis; Drums, Tambura, Congas, Percussion, Maurice Jennings; Electric Upright Bass Fender, Cleveland Eaton; Guitar, Byron Gregory; Written by R. Lewis. 2:52 2:17:32 22.Clark Ferguson, “Jazz Flute” from RMI Harmonic Synthesizer And Keyboard Computer (1974 Rocky Mount Instruments, Inc.). Not an instrument often used in jazz, so I turn to the company's demonstration album for a sample of this more advanced in the RMI keyboard family. RMI Harmonic Synthesizer, Clark Ferguson. 2:43 2:20:24 23.  Fernando Gelbard, “Sombrero De Flores” from Didi (1974 Discos Redonde). A straight-up jazz track from Argentine musicial Gelbard that features both the Fender Rhodes and the Minimoog. Fender Rhodes, Minimoog, Fernando Gelbard; Bass, Ricardo Salas; Congas, Vocals, Ruben Rada; Drums, Norberto Minichillo; Fender Rhodes, Minimoog, Fernando Gelbard; Percussion, Effects, Miguel "Chino" Rossi; Producer, Alberto M. Tsalpakian, Juan Carlos Maquieira; Tenor Saxophone, Horacio "Chivo" Borraro. 7:25 2:23:04 24.  Fernando Gelbard, “Mojo Uno” from Didi (1974 Discos Redonde). This track features an outrageously unique Minimoog part that is akin to something you would hear from Sun Ra. Fender Rhodes, Minimoog, Fernando Gelbard; Bass, Ricardo Salas; Congas, Vocals, Ruben Rada; Drums, Norberto Minichillo; Fender Rhodes, Minimoog, Fernando Gelbard; Percussion, Effects, Miguel "Chino" Rossi; Producer, Alberto M. Tsalpakian, Juan Carlos Maquieira; Tenor Saxophone, Horacio "Chivo" Borraro. 2:00 2:30:28 25.Jan Hammer “Darkness / Earth In Search Of A Sun” from The First Seven Days (1975 Atlantic). On this track you get to hear (I think) three different synthesizers all fit for Hammer's purpose, the solo Moog, Oberheim fills, and Freeman strings. Producer, Engineer, Piano, Electric Piano, Moog, Oberheim, and the Freeman string synthesizer; digital sequencer, Drums, Percussion, Composed by, Jan Hammer. 4:29 2:32:26 26.Larry Young's Fuel, “Moonwalk” from Spaceball (1976 Arista). CDX-0652 Portable Moog Organ, Minimoog , FRM-S810 Freeman String Symphonizer, Organ Hammond B-3, Fender Rhodes, Piano, Larry Young Jr.; Bass Rickenbacker, Dave Eubanks; Hohner Clavinet , Piano, Minimoog, Julius Brockington; Drums Ludwig Drums, Zildgian Cymbals, Percussion, Jim Allington; Guest Special Guest Star, Larry Coryell; Guitar, Danny Toan, Ray Gomez; Percussion, Abdoul Hakim, Barrett Young, Clifford Brown, Farouk; Producer, Terry Philips; Tenor Saxophone Selmer, Soprano Saxophone Selmer, Flute Armstrong, Vocals, Al Lockett; Vocals, Paula West. 5:32 2:36:52 27.Larry Young's Fuel, “Startripper” from Spaceball (1976 Arista). CDX-0652 Portable Moog Organ, Minimoog , FRM-S810 Freeman String Symphonizer, Organ Hammond B-3, Fender Rhodes, Piano, Larry Young Jr.; Bass Rickenbacker, Dave Eubanks; Hohner Clavinet , Piano, Minimoog, Julius Brockington; Drums Ludwig Drums, Zildgian Cymbals, Percussion, Jim Allington; Guest Special Guest Star, Larry Coryell; Guitar, Danny Toan, Ray Gomez; Percussion, Abdoul Hakim, Barrett Young, Clifford Brown, Farouk; Producer, Terry Philips; Tenor Saxophone Selmer, Soprano Saxophone Selmer, Flute Armstrong, Vocals, Al Lockett; Vocals, Paula West. 4:44 2:42:22 28.Wolfgang Dauner, “Stück Für Piano Und Synthesizer Op. 1” from Changes (1978 Mood Records). Dauner is one of the only jazz players to utilize the massive EMS Synthi 100. Written, produced, recorded, Steinway C-Flügel piano, EMS Synthi 100, Oberheim 4 Voice Polyphonic Synthesizer, Wolfgang Dauner. 9:51 2:47:04 29.Wolfgang Dauner, “War Was, Carl?” from Grandison - Musik Für Einen Film (1979 Zweitausendeins). More analog synthesizer jazz from Germany. C-flute, Alt-flute, Baß-flute, Manfred Hoffbauer; Oboe, English Horn, Hanspeter Weber; Percussion, Drums,  Jörg Gebhard; Piano, Synthesizer, Percussion, Conductor, Wolfgang Dauner. 1:12 2:56:54 30.Wolfgang Dauner, “Intellektuelles Skalpell” from Grandison - Musik Für Einen Film (1979 Zweitausendeins). C-flute, Alt-flute, Baß-flute, Manfred Hoffbauer; Oboe, English Horn, Hanspeter Weber; Percussion, Drums,  Jörg Gebhard; Piano, Synthesizer, Percussion, Conductor, Wolfgang Dauner. 1:26 2:58:06   Opening background music: 1) Sun Ra And His Astro-Intergalactic-Infinity-Arkestra,' “The Light Thereof” from Live In Egypt Vol. I (Nature's God) (Dark Myth Equation Visitation) (1972 Thoth Intergalactic) (5:14). Farfisa organ playing from Sun Ra. 2) Oliver Nelson and Steve Allen, “Green Tambourine” from Soulful Brass (1968 Impulse) (2:28). Steve Allen plays the Rock-Si-Chord. 3) Oliver Nelson and Steve Allen, “Torino” from Soulful Brass (1968 Impulse) (2:02). Steve Allen plays the Rock-Si-Chord. Opening and closing sequences voiced by Anne Benkovitz. Additional opening, closing, and other incidental music by Thom Holmes. See my companion blog that I write for the Bob Moog Foundation. For a transcript, please see my blog, Noise and Notations. I created an illustrated chart of all of the instruments included in this podcast, paying special attention to the expressive features that could be easily adopted by jazz musicians. You can view it on my blog, Noise and Notations.  

Episode 117 Electronic Keyboards in Jazz, A Recorded History, Part 1 of 2 Playlist   Length Start Time Introduction 05:42 00:00 1.             Vernon Geyer, “Day After Day” from All Ashore / Day After Day (1938 Bluebird). Soloist, Hammond Electric Organ, Vernon Geyer. 02:22 05:42 2.             Milt Herth Quartet / Milt Herth Trio, “Minuet in Jazz” from Home-Cookin' Mama With The Fryin' Pan / Minuet In Jazz (1938 Decca). Milt Herth was one of the first to record with the Hammond Organ Model A. His playing was more focused on melody and counterpoint and not so much on creating a lush progression of chords. This was recorded a few years before the availability of the Leslie rotating speaker, which added a special tone quality to later Hammonds, such as the model B3. 02:44 08:04 3.             Milt Herth Quartet / Milt Herth Trio, “Looney Little Tooney” from Flat Foot Floojie / Looney Little Tooney (1938 Decca).  Vocals, O'Neil Spencer; Drums, O'Neil Spencer; Guitar, Teddy Bunn; Hammond Organ, Milt Herth; Piano, Willie Smith (The Lion). 02:50 10:46 4.             "Fats" Waller And His Rhythm, “Come Down to Earth, My Angel” from Come Down To Earth, My Angel / Liver Lip Jones (1941 Bluebird). Waller was an extremely popular ragtime and stride piano player and vocalist. In this number, he takes a rare turn on an electric organ, presumably an early model Hammond. Vocals, Piano, Electric Organ, "Fats" Waller; Bass, Cedric Wallace; Clarinet, Tenor Saxophone, Gene Sedric; Drums, Slick Jones; Guitar, Al Casey; Trumpet, John Hamilton. 03:10 13:36 5.             Collins H. Driggs, “When Day is Done” from The Magic Of The Novachord (1941 Victor). Soloist, Hammond Novachord, Collins H. Driggs. This was an early polyphonic keyboard that generated its sounds using valve, or vacuum tube, oscillators. Made by Hammond, the Novachord was an entirely different electronic instrument than its tone-wheel organs. The Novachord had unique, synthesizer-like controls over envelope generation, band pass filtering and vibrato controlled by a series of flip switches, offering the keyboardist a unique suite of sounds. 03:11 16:45 6.             The Four Clefs, “It's Heavenly” from It's Heavenly / Dig These Blues (1943 Bluebird). Hammond Electric Organ, James Marshall. Another organ recording and a nice duet with a guitarist Johnny "Happy" Green. 02:41 19:54 7.             Ethel Smith And The Bando Carioca, “Tico-Tico” from Tico-Tico / Lero Lero / Bem Te Vi Atrevido (1944 Decca). Another was a popular and skilled organist using a pre-B3 Hammond. 02:45 22:36 8.             Slim Gaillard Quartette, “Novachord Boogie” from Tee Say Malee / Novachord Boogie (1946 Atomic Records). Bass, Tiny Brown; Drums, Oscar Bradley; Guitar, Slim Gaillard; Piano, Dodo Marmarosa. While the Hammond Novachord plays a prominent role in this recording, the player is not credited. 02:57 25:20 9.             Milt Herth And His Trio,” Twelfth Street Rag” from Herthquake Boogie / Twelfth Street Rag (1948 Decca). Recorded in New York, NY, September 5, 1947. Described on the recording as a “Boogie Woogie Instrumental.” Hammond Organ, Milt Herth; Drums, Piano, Uncredited. Herth had been recording with the Hammond organ since 1937. 03:10 28:16 10.         Ben Light With Herb Kern And Lloyd Sloop, “Benny's Boogie” from Benny's Boogie / Whispering (1949 Tempo). This track includes the triple keyboard combination of piano, organ, and Novachord. Hammond Electric Organ , Herb Kern; Piano, Ben Light; Hammond Novachord, Lloyd Sloop. 02:37 31:27 11.         Johnny Meyer Met Het Kwartet Jan Corduwener, “There's Yes! Yes! in your Eyes” from Little White Lies / Thereʼs Yes! Yes! In Your Eyes (1949 Decca). Accordion player Johnny Meyer added a Hammond Solovox organ to his musical arrangements. The Solovox was monophonic and it added a solo voice to his performances. This recording is from the Netherlands. 03:22 34:04 12.         E. Robert Scott, R.E. Wolke, “Instructions For Playing Lowrey Organo” (excerpt) from Instructions For Playing Lowrey Organo (circa 1950 No Label). Promotional disc produced by piano and organ distributor Janssen, presumably with the cooperation of Lowrey. This is a 12-inch 78 RPM disc, but is undated, so I believe that picking 1950 as the release year is safe because the Organo was introduced in 1949 and 78 RPM records were already beginning to be replaced in 1950 by the 33-1/3 RPM disc. Recordings of this instrument are extremely rare. I have no such examples within a jazz context, but being a competitor of the Hammond Solovox, I thought this was worth including. 03:23 37:26 13.         Ethel Smith, “Toca Tu Samba” from Souvenir Album (1950 Decca). One of the great female masters of the Hammond Electric Organ was Ethel Smith. Her performances were mostly considered as pop music, but she had the knack for creating Latin jazz tracks such as this. Featuring The Bando Carioca; Hammond Electric Organ soloist, Ethel Smith. 02:25 40:48 14.         The Harmonicats, “The Little Red Monkey” from The Little Red Monkey / Pachuko Hop (1953 Mercury). Jerry Murad's Harmonicats were an American harmonica-based group. On this number, they included the electronic instrument known as the Clavioline. The Clavioline produced a fuzzy square wave that could be filtered to roughly imitate many other instruments. The record is inscribed with the message, “Introducing the Clavioline,” but the player is not mentioned. 01:56 43:12 15.         Djalma Ferreira E Seus Milionarios Do Ritmo, “Solovox Blues” from Parada De Dança N. 2 (1953 Musidisc). From Brazil comes a jazz group that included the Hammond Solovox Organ as part of its ensemble. Invented in 1940, the Solovox was a monophonic keyboard intended as an add-on to a piano for playing organ-flavored solos. It had a 3-octave mini keyboard and controls over vibrato and attack time, and tone settings for deep, full, and brilliant. Piano, Hammond Solovox Organ, Djalma Ferreira; Bass, Egidio Bocanera; Bongos, Amaury Rodrigues; Drums, Cecy Machado; Guitar, Nestor Campos. 02:31 45:08 16.         Eddie Baxter, “Jalousie” from Temptation (1957 Rendezvous Records). Piano, Hammond Organ, Celesta (Electronic Celeste), Krueger Percussion Bass, Eddie Baxter; rhythm section, uncredited. Like Ethel Smith, Baxter was pushing the limits of popular music with his virtuosity on the organ and other instruments. In this track you can hear the electronic celesta with its chime-like sounds near the beginning before the electric organ and guitar dominate the rest of the piece. 02:33 47:38 17.         Eddie Baxter, “Temptation” from Temptation (1957 Rendezvous Records). Hammond Electric Organ, Eddie Baxter. Piano, Hammond Organ, Wurlitzer Electric Piano, Krueger Percussion Bass, Eddie Baxter. In this track, you can clearly hear the Wurlitzer electric piano in several sections. 02:08 50:10 18.         Le Sun Ra And His Arkestra, “Advice to Medics” from Super-Sonic Jazz (1957 El Saturn Records). This excursion into one of the first records released by Sun Ra as a bandleader of the Arkestra was recorded in 1956 at RCA Studios, Chicago. This track is a solo for the Wurlitzer Electric Piano, an instrument invented in 1954 and that was quickly adopted by many jazz and popular music players. 02:02 52:17 19.         Le Sun Ra And His Arkestra, “India” from Super-Sonic Jazz (1957 El Saturn Records). A work featuring the Wurlitzer Electric Piano played by Sun Ra, miscellaneous percussion; electric bass, Wilburn Green; Drums, Robert Barry and William Cochran; Timpani, Timbales, Jim Herndon; and trumpet, Art Hoyle. 04:48 54:18 20.         Le Sun Ra And His Arkestra, “Springtime in Chicago” from Super-Sonic Jazz (1957 El Saturn Records). This work features Sun Ra playing the acoustic and electric pianos. Wurlitzer Electric Piano, piano Sun Ra; bass, Victor Sproles; Tenor Saxophone, John Gilmore; Drums, Robert Barry and William Cochran. 03:50 59:14 21.         Le Sun Ra And His Arkestra, “Sunology” from Super-Sonic Jazz (1957 El Saturn Records). Another number with both the acoustic and electric pianos. Of interest is how Sun Ra moves deftly from one keyboard to the other (these recordings were made in real time), often mid-phrase. This was a style of playing that Sun Ra would continue to perfect throughout his long career and many electronic keyboards. Wurlitzer Electric Piano, piano Sun Ra; bass, Victor Sproles; Tenor Saxophone, John Gilmore; Drums, Robert Barry and William Cochran; Alto Saxophone, James Scales; Alto Saxophone, Baritone Saxophone, Pat Patrick. 12:47 01:02:54 22.         Steve Allen, “Electronic Boogie” from Electrified Favorites (1958 Coral). From Steve Allen, who played the Wurlitzer Electric Piano on this track. This track has the characteristic brashness that was typical of the Wurlitzer sound. 02:23 01:15:40 23.         Steve Allen, “Steverino Swings” from Electrified Favorites (1958 Coral). From Wurlitzer Electric Piano, Steve Allen. Unlike many tracks featuring the Wurlitzer Electric, which make use of its distortion and emphasize its sharp attack, it was possible to closely mimic an acoustic piano as well, as Allen does here. I had to listen to this several times before I believed that it was the Wurlitzer, as the liner notes state. But you can hear certain tell-tale sounds all along the way—such as the slight electrified reverb after a phrase concludes and the occasional thump of the bass notes played by the left hand. 02:54 01:18:02 24.         Michel Magne, “Larmes En Sol Pleureur (Extrait D'un Chagrin Emmitouflé)” from Musique Tachiste (1959 Paris). Jazz expression in a third-stream jazz setting by French composer Michel Magne. Third-stream was a music genre that fused jazz and classical music. The term was coined in 1957 by composer Gunther Schuller after which there was a surge of activity around this idea. In this example, the Ondes Martenot and vocalist add jazz nuances to a chamber music setting, the interpretation being very jazz-like. Ondes Martenot, Janine De Waleine; Piano, Paul Castagnier; Violin, Lionel Gali; Voice, Christiane Legrand. 02:38 01:20:54 25.         Ray Charles, “What'd I Say” from What'd I Say (1959 Atlantic). This might be the most famous track ever recorded using a Wurlitzer Electric Piano. The fuzzy, sharp tone added depth and feeling to the playing. The opening bars were imitated far and wide for radio advertising of drag races during the 1960s. 05:05 01:23:30 26.         Lew Davies And His Orchestra, “Spellbound” from Strange Interlude (1961 Command). This was one of Enoch Light's productions from the early 1960s, when stereo separation was still an experiment. This is the theme from the Hitchcock movie with a melody played on the Ondioline, a monophonic organ and an otherwise jazzy arrangement with a rhythm section, reeds, and horns. Arrangement, Lew Davies; Ondioline, Sy Mann; Bass, Bob Haggart, Jack Lesberg; Cymbalum, Michael Szittai; Drums, George Devens, Phil Kraus; French Horn,Paul Faulise, Tony Miranda; Guitar, Tony Mottola; Reeds, Al Klink, Ezelle Watson, Phil Bodner, Stanley Webb; Trombone, Bobby Byrne, Dick Hixon, Urbie Green; Produced by, Enoch Light. 03:29 01:28:34 27.         Sy Mann and Nick Tagg, “Sweet and Lovely” from 2 Organs & Percussion (1961 Grand Award). Duets on the Hammond B3 and Lowrey Organs “propelled by the urgent percussive drive of a brilliant rhythm section.” This is a unique opportunity to contract and compare the sounds of the Hammond and Lowrey organs with percussion. Hammond B3 Organ, Sy Mann, Nick Tagg. The track begins with the Lowrey and demonstrates the sliding tone effects made possible by its Glide foot switch. 02:58 01:32:02 28.         Enoch Light And The Light Brigade, “Green Eyes” from Vibrations (1962 Command). More stereo separation hijinks from Enoch Light. This tune features the Ondioline in an exchange of lines with the guitar and other instruments. The Ondioline is first heard at about 35 seconds. Ondioline, Milton Kraus; Bass, Bob Haggart; Guitar, Tony Mottola; Percussion, Bobby Rosengarden, Dan Lamond, Ed Shaughnessy, Phil Kraus; Piano, Moe Wechsler; Trumpet – Doc Severinsen; Woodwind – Phil Bodner, Stanley Webb; Produced by, Enoch Light. 02:50 01:34:59 29.         Jimmy Smith, “Begger for the Blues” from The Unpredictable Jimmy Smith--Bashin' (1962 Verve). Jimmy Smith was a great jazz soloist on the Hammond B3 organ. This stripped-down arrangement shows his nuanced expression skills with the organ. 07:26 01:37:49 30.         Jimmy Smith, “Walk On The Wild Side” from The Unpredictable Jimmy Smith--Bashin' (1962 Verve). This big band arrangement of a theme from the movie Walk on the Wild Side features the Hammond B3 of Smith in the context of a full jazz orchestration. 05:54 01:45:12 31.         Dick Hyman And His Orchestra, “Stompin' At The Savoy” from Electrodynamics (1963 Command). Arranged, Lowrey Organ, Dick Hyman; Bass, Bob Haggart; Drums, Osie Johnson; Guitar, Al Casamenti, Tony Mottola; Marimba, Xylophone, Vibraphone, Bongos, Congas, Bass Drum, Bells, Cowbell, Bob Rosengarden, Phil Kraus; Produced by Enoch Light. Hyman shows off the steady, smooth tonalities of the Lowrey and also makes use of the Glide foot switch right from the beginning with that little whistling glissando that he repeats five times in the first 30 seconds. 02:50 01:51:06 32.         Sun Ra, “The Cosmos” from The Heliocentric Worlds Of Sun Ra, Vol. I (1965 ESP Disc). The instrumentation on this entire album is quite experimental, especially the dominance of the bass marimba, Electronic Celesta, and timpani of Sun Ra. The celesta is seldom heard on jazz records, but it is the only electronic keyboard found on this track. Marimba, Electronic Celesta, timpani, Sun Ra; Percussion, Jimhmi (sp Jimmy) Johnson; Performer, Sun Ra And His Solar Arkestra; Baritone Saxophone, Percussion, Pat Patrick; Bass, Ronnie Boykins; Bass Clarinet, Wood Block, Robert Cummings; Bass Trombone, Bernard Pettaway; Flute, Alto Saxophone, Danny Davis; Percussion, timpani, Jimmi Johnson; Piccolo Flute, Alto Saxophone, Bells, Spiral Cymbal, Marshall Allen. 07:31 01:53:54 33.         Sun Ra And His Solar Arkestra, “The Magic City” from The Magic City (1966 Saturn Research). You won't be disappointed to know that Sun Ra gave the Clavioline a turn on this album. This was prior to his experimenting with synthesizers, which we will cover in Part 2 of this exploration of early electronic keyboards in jazz. He incorporated the Clavioline in many of his mid-1960s recordings. Clavioline, Piano, Sun Ra; Alto Saxophone, Danny Davis, Harry Spencer; Percussion, Roger Blank; Trombone, Ali Hassan; Trumpet, Walter Miller. 27:24 02:01:22 34.         Clyde Borly & His Percussions, “Taboo” from Music In 5 Dimensions (1965 Atco). Vocals, Ondes Martenot, Janine De Waleyne. Yes, Ms. De Waleyne was a French vocalist and Ondes Martenot player. 03:33 02:28:44 35.         Jeanne Loriod, Stève Laurent and Pierre Duclos, ''Ordinateur X Y Z” from Ondes Martenot (1966 SONOROP). Album of broadcast library music from France that happened to feature the Ondes Martenot played Jeanne Loriod; drums, uncredited. The dynamic expression features of the monophonic electronic instrument can be clearly experienced on this track. 02:05 02:32:16 36.         Roger Roger, “Running with the Wind” from Chappell Mood Music Vol. 21 (1969 Chappell). Broadcast library recording with various themes played using the Ondes Martenot. This track features a solo Ondes Martenot and is backed by an electric harpsichord. The Ondes Martenot used the same electronic principle to create smooth, flowing tones as the Theremin, only that it was controlled by a keyboard. In this piece, the articulation of the Ondes Martenot is quite apart from that of the Theremin, including its double-tracked tones and the quick pacing which is rather un-Theremin-like. 01:28 02:34:20 37.         Roger Roger, “Night Ride” from Chappell Mood Music Vol. 21 (1969 Chappell). Broadcast library recording with various themes played using the Ondes Martenot. While this track features a flute solo, you can hear the Ondes Martenot from time to time, especially in the middle break. Other uncredited musician play drums, harp, and perhaps a celesta on this track. 01:35 02:35:45 Opening background music: Dick Hyman And His Orchestra, “Mack the Knife,” “Satin Doll” and “Shadowland” from Electrodynamics (1963 Command). Dick Hyman playing the Lowrey organ. Arranged, Lowrey Organ, Dick Hyman; Bass, Bob Haggart; Drums, Osie Johnson; Guitar, Al Casamenti, Tony Mottola; Marimba, Xylophone, Vibraphone, Bongos, Congas, Bass Drum, Bells, Cowbell, Bob Rosengarden, Phil Kraus; Produced by Enoch Light. Opening and closing sequences voiced by Anne Benkovitz. Additional opening, closing, and other incidental music by Thom Holmes. See my companion blog that I write for the Bob Moog Foundation. For a transcript, please see my blog, Noise and Notations. I created an illustrated chart of all of the instruments included in this podcast, paying special attention to the expressive features that could be easily adopted by jazz musicians. You can download the PDF, for free, on my blog, Noise and Notations at thomholmes.com

'Believing is a choice." We discuss bringing faith to inmates in prison and providing light to a hopeless generation.

Sun Ra (born Herman Blount) was a talented pianist and composer who played and arranged for one of Fletcher Henderson's last bands. He began collecting a company of musicians around him in the 1950's including tenor saxophonist John Gilmore, baritone saxist Pat Patrick, altoist Marshall Allan and others. They created a music that began as hard bop, moved through soul and then became something quite extraordinary! Here are examples (issued as singles on Ra's label Saturn) from all those periods --- Support this podcast: https://podcasters.spotify.com/pod/show/john-clark49/support

Pat Patrick shares how they created their Vision 2020 for Lodi. Full show notes are at: chamberchatpodcast.com/episode158 Please support this podcast by supporting our sponsors. Holman Brother Memberships Sales Solutions holmanbros.com App My Community appmycommunity.com/chamberchat Chamber Nation chambernation.com Community Matters, Inc. chamberchatpodcast.com/cmi Swypit chamberchatpodcast.com/cc Izzy West, LLC theizzywest.com

Today's motivation is a reminder that you have to work hard, but you also have to focus on improvement. Audio Source More about Pat: Patrick is a successful startup entrepreneur, CEO of PHP Agency, Inc., emerging author, and Creator of Valuetainment on YouTube. As a natural critical thinker, Patrick takes complex leadership, management, and entrepreneurial ideas and converts them into simple life lessons for today's and tomorrow's entrepreneurs. Quote of the Day: “If you can walk, talk, hear or see, you have everything it takes to do something big with your life.” – Patrick Bet-David Leave a review Question of the day: We're 1 month into 2022, what is something that you started doing this year that gets you closer to achieving your goals? Answer It Here --- Support this podcast: https://anchor.fm/motiv8/support

"Greensleeves" John Coltrane: Africa/Brass (Impulse!, 1961) John Coltrane, Booker Little, Julius Watkins, Bob Northern, Donald Corrado, Robert Swisshelm, Bill Barber, Pat Patrick, McCoy Tyner, Reggie Workman, Elvin Jones, Freddie Hubbard, Julian Priester, Charles Greenlee, Jim Buffington, Garvin Bushell. La orquestación fue obra de McCoy Tyner y Eric Dolphy. Tomajazz: © Pachi Tapiz, 2022 ¿Sabías que? Africa/Brass fue el octavo disco de estudio de John Coltrane y el sexto que se publicó en Impulse! Fue también el estreno en este sello del saxofonista. La instrumentación fue inusual, ya que entre los 21 músicos que llegaron a grabar en la sesión, había bombardinos y trompas, instrumentos poco usuales en el jazz. El disco no recibió una gran aceptación por parte de la crítica en el momento de su lanzamiento. La revista Down Beat le proporcionó dos estrellas. En 1995 el disco original se reeditó en formato de CD doble con el título The Complete Africa/Brass Sessions. "Greensleeves" es un tema inglés tradicional. Hay una leyenda que indica que fue compuesta por el rey Enrique VIII para Ana Bolena. La canción se registró por primera vez en 1580.  En anteriores episodios de JazzX5/HDO/LODLMA/Maltidos Jazztardos… https://www.tomajazz.com/web/?p=59898 Más información acerca de John Coltrane en Tomajazz https://www.tomajazz.com/web/?s=jazzx5+john+coltrane&submit=Search Más información sobre John Coltrane https://www.johncoltrane.com/ https://www.gettyimages.es/fotos/john-coltrane Más información sobre JazzX5 JazzX5 es un minipodcast de HDO de la Factoría Tomajazz presentado, editado y producido por Pachi Tapiz. JazzX5 comenzó su andadura el 24 de junio de 2019. Todas las entregas de JazzX5 están disponibles en https://www.tomajazz.com/web/?cat=23120 / https://www.ivoox.com/jazzx5_bk_list_642835_1.html. JazzX5 y los podcast de Tomajazz en Telegram En Tomajazz hemos abierto un canal de Telegram para que estés al tanto, al instante, de los nuevos podcast. Puedes suscribirte en https://t.me/TomajazzPodcast. Pachi Tapiz en Tomajazz https://www.tomajazz.com/web/?cat=17847

SUN RA – JAZZ BY SUN RA – Chicago, July 12, 1956 Brainville, A call for all demons, Transition, Street named Hell Art Hoyle (tp,bells-3) Dave Young (tp,bells) Julian Priester (tb,chimes-4,arr) James Scales (as) John Gilmore (ts,woodblocks) Pat Patrick (bar,bells-3) Sun Ra (p,org-2) Richard Evans (b) Wilburn Green (el-b,tamb) Robert Barry (d,bells) Jim Herndon (tymp,timb,bells) […]

https://www.windowworldyoungstown.com(877) 280-5652Boardman Showroom:8070 Southern BlvdBoardman, OH 44512Three Generations of Window World OwnersSince 2003, Window World of Youngstown has helped customers throughout Youngstown and surrounding areas transform their homes with high-quality replacement windows and doors.As one of the seven Window World locations operated by the Moran family, Window World of Youngstown is built on a foundation of strong values from the beginning. To this day, the Moran family upholds these values, continually serving customers with high-quality products and superior customer service.BackgroundFred Moran and his son, Pat, were busy working in different home improvement businesses when they saw an ad in a trade magazine and decided to open their first Window World franchise.The year was 2003. Within a year they opened an office in Pittsburgh. Others soon followed.Pat's son, Patrick, joined the business in 2009, his daughter, Mandi, in 2017. So while the business is second generation, members of three generations are involved.The Moran family owns seven Window World franchises in Ohio, Pennsylvania, West Virginia, and Michigan, and employs more than 60. Each features a showroom where customers can see the products.The Morans are one of the largest Window World franchisees. The family business sells and installs replacement windows, doors, and siding.

Jigsaw Health on Electrolytes with Patrick and Ashley Jigsaw Health... Helping us put the pieces of your health puzzle back together! WHAT IS YOUR STORY…WHAT IS YOUR WHY? Patrick: Jigsaw Health was started by me and my Dad, Pat & Patrick, in 2005. My dad struggled on and off with various health challenges for over 30 years. Fatigue, insomnia, gastro-intestinal problems and depression. All difficult to overcome. But along the way, he found pieces to his health puzzle and we wanted to help others do the same. We are passionate about educating people on the importance of minerals and electrolytes, with a special emphasis on Magnesium. Ashley: Patrick and I discovered Pickleball in the summer of 2018. The sport is incredibly fun and social, and also great exercise. We realized that Jigsaw Health products were perfect for hydration and recovery. In January 2020, we launched a large scale marketing campaign aimed at reaching the fast-growing Pickleball community. Throughout this last year, we introduced the new Jigsaw Pickleball Cocktail electrolyte drink, we made dozens of new fun commercials with some of the top Pros, we sponsored and attended Pickleball tournaments together, and now, almost all of our “business meetings” are held on a Pickleball court. We talk today about… What is the backstory of "Jigsaw Pickleball Cocktail"? Why did you choose the Pickleball community as a target audience? Tell me more about the importance of balancing minerals and electrolytes, especially for athletes and "active" people? They are working to build an indoor Pickleball facility at Jigsaw Health HQ by end of 2021. It's a very exciting project, as there are currently no other "dedicated" indoor Pickleball courts in the valley! What can Jigsaw Pickleball Cocktail® help me with? Support healthy relaxed muscle tone on the court.* Replenish important electrolytes lost through sweat.* Maintain proper fluid balance within your cells.* Promote healthy energy levels. Order here https://bit.ly/3rL0Pz1 FAQ at Jigsaw Health about their “Cocktail”: What's the difference between Jigsaw Pickleball Cocktail® and Jigsaw Electrolyte Supreme™? Pickleball Cocktail and Electrolyte Supreme were designed to be complementary: Pickleball Cocktail is designed to be taken first thing in the morning to help prepare your muscles for an active day; Electrolyte Supreme should be used during the day for energy boosts.* Pickleball Cocktail contains 800mg of Potassium -- nearly the equivalent of two bananas -- plus Magnesium, Sodium, and Chloride all of which help prevent muscle cramping during activity.  Meanwhile, Electrolyte Supreme contains Potassium, Magnesium, Sodium, and Chloride, plus Calcium, Zinc, Selenium, B vitamins and other nutrients for ongoing hydration and energy boosts throughout the day.*   Does Jigsaw Pickleball Cocktail® replace Jigsaw Adrenal Cocktail™? No.  It's true that Pickleball Cocktail was inspired when Patrick (Jigsaw CEO & co-founder) began mixing Electrolyte Supreme with Adrenal Cocktail in order to get more Potassium so he could play Pickleball longer.  But Jigsaw Adrenal Cocktail + Wholefood Vitamin C™ is still a great standalone formula to use, especially in times of high stress.   Adrenal Cocktail has about half as much Potassium as Pickleball Cocktail.  But it has nearly 5 times more Sodium, plus 400mg of Wholefood Vitamin C.  These three ingredients are particularly useful for the adrenal glands which play a key role in managing stress, mood and energy by producing essential hormones like cortisol.  Healthy adrenal function is also crucial for immune health.*  Why can't I just drink plain water to stay hydrated? You might be drinking the recommended 8-10 cups of water a day and still not be properly hydrated. That's because almost all water has been stripped of important electrolytes - especially Magnesium and Potassium - during the process of reverse osmosis which is primarily designed to eliminate contaminants, but also removes important minerals.  In fact, too much filtered water can cause a serious electrolyte imbalance (it's called hyponatremia).* Unfortunately, even sparkling "mineral water" doesn't deliver the necessary amount of essential electrolytes that your body requires.  So using adding Jigsaw Pickleball Cocktail® powder to plain water will help your body actually stay hydrated.* When should I use Pickleball Cocktail? Start every morning with Jigsaw Pickleball Cocktail® -- a sugar-free, delicious orange-flavored beverage with as much Potassium as two bananas. Keep your muscles happy while you play “just one more game”, 5 or 6 times.*  Finally… a cocktail you should drink at 7am.  ;-) Order your packets today here! Debbie Potts Health & Fitness Coach, Author, & Speaker Host of ‘The Low Carb Athlete' Health Building Podcast ‘The WHOLESTIC Method' Coaching Program FNTP, FDNP, NASM CPT, CHEK HLC, Kion Coach BURN FAT. OPTIMIZE HEALTH. IMPROVE PERFORMANCE. https://linktr.ee/Debbiepotts

Tonight on Trackside with Curt Cavin and Kevin Lee, they talk about the ride announcement for Simona de Silvestro this week for the 105th Indianapolis 500. It will be an all female team with Penske power. Simona also joins the show to talk about this ride, how it came about and her thoughts heading towards May. Marco Andretti has decided to step out of the car on a full time basis and they discuss the reasons behind it and what races he will run in 2021. Also tonight, Kevin and Curt talk about who they believe may drive the open entries involving Dale Coyne and Rick Ware Racing teams for the 2021 season and also get into other silly season news.  Also tonight they talk about the funeral and send off for Aldo Andretti and also remember long time team owner Pat Patrick who passed away this week. 6x and Reigning Indy Car Champion Scott Dixon joins the show to talk about Indy Car testing, what is it like working with new teammate Jimmie Johnson and also getting ready for the Rolex 24 at Daytona with qualifying race this weekend and the 24 hour race next weekend.  See omnystudio.com/listener for privacy information.

Dirty Crime Boys #9 -Joe is leaving our hometown in February… unless we get to a 100,000 plays - Our 12 listeners need to become a cult - How do you talk to a girl you like like? - We created a cult under the religion of Joe and Pat - Patrick's Hail Mary play coming soon - College Freshman Year experiences: How Joe ended moving out. - Crime: Joe makes his summer fling wifey and how the relationship lead to heart break - How they met? How they fell in love at a theater kids party - But everything in college changed - Why does Josephine break up with Joe? - who's got the KRABS? --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app

My neighbor and chair yoga client Pat, age 88, has lived a full life thus far with incredible stories to share, many of which were near death experiences. Pat is a retired Navy Captain where he was a Navy Strike Fighter Pilot and Staff Sergeant with Special Forces, putting his life on the line for decades. Born in 1932 he shares what it was like growing up during the depression without any presents for Christmas, relying on squirrel for food and community baseball games for fun! He is simply grateful to be alive having been through a lot in his life and will leave you feeling the same - grateful to be alive. Enjoy! --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app

In questa puntata completiamo l'ascolto integrale del doppio Lp dedicato nell'84 da Hal Willner a Thelonious Monk, con, nell'ordine, Randy Weston, il duo Steve Lacy/Elvin Jones, un fulminante John Zorn, una formazione comprendente Pat Patrick e Roswell Rudd, gli Shockabilly di Eugene Chadbourne, Mark Bingham, Joe Jackson allora sulla cresta dell'onda (che interpreta Round Midnight), Bobby McFerrin/Bob Dorough, la pop star Peter Frampton, Steve Lacy in solo, Steve Slagle, e un eccezionale duo Steve Lacy/Gil Evans.

In questa puntata completiamo l'ascolto integrale del doppio Lp dedicato nell'84 da Hal Willner a Thelonious Monk, con, nell'ordine, Randy Weston, il duo Steve Lacy/Elvin Jones, un fulminante John Zorn, una formazione comprendente Pat Patrick e Roswell Rudd, gli Shockabilly di Eugene Chadbourne, Mark Bingham, Joe Jackson allora sulla cresta dell'onda (che interpreta Round Midnight), Bobby McFerrin/Bob Dorough, la pop star Peter Frampton, Steve Lacy in solo, Steve Slagle, e un eccezionale duo Steve Lacy/Gil Evans.

In questa puntata completiamo l'ascolto integrale del doppio Lp dedicato nell'84 da Hal Willner a Thelonious Monk, con, nell'ordine, Randy Weston, il duo Steve Lacy/Elvin Jones, un fulminante John Zorn, una formazione comprendente Pat Patrick e Roswell Rudd, gli Shockabilly di Eugene Chadbourne, Mark Bingham, Joe Jackson allora sulla cresta dell'onda (che interpreta Round Midnight), Bobby McFerrin/Bob Dorough, la pop star Peter Frampton, Steve Lacy in solo, Steve Slagle, e un eccezionale duo Steve Lacy/Gil Evans.

Special guest Pat Patrick covers this old Christmas classic as only he can. 

A selection of 20 songs to celebrate the upcoming new year. An imaginary midnight mass at the musical cathedral of saint primavera featuring the gospel according to Balthazar. 20 tracks to thank the lord and have her bless this 2020. Tracklist 1. Doxologia / Coro de Monjes de la Abadía Benedictina de San Martín - Canto Gregoriano - Misa de Navidad 2. I Ain't Scared of No Devil / Jitwam, dj godfrey ho 3. Deportation-Iguazu / Gustavo Santaolalla 4. Postcomunio / Coro de Monjes de la Abadía Benedictina de San Martín - Canto Gregoriano - Misa de Navidad 5. Blue Nile / Alice Coltrane 6. Stranger in Paradise / Sun Ra, Pat Patrick 7. Sol / Laraaji 8. BOA / Sam Gendel, Sam Wilkes 9. Get Involved / Jonah Thompson 10. New Heights ( Visions of Aisha Malik ) / Kamaal Williams, Darkhouse Family 11. The Blessing Song / Michael White 12. Alleluja / Coro de Monjes de la Abadía Benedictina de San Martín - Canto Gregoriano - Misa de Navidad 13. Morning Prayer / Hypnotic Brass Ensemble 14. The Other Side, Part I / Gil Scott-Heron15. The Other Side, Part II / Gil Scott-Heron 16. Song To The Siren / This Mortal Coil 17. Yefikir Engurguro / Hailu Mergia 18. A Change Is Gonna Come / Aretha Franklin 19. Kyrie Altissime / Coro de Monjes de la Abadía Benedictina de San Martín - Canto Gregoriano - Misa de Navidad 20. Magica / Dream Runner

Well blessed be Mary! Who the hell knew you could be queer and Catholic? ;) Pat and Patrick of Vine & Fig Co. join the podcast to talk about their faith and queerness and how/why they hold on to one of the oldest institutions out there despite it being, in a word, difficult. Support this podcast at — https://redcircle.com/a-tiny-revolution/donations --- Support this podcast: https://anchor.fm/tinyrevolution/support Learn more about your ad choices. Visit megaphone.fm/adchoices

After chatting about the chamber branding project in part one of this two-part interview, W.A.C.E. President Dave Kilby asks Pat Patrick, President and CEO of the Lodi District Chamber, about some of best advice he received from his mentor earlier in his career and how it has helped him and the chamber succeed. Follow Dave Kilby on Twitter: https://twitter.com/DaveKilbyWACE Lodi District Chamber: https://www.lodichamber.com

W.A.C.E. President Dave Kilby invites Pat Patrick President and CEO of the Lodi District Chamber to talk about how the 3Cs were determined and what's on the horizon for the project in part one of this two-part interview. Follow Dave Kilby on Twitter: https://twitter.com/DaveKilbyWACE Lodi District Chamber https://www.lodichamber.com/

Pat Gothman, Michael Vazquez, and Patrick Weston are on a mission to create a robust set of resources for queer Catholics. They've started Vine & Fig, a fully inclusive and affirming collaborative seeking to elevate the lives of queer Catholics. In this episode, they talk about their journeys as queer Catholics and what they are doing to create more resources for their queer siblings. Pat Gothman is a former seminarian, former theology teacher, and former religious brother.  He lives in Seattle with his fiancé and is the editor of Reaching Out, a collection of LGBTQ stories from people of all faiths. He can be found at @pgothman Michael Vazquez is a public theologian, community organizer, storyteller, and educator advocating for social equity and liberation in the academy and the church. Michael is an M.Div. student at Duke Divinity School, and is the founder and Co-Executive Director of Brave Commons, an LGBT advocacy organization and inclusive Christian campus ministry. He can be found at @mvsebastian Patrick Weston grew up in farm county going to mass with his family and holds Catholic values - especially social justice for society’s most vulnerable - close to his heart. While it took some time to figure out, he’s realized he can be gay and Catholic at the same time. He lives in Columbus and develops websites for socially-good clients. He can be found at @patrickfweston Vine and Fig can be found at vineandfig.co and on Twitter at @vineandfigco Queerology is on Twitter and Instagram, @queerologypod

Robert Conrad and Pat Patrick buy a radio station. Detailed show notes at https://www.ideastream.org/wclv/im-robert-conrad-episode-3-the-birth-of-wclv.

Pat (Patrick) O'Hagan Funeral Mass on 3rd October 2018

W.A.C.E. President & CEO Dave Kilby sits down with Lodi District Chamber President & CEO Pat Patrick to discuss how they structured their community vision project and how they are tracking their progress. To access the Lodi District Chamber's Vision 2020 report follow this link: http://www.lodi.gov/eco_development/pdf/Vision2020FNLFNL.pdf

Laurdine Kenneth "Pat" Patrick was an alto and baritone sax player best known for his long association with the progressive musician Sun Ra. After his death, his children—including current Massachusetts governor Deval Patrick—learned their father had left a voluminous collection of photographs, scores, concert programs, teaching notes, and other memorabilia that illustrated not only his own artistic development but the cultural context of musicianship at the time. The deep collection is now at Berklee to be plumbed by faculty and student researchers. In the first Inside Berklee podcast, speakers at the March 24 dedication, including the governor, Berklee president Roger H. Brown, and Africana Studies director Bill Banfield share their thoughts as the Berklee Pat Patrick Tribute Arkestra plays. http://www.berklee.edu/news/2210/podcast-inside-berklee-the-pat-patrick-collectio