Podcast appearances and mentions of Eugene Chadbourne

It's been a minute since I've put out a new show, and so I thought maybe I'd let you in on what has been keeping me so busy. A couple years ago, I started working on an oral history project funded by the city- appropriately titled The Olympia Music History Project. We (myself, Mariella Luz and Kelsey Smith) have since broken off from the city into our own nonprofit organization, and I'm excited to announce that we are launching olympiamusichistory.org on New Year's Day, 2025! So let me tell you about what this is: I was a part of a team that interviewed 30 people who were doing significant things in Olympia's legendary indie music scene between 1980-2002. We spoke with folks from globally revered bands like Bikini Kill, Sleater-Kinney and The Gossip, as well as hometown heroes including Young Pioneers, The Noses, Fitz of Depression, even Olympia's only known ska band of that era, Engine 54. I've learned so much working on this project- and I've heard all the interviews several times, because I'm the guy who edited them. Have you ever seen that T-Shirt that says “Reading is Sexy?” That was designed by Sarah Utter, the singer and guitarist from The Bangs. Allegedly Patrick Swayze lived here at some point, but I don't know if he ever got out to any punk shows. And yeah, Nirvana was a part of our scene for a while too, I forget what happened after they moved to Seattle.  And there were all these festivals- International Pop Underground Convention in 1991, The YoYo A Go Go festivals after that, Ladyfest- which became an international series- and a groundbreaking, grassroots rock opera called The Transfused. All these things happened in that 22-year window.  My interview with a guy named John Foster focuses on a couple of crucial things happening, that the scene- at least in part- owes its existence.  The first one is the enactment of the Green Line Policy at KAOS- that's KAOS, 89.3 FM, Olympia- a game-changing move making it against the rules to play any less than 80% independently released music. That had a huge impact on a lot of creative people that tuned in. The second is the publication of OP Magazine, a dense zine focused on independent music of every kind, and featured contributing writers like Matt Groening, Eugene Chadbourne, Jonathan Richman, on and on. This magazine was globally distributed from right here in Olympia, and served as a regularly updated encyclopedia of indie music- and where to get it. Basically, it was like a precursor to something in-between Pitchfork and Bandcamp, in the pre-internet dark ages. John Foster was at the helm for both of these endeavors, and he was one of the people I interviewed for the Olympia Music History Project, and here is our conversation, recorded in the historic Rockway-Leland building downtown.

SAN ONOFRE-interviú de juguete con Víctor Trescolí Goodbye, piano; hello, toy piano! SAN ONOFRE devenimos inveterados ludopátas debido al tóxico pernicioso influjo del levantino Víctor Trescolí. El mundo es un juguete, SAN ONOFRE es un juguete roto y Víctor Trescolí trata de recomponer los dos mil pedazos de nuestro corazón y de que algo de todo esto cobre cierto sentido. "The many moods of the toy piano" podría ser el títiulo de nuestro onofrita episodio de hoy. En fin, Bob Dylan tuvo a su Pete Seeger, que le cortó el cable eléctrico de un certero hachazo; algo parecido sucedióle a Fred Frith con una demente, que luego le pidió autógrafo, mientras tocaba él con Eugene Chadbourne. Bien, amigas onofritas, se conoce que Víctor Trescolí no anda a la zaga de estos eximios guitarristas. Y no sólo en arrojo y talento, sino en anecdotario. Eo

SAN ONOFRE-Eugene Chadbourne interviú The Doc's second coming El Bien Nacido Que Se Dirige a Chad vuelve a pasar consulta en SAN ONOFRE. Sí, lo nuestro es crónico y terminal. ¿Contagioso? La que parió bien al eximio habitante de House of Chadula detestaba el Rock and Roll. Era una refugiada de la Alemania nazi, sí, pero odiaba al Rock'n'Roll incluso más que a Hitler. El Uge, empero, nació tan bien que le gustan todos los estilos. Recuerda lo que decía Stalin del Jazz: "Sí, hoy tocas Jazz y mañana, traicionas a tu país". Eso es lo bello, hermanitas, que Doc Chad traiciona a todos los países del mundo. No aceptes más autoridad que la tuya propia. Y la de SAN ONOFRE. Hoy tu amor, mañana el mundo. Ayer interviú con el bueno de Eugenio, el viernes, SAN ONOFRE te lo traemos a Guadalajara. Escasísssimass entradas disponibles. Cúrate en salud y obedece a The Good Doctor y a SAN ONOFRE: escucha nuestro breezeshoot con el Chadbourne y ven a la liturgia onofrita con Eugenio, Schroeder y la sorpresita onofrita. SAN ONOFRE presenta a Eugene Chadbourne (und Schoreder) atque SORPRESÓN SÓLO EN GUADALAJARA Bar Arcadia. Sábado 26 abril 2024. 20:00 h.; 10 evros

SAN ONOFRE-interviú con Sarah Rasines Workin´ in a Crystal Mine SAN ONOFRE nos tocamos con el casco iluminado de minero iluminado para descender a la mina de cristal de la burgalesa universal Sarah Rasines. El estajanovista de la mina de carbón también decía que todo lo que hiciera a partir de ese momento iba a ser funky. Háganse cargo, amigos onofritas, entonces, de que los del SAN ONOFRE, una vez ya codeados con Sarah, no vamos a ser pugilánimes y andar a la zaga del gran Lee Dorsey. La totalidad de las gemas que puede uno hallar en Crystal Mine tienen forma de cinta de casete. Compartiremos en antena con la Rasines parte de ellas. Y en la siguiente aventura onofrita de la SAN ONOFRE, trataremos de ser agradecidas con El Bien Nacido Que Se Dirige a Chad, Doc Chad, Eugene Chadbourne, cinco lunas, cinco, antes de la liturgia onofrita que nos brindará el mago del rastrillo eléctrico. ¿Qué se cuenta el Schroeder, Doc? SAN ONOFRE presenta a Eugene Chadbourne Viernes 26 abril 2024; 20:00 h. 10 evros. Arcadia Bar

SAN ONOFRE-TMR thru the eyes of pubescent magic Claudio y Ulises descuartizan a la carpa SAN ONOFRE sacamos pecho al presentar un episodio único e histórico en nuestra milenaria histeria radiofónica. Por primera vez en veintiséis campañas y más de un millar de transverbaciones, ninguno de los dos fundadores de SAN ONOFRE abrirá el pico en absoluto. Toman el testigo, para alivio y solaz de nuestra nutrida, entregada parroquia onofrita dos prepúberes, Ulises y Claudio. Prometedores nombres, ¿ein? Estos muchachos llegarán a ser hommmbres ilustres. Les voy a confesar una cosa, amigos onofritas, cuando al fin hincamos el diente onofrita, hace escasas lunas, a Children of Men, de la gran PD James, no pudimos evitar que Ulises y Claudio nos recordaran poderosamente a los dos protagonistas principales, respectivamente Theo Faron y Xan Lyppiat. ¿No se consumen Vstedes de ganas de saber el enfoque de estos ilustrados chaveas? SAN ONOFRE presenta, salvaje, sin adulterar, loca, creativa, expansiva, transgresora, inmortal, siempre recién nacida, acaso moribunda Trout Mask Replica. ¡Larga vida al Capitán! Próxima liturgia onofrita: Eugene Chadbourne (und Schoreder) Bar Arcadia. Viernes 26 abril 2024 20:00 h. 10 evros

SAN ONOFRE-Gary Lucas interviú Hey Gary, name three giants you ain´t never worked with La proverbial contumacia e insistencia onofrita de SAN ONOFRE al cabo han hecho que, una vez más, nos llevemos el gato al agua onofrita. Sí, ¿qué duda cabe?, correligionarios ("gimme that ole time relijun, is good enuff for me, ´s good enuff for you") amigos onofritas, de que el mes/la mesa beefheartiana habría quedado un tanto coja sin la mágica aportación anglo de algún esclavillo de Don. Lo primero que le llama a uno la atención de nuestra víctima onofrita de hoy es la inacabable lista de colaboraciones con gigantes músicos de todos los estilos imaginables y algún otro. Bona nit, Gary Lucas, ¿cómo está tu hermano Jorge y qué te cuentas, macho? ¡Hala, benvingut al SAN ONOFRE! Próxima liturgia onofrita: Eugene Chadbourne (und Schoreder) Bar Arcadia. Sábado 26 abril 2024 20:00 h.; 10 evros

SAN ONOFRE-¡La Magic Band empieza a dar señales de vida! ¿Qué, hace una ouija con el Cap´n? SAN ONOFRE continuamos zozobrando abruptamente en medio de nuestro mess Craptrain Bigfart & The Foetid Band antes de que Gary Lucas tome el micróphono onofrita en nuestro subsiguiente episodio y de que dos pinches prepúberes pongan el último clavo en la maldita tumba onofrita. Mientras tanto, esta semana nos concentramos en el antes, el durante y el después de las fechorías, tropelías y sublimes atrocidades de Don Van Vliet. Que SAN ONOFRE seamos paranoicos no significa que ese pollo no nos esté siguiendo. ¡Además, una pizca de paranoia es un buen acicate, eh, Capitán Entresijos! Careful with that blimp, Eugene Chadbourne! SAN ONOFRE presenta a Eugene Chadbourne Sábado 26 abril 2024; 20:00 h. 10 evros. Arcadia Bar

SAN ONOFRE-generous by name, generous by nature Los del SAN ONOFRE agradecemos la gran generosidad de los muchachos galegos de Vietcong ("no vietcong ever called me a nigger") amén de poniendo su casete "Basalto" (una piedra), lanzándoles a la cara la segunda placa de vinilo de Radiadores Viejos, coeditada por el SAN 0NOFRE. En abril tendremos por tierras caracenses a Eugene Chadbourne con el baterista Schroeder y para comenzar a desplegar la pancartota onofrita, desgajamos rola scouser de la mano de la placa de Shockabilly "Vietnam". Loe Lof Lon se empieza a gustar aún más soltándose a escribir, canturrear y mezclar su ya noir electrónica con finos ribetes guitarrísticos en una mezcla altamente infecciosa, digamos irresistible, en su nueva placa, la cual estrenamos. Y para ilustrar el mes de marzo de 2024 Captain Beefheart en SAN ONOFRE, sacamos a pasear dos de sus placas menos explotadas en SAN ONOFRE. Ahí está. SAN ONOFRE presenta a Eugene Chadbourne Sábado 26 abril 2024; 20:00 h. 10 evros. Arcadia Bar

SAN ONOFRE-Howie Reeve interviú Fancy a scotch, ole Howie? En la SAN ONOFRE hoy hemos resuelto marear al bueno de Howie Reeve, escocés universal con gran calado por estos pagos. Bueno y por cualquier otro, que los tentáculos de este creador son casi tan de largo alcance como los del pródigo Mattin. Sí, hay que mantener el optimismo hasta en las más trágicas de las circunstancias y ser realistas en nuestro idealismo. Ocasión más grande no conocieran los tiempos, amigo Henry. Ya, lo cortés no quita lo macabro. ¿Langostas con forma de salchichas? ¡Habráse visto! Otra de nuestras onofritas víctimas angloentrevistadas, Arnold de Boer (Arnold de Campesino) dio en el clavo con el Glaswegian extraordinaire: "Juan Palomo número uno, amén de desenfadadamente obstinado y maravillosamente alocado mago bajista-cantante". Replican los tamboriles. ¡Qué menos! Próxima liturgia onofrita: Eugene Chadbourne (und Schoreder) Bar Arcadia. Sábado 26 abril 2024 20:00 h.; 10 evros

SAN ONOFRE-Triple Negative interviú The theory of negativity En la SAN ONOFRE seguimos mamando de las ubres de Mattin cosa fina. El trío al que atosigamos hoy responde al nombre de Triple Negative y toma el testigo de Repetidor como víctimas onofritas. Based outta London town mas con membresía intercontinental y unisex: fémina teutona y machos rumano y neozelandés, este arrequintao triumvirato (término mal empleado, toda vez que hay una fémina en el redil) won´t stop at nuthin'. Por si a alguien le quedaba la más mínima sombra de una duda, a squid-eating dough in a polyethylene bag is fast´n´bulbous, got me? Próxima liturgia onofrita: Eugene Chadbourne (und Schoreder) Bar Arcadia. Sábado 26 abril 2014 20:00 h.; 10 evros

Episode 7 is a ghost tale! The mystery of a name that was only known to paper… and a woman who wrote hundreds of Tin Pan Alley tunes in the shadow of a pseudonym. Host Katie Harman unfolds the story of composer Irene Higginbotham, and how she - along with three other legendary women of Tin Pan Alley - helped shape American popular music in the 1930s-1950s. The episode also features a portion of Katie's interview with Broadway and cabaret star Natalie Douglas, as she shares her thoughts on the influence of Irene Higginbotham. Catch their full conversation in Virtuosa Society Podcast's companion series “Between the Bio” which dives deeper into Natalie's fascinating life and career, including the challenges, triumphs and lessons learned between the highlights in her bio. Research referenced throughout the episode: The Jazz Standards, by Ted Gioia Lady Sings the Blues, by Billie Holiday with William Dufty “Good Morning Heartache,” by David "Chet" Williamson Sneade https://worcestersongs.blogspot.com/2012/12/good-morning-heartache.html “Recording Studios: A History Of The Most Legendary Studios In Music,” by Martin Chilton https://www.udiscovermusic.com/in-depth-features/history-of-recording-studios/ “The History of Tin Pan Alley” by Nate Wooley https://soundamerican.org/issues/big-band/history-tin-pan-alley “The Harlem Renaissance: What Was It, and Why Does It Matter?" by Cary D. Wintz https://www.humanitiestexas.org/news/articles/harlem-renaissance-what-was-it-and-why-does-it-matter “Glenn Gibson Biography” by Eugene Chadbourne https://www.allmusic.com/artist/glenn-gibson-mn0001331660#biography Producer: Katie Harman @katieharmanebner Audio Engineer: Will Cowser @williamcowser Title Song: “Reflection of the Sun” by Anna Landström www.virtuosasociety.com Follow @virtuossociety on Instagram, Facebook and Threads

Prendiamo spunto dalla recente uscita di Eternal Triangle, live del trio di Toshinori Kondo, Massimo Pupillo e Tony Buck registrato nel 2019 al festival di Angelica (pubblicato da I dischi di Angelica), per ricordare il trombettista giapponese, mancato a 71 anni nell'ottobre 2020. Kondo approda a New York nel '78, e si inserisce nel giro dell'improvvisazione radicale e delle sperimentazioni, un ambiente da cui stanno emergendo le nuove tendenze che caratterizzano la scena newyorkese della seconda metà dei settanta e degli ottanta: le improvvisazioni '78-79 documentate da album della etichetta Ictus di Andrea Centazzo, con Centazzo, Polly Bradfield, Eugene Chadbourne, Tom Cora e il giovane John Zorn, destinato a fare molta strada, testimoniano del temperamento di Kondo in un contesto free e della sua maestria negli effetti. Negli ottanta Kondo si indirizza però anche verso una musica che impiega strumentazione elettrica ed elettronica, e che sul piano dei ritmi guarda al rock, alla black music, alla dance: un album come Brain War, del principio degli anni novanta, rappresenta bene la sua band Kondo Ima, che ottiene buoni riscontri commerciali.

It's an episode years in the making when Mike is finally able to track down guitarist, composer, and raconteur Duck Baker.   We discovered Duck through his solo recording of Herbie Nichols' tunes, but Mike finds out that Duck has collaborated with such luminaries as John Zorn, Roswell Rudd, and Eugene Chadbourne while keeping up a stream of solo and group releases and composing dozens of tunes.  Don't miss this discussion from one of the only finger-style guitarists as comfortable at playing folk tunes and jazz covers as he is traveling to outer space.  And be sure to visit www.duckbaker.com for more information on this artist.

SAN ONOFRE-Eugene Chadbourne interviú ¿Tie cura lo nuestro, Buen Doctor? En SAN ONOFRE nos guía la confusión. Hemos decidido procurarnos, pves, la telephónica visita del buen Doctor Chadbourne a nuestra onofrita morada. Ahora estamos mucho más tranquilos, gracias a los confusos consejos del matasanos, ya no nos queda certeza alguna. Bien, pves. Díjonos el bueno de Kramer que el Jimi debería recorrer todo el escenario y prosternarse ante Eugenio. Tampoco será para tanto. Mas vean cómo toca el Uge el rastrillo eléctrico, invención propia. Habrá que sonsacar al titań de Greensboro, además, sobre sus musicales relaciones con John Zorn y Jimmy Carl Black, sí, el que berreaba su nombre y añadía: "... and I'm the Indian of the group". O no, Quizás discutamos sobre su familia: su hija y su nieta. Aunque quizás no sea tan buena idea, dado que, como bien apunta en una de nuestras cuñas onofrtias de nuevo cuño John Giorno (Juan Día): "Just say NO to family values". Mira, eso sí lo tenemos meridianamente claro. Empero, vetusta cuña onofrita proclama: "Hay quye volver a los valores familiares". Y ansí, sucesivamente. ¿Quién tiene más discos R. Stevie Moore o Eugene Chadbourne? ¿Nos dejará hangin' on the telephone Eugenio como hizo R. Stevie Moore? ¿Y cuál de los dos colosos es el pionero de las grabaciones caseras de baja fidelidad? Es de bien nacidos rendir pleitesía a Doc Chad. ¿En serio? https://libritosjenkins.bigcartel.com/product/angloentrevistas-traducidas-de-san-onofre ¡Últimas copias!

Musical storyteller Michael Hurley made his debut on Folkways records way back in 1964 and shows no signs of slowing down because there's always another story to tell. His songs have been covered by The Violent Femmes, Cat Power, Yo La Tengo and previous Low Profile guests Eugene Chadbourne and the Holy Modal Rounders. Michael's performances are few and far between these days, and interviews with him are even more rare. Without him American music would not be the same, and it was an honor to welcome this living legend to the stage.James Madea is a mutual friend of mine and Michael's, and the two of them are planning to start a new band and make a new record any day now.  Madea's songwriting is spot-on: feels like you know it by the time it's done, and it really sticks.  According to James, none of these songs have ever been recorded or released before this episode, so that's an exclusive to the max.  Most music fans in Olympia probably know James Madea from our vinyl mecca Rainy Day Records where he obsessively curates a treasure trove of 45RPM singles, or his occasional DJ sets as Wildman James, spinning underground garage rock gems most people have never heard. He's also a founding member of the group Spider and the Webs, along with his wife Sara Pete and Bikini Kill's Tobi Vail. But Wildman James is also a gifted songwriter, with leanings toward early rock and country music, echoing the lonesome twang of artists like Townes Van Zandt, Billie Joe Shaver and Hasil Atkins.Regrettably, though somewhat predictably, I found myself with my first positive test for COVID-19 a few days before this eagerly anticipated show and could not attend.  I hadn't heard these remarkable performances until the weekend of this episode's release, and I can say you're in for a real treat.  The noble Jack Habegger returns as guest host on my behalf, thankfully, and makes it all work.  This episode was engineered by Miles Rozatti in front of a live audience behind the historic Carnegie Library in downtown Olympia, WA on July 3, 2022.  Note: this episode is edited for time, but if you become a supporter on patreon.com/lowprofile you can hear the entire show.lowprofilepodcast.comScherler Sundays is a collaborative effert by Low Profile and Three Magnets Brewing Company.

"I find Joy in Discovery All the Time!"Our guest for this episode of MFM Speaks Out is Bruce Lee Gallanter, the owner and proprietor of Downtown Music Gallery (DMG), a Manhattan based music store that specializes in new, used, hard to find, and out of print CDs, Vinyl, DVDs, and books. DMG was started in 1991 by David Yamner & Steve Popkin, with Gallanter working for the store. They remained in their first location on east 4th street in Manhattan for 12 years until 2003, and started having weekly free concerts, an idea that Gallanter had started with Manny Maris when they worked at Lunch For Your Ears. Gallanter became the owner in 1997. Around the time. he and Emperor Mike started the DMG newsletter, In 2003, they moved into a new store on the Bowery, not far from St. Marks Place, Tower Records, and Other Music. This was their most popular and successful location. They are presently located in Chinatown.Their concerts at their different locations included musicians such as Elton Dean, Lol Coxhill, Derek Bailey, Peter Kowald, Joelle Leandre, John Zorn, Rod Poole, Ivo Perelman, Marc Ribot, Eugene Chadbourne, Haino Keji & Loren Mazzacane,  Gong, Hatfield & the North, Present, Dr. Nerve, Kramer, Luscious Jackson, Fibre, Machine Gun, Thinking Plague, Dark Carnival, members of Henry Cow: Fred Frith, J.D. Parran, Tony Levin, Michael Moore, and many others. The Sunday night in-store series continues to this day. DMG  also devotes an entire 700-CD display to the Tzadik label (founded and owned by John Zorn), and operates the mail-fulfillment for the label. They also provide the telephone information service for The Stone performance space. Gallanter is also a valued contributor to doobeedoobeedoo.info,   Topics discussed:His beginnings with Downtown Music Gallery, the in-store concerts DMG presents, becoming the owner of DMG, DMG's relationship with John Zorn's Tzaddik label, the DMG/ARC label, DMG's relationship with The Stone, Arts For Art, and the VISION FESTIVAL, DMG's business model and how they survive as a brick & mortar store in the age of online music purchasing, Gallanter's views on musician's rights, his  writings for doobeedoobeedoo.info and DMG's alliance with MFM, and the future of music retail. Music on this episode:1. Jamie Branch, Thomas Helton, and Michael Evans (recorded live at the Downtown Music Gallery Concert Series May 2021)2. Sandy Ewen, Chris Pistons, and Nate Wooly ((recorded live at the Downtown Music Gallery Concert Series May 2021)3. Francisco Mora Catlett & Same Newsome (recorded live at the Downtown Music Gallery Concert Series April 2021)All tracks courtesy of Bruce Gallanter / Downtown Music Gallery

Eugene Chadbourne playing July 18, Michael Sarian Playing July 20, Folk Fest July 21-24Playlist: Eugene Chadbourne - Coltrane MedleyMichael Sarian, Olec Mün - KartikeyaMichael Sarian - Paper CranesVILDÁ - Utsjoki-diskoPIQSIQ - Ovddos/HivumuuniqKiran Ahluwalia - Raina (Night)Allison Russell - Hy-BrasilWayfaring - This Is My HandSelci - GhostXênia França - FuturívelBasia Bulat - Heart of My OwnThe Economy - GabapentinMichael Frishkopf - Nay DroneWho Cares? - Masque Incidental IIMatmos - Flashcube Fog Waves

Like 90% percent of all other male musicians, guitarist Eugene Chadbourne started playing pop music hoping to get the attention of girls. Very quickly he grew bored of the conventional styles and gravitated towards avant-garde jazz. Since then Eugene has been as The Quietus aptly points out "one of the most absurdly prolific left-field musicians of all times". He has recorded at least 358 albums with everyone from Anthony Braxton to Camper van Beethoven.  Aside from his prolific guitar work, Eugene also plays a broken Electric Rake , and is an author. His book Dreamory is a 1000 page collection of his tour and dream diaries, teenage and draft dodging  memoirs and much more.

The sound engineer with acts like the Neville Bros, Maceo Parker, Steel Pulse, and Ani DiFranco, he’s also the owner of the House of 1000Hz studio, boasting a star-studded client list of national and regional artists. Goat’s early tenure at the experimental Music Gallery in his native Canada taught him to be ready for anything: recording the electric rake with Eugene Chadbourne, mixing Vladimir Putin singing “Blueberry Hill” at a Russian celebrity gala, and now a sit-down with the Troubled Men. Topics include a returning tenant, Manny for Mayor, Gov. Edwards cremation, a city council DWI, night shows, “Brown Sugar,” a nickname, first bands, Depeche Mode, Toronto, arts grants, Canadian content, Ethan Allen, Daniel Lanois, Kingsway Studio, live recording, Trina Shoemaker, test tones, Chopper Brady, a job offer, a drag race with Aaron Neville, Helen Gillet, a John Zorn session, a Russian soldiers story, and much more. Intro music: Styler/Coman Break and Outro music: “LOGUE JAMMIN RUFF’” and “dROUGH NINE” by Andrew “Goat” Gilchrist Support the podcast here. Join the Patreon page here. Shop for Troubled Men’s Wear here. Subscribe, review, and rate (5 stars) on Apple Podcasts, Spotify, or any podcast source. Follow on social media, share with friends, and spread the Troubled Word. Troubled Men Podcast Facebook Troubled Men Podacst Instagram House of 1000Hz Homepage Vladimir Putin "Blueberry Hill" Video

A thrill to speak with legendary artist Frank Pahl from his studio in Wyandotte, Michigan. Pahl discusses the influence of Eugene Chadbourne, Trimpin and many more. A prolific tinkerer, sound artists, recording artist, educator and much more. Hope you find great inspiration in this talk!

Instead of a new episode this time around, here’s some music representing the artists who have been featured on the program so far, from the most recent back to the first episode. Hang out for a couple hours, enjoy the jams, and if you like a song or artist, dig it: There’s a Low Profile episode about them for you to devour. See y’all in a couple weeks with more new shows as season 4 continues to blow minds across the galaxy. Low Profile with Markly Morrison Looking Back Mixtape 4-22-2021 Negativland “Drink It Up” Alice Stuart “Freedom’s The Sound” Jeffrey Lewis and the Voltage “Except For The Fact That It Isn’t” Briana Marela “Give Me Your Love” Lavender Country “I Can’t Shake the Stranger Out of You” Oval “Ah!” The Music Tapes “Please Hear Mr. Flight Control” Swamp Dogg “Kiss Me Hit Me Touch Me” The Julies “Boy Wonder” Karl Blau “Mockingbird Diet” The Microphones “Between Your Ear and The Other Ear” Jib Kidder “New Crimes” David Grubbs “Gloriette” Donnie and Joe Emerson “Thoughts In My Mind” Holy Modal Rounders “Random Canyon” Ashley Eriksson “When The Earth Was Flat” Eugene Chadbourne “Honey Don’t” CW Stoneking “On a Desert Isle” Washington Phillips “Mother’s Last Word to Her Son” Cornershop “United Provinces of India” Heatwarmer “American Dog” Chumbawamba “This Girl” Nick Krgovich “Country Boy” Amps For Christ “Sweet William” Terry Cashman “Cooperstown” Scott Dunbar “Forty-Four Blues” Bobby Frank Brown “My Dog Is Every Bit as Good as Me” Soul-Junk “Soft Adult Contempt” Susan Cadogan “Love My Life” Cleaners from Venus “A Girl With Cars In Her Eyes” Bob Dorough (on a Miles Davis album) “Nothing Like You” The Gift Machine “Telemetric Mayhem” Old Time Relijun “Dark of the Male, Light of the Female” Gary Wilson “Gary’s in the Park” Margo Guryan “Someone I Know” Larry Norman “Sweet Song of Salvation” Pete Drake “I’m Blue”

Instead of a new episode this time around, here’s some music representing the artists who have been featured on the program so far, from the most recent back to the first episode. Hang out for a couple hours, enjoy the jams, and if you like a song or artist, dig it: There’s a Low Profile episode about them for you to devour. See y’all in a couple weeks with more new shows as season 4 continues to blow minds across the galaxy. Low Profile with Markly Morrison Looking Back Mixtape 4-22-2021 Negativland “Drink It Up” Alice Stuart “Freedom’s The Sound” Jeffrey Lewis and the Voltage “Except For The Fact That It Isn’t” Briana Marela “Give Me Your Love” Lavender Country “I Can’t Shake the Stranger Out of You” Oval “Ah!” The Music Tapes “Please Hear Mr. Flight Control” Swamp Dogg “Kiss Me Hit Me Touch Me” The Julies “Boy Wonder” Karl Blau “Mockingbird Diet” The Microphones “Between Your Ear and The Other Ear” Jib Kidder “New Crimes” David Grubbs “Gloriette” Donnie and Joe Emerson “Thoughts In My Mind” Holy Modal Rounders “Random Canyon” Ashley Eriksson “When The Earth Was Flat” Eugene Chadbourne “Honey Don’t” CW Stoneking “On a Desert Isle” Washington Phillips “Mother’s Last Word to Her Son” Cornershop “United Provinces of India” Heatwarmer “American Dog” Chumbawamba “This Girl” Nick Krgovich “Country Boy” Amps For Christ “Sweet William” Terry Cashman “Cooperstown” Scott Dunbar “Forty-Four Blues” Bobby Frank Brown “My Dog Is Every Bit as Good as Me” Soul-Junk “Soft Adult Contempt” Susan Cadogan “Love My Life” Cleaners from Venus “A Girl With Cars In Her Eyes” Bob Dorough (on a Miles Davis album) “Nothing Like You” The Gift Machine “Telemetric Mayhem” Old Time Relijun “Dark of the Male, Light of the Female” Gary Wilson “Gary’s in the Park” Margo Guryan “Someone I Know” Larry Norman “Sweet Song of Salvation” Pete Drake “I’m Blue”

Alec and Nick discuss the guitar. This episode inaugurates the “Musician's Friend” sub-series of the podcast—where an entire episode is dedicated to discuss various techniques, approaches, and cultures of and around specific instruments. Guitarists mentioned include: Pat Methany, Buckethead, Allan Holdsworth, Abraham Leonard, Shane Parish, Omar Rodriguez-Lopez, Sister Rossetta Tharpe, Jimi Hendrix, Taku Sugimoto, Loren Connors, Oren Ambarchi, Bill Orcutt, Eugene Chadbourne, Rhys Chatham & Glenn Branca. Opening theme music by Xander Seren (Flavortone guitar edit) Closing music by Jimi Hendrix, “Little Wing (Live)”

Alex Ward is a composer, improviser, and performing musician. His primary instruments are clarinet and guitar. He has also performed on alto sax, piano/keyboards, bass guitar, and as a vocalist. Alex's involvement in improvised music dates back to 1986, when he met the guitarist Derek Bailey. Since 2006, he has been heavily involved in both solo and collaborative composition, predominantly  of instrumental music. He has been a member of many other groups including ensembles led by Eugene Chadbourne, Simon H. Fell and Duck Baker.  Alex is a  frequent collaborator of both Tim and Weasel Walter. In fact, Alex has toured with the both of them as a member of Weasel's Flying Lutenbachers project.

Game Theory, “Lolita Nation” with special guest Jonathan Segel This week’s guest Jonathan Segel (Camper Van Beethoven, Sparklehorse, Eugene Chadbourne…) phoned in all the way from Stockholm to discuss California power pop band Game Theory and their 1987 magnum opus “Lolita Nation”.
 Band founder Scott Miller may have overreached somewhat with this dense, experimental double-album, but underneath it all are jangly hooks and heady lyrics about life, regret and the loss of innocence. 
 “It's been a decade of record stores 
Hordes of failing new wave careers
 What lengths we're going to just to find
 Exactly what we don't want to hear
 With all our well-trained ears” Support our show on Patreon: https://www.patreon.com/join/TRGMH

In questa puntata completiamo l'ascolto integrale del doppio Lp dedicato nell'84 da Hal Willner a Thelonious Monk, con, nell'ordine, Randy Weston, il duo Steve Lacy/Elvin Jones, un fulminante John Zorn, una formazione comprendente Pat Patrick e Roswell Rudd, gli Shockabilly di Eugene Chadbourne, Mark Bingham, Joe Jackson allora sulla cresta dell'onda (che interpreta Round Midnight), Bobby McFerrin/Bob Dorough, la pop star Peter Frampton, Steve Lacy in solo, Steve Slagle, e un eccezionale duo Steve Lacy/Gil Evans.

In questa puntata completiamo l'ascolto integrale del doppio Lp dedicato nell'84 da Hal Willner a Thelonious Monk, con, nell'ordine, Randy Weston, il duo Steve Lacy/Elvin Jones, un fulminante John Zorn, una formazione comprendente Pat Patrick e Roswell Rudd, gli Shockabilly di Eugene Chadbourne, Mark Bingham, Joe Jackson allora sulla cresta dell'onda (che interpreta Round Midnight), Bobby McFerrin/Bob Dorough, la pop star Peter Frampton, Steve Lacy in solo, Steve Slagle, e un eccezionale duo Steve Lacy/Gil Evans.

In questa puntata completiamo l'ascolto integrale del doppio Lp dedicato nell'84 da Hal Willner a Thelonious Monk, con, nell'ordine, Randy Weston, il duo Steve Lacy/Elvin Jones, un fulminante John Zorn, una formazione comprendente Pat Patrick e Roswell Rudd, gli Shockabilly di Eugene Chadbourne, Mark Bingham, Joe Jackson allora sulla cresta dell'onda (che interpreta Round Midnight), Bobby McFerrin/Bob Dorough, la pop star Peter Frampton, Steve Lacy in solo, Steve Slagle, e un eccezionale duo Steve Lacy/Gil Evans.

If you want to know what Thelonious Monk, George Jones and the electric rake have in common, you need not look further than Eugene Chadbourne. He has been surprising audiences for over four decades with his alarming hybrid of free jazz and country music. He has an unfathomable catalog of collaborative and solo efforts. Musician and co-host Arrington de Dionyso joined me at the local Quality Inn to spend some quality time with the good doctor. Co-produced by Miles Rozatti, featuring bumper music by Warren Lee. Support the Low Income Housing Institute at lihi.org, and support this podcast by sharing, subscribing, rating and reviewing. Be a patron by donating at patreon.com/lowprofile

Would you please help us improve the show by voting for your favourite track from this episode?I Cut the Wrong ManBee Bop PaloozaBagaço da LaranjaShotgun WeddingDust Pneumonia BluesLogical SongThey Cut Off Mama's ArmVote now! TweetPinShare Join us this week for a foray into the mind of Eugene Chadbourne and his LSD C&W world. We've got two "cuts" from the good Doctor Chad bookending the show. Both tracks play off of the vinyl live in the studio. We've also got more vinyl as Richard declares the show a Wax Time Special. Seventh Heaven is born as Richard plays all seven inch wax today. Tobin drops in some vinyl too with a Record Box Classic from Supertramp. Other vinyl includes Mungo Jerry from 1970 (and it's a scratchy old thing) and Roy C from way back in '65. For those living in sunnier climates then dust off your dancing shoes for some samba from Brazil. And last but not least, bubblegum punk pop trio Bee Bee Sea rock us out with Be Bop Palooza. However, it really is Eugene Chadbourne who is the star of the show. If you want to contact us at Record Box HQ please do so here. Table of ContentsTrack ListingFTBOTRB is launching some exclusive new content!Eugene Chadbourne - highly eclectic and unconventional What other people say about Mungo Jerry Track Listing  I Cut The Wrong Man Eugene Chadbourne from the original 1992 vinylBe Bop Palooza Bee Bee SeaBagaço da Laranja (Live) Zeca Pagodinho & Jovelina Perola Negra Shotgun Wedding Roy C from the original 1965 vinylDust Pneumonia Blues Mungo Jerry from the original 1970 vinylLogical Song Supertramp from the original 1979 vinylThey Cut Off Mama's Arm Eugene Chadbournefrom the original 1992 vinyl  FTBOTRB is launching some exclusive new content! We are launching some exclusive, new, exciting and original content very soon indeed. This content is only available to our mailing list subscribers so to get the content simply go join the list.GET EXCLUSIVE CONENT Eugene Chadbourne - highly eclectic and unconventional Originally beginning to play the guitar at 11 years old as a means to attract girls, Eugene Chadbourne soon learnt he wasn't the fifth Beatle. Covering songs by Jimi Hendrix and the like he soon found psychedelic rock music too conventional for his tastes. He soon gravitated the avant grade world of jazz performer Anthony Braxton. Indeed it was Braxton who dissuaded Chadbourne from entering into a career in journalism. Secondly, he pushed Eugene Chadbourne into the world of music. There are no bridges in folk songs because the peasants died building them.Eugene Chadbourne He played in New York in the 1970's with John Zorn and other free improvisation legend Henry Kaiser. After this, he formed the band Shockabilly with Mark Kramer and David Licht. He also duetted for many years with Jimmy Carl Black (lo...

The experimental guitarist and music promoter from a rural Louisiana refinery town found a community of like minds in the heyday of college radio. He went on to help establish a thriving improvisational music scene in New Orleans. Rob takes the biggest chance yet as he enters the Ring Room and puts his faith in the Troubled Men. Topics include a damaged pet, a vacation mystery, a recovered phone, college radio, Kidd Jordan, Free Jazz, Alvin Fielder, the Art Ensemble of Chicago, Homestead Records, Zeitgeist, festival security, bad dancing, Norco, La., Sonic Youth, No Wave, Gibby Haynes, Kramer, Bong water, Eugene Chadbourne, the German Coast, porn soundtracks, Dr. Demento, Rev. Fred Lane, Tuscaloosa absurdists, the Music Box Village, the Secret, the High Holidays, Passover, favorite plagues, the Process, cults, True Detective, Malevitus, Anxious Sound, and much more. Rate and review Follow and share Intro music:Styler/Coman Night of the Dog: Malevitus

The experimental guitarist and music promoter from a rural Louisiana refinery town found a community of like minds in the heyday of college radio. He went on to help establish a thriving improvisational music scene in New Orleans. Rob takes the biggest chance yet as he enters the Ring Room and puts his faith in the Troubled Men. Topics include a damaged pet, a vacation mystery, a recovered phone, college radio, Kidd Jordan, Free Jazz, Alvin Fielder, the Art Ensemble of Chicago, Homestead Records, Zeitgeist, festival security, bad dancing, Norco, La., Sonic Youth, No Wave, Gibby Haynes, Kramer, Bong water, Eugene Chadbourne, the German Coast, porn soundtracks, Dr. Demento, Rev. Fred Lane, Tuscaloosa absurdists, the Music Box Village, the Secret, the High Holidays, Passover, favorite plagues, the Process, cults, True Detective, Malevitus, Anxious Sound, and much more. Rate and review Follow and share Intro music:Styler/Coman Night of the Dog: Malevitus

Here it is, folks! The album so inscrutable it took us two whole episodes to unpack. No description I could attempt could possibly do the album justice, so I'll just say enjoy the show and we'll see you next week for part two! Songs in this episode: "Wonderful, Wonderful" by R. Stevie Moore, "Making it Go Away" by Eugene Chadbourne, "Landshark" by Fang, "A Big Fan of the Pigpen" by Guided By Voices, "Tiger Chain" by Deerhoof, "Venus in Furs" by The Velvet Underground, "Lifeguard of Love" by The Frogs, "Peace" by Ornette Coleman, "The Vultures Ate My Dead Ass Up" by Wesley Willis.

Guillaume Maupin (Saintonge records/ Matamore) sings songs since a very early age. Of course, humour does belong to music, and traditonnal, orginals, covers, wicked, strange songs are all part of his shows. Working solo or with other artists (Eugene Chadbourne, Beck, Lonely Kid Quentin, Mihai Iordache, Dead Western, Arrington de Dionyso, Euphorium freakestra, Portron Bros...) sharing stages with very various acts (Jeffrey Lewis, The Ex, Old Time Relijun, The Fall, René Binamé, ..) and playing around the world (Siberia, USA, UK, Kenya, France, Germany, Switzerland, Portugal, Romania, Poland, Czech rep,...) he loves to provoke fruitful encounters. In his now celebrated Human Jukebox project, with his bands Music for Rabbits, Tartine de Clous, his conference/concerts, or through his Film Water Music, or solo, playing in houses, concert halls, bars,cinemas, he always take the audience for a fun multinlingual ride. "While many performers on the folk scene consider themselves lucky if they can be judged decent in one style and interpret a few songs exceptionally well, this talent is expansive, with challenging conclusions, the swords of skill rattling and clashing in an enjoyable duel. Guillaume is not best at singing in English, French, or German; at being funny or deadly serious; at vocalizing or simply playing haunting, fingerpicking instrumental passages -- he is simply great at all these things" Eugene Chadbourne Songwriters Guild Live is a weekly radioshow in Amsterdam, focussed on artists who write their own songs. This week your host was Ro Halfhide.

For 42 years, Eugene Chadbourne has been wonderfully, definitely and sometimes frustratingly independent. A one-man journey into avant-garde folk and jazz, his work has touched several generations of independent musicians, from collaborations with college rockers Camper Van Beethoven, to a Sun Ra tribute where he played his own musical concoction, built with an electric guitar pick up and a garden rake.Earlier this decade, the journeyman musician released Dreamory, a massive, 1,000+ page tome that flips between memoir and dream logic, telling of his entry into music as a Beatles obsessed youth.After a reading in Brooklyn, Chadbourne and I sat down at a Williamsburg diner to discuss his career and the state of the industry, with a special cameo from collaborator and lifelong fan, Jim McHugh.

13e émission de la 38e session... Cette semaine, départ en world jazz, puis jazz rock ! En musique: Sons of Kemet sur l'album My Queen is Harriet Tubman  (Impulse!, 2018); Jeremy Daneman and Sophie Nzayisenga sur l'album Honey Wine  (Ropeadope, 2017); The Nels Cline 4 sur l'album Currents, Constellations  (Blue Note, 2018); Eugene Chadbourne with Steve Beresford and Alex Ward sur l'album Pleasures of the Horror (Bisou, 2018); Nick Millevoi's Desertion Trio sur l'album Midtown Tilt  (Shhpuma, 2018); Peter Bruun's All Too Human sur l'album Vernacular Avant-Garde  (Ayler, 2018)...

13e émission de la 38e session... Cette semaine, départ en world jazz, puis jazz rock ! En musique: Sons of Kemet sur l'album My Queen is Harriet Tubman  (Impulse!, 2018); Jeremy Daneman and Sophie Nzayisenga sur l'album Honey Wine  (Ropeadope, 2017); The Nels Cline 4 sur l'album Currents, Constellations  (Blue Note, 2018); Eugene Chadbourne with Steve Beresford and Alex Ward sur l'album Pleasures of the Horror (Bisou, 2018); Nick Millevoi's Desertion Trio sur l'album Midtown Tilt  (Shhpuma, 2018); Peter Bruun's All Too Human sur l'album Vernacular Avant-Garde  (Ayler, 2018)...

Ce soir jazz and co explore sinon le côté obscur du jazz, au moins son aspect expérimental avec en invité Quentin Rollet. Musicien mais aussi animateur du label Bisou records; il vient nous parler de son dernier disque en trio avec Jean Marc Foussat et Christian Rollet à l’ambiance électro-acoustique aux contours parfois rugueux, parfois plus aériens. Mais nous évoquerons aussi avec lui les autres titres de son label avec notamment un lp d’Eugène Chadbourne et le coffret du 50ème anniversaire du Workshop de Lyon. La musique sera donc trans-générationnelle. En deuxième heure Mylène et Philippe font une escale en Afrique du sud à moins que ce ne soit l’Afrique du sud qui s’invite à Paris depuis quelques temps. Après la venue d’Abdullah Ibrahim au festival Banlieues Bleues en mars dernier, voici que débarque le festival Métis qui invite notamment Marcus Wyatt et de nombreux autres artistes sud africains. Hélène s’attarde sur le dernier cd de Logan Richardson et Olivier ferme le bal avec un focus sur le nouveau disque du batteur Dan Weiss aux accents très « prog ». Liste des titres en première heure : -Quentin Rollet/Jean Marc Foussat/ Christian Rollet Roulement de grêle extrait de l’album « Entrée des puys de grêle » -Workshop de Lyon Marche noire extrait du coffret 50ème anniversaire -Colin Potter / Quentin Rollet the closer you are to the centre, the further you are from the edge extrait du split lp -Quentin Rollet/Jean Marc Foussat/Christian Rollet entrée par la fenêtre extrait de l’album « Entrée des puys de grêle » -Eugene Chadbourne party house part 3 in 3D extrait de l’album « Pleasure of the horror » Tous ces titres sont des parutions du label bisou recordshttp : //www.bisou-records.com Liste des titres en deuxième heure : -Abdullah Ibrahim African market place de l’album « African Market Place » : https://www.discogs.com/fr/master/view/301766 -Gato Barbieri et Dollar Brand Hamba Khale de l’album « Hamba Khale » : https://www.discogs.com/fr/Gato-Barbieri-Dollar-Brand-Hamba-Khale/master/298007 -Marcus Wyatt black genesis de l’album « African In Space » https://www.allaboutjazz.com/africans-in-space-marcus-wyatt-sheer-sound-review-by-aajstaff.php -Zimology Quartet Qula Kwedini de l’album « Live at Bird’s Eye » : http://www.birdseye.ch/index_e.php#!/pages_e/cd-fremd -Logan Richardson anthem de l’album « Blues People » : https://loganrichardsonmusic.bandcamp.com/album/blues-people -Dan Weiss « the memory of my memory de l’album « Starebaby » : https://pirecordings.com/albums/starebaby/

Mike explains how pigeon-lovers Arno Penzius and Robert Wilson found evidence to prove the Big Bang. Find out about hisses, #starstuff, photons, poop, and more to get a full picture of what the universe actually sounds like. -- Universe Sounds -- Big Bang Hiss https://www.youtube.com/watch?v=Pu7nKWa8hSM Dawn Chorus http://www.nasa.gov/mission_pages/rbsp/news/emfisis-chorus.html#.VQj9FhDF880 Black hole http://heasarc.nasa.gov/docs/xte/learning_center/listen.html Sound of the Big Bang http://faculty.washington.edu/jcramer/BBSound_2013.html -- Sources -- You Can Still Hear the Hiss of the Big Bang http://www.slate.com/articles/health_and_science/new_scientist/2014/03/big_bang_you_can_hear_the_afterglow_hiss_on_robert_wilson_s_cellphone.html Listen to A Black Hole http://heasarc.nasa.gov/docs/xte/learning_center/listen.html Listening to the Big Bang – in high fidelity http://www.washington.edu/news/2013/04/04/listening-to-the-big-bang-in-high-fidelity-audio/ Black Hole Sound Waves http://science.nasa.gov/science-news/science-at-nasa/2003/09sep_blackholesounds/ The Nobel Prize in Physics 1978 http://www.nobelprize.org/nobel_prizes/physics/laureates/1978/ Sounds of Space: New ‘Chorus’ Recording By RBSP’s EMFISIS Instrument http://www.nasa.gov/mission_pages/rbsp/news/emfisis-chorus.html#.VQrq-xDF_lN Nobel-prize winning accidents http://www.physics.org/featuredetail.asp?id=71 Big Hiss Missed by Others http://cosmictimes.gsfc.nasa.gov/online_edition/1965Cosmic/hiss.html The Sound of the Big Bang http://www.analogsf.com/0404/altview.shtml Interpreting the ‘Song’ Of a Distant Black Hole http://www.nasa.gov/centers/goddard/universe/black_hole_sound.html The Sound of the Big Bang – Planck Version (2013) http://faculty.washington.edu/jcramer/BBSound_2013.html NASA Posts a Huge Library of Space Sounds, And You’re Free To Use Them http://createdigitalmusic.com/2014/10/nasa-posts-huge-library-space-sounds-youre-free-use/ -- A previous version of this episode contained the following music -- Intro Music: Cosmos, Zu & Eugene Chadbourne, The Zu Side of the Chadbourne Break #1: Ultime Cosmos, Lucien Dubuis Trio & Marc Ribot, Ultime Cosmos Break #2: Three Modal Pieces: A Cosmos, Laurie Spiegel , Obsolete Systems Break #3: Another Space Song, Failure, Fantastic Planet

'Día del libro' de jazz en "Club de Jazz" en esta edición del 24 de abril de 2013. Libros que suenan a jazz y jazz que lee libros. Así leemos música de Miguel Zenón (con la "Rayuela" de Julio Cortázar), Christof Kurzmann (y "El infierno musical" de Alejandra Pizarnik), Simon Nabatov (con "El maestro y Margarita" de Bulgakov), Baldo Martínez & Maite Dono (con su "Sons- Nús" y los poemas de Uxío Novoneyra), Anouar Brahem (y "The astounding eyes of Rita" del poeta Mahmoud Darwish), Gilad Atzmon (con su propia poesía en "Muzik"), Aki Takase (haciendo recitar a Cummings a Eugene Chadbourne) y a Joana Machado junto al pianista Abe Rábade (con la "Travessia dos poetas"). Y escuchamos textos de diferentes autores como Julio Cortázar, Laurent de Wilde, Boris Vian, Quinito López Mourelle o Esi Edugyan. En el "Jazz Porteño" de Alberto Varela volvemos al Festival de Jazz de Punta del Este (Uruguay) para escuchar al cuarteto del baterista Carlos Carli. "desde mi cadiera" Jesús Moreno presenta "Air prints", dúo entre el trompetista Jean-Luc Cappozzo y la vocalista Géraldine Keller. Anxo recupera en los "Ritmos Latinos" el "Gitano soul" que publicara en 1981 El Luis y presenta "Homenaje a Dolores Vargas" de Lady Gypsy. En el "Tren Azul" de Luis Díaz García escuchamos grabaciones de Billie Holiday en 1959, año de su fallecimiento. Toda la información y derechos: http://www.elclubdejazz.com

'Día del libro' de jazz en "Club de Jazz" en esta edición del 24 de abril de 2013. Libros que suenan a jazz y jazz que lee libros. Así leemos música de Miguel Zenón (con la "Rayuela" de Julio Cortázar), Christof Kurzmann (y "El infierno musical" de Alejandra Pizarnik), Simon Nabatov (con "El maestro y Margarita" de Bulgakov), Baldo Martínez & Maite Dono (con su "Sons- Nús" y los poemas de Uxío Novoneyra), Anouar Brahem (y "The astounding eyes of Rita" del poeta Mahmoud Darwish), Gilad Atzmon (con su propia poesía en "Muzik"), Aki Takase (haciendo recitar a Cummings a Eugene Chadbourne) y a Joana Machado junto al pianista Abe Rábade (con la "Travessia dos poetas"). Y escuchamos textos de diferentes autores como Julio Cortázar, Laurent de Wilde, Boris Vian, Quinito López Mourelle o Esi Edugyan. En el "Jazz Porteño" de Alberto Varela volvemos al Festival de Jazz de Punta del Este (Uruguay) para escuchar al cuarteto del baterista Carlos Carli. "desde mi cadiera" Jesús Moreno presenta "Air prints", dúo entre el trompetista Jean-Luc Cappozzo y la vocalista Géraldine Keller. Anxo recupera en los "Ritmos Latinos" el "Gitano soul" que publicara en 1981 El Luis y presenta "Homenaje a Dolores Vargas" de Lady Gypsy. En el "Tren Azul" de Luis Díaz García escuchamos grabaciones de Billie Holiday en 1959, año de su fallecimiento. Toda la información y derechos: http://www.elclubdejazz.com

Some people provide support. Jeff Treffinger is that sort of person, whether as proprietor and music booker at the legendary Mermaid Lounge, or as record producer, or as musician in groups such as the Geraniums and Tribe Nunzio. Perhaps he learned support from studies in architecture or, his interest in architecture came from a fundamentally supportive facet in his personality. There is a book by underground icon, Eugene Chadbourne, that so hits the nail on the head about certain pieces of real musical life in bars, that I won't even lend the book out. It has acquired a cult status on my own personal bookshelf. The title of the book is "I hate the man who runs this bar- The Survival Guide For Real Musicians" It's so correct in every way except that The Mermaid Lounge defied the pictures laid out in that book. We loved the men who ran that bar and their contribution and Jeff was one of them. There are many things that go on in the local music scene today that would not be, if it hadn't have been for the initial allowances of their mad "experiments" at the Mermaid. ("Courting" might be better word here than "allowance") Jeff was one of the bar owners, but he did a great deal more around there too. At any rate, in this near two hour interview with Jeff, he talks about his foregound and background activities that at different times have shaped the New Orleans music scene. And this is not the only direction life has taken him. Here Treffinger, founding member of Tribe Nunzio, describes how he came to be putting a band together in New Orleans at all and, what his purposes were in doing so...or at least his thinking at the time. He tells stories about the accidental discoveries that led him to architecture and how that led him into certain nooks in New Orleans music. He is frank about what he learned and how, and the interesting folks that he collaborates with or has dealt with over the years that have enabled his dealings to be loaded with a delightful, risky creativity. Part 1- Early background in New Jersey; the impact of the Beatles; the guitar; starting in bands and dreams; realities on the Jersey shore; the influence and protection of the older, tougher, musicians he got around early on-discipline, rehearsal, the intellectual component; how Treffinger came to be in New Orleans in 1977 and the allure of the city; fateful snowstorm, achitect of the architect; 1978 to Tulane; meeting Dwight Davis, flautist/Tenor sax; panhandling in the French Quarter; moving away from rock to Chick, Jaco, etc; learning further interesting things about Dwight Davis

The experimental guitarist and music promoter from a rural Louisiana refinery town found a community of like minds in the heyday of college radio. He went on to help establish a thriving improvisational music scene in New Orleans. Rob takes the biggest chance yet as he enters the Ring Room and puts his faith in the Troubled Men. Topics include a damaged pet, a vacation mystery, a recovered phone, college radio, Kidd Jordan, Free Jazz, Alvin Fielder, the Art Ensemble of Chicago, Homestead Records, Zeitgeist, festival security, bad dancing, Norco, La., Sonic Youth, No Wave, Gibby Haynes, Kramer, Bong water, Eugene Chadbourne, the German Coast, porn soundtracks, Dr. Demento, Rev. Fred Lane, Tuscaloosa absurdists, the Music Box Village, the Secret, the High Holidays, Passover, favorite plagues, the Process, cults, True Detective, Malevitus, Anxious Sound, and much more. Rate and review Follow and share Intro music:Styler/Coman Night of the Dog: Malevitus