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Linda Hynes, Michael McKenny, and Murt Murphy from Enniscorthy Theatre Company join me to talk about their production of The Seafarer by Conor McPherson. Directed by Linda in her All-Ireland debut, the play blends dark humour with raw emotion. Catch their pre-finals performances at the Presentation Centre on April 22nd and 23rd before they take the national stage.
Bookwaves/Artwaves is produced and hosted by Richard Wolinsky. Links to assorted local theater & book venues Walter Mosley Walter Mosley in conversation with Richard Wolinsky, recorded March 5, 2025 discussing his two most recent novels, “Been Wrong So Long It Looks Like Right,” a Joe King Oliver novel, and “Farewell, Amethystine,” an Easy Rawlins novel. Today, Walter Mosley is one of America's leading authors. He is best known for his series of mystery novels featuring the characters of Easy Rawlins and Mouse. To date, there are now twenty non-series novels by Walter Mosley, the most recent titled Touched, published in 2023, Along with three Fearless Jones novels, six Leonid McGill mysteries, three Socrates Fortlow books, three books in the Crosstown to Oblivion series, three books in the King Oliver series, plus two graphic novels, two plays, and six works of non-fiction. Always Outnumbered became a television film in 1998 starring Laurence Fishburne, and a TV miniseries titled The Last Days of Ptolemy Gray, based on Walter Mosley's book, starring Samuel L. Jackson, on Apple+. At present, an adaptation of his novel The Man in My Basement is in post-production. Ann Patchett, “Bel Canto,” 2001 Ann Patchett, in conversation with Richard Wolinsky, recorded in the KPFA studio on a book tour for “Bel Canto,” September 20, 2012. Ann Patchett is the author of nine novels and five works of non-fiction. Her most recent novel, Tom Lake, was published in 2023. She's best known, though, for her fourth novel, Bel Canto, which became a National Book Award finalist, and was adapted into a film in 2018. There is currently talk about a mini-series in the works. This interview has not aired in over twenty years. Ann Patchett Wikipedia page. Book Interview/Events and Theatre Links Note: Shows may unexpectedly close early or be postponed due to actors' positive COVID tests. Check the venue for closures, ticket refunds, and vaccination and mask requirements before arrival. Dates are in-theater performances unless otherwise noted. Some venues operate Tuesday – Sunday; others Wednesday or Thursday through Sunday. All times Pacific Time. Closing dates are sometimes extended. Book Stores Bay Area Book Festival See website for highlights from the 10th Annual Bay Area Book Festival, June 1-2, 2024. Book Passage. Monthly Calendar. Mix of on-line and in-store events. Books Inc. Mix of on-line and in-store events. The Booksmith. Monthly Event Calendar. BookShop West Portal. Monthly Event Calendar. Center for Literary Arts, San Jose. See website for Book Club guests in upcoming months. Green Apple Books. Events calendar. Kepler's Books On-line Refresh the Page program listings. Live Theater Companies Actors Ensemble of Berkeley. Summers at John Hinkel Park: Cymbeline opens July 4; The Taming of the Shrew opens August 16. See website for readings and events. Actor's Reading Collective (ARC). See website for upcoming productions. African American Art & Culture Complex. See website for calendar. Afro-Solo Theatre Company. Arts Festival 31: Let Freedom Ring, March 28-30, Potrero Stage. American Conservatory Theatre Nobody Loves You, a musical, Feb. 28 – March 30, Toni Rembe Theatre. Aurora Theatre Crumbs from the Table of Joy by Lynn Nottage, April 26-May 25, 2025 Awesome Theatre Company. See website for information. Berkeley Rep. Uncle Vanya by Anton Chekhov, adapted by Conor McPherson, February 14 – March 23, Peets Theatre. Here There Are Blueberries by Moises Kaufman and Amanda Gronich, April 5 – May 11, Roda Theatre. Berkeley Shakespeare Company. See website for upcoming shows. Supergalza: A Shakespeare Cabaret, spring 2025. Boxcar Theatre. The Illusionist with Kevin Blake, live at the Palace Theatre, through April 27. Brava Theatre Center: See calendar for current and upcoming productions. BroadwaySF: Six, April 8-20, Curran; Mamma Mia! April 30 – May 11, Orpheum. See website for complete listings for the Orpheum, Golden Gate and Curran Theaters. Broadway San Jose: The Cher Show. March 18 – 23. Center Rep: The Roommate by Jen Silverman, March 30 – April 20. Lesher Center. Central Stage. See website for upcoming productions, 5221 Central Avenue, Richmond Central Works Push/Pull by Harry Davis, March 1 – 30, 2025. Cinnabar Theatre. Young Rep: Hamlet, March 15-23, Petaluma SRJC; Bright Star, June 13-29, Sonoma State. Club Fugazi. Dear San Francisco ongoing. Check website for Music Mondays listings. Contra Costa Civic Theatre Fiddler on the Roof June 7 – 22. See website for other events. 42nd Street Moon. See website for upcoming productions. Golden Thread AZAD (The Rabbit and the Wolf) by Sona Tatoyan in collaboration with Jared Mezzocchi, April 11 – May 3. See website for other events. Hillbarn Theatre: Writing Fragments Home by Jeffrey Lo, April 17 – May 4. Lorraine Hansberry Theatre. See website for upcoming productions. Los Altos Stage Company. Cyrano by Edmund Rostand, April 10 – May 4. Lower Bottom Playaz See website for upcoming productions. Magic Theatre. the boiling by Sunui Chang April 3 -20, 2025. See website for additional events. Marin Shakespeare Company: See website for calendar. Mission Cultural Center for Latino Arts Upcoming Events Page. New Conservatory Theatre Center (NCTC) Wild with Happy by Colman Domingo, March 7 – April 6. New Performance Traditions. See website for upcoming schedule Oakland Theater Project. I Am My Own Wife by Doug Wright, March 21 – April 6, Odd Salon: Upcoming events in San Francisco & New York, and streaming. Palace of Fine Arts Theater. See website for event listings. Pear Theater. Penelope, a one-woman show written and performed by Ellen McLaughlin, March 27-30. Henry V by William Shakespeare, April 18 – May 11. See website for staged readings and other events. Playful People Productions. Joseph and the Amazing Technicolor Dreamcoat, April 10-19. Presidio Theatre. See website for complete schedule of events and performances. Ray of Light: Next to Normal. May 30 – June 21. Ross Valley Players: Pet Lingerie, a new musical, March 21- April 6. See website for New Works Sunday night readings and other events. San Francisco Playhouse. Fat Ham by James Ijames, March 20 – April 19. SFBATCO. See website for upcoming streaming and in- theater shows. San Jose Stage Company: The Underpants by Steve Martin, April 3 -27. Shotgun Players. Art by Yazmina Reza, through April 12. Staged Reading: How to Defend Yourself by Liliana Padilla, March 31, April 1, 7 pm. South Bay Musical Theatre: Titanic, a concert presentation, April 12-13. Brigadoon, May 17-June 7, Stagebridge: See website for events and productions. Storytime every 4th Saturday. The Breath Project. Streaming archive. The Marsh: Calendar listings for Berkeley, San Francisco and Marshstream. Theatre Lunatico Romeo and Juliet by William Shakespeare, April 26 – May 18. LaVal's Subterranean Theatre. Theatre Rhino Gumiho by Nina Ki, April 17 – May 11.Streaming: Essential Services Project, conceived and performed by John Fisher, all weekly performances now available on demand. TheatreWorks Silicon Valley. Happy Pleasant Valley, Book, Music, and Lyrics by Min Kahng, Lucie Stern Theatre, Palo Alto, March 5-30. The Heart-Sellers by Lloyd Suh, April 2-27. Word for Word. See website for upcoming productions. Misc. Listings: BAM/PFA: On View calendar for Berkeley Art Museum/Pacific Film Archive. Berkeley Symphony: See website for listings. Chamber Music San Francisco: Calendar, 2025 Season. Dance Mission Theatre. On stage events calendar. Fort Mason Center. Events calendar. Crushing, live monologue show, Feb. 27-28. Oregon Shakespeare Festival: Calendar listings and upcoming shows. San Francisco Gay Men's Chorus. Signs of Life? written and performed by Cheyenne Jackson, 2 performances February 14, Chan National Queer Arts Center. See schedule for upcoming SFGMC performances. San Francisco Opera. Calendar listings. San Francisco Symphony. Calendar listings. Filmed Live Musicals: Searchable database of all filmed live musicals, podcast, blog. If you'd like to add your bookstore or theater venue to this list, please write Richard@kpfa.org . . The post March 27, 2025: Walter Mosley: The Easy Rawlins and King Oliver novels. appeared first on KPFA.
Bookwaves/Artwaves is produced and hosted by Richard Wolinsky. Links to assorted local theater & book venues Anthony Lewis on the First Amendment Anthony Lewis (1927-2013) discussing “Freedom for the Thought that We Hate: A Biography of the First Amendment,” with host Richard Wolinsky, recorded February 4, 2008 in the KPFA studios. In his long career, Anthony Lewis spent time as the Washington Bureau chief of the New York Times, was the author of “Gideon's Trumpet,” about a Supreme Court case that led to free legal counsel for indigent defendants, and spent several years as an op-ed writer for the Times. He won two Pulitzer Prizes for reportage, and wrote five books alone and two books with a co-author. In this segment from a longer interview, he delves into the history of the First Amendment, and freedom of speech in the United States. Martin Amis (1949-2021) Martin Amis (1949-2023), in conversation with Richard Wolinsky, recorded in the KPFA studio on a book tour for “Lionel Asbo, State of England,” September 20, 2012. Novelist and essayist Martin Amis died of cancer on May 19, 2023 at the age of 73, leaving behind such novels as The Rachel Papers, London Fields, The Information, and his last memoir-cum-novel, Inside Story. On September 20, 2012, Richard Wolinsky conducted the fourth of five interviews with Martin Amis, discussing this satire about the nature of celebrity and celebrity culture. Complete Interview. Review of “Art” at Shotgun Players Ashby Stage through April 12, 2025. Review of “Nobody Loves You” at ACT Toni Rembe Theatre through March 30, 2025. Book Interview/Events and Theatre Links Note: Shows may unexpectedly close early or be postponed due to actors' positive COVID tests. Check the venue for closures, ticket refunds, and vaccination and mask requirements before arrival. Dates are in-theater performances unless otherwise noted. Some venues operate Tuesday – Sunday; others Wednesday or Thursday through Sunday. All times Pacific Time. Closing dates are sometimes extended. Book Stores Bay Area Book Festival See website for highlights from the 10th Annual Bay Area Book Festival, June 1-2, 2024. Book Passage. Monthly Calendar. Mix of on-line and in-store events. Books Inc. Mix of on-line and in-store events. The Booksmith. Monthly Event Calendar. BookShop West Portal. Monthly Event Calendar. Center for Literary Arts, San Jose. See website for Book Club guests in upcoming months. Green Apple Books. Events calendar. Kepler's Books On-line Refresh the Page program listings. Live Theater Companies Actors Ensemble of Berkeley. Summers at John Hinkel Park: Cymbeline opens July 4; The Taming of the Shrew opens August 16. See website for readings and events. Actor's Reading Collective (ARC). See website for upcoming productions. African American Art & Culture Complex. See website for calendar. Afro-Solo Theatre Company. Arts Festival 31: Let Freedom Ring, March 28-30, Potrero Stage. American Conservatory Theatre Nobody Loves You, a musical, Feb. 28 – March 30, Toni Rembe Theatre. Aurora Theatre Crumbs from the Table of Joy by Lynn Nottage, April 26-May 25, 2025 Awesome Theatre Company. See website for information. Berkeley Rep. Uncle Vanya by Anton Chekhov, adapted by Conor McPherson, February 14 – March 23, Peets Theatre. Here There Are Blueberries by Moises Kaufman and Amanda Gronich, April 5 – May 11, Roda Theatre. Berkeley Shakespeare Company. See website for upcoming shows. Supergalza: A Shakespeare Cabaret, spring 2025. Boxcar Theatre. The Illusionist with Kevin Blake, live at the Palace Theatre, through April 27. Brava Theatre Center: See calendar for current and upcoming productions. BroadwaySF: Six, April 8-20, Curran; Mamma Mia! April 30 – May 11, Orpheum. See website for complete listings for the Orpheum, Golden Gate and Curran Theaters. Broadway San Jose: The Cher Show. March 18 – 23. Center Rep: The Roommate by Jen Silverman, March 30 – April 20. Lesher Center. Central Stage. See website for upcoming productions, 5221 Central Avenue, Richmond Central Works Push/Pull by Harry Davis, March 1 – 30, 2025. Cinnabar Theatre. Young Rep: Hamlet, March 15-23, Petaluma SRJC; Bright Star, June 13-29, Sonoma State. Club Fugazi. Dear San Francisco ongoing. Check website for Music Mondays listings. Contra Costa Civic Theatre Fiddler on the Roof June 7 – 22. See website for other events. 42nd Street Moon. See website for upcoming productions. Golden Thread AZAD (The Rabbit and the Wolf) by Sona Tatoyan in collaboration with Jared Mezzocchi, April 11 – May 3. See website for other events. Hillbarn Theatre: Fly by Night conceived by Kim Rosenstock Written by Will Connolly, Michael Mitnick, and Kim Rosenstock, March 6 – 23. Lorraine Hansberry Theatre. See website for upcoming productions. Los Altos Stage Company. Cyrano by Edmund Rostand, April 10 – May 4. Lower Bottom Playaz See website for upcoming productions. Magic Theatre. the boiling by Sunui Chang April 3 -20, 2025. See website for additional events. Marin Shakespeare Company: See website for calendar. Mission Cultural Center for Latino Arts Upcoming Events Page. New Conservatory Theatre Center (NCTC) Wild with Happy by Colman Domingo, March 7 – April 6. New Performance Traditions. See website for upcoming schedule Oakland Theater Project. I Am My Own Wife by Doug Wright, March 21 – April 6, Odd Salon: Upcoming events in San Francisco & New York, and streaming. Palace of Fine Arts Theater. See website for event listings. Pear Theater. Penelope, a one-woman show written and performed by Ellen McLaughlin, March 27-30. Henry V by William Shakespeare, April 18 – May 11. See website for staged readings and other events. Playful People Productions. Joseph and the Amazing Technicolor Dreamcoat, April 10-19. Presidio Theatre. See website for complete schedule of events and performances. Ray of Light: Next to Normal. May 30 – June 21. Ross Valley Players: Pet Lingerie, a new musical, March 21- April 6. See website for New Works Sunday night readings and other events. San Francisco Playhouse. Fat Ham by James Ijames, March 20 – April 19. SFBATCO. See website for upcoming streaming and in- theater shows. San Jose Stage Company: The Underpants by Steve Martin, April 3 -27. Shotgun Players. Art by Yazmina Reza, through April 12. Staged Reading: How to Defend Yourself by Liliana Padilla, March 31, April 1, 7 pm. South Bay Musical Theatre: Titanic, a concert presentation, April 12-13. Brigadoon, May 17-June 7, Stagebridge: See website for events and productions. Storytime every 4th Saturday. The Breath Project. Streaming archive. The Marsh: Calendar listings for Berkeley, San Francisco and Marshstream. Theatre Lunatico Romeo and Juliet by William Shakespeare, April 26 – May 18. LaVal's Subterranean Theatre. Theatre Rhino Gumiho by Nina Ki, April 17 – May 11.Streaming: Essential Services Project, conceived and performed by John Fisher, all weekly performances now available on demand. TheatreWorks Silicon Valley. Happy Pleasant Valley, Book, Music, and Lyrics by Min Kahng, Lucie Stern Theatre, Palo Alto, March 5-30. The Heart-Sellers by Lloyd Suh, April 2-27. Word for Word. See website for upcoming productions. Misc. Listings: BAM/PFA: On View calendar for Berkeley Art Museum/Pacific Film Archive. Berkeley Symphony: See website for listings. Chamber Music San Francisco: Calendar, 2025 Season. Dance Mission Theatre. On stage events calendar. Fort Mason Center. Events calendar. Crushing, live monologue show, Feb. 27-28. Oregon Shakespeare Festival: Calendar listings and upcoming shows. San Francisco Gay Men's Chorus. Signs of Life? written and performed by Cheyenne Jackson, 2 performances February 14, Chan National Queer Arts Center. See schedule for upcoming SFGMC performances. San Francisco Opera. Calendar listings. San Francisco Symphony. Calendar listings. Filmed Live Musicals: Searchable database of all filmed live musicals, podcast, blog. If you'd like to add your bookstore or theater venue to this list, please write Richard@kpfa.org . . The post March 20, 2025: Anthony Lewis – Martin Amis appeared first on KPFA.
Bookwaves/Artwaves is produced and hosted by Richard Wolinsky. Links to assorted local theater & book venues Todd Haynes Todd Haynes, independent filmmaker, in conversation with host Richard Wolinsky. Recorded February 27, 2025. The director of ten feature length films, Todd Haynes is an independent film-maker with his roots in New Queer Cinema. After coming to the attention of the film community with his short film, Superstar: The Karen Carpenter Story, in which the “actors” were Barbie Dolls, he achieved fame with his first feature, Poison, which told three stories in different ways, all of which commented on the AIDS epidemic. He followed that with the much-lauded Safe, and then moved on to mainstream success with the lush melodrama, Far from Heaven. His later films include Velvet Goldmine, focusing on the glam rock era, I'm Not There, in which several actors portrayed Bob Dylan, Carol, Dark Waters, Wonderstruck, and his latest film, May December (Netflix). His documentary, Velvet Underground, is available on Apple Plus. Along the way there was a miniseries, Mildred Pierce, starring Kate Winslet, on HBO (streaming on MAX). All his films are available streaming. The films of Todd Haynes will be shown in a retrospective, “Todd Haynes: Far From Safe,” through April 12th at BAMPFA, Berkeley Art Museum and Pacific Film Archive. Special thanks to AJ Fox and the staff at Pacific Film Archive. Complete Interview Chimamanda Ngozi Adichie Chimananda Ngozi Adichie, Nigerian author of “Americanah” and four other novels, in conversation with host Richard Wolinsky, recorded in the KPFA studios, June 5, 2013. She has written five novels, two collections of short stories, one memoir, and many articles and short stories for many newspapers, magazines, and periodicals. She is widely regarded as a central figure in postcolonial feminist literature. Her latest novel, “Dream Count” has just been published. Complete Interview Review of “Uncle Vanya” at Berkeley Rep Peets Theatre through March 23, 2025. Book Interview/Events and Theatre Links Note: Shows may unexpectedly close early or be postponed due to actors' positive COVID tests. Check the venue for closures, ticket refunds, and vaccination and mask requirements before arrival. Dates are in-theater performances unless otherwise noted. Some venues operate Tuesday – Sunday; others Wednesday or Thursday through Sunday. All times Pacific Time. Closing dates are sometimes extended. Book Stores Bay Area Book Festival See website for highlights from the 10th Annual Bay Area Book Festival, June 1-2, 2024. Book Passage. Monthly Calendar. Mix of on-line and in-store events. Books Inc. Mix of on-line and in-store events. The Booksmith. Monthly Event Calendar. BookShop West Portal. Monthly Event Calendar. Center for Literary Arts, San Jose. See website for Book Club guests in upcoming months. Green Apple Books. Events calendar. Kepler's Books On-line Refresh the Page program listings. Live Theater Companies Actors Ensemble of Berkeley. See website for specific days and times, and for staged readings at LaVal's Subterranean Theater. Actor's Reading Collective (ARC). See website for upcoming productions. African American Art & Culture Complex. See website for calendar. Afro-Solo Theatre Company. Arts Festival 31: Let Freedom Ring, March 28-30, Potrero Stage. American Conservatory Theatre Nobody Loves You, a musical, Feb. 28 – March 30, Toni Rembe Theatre. Aurora Theatre Crumbs from the Table of Joy by Lynn Nottage, April 26-May 25, 2025 Awesome Theatre Company. See website for information. Berkeley Rep. Uncle Vanya by Anton Chekhov, adapted by Conor McPherson, February 14 – March 23, Peets Theatre. Berkeley Shakespeare Company. See website for upcoming shows. Supergalza: A Shakespeare Cabaret, spring 2025. Boxcar Theatre. Magic Man, Jan 3 – June 2, Palace Theatre. Brava Theatre Center: See calendar for current and upcoming productions. BroadwaySF: Six, April 8-20, Curran; Mamma Mia! April 30 – May 11, Orpheum. See website for complete listings for the Orpheum, Golden Gate and Curran Theaters. Broadway San Jose: The Cher Show. March 18 – 23. Center Rep: The Roommate by Jen Silverman, March 30 – April 20. Lesher Center. Central Stage. See website for upcoming productions, 5221 Central Avenue, Richmond Central Works Push/Pull by Harry Davis, March 1 – 30, 2025. Cinnabar Theatre. Young Rep: Hamlet, March 15-23, Petaluma SRJC; Bright Star, June 13-29, Sonoma State. Club Fugazi. Dear San Francisco ongoing. Check website for Music Mondays listings. Contra Costa Civic Theatre Fiddler on the Roof June 7 – 22. See website for other events. 42nd Street Moon. See website for upcoming productions. Golden Thread AZAD (The Rabbit and the Wolf) by Sona Tatoyan in collaboration with Jared Mezzocchi, April 11 – May 3. See website for other events. Hillbarn Theatre: Fly by Night conceived by Kim Rosenstock Written by Will Connolly, Michael Mitnick, and Kim Rosenstock, March 6 – 23. Lorraine Hansberry Theatre. See website for upcoming productions. Los Altos Stage Company. Youth Theatre: Greek Mythology Olympiaganza by Dan Zolidis, March 7 -16; Cyrano by Edmund Rostand, April 10 – May 4. Lower Bottom Playaz See website for upcoming productions. Magic Theatre. the boiling by Sunui Chang April 3 -20, 2025. See website for additional events. Marin Shakespeare Company: See website for calendar. Mission Cultural Center for Latino Arts Upcoming Events Page. New Conservatory Theatre Center (NCTC) Wild with Happy by Colman Domingo, March 7 – April 6. New Performance Traditions. See website for upcoming schedule Oakland Theater Project. I Am My Own Wife by Doug Wright, March 21 – April 6, Odd Salon: Upcoming events in San Francisco & New York, and streaming. Palace of Fine Arts Theater. See website for event listings. Pear Theater. The Gods of Comedy by Ken Ludwig, Feb. 21 – March 16. See website for staged readings and other events. Playful People Productions. See website for upcoming productions and events. Presidio Theatre. See website for complete schedule of events and performances. Ray of Light: Next to Normal. June 2025. San Francisco Playhouse. Fat Ham by James Ijames, March 20 – April 19. SFBATCO. See website for upcoming streaming and in- theater shows. San Jose Stage Company: The Underpants by Steve Martin, April 3 -27. Shotgun Players. Heart Wrench, Feb 14 – 15. Art by Yazmina Reza, starts March 8. South Bay Musical Theatre: Titanic, a concert presentation, April 12-13. Brigadoon, May 17-June 7, Stagebridge: See website for events and productions. Storytime every 4th Saturday. The Breath Project. Streaming archive. The Marsh: Calendar listings for Berkeley, San Francisco and Marshstream. Theatre Lunatico See website for upcoming productions. Theatre Rhino Gumiho by Nina Ki, April 17 – May 11.Streaming: Essential Services Project, conceived and performed by John Fisher, all weekly performances now available on demand. TheatreWorks Silicon Valley. Happy Pleasant Valley, Book, Music, and Lyrics by Min Kahng, Lucie Stern Theatre, Palo Alto, March 5-30. The Heart-Sellers by Lloyd Suh, April 2-27. Word for Word. See website for upcoming productions. Misc. Listings: BAM/PFA: On View calendar for BAM/PFA. Berkeley Symphony: See website for listings. Chamber Music San Francisco: Calendar, 2025 Season. Dance Mission Theatre. On stage events calendar. Fort Mason Center. Events calendar. Crushing, live monologue show, Feb. 27-28. Oregon Shakespeare Festival: Calendar listings and upcoming shows. San Francisco Gay Men's Chorus. Signs of Life? written and performed by Cheyenne Jackson, 2 performances February 14, Chan National Queer Arts Center. See schedule for upcoming SFGMC performances. San Francisco Opera. Calendar listings. San Francisco Symphony. Calendar listings. Filmed Live Musicals: Searchable database of all filmed live musicals, podcast, blog. If you'd like to add your bookstore or theater venue to this list, please write Richard@kpfa.org . . The post March 13, 2025: Todd Haynes, Independent Filmmaker appeared first on KPFA.
KPFA Theatre Critic Richard Wolinsky reviews “Uncle Vanya” by Anton Chekhov, adapted by Conor McPherson, at Berkeley Rep Peets Theatre through March 23, 2025. The post Review: “Uncle Vanya” at Berkeley Rep Peets Theatre appeared first on KPFA.
Winner of the Obie Award for Excellence in Playwriting and the Outer Circle Critics Award for Outstanding New Off-Broadway Play Twenty years ago, Pastor Paul's church was nothing more than a modest storefront. Now he presides over a congregation of thousands. But Paul is about to preach a sermon that will shake the foundations of his church's belief. A big-little play about faith in America This award-winning play masterfully examines the price of conviction and the complexities of changing one's mind. Lucas Hnath's works include A DOLL'S HOUSE, PART 2 and HILLARY AND CLINTON which were produced on Broadway at the John Golden Theatre. "A smart, stimulating play…Mr. Hnath grants his characters the dignity of sincere belief, even as his play raises probing questions. Mr. Hnath is quickly emerging as one of the brightest new voices of his generation.” — New York Times This is the company's second production of a Lucas Hnath play. In 2017 NHTC mounted a critically acclaimed production of Hnath's A PUBLIC READING OF AN UNPRODUCED SCREENPLAY ABOUT THE DEATH OF WALT DISNEY. THE CHRISTIANS is directed by Deena Nicol-Blifford, who appeared in the NHTC hit production of CRY IT OUT last season and whose prior directing credits with the company include Conor McPherson's THE SEAFARER. The cast includes company members Susan Kulp, Margaret Mann, Marty Tucker, and J. Kevin Smith, and visiting artist Gavin Whelan. Performances for THE CHRISTIANS will take place on the NHTC Stage in the back of EBM Vintage, 839 Chapel Street, New Haven. Performance dates are February 27 and March 6 at 7:30 p.m., and February 28, and March 1, 7, and 8 at 8 p.m. Tickets are $25. https://www.newhaventheatercompany.com/
Bookwaves/Artwaves is produced and hosted by Richard Wolinsky. Links to assorted local theater & book venues Tom Robbins (1932-2025) Tom Robbins (1932-2025, author of the classic novels “Another Roadside Attraction” and “Even Cowgirls Get the Blues”, in conversation with Richard Wolinsky and Richard A. Lupoff in the KPFA studios on May 15, 2000 while on tour for the novel “Fierce Invalids, Home from Hot Climates.” Tom Robbins, who died on February 9, 2025 at the age of 92, was the considered the leading chronicler of the sixties vibe. Over the course of his long life, he only wrote eight novels, one collection of short stories and a memoir over the course of his long life, but he is recognized as one of the most important voices of mid to late twentieth century America. Among his novels are Another Roadside Attraction, Even Cowgirls Get the Blues, which became a film by Gus Van Sant, Still Life with Woodpecker and Jitterbug Perfume. Tom Robbins would only write one more novel after Fierce Invalids, Titled Villa Incognito, it was published in 2003. A collection of his short writings, Wild Ducks Flying Backwards, was published in 2003, and a memoir, Tibetan Peach Pie: A true Account of an Imaginative Life, was published in 2014. Even Cowgirls Get the Blues is the only one of his books to be adapted for film. Photo: Creative Commons, Margot Livesey Margot Livesey, author of the novel, “The Road from Belhaven,” now just out in trade paperback, in conversation with Richard Wolinsky. Recorded at Book Passage Bookstore in Corte Madera, California. Margot Livesey is the author of ten novels, including “The Missing World,” “Mercury” and “The Boy in the Field,” which range from literary novels to psychological thrillers. Born and raised in Scotland. she currently teaches at the Iowa Writers Workshop. “The Road from Belhaven” is set in the late 1800s in rural Scotland and Glasgow, and concerns a young woman artist with second sight who finds herself in difficult circumstances. It's based on stories of Margot Livesey's great grandmother as told by her grandmother and relatives in Australia. Special thanks to Elaine Petrocelli and the folks at Book Passage Bookstore. Photo: Richard Wolinsky. Complete Interview. Review of “The Thing About Jellyfish” at Berkeley Rep Roda Theatre through March 9, 2025. Book Interview/Events and Theatre Links Note: Shows may unexpectedly close early or be postponed due to actors' positive COVID tests. Check the venue for closures, ticket refunds, and vaccination and mask requirements before arrival. Dates are in-theater performances unless otherwise noted. Some venues operate Tuesday – Sunday; others Wednesday or Thursday through Sunday. All times Pacific Time. Closing dates are sometimes extended. Book Stores Bay Area Book Festival See website for highlights from the 10th Annual Bay Area Book Festival, June 1-2, 2024. Book Passage. Monthly Calendar. Mix of on-line and in-store events. Books Inc. Mix of on-line and in-store events. The Booksmith. Monthly Event Calendar. BookShop West Portal. Monthly Event Calendar. Center for Literary Arts, San Jose. See website for Book Club guests in upcoming months. Green Apple Books. Events calendar. Kepler's Books On-line Refresh the Page program listings. Live Theater Companies Actors Ensemble of Berkeley. See website for specific days and times, and for staged readings at LaVal's Subterranean Theater. Actor's Reading Collective (ARC). See website for upcoming productions. African American Art & Culture Complex. See website for calendar. Alter Theatre. See website for upcoming productions. American Conservatory Theatre Nobody Loves You, a musical, Feb. 28 – March 30, Toni Rembe Theatre. Aurora Theatre The Heart-Sellers by Lloyd Suh, February 9 – March 9, 2025. Awesome Theatre Company. See website for information. Berkeley Rep. The Thing About Jellyfish, based on the novel by Ali Benjamin, adapted by Keith Bunin, January 31 – March 9, World Premiere, Roda Theatre. Uncle Vanya by Anton Chekhov, adapted by Conor McPherson, February 14 – March 23, Peets Theatre. Berkeley Shakespeare Company. See website for upcoming shows. Supergalza: A Shakespeare Cabaret, spring 2025. Boxcar Theatre. Magic Man, Jan 3 – June 2, Palace Theatre. Brava Theatre Center: See calendar for current and upcoming productions. BroadwaySF: Back to the Future: The Musical, Feb 12 – March 9. Orpheum. See website for complete listings for the Orpheum, Golden Gate and Curran Theaters. Broadway San Jose: The Cher Show. March 18 – 23. Center Rep: Froggy, Feb. 9 – March 7. Lesher Center. Central Stage. See website for upcoming productions, 5221 Central Avenue, Richmond Central Works Push/Pull by Harry Davis, March 1 – 30, 2025. Cinnabar Theatre. Steel Magnolias by Robert Harling, February 14-23, 2025, Warren Theatre, Sonoma State University. Club Fugazi. Dear San Francisco ongoing. Check website for Music Mondays listings. Contra Costa Civic Theatre Fairview by Jackie Sibblies Drury. February 1 – 16, 2025. 42nd Street Moon. See website for upcoming productions. Golden Thread AZAD (The Rabbit and the Wolf) by Sona Tatoyan in collaboration with Jared Mezzocchi, April 11 – May 3. See website for other events. Hillbarn Theatre: Fly by Night conceived by Kim Rosenstock Written by Will Connolly, Michael Mitnick, and Kim Rosenstock, March 6 – 23. Lorraine Hansberry Theatre. See website for upcoming productions. Los Altos Stage Company. The Glass Menagerie by Tennessee Williams. Jan. 23 – Feb. 16. Lower Bottom Playaz See website for upcoming productions. Magic Theatre. the boiling by Sunui Chang April 3 -20, 2025. See website for additional events. Marin Shakespeare Company: See website for calendar. Mission Cultural Center for Latino Arts Upcoming Events Page. New Conservatory Theatre Center (NCTC) Francis Grey and the Case of His Dead Boyfriend by Nathan Tylutkis, February 6-16. Wild with Happy by Colman Domingo, March 7 – April 6. New Performance Traditions. Both Eyes Open, a chamber opera on the Japanese American WWII incarceration, February 15-16, Zellerbach Hall. Oakland Theater Project. See website for upcoming schedule. Odd Salon: Upcoming events in San Francisco & New York, and streaming. Palace of Fine Arts Theater. See website for event listings. Pear Theater. The Gods of Comedy by Ken Ludwig, Feb. 21 – March 16. See website for staged readings and other events. Playful People Productions. See website for upcoming productions and events. Presidio Theatre. See website for complete schedule of events and performances. Ray of Light: Next to Normal. June 2025. San Francisco Playhouse. Exotic Deadly, or the MSG Play by Keiko Green, January 30 – March 8. SFBATCO. See website for upcoming streaming and in- theater shows. Cuckoo Edible Magic by Reed Flores, at the Magic in Fort Mason, Feb. 13 – March 8. San Jose Stage Company: An Enemy of the People by Henrik Ibsen, Feb. 5 – March 2.. Shotgun Players. Heart Wrench, Feb 14 – 15. Art by Yazmina Reza, starts March 8. South Bay Musical Theatre: Urinetown, January 15 – February 15, 2025. Saratoga Civic Theater. Stagebridge: See website for events and productions. Storytime every 4th Saturday. The Breath Project. Streaming archive. The Marsh: Calendar listings for Berkeley, San Francisco and Marshstream. Theatre Lunatico See website for upcoming productions. Theatre Rhino Doodler, conceived and directed by John Fisher, February 8- March 2. Streaming: Essential Services Project, conceived and performed by John Fisher, all weekly performances now available on demand. TheatreWorks Silicon Valley. Happy Pleasant Valley, Book, Music, and Lyrics by Min Kahng, Lucie Stern Theatre, Palo Alto, March 5-30. Word for Word. See website for upcoming productions. Misc. Listings: BAM/PFA: On View calendar for BAM/PFA. Berkeley Symphony: See website for listings. Chamber Music San Francisco: Calendar, 2025 Season. Dance Mission Theatre. On stage events calendar. Fort Mason Center. Events calendar. Crushing, live monologue show, Feb. 27-28. Oregon Shakespeare Festival: Calendar listings and upcoming shows. San Francisco Gay Men's Chorus. Signs of Life? written and performed by Cheyenne Jackson, 2 performances February 14, Chan National Queer Arts Center. See schedule for upcoming SFGMC performances. San Francisco Opera. Calendar listings. San Francisco Symphony. Calendar listings. Filmed Live Musicals: Searchable database of all filmed live musicals, podcast, blog. If you'd like to add your bookstore or theater venue to this list, please write Richard@kpfa.org . . The post February 13, 2025: Tom Robbins – Margot Livesey appeared first on KPFA.
Corofin Dramatic Society is kicking off its highly anticipated drama season this Saturday, February 8th, with a performance of Conor McPherson's acclaimed play The Weir. Following the launch, the group will hit the road for the All-Ireland 3-Act festival circuit. To give us a sneak peek of what to expect, Alan Morrissey was joined by cast members Martin O'Donoghue, Colm Linnane, and Dave Hanley. Photo (c) Clare FM
Bookwaves/Artwaves is produced and hosted by Richard Wolinsky. Links to assorted local theater & book venues China Mieville China Mieville, author of the Hugo Award winning novel, “The City and the City,” and the classic “Perdido Street Station,” in conversation with Richard Wolinsky in this archive interview recorded September 1, 2002. China Mieville is a British author of weird fantasy and science fiction, and a leftist political activist in Britain. Born in 1972, he began his literary career with an urban fantasy novel, King Rat, and followed it up with a novel considered now one of best fantasy works of the 20th Century, Perdido Street Station in 2000. This interview with China Mieville at the 60th World Science Fiction Convention in San Jose on September 1, 2002, shortly after the publication of his follow-up to Perdido Street Station, The Scar. Since then, China Mieville wrote a third novel set in that same Bas Lag universe as Perdido Street Station, Iron Council, published in 2004, and then moved on to other worlds with six stand alone novels, the most recent being a collaboration with Keanu Reaves titled The Book of Elsewhere, set in the BRZRKR comic book universe, published in 2024. A new novel is expected some time in 2025. his novel, The City and the City, which tied for the Hugo Award for Best Novel in 2010, was adapted for television by the BBC in 2018 and is now available streaming on Amazon Prime. Remastered and edited in January 2025 by Richard Wolinsky. Complete Interview Eddie Muller: “Native Son” and International Film Noir Eddie Muller, dubbed the “Czar of Noir” has written three books on film noir and hosts a weekly Noir film festival on Turner Classic Movies every weekend. He discusses 1951 film version of Richard Wright's classic novel, “Native Son,” fllmed in Argentina and recently restored, which is now available to stream on the Criterion app as well as the free library apps, Kanopy and Hoopla, and can be rented via Apple+. In this interview with host Richard Wolinsky, he discusses the film, as well as noir film and international noir, with sidetracks into the French New Wave and other topics. Complete Interview. Book Interview/Events and Theatre Links Note: Shows may unexpectedly close early or be postponed due to actors' positive COVID tests. Check the venue for closures, ticket refunds, and vaccination and mask requirements before arrival. Dates are in-theater performances unless otherwise noted. Some venues operate Tuesday – Sunday; others Wednesday or Thursday through Sunday. All times Pacific Time. Closing dates are sometimes extended. Book Stores Bay Area Book Festival See website for highlights from the 10th Annual Bay Area Book Festival, June 1-2, 2024. Book Passage. Monthly Calendar. Mix of on-line and in-store events. Books Inc. Mix of on-line and in-store events. The Booksmith. Monthly Event Calendar. BookShop West Portal. Monthly Event Calendar. Center for Literary Arts, San Jose. See website for Book Club guests in upcoming months. Green Apple Books. Events calendar. Kepler's Books On-line Refresh the Page program listings. Live Theater Companies Actors Ensemble of Berkeley. See website for specific days and times, and for staged readings at LaVal's Subterranean Theater. Actor's Reading Collective (ARC). See website for upcoming productions. African American Art & Culture Complex. See website for calendar. Alter Theatre. See website for upcoming productions. American Conservatory Theatre Nobody Loves You, a musical, Feb. 28 – March 30, Toni Rembe Theatre. Aurora Theatre The Heart-Sellers by Lloyd Suh, February 9 – March 9, 2025. Awesome Theatre Company. See website for information. Berkeley Rep. The Thing About Jellyfish, based on the novel by Ali Benjamin, adapted by Keith Bunin, January 31 – March 9, World Premiere, Roda Theatre. Uncle Vanya by Anton Chekhov, adapted by Conor McPherson, February 14 – March 23, Peets Theatre. Berkeley Shakespeare Company. See website for upcoming shows. Supergalza: A Shakespeare Cabaret, spring 2025. Boxcar Theatre. Magic Man, Jan 3 – June 2, Palace Theatre. Brava Theatre Center: See calendar for current and upcoming productions. BroadwaySF: Annie, Feb. 6-9, Orpheum, Back to the Future: The Musical, Feb 12 – March 9. Orpheum. See website for complete listings for the Orpheum, Golden Gate and Curran Theaters. Broadway San Jose: The Cher Show. March 18 – 23. Center Rep: Froggy, Feb. 9 – March 7. Lesher Center. Central Stage. See website for upcoming productions, 5221 Central Avenue, Richmond Central Works Push/Pull by Harry Davis, March 1 – 30, 2025. Cinnabar Theatre. Steel Magnolias by Robert Harling, February 14-23, 2025, Warren Theatre, Sonoma State University. Club Fugazi. SF Sketchfest, Jan. 16 – Feb. 2. Dear San Francisco resumes Feb. 7.. Check website for Music Mondays listings. Contra Costa Civic Theatre Fairview by Jackie Sibblies Drury. February 1 – 16, 2025. 42nd Street Moon. See website for upcoming productions. Golden Thread AZAD (The Rabbit and the Wolf) by Sona Tatoyan in collaboration with Jared Mezzocchi, April 11 – May 3. See website for other events. Hillbarn Theatre: Daisy by Sean Devine, January 23 – February 9. Lorraine Hansberry Theatre. See website for upcoming productions. Los Altos Stage Company. The Glass Menagerie by Tennessee Williams. Jan. 23 – Feb. 16. Lower Bottom Playaz See website for upcoming productions. Magic Theatre. the boiling by Sunui Chang April 3 -20, 2025. See website for additional events. Marin Shakespeare Company: See website for calendar. Mission Cultural Center for Latino Arts Upcoming Events Page. New Conservatory Theatre Center (NCTC) Francis Grey and the Case of His Dead Boyfriend by Nathan Tylutkis, February 6-16. Wild with Happy by Colman Domingo, March 7 – April 6. New Performance Traditions. Both Eyes Open, a chamber opera on the Japanese American WWII incarceration, February 15-16, Zellerbach Hall. Oakland Theater Project. See website for upcoming schedule. Odd Salon: Upcoming events in San Francisco & New York, and streaming. Palace of Fine Arts Theater. See website for event listings. Pear Theater. The Gods of Comedy by Ken Ludwig, Feb. 21 – March 16. See website for staged readings and other events. Playful People Productions. See website for upcoming productions and events. Presidio Theatre. See website for complete schedule of events and performances. Ray of Light: Next to Normal. June 2025. San Francisco Playhouse. Exotic Deadly, or the MSG Play by Keiko Green, January 30 – March 8. SFBATCO. See website for upcoming streaming and in- theater shows. Cuckoo Edible Magic by Reed Flores, at the Magic in Fort Mason, Feb. 13 – March 8. San Jose Stage Company: An Enemy of the People by Henrik Ibsen, Feb. 5 – March 2.. Shotgun Players. Heart Wrench, Feb 14 – 15. Art by Yazmina Reza, starts March 8. South Bay Musical Theatre: Urinetown, January 15 – February 15, 2025. Saratoga Civic Theater. Stagebridge: See website for events and productions. Storytime every 4th Saturday. The Breath Project. Streaming archive. The Marsh: Calendar listings for Berkeley, San Francisco and Marshstream. Theatre Lunatico See website for upcoming productions. Theatre Rhino Doodler, conceived and directed by John Fisher, February 8- March 2. Streaming: Essential Services Project, conceived and performed by John Fisher, all weekly performances now available on demand. TheatreWorks Silicon Valley. Rachmaninoff and the Tsar with Hershey Felder and Jonathan Silvestri, Jan. 8 – Feb. 9, Mountain View Center for the Performing Arts. Word for Word. See website for upcoming productions. Misc. Listings: BAM/PFA: On View calendar for BAM/PFA. Berkeley Symphony: See website for listings. Chamber Music San Francisco: Calendar, 2025 Season. Dance Mission Theatre. On stage events calendar. Fort Mason Center. Events calendar. Crushing, live monologue show, Feb. 27-28. Oregon Shakespeare Festival: Calendar listings and upcoming shows. San Francisco Gay Men's Chorus. Signs of Life? written and performed by Cheyenne Jackson, 2 performances February 14, Chan National Queer Arts Center. See schedule for upcoming SFGMC performances. San Francisco Opera. Calendar listings. San Francisco Symphony. Calendar listings. Filmed Live Musicals: Searchable database of all filmed live musicals, podcast, blog. If you'd like to add your bookstore or theater venue to this list, please write Richard@kpfa.org . . The post February 6, 2025: China Mieville – Eddie Muller appeared first on KPFA.
Bookwaves/Artwaves is produced and hosted by Richard Wolinsky. Links to assorted local theater & book venues Lance Gardner, Artistic Director of Marin Theatre Lance Gardner, Artistic Director of Marin Theatre since October, 2023, in conversation with host Richard Wolinsky. A long-tme Bay Area actor, Lance Gardner came to Marin Theatre after a stint as a live event producer at KQED, and as Chair of the Board of Aurora Theatre. In this interview, he discusses the theatre's fiscal health, how he hopes to increase the audience, along with details of the various upcoming shows. Lance Gardner has earned dozens of theatre credits over the last 20 years, including six mainstage shows and a school tour at Marin Theatre Company. He has also performed in multiple shows at Berkeley Repertory Theatre, California Shakespeare Theater, Magic Theatre, TheatreWorks, and more. Complete Interview. From the Archive: Mickey Spillane (1918-2006) Mickey Spillane (1918-2006), author of the classic crime novels, “I, The Jury” and “Kiss Me Deadly,” in conversation in 2003 with Richard A. Lupoff, introduced by Richard Wolinsky and Richard A. Lupoff. In this recently discovered recording, best-selling crime/noir novelist Mickey Spillane discusses his career as a professional writer and gives advice to writers. In the introduction, Richard A. Lupoff, the late co-host of KPFA's Probabilities, details how the interview came to be. This was the last interview conducted by Richard A. Lupoff for KPFA. Mickey Spillane Wikipedia page. Book Interview/Events and Theatre Links Note: Shows may unexpectedly close early or be postponed due to actors' positive COVID tests. Check the venue for closures, ticket refunds, and vaccination and mask requirements before arrival. Dates are in-theater performances unless otherwise noted. Some venues operate Tuesday – Sunday; others Wednesday or Thursday through Sunday. All times Pacific Time. Closing dates are sometimes extended. Book Stores Bay Area Book Festival See website for highlights from the 10th Annual Bay Area Book Festival, June 1-2, 2024. Book Passage. Monthly Calendar. Mix of on-line and in-store events. Books Inc. Mix of on-line and in-store events. The Booksmith. Monthly Event Calendar. BookShop West Portal. Monthly Event Calendar. Center for Literary Arts, San Jose. See website for Book Club guests in upcoming months. Green Apple Books. Events calendar. Kepler's Books On-line Refresh the Page program listings. Live Theater Companies Actors Ensemble of Berkeley. See website for specific days and times, and for staged readings at LaVal's Subterranean Theater. Actor's Reading Collective (ARC). See website for upcoming productions. African American Art & Culture Complex. See website for calendar. Alter Theatre. See website for upcoming productions. American Conservatory Theatre Nobody Loves You, a musical, Feb. 28 – March 30, Toni Rembe Theatre. Aurora Theatre The Heart-Sellers by Lloyd Suh, February 9 – March 9, 2025. Awesome Theatre Company. See website for information. Berkeley Rep. The Thing About Jellyfish, based on the novel by Ali Benjamin, adapted by Keith Bunin, January 31 – March 9, World Premiere, Roda Theatre. Uncle Vanya by Anton Chekhov, adapted by Conor McPherson, February 14 – March 23, Peets Theatre. Berkeley Shakespeare Company. See website for upcoming shows. Supergalza: A Shakespeare Cabaret, spring 2025. Boxcar Theatre. Magic Man, Jan 3 – June 2, Palace Theatre. Brava Theatre Center: See calendar for current and upcoming productions. BroadwaySF: Annie, Feb. 6-9, Orpheum, Back to the Future: The Musical, Feb 12 – March 9. Orpheum. See website for complete listings for the Orpheum, Golden Gate and Curran Theaters. Broadway San Jose: The Cher Show. March 18 – 23. Center Rep: Froggy, Feb. 9 – March 7. Lesher Center. Central Stage. See website for upcoming productions, 5221 Central Avenue, Richmond Central Works Push/Pull by Harry Davis, March 1 – 30, 2025. Cinnabar Theatre. Steel Magnolias by Robert Harling, February 14-23, 2025, Warren Theatre, Sonoma State University. Club Fugazi. SF Sketchfest, Jan. 16 – Feb. 2. Dear San Francisco resumes Feb. 7.. Check website for Music Mondays listings. Contra Costa Civic Theatre Fairview by Jackie Sibblies Drury. February 1 – 16, 2025. 42nd Street Moon. See website for upcoming productions. Golden Thread AZAD (The Rabbit and the Wolf) by Sona Tatoyan in collaboration with Jared Mezzocchi, April 11 – May 3. See website for other events. Hillbarn Theatre: Daisy by Sean Devine, January 23 – February 9. Lorraine Hansberry Theatre. See website for upcoming productions. Los Altos Stage Company. The Glass Menagerie by Tennessee Williams. Jan. 23 – Feb. 16. Lower Bottom Playaz See website for upcoming productions. Magic Theatre. the boiling by Sunui Chang April 3 -20, 2025. See website for additional events. Marin Shakespeare Company: See website for calendar. Mission Cultural Center for Latino Arts Upcoming Events Page. New Conservatory Theatre Center (NCTC) Francis Grey and the Case of His Dead Boyfriend by Nathan Tylutkis, February 6-16. Wild with Happy by Colman Domingo, March 7 – April 6. New Performance Traditions. Both Eyes Open, a chamber opera on the Japanese American WWII incarceration, February 15-16, Zellerbach Hall. Oakland Theater Project. See website for upcoming schedule. Odd Salon: Upcoming events in San Francisco & New York, and streaming. Palace of Fine Arts Theater. See website for event listings. Pear Theater. The Gods of Comedy by Ken Ludwig, Feb. 21 – March 16. See website for staged readings and other events. Playful People Productions. See website for upcoming productions and events. Presidio Theatre. See website for complete schedule of events and performances. Ray of Light: See website for Spotlight Cabaret Series at Feinstein's at the Nikko and upcoming productions.. San Francisco Playhouse. Exotic Deadly, or the MSG Play by Keiko Green, January 30 – March 8. SFBATCO. See website for upcoming streaming and in- theater shows. Cuckoo Edible Magic by Reed Flores, at the Magic in Fort Mason, Feb. 13 – March 8. San Jose Stage Company: An Enemy of the People by Henrik Ibsen, Feb. 5 – March 2.. Shotgun Players. Heart Wrench, Feb 14 – 15. Art by Yazmina Reza, starts March 8. South Bay Musical Theatre: Urinetown, January 15 – February 15, 2025. Saratoga Civic Theater. Stagebridge: See website for events and productions. Storytime every 4th Saturday. The Breath Project. Streaming archive. The Marsh: Calendar listings for Berkeley, San Francisco and Marshstream. Theatre Lunatico See website for upcoming productions. Theatre Rhino Doodler, conceived and directed by John Fisher, February 8- March 2. Streaming: Essential Services Project, conceived and performed by John Fisher, all weekly performances now available on demand. TheatreWorks Silicon Valley. Rachmaninoff and the Tsar with Hershey Felder and Jonathan Silvestri, Jan. 8 – Feb. 9, Mountain View Center for the Performing Arts. Word for Word. See website for upcoming productions. Misc. Listings: BAM/PFA: On View calendar for BAM/PFA. Berkeley Symphony: See website for listings. Chamber Music San Francisco: Calendar, 2025 Season. Dance Mission Theatre. On stage events calendar. Fort Mason Center. Events calendar. Crushing, live monologue show, Feb. 27-28. Oregon Shakespeare Festival: Calendar listings and upcoming shows. San Francisco Gay Men's Chorus. Signs of Life? written and performed by Cheyenne Jackson, 2 performances February 14, Chan National Queer Arts Center. See schedule for upcoming SFGMC performances. San Francisco Opera. Calendar listings. San Francisco Symphony. Calendar listings. Filmed Live Musicals: Searchable database of all filmed live musicals, podcast, blog. If you'd like to add your bookstore or theater venue to this list, please write Richard@kpfa.org . The post January 30, 2025: Lance Gardner – Mickey Spillane appeared first on KPFA.
Bookwaves/Artwaves is produced and hosted by Richard Wolinsky. Links to assorted local theater & book venues Susanna Clarke: “Jonathan Strange and Mr. Norrell.” Susanna Clarke in 2006 Susanna Clarke, author of the classic fantasy novel, Jonathan Strange & Mr. Norrell, interviewed September 12, 2005 in the KPFA studios. Back in the fall of 2004, a new fantasy novel, Jonathan Strange and Mr. Norrell by a newcomer, Susannah Clarke, became an instant classic, finding its way to best-seller lists in the U.K. and United.States, and winning the Hugo Award for 2004's best novel at the 2005 World Science Fiction Convention. This interview with Susannah Clarke was recorded while on tour for the paperback edition of Jonathan Strange and Mr. Norrell, and has not aired in two decades. Both Christopher Hampton and Julian Fellowes took stabs at writing a film adaptation of Jonathan Strange and Mr. Norrell, but both were unable to translate the very long novel into a screenplay, and then New Line cancelled the project. It was eventually developed into a seven -part miniseries for the BBC, and aired in both the United States and Britain in 2015. It is now streaming on Amazon Prime. After the publication of Jonathan Strange and Mr. Norrell, and the awards, Susannah Clarke continued to work on the sequel, set in the same universe a few years later, but became bogged down, almost sentence by sentence, as chronic fatigue syndrome took its toll. By 2015, after visiting the set of the BBC production, she decided to go another route, and went back to another manuscript that likely pre-dated her best-seller. That novel, Piranesi, was published to mostly favorable reviews in 2020. She is now working on a third novel. Complete Interview. Dawn Porter Dawn Porter, documentary filmmaker, in conversation with host Richard Wolinsky, recorded September 11, 2023. Dawn Porter's work has appeared on ESPN, HBO, Netflix, PBS and other streamers. Her film Trapped, focusing on abortion clinics in the South, won a special prize at Sundance in 2016 along with a Peabody Award. Her 2013 documentary, Gideon's Army, her first film, focusing on public defender attorneys in the South, is now part of the US Deparment of State's American Film Showcase. She is also the director of John Lewis: Good Trouble, which focuses on the late Congressman and activist. Her recent projects are The Lady Bird Diaries, which was shown at SXSW Film Festival and the four part documentary series, Deadlocked: How America Shaped the Supreme Court, both of which can be found streaming on various platforms. Other recent projects include the short film Bree Wayy, about the life of Brionna Taylor, Luther: Never Too Much, about the late singer/songwriter Luther Vandross, and The Sing Sing Chronicles, about men wrongly incarcerated in Sing Sing prison. Special thanks to A.J. Fox and Berkeley Art Museum Pacific Film Archives. Complete Interview. Review of Hershey Felder's “Rachmaninoff and the Tsar” at TheatreWorks Mountain Viow Center for the Performing Arts through February 9, 2025. Book Interview/Events and Theatre Links Note: Shows may unexpectedly close early or be postponed due to actors' positive COVID tests. Check the venue for closures, ticket refunds, and vaccination and mask requirements before arrival. Dates are in-theater performances unless otherwise noted. Some venues operate Tuesday – Sunday; others Wednesday or Thursday through Sunday. All times Pacific Time. Closing dates are sometimes extended. Book Stores Bay Area Book Festival See website for highlights from the 10th Annual Bay Area Book Festival, June 1-2, 2024. Book Passage. Monthly Calendar. Mix of on-line and in-store events. Books Inc. Mix of on-line and in-store events. The Booksmith. Monthly Event Calendar. BookShop West Portal. Monthly Event Calendar. Center for Literary Arts, San Jose. See website for Book Club guests in upcoming months. Green Apple Books. Events calendar. Kepler's Books On-line Refresh the Page program listings. Live Theater Companies Actors Ensemble of Berkeley. See website for specific days and times, and for staged readings at LaVal's Subterranean Theater. Actor's Reading Collective (ARC). See website for upcoming productions. African American Art & Culture Complex. See website for calendar. Alter Theatre. See website for upcoming productions. American Conservatory Theatre Nobody Loves You, a musical, Feb. 28 – March 30, Toni Rembe Theatre. Aurora Theatre The Heart-Sellers by Lloyd Suh, February 9 – March 9, 2025. Awesome Theatre Company. See website for information. Berkeley Rep. The Thing About Jellyfish, based on the novel by Ali Benjamin, adapted by Keith Bunin, January 31 – March 9, World Premiere, Roda Theatre. Uncle Vanya by Anton Chekhov, adapted by Conor McPherson, February 14 – March 23, Peets Theatre. Berkeley Shakespeare Company. See website for upcoming shows. Supergalza: A Shakespeare Cabaret, spring 2025. Boxcar Theatre. Magic Man, Jan 3 – June 2, Palace Theatre. Brava Theatre Center: See calendar for current and upcoming productions. BroadwaySF: Some Like It Hot, January 7-26, Orpheum. Annie, Feb. 6-9, Orpheum, Back to the Future: The Musical, Feb 12 – March 9. Orpheum. See website for complete listings for the Orpheum, Golden Gate and Curran Theaters. Broadway San Jose: The Cher Show. March 18 – 23. Center Rep: Froggy, Feb. 9 – March 7. Lesher Center. Central Stage. See website for upcoming productions, 5221 Central Avenue, Richmond Central Works Push/Pull by Harry Davis, March 1 – 30, 2025. Cinnabar Theatre. Gutenberg! The Musical, January 17 – 26, 2025, Warren Theatre, Sonoma State University. Club Fugazi. SF Sketchfest, Jan. 16 – Feb. 2. Dear San Francisco resumes Feb. 7.. Check website for Music Mondays listings. Contra Costa Civic Theatre Fairview by Jackie Sibblies Drury. February 1 – 16, 2025. 42nd Street Moon. See website for upcoming productions. Golden Thread AZAD (The Rabbit and the Wolf) by Sona Tatoyan in collaboration with Jared Mezzocchi, April 11 – May 3. See website for other events. Hillbarn Theatre: Daisy by Sean Devine, January 23 – February 9. Lorraine Hansberry Theatre. See website for upcoming productions. Los Altos Stage Company. The Glass Menagerie by Tennessee Williams. Jan. 23 – Feb. 16. Lower Bottom Playaz See website for upcoming productions. Magic Theatre. the boiling by Sunui Chang April 3 -20, 2025. See website for additional events. Marin Shakespeare Company: See website for calendar. Mission Cultural Center for Latino Arts Upcoming Events Page. New Conservatory Theatre Center (NCTC) Francis Grey and the Case of His Dead Boyfriend by Nathan Tylutkis, February 6-16. Wild with Happy by Colman Domingo, March 7 – April 6. New Performance Traditions. Both Eyes Open, a chamber opera on the Japanese American WWII incarceration, February 15-16, Zellerbach Hall. Oakland Theater Project. See website for upcoming schedule. Odd Salon: Upcoming events in San Francisco & New York, and streaming. Palace of Fine Arts Theater. See website for event listings. Pear Theater. The Gods of Comedy by Ken Ludwig, Feb. 21 – March 16. See website for staged readings and other events. Playful People Productions. See website for upcoming productions and events. Presidio Theatre. See website for complete schedule of events and performances. Ray of Light: See website for Spotlight Cabaret Series at Feinstein's at the Nikko and upcoming productions.. San Francisco Playhouse. Exotic Deadly, or the MSG Play by Keiko Green, January 30 – March 8. SFBATCO. See website for upcoming streaming and in- theater shows. San Jose Stage Company: An Enemy of the People by Henrik Ibsen, Feb. 5 – March 2.. Shotgun Players. Heart Wrench, Feb 14 – 15. Art by Yazmina Reza, starts March 8. South Bay Musical Theatre: Urinetown, January 15 – February 15, 2025. Saratoga Civic Theater. Stagebridge: See website for events and productions. Storytime every 4th Saturday. The Breath Project. Streaming archive. The Marsh: Calendar listings for Berkeley, San Francisco and Marshstream. Theatre Lunatico See website for upcoming productions. Theatre Rhino Doodler, conceived and directed by John Fisher, February 8- March 2. Streaming: Essential Services Project, conceived and performed by John Fisher, all weekly performances now available on demand. TheatreWorks Silicon Valley. Rachmaninoff and the Tsar with Hershey Felder and Jonathan Silvestri, Jan. 8 – Feb. 9, Mountain View Center for the Performing Arts. Word for Word. See website for upcoming productions. Misc. Listings: BAM/PFA: On View calendar for BAM/PFA. Berkeley Symphony: See website for listings. Chamber Music San Francisco: Calendar, 2025 Season. Dance Mission Theatre. On stage events calendar. Oregon Shakespeare Festival: Calendar listings and upcoming shows. San Francisco Opera. Calendar listings. San Francisco Symphony. Calendar listings. Filmed Live Musicals: Searchable database of all filmed live musicals, podcast, blog. If you'd like to add your bookstore or theater venue to this list, please write Richard@kpfa.org . The post January 23, 2025: Susanna Clarke – Dawn Porter appeared first on KPFA.
Bookwaves/Artwaves is produced and hosted by Richard Wolinsky. Links to assorted local theater & book venues Vernor Vinge (1944-2024) Vernor Vinge (1944-2024), in conversation with Richard Wolinsky and Richard A. Lupoff, recorded in the KPFA studios, May 7, 1992 while on tour for his novel, “Fire Upon the Deep,” which would be a co-winner of the Huge Award for Best Novel at the 1993 World Science Fiction Convention. Vernor Vinge, who died on March 20th, 2024 at the age of 79 was one of the masters of late twentieth century and early 21st century science fiction. He won five Hugo Awards, three for Best Novel and two for best novella, and is credited as the first science fiction writer to offer a fictional cyberspace, a few years before William Gibson and Neal Stephenson. Over all, Vernor Vinge wrote eight novels and had five published collections of his writings. His final novel, The Children of the Sky, was published in 2011. A prequel to Fire Upon the Deep titled A Deepness in the Sky, was published in 1999, and a sequel, The Children of the Sky, his last novel, was published in 2011. To date, none of his stories have been adapted for either television or film. Vernor Vince retired from teaching in 2000 to become a full-time writer. In this interview, he goes into detail about what are now the early days of life on the internet, and discusses his early writing about cyberspace, and about singularities. There are also comments about what the future holds, a future we now are experiencing. This interview has not aired in over thirty years, and was digitized, remastered and edited in January 2025 by Richard Wolinsky. Complete Interview. Margaret Atwood Margaret Atwood 2013. Photo: Jean Malek Margaret Atwood, in conversation with Richard Wolinsky, recorded in the KPFA studios June 10, 2003 while on tour for the novel “Oryx and Crake.” One of the most distinguished authors writing today, Margaret Atwood is best known for her novel “The Handmaid's Tale,” and well as several other novels, short stories, poems, essays and political commentary. In this interview from 2003, she discusses her science fiction novel “Oryx and Crake,” first of what later became a trilogy including ‘Year of the Flood” and “Maddadam,” along with her work on a collection of speeches and essays, “Negotiating with the Dead: A Writer on Writing.” This is the fifth of eight interviews with Margaret Atwood conducted between the years 1989 and 2013. Complete Interview Review of the national touring company production of “Some Like It Hot” at BroadwaySF Orpheum Theatre Book Interview/Events and Theatre Links Note: Shows may unexpectedly close early or be postponed due to actors' positive COVID tests. Check the venue for closures, ticket refunds, and vaccination and mask requirements before arrival. Dates are in-theater performances unless otherwise noted. Some venues operate Tuesday – Sunday; others Wednesday or Thursday through Sunday. All times Pacific Time. Closing dates are sometimes extended. Book Stores Bay Area Book Festival See website for highlights from the 10th Annual Bay Area Book Festival, June 1-2, 2024. Book Passage. Monthly Calendar. Mix of on-line and in-store events. Books Inc. Mix of on-line and in-store events. The Booksmith. Monthly Event Calendar. BookShop West Portal. Monthly Event Calendar. Center for Literary Arts, San Jose. See website for Book Club guests in upcoming months. Green Apple Books. Events calendar. Kepler's Books On-line Refresh the Page program listings. Live Theater Companies Actors Ensemble of Berkeley. See website for specific days and times, and for staged readings at LaVal's Subterranean Theater. Actor's Reading Collective (ARC). See website for upcoming productions. African American Art & Culture Complex. See website for calendar. Alter Theatre. See website for upcoming productions. American Conservatory Theatre Nobody Loves You, a musical, Feb. 28 – March 30, Toni Rembe Theatre. Aurora Theatre The Heart-Sellers by Lloyd Suh, February 9 – March 9, 2025. Awesome Theatre Company. See website for information. Berkeley Rep. The Thing About Jellyfish, based on the novel by Ali Benjamin, adapted by Keith Bunin, January 31 – March 9, World Premiere, Roda Theatre. Uncle Vanya by Anton Chekhov, adapted by Conor McPherson, February 14 – March 23, Peets Theatre. Berkeley Shakespeare Company. See website for upcoming shows. Supergalza: A Shakespeare Cabaret, spring 2025. Boxcar Theatre. Magic Man, Jan 3 – June 2, Palace Theatre. Brava Theatre Center: See calendar for current and upcoming productions. BroadwaySF: Some Like It Hot, January 7-26, Orpheum. Annie, Feb. 6-9, Orpheum, Back to the Future: The Musical, Feb 12 – March 9. Orpheum. See website for complete listings for the Orpheum, Golden Gate and Curran Theaters. Broadway San Jose: The Cher Show. March 18 – 23. Center Rep: Froggy, Feb. 9 – March 7. Lesher Center. Central Stage. See website for upcoming productions, 5221 Central Avenue, Richmond Central Works Push/Pull by Harry Davis, March 1 – 30, 2025. Cinnabar Theatre. Gutenberg! The Musical, January 17 – 26, 2025, Warren Theatre, Sonoma State University. Club Fugazi. SF Sketchfest, Jan. 16 – Feb. 2. Dear San Francisco resumes Feb. 7.. Check website for Music Mondays listings. Contra Costa Civic Theatre Fairview by Jackie Sibblies Drury. February 1 – 16, 2025. 42nd Street Moon. See website for upcoming productions. Golden Thread AZAD (The Rabbit and the Wolf) by Sona Tatoyan in collaboration with Jared Mezzocchi, April 11 – May 3. See website for other events. Hillbarn Theatre: Daisy by Sean Devine, January 23 – February 9. Lorraine Hansberry Theatre. See website for upcoming productions. Los Altos Stage Company. The Glass Menagerie by Tennessee Williams. Jan. 23 – Feb. 16. Lower Bottom Playaz See website for upcoming productions. Magic Theatre. the boiling by Sunui Chang April 3 -20, 2025. See website for additional events. Marin Shakespeare Company: Josh-A-Palooza with Josh Kornbluth, January 16 -19 Marin Theatre Waste by Harley Granville-Barker, Feb. 6 – March 2, 2025. Mission Cultural Center for Latino Arts Upcoming Events Page. New Conservatory Theatre Center (NCTC) Francis Grey and the Case of His Dead Boyfriend by Nathan Tylutkis, February 6-16. Wild with Happy by Colman Domingo, March 7 – April 6. Oakland Theater Project. See website for upcoming schedule. Odd Salon: Upcoming events in San Francisco & New York, and streaming. Palace of Fine Arts Theater. See website for one day/night events. Pear Theater. The Gods of Comedy by Ken Ludwig, Feb. 21 – March 16. See website for staged readings and other events. Playful People Productions. See website for upcoming productions and events. Presidio Theatre. See website for complete schedule of events and performances. Ray of Light: See website for Spotlight Cabaret Series at Feinstein's at the Nikko and upcoming productions.. San Francisco Playhouse. Waitress, November 21, 2024 – January 18, 2025. Exotic Deadly, or the MSG Play by Keiko Green, January 30 – March 8. SFBATCO. See website for upcoming streaming and in- theater shows. San Jose Stage Company: An Enemy of the People by Henrik Ibsen, Feb. 5 – March 2.. Shotgun Players. Heart Wrench, Feb 14 – 15. Art by Yazmina Reza, starts March 8. South Bay Musical Theatre: Urinetown, January 15 – February 15, 2025. Saratoga Civic Theater. Stagebridge: See website for events and productions. Storytime every 4th Saturday. The Breath Project. Streaming archive. The Marsh: Calendar listings for Berkeley, San Francisco and Marshstream. Theatre Lunatico See website for upcoming productions. Theatre Rhino Doodler, conceived and directed by John Fisher, February 8- March 2. Streaming: Essential Services Project, conceived and performed by John Fisher, all weekly performances now available on demand. TheatreWorks Silicon Valley. Rachmaninoff and the Czar with Hershey Felder and Jonathan Silvestri, Jan. 8 – Feb. 9, Mountain View Center for the Performing Arts. Word for Word. See website for upcoming productions. Misc. Listings: BAM/PFA: On View calendar for BAM/PFA. Berkeley Symphony: See website for listings. Chamber Music San Francisco: Calendar, 2023 Season. Dance Mission Theatre. On stage events calendar. Oregon Shakespeare Festival: Calendar listings and upcoming shows. San Francisco Opera. Calendar listings. San Francisco Symphony. Calendar listings. Filmed Live Musicals: Searchable database of all filmed live musicals, podcast, blog. If you'd like to add your bookstore or theater venue to this list, please write Richard@kpfa.org . The post January 16, 2025: Vernor Vinge – Margaret Atwood appeared first on KPFA.
Starring Eoin O'Reilly, Conor McPherson's "Rum and Vodka" is a classic tale of booze and all of the debauchery we can all fall victim to within the grind of big city life, and it comes to Cork city this summer in this electrifying new production of the beloved one man show. A young man feeling trapped by the responsibilities that come with being a good father and a loyal husband, attempts to break free from his monotonous 9-5 existence by igniting a three day bender through the city, leaving all kinds of chaos in his wake. Conor Tallon spoke to Eoin and director Tommy Daly. Hosted on Acast. See acast.com/privacy for more information.
We talked about: Finding community, doing The Stump, Not doing Chandler on “Friends”, the wonderful and difficult friendship of Matthew Perry, doing theater as a kid, “easy” comics who took their time, playing villains, lying about knowing how to ride horses and almost dying on the horse, auditioning by “being that guy” to set you apart, The Great David Pressman, kind hearted Richard Kind, staring in broadway, fear of going out. my writing advice “how much pain can you take?”, always seeking connection. Saying “yes” to opportunities, Craig's dog boo. Rye New York. Somehow Craig thinks I project warmth and kindness. Windows in school that go all the way to the ground that give kids the confidence to be on the world. Bullies who don't think they are bullies, the gain and loss of choice, and the idea that the journey we are all on must contain random gifts and failures to get us where we are now. Bio: Craig Bierko made his Tony-nominated Broadway debut as “Professor Harold Hill” in Susan Stroman's Broadway revival of Meredith Willson's The Music Man. A familiar face to Broadway audiences, Craig most recently appeared in Conor McPherson's Girl from the North Country featuring songs by Bob Dylan; as “Sky Masterson” in Des McAnuff's revival of Guys & Dolls, and in Lincoln Center's Thou Shalt Not featuring music by Harry Connick. Craig recently completed the darkly comic feature film D(e)ad. Other film work includes starring opposite Russell Crowe in Ron Howard's Cinderella Man, The Long Kiss Goodnight with Samuel Jackson and Geena Davis, Larry David's cult classic Sour Grapes and Terry Gilliam's Fear and Loathing in Las Vegas. Craig has appeared in numerous TV shows, most recently on the hit Netflix series Sex/Life as well as on the Peabody Award-winning UnREAL. Craig appeared as Carrie Bradshaw's love interest “Ray ‘The Jazz Guy' King” on HBO's iconic Sex and the City. Craig bathed John Malkovich in his online talk show “Bathing with Bierko” and offers no apologies.
Step inside the haunting world of "The Birds" as director Chris Diehl joins us with actors Aaron, Emma, and Paige from 7th Street Community Theater's latest spine-tingling production. They take us behind the scenes of this Hitchcock-inspired play, revealing the intricacies of transforming a tale of suspense and survival into a stage thriller. As we chat with Chris, whose passion for character studies shines through, we uncover the secrets to crafting a homage that's sure to captivate Hitchcock enthusiasts. The actors share their personal journeys, delving into the challenges of their roles and the thrill that comes with performing in a story where strangers are bound by crisis.This episode is a celebration of the collaborative heartbeat that keeps theater alive and throbbing with creativity. Discover how a small cast can lead to a deeper, more intimate exploration of the script and characters, fostering an environment where the artistry of playwright Conor McPherson is vividly brought to life. We'll also reflect on the timeless relevance of Daphne du Maurier's storytelling, drawing surprising parallels between the eerie isolation in "The Birds" and our recent collective pandemic experience. Join us for a compelling conversation that not only spotlights the transformative journey from script to stage but also connects the dots between classic narratives like "Vertigo" and the societal issues of today.May 9, 11, 17 @ 8pmMay 19 & 22 @ 2:30pmFind STTS:Steps To The Stage (@stepstothestage) | InstagramFacebookSteps To The Stage (buzzsprout.com)Steps To The Stage - YouTubePlease follow on your favorite podcast platform and we appreciate 5 Star ratings and positive reviews!
Welcome to the Instant Trivia podcast episode 1177, where we ask the best trivia on the Internet. Round 1. Category: On The Pga Tour 1: Out on an island in 2001, a downhill 60-foot triple-break putt at TPC Sawgrass' famed 17th was better than most for this superstar. Tiger Woods. 2: Here's Bubba Watson cutting loose with this type of 5-letter shot that veers to the side of the dominant hand of the player. a slice. 3: The long chip at the 1978 Jackie Gleason Classic was one of 5 straight birdies to seal the win for this Golden Bear. Jack Nicklaus. 4: Here's Phil Mickelson putting for birdie at the gorgeous par-5 18th to claim the 2012 Pro-Am title at this California beach. Pebble Beach. 5: Check out the $10 million putt that won the 2016 FedEx Cup bonus for this man, also known as Wee Mac. Rory McIlroy. Round 2. Category: Ageless Quotes 1: Whale tale author who wrote, "Youth is immortal; 'tis the elderly only grow old!". Melville. 2: In "The Brook" this "Light Brigade" author wrote, "For men may come and men may go, but I go on forever". Tennyson. 3: About this queen, Shakespeare wrote, "age cannot wither her, nor custom stale her infinite variety". Cleopatra. 4: Oscar Wilde wrote, "One should never trust a woman who tells one" this; she "would tell one anything". her real age. 5: Betty Friedan wrote, "to keep... life-giving ties alive... is our" this, the opposite of Ponce de Leon's legendary quest. "fountain of age". Round 3. Category: America'S Most Haunted 1: The white-haired ghost of this fiery leader walks alongside a black dog at Harpers Ferry in West Virginia. John Brown. 2: Ghosts may account for a mysterious chill in cell 14-D of this former California island prison. Alcatraz. 3: The father of Jennie Wade, the lone civilian casualty of this PA. battle, haunts the home in which she was killed. Gettysburg. 4: Some say the ghost in this city's Hilton Hotel may be a murder victim or the volcano goddess Madame Pele. Honolulu. 5: The Shaft Alley Spectre is one of many ghosts haunting this Long Beach luxury liner first launched in 1936. Queen Mary. Round 4. Category: World Theatre 1: This "War and Peace" author's play "The Power of Darkness" was once banned in his native Russia. Leo Tolstoy. 2: Conor McPherson's haunting play "The Weir" is set in a pub in this country. Ireland. 3: The first known play presented at this British university was "St. Katherine" in 1490. Oxford. 4: The Olivier Theatre opened in this city in 1976 with a production of "Tamburlaine the Great". London. 5: Israeli playwright Nathan Alterman called his first play "Kineret, Kineret...", Kineret being Hebrew for the Sea of this. Sea of Galilee. Round 5. Category: Where Is That, Pierre? 1: If you're visiting the Cannes Film Festival, you're on this sea. the Mediterranean. 2: The Jura Mountains straddle the border between France and this country. Switzerland. 3: This region of NW France derives its name from Celts fleeing the Anglo-Saxon invasion of England. Brittany. 4: This region of France between the Seine and Marne Valleys is famous for its soft white cheese. Brie. 5: A northern member of the Windward Islands, this volcanic isle has been a possession of France since 1635. Martinique. Thanks for listening! Come back tomorrow for more exciting trivia!Special thanks to https://blog.feedspot.com/trivia_podcasts/ AI Voices used
Embark on a journey through the realms of love, passion, and reclusive mystery in the latest episode of our podcast. Kristin Scott Thomas and Lily James lead the cast in Penelope Skinner's searingly funny and passionate new play, Lyonesse, directed by Ian Rickson. Join Elaine, a talented but reclusive actress, as she summons Kate, a young film executive, to her remote Cornish home, unravelling a story that remained hidden for 30 years. Experience the magic of Matthew Bourne's dance production of Edward Scissorhands, a tale that has captured hearts worldwide since its premiere in 2005. Based on Tim Burton's classic movie, this production, featuring the enchanting music of Danny Elfman and Terry Davies, weaves a bittersweet story of an incomplete boy navigating a strange new world. Journey back to communist-controlled Poland in Cold War at Almeida Theatre, a tender and tragic love story brilliantly translated to the stage by Conor McPherson. Adapted from Paweł Pawlikowski's Academy Award-nominated film, the play spans decades and the divided breadth of Europe. With traditional Polish songs, stirring choral arrangements, and music from Grammy Award-winner Elvis Costello, witness a doomed love story brilliantly told, featuring lead performances to die for from Anya Chalotra and Luke Thallon. Explore the intense and oppressive world of House of Bernarda Alba at the National Theatre, where disobedience is no longer tolerated. Harriet Walter plays the formidable matriarch, navigating the consequences of oppressing women in this pitch-black drama. Directed by Rebecca Frecknall, this radical adaptation by Alice Birch of Federico García Lorca's modern masterpiece promises a gripping exploration of family, desire, and the boundaries of societal expectations. Tune in for an episode filled with theatrical brilliance, featuring stellar performances, poignant stories, and the transformative power of stagecraft. It's a journey through time, emotions, and the human experience you won't want to miss.
This episode discusses themes some listeners may find distressing.Jared Harris (Mad Men, Chernobyl) and Joe Cole (Gangs of London, Peaky Blinders), join us at the Young Vic to talk about their time in Harold Panter's The Homecoming, directed by Matthew Dunster.For our reviews this week it's Ulster American at Riverside Studios, by David Ireland and directed by Jeremy Herrin, starring Woody Harrelson, Louisa Harland and Andy Serkis. Plus for our second review, Cold War at the Almeida theatre, adapted by Conor McPherson from Pawel Pawlikowski's award-winning 2018 film, starring Anya Chalotra and Luke Thallon.We also discuss Indhu Rubasingham being appointed as Director of the National Theatre, the unveiling of a very special plaque honouring Operation Mincemeat's Hester, and Paddington the musical which comes to the West End in 2025.Get in touch with us at theatrepod@standard.co.ukFor all the latest news head to standard.co.uk Hosted on Acast. See acast.com/privacy for more information.
We two new shows to review as well as one that has been running in London for many many years, but it's a first time seeing it for one of us! First up we have the National Theatre's new musical of Roald Dahl's The Witches, directed by Lyndsey Turner with book and lyrics by Lucy Kirkwood, music and lyrics by Dave Malloy. Next is our review of Cold War, a new play with music at The Almeida Theatre, directed by Rupert Goold, with book by Conor McPherson and music by Elvis Costello. Lastly we review the West End's second longest running musical, Andrew Llyod Webber's The Phantom of the Opera.-Opening/Closing Music: Little Lily Swing by Tri-Tachyonis: licensed under a CC Attribution License Hosted on Acast. See acast.com/privacy for more information.
Clive Anderson and Emma Freud are joined by Elvis Costello and Conor McPherson, Suranne Jones, Martin Kemp and Michelle McManus for an eclectic mix of conversation, music and comedy. With music from Roachford and Ify Iwobi.
Written and directed by celebrated playwright Conor McPherson and featuring Tony Award-winning orchestrations by Simon Hale, "Girl From the North Country" reimagines 20 legendary songs of Bob Dylan as they've never been heard before. The National Tour of “Girl from the North Country” is at Proctors in Schenectady, NY tonight through Sunday, December 10.Actor John Schiappa, who plays Nick Laine in the tour, joins us.
Alex Young is currently appearing in Cold War at the Almeida Theatre.Based on Paweł Pawlikowski's film, Cold War is described as an epic love story spanning the decades and breadth of Europe at its most divided. The show features traditional Polish songs alongside music from Elvis Costello and is adapted by Conor McPherson with direction from Rupert Goold.Most recently Alex was part of the original cast of Standing at the Sky's Edge (Sheffield Theatres / National Theatre), receiving huge acclaim for her performance. Some of Alex's other theatre credits include Into the Woods (Theatre Royal Bath), Anyone Can Whistle and Promises Promises (Southwark Playhouse), South Pacific and Me & My Girl (Chichester Festival Theatre), Follies (National Theatre), Show Boat and I Can't Sing (West End), Coriolanus, She Loves Me, Guys & Dolls and Anything Goes (Sheffield Theatres) and Carousel (ENO).Cold War runs at the Almeida Theatre until Saturday 27th January 2024. Hosted by Andrew Tomlins @AndrewTomlins32 Thanks for listening! Email: andrew@westendframe.co.uk Visit westendframe.co.uk for more info about our podcasts.
Olivia Colman stars alongside Dev Paterl in twisted romantic film while Conor McPherson turns his attention to the Hunger Games on stage.
In an interview from 2017, Marty In The Morning meets the legendary Michael Gambon. Their warm chat that takes in everything from Harry Potter to Gambon's love for vintage pistols to Marty's big-screen debut alongside Gambon in Conor McPherson's The Actors.
"The Weir," by Irish playwright Conor McPherson is on stage this weekend in Corner Brook. Bernice was told the show has ALL the elements that will draw theatregoers, make them laugh -- and possibly break their hearts. Mark Bradbury, artistic director of Hard Ticket Theatre in Corner Brook, has wanted to bring the play to the stage for a very long time. He's playing the role of Finbar. Allison Crowe plays the role of Valerie.
The singer/songwriter and writer/director on their new play ‘Tales From The Holywell' at the Abbey Theatre, which is based on a journey through Damien's life and which is directed by Conor (for copyright reasons the full track performed during the interview cannot be made available in the podcast)
We broadcast from the set of The Weir, written by Olivier award-winning and Tony award-nominated playwright Conor McPherson, directed by Caitriona McLoughlin, Abbey Theatre artistic director. Also on set are all the cast (Jolly Abraham, Peter Coonan, Brendan Coyle, Sean Fox and Marty Rea) and musicians Éamonn Cagney and Courtney Cullen.
In this week's episode, Patrick, Tommie, and producer Steven welcome returning guest John J. Steele, Jr., celebrate the podcast's 3000th download, go loco for the galgo espanol, celebrate a bunch of queer birthdays (including youthful ward/intern Bryce Dallas Howard Powell), say farewell to Robbie Coltrane, look at the queer policies of Cracker Barrel, try to celebrate Hagfish Day without looking at it, and talk to John about his upcoming projects with the Long Island Gay Men's Chorus and his return to the stage in a local production of the Conor McPherson play the Weir. (Part Two of this episode will be released on October 26.)
Playwright Conor McPherson chats with Dave about his favourite record, No Other by Gene Clark
Charles takes a look at the latest touring production of Conor McPherson's musical theatre piece using the songs of Bob Dylan. Graham reflects on the future of the Artic Monkeys as he reports on their performance at this year's Leeds Festival and then introduces the current Harrogate Theatre repertory season. Charles stands up for Al Murray's wonderful comic creation The Pub Landlord and looks for any new insight into contemporary Britain.
Fresh from runs in Matilda and Hairspray, Olivier nominee Rebecca Thornhill is currently starring as Mrs Burke in the UK tour of Girl From The North Country. Written and directed by Conor McPherson with the songs of Bob Dylan, Girl From The North Country premiered at the Old Vic in 2017 before transferring to the West End and Broadway. The show returned to the West End in 2019, with the production also running in Toronto. Rebecca was nominated for an Olivier Award in 2001 for her performance as Lina Lamont in the National Theatre's production of Singin' in the Rain. She recently reprised her performance as Mrs Wormwood in Matilda, having previously played the role at the Cambridge Theatre and on tour. She also recently completed a run as Velma Von Tussle in the UK tour of Hairspray. Rebecca created the role of Karen Holmes in the original production of From Here To Eternity which ran in the West End at the Shaftesbury Theatre and was filmed for cinema/digital release. Just a few of Rebecca's other theatre credits include: Hotbox Girl in Guys and Dolls (Leicester), She Loves Me (Savoy), Demeter in Cats (New London), Babette in the original company of Beauty and The Beast (Dominion), Annie in Annie Get Your Gun (UK Tour), Julie Laverne in Show Boat (Royal Albert Hall), Nellie Forbush in South Pacific (National Tour), Sally in Me and My Girl (UK Tour & Zimbabwe), Gertie Cummins in Oklahoma! (National Theatre & Lyceum), Cosette & Fantine in Les Miserables (West End / UK Tour / Denmark), Sukie Rougemont in Witches of Eastwick (Prince Of Wales), Vicki Nichols in The Full Monty (Prince of Wales), Evelyn Nesbit in Ragtime (Piccadilly), Roxie Hart in Chicago (Adelphi), Mrs Banks in Mary Poppins (Prince Edward / US Tour), Madge Hardwick in Top Hat (UK Tour) and Morticia in The Addams Family (Singapore). Girl From The North Country tours the UK until 18th March 2023. Visit www.girlfromthenorthcountryshow.com for info, tour dates and tickets. Hosted by Andrew Tomlins. @AndrewTomlins32 Thanks for listening! Email: andrew@westendframe.co.uk Visit westendframe.co.uk for more info about our podcasts.
Written by Conor McPherson and based on Bob Dylan's back catalogue, the musical Girl from the North Country, is set in Duluth, Minnesota in 1934, at a boarding house - Untold Ukraine is a short film festival running for the month of July at the IFI in Dublin. All proceeds go to Nova Ukraine - We review new music by Jack Johnson, & SJ McArdle.
Conor McPherson, playwright, discusses bringing his Tony-nominated show 'Girl from the North Country' to Ireland.
Girl from the North Country is a musical written and directed by Dublin playwright and screenwriter, Conor McPherson, using the songs of Bob Dylan. Dave chats to Conor about bringing his musical to The 3Olympia this week
Listen back here to Marty chatting with the fine playwright and director Conor McPherson about creating the musical 'Girl from the North Country', using songs by Bob Dylan. Opening at the Gaiety theatre.
Geraldine Turner has been a mainstay of the stage since the 1970s, featuring in the Australian premieres of Chicago, A Little Night Music, Into the Woods and more. Now she's written a memoir, Turner's Turn, about her performing life and a very painful personal life. Also, the cast of Bob Dylan musical Girl from the North Country perform for us and we ask Australian Musical Theatre Festival artistic director Tyran Parke and headliner Philip Quast why Launceston is the ideal place for musical theatre tragics to gather.
Geraldine Turner has been a mainstay of the stage since the 1970s, featuring in the Australian premieres of Chicago, A Little Night Music, Into the Woods and more. Now she's written a memoir, Turner's Turn, about her performing life and a very painful personal life. Also, the cast of Bob Dylan musical Girl from the North Country perform for us and we ask Australian Musical Theatre Festival artistic director Tyran Parke and headliner Philip Quast why Launceston is the ideal place for musical theatre tragics to gather.
Geraldine Turner has been a mainstay of the stage since the 1970s, featuring in the Australian premieres of Chicago, A Little Night Music, Into the Woods and more. Now she's written a memoir, Turner's Turn, about her performing life and a very painful personal life.Also, the cast of Bob Dylan musical Girl from the North Country perform for us and we ask Australian Musical Theatre Festival artistic director Tyran Parke and headliner Philip Quast why Launceston is the ideal place for musical theatre tragics to gather.
Critically acclaimed hit musical Girl From the North Country arrives at Melbourne's Comedy Theatre on 29 April International hit musical Girl from the North Country, by Conor McPherson, with music... LEARN MORE The post Girl From North Country appeared first on Sunday Arts Magazine.
Brian Wise talks to Terence Crawford, narrator of the acclaimed play Girl From The North Country, written by Conor McPherson, which opens at the Comedy Theatre in Melbourne on April 29 and runs through to June 4. The play, which has already had a season in Sydney, will also be in Canberra from August 25. and in Brisbane at QPAC from September 8.
This week Ryan spoke to Gráinne Seoige and John Nolan, after their exit from Dancing with the Stars; bestselling author John Boyne, acclaimed playwright, Conor McPherson, and US Storyful senior editor, Rhona Tarrant.
Conor McPherson is one of Ireland's most awarded and highly regarded playwrights. In 2016 he got access to the music of Bob Dylan and created a play, called ‘Girl from the North Country'. It's coming to Dublin for the first time this Summer.
Bob Dylan's music feels inseparable from the man himself, so how could it be adapted for musical theatre? Playwright Conor McPherson explains how his dark and dreamy Girl from the North Country convinced Bob that he was the man for the job. Also, Dean Bryant, the director of Fun Home, shares the Best Advice he was ever given and Judith Lucy and Denise Scott are Still Here and heading out on the road.
Bob Dylan's music feels inseparable from the man himself, so how could it be adapted for musical theatre? Playwright Conor McPherson explains how his dark and dreamy Girl from the North Country convinced Bob that he was the man for the job.Also, Dean Bryant, the director of Fun Home, shares the Best Advice he was ever given and Judith Lucy and Denise Scott are Still Here and heading out on the road.
Bob Dylan's music feels inseparable from the man himself, so how could it be adapted for musical theatre? Playwright Conor McPherson explains how his dark and dreamy Girl from the North Country convinced Bob that he was the man for the job. Also, Dean Bryant, the director of Fun Home, shares the Best Advice he was ever given and Judith Lucy and Denise Scott are Still Here and heading out on the road.
Welcome to the Instant Trivia podcast episode 363, where we ask the best trivia on the Internet. Round 1. Category: Metals 1: Photography accounts for almost half the industrial use of this metal in the U.S.. silver. 2: This liquid metal is added to paints to make them mildew proof. Mercury. 3: Of the current penny, nickel, and dime the one which contains the most copper. nickel. 4: This liquid metal is 13.6 times heavier than an equal volume of water. mercury. 5: This alloy metal popular for bathroom rails gets softer as it includes more copper and less zinc. brass. Round 2. Category: The United States Of Advertising 1: This "advanced medicine for pain" was the first nonprescription brand of ibuprofen in the U.S.. Advil. 2: Julie London sang, "Where there's a man there's" this brand of cigarette; I wonder if he was riding his horse?. Marlboros. 3: Caffeine and taurnine are the main ingredients in this popular energy drink that "gives you wings". Red Bull. 4: Bausch and Lomb introduced the "Wayfarer" style of these in 1952. sunglasses. 5: This product gives you "speedy" relief the morning after. Alka-Seltzer. Round 3. Category: Driving The Green 1: "Because you've got better things to do than plug in and wait", the battery of this co.'s Civic Hybrid recharges itself. Honda. 2: At 55 MPG, you could get from L.A. to Vegas on a bout 5 gallons driving a Prius from this company. Toyota. 3: The Altra EV from this company that also makes the Altima can hit 75 MPH; what a (non) gas!. Nissan. 4: The Escape Hybrid from this company claims to have a "range of well over 400 miles on a single tank". Ford. 5: The EV1 got a fantastic 0 MPG, as it was a no-gas vehicle from this U.S. co. organized by William Durant in 1908. General Motors. Round 4. Category: World Theatre 1: This "War and Peace" author's play "The Power of Darkness" was once banned in his native Russia. Leo Tolstoy. 2: Conor McPherson's haunting play "The Weir" is set in a pub in this country. Ireland. 3: Israeli playwright Nathan Alterman called his first play "Kineret, Kineret...", Kineret being Hebrew for the Sea of this. Sea of Galilee. 4: The "Chushingura", about a band of avenging Ronin, is one of the most famous plays in this form of Japanese drama. Kabuki. 5: Juliette Binoche starred in the 2000 Broadway revival of this British playwright's 1978 classic "Betrayal". Harold Pinter. Round 5. Category: Books Of The '70s 1: In a 1972 book, Hunter S. Thompson sent Raoul Duke and Dr. Gonzo to this city to cover the Mint 400 race. Las Vegas. 2: This prolific British mystery writer's last published novel was 1976's "Sleeping Murder". Agatha Christie. 3: Victor Henry of the U.S. Navy and his family are at the center of this 1971 Herman Wouk epic. Winds of War. 4: A book by Flora Screiber says, Mary, Peggy Lou, Vicky and Vanessa were 4 of this title character's 16 personalities. Sybil. 5: A review said this 1979 William Styron novel "belongs on that small shelf reserved for American masterpieces". Sophie's Choice. Thanks for listening! Come back tomorrow for more exciting trivia!
Highlights from 'Downton Abbey' actor Brendan Coyle's episode of Hear Me Out. Viewable as a video on Spotify or youtube. Brendan opens up to Lucy Eaton about Conor McPherson's monologue play 'St Nicholas': He shares the history of his longstanding love for Conor's work, talks about making Dame Judi Dench cry and explains why a one-man show is always an ensemble effort. With a special guest appearance from Simon Evans, Brendan's director on 'St Nicholas' and writer/director of BBC/Hulu's Staged. Full podcast audio can be found on the same platform you're watching this on, or find us on Youtube here: https://youtu.be/aw3Ux9yvHkY
“The difference between stage and screen acting is vast, but it's the same root. It's just some of the techniques are very different. I really know theater because that's where I started. I went at it in a very haphazard way. I had a very haphazard approach. It was not orderly at all. I didn't go to a proper school or anything like that. After fooling around in Europe for almost a couple of years, just because I'd gotten out of the army...and didn't really know what to do or how to do it. And so I just went and while there I did some acting, but nothing very remarkable except doing a nightclub with William Burroughs. That was great fun. I did a little bit of studying here or there...Jeff Corey (and at one class in New York) someone said something that helped me a great deal. And then I just learned by doing it.”Harris Yulin has appeared on Broadway in Hedda Gabler, The Price, The Diary of Anne Frank, The Visit, A Lesson From Aloes, and Watch On The Rhine. His off-Broadway credits include Raindance at Signature Theatre; Don Juan In Hell at Symphony Space; Steve Tesich's Arts And Leisure at Playwrights Horizons; Tina Howe's Approaching Zanzibar at Second Stage; Hamlet, King John, Richard III, and A Midsummer Night's Dream at New York Shakespeare Festival; and Mrs. Warren's Profession and Hedda Gabler at Roundabout. Regional credits include Finishing the Picture at Goodman Theatre; a recent appearance in the title role of King Lear at New Jersey Shakespeare Festival; The Talking Cure at Mark Taper Forum; Tartuffe at the Guthrie and Arena Stage; Henry V at Hartford Stage; and The Tempest at Shakespeare & Co. Mr. Yulin's directing credits include Horton Foote's The Prisoner's Song at Ensemble Studio Theatre; Conor McPherson's This Lime Tree Bower at Primary Stages; Don Juan In Hell in London (Riverside Studios) and in New York (Symphony Space), Steve Tesich's Baba Goya (Second Stage), Adele Shank's Winter Play at Second Stage; Candida at the Shaw Festival; and The Front Page and The Guardsman at Long Wharf. His television credits include “Muhammad Ali's Greatest Fight,” “Mister Sterling,” “24,” “Buffy The Vampire Slayer,” “Frasier” (Emmy Nomination), and “La Femme Nikita” (Emmy Nomination). His film credits include Fur, The Place Beyond the Pines, The Emperor's Club, Training Day, The Million Dollar Hotel, The Hurricane, Looking for Richard, Murder at 1600, Multiplicity, Clear and Present Danger, and Scarface.· www.imdb.com/name/nm0950867/?ref_=fn_al_nm_1 · www.creativeprocess.info
Harris Yulin has appeared on Broadway in Hedda Gabler, The Price, The Diary of Anne Frank, The Visit, A Lesson From Aloes, and Watch On The Rhine. His off-Broadway credits include Raindance at Signature Theatre; Don Juan In Hell at Symphony Space; Steve Tesich's Arts And Leisure at Playwrights Horizons; Tina Howe's Approaching Zanzibar at Second Stage; Hamlet, King John, Richard III, and A Midsummer Night's Dream at New York Shakespeare Festival; and Mrs. Warren's Profession and Hedda Gabler at Roundabout. Regional credits include Finishing the Picture at Goodman Theatre; a recent appearance in the title role of King Lear at New Jersey Shakespeare Festival; The Talking Cure at Mark Taper Forum; Tartuffe at the Guthrie and Arena Stage; Henry V at Hartford Stage; and The Tempest at Shakespeare & Co. Mr. Yulin's directing credits include Horton Foote's The Prisoner's Song at Ensemble Studio Theatre; Conor McPherson's This Lime Tree Bower at Primary Stages; Don Juan In Hell in London (Riverside Studios) and in New York (Symphony Space), Steve Tesich's Baba Goya (Second Stage), Adele Shank's Winter Play at Second Stage; Candida at the Shaw Festival; and The Front Page and The Guardsman at Long Wharf. His television credits include “Muhammad Ali's Greatest Fight,” “Mister Sterling,” “24,” “Buffy The Vampire Slayer,” “Frasier” (Emmy Nomination), and “La Femme Nikita” (Emmy Nomination). His film credits include Fur, The Place Beyond the Pines, The Emperor's Club, Training Day, The Million Dollar Hotel, The Hurricane, Looking for Richard, Murder at 1600, Multiplicity, Clear and Present Danger, and Scarface.· www.imdb.com/name/nm0950867/?ref_=fn_al_nm_1 · www.creativeprocess.info
“The difference between stage and screen acting is vast, but it's the same root. It's just some of the techniques are very different. I really know theater because that's where I started. I went at it in a very haphazard way. I had a very haphazard approach. It was not orderly at all. I didn't go to a proper school or anything like that. After fooling around in Europe for almost a couple of years, just because I'd gotten out of the army...and didn't really know what to do or how to do it. And so I just went and while there I did some acting, but nothing very remarkable except doing a nightclub with William Burroughs. That was great fun. I did a little bit of studying here or there...Jeff Corey (and at one class in New York) someone said something that helped me a great deal. And then I just learned by doing it.”Harris Yulin has appeared on Broadway in Hedda Gabler, The Price, The Diary of Anne Frank, The Visit, A Lesson From Aloes, and Watch On The Rhine. His off-Broadway credits include Raindance at Signature Theatre; Don Juan In Hell at Symphony Space; Steve Tesich's Arts And Leisure at Playwrights Horizons; Tina Howe's Approaching Zanzibar at Second Stage; Hamlet, King John, Richard III, and A Midsummer Night's Dream at New York Shakespeare Festival; and Mrs. Warren's Profession and Hedda Gabler at Roundabout. Regional credits include Finishing the Picture at Goodman Theatre; a recent appearance in the title role of King Lear at New Jersey Shakespeare Festival; The Talking Cure at Mark Taper Forum; Tartuffe at the Guthrie and Arena Stage; Henry V at Hartford Stage; and The Tempest at Shakespeare & Co. Mr. Yulin's directing credits include Horton Foote's The Prisoner's Song at Ensemble Studio Theatre; Conor McPherson's This Lime Tree Bower at Primary Stages; Don Juan In Hell in London (Riverside Studios) and in New York (Symphony Space), Steve Tesich's Baba Goya (Second Stage), Adele Shank's Winter Play at Second Stage; Candida at the Shaw Festival; and The Front Page and The Guardsman at Long Wharf. His television credits include “Muhammad Ali's Greatest Fight,” “Mister Sterling,” “24,” “Buffy The Vampire Slayer,” “Frasier” (Emmy Nomination), and “La Femme Nikita” (Emmy Nomination). His film credits include Fur, The Place Beyond the Pines, The Emperor's Club, Training Day, The Million Dollar Hotel, The Hurricane, Looking for Richard, Murder at 1600, Multiplicity, Clear and Present Danger, and Scarface.· www.imdb.com/name/nm0950867/?ref_=fn_al_nm_1 · www.creativeprocess.info
Harris Yulin has appeared on Broadway in Hedda Gabler, The Price, The Diary of Anne Frank, The Visit, A Lesson From Aloes, and Watch On The Rhine. His off-Broadway credits include Raindance at Signature Theatre; Don Juan In Hell at Symphony Space; Steve Tesich's Arts And Leisure at Playwrights Horizons; Tina Howe's Approaching Zanzibar at Second Stage; Hamlet, King John, Richard III, and A Midsummer Night's Dream at New York Shakespeare Festival; and Mrs. Warren's Profession and Hedda Gabler at Roundabout. Regional credits include Finishing the Picture at Goodman Theatre; a recent appearance in the title role of King Lear at New Jersey Shakespeare Festival; The Talking Cure at Mark Taper Forum; Tartuffe at the Guthrie and Arena Stage; Henry V at Hartford Stage; and The Tempest at Shakespeare & Co. Mr. Yulin's directing credits include Horton Foote's The Prisoner's Song at Ensemble Studio Theatre; Conor McPherson's This Lime Tree Bower at Primary Stages; Don Juan In Hell in London (Riverside Studios) and in New York (Symphony Space), Steve Tesich's Baba Goya (Second Stage), Adele Shank's Winter Play at Second Stage; Candida at the Shaw Festival; and The Front Page and The Guardsman at Long Wharf. His television credits include “Muhammad Ali's Greatest Fight,” “Mister Sterling,” “24,” “Buffy The Vampire Slayer,” “Frasier” (Emmy Nomination), and “La Femme Nikita” (Emmy Nomination). His film credits include Fur, The Place Beyond the Pines, The Emperor's Club, Training Day, The Million Dollar Hotel, The Hurricane, Looking for Richard, Murder at 1600, Multiplicity, Clear and Present Danger, and Scarface.· www.imdb.com/name/nm0950867/?ref_=fn_al_nm_1 · www.creativeprocess.info
Harris Yulin has appeared on Broadway in Hedda Gabler, The Price, The Diary of Anne Frank, The Visit, A Lesson From Aloes, and Watch On The Rhine. His off-Broadway credits include Raindance at Signature Theatre; Don Juan In Hell at Symphony Space; Steve Tesich's Arts And Leisure at Playwrights Horizons; Tina Howe's Approaching Zanzibar at Second Stage; Hamlet, King John, Richard III, and A Midsummer Night's Dream at New York Shakespeare Festival; and Mrs. Warren's Profession and Hedda Gabler at Roundabout. Regional credits include Finishing the Picture at Goodman Theatre; a recent appearance in the title role of King Lear at New Jersey Shakespeare Festival; The Talking Cure at Mark Taper Forum; Tartuffe at the Guthrie and Arena Stage; Henry V at Hartford Stage; and The Tempest at Shakespeare & Co. Mr. Yulin's directing credits include Horton Foote's The Prisoner's Song at Ensemble Studio Theatre; Conor McPherson's This Lime Tree Bower at Primary Stages; Don Juan In Hell in London (Riverside Studios) and in New York (Symphony Space), Steve Tesich's Baba Goya (Second Stage), Adele Shank's Winter Play at Second Stage; Candida at the Shaw Festival; and The Front Page and The Guardsman at Long Wharf. His television credits include “Muhammad Ali's Greatest Fight,” “Mister Sterling,” “24,” “Buffy The Vampire Slayer,” “Frasier” (Emmy Nomination), and “La Femme Nikita” (Emmy Nomination). His film credits include Fur, The Place Beyond the Pines, The Emperor's Club, Training Day, The Million Dollar Hotel, The Hurricane, Looking for Richard, Murder at 1600, Multiplicity, Clear and Present Danger, and Scarface.· www.imdb.com/name/nm0950867/?ref_=fn_al_nm_1 · www.creativeprocess.info
“The difference between stage and screen acting is vast, but it's the same root. It's just some of the techniques are very different. I really know theater because that's where I started. I went at it in a very haphazard way. I had a very haphazard approach. It was not orderly at all. I didn't go to a proper school or anything like that. After fooling around in Europe for almost a couple of years, just because I'd gotten out of the army...and didn't really know what to do or how to do it. And so I just went and while there I did some acting, but nothing very remarkable except doing a nightclub with William Burroughs. That was great fun. I did a little bit of studying here or there...Jeff Corey (and at one class in New York) someone said something that helped me a great deal. And then I just learned by doing it.”Harris Yulin has appeared on Broadway in Hedda Gabler, The Price, The Diary of Anne Frank, The Visit, A Lesson From Aloes, and Watch On The Rhine. His off-Broadway credits include Raindance at Signature Theatre; Don Juan In Hell at Symphony Space; Steve Tesich's Arts And Leisure at Playwrights Horizons; Tina Howe's Approaching Zanzibar at Second Stage; Hamlet, King John, Richard III, and A Midsummer Night's Dream at New York Shakespeare Festival; and Mrs. Warren's Profession and Hedda Gabler at Roundabout. Regional credits include Finishing the Picture at Goodman Theatre; a recent appearance in the title role of King Lear at New Jersey Shakespeare Festival; The Talking Cure at Mark Taper Forum; Tartuffe at the Guthrie and Arena Stage; Henry V at Hartford Stage; and The Tempest at Shakespeare & Co. Mr. Yulin's directing credits include Horton Foote's The Prisoner's Song at Ensemble Studio Theatre; Conor McPherson's This Lime Tree Bower at Primary Stages; Don Juan In Hell in London (Riverside Studios) and in New York (Symphony Space), Steve Tesich's Baba Goya (Second Stage), Adele Shank's Winter Play at Second Stage; Candida at the Shaw Festival; and The Front Page and The Guardsman at Long Wharf. His television credits include “Muhammad Ali's Greatest Fight,” “Mister Sterling,” “24,” “Buffy The Vampire Slayer,” “Frasier” (Emmy Nomination), and “La Femme Nikita” (Emmy Nomination). His film credits include Fur, The Place Beyond the Pines, The Emperor's Club, Training Day, The Million Dollar Hotel, The Hurricane, Looking for Richard, Murder at 1600, Multiplicity, Clear and Present Danger, and Scarface.· www.imdb.com/name/nm0950867/?ref_=fn_al_nm_1 · www.creativeprocess.info
“The difference between stage and screen acting is vast, but it's the same root. It's just some of the techniques are very different. I really know theater because that's where I started. I went at it in a very haphazard way. I had a very haphazard approach. It was not orderly at all. I didn't go to a proper school or anything like that. After fooling around in Europe for almost a couple of years, just because I'd gotten out of the army...and didn't really know what to do or how to do it. And so I just went and while there I did some acting, but nothing very remarkable except doing a nightclub with William Burroughs. That was great fun. I did a little bit of studying here or there...Jeff Corey (and at one class in New York) someone said something that helped me a great deal. And then I just learned by doing it.”Harris Yulin has appeared on Broadway in Hedda Gabler, The Price, The Diary of Anne Frank, The Visit, A Lesson From Aloes, and Watch On The Rhine. His off-Broadway credits include Raindance at Signature Theatre; Don Juan In Hell at Symphony Space; Steve Tesich's Arts And Leisure at Playwrights Horizons; Tina Howe's Approaching Zanzibar at Second Stage; Hamlet, King John, Richard III, and A Midsummer Night's Dream at New York Shakespeare Festival; and Mrs. Warren's Profession and Hedda Gabler at Roundabout. Regional credits include Finishing the Picture at Goodman Theatre; a recent appearance in the title role of King Lear at New Jersey Shakespeare Festival; The Talking Cure at Mark Taper Forum; Tartuffe at the Guthrie and Arena Stage; Henry V at Hartford Stage; and The Tempest at Shakespeare & Co. Mr. Yulin's directing credits include Horton Foote's The Prisoner's Song at Ensemble Studio Theatre; Conor McPherson's This Lime Tree Bower at Primary Stages; Don Juan In Hell in London (Riverside Studios) and in New York (Symphony Space), Steve Tesich's Baba Goya (Second Stage), Adele Shank's Winter Play at Second Stage; Candida at the Shaw Festival; and The Front Page and The Guardsman at Long Wharf. His television credits include “Muhammad Ali's Greatest Fight,” “Mister Sterling,” “24,” “Buffy The Vampire Slayer,” “Frasier” (Emmy Nomination), and “La Femme Nikita” (Emmy Nomination). His film credits include Fur, The Place Beyond the Pines, The Emperor's Club, Training Day, The Million Dollar Hotel, The Hurricane, Looking for Richard, Murder at 1600, Multiplicity, Clear and Present Danger, and Scarface.· www.imdb.com/name/nm0950867/?ref_=fn_al_nm_1 · www.creativeprocess.info
The music of Bob Dylan has been turned into an award-winning musical set in Depression-era America. After successful runs on Broadway and the West End, 'Girl from the North Country' is coming to Sydney in January 2022 as a part of the Sydney Festival.
We caught up with actors Michelle Fox and Curtis-Lee Ashqar from the Shining City company. Conor McPherson's Dublin ghost story SHINING CITY is playing at Stratford East until Sat 23 Oct. Tickets and info: https://www.stratfordeast.com/shiningcity
Episode 032: Footnotes Volume 3 Host: Douglas Schatz Welcome to The Play Podcast where we explore the greatest new and classic plays. Each episode we choose a single play to talk about in depth with our expert guest. We'll discuss the play's origins, its themes, characters, structure and impact. For us the play is the thing. Footnotes Volume 3 is a recording of the facts and observations that we've published on the website to supplement the plays that we've covered in episodes 24-31. A smorgasbord of trivia and analysis ranging from Greek Tragedy to the stock characters of Commedia dell'Arte , through the music of Bob Dylan, the filming of Caryl Churchill's Escaped Alone during lockdown, and the theatrical installations of Samuel Beckett. A compendium of dramatic intelligence! Plays referred to in this episode include: Consent by Nina Raine Medea by Euripides A Servant to Two Masters by Goldoni, and One Man Two Guvnors by Richard Bean Present Laughter by Noel Coward Girl from the North Country by Conor McPherson and Bob Dylan A Taste of Honey by Shelagh Delaney Escaped Alone by Caryl Churchill Happy Days by Samuel Beckett
On this episode of Half Hour, Erin Cook, Steppenwolf's universally beloved company manager of more than ten years, joins Caroline Neff for a lovely and lively conversation. Cook shares stories from her path to Steppenwolf, and she talks about what it is like being communicating with, and caring for, the more than fifty actors, writers and directors that constitute the Steppenwolf Ensemble. Plus, Erin reflects on her singular relationships with two of Steppenwolf's visionary artistic directors: Martha Lavey and Anna D. Shapiro.Interview begins at 3:14. Erin Cook is the Company Manager & Assistant to the Artistic Director at Steppenwolf Theatre Company, where she has worked since 2008. Previously, Erin has worked at TimeLine, The Milwaukee Repertory Theatre and Utah Shakespeare along with a slew of restaurant and coffee shop jobs! Erin's top five shows at Steppenwolf are a combination of the things she has seen and worked on: The Brother/Sister Plays by Tarell Alvin McCraney, Middletown by Will Eno, The Seafarer by Conor McPherson, Mary Page Marlowe by Tracy Letts and Who's Afraid of Virginia Woolf? by Edward Albee.Learn more at Steppenwolf.orgWant to get in touch? Email halfhour@steppenwolf.orgA transcript of this episode can be found HERE
Episode 028: Girl from the North Country by Conor McPherson, music and lyrics by Bob Dylan Host: Douglas Schatz Guest: Conor McPherson Welcome to The Play Podcast where we explore the greatest new and classic plays. Each episode we choose a single play to talk about in depth with our expert guest. We'll discuss the play's origins, its themes, characters, structure and impact. For us the play is the thing. Girl from the North Country is an extraordinary collaboration between the playwright Conor McPherson and the musician and song writer Bob Dylan. The result is a magical work where McPherson's portrait of families struggling to survive in Depression America is transfigured into an uplifting theatrical experience by the ravishing period arrangements of Dylan's songs. The play opened at the Old Vic Theatre in London in 2017 to a rapturous response and reviews, and was followed by runs in the West End and New York. This is a very special episode, first because I am privileged to talk with none other than the play's author Conor McPherson, and secondly because we have also been given kind permission to include several extracts from the original cast recording of the music from the first London production.
‘Downton Abbey’ leading man Brendan Coyle opens up Conor McPherson’s monologue play 'St Nicholas’: He shares the history of his longstanding love for Conor’s work, talks about making Dame Judi Dench cry and explains why a one-man show is always an ensemble effort. With a special guest appearance from Simon Evans, Brendan's director on 'St Nicholas' and writer/director of BBC/Hulu's Staged. Hosted by Lucy Eaton, West End actress and theatre producer. Follow us on Instagram and Twitter at @PodHearMeOut, and watch visual clips from the show on our Youtube channel: https://bit.ly/3l7vRht New episodes coming weekly, with guests such as Downton's Brendan Coyle, Patricia Hodge OBE and Hamilton's Giles Terera. A Lucy Eaton Productions podcast.
In this episode I provide commentary on Shining City by Conor McPherson. A play that tells the story of an ex-priest turned therapist who is struggling with his identity and sexuality, as well as helping a man who is seeing the ghost of his ex-wife. --- Send in a voice message: https://anchor.fm/breaking-the-4th-wall-pod/message
Elmarie was personally delighted to be able to meet up with Naomi Daly in the auditorium of the Everyman as it gets ready to reopen after it's longest shutdown it the theatre's history...and just being in the theatre was in itself a source of excitement! The Everyman Announces Programme of Live EventsThe Everyman, MacCurtain Street, Corkwww.everymancork.com The Everyman is delighted to announce a programme of live performance with a mix of rehearsed readings, comedy, and music. The re-opening heralds a new digital direction for the theatre with Play It By Ear, a programme of shows at The Everyman, which are also available live through audio broadcast to be experienced from wherever audiences are.Naomi Daly, Acting Programming Manager at the theatre says, “we are celebrating the voice as we focus on bringing Cork's wealth of local talent back to the stage along with some of our established favourites. It feels great to be turning the lights back on and throwing open the doors after our longest period of closure in over 30 years. We're really excited about this programme and I hope our audiences will agree that we've ‘knocked it out of the Pairc!'”Play it by Ear could be a synonym for ‘to improvise', ‘rise to the occasion' or ‘to think on one's feet'. The Everyman has adapted to the new experience of performance by creating an exciting and innovative programme that highlights the exceptional theatrical talent in Cork. As part of Play It By Ear, The Everyman presents a series of rehearsed readings, opening on October 15th with Marion, by Katie Holly who was this year's ambassador for Cork County Culture Night. Katie says “I am so pleased and proud to be involved in the reopening of The Everyman's programme; a gorgeous, atmospheric venue that encourages and inspires the people within its walls to make great, entertaining, thought-provoking theatre. I'm also delighted to be working with Laura O'Mahony, Tadhg Hickey and Eadaoin O'Donoghue on a reworking of my first professional play 'Marion', which was first produced in 2016 for Cork Midsummer Festival.” The Everyman continues to fly the flag for local theatre makers presenting The Whiteheaded Boy – a comedy in three acts, by Lennox Robinson and directed by Ger Fitzgibbon. Full of twists and turns, ups and downs, and families fighting each other, the play is as relevant today as when it was first performed in 1916. Not only does it reveal the dynamics of a family, but it is also a pointed analysis of Irish culture.Later in the month, Ger FitzGibbon returns with his play The Four Faced Liar, when the voices of the four faces of Shandon Steeple come alive with a commentary on the city's inhabitants below. The final rehearsed reading is the darkly chilling play The Seafarer, by Conor McPherson, directed by John McCarthy. For music lovers there are two spectacular live music shows to look forward to as part of Play It By Ear. Majella Cullagh, one of Ireland's foremost sopranos, returns to The Everyman with songs from the golden age of musical theatre from the genius collaboration of Rodgers and Hammerstein, accompanied on piano by John O'Brien. Feeling Good with Karen Underwood and John O'Brien brings us a night of heart-warming, and roof-raising jazz, soul, and blues with interpretations of the songs of Billie Holliday, Nina Simone, Dinah Washington, Whitney... See acast.com/privacy for privacy and opt-out information.
Austin chats with me about what it was like to be performing in a new Broadway musical at the time of the shutdown, the benefits of not going the conservatory route, multiple auditions for the musical HAMILTON, learning how to step into Alexander Hamilton’s shoes, what he’s missing the most about playing Joe Scott in GIRL FROM THE NORTH COUNTRY, as well as a short passage from Conor McPherson’s stunning script.
Artemis Fowl (known in certain territories as Artemis Fowl: The Secret World) is a 2020 American science fantasy adventure film based on the 2001 novel of the same name by Irish author Eoin Colfer. It is directed by Kenneth Branagh, from a screenplay co-written by Conor McPherson and Hamish McColl. The film stars Ferdia Shaw, Lara McDonnell, Josh Gad, Tamara Smart, Nonso Anozie, Colin Farrell, and Judi Dench. It details the adventures of Artemis Fowl II, a 12-year-old Irish prodigy who teams up with his faithful servant, a dwarf, and a fairy in order to rescue his father, Artemis Fowl I, who has been kidnapped by another fairy looking to reclaim an item the Fowl family has stolen.Originally intended to be launched as a franchise by Miramax in 2001, the film languished in development hell with several writers and directors attached until Walt Disney Pictures acquired the rights in 2013. Branagh was hired in September 2015, and much of the cast joined in 2017. Filming began in March 2018, taking place around Europe.Artemis Fowl was originally intended to be a theatrical release, but was cancelled in response to the COVID-19 pandemic. Instead, it was released digitally worldwide on Disney+ on June 12, 2020. The film received generally negative reviews from critics, with Rotten Tomatoes saying that it would "anger fans of the source material and leave newcomers befuddled".
This conversation was recorded in early June 2020, in wake of the murders of George Floyd, Tony McDade, Rayshard Brooks, Breonna Taylor, Ahmaud Arbery, and far too many others. We hold their families in our thoughts and wish for swift justice. We’ve attached links in this video and in its description to point you towards just a few of the many ways you can support Black lives, Indigenous lives, and people of color. We hope to not distract from the important work happening in our world, but ally it with light from artists, and to spread leadership and hope. We recognize and stand with the following organizations: Black Lives Matter, blacklivesmatter.com Black Visions Collective, blackvisionsmn.org NAACP Legal Defense Fund, naacpldf.org American Civil Liberties Union, action.aclu.org/give/now National Resource List, linktr.ee/NationalResourcesList Recorded on June 12, 2020 We sat down with Conor McPherson (Director/Writer) and Simon Hale (Orchestration, Arrangements, and Music Direction) from Broadway's Girl From North Country to ask how McPherson blew up the traditional musical form (with the help of Hale) to create this Bob Dylan music inspired force of nature of production. #COLLABORATION, The Drama League's new series of conversations that provide a window into the partnership process between a director and a playwright, designer, producer, or actor. In each episode, artists will discuss their journey together on a project and their relationship as collaborators. The process of creating art is revealed in these intimate, surprising, and wide-ranging conversations with award-winning collaborators from around the world. The artists in this video have donated their time and fees to help provide much-needed aid, relief, and programs for stage directors affected by the COVID-19 pandemic. You can help! Donate here: dramaleague.org/ghostlight If you're a director needing assistance, visit our COVID-19 resources and emergency relief programs here: dramaleague.org/covidresources/covid19resources Learn more about Girl From North Country: https://northcountryonbroadway.com/ Learn more about Conor McPherson: https://www.imdb.com/name/nm0574217/ Learn more about Simon Hale: https://www.ibdb.com/broadway-cast-staff/simon-hale-454222 Editing services donated by: https://catalinmedia.com/
Welcome to episode 14 where Daniel and Nathan discuss Artemis Fowl. **Warning!*** ***Spoilers ahead!*** Written by Conor McPherson, Hamish McColl, and directed by Kenneth Branagh, Artemis Fowl is a 12 year old genius who teams up with fantastical creatures in order to rescue his father.
In this episode, Justyna and Paul talk about Commitment: a novel about business risk. Get the book: https://commitment-thebook.com/products/commitment-the-bookThe play Paul couldn't name was St. Nicholas by Conor McPherson, with the lead played by Brendan Coyle.Support the show (http://patreon.com/agilebookclub)
Episode 002: Uncle Vanya by Anton Chekhov Host: Douglas Schatz Guest: Nick Hern, Founder of Nick Hern Books and publisher of Conor McPherson's new adaptation of the Chekhov classic. Welcome to The Play Podcast where we explore the greatest new and classic plays. Each episode we choose a single play – often one that is on stage somewhere in the UK – and we talk about it in more depth than you will find in the reviews of any one production. We'll discuss the play's origins, its themes, characters, structure and impact. For us the play is the thing. To coincide with Irish playwright Conor McPherson's new adaptation of the Chekhov classic, and its West End run, we talk with his publisher Nick Hern. When in 1889 Chekhov presented the first version of the play that would eventually become Uncle Vanya it was a devastating failure. The playwright withdrew the play and didn't write another play for five years. Yet the four great plays that followed sealed Chekhov's reputation as one of the fathers of modern drama. What was different about his plays that changed the way we view theatre? Why are they billed as “comedies” when the characters are so unrelentingly unhappy? How are his portraits of the idle Russian aristocracy at the turn of the 20th century still relevant today? Nick and I and try to answer these questions, and share our love of Uncle Vanya and Chekhov. Find full show notes at www.theplaypodcast.com
The critics talk with the 'Girl From the North Country' playwright about his work and its meanings, and discuss 'Mockingbird' at MSG, a new take on 'Dracula,' and a James Baldwin revival in D.C.
The critics talk with the 'Girl From the North Country' playwright about his work and its meanings, and discuss 'Mockingbird' at MSG, a new take on 'Dracula,' and a James Baldwin revival in D.C.
On the podcast this week on the Headstuff podcast Network with Wildcard Distribution is the Third in the Holy Trinity of O'Flanagan Sisters... Rebecca O'Flanagan. A graduate of UCD and King's Inns, Rebecca worked in a freelance capacity for a number of years in the Irish film industry before she moved to the Irish Film Board to work as a Development Manager, selecting and managing the Board's vast development slate including shorts, animation, television and film. In 2004 she left the Board and established Rubicon Films. In that year she also produced the RTE/Film Base-funded short Right Now Ladies and Gents. In 2006, she produced at 4 x 1 hour TV series for TG4 called The Running Mate, which won the IFTA for Best Drama Serial. Also in 2008, Rebecca executive produced The Eclipse for Treasure Entertainment, a feature film written and directed by Conor McPherson which won the award for Best Actor at the Tribeca Film Festival for Ciaran Hinds and also won the IFTA for best film. In 2009, Rebecca produced the feature film My Brothers which also premiered in Tribeca. In the same year she produced Your Bad Self, a six part TV sketch show for RTE, winner of the IFTA for best entertainment programme. In 2011 Rebecca executive produced BAFTA nominated Good Vibrations. In 2012 Rebecca produced John Butler's The Stag, and in 2016 she produced John Butler's second feature Handsome Devil. Both films premiered at the Toronto International Film Festival. Her most recent credits include Paddy Breathnach's Viva, which was shortlisted for Best Foreign Language Oscar, Hugh O'Conor's debut feature film Metal Heart, which premiered at the Galway Film Fleadh 2018, and John Butler's latest feature Papi Chulo, which premiered at TIFF 2018. Rebecca lectures on the MA in Screenwriting course at the School of Film and Digital Media in NUI Galway, as well as guest lecturing at on a number of other film courses. Check out or most recent Podcasts brought to you by Wildcard Distribution with Dee Roycroft. Subscribe on Spotify, Apple Podcasts, Google Podcasts, Sticher or wherever you get your Podcasts. Come along to our latest classes with Film Network Ireland. Get it made, With Colin McKeown starting this Sunday. 10 pages, Full packages. Tics: https://www.eventbrite.ie/e/get-it-made-with-bafta-award-winning-colin-mckeown-tickets-71663339979 and our FIRST Horror Genre Workshop over two days with former head of development at British Screen with over 60 features under his guidance Stephen Cleary. Tics: https://www.eventbrite.ie/e/its-alive-two-day-horror-screenwriting-tickets-72992092313 #WeAreFni Learn more about your ad choices. Visit megaphone.fm/adchoices
On the podcast this week on the Headstuff podcast Network with Wildcard Distribution is the Third in the Holy Trinity of O'Flanagan Sisters... Rebecca O'Flanagan. A graduate of UCD and King’s Inns, Rebecca worked in a freelance capacity for a number of years in the Irish film industry before she moved to the Irish Film Board to work as a Development Manager, selecting and managing the Board’s vast development slate including shorts, animation, television and film. In 2004 she left the Board and established Rubicon Films. In that year she also produced the RTE/Film Base-funded short Right Now Ladies and Gents. In 2006, she produced at 4 x 1 hour TV series for TG4 called The Running Mate, which won the IFTA for Best Drama Serial. Also in 2008, Rebecca executive produced The Eclipse for Treasure Entertainment, a feature film written and directed by Conor McPherson which won the award for Best Actor at the Tribeca Film Festival for Ciaran Hinds and also won the IFTA for best film. In 2009, Rebecca produced the feature film My Brothers which also premiered in Tribeca. In the same year she produced Your Bad Self, a six part TV sketch show for RTE, winner of the IFTA for best entertainment programme. In 2011 Rebecca executive produced BAFTA nominated Good Vibrations. In 2012 Rebecca produced John Butler's The Stag, and in 2016 she produced John Butler's second feature Handsome Devil. Both films premiered at the Toronto International Film Festival. Her most recent credits include Paddy Breathnach’s Viva, which was shortlisted for Best Foreign Language Oscar, Hugh O'Conor's debut feature film Metal Heart, which premiered at the Galway Film Fleadh 2018, and John Butler's latest feature Papi Chulo, which premiered at TIFF 2018. Rebecca lectures on the MA in Screenwriting course at the School of Film and Digital Media in NUI Galway, as well as guest lecturing at on a number of other film courses. Check out or most recent Podcasts brought to you by Wildcard Distribution with Dee Roycroft. Subscribe on Spotify, Apple Podcasts, Google Podcasts, Sticher or wherever you get your Podcasts. Come along to our latest classes with Film Network Ireland. Get it made, With Colin McKeown starting this Sunday. 10 pages, Full packages. Tics: https://www.eventbrite.ie/e/get-it-made-with-bafta-award-winning-colin-mckeown-tickets-71663339979 and our FIRST Horror Genre Workshop over two days with former head of development at British Screen with over 60 features under his guidance Stephen Cleary. Tics: https://www.eventbrite.ie/e/its-alive-two-day-horror-screenwriting-tickets-72992092313 #WeAreFni (https://www.facebook.com/hashtag/wearefni?source=feed_text&epa=HASHTAG&__xts__%5B0%5D=68.ARDNQJzdHH8diGY-n_-ogsAVjEZDLfZly6pqZhc7a0LiVAYmbNTWrqIl6QiIROoCEMKOra6HlPhYgh4rB8D94SHvtWV2-Syc0Y7njkZAjL5Be1OdLYFEkmZytyPgBKN5JkUlulGdrFWUghhM1LlG3v3xtWhUUEBGKDra34kW5VXFPuZSoBY7I0YQnu_Q5hey6QchzzIWWJomvFEYt_Rb9wwCr8WNIRabTDszGVm38-1H-YcI9iTxtUJBvYeerFTzj2L0FDokthaRu1b6N6A4fX1oEzqGUBHPlGGC4HyfOlkn5ReLqo6uXGhIH4XaCWuQzng_MN0Sn7mJ3DZUv8v7o5ZPxw&__tn__=%2ANK-R)
In this episode of Into the Fire, Jerome Davis is joined by Appalachian State professor Adrian Rice to discuss the work of Conor McPherson. Born and raised in Ireland, Rice dives deep into Irish literature, as well as what it was like to grow up in Northern Ireland. They then go on explore the supernatural and its presence in McPherson as well as Rice’s works, and Adrian lets us in on a few tales of his own.
The screenwriter Hossein Amini meets the playwright and director Conor McPherson. Hossein Amini co-created and co-wrote the TV series McMafia, which focused on Russian gangsters and global organised crime. His screenplay for the film The Wings of the Dove, based on the novel by Henry James and starring Helena Bonham Carter, won an Oscar nomination. His other screenwriting credits include Drive, which starred Ryan Gosling. Conor McPherson's play The Weir, first staged in 1997, was voted one of the most important plays of the 20th century in a National Theatre poll, and has been performed around the world. More recently Bob Dylan's representatives invited him to create a stage-work featuring Dylan songs. The resultant play, Girl from the North Country, was widely acclaimed in London, and opened earlier this year in New York, where the New York Times described McPherson as 'perhaps the finest English-language playwright of his generation'. Producer Clare Walker
He wrote a play with Bob Dylan tunes -- but don't call it a jukebox musica
Before attempting to explain what Conor McPherson’s The Birds is, running now at Sebastopol’s Main Stage West, best make it clear what it isn’t. It is not a stage adaptation of the Alfred Hitchcock film. It’s not set in Bodega Bay, there is no schoolhouse full of screaming children, and no one is trapped in a phone booth by marauding sea gulls. Nor is it a straightforward adaptation of Daphne du Maurier’s original 1952 novella. It’s not set in post WWII England. It’s not about a war veteran working on a farm with his family. It’s not a metaphor for the aerial bombardment endured by England during the Second World War. The only thing the three have in common is the premise of nature turning on man in the form of indiscriminate and deadly attacks of the avian variety. McPherson takes that premise and wraps a human story around it with elements whose genesis may be found in… well, we’ll get to that. It begins with a man and a woman, Nat (Nick Sholley) and Diane (Liz Jahren), taking refuge from the birds in an abandoned New England Farm House. Nat is in the throes of some illness, so Diane nurses Nat back to health. Together they map out a plan for survival. Not knowing if there’s a world to return to, they begin to settle into sort of a domestic arrangement when the balance of that arrangement is set askew by the arrival of Julia (Rae Quintana) and a visit from a “neighbor” (Anthony Abaté). Soon, the birds may become the least of their problems when it comes to their survival. The Birds is a challenging mixture of horror, thriller and character study. It’s an oddly constructed piece with some scenes lasting only seconds and others seeming to jump in time past significant action. The play’s structure works against it as a sense of dread or danger was often dissipated by the requirement of having the cast rearrange the set or move prop pieces. Still, it does manage to have a couple of nice jolts in it. What The Birds has going for it is an excellent cast and MSW’s naturally claustrophobic setting. Nick Sholley (last seen at MSW in A Steady Rain) brings another seriously flawed, slightly unhinged character to vivid life. Liz Jahren is very good in the role of Diane, effectively playing a character who starts out as bedrock of sense and purpose but who eventually crumbles under the pressure, both real and imagined. Rae Quintana’s Julia is a character of many shades and quite possibly shady. Anthony Abaté has the least amount of stage time, but that time is memorable. Director Elizabeth Craven doubles as Set Designer and, as I have come to expect from Main Stage West, she packs a lot of set into its relatively small space. While the interior of the house takes up the complete stage, a sense of depth and the outside world is achieved through lighting and especially by Doug Faxon’s sound design. Nary a feather is seen on stage, but the birds – aurally - are omnipresent. McPherson’s plays (Shining City, The Seafarer) often have a supernatural or spiritual component to them. One might assume that the use of du Maurier’s original concept of the destruction of the human race by birds would fit that bill but, as I alluded to in the opening paragraph, I think it actually goes a bit deeper. At its core, what McPherson presents in his adaptation is the story of a man and woman, possibly the only humans on earth. Their (relatively) idyllic existence is challenged by temptation in the form of Julia. The seeds of mistrust are sown by the appearance of a Mephistophelian neighbor. That mistrust leads to actions that result in their leaving (or self-banishment from) the comfort and safety of their surroundings. Could it be that Conor McPherson’s The Birds is a very twisted retelling of the Book of Genesis and Adam and Eve? The Birds runs through April 23rd. Visit mainstagewest.com.
A Bishop, a money-lender and a car mechanic walk into a bar.......and so we wonder what sort of hilarity may ensue with the punch line to come. But tonight on Windy City Irish Radio, we are treated to just that scenario as Mike and Tim welcome esteemed Chicago actor, Peter Bradley Armacost, into the studio to discuss his many current rolls on stage and screen. Brad is awfully busy these days portraying characters in the ghostly realm and channeling the words of some of our greatest playwrights. As Ebenezer Scrooge in A Christmas Carol at the Drury Lane, Brad plays Dickens' curmudgeonly miser with aplomb, portraying his journey to redemption with the help of haunted visitors of his past, present, and future. Bah Humbug, indeed! In his role as Chicago's Bishop Egan in The Exorcist FOX each Friday night on our television, we learn very quickly that Satan takes no holiday! Finally, in his role as Jack in Conor McPherson's triumphant play, The Weir, Brad reprises the role that won him a Jeff Award in 2010. Irish Theatre of Chicago's presentation of The Weir opens on December 17 and runs into January. Attending this show is the ONLY way to hear the ending of the oh-so-spooky tale that Brad weaves on tonight's show. With music from Nanci Griffith, Séamus Begley / Oisín Mac Diarmada / Samantha Harvey, Roseanne Cash with Welshman Tom Jones and Catriona O'Leary, a new one from Offaly's JigJam, The High Kings, The Saw Doctors and Cathie Ryan, this show, like most of Brad's work, is a must listen! Join us and listen at www.windycityirishradio.com.
Bob Wilcox and Gerry Kowarsky review (1) GEORAMA, by West Hyler, Matt Schatz & Jack Herrick, at the Repertory Theatre of St. Louis, (2) THE WEIR, by Conor McPherson, at Cocktails & Curtain Calls, (3) UNDERNEATH THE LINTEL, by Glen Berger, at the New Jewish Theatre, (4) SHINING CITY, by Conor McPherson, at Upstream Theater, (5) GOOD PEOPLE, by David Lindsay-Abaire,at the Alpha Players of Florissant, (6) GIOCOSO, at Circus Harmony, and (7) COSI FAN TUTTE, by W. A. Mozart and Lorenzo Da Ponte, at Winter Opera St. Louis.
Sean Rocks talks to Conor Mc Pherson, the Dublin dramatist whose mastery of the monologue brought him from the Bush Theatre in London to Broadway success with his break-through play The Weir.
There's a lot going on in the world this week, as Jstebz, Matty, Michael, and Nate come together to break it all down. We start with some exciting things happening in Vancouver. Nate is co-starring in a play called The Weir, written by Conor McPherson. It runs along with the Vancouver Celtic Fest and each performance is in a different Irish Pub, which brings a whole new dimension of reality along with it. We move along to give our friends The Fictionals and West Coast Geeks VS Nerds some internet high-fives for their big announcements this month. The Fictionals will be performing at Fan Expo Vancouver and WCGVN have secured a great new venue for their monthly debates! In gaming news, Michael brings us news of a game that Montreal based Ubisoft has developed that could help correct amblyopia (lazy eye) in adults and children. Jstebz is especially excited, as she was a child tortured by eye patches herself. In some sad news, we lost sci-fi legend Leonard Nimoy last week at the age of 83. The gang pays their respects to a man who meant to much to the world. LLAP.Harrison Ford escaped a fatality last week too. As this isn't his first unintentional plane landing, we ask ourselves, how many crashes does it take to make you stop flying? The guys nerd out over House of Cards, as Season 3 has just been released on Netflix, and surprisingly enough, do not offer much in the way of spoilers for Jstebz, who is always behind on TV shows. Matty makes it weird with a story out of Germany. A business is angry with drunk club-goers for peeing on their walls, and take an interesting measure to redirect the stream. Thanks for listening to another episode of The League Cast on the League of Manchildren Podcast Network. Follow us on Twitter and Instagram, and subscribe to the show on iTunes and Stitcher.
The thing about death is, it’s not negotiable. Sooner or later, we all have to face it. Till then, it’s hanging out there, somewhere, waiting for us. And one way we deal with that is by experiencing books, movies, songs, poetry and plays about the inevitability of death. Somehow, when glimpsing the grim reaper through the arts, we feel a little better because, I don’t know, maybe watching other people deal with the specter of mortality makes it all seem more normal. Or something. If that’s your take, then a pair of just-opened plays make be just your cup of tea, since the inevitability of death hangs over both of them like an ax dangling above a doorway in a condemned cabin in the middle of an earthquake. First, there’s Conor McPherson’s evocative drama "Shining City," now playing at Main Stage West, in Sebastopol. In this sly, slippery, deceptively unassuming play, the author of "The Weir" and "The Seafarer" has crafted a ghost story, of sorts, in which a troubled Dublin therapist named Ian, played with marvelous intensity and fragile humanity by Nick Sholley, gains a new client: an anxious insomniac named John, played brilliantly by John Craven. Poor old John. A steady-minded businessman, he is shaken by the fact that he keeps seeing the ghost of his recently deceased wife. And she doesn’t seem happy. Unable to sleep, afraid to enter his own house, John believes he’s being haunted for certain unspoken sins. Ian, convinced his new client is simply struggling with feelings of grief and unresolved guilt, gently coaxes the old man toward facing his fears, all the while carrying his own soul-crushing battle with shame and despair. With carefully crafted delicacy, the playwright takes us through Ian’s increasingly powerful therapy sessions with John, scenes that play out against a pair of shattering close encounters Ian has with the fierce-but-frail Neassa (Ilana Niernberger) the mother of Ian’s child, and with Laurence (John Browning) a sensitive street hustler who brings Ian an unexpected understanding of how the world works. Elegantly staged by director Beth Craven, beautifully acted by the entire ensemble - with special kudos to Craven for the astonishing twenty-minute monologue that comes mid-way through the show - this rich, emotionally powerfully story is more than just a chilling ghost story. In the end, "Shining City" - glowing with intelligence, humor and humanity - reveals itself as a lyrical, lush look at the conversations we have, and the choices we all make, to feel alive in a world haunted by the ghosts of our past decisions. Next up, "Bonnie and Clyde: the musical." It is widely known that the notorious Depression-era outlaws Bonnie Parker and Clyde Barrows died violently in a hail of gunfire. In a car. In Texas. In composer Frank Wildhorn’s musical reworking of the bank robbers’ lives, the legendary tale begins at the end, the sound of gunfire, the flash of light, and famous fugitives’ bloody bodies dead in their car. Ivan Menchell’s clever script then jumps back in time to Bonnie and Clyde’s childhoods, gradually working the story’s way back to where it began. It’s an effective choice. As the title characters, Taylor Bartolucci and James Bock have some killer chemistry, thick enough to spread on a baguette, and they are matched in poise and presence by Scottie Woodard and Heather Buck as Clyde’s brother Buck and sister-in-law Blanche. Barry Martin, as a local preacher, brings some impressive southern gospel charm. The somewhat uneven musical score does have a few strong moments, mostly when emphasizing the tragic love story at the heart of the play. On Jesse Dreikosen’s first-rate set of jagged wooden slats, director Craig Miller keeps the tension building and building and building, right to end. And that’s no small feat, considering the fact that, hey, everyone knows the ending. "Bonnie & Clyde" runs Thursday–Sunday through March 15 at 6th Street Playhouse. 6thstreetplayhouse.com. "Shining City" runs Thursday–Sunday through March 15 at Main Stage West. Maistagewest.com.
Canadian novelist Margaret Atwood discusses the world premiere of her first opera Pauline, live from Vancouver; Ranald McInnes on the Glasgow Art School fire; Neel Mukherjee on his new novel The Lives of Others, set during the political unrest in India in the 1960s; Amat Escalante, director of new film Heli, reveals the background to his drama about drugs, violence and corruption in a remote community in rural Mexico; and Jake Arnott reviews new British TV drama Quirke starring Gabriel Byrne and written by Andrew Davies and Conor McPherson, an adaptation of the novels by Benjamin Black (John Banville). Producer Jerome Weatherald.
Charles Isherwood, theater critic at The New York Times, just got back from a week in London and he spent substantial amounts of it going to the theater. That city is a great theater town, just as New York is. It’s also the place where a lot of New York shows are born; we like British imports. But Isherwood sampled American fare on the English menu, too, including two Eugene O’Neill plays, as well as a new work by Irish playwright Conor McPherson, and a new musical version of Roald Dahl’s book, “Charlie and the Chocolate Factory.” We check in with our reviewer to find out if he liked what he saw in the West End and other London venues, and if he saw anything that’s likely to be the next hot British import on Broadway.
Matthew Sweet talks to Conor McPherson about his new play The Night Alive, working with his own material as writer and director, violence on stage and his muses. On the 700th anniversary of Boccaccio's birth, Matthew is joined by Massimo Riva, Guyda Armstrong and Lindsay Johns to discuss the relevance of the Florentine author today. David Kynaston has been 'Opening the Box' on the years 1957 - 59, the third in his series of books looking across the history of post-war Britain. But are we just too sentimental about the 1950s? New Generation Thinker Chris Harding explains how religions and scientific psychology and psychiatry are drawing ever closer together in our modern consciousness.
With Mark Lawson Before Midnight is the last instalment in the acclaimed film trilogy that began with Before Sunset and continued with Before Sunrise. Jesse and Celine, who enjoyed brief encounters in Vienna and Paris, are now married with children, but as their summer holiday in Greece comes to an end, the light seems to be going out of their relationship. Antonia Quirke delivers her verdict on one of modern cinema's most famous and enduring couples, played by Julie Delpy and Ethan Hawke. Neil Hannon (frontman and founder of The Divine Comedy) and musician Thomas Walsh discuss their second cricket-inspired album Sticky Wickets, and the formation of their band The Duckworth Lewis Method. They also reveal how they arranged special guests including Daniel Radcliffe, Stephen Fry and Henry Blofeld. The Weir, a series of ghost stories told in an Irish pub, was a huge hit for playwright Conor McPherson over a decade ago. His latest play The Night Alive returns to the theme of how the past can haunt the present in unexpected ways. Conor McPherson talks to Mark about the experiences that have informed his writing. Artist Rachel Whiteread makes her selection for the Cultural Exchange - a painting by Bridget Riley, which she kept as a postcard.
With John Wilson. Glenn Frey, Don Henley, Joe Walsh and Timothy B Schmit of America's biggest-selling band The Eagles discuss a new documentary, History of the Eagles, which charts the ups and downs of their career and the stories behind their classic songs. More from the Cultural Exchange project, in which 75 leading creative minds share their passion for a book, film, poem, piece of music or other work of art: tonight writer and editor Diana Athill explains why Byron's letters have had such a lasting effect on her. The Weir by Conor McPherson, set in a remote Irish pub, and the musical version of Once, which has been transposed to a bustling Dublin pub, are both currently running in London. Josie Rourke, who is directing The Weir, and Declan Bennett, who stars in Once, reflect on the process of creating an authentic pub atmosphere on stage, and P J Mathews considers the theatrical history of the Irish pub. Producer Jerome Weatherald.
Anne McElvoy talks to the director Ang Lee about his latest film The Life of Pi. Susannah Clapp reviews August Strindberg's play The Dance of Death which has a new adaptation by Conor McPherson. Polish-born writer and critic Agata Pyzik and Jatinder Verma who founded the South Asian theatre company Tara Arts discuss why some immigrant groups make more cultural impact than others. And Anne talks to Valery Rees about her new book, From Gabriel to Lucifer: A Cultural History of Angels.
Director Conor McPherson talks about his award winning feature film THE ECLIPSE, in conversation with fellow Director Paddy Breathnach. 17.05.10
Bob Wilcox and Gerry Kowarsky review (1) SUNDAY IN THE PARK WITH GEORGE, by Stephen Sondheim and James Lapine, at the Repertory Theatre of St. Louis, (2) ON GOLDEN POND, by Ernest Thompson, at The Black Rep, (3) TESSITURA, at Circus Harmony, (4) LA CAGE AUX FOLLES, by Jerry Herman and Harvey Fierstein, at the Fox Theatre, (5) SEE HOW THEY RUN, by Phillip King, at the Theatre Guild of Webster Groves, (6) THE SEAFARER, by Conor McPherson, at West End Players Guild, and (7) THE ELVES AND THE SHOEMAKER, by Sarah Brandt & Neal Richardson, at the Imaginary Theatre Co.
Director Matt Miller and actors Brad Armacost and Sarah Wellington join Anne Nicholson Weber to discuss Seanachai Theatre's production of The Weir, by Conor McPherson, which is currently playing at the Irish American Heritage Center. They talk about storytelling, listening on stage, and what makes McPherson's deceptively simple play so powerful.
The Hubble Space Telescope, one of the crowning glories of our scientific age and it's the subject of the latest IMAX documentary, Hubble 3D. The movie's playing downtown at the California Science Museum. Shortly after the Hubble was launched in 1993 it was diagnosed with, and subsequently cured of, an extremely inconvenient case of astigmatism...Everyone is haunted by something in Conor McPherson's The Eclipse. This leisurely and quite lovely drama honors the conventions of Gothic ghost stories without the slightest stain of self-irony. The time is the present and the setting is a beautiful Irish town with a Gothic cathedral in County Cork...
Actor Jim Norton, Tony and Olivier Award winner for "The Seafarer" and now on Broadway in the notably sunnier current revival of "Finian's Rainbow", discusses how the Irish view that Irish-inflected musical; how he wasn't entirely unprepared to appear in a musical, even though he's done extremely few in a 50 year career (despite an early appearance as Lt. Cable in "South Pacific"); and why appearing in a Broadway musical is unlike anything he's ever done before. He also takes us through his days as a child actor on radio; his emergence in the Irish theatre community in the 1960s and his subsequent decision to move to London at the decade's end, resulting in an exile from the Irish stage that would last 18 years; his quick discovery in London by noted director Lindsay Anderson; why he worked to keep the English theatre community from thinking of him as an Irish actor; why he made his American stage debut in California; how difficult he found it to perform in "The Pillowman"; what it was like to perform in "The Weir" in a variety of countries and venues; and his extensive work with a group of major playwrights over his career, including David Storey, Alan Ayckbourn, Tom Murphy, Sebastian Barry, Frank McGuinness and most notably, Conor McPherson. Original air date - December 14, 2009.
Actor Jim Norton, Tony and Olivier Award winner for "The Seafarer" and now on Broadway in the notably sunnier current revival of "Finian's Rainbow", discusses how the Irish view that Irish-inflected musical; how he wasn't entirely unprepared to appear in a musical, even though he's done extremely few in a 50 year career (despite an early appearance as Lt. Cable in "South Pacific"); and why appearing in a Broadway musical is unlike anything he's ever done before. He also takes us through his days as a child actor on radio; his emergence in the Irish theatre community in the 1960s and his subsequent decision to move to London at the decade's end, resulting in an exile from the Irish stage that would last 18 years; his quick discovery in London by noted director Lindsay Anderson; why he worked to keep the English theatre community from thinking of him as an Irish actor; why he made his American stage debut in California; how difficult he found it to perform in "The Pillowman"; what it was like to perform in "The Weir" in a variety of countries and venues; and his extensive work with a group of major playwrights over his career, including David Storey, Alan Ayckbourn, Tom Murphy, Sebastian Barry, Frank McGuinness and most notably, Conor McPherson. Original air date - December 14, 2009.
Actor Jim Norton, Tony and Olivier Award winner for The Seafarer and now on Broadway in the notably sunnier current revival of Finian's Rainbow, discusses how the Irish view that Irish-inflected musical; how he wasn't entirely unprepared to appear in a musical, even though he's done extremely few in a 50 year career (despite an early appearance as Lt. Cable in South Pacific); and why appearing in a Broadway musical is unlike anything he's ever done before. He also takes us through his days as a child actor on radio; his emergence in the Irish theatre community in the 1960s and his subsequent decision to move to London at the decade's end, resulting in an exile from the Irish stage that would last 18 years; his quick discovery in London by noted director Lindsay Anderson; why he worked to keep the English theatre community from thinking of him as an Irish actor; why he made his American stage debut in California; how difficult he found it to perform in The Pillowman; what it was like to perform in The Weir in a variety of countries and venues; and his extensive work with a group of major playwrights over his career, including David Storey, Alan Ayckbourn, Tom Murphy, Sebastian Barry, Frank McGuinness and most notably, Conor McPherson.
Irish actors Conleth Hill and Ciarán Hinds on their roles in Conor McPherson's play "The Seafarer."
Irish playwright Conor McPherson on The Seafarer, about a man's struggles at Christmas with family, alcohol & other demons. Also photographer Joan Marcus and writer David Cote on their book "Jersey Boys: The Story of Frankie Valli & The Four Seasons."