Podcasts about sp1200

FEW TANG!!! We need your input on this one. Drop things that have changed Hip Hop forever in the comments. We left out BIG and Pac/East Coast/West Coast beef because it's low hanging fruit. Everything else is on the table though. Make room for the tag #ConversateForAFew Things That Changed Hip Hop Forever 00:00 - Intro 1:13 - 2 Live Crew vs The US Government; Explicit Lyrics/Parental Advisory Sticker 4:00 - Nas Drops Illmatic 12:05 - RUNDMC releases "Walk This Way" with Aerosmith 13:59 - Advertising/Marketing Agencies found value in Hip Hop 15:38 - The Roland TR-808 Drum Machine; Roger Linn, SP1200, Akai MPC etc... 19:00 - The Introduction on Million Dollar Record Deals 21:57 - Lil Wayne becomes the prototype image of a rapper 22:43 - The broad acceptance of Autotune 26:06 - Introduction of the Battle; Sound Clash, Park Jam 29:06 - The "Streets" or Street Money infiltrated and took over Hip Hop 31:08 - Hip Hop finally hits radio airwaves consistently 35:14 - The emergence of Ruthless Record; N.W.A., Eazy-E, Dr. Dre, Ice Cube etc... 37:07 - Drake opening US borders to International Hip Hop 44:59 - Rhyming in Triplets; Jaz-O, Bone-Thugs-N-Harmony, Migos 47:26 - Streaming; Spotify, Apple Music, Tidal etc... 51:57 - Social Media; analytics over talent 56:56 - What do YOU think we missed? What do YOU think changed Hip Hop forever? Subscribe to the Conversate For A Few YouTube and hit the notification bell! Apple Podcast: https://bit.ly/ConversateForAFewApple...   Spotify: https://bit.ly/ConversateForAFewSpotifyGoogle Podcast: https://bit.ly/ConversateForAFewGoogl... Follow and join the conversation on Instagram and Facebook!http://bit.ly/ConversateFacebookGrouphttps://bit.ly/ConversateInstagram

Dave Rossum & Marco Alpert of Emu Systems & Rossum-Electro join the podcast for a conversation about the EMU legacy, SP1200, and their current eurorack projects. Like, Subscribe and share. About Dave... Starting with his co-founding of E-mu Systems, Dave provided the technological leadership that resulted in what many consider the premier professional modular synthesizer system. The E-mu Modular System combined superlative analog design, innovative use of digital technology, and unparalleled physical construction and reliability. In the following years, Dave and E-mu turned their attention to affordable professional digital sampling with the Emulator keyboards and racks. The Emulator II in particular established sampling as the leading music technology of its time, becoming a standard fixture in professional studios worldwide and appearing on innumerable hit records and film soundtracks. SP-1200It was followed by the Emax samplers, the legendary SP-12 and SP-1200 sampling drum machines, the Proteus sound modules and the Morpheus Z-Plane Synthesizer. In addition, Dave also developed and licensed technology that enabled the creation of many iconic synthesizers, including the Oberheim 4-Voice, the Sequential Circuits Prophet 5 and, via his design of many of the SSM music ICs, instruments from Korg, Kawai, and many more.

In this episode of the BeatPPL Podcast, we will chat about the classic SP1200. Why is it still such a sought after machine? What's so special about the sound? How many emulations and clones are there out there now? -------------------------------------------------------------------------------------------------------- Thanks for watching BeatPPL Podcast Be sure to cop exclusive BeatPPL sample packs and T-shirts here https//www.beatppl.com Follow on IG https//www.instagram.com/beatppl Join in the Modbap conversation on FB https://www.facebook.com/groups/ModBa... ------------------------------------------------------------------------------------------------------- Be sure to follow and subscribe to our panelist's social channels: Corry / Bboytech http://www.youtube.com/bboytechreport https://www.instagram.com/bboytechreport http://www.bboytechreport.com Ken Flux Pierce https://www.instagram.com/flux302 http://www.youtube.com/fluxwithit http://www.fluxwithit.com Upright https://www.instagram.com/upr1ght/ Strange Strains https://www.instagram.com/strangestra... The Day Dream Sound https://www.instagram.com/thedaydream... Daniel Steele https://www.instagram.com/danielsteel... http://www.dstlproductions.com http://www.msxaudio.com

On this episode we've got the second installment of original beat mixes from producer / beatmaker Low Hiss. Following a trio of releases with Study Music Group, Low Hiss' latest project is a software re-imagining of the classic SP1200 drum machine / sampler, the eSPi. Available now for both mobile & desktop devices at Low-Hiss.com • Follow Folks: @Low_Hiss @studymusicgroup --- Send in a voice message: https://anchor.fm/studymusicgroup/message

Podcast 50 na área! O host Eduardo Ribas se junta a Adaílton Moura para conversar com o beatmaker e produtor SonoTWS (@sonotws) sobre o álbum Otra Fita. O artista lançou um disco lindo, cheio de boombap rap, cheio de convidados. ⁣ ⁣ Entre eles, o melhor da cena chamada de "nova escola" no começo dos anos 2000, como Kamau (@kamau_), Rodrigo Brandão (@gorilaurbano), Elo da Corrente (@elodacorrente)e Zorack (@rodrigo_zorack), além de artistas mais recentes como Zudizilla (@zudizilla) e Nill (@nil_oadotado). Se soma a esse time também a cantora Laylah Arruda (@laylaharruda), representante do reggae, vertente que o próprio Sono já foi muito próximo. ⁣ Criados numa SP1200, os beats acolhem o flow dos artistas dos quais o produtor é fã, resumindo a obra a "um encontro de gerações que têm em comum o amor pela música e a cultura Hip-Hop". A mixagem ficou por conta de Tiago Frúgoli, que também rima em uma faixa, captação de Ricardo Cabes e masterização do mestre jedi Vander Carneiro. Scratches de DJ Dablyo, arte de Coyo e design da dupla Skola. ⁣ ⁣ Ouça o programa e compartilhe para chegarmos a mais ouvintes!

Aus dem Untergrund für den Untergrund: Warum Sample snitching nicht mehr das ist was es einmal war und wieso der Workflow mit einer SP1200 weitaus schlechter ist, als mit einer digitalen Software. Niko, Dan und Base sprechen in der neuen Folge Love'N'Hate neben Sampling außerdem über Graffiti-Masterclasses und die Frage, ob man die Kunstform über ein Online-Tutorial überhaupt lernen kann. Welches Kartenspiel die Drei demnächst zusammen zocken werden und warum manche DJs lieber ein Sample nachbauen anstatt es einfach zu benutzen, erfahrt ihr in dieser Folge. Peace!

Show notes:Syl: Vanilla ice was actually from DallasMW: Even being in that space took a certain amount of courageSyl: He was the only white dude in that club! There wasn't a dispersementhe was the only white dude there!MW: hahahaSyl: his haircut Idk what to call itMW: It was the 80s cut, quintessential late 80s he was intothe culture it wasn't like he was just enamored he lived in that urbanarea and was comfortable with that vibe at that timeif you look at how he came up no one looked at him as a fraudSyl: well he was a dancer and a rapper far far far across a distantocean 2nd.Dj Earthquake was part of the scene at the Club City LightsVanilla ice on a dare from a friend of his entered the competitionhe started beat boxing and dancing them moves and wow'd peopleMW: He was doing hip hop busking being in the mall rapping, beat boxingand when u say cultural appropriation I would say he appreciatedthe culture. Up to that moment of getting on stage he took it seriouslyat that time…just like to the average listener when it comes to musicor art they don't understand it they just say i can't do that SYL and back in that daay hip hop was a subculture there wasn't a crossover i mean Run DMC and Aerosmeith had their crossover The thing was people don't realize the backstory about Vanilla Icehe was already being recognized winning moto contests getting recognized MW he was a serious dude, even tho he seems kind of cornyhe has a certain demeanor and charisma, when we talk about it-factorshe has that and when other people think he is kind of corny to himselfhe's the shit and for a while he was a shit Syl: He opened for MC Hammer 2 Live Crew MW: That's a perfect comparison he's like a white MC Hammer Syl he opened for Public Enemy in the 89 tour, PE wanted to signVanilla Ice - you don't hear about this MW: Bestie boys got signed for a reason they wanted to exploit thatat that time you coudln't perofrm for a white audience hip hop wasn't atthat level yet…MC Hammer was one of those acts that could crossover to white crowds. PE wasn't exactly a cross over but they strucka chord to the pooint where they became a major group…white pple listened to them Syl: because it was political, audience it was more relevant to whiteaudiences than I grew up in the projectsMW you talkin about social issues Syl right and when you look at this kinda one of the hidden features of whyIce popped out. It actually goes back to audio engineeringIt goes back to the development of how hip hop was created And Vanilla Ice wouldn't have popped off at that moment in timeif we didn't have the introduction of the SP1200 ans the Akai MPCwhich allowed for a quantum leap of sampling and what was happeningwas DJ Earthquake ReSampled Queen's UnderPressure which Vanilla Icehad to pay royalities on like 85% later on for that hook but that allowed the crossover to Queens fans whether or not they realized it consciosuly it sounded familiar MW: It's interesting because previously Hip hop in itself is a sample music b/c even taking breakbeats from soul and funk In its essence hip hop started as a sampling muisic But they type of stuff they are sampling isn't whole songs til that good times track came out then they start3ed ripping whole loops That was hard to do back then they talk about a band coming in having to play that whole position of that funk song live to record that That MPC made it so you could chop up those loops I personally own oneit's 1 of the greatest tools in hip hop So he could the sample threw some drum beats on it it was kind of a flukelike most musical steps no one was sampling white music like that. . . Syl: the music video didn't come out when the song came outthe video was filmed in Deep Ellum in Dallas not far from Austin, Texasand no one knew he was white until the video came out imaginethe whip lash . . .MW i think the things that he went thru are skewed to the perspectiveif you live in a suburban area…let me put it like this way I wantedto play football one year..it costs $110 My mother couldn't pay the feeI worked at subway so i could pay the equipment feewhen we talk about moto cross it cost money for the bikecost money to get to the events, where did that money come fromare you telling me Vanilla Ice was rich at 16? Maybe not but he hadaccess to wealth Syl: It was Dallas Morning News that started taking Vanilla Ice downwhen they started saying wait hold up lets look at this You went to school with 2 Live Crew? No that was a lieYou won 1000s of trophies for Team Honda? Morray has reported that isa lieMW: It's a lieSyl: you did NOT win 1000s of trophies for moto cross competitions sothis fictional biography…rappers exaggerate MW: in his defense he didn't want the bio released he didn't write it upand he didn't think it was going to be a big deal..but authenticity in hip hop isa big deal like.. Syl: I think the nail in the coffin for that particular article was revealinghis gov name was Robert Van Winkle which is not a rapper name hahanow if he went with a humpty dumpty approach and went with MC Van Winklemaybe he could have got something on a school house rock levelgoing on MW: That was the thing he was being marketed to be sold better…The way they dressed him up and paraded He was talented in his own right…he wasn't the worst rapper of all time Syl: who is the worst rapper of all time? MW: Idk just because it's generic… Syl: The Source followed up with hip hop being too white washed saying unless it's poppy it wasn't going to hit MW: that's the way they had to introduce hip hop to a white audienceblack people did records that were considered too raunchy and were redoneby white people to sound more white to sound more polite it's sad to seethat happen and sad to see that happen in a new culture you've created..it's like they are trying to snatch our culture away from us once againand try to tell us you can't be popular doing this thing we're going to create a version of this that is safe and cleanaltho Vanilla ice was kind of a B boy rapper a drug dealer in the hoodFrom Da Jump www.fromdajump.com 

On this episode of the podcast we've got a serving of beats, remixes, and alternates from producer/beatmaker Low Hiss. He's released 3 joints with SM - beginning with the maxi-single ‘Unsettled', followed by EP-303 and the low-fi jazz collection ‘Baptism'. His most recent project is an app called eSPi that rebuilds the famed SP1200 sampler/drum machine for the digital age, on both desktop and mobile devices. eSPi is available now for iOS and Android at Low-Hiss.com • Follow Folks: @Low_Hiss @studymusicgroup #LowHiss #Study #Music --- Send in a voice message: https://anchor.fm/studymusicgroup/message

You want legend talk? Like true “foundational hip-hop” talk? We got you. Welcome Pete Rock to the People's Party. The conversation starts hot and doesn't let up. It's all about Pete and CL Smooth, true stories of rap's first era, love for vintage crews like Heavy D and the Boyz, and tales from Pete's many incredible collaborations.  This is the gem for the true hip-hop heads. Those who want to know the pieces of the puzzle that are foundational to the culture itself. Those who want to sit at the feet of one of the culture's grand masters.  If that's you… well, it shouldn't take much convincing. 

N8NOFACE has been making music for almost 30 years, but for over 20 of those years he made it in secrecy. His first love, east coast rap music, inspired him to order an SP1200 from the back of a magazine when there wasn't a single music store in his home state of Arizona selling them. For years he toiled away learning how to make beats and rap, but never showed anyone. Even when he and his brother both owned hip hop shops in Tucson, hosting open mics and battle events in store, he still kept it secret. Finally, when DJ Kutmah heard some of his songs on his brother's Myspace page, he was pushed into playing his first ever performance and hasn't looked back since. His former group, Crimekillz, is where he started to develop his signature synth punk style. They had glimpses of success in the early to mid 2010's, but it always seemed as though self-sabotage kept them from reaching the promised land. Recently N8's solo career has been seeing an uptick in notoriety and fandom, and he credits it to his newfound sobriety and, surprisingly, Covid-19. Be sure to check out his latest record Bound To Let You Down out now on Eyeball Records. Tune in to hear us talk about growing up in coyote country (not the animal kind), owning a record store, and recently becoming a grandfather(!?). -Lee --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app

TRUE HOUSE STORIES W/ DAVID MORALES #027 - PART 1 With a real passion for music in his veins from a very young age, from very humble beginnings, David Morales was destined to follow his dream and took the opportunity to play music at any given chance. David's very first gig was playing at the Loft for Lulu His first regular Djing spot started at Ozone Layer where Lulu was the hostess. Still working a job in a restaurant, David was fortunate to meet Mike Brady from Paradise Garage and was invited to play at this incredible NYC club in 1983, where he invited legends such as Captain Black and Jocelyn Brown to the party. With huge names currently on the lineup at Paradise Garage -no one yet knew of David.... But they soon would!! In 1985, David started to work in music production -David Cole and Bruce Flowers being pivotal to David's producing career. Nicky Holloway and Pete Tong invited David to play at Estoria, only 40 minutes into his set, he was asked to stop playing just as he was getting into his set, for Jomanda to perform!! David set up Defmix productions but with very little direction, experience and to just be landed in the midst of music industry, he had to learn the business very quickly in order to succeed. Making multiple hit records, but never truly reaping the rewards for his hard work and commitment, David worked day in day out making 2-3 tracks every week. David Morales was a true grafter and his passion was what kept him inspired to continue working relentlessly. Despite not earning what he deserved he continued to follow his dream. Remixing is where David found his fortune in the industry. Frankie knuckles and David worked on so many remixes, in fact rewriting entire tracks and even changing the titles of the tracks, David simply received a flat fee and did not gain the recognition he deserved. Mariah Carey “Dream Lover”, was his 1st superstar track remix. At first, he questioned the track due to it being extremely commercial (at the same time rejecting remix work for legends such as David Bowie) this remix became one of the songs David Morales is so famous for. David also had the incredible opportunity to work with Todd Terry, a born musician, no need for any equipment - the SP1200 was the weapon!! David is all for advances in technology and plugins etc. - his motto- simply work them to the absolute max. Having worked on remixes for Michael and Janet Jackson, you would expect David to be living the high life - the truth is it involved signing non disclosures, bag checks etc. - security was paramount, not quite the fairytale you would have imagined. Working alongside Aretha Franklin - one of David's biggest fears was -'how do you give constructive criticism to such an absolute legend'???? In the words of Aretha - Less is more and more is less. She absolutely embraced his opinion and gained her respect for his honesty. Julio Iglesias was another star that David worked with. Giving his mother a dream come true, David arranged for Julio to call his mother to say ‘hi' was just one of the many hi lights of working with such legendary musicians. Donna Summer was David's absolute no 1 idol and working with Jocelyn Brown was, yet another dream come true - to David, Jocelyn was an incredible legend he never imagined he would ever work with. Much to David's dismay he was arrested in Japan during his career. How was that for David?? At 57 years of age - truly mortifying, listen to David's very raw and open account of coping in a Japanese prison where no-one spoke his language and all of his basic rights were taken away. An experience that will live with David forever but taught him about the importance of the simplicity of life - Health and Freedom. One of the memories David has about this true horror was when a prison officer recognized David and played his music - which really helped him get through this ordeal.

184. The new charm of old tech There seems to be a renewed fascination with the tech of yesterday. So, how do you find value in buying—and using—old tech? #oldtech #vintage #musictech #prejippie #bloomingprejippie #diyrockstar When we say “old tech,” these are the things we are referring to: 1. Vinyl (and CDs, cassettes) are back 2. SP1200, tape-based recording In the episode, we share a few pros and cons relating to the use and charm of older technology. #oldtech #vintage #musictech #prejippie #bloomingprejippie #diyrockstar Who about you? What are your thoughts on the utility of old tech? We'd like to know! What was the best piece of music advice you've ever gotten? https://bit.ly/bestadvicepoll Here's what we're into now: • Tom Ray's Art Podcast: https://bit.ly/tomraypodcast • “Sugar Fit” on Darkest Corners of the World Podcast S2 E3 http://bit.ly/sugarfitdarkestpod • “Flying High” (from “Sugar Fit” album) on Toes in the Sand Playlist http://bit.ly/toesplaylist • “Sugar Fit” on his Spotify “Indie: Undiscovered But Brilliant: Vol. 3” http://bit.ly/SugarFitonPlaylist2 • “Sugar Fit” on No Sugar Radio http://bit.ly/nosugarradiosugarfit We have decided, upon popular demand, to offer you, our listeners, a chance to get a fully loaded two-disc vinyl version of our new funk album, “Sugar Fit.” Click the link below to make your presence felt. Order yours today. Vinyl Pre-Order Campaign through Patreon ( http://bit.ly/sugarfitvinyl ) If you like this, you might enjoy: • How to Grow a YouTube or Social Media Following (for the D.I.Y. Rock Star) http://bit.ly/Ep169growsocialsvid • 5 Tips for Making Music Videos (for the D.I.Y. Rock Star) http://bit.ly/Ep167videotipsvid • Empower yourself in 2021 (for D.I.Y. Rock Star)! http://bit.ly/Ep158empower2021vid • “First Music Video? 10 Best Websites for Free Stock Video Footage” http://bit.ly/freestockvideosprej • “Further Confessions: I Hate Video Editing” http://bit.ly/ihatevideoediting • “YouTube Frenzy: But the Beauty of this Rabbit Hole” http://bit.ly/youtubefrenzy • “Tips for Competing with Yourself (for the D.I.Y. Rock Star)” http://bit.ly/Ep94BV2019blog20 • “Tips for Video Making (for the D.I.Y. Rock Star)” http://bit.ly/Ep86BV2019blog12 • Musical Discoveries #4 Playlist: https://bit.ly/181musicdisc4playlist MUSIC: “I Get Faded (No Voce),” PMG Cool & Quirky Custom Music (through Songtradr at http://bit.ly/2QGRatf ) More Ways to experience B L O O M I N G P R E J I P P I E : • Blog: http://bit.ly/bloomingprejippie • Facebook: http://www.facebook.com/bloomingprejippie • Twitter: http://www.twitter.com/bloomingprejipp • Instagram: http://www.instagram.com/bloomingprejippie • Pinterest: http://www.pinterest.com/bloomingprejippie • YouTube: http://bit.ly/youtubesubprejippie • Gab & Jam HQ: https://bit.ly/gabandjamhq • SoundCloud (music): https://soundcloud.com/prejippie • BandCamp (music): http://bit.ly/BandCampPMG • Spotify Artist Profile: https://bit.ly/bpjspotfollow (Please follow!) • Funky Happy People (Who Listen to a Variety of Genres of Music) Facebook Group: http://bit.ly/funkyhappyjoin • Be the Next D.I.Y. Rock Star Facebook Group: http://bit.ly/diyrockstarjoin

L'histoire de la Techno par Aurelien Sm'Art. Techno Old School...un titre, un souvenir. Emission focus "machines légendaires"Aurelien Sm’Art - sélection musicale, programmation et chroniques.Jean-Michel Toussaint - chroniques et arrangement.

L'histoire de la Techno par Aurelien Sm'Art. Techno Old School...un titre, un souvenir. Emission focus "machines légendaires"Aurelien Sm’Art - sélection musicale, programmation et chroniques.Jean-Michel Toussaint - chroniques et arrangement.

Mit einer neuen Ausgabe meldet sich das Love'N'Hate-Trio aus der Winterpause zurück. Auch im neuen Jahr geben euch Niko, Base und Dan die wichtigsten Updates aus der Welt des Untergrund-Raps und der Golden Era. Der Start ins neue Jahr hätte durchaus besser verlaufen können: So ist Anfang des Jahres die "Apollo Masters" in Banning, Kalifornien niedergebrannt. Als Marktführer beliefert die Vinyl-Manufaktur 80% der Presswerke mit einem speziellen Lack für die Herstellung von Schallplatten. Was bedeutet das für Underground-Künstler? Und welche digitalen Alternativen gibt es für die Plattenproduktion? Doch natürlich gibt es auch erfreulichere Themen: Wie bereits vor wenigen Monaten verkündet wurde, plant die Stadt Heidelberg in Kooperation mit Torch ein Hip-Hop-Archiv in Heidelberg zu errichten. Zur Begeisterung von Niko, Dan und Base nimmt das Projekt langsam Fahrt auf. Demnach wurden die ersten Stücke aus dem Besitz von Torch und Toni-L an das Heidelberger Stadtarchiv übergeben. Auch im Hause E-Mu gibt es Grund zur Freunde. Die Firma, die sich insbesondere für die SP1200 verantwortlich zeigt, feiert das 35-jährige Jubiläum ihres Vorgängermodells, der SP12. Im Zuge dessen bietet Entwickler Dave Rossum eine Runderneuerung der SP1200 an. Stolze 7500 US-Dollar lässt sich Dave Rossum die Renovierung des Geräts kosten. Doch sollte man dafür wirklich ein solchen Betrag investieren? Mit einer Menge Love geht es dann in den Endspurt: Denn in New York boomt der Graffiti-Trend. Wo in den 00er Jahren noch blanke Züge fuhren, wird es jetzt wieder bunt.

In dieser Episode von „Love'N'Hate“ sprechen Niko, Dan & Base über ein neues Projekt namens „The Thing“. Dabei geht es um eine Menge alter Platten in einem Keller in Brooklyn sowie die legendäre SP1200. Was es damit genau auf sich hat und wie man als Rapper beim diesem Projekt mitmachen kann, verraten die drei Herren in dieser Folge im Detail. Viel Spaß und Erfolg bei „The Thing“!

「上手い下手じゃない、Styleが全てなんだ。」 この考えをHIPHOPから学んだ私BRING BACKがストーリーテラーとなり、様々な人のStyleを掘り下げ、人生のStyleを探求する 「成長型インタビュー番組」 今回はヒップホップのサンプリングを解説！！そしてサンプリングの歴史を紐解きながらヒップホップの本質を理解していこう！と言う最高な企画です 第２回は ・マーリーマールの歴史的発見 ・ヒップホップ黄金期を支えた名機「SP1200」の登場 ・ピート・ロックとSP1200の無双 参考文献 著者「大島純」 「MPC IMPACT」テクノロジーから読み解くヒップホップ 番組では、感想や質問、相談、話して欲しいテーマなどお便りを募集します。 shokurodon@gmail.com まで。 Twitter https://mobile.twitter.com/bringbackstyle3 Instagram https://instagram.com/sho.kuro3 --- Send in a voice message: https://anchor.fm/style3/message

Mit einer neuen Ausgabe meldet sich das Love'N'Hate-Trio aus der Winterpause zurück. Auch im neuen Jahr geben euch Niko, Base und Dan die wichtigsten Updates aus der Welt des Untergrund-Raps und der Golden Era. Der Start ins neue Jahr hätte durchaus besser verlaufen können: So ist Anfang des Jahres die "Apollo Masters" in Banning, Kalifornien niedergebrannt. Als Marktführer beliefert die Vinyl-Manufaktur 80% der Presswerke mit einem speziellen Lack für die Herstellung von Schallplatten. Was bedeutet das für Underground-Künstler? Und welche digitalen Alternativen gibt es für die Plattenproduktion? Doch natürlich gibt es auch erfreulichere Themen: Wie bereits vor wenigen Monaten verkündet wurde, plant die Stadt Heidelberg in Kooperation mit Torch ein Hip-Hop-Archiv in Heidelberg zu errichten. Zur Begeisterung von Niko, Dan und Base nimmt das Projekt langsam Fahrt auf. Demnach wurden die ersten Stücke aus dem Besitz von Torch und Toni-L an das Heidelberger Stadtarchiv übergeben. Auch im Hause E-Mu gibt es Grund zur Freunde. Die Firma, die sich insbesondere für die SP1200 verantwortlich zeigt, feiert das 35-jährige Jubiläum ihres Vorgängermodells, der SP12. Im Zuge dessen bietet Entwickler Dave Rossum eine Runderneuerung der SP1200 an. Stolze 7500 US-Dollar lässt sich Dave Rossum die Renovierung des Geräts kosten. Doch sollte man dafür wirklich ein solchen Betrag investieren? Mit einer Menge Love geht es dann in den Endspurt: Denn in New York boomt der Graffiti-Trend. Wo in den 00er Jahren noch blanke Züge fuhren, wird es jetzt wieder bunt.

Topic timestamps:Disappointing| Chris Brown – Indigo – 0:39 | Mac Demarco – Here Comes the Cowboy – 3:47 | Good Not Great | Dreamville – Revenge of the Dreamers III – 8:30 | Pete Rock – Return of the SP1200 – 20:27 | Top Notch | Denzel Curry – ZUU – 23:48 | Vampire Weekend…

HAPPY HOUR 75 We're back after a short break this week with New Music (Chris Brown to H.E.R.), What's Poppin (with the Lakers / new movies) and Politricks. Thanks for listening! notes New Music Chris Brown - Indigo (album); Daniel Caesar - Case Study 101 (album); Brittany Howard - History Repeats; H.E.R. - Racks (feat YBN Cordae); Pip Millett - Fancy; Hablot Brown - Peace of Mind; Pete Rock & CL Smooth - Return of the SP1200; NoName - song32; What's Poppin Two Earthquakes in Ridgecrest, Daisy’s vacation to Cabo Death of Disney star Cameron Boyce. US Women’s Soccer team wins FIFA world cup. Kawhi Leonard / Paul George to Clippers; Demarcus Cousins / Anthony Davis to Lakers TV Big Little Lies, S2; Spiderman makes $185 million; The Lion King; Halle Bailey is the new Mermaid. Essence Festival 2019; Politricks DumpStarbucks. A Barista at an AZ Starbucks asked police to leave because a customer felt uncomfortable. FBI and CIA have been using DMV data for facial recognition without our knowledge. Supreme Court rules that Trump cannot use citizenship question on 2020 census, administration agrees, then Trump says he will place on Census by executive order. Career attorneys within the Justice Dept moved from case over ethical concerns. Billionaire Jeffrey Epstein in custody over molestation accusations.

Episode 54 is here! And it has tons of everything you love! We finally did "Who Wore It Best", and we reeeally went in! We try & drop that knowledge on sampling, and of course we nerd out on Black Mirror, amongst other thangs! Another hot pod by the Garage Brothers!!! FOLLOW US! @FelipesGarage COP MERCH FROM US! www.FelipesGarage.com EMAIL US! FelipesGarage@Gmail.com LOUNGE WITH US! https://www.facebook.com/groups/felipesgarage/?ref=nf_target&fref=nf  

The Color Falcon... Black Business of the Week: Buddha Babe | https://buddhababe.us | https://www.instagram.com/mybuddhababe In this episode: - GOT Ep 3 - Avengers: Endgame WYBLT: Remy - Nothing Boom - Jay-Z, "B-Sides" https://open.spotify.com/user/1263450620/playlist/5QdNh78Gg9lWlWWemQPWgX Cannon - Pete Rock, "Return of the SP1200" https://open.spotify.com/album/4AiwTnZDQxb8NiBgY9YMEd - Schoolboy Q, "Crash Talk" https://open.spotify.com/album/3UTp6spxkyTdvsmJDPfb7n Email: podcast@defconjive.com | Twitter: https://twitter.com/dcjpodcast | Patreon: https://patreon.com/defconjive

The Color Falcon... Black Business of the Week: Buddha Babe | https://buddhababe.us | https://www.instagram.com/mybuddhababe In this episode: - GOT Ep 3 - Avengers: Endgame WYBLT: Remy - Nothing Boom - Jay-Z, "B-Sides" https://open.spotify.com/user/1263450620/playlist/5QdNh78Gg9lWlWWemQPWgX Cannon - Pete Rock, "Return of the SP1200" https://open.spotify.com/album/4AiwTnZDQxb8NiBgY9YMEd - Schoolboy Q, "Crash Talk" https://open.spotify.com/album/3UTp6spxkyTdvsmJDPfb7n Email: podcast@defconjive.com | Twitter: https://twitter.com/dcjpodcast | Patreon: https://patreon.com/defconjive

In this very first episode of Dopest, the crew introduces themselves and talks about how the podcast came together. Take a trip down memory lane where Rocco, TT, and Lo reminisce about the time they fell in love with hip-hop. Everyone gives their take on Schoolboy Q's new album Crash Talk and Pete Rock's recent release Return of the SP1200. In the Decoded segment they break down some of that drug talk that VA rapper Pusha T spills on the track If You Know You Know off of 2018's Daytona. Push play. --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app

In this very first episode of Dopest, the crew introduces themselves and talk about how the podcast came together.  Take a trip down memory lane where Rocco, TT, and Lo reminisce about the time they fell in love with hip-hop.  Everyone gives their take on Schoolboy Q's new album Crash Talk and Pete Rock's recent release Return of the SP1200.  In the Decoded segment they break down some of that drug talk that VA rapper Pusha T spills on the track If You Know You Know off of 2018's Daytona. Push play.

In dieser Episode von „Love'N'Hate“ sprechen Niko, Dan & Base über ein neues Projekt namens „The Thing“. Dabei geht es um eine Menge alter Platten in einem Keller in Brooklyn sowie die legendäre SP1200. Was es damit genau auf sich hat und wie man als Rapper beim diesem Projekt mitmachen kann, verraten die drei Herren in dieser Folge im Detail. Viel Spaß und Erfolg bei „The Thing“!

Aaron Paar is a DJ/Producer with a show on Dublab entitled "Stomping Grounds." He is also 1/2 of the seminal Deep House duo Teflon Dons who had multiple underground Deep House hits including "Eve of The Freak Styles", "Sun Fist Rising", and were the first act to feature mega vocalist Gregory Porter. In this episode, we speak about the art of Sampling and making beats on an SP1200, the Kung Fu references in Teflon Dons music, Tomorrowland 2018, hustling and grinding as an independent artist, record collecting and much more. Check out Aaron Paar on Dublab Radio: http://dublab.com/labrat/labrat-aaron-paar/

EPISODE 7 ! Welcome to the hot chair the wonderful soul that is Ahmed Gallab. We talk about his musical lines. Both historical lines and compositional lines. We love on his band mates and generally love on all things music. This week I SHOOTOUT samplers! I took a short sound and fed it into the SP1200, MPC60, PROPHET 2000, AKAI S612, OTO BISCUIT, CASIO SK-1, MIRAGE and more. Comparing what these lo-fi legends are all about. Thanks to Fabfilter for the use of Pro-L2 ! the baddest limiter in the game. Cheers dudes!

Gleich für die erste Folge hatte ich die Ehre, Martin Stieber interviewen zu dürfen. Zusammen mit seinem Bruder Chris haben sie als die Stieber Twins ihr Album "Fenster zum Hof" veröffentlicht. Bis heute gilt es als eins der besten und legendärsten Deutschrapalben. Wir haben unter anderem über Hip Hop, Eurodance, die Goethestraße in Heidelberg über Sampling und Beats gesprochen. Ich hoffe, euch gefällt die Folge! Viel Spaß mit dem Interview!   Martin Stieber Martin Stieber bei Facebook Stieber Twins bei Facebook The Flame Store bei Facebook Freshoutthebox.de   All I See Is Blinkin' Lights All I See Is Blinkin' Lights - Anhören & Social Media   Shownotes Advanced Chemistry - Fremd im eigenen Land (prod. Advanced Chemistry) 3Sat Doku - Deutsche Rap Szene 1998 Part 1 3Sat Doku - Deutsche Rap Szene 1998 Part 2 3Sat Doku - Deutsche Rap Szene 1998 Part 3 Der Wolf - Oh Shit...Frau Schmidt (prod. Michael Kersting und Stephan Baader) Die Fantastischen Vier - Die Da?! (prod. Andreas Rieke) Pappa Bear - Cherish (prod. Bülent Aris und Toni Cottura) Toni Cottura - My Life feat. Jan Van Der Toorn (prod. Toni Cottura) Masterboy - Show Me Colours (prod. Masterboy Beat Production) I AM - L’ècole Du Micro D’Argent (Album) Dizzy Rascal - Stop Dat (prod. Dizzy Rascal) La Familia - Wall Street (prod. Fast Forward) La Familia - Harte Zeiten (prod. Martin Stieber) La Familia - Harte Zeiten Lord Scan Remix (prod. Lord Scan) Curse - Doppeltes Risiko feat. Stieber Twins (prod. Lord Scan) Die Firma - Aktionäre feat. Curse, Future Rock, Luxus Chris, Te, Aphroe, Rotzlöffel, Schivv, Gianni, Scope, Fast Forward und Hans Solo (prod. Fader Gladiator) Stieber Twins - Fenster Zum Hof (hhv X MZEE Edition) Stieber Twins - Fenster zum Hof (Album) Stieber Twins Discografie Stieber Twins - Schlangen sind giftig (prod. Busy) Stieber Twins - Malaria feat. Samy und Max (prod. Martin Stieber) La Familia Splash! Show 2007 Part 1 La Familia Splash! Show 2007 Part 2 La Familia Splash! Show 2007 Part 3 La Familia Splash! Show 2007 Part 4 La Familia Splash! Show 2007 Part 5 80 Jahre Stieber Twins Megaloh - Dr. Cooper – Stieber Remix feat. Stieber Twins (prod. Ghananian Stallion) Megaloh - Dr. Cooper Remix feat. MoTrip, Aphroe, Samy Deluxe, Umse, Ali As und Celo & Abdi (prod. Ghananian Stallion) Rödlheim Hartreim Projekt - Wenn es nicht hart ist feat. Schwesta S. und Timo S. (prod. Robert Sattler, Martin Haas und Moses Pelham) Moses Pelham - Neubeginn (Line: "Wieso ist jetzt Rap so? Ich vermiss die Stieber Twins! Die labern von Ghetto und ich, ich will da nie mehr hin!") Main Source - Breaking Atoms (Album) Showbiz & AG - Runaway Slave (Album) Gang Starr - No More Mr. Nice Guy (Album) Craig Mack - Flave In Your Ear (prod. by Easy Mo Bee) Black Moon - Enta Da Stage (Album) Wu-Tang Clan - Enter The 36 Chambers (Album) Figub Brazlevic - Train Yards EP (Album) J Dilla - Welcome 2 Detroit (Album) Sascha "Busy" Bührend/True Busyness Website Sascha "Busy" Bührend/True Busyness Facebook Stieber Twins - Fenster Zum Hof Busy Remix (prod. Busy) Dip Set/The Diplomats - Built This City (prod. Just Blaze) Madlib - Sacrifice (Beat-a-holic Thoughts) (prod. Madlib)

Dave Rossum has quite a history. From helping to start up E-mu Systems, managing its acquisition by Creative Labs (and working with them through a 10-year run of amazing designs) and the creation of Rossum Electro-Music, Dave has been designing the heck out of music instruments. I was really excited when the Synthtopia folks we able to pull this interview together, since I've been a fan of E-mu devices for a long, long time, and have been mesmerized by the new modules he's been developing. In our chat, we talk in detail about the development of the early E-mu modular system, the move into sampling technology, the effect of the Creative purchase and the technology developments behind the Proteus lineup. We also go into detail about Dave's design work with the new series of modules that he's working on, as well as the upcoming sampler module that has everyone humming. This was a lot of fun, and super-educational; I learned an awful lot about the various technological advances behind samplers and sample-based systems. Given my renewed interest in sampling, that was very interesting to me. But his views on analog and digital modular designs, and his willingness to take on impossible projects and find a way to make 'em work - it was inspirational. Enjoy!

Grap Luva en boca de todos. Entrega ese viejo sonido guardado por décadas en su SP1200 en Neva done EP. Menuda Coincidencia, de jazz cat a rapper. Los 10 flips favoritos de sampleos de A-Trak. Una ironía detrás de los hermanos de Alcántara 7. ¿Se dieron Morir a tu lado de Spike Jonze y Olympia Le Tan? El regreso del boom-bap al hip-hop (y apenas comenzamos).

This week is a bumper, coming it at just over an hour, and to kick off the new year, we talk of Christmas past (noneric got an SP1200!), the pending NAMM future - including Linn Drum II, John Bowen's Solaris, the new Sharc based DSP synth Plugiator, new control surfaces from Euphonix, 8-core Mac Pros just announced too.

This week is a bumper, coming it at just over an hour, and to kick off the new year, we talk of Christmas past (noneric got an SP1200!), the pending NAMM future - including Linn Drum II, John Bowen's Solaris, the new Sharc based DSP synth Plugiator, new control surfaces from Euphonix, 8-core Mac Pros just announced too.