Podcasts about akai mpc

This week we're taking a look at the new Akai MPC Sample, a portable standalone sampler that brings the classic MPC workflow into a compact, modern format.With built-in battery, speaker, sampling, sequencing, and performance effects, MPC Sample is designed as an all-in-one creative tool for making music anywhere. But where does it actually sit in today's landscape?We compare it to devices like the Roland SP-404MKII and Teenage Engineering EP-133 K.O. II, and explore whether this is a serious production tool, a sketchpad, or something in between.Is this the sweet spot for modern beatmaking, or just another box in an already crowded space?Pre-order Kh3rtis' - 'In the Wake of Light' here:https://kh3rtis.bandcamp.com/album/in-the-wake-of-lightThanks to our Patrons who support what we do:Audionauts: Abby, Bendu, David Svrjcek, Josh Wittman, Paul Ledbrook, Matt Donatelli and Stephen SetzepfandtLars Haur - Audionaut ProducerJonathan Goode - Audionaut ProducerJoin the conversation:

Electro-acoustic sound-manipulation rubs shoulders with extended techniques on acoustic instruments, while influences from ’80s industrial, ’70s krautrock, ’00s folktronica and ’90s dub techno can be found alongside indie rock, breakbeat, and good ol’ classic freeform noise. It’s Sunday. It’s Utility Fog. LISTEN AGAIN to good ol’ classic freeform ‘fog. Stream on demand at fbi.radio, podcast here. Bibi Club – A Different Light [Secret City Records/Bandcamp] Bibi Club – Le Styx [Secret City Records/Bandcamp] The Montréal duo of Adèle Trottier-Rivard and Nicolas Basque are Bibi Club, a name which presumably makes more sense to French speakers, but their songs are split fairly evenly between French & English. Their quirky indie pop, part jangly guitars and part electronic, owes something to the British-French band Stereolab (who they covered last year), as well as Francophone indie music that often gets tagged with “chanson”, the French word for “song”. From their lovely third album Amaro, I started tonight with a driving piece of postpunk that clearly shows their debt to Blonde Redhead, which segues into an instrumental that loops part of the krautrocky groove and introduces hovering drones and sampled operatic voices. This might just be the emotional avant-garde indie rock you’ve been looking for. The Notwist – The Turning [Morr Music/Bandcamp] In 2001, German band The Notwist, having begun as hardcore punks and transitioned through emo to some kind of indie rock, released their breakthrough album Neon Golden – a significant date only in that a couple of years later was when I started Utility Fog on the newly-official FBi Radio. Arguably with their 1998 album Shrink, The Notwist were well on the way to their hybrid genre that we perhaps briefly called “indietronica”, with influences from IDM, drum’n’bass and techno as well as krautrock combined with indie rock. Meanwhile, Thomas Morr founded his Morr Music label in 1999, which quickly became a home to a similar clade of indie/IDM, shoegaze-tronic bands – many of which involved members of The Notwist, particularly brothers Micha and Markus Acher. It wasn’t actually until 2020 that The Notwist themselves signed to Morr Music, but it’s always seemed their spiritual home. The band’s new album News from Planet Zombie is perhaps their most “rock” album for some time, intentionally splitting from their studio-mediated workflows by bringing the whole band together to write & perform these songs in person. 10 years ago Superheroes, Ghostvillains + Stuff documented The Notwist’s live setup at the time, with modular synths & other electronics prominent alongside the (kraut)rock instruments; here the electronics are less prominent but clearly an integral part of whatever The Notwist does; but it’s the undeniable, distinctive songwriting that can’t help but shine through. Daniel Jumpertz – I Would Never Do That To You [Feral Media/Bandcamp] In the early days of Utility Fog/FBi, Danny Jumpertz was a strong supporter of Utility Fog, and the indietronica, folktronica and postrock sides of the playlists were reflected in the sorts of music he released on his Feral Media label. For a while now the in-the-family indie rock band Clairaudience has been his main musical outlet, but he’s now begun releasing a cache of solo songs, I believe once a month, starting with the stirring “Everything Is Lost” and now followed by the pretty krautrocky “I Would Never Do That To You“. From Jumpertz’ time in NYC, producer Abe Seiferth contributes “wig-out Moog mayhem”, which you’ll recognize as soon as you listen to the song! Looking forward to more in coming months. Praed – Assarab السراب [Ruptured Records/Bandcamp/Annihaya Records/Bandcamp] Now 20 years old, Praed is the combination of two Lebanese musicians, clarinettist/composer/more Paed Conca (part-Switzerland-based) and bassist/sound-artist/more Raed Yassin (part Berlin-based). The music – sometimes billed as “PRAED Orchestra” with friends from the MENA/SWANA region and Europe – draws from Egyptian street music (Shaabi, now mutating into Mahraganat) and the traditional Sufi spiritual/trance music Mulid, both in their ways based around hypnotic, repetitive beats. It’s always psychedelic, swirling, extremely rhythmic, a free jazz of Lebanese & Egyptian music. While new album Al Wahem الوهم is back in duo formation, they are still joined by many talented Beirut musicians (the album was recorded at Tunefork Studios in Beirut). As always this music is full of joy and yearning, and neverending forward motion. Simo Cell & Abdullah Miniawy – Living Emojis [Dekmantel/Bandcamp] Simo Cell & Abdullah Miniawy – Easing The Hearts [Dekmantel/Bandcamp] In 2020, French beatmaker Simo Cell and Egyptian singer, poet, trumpeter, composer & more Abdullah Miniawy teamed up for a frankly game-changing mini-album, Kill Me Or Negotiate. Simo’s music is equal parts UK bass, US bass and French club, transforming the Arabic vocals and jazz-trained trumpet of Miniawy, who had collaborated extensively with the post-dubstep kraut-tronic band Carl Gari (not to mention his own laptop experiments, no longer available online). The pair are not afraid to abstract Miniawy’s lyrics into cut-up samples, nor are they afraid to let him fly with gorgeous melodicism. Their second outing together is the brilliant album Dying Is The Internet, whose title couldn’t be more apposite really – it feels like it’s bringing the world down with it, and while you probably couldn’t blame Netanyahu on the internet, surely Trumpianism is as much a product of what the internet’s become as, well, all the other shit. There’s real humanity in these tracks, as well as futuristic technology; high drama and low grooves. If the internet’s dying, let this be the future. Damos Room – Molars [Limbo Tapes/Bandcamp] I’m not sure who Damos is or what’s in their Room, but signs point to it being three guys: Luke Miles, Nicholas Elson & Huw Oleskar. I’ve just found out (because they told me, nothing underhand) that Huw Oleskar is also known as Elijah Minnelli, responsible for some of the most interesting and lovely dub-folk hybrids in recent times, ostensibly under the auspices of Breadminster County Council. As for Damos Room, you can find a series of fantastic, weirdly-shaped releases on their Bandcamp, including a mixtape of two bizarre 40-minute radio pieces, some quasi-singles of abstracted dub/spoken-word/electronics, and the experimental electronics of their collaboration with rapper LYAM, which I played on this show a few years back. The band finally have an album coming, and Walk With The Militia… is not that album. It’s a mixtape, entirely in keeping with the mystery what all this is about. It collects a whole lot of weird shit, but it’s all dub-based experimental electronics, with Minnelli’s distinctive spoken word & low-key singing, odd radio interludes and noise bits and so on. It’s really fantastic. No doubt All Shall Go, the real album, will be well worth bending your ear to when it comes out in only a few weeks! New Age Doom featuring H.R. – We’re All the Same [We Are Busy Bodies/Bandcamp] Having previously collaborated with Lee “Scratch” Perry, Canadian collective New Age Doom know a thing or two about combining freeform psychdedelic noise with dub. Their latest collaborator H.R. co-founded Bad Brains, some of the earliest hardcore punks who combined rasta philosophy and reggae with their punk music. It appears that for all the peace-and-love preaching, H.R.’s fundamentalist religious outlook inherits the homophobia rampant in Rastafarianism, but that’s not apparent in these songs, thankfully. This is swirling dub with some excellent electric violin from Alina Petrova. DJ Sprinter – Floaterr [unreleased] Oslo’s DJ Sprinter has popped up in the last year and a bit as an absolutey top-tier producer of bass-heavy breakbeat. You can find a whole lot on his Bandcamp, but the other day he invited followers to message him on Instagram for some unreleased cuts, so I did, and I’ve brought you one tonight. Just as great as the plethora of stuff he’s already put out there, irresistible grooves. Rotate – Hot Glue [YUKU/Bandcamp] UK producer Rotate is also known as RWB, making dubsteppy, garagey cuts galore. Not sure what warrants being a Rotate track rather than RWB, but the more serious, full releases, especially for other labels, seem to be under Rotate. This is still absolutely bass music, wobbly and spacey, with just enough of that experimental edge to be very comfortable in the YUKU yuniverse. Teerath Majumder – Dust [Infrequent Seams/Bandcamp] Bangladeshi artist Teerath Majumder, based in Chicago, creates interdisciplinary art & music that explores the interaction between audience and artist/composer through technology, as well as producing music & sound-design in collaboration with other artists, directors & musicians. His new album Dust To Dust, however, is an entirely solo work, from the music & production to mastering & artwork. Here there are flittery synths, Bangladeshi samples at times, and when there are beats they skitter and thump. This album may have come from Majumder’s contemplation of death, but it’s teeming with life. MATA – Adolf Hippy [CÆR (Chiærichetti Æditori Recordings)/Bandcamp] MATA – Compro Oro Et Laboro [CÆR (Chiærichetti Æditori Recordings)/Bandcamp] Where did this even come from? Well… Italy. Italy is where the trio named MATA come from, making industrial/noise/glitch which could almost look like a typical rock band – guitar/vocals, bass, drums – if you ignore the electronics through everything. This is the kind of music where anything can happen, often grating, often strangely catchy? The label CÆR is the musical arm of Chiærichetti Æditori Recordings who also publish an underground comix anthology called LEGIONE, and I look forward to reading some when the package finally reaches Australia. Noémi Büchi – dislocated bodies (feat. Anushka Chkheidze) [-OUS/Bandcamp] With last year’s excellent Liquid Bones EP, Swiss/French composer Noémi Büchi shifted from dense electronic orchestrations to a somewhat lighter touch, with rhythm more to the forefront. Her new album Exuvie is body music made of deceptively simple parts that are bent and shuffled into unexpected shapes. It’s great, not least on this track, a collaboration with Georgian composer & producer Anushka Chkheidze. Roman Rofalski – Monday [Oscillations/Bandcamp] German musician Roman Rofalski is a classically-trained pianist and a jazz musician, releasing recordings of contemporary composers as well as jazz piano trios. He’s also interested in extending these forms into electronic realms, and we’ve heard him on this show as one half of electro-acoustic duo Saving Kaiser. In 2024, we heard him deconstructing his piano on the album Fractal, released by London-based Oscillations Music. He’s now followed that up with Awaiting PM, combining the inside & out of a new grand piano with distorted Akai MPC 2000 beats. There’s a sense of tension and expectation to these tracks, which were recorded while awaiting the birth of his son. It’s excellent stuff, and I’m glad to note that he’s got another release coming hot on its heels, which you’ll hear here in a couple of weeks. Autistici & datewithdeath – Grusch’s Biologics [Audiobulb/Bandcamp] Sheffield-based sound-artist David Newman has run the Audiobulb label since the netlabel days of the early 2000s, and for a similar length of time he’s made exploratory sounds as Autistici of a similar aesthetic to the label – post-IDM beats, glitchy sound processing, an electro-acoustic approach to found sounds, field recordings and instrumentation. Artistic collaboration has been a big part of what Newman’s done as Autistici and Volume Objects – the 2010 remix album Resonating Wires was a favourite release back then, but even his “solo” releases have often featured guests. Last year, two of three “familiarity” EPs came out from Autistici on Audiobulb – Familiarity Folded and Familiarity Enfolded, both of which featured simpatico either artists remixing Autistici or working with him, creating meticulous sound-art, sometimes with beats, usually mixing acoustic sounds with electronic approaches. Those two releases have limited CD editions; the third, out now, is Familiarity Unfolded, which can be found on vinyl as well. One of the best collaborations is with St. Augustine, Florida musician & writer Travis Johnson, who worked for many years under the alias datewithdeath, as well as running the Poverty Electronics label. Following an illness, datewithdeath has been retired – although not without clearing the cupboards with some stunning collections, including the collaboration/remix album Culotte Sine and the posthumous (so to speak) album Apple Tree Brightness. Johnson can now be found prioritising writing with Frolic Press, but there’s still a musical arm – Frolic Press Recordings that will feature his & others’ work – forthcoming is a novella from Aidan Baker of Nadja, with an accompanying solo album out for pre-order now. In any case, the glitchy & detailed “Grusch’s Biologics” is one of my favourite tracks from Autistici’s trio of releases. Bruce Russell – The Letter [Marhaug Forlag/Bandcamp] Lasse Marhaug – Turntable Oil Blues [Marhaug Forlag/Bandcamp] This one’s a huuuge deal in the noise world, or at least to me it is. Bruce Russell is a member of New Zealand’s iconic experimental rock trio The Dead C, a highly influential band across indie, shoegaze and noise. Lasse Marhaug is a giant of the noise scene, and also a producer of many surprising Norwegian & other artists including Korean jazz/experimental cellist Okkyung Lee, Jenny Hval and Kelly Lee Owens. As befits the noise scene, both are very intuitive workers with sound, and that’s where part of the joy of this release comes from. It’s actually their second collaboration, but Re-Make Re-Model came out of the idea of remixing each other, and thus is released as a 2CD set, each credited to the artist who completed the work (the remixer). It also comes in a beautiful open-spine hardcover book published by Marhaug (whose Marhaug Forlag also publishes the Personal Best magazine of noise music – the 2011 first issue of which included a feature on Bruce Russell), with photos & essays by both musicians about their relationship and their musical practice, and fascinating, detailed descriptions of how each track was made. Thus: Bruce Russell’s “The Letter” is based on Marhaug’s 2005 work Carnival of Souls, which is a soundtrack to a short film called The Letter. Russell chopped out tasty bits of the original, which he re-pitched, pushed the right & left channels out of sync & further tampered with. The results are deeply sinister. On Marhaug’s “Turntable Oil Blues”, he’s messing with Russell’s “Nigerian Delta Oil Well Blues”, a short track from his 21st Century Field Hollers And Prison Songs LP. The funny thing is, the ascending & descending slides aren’t a turntable slowing down & speeding up – they’re in Russell’s track. This is as directly a remix as it is a destruction of the original work, progressively distorting the original (played at the wrong speed) over a number of run-throughs. Ultimately noise is doing whatever the fuck you want with sound, and finding some artistry in it, and these two are past masters of the art of noise. Nabelóse – Niriides [Trost/Bandcamp] Pianist Ingrid Schmoliner and French horn player Elena Kakaliagou have played together for about a decade, making music that sits somewhere between contemporary composition and free jazz. Both also contribute voice to their Nabelóse project, including layers of spoken work, and – with prepared piano and horn that produces breathy wind as often as warm, slow melodies – their third album HAAR is a thing of mysterious beauty. Their previous albums – 2017’s Nabelóse and 2022’s OMOKENTRO – feature more singing that draws from their respective folk musics (Schmoliner is also a yodeler), but share this album’s patience and sonic exploration. Rosenau & Sanborn – Harm [Psychic Hotline/Bandcamp] Chris Rosenau of Collections of Colonies of Bees and Volcano Choir, and Nick Sanborn of Sylvan Esso have been friends for a long time, and made their first EP under their surnames back in 2019. The sequel (what Americans would call a “sophomore” effort) shares with the first a love of folky guitar, studio electronics and incidental found-sound. To me this is bliss, as it recalls the laptop folk of The Books and other airy, homespun folktronica of the early ’00s. Absolutely a little gem, do not miss. Booker Stardrum – Inside Sounds [WeJazz/Bandcamp] New York percussionist & composer Booker Stardrum is a member of Los Angeles (post-)jazz supergroup SML, and music runs in his family – his surname is adopted from the names of his parents, both avant-garde musicians themselves: flautist Stefani Starin and microtonal composer & instrument maker Dean Drummond. So Close-up On The Outside might be expected to be an avant-garde release, and in some ways it is, but in a very friendly, warm manner. Many friends from SML and the broader scene appear as guests on these compositions, but they flit in & out around careful edits; the main focus is on pitched and un-pitched wooden percussion, and glinting loops. There’s a low-key, positive outlook to the album which is uncommon and welcome. Richard Pike – I. “What Happened” [Salmon Universe/Bandcamp] Sydney’s Richard Pike, alum of PVT, is now based in London. He can be found in various ensembles, including with Joe Quirke, with whom he co-runs the Salmon Universe label, and under his own name has been making ambient-techno-hybrid-orchestral soundtracks for TV. Outside of that, he’s released solo music under the alias DEEP LEARNING on Oxtail Recordings, based around subtly rhythmic glitchy loops, but now returns to his own name for album that mixes late-night piano and glitchy dub-techno. It’s not surprising to discover that the creation of this music was directly triggered by the death of Ryuichi Sakamoto, but the music takes darker paths than the Japanese master. The full album’s out later in May, but the singles so far are rich & murky. Listen again — ~224MB

This bonus content is a reading from Platypus, the CASTAC Blog. The full post by Jonathan Givan can be read at https://blog.castac.org/2026/03/hip-hop-sampling-and-the-akai-mpc-as-a-platform-for-spatiotemporal-discourse/. About the post: This analysis moves away from exploring Hip Hop as a particular Black political action taking sonic form and towards an ontology of Black American Hip Hop production. This shift is valuable because the sonic underpinning of the beat is what contextualizes and informs the lyrical production done in real time by the emcee during the process of writing and recording their lyrics. In doing this contextualizing work, Hip Hop music producers redeployed the sampler as not just a musical instrument but as a platform on which new forms of dialogue were able to blossom.

AKAI MPC XLが発表された話今日のビートYouTube https://www.youtube.com/@katsuOfficialnote https://note.com/kermit71/TikTok ⁠⁠https://www.tiktok.com/@katsu_beat⁠⁠instagram https://www.instagram.com/kermit71【今日のキーワード】ROLAND SP-404 MKII / SP-404 MK2 / AKAI PROFESSIONAL MPC ONE / ビートメイク / コーヒー / Teenage Engineering EP-133 K.O.II / Ableton Move

Itunes iVoox Spotify Bienvenidas y bienvenidos todos. Aquí estamos, de nuevo, en el podcast de hacercanciones.com , un día más con el veneno de la música y las canciones recorriendo nuestras venas.  Como podéis comprobar, estoy inspirado, demasiado tal vez, (no me lo tengáis muy en cuenta) y, en cualquier caso, este estado de ánimo me va a venir bien para hablar del tema de hoy, de una técnica moderna, pero que ya tiene unas buenas décadas a sus espaldas, una técnica y unos dispositivos con los que podemos crear música de una forma distinta a las tradicionales. Me refiero a los samplers, a los dispositivos que utilizan muestras de audio para crear música nueva, lo que se suele llamar generalmente, sampling. #mailpoet_form_3 .mailpoet_form { } #mailpoet_form_3 .mailpoet_column_with_background { padding: 10px; } #mailpoet_form_3 .mailpoet_form_column:not(:first-child) { margin-left: 20px; } #mailpoet_form_3 .mailpoet_paragraph { line-height: 20px; margin-bottom: 20px; } #mailpoet_form_3 .mailpoet_segment_label, #mailpoet_form_3 .mailpoet_text_label, #mailpoet_form_3 .mailpoet_textarea_label, #mailpoet_form_3 .mailpoet_select_label, #mailpoet_form_3 .mailpoet_radio_label, #mailpoet_form_3 .mailpoet_checkbox_label, #mailpoet_form_3 .mailpoet_list_label, #mailpoet_form_3 .mailpoet_date_label { display: block; font-weight: normal; } #mailpoet_form_3 .mailpoet_text, #mailpoet_form_3 .mailpoet_textarea, #mailpoet_form_3 .mailpoet_select, #mailpoet_form_3 .mailpoet_date_month, #mailpoet_form_3 .mailpoet_date_day, #mailpoet_form_3 .mailpoet_date_year, #mailpoet_form_3 .mailpoet_date { display: block; } #mailpoet_form_3 .mailpoet_text, #mailpoet_form_3 .mailpoet_textarea { width: 200px; } #mailpoet_form_3 .mailpoet_checkbox { } #mailpoet_form_3 .mailpoet_submit { } #mailpoet_form_3 .mailpoet_divider { } #mailpoet_form_3 .mailpoet_message { } #mailpoet_form_3 .mailpoet_form_loading { width: 30px; text-align: center; line-height: normal; } #mailpoet_form_3 .mailpoet_form_loading > span { width: 5px; height: 5px; background-color: #5b5b5b; }#mailpoet_form_3{border: 1px solid #fcb900;border-radius: 40px;text-align: center;}#mailpoet_form_3 form.mailpoet_form {padding: 20px;}#mailpoet_form_3{width: 70%;}#mailpoet_form_3 .mailpoet_message {margin: 0; padding: 0 20px;}#mailpoet_form_3 .mailpoet_paragraph.last {margin-bottom: 0} @media (max-width: 500px) {#mailpoet_form_3 {background-image: none;}} @media (min-width: 500px) {#mailpoet_form_3 .last .mailpoet_paragraph:last-child {margin-bottom: 0}} @media (max-width: 500px) {#mailpoet_form_3 .mailpoet_form_column:last-child .mailpoet_paragraph:last-child {margin-bottom: 0}} Por favor, deja este campo vacío ¿Escribes canciones o te gustaría hacerlo? He leído y acepto la Política de Privacidad Con las Guías «El viaje de una canción» y «El viaje del músico independiente» de regalo Revisa tu bandeja de entrada o la carpeta de spam para confirmar tu suscripción.

AKAI MPC LIVE IIが届いたけど不良品で返品した話実際 LIVE II を使ってみて MPC ONE の良さがわかった話YouTube https://www.youtube.com/@katsuOfficialnote https://note.com/kermit71/TikTok ⁠⁠https://www.tiktok.com/@katsu_beat⁠⁠instagram https://www.instagram.com/kermit71【今日のキーワード】ROLAND SP-404 MKII / SP-404 MK2 / AKAI PROFESSIONAL MPC ONE / ビートメイク / コーヒー / Teenage Engineering EP-133 K.O.II

このところ毎日ABLETON MOVEを買うか悩んでる話MPCはすごいなという話今日のビートメイクYouTube https://www.youtube.com/@katsuOfficialnote https://note.com/kermit71/TikTok ⁠⁠https://www.tiktok.com/@katsu_beat⁠⁠instagram https://www.instagram.com/kermit71【今日のキーワード】ROLAND SP-404 MKII / SP-404 MK2 / AKAI PROFESSIONAL MPC ONE / ビートメイク / コーヒー / Teenage Engineering EP-133 K.O.II

朝散歩からのジムの話 レコードプレーヤーをアップグレードするならどれにするかの話 MPCのインスツルメントプラグインの話 JURA / Mini D / Odyssey / Electric / Solina / Hype 今日のビート YouTube https://www.youtube.com/@katsuOfficial note https://note.com/kermit71/ TikTok ⁠⁠https://www.tiktok.com/@katsu_beat⁠⁠ instagram https://www.instagram.com/kermit71 【今日のキーワード】 ROLAND SP-404 MKII / SP-404 MK2 / AKAI PROFESSIONAL MPC ONE / ビートメイク / コーヒー / Teenage Engineering EP-133 K.O.II /

AKAI MPCシリーズに追加されたら嬉しい機種の話 SP-404 MK2のパッドミュートの話 今日のビート YouTube https://www.youtube.com/@katsuOfficial note https://note.com/kermit71/ TikTok ⁠⁠https://www.tiktok.com/@katsu_beat⁠⁠ instagram https://www.instagram.com/kermit71 【今日のキーワード】 ROLAND SP-404 MKII / SP-404 MK2 / AKAI PROFESSIONAL MPC ONE / ビートメイク / コーヒー / Teenage Engineering EP-133 K.O.II

Jeremy Fisher from the United Kingdom is a podcaster, a vocal coach and an author. Along with his wife Gillyanne, they have this amazing podcast called This Is The Voice, which also had me as a guest. He also is putting me in his upcoming book. This podcast is on everything including projection, singing, getting over public speaking, podcasting and more. Check it out. I will give you the link in the notes. Jeremy's website is vocalprocess.co.uk I want to ask you to come to our webinar on Thursday, May 9th, at either 12:30 PM or 6:15 PM Eastern time where I teach you 10 ways to monetize your podcast. The link is in the show notes. Masa - All My Loving Featuring Tiana Soul Luchyval featuring MadFocus - Top Floor Mike Owocki - A Damned Good Feeling Masa - Tropical Love Bruce Chamoff - Wait ⁠About Bruce Chamoff⁠ Bruce Chamoff is a multi-instrumentalist who plays piano, saxophone, guitar, and bass. He has been writing songs since the age of 11. He has 5 albums on Spotify and 27 singles to date. Check out his music at ⁠https://open.spotify.com/artist/4lZgvTWEAkTnPQbtvNUctm⁠ MasaHY (pronounced "mɑsə eɪʧ waɪ") is a beatmaker based in Tokyo. He started his music career as a hip-hop club DJ in the mid-90's and has about 15 years of experience. From his experience as a club DJ, he not only has a keen eye for the latest music trends, but also has a deep knowledge of R&B, Dancehall Reggae, Jazz Fusion, Disco, and Funk. He follows the beatmaking style of 90's Hip Hop and uses the "Akai MPC" as his main equipment. He specializes in creating grooves reminiscent of sampled sounds using DAWless methods. He re-samples the sound material he plays to create his own loops. In 2021, he released his long-awaited debut album "The Art of Soundscape". In recent years, he has been actively fusing diverse musical cultures through collaborations with many Afro and Caribbean artists, and is expected to grow as an international music producer. About MadFocused: You've been warned: Madfocused is here to stay and applying pressure—pushin' p!     Following the release of their first collaborative project in 2023, they began conspiring to solidify a group:The two solo artists LuchyVal and JK22 had already worked together and generated their synergistic flow when the spunky lyricist, LeNoira, zapped in and balanced out the now genre-blending trio,”I love our sounds together, we can come across as zany; yet being so free-spirited, and unconventional is what helped us also become a solid team and great friends— we understand each other so well”.     MadFocused doesn't wish to box themselves in, they like to push boundaries. While they often roost on the playful, and spirited side of things, they are quite layered, real, transparent. their latest releases strut boldly into another area of expression: these songs are hot-headed and sharp with delicious drama— About Mike Owocki Mike Owocki is a Lo-Fi independent artist producing all original material across multiple genres, including Pop, Rock (light), and jazz, w some crossover to country/folk. --- Send in a voice message: https://podcasters.spotify.com/pod/show/successful-podcaster/message Support this podcast: https://podcasters.spotify.com/pod/show/successful-podcaster/support

Guests Rich Hilton - Nile Rodgers Studio guy, keyboards for Chic Paulee Bow Magical Synth Adventurer Robin Vincent Molten Music Tech Video version on Youtube: https://www.youtube.com/watch?v=ExY2y8MSJ9g For preshow and Ad free version and much more: Patreon.com/sonicstate   Things break. So does audio. Recorded sound is rarely perfect - in fact, it's often in really bad shape. That's why you need iZotope RX, the industry standard for audio repair that helps restore, clean up, and improve recordings in post-production, music, and content creation.. Don't forget the code SONIC10 to save 10%   Spark your creativity with Guitar Rig 7 Pro - an inspiration suite filled with soughT-after guitar and bass amp simulators, studio effects, and pedals. Get instant flavor with over 100 new rack presets, or mix and match modules to sculpt your own tones. Add analog warmth with four new lo-fi components, perfect for adding texture to any track. And exclusively for listeners of Sonic TALK, take 10% off your software purchase at Native-Instruments.com with the code SONIC10. Some restrictions apply. 00:22:00 SHOW START 00:26:02 AD: SonicState Patreon 00:32:49 Akai MPC Keys 37 00:44:13 AD: iZotope RX10 00:45:17 Moog Mirror 01:00:24 AD: N.I. Guitar Rig Pro 7 Where to Watch/Listen - We now stream the live show to Youtube Live,  Facebook Live as well as at  Sonicstate.com/live every Weds at 4pm UK time- please do join in. Preshow available on Twitch. You can also download the audio version from RSS FEED 

We show you the new Flexbeat plug in from Akai To see this episode click below or visit www.wesampleeverything.com --- Send in a voice message: https://podcasters.spotify.com/pod/show/wesampleeverything/message Support this podcast: https://podcasters.spotify.com/pod/show/wesampleeverything/support

喫茶店代だけで月３．５万ぐらい使っていることに気づいたので、ちょっと節約し始めた今週の成果を振り返ります。 ・喫茶店に行く回数は減らしたけど、代わりに買ったものとか MPCのファームウェアアップデートがきたので、MPC Live IIを買えばよかったのか、みたいな話。 YouTube https://www.youtube.com/@katsuOfficial note https://note.com/kermit71/ 【今日のキーワード】 ルーチン / 掃除 / クイックルワイパー / クイックルハンディ / 喫茶店 / コーヒー / 休職 / メンタルヘルス / サンプラー / DAW. / DTM / AKAI PRO / アカイプロ / SP-404 --- Send in a voice message: https://podcasters.spotify.com/pod/show/katsushi-machida/message

睡眠導入剤とかの話 すっかりDAWが音楽制作の中心で、Ableton Liveなんかがブイブイいってます。ぼくもLogic Pro併用してますが、Ableton Push3のスタンドアロン版が出たり、AkaiもAbleton Live用のコントローラーAPC64を出したりとか。この先どんなふうになっていくのかなぁとか結論もなく話します。 YouTube https://www.youtube.com/@katsuOfficial note https://note.com/kermit71/ 【今日のキーワード】 DAW / DTM / メンタルヘルス / 心療内科 / 睡眠導入剤 / ビートメイク / AKAI PRO / ROLAND / SP-404 MK2 --- Send in a voice message: https://podcasters.spotify.com/pod/show/katsushi-machida/message

Tillbaka efter Niklas långa skåneturné så pratar (svamlar) vi idag om olika elektroniska maskiner som man skulle kunna ta med ut i skogen och sen få med sig en hel låt hem - skogssynthar helt enkelt (kom ihåg vart ni hörde det först). Vad önskar vi från en sådan maskin, vilka finns det, vad är bra och vad är dåligt?Länklista:1.) Junk Liaison - Rörelser https://open.spotify.com/album/3zPP6mu2BQu113c4weESpJ?si=AWwkkKVXR9-Ww7bmJEFC4A2.) Elektron - https://www.elektron.se3.) AKAI MPC - https://www.akaipro.com/products/mpc-series4.) Deluge - https://synthstrom.com/product/deluge/5.) Teenage Engineering - https://teenage.engineering/products/op-1/original6.) Dirtywave M8 - https://dirtywave.com/ Hosted on Acast. See acast.com/privacy for more information.

FEW TANG!!! We need your input on this one. Drop things that have changed Hip Hop forever in the comments. We left out BIG and Pac/East Coast/West Coast beef because it's low hanging fruit. Everything else is on the table though. Make room for the tag #ConversateForAFew Things That Changed Hip Hop Forever 00:00 - Intro 1:13 - 2 Live Crew vs The US Government; Explicit Lyrics/Parental Advisory Sticker 4:00 - Nas Drops Illmatic 12:05 - RUNDMC releases "Walk This Way" with Aerosmith 13:59 - Advertising/Marketing Agencies found value in Hip Hop 15:38 - The Roland TR-808 Drum Machine; Roger Linn, SP1200, Akai MPC etc... 19:00 - The Introduction on Million Dollar Record Deals 21:57 - Lil Wayne becomes the prototype image of a rapper 22:43 - The broad acceptance of Autotune 26:06 - Introduction of the Battle; Sound Clash, Park Jam 29:06 - The "Streets" or Street Money infiltrated and took over Hip Hop 31:08 - Hip Hop finally hits radio airwaves consistently 35:14 - The emergence of Ruthless Record; N.W.A., Eazy-E, Dr. Dre, Ice Cube etc... 37:07 - Drake opening US borders to International Hip Hop 44:59 - Rhyming in Triplets; Jaz-O, Bone-Thugs-N-Harmony, Migos 47:26 - Streaming; Spotify, Apple Music, Tidal etc... 51:57 - Social Media; analytics over talent 56:56 - What do YOU think we missed? What do YOU think changed Hip Hop forever? Subscribe to the Conversate For A Few YouTube and hit the notification bell! Apple Podcast: https://bit.ly/ConversateForAFewApple...   Spotify: https://bit.ly/ConversateForAFewSpotifyGoogle Podcast: https://bit.ly/ConversateForAFewGoogl... Follow and join the conversation on Instagram and Facebook!http://bit.ly/ConversateFacebookGrouphttps://bit.ly/ConversateInstagram

On Episode 082, today's guest hails from San Miguel de Allende, Mexico

Bishop Tha DJ and Son Brave take listeners on a trip through memory lane to discuss Hip Hop production techniques and their evolution. From two turntables and vinyl records, the Roland TR-808, Akai MPC series, SP-1200 to FL Studio and more. Featuring the best mixes and blends by Bishop of music from Boot Camp Clik, Mobb Deep, Styles P, Conway The Machine, Roc Marciano, Big L and more. February 3rd, 2023. Art by Bishop Tha DJ. VISIT https://linktr.ee/trueOGseries TO STREAM THE FULL PODCAST OR FOR MORE INFO

"I knew there was music in the ripple and found a faded memory of lakeside reels and a wide angled shot of a small boat in a body of water.  Sampled looped and processed with Akai MPC, finished in Ableton. The amazing Audiority Grainspace for unduelling banjoes." Lough Doon, Ireland reimagined by Simon Greenwood (Nonalogue).

Craigslist patrons, high hi-hats, and the feeling of being under a microscope. Paul Quattrone (Thee oh sees, Warm Drag, !!!) "The two people in Warm Drag do specific things. Vashti Windish sings, the way Siouxsie sang power, the way Nico sang allure, the way Patti sang sex. Paul Quattrone makes the noise with two Akai MPC 1000 samplers. Beats that pummel or seduce, usually simultaneously, synths that soar like Morricone or pump like DAF, and gloriously twangy guitars that clang and echo like Duane Eddy spiraling down a k-hole." Excerpt from https://intheredrecords.com/collections/warm-drag Thee Oh Sees: Website: https://www.theeohsees.com Records: https://www.castlefacerecords.com/collections/thee-oh-sees Warm Drag: Youtube: @Warm Drag Instagram: @warm_drag BandCamp: https://warm-drag.bandcamp.com/album/s-t Records: https://intheredrecords.com/collections/warm-drag The Vineyard: Instagram: @thevineyardpodcast Website: https://www.thevineyardpodcast.com Youtube: https://www.youtube.com/channel/UCSn17dSz8kST_j_EH00O4MQ/videos

The Jungle room, an 18 page paper on War and Peace, and trading shirts as a valet. (Thee Oh Sees, Warm Drag, Drums & Wires) "The two people in Warm Drag do specific things. Vashti Windish sings, the way Siouxsie sang power, the way Nico sang allure, the way Patti sang sex. Paul Quattrone makes the noise with two Akai MPC 1000 samplers. Beats that pummel or seduce, usually simultaneously, synths that soar like Morricone or pump like DAF, and gloriously twangy guitars that clang and echo like Duane Eddy spiraling down a k-hole." Excerpt from https://intheredrecords.com/collections/warm-drag Thee Oh Sees: Website: https://www.theeohsees.com Records: https://www.castlefacerecords.com/collections/thee-oh-sees Warm Drag: Youtube: @Warm Drag Instagram: @warm_drag BandCamp: https://warm-drag.bandcamp.com/album/s-t Records: https://intheredrecords.com/collections/warm-drag The Vineyard: Instagram: @thevineyardpodcast Website: https://www.thevineyardpodcast.com Youtube: https://www.youtube.com/channel/UCSn17dSz8kST_j_EH00O4MQ/videos

Episode 062 with New Jersey Born and Orlando Florida resident Beatmaker Bundo. Enjoy!We talk about his signature moniker, musical upbringings/inspirations, being exposed to different genres of music by his father, mother, sisters and cousins in New Jersey. His movie inspirations, being exposed to 1 of 4 Pillars of Hip-Hop (Hip-Hop music and fashion) at an early age, his G.B.O.A.T. (Greatest Beat of All Time) "Massage Situation" from Reset EP by Flying Lotus, his Beatmaker/Music Producer Superheros (Pete Rock, Flying Lotus, DJ Muggs, The Beatnuts (JuJu), The RZA, DJ Premier, HAVOC from MOBB Deep, Dr. Dre, Rick Ruben, Large Professor, MF DOOM, his favorite decade to sample (1960s & 1970s) and movie soundtracks from any decade, his current analog music production equipment/DAWs (Roland SP404 SX,  Akai MPC, the Orlando Florida Beat Scene and more.Bundo's  Recommendations:1.

Episode 062 with New Jersey Born and Orlando Florida resident Beatmaker Bundo. Enjoy!We talk about his signature moniker, musical upbringings/inspirations, being exposed to different genres of music by his father, mother, sisters and cousins in New Jersey. His movie inspirations, being exposed to 1 of 4 Pillars of Hip-Hop (Hip-Hop music and fashion) at an early age, his G.B.O.A.T. (Greatest Beat of All Time) "Massage Situation" from Reset EP by Flying Lotus, his Beatmaker/Music Producer Superheros (Pete Rock, Flying Lotus, DJ Muggs, The Beatnuts (JuJu), The RZA, DJ Premier, HAVOC from MOBB Deep, Dr. Dre, Rick Ruben, Large Professor, MF DOOM, his favorite decade to sample (1960s & 1970s) and movie soundtracks from any decade, his current analog music production equipment/DAWs (Roland SP404 SX,  Akai MPC, the Orlando Florida Beat Scene and more.Bundo's  Recommendations:1.

Episode 061 with Edmonton, Alberta Canada Beatmaker tkdwn. aka Style Lowry. Enjoy!We talk about his signature moniker, musical upbringings/inspirations, being exposed to different genres of music by his father in Guianese household, bollywood music, Pro Wrestling inspirations, (All Japan Wrestling and All Japan Women's). His anime/manga inspirations (Slam Dunk, Anything from the Gundam anime series, Megalo box, Evangelion, Berserk, Samurai Slampoo, being exposed to 1 of 4 Pillars of Hip-Hop (Emceeing) at an early age, his G.B.O.A.T. (Greatest Beat of All Time) Time: The Donut of the Heart by J. Dilla and "Practice” by MADLIB,  his Beatmaker/Music Producer Superheros (DJ Premier, Madlib, J Dilla, Nujabes,  Liam Howlett, TAKU, Jake One and Alchemist), favorite decade to sample (1970 for Soul & Jazz, 1980 for R&B and movie and tv soundtracks from any decade, his current music production equipment (Roland SP404 SX,  Akai MPC, , the Edmonton, ways artists can make income during the devaluation of music, Alberta Canada Beat Scene (@samplercafe) and more.tkdwn's  Recommendations:1.

Episode 060 with Saint Paul, Minnesota Producer/Engineer...Jomy a.k.a. Jomybeats. Enjoy!We talk about his signature moniker, musical upbringings/inspirations (Hip-Hop), being inspired by his Mother and Brother, video game soundtracks, being exposed to 1 of 4 Pillars of Hip-Hop (Emceeing) at an early age, his G.O.A.T. beat by Pusha T and Kanye West "King Push",  his Beatmaker/Music Producer Superheros (The Neptunes, Pete Rock, Joe Beats, Danja), not being classically trained but trusting his ears and feeling when creating music, being a gear-head and his current music production equipment (Ableton Live & Push 2, Roland SP404 SX,  Akai MPC, Native Instruments Maschine MKIII (sorta), the Saint Paul Minnesota Beat Scene and more.Jomy.'s  Recommendations:1. J. Dilla Documentary " Still Shining"2. A Tribe Called Quest Documentary "Beats, Rhymes & Life"3. The Rec Show Podcast4. J Filt from Howtomakeverysickbeats.com YouTube Channel5. Maschine Masters YouTube Channel (feats all DAW types)Intro Music: "Sparkles (GAEP02_01)" from Grass Appeal EP02 by DATSUNNFeatured Music: "Captain", "64", "Sfx", "Changes", Coffee Breaks Vol. 1 and Coffee Breaks Vol 2. from Jomy.'s Bandcamp DiscographySocial Media: @JomybeatsWebsite: Jomybeats LinktreeConsider Becoming A Subscribing Member at www.gldnmndofficial.com to support the podcast.Support the show

Special thanks: McKinleyA - Audionaut Engineer Lars Haur - Audionaut Producer Help Support the Channel: Patreon: https://www.patreon.com/audionautic PayPal: https://www.paypal.com/paypalme/AudionauticRecords?locale.x=en_GB Join the conversation:

Episode 046 with Austin, Texas Acclimated Assassin. We talked his signature moniker, musical upbringings/inspirations, Skateboarding, Beat Tapes, "Split Decisions" and "I Call This Place Home", exposure to 1 of 4 Pillars of Hip-Hop (Emceeing, Graffing in Maine), his Beatmaker/Music Producer Superheros (RZA, Wu-Tang Clan, Pete Rock, Large Professor, DJ Premier, David Axelrod, Mizzel Brothers, Black Milk, Marco Polo), analogue music production equipment linked with new tech (SP404SX, Akai MPC and Koala Sampler), Prized Vinyl Finds, Austin Beat Scene, Pressing Matterz "Beats x Beers", Web3, Cryptocurrency and much more.Acclimated Assassin Recommendations:Copywrite Criminals DocumentaryDilla Time by Dan CharnasMass Appeal Rhythm RouletteTalking Synths PodcastIntro Music by: "Communion" off Che' Butter Beats Vol 1. by @che_noir Featured Music: Nondescript Nomenclature, Loose Change, and Innumerable Indifferences by SleeplessinflatlandSocial Media: @crate_assassinWebsite: Acclimated Assassin BandcampConsider Becoming Subscriber Member at www.gldnmndofficial.com to support the podcast.Support the show

https://www.twitch.tv/schizophrenic_god

Alex and Mike chat about other venues to draw interactive audio inspiration from, diving into Mike's experience with musical theater. Notable mentions for this episode include: The Akai MPC, QLab, Ableton Live, Dune, The Wheel of Time, and Andrew Lloyd Webber. Featuring: Alex May, Michael Gordon Shapiro Recorded November 19, 2021

L'émission lundimadaire en live avec toute l'équipe et Toxic Avenger ! Participez au concours en nous rejoignant sur Discord : https://lessondiers.com/discord Une licence Arturia SQ 80 V : https://www.arturia.com/products/analog-classics/sq80-v/overview Apple Music et les DJs : https://www.billboard.com/articles/news/9627270/apple-music-shazam-id-songs-dj-mixes/ Line 6 Helix Native : https://line6.com/helix-recording-bundle/ Alai MPC Studio : https://www.akaipro.com/mpcstudio Austrian Audio CC8 : https://austrian.audio/cc8/ Expressive E Osmose : https://www.expressivee.com/2-osmose Non Linear Labs C15 : https://www.nonlinear-labs.de/demo/federico/federico.html Retrokits RK008 : https://www.retrokits.com/rk008/ ---- SOUTENEZ NOUS ---- Offrez nous un café, ça nous met la patate ! https://lessondiers.com/soutien TOUT SAVOIR SUR LES SONDIERS https://lessondiers.com/links Pour vos besoins en matériel, vous pouvez passer par notre lien affilié chez Michenaud, un super magasin pas cher, sérieux et sympa : https://lessondiers.com/michenaud ​ 00:00 Intro 01:02 Début de l'émission 03:00 Toxic Avenger 06:25 Concours Arturia SQ 80 V 12:40 AskSondiers (interface Audio) 28:48 AskSondiers (Performance live) 44:45 Apple Music et les DJs 53:00 Line 6 Helix Native 58:33 Aki MPC Studio 01:06:05 Austrian Audio CC8 01:08:25 Tirage au sort du concours 01:19:00 Les coups de coeur de Toxic Avenger ​Les Sondiers - Une émission live lundimadaire Et en podcast via http://lessondiers.com​​ ​ Suivez nous sur Twitch : https://twitch.tv/lessondiers​​ ​Twitter : https://twitter.com/lessondiers​​ ​Instagram : https://instagram.com/lessondiers​​ ​Facebook : https://facebook.com/lessondiers​​ YouTube : https://youtube.com/lessondiersFR​

Good people,Today's episode is part two of my conversation with the musician, producer, and author Ahmir Khalib Thompson, Questlove. In this second part of the interview, we dive deep into the four tropes in which Black artists are automatically put when they emerge in the show business. We also talked about self-confidence and Ahmir's old mentality of not believing his music or any artistic piece produced by him was good enough. Ahmir also shared an amusing story about the origin of his artistic name, and he brilliantly answered the yes or BS quest. Before the end, he shared some priceless insights about music and the show business. In This Episode, You Will Learn:"You are brilliant; that is unexpected." When compliments reveal prejudices and racism (3:59)The placebo syndrome and its positive effects (7:59)Being always ready to pivot in case the worse happens. How Ahmir's mentality took him to never aiming to success (13:27)The difference between 'I am!' and 'Am I?' (15:57)Yes or BS:In hip hop, your story needs to be bigger than your talent.There is no better pizza than Valducci's.Questlove's vaccinated food salons will be back in 2021.Just Blaze is a top three hip-hop producer of all time.Self-sabotage can be cured.Andy Warhol is like Pete Rock for painters.The Akai MPC drum machine produces a swing that is the closest to an actual drum.Black thought is too good to be great.Connect with Ahmir:InstagramTwitterFacebook See acast.com/privacy for privacy and opt-out information.

EP023 || Lulla HF & Killer Tame - How To Successfully Collaborate and Record a Project Virtually In this episode of The Pad Bank, I speak to UK based MC, Lulla HF and US based producer and Pad Bank member, Killer Tame. They share how they were able to successfully work together virtually and produce, record and release their debut collaboration EP "Meet Me In Makkovik". ⦿ Check out Meet Me In Makkovik on Bandcamp: https://lullahf.bandcamp.com/album/meet-me-in-makkovik-2  ⦿ Follow Lulla HF: @lulla_hf ⦿ Follow Killer Tame: @killertame ⦿ Check out my latest release: Still Cookin' - EP: https://thepadbank.bandcamp.com/album/still-cookin⦿ For more content visit: http://www.thepadbank.com © 2016 - 2021 Phiah Ltd - All rights reserved.

The first release for RAISED series (in @tasterecmilano) is coming from mysterious beat maker Midnight Chocolate Gospel - @treppenhouse. A dormient Akai MPC ninja who had found time and inner peace during Covid to be able to dust off his machines and get back to music production. His music is permeated by a range of different influences and his production skills and style are highly inspired by the likes of Willie Hutch and Kaytranada.

EP022 || Handing Out Big L's - How I Won a Beat Battle I didn't Even Enter. In this episode of The Pad Bank, I explain how I won a beat battle I didn't even enter. I pay homage to Big L on the 22nd anniversary of hie death. And I review the submission for the Flip It Challenge #206Flip It  Challenge Sample: https://www.youtube.com/watch?v=4fEcfciWNX0&feature=youtu.beFlip It Challenge playlist: https://soundcloud.com/user-278966789/sets/flip-it-challenge-206Check out my latest release:  Still Cookin' - EP: https://thepadbank.bandcamp.com/album/still-cookin For more content visit: http://www.thepadbank.com © 2016 - 2021 Phiah Ltd - All rights reserved.

EP021 || Rob Russ - Appearing in Hip Hop Evolution - UK vs US Production - Clearing Samples.In this episode of The Pad Bank, I speak to Robert Russell . He shares his experience growing up in Atlanta and how he got started in production. He also tells us about his appearance in Hip Hop Evolution, and we discuss how sampling can hinder you from putting your music out. Check out my latest release: Still Cookin' - EP: https://thepadbank.bandcamp.com/album/still-cookin For more content visit: http://www.thepadbank.com © 2016 - 2021 Phiah Ltd - All rights reserved.

EP020 || SyXon Beatz - Polish Hip Hop Culture and more In this episode of The Pad Bank, I speak to SyXon Beatz. He shares his experience growing up in Poland and discovering Hip Hop Culture. I also address my recent Internet Troll experience :) Follow SyXon on IG: https://www.instagram.com/syxonthebeatz/ Check out SyXonBeatz on Soundcloud: https://soundcloud.com/syxon-beatzListen to Strange & Syxon: https://youtu.be/OJv3UfgwFUM Listen to FrieneMies by A+ (Aye PLUSS) aka Big U.N.C. aka AL Skee aka AR1 on #SoundCloud: https://soundcloud.app.goo.gl/aGZQq https://youtube.com/watch?v=smZLqWMqbF0&feature=share Check out my latest release:  Still Cookin' - EP: https://thepadbank.bandcamp.com/album/still-cookin For more content visit: http://www.thepadbank.com © 2016 - 2021 Phiah Ltd - All rights reserved.

EP019 ||  CP The Creator - Depression, Inspiration and Receiving Feedback From Jermaine DupriIn this episode of The Pad Bank, I speak to CP The Creator. He shares his experience as a creative and some of the challenges we face. How he accidentally won the Remi Martin production contest. And receiving feedback from Jermaine Dupri, Zaytoven and HitMaka. Check out my Still Cookin' - EP: https://thepadbank.bandcamp.com/album/still-cookin Follow CP The Creator on IG: https://www.instagram.com/cpthecreator/ CP The Creator on YouTube: https://www.youtube.com/user/JayJoshRocStar For more content visit: http://www.thepadbank.com © 2016 - 2021 Phiah Ltd - All rights reserved.

EP018 || FT Street Smartz Interview - Working with OC, Pharoahe Monch, Buckwild and more. In this episode of The Pad Bank, I speak to FT of Street Smartz. He shares his experience of working with Hip Hop Royalty OC, Pharoahe Monch and Buckwild. He shares his journey through the music industry, from getting into fights over Wu Tang to making tracks for New Line Cinema. Flip It Challenge Playlist: https://soundcloud.com/user-278966789/sets/flip-it-challenge-winners-of For more content visit: http://www.thepadbank.com Check out the Phiah In My Soul - EP: https://thepadbank.bandcamp.com/album/phiah-in-my-soul-ep © 2016 - 2020 Phiah Ltd - All rights reserved.

EP017 || Announcing Flip It 200 | Lil Wayne Selling Masters | Flip It Challenge 198In this episode of The Pad Bank, I announce the Flip It Challenge #200 with a $100 prize to be won. I talk about Lil Wayne selling his masters to Universal Music Group and I review the submission for the Flip It Challenge #198. My Interview on Source Of The Force: https://youtu.be/KLPwkmX-NNs Soundcloud Playlist: https://soundcloud.com/user-278966789/sets/flip-it-challenge-198 Flip It Challenge Sample: https://youtu.be/ANvA-5QQuC8 For more content visit: http://www.thepadbank.com Check out the Phiah In My Soul - EP: https://thepadbank.bandcamp.com/album/phiah-in-my-soul-ep © 2016 - 2020 Phiah Ltd - All rights reserved.

EP016 - Vanity Metrics | Revisiting Old Beats | Flip It Challenge #197In this episode of The Pad Bank, I talk about Vanity Metrics and my issue with Spotify's Year round up. I share my experience of revisiting some of my old beats and I review the submission for the Flip It Challenge #197. Soundcloud Playlist: https://soundcloud.com/user-278966789/sets/flip-it-challenge-197 Flip It Challenge Sample: https://youtu.be/f2XCvidNFqo For more content visit: http://www.thepadbank.com Phiah In My Soul - EP: https://thepadbank.bandcamp.com/album/phiah-in-my-soul-ep © 2016 - 2020 Phiah Ltd - All rights reserved.

EP015 - Why I Dumped My Online Music Distributor | Flip It Challenge #196Pad Bank Podcast EP015 || Why I Dumped My Online Music Distributor | Flip It Challenge #196 In this episode of The Pad Bank, I update you on the release of my leatest music release. I talk about why I dumped my online music distributor and went direct to consumer and I review the submission for the Flip It Challenge #196. Soundcloud Playlist: https://soundcloud.com/user-278966789/sets/flip-it-challenge-196 Flip It Challenge Sample: https://www.youtube.com/watch?v=a-i3PLJQvno For more content visit: http://www.thepadbank.com © 2016 - 2020 Phiah Ltd - All rights reserved.

Frédéric Lenoir :  Philosophe, sociologue et conférencier français Docteur de l'école des hautes études en science sociales Sources : Emission Les Grandes Questions Bibliographie associée : La puissance de la joie - Le livre de poche Le miracle Spinoza - Fayard   Soutenez-nous sur PayPal !

André Comte Sponville :  Philosophe français. Membre du comité consultatif national d'éthique de 2008 à 2016 Sources : Interview de Laureline Amanieux Bibliographie associée : Traité du désespoir de la Béatitude - édition PUF De l'autre côté du désespoir - édition accarias Soutenez-nous sur PayPal !

EP014 - Sample Clearance | Software Incompatability | Flip It Challenge #194In this episode of The Pad Bank, I talk about my sample clearence issues related to the release of my new project. I have a moan about the recent software incompatability I experecned with Catalina. I share my thoughts on the upcoming Tribe vs Outkast battle and I review the submission for the Flip It Challenge #193. Soundcloud Playlist: https://soundcloud.com/user-278966789/sets/flip-it-challenge-194 Flip It Challenge Sample: https://youtu.be/7M_66dI6-sI For more content visit: http://www.thepadbank.com © 2016 - 2020 Phiah Ltd - All rights reserved.

EP013 - Flava Matikz Interview - Q-York DJ & ProducerIn this episode of The Pad Bank, I speak to DJ, Producer and Engineer, Flava Matikz. Part of the multi-award winning Filipino-American Hip Hop Duo Q-York Hailing from Queens, New York, We speak about growing up in Queenz during the early 90's and his production journey. Flava Matikz Links: For beats, bookings, inquiries: flavamatikz@q-york.com www.q-york.com www.sptfy.com/flavamatikz www.soundcloud.com/flavamatikz www.youtube.com/flavamatikzqyork www.facebook.com/flavamatikz.qyork www.instagram.com/flavamatikz www.twitter.com/flavamatikz For more content visit: http://www.thepadbank.com © 2016 - 2020 Phiah Ltd - All rights reserved.

EP012 || My New Project | Reusing Samples |Jamaican Influence | Flip It Challenge #193In this episode of The Pad Bank, I announce my new project, I discuss reusing samples that other producers have already used and I explore the powerful influence Jamaican culture has globally, especially in the birth of Hip Hop and I review the submission for the Flip It Challenge #193.Soundcloud Playlist: https://soundcloud.com/user-278966789/sets/flip-it-challenge-193Flip It Challenge Sample: https://youtu.be/-GERhy1kJ98For more content visit: http://www.thepadbank.com© 2016 - 2020 Phiah Ltd - All rights reserved.

The Pad Bank Podcast EP011 || Is BoomBap Dead? | Kanye West | Busta's LP | Flip It Challenge #192In this episode of The Pad Bank, I respond to the question Is Boom Bap Dead, I reflect on the Kenye West interview with Joe Rogan, I talk about the Busta Rhymes New LP, and I review the submission for the Flip It Challenge #191. Soundcloud Playlist: https://soundcloud.com/user-278966789/sets/flip-it-challenge-192 Flip It Challenge Sample: https://youtu.be/Le36YPQMg-c For more content visit: http://www.thepadbank.com © 2016 - 2020 Phiah Ltd - All rights reserved.

The Pad Bank Podcast EP010 || Inspiriation | Sampling Sources | Busta vs TI | Flip It Challenge #191In this episode of The Pad Bank, I talk about being inspired by Roc Marciano's production, Sampling from sources other than vinyl, The Busta Vs TI battle and I review the submission for the Flip It Challenge #191.Soundcloud Playlist: https://soundcloud.com/user-278966789/sets/flip-it-challenge-191Flip It Challenge Sample: https://youtu.be/BCtZ5PSRsRgFor more content visit: http://www.thepadbank.com© 2016 - 2020 Phiah Ltd - All rights reserved.

The Pad Bank Podcast EP009 ||  Flip It Challenge 190 | Art of Sampling | Equipment Collectors.In this episode of The Pad Bank, I talk about Sampling as an Artform, Equipment Collectors and I review the submission for the Flip It Challenge #190.Soundcloud Playlist: https://soundcloud.com/user-278966789/sets/flip-it-challenge-190For more content visit: http://www.thepadbank.com© 2016 - 2020 Phiah Ltd - All rights reserved.

Pad Bank Podcast EP008 || Flip It Challenge #189 | Akai Force 3.0.5 Update | Facebook Beat Reviews.  In this episode of The Pad Bank, I talk about the latest Akai Force firmware update 3.0.5. I have a bit of a rant about people doing random beat reviews on Facebook. And I review all the beat submissions for the Flip It Challenge #189. Soundcloud Playlist: https://soundcloud.com/user-278966789/sets/flip-it-challenge-189 For more content visit: http://www.thepadbank.com© 2016 - 2020 Phiah Ltd - All rights reserved.

In this episode of The Pad Bank, I announce the official launch of the Pad Bank Website and I review all the beat submissions for the Flip It Challenge #188. For more content visit: http://www.thepadbank.com© 2016 - 2020 Phiah Ltd - All rights reserved.

In this episode of The Pad Bank, I speak to J Beats – A Drummer, Music director and Certified Gold and Platinum Sesac producer music producer from Detroit. Instagram: @jo_nathanj @hothittersmusic2© 2016 – 2020 Phiah Ltd – All rights reserved. 

Let's talk about the new Native Instruments Maschine+, Akai MPC Live, and my favorite bars are closing. Check out the Crossfadr YouTube Channel for more content - https://www.youtube.com/user/crossfadr.

Koreatown Oddity joins The Steebee Weebee Show for the 1st time!!! We talk about: him growing up in Koreatown, the 92' riots, getting his first Akai MPC, how he got on Stones Throw Records, his musical influences, past releases on cassettes, his current projects, and much more!!Go to: https://www.youtube.com/steebeeweebee to watch.More: Koreatown Oddityhttps://www.instagram.com/ktownodd** Now on iTunes:  https://goo.gl/CdSwyV **Subscribe: https://goo.gl/d239POLittle Ray promises a Karma Boost if you join our Patreon: https://goo.gl/aiOi7JOr, click here for a one time Karma Boost.  https://www.paypal.me/steebeeweebeeshow/2More Steven:Instagram: https://www.instagram.com/quangouBandcamp: https://steebeeweebee.bandcamp.com/Itunes: https://goo.gl/PSooa0WEBSITE: https://www.steebeeweebeeshow.comAnimation Thanks to 2 Bunniez:Instagram: https://www.instagram.com/2bunniezSend stuff to:1425 N. Cherokee AveP.O. Box 1391Los Angeles, CA 90093Big thanks to our Patrons: Michael Keski-Pukkila, Dan Catacutan, David Jang, Joseph Lee, Keaton Smith, R Kwak, Nathaniel9one6, Jkyc, Bananasteve.cosplay, nathan costa, Toni Gallardo, Johnny De La Cruz, Dan Irwin, Casey Spindler, Frank, Chodezilla, Sean moreland, Jenny McGhee, Cole, William Robideau, dimtr0, Cameron Smith, Darren Newton, Paul An, Matthias Scholl Rodriguez, Owen Allan, Kyle Webb, Chikako Kanazawa, Tyrone WIlliams, Hana Villar, PIKACHU408, Marion Sassy, Tania Esquer,Timothy Dueno,Mandy,Mike Garcia,Zahedi Guerra,Keanu Maui Gevero,Noels Benzie,Noah Farris,Mona McCune,Deandre Calif,Peta Kirkikiri,Clark McKenzie,Ted Padullo,Troy Garnett,Joe Corall,Tachikoma Rage,Joe Kim,Lenny Guanco,Marco Cid,Richard Meyer,Jake Outrage,Lennert Den Besten,Carisa,Casey Long Bine,Luis Labriola,Marvick Garcia-Ortiz,Ethan Tso,Stefan Bullzing,Paul 88 Pawn,Mary Ann Krail,Lucas Sallee,Shane A,Jordan,Sung Campbell,Michael Collins,Alexander Batsvik,Randall Corcio Jr.,Easy,Kasey Lopez,M. Wildhack,Jess R.,Aaron Koback,Dominic Arcand,Daniel,Xavier Silva,Nicole S.,Gillian Cortes,Kayla Pam,Alyssa,Kevin Chu,Worst Fireteam Ever,Austin Ward,Thomas,T. Gommans,Luis Espinoza,Stephan,Humen,Uncle Tim,Carlos Vasquez,Liam,Bryan Abe,Dominic Becketti,Peter Chavez,Sharon,therealafricangold,Alan Do,Alyssa Stamper,Andy Barr,Ryan Wentz,Stephen Cee,David Lee,James Buff,Hikori Tonosama,Brian Murray,Seamus Conroy,Jose Maldonado Jr.,Brenden,Vegar,Michael Jose,Amber Allen,Damion,Jn-Marie,Gil Flores,Long Xiong,Red X,Joel,Hailey Maxwell,Conor Goggin,Paul G,Oscar Silva,Mathew Pedersen,James Buff,Connor Goggin,Hailey Maxwell,Nicholas Braun,Andrew Hubbard,Damian Scarf,George B.,David Stevens,Dennis K. Lee,David,Angel Perez,Rubert-Bear,Dier,Edmund Chen,Richard Ramirez,Brian Wolfman,Scrotum Philips,Scotty two-Socks,Philip Johnson,Alberto Neri,Damio Lo,Andrew Sension,Ben Atchison,Collin,Pascual,Zach West,Stefan S.,Voistern Comedy,Azeem Ali,Stephen Brandsgard,Lisa Yoon,Collin Pedersen,Lucky Pack,Daniel Allinson,and Carlos lepe-Andrade,Zachary Albright,Jaime Sores,Mark Anthony,Scott Murray,Chris Kizi,Carlos Lepe-Andrade,Tony Adame,Hotpickledsoul,Krystal,Eddy,Steven Tesarek,Asoula Maika,Kevin Gil,Benny B,Lee Kizi,HoboSocks,Wayman,Cody Abel,Pat Libby,Heath Pleasure,Yolo Swaggins,Alan Hermano,Francisco Lopez Pantoja,Spike Right,Haley Samsel,Wabilah Al Falah,DaltonREInvestor,Andrew,Zach Durling,Michael Patrick Rogers,Austin,Marty Cooper,Michael Ryan,Kyle Field,Dylan Arviso,MCLARK33,Sheila Gurung,Alex Couture,Chris Gatterson,Mike Moffet,Jordi Wu,Chris,Carmen B. Lily Hernandez,LaLa,Mike Roi,Bryan,Andrew Lincoln,Benny P.,Tenno xx,Joshua Titus,Ben S.,Sam,Asa Henry,Andrew Sension,JellyBonesss,Jordan Kenny,Hector Colon,Fan Huang,Eric Lezama,Dalton Weinstock,Bri Travis,Mary Ann Mendez,Kermit Mahones,David,PerroVieho,Jorgen,Jordan Shekelstein,Tom,First Studio,KreshHanzo,allsoofusdo,Conor Doherty,Jordan Nelson,Jason Busch,Andy Fanny,Randal Simone,Nicolai Linde,Victor Amauri,Jennifer Ly,Viniiii,David Cho,Andy Parent,Janeal Carter,Scientific Woman,Andrew Lomavaya,Ewan,Preston,Mitzqutab,KOL,Claire Taylor,Jeff,Stacy Patriarca,Petey 1001,Justin Humphreys,Keith T.,Dr. Daystrom,Ryan Prichard,Cynic_._,Adam Kuhn,Nina,Effin Coyote,Caleb Mcleod,Daniel Khon,Kai Borich,Michael Ryan,Jake,Jackson,Daniel Neves,Lewis Gillott,Sean Dawson,Dave Matsick,Sweet Cool Breeze,Jack Learoyd,Isaiah Kilby,Marco Flores,Jesus Magana,David Houghton,Cordelia Devoe,Mehole Evans,Jordan Bernstein,Gil Reyes,Kirt(KornFuengFoo),Nils Figueroa...

「上手い下手じゃない、Styleが全てなんだ。」 この考えをHIPHOPから学んだ私BRING BACKがストーリーテラーとなり、様々な人のStyleを掘り下げ、人生のStyleを探求する 「成長型インタビュー番組」 今回はAKAI MPCの登場、MPC60 MPC3000とDJプレミア J DILLAなどを話しています。 伝統の16パッドの謎が明らかに！ そして常識をぶっ壊すやつらがHIPHOPをネクストレベルに！！ 番組では、感想や質問、相談、話して欲しいテーマなどお便りを募集します。 shokurodon@gmail.com まで。 Twitter https://mobile.twitter.com/bringbackstyle3 Instagram https://instagram.com/sho.kuro3 --- Send in a voice message: https://anchor.fm/style3/message

In this episode I discuss issues of negativity in the producer community. I've seen it, I've experienced it myself, and I've challenged it. 

On this episode of the Study Music Podcast, west coast producer & instrumental hip hop artist Durazzo gives folks the over/under on what sets apart his live beat performances from the rest of the pack, life on the road and more, before giving a quick live performance on two Akai MPC 2500 drum machine/samplers. recorded in Los Angeles, CA by Cyberclops. cleaned up a touch by CTZN. • Durazzo is currently re-issuing his BEATS series across Spotify, Apple and all streaming platforms, with singles slated to appear most Fridays all year long. Follow him @DurazzoBeats --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app Support this podcast: https://anchor.fm/studymusicgroup/support

This week, we look at the effect the Akai MPC had on music production. We evaluate Roger Linn's genius in designing more user-friendly interfaces. We trace back its history to this day, with the rapid growth of the Maschine movement.In the second portion of this podcast, we talk about possibly the most important MPC user of all times: Detroit's J Dilla. We talk about how he used the MPC, how its limitations unlocked Dilla's creative genius, and we also talk about sampling and crate-digging as an art form.Support the show (https://delicatebeats.com/collections/all)

Studio Talks Podcast Vinny G & J. Steele talk new music and album reviews, Grammy recap, the new wave of rap, and Kobe Bryant. Do we want a Jay Electronica album in 2020? Does 50 cent deserve a star on the walk of fame? Trac-Qaeda in Carnegie Hall????? We also talk the new Akai MPC One!!!! ENJOY!!

Wes Kardigan, born Tommie Smith, Jr., was raised on the South Side of Chicago, Illinois. While being highly influenced by the likes of Common, Jay-Z, Ludacris, T.I., OutKast, Eminem and Lupe Fiasco to name a few, Wes spent most of his time concentrating on his craft as a Hip-Hop Songwriter/Artist.   By age 17, he became a member of a local hip-hop crew, F.L.O.C. During this time period, Wes signed with Radix Records, a Chicago-based independent record company whose roster included former Jive Records recording artist, "Syleena Johnson". As the first hip-hop solo act on the label, he performed alongside Hip-Hop Icon "KRS-One" and also collaborated with a then up-and-coming producer name "Kanye West", whom he met through his friend/schoolmate, "GLC".   After graduation, Wes enrolled at Columbia College Chicago, where he received his Bachelor of Arts Degree in Music Business Management/Marketing. Upon graduation from college, Wes Kardigan expanded his talents by venturing off into music production. Although he admires many producers, he is inspired by a select few: J-Dilla, Pete Rock, DJ Premier, Just Blaze, Kanye, Swizz Beatz and Hi-Tek. Under the tutelage of his god-brother, Wes began making beats on industry-standard equipment such as the Ensoniq ASR-10 and the Akai MPC 2000.   From there, in 2000, Wes assisted in street promoting "DIRTY HARRIET", the debut album from Flipmode/Elektra recording artist, "Rah Digga", the multi-platinum selling soundtrack, "ROMEO MUST DIE" and the gold-selling grammy nominated album, "LIKE WATER FOR CHOCOLATE" by fellow Chicagoan, "Common".   In 2002, Wes would co-executive produce contribute five tracks and co-write four songs on "GOOD STATUS", an independently-released album by Chicago-based rapper, "CHINA BLACK". On into 2003, Wes would help to promote the album by performing at various venues in Chicago with China Black such as the Isaac Hayes Restaurant.   In 2005, he bacame a member of "ASCAP" as both a writer and publisher as well as produced the track for the opening credits to "URBAN SCENZE", a full-length sketch comedy written and directed by Lawrence Lee Wallace. The track would reappear in the comedy sequel a year later.   In 2007, Wes co-wrote and guest appeared on "LIVE", a braggadocio-type song by Chicago-based hip-hop trio, "BRAN-X". The song garnered airplay on radio station WGCI while becoming one of the most downloaded songs off their album, "DAYJOBNIGHTJOB", on ITunes. In 2008, Wes continued performing at spots throughout the Midwest Region including Gary, Indiana, Cleveland, Ohio and Kalamazoo, Michigan.   In 2009, Wes Kardigan was an opening act at The Ribs N Soul Festival held in Detroit, Michigan and The Global Mixxx DJ Retreat which featured such acts as Common, Talib Kweli, Mos Def, Bilal and Little Brother.   In March 2011, he participated in the 360 Hip-Hop Beat Battle, which was a part of a music industry workshop hosted by hip-hop pioneer, "Erick Sermon" and would be later interviewed by "Urban Grind TV", a Chicago TV outlet station. In August of that same year, Wes Kardigan released his first music video entitled, "SOMEDAY".   In 2012, Wes continued to perform throughout the Chicagoland area which included him participating in the July edition of "CHICAGO MEETS NYC TALENT SHOWCASE" where the winner would travel to New York to perform in front of label executives from Epic Records. Also Wes would make it to the finals of the "SEPTEMBER COUP D' EXPOSURE SONG COMPETITION" where the winner opened up for Grammy-Nominated Hip-Hop Artist/Actor, "MOS DEF". As a producer, in November, Wes partook in the "iSTANDARD PRODUCER SHOWCASE: MIDWEST EDITION". During this event he was judged and critiqued on his production skills by Multi-Platinum/Grammy-Award Winning Producers Jimi Hendrix (Jay-Z, G-Unit, Ashanti, Ja Rule & 2Pac) & S1 (Jay-Z, Beyonce & Kanye West).   Although, muscially, being an artist is his #1 passion, some of his other goals include being able to develop artists, acting in major motion films, invest in property to be used to shelter the homeless, aid them in finding employment & have after-school programs for the youth.   Currently, Wes Kardigan stays busy writing and producing for upcoming projects. Whether it is on the mic or behind the boards, with the ability to connect with different walks of life, Wes Kardigan is destined to capture the attention of all, from "record executives" to "record consumers".

Dibiase released his debut album, Machines Hate Me, on Alpha Pup Records in 2010. Pitchfork Media gave it 5.8 out of 10, while Resident Advisor gave it 4 out of 5. Before doing music, he made a living as a graphic artist. Unlike most hip-hop producers who use the Akai MPC and SP-1200, he primarily utilizes the SP-303 and SP-404 installments, for they provide a gritty lo-fi sound.

In this episode, I explore the battle taking place bewteen Rap legeds De La Soul and the once legendary, but now notorious record label Tommy Boy.De La Souls catalog with the label has been plagued by legal issues over uncleared samples for 30 years. Their music has never have been legally available on streaming services and the catalog has moved from Tommy Boy to Warner Bros. and back again without the sampling issues being resolved. The Tommy Boy rep added sampling wasn't the primary source of their disagreement and “negotiating points are still to be finalized.” Tommy Boy Records has made a decision regarding De La Soul's digital catalog. According to a statement from the label, they have decided to postpone its release in light of the controversy surrounding the terms of their agreement with the legendary Hip Hop trio. “Because Tommy Boy has not had the opportunity to sit down together with De La Soul and finalize our negotiations — something we've wanted to do for months — we have decided to postpone the digital release of their catalog scheduled for tomorrow,” the statement reads. “We know fans are eager to hear these amazing recordings and we are hopeful for a quick resolution.” The group's first six albums — including the 1989 classic 3 Feet High and Rising — was expected to arrive on all digital platforms on Friday (March 1) at midnight. But De La Soul was incredibly vocal about the situation on their Instagram page and inadvertently sparked a Tommy Boy Boycott. As a result, TIDAL agreed not to participate in the streaming deal. In a recent interview with HipHopDX, Maseo said the boycott was completely organic. “Let me tell you what's crazy,” he explained. “We flirted with the idea of a boycott for a long time — for about a good month-and-a-half. We honestly wanted to be really clear on it being a boycott. It just sat there on our tongue. We were like, ‘What the fuck do we do!?' “We legally can't fight and can't afford to fight. We ended up refraining from that. Tom Silverman can legally do this. It's pretty much turned into a protest to us and a boycott for the fans. The boycott manifested on its own. It had been up to this point just a protest.”

In this episode I explore the relationship between old production styles vs the new production style. I hear a lot of older heads criticising the young generation of music producers and artists. But are we to quick to judge them? 

Xenflex is the founder of BassGorilla. He has been producing music since 1996, starting with an Akai MPC drum machine sampler. He has released records with Adapted Records, Maxxed Music and Hopscotch Records and his music has had support from EDM.com, Ni12, The Glitch Shop, and DJ support from Stickybudsand Tantric Decks, among others. Xenflex has interviewed numerous world-famous music producers, who have shared their music production secrets with the BassGorilla community. Several years ago, Xenflex founded BassGorilla to teach what he has learned through his life as a music producer. He has published close to 1000 tutorial videos, designed and taught various webinar courses and written over 100 articles on music production tips. Go here to follow us on iTunes and catch all of our latest podcasts. Follow BassGorilla on: Twitter Facebook YouTube SoundCloud

In this episode, I review the submissions for 51st Flip It sample challenge. I address an issue of Biting and discuss track sequencing and arrangement in beat making.

Episode 50. WOW! Melodien und Akkordfolgen zu entwickeln, das geht mit und auch ohne sich mit Musiktheorie zu beschäftigen. Für beide Varianten gibt es Wege von kostenlos bis kostspielig. Heute gibt es ein paar Hacks und gute Quellen für Know How sowie einen Kommentar zur neuen Akai MPC 2.0 Software und dem Thema Upgrades und Kompatibilität.

  Gérard Filoche nous explique la fraude fiscale en Europe.   Beats & Politics #1 "Reprendre l'argent aux voleurs" orateur : Gérard Filoche Musique : Usmar Graphic design : Kylab Extrait de "un soir à la tour Eiffel" du 11 février 2015.   Soutenez-nous sur PayPal !

Getting the year started just right with hot jazz from all over the Sunshine State including a cut from the Jazz Conceptions Orchestra. Plenty of guitar this episode including Rich Walker (Orlando), Dan Heck (Naples), LaRue Nickelson (Tampa) is featured on a Herb Silverstein cut, George Grosman (Orlando) as well as killer saxophone performances from Mark Johnson (Daytona), Jeff Rupert (Orlando) and Rex Wertz. All that and a jazz n bass treat from Erik Jackson!Host: Kenny MacKenzie  Our Facebook page!Kenny also hosts: "Jazz Greats" on WFCF St. Augustine every Tuesday 3-7pm EST Listen on iHeart! USA Only "Kendo's Jazz Sampler" on WNHU New Haven Mondays at 6am EST. Listen via WNHU website!Have a peek at Kendo's Top 55 Jazz Tracks for 2014.Kenny's Twitter1. Introduction - Kenny (download our theme song "In Control" on iTunes!)2. "Somerset's Mom" - Rich Walker (Orlando, FL)     website Rich Walker - guitar, Rex Wertz - tenor sax,Tom Parmeter - trumpet, Richard Drexler - piano,Carlos Fernandez - percussion, Walt Hubbard - drums,Mark Neuenschwander - bassfrom the album "Lazybird Revisited"Purchase at CD Baby or Amazon!3. "A Morning Walk" - The Jazz Conceptions Orchestra (Jacksonville, FL)      website; Alex LoRe's websiteAlex Nguyen - trumpet, leader; Brandon Lee - trumpet,Alex LoRe - alto, Jeremy Fratti - tenor, Matt Zettlemoyer - bari,Robert Edwards - trombone, Joshua Bowlus - piano, Paul Sikivie - bass, Ben Adkins - drumsfrom the album "The Jazz Conceptions Orchestra". Purchase at CD Baby, Amazon or iTunes!4. Announcements - Kenny(background music from the album Gettin' In the Groove by Ron Pirtle)5. "The Whispering Eye" - Mark Johnson  (Daytona Beach, FL)      websiteMark Johnson - saxesNorbert Marius - bassYaaki Levi - drumsunreleased track.Purchase more great music by Mark at Bandcamp! 6. "Esmaralda" - George Grosman & Bohemian Swing (Orlando, FL)      websiteGeorge Grosman - guitar, Brandon Walker - sax, piano;Ian MacGillivray - trumpet, Rachel Melas - bass;Rafael Keren - accordian, David MacDougall - drumsFrom the album "Sydney, Mon Ami".Purchase album at Amazon, CD Baby or iTunes!7. Announcements - Kenny8. "Through the Storm" - Erik Jackson (Orlando, FL)     websiteErik Jackson - production, rhodes, bass, synths, Akai MPCKJ Sawka - drumsJoey Crown - trumpetfrom the album "Rainy Days".Purchase the album at Amazon, iTunes or Bandcamp!9. "Blade's Groove" - Dan Heck (Naples, FL)       websiteDan Heck - guitarThomas Marriott - trumpetStuart Shelton - pianoRick Doll - bassJose Martinez - drumsfrom the album "Compositionality" courtesy of Origin Records. Purchase at Amazon or iTunes!10. Announcements - Kenny(background music from the album Gettin' In the Groove by Ron Pirtle)11. "Monday Morning" - Herb Silverstein (Sarasota, FL)     websiteHerb Silverstein - pianoJeff Rupert - tenor saxLaRue Nickelson - guitarRichard Drexler - bassMarty Morrell - drumsfrom the album "Monday Morning".Purchase at Amazon, CD Baby or iTunes!11. Closing Announcements - Kenny Palm Coast Jazz closing theme by Seven Octaves.produced by Kenny MacKenzie If you are a jazz musician residing in Florida with quality recordings of your original music (new or old) and would like to submit for future podcasts, please contact us at jazzploration@gmail.com All recordings and compositions are the property of their respective performers and composers, all rights reserved. This podcast copyright 2014 Kenny MacKenzie. All rights reserved.

Artist Name: Mark Farina Web: http://www.djmarkfarina.net/ Biography: Shortly after Mark befriended Derrick Carter in 1988 at a record store in Chicago, his passion for House music, and sharing it with the world, exploded. Mark experimented with a deeper style, dropping De La Soul, disco classics and other stuff that wasn’t being played in the main rooms of nightclubs. While exploring his love for the purist forms of House Music, Mark developed his trademark style: Mushroom Jazz; acid jazz infused with the West Coast’s jazzy, organic productions combined with urban beats. Fans embraced Mark’s downtempo style so much that he started a weekly Mushroom Jazz club night in San Francisco with Patty Ryan. In 3 short years, the club established a fanatical, cult-like following for Farina and the Mushroom Jazz sound. When the doors closed, Farina continued the tradition by releasing a series of Cds on OM Records: simply titled, “Mushroom Jazz”. Since then, Mark has been traveling the globe performing 100s of shows, to over one million club goers, every year. His House sets take fans on journeys to the jazzy side of Chicago House mixed San Fran style. Some of these sets have been known to last up to 8 hours. And sometimes you’ll find Mark playing in two different rooms at the same party, showcasing his range of big room sound to the uber-chill. When Mark’s not touring, you can likely find him in his studio, working on his next release for his imprint, Great Lakes Audio, or on another signature mix for Mushroom Jazz. Mark’s chunky-funky underground house style continually turns the heads of tastemakers worldwide, drawing him not only new fans, but landing him on the Top DJs in the World lists by URB, MUZIK and BPM Magazines. 01. How did you approach the dj profession? Saw DJs playing vinyl in club at age of 15/16 and was interested. 02. Tell us your first time playing in a club? Very first time, my friend, who was a resident DJ at a club I went to regularly was in the middle of his set and told me to get on.  I was a nervous wreck.  The place was packed with 1000 people. 03. What device do you prefer to use in your live and studio set up? Live in clubs I use CDJ 2000s Pioneer.  For production I like Akai MPC-4000. 04. Your Mushroom Jazz saga reached the 7th edition, what can we expect from the next edition? Don't know just yet…  Stay tuned! 05. What are you favorite record labels? Coyote Cuts, Classic, Sire, Wax Trax, Transmat, Greenhouse, Sampled, BBE. 06. What lead you to found Great Lakes Audio? Always wanted my own label since I began DJing.  Finally made it happen. 07. In your opinion how will electronic music change in the next 10 years? It will always be about good music. 08. What do you love and what do you hate in the DJs life? Love travel, meeting people and seeing new places.  Don't like airport delays and bad sound systems. 08. What would you suggest to a beginner DJ? Practice.  Practice.  Practice.  And do your homework. 09. Can you tell us something about your future works? MJ8 this year.  Various remixes

Knarf vous raconte son NAMM 2022. L'émission lundimadaire en live avec toute l'équipe. Participez au concours en nous rejoignant sur Discord : https://lessondiers.com/discord Ce soir, tentez de remporter une licence Arturia Augmented Voices https://www.arturia.com/products/software-instruments/augmented-voices/overview Zoom AMS : https://zoomcorp.com/en/gb/audio-interface/audio-interfaces/ams-series/ Nouveau firmware AKAI MPC 2.11 : https://www.akaipro.com/mpc211 AKAI MPC Key 61 : https://www.synthanatomy.com/2022/06/akai-mpc-key-61-leak-first-photo-of-the-new-keyboard-groovebox-sampler.html GPU Audio : https://www.gpu.audio/ ---- SOUTENEZ NOUS ---- Offrez nous un café, ça nous met la patate ! https://tipeee.com/les-sondiers Disponible aussi via Patreon ! https://patreon.com/lessondiers D'autres moyens de nous soutenir : https://lessondiers.com/soutien TOUT SAVOIR SUR LES SONDIERS : https://lessondiers.com/links Pour vos besoins en matériel, vous pouvez passer par nos partenaires magasins français, via ces liens affiliés, ça fait une grosse différence pour nous ! Woodbrass : https://lessondiers.com/woodbrass Michenaud : https://lessondiers.com/michenaud Native Instruments : https://lessondiers.com/ni Plugin Boutique : https://lessondiers.com/pluginboutique Baby Audio : https://lessondiers.com/babyaudio ​ ​Les Sondiers - Une émission live lundimadaire Et en podcast via http://lessondiers.com​​ ​ Suivez nous sur Twitch : https://twitch.tv/lessondiers​​ ​Twitter : https://twitter.com/lessondiers​​ ​Instagram : https://instagram.com/lessondiers​​ ​Facebook : https://facebook.com/lessondiers​​ YouTube : https://youtube.com/lessondiersFR​ 00:00 Intro 00:35 Début de l'émission 03:00 Concours Arturia (Augmented Voices) 07:29 Retour sur le NAMM 10:10 Equipement 38:15 Mise en place du salon 57:30 Fréquentation 01:06:30 La fin du salon 01:08:00 LAGOODVIBE 01:15:00 Résultats du concours Arturia 01:16:10 Zoom AMS 01:24:20 Nouveau firmware 2.11 pour AKAI MPC 01:26:35 AKAI MPC Key 61 (Leak) 01:28:20 GPU Audio

L'émission lundimadaire en live avec toute l'équipe et Toxic Avenger ! Participez au concours en nous rejoignant sur Discord : https://lessondiers.com/discord Une licence Arturia SQ 80 V : https://www.arturia.com/products/analog-classics/sq80-v/overview Apple Music et les DJs : https://www.billboard.com/articles/news/9627270/apple-music-shazam-id-songs-dj-mixes/ Line 6 Helix Native : https://line6.com/helix-recording-bundle/ Alai MPC Studio : https://www.akaipro.com/mpcstudio Austrian Audio CC8 : https://austrian.audio/cc8/ Expressive E Osmose : https://www.expressivee.com/2-osmose Non Linear Labs C15 : https://www.nonlinear-labs.de/demo/federico/federico.html Retrokits RK008 : https://www.retrokits.com/rk008/ ---- SOUTENEZ NOUS ---- Offrez nous un café, ça nous met la patate ! https://lessondiers.com/soutien TOUT SAVOIR SUR LES SONDIERS https://lessondiers.com/links Pour vos besoins en matériel, vous pouvez passer par notre lien affilié chez Michenaud, un super magasin pas cher, sérieux et sympa : https://lessondiers.com/michenaud ​ 00:00 Intro 01:02 Début de l'émission 03:00 Toxic Avenger 06:25 Concours Arturia SQ 80 V 12:40 AskSondiers (interface Audio) 28:48 AskSondiers (Performance live) 44:45 Apple Music et les DJs 53:00 Line 6 Helix Native 58:33 Aki MPC Studio 01:06:05 Austrian Audio CC8 01:08:25 Tirage au sort du concours 01:19:00 Les coups de coeur de Toxic Avenger ​Les Sondiers - Une émission live lundimadaire Et en podcast via http://lessondiers.com​​ ​ Suivez nous sur Twitch : https://twitch.tv/lessondiers​​ ​Twitter : https://twitter.com/lessondiers​​ ​Instagram : https://instagram.com/lessondiers​​ ​Facebook : https://facebook.com/lessondiers​​ YouTube : https://youtube.com/lessondiersFR​