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27 episodes with ars poetica
6 episodes with ars poetica
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2 episodes with ars poetica
2 episodes with ars poetica
3 episodes with ars poetica
2 episodes with ars poetica
2 episodes with ars poetica
4 episodes with ars poetica
Phil and Jake discuss Witold Gombrowicz's "Against Poets" and Czeslaw Milosz's "Ars Poetica?" The Manifesto: Witold Gombrowicz, "Against Poets" https://www.degruyter.com/document/doi/10.12987/9780300183399-006/html?lang=en&srsltid=AfmBOopUFE9LX61sfmOAYszduQw78uOlvfHGgFOUPvi-0afjm9eQ2nhI The Art: Czeslaw Milosz, "Ars Poetica?" https://www.poetryfoundation.org/poems/49455/ars-poetica-56d22b8f31558
Carmen Giménez's poem “Ars Poetica” is a stunning waterfall of words, a torrent of dozens of short statements that begin with “I” or “I'm.” As you listen to them, let an answering cascade of questions fill up your mind. What does this series of confessions reveal to you about poetry? The poet? And yourself?Carmen Giménez is the author of numerous poetry collections, including Milk and Filth, a finalist for the NBCC Award in Poetry, and Be Recorder (Graywolf Press, 2019), a finalist for the 2019 National Book Award in Poetry, the PEN Open Book Award, the Audre Lorde Award for Lesbian Poetry, and the Los Angeles Times Book Prize. She was awarded the Academy of American Poets Fellowship Prize in 2020. A 2019 Guggenheim fellow, she served as the publisher of Noemi Press for 20 years. She is the Publisher and Executive Director of Graywolf Press.Find the transcript for this show at onbeing.org.We're pleased to offer Carmen Giménez's poem and invite you to subscribe to Pádraig's weekly Poetry Unbound Substack newsletter, read the Poetry Unbound book, or listen to past episodes of the podcast. Order your copy of Kitchen Hymns (new poems from Pádraig) and 44 Poems on Being with Each Other (new essays by Pádraig) wherever you buy books.
Today's poem is The Presence in Absence by Linda Gregg. The Slowdown is your daily poetry ritual. In this episode, Major writes… “As poet Elizabeth Alexander asks in one of my favorite poems, “Ars Poetica #100”: “and are we not of interest to each other?” While not its only function, for poetry also thrives beyond the affairs of societies, poetry deepens our appreciation for people. Their perspectives and life events take central stage. It's as if they are with us, though not with us.” Celebrate the power of poems with a gift to The Slowdown today. Every donation makes a difference: https://tinyurl.com/rjm4synp
Recorded by Kenyatta Rogers for Poem-a-Day, a series produced by the Academy of American Poets. Published on November 20, 2024. www.poets.org
Už od 14. novembra sa v bratislavskom V-Klube začína 22. ročník festivalu Ars Poetica. Tento raz s mottom „svetlo z vnútra“, s fokusom na vnútorný svet a živú skúsenosť originálnych autorov z mnohých krajín viacerých kontinentov. Bohatý festivalový program predstaví celé spektrum inšpiratívnych talentov a hviezd súčasnej svetovej básnickej, experimentálnej a performatívnej scény. Zavolala som básnika a jedného z organizátorov Martina Solotruka, aby Vám povedal viac. Prečítame Vám (výnimočne obaja) básne autorov a autoriek, ktorí a ktoré na festivale vystúpia.
Hans talks with Lia Haberman of the newsletter ICYMI about the ostensible death of the hashtag; Georgia talks with media scholar Whitney Phillips about catching breaking news via internet memes. Also: Hit Em!–Become a Never Post member at https://www.neverpo.st/–Call us at 651 615 5007 to leave a voice mailDrop us a voice memo via airtableOr email us at theneverpost at gmail dot comSee what interstitials we need submissions for, like: SEND US YOUR DRAFTS–Intro LinksGoogle has an illegal monopoly on search, judge rules. Here's what's next – MSN.comCrooked Media, Producer of ‘Pod Save America,' Reaches Deal With Union, Which Withdraws Claim Company Engaged in Union-Busting Tactics – Variety.comAfter Walkout, Crooked Media Union Reaches Tentative Deal With ‘Pod Save America' Company – MSN.comSpotify is full of AI music, and some say it's ruining the platform – FastCoCartoon Network Website Shuts Down, Warner Bros. Discovery Kicks Visitors Over to Max – Variety.com5 Podcasts for the Constantly Online – NYTXOXO 2024 Schedule!–#DeathoftheHashtagFind Lia:ICYMI newsletterWebsiteTwitterLinkedIn–Meming the News, Newsing the MemesFind Whitney:University of Oregon siteTwitterThe Ambivalent Internet book–Never Post's producers are Audrey Evans, Georgia Hampton and The Mysterious Dr. Firstname Lastname. Our senior producer is Hans Buetow. Our executive producer is Jason Oberholtzer. The show's host is Mike Rugnetta. The idea, the teacher said, was that there was a chaosleft in matter – a little bit of not-yet in everything that was –so the poets became interested in fragments, interruptions–the little bit of saying lit by the unsaid–was it a way to stay alive, a way to keep hope,leaving things unfinished?as if in completing a sentence there was death–– Excerpt of Ars Poetica (the idea) by Dana LevinNever Post is a production of Charts & Leisure ★ Support this podcast ★
This remarkable sonnet dives into issues of poverty, poetry, and grief. We talk about the pedagogy of constraint, while exploring the achievements, including the hardbitten gratitude, embedded in this poem. Thank you to Graywolf Press for permission to read and discuss the poem. Diane Seuss's "[The sonnet, like poverty, teaches you what you can do]" was published in her collection titled frank: sonnets (Graywolf, 2021). See the work (and buy it!) here: https://www.graywolfpress.org/books/frank-sonnets For more on Diane Seuss, see here: https://www.poetryfoundation.org/poets/diane-seuss For more on the Sealey Challenge, see here: https://www.thesealeychallenge.com/
Tratamos de Roma na virada para a cronologia cristã; uma Roma assolada por guerras civis, movimentos religiosos messiânicos populares e lutas pelo poder. Ela resulta de um período republicano até o assassinato de Júlio César, chegando à fundação do Império Romano. Aqui se forma um primeiro esboço do espaço comum europeu, onde o latim era a língua da cultura, e o neoclassicismo, a poética oficial. Tratamos de "Ad urbe condita" de Tito Lívio e "Epistola ad Pisones" de Horácio. Trilha sonora: John Barry - The Lion in Winter, Suite (1968) Referências bibliográficas BRANDÃO, Roberto de Oliveira. "Três momentos da poética antiga". In: A poética clássica: Aristóteles, Horácio, Longino. São Paulo: Cultrix, 2005, p. 1-18. BRINK, C. O. Horace on Poetry. Cambridge: Cambridge University Press, 1971. FAIRCLOUGH, H. Rushton. Horace: Satires, Epistles and Ars Poetica. London: William Heinemann, 1926. HARDISON, O. B; GOLDEN, Leon. Horace for Students of Literature. The ‘Ars Poetica' and its Tradition. Gainesville; University Press of Florida, 1942. KILPATRICK, Ross S. The Poetry of Criticism. Horace, Epistles II and Ars Poetica. Edmonton: University of Alberta Press, 1990. LIVY, Titus. History of Rome. English Translation by Rev. Canon Roberts. New York, New York. E. P. Dutton and Co. 1912.
Today, a poem with a poignant question to live: “...and are we not of interest to each other?” Carry Elizabeth Alexander's reading of her poem “Ars Poetica #100: I Believe” with you — and hear Elizabeth read more of her poetry in the On Being episode, “Words That Shimmer.”Elizabeth Alexander is a poet, author, and educator. Since 2018, she has served as president of The Andrew W. Mellon Foundation. She was inducted into the American Academy of Arts and Sciences in 2019 and is Chancellor Emeritus of the Academy of American Poets. Her books include American Sublime, a 2006 finalist for the Pulitzer Prize in Poetry and the memoir, The Light of the World, a 2016 finalist for the Pulitzer Prize in Biography. Her most recent book is The Trayvon Generation.
A Word In Edgewise | WERU 89.9 FM Blue Hill, Maine Local News and Public Affairs Archives
Producer/Host: R.W. Estela Hi, I'm RW Estela: Since 1991, I've been presenting A Word in Edgewise, WERU's longest-running short feature, a veritable almanac of worldly and heavenly happenings, a confluence of 21st-century life in its myriad manifestations, international and domestic, cosmopolitan and rural, often revealing, as the French say, the more things change, the more they stay the same — though not always! Sometimes in addressing issues affecting our day-to-day lives, in this age of vagary and ambiguity, when chronological time is punctuated elliptically, things can quickly turn edgy and controversial, as we search for understanding amid our dialectic. Tune in Monday mornings at 7:30 a.m. for an exciting journey through space and time with a few notable birthdays thrown in for good measure during A Word in Edgewise . . . About the host: RW Estela was raised as a first-generation American in Colorado by a German mother and a Corsican-Basque father who would become a three-war veteran for the US Army, so RW was naturally a military brat and later engaged in various Vietnam-era civil-service adventures before paying his way through college by skiing for the University of Colorado, playing Boulder coffeehouses, and teaching. He has climbed all of Colorado's Fourteeners; found work as an FAA-certificated commercial pilot, a California-licensed building contractor, a publishing editor, a practitioner of Aikido, and a college professor of English; among his many interdisciplinary pursuits are the design and building of Terrell Residence Library (recently renamed the Terrell House Permaculture Living & Learning Center at the University of Maine), writing Building It In Two Languages (a bilingual dictionary of construction terminology), aerial photo documentation of two dam removals (Great Works and Veazie) on the Penobscot River, and once a week since 1991 drafting an installment of A Word In Edgewise, his essay series addressing issues affecting our day-to-day lives — and WERU's oldest continuous short feature. When pandemics do not interfere, he does the Triple Crown of Maine open-water ocean swims (Peaks to Portland, Islesboro Crossing, and Nubble Light Challenge) and the Whitewater Downriver Point Series of the Maine Canoe and Kayak Racing Organization. RW is the father of two and the grandfather of three and lives with his partner Kathleen of 37 years and their two Maine Coons in Orono. The post A Word in Edgewise 5/27/24: Pericles, Lincoln, Memorial Day, & Ars Poetica . . . first appeared on WERU 89.9 FM Blue Hill, Maine Local News and Public Affairs Archives.
Diannely Antigua reads “Diary Entry #28: Ars Poetica” and “We Never Stop Talking About Our Mothers” from her poetry collection Good Monster, published by Copper Canyon Press in May 2024.
Our first live performance of the podcast, featuring Marilyn Nelson and a discussion or her amazing poem "How I Discovered Poetry." On January 31, we met at Calvin University for its January Series and spoke with Marilyn Nelson about poetry and her work for a live audience. For more on Marilyn Nelson, visit her website (https://marilyn-nelson.com/) or The Poetry Foundation (https://www.poetryfoundation.org/poets/marilyn-nelson). This poem is the title poem of an extraordinary book called How I Discovered Poetry (https://a.co/d/6xrZVm9) It was originally published in The Fields of Praise: New and Selected Poems (https://a.co/d/0iajt2m) Thank you to LSU Press for permission to read and discussion this poem on our podcast.
Jazz Ahead 232 1. Encantados, Amaro Freitas, Y'Y, Psychic Hotline, 2024 2. Keep Watching Me, C'mon Tigre feat. Arto Lindsay, Habitat, Intersuoni, 2023 3. Sunset (in California), Thandi Ntuli and Carlos Niño, Rainbow Revisited, International Anthem, 2023 4. The People Have Chosen, Tin Man and The Telephone, Greatest, RoeM Records, 2023 5. Soon, NoSax NoClar, No Dåhïss, Yolk Music, 2023 6. Ars Poetica: iii. Returning, Douglas Boyce, The Bird is an Alphabet, New Focus Recordings, 2023 7. We Move in Different Directions, Aura, Same Sky, Autoproduzione, 2023 8. Knead Bee, L'rain, I killed your Dog, Mexican Summer, 2023 9. Self-Portrait, Ambrose Akinmusire, Beauty is Enough, Origami Harvest, 2023
Festival Ars poetica opäť predstaví mnoho skvelej domácej aj zahraničnej poézie. Tohto roku sa špeciálne zamerala na poetky. O festivale nám porozprával jeho riaditeľ, básnik a prekladateľ, Martin Solotruk a herečka Lenka Libjaková recituje básne autoriek, ktoré na festivale vystúpia.
In this episode of Get Lit Minute, we spotlight the accomplished author, poet and educator, José Olivarez.José Olivarez is the son of Mexican immigrants. His debut book of poems, Citizen Illegal, was a finalist for the PEN/ Jean Stein Award and a winner of the 2018 Chicago Review of Books Poetry Prize. It was named a top book of 2018 by The Adroit Journal, NPR, and the New York Public Library. Along with Felicia Chavez and Willie Perdomo, he co-edited the poetry anthology, The BreakBeat Poets Vol. 4: LatiNEXT. He is the co-host of the poetry podcast, The Poetry Gods. In 2018, he was awarded the first annual Author and Artist in Justice Award from the Phillips Brooks House Association and named a Debut Poet of 2018 by Poets & Writers. In 2019, he was awarded a Ruth Lilly and Dorothy Sargent Rosenberg Poetry Fellowship from the Poetry Foundation. His work has been featured in The New York Times, The Paris Review, and elsewhere. SourceSupport the showSupport the show
Today's poem is by Rita Frances Dove (born August 28, 1952), an American poet and essayist. From 1993 to 1995, she served as Poet Laureate Consultant in Poetry to the Library of Congress. She is the first African American to have been appointed since the position was created by an act of Congress in 1986 from the previous "consultant in poetry" position (1937–86). Dove also received an appointment as "special consultant in poetry" for the Library of Congress's bicentennial year from 1999 to 2000.[1] Dove is the second African American to receive the Pulitzer Prize for Poetry, in 1987, and she served as the Poet Laureate of Virginia[2] from 2004 to 2006. Since 1989, she has been teaching at the University of Virginia in Charlottesville, where she held the chair of Commonwealth Professor of English from 1993 to 2020; as of 2020, she holds the chair of Henry Hoyns Professor of Creative Writing.[3]—Bio via Wikipedia Get full access to The Daily Poem Podcast at dailypoempod.substack.com/subscribe
Welcome back to this week in poetry - episode seven. A poem is communicated before it is understood. Hence, a poem shall be read aloud heard, especially its music, its orchestrated sounds. The listeners shall feel those sounds before attempting analysis, particularly content analysis. Poems were read aloud in public, in durbars, in the presence of kings and people. And therefore this week in poetry is an effort at reviving the tradition of Kavi Samelans and Kavi Arangams where poets presented their work to the aficianados and lovers of poetry. Right. Without much ado, let's move on to the poems. We shall first take up a poem - Ars Poetica, a poem on what poetry is by a modern American poet, Archibald MacLeish. Then we move on to yet another American poet, William Carlos Williams. Who gives us a deceptively short poem, this is just to say. Finally we listen to Charles Bukowski, another modern American poet who was called the poet laureate of American low life, with his confessional lyrics about his life in Los Angeles. We present his the laughing heart and roll the dice. Let's go. And listen. Thanks for being patient listeners! Do write to me with your feedback and reading suggestions.
Pulling back the curtain on one's fears, insecurities, and issues isn't easy... even when you're a great and powerful wizard! For this special episode, I asked my fiancé, LA Marks of Ars Poetica, to take over as interviewer and guide us (and me!) through a discussion on vulnerability, discomfort, and letting go of control. Tune into LA's poetic magic at: https://www.arspoetica.us/ Join the ritual: www.patreon.com/thispodcastisaritual Follow the Wizard on Instagram @personisawake
Today on Boston Public Radio: It's clear our government is becoming increasingly anti-majoritarian and we opened the lines for listeners to react. Betty Francisco, chief executive of the Boston Impact Initiative, a nonprofit fund manager, joined to discuss equity in capital investments/entrepreneurship. Scientists Titi Shodaya and Zakiya Whatley are co-hosts of the “Dope Labs” podcast, aimed to bring science to everybody. They joined the show to discuss what they do, their partnership with the Museum of Science and announced that season 5 is in the works. Poet Richard Blanco examined the “Ars Poetica” – art of poetry, through ars poetica poems, examining the role of poets themselves and the act of writing. The Revs discussed a push for the Catholic church to respond to the mental health crisis in teens; Muslim students at a college in NY calling for adequate prayer space; and a Texas bill that would require the Ten Commandments be posted in public school classrooms. We re-aired a conversation with singer and song-writer Arlo Guthrie. He was promoting an event at the Boch Schubert Center but you can still get tickets to the exhibit on his life and career at the Folk Americana Roots Hall of Fame. Our show wrapped up by asking listeners how far is too far when it comes to commuting. Some can handle two hours, some can't handle forty minutes. So what did our listeners have to say?
In this edition of On the Same Page's "Poetry Parlay," Blake and Seamus read and discuss poems by two American giants – Rita Dove and Sylvia Plath. Some of the books and authors discussed in this episode include: "Ars Poetica” by Rita Dove “Edge” by Sylvia Plath “Life and Literature in the Roman Republic” by Tenney Frank “Seven Moons of Maali Almaedia” by Sheehan Karunatilaka Additional segments throughout the podcast include: Inner Shelf Fact or fiction What are you reading? On that Quote Apple Podcast: https://lnkd.in/gF2zVhQT Spotify: https://lnkd.in/gTHtxVh5 Podbean: https://onthesamepagepodcast.podbean.com/ Twitter: https://twitter.com/thesamepagepod_ Email: seamusandblake@gmail.com IG: https://www.instagram.com/on.the.same.page.podcast/ -------- #bookpodcast #podcast #book #novel #stories #shortstories #apassagenorth #anukaradpragasm #tolstoy #poetry #shortstoryskirmish #litfacts #paris #literature #books #novels #salmonrushdie #spotifypodcasts #applepodcasts #audible #samsungpodcasts #books #novels #audibleau #lit #onthesamepage #whatareyoureading #literaryfacts #podbean #whatareyoureading
Recorded by Nabila Lovelace for Poem-a-Day, a series produced by the Academy of American Poets. Published on January 16, 2023. www.poets.org
In this last episode of the season, Linda considers how empathy is often considered a function of literature and may be ideally represented -- as it is in Catherine Hernandez's Scarborough published by Arsenal Pulp Press. In order to explore how this should work, she considers the Classical orator, Cicero (and Aristotle's Poetics and Horace's Ars Poetica) to show how there is a long tradition of arguing that rhetoric and "good literature" should be able to teach, to delight, and to move us. Other highlights include:references to Brené Brown (2.30)the difference between empathy and sympathy (2.45)literature and empathy (3.00)references to Cicero, Aristotle, Horace (4.05)discussion of Hernandez's Scarborough (5.40)In the Takeaway, she considers the novel - a thriller - Truth is a Flightless Bird by Akbar Hussain and published by Iskanchi Press. And then she offers her best wishes for the new year. Hosted on Acast. See acast.com/privacy for more information.
Présentée par Jeff & Eric Melkiahn. Onzième émission de la onzième saison avec la rétrospective du groupe de black metal atmosphérique ukrainien DRUDKH !
In this episode, we closely read Lisel Mueller's "When I am Asked" in order to better understand grief as a deep source of artistic expression. We look at language as a source of connection and hope, even in the midst of sorrow and solitude. With this poem about the making of poetry (an_ ars poetica_), we come to see how one artist turned to the intricacies of language in the face of a nature that seemed indifferent to her loss. For the text of the poem, click here: "When I Am Asked (https://www.poetryfoundation.org/poetrymagazine/poems/36931/when-i-am-asked)" Note: When out of copyright, we reproduce the text of the poem ourselves. When still in copyright, we link to the text of the poem elsewhere. For more on Lisel Mueller (https://www.poetryfoundation.org/poets/lisel-mueller), see the Poetry Foundation.
Today's poem is Ars Poetica by Valzhyna Mort.
Andrea Carter Brown was born in Paterson, New Jersey. Her poems have appeared in The Gettysburg Review, Ploughshares, Birmingham Poetry Review, The Mississippi Review, and many others. She is the author of September 12, which recently won the 2022 IPPY Silver Medal in Poetry from the Independent Publishers Group. Her other titles include the The Disheveled Bed, Domestic Karma, and Brook & Rainbow. Her poems have won the Five Points James Dickey Prize, the River Styx International Poetry Prize, and the PSA Gustav Davidson Memorial Prize. She was a founding editor of the poetry journal Barrow Street, and, since 2017, she has been Series Editor of The Word Works Washington Prize. John Keats, one of the greatest of the Romantic Poets, was born October 31, 1795 in London. He published just three volumes before his death from tuberculosis at the age of 25. Some of his poems are among the most anthologized in the 20th Century, including “To Autumn,” “Ode to a Nightingale,” and “Ode on a Grecian Urn.” Links: https://www.andreacarterbrown.com/september-12-poems (Read “After the Disaster: Fragments,” “Ars Poetica,” “To the Dust,” and other poems at andrea carterbrown.com) https://poets.org/poem/when-i-have-fears-i-may-cease-be (Read "When I Have Fears that I May Cease to Be" by John Keats) Andrea Carter Brown https://www.thepoetmagazine.org/interview-with-andrea-carter-brown (“An Interview with Andrea Carter Brown") https://www.youtube.com/watch?v=scLEUd07cy8 (September 12 book launch ) https://www.lapl.org/books-emedia/podcasts/poems-air/episode-25 (Brown's poem "The Rock in the Glen” featured in an episode of Poems on Air) https://synchchaos.com/poet-mary-mackey-interviews-poet-andrea-carter-brown/ ( “Poet Mary Mackey Interviews Poet Andrea Carter Brown” ) John Keats https://poets.org/poet/john-keats (Bio and poems at Poets.org) https://www.bl.uk/people/john-keats (Bio and articles on John Keats at the British Library) https://www.youtube.com/watch?v=AbYS75k404Y ( “The Cockney Romantics: John Keats and His Friends,” a lecture by Johnathan Bate) Mentioned in this episode: KnoxCountyLibrary.org Thank you for listening and sharing this podcast. Explore life-changing resources and events, sign up for newsletters, follow us on social media, and more through our website, www.knoxcountylibrary.org. https://the-beat.captivate.fm/rate (Rate & review on Podchaser)
Andrea Carter Brown was born in Paterson, New Jersey. Her poems have appeared in The Gettysburg Review, Ploughshares, Birmingham Poetry Review, The Mississippi Review, and many others. She is the author of September 12, which recently won the 2022 IPPY Silver Medal in Poetry from the Independent Publishers Group. Her other titles include the The Disheveled Bed, Domestic Karma, and Brook & Rainbow. Her poems have won the Five Points James Dickey Prize, the River Styx International Poetry Prize, and the PSA Gustav Davidson Memorial Prize. She was a founding editor of the poetry journal Barrow Street, and, since 2017, she has been Series Editor of The Word Works Washington Prize. John Keats, one of the greatest of the Romantic Poets, was born October 31, 1795 in London. He published just three volumes before his death from tuberculosis at the age of 25. Some of his poems are among the most anthologized in the 20th Century, including “To Autumn,” “Ode to a Nightingale,” and “Ode on a Grecian Urn.” Links: https://www.andreacarterbrown.com/september-12-poems (Read “After the Disaster: Fragments,” “Ars Poetica,” “To the Dust,” and other poems at andrea carterbrown.com) https://poets.org/poem/when-i-have-fears-i-may-cease-be (Read "When I Have Fears that I May Cease to Be" by John Keats) Andrea Carter Brown https://www.thepoetmagazine.org/interview-with-andrea-carter-brown (“An Interview with Andrea Carter Brown") https://www.youtube.com/watch?v=scLEUd07cy8 (September 12 book launch ) https://www.lapl.org/books-emedia/podcasts/poems-air/episode-25 (Brown's poem "The Rock in the Glen” featured in an episode of Poems on Air) https://synchchaos.com/poet-mary-mackey-interviews-poet-andrea-carter-brown/ ( “Poet Mary Mackey Interviews Poet Andrea Carter Brown” ) John Keats https://poets.org/poet/john-keats (Bio and poems at Poets.org) https://www.bl.uk/people/john-keats (Bio and articles on John Keats at the British Library) https://www.youtube.com/watch?v=AbYS75k404Y ( “The Cockney Romantics: John Keats and His Friends,” a lecture by Johnathan Bate) Mentioned in this episode: KnoxCountyLibrary.org Thank you for listening and sharing this podcast. Explore life-changing resources and events, sign up for newsletters, follow us on social media, and more through our website, www.knoxcountylibrary.org. https://pods.knoxlib.org/rate (Rate & review on Podchaser)
A Kétfarkú Kutya Párt jelöltje nem akármilyen ajándékkal érkezett az Index szerkesztőségébe.
Sean Sexton reads his poem, "Ars Poetica, Obstetrics, Painting, and the Rough Draft." Sean Sexton of Indian River County, FL, divides his time between managing his family's 700-acre cattle ranch, painting, and writing, and is author of two volumes of poetry: Blood Writing and May Darkness Restore. His third collection, Portals is due out in Autumn, 2022, from Press 53. He has performed at the National Cowboy Poetry Gathering in Elko, NV, the Miami Book Fair International, and High Road Poetry and Short Fiction Festival in Winston Salem, NC. He was nominated for a 2020 and 2021 Pushcart Prize and received a FL Individual Artist's Fellowship in 2001. --- Send in a voice message: https://podcasters.spotify.com/pod/show/vita-poetica/message Support this podcast: https://podcasters.spotify.com/pod/show/vita-poetica/support
In this episode, we read and discuss the influential modernist poet Marianne Moore and her witty, wonderful poem called "Poetry," a classic ars poetica (a poem about writing poetry). This poem has gone through many different editions. We take an earlier, longer version and ask how it participated in the modernist practice of "making it new" in the early 1900s. Marianne Moore was a technical master with widespread influence who was at the very center of American modernism -- friends with William Carlos Williams (see episode 25), Ezra Pound, H.D., and many others, as well as a mentor to Elizabeth Bishop (who we'll have an episode on soon!). An ardent Presbyterian who wore a cape and tri-cornered hat and who carefully curated her public image, Marianne Moore became a sought-after celebrity in her own day. For more on Marianne Moore, see the Poetry Foundation (https://www.poetryfoundation.org/poets/marianne-moore). For the text of "Poetry," see here (https://poets.org/poem/poetry).
Rozhovor s Petrem Šulejem. Na MAČi po koronaviru, potřeba čtenářů, „prerábanie“ textů, literární ceny, křížení žánrů, redakční práce, vlivu informačních technologií na psaní. Ptal se Marek Timko. Peter Šulej sa narodil v roku 1967 v Banskej Bystrici. V minulosti pôsobil ako editor v Slovenskom rozhlase, založil a vlastní vydavateľstvo Drewo a srd. Zároveň je šéfredaktorom časopisu o súčasnej kultúre a umení VLNA. Spoluzakladal medzinárodný festival poézie Ars Poetica. Píše poéziu aj prózu. Jeho zatiaľ posledný román Fytopaleontológiaje zavŕšením trilógie prozaických diel (prvé dve časti boli Históriaa Spolu) a bol nominovaný na cenu Anasoft litera: „Dystopická vízia budúcnosti plná kyberpunkovo temnej atmosféry opisuje Bratislavu ako preľudnený megapolis, kde každý deň je bojom o prežitie. Román je písaný experimentálnou formou, využíva množstvo žánrov a (post)moderných techník.“
My Therapist Says Make Friends with Your Monsters José Olivarez we are gathered in truce because my therapist said it was time to stop running, & i pay my therapist too much to be wrong, so i am here. my monsters look almost human in the sterile office light. my monsters say they want to be friends. i remember when we first met, me & my monsters. i remember the moment i planted each one. each time i tried to shed a piece of myself, it grew into a monster. take this one with the collar of belly fat the monster called Chubby, Husky, Gordito. i climbed out of that skin as fast as i could, only to see some spirit give it legs. i ran & it never stopped chasing me. each new humiliation coming to life & following after me. after me, a long procession of sad monsters. each monster hungry to drag me back, to return me to the dirt i came from. ashes to ashes, fat boy to fat.my monsters crowd around me, my therapist says i can’t make the monsters disappear no matter how much i pay her. all she can do is bring them into the room, so i can get to know them, so i can learn their names, so i can see clearly their toothless mouths, their empty hands, their pleading eyes. Ars Poetica BY José Olivarez Migration is derived from the word “migrate,” which is a verb defined by Merriam-Webster as “to move from one country, place, or locality to another.” Plot twist: migration never ends. My parents moved from Jalisco, México to Chicago in 1987. They were dislocated from México by capitalism, and they arrived in Chicago just in time to be dislocated by capitalism. Question: is migration possible if there is no “other” land to arrive in. My work: to imagine. My family started migrating in 1987 and they never stopped. I was born mid-migration. I’ve made my home in that motion. Let me try again: I tried to become American, but America is toxic. I tried to become Mexican, but México is toxic. My work: to do more than reproduce the toxic stories I inherited and learned. In other words: just because it is art doesn’t mean it is inherently nonviolent. My work: to write poems that make my people feel safe, seen, or otherwise loved. My work: to make my enemies feel afraid, angry, or otherwise ignored. My people: my people. My enemies: capitalism. Susan Sontag: “victims are interested in the representation of their own sufferings.” Remix: survivors are interested in the representation of their own survival. My work: survival. Question: Why poems? Answer:
My Therapist Says Make Friends with Your Monsters José Olivarez we are gathered in truce because my therapist said it was time to stop running, & i pay my therapist too much to be wrong, so i am here. my monsters look almost human in the sterile office light. my monsters say they want to be friends. i remember when we first met, me & my monsters. i remember the moment i planted each one. each time i tried to shed a piece of myself, it grew into a monster. take this one with the collar of belly fat the monster called Chubby, Husky, Gordito. i climbed out of that skin as fast as i could, only to see some spirit give it legs. i ran & it never stopped chasing me. each new humiliation coming to life & following after me. after me, a long procession of sad monsters. each monster hungry to drag me back, to return me to the dirt i came from. ashes to ashes, fat boy to fat.my monsters crowd around me, my therapist says i can’t make the monsters disappear no matter how much i pay her. all she can do is bring them into the room, so i can get to know them, so i can learn their names, so i can see clearly their toothless mouths, their empty hands, their pleading eyes. Ars Poetica BY José Olivarez Migration is derived from the word “migrate,” which is a verb defined by Merriam-Webster as “to move from one country, place, or locality to another.” Plot twist: migration never ends. My parents moved from Jalisco, México to Chicago in 1987. They were dislocated from México by capitalism, and they arrived in Chicago just in time to be dislocated by capitalism. Question: is migration possible if there is no “other” land to arrive in. My work: to imagine. My family started migrating in 1987 and they never stopped. I was born mid-migration. I’ve made my home in that motion. Let me try again: I tried to become American, but America is toxic. I tried to become Mexican, but México is toxic. My work: to do more than reproduce the toxic stories I inherited and learned. In other words: just because it is art doesn’t mean it is inherently nonviolent. My work: to write poems that make my people feel safe, seen, or otherwise loved. My work: to make my enemies feel afraid, angry, or otherwise ignored. My people: my people. My enemies: capitalism. Susan Sontag: “victims are interested in the representation of their own sufferings.” Remix: survivors are interested in the representation of their own survival. My work: survival. Question: Why poems? Answer:
Ars Poetica es el arte de describir y definir la poesía a través de la poesía misma. En este episodio descubriremos lo que algunos de los más grandes escribieron acerca de su oficio, su arte.
Hello my horizontal lovers, my intimacy investigators, my horizontalists! horizontal is the podcast about sex, love, & relationships of all kinds, recorded while lying down, and usually, while wearing robes. If you’ve listened to either one of my ‘between two wizard’ episodes, 85. well-hung psychedelic sex wizard / no hookups or 86. you’re trying to porn sex me, or my most magical recent horizontal mashup episodes, 123. this ritual is horizontal, or 124. this horizontal is a ritual, you’ve become acquainted with my Wizard friend, Devin Person. During both of our horizontal recordings (one in-person, in his former wizard bed in Greenpoint, Brooklyn, and the other virtual, mediated by the magic of the interwebz, between Louisville, Kentucky, and Canggu, Bali, Indonesia) a remarkable fact about his relationship surfaced: he and his partner (now fiancé) don’t text. Ever. It’s one of their cherished relationship agreements, a social norm within the co-creation of their dyad. They just don’t text. If they want to communicate with one another, they need to actually pick up the phone, and dial their partner. Well, that fiancé he doesn’t text with… is our storyteller today. Typically on horizontal, each conversation is between 3 and 5 hours long and divided into two to four parts. The former half is available for all horizontalists everywhere, and the latter half is available exclusively to patrons of the horizontal arts. With few exceptions, our conversations are languorous and long-form, as though post-coital, or stargazing, or staring out onto the open road in the wee hours of a very long road trip. I consider it consensual eavesdropping. When you become a patron you receive a key to the horizontal city, unlocking access to over 50 exclusive episodes. Become a patron of the horizontal arts by navigating directly to www.patreon.com/horizontalwithlila ... You must click on or type in that link directly, because sex-positive creators are still in quite a bind with social media these days. You can’t just go to Patreon and search my name, or the name of my show, because the search engine pretends all of its mature content doesn’t exist! I guess that makes Patreon sort of like the boyfriend who doesn’t want the world to know that we are dating, but it is the best crowdsourcing subscription service that I know at this moment. So. I take it as an indicator of just how far we still need to go to eradicate sex-negativity, stigma, shame, and taboo. Usually, my Patreon tiers begin at $7 per month, but this month I’ve opened up ten $5 a month spots for access to The Full Horizontal. Two spot already got snagged before this announcement, so as of this recording there are 8 left. Claim one, and all the horizontality shall be yours. At the end of each long-form recording, I ask my guest to tell me a story. It can be any tale that falls under the broad umbrella of intimacy. My only requirement is that they have a burning desire to share it with me. Because these stories usually take place in the part twos (or fours) of our recordings, most of you horizontalists never get to hear such tales as being carried down a mountain on the shoulders of a hunky guide, or donating your father’s body to science and then insisting on a connection with the medical students who studied him, or getting married every year — to the same person. Occasionally, in pre-pandemic times, I’d host horizontal storytelling pajama parties. My launch party in May of 2017 was a pajama party! This quickie was recorded live during Pride Month in June 2019 at horizontal storytelling: the summer pride edition. We all donned rainbow pajamas, noshed on milk and cookies, and curled up together, horizontally, all 50 of us, to listen to the tales of five storytellers from across the LGBTQIA+ community, one after the other. In this particular quickie, I lie down with Lisa Ann Markuson, also known as LAMARKS, queer cis femme bisexual woman boss, founder + CEO of creative agency Ars Poetica, (which provides, among other things, experiential poetic entertainment for events and happenings). Her woman-owned, inclusive and sustainable business model celebrates the multitalented nature of her artists across entertainment, activist, consulting, and literary landscapes. She was the co-host, along with Taz, of the National Poetry Month podcast, A Daily Dose of Poetry. I appeared on the show as their April 18th guest, and they wrote me poetic prescriptions for what ailed me in my romantic relationship. LA and her 35 artists have written poetry for celebrities & created a series of handmade poetic talismans to benefit Planned Parenthood. You can find her, and them, on the interwebz at @arspoetica.us on Instagram. Come lie down with us at a pajama party in the before-time, at Hacienda Studio in Bushwick, Brooklyn, as LA tells us a tale titled, “In Fact, a Switch Hitter.”
This Weeks Class Topic - War & VictoryAbout The ClassBecome your own muse. This weekly workshop will cover key poetic terms and devices by studying poems by a handful of modern and contemporary poets and then get a chance to try our own hand at writing new poem drafts from a select number of prompts. Throughout the course you will have the opportunity to workshop your poem drafts and get feedback on your work.About Lisa Ann Markuson aka LA MARKSLisa Ann “LAMARKS” Markuson is the founder of Ars Poetica. With a degree in International Studies from University of San Francisco, and one semester of graduate studies in International Communications at American University, Lisa Ann was on track to launch a career in cultural diplomacy. That is, until the day that her boss (who looked exactly like Draco Malfoy, by the way) sat her down in his office and said, deadpan, “You remind me of my sister, and I don’t like that. You need to tone down your style and learn to fit in more if you’re going to succeed in this organization.” That was the end of her government career. Now, with 10 years of experience as a freelancer, indie event producer, moonlight journalist, curator, social media executive, yoga teacher, bicycle tour guide, and 5 years as co-founder and then CEO of The Haiku Guys + Gals, she’s made a radical shift to a more feminist, inclusive, and sustainable business model to celebrate the multitalented nature of her artists. Her dream? To fulfill the potential that poetry has to enrich every type of experience, on and off the page. And of course, always outside the lines. Lisa Ann takes her biggest pleasure in life from eating sushi and writing and performing custom poetry around the world, and will be honored to write your poems in Spanish, English, or Swedish. If you like, she will bring her wizard fiancé along too - of course, he is a magic wordsmith as well.Join Our Poetry Community Facebook Group - https://www.facebook.com/groups/796501394221750Learn More About SocietyXWebsite - www.thesocietyx.comInstagram - https://www.instagram.com/thesocietyxcommunityFacebook - https://www.facebook.com/TheSocietyXTwitter - https://www.twitter.com/The_SocietyXPodcast website URL: https://thesocietyxpodcast.buzzsprout.com
This Weeks Class Topic - NativeAbout The ClassBecome your own muse. This weekly workshop will cover key poetic terms and devices by studying poems by a handful of modern and contemporary poets and then get a chance to try our own hand at writing new poem drafts from a select number of prompts. Throughout the course you will have the opportunity to workshop your poem drafts and get feedback on your work.About Lisa Ann Markuson aka LA MARKSLisa Ann “LAMARKS” Markuson is the founder of Ars Poetica. With a degree in International Studies from University of San Francisco, and one semester of graduate studies in International Communications at American University, Lisa Ann was on track to launch a career in cultural diplomacy. That is, until the day that her boss (who looked exactly like Draco Malfoy, by the way) sat her down in his office and said, deadpan, “You remind me of my sister, and I don’t like that. You need to tone down your style and learn to fit in more if you’re going to succeed in this organization.” That was the end of her government career. Now, with 10 years of experience as a freelancer, indie event producer, moonlight journalist, curator, social media executive, yoga teacher, bicycle tour guide, and 5 years as co-founder and then CEO of The Haiku Guys + Gals, she’s made a radical shift to a more feminist, inclusive, and sustainable business model to celebrate the multitalented nature of her artists. Her dream? To fulfill the potential that poetry has to enrich every type of experience, on and off the page. And of course, always outside the lines. Lisa Ann takes her biggest pleasure in life from eating sushi and writing and performing custom poetry around the world, and will be honored to write your poems in Spanish, English, or Swedish. If you like, she will bring her wizard fiancé along too - of course, he is a magic wordsmith as well.Join Our Poetry Community Facebook Group - https://www.facebook.com/groups/796501394221750Learn More About SocietyXWebsite - www.thesocietyx.comInstagram - https://www.instagram.com/thesocietyxcommunityFacebook - https://www.facebook.com/TheSocietyXTwitter - https://www.twitter.com/The_SocietyXPodcast website URL: https://thesocietyxpodcast.buzzsprout.com
This Weeks Class Topic - " The Evil Within" With Special Guest Host Anthony McPherson. We will explore our internal struggles, bring them out, and let them go all in a cathartic half hour session. About The ClassBecome your own muse. This weekly workshop will cover key poetic terms and devices by studying poems by a handful of modern and contemporary poets and then get a chance to try our own hand at writing new poem drafts from a select number of prompts. Throughout the course you will have the opportunity to workshop your poem drafts and get feedback on your work.About Lisa Ann Markuson aka LA MARKSLisa Ann “LAMARKS” Markuson is the founder of Ars Poetica. With a degree in International Studies from University of San Francisco, and one semester of graduate studies in International Communications at American University, Lisa Ann was on track to launch a career in cultural diplomacy. That is, until the day that her boss (who looked exactly like Draco Malfoy, by the way) sat her down in his office and said, deadpan, “You remind me of my sister, and I don’t like that. You need to tone down your style and learn to fit in more if you’re going to succeed in this organization.” That was the end of her government career. Now, with 10 years of experience as a freelancer, indie event producer, moonlight journalist, curator, social media executive, yoga teacher, bicycle tour guide, and 5 years as co-founder and then CEO of The Haiku Guys + Gals, she’s made a radical shift to a more feminist, inclusive, and sustainable business model to celebrate the multitalented nature of her artists. Her dream? To fulfill the potential that poetry has to enrich every type of experience, on and off the page. And of course, always outside the lines. Lisa Ann takes her biggest pleasure in life from eating sushi and writing and performing custom poetry around the world, and will be honored to write your poems in Spanish, English, or Swedish. If you like, she will bring her wizard fiancé along too - of course, he is a magic wordsmith as well.Join Our Poetry Community Facebook Group - https://www.facebook.com/groups/796501394221750Learn More About SocietyXWebsite - www.thesocietyx.comInstagram - https://www.instagram.com/thesocietyxcommunityFacebook - https://www.facebook.com/TheSocietyXTwitter - https://www.twitter.com/The_SocietyXPodcast website URL: https://thesocietyxpodcast.buzzsprout.com
On this week’s Sustainability Now!, your host, Justin Mog, battles food apartheid in our fair city with two members of the Louisville Community Grocery. Lisa Ann (LA) Markuson, is the new Owner Advocate for the Grocery. She is Founder & Chief Poetic Officer of Ars Poetica and you can learn about her Experiential Poetry at http://arspoetica.us. Also joining us to talk food justice is Thomas Edison, a UofL professor of Spanish, and Louisville Community Grocery board member. Learn more and become a member at http://louisvillecommunitygrocery.com As always, our feature is followed by your community action calendar for the week, so get your calendars out and get ready to take action for sustainability NOW! Sustainability Now! airs on FORward Radio, 106.5fm, WFMP-LP Louisville, every Monday at 6pm and repeats Tuesdays at 12am and 10am. Find us at http://forwardradio.org The music in this podcast is courtesy of the local band Appalatin and is used by permission. Explore their delightful music at http://appalatin.com
Episode Five of "The History of Literary Criticism" podcast. Today I will be discussing Ars Poetica by Horace. This is quite a complicated work and I really enjoyed reading about it, so the episode is a little longer than usual today. First I'll discuss Horace's biography, then some general comments about the form of Ars Poetica, then the summary of the content and general responses, as in previous episodes.
Join me as I read a personal poem and analyze it. We all have experience and ways of recalling them, one way for me is poetry. Enjoy the brain rain. Sound effects from: zapsplat.com
Anni Liu reads "Ars Poetica in a Dream Language," "Lian Qiao, Forsythia suspensa or weeping forsythia," and "Finding Fruit."
Ars Poetica -- the pairing of art and poetry -- is now coming to Bainbridge. Selected poems are being paired with photos from members of the Bainbridge Island Photo Club and will be on display at the Bainbridge Public Library, opening March 1. The annual Kitsap County event, which is now in its eighth year, invites poets to submit their work to a panel of judges. Area artists then choose from the winning poems and create art inspired by the chosen poetry. The end results will soon be visible at Collective Visions Gallery in Bremerton, at the Front Street Gallery in Poulsbo, at the Poulsbohemian Coffee House, and this year, for the first time, at the Bainbridge Public Library. Listen here as poet and organizer Sue Hylen explains how she managed to coordinate plans for the library and for the Bainbridge Island Photo Club, and tells what to expect for opening night, Friday, March 1, from 5 - 7 pm. Credits: BCB Host: John Fossett; BCB audio editor and publisher: Diane Walker; social media: Jen St. Louis.
In this episode, we dive headlong into how the relationship between Israel and Palestine intersects with food politics. In our first segment, Food Book Fair co-director and organizer Kimberly Chou Tsun An speaks to chef and artist Amanny Ahmad about her advocacy work and about what she misses from Palestine. They also recap a dinner Ahmad cooked last year with Bay Area chef and restaurateur Reem Assil. In our second segment, Soleil talks to chef and organizer Ora Wise about hummus, food media, and olive trees. Finally, we revisit a poem by George Abraham, “Ars Poetica in Which Every Pronoun is a Free Palestine,” recorded at the 2018 Kundiman writers' retreat. We hope you enjoy this episode! Produced by Juan Ramirez. Music by AF the Naysayer and Blue Dot Sessions.
Recently named Island Treasure Nancy Rekow is a poet, a leader of poetry workshops for over 43 years, a poetry reading organizer, an editor/consultant for various books, and co-founder of NW Trillium Press. Listen here to learn more about her life and work. Describing herself as a country mouse and a city mouse, Nancy grew up straddling two worlds -- living on a farm in a small town in New Jersey but regularly heading into Manhattan for trips to the ballet, to Broadway, and to the museums. So it should come as no surprise that when she moved to the Northwest 55 years ago, she chose to live on a 57-acre dairy farm on Bainbridge Island, with easy access to the city of Seattle. Listen here as Nancy speaks with long-time Bainbridge resident and fellow author, Jeff Wenker, about her gradual evolution into the life of poetry: her earliest published poems, her collaborations with Bob McAllister on the Poetry Workshops, her efforts through the Poulsbohemian poetry readings and Ars Poetica to bring the work of other poets into the public eye, and her forays into publishing with NW Trillium Press and the beloved classic, Minnie Rose Lovgreens's Recipe for Raising Chickens. Credits: BCB guest host: Jeff Wenker; audio tech: Chris Walker; audio editor and social media publisher, Diane Walker.
Podcast series curated, compiled and otherwise mixed by Paul Gilmore and Marco Fenyes.
Brian Burt reads his poem "Ars Poetica" and discusses its origin and themes with Poetry Editor Kirun Kapur. Burt talks about the registers of poetic language, the tradition of the ars poetica, Rilke, and his passion for bicycles and cycling.
The Drunken Odyssey with John King: A Podcast About the Writing Life
Episode 126 of The Drunken Odyssey, your favorite podcast about creative writing and literature is available on iTunes, or right click here to download. In this week's episode, I talk about Horace's Ars Poetica with Vanessa Blakeslee, plus Sam Slaughter talks about the ignominious beginning of Two Drunken Writers Brewery. Photo by Oxley Photography 2014 NOTES At 3 P.M., on Tuesday, November 18, the memoirist and novelist Marya Hornbacher will read at the University of Central Florida. Get info here. Congrats to Tiffany Razzano, on the successful launch of Florida Bookstore day!
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