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El presidente Donald Trump ha estado enviando inmigrantes al centro de detención en Guantánamo desde el 4 de febrero, y en las últimas semanas, el gobierno estadounidense ha deportado a 177 migrantes de Guantánamo a Honduras. Akima, el conglomerado que gestiona el centro de detención de Guantánamo, tiene más de 40 empresas filiales y más de 2.000 contratos con docenas de agencias federales, que van desde el mantenimiento informático hasta la seguridad armada. Así que para hablar del centro de detención de Guantánamo, Akima y presuntos abusos contra los inmigrantes detenidos invitamos a José Olivarez, un periodista que cubre temas de inmigración, América Latina y derechos humanos y quien investigó a la compañía para el peiodico inglés, The Guardian.
Read by Terry Casburn Production and Sound Design by Kevin Seaman
On the special holiday edition of Live Wire, comedian and podcaster Paul F. Tompkins talks about passive-aggressive Christmas carolers and the most tense rendition of “O Holy Night" he's ever heard; poet José Olivarez discusses his latest collection Promises of Gold, which explores the various types of love in our lives, from self-love to platonic love and over to romance; and singer-songwriter Esme Patterson performs her original Christmas song “If I.” Plus, host Luke Burbank and announcer Elena Passarello share our listeners favorite holiday traditions.
In this episode of UIndy's Potluck Podcast, where we host conversations about the arts, ENGL 478 students Emma Knaack and Griffin Cloyer interview poet, José Olivarez, a guest of the Kellogg Writers Series, which is a series that brings writers of distinction to the University of Indianapolis campus for classroom discussions and free public readings. A big thank you to UIndy Music major Gabriel Bynoe for editing this episode. José Olivarez is the son of Mexican immigrants, the author of Citizen Illegal and Promises of Gold, the co-author of Home Court, co-editor of BreakBeat Poets 4: LatiNEXT, and the co-host of the poetry podcast The Poetry Gods. His work has been published in the BreakBeat Poets, the Adroit Journal, the Rumpus, and other places. He earned a BA from Harvard University. Named a Debut Poet of 2018 by Poets & Writers, he is the recipient of fellowships from CantoMundo, Poets House, the Bronx Council on the Arts, the Poetry Foundation, and the Conversation Literary Festival. We thank you for listening to UIndy's Potluck Podcast, which is hosted by students and faculty of the University of Indianapolis. We would like to thank our guests and the Shaheen College of Arts and Sciences. To learn more about the Potluck Podcast and hear other episodes, please visit etchings [dot] uindy [dot] edu [forward slash] the [hyphen] potluck [hyphen] podcast. Thank you for your support.
This episode, we wrap up our discussion of the second half of Promises of Gold by José Olivarez. --- Send in a voice message: https://podcasters.spotify.com/pod/show/literallyliterary/message Support this podcast: https://podcasters.spotify.com/pod/show/literallyliterary/support
*Patreon- and Substack-only bonus episode teaser*If you've ever felt like you didn't "get it" when it comes to poetry, The Stacks is here for a little poetry therapy featuring five spectacular poets breaking down their favorite poems. We are joined by José Olivarez, Morgan Parker, Saeed Jones, Nate Marshall and Gabrielle Bates. Each has selected a poem to read with Traci; then they discuss what they notice, how it works, and why it excites them. This episode is for folks who love poetry, those who cower in fear, and everyone in between. *This episode is exclusive to members of The Stacks Pack on Patreon and our Substack subscribers. To join a community, get inside access to the show, and listen now, click the link below.JOIN PATREON OR SUBSTACK TO LISTENYou can find everything we discuss on today's show on The Stacks' website:https://thestackspodcast.com/2024/04/19/tsu-33-poetry-therapyConnect with José: Instagram | Twitter | Website | SubstackConnect with Morgan: Instagram | Twitter | WebsiteConnect with Saeed: Instagram | Twitter | Website | SubstackConnect with Nate: Instagram | Website | SubstackConnect with Gabrielle: Instagram | Twitter | WebsiteConnect with The Stacks: Instagram | Twitter | Shop | Patreon | Goodreads | Substack | SubscribeSUPPORT THE STACKSJoin The Stacks Pack on PatreonPurchasing books through Bookshop.org or Amazon earns The Stacks a small commission.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.
This episode, we begin our platica on the first half of Promises of Gold by José Olivarez. Reading at EPCC Valle Verde: https://youtu.be/9pxCvy7RS5U?si=jcASLrpWUX8VzvKQ --- Send in a voice message: https://podcasters.spotify.com/pod/show/literallyliterary/message Support this podcast: https://podcasters.spotify.com/pod/show/literallyliterary/support
On the special holiday edition of Live Wire, comedian and podcaster Paul F. Tompkins talks about passive-aggressive Christmas carolers and the most tense rendition of “O Holy Night" he's ever heard; poet José Olivarez discusses his latest collection Promises of Gold, which explores the various types of love in our lives, from self-love to platonic love and over to romance; and singer-songwriter Esme Patterson performs her original Christmas song “If I.” Plus, host Luke Burbank and announcer Elena Passarello share our listeners favorite holiday traditions.
Join us for a book launch, poetry reading, and visual showcase of Por Siempre. This event took place on May 17, 2023. Por Siempre is a visual and verbal narrative of the grit and gentleness in Southwestern Latinx communities told through photography by Antonio Salazar and poetry by José Olivarez. Guns, tattoos, pit bulls, and cars appear alongside a tender aubade, a couple holding hands, a baby bathing in a kitchen sink; landscapes and skylines in Phoenix and Los Angeles show palm trees and messy garages; long white socks and acrylic nails of younger generations meet the smiles and traditions of elders. In a society that would rather disappear or ignore its own grittier dimensions, Salazar's work is both a refusal to be silenced and a love letter to the communities that sing, dance, live, and love, in their own beautiful and dangerous ways. Alongside Salazar's powerful visual narrative, a series of poetry by José Olivarez appears throughout the book. Each poem “speaks” in its own way—to, of, with, and beyond the subjects of Salazar's photos—with humor, honesty, and compassion. These artists together in Por Siempre are a force: expanding and lifting each other's best parts, as those in sincere and caring communities often do. Order a Copy of Por Siempre: https://www.haymarketbooks.org/books/... ———————————————————————————————————————————————— Speakers: Isela Meraz (Chela) is a self-taught community artist, she was born in Durango Mexico “Tierra de Los Alacranes” and has lived in Phoenix, AZ since 1991. The love for her community and social justice has led her to participate in civil disobedience, hunger strikes and spiritual fast. Creating art that honors her family, queerness and land. Her work is now part of the permanent collection of the ASU Art Museum and it is currently on display till July of 2023. José Olivarez is the son of Mexican immigrants. His debut book of poems, Citizen Illegal, was a finalist for the PEN/Jean Stein Award and a winner of the 2018 Chicago Review of Books Poetry Prize. It was named a top book of 2018 by the Adroit Journal, NPR, and the New York Public Library. Along with Felicia Chavez and Willie Perdomo, he coedited the poetry anthology The BreakBeat Poets Vol. 4: LatiNext. He cohosts the poetry podcast The Poetry Gods. Antonio Salazar is a photographer based in Phoenix, Arizona. His work features a glimpse into the culture of the fifth largest city in the U.S. Themes surrounding Chicane/x identity in the Southwest are heavily explored through his art. Watch the live event recording: https://youtube.com/live/dfXwiCOL5zg Buy books from Haymarket: www.haymarketbooks.org Follow us on Soundcloud: soundcloud.com/haymarketbooks
03:45 - Growing up in Cal City, Starting Poetry, and going to Harvard. 19:39 - Becoming a "poet" as a profession and Citizen Illegal 22:55 - Promises of Gold 28:23 - a Performance of "An Almost Sonnet for My Mom's Almost Life" 32:19 - Poetry is not a cure for Toxic Masculinity, but can it help? 39:38 - Being unable to express love starts early, and a Richard Montanez shoutout 41:04 - Translating poems to Spanish, Zacate, and anti translation as a resistance to empire 57:16 - Mexicans love beans, deal with it. 59:12 - Poetry in general, advice on how to read and how to write it Find Merch here: https://theirrelevant.org/store Join The El Pochcast Discord here: https://discord.gg/AS8RuMHsxJ Twitter: @elpochcast Instagram: @elpochcast Email : elpochcast@ gmail.com El Pochcast is a part of The Irrelevant Podcast Network rapture.mp3 by Vincent Augustus is licensed under a Attribution 4.0 International License. https://creativecommons.org/licenses/by/4.0/ Support El Pochcast by contributing to their tip jar: https://tips.pinecast.com/jar/el-pochcast
In this episode of Get Lit Minute, we spotlight the accomplished author, poet and educator, José Olivarez.José Olivarez is the son of Mexican immigrants. His debut book of poems, Citizen Illegal, was a finalist for the PEN/ Jean Stein Award and a winner of the 2018 Chicago Review of Books Poetry Prize. It was named a top book of 2018 by The Adroit Journal, NPR, and the New York Public Library. Along with Felicia Chavez and Willie Perdomo, he co-edited the poetry anthology, The BreakBeat Poets Vol. 4: LatiNEXT. He is the co-host of the poetry podcast, The Poetry Gods. In 2018, he was awarded the first annual Author and Artist in Justice Award from the Phillips Brooks House Association and named a Debut Poet of 2018 by Poets & Writers. In 2019, he was awarded a Ruth Lilly and Dorothy Sargent Rosenberg Poetry Fellowship from the Poetry Foundation. His work has been featured in The New York Times, The Paris Review, and elsewhere. SourceSupport the showSupport the show
This episode we're talking about the format of Lyric Poetry! We talk about reading poetry out loud, translation, French Canadian dialects, and more! You can download the podcast directly, find it on Libsyn, or get it through Apple Podcasts, Google Podcasts, or your favourite podcast delivery system. In this episode Anna Ferri | Meghan Whyte | Matthew Murray | Jam Edwards Things We Read (or tried to…) Entre Rive and Shore by Dominique Bernier-Cormier Let Us Believe in the Beginning of the Cold Season: Selected Poems by Forugh Farrokhzad, translated by Elizabeth T. Gray Jr Ledger: Poems by Jane Hirshfield Rapture by Carol Ann Duffy Goldenrod: Poems by Maggie Smith Good Bones: Poems by Maggie Smith Alive At The End Of The World by Saeed Jones The World Keeps Ending, and the World Goes on by Franny Choi No Matter the Wreckage by Sarah Kay White Pine: Poems and Prose Poems by Mary Oliver Bless the Daughter Raised by a Voice in Her Head by Warsan Shire Le premier coup de clairon pour réveiller les femmes immorales by Rachel McCrum The Hurting Kind by Ada Limón The Arkansas Testament by Derek Walcott Alive at the End of the World by Saeed Jones Other Media We Mentioned The Bronze Horseman by Alexander Pushkin 19 Ways of Looking at Wang Wei: With More Ways by Eliot Weinberger The Raven by Edgar Allan Poe “The Fish” by Elizabeth Bishop When We Were Very Young by A. A Milne Where the Sidewalk Ends by Shel Silverstein The Inferno of Dante: A New Verse Translation by Dante Alighieri, translated by Robert Pinsky All Def Poetry milk and honey by rupi kaur One Piece by Eiichiro Oda Trailer for Netflix show “Poetry Is Not a Luxury” by Audre Lorde (pdf) Links, Articles, and Things Lyric poetry (Wikipedia) The Writer's Block The Midnight Library: Episode 001 - Halloween Poetry Chiac (Wikipedia) Plasco Building (Wikipedia) 30 Recent Poetry Collections by BIPOC Authors Every month Book Club for Masochists: A Readers' Advisory Podcasts chooses a genre at random and we read and discuss books from that genre. We also put together book lists for each episode/genre that feature works by BIPOC (Black, Indigenous, & People of Colour) authors. All of the lists can be found here. This booklist features books from BIPOC poets published in the past three years. Chrome Valley by Mahogany L. Browne Feast by Ina Cariño Your Emergency Contact Has Experienced an Emergency by Chen Chen Girls That Never Die: Poems by Safia Elhillo Content Warning: Everything by Akwaeke Emezi I Do Everything I'm Told by Megan Fernandes Living Nations, Living Words: An Anthology of First Peoples Poetry edited by Joy Harjo Song of my Softening by Omotara James Spells, Wishes, and the Talking Dead / Mamaht́wisiwin, Pakos̊yimow, Nikihci-́niskot́ṕn : Poems by Wanda John-Kehewin Burning Like Her Own Planet by Vandana Khanna Phantom Pain Wings by Kim Hyesoon, translated by Don Mee Choi Bianca by Eugenia Leigh Finna by Nate Marshall Slam Coalkan Performance Poetry: The Condor and the Eagle Meet edited by Jennifer Murrin God Themselves by Jae Nichelle You Are Only Just Beginning: Lessons for the Journey Ahead by Morgan Harper Nichols I'm Always So Serious by Karisma Price Homie by Danez Smith Blood Snow by dg nanouk okpik Promises of Gold/Promesas de Oro by José Olivarez with translation by David Ruano That Was Now, This is Then by Vijay Seshadri it was never going to be okay by jaye simpson Dark Testament by Crystal Simone Smith Unshuttered: Poems by Patricia Smith Falling Back in Love with Being Human: Letters to Lost Souls by Kai Cheng Thom Femme in Public by Alok Vaid-Menon Time Is a Mother by Ocean Vuong Find Her. Keep Her. by Renaada Williams Rupture Tense by Jenny Xie From From by Monica Youn Give us feedback! Fill out the form to ask for a recommendation or suggest a genre or title for us to read! Here's Matthew's limerick. Write your own! There once was a book club for masochists Whose members delighted in making lists They all had a blast Co-hosting a podcast That their friendship will always persist Check out our Tumblr, follow us on Instagram, join our Facebook Group, or send us an email! Join us again on Tuesday, September 19th it's time for our One Book One Podcast episode as we all discuss the book Upright Women Wanted by Sarah Gailey! Then on Tuesday, October 3rd get ready for Halloween because we'll be talking about the genre of Horror!
Hey, In this episode we cover a few things: Our absence Part 2 Georgetown Heritage Episode 2023 DC Book Festival (Books, we are excited about.) Great Local Coffee and More Coffee DC Startup Week DC State Fair in Downtown DC Please accept our apology. Check out the continued awesomeness of Rex and Georgetown Heritage Canal in DC. We shared the books that have a excited and curious. The book festival is content lovers dream come true!! Well, we hope you will check out some cool places that make great coffee that we found in DC. The fall is coming so is DC Startup Week a must attend event for small business owners, side hustlers, and all seeking to connect with great people along with learn. The State Fair will be a lot of fun with food, contests, and great people. DC Starup Week https://www.instagram.com/dcstartupweek/ & Newsletter https://linktr.ee/dcstartupweek Georgetown Heritagehttps://www.georgetownheritage.org/boat-tours The Coffee Culture Too https://www.culturecoffeetoodc.com/ https://www.instagram.com/culture_coffee_too/reels/ Sweet Science Coffee https://sweetsciencecoffee.com/the-story https://www.instagram.com/SWEETSCIENCECOFFEE/ Books: Yards Between Us: Sports and American Culture with R.K. Russell Myths and Promises: Decoding "Latino" in America with José Olivarez and Héctor Tobar Medicine and the New Human with Siddhartha Mukherjee physician and author --- Send in a voice message: https://podcasters.spotify.com/pod/show/dmvbusinesspodcast/message
Writer and podcaster Jamie Loftus dives into her New York Times bestselling book Raw Dog: The Naked Truth About Hot Dogs, a travelog on the cultural and historical significance of the American sausage; poet José Olivarez explores the lexicon of love in two languages in his newest collection Promises of Gold; and R&B/Soul vocalist Danielle Ponder performs "So Long" from her debut album Some of Us Are Brave. Plus, host Luke Burbank and announcer Elena Passarello go on some hypothetical road trips.
In a church there are liturgies and prayers and statues. But in José Olivarez's poem, there are more urgent things taking place, things that have “no time to wait.”José Olivarez is the son of Mexican immigrants. He is the author of Promises of Gold, a collection of poems. His debut book of poems, Citizen Illegal, was a finalist for the PEN/Jean Stein Award and a winner of the 2018 Chicago Review of Books Poetry Prize. It was named a top book of 2018 by The Adroit Journal, NPR, and the New York Public Library. Along with Felicia Chavez and Willie Perdomo, he co-edited the poetry anthology, The BreakBeat Poets Vol. 4: LatiNEXT. He is the co-host of the poetry podcast, The Poetry Gods. In 2018, he was awarded the first annual Author and Artist in Justice Award from the Phillips Brooks House Association and named a Debut Poet of 2018 by Poets & Writers. In 2019, he was awarded a Ruth Lilly and Dorothy Sargent Rosenberg Poetry Fellowship from the Poetry Foundation. His work has been featured in The New York Times, The Paris Review, and elsewhereFind the transcript for this show at onbeing.org.We're pleased to offer José Olivarez's poem, and invite you to connect with Poetry Unbound throughout this season.
Gill and Amber hangout with José Olivarez, son of Mexican immigrants, poet, educator, Author: Citizen Illegal. Promises of Gold. Por Siempre. Editor: BreakBeat Poets Vol. 4 LatiNext.https://linktr.ee/joseolivarezListen to this podcast on Apple Podcastshttps://podcasts.apple.com/us/podcast...Watch this podcast on Youtube at Mindbuzz Media https://www.youtube.com/channel/UCIYj7eDCsV3YPzxv7VRKZKgListen to this podcast on Spotify https://open.spotify.com/show/4r35EH2...Follow The Mindbuzz on Instagramhttps://www.instagram.com/themindbuzz
Recorded by José Olivarez for Poem-a-Day, a series produced by the Academy of American Poets. Published on April 12, 2023. www.poets.org
Today we're joined by poet, writer and educator José Olivarez to discuss his new book Promises of Gold, a collection of poems exploring all forms of love, including friendship, romantic and cultural. We find out why José had someone else translate his collection into Spanish when Spanish is his first language. We also discuss how he thinks about organizing his poems on the page and in the book, and why balance in a collection is so important.The Stacks Book Club selection for March is Bad Feminist by Roxane Gay. We will discuss the book on March 29th with Shanita Hubbard.You can find everything we discuss on today's show on The Stacks' website:https://thestackspodcast.com/2023/03/15/ep-258-jose-olivarezEpisode TranscriptConnect with José: Instagram | Twitter | WebsiteConnect with The Stacks: Instagram | Twitter | Shop | Patreon | Goodreads | SubscribeSUPPORT THE STACKSJoin The Stacks Pack on PatreonTo support The Stacks and find out more from this week's sponsors, click here.Purchasing books through Bookshop.org or Amazon earns The Stacks a small commission.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.
Read transcript 03:45 - Growing up in Cal City, Starting Poetry, and going to Harvard. 19:39 - Becoming a "poet" as a profession and Citizen Illegal 22:55 - Promises of Gold 28:23 - a Performance of "An Almost Sonnet for My Mom's Almost Life" 32:19 - Poetry is not a cure for Toxic Masculinity, but can it help? 39:38 - Being unable to express love starts early, and a Richard Montanez shoutout 41:04 - Translating poems to Spanish, Zacate, and anti translation as a resistance to empire 57:16 - Mexicans love beans, deal with it. 59:12 - Poetry in general, advice on how to read and how to write it Find Merch here: https://theirrelevant.org/store Join The El Pochcast Discord here: https://discord.gg/AS8RuMHsxJ Twitter: @elpochcast Instagram: @elpochcast Email : elpochcast@ gmail.com El Pochcast is a part of The Irrelevant Podcast Network rapture.mp3 by Vincent Augustus is licensed under a Attribution 4.0 International License. https://creativecommons.org/licenses/by/4.0/ Support El Pochcast by contributing to their tip jar: https://tips.pinecast.com/jar/el-pochcast
Episode 164 Notes and Links to Yasmin Ramirez's Work On Episode 164 of The Chills at Will Podcast, Pete welcomes Yasmin Ramirez, and the two discuss, among other things, her early reading and music loves, her unique and powerful relationship with her beloved “Ita,” her family dynamics, teenage rebellion, the power of Nirvana, the power of her classes at UTEP, and issues and themes revolving around her magnificent memoir. Yasmin Ramirez is a 2021 Martha's Institute of Creative Writing Author Fellow as well as a 2020 recipient of the Woody and Gayle Hunt-Aspen Institute Fellowship Award. Her fiction/CNF works have appeared in Cream City Review and Huizache among others. She is an Associate Professor of English, Creative Writing, and Chicanx Literature at El Paso Community College. She stays active in the Borderplex arts community and serves on the advisory board of BorderSenses, a literary non-profit. Her memoir ¡Ándale, Prieta!, by Lee and Low Books, is now available. Buy ¡Ándale, Prieta!: A Love Letter to My Family Yasmin Ramirez's Website Hip Latina Article about ¡Ándale, Prieta!: A Love Letter to My Family At about 6:50, Yasmin describes the multiple meanings of “Andale, Prieta” in context of her book At about 7:50, Yasmin shouts out upcoming virtual and in-person Washington Library and Él Paso (UTEP) events, as well as a book club with Las Comadres At about 8:30, Yasmin highlights her contact and social media info as well as bookstores that she recommends for buying her book At about 9:55, Yasmin and Pete discuss her early relationships with language and reading At about 11:55, Yasmin references formative and transformative reading, including some Anne Rice works At about 14:30, Yasmin responds to Pete's questions about her ideas of representation in being able to read borderland-inspired books; she cites “The Danger of a S At about 17:35, Pete and Yasmin discuss cliques from their adolescent years and Yasmin's love of Nirvana and music's role in that part of her life At about 20:00, Yasmin lists some writers she has taught at the college level, like José Olivarez, Luis Alberto Urrea, Maria Hinojosa, Juliet Takes a Breath by Gabby Rivera, and Black Flamingo by Dean Atta At about 22:00, Yasmin notes how a reliance on the unchanging “canon” dissuades students from reading At about 22:55, Yasmin shouts out memoirists, like Sonya Livingston, Joy Castro, and Nick Flynn, who inspire and thrill her At about 25:05, Yasmin talks about seeds for the book and how it seemingly had a mind of its own in directing her At about 26:20, Pete asks Yasmin about the role of Dr. Abarca's UTEP class on food and writing and some of her takeaways from the class and the feedback she received from Lex Wiliford At about 28:15, Pete notes Yasmin's skill in making her child's POV “authentic” and how her book starts in the “middle” with a resonant line regarding breast cancer and her grandma (“Ita”) At about 29:30, Yasmin discusses meanings of “prieta,” both in the outside world and in her life At about 31:50, Pete cites Yasmin as her Ita's “sombra,” and talks about time spent with her as her mom worked “at the bridge”-Yasmin talks about how it “clicked” that her mom had a dangerous job At about 34:10, Pete asks about what made Yasmin's mom and Ita clash at times At about 37:10, Pete reads a moving quote from the book that relates to the significance of scars, and Yasmin talks about the genesis of a part of the book that catalogs her Ita's scars At about 40:00, Yasmin thinks of who might play her Ita in a movie version At about 40:40, Pete references a particularly personal memory from Yasmin and a beautiful passage about her relationship with her Ita At about 42:20, Pete notes the power and writerly skill that makes up the last part of the book's Part I; Yasmin gives background on this part and her rationale At about 45:00, Pete and Yasmin discuss the beginning of the book's Part II and Yasmin describes her “distancing” from her father and “feeding the wrong wolf” At about 48:15, Yasmin talks about awkward teenage visits to see her father to try to rekindle something At about 50:00, Yasmin describes her time working in retail in Dallas and the resulting events in El Paso; she describes how everything was “muted” upon her Ita's death At about 53:40, Yasmin talks about the “hambre de Dios” in context of the book At about 55:25, Yasmin discusses the “rejuvenation” that came with her return to El Paso At about 59:25, Yasmin describes the true enthusiasm shown by Lex Wiliford and the ways in which At about 1:02:50, Yasmin and Pete discuss the “heaviness” from a powerful dream and the significance of Yasmin's mammogram and this revelatory dream At about 1:06:40, Yasmin describes a future project-YA!-that plays with ideas of music's influence in an adolescent's life At about 1:08:05, Pete compliments the book's allusions to music that reminds Yasmin of her grandma You can now subscribe to the podcast on Apple Podcasts, and leave me a five-star review. You can also ask for the podcast by name using Alexa, and find the pod on Stitcher, Spotify, and on Amazon Music. Follow me on IG, where I'm @chillsatwillpodcast, or on Twitter, where I'm @chillsatwillpo1. You can watch other episodes on YouTube-watch and subscribe to The Chills at Will Podcast Channel. Please subscribe to both my YouTube Channel and my podcast while you're checking out this episode. Sign up now for The Chills at Will Podcast Patreon: it can be found at patreon.com/chillsatwillpodcastpeterriehl Check out the page that describes the benefits of a Patreon membership, including cool swag and bonus episodes. Thanks in advance for supporting my one-man show, my DIY podcast and my extensive reading, research, editing, and promoting to keep this independent podcast pumping out high-quality content! This is a passion project of mine, a DIY operation, and I'd love for your help in promoting what I'm convinced is a unique and spirited look at an often-ignored art form. The intro song for The Chills at Will Podcast is “Wind Down” (Instrumental Version), and the other song played on this episode was “Hoops” (Instrumental)” by Matt Weidauer, and both songs are used through ArchesAudio.com. Please tune in for Episode 165 with Anna Hogeland. She's a psychotherapist in private practice, her novel The Long Answer, has been described by Kirkus Review as “A startling meditation on grief and family and betrayal.” The episode will air on February 7.
This episode is excerpted from the Code Switch Live show at the Studebaker Theater in Chicago, featuring special guests José Olivarez, Sultan Salahuddin, Diallo Riddle and Adriana Cardona-Maguidad to talk all about Chicago. Musical guest KAINA provides music!
Join us for the Haymarket Poetry Spring Showcase, where we'll celebrate new books by Noor Hindi, Maya Marshall, and Hope Wabuke. Pre-order Hope Wabuke's The Body Family, publishing in April: https://bookshop.org/a/1039/9781642596977 Pre-order Noor Hindi's DEAR GOD. DEAR BONES. DEAR YELLOW., publishing in May: https://bookshop.org/a/1039/9781642596960 Pre-order Maya Marshall's All the Blood Involved in Love, publishing in June: https://bookshop.org/a/1039/9781642596953 ----------------------------------------------------------------------- Noor Hindi (she/her/hers) is a Palestinian-American poet and reporter. She is a 2021 Ruth Lilly and Dorothy Sargent Rosenberg Poetry Fellow. DEAR GOD. DEAR BONES. DEAR YELLOW. is her debut collection of poems. She lives in Dearborn. Follow her on Twitter @MyNrhindi. Maya Marshall is the author of chapbook Secondhand and cofounder of underbelly, a journal on the practical magic of poetic revision. She has earned fellowships from MacDowell, Vermont Studio Center, Callaloo, Watering Hole, Community of Writers and Cave Canem. Marshall previously served as artist-in-residence at Northwestern University and as faculty for Loyola University. She is the 2021-2023 Creative Writing Fellow in Poetry at Emory University. Hope Wabuke is a Ugandan American poet, essayist, and writer. She is the author of the forthcoming memoir Please Don't Kill My Black Son Please. Hope has published in The Guardian, The Root, Los Angeles Review of Books, and NPR among others. She is an Assistant Professor of English and Creative Writing at the University of Nebraska-Lincoln, and a founding board member and former Media & Communications Director for the Kimbilio Center for African American Fiction. José Olivarez is the son of Mexican immigrants. His debut book of poems, Citizen Illegal, was a finalist for the PEN/ Jean Stein Award and a winner of the 2018 Chicago Review of Books Poetry Prize. It was named a top book of 2018 by The Adroit Journal, NPR, and the New York Public Library. Along with Felicia Chavez and Willie Perdomo, he co-edited the poetry anthology, The BreakBeat Poets Vol. 4: LatiNEXT. Suzi F. Garcia is a Peruvian-American poet and editor raised in the South. She is the author of the poetry chapbook A Homegrown Fairytale (Bone Bouquet, 2020), focusing on queering the reader relationship with Dorothy from The Wizard of Oz. She is an upcoming editor for POETRY and executive editor of Noemi Press, where she has edited several award-winning books of poetry, craft, and more. Watch the live event recording: https://youtu.be/2e3DzF-pIBU Buy books from Haymarket: www.haymarketbooks.org Follow us on Soundcloud: soundcloud.com/haymarketbooks
This episode is focused on the creation of a poem by analyzing the ways to begin and end a poem while also analyzing strategies to create a strong middle connection between the two. This episode analyzes the poems, "Motherhood" by Yesika Salgado and "Ode to Cheese Fries" by José Olivarez in order to understand the methods of creating a poem from start to finish. New episodes will drop every other Sunday!Follow the podcast on Instagram: @thespiritsinpoetryAnd if you are interested in supporting the upkeep of the show you can donate via PayPal or Cashapp to @JorgeQ18https://www.paypal.com/paypalme/jorgeq18Support the show (https://www.paypal.com/paypalme2/jorgeq18)
NB: Ron Padgett is, of course, a member of the New York School, not the New School as I for some reason say early in my conversation with Alice.Some of the topics mentioned in this episode:– Alice Allan's podcast Poetry Says, her book The Empty Room, and her chapbook Blanks– The 2016 Jim Jarmusch poetry movie Paterson– Method Man and/or Paul Laurence Dunbar– The goodness of Adam Driver and William Jackson Harper– Donald Hall's poem “Without”– Jane Kenyon's poems “Happiness” and “Having It Out With Melancholy”– Mary Oliver– Pam Brown– David Brooks (not that David Brooks)– Commonplace with Rachel Zucker– The Poetry Gods with Aziza Barnes, José Olivarez, and Jon Sands– What it actually feels like to publish a first book of poems– Alice's podcasting wisdom – Dorothy Porter's poem “Lucky”Please rate, review, and subscribe! Or just recommend the show to a friend!Send questions, comments, and suggestions to sleerickets@gmail.com.
On our two-year anniversary, we present this bonus episode featuring El Paso Community College student perspectives on Citizen Illegal, the poetry collection by José Olivarez. Stay tuned for our new season of books this fall of 2021! --- Send in a voice message: https://anchor.fm/literallyliterary/message Support this podcast: https://anchor.fm/literallyliterary/support
Seema Yasmin gathers a powerful line-up of poets—George Abraham, Aracelis Girmay, José Olivarez, Janice Lobo Sapigao, and Yalini Thambynayagam—to celebrate Yasmin's poetry collection, If God Is A Virus. Based on original reporting from West Africa and the United States, and the poet's experiences as a doctor and journalist, If God Is A Virus charts the course of the largest and deadliest Ebola epidemic in history, telling the stories of Ebola survivors, outbreak responders, journalists and the virus itself. These documentary poems explore which human lives are valued, how editorial decisions are weighed, what role the aid industrial complex plays in crises, and how medical myths and rumor can travel faster than microbes. These poems also give voice to the virus. Eight percent of the human genome is inherited from viruses and the human placenta would not exist without a gene descended from a virus. If God Is A Virus reimagines viruses as givers of life and even authors of a viral-human self-help book. Featuring: Dr. Seema Yasmin is an Emmy Award-winning journalist, medical doctor, disease detective and author. She was a finalist for the Pulitzer Prize in breaking news reporting in 2017 with her team from The Dallas Morning News for coverage of a mass shooting. Yasmin was a disease detective in the Epidemic Intelligence Service at the Centers for Disease Control and Prevention where she chased outbreaks in maximum-security prisons, American Indian reservations, border towns and hospitals. Currently, Dr. Yasmin is a Stanford professor, medical analyst for CNN and science correspondent for Conde Nast Entertainment. Find her at seemayasmin.com, Twitter @DoctorYasmin and Instagram: @drseemayasmin. Aracelis Girmay is the author of three books of poems: the black maria (BOA, 2016); Teeth (Curbstone Press, 2007), winner of a GLCA New Writers Award; and Kingdom Animalia (BOA, 2011), the winner of the Isabella Gardner Award and finalist for the National Book Critics Circle Award and the Hurston/Wright Legacy Award. Girmay currently serves as the Margaret Bundy Scott Professor in the English Department. George Abraham is a Palestinian-American poet, educator, and engineer who grew up on unceded Timucuan lands. They are the author of their debut collection Birthright, winner of the Big Other Book Award, finalist for the Lambda Literary Award in Bisexual Poetry, and was named on Best of 2020 lists with The Asian American Writers' Workshop and The New Arab. Janice Lobo Sapigao (she/her) is a daughter of immigrants from the Philippines, and the author of two books of poetry: microchips for millions and like a solid to a shadow. She's been profiled in Content Magazine, Mercury News, SF Gate, and Metro Silicon Valley. Her work has appeared in literary magazines such as Apogee Journal, Entropy, The Offing, poets.org, Split This Rock's Poem-of-the-Week, and Waxwing Literary Journal. José Olivarez is the son of Mexican immigrants. His debut book of poems, Citizen Illegal, was a finalist for the PEN/Jean Stein Award and a winner of the 2018 Chicago Review of Books Poetry Prize. It was named a top book of 2018 by The Adroit Journal, NPR, and the New York Public Library. Along with Felicia Chavez and Willie Perdomo, he co-edited the poetry anthology, The BreakBeat Poets Vol. 4: LatiNext. https://joseolivarez.com/ YaliniDream is a touring performing artist, organizer, somatics practitioner, and consultant with over twenty years' experience using artistic tools for healing, organizing, and dignity with communities contending with violence and oppression. Watch the live event recording: https://youtu.be/QPIZZhVeTGY Buy books from Haymarket: www.haymarketbooks.org Follow us on Soundcloud: soundcloud.com/haymarketbooks
The (actual) very last episode of the year. Poet José Olivarez answers questions from my students
My Therapist Says Make Friends with Your Monsters José Olivarez we are gathered in truce because my therapist said it was time to stop running, & i pay my therapist too much to be wrong, so i am here. my monsters look almost human in the sterile office light. my monsters say they want to be friends. i remember when we first met, me & my monsters. i remember the moment i planted each one. each time i tried to shed a piece of myself, it grew into a monster. take this one with the collar of belly fat the monster called Chubby, Husky, Gordito. i climbed out of that skin as fast as i could, only to see some spirit give it legs. i ran & it never stopped chasing me. each new humiliation coming to life & following after me. after me, a long procession of sad monsters. each monster hungry to drag me back, to return me to the dirt i came from. ashes to ashes, fat boy to fat.my monsters crowd around me, my therapist says i can’t make the monsters disappear no matter how much i pay her. all she can do is bring them into the room, so i can get to know them, so i can learn their names, so i can see clearly their toothless mouths, their empty hands, their pleading eyes. Ars Poetica BY José Olivarez Migration is derived from the word “migrate,” which is a verb defined by Merriam-Webster as “to move from one country, place, or locality to another.” Plot twist: migration never ends. My parents moved from Jalisco, México to Chicago in 1987. They were dislocated from México by capitalism, and they arrived in Chicago just in time to be dislocated by capitalism. Question: is migration possible if there is no “other” land to arrive in. My work: to imagine. My family started migrating in 1987 and they never stopped. I was born mid-migration. I’ve made my home in that motion. Let me try again: I tried to become American, but America is toxic. I tried to become Mexican, but México is toxic. My work: to do more than reproduce the toxic stories I inherited and learned. In other words: just because it is art doesn’t mean it is inherently nonviolent. My work: to write poems that make my people feel safe, seen, or otherwise loved. My work: to make my enemies feel afraid, angry, or otherwise ignored. My people: my people. My enemies: capitalism. Susan Sontag: “victims are interested in the representation of their own sufferings.” Remix: survivors are interested in the representation of their own survival. My work: survival. Question: Why poems? Answer:
My Therapist Says Make Friends with Your Monsters José Olivarez we are gathered in truce because my therapist said it was time to stop running, & i pay my therapist too much to be wrong, so i am here. my monsters look almost human in the sterile office light. my monsters say they want to be friends. i remember when we first met, me & my monsters. i remember the moment i planted each one. each time i tried to shed a piece of myself, it grew into a monster. take this one with the collar of belly fat the monster called Chubby, Husky, Gordito. i climbed out of that skin as fast as i could, only to see some spirit give it legs. i ran & it never stopped chasing me. each new humiliation coming to life & following after me. after me, a long procession of sad monsters. each monster hungry to drag me back, to return me to the dirt i came from. ashes to ashes, fat boy to fat.my monsters crowd around me, my therapist says i can’t make the monsters disappear no matter how much i pay her. all she can do is bring them into the room, so i can get to know them, so i can learn their names, so i can see clearly their toothless mouths, their empty hands, their pleading eyes. Ars Poetica BY José Olivarez Migration is derived from the word “migrate,” which is a verb defined by Merriam-Webster as “to move from one country, place, or locality to another.” Plot twist: migration never ends. My parents moved from Jalisco, México to Chicago in 1987. They were dislocated from México by capitalism, and they arrived in Chicago just in time to be dislocated by capitalism. Question: is migration possible if there is no “other” land to arrive in. My work: to imagine. My family started migrating in 1987 and they never stopped. I was born mid-migration. I’ve made my home in that motion. Let me try again: I tried to become American, but America is toxic. I tried to become Mexican, but México is toxic. My work: to do more than reproduce the toxic stories I inherited and learned. In other words: just because it is art doesn’t mean it is inherently nonviolent. My work: to write poems that make my people feel safe, seen, or otherwise loved. My work: to make my enemies feel afraid, angry, or otherwise ignored. My people: my people. My enemies: capitalism. Susan Sontag: “victims are interested in the representation of their own sufferings.” Remix: survivors are interested in the representation of their own survival. My work: survival. Question: Why poems? Answer:
This is the third and final in a series of events curated by Cortney Lamar Charleston in collaboration with The BreakBeat Poets and Haymarket Books, to celebrate the release of his new collection, Doppelgangbanger. Poets: Cortney Lamar Charleston is originally from the Chicago suburbs. He completed his undergraduate education at the University of Pennsylvania, earning a BS in Economics from the Wharton School and BA in Urban Studies from the College of Arts & Sciences. While attending Penn, he was most interested in the business as a political entity, the relationship between the public and private sectors and the physical and sociological construction of cities. It was during his college years that he began writing and performing poetry as a member of The Excelano Project. Charleston's academic interests, coupled with his upbringing spent bouncing between Chicago's South Side and its South and West suburbs, immediately influence his written work. Charleston's poems paint themselves against the backgrounds of past and present; they grapple with race, masculinity, class, family, faith and how identity is, functionally, a transition zone between all of these competing markers. Said differently, his poetry is a kind of marriage between art and activism, a call for a more involved and empathetic understanding of the diversity of the human experience. This same line of thought frames his philosophy as Poetry Editor at The Rumpus. He also currently serves on the Alice James Books Editorial Board. Julian Randall is a Living Queer Black poet from Chicago. He has received fellowships from Cave Canem, CantoMundo, Callaloo, BOAAT, Tin House, Milkweed Editions, and The Watering Hole. Julian is the recipient of a Pushcart Prize. Julian is the winner of the 2019 Betty Berzon Emerging Writer Award from the Publishing Triangle and the 2019 Frederick Bock Prize. His poetry has been published in New York Times Magazine, Ploughshares, and POETRY and anthologized in The Breakbeat Poets Vol.4, Nepantla and Furious Flower. He has essays in Vibe, Black Nerd Problems, and other venues. He holds an MFA in Poetry from Ole Miss. He is the author of Refuse (Pitt, Fall 2018), winner of the 2017 Cave Canem Poetry Prize, and a finalist for a 2019 NAACP Image Award, the Middle Grade novel Pilar Ramirez And The Prison of Zafa (Holt, Winter 2022). He talks a lot about poems and other things on Twitter at @JulianThePoet. José Olivarez is the son of Mexican immigrants. His debut book of poems, Citizen Illegal, was a finalist for the PEN/ Jean Stein Award and a winner of the 2018 Chicago Review of Books Poetry Prize. It was named a top book of 2018 by The Adroit Journal, NPR, and the New York Public Library. Along with Felicia Chavez and Willie Perdomo, he co-edited the poetry anthology, The BreakBeat Poets Vol. 4: LatiNEXT. He is the co-host of the poetry podcast, The Poetry Gods. In 2018, he was awarded the first annual Author and Artist in Justice Award from the Phillips Brooks House Association and named a Debut Poet of 2018 by Poets & Writers. In 2019, he was awarded a Ruth Lilly and Dorothy Sargent Rosenberg Poetry Fellowship from the Poetry Foundation. His work has been featured in The New York Times, The Paris Review, and elsewhere. Watch the live event recording: https://youtu.be/d7eErci3NLs Buy books from Haymarket: www.haymarketbooks.org Follow us on Soundcloud: soundcloud.com/haymarketbooks
Are you ready to celebrate Janel Pineda's Lineage of Rain? With special guests: Kay Ulanday Barrett, féi hernandez, Vanessa Angélica Villareal AND Jihyun Yun?! Hosted by José Olivarez?! Y'all: get ready for the real. ---------------------------------------------------- Speakers: Janel Pineda is a Los-Angeles born Salvadoran poet and educator. She has performed her poetry internationally in both English and Spanish, and been published in LitHub, PANK, The BreakBeat Poets, Vol. 4: LatiNext, and The Wandering Song: Central American Writing in the U.S. among others. As a Marshall Scholar, she holds an MA in Creative Writing and Education from Goldsmiths, University of London. Janel's debut poetry chapbook, Lineage of Rain, is forthcoming from Haymarket Books. Kay Ulanday Barrett is a poet, performer, and cultural strategist. Barrett's latest book More Than Organs received a 2021 Stonewall Honor Book Award in Literature by the American Library Association. They have featured at The Lincoln Center, The U.N., Symphony Space, The Poetry Project, Princeton University, NYU, The Dodge Poetry Foundation, The Hemispheric Institute, and Brooklyn Museum. They've received fellowship invitations from MacDowell, Lambda Literary, Drunken Boat, VONA, The Home School, VCCA, Monson Arts, and Macondo. They are a 3x Pushcart Prize nominee and 2x Best of the Net nominee. They have written two poetry books, When The Chant Comes (Topside Press, 2016) and More Than Organs (Sibling Rivalry Press, 2020). They currently reside in NYC/NJ and remix their mama's recipes with the company of their jowly dog. féi hernandez (b.1993 Chihuahua, México) is an Inglewood-raised immigrant trans non-binary visual artist, writer, and healer. Currently, they are the President of the Advisory Board for Gender Justice Los Angeles. They have been published in Poetry, Oxford Review of Books, Frontier, NPR's Code Switch, BreakBeat Poets Volume 4: LatiNEXT, PANK Magazine amongst others. féi is the author of Hood Criatura (Sundress Publications, 2020). Vanessa Angélica Villarreal was born in the Rio Grande Valley to Mexican immigrants. She is the recipient of a 2019 Whiting Award and the author of the award-winning collection Beast Meridian (Noemi Press, Akrilica Series, 2017), a 2019 Kate Tufts Discovery Award finalist, and winner of the John A. Robertson Award for Best First Book of Poetry from the Texas Institute of Letters. Her work has appeared in the New York Times, Paris Review, Boston Review, Los Angeles Review of Books, the Rumpus, the Academy of American Poets' Poem-a-Day, Buzzfeed Reader, and Poetry Magazine, where her poem “f = [(root) (future)]” was honored with the 2019 Friends of Literature Prize. Find her on Twitter @Vanessid. Jihyun Yun is a Korean American poet from the San Francisco Bay Area. Winner of the 2019 Prairie Schooner Prize in poetry, her debut collection Some Area Always Hungry [an urgently beautiful collection] was published by University of Nebraska Press in September 2020. Her work has appeared in Best New Poets, Adroit, Narrative Magazine and elsewhere. José Olivarez is the son of Mexican immigrants. His debut book of poems, Citizen Illegal, was a finalist for the PEN/ Jean Stein Award and a winner of the 2018 Chicago Review of Books Poetry Prize. It was named a top book of 2018 by The Adroit Journal, NPR, and the New York Public Library. Along with Felicia Chavez and Willie Perdomo, he co-edited the poetry anthology, The BreakBeat Poets Vol. 4: LatiNEXT. He is the co-host of the poetry podcast, The Poetry Gods. In 2018, he was awarded the first annual Author and Artist in Justice Award from the Phillips Brooks House Association and named a Debut Poet of 2018 by Poets & Writers. Watch the live event recording: https://youtu.be/Tz02p_U9-g4 Buy books from Haymarket: www.haymarketbooks.org Follow us on Soundcloud: soundcloud.com/haymarketbooks
The BreakBeat Poets Live! is a virtual, multi-generational showcase of some of the illest writers on the planet rock. Each chapter features writers and performers who are part of the Haymarket Books family. While all of our events are freely available, we ask that those who are able make a solidarity donation in support of our continuing to do this important work. Penelope Alegria is the 2019 Chicago Youth Poet Laureate and a two-time member of Young Chicago Authors' artistic apprenticeship, Louder Than a Bomb Squad. Her work has been featured or is forthcoming in La Nueva Semana, El Beisman, Muse/A Journal, The Breakbeat Poets Vol. 4: LatiNext, as well as BBC Radio 4 and WBEZ Radio Archives. She is a Brain Mill Press Editor's Pick, and she was awarded the 2018 Literary Award by Julian Randall and both the 2019 and 2020 Poetry Award by the Niles West English Department. She has performed spoken word at the Obama Foundation Summit, Pitchfork Music Festival, and other venues in the Chicagoland area. She started at Harvard College in the fall of 2020. Nilah Foster is considered a part of the queer black youth that comes from the far south side of Chicago and represents it all with her pen. She was a Louder Than A Bomb Indy finalist of 2019 and Indy winner of 2020 which also allowed her to be a part of the bombsquad 2019 and 2020 cohort. But nothing serves a better medium of learning about her than from her writing where she interrogates her own truths and where she and the audience learn together. E'Mon Lauren is from the South Side of Chicago. She is a Scorpio enthusiast and a firm believer in Dorthy Dandridge reincarnation. E'mon uses poetry and playwriting to explore a philosophy of hood womanism. She was named Chicago's first Youth Poet Laureate. A former Kuumba Lynx Performance Ensemble slam team member and Louder Than a Bomb champion, E'mon has performed in many venues including The Brave New Voices International Youth Poetry Festival and The Chicago Hip Hop Theatre Fest. She was a 2016 finalist for The Gwendolyn Brooks Open Mic Award. E'mon has been published in The BreakBeat Poets: New American Poetry in the Age of Hip-Hop, The Down Dirty Word, and elsewhere. She has been featured in Chicago Magazine, The Chicago Tribune, and on WGN Radio. She is a member of Young Chicago Authors Teaching Artist Corps. José Olivarez is the son of Mexican immigrants. His book, Citizen Illegal, won of the 2018 Chicago Review of Books Poetry Prize and was named a top book of 2018 by NPR. He holds fellowships from CantoMundo, Poets House, and the Bronx Council on the Arts. Olivarez was awarded the Author and Artist in Justice award from the Phillips Brooks House Association and named a Debut Poet of 2018 by Poets & Writers. He is a recipient of the Ruth Lilly and Dorothy Sargent Rosenberg Poetry Fellowship from the Poetry Foundation. Jamila Woods is an activist, award-winning poet, and singer/songwriter whose inspirations include Gwendolyn Brooks and Toni Morrison, as well as Erykah Badu and Kendrick Lamar. As a solo artist, she specializes in an accessible yet non-commercial form of R&B that is rooted in soul and wholly modern, which can be heard on her albums HEAVN (2016) and LEGACY! LEGACY! (2019). She is also the co-editor of The BreakBeat Poets Vol. 2: Black Girl Magic. Kevin Coval is a poet and author of A People's History of Chicago and over ten other collections, anthologies, and chapbooks. He is the founder and editor of the BreakBeat Poets series for Haymarket Books, artistic director for Young Chicago Authors, and the founder of Louder than a Bomb: The Chicago Youth Poetry Festival. Watch the live event recording: https://youtu.be/NPvZi_3U_ZE Buy books from Haymarket: www.haymarketbooks.org Follow us on Soundcloud: soundcloud.com/haymarketbooks
"That's what our podcast should be... the study of the first poem in books." "If you're grabbing this out of your friend's cooler, you best hope that they are giving you the warning about it because it is SO smooth!" Beer: Seal Your Face Double IPA (Cahaba Brewing Company, Birmingham, AL) Poetry: Citizen Illegal by José Olivarez (Haymarket Books, 2018) Girl Crush: MissOrchidGirl on YouTube In this week's episode, we talk about the smooth drinking that is Cahaba Brewing Company's 9.2 ABV Double IPA, Seal Your Face, and about their scholarship program for women in Birmingham to take the level 1 Cicerone Certification for beer! Then we talk about José Olivarez's first book, Citizen Illegal. Cheers!
The BreakBeat Poets Live! is a virtual, multi-generational showcase of some of the illest writers on the planet rock. Each chapter features writers and performers who are part of the Haymarket Books family. Mixing lofi soul instrumentals with funk influences and smooth vocals. Elton Aura has a unique knack for words, flow, and beat selection. He opened up for Noname on her Room 25 tour in 2019 and is in the later stages of his next project coming in 2020. Cortney Lamar Charleston is a Cave Canem fellow and Pushcart Prize-winning author of Telepathologies (Saturnalia Books, 2017) and the forthcoming Doppelgangbanger (Haymarket Books, 2021). Aracelis Girmay is the author of the poetry books Teeth, Kingdom Animalia, and the black maria, and the picture book changing, changing. She is on the editorial board of the African Poetry Book Fund and recently edited a new Selected of Lucille Clifton poems entitled How to Carry Water. --- Juan J. Morales is the son of an Ecuadorian mother and Puerto Rican father. He is the author of three poetry collections, including The Handyman's Guide to End Times, Winner of the 2019 International Latino Book Award. He is a CantoMundo Fellow, a Macondo Fellow, the Editor/Publisher of Pilgrimage Press, and Professor and Department Chair of English & World Languages at Colorado State University-Pueblo. --- José Olivarez is the son of Mexican immigrants. His book, Citizen Illegal, won of the 2018 Chicago Review of Books Poetry Prize and was named a top book of 2018 by NPR. He holds fellowships from CantoMundo, Poets House, and the Bronx Council on the Arts. Olivarez was awarded the Author and Artist in Justice award from the Phillips Brooks House Association and named a Debut Poet of 2018 by Poets & Writers. He is a recipient of the Ruth Lilly and Dorothy Sargent Rosenberg Poetry Fellowship from the Poetry Foundation. --- Willie Perdomo is the author of The Crazy Bunch, which recently won the New York City Book Award for poetry, The Essential Hits of Shorty Bon Bon, a finalist for the National Book Critics Circle Award, Smoking Lovely, winner of the PEN Open Book Award, and Where a Nickel Costs a Dime, a finalist for the Poetry Society of America Norma Farber First Book Award. He is also a co-editor of The BreakBeat Poets Vol. 4: LatiNext. His work has appeared in The New York Times Magazine, Poetry, The Best American Poetry 2019, and African Voices. He is currently a Lucas Arts Literary Fellow and teaches at Phillips Exeter Academy. --- Diamond Sharp is a poet and essayist from Chicago. She has performed at Chicago's Stage 773 and her work has been featured on Chicago Public Radio. She has been published in the New York Times Magazine, New York Magazine, Vice, Pitchfork, Lenny, PANK, and others. A Callaloo fellow, she has also attended the Wright/Hurston workshop and is a member of the inaugural Poetry Foundation Incubator class. Her debut book of poetry, Super Sad Black Girl, is forthcoming from Haymarket Books. Diamond is an alumna of Wellesley College. Watch the live event recording: https://youtu.be/9fyjCPbIKCM Buy books from Haymarket: www.haymarketbooks.org Follow us on Soundcloud: soundcloud.com/haymarketbooks
The BreakBeat Poets Live is a virtual, multi-generational showcase of some of the illest writers on the planet rock. Hosted by Kevin Coval and Idris Goodwin, The BreakBeat Poets Live! is a virtual, multi-generational showcase of some of the illest writers on the planet rock. Each chapter features writers and performers who are part of the Haymarket Books family. --- Kevin Coval is a poet and author of A People's History of Chicago and over ten other collections, anthologies, and chapbooks. He is the founder and editor of the BreakBeat Poets series for Haymarket Books, artistic director for Young Chicago Authors, and the founder of Louder than a Bomb: The Chicago Youth Poetry Festival. --- Idris Goodwin is the playwright, producer, educator, who coined the term “breakbeat poet.” He is the author of Can I Kick It? and the Pushcart–nominated collection These Are the Breaks. His publications also include Inauguration, cowritten with Nico Wilkinson, and Human Highlight: An Ode to Dominique Wilkins and This Is Modern Art, both cowritten with Kevin Coval. --------- Maya Marshall, a writer and editor, is co-founder of underbelly, the journal on the practical magic of poetic revision. Marshall has earned fellowships from MacDowell, Vermont Studio Center, Callaloo, The Watering Hole, and Cave Canem. She is the author of Secondhand (Dancing Girl Press, 2016) and a former senior editor for [PANK]. Her writing appears in Best New Poets 2019, Muzzle Magazine, RHINO, Blackbird, the Volta, and elsewhere. She lives in Chicago where she works as a manuscript editor for Haymarket Books. Her debut poetry collection All the Blood Involved in Love is forthcoming from Haymarket Books. --------- Mother Nature is the irresistible force of Klevah and TRUTH—emcees devoted to building a legacy founded on defiance and self-discovery. The Chicago-based duo is the answer for listeners seeking both substance and simplicity. As educators, they have mastered the ability to deliver weighty content through uplifting BARZ that pierce the conscience. With Peace and Love as their weapon and community at their foundation, these Gr8Thinkaz are on their way to provoking a pivotal shift in the next generation. --------- José Olivarez is the son of Mexican immigrants. His book, Citizen Illegal, won of the 2018 Chicago Review of Books Poetry Prize and was named a top book of 2018 by NPR. He holds fellowships from CantoMundo, Poets House, and the Bronx Council on the Arts. Olivarez was awarded the Author and Artist in Justice award from the Phillips Brooks House Association and named a Debut Poet of 2018 by Poets & Writers. He is a recipient of the Ruth Lilly and Dorothy Sargent Rosenberg Poetry Fellowship from the Poetry Foundation. Watch the live event recording: https://youtu.be/L_xDzEE9_k4 Buy books from Haymarket: www.haymarketbooks.org Follow us on Soundcloud: soundcloud.com/haymarketbooks
Join hosts Chibbi and Raqui as we welcome José Olivarez to the Words and Sh*t stage! Streaming Live on The Blah Poetry Spot's page, tune in to get to know the person behind the poetry! José Olivarez is the son of Mexican immigrants. His debut book of poems, Citizen Illegal, was a finalist for the PEN/ Jean Stein Award and a winner of the 2018 Chicago Review of Books Poetry Prize. It was named a top book of 2018 by The Adroit Journal, NPR, and the New York Public Library. Along with Felicia Chavez and Willie Perdomo, he co-edited the poetry anthology, The BreakBeat Poets Vol. 4: LatiNEXT. He is the co-host of the poetry podcast, The Poetry Gods. In 2018, he was awarded the first annual Author and Artist in Justice Award from the Phillips Brooks House Association and named a Debut Poet of 2018 by Poets & Writers. In 2019, he was awarded a Ruth Lilly and Dorothy Sargent Rosenberg Poetry Fellowship from the Poetry Foundation. His work has been featured in The New York Times, The Paris Review, and elsewhere.
Dakota Johnson discusses her intense role in the new comedy-drama film Our Friend, and talks about why, as a third-generation actress, the only career that ever occurred to her was acting. Children's author Wesley King talks about collaborating with the late Kobe Bryant on The Wizenard Series, about the ups and downs of youth basketball, and what's possible with hard work and a little magic. On this week's q This music panel, A. Harmony and Lisa Christiansen share what they thought of the musical performances at the inauguration of U.S. President Joe Biden on Wednesday. Poet José Olivarez reads a poem titled Poem where no one is deported, and discusses how he thinks artists can make a difference in bridging the political divide.
Recorded by José Olivarez for Poem-a-Day, a series produced by the Academy of American Poets. Published on January 12, 2021. www.poets.org
It's the Latinx poets battle of the ages! Where the winner takes home full bragging rights. Experience performance poetry from some of the masters in Latinx kidlit. Their spoken word poems will energize and invigorate the poet within you. Poets Amyra Leon, Elisabet Velasquez and José Olivarez will be reciting poems and answering questions. Moderator: Lorian Tu is the illustrator of multiple books for children, including the upcoming picture book Dress Like a Girl.
José Olivarez is a poet living and working in Chicago, Illinois, and is also co-host of one of my all-time favorite podcasts, The Poetry Gods. In our wide-ranging conversation we talked about how The Poetry Gods came to be, toxic masculinity in the poetry world, and how discovering poetry allowed José to find his artistic voice. In the second segment, we talked about beginnings and endings. (This episode was originally released on February 15, 2017. Conversation recorded January 1, 2017.) Subscribe: Apple Podcasts | Google Podcasts | RadioPublic | Stitcher | Spotify | TuneIn | RSS Support: Support our Patreon | Review on Apple Podcasts | Review on Podchaser Share: Tweet this episode | Share to Facebook Connect: Newsletter | Email | Facebook | Twitter | Instagram | YouTube Show Notes: José Olivarez José Olivarez - Citizen Illegal José Olivarez - The BreakBeat Poets Vol. 4: LatiNEXT “In Search of the Ecstatic” Workshop “Revision Is Writing” Workshop The Poetry Gods Jon Sands Aziza Barnes T-Pain: NPR Music Tiny Desk Concert Louder Than a Bomb Celeste Ng - Everything I Never Told You José Olivarez - “I Walk Into the Ocean” Young Chicago Authors Urban Word NYC Hanif Willis-Abdurraqib - “Searching for a New Kind of Optimism” Maria Popova - “Hope, Cynicism, and the Stories We Tell Ourselves” Patricia Smith Gloria Anzaldúa - Borderlands Eduardo Galeano - Open Veins of Latin America Keah Brown @_joseolivarez Transcript Episode Credits Editing/Mixing: Mike Sakasegawa Music: Podington Bear Transcription: Shea Aguinaldo
On November 17, 2020, the Lannan Center presented a Crowdcast webinar featuring Carmen Giménez Smith and José Olivarez. Introduced by Aminatta Forna and moderated by English Department Chair Ricardo Ortíz and Professor Elizabeth Velez. Carmen Giménez Smith is most recently the author of Be Recorder (2020), which was shortlisted for both the National Book Award and the PEN Open Book Award. Her 2013 collection Milk and Filth, was a finalist for the National Book Critics Circle Award. She is a Professor of English at Virginia Polytechnic Institute and State University in Blacksburg, VA.José Olivarez's debut book of poems, Citizen Illegal, was a finalist for the PEN/ Jean Stein Award and a winner of the 2018 Chicago Review of Books Poetry Prize. It was named a top book of 2018 by The Adroit Journal, NPR, and the New York Public Library. In 2019, he was awarded a Ruth Lilly and Dorothy Sargent Rosenberg Poetry Fellowship from the Poetry Foundation.Music: Quantum Jazz — "Orbiting A Distant Planet" — Provided by Jamendo.
Today's poem is February & my love is in another state by José Olivarez.
The Cornerstore spoke with José Olivarez & Willie Perdomo, 2 editors of The Breakbeat Poets Vol. 4: LatiNext, about their current experience with releasing this new anthology into the world right now. José & Willie also express what kind of conversations they hope this book will cause; what it was like working so closely together; […]
The Cornerstore spoke with José Olivarez & Willie Perdomo, 2 editors of The Breakbeat Poets Vol. 4: LatiNext, about their current experience with releasing this new anthology into the world right now. José & Willie also express what kind of conversations they hope this book will cause; what it was like working so closely together; and much more. --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app
Today we are joined by José Olivarez. José is an award-winning poet and is also an educator, developing writing courses and poetry workshops. He recently released his debut book of poetry Citizen Illegal, which is fantastic and which pulls the reader into the liminal and hyphenated spaces José has inhabited growing up in Chicago as the son Mexican immigrants to the US. In our conversation we talk about the power of poetry both in and out of formal poems, we discuss poetry’s relation to the good, the true, and the beautiful, and José even graciously performs one my favorite poems from his book. Like what you hear? Get exclusive episodes and limited perks by supporting the show on Patreon. www.patreon.com/carrythefirepod FEATURED LINKS José Olivarez Official Citizen Illegal Book José on Twitter José on Instagram SHOW LINKS Carry the Fire Podcast Website Instagram Twitter Produced by Andy Lara at www.andylikeswords.com
In this episode, we focus on our favourite poems from section III of Citizen Illegal by José Olivarez. --- Send in a voice message: https://anchor.fm/literallyliterary/message
For our second look at Citizen Illegal, we look at our favourite poems from sections I and II from José Olivarez's collection, and provide some background into the author, and the publisher, Haymarket Books. --- Send in a voice message: https://anchor.fm/literallyliterary/message
We are fortunate to interview José Olivarez about his poetry collection, Citizen Illegal, which was a finalist for the PEN / Jean Stein award & winner of the 2018 Chicago Review of Books Poetry Prize, discussing cultural & familial themes; musical & religious allusions; literary influences, mentor poets, & teachers (academic & community-based), & the value of open mics. José closes with a special message for EPCC students! --- Send in a voice message: https://anchor.fm/literallyliterary/message
El padre Juan José Olivarez da mensaje de fe en tiempos de pandemia en el Tiradero
Poet José Olivarez reads his poem “Mexican American Disambiguation” from his new book Citizen Illegal, and talks with poet and novelist Carrie Fountain about his relationship to poetry, the complexity of identity, the practice of writing, his family, teaching and so so much more!
Poet José Olivarez reads his poem “Mexican American Disambiguation” from his new book Citizen Illegal, and talks with poet and novelist Carrie Fountain about his relationship to poetry, the complexity of identity, the practice of writing, his family, teaching and so so much more!
Poet José Olivarez reads his poem “Mexican American Disambiguation” from his new book Citizen Illegal, and talks with poet and novelist Carrie Fountain about his relationship to poetry, the complexity of identity, the practice of writing, his family, teaching and so so much more!
With a Pencil: A Six-Episode Series About the John Wick Universe
Shea Serrano is joined by authors Lilliam Rivera and José Olivarez to decide who’s the best tough-guy movie dog owner. The three options: Bob Saginowski and Rocco from 'The Drop,' John Wick and Daisy from 'John Wick,' and Robert Neville and Sam from 'I Am Legend.' Lilliam's young adult novel 'Dealing in Dreams' and José's book of poetry 'Citizen Illegal' are both out now!
The editors discuss José Olivarez’s poem “Nation of Domination” from the April 2019 issue of Poetry.
José Olivarez is a poet, educator and performer. He co-hosts the podcast “The Poetry Gods” and his debut collection, “Citizen Illegal,” received widespread critical acclaim and was a finalist in the 2019 PEN America Literary Awards. Born in Chicago to Mexican immigrant parents, José was raised with his three younger brothers in Calumet City, Illinois. In this week’s episode, José recites some of his poems and talks to Ali about their meaning, how he uses them to communicate with his parents, and his mother’s solution for all ailments.
Happy new year y’all! VS returns with a special bonus episode to tide you over until Season 3 drops in February. In the meantime, savor and enjoy this live episode with the squad Fatimah Asghar, José Olivarez, and Paul Tran, recorded as part of the Chicago Podcast Festival. Season 3, on the way!!!
Ross Gay reads from The Book of Delights; debut poets Justin Phillip Reed, Fatimah Asghar, José Olivarez, and Analicia Sotelo read from their collections; Cowboy Poetry; and more.
Poet José Olivarez reads his poem, “Getting Ready to Say I Love You to My Dad, It Rains,” from his new book Citizen Illegal, and talks with poet and novelist Carrie Fountain about family, immigration, and the stories he wants to share through his poetry.
Poet José Olivarez reads his poem, “Getting Ready to Say I Love You to My Dad, It Rains,” from his new book Citizen Illegal, and talks with poet and novelist Carrie Fountain about family, immigration, and the stories he wants to share through his poetry.
Poet José Olivarez reads his poem, “Getting Ready to Say I Love You to My Dad, It Rains,” from his new book Citizen Illegal, and talks with poet and novelist Carrie Fountain about family, immigration, and the stories he wants to share through his poetry.
Reading “Mexican Heaven” by José Olivarez, from Citizen Illegal.
The Cornerstore spoke with José Olivarez about growing up first generation Mexican in Calumet City, his journey as a writer and poet, and the process behind his first book ‘Citizen Illegal,' which is out on September 4 via Haymarket Books. --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app
Poet, educator, and Young Chicago Authors Marketing Director José Olivarez explores adulting and gives some podcast-veteran advice to Danez and Franny.
José Olivarez is a poet living and working in Chicago, Illinois, and is also co-host of one of my all-time favorite podcasts, The Poetry Gods. In our wide-ranging conversation we talked about how The Poetry Gods came to be, toxic masculinity in the poetry world, and how discovering poetry allowed José to find his artistic voice. In the second segment, we talked about beginnings and endings. (Conversation recorded January 1, 2017.) Subscribe: iTunes | Google Play | Stitcher | SoundCloud | RSS Support: Support our Patreon | Leave a review Share: Tweet this episode | Share to Facebook Connect: Email | Facebook | Twitter | Tumblr Show Notes: José Olivarez The Poetry Gods Adirondack Center for Writing - Online Writing Class Registration Jon Sands Aziza Barnes Jamie Foxx Ruins Doug Williams T-Pain: NPR Music Tiny Desk Concert Louder Than a Bomb Celeste Ng - Everything I Never Told You José Olivarez - I Walk Into the Ocean Young Chicago Authors Urban Word NYC Hanif Willis-Abdurraqib - Searching for a New Kind of Optimism Maria Popova - Hope, Cynicism, and the Stories We Tell Ourselves Patricia Smith Gloria Anzaldúa - Borderlands Eduardo Galeano - Open Veins of Latin America Keah Brown @_joseolivarez
José Olivarez talks about Chicago the way Kanye talks about Kanye. Originally from Calumet City, a southern burb of Chicago, he's a product of the Young Chicago Authors community and former staff member of the organization. He has since moved to New York, where he is the Program Director of youth poetry organization Urban Word NYC. He's the cohost of interview podcast The Poetry Gods, and isn't a huge Nas fan. Recorded live 10/13/16 at WHPK 88.5FM in Chicago Music from this week's show: Let Nas Down - @JColeMusic Hate Me Now - Nas
Welcome to Episode 14 of The Poetry Gods! On this episode of The Poetry Gods, we have a brand new "What's On Your Mind?" along with an archival recording of a poetry reading The Poetry Gods hosted at Berl's Brooklyn Poetry Shop on May 11th, 2016. Featured readers include: Camonghne Felix, Nate Marshall, José Olivarez, Aziza Barnes, Adam Falkner, Carvens Lissaint, Idris Goodwin, & Mahogany L. Browne. Special Reminder: Episode 15 will be dedicated to clearing out our inbox, so please send us questions and comments, and we will shout you out on an episode. Email us at emailthepoetrygods@gmail.com. Special Reminder 2: We are looking to book shows for Fall 2016 & Winter 2017. Bring The Poetry Gods to your campus! We would love to do a live show at your university! Follow Camonghne Felix on twitter: @KamoneFromPluto on instagram: @kamkilla Follow Nate Marshall on twitter & instagram: @illuminatemics Follow Adam Falkner on instagram: @adam_falkner Follow Carvens Lissaint on twitter & instagram: @carvenslissaint Follow Idris Goodwin on twitter & instagram: @idrisgoodwin Follow Mahogany L. Browne on twitter & instagram: @mobrowne Follow Berl's Brooklyn Poetry Shop on twitter & instagram: @berlspoetry Follow The Poetry Gods on all social media: @jayohessee, @azizabarnes, @iamjonsands, @thepoetrygods & CHECK OUR WEBSITE: thepoetrygods.com/ (much thanks to José Ortiz for designing the website! shouts to Jess X Chen for making our logo)
Papercuts and UForge Gallery hosted BreakBeat Poets Eve Ewing, Idris Goodwin, José Olivarez, Sofia Snow, and Franny Choi in an evening of hip hop poetry.