Podcast appearances and mentions of Ashley Bryan

Giuseppe Castellano talks to Skylar Smith, Professor of Liberal Arts at the Ringling College of Art and Design, about why there's no time like the present to start learning about illustration history; whether an illustration is fully complete without the interpretation of an audience; what Generative AI and a lawsuit by Albrecht Dürer have in common; and more.You can find Skylar on LinkedIn.Artists mentioned in this episode include: Jules Feiffer, Norman Rockwell, George Petty, Miné Okubo, Arthur Szyk, J.C. Leyendecker, Al Parker, Saul Tepper, Norman Bridwell, Beatrix Potter, Todd McFarlane, James Montgomery Flagg, Seymour Chwast, Hilary Knight, Ashley Bryan, Tomi Ungerer, Tex Avery, Eric Carle, George Herriman, Caravaggio, and Albrecht Dürer If you find value in this podcast, consider supporting it via Substack or Patreon. Among other benefits, you will gain access to bonus episodes we call “Extra Credit”. | Visit illustrationdept.com for offerings like mentorships and portfolio reviews, testimonials, our alumni showcase, our best-selling Substack, and more. | Music for the podcast was created by Oatmello.

The Cover to Cover Team celebrates Juneteenth with a discussion of the book Freedom Over Me by Ashley Bryan.

In this enlightening and thought-provoking episode,(recorded on my birthday April 11th) we're honored to welcome Ashley Bryan, a renowned death educator and death doula for both humans and pets. With her unique perspective and compassionate approach, Ashley guides us through the intricate relationship between life and death, shedding light on the importance of understanding and embracing our mortality. Together, we'll delve into various aspects of death, including the role of narcissism in the dying process and the significance of ceremonial death practices. Ashley also shares her expertise on pet death and the profound impact it can have on our lives. Through this open and honest conversation, we aim to break the taboo surrounding death, helping listeners find solace and acceptance in the natural cycle of life. Join us for this transformative discussion and discover how acknowledging and honoring the inevitability of death can lead to a more fulfilling and meaningful existence. Ashey's Contact Information: www.distantshoresdeathcare.com Instagram: https://instagram.com/distantshoresdeathcare

Guest Host Vanesse Lloyd-Sgambati speaks to Lynne Farrington, Director of Programs/Senior Curator, Special CollectionsKislak Center for Special Collections, Rare Books and Manuscripts at the University of Pennsylvania about the upcoming exhibit Beautiful Blackbird: The Creative Spirit of Ashley Bryan exploring the life and art of the celebrated author and illustrator, painter and printmaker, poet and storyteller. There will be exhibition opening symposium April 6-7 with the exhibit continuing through July 21st. To find out more:https://www.library.upenn.edu/event/beautiful-blackbird-creative-spirit-ashley-bryan.For "What is Philadelphia Reading?" Vanesse speaks to Philadelphia Jazz vocalist Romona who is releasing a CD "Transformations Through Time." Romona will be performing April 23rd at South Restaurant and Jazz Club 600 N. Broad Street.https://www.romonamusic.com/

Interview: Ashley Bryan by NewberyTart

Though normally we limit ourselves on the Fuse 8 n' Kate podcast to books that were published at least 20 years ago, we look at a book today that is (restrain your gasps) 19 years old. Worth it. I mean, who could possibly fault us? Ashley Bryan was a living saint of children's literature. Kate points out that with the current racist responses to the Black Little Mermaid, our choice of book today is timely in its cry of "Black is beautiful!" We get into a discussion of what can be considered assimilation or cultural appropriation and things get interesting. Give it a listen! Show Notes: Betsy Recommends: Bluey - https://www.bluey.tv/watch/ Kate Recommends: Harley Quinn - https://www.imdb.com/title/tt7658402/ For the full Show Notes please visit: https://afuse8production.slj.com/2022/09/19/fuse-8-n-kate-beautiful-blackbird-by-ashley-bryan/

I cannot overstate the importance of Cece Bell's EL DEAFO. For both us, as a society, and for the prestige that it brought to graphic novels with the citation of that Newbery Honor, the first graphic novel to earn that shiny silver sticker! Get to know how Cece Bell came to be in her Origin Story!Jarrett: Hello everyone. My name is Jarrett Krosoczka and I wanna say hello to my friend, Cece Bell. Cece: Hi everybody. Hi Jarrett. It's so nice to see you. Jarrett: Oh, it's nice to see you. You're I miss you. I haven't seen you in so long. Even... Before the pandemic, we hadn't run into each other on book tour. Cece: It had been a long time, I guess we probably haven't seen each other for four years. Maybe. Jarrett: It might be. Yeah, it might be. I always see your silly and goofy posts on Instagram. So I really feel like we, we haven't missed a beat because I've been following along, you made a beautiful drawing for your mom on her birthday. Cece: Oh, yes. I did. Yeah. I, yeah, we, I've actually been off of Instagram for a little while because I was finding that it was too much of a pull away from, my productivity. So I'm allowed to look at it every Sunday. Jarrett: Ah! Cece: Nothing for the rest of the week. It's hard. Jarrett: I feel like if I did that, my thumb would always be like, ah, I need to look and scroll and see things. That is some amazing willpower, Cece Bell. So I, we know your story somewhat from your book, El Deafo, and as a person who's also written a graphic memoir, you decide like what you're gonna put on the page, what doesn't make it to the page.And I've said this to you a bunch, and you've heard this a million times, but El Deafo is... Such a powerful book and it's a pillar in graphic novel history because your book was the very first one ever to get a Newberry silver sticker like that really pushed the whole medium of graphic novels forward.And of course, when you sat down to make that book, that was nowhere near in your head. And we'll get to that. But before we do, I'm interested in how Cece Bell became Cece Bell, the graphic novelist, the cartoonist, the author. What are your earliest memories of drawing and making and reading comics tell us a little bit more about what your house was like growing up in regards to like the creative sources you consumed and created.Cece: Okay. Wow. Let's see. I think I always like drawing and mark making and that kind of thing. And let's see. I do remember when I got very sick in 1975 when I was about four and a half which is where the book El Deafo starts, that I did a lot of drawing there in the hospital. And my parents think that I drew probably 100 drawings of the same thing over and over again.It was just a little girl with a green face underneath the rainbow. Her body was shaped like a triangle and I just drew that repeatedly over and over. And that was probably an early experience of drawing being therapy in a way. But I always drew that was basically the only book that I would check out of my school library every Friday, the same Ed Emberly book; Make a World. And I really wasn't interested in reading that much. I could read, I didn't have trouble with it, but I just wasn't interested. I wanted to be making things. so Ed Emberly was a major part of my life.And gosh, my... My home life, I was really lucky. My father was a doctor and my mother was a nurse. And I wasn't limited financially, basically. And it was a very supportive household, but in the book, there's this feeling that that my parents are fairly normal people and my siblings are fairly normal people.And if I had focused on my family instead of on just the story of me coping with my deafness in school and at home it would've been much, much stranger. My family is bonkers weird and they are very funny. Oh, my goodness. They are just so weird. My mom is so weird. My dad is... We're just weird.And so I, I tamped that down a lot because... The focus wasn't on that. It was on deafness and feeling isolated. So anyway, but my family was, yeah, there was my mom. There was a picture of my mom. Nuts, very dramatic and funny. And I think I get a lot of my storytelling abilities from my mom's side of the family and word play and nicknames and all that stuff comes into play.And then my father's side is very really talented with hand skills. My grandmother was an amazing seamstress and my great grandmother was an amazing seamstress, but she was also a sign painter. I always found that really cool. A sign painter. Wow. I think that sort of some of the mix of who I was growing up and a huge focus on weird and probably Ed Eberly and the fact that my father got weekly issues of the New Yorker were major influences the New Yorker cover and then the New Yorker cartoon in the inside.That's a little bit of, a little bit of what was going on around me. Jarrett: Okay. So I want to meet these people who are more cuckoo bananas than Cece Bell, because you are so wonderfully and beautifully... Goofy and fun. And you might be the only person I know who consistently uses the hot dog emoji in text messages, so... Cece: That's the best one ever!Jarrett: I imagine that must have been, yeah, I guess that makes such sense. What - may I ask? What did your siblings grow up to do? Cece: My siblings they struggled more than I did in terms of - this is gonna sound strange, but in a lot of ways, my hearing loss ended up being a real gift and the main way that it did that is I ended up getting attention from our parents.That... More attention from our parents than my older siblings did, which was extremely unfair, but that's just how it happened, how it played out. And so they really struggled. They struggled with that lack of attention and just, they are my sister is five years older and my brother is seven years older and they're growing up was very different from mine, even that slight not generational, but time period was different.And so they, they are probably the funniest, most creative people that I know, but neither one of them has found that lifelong dream career, which is something I struggle with them. That sense of guilt, even though what happened, wasn't my fault. I'm deeply aware of how much it changed things for them.And it's a, it's an interesting thing, but they are so funny. If you think I'm funny, spend time with them and you'll just think that I'm as dull as a brick because those two and when we all three get together, it is just, it's pretty magical. And I'm so grateful that we get along and that we're as close as we are.They're terrific siblings. Yeah. Jarrett: Wow. What that is a, what a beautiful testament of your love for them. And their love for you comes across so clearly in the book, in regards to you, the baby of the family and they're concerned for your health that's, and I connect to that as well, because I too was, the baby of the family, and there was a lot of trauma going on.And with that, I got a lot of attention. And I loved drawing as a form of escape. And I'm so touched to hear that your time in the hospital was spent drawing because that is a testament to the power of creating in the arts to get you through some hard times. Did you ever have an epiphany along the lines where you realized this thing could be a career for you?Like this drawing thing? Cece: That took a while. I was in school, in high school and the first part of college I was really super academic. And some of that was pressure from my own self, but also pressure from my dad. I think my dad wanted me to be a doctor like him, and I've have found that's a theme among a lot of cartoonists and illustrators that there was this parent who pushed, but pushed them to be something that they didn't want to be.And that child like me in my case I think [inaudible] has a similar thing. And the name is leaving me... American born Chinese? Jarrett: Oh, Jean Yang.Cece: Helped me. Yeah. Yeah. Just that, that pressure. And There was that, but in school I was really academic trying to fulfill this thing for myself and for my father and overcompensating for the deafness.I didn't want people to think of me as "that deaf kid". I wanted them to think of me, " that smart kid". And so I worked really hard and I never considered art as a career because it didn't seem like it was even doable. It wasn't doable. So when I got to college, I was an English major and I hated it.I hated it. I don't know what I was doing. Having to write papers and read books and but while I was in college, I met Tom Angelberger, who ended up becoming my husband and he was an art major and I did take some art classes. There he is! There he is. He's so smart. And we started hanging out and I think he recognized that I was pretty good at it.And I think he also recognized that I was unhappy as an English major. And so it was Tom who encouraged me to switch majors and just go for it. And I did, and suddenly I was happy and it was the best move I ever made, but it took a while longer to figure out what I was going to do with it. Jarrett: Wow. You know... I obviously I know that you and Tom really support one, one another artistically, but I didn't realize he was really such an integral part of your origin story of you becoming the Cece Bell that we all know, that we know is the name on the spine of the book, the name on the front cover with all of those shiny stickers. And, yeah. And so you were college sweethearts, and then you both got catapulted out into the real world. And so what happened from there? Did you graduate with an English degree?Cece: We, no, no. I got out of that as quick as I could. I keep saying I don't like reading and I do, but the book has to get me.Or it has to interest me from chapter one. And if it doesn't, I throw it out. So there were a lot of books that didn't interest me in chapter one in the English department, but I was out of there, but no, we I ended up getting a degree in fine arts and Tom did two, and we went to the college of William and Mary, which is in Williamsburg, Virginia, and which isn't really known for art. It's known for like business and physics and science. But we finished school and then we took a trip around the country together in an old Volkswagen van. And then we decided, because we survived that we could get married and survived that too. So we got married and I decided to go to graduate school at in Ohio. And so we got married right before that. And so at this point we were just 22. We were super, super young. And I decided I needed to, I wanted to become an illustrator. That I wouldn't have fit in with the whole fine arts crowd. I had this vision that I would have to go to New York city and drink champagne and talk about art and that just founded atrocious.So I thought; "Illustration!" And so I decided to go to a graduate degree in design and illustration, and Tom went with me and basically... He worked in a factory and juggled on the weekend, and that... And he paid for all of the time I was in graduate school. And then and then I finished and then we moved back to Virginia.He learned a lot from what I was learning. So it was neat. I would share my projects with him and talk about everything with him. And I think he picked it up through osmosis, but he actually, his path was really different. He was working in a factory, but then eventually ended up becoming a newspaper reporter, both in Ohio and then back in Virginia.And he was really good at it. And I think that's how he became a writer, was through newspaper writing. And his first book, which was about a group of kids exploring the local sewage department. That was based on a story that he wrote for the newspaper. Anyway he's a huge - Tom Angelberger is probably the reason I'm talking to you right now is because he put me through school.He was the one that, I think he understood me before. I understood me in a lot of ways. Jarrett: Wow. Wow. Wow. I, that's beautiful. I feel like that story you just told us could be... Like a limited series on a streaming service. That is just such a beautiful, that could be a romantic comedy or something, Cece, that's amazing. Wow. So you landed back in Virginia, you got hitched you got hitched and smart to travel across country together to see if you could survive that your relationship could survive that before marriage that's smart. That should be a requirement. So why, so he was writing for the newspaper.And were you like what were you hoping to do with your illustrations? Did you have books for kids in mind? Did you like what were you thinking? Cece: Gosh, when we moved back to Virginia, I was, we were both 25 and we moved back mostly because Tom was homesick for the mountains. I would've stayed in Ohio.And I actually applied for a job at American Greeting, which was, or I think it's still in Cleveland and did not get that job. What were they thinking? But I didn't get hired by American Greeting. And I was bummed cuz it was in a, that the office space was just beautiful and the employees would get these like every other year sabbaticals and it was beautiful.So I was pretty sad, but Tom wanted to go back to Virginia and I did. And so we did, and when we first came back Tom had trouble finding a newspaper job, but I got a job as an illustrator and designer for a small company. That made exotic pet supplies.So for three years I was making packaging and writing copy and doing all this stuff for this little company in Virginia. And the work was really great because it forced me to learn how to use Photoshop. And at the time it was called Freehand, like illustrator. You may remember Freehand.Jarrett: Yeah.Cece: And it forced me to learn to use the computer. I, my time in graduate school, the computer stuff was just starting. It was more, we were using a Xerox machine and cutting and pasting and using all that old, Ruby list kind of stuff. So the computer was still really new. So that job was good because it forced me to learn those things.But I was working for the devil. Satan himself was my boss and I had to get outta there. And so I don't know if you've ever seen this show, The Prisoner, the it's that British show and the beginning, the introduction has the prisoner is an FBI - not FBI, Secret Service agent. And he he quits his job and he like throws his keys down and storms out.I had visions that, that, that was how I was going to quit. But instead I got up like at 5:30 in the morning and I wrote a note and I put it in an envelope with the key. And I crept into my boss's office and put the envelope on his desk and it basically said I quit and don't contact me ever. And then I snuck out and I was at no two weeks notice.Ugh, I was pretty shabby, but I was so glad to get out in there. And then from that, I started freelancing at this crazy local paper... Paper product place that licensed stuff. Like I got to make folders that featured N-Sync and the, whatever those boys are called, those boy bands. Yes, I Want it That Way.And I got to make all these school supplies for N-Sync and with the Crayola stuff on there, and it was this crazy hodgepodge. It was the best job. And so when I was doing that, it freed me up to start thinking about kids books and my graduate thesis had been this wackadoodle children's book that will never is the light of day, but the illustrations are great.And the story's not so good, but I thought the illustrations were great, but anyway So then I started to think; "Maybe I can do this." And I finally had an idea that I felt like it was good enough to pursue, and I pursued it and I made this really polished dummy that I could that I could send out.And at the time Candlewick Press was accepting ,accepting work without an agent, unsolicited stuff. So I sent it to Candlewick and like three months later there was a message on the answering machine. Which of course I didn't understand because I don't understand that. I don't understand answering machine messages, but Tom was there once again, Tom did a rescue and he is; "Oh my gosh, it's Candlewick Press!".And So I didn't, I, that was it. That was my end. And the rest is history . Jarrett: And what book was that? Cece: That book was "Sock Monkey goes to Hollywood."Jarrett: Oh, yes. I remember the Sock Monkey books and, wow. That's right. Wow. So what and what year was that? Cece: Oh, my gosh, that came out.Oh yeah. So the, that was the year 2000 was when I got the message from Candlewick, but it didn't come out until 2003 because I didn't have an agent. And I had to get a lawyer to help me read the contract as those contracts are... It wasn't until later that I got an agent, and God bless agents because I never wanna read another contract ever again. But it just took a long time because it was my first and I didn't have representation at the time. So that came out in 2003. Jarrett: Yeah. Cece: Yeah. Jarrett: Yeah. And because now I'm connecting all of the dots, because then... It was maybe a few years after that is when I first met you and Tom at, we were in a gallery show together and I had just thought; "That's the famous Cece Bell, she's been around. "These books have been out for years now. And I don't know if I'm allowed to talk to the famous Cece Bell who makes the Sock Monkey books." And there, you were just getting started. Cece: Yeah. Oh, I really was just getting started and I wasn't famous at all. I remember Ashley Bryan was there and Grace Lynn was there.Jarrett: Yeah. Cece: And at the time I was a huge Grace Lynn fan, still am, but I think, I still think of her as this icon. She already felt iconic that all the way back then. And I was so in awe of her and that sensation that I had, then it's still there. Anytime I see her, I just turn a jelly like; "Oh, it's Grace Lynn! Baah!"And so she was there and I remember the book that you were talking about was the the animal punk rock band. Jarrett: Yeah. Cece: Book. Yeah. Jarrett: Yeah. Punk Farm! Cece: And you already had the JJK thing going on. You were like Mr. PR and... Jarrett: No, but I was only a few years in then too, that my first book was 2001 and Punk Farm was 2005, I think.Cece: Punk Farm.Jarrett: Still trying to get my stuff out there, and learning how to be on stage. Cause I used to have incredible stage fright. I hated performing. I hated going on stage. And then that became part of the job that I have. So I'm curious and because I know for me, I had been working on Lunch Lady that whole time.But the world wasn't quite ready for kids graphic novel. So you're plugging away on these picture books. How does El Deafo thread into that? I'm assuming that was something that was knocking around your head for, so for some years, right? Cece: It, in fact it was not knocking around my head at all.And honestly I was purposefully not writing about my experience on purpose and it's much like how I was in school. I don't want anybody to know this thing about me. And I want everybody to think I'm smart. And I had the same feeling about my picture books and early reader books. I just wasn't ready to talk about it in any way, not just in books, but in any and every way.There was an event that happened in which I had this really difficult interaction with a grocery store cashier. And she made me feel like the lowest person on earth. And it was all because I couldn't understand her. And I was so upset by that interaction and the person I was most upset at with myself, because at no point during that interaction, did I ever say; "I'm deaf!" Or; "I have trouble hearing." Or; "Could you please repeat that?"Because I had so much trouble saying those things. I still had not come to grips with a lot of it. And at that point I was 40 years old. 40! And I was so mad... At everything. And I was mad at hearing people for not understanding and just frustrated and mad at me. And so I started a website and the website was called, eldeafo.com.And El Deafo really was the nickname that I called myself, as a kid, but only to myself, nobody else knew about it. And I just started writing about it. And my post were more about more directed at hearing people like; "This is what you should do if you're talking to a lip reader." That kind of thing.But then I wrote a little, my, my origin story. I wrote that up and a friend of mine who was a wonderful writer named Madeline Rosenberg. She was reading it and she said; "Oh my goodness, you have got to turn this into something. Please turn this into something, please turn it into a graphic novel." And so we have Madeline Rosenberg to thank for this.And so it was her encouragement and I had just read Raina Telgemeier's Smile, and that thing's a masterpiece. And I could see, I could tell that Raina's methods would really work for a story like this. And I was really excited about it because from the word go, I knew that they were gonna be rabbits.And I knew that the speech bubbles were going to be... The most important part of telling the story of my experience with deafness. So that's how that all came to me. And I was ready. I was ready. I felt like this book is going to be my calling card. This book is going to tell the world for me that I'm deaf.And then sure enough, after the book came out, I was finally able to talk about it. It was like, it worked. Yay. Jarrett: Yeah. Cece: And it was such relief. Jarrett: And I, and again, I could understand that journey. So earlier when I was talking about I, I was making Lunch Lady I probably should have compared it more to Hey Kiddo in that for me too.When I was first getting published and news reporters would wanna ask, they ask; "Why were you being raised by your grandparents?"" And I thought, I don't want that to be, I don't wanna be labeled as the child of an addict. I wanna be the Jarrett, who's making the books and I wanna be the Punk Farm guy or the Lunch Lady guy.And, but then there's this thing that you've lived and you're processing it and it's trauma and you're an adult, but you're still dealing with it. And then suddenly this thing that you've wanted to put inside a box your whole life, you're gonna put in a graphic memoir, like a hundreds of pages for everyone to see what was the creative process like for you?And I love that you made them rabbits. That's it's so perfect cuz of the ears, but also because you're Cece Bell, it's just so silly. Like they could have been talking hot dogs and it's still would've worked, but could you tell us a little bit about... The creative process and how that intersected with the emotional journey you had.Cece: Wow. I was, when I decided to commit to it, I was really excited about it. And I think because I didn't have any experience with graphic novels. I knew that I had to do a little bit of studying up and probably like a lot of folks who were in this business. I started with Scott McCloud's Understanding Comics, which is, probably the most important book about comics I've ever seen.And I read it three times. I was just amazed by the whole thing. I read it three times. Once I, after the third time I thought to myself, I'm ready. I'm ready to go. And the process was just, I basically did a a notebook dump. I just wrote down everything I could remember, but I limited myself to the moment that I lost my hearing to fifth grade, and I just wrote all my memories down all my experiences and then tightened that up into an outline.And it was the outline and a a chapter. I drew out a chapter and that's what I sent to Susan Van Metre at Abrams Books. She was at Abrams at the time and she was Tom's editor for the Origami Yoda series. And I was really impressed with her. I had met her a couple of times and something told me she was the right person for it.That's what I sent to her, but the process was just a lot of back and forth between doing just these little sketches for each page kind of blocking out what's supposed to happen and then writing out what people are supposed to say, and then just mushing it together. And the process felt very organic compared to picture books, the picture books, I always feel like you've gotta get the text absolutely perfect. And there was a lot less of that for me, with the graphic novel, it was so much looser and more fun, I think. And that's all I can, that's all I can say. It was just, it was a really good experience. Jarrett: That's and that, that book is such a gift. I still have. The advanced reader's copy that they handed out to promote the book.I'll never, that's maybe in 50 years, I'll sell it on eBay to get me through . But I think it's only with the medium of comics, like a prose novel would not have worked to tell this story as effectively, because with your visuals, you are able to play with the word balloons and the size of the text to really help me and hearing people understand your journey and, and that obviously that's a help to us with hearing, but for, the whole generation of kids who are growing up with hearing loss and who are deaf.Have you - that - I can't even imagine what this book has meant to them. And I'm assuming you hear from readers with hearing loss and deafness could you share a few stories like that must get emotionally overwhelming at times? Cece: Sure. There have been, the response was just so positive.The kids that I've heard from who have had experiences like mine, they just get so excited to see their story and to see something that's familiar to them. It's not exactly their story maybe, but they get it. And they're really happy to have something to show their families and their friends. "This is what it's like!"And... Also just a lot of kids have had the experience of hearing their teacher in the bathroom. And it's great to have that validated. "Yeah. I've been there too. Yay." That's probably, everybody's favorite part in the book. That's my favorite part in the book. That was the chapter that I submitted to Susan that yeah. Hearing teacher. Jarrett: That's perfect. Cece: Yeah. So the kids have been great. And, but somehow the more affecting stories for me were the adults who had grown up in a very similar way that I had with the same equipment, even the phonic ear and the microphone and many of them said; "This is the first time I have ever seen anything remotely, like my story in a book."And I ended up making friends with a lot of adults with hearing loss, which wasn't something I had a lot of, I'm very much in the hearing world because my family is all hearing. And I think for so long, I thought of myself as a hearing person. I am, I'm a hearing person when I stick my hearing aids in and I'm a deaf person when they're out, but I'm both of those things all the time I'm in between all the time.And so it was just really cool to get this new group of people who completely understood and just... Those are the ones that get me. But then in terms of the kids, probably my favorite story ever was a little girl who was struggling with having to get hearing aids. And she was very afraid of it all.And so she found my book and read it, and that helped her be less afraid. And she was at the audiologist office. And at that point she was very comfortable and okay with everything she was going through. But there was a little boy at the office who was crying and she happened to have her copy of El Deafo and she gave him her copy. Ugh. And that was just that really got me so...Jarrett: Wow!Cece: It was just neat. It's neat that it's being used in a helpful way. And I never thought that I would ever create a book that would help people, my other books that are just silly and funny and goofy. Sometimes I feel guilty for those books. I'm like; "Sure, maybe they help kids read, but what good are they doing?" So it's really nice to have this one book that I know helps people, Jarrett: Yeah. Yeah. And, that's something that I struggled to... Especially when we're seeing every awful, horrific headline in the news. And there have been times where I've worried; "But what does this silly story matter?"But they do, those silly stories do matter. I under- I understand that inner struggle because you have made something that connects with readers on this whole other level. So I'm curious, I'd like to know a little bit more about this Apple TV+ limited series of El Deafo. It, my kids requested to watch it because they had read the book and what you did with the visuals in El Deafo, the book to help hearing people understand your deaf experience.The sound scape in the TV show helped me understand on a, on an entirely different level. And it, I had to say Cece, it felt like a animated special we've had for decades. It felt like a Charles Schulz, Peanuts, Charlie Brown, Snoopy, special. Like it was that level of just beauty and taking the time to tell the story.How did that come about? Cece: Wow Jarrett. You just said the magic words to me. That was what I wanted. I wanted that peanut feel that Christmas special Peanuts feel. Where it's not exactly perfect, but the imperfections or what make it interesting, there's something really unusual about that Charlie Brown, Christmas special that on paper, it shouldn't work at all. It's a mess. Even some of the story doesn't make sense and yet you stick it all together and yay. It works. But so thank you for that. That means a lot. So that television show came about a he's my friend now, but back then, he wasn't my friend.He was somebody. Greatly admired and still admired, Will McRob who is one of the co-creators of one of my favorite TV shows of all time, the Adventures of Pete and Pete, which was on Nickelodeon in the 90s, he, out of the blue sent me an email and said; "I like your book. Let's turn it into a show!"And so that was how it got started, but it took him a long time to convince me because I felt like the book was I don't know, to me, at least it felt sacred and I didn't wanna mess that up. And I knew that there were a lot of fans of the book who also felt that love for it. And I didn't wanna mess that up, but I started to think, there's not many, if any characters on TV who are like me in that we are deaf people who have chosen or because of our circumstances, we have gotten through life with hearing aids, not without, but with, and you don't see very much of that on TV and in a movie. And in fact, when there are deaf characters in movies, at least, like back in the 70s and 80s, when we grew up not only was the deaf character made fun of, but the equipment was too, the actual hearing aid was somehow part of the... Was being made fun of, and, hearing aids are not perfect and they're greatly flawed little things, but they've really helped me and the phonic ear from the book I'm in... Once again, I would not be here talking to you without that piece of equipment. I don't think maybe I would've, but I don't think so, but anyway I just started to think, this kind of needs to be this could be really good for deaf kids and hearing kids to have a show like this. So that's how it came about.And I signed on once I I was very demanding. I had to put on those big girl pants and be like; "Ra ra ra!" Which is not my usual way. But anyway I said it can't be just a series that, goes on a, goes off on its own. It needs to be based on the book. And I want it to look like the book and it can't be 3D animation.I was like; "Absolutely no 3D, has to be 2D." And my other thing was; "We have to mess with the audio. The audio has to reflect the book in some way." So those were some of my demands. Also the main character had to be played by someone, a kid who also has hearing loss, but is using adaptive equipment to help her.And in that case, we got a lovely young lady, Lexi Finigan who uses cochlear implants a little bit different from what I do. But she was just fantastic. So I was very demanding. Jarrett: I I'm so glad that you were because, so often these animated adaptations of work the author of the underlying material is the last person they wanna work with. And I think that the work suffers from that cuz so it really, you went in there with, a limited amount of things that would really like you're quote-unquote "demands". And I, and I get it cuz you have to be assertive in these situations. To say; "Here's what's really important to me." And understanding like a book is a book and a and a TV show is a TV show. Like you're telling story with anything that's animated or film. You're telling stories with visuals and sounds, and time, which is different than a book. And you all just hit it right out of the park.I, when it comes to the Emmys, I hope you win all of the awards for this piece. It's an instant classic. It's just so perfect. And you narrat I could, I didn't know that. So I put it on and I, and my wife, Gina was in the other room she came and went; "Is that Cece? Cece's voice is coming from the TV?"Cece: Yeah, that was pretty neat. At first the director who is. From Lighthouse Studios in Ireland, a woman named Gilly Fogg, who was absolutely terrific, when she first heard that I wanted to narrate it. Oh, not that I wanted to narrate it, but just the idea of a narrator. She said; "Oh no, we don't want that. That's, no thank you." But Will, and I, when we were writing the script together, we realized that if we were going to mess with the audio, that it was going to be confusing and that we needed there to be a voice ex- kind of just explaining, giving kids a few clues that no, your TV isn't broken because the narrator's voice would come on and it would be clear.And and like I think every now and then the narrator says something like, everything was quiet and I think the audience needs that. Otherwise they're gonna be, hitting their TV. "What's wrong?" She did not like that idea. The director said; "No, no narrator." And so Will said; "What if Cece narrates it?"And then she just lit up and she said; "Aha, yes, that's what we need to do." Because it did need to be my voice. You've probably heard people talking about the deaf accent, where there are certain sounds that I don't hear very well. And so my voice is a little different and that was important.People need to hear what that voice sounds like, which is why one of the reasons why we cast a deaf actress, because we need to have that specific sound. And I used to be very ashamed of that deaf accent, but not anymore. I don't really, that's just how I talk. So that is how that came to be, but I had to take acting classes, Jarrett, I am now... That's the end. And the woman - I know I am acting.And she was fantastic. I think I had about three or four sessions with her and it was almost more like therapy. I don't know she was magical and she's a lovely woman. And just, it actually really helped just, it was more about "here's how to take direction and then use that direction and go with it."And this all happened during COVID. And so I recorded all of my lines in my bedroom. They sent me all this equipment and Tom and I set it up and I was pretty much in my closet. And that it was pretty neat. It was pretty neat getting to do the whole thing from home. Jarrett: You, but, okay. But you do deserve the limo.That's gonna bring you to the studio. So I hope that we get something more so that you can have a personal assistant that you throw your phone to, and if you don't like the food, they prepared, you just throw it against the wall in a fit of rage. I guess you could do that for Tom.I guess you could like Tom, could, he would do that for you. If that's gonna make you happy, like he would totally be game for that Cece: It was frustrating that I didn't get to have some of the experiences, like I was supposed to be able to go to Ireland and hang out with the animation studio for a couple weeks.Wow. So that got canned. And I was supposed to go out to LA to to work with the audio team. That didn't work. But the funny thing is that because we had all of our meetings on zoom, it was actually better because when I'm in a meeting, oh, like around a table in real life, I miss probably 70 or 80% of what's being said, because I lose the thread.If that makes sense. I can't, I can only do, one or two people. And then I'm lost because of their lip reading. But with everybody's face right in front of me, everybody's facing me, look at me, , they're all facing me. That makes me sound like they're looking at me, we have to look at our computers, right?You have to look at our computers when we do them. And so I didn't miss anything. And... That gave me a lot more confidence to help run the show. Oh yeah. So it was actually a benefit in a weird way that we were all stuck at home Jarrett: A as well. You should run the show Cece, wow. That all of your hard work as a team made for a beautiful animated program, and there's, as I said, it so reminded me of the Charlie Brown specials, cause it also took its time. There was moments of silence. There, there were moments where it wasn't just a lot of fast cuts and my five year old son who... Has a very short tension span. Loves video games. Like it, it actually was very calming to him. We'd watch it at the end of the day, as a treat, as a family watch and he would ask for Cece, he wouldn't call it El Deafo, he'd say, could we watch Cece?And so they all connected with you on this whole other level. So we're gonna wrap things up in a bit be before we do in the chat. So what I'll give you one audience question, cuz I don't wanna keep you too much longer. What are you working on Cece? Is there anything you can tell us about? What do we have to look forward to? Cece: Oh so I am working on of all things, an alphabet book. That's crazy, but so I love music and that's something that a lot of hearing folks are surprised by that.Deaf people can love music and my hearing aids are pretty good. And I grew up with my older siblings bringing in all this great music usually from thrift stores. And we had this fantastic turntable, that we used at home. That is mine now. Thank goodness. Great speakers. And so I really love music and I especially love the visuals that went with the music, the album covers.So this is an alphabet book of fake album covers that are animals playing different genres. And and all I'm making memorabilia and writing songs and smushing it all together in this book. So part of it is hopefully it'll be fun, but it's a very personal project because as I've gotten older, I am losing more hearing.And now it's a genetic hearing loss because my father and his grandfather and father, on down the line, they all had pretty significant hearing loss. So I'm starting to lose. My ability to appreciate music, which sucks in a big way. So this is my my outpouring of love visually for music.And it's been so much fun. I'm doing all the hand lettering. I'm doing weird paintings and it's been a lot of fun so far, but a lot of work because it's so personal, I'm taking my time with it. And my editor is Susan Van Metre, the same one who is working, who worked on El Deafo with me.And I just got an extension, Jarrett. Yay! The best thing ever to happen is when you tell your editor, "I need more time" and they give it to you. So that's what I'm...Jarrett: Awesome. Cece: Very personal and I just wanted to do something that didn't have so much of a story, just fun. And there's thought of a story that the story of my own personal relationship with music, but but that's what I've been working on.Jarrett: Oh we will be patient Cece Bell! It has been very challenging, challenging times and concepts lately, cuz of the pandemic deadlines have seemed like wonderful suggestions. I know my editors won't want to hear that, but it's been, to get that art out of you also need to be in a pretty decent enough Headspace.So I'm glad to know that. Yes, you're getting more time and we are gonna get more Cece Bell and the world and we're also, we're lucky to have you in this world. We're lucky that you make art. We're lucky that Tom Angelberger supported you and took you off that track and put you on a different track that you wanted to be on.And what a beautiful thing to have anyone in this world who would love you so much to show you your true self and what an amazing story from the exotic pet packaging to N-Sync. I did not think I would be able to run a thread between Cece Bell and N-Sync in this interview, but wow. Wow.That's very cool. I will think of you whenever I see an N-Sync lunch box at a thrift store or something like that. . Cece: Oh, please. Yeah. If you ever find school supplies like a notebook and folders, I should have sent you pictures. They're they're just I know everything about Justin Timberlake.Let me tell you, I know everything about, the way he looked and his signature, we got to use all this stuff that they sent us. It was great. Jarrett: Ah I'm gonna make...Cece: I would say a lot of the same things about you. Your work has been so important and inspiring and funny and and your support of other authors and illustrators is amazing. I think I'm a little bit more self-centered honestly, you're just like "everybody else is fantastic!" And I really appreciate that. You're really good about doing that. So thank you.Jarrett: I appreciate that your kind words, but in a way, what we all do is self-centered because we're scratching that creative itch we've always had.And, we're lucky enough that we love to make books and we didn't forget who we were as kids and kids find those really funny or entertaining, or they get to see themselves reflected in that true life experience. I...Cece: Yes.Jarrett: ... Cannot pass up a chance to make a really bad pun in this moment.Cece, I'm gonna sign off by saying... Bye bye bye. It was so bad, right? That was so stupid. That was such a bad joke. Ain't no bad joke. Ain't no lie. I say it. It might sound crazy, but it ain't no lie. Cece I appreciate you. And thanks for taking the time to chat with us today. Cece: Absolutely. Thank you, Jarrett.

This episode features Ashley Bryan, RN, Interim Chief Nursing Officer with Universal Health Services, parent company of The BridgeWay     If you need to reach us immediately, call us at 800-245-0011. Licensed mental health professionals are available 24 hours a day, 7 days a week to assist you or your loved one.     For more information, https://thebridgeway.com/     Podcast Produced by clantoncreative.com

Grace and Alvina talk about the treatment of Chinese and Chinese American athletes at the Winter Olympics, talk about the recent book banning controversies, and then welcome guest Alison Morris to talk about what kind of food textures are their favorites. Alison also shares some book recommendations. See complete show notes at www.bookfriendsforever.com. Click here to become a Patreon member: https://www.patreon.com/Bookfriendsforever1

Ashley Bryan died this week. He was 98 and a brilliant artist, writer, and human who lived on an island in Maine near us and was the keynote speaker at a book festival we had. In a 2017 Horn Book interview with Roger Sutton and Nikki Giovanni, he said, If someone says they are taking my time — that's the one thing you never can take. I have to offer it. Time is of the moment, and the moment is all I have. If that moment isn't precious to me, then I'm not living. Nothing is more important or precious to me right now than both of us talkingAshley Bryan Ashley also said in that same interview I love poetry. It's at the heart of everything I do. Poetry transforms what we call language, and uses language as the stuff to become something else. I get spun around by what happens in words. When that occurs, it inspires images that seem so original to me as an artist, even though I'm following what the poem has offered. So, I, Carrie was a bit heartbroken by this, not just because Ashley Bryan like me goes out in public with paint on his sweater (as you see in a photo on our blog taken when he was at the book festival), but because Ashley was such a light in this world. He seemed to get it--to not just rejoice in the moment, but to also rejoice in the twists to the moments. In a New York Times article from 2020 entitled "Why Mundane Moments Matter," Simran Sethi writes Although we, as a culture, typically favor the superlative, research shows that moonlight, and everything that is revealed in ordinary moments of our life, matters. Valuing the routine enriches our lives in ways we do not expect, because “how we spend our days,” the author Annie Dillard reminds us, “is how we spend our lives.”Sethi You can hold onto the past and get bitter or sorrowful. You can project into the future and fill it with worry, but the moment you are in right now. That is your moment. You want to try to actually experience it fully, breathe it in. Be freaking alive in it, be present. And Ashley got that. He expressed that in his love for community, for moments, for twists, for poetry, and in his art. In another interview with the Horn Book, he said to Sutton. It is an urgency that is fundamental, and the essence is the same. It's the urgency to discover something about ourselves in every work we make. I make no distinction between doing a block print, a collage, a watercolor, a tempera painting. To me it's an effort to discover something of myself that I do not know and have not done. So each effort is like that of the child going out in the morning, making discoveries and having adventures.Ashley Bryan We hope you find that too--that discovery--that fundamental essence in your moments and in your self. When you allow yourself to lean into the moments rather than always bemoaning the lack of celebrity-endorsed superlatives, you get to enjoy those twists, those bits, those things you might not normally see. How cool is that, really? DOG TIP FOR LIFE Live in the moment. Link we mention in our Random Thoughts https://shepherdexpress.com/puzzles/news-of-the-weird/news-of-the-weird-week-of-feb-3-2022/ SHOUT OUT! The music we've clipped and shortened in this podcast is awesome and is made available through the Creative Commons License. Here's a link to that and the artist's website. Who is this artist and what is this song? It's “Summer Spliff” by Broke For Free. AND we are transitioning to a new writer podcast called WRITE BETTER NOW! You'll be able to check it out here starting in 2022! We have a podcast, LOVING THE STRANGE, which we stream live on Carrie's Facebook and Twitter and LinkedIn on Fridays. Her Facebook and Twitter handles are all carriejonesbooks or carriejonesbook. Carrie is reading one of her poems every week on CARRIE DOES POEMS. And there you go! Whew! That's a lot! Here's the link. Write Better Now - Writing Tips podcast for authors and writers loving the strange the podcast about embracing the weird Carrie Does Poems

Ashley Bryan died this week. He was 98 and a brilliant artist, writer, and human who lived on an island in Maine near us and was the keynote speaker at a book festival we had. In a 2017 Horn Book interview with Roger Sutton and Nikki Giovanni, he said, Ashley BryanIf someone says they are taking my time — that's the one thing you never can take. I have to offer it. Time is of the moment, and the moment is all I have. If that moment isn't precious to me, then I'm not living. Nothing is more important or precious to me right now than both of us talking Ashley also said in that same interview I love poetry. It's at the heart of everything I do. Poetry transforms what we call language, and uses language as the stuff to become something else. I get spun around by what happens in words. When that occurs, it inspires images that seem so original to me as an artist, even though I'm following what the poem has offered. So, I, Carrie was a bit heartbroken by this, not just because Ashley Bryan like me goes out in public with paint on his sweater (as you see in a photo on our blog taken when he was at the book festival), but because Ashley was such a light in this world. He seemed to get it–to not just rejoice in the moment, but to also rejoice in the twists to the moments. In a New York Times article from 2020 entitled “Why Mundane Moments Matter,” Simran Sethi writes SethiAlthough we, as a culture, typically favor the superlative, research shows that moonlight, and everything that is revealed in ordinary moments of our life, matters. Valuing the routine enriches our lives in ways we do not expect, because “how we spend our days,” the author Annie Dillard reminds us, “is how we spend our lives.” You can hold onto the past and get bitter or sorrowful. You can project into the future and fill it with worry, but the moment you are in right now. That is your moment. You want to try to actually experience it fully, breathe it in. Be freaking alive in it, be present. And Ashley got that. He expressed that in his love for community, for moments, for twists, for poetry, and in his art. In another interview with the Horn Book, he said to Sutton. Ashley BryanIt is an urgency that is fundamental, and the essence is the same. It's the urgency to discover something about ourselves in every work we make. I make no distinction between doing a block print, a collage, a watercolor, a tempera painting. To me it's an effort to discover something of myself that I do not know and have not done. So each effort is like that of the child going out in the morning, making discoveries and having adventures. We hope you find that too–that discovery–that fundamental essence in your moments and in your self. DOG TIP FOR LIFE Live in the moment. Link we mention in our Random Thoughts https://shepherdexpress.com/puzzles/news-of-the-weird/news-of-the-weird-week-of-feb-3-2022/ SHOUT OUT! The music we've clipped and shortened in this podcast is awesome and is made available through the Creative Commons License. Here's a link to that and the artist's website. Who is this artist and what is this song? It's “Summer Spliff” by Broke For Free. --- Send in a voice message: https://anchor.fm/carriejonesbooks/message Support this podcast: https://anchor.fm/carriejonesbooks/support

Wil'Lani joins Tori this week to recommend reads by Black authors including some of Wil'Lani's favorite fiction reads. Tori recommends two juvenile nonfiction titles that celebrate Black voices as well. The resources discussed in this video are listed below: Black Authors Beanstack Reading recommendations on Beanstack; The Color Purple by Alice Walker; Beloved by Toni Morrison; Push by Sapphire; Precious the movie; The Bluest Eye by Toni Morrison; Their Eyes Were Watching God by Zora Neale Hurston; Casting the First Stone by Kimberla Lawson Roby; The Best of Everything by Kimberla Lawson Roby; The Reverend Curtis Black series by Kimberla Lawson Roby; Infinite Hope: A Black Artist's Journey from World War II to Peace by Ashley Bryan; Rebecca Lee Crumpler by J.P. Miller, illustrated by Markia Jenai; In Praise of Our Fathers and Our Mothers: A Black Family Treasury by Outstanding Authors and Artists by Wade Hudson and Cheryl Willis Hudson; The Talk: Conversations about Race, Love, and Truth by Wade Hudson and Cheryl Willis Hudson; Insecure HBOMax TV show; Awkward Black Girl YouTube series; Eat Okra mobile app; The Golden Palace TV show; The Golden Girls TV show; Betty White Goes Wild Disney+ documentary

What to Read Wednesdays comes at you every other Wednesday and is your one stop for reading, watching, and listening recommendations from your favorite library staff members! This week's episode features recommendations from Mark, Bridget, and George. Books recommended include This is Happiness by Niall Williams, Ruth and the Green Book by Calvin Alexander Ramsey, She Loved Baseball by Audrey Vernick, Beautiful Blackbird by Ashley Bryan, Grant by Jean Edward Smith, The Investigators by John Patrick Green, and Flora and Ulisses by Kate DiCamillo. To read about more recommendations, click here. To request any of these titles, just click here. Email us with book recommendations, suggestions, & feedback at whattoread@delawarelibrary.org 

Listen along as Miss Lauren S. reads “Beautiful Blackbird” written and illustrated by Ashley Bryan. ⋒ ⋒ ⋒ Interested in hearing a favorite picture book? Leave the FPL storytelling squad a {secured} recorded request at https://anchor.fm/fpl-dial-a-story/message!

This weeks episode is different than our normal 1 2 with LYP. We met virtually with The Cheas, Bryan and Ashley. The Cheas are originally from Columbus, OH which is where I first met them. Oh how did we meet? I had the pleasure of being introduced to them by my wife Ciara (LYP episode 3) when we first started dating. It was only right we all had this conversation together. Ashley is healer and creator. Her entrepreneurship is through many creative outlets including writing books, scripts, and she blesses us through being a social media influencer. Chea serves others beautifully, managing contracts for companies, artists, and renovations. The Cheas love story has been covered by different media outlets, one of the most notable being on the “Black Love” series. You won't find too many people as open, transparent and genuine then the Cheas as a unit. We spoke about their story, and how they were able to thrive by staying true to themselves in the midst of chaos during the historical year of 2020. We also spoke about some of our constant marriage woes and how practicing empathy allows us to work through them. Lastly we had a interesting conversation on grief and death of loved ones that I believe people will resonate with. Can your life become “better” after experiencing something as difficult as death of a love one? Listen here for our answers. They are intentional as individuals, as a couple, as parents and across relationships. We respect their intentionality. Enjoy the episode. LYP --- Support this podcast: https://anchor.fm/liveyourpurposepodcast/support

On this episode, Jennie and Marcy talk to Ashley Bryan, author and illustrator of numerous children's books that focus on the African American experience, including the award-winning Freedom Over Me. Ashley Bryan grew up to the sound of his mother singing from morning to night, and he has shared the joy of song with children ever since. A beloved illustrator, he was recently named a Newbery Honoree for his picture book, Freedom Over Me. He has also been the recipient of the Coretta Scott King--Virginia Hamilton Lifetime Achievement Award; the Laura Ingalls Wilder Award; has been a May Hill Arbuthnot lecturer; a Coretta Scott King Award winner; and the recipient of countless other awards and recognitions. His books include Freedom Over Me; Sail Away; Beautiful Blackbird; Beat the Story-Drum, Pum Pum; Let It Shine; Ashley Bryan's Book of Puppets; and What a Wonderful World. He lives in Islesford, one of the Cranberry Isles off the coast of Maine. Learn more about your ad choices. Visit megaphone.fm/adchoices

For the last episode highlighting books with Black authors and characters for Black History Month, Nicole shares some titles that are soon to be hot off the cataloging cart. She features a new historical fiction pick and gushes about her favorite YA series, plus a hot and spicy adult read. Tori focuses on some juvenile reads both fiction and nonfiction alike. The resources talked about in this episode are listed below: The Black Panther Party: A Graphic Novel History by David F. Walker, illustrated by Marcus Kwame Anderson; Yellow Wife by Sadeqa Johnson; Big Monty and the Lunatic Lunch Lady by Matt Maxx; Big Monty and the Cyborg Substitute by Matt Maxx; Infinite Hope: A Black Artist's Journey from World War II to Peace by Ashley Bryan; I Survived Series by Lauren Tarshis; Children of Blood and Bone by Tomi Adeyemi; Children of Virtue and Vengeance by Tomi Adeyemi; Rebel by Beverly Jenkins; Ghetto Cowboy by G. Neri; Little Leaders: Bold Women in Black History by Vashti Harrison; The #Mindful App; Blackcoffeewithwhitefriends Instagram account; When Dimple Met Rishi by Sandhya Menon

Dan Mills, director of the Bates Museum of Art, talks about the exhibition "Let's Celebrate Ashley Bryan!", featuring his fine art and original illustrations. Dan talks about Ashley's life and career, and how to view the exhibition virtually. Listen to the interview then view the exhibition here: https://www.bates.edu/museum/ashley-bryan/

Welcome to Stories Come to Life. This is Episode 34, and I am your host, Kathryn Lopez Luker.The four stories you will hear today are from the book Ashley Bryan's African Tales, Uh-Huh. You will hear about adventures of Ananse the Spider, Elephant and Frog, Elephant and Bush Cow, and one of my favorites, How Animals Got Their Tails. These stories all illustrate one or more of the principles of Kwanzaa, often in funny ways. For example, Ananse the Spider may not realize it, but he is providing Crow with a way to become “uplifted economically.” Other stories illustrate the principles of unity, creativity, purpose, and other values. See if you can figure out some of the principles these stories demonstrate! The Ashley Bryan Center and the publishers have both graciously given permission for these stories to appear on this podcast. Now sit back, relax, and listen to these stories come to life!

Author and Illustrator, Kelly Light, returns to the podcast! She chats with Giuseppe Castellano about how life has changed for Kelly since our first chat with her way back in June of 2018.She shares how she (probably) contracted COVID-19; how one—by choice or necessity—RE-starts a creative a career; and what Tove Jansson, Ashley Bryan, Judith Kerr, and others can teach us about staying creative through hardship.

Renowned children’s book author and illustrator, Ashley Bryan, talks to Giuseppe Castellano about how—over almost 100 years—art has helped Ashley persevere through adversity. They also discuss Ashley’s experiences during World War II; Ashely’s 50-year career in children’s publishing; and why art is at the heart of what it means to be human.

Deb and Darrin sit down with Ashley Bryan- an author, illustrator, puppeteer, and professor. Mr. Bryan was the first African-American children's author and illustrator to be published in the US, and is the recipient of numerous awards- including 10 Coretta Scott King Awards. Over his 96 years, he has published over 50 books, including a new book about his time in World War 2. 

Meet Ashley Bryan, NP, our new nurse practitioner.

Karina and Matthew talk about the Youth Media Awards, educators doing mock book awards with their students, and we look back on some of our favorite Kidlit These Days episodes of the year. Joining is special guest Colby Sharp, 5th grade teacher, co-host of The Yarn podcast, editor of The Creativity Project, An Awesometastic Story Collection, and the co-author with Donalyn Miller of Game Changer: Book Access for All Kids. This episode is sponsored by Book Riot's Read Harder Journal and by Simon & Schuster Children's Publishing. Subscribe to the podcast via RSS, Apple Podcasts, Spotify, or Stitcher. To get even more kidlit news and recommendations, sign up for our The Kids Are All Right newsletter! RELEVANT LINKS: The Youth Media Awards HarperCollins Children’s Books Launches Heartdrum, A New Native-Focused Imprint Episode 13: An Indigenous Peoples' History Episode 1: The Wall in the Middle of This Podcast Matthew's Mock Coretta Scott King Award with Students in Grades K-5 Colby Sharp BOOKS DISCUSSED ON THE SHOW: Drawn Together by Minh Le, illustrated by Dan Santat (2019 Asian/Pacific American Awards for Literature Picture Book winner) Merci Suarez Changes Gears by Meg Medina (2019 Newbery Medal winner) Dr. Debbie Reese (2019 May Hill Arbuthnot Honor Lecture Award) Hurricane Child by Kheryn Callender/Kacen Callender (2019 Stonewall Book Award winner) Dreamers by Yuyi Morales (2019 Pura Belpre Illustrator Award winner) Alma and How She Got Her Name by Juana Martinez-Neal (2019 Caldecott honor) Freedom Over Me: Eleven Slaves, Their Lives and Dreams Brought to Life by Ashley Bryan by Ashley Bryan (2017 Coretta Scott King Illustrator honor & 2017 Newbery honor) The Remember Balloons by Jessie Oliveros; illustrated by Dana Wulfekotte (2019 Schneider Family Book Award Young Children's Book honor) The Girl Who Drank the Moon by Kelly Barnhill (2017 Newbery award winner) Jerome By Heart by Thomas Scotto, illustrated by Olivier Tallec and translated from the French by Claudia ZoeBedrick and Karin Snelson (2019 Mildred L. Batchelder Award honor) Let us know what books or topics you've been sharing this week, or if you have a suggestion or book recommendation for an upcoming episode. Find us on email (kidlitthesedays@bookriot.com), Twitter (@KarinaYanGlaser and @MatthewWinner), or Instagram (@KarinaIsReadingAndWriting and @MatthewCWinner).

Award-winning poet and former BuzzFeed culture editor Saeed Jones joins us to discuss his exquisite memoir, How We Fight for Our Lives. His story of growing up black and gay in the South in the Nineties and Aughts, “marks the emergence of a major literary voice,” Kirkus writes in a starred review. (Nonfiction editor Eric Liebetrau calls it one of the best memoirs he’s ever read, period.) Then our editors join with their reading recommendations for the week, including books by Ashley Bryan, Tochi Onyebuchi, Jim Mattis, and Cathleen Schine.

Renowned artist, storyteller and writer Ashley Bryan introduces his new book: INFINITE HOPE: A BLACK ARTIST’S JOURNEY FROM WORLD WAR II TO PEACE.  Ashley Bryan is the first African-American creator ever to both write and illustrate a book for children. He’s a Newberry Medal honoree and has received countless Coretta Scott King awards and honors. INFINITE HOPE is an autobiography filled with sketches and letters of Ashley’s time in the war. His belief in the power of art and the lengths he went to keep making art during the war are inspiring.

Please listen to the end for my personal pondersings of Asha and her soulful information. The gallery where Palette of Expressions students exhibited is Joyce Gordon Gallery and powered by Better Together. Episode booklist: Please read before reading to kids. Freedom Over Me by Ashley Bryan, 5+ What Lincoln Said by Sarah Thompson age 4+ Let’s Talk About Race by Julius Lester 6+ Chocolate Me by Tay Diggs 4+ If You Lived When There Was Slavery in America by Anne Kamma thru Scholastic books 7+ From Slaveship to Freedom Road by Rod Brown and Julious lester. 6+

Today's guests include Ashley Bryan from Klickitat County CASA, and Trish Elliott & McKenzie Carter from the Hood River County Health Department.

Episode 25 of Rewrite Radio features a collection of excerpts from our first season of the podcast, curated and edited together by our creative director Jon Brown. He’s teased out a conversation between Festival speakers through the years about the power of stories to help us understand and navigate dark times. Jon also joins Festival director Lisa Ann Cockrel on the microphone for a look behind the scenes of production.  Speakers in order of appearance in this episode: Frederick Buechner (1992) Katherine Paterson (2004) Brian Doyle (2012) Patricia and Alana Raybon (2016) Ashley Bryan (2016) George Saunders (2016) Ashley Bryan (2016) Barbara Brown Taylor (2004) Zadie Smith (2016) Tobias Wolff (2016) Frederick Buechner (1992) Kelly Brown Douglas (2016)

Episode #12 of Rewrite Radio features a stirring conversation between two writers who also illustrate books for children. Arree Chung, best known for his book NINJA!, first met Ashley Bryan at a conference almost ten years ago when he was still an aspiring author. Then as now, Ashley Bryan was a living legend in the literary world. At the age of 19 he was drafted out of art school and into a segregated army during World War II. He survived in part by drawing, stowing supplies in his gas mask when necessary. After the war, Ashley completed his art degree, studied philosophy and literature at Columbia University on the GI Bill, and then went to Europe on a Fulbright scholarship, seeking to understand why humans choose war. Ashley would eventually become the first African American to publish a book he both wrote and illustrated, and would go on to publish more than 50 books and win numerous awards including the Coretta Scott King–Virginia Hamilton Lifetime Achievement Award, Laura Ingalls Wilder Medal, and the New York Public Library’s Literary Lions award. Throughout the United States and Africa, libraries, children’s rooms, and literary festivals are named for Ashley. But as nice as these honors are, Ashley says it’s the joy of creation and the excitement he sees in children’s eyes, that delight him most. Many thanks to Arree Chung and Ashley Bryan. You can learn more about Arree’s work at http://arree.com/. The Ashley Bryan Center was created in 2013 to “preserve, celebrate and share broadly Ashley’s work and his joy of discovery, invention, learning and community." You can read all about Ashley’s amazing life story, and see his artwork, at https://ashleybryancenter.org/.

Artist Ashley Bryan has been creating unique works since his earliest years growing up in the Bronx. Known for his award-winning children’s books like Beautiful Blackbird and Freedom Over Me, Ashley Bryan has connected with audiences of all ages. For this show, we traveled to Little Cranberry Island, off the coast of Mount Desert Island, to interview this 93-year-old artist in his home. L/A Arts is paying tribute to Ashley Bryan during the months of April and May with its Ashley Bryan Days in LA events. On April 29 the Emerge Film Festival will screen a feature documentary by filmmaker Richard Kane about Bryan’s life and work. For more information go to: http://bit.ly/2oRUX8I https://www.themainemag.com/radio/2017/04/art-ashley-bryan-292/

Intro   Hi and welcome to Books Between - a podcast for teachers, parents, librarians, and anyone who wants to connect middle grade kids to books they will love.  I’m your host, Corrina Allen - a mom of two young daughters, a 5th grade teacher, and… whew - coming off a tiring couple of weeks. How are you all holding up? I feel like I’ve been through the wringer, honestly. But - even though my entire family (and half my students) are battling colds and respiratory things and the news has been…. um..concerning, there have been some much needed bright spots. I took my first trip ever to DC last Saturday, and I watched the Youth Media Awards live webcast with my students last Monday morning.   This is Episode #16 and Today we are discussing the Youth Media Awards and the featuring the 4 books that won Newbery Awards.   Main Topic - 2017 Youth Media Awards   Last Monday morning at 8am, I sat with my 18 pajama clad 5th graders and we had donuts and watched the Youth Media Awards live through the American Library Association website.  They had their favorites that they were rooting for - The Wild Robot and Pax among them.  But honestly, the day wasn’t really about the ultimate winners of those awards.  To me, it was about honoring ALL children’s literature and showing my students that books for THEM, for an audience of children and teens are worthy of stopping everything and making a big deal of it.  And, they learned about a lot of great books while they watched. They knew about the Caldecott and the Newbery, but now they know about the Alex Award, the Schneider Award, the Coretta Scott King Award and so many others that recognize the diversity in children’s literature.  There were gasps when March got its fourth award and suddenly, every kid in that room wanted to know  - wow, what is THAT book about? And when they learned about the Stonewall Award and that one of their all-time favorite authors, Rick Riordan, had won it for Magnus Chase - there were some opened minds that morning. Some of our favorites didn’t win - but that wasn’t really the point.  The point is having a favorite that you are passionate about and discovering new books and authors that are going to stay with you forever. Book Talk - 2017 Newbery Award Books For our book talk segment this week, I’m going rebroadcast the two segments about the Newbery books that I have already featured on the show and then talk about the two others that earned recognition this past week.   The novel that won the Newbery Award this year was Kelly Barnhill’s The Girl Who Drank the Moon. And -  yeah - I think I may screamed a tad when it was announced. Here’s what I had to say about this book back on episode 15.   The Girl Who Drank the Moon   Our second featured book today is The Girl Who Drank the Moon by Kelly Barnhill. This is also an adventure survival story but a fairy tale fantasy with powerful witches, a poetic swamp monster, and a seemingly small dragon. The start of this story takes place in a gloomy village along a bog called The Protectorate run by a group of unscrupulous men called The Council of Elders. Each year, on the Day of Sacrifice, these elders take the youngest baby in the village and leave it in the woods. They do this, they claim, to appease an evil witch. Well, it turns out that there is actually a witch, a kind witch named Xan, who rescues these poor babies and feeds them on starlight while she journeys across the dangerous volcanic mountain to find a new home for them. Except one year, she accidentally feeds a baby moonlight instead of starlight and enmagicks the child who grows to be uncontrollably powerful. The rest of the story is about Xan’s attempts to help her adoptive granddaughter harness that power, and what happens to the villagers left behind in The Protectorate - including a young Elder-in-Training named Antain who starts to have doubts, and the girl’s mother who ends up going mad and being locked in a tower with secrets of its own. It is beautiful and powerful. And here are three more things I loved about Kelly Barnhill’s The Girl Who Drank the Moon:   The magic. This is not your typical sparkly, wand summoned magic. It’s earthy and primal and often exists as something almost separate from the characters. Flowers spring from footsteps. And there is a flock of paper birds that swarm and cut and lead and protect in a way that is both beautiful and terrifying at the same time. I loved how unique the magic in this book was. The love you feel for the characters. Somehow Barnhill has written them in a way where you feel this deep sense of warmth and protectiveness and empathy for them. Xan, the witch, is getting older and she desperately wants to impart all of her knowledge that she can to her granddaughter, who she’s named Luna. But that same spell that protects her makes it so that she can’t get through to her. And you keep hoping that Luna will discover who she is and maybe be reunited with the mother she was so brutally ripped away from. And all the people in the village - especially Antain and his wife - who are under the thumb of the Council of Elders. I just felt so much love for this characters. What this story has to say about truth and power. In this book, there are some who feed off of other people’s misery. Those who raise themselves by putting others below them, by controlling what stories get told, and by spinning lies. But - there comes a time when the people start to realize how much power they actually have when they band together to use it. Loved it.   The Girl Who Drank the Moon  is lush and quirky and whimsical and funny and full of adventure. And I can’t wait to read everything else Kelly Barnhill has ever written because this was one powerhouse of a book.   Freedom Over Me         The first Newbery honor book announced was  Freedom Over Me by Ashley Bryan. Well, I was totally wrong when I predicted that a picture book would not be included this time. And I’ll admit that this gorgeous and powerful picture book slipped by me this year. When I got this book, one of the first things I noticed was the cover featuring the images of eleven enslaved black men, women and children whose faces appear in the links of circled chain. Wow. And then flipping open the book and skimming, my heart stopped when I noticed the prices under each face. $300, Stephen age 32. Or $400, Charlotte, age 30 and her child, Dora, age 8. Whew - I hadn’t even read the text yet and this book had struck me. Before I talk about the text, the illustrations are gorgeous bright yellows and purples and greens in a Van Gogh style where you can see the swirls and textures on the each page. And in the background of several of the pages are images of legal documents showing the sale of these people as property.           Okay - the text. Freedom Over Me is a book of poems - each one from the point of view of an enslaved man, woman, or child who live on the same plantation and are about to be sold. They share remembrances of their homes and childhood in Africa, their work on the plantation, and their hopes and dreams for the future.       What’s fascinating is that the seeds of this book came from real slave-related documents that the author had acquired and his wish to honor the humanity of these people lost to history. It’s beautiful, and moving, and just stays with you a long time.   Also receiving a Newbery Honor this year was the incredible The Inquisitor’s Tale. Here’s what I had to say about this book back in Episode #10.   The Inquisitor’s Tale   Our final book featuring an abundance of surprising twists is The Inquisitor’s Tale by Adam Gidwitz. I have been texting, tweeting, and talking about this book so much in the past month that when I type the letter I into my phone, it automatically suggests “Inquisitor” as the first option. This novel is a medieval adventure story about three magical children (and a dog) who are pursued by various agents of the Inquisition. The first is a young girl named Jeanne (sort of like a young Joan of Arc) who has fits and sees visions. Then we meet the talkative and tall monk-in-training, William - an eleven year old whose unusual dark skin is likely the result of a relationship between his crusading father and a North African woman. Since this is 1242 France, his appearance and supernatural strength immediately have people seeing him as dangerously different. And finally, there’s little Jacob - a wise Jewish boy reeling from the recent death of his parents and just starting to realize his powers to heal others.  Eventually all three are both hailed and condemned as saints and have to outwit and outrun their pursuers. The story is so gorgeously detailed and interconnected that any description I give you of this novel is NOT going to do it justice. You just have to get it and read it yourself.  The fact is there are so so many big and little things I loved about this book, but I have committed to limiting myself to three. I have to start with the illustrations. Just like many real medieval texts had illuminations in the margins, The Inquisitor’s Tale includes dozens and dozens of intricate sketches by Hatem Aly. There is so much to explore there but I think what is most fascinating is the note at the beginning of the novel explaining that the drawings might actually contradict or question the text. That profound mix of humor, philosophy, and yes - savagery. There are gross jokes galore in this book. And I love how that is mixed in with deep philosophical and religious discussions between the children. At one point, Jacob asks that eternal question: Why would a good God let bad things happen?  This is a book about saints and at some point it dawns on the children that most saints are martyred. In high school, I worked evenings in the rectory (the office) at St. Cecelia’s church and during down times, I would read this dusty old copy of Lives of the Saints. And the stories in there were appallingly gruesome - and this novel doesn’t really shy away from the awfulness of that. But, it does give some hope that people with intensely different beliefs might still find a way to work together and be friends. The character twists! I don’t want to say too much and ruin it, so I’m really holding a lot back here, but all throughout this book, you meet the most vile, nastiest characters and then suddenly… it flips and one of the narrators helps you see their point of view. And even if they’ve still DONE terrible things, you have more empathy for them. Then you realize that one of the key characters that have been telling you this story - You. Can’t. Trust.  Ahhhh!  I LOVED it - this book had me gleefully yelling at the pages.   The Inquisitor’s Tale would make a fantastic read aloud, and I’ve heard the audio version is phenomenal. I think this novel is probably best suited for upper middle grade readers about ages 10-14 but I am sure any teen or adult who likes an historical adventure with some awesome fart jokes thrown in is going to really love it!   Wolf Hollow        And finally,  the third Newbery honor book is one that you will not soon forget -  Wolf Hollow by Lauren Wolk.  I think just about every librarian I knew had this book in their hands at some point over the past year, and I finally started it last week and immediately knew I should have read it months ago. For some background, it’s an historical fiction set in 1943 rural Pennsylvania. And it’s about a 12 year old girl named Annabelle whose steady life gets derailed when this vicious, manipulative girl, Betty, arrives in town. She’s horrendous. You hate to speak ill of a child - even a fictional one, but - errr - she is clearly a sociopath or emotionally disturbed. The chain of lying that starts when this girl comes to town is tragic and yet - you could see it coming. I’ve got to say that I adored this book, but there were some times in the beginning that I had to put it down for bit when it got too intense. I can handle almost anything, but when kids are in danger - especially children the same age as my own - I have a bit of a tough time. There are these heart-rending moments when Annabelle is faced with moral dilemmas that would have adults cowering. And - it’s small but there’s this scene where Annabelle is in a clearing in the woods near her home and looking at this large stone with clear quartz veins running through it. And it suddenly hits her that this rock has been there long before her and everyone she knows and will be in the same place long after everyone is gone. And her life is nothing more than a flicker in time.  It’s that moment of cosmic realization that we all eventually go through. I’ll just read a small passage from that page: “And I decided that there might be things I would never understand, no matter how hard I tried. Though try I would. And that there would be people who would never hear my one small voice, no matter what I had to say. But then a better thought occured, and this was the one I carried away with me that day: If my life was to be just a single note in an endless symphony, how could I not sound it out for as long and as loudly as I could.”   That’s the line that I’m carrying forward with me today, this week, and for a long, long time. Closing Thank you so very much for taking the time to join me this week. You can get find a transcript of this show and all of our previous episodes at AlltheWonders.com. And lots of other fantastic resources to lighten your heart and connect the children in your life to books they’ll love.   Thanks again and see you in two weeks!  Bye!

A lot of couples these days have a period of time in their lives where they’re dating long distance or someone is traveling for work (like Stasia is this week) and so they have the task of trying to maintain their relationship over things like the phone, texts, and skype. And it's definitely not always easy. Fortunately, most couples don’t start their relationship that way. Usually there’s a fair amount of in-person time before you deal with anything long distance. However, without giving too much away our guests for Episode 8 of the Our First Drink Podcast, Bryan and Ashley Minear, had a lot of ground to cover before they could finally share their first drink in person after meeting on eHarmony. This interview went way over our normal interview time, but we had so much fun with their story that we just couldn’t cut it down. ourfirstdrink.com/episode8 In this episode Designing One Direction and Frozen Fatheads - enough said. eHarmony marriage bonds despite bitter college rivalries. Beginning a relationship in two different states and the communication skills that come from it. Inspiration that comes from watching your partner do something that takes real gumption. How life can give you a nudge in the right direction. The balance between wanderlust, creativity, and impending parenthood. Our First Drink Couples Quiz List or no list? Who is the straight-man and who is the comedian? Get to work early or stay late? Curate or accumulate? Fight or flight? About Ashley Minear and Bryan Minear Ashley is a Michigan-made marketing manager by day and a combination artist, cat-lover, tea-drinker, and photographer in her free time. She is a soon-to-be mommy and couldn’t be more excited. Bryan is an Ohio-born photographer & designer currently based in Michigan. He spends his free time up early and out late shooting Midwestern city & landscapes. This soon-to-be daddy is still hoping he has matured enough to be in charge of another human by the time the baby comes. Listen to more about Bryan's photography on the Hashtagged Podcast. You can check them both out on Instagram @ashleylminear & @bryanminear as well as their wedding photography portfolio Ashley & Bryan. Thanks again for listening! Best, Josh and Stasia p.s. Win a lifetime sub to Lynda.com + Amazon Voyageur Prizes from our friends at AppSumo. p.p.s. If you liked the show will you help us create an awesome community of couples by clicking on this link to give us a five star rating on iTunes?

Personalized learning—the subject of today’s episode of Ed Talk with Dr. Bob Bravo—aims to help students reach their fullest potential by tapping into their strengths, needs and interests. But what does a personalized learning classroom look like? And what are the benefits of personalized learning? In the podcast episode, Ashley Bryan, Dallas ISD Director of Planning and Special Projects, Julie Robinson, an instructional coach at Cabell Elementary, and Kristen Watkins, a manager of personalized learning, talk with Dr. Robert Bravo, Dallas ISD Chief of School Leadership, about how personalized learning works. The discussion also touches on how a teacher can bring personalized learning to their classroom and their school.

Join Antrese for this fascinating interview with artist Henry Isaacs. Henry talks extensively about color, and his methods. Henry’s landscapes are an exploration of color in which he plays with perspective, and constructs his own world from what he sees around him.He learned to twist horizon lines and think differently from a close friendship with a couple who survived Hiroshima. He pulls ideas and influence from sources outside of the western norm like the Kopanang Trust. A Cooperative of Women Artist/Embroiderers , near Johannesburg, S.A- who work in colorful threads and fabric, or traditional Rwandan art, which he immersed himself in on an extended trip there. But his biggest influence is the exuberant Ashley Bryan a fellow artist and neighbor. http://savvypainter.com/podcast/henry-isaacs

Bryan, Ashley. ASHLEY BRYAN : WORDS TO MY LIFE'S SONG

Ashley Bryan is an eclectic artist who uses painting, poetry, music, collage, and prose to tell stories. Bryan fuses these seemingly separate art forms within his books for children. "I try not to accept walls and boundaries and definitions in a strict way," he says. "I would hope that everything I do is interrelated."Bryan is known for retelling African folktales in a distinct, rhythmic prose that is heavily influenced by African-American poetry. In 1981 his collection of Nigerian folktales, "Beat the Story-Drum, Pum-Pum," received the Coretta Scott King Book Illustrator Award.For more author interviews, visit us at www.readingrockets.org, a national education service of public television station WETA. Funding is provided by a grant from the U.S. Department of Education.