Podcasts about brittany runs a marathon

Now wait a minute. Sometimes we have guests on the show who we IMMEDIATELY want to be best friends with. This is one of those weeks, excuse me. Joining us in The Carriage House is the lovely Jillian Bell! You know Jillian from her countless appearances in projects like 22 JUMP STREET, BRITTANY RUNS A MARATHON, and KINDA PREGNANT. But you can watch her directorial debut SUMMER OF 69 right now on Hulu. It's got a killer cast and it's fabulous! Jillian joins us to give advice on navigating some of life's more interesting moments: a first therapy session and a marriage proposal. Sponsors: We love Born Shoes and their chic, stylish designs. Go to bornshoes.com and use code RONNA for 15% off plus free ground shipping on all full-price shoes. Hair health is whole-body health, and Nutrafol is here to help! Get $10 off your first month's subscription by visiting nutrafol.com and using code BRYAN. Learn more about your ad choices. Visit megaphone.fm/adchoices

Stacey's film work includes: Electrick Children, The Drowning, The Miseducation Of Cameron Post, The Sunlit Night, Brittany Runs A Marathon, and Villains. Stacey has designed for director Aaron Schimberg on three films, including: Go Down Death and Chained For Life, and more recently the award-winning A Different Man, starring Sebastian Stan and Adam Pearson. 

Maribeth's casting work includes the feature films: First Match, Skin, A Quiet Place, Late Night, Brittany Runs A Marathon, Sharper, Bottoms, and A Different Man. Maribeth's television work includes: Mildred Pierce, Olive Kitteridge, and Bridge and Tunnel.

Erin and Stanger review the 2019 comedy Brittany Runs a Marathon. They laughed, the cried, they reviewed.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

With their underdog-against-all-odds-redemption stories and epic training montages, sports movies can be the best source of support when we're deep in the toughest moments in our lives. Earlier this year, when our executive producer, Liliana Maria, found herself surrounded by cancer and death in her close circle of family and friends, she turned to the Michael B. Jordan movie, Creed III, to help her keep going. She kept repeating Adonis Creed's mantra to herself each day: “One step at a time, one punch at a time, one round at a time.” In this week's episode, hosted by Liliana Maria, we share your stories about sports movies like Hoosiers, Whip It, Brittany Runs A Marathon and Cool Runnings, which have accompanied you when you needed them most.

Free Masterclass About Maribeth Fox: Maribeth Fox has worked with Laura Rosenthal Casting for fifteen years and has had the privilege of working alongside major talents like Todd Haynes, Paolo Sorrentino, Oren Moverman, Joachim Trier, Ed Burns, Mindy Kaling, Anton Corbijn, and Lisa Cholodenko as well as up and coming feature directors, Guy Nattiv, Olivia Newman, & Paul Downs Colaizzo. Favorite credits include Olive Kitteridge and Mildred Pierce both for HBO, Jay-Z's music video for Smile, Wonderstruck with Todd Haynes, A Quiet Place, Modern Love for Amazon and Liz Garbus' narrative feature debut, Lost Girls. Two of her three films at the 2018 Sundance Film Festival broke sales records, Late Night and Brittany Runs A Marathon. Most recent credits include Sharper for Apple TV, directed by Benjamin Caron, Bottoms, produced by Elizabeth Banks, Murder Mystery 2 with Happy Madison, and the upcoming A Different Man from Killer Films and A24. How did you become a casting director? I learned how to work with actors, what they need you to tell them, and what they don't need you to tell them about ego. And I just decided to spend five to seven minutes with actors instead of a career with them. So I switched to casting, and I worked for CBS primetime casting for two and a half years, which was a really good learning experience, but corporate wasn't for me. I wanted to do more film, and I wanted to be freelance so my eight-week job with Laura turned into 16 years. How does a casting director get a film job? So oftentimes, we are one of the first people hired and production companies hire us, producers that know us, that know what The material is that we're drawn to. Sometimes we're hired by our directors who you hope to get repeat business if you've worked with them before. The first thing we'll do is read a script to make sure we're creatively aligned and feel like we strategically know how to cast the job. And then we're offered one of two situations. The first situation is. Attach names to this to green-light the rest of the financing. So we do that side, and then sometimes people come attached to a film, which is wonderful news. And they're like, “We just want you to cast this movie if you like it. And this is who's doing it.” So we're normally found by producers and directors, and we're one of the first hires. So, just a question I have: if you are asked to attach a name talent, and let's say it's one part, let's make this real simple, Sure. How long does it generally take to cast a film, would you say, to attach that kind of name talent if it's a good script? It's a long time. It's a long time, so much so that Laura has received producorial credit on quite a few of her features because of the time, attention, and effort it takes to get those attachments in place. You think about somebody, let's say you're offering something to somebody like Julianne Moore. It could take a month for her to read it. Not because she doesn't read quickly but she's got a lot going on. And somebody of that ilk, their whole team, has to read it. She has to read it. Everybody has to have an opinion. They have to have a discussion about it. And so we try our best to set respectful boundaries with agents and managers to say, “We really need this to be read by this time.” But if a creative team is invested in a certain person, oftentimes, that deadline will stretch. So you could be with one actor for a month or more. We try to get them sometimes to line up like their top three for each part if we're doing more than one part so that if there is a pass, it's not an utterly crushing situation. The producers knew that a writer strike was imminent, and I was a little shocked to hear what you said, that you stopped getting calls about six months before. Can you talk about that and what that was like? It's helpful to know just in terms of our similarity to what actors go through that a lot of our business is independent film and that really continued. That was not a problem. We were still getting calls. We were still getting pings for that, but in terms of the book of business that would streamers and network, which is a lot of people's businesses, they anticipated the strike. And normally, we have no shortage of things to read, think about, sign on to, or not sign on to. And I think all casting directors experienced a similar shut-off. That was very different than the strike in 2008 where we were out of work for a little while, but no big deal. But yes, like the work has been. It's been different this time around. How has it been different, do you feel? So I think a lot of people feel, there's a lot of feelings this time around. Where, as there should be, right? I obviously heartily support the actors and what they're going through, and it's, it's time, right? It's time to do this and ensure everybody gets what they're owed fairly. And also, I think there is, within the SAG interim agreement, there's some stuff where I think we all need to work together in community to understand what everybody does and what everybody is going through and maybe have a little bit of empathy and open conversation and understanding because right now, it has felt a little bit of an angrier time and I understand it. Also, It's hard to think about what life will be like after the strike ends, and I don't know. I think a backlog of projects stopped right before the strike or started to shoot, not believing the strike would fully happen. And those are the things that are going to start to go first. And those things are already crewed up. So, from my perspective, could it be an influx of new work? Maybe. I sure hope so. But also, we have to think about all the stuff that got interim agreements is stuff that mostly was already staffed. And so I wonder how much the huge influx, or if it's just going to be figuring out what's actually going to shoot now and what's going to be put to the side. The great news is that I think you're right about the flood. And actors will feel it. And start to work and self-tape again. And hopefully, it'll get back to business as usual. And I think what's very important for actors to understand is it's not only you who is on strike, it's everybody. I'm so proud to stand with the actors that I love and support in my day to day. And absolutely, we are with you a thousand percent. And also, it's real, right? Many people have turned to survival jobs that they haven't had since they were 22. Everybody's done. Employment is out. And you live in an industry town, so every business is thoroughly affected by the lack of availability of income for people. The actors are the ones who are fighting and are going to get the benefits but do remember when you get on the set, there were a bunch of other people who were fighting right along with you, who are not going to get necessarily, the benefits that you were fighting for. They were supporting you, but the hairdressers aren't going to get any more pay, or hair stylists, the grips aren't going to get anything. I think that AI is an existential crisis for actors, and I don't think that is something I cannot give up my voice and my likeness and have you pay me once and that be okay, so I do think it's a worthy fight and as you said, it's a definite fight. I also think it's in the forefront of what humanity will be dealing with. Bartenders will be dealing with it, taxi drivers will be dealing with it, it just has come. Not here first, but here. We don't do any background casting, and I don't know what that life is. But I do think about that entire loss of an industry. That will go first, right? And it already has started to go. They take your picture; they can pump you in if they need an arena full of people. I've had many family and friends during this time try to like talk in a fun way about chat GPT and those types of services. And they're like, have you played around with it? I'm like, no, I don't want to help it get smarter. And I think it will have real ramifications, and it already is having ramifications for our industry. No, I'm not going to hang out on that service, but thank you so much for asking. What do you want actors to know [00:18:00] about self-tapes? So many things. The first thing is it's a grocery store sample. If you're at Costco, yep, that's exactly right. If you're at Costco and the old woman is serving you pizza, you're not going to steal the whole pizza. You're going to take your sample of a square. We do not expect a fully baked moment for a self-tape. I think artists are artists, and folks are getting bored. And so there's a lot of Heavy wardrobe, heavy movement choice the ability and the time to make almost like a short film. It's not the job. A self-tape should look different than how you would behave if you're on a set with a DP. I think the other thing that I've noticed that I've started to see as self-taping goes on and on, as a public service announcement for actors, is... You're getting too good at them, and I'm going to explain more. I think actors are really great at self-taping now, and it can almost feel robotic at times. Because they've gotten so good at knowing and thinking about, their mentality has shifted from what I want to put forward as an artist that's unique to how can I get this job by thinking about what they might want. And so then they know what pace to do. They know what tone it is. They've done their research and all of those brave, bold choices start to get ironed out and it's safe acting work. It's still beautiful work, but it's safe because they're so good at it. They know exactly what they might want instead of infusing their own artistic uniqueness in the mix. And I think casting directors hear the plight of actors, and I think something great that's going to come out of the strike is, I think there's going to be more options offered. So some actors love the self-tape process and bless, please, if that's how you feel comfortable, wonderful. I will still take time to adjust you via Zoom. If you need an adjustment, if I get your self-tape and there's something close to there, I will still take time for you on Zoom and say, hey, and we'll workshop it together. But then there's, we really do hear actors that they want more of us again. I do think that in-person chem reads and callbacks will start to come back. In the meantime, I think casting directors are far more open to reopening Zoom rooms, to make sure that we're available in some tech-helpful live way so that we can make better connections with actors. I still get lovely, vibrant self-tapes on everything that I do. But generally, I think, there's a mindset that I've been thinking a lot about that actors carry that is, I think trained into a lot of people that it's just a scarcity mindset. And so you come out of school and you're told that your job is so hard. There are so many people competing. You're in constant competition. There's not a ton to go around. SAG releases their statistics that only 3 percent of actors are working. And it creates this mindset that can be helpfully hungry and eager. And it can also really destroy the artistic spirit of what an artist has to offer. I think within that scarcity mindset, the goal of this is how I feed my family. This is how I gain health insurance, pension, and welfare. And I can't make that brave, bold choice because we don't have a casting director anymore. You don't have us in the room to be like, “Okay, let's just do that a little bit faster here. I know the director wants this. Let's just clip it up.” Or give you a simple redirect that could really change your performance. Now, a lot of us are doing that. We are adjusting people who give great self-tapes. Actors feel like I've got one shot at this. I'm sending it off into the void. It better be exactly what I think they want. The one thing that I have always stood by is that it's one audition in a lifetime of auditions. I am going to get the opportunity to audition again, and there is enough work for everyone. What's important for me is what's going on in the work. People ask me, “what do you look for in an actor?” And I'm like I'm looking for the actor who shows up a bit early, not too early. Knows they are, knows themselves. They are good at their job and I'm also looking for someone who when the work starts, they're focused on the work and not what I think of their work. Actors do have it tough in the sense that, it's the only art form where you have nothing to stand behind. You're not painting a picture to show me. You're not singing a song, which is separate from your acting. You're not doing a dance, which is your body and your emotions. But it's just you; it's just your subjective raw emotion. And I think what a lot of actors specifically, I love my New York actors in our market, they've all been to school. They're all crafty, great actors. And I think that a lot of actors think, “Gosh, I must be doing something wrong.” And so much of film and television is just subjective look-based. If you're in an audition with me, you're probably a well-trained, good actor. And so it's not about someone being such a better actor than you are. It's about the dinner party atmosphere we're trying to create. And somebody was a better fit. So we invited that person to the dinner party and not you this time. And that's hard. You can be the most talented actor in the world. You get the opportunity, but ultimately it does come down to who doesn't blink at the end. And I also feel that it's the person who knows they are good at their job. And what I want to give actors the perspective of is, you know what? Maybe you're doing everything right. Maybe you're doing everything right. And you just need to keep doing that. Because a lot of times, it's about what's being written. Are there roles for you right now that really fit your marketing package and your type? Do you fit the world? With our eyeballs. And so that has nothing to do with your craft a lot of the time. You do have to think about this as a business. And so you think about putting somebody on set, and when we get to cast somebody and it's their first job on a set like that's a great day. There is like buoyancy and adaptability that we're looking for in people to be able in that callback setting to turn something on their head if needed, to be able to take direction quickly. And if they're not understanding what we mean or what the director means, ask a question. Nobody's going to think you're stupid. Nobody's going to think you can't hear it well, or like that you don't agree. It's okay. We all have days when we're not that great at our jobs. If I give an actor a direction that's not clear, I don't want them to yes to me and nod their head. I want them to ask me a question and follow it up. If you're not understanding, then the two takes are going to look exactly the same. Read the directions out loud. I think it's really important that when you get a breakdown and, they say, submit it this way and, specifically, do your slate at the end. One of the things that I encourage the actors I work with is to really, read the directions out loud, then you know you've heard it, and highlight anything that's specific. Speaking of breakdowns, I think. A lot of times, people's focus on the breakdown will be the small adjective-filled description that we write instead of knowing that if you've got the audition, the breakdown has already done its job, that part of your job has already been done, your agent or manager or you submitted yourself based on the breakdown. I saw your headshot. I selected you. Now it's done. So you briefly look at the breakdown and ensure you're in the realm, but actors often get old breakdowns. And it's not because we're lazy. It's because we don't want to resubmit a breakdown with a subtle change to hundreds of agents and managers. So if an actor gets a breakdown and they're 55, the breakdown says 30 to 40, they freak out or they think their manager or agent isn't doing a good job. It's you just got an old breakdown; you don't have to worry about that anymore. Focus on the work.

On this episode we examine a conspiracy designed to people in the "Hood" and then we follow a young woman getting her life together by simly. The Cloned Tyrone can be found on NETFLIX, while Brittany Runs a Marathon can be found on AMAZON,

Welcome to Season 4 of What's My Frame!! We have an extra special conversation to kick off the season; today I'm joined by New York Casting Director, Maribeth Fox.  Maribeth has been a part of the Laura Rosenthal Casting office for over fifteen years; working alongside major talents like Todd Haynes, Paolo Sorrentino, Oren Moverman, Joachim Trier, Ed Burns, Mindy Kaling, Anton Corbijn, and Lisa Cholodenko as well as up and coming feature directors, Guy Nattiv, Olivia Newman, & Paul Downs Colaizzo.   Some of Maribeth's favorite credits include Olive Kitteridge and Mildred Pierce both for HBO, Jay-Z's music video for Smile, Wonderstruck with Todd Haynes, A Quiet Place, Modern Love for Amazon and Liz Garbus' narrative feature debut, Lost Girls. Two of her three films at the 2018 Sundance Film Festival broke sales records, Late Night and Brittany Runs A Marathon. Most recent credits include Sharper for Apple TV, directed by Benjamin Caron, Bottoms, produced by Elizabeth Banks, Murder Mystery 2 with Happy Madison, and the upcoming A Different Man from Killer Films and A24. When I say today's conversation fed my soul as an actor, I'm not exaggerating! It was pure joy to listen to Maribeth's stories, experiences casting and compassionate understanding of actor's work... Now let's get to the conversation!! Additional links: Millicent Simmonds, Wonderstruck's interview Millicent Simmonds shares the role that changed her life Bottom's Trailer // premiering August '23 -- Hosted by Laura Linda Bradley Join the WMF creative community now! Instagram: ⁠⁠⁠⁠@whatsmyframe⁠⁠⁠⁠ TikTok: ⁠⁠⁠⁠@whatsmyframe⁠⁠⁠⁠ ⁠⁠⁠⁠IMDb⁠⁠⁠⁠ ⁠⁠⁠⁠What's My Frame? official site ⁠⁠⁠⁠ ⁠⁠⁠⁠Join our monthly newsletter!⁠⁠⁠⁠ What's My Frame? merch; Coming soon!! --- Support this podcast: https://podcasters.spotify.com/pod/show/whats-my-frame/support

Body Image & Letting Yourself Go: Brittany Runs a Marathon It's frustrating when an injury or illness interrupts a personal goal, especially when you feel that you've “let yourself go” and failed to meet your own personal expectations. Sarah tackles the big “b” (body image) in this episode of Screen Cares, and shares how Sundance Film Festival Audience Award: US Dramatic winner, Brittany Runs a Marathon (2019) - IMDb can remind you that unlike in an athletic race, finish lines can be fluid and adaptable.  For those who are Deaf or hard of hearing, please visit this link for the transcript of this episode of Screen Cares: Episode Transcript Episode Page with Pictures Episode Host: Sarah Woolverton-Mohler Co-Host: Jennie Ziverk Carr                 Screen Shares Rating:  Brittany Runs a Marathon is an entertaining Buddy Screen to enjoy with friends, especially those who might personally relate to the struggles of body image, weight, and more. Screen Sparks: When you let your guard down, you invite connection-building conversation that's meaningful and beyond the how-is-the-weather surface-level chat. Use our Screen Sparks to discuss Brittany Runs a Marathon, body image, pushing through vs. setting limits. Check out our socials pages (Facebook, Instagram, Twitter, and Youtube) share your thoughts with the Screen Cares Community this week. Have there been any people or experiences in your life that have led you to question your body? Where is the line between pushing yourself and hurting yourself?  How do you talk about body image and related issues with your kids?   Resources & Background Sarah and Jennie encourage you to check out the fantastic podcast, Maintenance Phase, for thoughtful, irreverent and engaging conversations about wellness, health, and more! Sundance Film Festival's award winners are a great watch. Check out this complete list! Behind the Scenes Sarah's goals derby avatar-so cool, so dynamic. Teamwork makes the literal derby dream work- Sarah's amazing derby team friends. Putting in the work in the most joyful-yet intense- way at derby practice.      

Idag plockar vi upp frågor som ni skickat in till oss + att Mange får 4 snabba. Filmen vi pratar om i podden heter Brittany Runs A Marathon. En Tyngre Podd! handlar om övervikt. Ett växande problem i vårt samhälle som vi vill förstå bättre och även inspirera andra. Mange och Pischa är två populära coacher med helt olika bakgrunder men som sammanstrålar i en DUO som vill hjälpa människor mot en bättre hälsa och relation till sig själva. Podden kommer även gästas av personer som på ett eller annat sätt berörs av ämnet övervikt. Du som lyssnar på vår podd får gärna betygsätta den på den plattform du lyssnar på – lämna gärna en recension. Då blir podden mer synlig för andra plus att vi värdar blir glada.

If you haven't watched Brittany Runs A Marathon then do so!  We base this episode around the narrative of this movie - taking responsibility for your health, fitness, wellness and lifestyle choices in order to be able to achieve awesome things.  As we run through the movie plot we reference similarities in our own lives and pivotal moments where we have made the choice to "put on the shoes and start with one block" (you will have to listen to get that one!). Happy listening!

Nos desenvolvemos a través de nuestros cuerpos y sobre estos recaen distintas presiones sociales. En este episodio de Política Ficción nos acompaña la Anahí Reynaga, licenciada en cultura física y deportes, para hablar de Brittany Runs a Marathon. Hablamos de actividad física, fan shaming y las cargas alrededor de los diferentes tipos de cuerpos.

Chris, Lisa, and Ken speak on their thoughts and feels from watching the movie Brittany Runs a Marathon.IMDB movie description: A young woman decides to make positive changes in her life by training for the New York City Marathon.DirectorPaul Downs ColaizzoWriterPaul Downs ColaizzoStarsJillian Bell - Jennifer Dundas - Patch Darraghhttps://www.imdb.com/title/tt7671064/----- Do you have a movie or show you would like us to review? Send it to us at theweightingroompc@gmail.com

Friend of the Pod Mike Pagano isn't just into space and Nasa, you know. M-Pags shares his own inspiring health journey, as the Chumps reflect on Brittany Runs a Marathon, a film that's ABOUT running...and NOT about running. The Chumps tackle: -the Oscar nomination mistakes/snubs -self-worth, mind & body-the film's use of social media/texting as a storytelling device-that NYC Marathon sequence-PLUS: the best way to answer when the waiter asks if you want to see the dessert menu

HAPPY NEW YEAR! 2022 Babbyyyy! The girls catch up on their time over the holidays. Then they discuss the 2019 romcom Brittany Runs a Marathon to which they both bawled their eyes out. An inspirational, hopeful, new kind of transformation romantic comedy that tackles how society views body image, habit building to make change, and self sabotage. The girls end with some intentions and thoughts for the year ahead! romcomedians@gmail.com @romcomedianspod @abbeyfinch @_jennyjennings  

In this episode, Jeff and Steph check out Brittany Runs A Marathon. Will the marginally likable Brittany lose weight, run a marathon, find some great friends, get the man of her dreams and turn her waste of a life around? Well, what do you think?

Jingle The Christmas Clown, Tomie dePaola (Amazon)Brittany Runs A Marathon (Amazon Prime)Angela's Christmas (Amazon Prime)The Expanse Season 6 (Amazon Prime)The Expanse: Leviathan Falls, Book 9 (Audible)

If God had intended us to run, he would have given us chafe-prone nipples. This episode the Fogies experience the full force of a mid-life crisis (or is that RE-experience) from watching Brittany Runs a Marathon. Is it emotional abuse to cheer someone on for an activity that can splinter your shins?

Cuando el equipo gana, no se toca, por eso: Una semana mas en donde juan y Andres nos hablan sobre lo que vieron en la semana

Shelly & Son invite you to our new episode covering one of her picks, arriving next week!

This week on BEFORE THE BREAK, the boys sit down with the a true working actor, Patch Darragh. Patch has had recurring roles on such shows as Succession, The Path, The Loudest Voice, Everything Sucks!, Longmire, Boardwalk Empire, and Limitless. He's also appeared in the films Brittany Runs A Marathon, Sully, The First Purge, and Let's Be Cops. We discuss getting the bug from doing skits on the football team, moving to NYC at 18 to attend The Juilliard School, gaining more normal life experience to be a stronger actor, working with Meryl Streep, being burnt out after 4 years of school, the stress of asking Clint Eastwood for another take, and the sense of community as a series regular. That and much more! Follow Before The Break - on Instagram at @beforethebreakpodhttps://beforethebreak.buzzsprout.com/Follow Patch -on Instagram at @patchdarraghFollow Tommy -on Instagram at @tommybeyondhttps://www.tommybeardmore.com/Follow Adam -on Instagram at @thatadamdecarlohttp://adamdecarlo.com/Don't forget to subscribe, leave a review, and give us a rating!

You"ll run a mile when you hear this mess! Mauries joke, Brain Game and Joke of the week of course as well

Brittany Runs a Marathon é um filme de comédia americano de 2019 escrito e dirigido por Paul Downs Colaizzo, em sua estréia na direção. Baseado em um história real! Incrível e cativante, realmente inspirador. Este mini podcast pretende te ajudar a escolher o que assistir hoje no no seu aplicativo de streaming. Afinal, quantas vezes você já se viu paralisado em frente à tela inicial dos aplicativos sem saber o que escolher diante das tantas opções disponíveis? Abra a playlist deste podcast no seu tocador, selecione o modo aleatório e deixe a sorte decidir afinal o que assistir hoje. Com Marina Mentz. Este podcast é uma produção de Bisque Laboratório Criativo.

Should you watch ‘Brittany Runs a Marathon' from 2019? I mean...I am puzzled by this one so in the words of LeVar Burton don't take my word for it. Ugh. A young woman decides to make positive changes in her life by training for the New York City Marathon. Also this episode is sponsored by SMOOTHMYBALLS.com. No really. Use promo code POPCORN15 for 15% OFF! Lace up your sneakers and get your nipple tape and let's get to it! Enjoy!

Let's go to the movies!

Most of us, at one time in our lives or another...or maybe many times, have gone on a diet. Whether we followed a formal "plan" or just tried to make ourselves eat healthier, it was likely coupled with a few conversations of "why did you do that?" and "you can't do this until you do that." What would happen if you let it all go? If you removed these thoughts and even the diet itself? This week Jenn sits down with Camille Martin, RD to discuss letting go of the diet mindset. Camille's story is powerful and one many of us can relate to. Then Jenn and Camille break it down so we can all start to let go...in the best way! Listen now, you'll love this conversation.  Outline:Welcome back & meet Camille Martin, RDCamille's storyFirst diet at age 12An eating disorder in collegeFinally deciding to quit dietingDefining the "diet mindset" & Why letting go of it is critical for our long-term wellbeingWhat created our diet mindsetMedia, models, celebrities, social mediaHOW to let go of the diet mindsetSetting different goals & break them down into small stepsBrittany Runs a Marathon movieGet out of the eat/shame cycleEmbrace, displace, replace to change habitsChanging our thoughts (and inputs)Understanding the time-delayHabits to assess that seem unrelated to our food, our weight, our healthLinks:Become a MemberConnect with us! FB Page & Private FB Group & Jenn's InstagramTake the free Weight Loss Profile, Jenn will send you a Menu PlanCamille's Website, IG, FB & TwitterQuotes:"I was willing to accept the possibility that I was gonna gain weight because I wasn't gonna restrict myself anymore, but that would've been preferable to the mental, emotional and physical abuse that I was putting on myself." - Camille Martin"I'm not gonna be mean to myself. I'm gonna get up every day and do whatever I feel like doing." - Camille Martin"Diet is one big 'should.'" - Camille Martin"All dieting is resistance...and all you're looking at is what you hate most about yourself." - Camille Martin"You are not your weight." - Jenn Trepeck"The hang-up in diet mentality is wasting our potential." - Camille Martin

We're deep diving into filmography of some top tier film makers this week on Culture Bucket! Join us as we count down our top 5 Coen Brothers movies. Will we even get to the top 5, or will events spiral so wildly out of our control that all we can do is sit back and laugh at the impersonal cruelty of fate? You'll have to listen to find out! We've also got a stellar culture catch up for you, the return of MyTube and the usual homework discussion. Make sure you listen! Links to our letterboxd and a few other places can be found in our bio, check it out to see our various film lists, kept there for posterity. Catch you on the flippity flip. Spoilers below Culture discussed in this week's culture catch-up:  A Way Out, It Takes Two, Run, Palm Springs, Saw, Brittany Runs A Marathon, Emma, One Child Nation, Harry Styles - Fine Line MyTube links: Harry Styles - Watermelon Sugar live at the Grammys Ashnikko - Daisy 2.0 Feat. Hatsune Miku Wolf Alice - The Last Man On Earth (Live on Later) If you would like to add to the discussion please join us in the following places: ----more----Facebook: https://www.facebook.com/culturebucketpodcast ----more----Join our Facebook discussion group at: Culture Bucket Bucket Squad on facebook ----more----Twitter: https://twitter.com/CultBucketPod ----more----Instagram: https://www.instagram.com/culturebucketpodcast/ ----more----Email: culturebucketpodcast@gmail.com ----more----Letterboxd: https://letterboxd.com/CultureBucket/ ----more----Spotify: https://open.spotify.com/user/wd0xyllzxj6ftwi25hfwgjapv

Welcome to another episode of Movies that Make Us! We’re continuing ourtheme of growth, change, overcoming obstacles, and movies that make usfeel good with this week’s episode featuring Brittany Runs a Marathon.In this film, Brittany (Jillian Bell) lives in New York City and struggles withher weight and self esteem. She sets out to better herself and eventuallywants to run in the New York Marathon. It’s much more than the typical outof shape funny character that then changes and loses a ton of weight andeverything is perfect. Brittany struggles and there are times where she isnot a good person, but she overcomes the setbacks and struggles tocontinue to grow. It has more language than the typical movies we review,so we want to alert you in case that is something you are cautious of. It’sfunny, it’s heartbreaking, it’s got some real depth and is one heck of a filmdebut for director Paul Downs ColaizzoWhat are your thoughts on the film? As always, you can reach us atpodcast@moviesthatmakeus.com.Did you miss the video premier of this episode? Be sure to subscribe to ourYouTube channel, and then click the little bell to receive notifications whenwe add a new video or go live.You can also follow our Facebook page so you can receive notifications fornew audio or video of our episodes. Sometimes we are even live onFacebook, so you can give us feedback right then and there. It’s prettysweet.As always, thank you for listening, and for now, we won’t see you at themovies… See acast.com/privacy for privacy and opt-out information.

I thought it was going to be a goofball comedy but got a great dramedy with a fantastic performance.

Spling reviews Meisies Wat Fluit, Herb & Moon and Brittany Runs A Marathon as broadcast on Talking Movies, Fine Music Radio. Spling Movies

Spling reviews Meisies Wat Fluit, Herb & Moon and Brittany Runs A Marathon as broadcast on Talking Movies, Fine Music Radio. Spling Movies

On today's episode, the siblings talk Amazon Original and 2019 Sundance Film Festival Audience Award-winner BRITTANY RUNS A MARATHON, including Jillian Bell's fat suit, The Biggest Loser, and marathons as emotional manipulation. Contains spoilers. Thank you for listening and your support of OR WHATEVER MOVIES. Our 19th bonus episode! Be a Movie Friend and get access to our discussion about BRITTANY RUNS A MARATHON! Learn more about your ad choices. Visit megaphone.fm/adchoices

"Brittany Runs A Marathon" was a 2019 dramedy starring Jillian Bell, which tells a story about one woman's journey from a directionless life to a triumphant purpose. Based on a true story, Brittany's tale teaches a valuable lesson in making changes, accepting help when offered, and discovering that the only way out is through.

Rod and Justin discuss the Jillian Bell comedy, "Brittany Runs A Marathon."

I recorded this episode right after watching Brittany runs a marathon.

This week, we have a spoiler-free discussion about Jojo Rabbit. We tend to love everything Mr. Waititi does but did we love this one? Tune in to find out. We also chat about Dora and the City of Gold, Brittany Runs A Marathon, Won't You Be My Neighbour?, Nancy Drew and the Hidden Staircase and A Deadly Adoption. marriedwithclickers@gmail.com  

It's a new year but we're talking about an old story. This week we discuss the latest take on “Little Women” as well as give some quick takes on some other 2019 movies we've just recently seen. 00:00 - Intro 02:35 - Recently Seen 2019 Movies19:20 - Little Women40:00 - Spoilers45:45 - Takes1:00:05 - Reels1:02:42 - Next Episode1:04:09 - OutroIf you haven't already, become a “Reel Friend” and follow us on Twitter, @reelgay and Instagram, @reelgaymovieshow and like our page on Facebook. Also, wherever you listen from, please subscribe and give us some feedback. You can also send questions or comments to reelgaymovieshow@gmail.comWe have merch! Go to http://tee.pub/lic/reelgaymovieshow and pick up something today!

Topics Include:Two very different Thanksgivings and two very different Black FridaysThe Ghostbusters 2020 title revealThis Week In Trailers:Black WidowNo Time To DieThe Boys Season 2What We've Been Reading:Batman #84Nathan's Question Corner:If we could be a new character in any movie, who would we be?What We've Been Watching:The Mandalorian 1x04Tough and DeadlyLast ChristmasBrittany Runs A MarathonGoodfellasFeatured Movie Review: The IrishmanFeatured Movie Review: Star Wars Episode V: The Empire Strikes BackSIDETRACK: Let the force be the forceFeatured Movie Review: Star Wars Episode VI: The Return of the JediFeatured Movie Review: Knives OutRuntime:  2 hours, 50 minutesWARNING: The Sidetracked Podcast contains spoilers and dirty words.

OV301 - Extended Potpourri - Disney+ Launch, The Boys, Brittany Runs a Marathon, Breakfast at Tiffany's, Joker, El Camino, Tag, Shameless, We Shall Not Die Now, Standing Up Falling Down, Always in Season, and Summer Night Apple Podcasts Google Podcasts Stitcher Direct Download Link This week, Tiny and I catch up on what we've watched lately with an Extended Potpourri episode. In it, we discuss Disney+, The Boys, Brittany Runs a Marathon, Joker, El Camino, and much more. This week's stinger comes from our Patreon-exclusive recording: 054 - OV B-Roll - “What is Pepperoni?!” - Family Guy, Movies We're Excited About, Tiny's Work Trip to Louisville - November 13, 2019 Timestamps Show Start – 00:29 Disney+ Launch - 02:04 Extended Potpourri - 25:55 Tiny: The Boys (Amazon Prime) - 26:27 Matt: Brittany Runs a Marathon - 32:04 Tiny: Tag - 36:59 Matt: Joker - 40:50 Tiny: Shameless (Showtime) - 49:28 Matt: Summer Night - 55:01 Matt: El Camino: A Breaking Bad Movie - 1:01:07 Tiny: Breakfast at Tiffany's - 1:09:55 Matt: Always in Season - 1:14:19 Matt: We Shall Not Die Now - 1:18:12 Matt: Standing Up, Falling Down - 1:21:20  Closing the Ep - 1:24:20 Stinger: “What is Pepperoni?!” - 1:25:48 Pre-Recorded Outro - 1:26:40 Related Links As Good As It Gets - Modern Parlance Matt's Doctor Sleep Review - Hypable Matt's Disney Plus Letterboxd List - Letterboxd Disney Plus Surpasses 10 Million Subscribers on Launch Day - IGN  Help Support the Podcast Our Facebook: The Obsessive Viewer Official OV Merch: Our TeePublic Store Matt's Twitter: @ObsessiveViewer  Matt's Letterboxd: ObsessiveViewer Tiny's Twitter: @ObsessiveTiny  Tiny's Letterboxd: ObsessiveTiny Mike's Twitter: @IAmMikeWhite Mike's Letterboxd: IAmMikeWhite Fekkes' Instagram: Nerdster330 Kyrsten's Twitter: @Burger_Lurker Mike's Band: As Good As It Gets  Obsessive Viewer - The homepage for all the things we do. Obsessive Viewer Presents: Anthology - Matt's solo podcast exploring science fiction anthology storytelling in television's first golden age starting with The Twilight Zone. Apple Podcasts - Google Podcasts - Stitcher - Twitter Obsessive Viewer Presents: Tower Junkies - Our spinoff podcast dedicated to Stephen King's magnum opus, The Dark Tower and related topics. Apple Podcasts - Google Podcasts - Stitcher - Twitter Shocktober in Irvington - Our yearly event screening of short horror films from Indianapolis filmmakers to support the Irvington Historical Society Loudlike “Mistakes We Must Make” EP on iTunes - Our theme song is “An Eclipse of Events.” Grab Loudlike's EP and hear the full version of our theme. Episode Homepage: http://www.obsessiveviewer.com/OV301

This weeks podcast we gather in The Raven and discuss movies we watched this week. Le Mans 66, Brittany Runs A Marathon, The Aeronauts, The Kindergarten, Little Monsters, and Netflix show The Devil Next Door

Brittany Runs a Marathon is about a woman who is living an unhealthy life and is committed to turning it around by running the New York City Marathon.

Brittany Runs a Marathon is about a woman who is living an unhealthy life and is committed to turning it around by running the New York City Marathon.

And that's the half century! We celebrate 50 episodes of the Balance podcast with a belter: Brittany Runs A Marathon star Jillian Bell and writer/director Paul Downs Colaizzo. The themes of this film are so pertinent to us at Balance: personal development, self belief, cutting toxic friendships, goal setting and so much more. And so what a thrill it was to be able to chat with Jillian and Paul about a very special movie. Brittany Runs A Marathon is in cinemas from 1 November - we strongly recommend you go and see it. See acast.com/privacy for privacy and opt-out information.

'Brittany Runs A Marathon' is a a welcome twist on the 'nottie to hottie' trope in a lot of female-focussed comedies. Star Jillian Bell and the filme's writer-director Paul Downs Colaizzo sit down with Fiona to talk about the marathon of making the film, and watching it take off around the world. (Fiona is flying solo while Ben is away on the French Riviera. He'll be back on deck next ep).

The Spill is Mamamia's daily entertainment podcast that catches you up on everything in entertainment and pop culture. It's snackable and perfect for your commute home. On the show today… A new comedy called Brittany Runs A Marathon is out in Australia today, so why will it bring audiences to tears?   Britney Spears is launching a new pop-up experience, but what does this really say about the iconic singer's legacy?  And of course, we had to do a recap of our favourite celebrity Halloween moments from 2019! CREDITS Hosts: Kee Reece & Laura Brodnik Producer: Hannah Bowman WANT MORE? Read all the latest entertainment news on Mamamia... https://mamamia.com.au/entertainment/ Follow us on Instagram @mamamiaentertainment https://www.instagram.com/mamamiaentertainment/   Join our Facebook page... https://www.facebook.com/mamamiaentertainment/ GET IN TOUCH Call us on the pod phone 02 8999 9386.  Email us at thespill@mamamia.com.au  Want to hear more Mamamia podcasts? You'll find them here... https://mamamia.com.au/podcasts     See omnystudio.com/listener for privacy information.

Zerstören. Erziehen. Verzaubern - keine ausrastende Kinowoche! BAYALA - DAS MAGISCHE ELFENABENTEUER bringt „Schleich“-Werbung auf die Leinwand, während die ADDAMS FAMILY ihren eigentlichen morbiden Charme vermissen lässt. Wir schauen derweilen BRITTANY RUNS A MARATHON und fragen uns wie einst Loriot: Ja, wo laufen sie denn? LIEBER ANTOINE ALS GAR KEINEN ÄRGER tönt es farblos aus Frankreich, wohingegen ZOROS SOLO in seinem außergewöhnlichen Ton wunderbar und relevant nachklingt. In TERMINATOR: DARK FATE wird es dunkel im Action-Kosmos. Arnold Schwarzenegger jedoch erstrahlt. Unsere allgemeinen Datenschutzrichtlinien finden Sie unter https://art19.com/privacy. Die Datenschutzrichtlinien für Kalifornien sind unter https://art19.com/privacy#do-not-sell-my-info abrufbar.

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A hard-partying woman receives a startling wake-up call when a visit to the doctor reveals how unhealthy she is. Motivated to lose weight, she soon takes up running to help her prepare for her ultimate goal of competing in the New York City Marathon. --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app

監督の元ルームメイトに起きた出来事をベースにしたコメディ作品『Brittany Runs a Marathon』の邦題を考えてみました。 ▼公式予告編 https://youtu.be/Ks_HSj1UqKI Song: Kawaii Party - Mike Snow Music provided by Ninety9Lives Video: https://youtu.be/aR_fn9hyWtg Download: http://99l.tv/kawaiipartyYU #洋画の邦題考えます

A bunch of new films (mostly good!) to check out this week with Hope and George!

Comedian Jillian Bell (“Sword of Trust”) gives an impressive performance as an overweight Manhattan party girl who makes some dramatic lifestyle changes in the comic drama “Bittany Runs a Marathon.” […] The post Take Two: “Brittany Runs a Marathon” (R) appeared first on KKFI.

Lexy and Nicole discuss Brittany Runs A Marathon, the movie's relatable story of Brittany's struggle, our appreciation for Jillian Bell's non-stereotypical Hollywood body, and the body positivity movement and it's issues with weight loss. Read about some of the flak the movie caught for its weight loss story line in Quartzy and Runners World. Also read Shauntay Snell's story of being heckled during the NYC marathon. Lexy recommends Jazzmyne Robbins on Buzzfeed. Nicole recommends two This American Life episodes: If You Don't Have Anything Nice to Say, SAY IT IN ALL CAPS and Tell Me I'm Fat. Check out our website where you can sign up for our newsletter and visit our store, talk to us on Twitter, visit our Facebook Page, and please leave a review for us on iTunes.

Jillian Bell stars as Brittany Forgler, a broke and down-on-her-luck woman in her late 20s who moved from Philadelphia to New York to pursue a career that didn't quite pan out. Her quest for success doesn't motivate her so much as dropping out for fear of failure. She has a job she is ill-suited for and is overweight, spending much of her time living in the shadow of her perky and pretty roommate Gretchen, going to clubs where she buries her feelings into a toxic combination of drinking, drugs, casual sex, and less-than-healthy food. A doctor's visit to try to score some Adderall leads her to discover that her weight has gotten quite far away from her, to the point where it is affecting her health, both physically and mentally. She needs to lose about 50 lbs. to get to avoid further health issues of a BMI in the obese range. Due to the high cost of joining a gym without much income, Brittany begins jogging for exercise, starting with a trip around the block, but discipline is a challenge, as is putting herself out there for the world to see. She soon joins a club for runners in the city along with her soon-to-be-divorced neighbor Catherine (Michaela Watkins) and her newfound and newfound running friend, Seth (Micah Stock). She even gets a new job dog-sitting for some well-to-do types who are away for long periods, where she meets the ultimate slacker co-worker in Jern (Utkarsh Ambudkar), who convinces her to squat in their employers' abode. To keep her motivated, she and her friends set out to compete in the next New York City Marathon, but to do that requires the kind of discipline she's never known up to that point in her life. Paul Downs Colaizzo writes and directs this comedy-drama.

Happy Monday everyone! We gotta discuss what happened at the box office this weekend. Hey, anything to make Monday a little better! Thanks for joining the No-Guilt Fangirls Podcast Monday Movie Minute for September 9, 2019. Topics this week (including parent movie reviews- you gotta know if these are safe for kids, right?! Right!) IT Chapter 2 Parent Movie Review Brittany Runs a Marathon (LOVED IT, runner friends!) Nancy Drew and The Hidden Staircase  Also: Overcomer review from my friend Lolalambchops

Producers Tobey Maguire and Matthew Plouffe and Actors Michaela Watkins, Lil Rel Howery, and Micah Stock discuss their new film BRITTANY RUNS A MARATHON with moderator Pete Hammond (Deadline). Recorded Live at the Landmark in Los Angeles on 8/23/19.

After catching up about their first foray into international travel and Rebecca's delayed reviews of Tarantino's latest (and also NOTTING HILL), Jason surprises her by loving the Jillian Bell comedy BRITTANY RUNS A MARATHON, then they dive into the murky waters of controversial faux-trans romance ADAM and the hard-hitting exposé ONE CHILD NATION.

声音预告片 wb: @预告片bot

声音预告片 wb: @预告片bot

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