Podcast appearances and mentions of Guy Nattiv

Film editor Michael Taylor, A.C.E. returns for his 7th visit to the podcast. Taylor is helping to program a series at the Metrograph Cinema in NYC called Filmcraft: American Cinema Editors. This series showcases the best of editing by pairing a screening with a Q&A with its editors. This Friday, December 6th, there is a sold out screening of Elaine May's "Mikey & Nicky" with Ms. May in attendance. (This podcast host will be in attendance as well.) Michael Taylor, ACE, is a member of the Academy of Motion Picture Arts and Sciences. He is represented by Pete Franciosa at UTA (Franciosap@unitedtalent.com; 310-488-8436). He edited and co-produced the documentary series "My Undesirable Friends", directed by Julia Loktev, which premiered at the New York Film Festival. He recently completed Noah Pritzker's "Ex-Husbands", starring Griffin Dunne, James Norton, and Rosanna Arquette. The film premiered at San Sebastian and will be released theatrically in 2025. He was nominated for an ACE Eddie Award for Best Editing of a Feature, Comedy, for Lulu Wang's "The Farewell", starring Awkwafina, which premiered at the 2019 Sundance Film Festival and was released by A24. The film won Best Feature at the 2020 Independent Spirit Awards. Awkwafina won Best Actress at the Golden Globes and Gotham Awards. Recent films include Edson Oda's "Nine Days", starring Winston Duke, Zazie Beetz, Benedict Wong, Bill Skarsgård and Tony Hale, winner of the Waldo Salt Award for Best Screenwriting at the 2020 Sundance Film Festival, Matt Sobel's "Goodnight Mommy", an Amazon Studios film starring Naomi Watts, Ira Sachs' "Love is Strange," starring Alfred Molina, John Lithgow and Marisa Tomei, Elizabeth Wood's "White Girl", starring Morgan Saylor, and Guy Nattiv's Skin, starring Jamie Bell, Vera Famiga and Bill Camp. Other films include Julia Loktev's "The Loneliest Planet", starring Gael Garcia Bernal, selected for the New York Film Festival, and "Day Night Day Night", winner, Prix de La Jeunesse, Cannes Film Festival. Taylor won Best Editing at the Woodstock Film Festival for the documentary "The Babushkas of Chernobyl", directed by Holly Morris and Anne Bogart. He also edited Margaret Brown's Peabody Award-winning documentary "The Order of Myths", and Brown's documentary "Be Here to Love You: A Film About Townes Van Zandt", as well as Mitch McCabe's "Youth Knows No Pain".

La chronique cinéma d'Anne-Marie Baron

On inaugure la saison 2 du podcast en revenant sur quelques films marquant de cette rentrée cinéphile : la comédie musicale mêlant cartels mexicain, rédemption et transidentité doublement primée au dernier Festival de Cannes EMILIA PEREZ de Jacques Audiard, le retour assez inattendu au monde des morts de Tim Burton avec BEETLEJUICE BEETLEJUICE et enfin, le thriller sportif à charge du régime iranien TATAMI, co-réalisé par Zar Amir Ebrahimi (une première pour l'actrice de Holy Spider) et Guy Nattiv.Comme d'habitude, nous revenons aussi sur quelques événements d'actualité qui attirent notre attention ce mois-ci : le Festival International du Film Francophone (FIFF) de Namur ainsi que sur la rétrospective consacrée à la cinéaste belge Fien Troch à la Cinematek de Bruxelles.Bonne écoute !Judith, Eléonore & ClotildeTimecodes : 00:45 : Actualité04:20 : Emilia Pérez32:41 : Beetlejuice Beetlejuice49:29 : TatamiPS(tt) : Si vous aussi vous voulez en savoir trop, suivez-nous sur Instragram ! https://www.instagram.com/lesfillesquiensavaienttrop/Hébergé par Ausha. Visitez ausha.co/politique-de-confidentialite pour plus d'informations.

Leschte Samschdeg goufen am Grousse Kino mam Tim Burton sengem "Beetlejuice Beetlejuice", dem Daniel Auteuil sengem "Le fil" an dem Guy Nattiv an der Zar Amir Ebrahimi hirem "Tatami" dräi Filmer rezenséiert, déi mir kënne recommandéieren. Eng Rezensioun dovunner, déi iwwer deen israeelesch-iranesche Judo-Film, an deem eng jonk iranesch Judo-Kämpferin sech géint de repressive Regimm vun hirem Land wiert, lauschtere mir eis elo nach eemol un.

durée : 00:47:57 - Le Masque et la Plume - par : Rebecca Manzoni - Pour cette deuxième rentrée cinéma, les critiques du Masque & la Plume vous disent ce qu'ils ont pensé de "Beetlejuice Beetlejuice" de Tim Burton, "Comme à son image" de Thierry de Peretti, "Dahomey" de Mati Diop, "Le Procès du Chien" de Laetitia Dosch et "Tatami" de Zar Amir et Guy Nattiv. - invités : Pierre Murat, Florence COLOMBANI, Jean-Marc Lalanne, Ariane Allard - Pierre Murat : Rédacteur en chef adjoint de Télérama, Florence Colombani : Journaliste et critique cinéma (Le Point), Jean-Marc Lalanne : Critique de cinéma et rédacteur en chef du magazine Les Inrocks, Ariane Allard : Critique de cinéma (Causette) - réalisé par : Guillaume Girault

durée : 00:46:03 - Le Masque et la Plume - par : Rebecca Manzoni - Pour cette deuxième rentrée cinéma, les critiques du Masque & la Plume vous disent ce qu'ils ont pensé de "Beetlejuice Beetljuice" de Tim Burton, "Le Fil" de Daniel Auteuil, "Dahomey" de Mati Diop, "Le Procès du Chien" de Laetitia Dosch et "Tatami" de Zar Amir Ebrahimi et Guy Nattiv. - invités : Pierre Murat, Florence COLOMBANI, Jean-Marc Lalanne, Ariane Allard - Pierre Murat : Rédacteur en chef adjoint de Télérama, Florence Colombani : Journaliste et critique cinéma (Le Point), Jean-Marc Lalanne : Critique de cinéma et rédacteur en chef du magazine Les Inrocks, Ariane Allard : Critique de cinéma (Causette) - réalisé par : Guillaume Girault

En Affekot, dee sech mat Häerz a Blutt a Séil fir ee Mandant asetzt, ouni sech sécher ze sinn, datt e wierklech onschëlleg ass; eng Judo-Kämpferin, déi géint d'Instruktioune vun hirem eegene Land virgeet; eng Fra, déi den Dämon vun hirer Jugend konfrontéiere muss, fir hir Duechter ze retten - egal op dem Tim Burton säi "Beetlejuice Beetlejuice", dem Daniel Auteuil säi "Le Fil" oder dem Guy Nattiv an der Zar Amir Ebrahimi hiren "Tatami": am Grousse Kino geet et ëm Dilemmaen, ëm Entscheedungen, déi eist Gewësse strapazéieren.

En Affekot, dee sech mat Häerz a Blutt a Séil fir ee Mandant asetzt, ouni sech sécher ze sinn, datt e wierklech onschëlleg ass; eng Judo-Kämpferin, déi géint d'Instruktioune vun hirem eegene Land virgeet; eng Fra, déi den Dämon vun hirer Jugend konfrontéiere muss, fir hir Duechter ze retten - egal op dem Tim Burton säi "Beetlejuice Beetlejuice", dem Daniel Auteuil säi "Le Fil" oder dem Guy Nattiv an der Zar Amir Ebrahimi hiren "Tatami": am Grousse Kino geet et ëm Dilemmaen, ëm Entscheedungen, déi eist Gewësse strapazéieren.

En Affekot, dee sech mat Häerz a Blutt a Séil fir ee Mandant asetzt, ouni sech sécher ze sinn, datt e wierklech onschëlleg ass; eng Judo-Kämpferin, déi géint d'Instruktioune vun hirem eegene Land virgeet; eng Fra, déi den Dämon vun hirer Jugend konfrontéiere muss, fir hir Duechter ze retten - egal op dem Tim Burton säi "Beetlejuice Beetlejuice", dem Daniel Auteuil säi "Le Fil" oder dem Guy Nattiv an der Zar Amir Ebrahimi hiren "Tatami": am Grousse Kino geet et ëm Dilemmaen, ëm Entscheedungen, déi eist Gewësse strapazéieren.

Notre critique du film "Tatami" réalisé par Zar Amir Ebrahimi et Guy Nattiv avec Arienne Mandi, Zar Amir Ebrahimi, Ash Goldeh.Abonnez-vous au podcast CINECAST sur la plateforme de votre choix : https://smartlink.ausha.co/cinecast  ---  Titre : Tatami Sortie : 11 Septembre 2024 (Belgique)Réalisé par Zar Amir Ebrahimi et Guy NattivAvec : Arienne Mandi, Zar Amir Ebrahimi, Ash Goldeh.Synopsis : La judokate iranienne Leila et son entraîneuse Maryam se rendent aux Championnats du monde de judo avec l'intention de ramener sa première médaille d'or à l'Iran. Mais au cours de la compétition, elles reçoivent un ultimatum de la République islamique ordonnant à Leila de simuler une blessure et d'abandonner pour éviter une possible confrontation avec l'athlète israélienne. Sa liberté et celle de sa famille étant en jeu, Leila se retrouve face à un choix impossible : se plier au régime iranien, comme l'implore son entraîneuse, ou se battre pour réaliser son rêve.#Tatami #Critique #CINECAST Hébergé par Ausha. Visitez ausha.co/politique-de-confidentialite pour plus d'informations.

Quand la géopolitique se joue aussi dans les stades. Alors que les Jeux paralympiques de Paris 2024 brillent de leurs derniers feux, un film actuellement en salles en France montre que sport et affaires internationales sont souvent mêlés. C'est Tatami, un film sur le judo co-réalisé – c'est une première – par un Israélien, Guy Nattiv, et une Iranienne, Zar Amir Ebrahimi.  À lire aussiFestival de Cannes: le mouvement iranien «Femme, vie, liberté» mis à l'honneur dans l'hôtel Majestic

Quand la géopolitique se joue aussi dans les stades. Alors que les Jeux paralympiques de Paris 2024 brillent de leurs derniers feux, un film actuellement en salles en France montre que sport et affaires internationales sont souvent mêlés. C'est Tatami, un film sur le judo co-réalisé – c'est une première – par un Israélien, Guy Nattiv, et une Iranienne, Zar Amir Ebrahimi.  À lire aussiFestival de Cannes: le mouvement iranien «Femme, vie, liberté» mis à l'honneur dans l'hôtel Majestic

durée : 00:12:41 - Le monde d'Elodie - par : Elodie SUIGO - Tous les jours, une personnalité s'invite dans le monde d'Élodie Suigo. Mercredi 4 septembre 2024 : la comédienne et réalisatrice iranienne Zar Amir. Son nouveau film réalisé avec l'israélien Guy Nattiv, "Tatami", sort aujourd'hui.

Il n'aura échappé à personne que les Jeux Olympiques et Paralympiques parisiens auront été aussi un marathon de la récupération politique, quitte à envoyer valser une demande présidentielle souhaitant que le sport ne soit pas politisé. Tatami se déroule loin de la Tour Eiffel en Georgie, pendant des championnats du monde de judo et met plus que pleinement sur le tapis ses enjeux. Quand la meilleure judokate iranienne risque de finir en finale face à son équivalente israélienne, les mollahs se mettent à faire pression sur l'athlète et son entraineuse pour qu'elle simule un désistement afin d'éviter un éventuel déshonneur à la république islamique. Tatami se déroule bien plus dans les vestiaires que pendant les matches. Logique pour un film qui veut parler de l'oppression qui se trame dans l'ombre. Et plus encore quand il est, chose impensable pour leurs gouvernements respectifs, co-réalisé par une iranienne et un israélien. Zar Amir Ebrahimi et Guy Nattiv se révèlent pour autant parfaits sparring partners, ce tandem inattendu procurant à Tatami à la fois un sens électrisant de thriller à suspense qu'un parfait cours de realpolitik.Bande annonce TatamiIl faudra être particulièrement sportif pour pouvoir cavaler entre les séances de L'étrange festival, qui réouvre ses portes cette semaine. La manifestation qui fête ses trente ans a depuis longtemps démontré son endurance dans l'envie de montrer et partager des cinémas hors des clous. Cette édition est donc à nouveau l'occasion de parcourir une cartographie de productions méconnues ou transgressives. Polar turc ou kazakh, science-fiction chinoise, actioner indien, animation australienne, film d'horreur autrichien, film fantastique français et bien d'autres encore sont conviés dans cette désormais rituelle sarabande, gargantuesque festin pour qui serait affamé d'images et pensées « différentes » du cinéma mainstream. Au delà de ce panorama d'inédits, on notera, parmi la floraison d'invités, les deux cartes blanches données à deux voix féminines françaises singulières, Coralie Fargeat et Noémie Merlant. La réalisatrice et la comédienne, ayant en commun, au moins dans leurs films, une volonté de parole émancipatrice des codes, y présenteront des films de leur choix, en phase avec l'essence de L'étrange festival : pousser les curseurs pour mieux ouvrir les yeux sur le monde. Et pour ceux qui ne seraient pas rassasiés, le bonus d'un livre édité pour les trente ans, revenant sur l'aventure de ce festival vraiment pas comme les autres, sera une manière supplémentaire de souffler les bougies.Tatami. En salles / L'étrange festival du 3 au 15 septembre au Forum des images, Paris

Par Rafael Wolf et Thomas Lecuyer Tatami de Guy Nattiv et Zar Amir Ebrahimi. Reinas coproduction suisso-péruvienne de Klaudia Reynicke. Les histoires dʹamour de Liv S. dʹAnna Luif. Conseils :  Un jeune chaman de Lkhagvadulam Purev-Ochir (autre sortie de la semaine,).  The Instigators de Doug Liman, avec Matt Damon et Casey Affleck, (exclusivité Apple Tv+)

À voir absolument sur nos écrans depuis quelques jours : le film Tatami, co-signé par l'Israélien Guy Nattiv, réalisateur de Skin et plus récemment Golda, et la Franco-Iranienne Zar Amir Ebrahimi, l'actrice, entre autres, des Nuits de Mashhad.Tatami raconte le dilemme d'une judokate iranienne qui doit choisir entre refuser de combattre une Israélienne dans une compétition internationale ou devenir une paria dans son pays. Un scénario qui, malheureusement, s'inspire de la réalité, comme on a pu le voir récemment aux Jeux olympiques.

durée : 00:19:08 - L'interview de 9h20 - par : Mathilde Serrell - L'actrice et réalisatrice franco-iranienne a coréalisé avec l'Israélien Guy Nattiv le film "Tatami", qui sort ce mercredi. L'un des films les plus percutants de la rentrée, selon Léa Salamé. - invités : Ebrahimi Zar Amir - Ebrahimi Zar Amir : Actrice et réalisatrice

durée : 00:19:08 - L'interview de 9h20 - par : Mathilde Serrell - L'actrice et réalisatrice franco-iranienne a coréalisé avec l'Israélien Guy Nattiv le film "Tatami", qui sort ce mercredi. L'un des films les plus percutants de la rentrée, selon Léa Salamé. - invités : Ebrahimi Zar Amir - Ebrahimi Zar Amir : Actrice et réalisatrice

Sport ist nie unpolitisch. Schon gar nicht für ein Land wie Iran. In „Tatami“ erzählen Guy Nattiv und Zar Amir Ebrahimi, wie das Regime in Teheran aus Hass gegen Israel Druck auf eine iranische Spitzensportlerin ausübt, nicht gegen eine Athletin aus Israel anzutreten. Ironie des Ganzen: Der Film ist eine israelisch-iranische Koproduktion.

Tatami | Judo war selten so spannend "Tatami" ist nicht nur der Name der Matte beim Judo, sondern auch der Titel des neuen Films von Guy Nattiv, dem Regisseur von "Skin", den er zusammen mit Zar Amir Ebrahimi inszenierte. Basierend auf einer wahren Begebenheit erzählt der Film die Geschichte einer iranischen Profi-Judo-Kämpferin, die bei der Judo-WM vom iranischen Staat gezwungen wird, aufzugeben, um einen Kampf zwischen Iran und Israel zu verhindern. Doch die Sportlerin weigert sich, dieser Anordnung zu folgen. Dadurch entwickelt sich nicht nur ein Drama über Unterdrückung und Selbstermächtigung, sondern auch ein spannender Thriller. Den Film könnt ihr ab dem 1. August 2024 in den Kinos sehen. Mehr dazu erfahrt ihr im Podcast mit Lida und Stu. Viel Spaß mit der neuen Folge vom Tele-Stammtisch! Trailer Werdet Teil unserer Community und besucht unseren Discord-Server. Dort oder auch auf Instagram könnt ihr mit uns über Filme, Serien und vieles mehr sprechen. Wir liefern euch launige und knackige Filmkritiken, Analysen und Talks über Kino- und Streamingfilme und -serien - immer aktuell, informativ und mit der nötigen Prise Humor. Website | Youtube | PayPal | BuyMeACoffee Großer Dank und Gruß für das Einsprechen unseres Intros geht raus an Engelbert von Nordhausen - besser bekannt als die deutsche Synchronstimme Samuel L. Jackson! Thank you very much to BASTIAN HAMMER for the orchestral part of the intro! I used the following sounds of freesound.org: 16mm Film Reel by bone666138 wilhelm_scream.wav by Syna-Max backspin.wav by il112 Crowd in a bar (LCR).wav by Leandros.Ntounis Short Crowd Cheer 2.flac by qubodup License (Copyright): Attribution 4.0 International (CC BY 4.0) Folge direkt herunterladen Folgt uns ab sofort regelmäßig live auf Twitch: twitch.tv/dertelestammtisch

Una judoka in lotta per il titolo mondiale e per la sua stessa vita. “Tatami” è il film rivelazione degli ultimi mesi, capace di raccontare un dramma esistenziale potentissimo che grida libertà, sogni e speranze. Un film sullo sport che si trasforma in un thriller al cardiopalma, metafora di ribellione contro ogni oppressione. L'abbinamento perfetto è un buon “Black Russian”, anche nella sua versione “White”, che si sposa perfettamente con il bianco e nero del film: il sapore secco e deciso della vodka rispecchia i momenti tesi di combattimento, mentre le noti dolci del liquore al caffè (si consiglia il Caffè Moka Varnelli) fanno da eco ai teneri flashback della protagonista. Viva il cinema!

con Neri Marcorè regista e interprete di “Zamora”; Vito Palmieri, Marianna Fontana e Giovanni Anzaldo, regista e cast di “La seconda vita”; Paolo Berger su “Il mio amico robot”; intervista di Danilo De Biasio ad Abbas Amini regista di “Endless Borders”. Enrico Azzano e Andrea Fontana parlano dl libro “Studio Ghibli, l'animazione utopica e meravigliosa di Miyazaki e Takahata” (Bietti). Tra le uscite: “Tatami - Una donna in lotta per la libertà” di Zar Amir-Ebrahimi e Guy Nattiv; “Monkey Man” di Dev Patel.

Sono tante e molto interessanti le proposte che approdano nelle sale italiane nel fine settimana. Abbiamo incontrato e intervistato Pablo Berger, regista di un bel film di animazione che si intitola “Il mio amico robot”, presentato all’ultima edizione del Festival di Cannes e in nomination come “miglior film straniero” agli ultimi Oscar.Neri Marcorè viene a trovarci in studio per presentare il suo esordio alla regia con "Zamora", del quale è anche interprete assieme a Alberto Paradossi.Marianna Fontana ci racconta la sua bella prova in "La Seconda Vita", di Vito Palmieri, con Giovanni Anzaldo.Con il nostro Boris Sollazzo parliamo di “Monkey man” diretto da Dev Patel, con Dev Patel e Sharlto Copley, action movie puro ibridato con il cinema indiamo e di “Tatami” diretto da Zar Amir-Ebrahimi, Guy Nattiv, con Arienne Mandi e Zar Amir-Ebrahimi.

Il 6 aprile la Slovacchia eleggerà il suo nuovo presidente e anche se si tratta di una figura che non ha particolare peso politico, quest'elezione ha assunto un significato molto rilevante per il paese. Un'inchiesta giornalistica condotta dal sito The Insider, dal settimanale tedesco Der Spiegel e dal programma tv 60 Minutes ha aggiunto nuovi elementi alla storia della misteriosa sindrome dell'Avana. CONAndrea Pipino, editor di Europa di InternazionaleLeonardo Bianchi, giornalista di FactaSlovacchia: https://www.youtube.com/watch?v=Fvqm4dnHpKY&t=78sHavana: https://www.facebook.com/watch/?v=449801960726043Film della settimana: Tatami di Guy Nattiv e Zar AmirSe ascolti questo podcast e ti piace, abbonati a Internazionale. È un modo concreto per sostenerci e per aiutarci a garantire ogni giorno un'informazione di qualità. Vai su internazionale.it/podcastScrivi a podcast@internazionale.it o manda un vocale a +39 3347063050Consulenza editoriale di Chiara Nielsen.Produzione di Claudio Balboni e Vincenzo De Simone.Musiche di Tommaso Colliva e Raffaele Scogna.Direzione creativa di Jonathan Zenti.

In questo episodio Leo e Sacco vi parlano di: - 05:12 / La rassegna Indocili a Milano presenta il cinema di Chloé Galibert-Laîné & Kevin B. Lee e Alberto Diana - 24:02 / Tatami di Guy Nattiv & Zar Amir Ebrahimi (In sala dal 4 aprile) - 34:31 / Road House di Doug Liman (Prime Video) - 01:01:24 / Another End di Piero Messina (In sala) - 01:13:51 / May December di Todd Haynes (In sala) - 01:30:51 / Letterboxd & News

Mos topamos en el preestreno eksklusivo de la película "Golda" aktividad organizada por la Fundación Hispanojudía en Madrid, filmo biográfiko sovre la vida de Golda Meir, ken fuera Primera Ministra de Israel, en siendo la primera musher en okupar este alto kargo, i la tresera musher en el mundo en este rolo. Golda, yamada "La Dama de Hierro", interpretada por Helen Mirrer, dirijida por Guy Nattiv i eskrita por Nicholas Martin. En el preestreno se toparon prezentes distintas presonalidades de Institusiones djudías i del mundo de la kultura espanyola, el filmo fue prezentado por David Hatchwell, Presidente de la Fundación Hispanojudía i Samuel Bengio, Eks-Presidente de la Comunidad Judía de Madrid i Prezidente de Yad Vashem (Museo del Holocausto) en España. Sentimos palavras de Samuel Bengio sovre el filmo "Golda". Dezeando una Navidad alegre a los oyentes sentimos un viyiansiko por bulerías en la boz de Lola Flores "Con mi borriquillo".Escuchar audio

Min 5: EL FILTRO DE LA NIEVE Por fin tenemos la oportunidad de salir de dudas. Llega el momento de "La sociedad de la nieve", la ambiciosa revisión que JA Bayona ha hecho de la histora que Frank Marshall nos contó en "Viven" (1993). En enero llega a Netflix, es la gran favorita a los Goya y según la crítica tiene serias opciones de pujar por un nuevo Oscar para España. Una coproducción España-EEUU que tienen vista y rumiada Alberto Luchini y Raquel Hernández, que tendrán que explicarnos por qué es para tanto la peli más arriesgada y valiosa del director de "El Orfanato", "Lo Imposible" o "Un Monstruo viene a verme". min 17: CAMPEONES vs CHAMPIONS. ¿Te imaginas que Hollywood se encaprichase de la brillante idea que Javier Fesser tuvo con la laureada "Campeones" y hacen su propia versión made in USA? Pues lo que ha hecho Bobby Farrelly es una comedia irregular que clona algunos de los momentos más reconocibels de la original y en la que Woody Harrelson es el émulo americano de nuestro Javier Gutiérrez. Sin pelos en la lengua ponemos a "Champions" en el lugar que le corresponde. MIn 22: "LA ESPERA": CINE PEGADO A LA TIERRA Otra de las apuestas españolas que no podemos dejar pasar nos devuelve ese cine auténtico e intenso que remueve nuestras raíces y que sigue el legado de Borau, Camus o el primer Saura. En "La espera" F. Javier Gutiérrez convierte a Victor Clavijo en una guarda de finca que tendrá que pagar las consecuencias de un soborno maldito. min 27: GOLDA, UN BIOPIC PARA MUY CAFETEROS Y acabamos repaso a la cartelera con el biopic que Guy Nattiv ha llevado a la pantalla para sacar brillo a la labor de Golda Meir, "La Dama de Hierro de Israel", a la que caracteriza más allá del deber una de nuevo impecable Helen Mirren. min 32: BSO: WONKA sabe a musical Navideño Clásica, emotiva, vitalista, tierna, emocionante y por momentos brillante. La banda sonora que Joby Talbot ha compuesto para el "Wonka" de Paul King parece sacada del baúl de los mejores musicales navideños. Con Ángel Luque valoramos la alta calidad musical de la película que está cautivando a miles de espectadores y familias en esta prenavidad. Si el escritor Roald Dahl levantara la cabeza es muy posible que se emocionara con la partitura que Talbot le ha regalado a su Willy Wonka. ¿Te animas a comprobarlo?

Free Masterclass About Maribeth Fox: Maribeth Fox has worked with Laura Rosenthal Casting for fifteen years and has had the privilege of working alongside major talents like Todd Haynes, Paolo Sorrentino, Oren Moverman, Joachim Trier, Ed Burns, Mindy Kaling, Anton Corbijn, and Lisa Cholodenko as well as up and coming feature directors, Guy Nattiv, Olivia Newman, & Paul Downs Colaizzo. Favorite credits include Olive Kitteridge and Mildred Pierce both for HBO, Jay-Z's music video for Smile, Wonderstruck with Todd Haynes, A Quiet Place, Modern Love for Amazon and Liz Garbus' narrative feature debut, Lost Girls. Two of her three films at the 2018 Sundance Film Festival broke sales records, Late Night and Brittany Runs A Marathon. Most recent credits include Sharper for Apple TV, directed by Benjamin Caron, Bottoms, produced by Elizabeth Banks, Murder Mystery 2 with Happy Madison, and the upcoming A Different Man from Killer Films and A24. How did you become a casting director? I learned how to work with actors, what they need you to tell them, and what they don't need you to tell them about ego. And I just decided to spend five to seven minutes with actors instead of a career with them. So I switched to casting, and I worked for CBS primetime casting for two and a half years, which was a really good learning experience, but corporate wasn't for me. I wanted to do more film, and I wanted to be freelance so my eight-week job with Laura turned into 16 years. How does a casting director get a film job? So oftentimes, we are one of the first people hired and production companies hire us, producers that know us, that know what The material is that we're drawn to. Sometimes we're hired by our directors who you hope to get repeat business if you've worked with them before. The first thing we'll do is read a script to make sure we're creatively aligned and feel like we strategically know how to cast the job. And then we're offered one of two situations. The first situation is. Attach names to this to green-light the rest of the financing. So we do that side, and then sometimes people come attached to a film, which is wonderful news. And they're like, “We just want you to cast this movie if you like it. And this is who's doing it.” So we're normally found by producers and directors, and we're one of the first hires. So, just a question I have: if you are asked to attach a name talent, and let's say it's one part, let's make this real simple, Sure. How long does it generally take to cast a film, would you say, to attach that kind of name talent if it's a good script? It's a long time. It's a long time, so much so that Laura has received producorial credit on quite a few of her features because of the time, attention, and effort it takes to get those attachments in place. You think about somebody, let's say you're offering something to somebody like Julianne Moore. It could take a month for her to read it. Not because she doesn't read quickly but she's got a lot going on. And somebody of that ilk, their whole team, has to read it. She has to read it. Everybody has to have an opinion. They have to have a discussion about it. And so we try our best to set respectful boundaries with agents and managers to say, “We really need this to be read by this time.” But if a creative team is invested in a certain person, oftentimes, that deadline will stretch. So you could be with one actor for a month or more. We try to get them sometimes to line up like their top three for each part if we're doing more than one part so that if there is a pass, it's not an utterly crushing situation. The producers knew that a writer strike was imminent, and I was a little shocked to hear what you said, that you stopped getting calls about six months before. Can you talk about that and what that was like? It's helpful to know just in terms of our similarity to what actors go through that a lot of our business is independent film and that really continued. That was not a problem. We were still getting calls. We were still getting pings for that, but in terms of the book of business that would streamers and network, which is a lot of people's businesses, they anticipated the strike. And normally, we have no shortage of things to read, think about, sign on to, or not sign on to. And I think all casting directors experienced a similar shut-off. That was very different than the strike in 2008 where we were out of work for a little while, but no big deal. But yes, like the work has been. It's been different this time around. How has it been different, do you feel? So I think a lot of people feel, there's a lot of feelings this time around. Where, as there should be, right? I obviously heartily support the actors and what they're going through, and it's, it's time, right? It's time to do this and ensure everybody gets what they're owed fairly. And also, I think there is, within the SAG interim agreement, there's some stuff where I think we all need to work together in community to understand what everybody does and what everybody is going through and maybe have a little bit of empathy and open conversation and understanding because right now, it has felt a little bit of an angrier time and I understand it. Also, It's hard to think about what life will be like after the strike ends, and I don't know. I think a backlog of projects stopped right before the strike or started to shoot, not believing the strike would fully happen. And those are the things that are going to start to go first. And those things are already crewed up. So, from my perspective, could it be an influx of new work? Maybe. I sure hope so. But also, we have to think about all the stuff that got interim agreements is stuff that mostly was already staffed. And so I wonder how much the huge influx, or if it's just going to be figuring out what's actually going to shoot now and what's going to be put to the side. The great news is that I think you're right about the flood. And actors will feel it. And start to work and self-tape again. And hopefully, it'll get back to business as usual. And I think what's very important for actors to understand is it's not only you who is on strike, it's everybody. I'm so proud to stand with the actors that I love and support in my day to day. And absolutely, we are with you a thousand percent. And also, it's real, right? Many people have turned to survival jobs that they haven't had since they were 22. Everybody's done. Employment is out. And you live in an industry town, so every business is thoroughly affected by the lack of availability of income for people. The actors are the ones who are fighting and are going to get the benefits but do remember when you get on the set, there were a bunch of other people who were fighting right along with you, who are not going to get necessarily, the benefits that you were fighting for. They were supporting you, but the hairdressers aren't going to get any more pay, or hair stylists, the grips aren't going to get anything. I think that AI is an existential crisis for actors, and I don't think that is something I cannot give up my voice and my likeness and have you pay me once and that be okay, so I do think it's a worthy fight and as you said, it's a definite fight. I also think it's in the forefront of what humanity will be dealing with. Bartenders will be dealing with it, taxi drivers will be dealing with it, it just has come. Not here first, but here. We don't do any background casting, and I don't know what that life is. But I do think about that entire loss of an industry. That will go first, right? And it already has started to go. They take your picture; they can pump you in if they need an arena full of people. I've had many family and friends during this time try to like talk in a fun way about chat GPT and those types of services. And they're like, have you played around with it? I'm like, no, I don't want to help it get smarter. And I think it will have real ramifications, and it already is having ramifications for our industry. No, I'm not going to hang out on that service, but thank you so much for asking. What do you want actors to know [00:18:00] about self-tapes? So many things. The first thing is it's a grocery store sample. If you're at Costco, yep, that's exactly right. If you're at Costco and the old woman is serving you pizza, you're not going to steal the whole pizza. You're going to take your sample of a square. We do not expect a fully baked moment for a self-tape. I think artists are artists, and folks are getting bored. And so there's a lot of Heavy wardrobe, heavy movement choice the ability and the time to make almost like a short film. It's not the job. A self-tape should look different than how you would behave if you're on a set with a DP. I think the other thing that I've noticed that I've started to see as self-taping goes on and on, as a public service announcement for actors, is... You're getting too good at them, and I'm going to explain more. I think actors are really great at self-taping now, and it can almost feel robotic at times. Because they've gotten so good at knowing and thinking about, their mentality has shifted from what I want to put forward as an artist that's unique to how can I get this job by thinking about what they might want. And so then they know what pace to do. They know what tone it is. They've done their research and all of those brave, bold choices start to get ironed out and it's safe acting work. It's still beautiful work, but it's safe because they're so good at it. They know exactly what they might want instead of infusing their own artistic uniqueness in the mix. And I think casting directors hear the plight of actors, and I think something great that's going to come out of the strike is, I think there's going to be more options offered. So some actors love the self-tape process and bless, please, if that's how you feel comfortable, wonderful. I will still take time to adjust you via Zoom. If you need an adjustment, if I get your self-tape and there's something close to there, I will still take time for you on Zoom and say, hey, and we'll workshop it together. But then there's, we really do hear actors that they want more of us again. I do think that in-person chem reads and callbacks will start to come back. In the meantime, I think casting directors are far more open to reopening Zoom rooms, to make sure that we're available in some tech-helpful live way so that we can make better connections with actors. I still get lovely, vibrant self-tapes on everything that I do. But generally, I think, there's a mindset that I've been thinking a lot about that actors carry that is, I think trained into a lot of people that it's just a scarcity mindset. And so you come out of school and you're told that your job is so hard. There are so many people competing. You're in constant competition. There's not a ton to go around. SAG releases their statistics that only 3 percent of actors are working. And it creates this mindset that can be helpfully hungry and eager. And it can also really destroy the artistic spirit of what an artist has to offer. I think within that scarcity mindset, the goal of this is how I feed my family. This is how I gain health insurance, pension, and welfare. And I can't make that brave, bold choice because we don't have a casting director anymore. You don't have us in the room to be like, “Okay, let's just do that a little bit faster here. I know the director wants this. Let's just clip it up.” Or give you a simple redirect that could really change your performance. Now, a lot of us are doing that. We are adjusting people who give great self-tapes. Actors feel like I've got one shot at this. I'm sending it off into the void. It better be exactly what I think they want. The one thing that I have always stood by is that it's one audition in a lifetime of auditions. I am going to get the opportunity to audition again, and there is enough work for everyone. What's important for me is what's going on in the work. People ask me, “what do you look for in an actor?” And I'm like I'm looking for the actor who shows up a bit early, not too early. Knows they are, knows themselves. They are good at their job and I'm also looking for someone who when the work starts, they're focused on the work and not what I think of their work. Actors do have it tough in the sense that, it's the only art form where you have nothing to stand behind. You're not painting a picture to show me. You're not singing a song, which is separate from your acting. You're not doing a dance, which is your body and your emotions. But it's just you; it's just your subjective raw emotion. And I think what a lot of actors specifically, I love my New York actors in our market, they've all been to school. They're all crafty, great actors. And I think that a lot of actors think, “Gosh, I must be doing something wrong.” And so much of film and television is just subjective look-based. If you're in an audition with me, you're probably a well-trained, good actor. And so it's not about someone being such a better actor than you are. It's about the dinner party atmosphere we're trying to create. And somebody was a better fit. So we invited that person to the dinner party and not you this time. And that's hard. You can be the most talented actor in the world. You get the opportunity, but ultimately it does come down to who doesn't blink at the end. And I also feel that it's the person who knows they are good at their job. And what I want to give actors the perspective of is, you know what? Maybe you're doing everything right. Maybe you're doing everything right. And you just need to keep doing that. Because a lot of times, it's about what's being written. Are there roles for you right now that really fit your marketing package and your type? Do you fit the world? With our eyeballs. And so that has nothing to do with your craft a lot of the time. You do have to think about this as a business. And so you think about putting somebody on set, and when we get to cast somebody and it's their first job on a set like that's a great day. There is like buoyancy and adaptability that we're looking for in people to be able in that callback setting to turn something on their head if needed, to be able to take direction quickly. And if they're not understanding what we mean or what the director means, ask a question. Nobody's going to think you're stupid. Nobody's going to think you can't hear it well, or like that you don't agree. It's okay. We all have days when we're not that great at our jobs. If I give an actor a direction that's not clear, I don't want them to yes to me and nod their head. I want them to ask me a question and follow it up. If you're not understanding, then the two takes are going to look exactly the same. Read the directions out loud. I think it's really important that when you get a breakdown and, they say, submit it this way and, specifically, do your slate at the end. One of the things that I encourage the actors I work with is to really, read the directions out loud, then you know you've heard it, and highlight anything that's specific. Speaking of breakdowns, I think. A lot of times, people's focus on the breakdown will be the small adjective-filled description that we write instead of knowing that if you've got the audition, the breakdown has already done its job, that part of your job has already been done, your agent or manager or you submitted yourself based on the breakdown. I saw your headshot. I selected you. Now it's done. So you briefly look at the breakdown and ensure you're in the realm, but actors often get old breakdowns. And it's not because we're lazy. It's because we don't want to resubmit a breakdown with a subtle change to hundreds of agents and managers. So if an actor gets a breakdown and they're 55, the breakdown says 30 to 40, they freak out or they think their manager or agent isn't doing a good job. It's you just got an old breakdown; you don't have to worry about that anymore. Focus on the work.

La chronique cinéma d'Anne-Marie Baron Biopic, Drame, Historique

Golda is a 2023 biographical drama film directed by Guy Nattiv and written by Nicholas Martin. The film depicts the life of Golda Meir, the 4th Prime Minister of Israel, particularly during the Yom Kippur War. It stars Helen Mirren, Camille Cottin and Liev Schreiber.«Голда. Судный день» (англ. Golda) — художественный фильм израильского режиссёра Гая Наттива, премьера которого состоялась 19 февраля 2023 года на 73-м Берлинском кинофестивале. Главная героиня картины — премьер-министр Израиля Голда Меир, которую сыграла Хелен Миррен.

Wyjątkowy filmowy odcinek o Goldzie Meir, jedynej dotychczas w historii Izraela kobiecie, która piastowała urząd premiera, oraz biograficznym filmie z doskonałą tytułową rolą Hellen Mirren w reż. Guy'a Nattiva. Film obejrzycie w ramach 21. Warsaw Jewish Film Festival już w piątek 27 października o g. 18.00 w Kinie Muranów. BILETY: https://kinomuranow.pl/film/golda Partnerem dzisiejszego odcinka jest Warsaw Jewish FIlm Festival      

L'été 2023 au cinéma, ce n'était pas que Barbie et Oppenheimer, et 24FPS, le podcast ciné avec ou sans spoiler, fait le point sur tout le reste ! Voici la liste des 22 films évoqués par Julien et Jérôme sans spoiler dans cet épisode : Blue Beetle de Angel Manuel Soto (à partir de 0:02:49) Backstreet Dogs (Strays) de Josh Greenbaum (à partir de 0:23:44) Yannick de Quentin Dupieux (à partir de 0:28:23) Retribution de Nimrod Antal (à partir de 0:37:45) Agent Stone de Tom Harper (à partir de 0:41:56) En Eaux Très Troubles (Meg 2 : The Trench) de Ben Wheatley (à partir de 0:46:44) Au Plus Profond (The Deepest Breath) de Laura McGann (à partir de 0:56:00) Paradise de Boris Kunz (à partir de 1:04:57) Equalizer 3 d'Antoine Fuqua (à partir de 1:14:09) Hypnotic de Robert Rodriguez (à partir de 1:19:27) Golda de Guy Nattiv (à partir de 1:23:22) Gran Turismo de Neill Blomkamp (à partir de 1:32:37) La Nonne : La Malédiction de Sainte Lucie (The Nun II) de Michael Chaves (à partir de 2:15:16) Le Dernier Voyage Du Demeter de André Øvredal (à partir de 2:20:43) La Main (Talk To Me) de Danny et Michael Philippou (à partir de 2:38:20) Saw X de Kevin Greutert (à partir de 2:45:16) Mystère À Venise de Kenneth Branagh (à partir de 2:51:15) The Retirement Plan de Tim Brown (XV) (à partir de 3:03:57) Dumb Money de Craig Gillespie (à partir de 3:08:38) Acide de Just Phillipot (à partir de 3:25:00) Bottoms de Emma Seligman (à partir de 3:33:47) Ninja Turtles : Teenage Years de Jeff Rowe (à partir de 3:42:46) Bonne écoute, et n'hésitez pas à partager votre avis sur les traders qui ont shorté l'action de GameStop ! Crédits musicaux : Paranoid et War Pigs de Blacck Sabbath, issus de l'album Paranoid (1970) 24FPS est un podcast du label PodShows

Guy Nattiv is an Academy Award-winning filmmaker originally from Israel. His first American short film, SKIN, won the 2019 Academy Award© for Best Live Action Short, and the feature version, also titled SKIN, was released in 2019. His recent film, GOLDA, stars Academy Award©-winning actress Helen Mirren as the first female Prime Minister of Israel, Golda Meir. His next feature TATAMI, premiered at the Venice Int Film Festival in September 2023 to much acclaim. He co-directed the film with Iranian filmmaker Zar Amir Ibrahimi, who won Best Actress at the Cannes Film Festival for her film HOLY SPIDER. It is the first ever Israeli/Iranian cinematic collaboration. In Israel, Guy wrote and directed three features, including THE FLOOD, MAGIC MEN and STRANGERS. Guy shares his early filmmaking inspirations; the GOLDA backstory; the thrill of winning an Oscar for SKIN; the controversy over actors playing characters of different races, religions, etc; and his exciting upcoming projects. We also get into politics too, discussing the parallels between Donald Trump, Benjamin Netanyahu and the right-wing extremism in both America and Israel. And there's a brief cameo from his talented wife and filmmaking partner Jaime Ray Newman! Got somethin' to say?! Email us at BackroomAndy@gmail.com Leave us a message: 845-307-7446 Twitter: @AndyOstroy Produced by Andy Ostroy, Matty Rosenberg, and Jennifer Hammoud @ Radio Free Rhiniecliff Music by Andrew Hollander Design by Cricket Lengyel

Iom Kippur se aproxima e, neste ano de 2023, lembramos os 50 anos de uma das grandes guerras de Israel. O filme “Golda, a mulher de uma nação”, que estreou no Brasil em 31 de agosto, conta a história da atuação da primeira-ministra, Golda Meir, durante o conflito com os países vizinhos de Israel. Golda foi a primeira mulher a ocupar o cargo de primeira-ministra em Israel. Até hoje, é a única. O filme exalta o fato de ela estar sempre cercada por homens. O longa é uma produção norte-americana, dirigido por Guy Nattiv e estrelado por Hellen Mirren. Nossa convidada é Evane Beiguelman Kramer, advogada, doutora em Direito Processual Civil pela Faculdade de Direito da Universidade de São Paulo. Apresentação: Anita Efraim, Amanda Hatzyrah e João Torquato

This week on Unorthodox, you're totally invited to our bat mitzvah.  First we talk to Amanda Stern—aka Fiona Rosenbloom—the author of the young adult novel You Are So Not Invited to My Bat Mitzvah, which the new Netflix film is based on. She shares what it was like to have her novel adapted into an Adam Sandler movie and gives us an update on what she's working on now.  Then director Guy Nattiv joins us to discuss Golda, his new film about former Israeli prime minister Golda Meir. He tells us about the experience of making a film about one of Israel's most iconic figures, working with Helen Mirren, and more. We love to hear from you! Send us emails at unorthodox@tabletmag.com, or leave a voicemail at our listener line: (914) 570-4869.  Check out our Unorthodox tees, mugs, and hoodies at tabletstudios.com.  Find out about our upcoming events at tabletmag.com/unorthodoxlive. To book us for a live show or event, email Tanya Singer at tsinger@tabletmag.com. Subscribe to our weekly newsletter to get new episodes, photos, and more. Join our Facebook group, and follow Unorthodox on Twitter and Instagram.  Unorthodox is produced by Tablet Studios. Check out all of our podcasts at tabletmag.com/podcasts. SPONSORS: Hadassah is hosting “Inspire Zionism: Tech, Trailblazers and Tattoos,” a two-day online event featuring panels with inspiring Zionist women, hosted by our own Stephanie Butnick. To join the conversation October 25 and 26, register at go.hadassah.org/inspire.  This High Holiday season, help HIAS provide vital services to refugees in more than 20 countries around the world. All donations through September 22 will be matched, doubling your impact. You can learn more at hias.org/unorthodox. American Jewish University (AJU) invites you to join them for their Fall semester of online learning. To learn more and register, visit aju.edu/open and use code unorthodox for a 10% discount.

As we mark the third anniversary of the Abraham Accords, significant progress has been made in deepening Arab-Israeli engagement. With us this week is Sen. Joni Ernst (R-IA), a founding member of the Senate Abraham Accords Caucus. Ernst joins guest host Benjamin Rogers, AJC's Director for Middle East and North Africa Initiatives, to reflect on the achievements of the landmark deal, its importance to the United States, speculation over Saudi Arabia, and the crucial role of the Senate in advancing peace between Israel and its Arab neighbors. *The views and opinions expressed by guests do not necessarily reflect the views or position of AJC.  Episode Lineup:  (0:40) Joni Ernst Show Notes: Engage: How much do you know about Abraham Accords? Take our quiz and put your knowledge to the test! Read: The Abraham Accords, Explained Listen: Meet 3 Women Who are Driving Change in the Middle East 'Golda': Behind the Scenes with Israeli Director Guy Nattiv on the 1973 Yom Kippur War Noa Tishby on the Abraham Accords: The Middle East Realizes Israel is Not the Enemy Follow People of the Pod on your favorite podcast app, and learn more at AJC.org/PeopleofthePod You can reach us at: peopleofthepod@ajc.org If you've enjoyed this episode, please be sure to tell your friends, tag us on social media with #PeopleofthePod, and hop onto Apple Podcasts to rate us and write a review, to help more listeners find us. __ Transcript of Interview with Joni Ernst Manya Brachear Pashman:   As an organization, AJC has been engaged in the Middle East for more than 70 years. In fact, a senior AJC delegation first traveled to Morocco in March 1950. Since then, there have been several more milestones. AJC's own Jason Isaacson participated in the Madrid Conference in 1991, a historic effort by the international community to revive the Israeli-Palestinian peace process; and AJC opened its first Arab world office in Abu Dhabi in 2021. This week, Benjamin Rogers, AJC's Director for Middle East and North Africa Initiatives, explores one of the most significant developments in the decades-long Arab-Israeli conflict – The Abraham Accords. The conversation marks the Accords third anniversary on September 15. Benjy, the mic is yours.  Benjamin Rogers:  Thank you so much, Manya. And I remember the day well, I had been in the Gulf just a few months prior December 2019, talking about these issues, talking about normalization, talking about cooperation. But to see the President of the United States, the Prime Minister of Israel, the foreign ministers of the UAE and Bahrain, on the White House lawn, signing an agreement of friendship, an agreement of cooperation. It was an electrifying moment. As we prepare to celebrate the third anniversary of what is possible,when Israelis and Arabs come together and set aside their differences. I can think of no better person to help us reflect on this moment than our guests today. It is my honor to welcome Senator Joni Ernst of Iowa, founding member of the Abraham Accords Caucus to our program today. Senator, thank you so much for being here. Joni Ernst:  Of course, it is an honor, a privilege and a pleasure to be with you today. I'm celebrating as well, I think it's a phenomenal achievement for the United States and for our friends in Israel and those Arab nations. Benjamin Rogers:  And I think that's a great starting place for our conversation. Share with us a little bit about your story. What was your reaction when you learned of these agreements? How did that translate to saying, Hey, I'm going to work with my colleagues. I'm going to sit down with Senator Lankford, Senator Rosen, Senator Booker, and we're going to be the founding members of the Senate Abraham Accords caucus? Joni Ernst:  And it goes back quite a ways. My own personal journey, I had served in the Iowa Army National Guard and had deployed to the Middle East for Operation Iraqi Freedom and, and having that experience serving in our United States Armed Forces, we have the great privilege and honor of serving with many members from other countries as well. And we have an understanding of those nations and what they're trying to achieve and how we can promote stability in certain regions. So from that basis, then I served in the Iowa State Senate, and when you think of Iowa and Israel as maybe not a natural connection, but we have a huge Christian community across the state of Iowa that is very supportive of our Jewish brothers and sisters in Israel. And so from that platform of the Senate, I was able to move into the United States Senate with a broad basis, not only the military perspective, but then also how Iowa and Israel can come together collaborate on things like agriculture, cultural exchanges, and with that basis, then finding other members of the Senate that had similar goals and objectives. And that came together really, with the incredible, really the incredible advent of the Abraham accords. And so we were able to start the caucus, those of us that have very strong feelings about stability in that region and partnership in that region. So coming together with senators, Rosen and Volker and Lankford, it was a really wonderful way for us to celebrate the Abraham Accords, and bring others from the United States Senate and House into that fold as well. Benjamin Rogers:  Amazing. I was struck by what you said, you don't necessarily think of commonalities between Iowa in Israel. But the interfaith component, the agriculture cultural component, I know you're also you talked about a little bit of security, I know, energy is a huge issue. Can you walk us through how these issues that are, you know, seemingly local, actually have larger, regional and international importance? How cooperation could maybe help your average person in Iowa City say, hey, look, this makes sense to me. I get what we're trying to do here. Joni Ernst:  Right. And we exist in a global economy. Of course, we, as the United States are blessed with an abundance of resources. But when we're able to partner with other nations around the globe, we find new ways of using the resources that we have at virtually at our fingertips. And what we have seen just in the exchanges and the ideas that are shared between entrepreneurs and Iowa, entrepreneurs and Israel, Israel being a huge startup nation. It has been a fascinating journey for me just explore from the realm of agriculture, the types of irrigation methods that are used in Israel. One of the visits that I had to Israel is visiting with a young entrepreneur that had developed left, a type of bandage, skin type bandage a liquid that could be applied on the battlefield. But the source of that one of the sources for that bandage, that liquid bandage that would seal the skin together, actually comes from hogs that are sourced from Iowa. So I mean, it's it. We're all connected in so many interesting and fascinating ways. But when you talk to Iowans about this, they get it, they understand how connected we are, through our everyday activities. And I love it that we've been able to work strongly and partner with Israel, now expanding that opportunity as well, and to the other narrow Arab nations of that region. It's just an incredible time period of time that we're witnessing right now. Benjamin Rogers:  So that's great to hear it. Can you say a little bit more? What, when you found her the caucus? What were the hopes? As you know, we've been, as we're about to celebrate three years on what are some of the successes, AJC has been engaged with you a lot on bills like the defend act, MARITIME Act, the Regional Integration Act, what, how, what is the role of the caucus? What is the role of the US Senate in saying, Hey, we're here to support the Abraham accords? Joni Ernst:  Well, you outlined a number of those goals and objectives. But the first reason bringing us together, one was to celebrate the great accomplishment of the accords. That was the baseline. But then we built off of there because between the four of us in the United States Senate that founded the caucus to Republicans to Democrats, understanding that this is an extremely bipartisan move, and how do we not just celebrate the existence of the accords? But how do we become tools to further engage with those nations, maybe expand the chords? And, you know, what we'll say is normalization of relations. And maybe sometimes that's not the right word, but just this incredible collaboration between those countries? How can we be a part of that, and really sphere, the legislation that we're working on in Congress to benefit the United States, first and foremost, always, you know, looking for ways that we can, can protect ourselves further articles. But also do that with our friends, Israel, and other Arab nations that have joined the courts or are considering joining into the courts. So we have been able to focus primarily from my perch on the Armed Services Committee then on things like the defend act, where we are working with Israel, the members of the Abraham Accords, and integrating air and missile defense systems, giving these nations a common operating picture, where they can literally save minutes seconds on an impending attack coming from, of course, main adversary in the Middle East Iran. So if we can all work together and save lives on the ground, so much the better for all of those nations. So we did have the main parts of that bill, the defend act, it was passed through the National Defense Authorization Act, last year. This year, Senator Rosen and I also have the MARITIME Act, which is yet another step forward for our caucus, our objectives of securing that region. And it does basically the same thing that you'll see with the defender Act, which was primarily focused from the air protecting from the air. Now we are focusing on the maritime domain, and making sure that as we see naval traffic through that region, that they are protected as well. So we just continue to take steps to protect that region protect buses as United States citizens, but always looking for ways to further our goals through the Abraham accords. Benjamin Rogers:  That's remarkable. And in reading the legislation, being engaged with the region. You hear all these things about the Middle East, there's the Middle East is disconnected, the Middle East is not united. But then you look at some of the sources and you look at the potential and you look at the ability for all these countries that maybe would be traditional adversaries are now saying, hey, we need to worry about things like heroes. We need to worry about things like security, we need to worry about things like stability, we're going to come together, we want to work with a larger architecture. And it's been remarkable from our standpoint, to see the US as a major driving force for that. Joni Ernst:  Yes. And you mentioned security, stability, they go hand in hand, and what I have witnessed and in traveling through that region, and of course, getting to know leaders throughout that region, is that they are so interconnected, they really are. And the Abraham accords really provided a path forward for them to do more together. There has been a lot of work in this area for decades now. But we're finally seeing a real breakthrough, rapid advancement of cooperation between these nations. And because of a number of these nations coming together in the Accords, we say that, maybe there's a little bit of competition now as well with some of the other nations and in the region. And I say that and maybe top of mind, we should be thinking, What about Saudi Arabia, you know, so I, I do want to say, we hope that they will join in more, and I hope that they are on that glide path to get there.  It is something that I have spoken with, with many of the leaders in Saudi Arabia. And we hope that we'll continue to see that really positive movement forward. But we want to see a strong foundation to build upon and which is what we're doing right now. But it can always improve. And that's what we want to see is continuous improvement, not just with the United States. And its existing allies and partners right now than many others that we hope to bring into the fold as well.  Benjamin Rogers:  So, since you brought up Saudi Arabia, and that's been top of mind on the news, can you share a little bit more with us. What does it mean, from your perspective, to have the Saudis as part of this process? What does it mean, from a US security standpoint? What does it mean from Chinese influence in the region? What are some of the pitfalls there? But where are the opportunities, that clearly, there seems to be a lot of hope for? Joni Ernst:  Well, let me start with the pitfalls. And I think it's pretty obvious that the largest pitfall is if we ignore Saudi Arabia, if we don't engage with Saudi Arabia, they will find another partner, and that partner is China. And so we don't want to see that happen. I think the natural alignment is for the United States and Saudi Arabia to come together. And I have always been of the thought that the Abraham accords would not have happened, if behind the scenes, Saudi Arabia had not given a signal that it was okay. So I do believe they had somewhat of a role in the Abraham accords. And I hope that they will continue working on a relationship with Israel, while maybe they won't come fully into the courts, but they will lend their leadership to the accords. And so I think that as we look forward, on the flip side, you know, that if we can avoid the pitfall of Saudi Arabia engaging completely 100% with China, we can avoid that we can move ahead in this region and have the participation of Saudi Arabia. I want them to look to the west for their partnerships. I think that's incredibly important. So I do engage heavily with leadership from Saudi Arabia, I do engage with the ambassador to the United States Ambassador Rima. We have had many, many phone and in person conversations in the US in Saudi Arabia, just continually working on the areas that we can't work on. There are things that we disagree on. But one thing I find with Ambassador Rhema is that we can be very blunt and upfront with one another and have those discussions respectfully. I have the greatest respect for Princess Rhema. And the position that she is in in negotiating in the best interests of her country. I am always going to talk and negotiate in the best interests of the United States. And the best interests of the United States are that we continue to be The best ally for Israel, and find a way for us to work with Arab nations as well, again, going back to having strong security and strong stability in that region and all partnering together against a common adversary Iran. Benjamin Rogers:  This has been an absolutely fascinating discussion. We're three years out, and we're talking about Israeli Arab relations, as if this was commonplace as if this was how it's always been. If there is, you know, you do have to stop yourself. And I think an anniversary is always a good moment to say, Things did not always used to be this way. So with that reflection of the past, I know you spoke a little bit about the future. But where do you see the future of the Senate Abraham accords caucus going? If you were to look, you know, three years out, what position do you hope we are? The US, its engagement with Israel, its engagement with the Arab world and its engagement in trying to create a more interconnected Middle East? Joni Ernst:  Well, I'm incredibly pleased with where we are today on this third anniversary. And if we look another three years, what are my hopes Senator Joni Ernst, from the state of Iowa, you know, co founder of the Abraham accords caucus, where do we want to be? My vision in three years is that we will have all of this, those military type protections put into place that the defend act is fully implemented, the maritime act is now passed and implemented, and that we are integrating our military resources with one another. So this is a step forward, if we can bring Saudi Arabia into this fold, that we can start working with them on military platforms, as well, the Saudi Arabia of the sides, want to engage with these platforms, if we can get them to move away from China, and really work more with the United States, I can see greater sharing of this technology, with the Saudis. And I do think that that's important. We have to have checks and balances, no doubt about it, we have to have those discussions. But if I can just say three years, this is what I want to happen. I want to have us all fully integrated, to make sure that the region is protected. And in turn, that makes us stronger in the United States, we know that we'll be protected as well for my brand. If we all are partnering together, I do want to say additional, you know, trade with that region as well. I think it's been incredibly important.  As you look at UAE and Israel, the types of activities that they have been able to engage in whether it is just travel, education, and trade opportunities, there are so so many areas that are yet untouched, where we can go. And I hope that we see that in three years where we don't really differentiate ourselves as this group or that group, but that we're just common friends and partners. So I think that we've got a long ways to go. But I can act, I can, you know, actually say with this caucus, and the founders of the caucus, both in the Senate and the House, because the House members are really punching above their weight as well, is that we continue to bring members into the fold focus on this region and our opportunities there. And that we have a much more stable world because of the actions we have taken. Benjamin Rogers:  Well, Senator, thank you, thank you so much for your time. It goes without saying our AGC has a huge appreciation for the work that you're doing, for the work that your colleagues Senator Rosen, Senator Lankford and Senator Booker have been engaged on. We're grateful for your house colleagues and everything that they've been doing on pushing and securing the Abraham Accords as well. AJC's shares your vision of a more interconnected region of a stronger USA of a more united front against adversaries. And we are your partners in this and we look forward to working with you to realize the vision you just spelled out. Joni Ernst:  Well, I appreciate it so much and to you Benjamin and the entire team at AJC. Thank you so much for being such incredible advocates for the Abraham Accords, of course for Jewish communities all across the United States, and the work that we can all achieve together. It's pretty impressive. When we lean on each other and we move with a purpose. So thanks so much for all of the wonderful support. Manya Brachear Pashman: If you missed last week's episode, be sure to tune in for my conversation with Academy Award winning film director Guy Nattiv about his latest film Golda, which opened in American theaters last week. The film examines the Yom Kippur War, a transformative moment in Israel's history.

Historical biopics of famous leaders are a very familiar genre at this point: Great Men (or in this case, Women) of history navigating war or struggle or controversy with the stiff-upper-lip resolve history has granted to them. Guy Nattiv's Golda is certainly no exception, though it innovates not just with its presentation, but with its subject: Israeli Prime Minister Golda Meir, played under heavy prosthetics by Helen Mirren. More than that, it's not a tale of victory, but of defeat -- a Pyrrhic victory that nonetheless shakes the public's confidence in the film's chain-smoking leader, and damns her to the annals of infamy.   The film covers the three-week period of the Yom Kippur War, in which Egyptian and Syrian forces, among others, launched a concerted attack on Israel during the holy day of Yom Kippur. The attack led to tremendous losses, and kicked off a standoff that would rope in both the US and the Soviet Union before it was done.   Nattiv's approach to the material is stark and haunting, keeping close to Mirren's wearied, resolved take on Meir through claustrophobic, smoke-filled rooms. And aiding that sense of mystique is Golda's score, courtesy of Russian composer Dascha Dauenhauer, utilizing discordant violins and detuned cowbells to build a bleak, atmospheric sound for Golda's race against time.   We're thrilled to have Dauenhauer on the podcast to talk about her early days as a composer,  her boundless sense of experimentation, and the many themes and unusual sounds of her score for Golda.   You can find Dascha Dauenhauer at her official website here.   Golda is currently playing in select theaters. You can also listen to the score on your preferred music streaming service courtesy of MNRK Music Group.

GOLDA MOVIE REVIEW Golda Meir was the Israeli prime minister from 1969 to 1974. During her service she made life or death decisions that would label her as a bloodthirsty tyrant to some and the Iron Lady Israel doing what's best for her country by others. The film about her is directed by Guy Nattiv… Read More »Screener Squad: Golda

GOLDA MOVIE REVIEW Golda Meir was the Israeli prime minister from 1969 to 1974. During her service she made life or death decisions that would label her as a bloodthirsty tyrant to some and the Iron Lady Israel doing what's best for her country by others. The film about her is directed by Guy Nattiv… Read More »Screener Squad: Golda

A new study shows that paper and bamboo straws are WORSE for the environment and the human body than plastic straws in important ways. Plus, the death of Yvegeny Prigozhin was confirmed by his ol' pal Putin. And an interview with Guy Nattiv on his new film, Golda. Produced by Joel Patterson and Corey Wara Email us at thegist@mikepesca.com To advertise on the show, visit: https://advertisecast.com/TheGist Subscribe to The Gist Subscribe: https://subscribe.mikepesca.com/ Follow Mikes Substack at: Pesca Profundities | Mike Pesca | Substack Learn more about your ad choices. Visit podcastchoices.com/adchoices

Oscar winning filmmaker Guy Nattiv return to the podcast with his latest film "Golda". Faced with the potential of Israel's complete destruction, Prime Minister Golda Meir (an unrecognizable Helen Mirren) must navigate overwhelming odds, a skeptical cabinet and a complex relationship with U.S. Secretary of State Henry Kissinger (Liev Schreiber) as millions of lives hang in the balance during the tense 19 days of the Yom Kippur War in 1973. The film opens in theaters on Friday, August 25th.

This week, Academy Award-winning director Guy Nattiv discusses his new film 'Golda,' which follows the journey of Israeli Prime Minister Golda Meir as she navigates the tense 19 days of the 1973 Yom Kippur War. Nattiv delves into how Helen Mirren, who portrays Golda Meir, expertly embodied the role. He also shares why, being a child of '73, he felt so compelled to tell this story. Tune in to hear the poignant anecdotes from the set and learn about the involvement of war veterans in the filmmaking process. *The views and opinions expressed by guests do not necessarily reflect the views or position of AJC.  Episode Lineup:  (0:40) Guy Nattiv Show Notes: Watch: ‘Golda' opens in US theaters starting August 25th from Bleecker Street / ShivHans pictures–find theater and ticket information at www.goldafilm.com Read: Tough Questions on Israel Answered Listen: Matti Friedman on How the 1973 Yom Kippur War Impacted Leonard Cohen and What It Means Today The Rise of Germany's Far-Right Party and What It Means for German Jews AJC Archives Follow People of the Pod on your favorite podcast app, and learn more at AJC.org/PeopleofthePod You can reach us at: peopleofthepod@ajc.org If you've enjoyed this episode, please be sure to tell your friends, tag us on social media with #PeopleofthePod, and hop onto Apple Podcasts to rate us and write a review, to help more listeners find us. __ Transcript of Interview with Guy Nattiv: Golda Meir [from AJC Archives]: We've suffered because of our stance, which is not just obstinacy, not just because we liked it this way. But I think it has been accepted more and more that we have something at stake, and that's our very existence. Whether the borders are such that we can defend them or not, is a question of to be or not to be. Manya Brachear Pashman:  That's the late Prime Minister of Israel Golda Meir speaking with AJC about fighting wars to defend Israel's existence. The movie Golda premiering in American theaters this week tells the story of one such battle: the Yom Kippur War of 1973 when Egypt and Syria launched a surprise attack against the Jewish state. Here to talk about the movie and why it's an important story to share with the world, especially through Golda Meir's eyes is its Academy Award winning Director Guy Nattiv. Guy, welcome to People of the Pod.  Guy Nattiv:  Hi, Manya. Manya Brachear Pashman:  So Guy, as we just heard from Golda Meir herself, Israel has been defending its very existence since its creation, in war after war after war. Why did you want to direct a film about this particular war, which turned out to be quite a turbulent moment in the life of the Jewish state?  Guy Nattiv:  Well, I was born into this world, in a way. I'm a child of '73. My mom ran to the shelter with me as a baby, my father went to the war. And I grew up on those stories, of Golda, of the war, and I really wanted to know more, but there wasn't any way of knowing more. And I think that 10 years ago, protocols came out and gave a sense of what really happened, protocols from the Agranat Committee, from the war rooms, from the government. All those declassified documents. And that shed a different light on what really happened there, and on Golda. And doing the research on Golda  and talking to people who really knew her, gave me a sense of why we needed to tell the story. It's for my generation and for the generation of my fathers' and mothers'.  Manya Brachear Pashman:  So who made the decision to cast Helen Mirren as Golda Meir?  Guy Nattiv:  I wasn't the one who casted Helen. When I came on board, Helen was already attached. I think that Gideon Meir, the grandson [of Golda], he was the one who thought about Helen first, he said, I see my grandmother in her. And when I came she already read the script, and it was only meeting me to close the circle.  Manya Brachear Pashman:  And what did she bring to the role? Guy Nattiv:  Humor, humanity, wisdom, charm. It's all there. But she brings a lot of human depth to the character. Manya Brachear Pashman:  Were there conversations off camera during the making of the film about Israel, about its history, about the lessons learned in this moment in its history, with Helen Mirren, or other cast members? Guy Nattiv:  Yeah, but the problem is that we don't really learn, right, because look what happened now in Israel. It's the Yom Kippur of democracy. So I don't think we learned enough. Where we are basically in the same situation, as '73, with a leader that is so disattached. At least Golda believed in the judicial system, she believed in High Courts, she was a humanist. She believed in democracy, full democracy. And I think the situation now is so dire. And when I went to protest in Israel, I went to protest with a lot of veterans from the war, who had the t-shirt 'This is the Yom Kippur of democracy.' We're fighting, they're almost fighting again, but this time not because of our enemies, because of ourselves. We're eating ourselves from within. Manya Brachear Pashman:  I'm glad you mentioned the veterans of the war because this was such a painful conflict for Israel. Such a tragic blow to the nation's psyche. More than 2,600 Israeli soldiers were killed, 12,000 injured, nearly 300 taken prisoner. What do you believe this film offers those veterans? Guy Nattiv:  I think it brings a lot of humanity to Golda, who they saw as just the poster, as just a stamp, as just a statue, right? She was somebody who's not human. And I thought that Helen in the way that the film is structured is bringing Golda in a human way. And they see her struggle. And how she cared about those veterans. How she cared about every single person, every single soldier that died in this war. She wrote every name. She took it to her heart. And I thought that was something that veterans would respect. And also what I did is, when I edited the film, I brought five veterans from the front, a lot of them watched the movie in the first cut, the really first offline cut, and they helped me shape the narratives and bring their own perspective to this movie. So I thought that was very cool. Manya Brachear Pashman:  You've made it clear that this is not a biopic about Golda Meir. This is really about this moment in history. Guy Nattiv:  No, it's not your classical biopic, if you want to do a biopic about Golda Meir, you'll have to have a miniseries with eight episodes or more. This is an hour and a half, on a very specific magnifying glass on the requiem of a country. The requiem of a leader. The last of Golda. The last days. Manya Brachear Pashman:  Let's listen to a clip from the film that really shows why Golda Meir was known as the Iron Lady of Israeli politics. Here's Helen Mirren as Golda Meir, sitting across the table from Henry Kissinger, played by actor Liev Schreiber.   Clip from ‘Golda': Golda Meir (portrayed by Helen Mirren): This country's traumatized. My generals are begging me to occupy Cairo. And Sharon is, is like a dog on a leash. Henry Kissinger (portrayed by Liev Schreiber): If you do that you will be on your own. Israel's long term interests will not be served by a fracturing of our relationship, Golda. Sadat has already agreed to the terms of the ceasefire. Golda Meir (portrayed by Helen Mirren): Of course he has. He's on the brink of defeat. It will give him a chance to regroup. You are the only person in the world who could possibly understand what I'm going through. Henry Kissinger (portrayed by Liev Schreiber): Yes, I know how you feel, but we need a ceasefire. Golda Meir (portrayed by Helen Mirren): I thought we were friends, Henry. Henry Kissinger (portrayed by Liev Schreiber): We will always protect Israel. Golda Meir (portrayed by Helen Mirren): Like you did in ‘48? We had to get our weapons from Stalin. Stalin. Our survival is not in your gift. If we have to, we will fight alone. Manya Brachear Pashman:  So Guy, what would you include in a mini series, if you produced a mini-series instead? Guy Nattiv:  I would go to her childhood in Ukraine, probably, I would show her family in Israel. I would show more of her relationship with Lou Kedar, they were really close, her assistant. There's a lot of things that I would do, but not in the format of a feature. Although if you want to do something like you know, a four and a half hour feature, like, used to be in the 80s or the 70s. They were massive, like Gone With the Wind. This is something else. But this is not this movie. This movie is really a specific time in history. Manya Brachear Pashman:  Through her eyes, basically. Guy Nattiv:  Through her eyes. Manya Brachear Pashman:  Yeah. Guy Nattiv:  Under her skin. Manya Brachear Pashman:  I'm curious, if in the making of the film, there were any kind of surprising revelations about cast members or their perspectives, their opinions, or revelations about the history itself. Guy Nattiv:  One of the guys that was a stand-in, he was an extra in the movie. He was at the table of all the ministers. Ephri, Ephraim, his name is. I played the siren in the room. So everybody will get the siren, and the long siren. And he started crying. And he said, I'm sorry, I cannot really stay here for long. And I asked him, why not? He said, because I'm a veteran of the war. I was 21 when I went to the tunnel, and I fought. And he lives in the UK. And we shot the film in the UK and he came and it was amazing. And he came to Helen and me and he showed us photos of him as a 21 year old from the war. It was very emotional, it was surprising, he's only this extra. Who is a war veteran, who's playing a Minister. Manya Brachear Pashman:  Wow. Did he explain why he tried out, or auditioned to be an extra, why he wanted to do this? Guy Nattiv:  He's doing a lot of extra work in the UK. You know, he moved to the UK and is an extra in a lot of movies. And when he saw that this movie exists, he said, I must come, I must be one of those ministers. And we needed a desk full of ministers, you know, and he was the right age. So he's just an extra. That's what he does. I don't know if he thought that he would be in the same situation. I don't think that he thought that. Because he didn't read the script. It was a very emotional moment. And a very emotional moment for Helen. Manya Brachear Pashman: So this was filmed in the UK? Guy Nattiv: It was filmed in an Indian School, outside of London. The Indian abandoned school that was basically huge, like, massive. Arad Sawat, who is my production designer, he basically created the entire kiriya [campus/city], and war room and all the bunker and Golda's kitchen, he built it from scratch, exactly like it was in Israel. And it was crazy. It's just like walking into the 70s. Me, as a grown up, you know, and seeing Helen as Golda. And the commanders. It was surreal. Just surreal. Manya Brachear Pashman:  And how did you gather those kinds of personal details about her life? In other words, like, did you have pictures, plenty of photo photographs to base that on? Guy Nattiv:  My two sources were Adam, her bodyguard, that gave me all the information, and her press secretary, who's 91, who told me everything about her, and books that were available for us, and protocols. It was very specific protocols that showed us how everything went down. Manya Brachear Pashman:  Did Helen spend a lot of time with those people as well to really get a sense, and I'm curious how else she prepared, if you know, how else she prepared for this role, to really embody the former prime minister? Guy Nattiv: It was her own private process. I didn't get into it so much. But I think that she read all the books. She worked with a dialect coach to understand how the Milwaukee accent, to talk in the Milwaukee accent. Walk the walk. I think she prepared also with an animal coach. There's a coach, every actor becomes, every role it's a different animal. And you behave like this animal. You take the physiques of this animal. I think she was a turtle. I think that Golda was more of a turtle. The way she spoke. Everything was so slow. So I think that she became, she did, the way she carried herself like a ship  into this. So it was a lot of metaphors, a lot of stuff, a lot of tools that help actors get into the role. But when I met her, and that was after like three and a half months we didn't talk, she was Golda. It's almost like she got into the trailer as Helen and she came out as Golda. We didn't see Helen, we saw Golda. Even when we spoke and we ate lunch with her, we saw Golda. And so at the end of the 37 days of shooting, I was like, you know, I don't remember how you look like, Helen. And only in Berlin Film Festival, when she gave us Helen Mirren, is where we really saw her. Manya Brachear Pashman:  So you mentioned Berlin, the film has premiered there in Berlin, also has premiered in Israel. I'm curious how audiences have received it in both places. Has it hit different chords in different countries?  Guy Nattiv:  When non Jews see the movie, I mean, they have lack of emotional baggage. And they see it as something foreign in a way. But for Jews, for Israelis, there's a lot of emotional aspects to it. So it's, yeah, it's different. It's a different view. But a lot of people that are not Jews are still really like, this is such an interesting, we didn't even know about her. You know, a lot of people are learning who she was. And they didn't know. It's like she paved the way to Margaret Thatcher. And to Angela Merkel. So they see now what's the origin of that. Manya Brachear Pashman:  That's a really wonderful point, it being filmed in the UK and premiering in Berlin. Guy Nattiv:  [Angela] Merkel said that Golda was her inspiration. Manya Brachear Pashman:  So how do you expect it to resonate here in the United States? Guy Nattiv:  I really feel that it's just starting out right now, we had an Academy screening, and I'm getting amazing text messages from people from that generation. But I also would love for younger generation to know about that and explore Golda. Yeah, I mean, I'm interested to know, to see how it is. But I know that it's very emotional for the Jewish community. I can feel that. Manya Brachear Pashman:  Do you think this film will change how people view Golda Meir and Israel's leaders in general? Guy Nattiv:  I hope it will spark a nerve in a way that we are in the same situation now. And people will see that history repeats itself, in a way. It's not the same exact situation. But it's the blindness that our leaders are in right now. And I hope it will bring a different narrative to the character of Golda, and who she was, not just the poster, not just the scapegoat. Because she was the scapegoat of this war. It was easy to blame her for all the faults of her commanders and all the other human intelligence commanders and what happened there. But it's just, she's not the only one. She's not the scapegoat. She was actually very valuable for Israel, because she brought the shipments from the state, of the planes and the weapons. She was in charge of it. And I think without that, we would probably find ourselves in a different situation. Manya Brachear Pashman:  Golda was the first female head of government in the Middle East. Do you think her gender had something to do with her being blamed or the being labeled the scapegoat, as you said?  Guy Nattiv:  Absolutely. Absolutely. I truly believe that with more female leaders in this world, the world will be a better place. I feel that men proved us wrong. You know, I want to see Tzipi Livni leading Israel again. I want to see more women in key roles and leading countries. I think the world would be a better place.  Manya Brachear Pashman:  Guy, thank you so much. Really appreciate you sitting down with us. Guy Nattiv:  Thank you. 

'Golda' is now in theaters, with a tour de force performance by Helen Mirren as the Israeli Prime Minister, and wonderful supporting performances. We'll talk more about the film's content in future episodes, but in this special short-and-sweet episode, Erin and Esther interviewed the film's director, Guy Nattiv, who provided his insights on the woman the film presents to audiences, some of them, for the first time. To better understand our interview, we've gathered some information below that may be helpful, including more about the people he mentions during the interview. Enjoy - and feel free to email us with any questions: thebagelreport@gmail.com. More about Golda Meir and her impact: He says that Golda didn't believe Marwan “the Angel” - a spy who worked for both Egypt and the Mossad and that when Arab leaders wanted to speak with her she thought they were crying wolf — Nattiv used the term “wolf, wolf” - an Israeli idiom for crying wolf: Ze'ev, ze'ev. He refers to Meron Medzini, Meir's former press secretary and one of her biographers: you can watch one of his lectures about Meir here: https://www.youtube.com/watch?v=jVcAEZ9RuVo Lou Kedar, Meir's longtime assistant, did an interview for the AP after Meir died — read the author's reflection on that interview here: https://www.timesofisrael.com/the-time-i-didnt-meet-golda-meir/ Golda's impact on Ukraine and President Zelenskyy https://www.president.gov.ua/en/news/promova-prezidenta-ukrayini-volodimira-zelenskogo-v-kneseti-73701 https://www.jta.org/2022/03/09/global/former-israeli-prime-minister-golda-meir-is-a-hero-to-ukrainians-in-the-fight-against-russia    

With “Golda,” director Guy Nattiv depicts the story of Israeli Prime Minister Golda Meir's leadership during the 1973 Yom Kippur War, bringing his affection for the paranoid thrillers of the 1970s to the screen during a time of heightened political tensions in Israel and the rest of the democratic world.  Learn more about your ad choices. Visit megaphone.fm/adchoices

With “Golda,” director Guy Nattiv depicts the story of Israeli Prime Minister Golda Meir's leadership during the 1973 Yom Kippur War, bringing his affection for the paranoid thrillers of the 1970s to the screen during a time of heightened political tensions in Israel and the rest of the democratic world.  Learn more about your ad choices. Visit megaphone.fm/adchoices

Guy Nattiv joins Anthony to discuss his latest film, 'Golda.' Learn more about your ad choices. Visit megaphone.fm/adchoices

Welcome to Season 4 of What's My Frame!! We have an extra special conversation to kick off the season; today I'm joined by New York Casting Director, Maribeth Fox.  Maribeth has been a part of the Laura Rosenthal Casting office for over fifteen years; working alongside major talents like Todd Haynes, Paolo Sorrentino, Oren Moverman, Joachim Trier, Ed Burns, Mindy Kaling, Anton Corbijn, and Lisa Cholodenko as well as up and coming feature directors, Guy Nattiv, Olivia Newman, & Paul Downs Colaizzo.   Some of Maribeth's favorite credits include Olive Kitteridge and Mildred Pierce both for HBO, Jay-Z's music video for Smile, Wonderstruck with Todd Haynes, A Quiet Place, Modern Love for Amazon and Liz Garbus' narrative feature debut, Lost Girls. Two of her three films at the 2018 Sundance Film Festival broke sales records, Late Night and Brittany Runs A Marathon. Most recent credits include Sharper for Apple TV, directed by Benjamin Caron, Bottoms, produced by Elizabeth Banks, Murder Mystery 2 with Happy Madison, and the upcoming A Different Man from Killer Films and A24. When I say today's conversation fed my soul as an actor, I'm not exaggerating! It was pure joy to listen to Maribeth's stories, experiences casting and compassionate understanding of actor's work... Now let's get to the conversation!! Additional links: Millicent Simmonds, Wonderstruck's interview Millicent Simmonds shares the role that changed her life Bottom's Trailer // premiering August '23 -- Hosted by Laura Linda Bradley Join the WMF creative community now! Instagram: ⁠⁠⁠⁠@whatsmyframe⁠⁠⁠⁠ TikTok: ⁠⁠⁠⁠@whatsmyframe⁠⁠⁠⁠ ⁠⁠⁠⁠IMDb⁠⁠⁠⁠ ⁠⁠⁠⁠What's My Frame? official site ⁠⁠⁠⁠ ⁠⁠⁠⁠Join our monthly newsletter!⁠⁠⁠⁠ What's My Frame? merch; Coming soon!! --- Support this podcast: https://podcasters.spotify.com/pod/show/whats-my-frame/support

Siena Oberman is a producer that founded Artemis Pictures. Recently listed on Forbes's 30 Under 30 2022, she was named in Variety's Top 10 Producers to Watch in 2021 and Diversity in Cannes Top 10 Women in Film to Watch in 2019. Siena has completed production on 16 features in various producing capacities, and has had films in festivals such as Venice, Berlinale, Telluride, TIFF and Tribeca. Her most recent films include MAINSTREAM directed by Gia Coppola, SKIN directed by Oscar winner Guy Nattiv, SEPARATION directed by William Brent Bell, BIRTHDAY CAKE and 18 & OVER directed by Jimmy Giannopoulos, and ON OUR WAY by directed by Sophie Lane Curtis. Prior to Artemis, she was a Development Executive at Yale Productions and studied Business and Film at USC. IG: sienaoberman Host: Jamie Neale @jamienealejn Discussing rituals and habitual patterns in personal and work life. We ask questions about how to become more aware of one self and the world around us, how do we become 360 with ourselves? Host Instagram: @jamienealejn Podcast Instagram: @360_yourself Music from Electric Fruit Produced by Tom Dalby Composed by Toby Wright

In today's episode of Fruitful & Multiplying, we had the incredible opportunity of meeting actress and producer (and Oscar winner!) Jaime Ray Newman and learning more about her 10-year-long family-building journey. Jaime went to a Jewish Day School in Detroit for much of her life and later on, married Israeli writer and director Guy Nattiv. Together, they have 2 beautiful daughters, but their path to parenthood was not easy. They underwent IVF and endured multiple miscarriages, as well as a stillbirth in 2013- all in the public eye. They then turned to surrogacy, and their second daughter was born 15 weeks early, weighing only 1 lb 9 oz. Jaime embodies strength, humor, and endless wisdom and offers a tremendous amount of hope and advice to the JFF community. Thank you, Jaime!

Jaime Ray Newman can do It all. She's an academy award winner, actor, director & producer, who's been in too many things to name, such as Catch Me If You Can, The Punisher, Rumour Has it, Dopestick, Eureka, Midnight Texas, The Time Traveller's Wife, Eastwick, Rubberneck, Bates Motel, Satisfaction, Grimm, The Magicians, Drop Dead Diva, Skin (won the Academy Award for best short film which she produced with her husband Guy Nattiv and he wrote and directed it), plus Imposters, Veronica Mars & Tarzan just to name a few. We chat about the truth behind her IMDB profile, not taking no for an answer, pivoting and her moving forward mindset, her love of acting, the no's, producing, rejection, the highs and lows of birth, miscarriages, IVF, surrogacy, becoming a mother and her working relationship with her husband. Check Jaime out on: Instagram: https://www.instagram.com/jaimeraynewman4real/ Instagram for Guy Nattiv: https://www.instagram.com/guy_nattiv/ ---------------------------------------------- Follow @Funny in Failure on Instagram and Facebook https://www.instagram.com/funnyinfailure/ https://www.facebook.com/funnyinfailure/ and @Michael_Kahan on Insta & Twitter to keep up to date with the latest info. https://www.instagram.com/michael_kahan/ https://twitter.com/Michael_Kahan

In this episode we have a fascinating chat with Guy Nattiv. Guy is an Academy Award® winning writer/director from Israel. His first American short film, SKIN, won the 2019 Oscar for Best Live Action Short, along with 350 festivals around the world and was acquired by FOX Searchlight. The feature version, also entitled SKIN, stars Jamie Bell, Vera Farmiga, Aussie Danielle Macdonald and premiered at the 2018 Toronto International Film Festival to significant acclaim. The intriguing thing is; Guy actually wrote the short AFTER shooting the feature! Before coming to the USA, Nattiv was a lauded filmmaker in Israel, where his first feature, STRANGERS, was in competition at the Sundance and Tribeca Film Festivals in 2008. He currently lives in Los Angeles with his wife/producing partner Jaime Ray Newmand, where they run New Native Pictures. In this chat we cover their big Oscar win, financing his feature, the short film festival circuit, strategy for your career and how to stay sane in Hollywood. Website: www.theshortfilmpod.com | Instagram: @theshortfilmpod | Sound Engineer: Lana Kristensen

In this episode, Jane and I discuss the murder of George Floyd (May 25, 2020) and the Covid-19 pandemic.  Black Lives Matter and white privilege was very much at the forefront. We had this conversation July 31, 2020. At that time, Canada had 115,785 confirmed cases, including 8,929 deaths.  The curve was flattening and restrictions were loosening. We could once again sit on patios and socialize in our bubbles but the memories of the full lockdown were still very fresh.  Jane mentions the short film SKIN which won the Oscar for Best Short Film, directed by Guy Nattiv and produced by: Jamie Ray Newman, Andrew Carlberg and Tim Harms. SKIN was also made into a feature film, directed by Guy Nattiv. https://www.youtube.com/watch?index=9&list=PLCTfqkNt9Ptq_iQyOYEZ-kfuKEUxqFvhz&v=DkCVrWC0ZP4 (SKIN (Short Film Trailer)) https://www.imdb.com/title/tt6043142/ (SKIN (Feature Trailer)) Next Episode maxine bailey: A force of nature, a woman with a great perspective and a wicked laugh. Listen how she brings all of those things to THE ARENA.  If you want help showing up more purposefully and courageously, I'd be happy to help. Please visit: https://www.lindamclachlan.com (www.lindamclachlan.com) This podcast uses the following third-party services for analysis: Chartable - https://chartable.com/privacy

Jonathan Deckter joined Voltage Pictures in March 2015, as a partner and serves as President & COO. Deckter oversees Voltage's international and domestic sales, business and legal affairs, finance, third-party acquisitions, and strategic planning. In conjunction with CEO Nicolas Chartier, Deckter also manages all new Voltage business ventures. During his tenure at Voltage, Deckter has executive produced key titles for the company including I Feel Pretty starring Amy Schumer and Michelle Williams, which grossed nearly $100 million worldwide, Extremely Wicked, Shockingly Evil and Vile starting Zac Efron and Lily Collins, which premiered at the 2019 Sundance Film festival and subsequently sold to Netflix in a multi-territory deal, After starring Josephine Langford and Hero Fiennes-Tiffin and based on the worldwide best-seller from Anna Todd, and Eve starring Jessica Chastain, Colin Farrell, John Malkovich, Common and Geena Davis, which is currently in post-production. He also executive produced Wind River, from Taylor Sheridan in his directorial debut, starring Jeremy Renner and Elizabeth Olsen, which premiered to rave reviews at the 2017 Sundance Film Festival which took over $45 million in worldwide box office. Deckter was also responsible for the sale of the above titles in addition to other key successful titles for Voltage including All Eyez on Me from director Benny Bloom and starring Demetrius Shipp Jr., Danai Gurira and Kat Graham took $45 million in worldwide box office and the Toronto International Film Festival FIPRESCI Prize winner Skin from the Academy Award-winning director, Guy Nattiv, and starring Jamie Bell, Danielle Macdonald, and Vera Farmiga. The film was also an official selection in the Panorama section at the 2019 Berlin Film Festival and will be released in the US by A24. The short on which the film is based won the 2019 Academy Award for Best Live Action Short. Prior to joining Voltage, Jonathan Deckter spent five years at IM Global, where he served as President for three of those years. While there, he oversaw and ran the day-to-day operations for IM Global's international sales and distribution activities, which included over 250 films generating $5 billion dollars in worldwide box office; it's Pan-Asian rights vehicle APSARA; the company's strategic sales partnerships (Blumhouse International and Dolphin Films); and the company's interest in Mundial, a Latin American based sales company focusing on Spanish language content. During his tenure at IM Global the company held the number-one box-office share for independent sales companies for two years straight, 2014 and 2013. The company sold over 100 new features into the market place, 20 of which were either financed in-house or co-financed with budgets totaling $450 million. Deckter was also instrumental in acquiring the distribution rights to the Spyglass, Beacon and Intermedia catalogues – over 150 films in total. The Butler ($176m WW box-office), Walking with Dinosaurs ($135m WW box-office) and Insidious ($97m WW box-office) were among the films distributed by IM Global during Deckter's tenure. Deckter joined IM Global from Lakeshore Films, where he was Senior Vice President of International Sales for three years, with oversight for all foreign sales and management of a varied range of motion pictures that comprised Lakeshore's 500+ title library. Before joining Lakeshore, Deckter served as President of International Sales at Arclight Films, managing the worldwide sales, distribution and acquisitions of the company's theatrical films and creating new alliances with companies such as Joel Silver's Zinc Pictures. For five years prior to his tenure at Arclight, Deckter served as Vice President of Morgan Creek International. Deckter is a frequent speaker on industry panels as well as a guest lecturer at USC's Stark program and his alma mater the University of Arizona. Michael and Eric Okon operate a global transportation business that is 100% family owned. With locations in multiple states and 100's of employees, the Okon Bros. talk about navigating life, growing up in a family business, writing books, content creation, self-help, law of attraction and more... #hollywood #producter #podcast Here are our websites: Our main company, BLS - https://www.blsco.com Michaels self-help books - https://www.samuelsbooks.com Michaels fiction books - https://www.michaelokon.com Eric Okon LinkedIN - https://www.linkedin.com/in/ericokon Michael Okon LinkedIN - https://www.linkedin.com/in/michael-okon-b02b60162

Lee and Dallas look at two A24 films that started as acclaimed short films, Skin and Share. Skin features Jamie Bell as a destitute young man, raised by racist skinheads and notorious among white supremacists, turns his back on hatred and violence to transform his life, with the help of a black activist and the woman he loves. We hear from the films Academy Award winning writer/director, Guy Nattiv who takes us behind the scenes. After discovering a disturbing video from a night she doesn’t remember, sixteen-year-old Mandy must try to figure out what happened and how to navigate the escalating fallout in Pippa Bianco's Share.

Lee and Dallas look at two A24 films that started as acclaimed short films, Skin and Share. Skin features Jamie Bell as a destitute young man, raised by racist skinheads and notorious among white supremacists, turns his back on hatred and violence to transform his life, with the help of a black activist and the woman he loves. We hear from the films Academy Award winning writer/director, Guy Nattiv who takes us behind the scenes. After discovering a disturbing video from a night she doesn't remember, sixteen-year-old Mandy must try to figure out what happened and how to navigate the escalating fallout in Pippa Bianco's Share.

Story: Bryon Widner wurde einst von zwei glühenden Anhängern der "White-Supremacy-Ideologie" von der Strasse geholt und aufgezogen. Von Kopf bis Fuß mit rassistischen Tätowierungen bedeckt, lebt er ein zerstörerisches Leben, in welchem Gewaltverbrechen an der Tagesordnung liegen. Als er bei einer Versammlung die alleinstehende Mutter Julie und deren drei jungen Töchter trifft, wächst in ihm den Wunsch nach einem normalen Leben und die Bewegung zu verlassen. Doch seine rassistische "Familie" lässt Bryon nicht gehen.

Story: Bryon Widner wurde einst von zwei glühenden Anhängern der "White-Supremacy-Ideologie" von der Strasse geholt und aufgezogen. Von Kopf bis Fuß mit rassistischen Tätowierungen bedeckt, lebt er ein zerstörerisches Leben, in welchem Gewaltverbrechen an der Tagesordnung liegen. Als er bei einer Versammlung die alleinstehende Mutter Julie und deren drei jungen Töchter trifft, wächst in ihm den Wunsch nach einem normalen Leben und die Bewegung zu verlassen. Doch seine rassistische "Familie" lässt Bryon nicht gehen.

Lee is joined by Academy Award winner Guy Nattiv to discuss his A24 film, Skin.Guy talks about how he went from Israel to Hollywood, Skin's origins as an Oscar winning short film, how it then became a feature in the same year and the hurdles the film faced, casting Jamie Bell as white supremacist Bryon Widner, the films place in this current political climate and Guy teases his next project.

Lee is joined by Academy Award winner Guy Nattiv to discuss his A24 film, Skin. Guy talks about how he went from Israel to Hollywood, Skin's origins as an Oscar winning short film, how it then became a feature in the same year and the hurdles the film faced, casting Jamie Bell as white supremacist Bryon Widner, the films place in this current political climate and Guy teases his next project.

When you listen to today’s academy award winning guest, you’ll likely wonder how she manages to balance executive producing award-winning films, appearing as a series regular and recurring role on multiple TV shows, and raising a one-year-old. The answer, as Jaime Ray Newman shares today, is surprisingly simple. With the help of her creative community and collaborator-husband Guy Nativ, she’s managed to build a body of work that captures humanity with breathtaking honesty. From the Academy Award winning short, SKIN, to her upcoming role in the series, LITTE FIRES EVERYWHERE with Reese Witherspoon, she shares her journey and how she’s gone from creating her own theatre company at 16 in Michigan, to building a life in Los Angeles telling dynamics stories with prolific artists.  As an actress, Newman has been working steadily for almost 20 years. She was a series regular on multiple TV series, including The Punisher for Marvel/ Netflix, Midnight, Texas for NBC, Bates Motel for A&E, Eastwick (based on The Witches of Eastwick) for ABC, Eureka for SYFY, and most recently Midnight, Texas for NBC. Newman will next be seen in the feature film Valley of the Godsdirected by Lech Majewski, starring opposite Josh Hartnett and John Malkovich, and Midnight Climax directed by Joseph Sorrentino.  As a producer, Newman and her husband, filmmaker Guy Nattiv, run New Native Pictures. Their short film SKIN won the 2019 Academy Award® for Best Live Action Short, along with many festivals around the world. It was acquired by FOX Searchlight.  LINKS: INSTAGRAM: @jaimeraynewman4real TRAILER: Skin (2019)

#EchoChamber this week is rather dark, cause we take a look at 'Skin', the new movie out of A24 and from director Guy Nattiv. It stars Jamie Bell, Danielle Macdonald, Vera Farmiga and deals with finding redemption from a life of racism! This week we have: Skin Release Date: 27th September 2019 Digital Release Date: 30th September 2019 DVD Release Date: 7th October 2019 Director: Guy Nattiv Cast: Jamie Bell, Danielle Macdonald, Daniel Henshall, Bill Camp, Louisa Krause, Zoe Colletti, Kylie Rogers, Colbi Gannett, Mike Colter & Vera Farmiga Credit: Maven Pictures, TUGAWOOD Pictures, Allusionist Picture House & Lionsgate UK Genre: Biography, Crime, Drama Running Time: 118 min Cert: 18 Website: here YouTube Trailer: here Twitter: @GNattiv Facebook: @skinthefeature Instagram: @skinthefeature ------------ *(Music) 'Airplanes' by Local Natives – 2009

Our guests on this episode are Guy Nattiv and Jaime Ray Newman, the husband/wife, director/producer team behind the Oscar-winning short film Skin, and the thematically similar feature film of the same name. 1K is affiliated with the 100 Words Film Festival and powered by OrthoCarolina. 1K is hosted by Scott Galloway. Produced and edited by Jordan Snyder. Music composed by Jason Hausman. Recorded and engineered by Fred Story at Concentrix Music and Sound Design.

Writer and director, Guy Nattiv, sat down with us to discuss his film "Skin." The powerful film has an equally amazing backstory. From a photo essay to a secret meeting, to actual filming, "Skin" is a layered and complex story both on and off the screen. Take a listen, and if you haven't heard it, check out our review as well. Never miss a review by subscribing. We're on iTunes, Stitcher, Spotify, and right here on Soundcloud. We're also at WhiskeyandPopcorn.org. And don't forget to follow us on Facebook, Twitter, and Instagram. Search for Whiskey and Popcorn!

Writer/Director Jacob Estes (Don't Let Go, The Details, Mean Creek...) & Academy Award-winning Writer/Director Guy Nattiv (Skin...)  join us on The Matthew Aaron Show this Thursday (8/15) as we broadcast from Chicago. Jacob sat down with Matt earlier this week to discuss his new Mystery/Thriller flick DON'T LET GO starring Golden Globe winner David Oyelowo. Guy Nattiv also sat down with Matt recently to talk his debut feature film SKIN starring Jamie Bell. "Skin" was written & directed by Guy and is a feature adaption of his 2019 Academy Award-winning (Best Short Film) short film. Stream it live from our website or subscribe for free and download the show on iTunes. You can also listen on the go on your Android/iPhone/iPad device via Spotify. --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app

Karen interviews one of the leaders of the anti-fascist movement, Darryle Lamont Jenkins. They discusses the movie, Skin, based on his true story of "converting" a skinhead. They also talk the current state of race with Israeli producer, Guy Nattiv.

Guy Nattiv is an Academy Award® winning filmmaker from Israel. His first American short film, SKIN, won the 2019 Academy Award® for Best Live Action Short, along with many festivals around the world United States, Best Live Action Short FilmFrance, 2019, Clermont-Ferrand, Audience AwardUnited States, 2018, HollyShorts FF, Best Short Film Grand PrizeFrance, 2019, ECU European Independent FF, Special Jury AwardUnited States, 2018, San Jose IShFF , Best Short Film. It was acquired by FOX Searchlight. The feature version, also entitled SKIN, stars Jamie Bell, Vera Farmiga and Danielle Macdonald, and premiered at the 2018 Toronto International Film Festival to significant acclaim, where it won the Fipresci Critics Prize. Its European premiere was at the Berlin International Film Festival, and will also be shown in April at Tribeca. It will be distributed globally by A24 and Voltage in summer 2019. Before coming to the USA, Nattiv was a lauded director in Israel, where his first feature, STRANGERS, was in competition at the Sundance and Tribeca Film Festivals in 2008. His second feature, THE FLOOD, won the Generations prize at the Berlin Film Festival in 2012 and was nominated for six Ophir Awards, where it won Best Actor. MAGIC MEN, his third feature, premiered at Palm Springs International Film Festival in 2014, and also won the Ophir Award for Best Actor. A lover of the short form, Nattiv has been crafting award winning shorts for almost two decades. His first short film, THE FLOOD, won the top prize at Berlin in 2002, his next short STRANGERS won the Sundance Film Festival in 2006 and was short-listed for the Academy Awards® that year. His short film OFF- SIDE played over 80 festivals worldwide, including Tribeca and Locarno. LINKS: IMDB: https://pro.imdb.com/name/nm1142235/ INSTAGRAM: @guy_nattiv YOUTUBE: Skin Trailer #FabFitFunPartner Interested in becoming a FabFitFun member? Be sure to use the code 'TOA' at checkout and get $10 off your first box! #fabfitfunpartner

An interesting blend of films and guests this week on BEHIND THE LENS as we talk with athlete MILLAN LUDENA, producer JEFF BRAND, writer/director/editor ESME VON HOFFMAN, and hear some more of our exclusive with writer/director GUY NATTIV on SKIN. After the tragic events of the weekend with two more mass shootings in the United States, we shuffled up the show in order to bring you some more of our exclusive interview with SKIN writer/director, GUY NATTIV. With every passing day, we are reminded in some heinous fashion or other of the long-simmering violence and hatred stemming from racism and white supremacism across this country and beyond. No longer something "hidden" or not discussed, these issues are at the forefront of the conversation in today's world. And that is what makes Guy Nattiv's SKIN the most timely and topical film in America right now. We've been talking about SKIN for several weeks and you heard our full interview with JAMIE BELL who plays former white supremacist Bryon Widner several weeks ago. In telling Widner's story, Nattiv takes us into the world of a tight-knit supremacist group and into the mindse of Widner, who gave full access and rights to his story to Nattiv. What makes SKIN so powerful is not only its authenticity and truth, but that Bryon Widner saw the error of the ways of white supremacy and chose to leave. In today's interview excerpts, listen as Nattiv talks about writing the script and some of the challenges he faced, as well as designing the visual tone of the film and shooting some large set pieces, including staging the Neo-Nazi rally which opens the film. Then we switch gears and take a look at a triumphant story with the documentary, FROM CORE TO SUN, as athlete MILLAN LUDENA and producer JEFF BRAND join us live from Ecuador. (Pardon us, but because of the phone logistics, our connection is not the best during this interview.) FROM CORE TO THE SUN chronicles Millan's journey to become a Guinness World Record holder as he attempts to run a half marathon inside the deepest part of the world, the Mponeng Mine (3,563M below the earth's surface) in South Africa and then traveling back to his home country of Ecuador to run a half marathon towards the closest point to the sun on the planet, the peak of Mt. Chimborazo (6,280M). While Millan gives some insight into his experience and thoughts, particularly interesting is the input from Jeff who talks about some of the logistic shooting challenges in the severest conditions on earth, as well as dealing and complying with the Guinness organization. Plus, find out how you can enter to win an incredible trip associated with the film! Rounding out the show we shift gears with a cross between Ancient Rome and modern-day Detroit with writer/director/editor ESME VON HOFFMAN who is live talking about her directorial debut film, OVID AND THE ART OF LOVE. An original and entertaining film, listen as Esme talks about the renowned Roman poet Ovid as her inspiration for the film and her journey leading to the film's world premiere on August 10th, from ancient Roman hair and costume design to the Detroit locations and utilization of public art spaces, to a blend of oration and slam poetry, to casting talent like Corbin Bleu and John Savage, to a telling use of color, lensing and lighting. Plus, the timeless sociopolitical similarities between 31BCE and the rule of Emperor Augustus, and the 21st century and the current state of affairs. http://behindthelensonline.net http://eliasentertainmentnetwork.com

Indie film editor Michael Taylor returns to the podcast for his second visit. Three projects that he has been working on: Rick Alverson's "The Mountain", Guy Nattiv's "Skin", and Lulu Wang's "The Farewell" are all currently in theaters. Taylor is married to the production designer Judy Becker; the two are bi-coastal these days but call NYC home.

Israeli transplant, the filmmaker Guy Nattiv discusses his latest feature made here in the U.S., "Skin". The film stars Jamie Bell & Danielle Macdonald and will open in theaters tomorrow, Friday, July 26th.

This week on BEHIND THE LENS we dig deep into what lies beneath Guy Nattiv's new film SKIN with an exclusive interview with JAMIE BELL. A brutally visceral and emotionally powerful film, SKIN is based on the true story of a young man trying to leave a Neo-Nazi supremacist group and start a better life for himself. Beyond timely and topical in today's volatile sociopolitically charged climate, Jamie pulls no punches as he talks about the film and finding the truth within his character, Bryan Widner. Listen as Jamie talks about producer Oren Moverman and coming on board this project, working with director Guy Nattiv, discussions with Widner as a means to ensure the authenticity of the story and Widner's journey, as well as walking the emotional line of a man leaving one life behind for a different future. And although this is a very heavy dramatic film, Jamie regales us with some lighter moments of working with "Boss", a very talented and very large Rottweiler. Then writer/director/editor ADAM MARINO joins us live at the midpoint of the show talking about his new film RING RING. A thriller with a side of terror, Adam goes in-depth about his casting process – including nabbing the original Hulk – Lou Ferrigno – as both a producer and actor, location scouting and finding the perfect house and making it a character in the film, cinematography, the score and finding the balance within the film, sequel potential, and more! And what about those MCU reveals at Comic-Con, not to mention AVENGERS: ENDGAME truly becoming king of the box office world! http://behindthelensonline.net http://eliasentertainmentnetwork.com

It’s the forty-ninth episode of On The List with Brett Gursky. This week’s guests Jaime Ray Newman & Guy Nattiv talk about winning Oscars this year for Best Live Action Short for their movie “Skin”. They share behind-the-scenes stories from the making of the short film, as well as the feature film- also called “Skin”– … Continued

PM denies Iranian claims of success in Syria Israeli Prime Minister Benjamin Netanyahu categorically denied Iranian claims that Tehran has made significant inroads in Syria. #BIBI #IRAN __________________ 2. ‘Association with Otzma is like colluding with KKK' Several major Jewish groups criticize Israeli Prime Minister Netanyahu for urging the extremist Otzmah Yehudit party to join a right-wing bloc.  #OTZMA #EXTREMIST ____________________ 3‘Association with Otzma is like colluding with KKK' BRIG. GEN. (Ret.) Ram Shmueli, Candidate for Knesset with the Kulanu Party joins us in the studio to speak about the potential formation of a right-wing unity bloc. #RAMSHMUELI #RIGHTWINGPARTY ___________________ Israel releases WAQF cleric after 12 hours Israel Police have now released senior Jordanian Muslim Cleric, Sheikh Abdel-Azeem Salhab from custody after arresting him and his deputy, Najih Bakira, on Sunday for instigating disturbances on the Temple Mount last week. #WAQF #SHEIKHABDEL-AZEEMSALHAB ___________________ EU & Arab League meet for first-ever joint summit leaders from the European Union and the Arab League started their first-ever joint summit in Egypt on Sunday. #EU #ARABLEAGUE ___________________ Israel thwarts Jordanian arms smuggling ring The Palestinian Islamic Jihad terror group on Sunday, bragged about developing new missiles that can hit Tel Aviv, Netanya and further. The claims were made in a documentary aired on Iranian TV in which the group threatens to turn the cities of Israel into ‘Hell'. #ISLAMICJIHAD #IRAN                               ___________________ Jeremy Corbyn denies accusations of Anti-Semitism The UK Labour Party's Deputy Chief, Tom Watson is urging party leader Jeremy Corbyn to take action against the 50-some complaints of Anti-Semitism he recently received from his colleagues. #JEREMYCORBYN #ANTISEMITISM  ___________________ NY Health Dept. issues travel warning to Israel The New York City Department of Health and Mental Hygiene is pushing for parents to vaccinate their kids after at least 90 confirmed cases of the measles have been reported in Brooklyn alone since October – with most cases in the Orthodox Jewish communities. #NYHEALTHDEPT #TRAVELWARNING ___________________ 9. ‘Beresheet' completes first maneuver in space  IAI and SPACE-IL have just announced the completion of their craft's first maneuver in space; completed in 30 seconds and distancing just under 70,000 km after takeoff. #BERESHEET #IAI   ___________________ 10. Better skin-care with ‘Spincare' by Nanomedic An Israeli-developed spray-on skin treatment, is now making headlines for assisting in the quick healing of burns and other such wounds– and it does so in a pain-free manner. #SPINCARE #NANOMEDIC ___________________ Guy Nattiv brings home the gold on Oscar night Israeli director Guy Nattiv wins academy award for ‘best live action short' for “skin” at the 91st annual academy awards. #GUYNATTIV #OSCARS                              ___________________ Hebrew word of the Day: EMUNA | אמון = BELIEF Learn a New Hebrew word every day. Today's word is ‘EMUNA' which means BELIEF. #LEARNHEBREW   #HEBREWWORDOFDAY   #ILTVHEBREWWORDOFDAY  ___________________ The Weather Forecast Tonight should be mostly cloudy but warm, with a low of fifty-nine or fifteen degrees Celsius. and then Tomorrow you can expect partly cloudy skies and a significant drop in temperatures to a high of just sixty-six or nineteen degrees Celsius. #ISRAELWEATHER   #ISRAELFORECAST  ___________________ Israeli PM Netanyahu receives harsh criticisms over attempts to form a right-wing unity bloc, The Deputy Chief of The British Labour Party demands action against Anti-Semitism within their ranks and Israeli director Guy Nattiv brings home an Academy Award for his amazing short-film, ‘Skin' See omnystudio.com/listener for privacy information.

Today's episode is Part 3 of our Oscar Week coverage! Today's films come to us from the Live Action and Documentary Short categories. I talked with 3 of the Oscar nominated filmmakers, starting with Guy Nattiv from "Skin", Jeremy Comte from "Fauve", and Marshall Curry from "A Night at the Garden".  Today's collection of films are all incredibly intense films with powerful themes and messages. I talked with each of the filmmakers about how their films stories came about, how Marshall learned about the Night at the Garden, the acting choices made in the films, the messages they hope are taken away from their films and so much more! Marshall Curry recently made the news with "A Night at the Garden" when Fox News refused to play his 30 second trailer.  The Oscar Shorts are still playing in theaters around the country, as well as on the Oscar Shorts TV. All 15 films nomianted in the short film categories are absolutely incredible and I've had a wonderful time talking to all of these great filmmakers. This is the final part of our 3 part Oscar Shorts coverage and we can't begin to thank all of these Oscar Nominated Directors enough for their time. A special thanks to Guy Nattiv, Jeremy Comte, and Marshall Curry for taking the time out of their incredibly busy schedule. Don't miss their films as part of the Oscar Shorts Program.  Best of luck to all of our guests at the Oscars this Sunday! Enjoy the episode!