Podcasts about digital media studies

In this episode, RAFAEL KHACHATURIAN speaks with IRA ALLEN, Associate Professor of Rhetoric, Writing, and Digital Media Studies at Northern Arizona University, about his latest book, Panic Now: Tools for Humanizing. Allen explores panic as a vital, practical response to the unfolding crises of climate, capitalism, and colonial legacies. He argues for embracing panic as a catalyst for solidarity, novel social forms, and collective resilience in the face of civilizational collapse—offering a provocative rethinking of how we might navigate and even thrive amid uncertainty.

In episode three, researcher Dr. Rahul Kumar and political economist Dr. Tanner Mirrlees  discuss the rise of education technology and artificial intelligence across colleges and universities, how they impact and disrupt teaching and learning, and how public post secondary education has become an incredibly lucrative business for privately owned EdTech corporations. Reflecting on the impacts of EdTech companies on education, Mirrlees says: “The very same business model that these corporations have developed and advanced in all facets of social life are now being advanced throughout the context of public education. Whereby platform capitalism is becoming the classroom. Surveillance capitalism is becoming the classroom. Data is being aggregated about all of the users of these services, teachers, learners, administrators, everyone.” Describing the interminable cycle of EdTech and AI, Kumar says: “Imagine a triangle where we have pedagogy, privacy and privatization. … pedagogy, we need to teach these things. Oh my goodness, we need graduates to be well versed in it. And that becomes the entry point. Well, you buy this piece of software, which is the private part. And it is going to lead to providing solutions. Meanwhile the tool is being used for surveillance, which allows for better improvements … which leads to that idea of more technology begets more technology.” About today's guests:  Rahul Kumar is an assistant professor at the Department of Educational Studies at Brock University. His current scholarship contributes to the discourse of AI's role in higher education and K-12 system.  He is an active contributor to several prestigious journals and a recipient of several internal and external grants for his research work. Prior to his academic post, Kumar worked in the IT industry and brings his theoretical and practical knowledge to understanding, promoting, and critiquing technology within education. Tanner Mirrlees is a political economist of the communication, media and tech industries, and teaches in the Communication and Digital Media Studies program at Ontario Tech University. Mirrlees is the author or co-author of numerous publications, including Work in the Digital Media and Entertainment Industries: A Critical Introduction (Routledge, 2024), Global Entertainment Media: Between Cultural Imperialism and Cultural Globalization (Routledge, 2013), Hearts and Mines: The US Empire's Cultural Industry (UBC Press, 2016), and EdTech Inc.: Selling, Automating and Globalizing Higher Education in the Digital Age (Routledge, 2019). Mirrlees is also the co-editor of Media Imperialism: Continuity and Change (Rowman & Littlefield, 2019), Media, Technology, and the Culture of Militarism (Democratic Communiqué, 2014), and The Television Reader (Oxford University Press, 2012). Transcript of this episode can be accessed at georgebrown.ca/TommyDouglasInstitute Image: Tanner Mirrlees, Rahul Kumar  / Used with permission. Music: Ang Kahora. Lynne, Bjorn. Rights Purchased.  Intro Voices: Ashley Booth (Podcast Announcer); Bob Luker (Tommy)  Courage My Friends Podcast Organizing Committee: Chandra Budhu, Ashley Booth, Resh Budhu.  Produced by: Resh Budhu, Tommy Douglas Institute and Breanne Doyle, rabble.ca.  Host: Resh Budhu.

Can brands really support positive social change? In Big Brands are Watching You: Marketing Social Justice and Digital Culture (U California Press, 2024), Francesca Sobande, a Senior Lecturer in Digital Media Studies at Cardiff University explores this question by considering the morality of contemporary brands in contemporary, digitial, culture. The book offers a rich set of case studies, ranging from the ways corporations co-opt social justice campaigns and how nations brand themselves, through to influencers, music festivals, and high end television. A significant contribution to both the theory and practice of branding and marketing, the book will be of interest across social sciences, business, and humanities, as well as anyone interested in the role of branding in modern life. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Can brands really support positive social change? In Big Brands are Watching You: Marketing Social Justice and Digital Culture (U California Press, 2024), Francesca Sobande, a Senior Lecturer in Digital Media Studies at Cardiff University explores this question by considering the morality of contemporary brands in contemporary, digitial, culture. The book offers a rich set of case studies, ranging from the ways corporations co-opt social justice campaigns and how nations brand themselves, through to influencers, music festivals, and high end television. A significant contribution to both the theory and practice of branding and marketing, the book will be of interest across social sciences, business, and humanities, as well as anyone interested in the role of branding in modern life. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

Can brands really support positive social change? In Big Brands are Watching You: Marketing Social Justice and Digital Culture (U California Press, 2024), Francesca Sobande, a Senior Lecturer in Digital Media Studies at Cardiff University explores this question by considering the morality of contemporary brands in contemporary, digitial, culture. The book offers a rich set of case studies, ranging from the ways corporations co-opt social justice campaigns and how nations brand themselves, through to influencers, music festivals, and high end television. A significant contribution to both the theory and practice of branding and marketing, the book will be of interest across social sciences, business, and humanities, as well as anyone interested in the role of branding in modern life. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/economics

Can brands really support positive social change? In Big Brands are Watching You: Marketing Social Justice and Digital Culture (U California Press, 2024), Francesca Sobande, a Senior Lecturer in Digital Media Studies at Cardiff University explores this question by considering the morality of contemporary brands in contemporary, digitial, culture. The book offers a rich set of case studies, ranging from the ways corporations co-opt social justice campaigns and how nations brand themselves, through to influencers, music festivals, and high end television. A significant contribution to both the theory and practice of branding and marketing, the book will be of interest across social sciences, business, and humanities, as well as anyone interested in the role of branding in modern life. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

Can brands really support positive social change? In Big Brands are Watching You: Marketing Social Justice and Digital Culture (U California Press, 2024), Francesca Sobande, a Senior Lecturer in Digital Media Studies at Cardiff University explores this question by considering the morality of contemporary brands in contemporary, digitial, culture. The book offers a rich set of case studies, ranging from the ways corporations co-opt social justice campaigns and how nations brand themselves, through to influencers, music festivals, and high end television. A significant contribution to both the theory and practice of branding and marketing, the book will be of interest across social sciences, business, and humanities, as well as anyone interested in the role of branding in modern life. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/science-technology-and-society

Can brands really support positive social change? In Big Brands are Watching You: Marketing Social Justice and Digital Culture (U California Press, 2024), Francesca Sobande, a Senior Lecturer in Digital Media Studies at Cardiff University explores this question by considering the morality of contemporary brands in contemporary, digitial, culture. The book offers a rich set of case studies, ranging from the ways corporations co-opt social justice campaigns and how nations brand themselves, through to influencers, music festivals, and high end television. A significant contribution to both the theory and practice of branding and marketing, the book will be of interest across social sciences, business, and humanities, as well as anyone interested in the role of branding in modern life. Learn more about your ad choices. Visit megaphone.fm/adchoices

A very special Fanbase Feature! At San Diego Comic-Con 2023, Fanbase Press Editor-in-Chief Barbra Dillon moderated the “Bridging the Digital Gap Between Libraries and Comics Publishers” panel (originally recorded on Thursday, July 20, 2023) during which Matthew Noe (librarian, Harvard Medical School), Tina Lerno (comics librarian), Moni Barrette (director of Collection Development & Publisher Relations, Library Pass), Dr. Theresa Rojas (founding director, The Latinx Comic Arts Expo), and Dr. Katlin Marisol Sweeney-Romero (assistant professor, World Cinema and Digital Media Studies) participated in a thoughtful conversation about the barriers that exist for libraries to access digital comics, and how emerging digital platforms and coordination with comic book publishers can provide greater access for readers across the country, especially in the face of increasing calls for censorship.

Host Luisa Lyons chats with Christian Cieri about his new musical The Humoral Funeral Parlor on the Corner of the Street. Christian shares his journey to writing his first full-length musical inspired by The Little Shop of Horrors and Rocky Horror, the challenges of creating an original work from scratch, staging a reading, what it's like to be an actor on the other side of the casting table, and why he chose to film the reading.The 2022 staged reading of The Humoral Funeral Parlor was filmed live at the TADA Theatre in New York and is now available to stream. Christian Cieri is a New York City-based actor, singer, composer, and lyricist originally hailing from the Jersey Shore. He earned a B.A. in Digital Media Studies with a Marketing minor from the University of Rochester, were he also received voice lessons through the Eastman School of Music. After graduating, Christian spent two years in marketing before deciding to pursue a career in theatre. On stage, Christian has performed the roles of Jack (Into the Woods), Barnaby (Hello, Dolly!), Eugene (Grease), and his all-time favorite role of Seymour (Little Shop of Horrors). http://www.christiancieri.com/ Show Links: Watch The Humoral Funeral ParlorChristian Cieri on InstagramThe Humoral Funeral Parlor on InstagramSupport the showFilmed Live Musicals is where musicals come home. Use the searchable database to find musicals filmed on stage to watch from the comfort of your living room! Visit www.filmedlivemusicals.com to learn more. Follow us on Facebook, Instagram, Twitter, and YouTube. You can also support the site at Patreon. Patrons get early access to the podcast and site content, no matter how much you pledge. Become a Patron today!Filmed Live Musicals is created by Luisa Lyons, an Australian actor, writer, and musician. Luisa holds a Masters in Music Theatre from London's Royal Central School of Speech and Drama and now lives, works, and plays in New York. Learn more at www.luisalyons.com and follow on Twitter, Instagram, and Facebook.

Since its release in November 2022, ChatGPT has been the focus of a great deal of discussion and concern in higher ed. In this episode, Robert Cummings and Marc Watkins join us to discuss how to prepare students for a future in which AI tools will become increasingly prevalent in their lives..  Robert is the Executive Director of Academic Innovation, an Associate Professor of Writing and Rhetoric, and the Director of the Interdisciplinary Minor in Digital Media Studies at the University of Mississippi. He is the author of Lazy Virtues: Teaching Writing in the Age of Wikipedia and is the co-editor of Wiki Writing: Collaborative Learning in the College Classroom. Marc Watkins is a Lecturer in the Department of Writing and Rhetoric at the University of Mississippi. He co-chairs an AI working group within his department and is a WOW Fellow, where he leads a faculty learning community about AI's impact on education. He's been awarded a Pushcart Prize for his writing and a Blackboard Catalyst Award for teaching and learning. A transcript of this episode and show notes may be found at http://teaforteaching.com.

Tanner Mirrlees (https://twitter.com/tmirrlees_) is the Director of the Communication and Digital Media Studies program at Ontario Tech University. His current research focuses on topics in the political economy of communications such as war and media, work and labour in the creative and digital industries, and the links between far-right hate groups and social media platforms. He's the author of Hearts and Mines: The US Empire's Cultural Industry, Global Entertainment Media: Between Cultural Imperialism and Cultural Globalization, co-author of EdTech Inc.: Selling, Automating and Globalizing Higher Education in the Digital Age, and the co-editor of Media Imperialism: Continuity and Change and The Television Reader. He's also heavily involved in efforts to spread the knowledge practices of academia beyond the university. So, he has appeared in documentaries like Theatres of War (https://vimeo.com/ondemand/theatersofwar) and Myths on Screen, and contributed to putting together podcasts like Darts & Letters' Dangers of Techno-utopianism series. Our conversation is an attempt to wrestle with American militarism, especially but not exclusively as it finds form through popular cultural representation. There is a very long history, Tanner points out, of the US Department of Defence investing in media products that project American military power in precisely the way the DoD wants. While this collusion is now loosely understood, Mirrlees' insights point us to specific aspects of the ongoing partnership. We talk about the massive popularity of films like Captain Marvel and Top Gun: Maverick—spending a lot of time unpacking the dizzying spectacle of Maverick, one of 2022's biggest movies: truly a dizzying spectacle, in terms of the gap between dramatized surreality and the actual logistics of military operations. Even though the DoD's stated policy is that it will support films that give a “realistic” and “authentic” representation of the military, the reality of the representational choices in Maverick expose how tenuous that grip on reality needs to be, and in fact how films benefit financially and technology from the Pentagon when they fudge the facts firmly in their favour. There are long standing fears that drive this sort of forceful fabulation: one is the fear of a decline in the United States' imperial power, relative to other influential states like China and Russia. Another is the threat of nuclear annihilation. The Pentagon's particular investment in how Hollywood represents this threat has shifted over time, with Tom Cruise's last two big action films, Mission Impossible: Fallout and Maverick, centring on this threat as a chief way to threaten the integrity and hegemony of American empire. Mirrlees offers some valuable commentary on how Maverick was written out of a time in the recent past where the threat of Iran enriching uranium was front of mind in US security planning. The United States has waged wars without end for a very long time. The country dominates in virtually every corporate sector. And yet the US empire functions in ways that are distinct from past modes of colonial imperial command. Multiple spheres interlock and interoperate in sometimes subtle ways, and while force is fundamental, cultural impact is also critical. As Tanner puts it, “no corporation sees itself as an emissary” of the US national security state, and yet they are incentivized or compelled to serve its ambitions. What are the foundations of that sort of power? How can we examine its constitutive elements?

Today's Historic Story: Ray Charles vs. Elvis Every time we hop on Twitter, Instagram, or any other social platform, we're running into brands who use insidious tactics to get into our pockets. From "Black" CGI influencers to brands that align themselves as Black allies when they just want Black dollars, it's all digital anti-Blackness and it's causing more harm than we may know. Leading today's conversation is Dr. Francesca Sobande. She's a Senior Lecturer in Digital Media Studies at the School of Journalism, Media and Culture at Cardiff University. She's a researcher and writer who's authored several books and published work about “woke-washing,” digital (re) presentations of Black people, and how brands mis-use, exploit, and commercialize such notions like Black social justice activism. BHY is produced by PushBlack, the nation's largest non-profit Black media company - hit us up at BlackHistoryYear.com and share this with your people! PushBlack exists because we saw we had to take this into our own hands. You make PushBlack happen with your contributions at https://BlackHistoryYear.com​. Most people do 5 or 10 bucks a month, but everything makes a difference. Thanks for supporting the work. The Black History Year production team includes: Tareq Alani, Brooke Brown, Shiavon Chapman, Abeni Jones, Briona Lamback, Zain Murdock, Tasha Taylor, and Leslie Taylor-Grover. Producing the podcast we have Marcelle Hutchins and Cydney Smith, who also edits the show. Our audio engineer is Joanna Samuel. Black History Year's executive producer is Julian Walker. Learn more about your ad choices. Visit podcastchoices.com/adchoices

Tony Diaz speaks with Richard Santos and Monica Villarreal regarding the importance of representation, whether in the work Richard does providing literary access to youth in Austin, or through the arts and performances Monica does through her dancing. Richard Z. Santos is a novelist and the Executive Director of Austin Bat Cave, a nonprofit that provides creative writing workshops to students in underrepresented areas. He's a former high school English and Social Studies teacher, and in a previous career worked for some of the nation's top political campaigns, consulting firms, and labor unions. Trust Me, published by Arte Público Press, was named one of the best debuts of 2020 by Crime Reads and was a finalist for The Writers League of Texas Novel Prize. Monica Villarreal is an interdisciplinary artist native to Houston. Her art explores ethnic identity, gender roles, migrant and environmental issues. She is a recipient of multiple awards in photography and filmmaking, and has participated in installation and performing art productions organized by Voices Breaking Boundaries, Project Row Houses, Houston Arts Alliance, Multicultural Education and Counseling through the Arts, Santa Fe Arts Institute, and Alabama Song. Monica studied typography under Mainz Gutenberg Award winner Mahendra Patel and is currently learning printmaking from Master Printer Armando Rodriguez. She has a B.A. in Entrepreneurship from the University of Houston and an M.A. in Digital Media Studies from the University of Houston-CL. Monica wears various hats, as the founder of Creative Women Unite, a local feminist arts collaborative and as a traditional Aztec dancer with Danza Azteca Taxcayolot, a local group that practices Mexican indigenous traditions through spirituality, and community engaging performances. She has over a decade of experience organizing with local grassroots and nonprofit organizations. Staying active allows her to continue her research and create art focused on issues she's passionate about. Thanks to Roxana Guzman, Multiplatform Producer Rodrigo Bravo, Jr., Audio Producer Radame Ortiez, SEO Director Marc-Antony Piñón, Graphics Designer Leti Lopez, Music Director Bryan Parras, co-host and producer emeritus Liana Lopez, co-host and producer emeritus Lupe Mendez, Texas Poet Laureate, co-host, and producer emeritus Writer and activist Tony Diaz, El Librotraficante, hosts Latino Politics and News and the Nuestra Palabra Radio Show on 90.1 FM, KPFT, Houston's Community Station. He is also a political analyst on “What's Your Point?” on Fox 26 Houston. He is the author of the forthcoming book: The Tip of the Pyramid: Cultivating Community Cultural Capital. www.Librotraficante.com www.NuestraPalabra.org www.TonyDiaz.net

After a long break, we return to our Director Series on Mysskin. In this episode we talk about Mysskin's 2014 film Pisaasu starring Naga, Prayaga Martin, Radha Ravi et al. The film broadly falls under the horror genre but with its filmmaking and inherent philosophy subverts the genre in many different ways. Add to this, Mysskin's next film is a sequel to Pisaasu starring Andrea. To talk about the film Aditya is joined by two distinguished guests. Sudhir Srinivasan returns to our podcast to talk about his favorite Mysskin film. Sudhir is a film critic and editor of Cinema Express. He had earlier joined us to talk about Aayirathil Oruvan Amrutha is a Visiting Assistant Professor in Film and Digital Media Studies at the Department of English Language and Literature at Wofford College. She obtained her doctoral degree from Department of English at MSU last year, with her dissertation on 'Situating Tamil Cinema'. Her PhD advisor was Dr. Swarnavel Eswaran who is a friend of the podcast and joined us for an episode to talk about Andha Naal. Edited by Aditya and Anantha. References: Amrutha quotes from Kogonada's 2013 video on Neorealism in the podcast. We recommend Kogonada's Columbus and he also has a film coming up in March 2022 - After Yang. Previous episodes on Mysskin series: Onaayum Aattukkuttiyum. Yuddham Sei.

Amina Shareef is a creative designer who has designed an undergraduate major and also her future career path. She graduated from the University of Rochester in 2019 with a double major in Digital Media Studies and a self-made major in Education and shares her excitement to be a guest on the podcast she helped in its infant stages. She continued her studies at Kent State University in Ohio to earn her MFA in Visual Communication Design where she also acted as an Adjunct Professor. Some of her career goals include working in the industry, eventually teaching at the college level, and perhaps even owning her own business. Meanwhile she is working for her father's business, freelancing, and creating drawings on her Instagram account @ handivity. Amina shares how all of her experiences link back to her portfolio, where she gets inspiration from, and how completing her masters during the pandemic was a different, but insightful experience.

Meet Sophia Fang, the 2021 Young Athena Recipient. She was honored along with the finalists on Sept. 10 2021 at the Pittsburgh Athena Awards. Sophia  is a startup marketer by trade, a creative artist by nature and a social impact creator by purpose— all toward her personal mission of creating vibrancy in her community. With a passion for empowering local entrepreneurs, makers and creators, Sophia is the Head of Marketing at Honeycomb Credit, a Board Member at Prototype PGH and a Venture For America Alumni Fellow.  As a watercolor artist, Fang blends whimsy and community joy to celebrate small businesses, immigrant placemaking and food diasporas. She has received public art commissions from the Bloomfield- Garfield Corporation, City of Pittsburgh, City of Tukwila, City of Auburn, BOOM Concepts and West Virginia University. Her artwork has also been featured by Pittsburgh City Paper, The Incline, Marketing Pittsburgh, and Awesome Pittsburgh Foundation.  Fang graduated from Pomona College in 2018, where she double majored in Economics and Digital Media Studies. In college, she ran CHIFFON ET RIBBONS, a high fashion blog with 50,000+ followers, and was a founding member of Health Bridges, a nonprofit that helps immigrant patients with language translations at hospitals. 

Dr Francesca Sobande is an author and academic whose book, The Digital Lives of Black Women in Britain, explores the myriad ways Black women in Britain thrive, influence and are erased as they navigate social media platforms. We discuss disentangling a distinct digital experience for Black women in Britain, her ongoing interest in borders, citizenship and diaspora, and whether expressions of Black women's interior lives are possible on platforms designed for public performance. She cautions against a limited understanding of Black women's digital lives as always and only subversive and she reflects on the role poetry played in helping navigate, inform and shape her work—both as personal journal and vehicle for collaborative dialogue. About Dr Sobande Dr Francesca Sobande is a Lecturer in Digital Media Studies at the School of Journalism, Media and Culture at Cardiff University, where she is Director of the BA Media, Journalism and Culture programme. She is the author of The Digital Lives of Black Women in Britain, and To Exist is to Resist: Black Feminism in Europe. About Busy Being Black Busy Being Black is the podcast exploring how we live in the fullness of our queer Black lives. Thank you to our partners: UK Black Pride, BlackOut UK, The Tenth, Schools Out and to you the listeners. Remember this, your support doesn't cost any money: retweets, ratings, reviews and shares all help so please keep the support coming.  Thank you to our newest funding partner, myGwork – the LGBT+ business community. Thank you to Lazarus Lynch – a queer Black musician and culinary mastermind based in New York City – for the triumphant and ancestral Busy Being Black theme music. The Busy Being Black theme music was mixed and mastered by Joshua Pleeter. Busy Being Black's artwork was photographed by queer Black photographer and filmmaker Dwayne Black. Join the conversation on Twitter and Instagram #busybeingblack Busy Being Black listeners have an exclusive discount at my favourite publisher, Pluto Press. Enter BUSY50 at checkout. Learn more about your ad choices. Visit megaphone.fm/adchoices

Welcome to the first episode of our special University of Rochester faculty series! We start with Professor Stephanie Ashenfelder who is currently the interim director of the Digital Media Studies program and the Program Advisor for Studio Art at the University of Rochester. Tune in to hear Stephanie share how she ended up in Rochester and how creativity can be applied across all fields. She also shares how when she was in college, a healthy dose of competition helped motivate and challenge her alongside her peers. Some of the courses that you can find her in are Introduction to Studio Art, Design Fundamentals, and the Digital Media Studies Senior Capstone.

Dr. Jean-Christophe Plantin, Associate Professor in Media and Communications at the London School of Economics, explains the concept of media infrastructures. We discuss Dr. Plantin's research on digital platforms, infrastructures, and how tech giants like Facebook and Google increasingly blend those two concepts. We also discuss the infrastructure of WeChat, and get into Dr. Plantin's ongoing work into the concept of programmable infrastructures - which explores how the hardware of the tech industry is becoming increasingly disagreggated and modular. Check out Dr. Plantin's recent talk at Sciences Po for more details on programmable infrastructures. And the articles we discuss in the episode: Digital Media Infrastructures: Pipes, Platforms, and Politics (2018)Infrastructure Studies Meet Platform Studies in the Age of Google and Facebook (2018)WeChat as Infrastructure: The Techno-Nationalist Shaping of Chinese Digital Platforms (2019) 

Introducing the DandyHacks Team, comprised of Anna Zimmerman, Carolina Lion He, Ethan Yang, and Tony Lai. DandyHacks 2020: a virtual hackathon experience created by the students of the University of Rochester This will be the 8th year as the University of Rochester's hackathon, and our 1st as a virtual one! Being a fully student-led organization at a tier 1 research university, we try to embody our school's values as we seek to encourage participants to question the world and learn more. We will follow the journey of how the team got together in the first place, explore the environment of the city of Rochester, and the many obstacles the team had to overcome to host a complete virtual hackathon in the wake of a global pandemic. Team Introductions: Anna is a senior studying computer science at the University of Rochester, and the co-head of Logistics for DandyHacks 2020 Carolina is a senior majoring in Digital Media Studies at the University of Rochester. She is the director of DandyHacks 2020. Ethan is a Computer Science undergraduate, looking to broaden his horizons! Tony Lai is a brilliant individual who is not afraid to speak his mind. He is a Luddite and loves learning about whatever he can get his hands on, except physics. Currently, he is doing research for a URMC PhD student.

Episode 636 of "Making Waves at C-Level" is co-produced in partnership with the Austin Technology Council, the largest tech industry organization in Central Texas. ATC empowers members through insights, resources, and connections so their members can succeed and thrive. This episode is an in-depth interview with Arie Stavchansky, founder and CEO of Dataclay. Check out this conversation about pivoting to a profitable business model, making customers lives easier, entrepreneurship, and the city of Austin. Check out this episode. I especially like the quote "When you believe you are giving back, that is when society will reward you back". Arie has a great attitude about entrepreneurship and growing a business. He also believes deeply about the "soul" of the City of Austin, and how that adds to the business success of those growing companies in the Texas Hill Country.  About Arie Stavchansky Dr. Arie Stavchansky is a multi-disciplinary professional. As a practitioner of digital media for more than two decades, he works in all phases of production and has carried the titles of designer, developer, creative director, and educator. An Austin native and first generation American, his cross cultural influences, diverse industry experience and extensive education inform his analytical, creative, and technical work. Currently, he works to design interactive media products, code software applications, produce and direct video content, and guide creative and technical professionals toward delivering innovative solutions. Arie completed his Ph.D. in Digital Media Studies and Production at The University of Texas at Austin. For his dissertation he researched how video production techniques affect viewers’ trust in television news. He also holds a Master of Design in Interaction Design from Carnegie Mellon University and a B.S. in Radio, Television, Film from UT Austin. After completing his doctorate, he worked as a lecturer at UT Austin educating graduate and undergraduate students. His industry experience spans across a range of brand and studio sizes. He has worked on shipped products for well-known companies such as Nintendo, Warner Brothers, Sony, Dell, and Cisco Systems. Agencies and studios he has worked with include Chicago-based Digital Kitchen, Los Angeles-based Mac Guff, New York-based Radical Media, Sony Online Entertainment and NFL Digital. Currently he is founder of Dataclay, a company providing automation systems for video production workflow. Enterprises such as Netflix, Amazon, Apple, the NFL, facebook, Google, Saatchi & Saatchi, and NBCUniversal have adopted Dataclay's technology to automate their video production needs for various distribution channels. About Dataclay Dataclay was founded in 2014 with a simple but important mission: to free video content creators from the inefficiencies of menial data entry, empowering them to develop greater quantities of higher quality content in less time, and with less cost. Since then, their mission has broadened to enable new modes of video communication. They want to improve the way video is created and consumed. The team at Dataclay believes in the power of customized video to forge strong connections between video creators and their audiences. These connections facilitate better customer experiences and can enrich the lives of viewers. https://thomsinger.com/podcast/dataclay Learn more about your ad choices. Visit megaphone.fm/adchoices

On this episode, the guys talk with Dom Garcia, a Digital Media Faculty member at the University of Valley Forge, about the value of Christian films.  They discuss evangelistic storytelling, differentiate between secular and religious art, and delve into examining theology within film and digital media. If you'd like to get more information about the University of Valley Forge or the Digital Media Studies program, visit: https://valleyforge.edu/Check out Dom's podcast, Sorry Not Sorry:https://www.youtube.com/watch?v=xiMOxuqmT2kT. S. Elliot's Ash Wednesday:http://famouspoetsandpoems.com/poets/t__s__eliot/poems/15133Support the show (https://www.patreon.com/blkbar)

What are the possibilities and what are the inequalities of the digital world? In The Digital Lives of Black Women in Britain (Palgrave, 2020), Francesca Sobande, a lecturer in Digital Media Studies at Cardiff University explores the experiences of Black women as producers and as consumers of digital media. The book offers a rich combination of archival and interview material, along with a theoretical framework crossing boundaries of digital, media, and communication studies, along with feminist and critical race theory. It also thinks through the role of platforms such as Twitter and YouTube, demonstrating how Black women are using digital spaces as alternatives forms of media, whilst still facing discrimination and abuse. At a time when inequalities across media industries are under scrutiny, alongside organisational and institutional responses to Black Lives Matter, the book is essential reading for anyone keen to understand the struggles of Black women in the digital world, alongside the possibilities for resistance. Learn more about your ad choices. Visit megaphone.fm/adchoices

What are the possibilities and what are the inequalities of the digital world? In The Digital Lives of Black Women in Britain (Palgrave, 2020), Francesca Sobande, a lecturer in Digital Media Studies at Cardiff University explores the experiences of Black women as producers and as consumers of digital media. The book offers a rich combination of archival and interview material, along with a theoretical framework crossing boundaries of digital, media, and communication studies, along with feminist and critical race theory. It also thinks through the role of platforms such as Twitter and YouTube, demonstrating how Black women are using digital spaces as alternatives forms of media, whilst still facing discrimination and abuse. At a time when inequalities across media industries are under scrutiny, alongside organisational and institutional responses to Black Lives Matter, the book is essential reading for anyone keen to understand the struggles of Black women in the digital world, alongside the possibilities for resistance. Learn more about your ad choices. Visit megaphone.fm/adchoices

What are the possibilities and what are the inequalities of the digital world? In The Digital Lives of Black Women in Britain (Palgrave, 2020), Francesca Sobande, a lecturer in Digital Media Studies at Cardiff University explores the experiences of Black women as producers and as consumers of digital media. The book offers a rich combination of archival and interview material, along with a theoretical framework crossing boundaries of digital, media, and communication studies, along with feminist and critical race theory. It also thinks through the role of platforms such as Twitter and YouTube, demonstrating how Black women are using digital spaces as alternatives forms of media, whilst still facing discrimination and abuse. At a time when inequalities across media industries are under scrutiny, alongside organisational and institutional responses to Black Lives Matter, the book is essential reading for anyone keen to understand the struggles of Black women in the digital world, alongside the possibilities for resistance. Learn more about your ad choices. Visit megaphone.fm/adchoices

What are the possibilities and what are the inequalities of the digital world? In The Digital Lives of Black Women in Britain (Palgrave, 2020), Francesca Sobande, a lecturer in Digital Media Studies at Cardiff University explores the experiences of Black women as producers and as consumers of digital media. The book offers a rich combination of archival and interview material, along with a theoretical framework crossing boundaries of digital, media, and communication studies, along with feminist and critical race theory. It also thinks through the role of platforms such as Twitter and YouTube, demonstrating how Black women are using digital spaces as alternatives forms of media, whilst still facing discrimination and abuse. At a time when inequalities across media industries are under scrutiny, alongside organisational and institutional responses to Black Lives Matter, the book is essential reading for anyone keen to understand the struggles of Black women in the digital world, alongside the possibilities for resistance. Learn more about your ad choices. Visit megaphone.fm/adchoices

What are the possibilities and what are the inequalities of the digital world? In The Digital Lives of Black Women in Britain (Palgrave, 2020), Francesca Sobande, a lecturer in Digital Media Studies at Cardiff University explores the experiences of Black women as producers and as consumers of digital media. The book offers a rich combination of archival and interview material, along with a theoretical framework crossing boundaries of digital, media, and communication studies, along with feminist and critical race theory. It also thinks through the role of platforms such as Twitter and YouTube, demonstrating how Black women are using digital spaces as alternatives forms of media, whilst still facing discrimination and abuse. At a time when inequalities across media industries are under scrutiny, alongside organisational and institutional responses to Black Lives Matter, the book is essential reading for anyone keen to understand the struggles of Black women in the digital world, alongside the possibilities for resistance. Learn more about your ad choices. Visit megaphone.fm/adchoices

What are the possibilities and what are the inequalities of the digital world? In The Digital Lives of Black Women in Britain (Palgrave, 2020), Francesca Sobande, a lecturer in Digital Media Studies at Cardiff University explores the experiences of Black women as producers and as consumers of digital media. The book offers a rich combination of archival and interview material, along with a theoretical framework crossing boundaries of digital, media, and communication studies, along with feminist and critical race theory. It also thinks through the role of platforms such as Twitter and YouTube, demonstrating how Black women are using digital spaces as alternatives forms of media, whilst still facing discrimination and abuse. At a time when inequalities across media industries are under scrutiny, alongside organisational and institutional responses to Black Lives Matter, the book is essential reading for anyone keen to understand the struggles of Black women in the digital world, alongside the possibilities for resistance. Learn more about your ad choices. Visit megaphone.fm/adchoices

Tanner Mirrlees is an associate professor in the Communication and Digital Media Studies at Ontario Tech University. Mirrlees is the author of Hearts and Mines: The US Empire's Cultural Industry (UBC Press, 2016), Global Entertainment Media: Between Cultural Imperialism and Cultural Globalization (Routledge, 2013), co-author of EdTech Inc.: Selling, Automating and Globalizing Higher Education in the Digital Age (Routledge, 2019), and co-editor of Media Imperialism: Continuity and Change (Rowman & Littlefield, 2019). Mirrlees participates in Toronto-based community organizations such as the Centre for Social Justice and the Socialist Project, and over the past three years, he was a co-organizer of The Capitalism Workshop, a series of public talks downtown Toronto that brought together educators, workers, students, and activists to collectively discuss and debate knowledge about capitalism, as well as old and new Left strategies and tactics for going beyond it. If you would like to donate to "The Socialist Project" you can do so at the following link: https://socialistproject.ca/donate/ *Please note GM closed down auto assembly at the Oshawa plant and plans to convert some of the old facility into a test track for autonomous vehicles. Green Jobs Oshawa continues to campaign for the public ownership and reconfiguration of the plant for socially and ecologically sustainable manufacturing. Learn more about Green Jobs Oshawa here: https://www.greenjobsoshawa.ca/

This episode features a LIVE recording from the June 3, 2020, FREE Wednesdays with Jen, Jen Rudin's bi-weekly parent, and young actor chats. The next chat is Wednesday, June 17 at 2 PM EST. Please check out the details and sign up at www.jenrudincasting.com In today's episode, Jen chats with Dana Gaier who shared amazing stories, advice, and wisdom from her voice over career. Dana is best known for her voice-over work as Edith in the DESPICABLE ME franchise. You may also know her as Sahar, in NETFLIX'S hit show, On My Block. She graduated in 2019 from UCLA with a major in Communications Studies and a minor in Film, Television, and Digital Media Studies. Dana currently lives in LA, working and auditioning in the entertainment industry. Enjoy the chat! --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app Support this podcast: https://anchor.fm/jennifer-a-rudin/support

Mingjian Zhang received his BA in Digital Media Studies from the University of Rochester in 2017. He is currently a TOEFL instructor for New Oriental Education & Technology Group in Shenzhen, China. Join us as Mingjian shares how COVID-19 has impacted his industry and some advice he has for students hoping to work in Education.

Join us for episode 1 of our miniseries exploring what current University of Rochester undergrads did last summer! Victoria Bongard '20 is studying Film & Media Studies and Digital Media Studies and worked on the Orientation team as a video producer. Tune in to hear about her experience building relationships, staying organized, editing videos, and living in Rochester for a summer!

Rhodes Music Radio — This episode is an introduction to the general subject matter of this podcast series; in other words, social media and the role that it plays in our daily lives. Digital Media Studies expert Kayla Roux and Zimkhita Dantyi, a prominent local Instagram influencer, talk to our hosts about hashtags, memes, and twitter threads.

I Sat down with Malcolm Beaton to talk him going to school for Digital Media Studies, he tells me why he chose to pursue it! we talk about Fortnite, why we love it and about its unreal success and more!

Dr. Kyra Gaunt conducts research on the unintended consequences of social media, often offering expert testimony on the subject and helping protect our future employability and reputation online and off. With a focus on marginalized groups, she's Professor of Ethnomusicology and Digital Media Studies at the University at Albany and one of the forty inaugural TED Fellows. The post Unintended Consequences with Dr. Kyra Gaunt appeared first on Influential U.

Dr. Kyra Gaunt conducts research on the unintended consequences of social media, often offering expert testimony on the subject and helping protect our future employability and reputation online and off. With a focus on marginalized groups, she's Professor of Ethnomusicology and Digital Media Studies at the University at Albany and one of the forty inaugural TED Fellows. She has much to say about the aimless consequence of our own naïveté. Having studied with Influence Ecology for four years, she shares about her own wide-eyed journey through the radical transparency movement to now offer important advice: not everything should be said, spoken, liked, or shared. In our Guru Talk, listen in on a small portion of a Fundamentals of Transaction webinar classroom where we address our mantra: "You're always transacting." Vice President Drew Knowles and Co-Founder John Patterson give a talk about the blindness we have to our own transactional behavior — and how the actions we take (or don't take) influence the identity we produce with others.

In this episode, we get to know the 2017 Colorado Teacher of the Year, Sean Wybrant. Sean is crafting super heroes one student at a time at William Palmer High School in Colorado Springs. His teaching focus is Digital Media Studies, Computer Science, and Video Game Design – but he is doing so much more than just teaching high school curriculum courses. Sean is developing our future minds to think beyond their blocked walls and constrained parameters, and “Hulk Smashing” their way to success. Sean’s approach to learning is through problem solving and service-based learning. With this approach, he is getting the absolute best out of his students.  SHOW NOTES Rapid Fire Icebreakers (1:56) Sean’s Teacher of the Year Schedule (3:03) Sean’s background in English Literature (7:33) Personalized Learning Next Generation Learning Critical Thinking and Problem Solving Computer Science/Video Game Development Mentorships (8:53) Compounded moments that Sean realized he wanted to become a teacher (10:10) Bad teacher experience in High School Great teacher experience Rebuilding students Interviewing techniques, balancing a checkbook, relationships Coffee drinking habits Sean’s story of students (14:43) Augmented reality periodic table of the elements (Parabola) Fully functional holographic periodic table Presentation to NASA from a 17-year-old Microsoft HoloLens (20:36) Contacted by the inventor of this hardware Software development business by a student Favorite Super Hero (21:45) If Sean had to give a Professional Development tomorrow (22:45) Teacher of the Year in Colorado (26:28) “We are working on real authentic problems in my classroom.” Sean Wybrant Transferring the problem-solving classroom into core subjects (28:56) “Students should never be the implied object of their own education.” Chris Lehmann Service Learning Projects Partnering with Local Businesses (35:08) Sean talks about overwhelming effects of teaching (36:35) “We need teachers to be advocates.” Sean Wybrant Telling the stories of students Public Speaking Sean’s website (43:02) His goals, and the stories he wants to tell. craftingheroes.com A profession Sean would do if forced out of teaching in the classroom (47:01) & (47:30) Sean’s hidden talents  Morning Rituals/Routines (48:28) The Croods The family routine of the "pile on." Books that Sean would gift to someone Sir Ken Robinson books Tuesdays with Morrie by Mitch Albom A book(s) Sean wished he had written Pandora What person comes to mind when referring to the word successful Sean’s message to teachers and leaders in education Items mentioned in this episode include: April Mass Photography ⇐ Get candid & fun photography at 10% off if you mention this podcast www.craftingheroes.com Contact Sean through:  Twitter Colorado TOY Twitter Email Sean Review the podcast on iTunes ​ Music Song: I dunno (ft. J Lang, Morusque)  Artist: Grapes  Album: ccMixter   Thank you for checking out this episode of the Teacher Tunnel Podcast. Please share these free episodes with friends and colleagues to connect a wider audience. Also, if you haven’t done so already, please take a minute and leave a quick 5-Star review of the show on iTunes by clicking on the link below. Reviewing the podcast gives us the opportunity to widen our community and in turn, give more value to many.  Click Here to subscribe via iTunes Click Here to subscribe via Stitcher

Vanessa Teck is an Asian American scholar-activist. She received both her M.A. in Higher Education and B.A in Intercultural Communications and Digital Media Studies from University of Denver. She is the co-founder and EVP of Multimedia and Outreach of Project Ava, a social justice and advocacy based multimedia production company. A daughter of Cambodian refugees, she has always felt a deep commitment towards addressing issues of equity, access, and persistence. Vanessa used to follow what other people wanted her to be instead of what she wanted to be. The minute she decided to stop being other people's fantasy, that is when she was able to step into her own power to be her authentic self. Check out thetaoofselfconfidence.com for show notes of Vanessa's episode, Vanessa's website, resources, gifts and so much more.