Podcasts about drumkit

Immer weniger große Bands tauchen in den Charts auf. Und in den Clubs und Konzerthallen sind vermehrt Solo-Artists zu erleben. Vor allem Sänger*innen und Rapper*innen mit Drumkit und Laptop sind auf dem Vormarsch. Und wenn eine Musikgruppe zu sehen ist, kommen da immer häufiger einzelne Instrumente vom Band. Warum ist das so? Geschieht das aus Kostengründen oder weil manche Musik eben einfach eher produziert als kollektiv erprobt wird? Findet da ein Paradigmenwechsel innerhalb der Musikbranche statt? Welchen Einfluss hat Social Media auf die Produktionen? Und was bedeutet das für das Konzerterlebnis, die Musikrezeption, die Branche, den Nachwuchs und auch den Instrumentenhandel? Darüber spricht Moderatorin Birgit Reuther alias Biggy Pop in der aktuellen Ausgabe des Nachtclub Überpop mit zwei meinungsstarken Gästen: Musikerin Miu, die sich in den Vereinen RockCity und Pro Musik für bessere Bedingungen im Popbusiness einsetzt, und Tino Lange, Musikredakteur beim Hamburger Abendblatt sowie passionierter Konzertgänger. Mit Musik von Portishead, Florence + The Machine, Shirin David, 30 Seconds To Mars, Twenty One Pilots und Miu.

In this episode, we dive into the world of AI but as a value instead of a necessity. Our guest, Dhruv Gupta, CEO, Drumkit breaks down how AI should be used to enhance processes, not just a tool to have for the sake of having it. For more information subscribe to Check Call the newsletter or the podcast. Follow the Check Call Podcast Other FreightWaves Shows Learn more about your ad choices. Visit megaphone.fm/adchoices

In this episode, we dive into the world of AI but as a value instead of a necessity. Our guest, Dhruv Gupta, CEO, Drumkit breaks down how AI should be used to enhance processes, not just a tool to have for the sake of having it. For more information subscribe to Check Call the newsletter or the podcast. Follow the Check Call Podcast Other FreightWaves Shows Learn more about your ad choices. Visit megaphone.fm/adchoices

Ho incontrato Marco Lancs, batterista, produttore e direttore musicali per tanti artisti della nuova generazione (Achille Lauro, Alfa, Anastasio, Rosa Chemical, X Factor) per farmi raccontare il percorso che l'ha portato sui grandi palchi e nelle produzioni televisive.Inoltre, un tour dettagliato del suo kit per il concerto con Alfa al Forum di Assago.► I miei Corsi Online https://suonarelabatteria.com

For the 50th episode of The Freight Pod, Andrew welcomes Dhruv Gupta, CEO and cofounder of Drumkit. Dhruv shares his journey from studying transportation planning at Harvard to founding Drumkit, an innovative AI-driven workflow solution for logistics companies. In this episode, Andrew and Dhruv talk about:Dhruv's experience of dealing with failure — calling his first business a “faceplant” — and what he learned that he still carries with him today. The importance of leading with confidence, especially through uncertain times.How Dhruv and his team are building Drumkit to be a tool that “conforms” to customers' processes — and with that, how he thinks about scaling his team internally to build faster and land more customers.The biggest challenges the Drumkit team is having with securing new business and the unique qualities they're bringing to the brokerage sales process.Follow The Freight Pod and host Andrew Silver on LinkedIn.***Episode brought to you by Rapido Solutions Group. I had the pleasure of working with Danny Frisco and Roberto Icaza at Coyote, as well as being a client of theirs more recently at MoLo. Their team does a great job supplying nearshore talent to brokers, carriers, and technology providers to handle any role necessary, be it customer or carrier support, back office, or tech services.***

How does AI play a role in improving the freight and trucking industry?  Dive into this episode with Dhruv Gupta talking about his mission to enhance human capabilities through AI, integrating their technology with various tools to streamline workflows and automate routine tasks, the significance of documenting business processes for growth, and the challenges of building trust within teams!   About Dhruv Gupta Dhruv Gupta is the CEO of Drumkit, co-founding it in 2022. He has been passionate about logistics for as long as he can remember. After graduating from Harvard with a degree in Computer Science and Government, he founded a Y Combinator backed startup focused on micro-mobility optimization. He then co-founded Megaphone, a non-profit that helped people vote in Milwaukee and Atlanta in the 2020 General Election. He was the first BD hire at Zoba, an early stage startup that optimizes fleet operations.   Connect with Dhruv Website: https://www.drumkit.ai/  LinkedIn: https://www.linkedin.com/in/dhruv4/  

In this week's episode, we sat down with Dhruv Gupta, Co-Founder and CEO of Drumkit, (formerly known as Axle Technologies), an integration tool that automates tasks. Dhruv reflects on his experiences at Harvard, provides insightful perspectives on what differentiates brokerages, and discusses their future.This week's episode is sponsored by Epay Manager, Rapido and Textlocate.Interested in sponsoring our podcast? Send us an email at pbj@freightcaviar.com.Support the Show.

Alan is joined by Matt Mason to talk about drum lines and drum kits.Music: Groove Johnson - Blue SkySubscribe, Rate, and Review the Show!Support this podcast at — https://redcircle.com/porch-talk/exclusive-contentAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Soya's back for the final installment of the Wonka era in which he recounts stories from the road: managing multiple drum setups, being an Oompa Loompa, and contributing to the video presentations. We also recount Tim Alexander's heart attack, recovery, and return to action in 2014; plus the legal issues Primus ran into with using Wonka film footage.

Bienvenue “Dans Le Monde de…" BKH ! Du haut de ses 21 ans, il a su saisir de belles opportunités et se retrouver, notamment, à la prod. du banger « R9R-LINE » de Laylow en duo avec Damso. Un titre certifié « or » dans un album « platine »

Wie lernt man, Schlagzeug zu spielen? Woraus besteht es? Gibt es Noten? Welche Bedeutung hat das Schlagzeug in einer Band? Und wie teuer ist das Ganze eigentlich? Wir gehen auf eines der zentralen Instrumente im Heavy Metal ein! Wie passend, dass wir mit Jakob einen Schlagzeuger in unserem Team haben. Er erklärt, wie Schlagzeugnoten aussehen, wie ein Drumkit aufgebaut ist, wie man Schlagzeug lernt und wie er sich songwriterisch in seine Bands einbringt. Wir klären auch die Frage, wie man einen Blastbeat spielt und wie anstrengend das eigentlich ist. Außerdem verrät Jakob, wie es gelingt, dass das Schlagzeug auch live gut klingt und nicht in der Lautstärke variiert.

Today on the show - Bryce was given an opportunity to do another amazing performance of "In The Air Tonight"by Phil Collins, did he nail it?  Rog on the other hand has reached a new low. Shocking details from his trip in Queenstown have come back to bite him in the arse.  See omnystudio.com/listener for privacy information.

Tobias Künzel ist einer der Sänger bei den “Prinzen”, einer Band, die vor 30 Jahren in Leipzig an den Start gegangen ist, und die von dort aus die deutschsprachige Popszene erobert hat. Eigentlich Tobias auch Schlagzeuger, aber bei den Prinzen hinter dem Drumkit zu sitzen, das wollte er nie: “Nein ich bin ja Sänger, bei den Prinzen. Ich war ja einer von den 5 A-Cappella Leadsängern und da musste ein Schlagzeuger ran den Schlagzeuger und Ali kannten wir schon lange von der Musikhochschule. Wir haben zusammen Musik studiert. Ali ist ein kleines bisschen jünger als wi, hat ein bisschen später angefangen. Ich muss ganz ehrlich sagen, mit Ali, wir reden viel über Schlagzeuger und jetzt gerade auch wenn so große Fernsehsendungen sind, wo viele Bands auftreten, dann gucken wir uns die Schlagzeuger an und sowas. Aber es gab da nie irgendwelche Belehrungen oder irgendwas. Wir reden drüber, wir sind halt beide Trommler. Aber Ali macht sein Ding bei den Prinzen und da würde ich nicht reinreden. Das ist sein Ding und da hab ich mich immer hunterprozentig rausgehalten. Das wäre Quatsch, mich da reinzuhängen . Der macht das super und ist halt der Prinzen Schlagzeuger.” Im aktuellen Podcast “Axel trifft” erzählt Tobias Künzel von den Anfängen der Prinzen, über die Zusammenarbeit mit den “Doofen” und Motrip und Eko Fresh für das aktuelle Prinzen - Album “Krone der Schöpfung” und über seine Stadt Leipzig.

"In meinen Sets kombiniere ich Deep-Tech-House-Minimal und Dark-Hypnotischen Sound mit Sexyness und biete so einen kreativen Tummelplatz für das hemmungslose Ausleben von Tanzenergie," sagt Brett. "Die Menschen auf dem Dance Floor sollen die Geschichte meiner Sets erleben und sich komplett vergessen können." Der Groove sitzt tief, denn für den 13 jährigen (Martin Geisler geb.Name) gab es damals keinen besseren Lehrmeister als das eigene Schlagzeug. Vom Metronom begleitet und mit Sticks bewaffnet traktierte er mit leidenschaftlicher Dynamik sein Drumkit. "Die faszinierende Wirkung aus Beats und Rhythmus begann mich immer stärker zu hypnotisieren."Mit zunehmender Kontrolle über seine Bewegungen hat er so den Spannungsaufbau mittels Groove verinnerlicht – heute das tragende Element in all seinen Live&Dj Sets.Seine Sets sind ausgeprägte Arrangements, durchgehend pointiert mit freakigen Samples und variierenden Rhythmen. Tiefe aber stets funkige Basslines sorgen für konstanten Schub und werden von treibenden Beats flankiert. Brett nutzt laufend Vocals und Hallenflächen, variiert sie mal kurz bis lang und würzt sie mit dreckigen, mal sauberen Beats. Die krassen Gegensätze sorgen für den einzigartigen Spannungsaufbau seiner Produktionen und Live-Sets. "Groove ist das Schmieröl zwischen meiner Musikfantasie und der musikalischen Realität auf dem Dance Floor Dieser Energieaustausch ist die Brennstoffzelle, mit der sich die Geschichte meiner Musik immer aufs Neue erzählen lässt." Wer Brett Knacksen bucht, kriegt nicht nur Hypnotische Sounds von einem überzeugten Partyfreak, sondern eine kompakte Dance Floor Story mit sexy Deepness-Faktor. Brett Knacksen ist seit 1993 international unterwegs,es würde den Rahmen sprengen alle Locations und Städte auszuführen,unter anderen ist er seit April 2016 fortlaufend als dj Resident bei der Legendären Gay and Friends Party "B:east Party Berlin im neuen Club Polygon ehemals Kosmonaut monatlich zu hören.Wo er unter anderen jetzt auch als Dj-Booker für B:EAST, Revolver Party und Polygon Club Berlin agiert. Demnächst im Juli gibt es eine Veranstaltung im Ministry of Sound Club London -> https://www.facebook.com/events/535338017452567 5 august . warschau/polen 7August. Blue Monkey Birthday Fest /near berlin 8.august Amsterdam Pride Tune In

Drummer Todd Norris discusses how drum set drumming has influenced his pipe band snare drumming, and vice versa. Support us Patreon to see the video version of this episode: https://www.patreon.com/PodBandPipeCastLike us on Facebook: https://facebook.com/PodBandPipeCastEmail us: PodBandPipeCast@gmail.comProduced/edited by: https://www.youtube.com/channel/UC9F1yloHBDiLiRznrO9BCBQyou

Unser heutiger Gast kennt seine Gastgeberin seit langem: schon vor mehr als 15 Jahren spielten Steffi und Silvan Strauss zusammen im bayrischen Landesjugendjazzorchester. Im Podcast erzählt der Allgäuer Schlagzeuger mit Homebase Hamburg von seinen zehn verschiedenen Bands, darunter Toytoy und Maria João, seiner Liebe für energetische Musik und Latzhosen, und gibt Tipps für ein selbstgebasteltes Drumkit.

Join our Mobile Music Army and support our efforts of creating/educating mobile music producers!-Patreon (as little as $1/month) https://www.patreon.com/mobilemusicpro-Buy us a cup of coffee https://www.buymeacoffee.com/mobilemusicproPurchase No Limitations Drum Pack:https://www.bolodaproducer.com/shopFree Cymatics Sample Pack:https://cymatics.fm/products/cobra-hip-hop-sample-packWatch more Cubasis 3 videos like this:https://www.youtube.com/playlist?list=PL8i9IqGTrKqbR0uGmMl1A0E-ME83c2AG9Description:In this video we’ll be showing you how to achieve the 808 and note bending slide effect inside Cubasis 3 using a variety of different techniques including pitch bending automation, midi note manipulation with lagato/portamento, and transposition automation on raw audio. Apps mentioned:Cubasis 3 https://apps.apple.com/us/app/cubasis...Pulse https://apps.apple.com/us/app/eg-puls...Audiolayer https://apps.apple.com/us/app/audiola...Koala FX https://apps.apple.com/gb/app/koala-f...BASSalicious https://apps.apple.com/us/app/bassali...Website:-http://mobilemusicpro.comSocials:-https://www.youtube.com/mobilemusicpro-https://www.instagram.com/mobilemusicpro-https://twitter.com/mobilemusicpro

Hi everyone. Welcome back. I'm back after a week off. I hope all is well. This week I talk about being yourself. Having the self-confidence to go your own way, do your own thing, develop your own voice. As lockdown is starting to ease (fingers crossed) and you may have been (quite literally) in the shed for the past few months, things may have taken on a new perspective for you in your playing, or even your whole life. So keep going with that new found direction. Explore the new possibilities the hours, weeks, months of practice have given you. I also gibber on about some random stuff like, why I no longer have a website and the whole missed opportunity around that. Thanks for listening and have a great week.

Hi everyone, This was a real treat for me. I got to interview Rich over Zoom during lockdown and it was great to talk to him about how he got in to the drums and the journey to becoming, in my opinion, a true innovator of the instrument. Rich is genuinely pushing boundaries on the drum kit and he takes about he thinks the drum kit will evolve in the future. Also, his commitment to understanding how to play and voice polyrhythms on the drumkit is pretty remarkable. Sit back and enjoy this episode. It's quite a long one, but full of some really interesting insights. Thanks and keeps safe everyone. Peace.

Hi folks!  Hope you're doing alright. I know there's all kinds of pressure on people right now; i'm not excluded from that. It's been tougher than usual over here for various reasons not limited to the pandemic, but continuing to keep conelcast going has been a good thing to focus on. As usual, I hope conelcast helps you a bit too.  Thanks so much for listening and don't forget to follow me on twitter @conelraduk and subscribe, if you haven't already, to the Patreon, for higher quality versions of the tracks! Still just three bucks US for 2 tracks a month (though the window for getting on at this price is closing...) There's extra stuff there too! There are other ways, including free ways, that you can help too -- please see below! Bandcamp I have about six albums of music at conelrad.bandcamp.com. They're mostly shorter tracks, but these are the albums that inspired conelcast (because people told me that they listened to them while working)/ You can pay whatever you like for them. Some people have done this already (thank you so much). Free ways to support!!!!! If you know artists, coders, creatives or open-plan office workers of any kind who could be interested, do let them know about conelcast. Also, if you know of anywhere I could recommend the podcast -- popular blogs/sites for artists and other creatives, for instance -- do let me know. You can email me at conelrad@munchhouse.com or get me on Twitter at conelraduk. You can join the conelrad mailing list here. That's the best way to keep updated with conelcast and other conelrad projects. Rating on Apple Podcasts (even if you don't use your Apple device to listen) Launch Apple's Podcast app. Tap the Search tab. Enter the name of the podcast you want to rate or review. Tap the blue Search key at the bottom right. Tap the album art for the podcast. Tap the Reviews tab. Tap Write a Review at the bottom. 2. Tell as many people as you can about the show! Recommended it to friends--especially those who are artists, writers, coders or people who just need something to help them focus on what they're doing. I personally work in a large open-plan hotdesking office and listen to stuff like this all the time. Whether you do any of the above or not, thank you so much for listening. It's great that you'd trust me with your ears. (c) 2020 conelrad. To discuss reuse, derivatives, licensing or commissions please email conelrad@munchhouse.com.

Sean Baxter Tribute (passed away on 16th March 2020). Drumkit and percussionist Sean Baxter is an Australian improviser who has forged an international reputation as a bold explorer of percussive possibilities. 'Inland 3' here was peformed by him along with David Brown and Anthony Pateras. - 追悼、ショーン・バクスター。2020年３月16日に亡くなったエクスペリメンタル・ドラマー、ショーン・バクスターは世界のエクスぺリメンタル・ミュージックシーンで最も重要な人物の１人でした。ここでは、デビッド・ブラウンとアンソニー・パテラスと組んで行った演奏から「インランド３」をご紹介しています。

... in your head. Well, in one's head. Today's episode is a little different. I'm sharing some stories about experiences on the band-stand or in the studio where we might be getting a little 'in our own head' about what's going on in the dynamic of the situation. There may be some stories here you might relate to. There might be times where you might be freaking out when you're playing with people you don't know. I'm not sharing tips and tricks here, more what I've learnt thus far (after 34 or so years of playing) about how to deal with myself in these situations. Most of the time it was me that is/was the problem, not the other person/people in that situation. Classic! Trust the music. Trust the players around you. Open you ears, open you heart, open your mind!

In this episode, Mike and Mike discuss legendary pop/session drummer Manu Katché, who recently released an instrumental contemporary jazz album called The Scope. For the main segment, Mike and Mike choose fantasy drummer squads for 2020. Up for review is the new Starclassic Walnut Birch drumset by Tama. After answering a few listener questions, the [...] The post MD Podcast Episode 217: 2020 Drummer Draft, Manu Katché, Tama Starclassic Walnut Birch Drumkit, and More appeared first on Modern Drummer Magazine.

Check out the latest episode of the “This is Gonna Hurt” podcast. In this episode, Gordon puts together a drumkit, reminisces about his childhood passion, and connects with his kids. Things discussed: What Gordon used instead of drums as a kid. How he once owned a ridiculously large kit. How drums paid for his first semester of college. If you would like to become a podcast patron you can do so by clicking anchor.fm/thisisgonnahurt and clicking the “support this podcast” button. If you want to know what I’m up to, go to www.jgordonduncan.com. Thanks! --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app Support this podcast: https://anchor.fm/thisisgonnahurt/support

Clutch continues to tour in support of their excellent 2018 album, Book of Bad Decisions (Weathermaker Music). Recently, Ghost Cult scribe DJ Astrocreep caught up with drummer Jean-Paul Gaster at the O2 Academy in Manchester, UK to chat about the band, how his approaches his live drum sound, the specs of his kit, the bands' own label Weathermaker hitting the ten year mark, the twenty-fifth anniversary of their debut Transnational Speedway League (EastWest), recording in the same place as their heroes and contemporaries Melvins and Sleep, being influenced by Jazz drummers, and much more! Check it out! Continue reading → The post PODCAST: Episode 5 Jean-Paul Gaster of Clutch Talks Touring, Drumkit Specs and More! appeared first on Ghost Cult Magazine.

Brett Knacksen (hakasystm records) "In meinen Sets kombiniere ich Deep-Tech-House-Minimal und Dark-Hypnotischen Sound mit Sexyness und biete so einen kreativen Tummelplatz für das hemmungslose Ausleben von Tanzenergie," sagt Brett. "Die Menschen auf dem Dance Floor sollen die Geschichte meiner Sets erleben und sich komplett vergessen können." Der Groove sitzt tief, denn für den 13 jährigen (Martin Geisler geb.Name) gab es damals keinen besseren Lehrmeister als das eigene Schlagzeug. Vom Metronom begleitet und mit Sticks bewaffnet traktierte er mit leidenschaftlicher Dynamik sein Drumkit. "Die faszinierende Wirkung aus Beats und Rhythmus begann mich immer stärker zu hypnotisieren."Mit zunehmender Kontrolle über seine Bewegungen hat er so den Spannungsaufbau mittels Groove verinnerlicht – heute das tragende Element in all seinen Live&Dj Sets.Seine Sets sind ausgeprägte Arrangements, durchgehend pointiert mit freakigen Samples und variierenden Rhythmen. Tiefe aber stets funkige Basslines sorgen für konstanten Schub und werden von treibenden Beats flankiert. Brett nutzt laufend Vocals und Hallenflächen, variiert sie mal kurz bis lang und würzt sie mit dreckigen, mal sauberen Beats. Die krassen Gegensätze sorgen für den einzigartigen Spannungsaufbau seiner Produktionen und Live-Sets. "Groove ist das Schmieröl zwischen meiner Musikfantasie und der musikalischen Realität auf dem Dance Floor Dieser Energieaustausch ist die Brennstoffzelle, mit der sich die Geschichte meiner Musik immer aufs Neue erzählen lässt." Wer Brett Knacksen bucht, kriegt nicht nur Hypnotische Sounds von einem überzeugten Partyfreak, sondern eine kompakte Dance Floor Story mit sexy Deepness-Faktor. Brett Knacksen ist seit 1993 international unterwegs,es würde den Rahmen sprengen alle Locations und Städte auszuführen,unter anderen ist er seit April 2016 fortlaufend als dj Resident bei der Legendären Gay and Friends Party "B:east Party Berlin im neuen Club Polygon ehemals Kosmonaut monatlich zu hören.Wo er unter anderen jetzt auch als Dj-Booker für B:EAST, Revolver Party und Polygon Club Berlin agiert.

From the blog www.blissanddrumming.com, this piece http://blissanddrumming.com/2017/10/finding-compassion-behind-drumkit/ is read by Clementine. She also references www.awakeningthetrueself.com. *** What is really interesting is how much easier it is to be compassionate to others than it is to oneself. On the stage, when I fall out of the moment, what is there is a berating voice, warning of upcoming potential disasters, or negative thoughts of defeat. I’ve always felt that any harsh criticism of my playing could never be as wounding as the things I hear in my head. Anything hurtful you can say about my playing can never be worse than what I’ve heard already, upstairs. I know by now that these thoughts are my ego, trying to protect me from disaster. I know that it’s that deep layer of shame at the bottom of my personality, nagging me to give up before I begin. I’m grateful that my years of meditation have clued me in to these patterns and have given me a way to step back from them, observe them and let them dissolve.

This episode just devolves into pure madness by the end. Topics include: building a PC, Overwatch, cosplay, Rock Band, the end of the Wii, Pokemon, anime-themed instruments, and more!

Welcome to episode 3 of the Global Drum Network, our first of 2014. In this bumper, extended edition we welcome some special guests to the studio for exclusive interviews and more. First up is ex-International Footballer-turned-broadcaster and now percussion instrument inventor DION DUBLIN. He joins us for a chat about drums, professional sport and life lessons in general before leading a roomful of us in an inspirational DUBE JAM. Next in is drummer and author SPIKE WEBB. After an entertaining discussion he reads some excerpts from his first book ' Mad, Bad and Dangerous - The Book of Drummers' Tales '. Listen up for details of how you can win a signed book and DVD package in our great competition. And last but by no means least in anyone's book, drumming legend BOB HENRIT ( Argent / The Kinks ) tells us about a couple of books he's working on. We hope you enjoy this special edition. If you do, please feel free to tell your friends, follow us on Twitter ( @GlobalDrumNet ) or 'Like' us on Facebook ( Global Drum Network ). Thanks for listening, and always remember; Whatever You Play, Play It With Passion!

Welcome to episode 2 of the Global Drum Network. Features this time include interviews with some truly inspirational players: STEVE WHITE ( Paul Weller / Style Council / Oasis / Trio Valore ), CHERISSE OSEI ( Mika / Paloma Faith / Bryan Ferry ) and BOB HENRIT ( Argent / The Kinks / Adam Faith ). And always remember: Whatever you play, Play it with Passion!

Welcome to our first episode!On this special edition we feature a report from the annual FREDDIE GEE DRUM ACADEMY, including interviews with STEVE WHITE, PETE CATER and GEOFF DUGMORE. We also take a look at the ethereal world of the haunting instrument that is THE HANG (played by our guest CLOUDSONG), and take a fond look back at the life and career of the late, great COZY POWELL. Enjoy, and remember; WHATEVER YOU PLAY, PLAY IT WITH PASSION!

This week we talk of fancy home studios, Ghetty Images teaming up with SoundCloud for some revenue for uploaders, Sound Forge for Mac is released and the power of the Pringles Drum Kit.

This week we talk of fancy home studios, Ghetty Images teaming up with SoundCloud for some revenue for uploaders, Sound Forge for Mac is released and the power of the Pringles Drum Kit.

This week we’re joined by Justin Searls, JavaScript developer and JS testing EXPERT. We talk lots about building and testing “fat” browser apps, particularly about best practices and different testing approaches. After a while Chris felt bad and told us to shut up. This was the first podcast we broadcast live while recording. Big ups to WonderNetwork for providing the streaming bandwidth, and Engine Yard for sponsoring the podcast. Keep an eye on the @dev_hell Twitter account for info on our next live stream. If you love us, you will do these things: You should follow us on Twitter here. You should rate us on iTunes here Listen Download now (MP3, 33.1MB, 1:16) Notes TestDouble training.gaslightsoftware.com Backbone Idiomatic JS Require.js Jasmine Cucumber Behat Michael Feathers book on working with legacy code Rails asset pipeline Dieter for Clojure Kohana Assets Assetic Webassets for Python Drumkit.js by Chris Powers QUnit Searls on GitHub https://github.com/searls/jasmine-fixture https://github.com/searls/jasmine-given https://github.com/searls/jasmine-stealth Pro JavaScript (John Resig)

**Thanks to Stephen for the camera!** Mr. John Kronstain on Drumkit and Mr. Philip Saraceno on Bass. Engineer: Mr. David Laderberg "Take my word. Take my words too. Take my words to heart. Take my... Eddie Cain Irvin's newest ambitious project - to record 1 minute of music everyday for 365 days. Climb to eddies1m.com and become a part of the phenomenon of year-long projects popularized by musician Jonathan Coulton and Ze Frank!