Podcasts about hong sang

Do you know how much of A Real Pain it is to keep the years straight with us straddling three different global release windows? We do! We got Caught by the Tides and are a little late with this one but nevertheless, join our Conclave for the fifth (!) time as we huddle around the Ghostlight to talk about the films of the last year! We cover award-winning films (Anora, The Brutalist, No Other Land), notable blockbusters (Dune: Part Two, Wicked), blitz through some honorable Challengers to our top picks, and then Look Back on our personal top fives. You know podcast favorite Luca Guadagnino is going to feature in Wilson's favorite films… but how Queer will it be?? If you're A Different Man, you'll have different faves, so enter our Red Rooms and tell us your favorite 2024 films on our FREE patreon, discord server, and our socials @ www.deepcutpod.comLinks:Ben's 2024 ListEli's 2024 ListWilson's 2024 ListTimestamps:(00:00:00) Intro(00:03:21) 2024 in general(00:17:06) Obligatory mentions(00:17:28) Anora (dir. Sean Baker)(00:22:55) Conclave (dir. Edward Berger)(00:25:14) The Brutalist (dir. Brady Corbet)(00:33:53) Nickel Boys (dir. Ramell Ross)(00:36:53) Hit Man (dir. Richard Linklater)(00:39:45) All We Imagine as Light (dir. Payal Kapadia)(00:43:02) Flow (dir. Gints Zilbalodis) (00:46:14) Emilia Perez (dir. Jacques Audiard)(00:50:29) Sing Sing (dir. Greg Kwedar)(00:52:01) The Substance (dir. Coralie Fargeat)(00:55:26) Wicked (dir. Jon M. Chu)(00:59:09) Deep Cut Coverage of 2024(00:59:20) All Shall Be Well (dir. Ray Yeung)(01:00:19) The People's Joker (dir. Vera Drew)(01:02:37) Happyend (dir. Neo Sora)(01:05:13) Deep Cut Upkeeps of 2024(01:08:55) Honorable mentions(01:08:57) Megalopolis (dir. Francis Ford Coppola)(01:12:43) Trap (dir. M. Night Shyamalan)(01:14:13) An Unfinished Film (dir. Lou Ye)(01:14:26) The Monk and the Gun (dir. Pawo Choyning Dorji)(01:16:02) Hard Truths (dir. Mike Leigh)(01:17:41) Not Friends (dir. Atta Hemwadee)(01:19:08) Fly Me to the Moon (dir. Sasha Chuk)(01:20:38) Black Box Diaries (dir. Shiori Ito)(01:24:06) A Traveler's Needs / By the Stream (dir. Hong Sang-soo)(01:25:56) Look Back (dir. Kiyotaka Oshiyama)(01:27:34) The Room Next Door (dir. Pedro Almodovar)(01:30:10) Didi (dir. Sean Wang)(01:31:22) Last Summer (dir. Catherine Breillat)(01:32:33) Hundreds of Beavers (dir. Mike Cheslik)(01:33:43) The Diarrhea Brothers Save the Day (dir. Joel Haver)(01:35:09) Rap World (dir. Conner O'Malley)(01:37:11) Janet Planet (dir. Annie Baker)(01:38:43) Ben's #5(01:41:06) SKIP ELI'S BIT!!(01:42:19) Wilson's #5(01:46:33) Eli's #5(01:50:14) Ben's #4(01:52:54) Wilson's #4(02:00:50) Eli's #4(02:01:47) Ben's #3(02:03:16) Wilson's #3(02:08:22) Eli's #3(02:12:30) Ben and Wilson's #2(02:23:46) Eli's #2(02:27:19) Ben's #1(02:31:50) Wilson's #1(02:38:39) Eli and ???'s #1(02:43:34) Upcoming from Deep Cut(02:46:32) Outro

durée : 00:47:43 - La 20e heure - par : Eva Bester - Isabelle Huppert est à l'affiche de "La Voyageuse" du réalisateur Hong Sang-soo, en salles aujourd'hui. Elle y est Iris, une professeure qui débarque à Séoul pour y donner des cours de français et se payer un loyer. Sa méthode d'apprentissage : la langue par le coeur. Poétique de l'émotion. - invités : Isabelle Huppert - Isabelle Huppert : Actrice française - réalisé par : Lola COSTANTINI

Parliamo di due uscite al cinema di questi giorni: il film di Hong Sang-soo vincitore dell'orso d'argento a Berlino 2024 con Isabelle Huppert e We Live in Time con Florence Pugh e Andrew Garfield.Con noi Giampiero Raganelli (Quinlan), e Maria Sole Colombo (FilmTv, programmer per il Trento Film Festival, archivista digitale per la Cineteca Nazionale del Lussemburgo).Argomenti:00:00 "Una Viaggiatrice a Seoul" (Hong Sang-soo, 2024)27:09 "We Live in Time" (John Crowley, 2024)Il nostro canale Telegram per rimanere sempre aggiornati e comunicare direttamente con noi: https://t.me/SalottoMonogatariSpotify: https://open.spotify.com/show/2QtzE9ur6O1qE3XbuqOix0?si=mAN-0CahRl27M5QyxLg4cwApple Podcasts: https://podcasts.apple.com/it/podcast/salotto-monogatari/id1503331981Google Podcasts: https://www.google.com/podcasts?feed=aHR0cHM6Ly9hbmNob3IuZm0vcy8xNmM1ZjZiNC9wb2RjYXN0L3Jzcw==Logo creato da:Massimo ValentiSigla e post-produzione a cura di:Alessandro Valenti / Simone MalaspinaPer il jingle della sigla si ringraziano:Alessandro Corti e Gianluca NardoPer la gestione dei canali social si ringrazia:Selene Grifò

Deutschland hat gewählt und die Berlinale ist rum. Wir sprechen über letzteres: Janick, Christian und Lucas sprechen über das Festival, ob die neue Leitung Tricia Tuttle neue Impulse setzen konnte, und was wir so gesehen haben. Es geht unter anderem um: - "Das Licht" von Tom Tykwer - "Mickey 17" von Bong Joon-ho - "The Ice Tower" von Lucile Hadzihalilovic - "What Does that Nature Say to you?" von Hong Sang-soo - "Reflection in a Dead Diamond" von Bruno Forzani & Hélène Cattet - "Palliativstation" von Philipp Döring - "The Ugly Stepsister" von Emilie Blichfeldt - "If I Had Legs I'd Kick You" von Mary Bronstein - "Kontinental '25" von Radu Jude

Großes Finale im Wettbewerb: Wir sprechen über Léonor Serrailles ARI, Frédéric Hambaleks WAS MAREILLE WEISS, Dag Johan Haugeruds DROMMER und Iván Funds EL MENSAJE. Centerpiece ist Richard Linklaters BLUE MOON. Im Ausklang: Kateryna Gornostais TIMESTAMP, Radu Judes KONTINENTAL '25 und Hong Sang-soos WHAT DOES THAT NATURE SAY TO YOU. Gefolgt von unseren persönlichen Top 3. Im Quartett sind: Dunja Bialas, Anna Edelmann, Benedikt Guntentaler und Janick Nolting

In questo episodio Leo e Sacco parleranno di:00:02:23 - Una Viaggiatrice a Seul di Hong Sang-soo00:08:01 - Babygirl di Halina Reijn00:18:24 - Broken Rage di Takeshi Kitano00:28:07 - M - Il Figlio Del Secolo di Joe Wright00:44:47 - Brutalist di Brady Corbet01:10:42 - Letterboxd & News

We bid a final farewell to 2024 with this special IndieSeen look at last year's "Most Interesting Indies"! Sujewa recently posted a list of his favorite independent movies at DIY Filmmaker, and he touches on each of them with Ian--who also throws in a couple of contenders that are worth watching. Not all of these films came out last year, but the guys watched them in 2024.Is that cheating?Maybe.But great recommendations are great recommendations!Plus: The guys say a few words in memory of filmmaker David Lynch and arthouse theatre pioneer Robert Laemmle; throw some (rhetorical) water on the California fires; and further decrease the odds of Hong Sang-soo making a guest appearance on the show!Subscribe, like, and comment on Kicking the Seat here on YouTube, and check us out at:kickseat.comXLetterboxdBlueSkyInstagramFacebookShow LinksRead the post that inspired this conversation! Watch Sujewa's latest film, Cosmic Disco Detective Rene for free on YouTube! Rent The Secret Society for Slow Romance (the predecessor to Cosmic Disco Detective Rene).Follow Sujewa on X.Check out all the episodes in our “IndieSeen” Playlist!

durée : 00:47:43 - La 20e heure - par : Eva Bester - Isabelle Huppert est à l'affiche de "La Voyageuse" du réalisateur Hong Sang-soo, en salles aujourd'hui. Elle y est Iris, une professeure qui débarque à Séoul pour y donner des cours de français et se payer un loyer. Sa méthode d'apprentissage : la langue par le coeur. Poétique de l'émotion.

durée : 00:27:41 - Les Midis de Culture - par : Marie Labory - Au programme du débat critique, du cinéma étranger : "Babygirl" de Halina Reijn et "La Voyageuse" de Hong Sang-soo. - réalisation : Laurence Malonda - invités : Adrien Dénouette Critique de cinéma et enseignant; Charlotte Garson Rédactrice en chef adjointe des Cahiers du cinéma

Mes chers auditrices et auditeurs,Ensemble cette année, nous avons prouvé qu'impossible n'était pas français.Nous avons continué de bâtir une émission de progrès, de lutter contre le changement climatique en faisant moins émissions, en continuant aussi de nous battre pour notre présent et notre avenir.Nous avons eu aussi, comme promis il y a un an, des moments de grande fierté. D'abord, nous avons organisé au printemps notre anniversaire, nos 15 ans sur les ondes, aussitôt entrés dans l'Histoire, entrés dans nos mémoires, dans nos cœurs qui ont fait vibrer un pays uni, de Betton à St-Renan, de Nancy à Belfast, et ont montré une émission pleine d'audace, de panache, follement libre.Une émission qui rayonne avec ses soucis techniques, ses émotions, sa générosité, un Stade Rennais Football Club qu'on aurait aimé pouvoir magnifier.Demain, sachons garder le meilleur de ce que nous avons été durant cette année 2024. Unis, déterminés, solidaires et face à chacune des grandes épreuves, face à ce que tant et tant disaient impossible, nous avons réussi parce que nous avons été ensemble.Unis, déterminés et solidaires, nous l'avons aussi été face aux épreuves et aux drames de 2024 : les films de merde, la crise que traversent encore aujourd'hui nos exploitants de cinéma que nous continuerons de protéger et de soutenir, les tensions dans plusieurs de nos territoires et le ralentissement économique mondial.Nous sommes aussi confrontés à l'instabilité de la disponibilité du personnel, elle n'est pas propre à notre émission. Mais cela nous inquiète légitimement. Je dois bien reconnaître ce soir que le salariat a apporté, pour le moment, davantage de divisions du temps de présence que de solutions pour les auditeurs. Mais la lucidité et l'humilité commandent de reconnaître qu'à cette heure, nos décisions ont produit plus d'instabilité que de sérénité et j'en prends toute ma part.Le cinéma actuel ne représente pas néanmoins le pays dans sa diversité, et donc aussi dans ses divisions. Il est pleinement illégitime et dans cette configuration, pas inédite mais démocratique, il  doit savoir dégager des majorités de spectateurs, et notre émission  doit pouvoir tenir un chemin de compromis pour critiquer.Je souhaite que l'année qui s'ouvre soit celle du ressaisissement collectif, qu'elle permette la stabilité, les bons compromis pour prendre les bonnes décisions au service des cinéphiles.Car nous ne pouvons pas nous permettre d'attendre. L'année 2025 doit être une année d'action, une année utile pour vous et pour vous permettre de regarder  mieux. Nous pouvons rendre la vie meilleure en nous mettant d'accord sur quelques sujets simples : faciliter la vie de tous ceux qui travaillent dur et n'ont pas le temps d'aller au cinéma, améliorer la filmologie au quotidien, juger plus vite les œuvres et permettre à chaque famille d'avoir accès à la meilleure connexion par la fibre pour les sites de streaming et de téléchargement.A nous de le faire donc.L'année 2025 doit aussi être une année d'unité, de responsabilité pour bâtir un cinéma plus fort, plus indépendant face aux dérèglements du monde.Les cinémas d'Inde ou d'Amérique du Sud ne sont pas des cinématographies lointaines. Elles nous concernent directement, nous devons en tenir compte.En 2025, la France devra continuer d'investir pour son réarmement cinématographique, pour garantir notre souveraineté, la protection de nos intérêts et la cinéphilie de nos compatriotes.Nous devons lucidement voir que le monde avance plus vite et bouscule nombre de nos certitudes. Ce que nous tenions pour acquis ne l'est plus.Pour que nos enfants vivent mieux que nous, il faut aussi que s'inventent en France et en Europe les cinéastes et les producteurs qui façonneront le monde de demain, notre avenir, notre regard : l'intelligence, les révolutions du medium, de l'énergie, pour ne citer que quelques-uns de ces chantiers.Les cinéphiles doivent en finir avec la naïveté. Dire non aux lois du commerce édictées par d'autres et que nous sommes les seuls à encore respecter, dire non à tout ce qui nous fait dépendre des autres, sans contrepartie et sans préparer notre avenir.A l‘inverse il nous faut le réveil cinéphilique, réveil filmologique, intellectuel, technologique, industriel, réveil sémiologique, ontologique et anarchique. Il faut pour cela aller plus vite, prendre nos décisions plus rapidement, plus fortement en cinéphiles, simplifier nos règles pour nos auditeurs comme nos partenaires de l'édition vidéo.Cela suppose une émission qui continue d'être attractive, qui travaille et innove plus, qui continue de ne pas créer des emplois et qui assure sa croissance en tenant ses finances qui n'existent pas. J'y veillerai.Depuis 16 ans, nous avons réussi à résister aux pires crises, tout en augmentant le chômage, tout en ne réindustrialisant pas et en attirant pas plus les inventions du monde entier.A nous donc, collectivement, de faire, car 2025 imposera l'audace et le sens des décisions.Mes chers cinéphiles, les grandes Emissions sont celles qui, dans les moments de crise, de doute, savent voir loin, se détacher des polémiques du quotidien pour bâtir l'avenir et prendre un temps d'avance.Nous y sommes. C'est pourquoi, en 2025, nous tiendrons le cap. Oui, l'espérance, la prospérité et la paix du quart de siècle qui vient dépendent de nos choix, aujourd'hui.C'est pour cela qu'en 2025 nous continuerons de décider et je vous demanderai aussi de trancher certains de ces sujets déterminants. Car chacun d'entre vous aura un rôle à jouer. Chacun d'entre vous sera nécessaire pour réussir ce projet que je viens rapidement de brosser devant vous.C'est pour cela que je nous souhaite pour 2025 d'être unis, déterminés et fraternels.Très belle, très heureuse année 2025 à vous et à vos proches.Vive En Attendant Godard.Vive le Cinéma.Émission disponible aussi sur le tube :Doc Erwan et El Comandante s'ont allés chez nos meilleurs ennemis tailler le bout de gras sur 2024, 4h30 de propos intolérables vraisemblablement. Partie 1 / Partie 2 / Partie 3El Comandante a vu des films en 2024, il en a aimé plusieurs qui ne sont pas de 2024. Détail chez l'ami Tatum.______PUBLIC SERVICE ANNOUNCEMENT:El Comandante présente son pote Linklater samedi 11/01 à L'Arvor.Le Film du Dimanche Soir, Bloody Sam, Bob, Kris, James, et l'Eternité.______THOMAS « EL COMANDANTE »Top (sans ordre)Furiosa – A Mad Max Saga (George Miller)Riverboom (Claude Baechtold)C'est pas moi (Leos Carax)A son image (Thierry de Peretti)May December (Todd Haynes)Ferrari (Michael Mann)City of Darkness (Soi Cheang)Raayan (Dhanush)Hundred of Beavers (Mike Cheslik)The Goat Life (Blessy Ipe Thomas)The Devil's Bath (Severin Fiala et Veronika Franz)Los Delincuentes (Rodrigo Moreno)Et globalement, plein de bons films ou des projets fascinants (The Bikeriders, Horizon, Rebel Ridge, Kneecap, Here, La Zone d'intérêt, Megalopolis, Vingt dieux, The Outrun)FlopLes derniers hommes (David Oelhoffen)Road House (Doug Liman)Civil War (Alex Garland)Challengers (Luca Guadagnino)Emilia Perez (Jacques Audiard)ER FORCE WAN « LE GRAND TIMONIER »1. Bushman (David Schickele, 1971) 2. Furiosa (George Miller)2. La Zone d'intérêt (Jonathan Glazer)4. Miséricorde (Alain Guiraudie)5. La Vie selon Ann (Joanna Arnow)6. C'est pas moi (Leos Carax)7. The Sweet East (Sean Price Williams)8. Dahomey (Mati Diop)9. Ferrari (Michael Mann)10. Fainéant.e.s (Karim Dridi)11. Apolonia, Apolonia (Lea Glob)12. Viêt and Nam (Truong Minh Quy)Flop:Emilia Perez (Jacques Audiard)DOC ERWANTOP 10 (en fait 12)1- Furiosa – A Mad Max Saga – George Miller2- La Zone d'intérêt – Jonathan Glazer3- City of Darkness – Soi Cheang4- The Bikeriders – Jeff Nichols5- Here – Robert Zemeckis6- Juré n°2 – Clint Eastwood/Good One – India Richardson7- Ferrari – Michael Mann8- Rebel Ridge – Jeremy Saulnier9- Hundred of Beavers – Mike Cheslik10- L'Histoire de Souleymane – Boris Lojkine/Longlegs – Osgood PerkinsFLOP 31- Emilia Perez – Jacques Audiard2- Civil War – Alex Garland3- Godzilla Vs. Kong II – Le Nouvel Empire – Adam WingardTHIBAUT « CARREMENT FLEURET »Sans ordre particulier, 11 entrées :-Vroum vroum : Furiosa, The Bikeriders, Ferrari, L'Histoire de Souleymane-Documentaire : Riefenstahl, Sous un soleil bleu, Man In Black, Portraits fantômes, 20 jours à Mariopol, Bison-DJ Medhi-Napoléon vu par Abel Gance-Spectrum, Hitcher, The Fall, Epouvante sur NY-Riverboom-May December-The Zone Of Interest-Testament : Here, Juré 2-Rebel RidgeCa ne ressemble à rien mais y'a quand même de la qualitay.JB MASSUET1. Here - Les plus belles années de notre vie (Zemeckis)2. Trap (Shyamalan)3. La Zone d'intérêt (Glazer)4. Les Chambres rouges (Plante)5. Furiosa - Une saga Mad Max (Miller)6. Juré n°2 (Eastwood)7. Vice-Versa 2 (Mann)8. Knit's Island (Barbier, L'Helgouac'h, Causse)9. May December (Haynes)10. Vampire humaniste cherche suicidaire consentant (Louis-Seize)11. City of Darkness (Cheang)12. Longlegs (Perkins)Flop :1. The Substance (Fargeat)2. Megalopolis (Coppola)3. Horizon - Une saga américaine (Costner)SIMON DANIELLOU « L'ANCIEN »Top des films distribués en France en 20241. Furiosa : une saga Mad Max (George Miller)2. La Zone d'intérêt (Jonathan Glazer)3. Miséricorde (Alain Guiraudie)4. Trap (M. Night Shyamalan)5. Juré n° 2 (Clint Eastwood)6. Anora (Sean Baker)7. Walk Up (Hong Sang-soo)8. Cent Mille Milliards (Virgil Vernier)9. The Last Stop in Yuma County (Francis Galluppi)10. Noël à Miller's Point (Tyler Taormina)11. Sleep (Jason Yu)12. Voyage à Gaza (Piero Usberti)13. Le Mal n'existe pas (Ryūsuke Hamaguchi)14. Vice-versa 2 (Kelsey Mann)15. Dahomey (Mati Diop)16. Land of Bad (William Eubank)17. Film annonce du film qui n'existera jamais : « Drôles de guerres » (Jean-Luc Godard)18. In Water (Hong Sang-soo)19. The Apprentice (Ali Abbasi)20. Concrete Utopia (Eom Tae-hwa)+ La scène post-générique de Mauvais Sang re-« jouée » par Annette dans C'est pas moi (Leos Carax) ; Gojira (le kaijū) dans Godzilla Minus One (Takashi Yamazaki) et Gojira (le groupe) lors de la cérémonie d'ouverture des JO 2024 ; enfin, deux rappels déjà dans les tops des années précédentes, Au cœur des volcans : Requiem pour Katia et Maurice Krafft (Werner Herzog) et L'Affaire de la mutinerie du Caine (William Friedkin). Flops (aka "j'ai mal à mon film de genre")1. The Substance (Coralie Fargeat)2. MaXXXine (Ti West)3. Civil War (Alex Garland)4. Late Night with the Devil (Colin et Cameron Cairnes)5. Blitz (Steve McQueen)6. Elyas (Florent Emilio-Siri)7. Immaculée (Michael Mohan)8. Exhuma (Jang Jae-hyeon)9. Heretic (Scott Beck et Bryan Woods)10. The Devil's Bath (Veronika Franz et Severin Fiala)SIMON GOSSELIN « LE JEUNE »1. Furiosa, George Miller2. Horizon, Kevin Costner3. Longlegs, Osgood Perkins

Ben recently attended the 35th Singapore International Film Festival and watched a whole lot of films, and made a few new friends along the way. Listen in on his thoughts about the films, the festival programme's overarching themes, and how beauty is a trap!! This episode is generally spoiler-free, spoilers are marked with timestamps below! Links DONATE to Singapore Red Cross Fundraising Campaign For Humanitarian Crisis in Gaza / Lebanon (campaign ends 31 Dec 2024) I is another by Sasha Han  A Close Watch of Small Hours of the Night by Aditi Shivaramakrishnan Ray Yeung Interview Neo Sora Interview Emerson Goo's review of By The Stream  Ben's SGIFF Recap Part 1 (part 2 incoming) Timestamps (00:05:14) Small Hours of the Night Directed by Daniel Hui (which Ben did NOT see) (00:15:40) No Other Land Directed by Basel Adra & Hamdan Ballal & Yuval Abraham & Rachel Szor (00:21:14) Stars in Broad Daylight directed by Ossama Mohammed (00:25:45) An Unfinished Film directed by Lou Ye (00:30:32) Jafar Panahi Conversation  (00:34:36) Crimson Gold Directed by Jafar Panahi (00:35:37) The Circle Directed by Jafar Panahi (00:36:46 - 00:38:10) The Circle Spoiler (00:39:13) Viet and Nam Directed by Truong Minh Quy; + small discussion on co-productions (00:47:52) All Shall Be Well Directed by Ray Yeung (00:50:20 - 00:50:55) All Shall Be Well Spoiler (00:53:40) Happyend Directed by Neo Sora (00:58:25) By The Stream Directed by Hong Sang-soo;+ Wilson's love of Hong (01:05:08) Vive l'amour Directed by Tsai Ming-liang (01:09:27) Stranger Eyes Directed by Yeo Siew Hua (01:13:54) Time to Be Strong Directed by Namkoong Sun (01:17:32) Ben's Festival Highlights  (01:18:48) Don't Cry Butterfly Directed by Linh Duong (01:21:19) Universal Language Directed by Matthew Rankin (01:24:28) La Cocina Directed by Alonso Ruizpalacios (01:25:20) Don't You Let Me Go Directed by Leticia Gorge & Ana Guevara (01:26:40) The Shrouds Directed by David Cronenberg; Our NYFF62 Dispatch episode where Eli watched it (01:27:40) Familiar Touch Directed by Sarah Friedland; plus a very cool fact about the film's production process (01:30:55) April Directed by Dea Kulumbegashvili (01:31:45 - 01:31:53) Brief spoiler for Kulumbegashvili's first film, Beginning (01:33:05) Closing Thoughts

For better or worse, 2024 is shaping up to be The Year of Hong Sang-Soo on IndieSeen! Ian and Sujewa take one last run at appreciating the South Korean critical darling with a look at his latest film, A Traveler's Needs.Isabelle Huppert stars as Iris, a French woman living in Seoul, whose unconventional method of teaching her language to locals has earned her a growing network of tutoring referrals. A Traveler's Needs follows for a day, as she meets with clients, explores local monuments, and tries to sort out her relationship with the young man with whom she shares an apartment.In this spoilerific discussion, the guys talk about their big-screen experiences--which is quite different from how they watched Hong's previous works, The Novelist's Film and In Front of Your Face. They also look at the filmmaker's merits; how the digital revolution created a subset of moviemaking workhorses who give short shrift to screenwriting; and discuss the future of Hong Sang-soo as a podcast subject (Hint: It's not looking good).So pour yourself some makgeolli and get ready for a conversation that's vastly more entertaining than the movie at hand!Subscribe, like, and comment on Kicking the Seat here on YouTube, and check us out at:kickseat.comXBlueSkyInstagramFacebookShow LinksWatch the A Traveler's Needs trailer.Catch up with our review of Hong Sang-soo's The Novelist's Film and In Front of Your Face. Watch Sujewa's latest film, Cosmic Disco Detective Rene for free on YouTube! Rent The Secret Society for Slow Romance (the predecessor to Cosmic Disco Detective Rene).Keep up with all of Sujewa's projects.Follow Sujewa on X.Check out all the episodes in our “IndieSeen” Playlist!

Gegen Ende des Jahres haben wir noch eine letzte Festivalfolge für euch. Zum ersten Mal senden wir vom Internationalen Filmfestival Mannheim Heidelberg. Lucas spricht mit Niklas Michels über die Eigenheiten des Festivals, wie es kuratiert ist und diese Filme: - "April" von Dea Kulumbegashvili - "Afternoons of Solitude" von Albert Serra - "Universal Language" von Matthew Rankin - "Night Bitch" von Marielle Heller - "Memoire of a Snail" von Adam Elliot - "Harvest" von Athina Rachel Tsangari - "Holy Electricity" von Tato Kotetishvili - "Emilia Perez" von Jacques Audiard - "By the Stream" von Hong Sang-soo - "Stranger Eyes" von Siew Hua Yeo - "Desert of Namibia" von Yoko Yamanaka - "A Real Pain" von Jesse Eisenberg

Ian and Sujewa get deja vu with Hong Sang-soo with their double-feature IndieSeen review of In Front of Your Face and The Novelist's Film!The guys had initially planned to only discuss one of the movies, but while doing some extra homework, Ian discovered that the prolific South Korean auteur had essentially made the same movie twice, within one year of each other. Hence, this bizarre journey into truly independent (and highly improvised) cinema. Both films share a high-level plot about an artist (one a retired actress, one a novelist) visiting old acquaintances and, through happenstance, getting entrenched in making a movie.Lee Hye-yeong stars in both films as the respective actress/novelist, and manages to pull off two very compelling and distinct performances. But is she underserved by a script that feels more like a list of prompts rather than the grand human-condition dramas they're billed as?In this spoilerific discussion, the guys talk about the dangers of loosey-goosey screenwriting; actor versatility; and why it's perfectly reasonable to not trust film critics (except for Ian, of course!).Subscribe, like, and comment to the Kicking the Seat YouTube channel, and check out kickseat.com for multiple movie podcasts each week!Show LinksWatch the In Front of Your Face trailer.Watch the Novelist's Film trailer.Watch Sujewa's latest film, Cosmic Disco Detective Rene for free on YouTube! Rent The Secret Society for Slow Romance (the predecessor to Cosmic Disco Detective Rene).Keep up with all of Sujewa's projects.Follow Sujewa on X.

Tercer día de festival y hoy nos detenemos en mucho cine español. Han llegado 'La virgen roja', 'Los destellos' o la coproducción con Argentina 'El Jockey'. También hemos visto 'The End', debut en la dirección de Joshua Oppenheimer y Lorena Iglesias se despide de Donosti con 'Necesidades de una viajera', lo último de Hong Sang-soo.

Rodrigo, María, Aramburu y Juan dialogan sobre las nuevas películas anunciadas para el Festival de Venecia y de Toronto en este nuevo episodio de La Llave Azul. Además se pelearan por Hong Sang-soo y analizarán el paso de Del Revés 2 y Deadpool y Lobezno por la taquilla de verano para ver quien será coronado como rey del verano.

Estrenos de la semana: Fly me to the moon de Greg Berlanti Bikeriders. La ley del asfalto (The Bikeriders) de / escrita por Jeff Nichols Nuestro día (Uriui haru) de / escrita por Hong Sang-soo Solo de / escrita por Sophie Dupuis Strangers: Capítulo 1 (The Strangers: Chapter 1) de Renny Harlin Trailer final: Hasta … Continua la lectura de Toma 8.14 – Cien de Cine (Estrenos 19 Julio 2024) →

Último programa de la temporada, pero tranquilos, que el cine no descansa en verano y este pódcast seguirá en las próximas semanas con Elio Castro. Tenemos semana muy motera con 'The Bikeriders', la nueva película de Jeff Nichols, y nos hemos ido a Londres para charlar con todo su reparto, con Tom Hardy, Jodie Comer y el chico de moda, Austin Butler. Además, Scarlett Johansson protagoniza 'Fly me to the moon', una divertida mirada a la operación de marketing detrás de la llegada a la luna. Hay también nueva película de Hong Sang-soo y más reestrenos, como el de 'El castillo ambulante' de Miyakazi. En televisión, charlamos con las protagonistas de 'Las pelotaris', nueva serie de SkyShowtime sobre las mujeres que se abrieron camino jugando a la pelota vasca.

Estrenos de la semana: Fly me to the moon de Greg Berlanti Bikeriders. La ley del asfalto (The Bikeriders) de / escrita por Jeff Nichols Nuestro día (Uriui haru) de / escrita por Hong Sang-soo Solo de / escrita por Sophie Dupuis Strangers: Capítulo 1 (The Strangers: Chapter 1) de Renny Harlin Trailer final: Hasta … Continua la lectura de Toma 8.13 – Cien de Cine (Estrenos 12 Julio 2024) →

Na Praia à Noite Sozinha” é um drama sul-coreano de 2017, escrito, produzido e dirigido por Hong Sang-soo. O filme gira em torno de uma premissa central: Young-hee, uma atriz fracassada, vive o estresse de um relacionamento com um homem casado na Coreia. Na praia, ela se questiona se ele sente falta dela da mesma forma que ela sente falta dele. Esta foi a segunda vez que assisti ao filme. Na verdade, o revi por acaso. Não era minha intenção revisitá-lo; ele simplesmente apareceu novamente na minha lista e acabei assistindo. Não lembrava se já o tinha visto pelo título. A primeira vez que vi esse filme foi em uma mostra de cinema oriental, ao lado de uma ex-namorada. Na ocasião, achei o filme extremamente tedioso, assim como ela. A fotografia escura e os diálogos longos e triviais me deixaram entediado, e em vários momentos acabei adormecendo. Ao acordar, estava no meio de um diálogo, sem entender nada, o que me gerou ansiedade por não conseguir acompanhar a conversa. Leia a crítica completa do filme aqui.

Émission spéciale et fleuve pour fêter nos 15 années sur les ondes et notre 16ème saison. On a la mémoire qui flanche, on ne souvient plus très bien, tout entre nous a commencé, un 10 octobre 2008, et depuis nos yeux sont faits pour l'amour d'aimer et ne sont que le reflet d'un monde d'objets. Sans rêve et sans réalité, aux images nous sommes condamnés.Enfin bref, pour reprendre nos classiques, il est 19h et comme disait Peter… c'est l'heure !573ème émission, enregistrée au Cinéma Arvor in Rain City le 08 mai dernier, avant la projection du chef d'œuvre de Sam Peckinpah, Croix de fer, dans ce même cinéma. Moults remerciements à l'Arvor, bien évidemment, pour avoir accepté de nous accueillir et pour la carte blanche, et notamment à notre meilleur ennemi le Docteur Moreau (qui apparemment fait aussi de la radio).On tente de faire le bilan de nos 15 années de radio, en passant en revue le cinéma mondial (rien que ça), même si évidemment on y va à toute berzingue, trop vite, trop furieux. Pour le détail de tout ce qui n'a pas été évoqué, vous pouvez vous reporter aux différentes listes ci-dessous. Forcément, le cinéma étatsunien nous obsède, malgré tout, mais son l'état déplorable de son cinéma spectaculaire a permis de faire ressortir d'autres cinématographies, jusqu'à présent trop caché par l'éléphant hollywoodien.Emission également disponible sur le tube.Etaient présents lors de cette émission : El Comandante Thomas, Le Grand Timonier Er Force Wan, Carrément Fleuret, Docteur Erwan, Docteur JB, Simon D. « L'Ancien », Simon G. « Le Jeune » et JP.Nos créateurs Mathieu B. « Il Padrino » et Yannick K auraient dû être des nôtres, mais parfois la vie met des bâtons dans les roues de la liberté… (ie : les enfants).Nos dames étaient également malheureusement absentes (Maitresse Carla, Justeen, Laure) pour la simple raison qu'elles voguent désormais vers de véritables horizons professionnels chronophages et que le salariat est aussi une sacrée saloperie.Notre mixtake spéciale 15 ans – best & worst of, toujours disponible et toujours soyeuse.Pour préparer tout ce bazar, certains membres se sont pliés à l'exercice de faire un top 15 de leurs films préférés depuis l'année 2008. Les films préférés, et non pas nécessairement les plus importants (le choc industrialo-esthético-technique Avatar n'y figure pas par exemple), ou même les meilleurs, mais simplement nos préférés. Le concept de top 15 ayant été allégrement explosé par tous les participants.Les six listes reçues, pour aperçu de ce que la rédaction a retenue de ces 15 ans et dont nous n'avons pas eu le temps de parler. Ce qui est bien, c'est que chaque liste correspond vraiment à chaque membre !THOMAS « EL COMANDANTE »Speed racer (The Wachowskis – 2008)Mad Max : Fury road (George Miller – 2015)Dernier Maquis / Les Chants de Mandrin (Rabah Ameur-Zaïmeche – 2008 / 2011)The Bad Lieutenant: Port of Call New Orleans / Au cœur des volcans (Werner Herzog – 2009 / 2023)Balada Triste de Trompeta (Alex de la Iglesia – 2010)The Counselor (Ridley Scott – 2013)Cameraperson (Kirsten Johnson – 2019)Mektoub my love : Canto Uno (Abdellatif Kechiche – 2017)Small Axe – Lovers Rock (Steve McQueen – 2021)Transformers 2 : Revenge of the Fallen / 13 Hours : The Secret Soldiers of Benghazi (Michael Bay – 2009 / 2016)GI Joe : Rise of Cobra (Stephen Sommers – 2009)Hypernormalisation (Adam Curtis – 2015)La Loi de la Jungle (Antonin Peretjatko – 2016)Lincoln (Spielberg – 2012)Boyhood / Everybody Wants Some !! (Richard Linklater – 2014 / 2016)Nostalgie de la Lumière (Patricio Guzmán – 2010)Unstoppable (Tony Scott – 2010)La Bataille de la Montagne du Tigre (THRTW – 2014)The Grandmaster (Wong Kar-Wai – 2013)The Strangers (Na Hong-jin – 2016)Le Congrès (Ari Folman – 2013)RRR (S.S Rajamouli – 2022)Max et les maximonstres (Spike Jonze – 2009)The House that Jack Built (Lars Von Trier – 2018)Fast 5 (Justin Lin – 2011)Mange tes morts : Tu ne diras point (Jean-Charles Hue – 2014)Midnight Special (Jeff Nichols – 2016)The night comes for us (Timo Tjahjanto – 2018)First Reformed (Paul Schrader – 2017)Hors Champs aka La Révolution jusqu'à la victoire (Mohanad Yaqubi – 2016)L'Enlèvement de Michel Houellebecq (Guillaume Nicloux – 2013)Sympathie pour le Diable (Guillaume de Fontenay – 2019)Clint (pour tout, même le moins bon)Fire of Love (Sara Dosa – 2022)FLOPSucker PunchWatchmenCosmopolis / Maps to the StarsTabouBande de fillesP'tit QuinquinThe RevenantJaujaHateful EightLe ConcoursGraveLes garçons sauvagesJokerGolden GloveUncut GemsEverything everywhere all at onceER FORCE WAN « LE GRAND TIMONIER » FLOCH'LAY45 films / œuvres par ordre d'intensité dans la mémoire:[On ne se refait pas...]-Adieu au langage 3D (JLG)-Twin Peaks Saison 3 (Lynch / Frost)-La Flor (Llinás)-Southland Tales (Kelly)-Hypernormalisation (Curtis)-Mad Max — Fury Road (Miller)-Et maintenant ? (Pinto)-First Reformed (Schrader)-4h44 — Dernier jour sur Terre (Ferrara)-Bad Lieutenant — Escale à La Nouvelle Orléans (Herzog)-Holy Motors (Carax)-Spring Breakers (Korine)-The Assassin (Hou Hsiao-hsien)-Cavalo Dinheiro (Costa)-Les Chiens errants (Tsaï Ming-liang)-A la folie (Bing)-Sophia Antipolis (Vernier)-Memoria (Weerasethakul)-Hill of Freedom (Hong Sang-soo)-La femme qui est partie (Diaz)-Certaines femmes (Reichardt)-Le Congrès (Folman)-Mourir comme un homme (Rodrigues)-Bangkok Nites (Tomita)-High Life (Denis)-In The Family (Wang)-Pacifiction (Serra)-Le Gang des bois du temple (RAZ)-Le Loup de Wall-Street (Scorsese)-The Social Network (Fincher)-Va, Toto ! (Creton)-L'Héroïque Lande — La frontière brûle (Klotz / Perceval)-La Tierce des paumés (Alazard)-Il Buco (Frammartino)-Rester vertical (Guiraudie)-Carol (Haynes)-Bad Luck Banging or Loony Porn (Jude)-Speed Racer (Wachowski)-L'Apollonide — Souvenirs de la maison close (Bonello)-It Follows (Mitchell)-The Strangers (Na Hong-jin)-Hacker (Mann)-Frangins malgré eux (McKay)-La ligne de partage des eaux (Marchais)-Everybody Wants Some !! (Linklater)SIMON  « L'ANCIEN » DANIELLOU‌Tops 2008-2023 : Impossible de choisir 15 films, alors voici 15 entrées…  - Label « Et là, ils accélèrent » : Mad Max Fury Road et Drive - Le daron Eastwood pour Richard Jewel et Sully - Les jeunes vieux du Nouvel Hollywood : Redacted et Passion, Le Loup de Wall Street, The Post, Tetro - Auteurs ricains : Trainé sur le bitume, Everybody wants some!!, First Reformed, First Cow/Showing Up, 4h44, un First Man et un autre Serious, Inherent Vice et Licorice Pizza + une poignée de scènes chez ce salopard de Tarantino (la partie de cartes d'Inglourious Basterds, le dîner de Django Unchained, le générique d'ouverture des Huit Salopards) - Les coups d'éclats de M. Night Shyamalan, mais aussi ses errances, qui seront toujours mille fois plus belles que les ternes pensums d'un Nolan ou d'un Villeneuve - Tropisme coréen : Burning, The Strangers, Le Transperceneige et plusieurs Hong Sang-soo : Ha Ha Ha, The Day He Arrives, Yourself and Yours, Juste sous vos yeux, De nos jours… (points de suspension qui font partie du titre mais qui sont aussi très opportuns ici !) - Des géants hongkongais (Les Trois Royaumes, The Grandmaster, Trilogie Detective Dee, Sparrow) et taïwanais (The Assassin, Les Chiens errants) - L'Odyssée de Pi d'Ang Lee et ses recherches inabouties sur Un jour dans la vie de Billy Lynn et Gemini Man  - Le cinéma hypnagogique de Weerasethakul - Tout Hamaguchi, en particulier Happy Hour, Asako I & II, Contes du hasard et autres fantaisies - Les derniers Kiarostami (Copie conforme, Like Someone in Love) et Le Poirier sauvage de son voisin Nuri Bilge Ceylan - Il était une fois en Europe : Elle, Bronson, Au cœur des volcans : Requiem pour Katia et Maurice Krafft, La Zone d'intérêt, Vincere, Il Buco, Cavalo Dinheiro, As Bestas - Vive le cinéma français ? Eh oui ! Sophia Antipolis et tout Virgil Vernier en fait, Mange tes morts, Mektoub my Love : Canto Uno, Les Chants de Mandrin, Adieu au langage, La Bataille de Solferino, Paul Sanchez est revenu, le cinéma de Guiraudie (et son Roi de l'évasion en particulier), - Génie de Pixar : Là-haut, Toy Story 3, Vice versa, Soul - Sus aux séries !, sauf celles-ci : Twin Peaks saison 3, True Detective saison 1, Louie saison 3, Horace and Pete, P'tit Quinquin, Generation Kill SIMON « LE JEUNE » GOSSELINTraîné sur le bitume (Craig S. Zalher)Bad Lieutenant : Escale à la Nouvelle-Orléans (Werner Herzog)Two Lovers (James Gray)La Bataille de la Montagne du Tigre (Tsui Hark)Le Gang des bois du temple (Rabah Ameur-Zaïmèche)13 Hours (Michael Bay)Warrior (Gavin O'connor)Cellule 211 (Daniel Monzon)Que Dios nos perdone (Rodrigo Sorogoyen)True Grit (Joël & Ethan Coen)Primal (Genndy Tartakovsky), saisons 1 et 2True Detective (Cary Joji Fukanaga), saison 1Neds (Peter Mullan)Passion (Brian De Palma)Mowgli (Andy Serkis)Tabou (Miguel Gomez)Pacifiction (Albert Serra)Unstoppable (Tony Scott)Le Transperce-neige (Bong Joon-Ho)Mad Max (George Miller)Everybody wants some!! (Richard Linklater)THIBAUT « CARREMENT » FLEURETBon....On y va...Dans le désordre...15 entrées...1/ La reine : Kathryn Bigelow (Zero Dark Thirty, Detroit)2/ Hommes américains => James Gray (Two Lovers, The Lost City Of Z), Ad Astra, Armageddon Time), Jeff Nichols (Take Shelter, Mud, Midnight Special, Loving), David Robert Mitchell (The Myth Of The American Sleepover, It Follows, Under The Silver Lake), Quentin Tarantino (Inglorious Basterds, Django Unchained, Les 8 Salopards, Once Upon A Time In Hollywood), David Fincher (Benjamin Button, The Social Network, Millenium, Gone Girl, Mank, The Killer), Adam McKay (Frangins malgré eux, Very Bad Cops, The Big Short, Vicce, Don't Look Up)3/ Corée du Sud => Na Hong-jin (The Chaser, The Murderer, The Strangers + The Medium), Bong Joon-ho (Mother, Snowpiercer, Okja, Parasite + Sea Fog)4/ Cosmogonie => Mad Max Fury Road (George Miller), The Tree Of Life (Terrence Malick)5/ Ibère => Kleber Mendonça Filho, Rodrigo Sorogoyen6/ NW Refn (Bronson, Le Guerrier silencieux, Drive, Only God Forgives, Drive, The Neon Demon)7/ Le travail de Spectrum Films8/ Mélomanes => Todd Haynes (Carol, Dark Waters, The Velvet Underground, May December + Mildred Pierce), Cameron Crowe (Aloha)9/ L'autre reine : Céline Sciamma (Pauline, Tomboy, Bande de filles, Portrait de la jeune fille en feu, Petite maman + Les Revenants et Ma Vie de courgette)10/ Pot pourri cinéma français => Les Misérables, L'Ordre et la morale, Des Hommes et des dieux, Climax L'Apollonide11/ Art contemporain => Virgil Vernier, Clément Cogitore12/ Pot pourri documentaire : Retour à Forbach, Cameraperson, I Am Not Your Negro, Ne Croyez surtout pas que je hurle, A La folie, Sud Eau Nord Déplacer, Jim & Andy13/ Marco Bellochio (Vincere, La Belle endormie, Le Traitre, Marx peut attendre, L'Enlèvement + Esterno Notte)14/ Point séries : True Detective, Tchernobyl15/ Diversité : The Witch, Only Lovers Left Alive, A Ghost Story, Monsters, Spring Breakers, Oslo 31 août, The Grandmaster, Notre Petite soeur, A Touch Of Sin, Bad Lieutenant : Escale à NoLa, La Loi de Téhéran, Le Caire Confidentiel, Le Conte de la princesse Kaguya, Le Vent se lèveps : Je mets où Kelly Reichardt ?Voilà, voilà, ça ne ressemble à rien mais en même temps, 15 ans, c'est l'adolescence, c'est le bordel. JEAN-BAPTISTE « JAY-BALLS » MASSUETEvidemment, pas d'ordre du tout dans tout ça... (ah la la, tout ce que je laisse de côté, c'est hard quand même)Twin Peaks – The Return (David Lynch)Speed Racer / Matrix Resurrections (Lilly et Lana Wachowski)A Ghost Story (David Lowery)Mission Impossible : Rogue Nation (Christopher McQuarrie) / Top Gun Maverick (Joseph Kosinski)Portrait de la jeune fille en feu (Céline Sciamma)Oncle Boonmee, celui qui se souvient de ses vies antérieures (Apichatpong Weerasethakul)Vice-Versa / Là-haut (Pete Docter)Bienvenue à Marwen / Le Drôle de Noël de Scrooge (Robert Zemeckis)Ponyo sur la falaise (Hayao Miyazaki)Rubber / Wrong Cops (Quentin Dupieux)El Reino / As Bestas (Rodrigo Sorogoyen)Les Aventures de Tintin / The Fabelmans (Steven Spielberg)Fast and Furious 5 (Justin Lin)Le Loup de Wall Street (Martin Scorsese)Mad Max – Fury Road / Happy Feet 2 (George Miller)RRR / La Légende de Bahubali (S.S. Rajamouli)L'Odyssée de Pi (Ang Lee)DOC ERWAN CADORET1- Mad Max : Fury Road (2015) – George Miller2- Twin Peaks, saison III (2017) – David Lynch3- Under the Skin (2013) – Jonathan Glazer4- The Strangers (2016) – Na Hong-jin/As Bestas (2022) – Rodrigo Sorogoyen5- La Bataille de la montagne du tigre (2014) – Tsui Hark/Take Shelter (2011) – Jeff Nichols6- Balada Triste (2010) – Alex De La Iglesia/Mademoiselle (2016) – Park Chan-wook7- Vortex (2021) – Gaspard Noé8- A Serious Man (2009) – Joel & Ethan Coen9- Le Transperceneige (2013) – Bong Joon-ho10- La Loi de Téhéran (2019) – Saeed Roustayi11- Il Etait une fois à Hollywood (2019) – Quentin Tarantino12- Drive (2011) – Nicolas Winding Refn13- Outrage (2010) – Takeshi Kitano14- The Grand Budapest Hotel (2014) – Wes Anderson15- Her (2013) – Spike Jonze/The Witch (2015) – Robert Eggers

In this director-focus episode, Joe talks all about the director Hong Sang-soo, following BFK's screenings of Tale of Cinema, The Novelist's Film, and In Our Day. --------The whole RSS feed is available here > https://rss.com/podcasts/thereelthingThe Reel Thing on Social Media:Instagram > https://www.instagram.com/thereelthingpod---------All music by Wise John. https://wisejohn.com/Follow them on Instagram > https://www.instagram.com/wisejohnofficial/---------Bergen Filmklubb > https://bergenfilmklubb.no/---------Sources:Tale of Cinema by Dennis Limhttps://www.frieze.com/article/hong-sang-soo-capacious-confined-cinemahttps://en.wikipedia.org/wiki/Hong_Sang-soohttps://bronzescreendream.com/hong-sang-soo/ https://www.newyorker.com/culture/the-new-yorker-interview/hong-sangsoo-knows-if-youre-faking-ithttps://www.koreanfilm.or.kr/eng/films/index/peopleView.jsp?peopleCd=10089497https://www.youtube.com/watch?v=DjAOlKrdpls&pp=ygUYZGVubmlzIGxpbSBob25nIHNhbmcgc29vhttps://www.youtube.com/watch?v=7-BttGmnVyw&pp=ygUdbWFydGluIHNjb3JzZXNlIGhvbmcgc2FuZyBzb28%3Dhttps://www.youtube.com/watch?v=jYv8HCQvxfA---------

Die Folge zur 74. Berlinale. Auch dieses Jahr liefen wieder südkoreanische Filme auf den Internationalen Filmfestspielen in Berlin. Mit Charlotte Hafner (Project K) spreche ich über A Traveler's Needs von Hong Sang-soo und wir klären, ob der Film zurecht mit dem Großen Preis der Jury ausgezeichnet wurde. Außerdem haben wir uns die Dokumentation The Voices of the Silenced von Park Soo-nam Park Ma-eui angesehen, in der es um die Diskriminierung der koreanischen Minderheit in Japan im 20. Jahrhundert geht. Mit dabei in dieser Folge ist außerdem Tine Nowak, mit der ich über die Weltpremiere von Exhuma (Jang Jae-hyun) spreche, der inzwischen erfolgreich in Südkorea angelaufen ist. Ebenfalls im Gespräch: Der Coming-of-Age Film It's okay von Kim Hye-young, der mit dem Gläsernen Bären der Kinderjury prämiert wurde.Das Gespräch über The Roundup: Punishment wird in der nächsten Kino Korea Folge veröffentlicht.E-Mail: kinokorea@gmx.deX: @kinokoreaInstagram: kinokorea_podcastLetterboxd: kim_chiCharlotte Hafner auf Instagram: @charlottehafner Tine Nowak auf Instagram: @tinowaCharlottes Empfehlungen:All the long nights (Maiko Sae, 2024)No Other Land (Basel Adra, Hamdan Ballal, Yuval Abraham, Rachel Szor, 2024)

Ein neues Jahr, eine neue Berlinale! Lucas, Janick & Jenny schauen in dieser Folge zurück auf die diesjährige Ausgabe. Und auch wenn Begeisterung vielleicht anders aussieht, gab es durchaus einige Highlights. Es geht um: - "Small Things Like These" von Tim Mielants - "The Empire" von Bruno Dumont - "Hors du temps" von Olivier Assayas - "A Different Man" von Aaron Schimberg - "A Traveler's Needs" von Hong Sang-soo - "Abiding Nowhere" von Tsai Ming-liang - "The Boxman" von Gakuryū Ishii - "Des Teufels Bad" von Severin Fiala & Veronika Franz - "Cuckoo" von Tilman Singer - "Love Lies Bleeding" von Rose Glass - "All the Long Nights" von Sho Miyake - "Reas" von Lola Arias - "Verbrannte Erde" von Thomas Arslan - "Favoriten" von Ruth Beckermann - "Odd Turn" von Francisco Lezama - "I Saw the TV Glow" von Jane Joenbrun - "Chime" von Kiyoshi Kurosawa - "Der Unsichtbare Zoo" von Romuald Karmakar - "Dahomey" von Mati Diop - "The Visitor" von Bruce LaBruce

Am sechsten Berlinale-Tag sprechen Dunja Bialas, Frédéric Jaeger und Till Kadritzke über die Wettbewerbsbeiträge von Nelson Carlo de los Santos Arias (Pepe), Hong Sang-soo (A Traveller's Needs) und Veronika Franz und Severin Fiala (Des Teufels Bad) – während hinter ihnen ein Mobiltelefon aus einem Netz gefischt wird. Abonniert unseren Podcast in euren Podcatchern und lasst uns gern eine Bewertung da. Unterstützen könnt ihr uns bei ⁠⁠Steady⁠⁠. Auch über Feedback und Vorschläge freuen wir uns: ⁠podcast@critic.de⁠ Und so geht es durch die Folge:(00:00:00) Begrüßung(00:00:27) Pepe(00:05:17) A Traveller's Needs(00:13:38) Des Teufels Bad Follow UsFolgt Till Kadritzke auf⁠⁠ ⁠Facebook⁠⁠⁠,⁠⁠ ⁠X⁠⁠⁠ und⁠⁠ ⁠Bluesky⁠⁠Folgt Frédéric Jaeger auf ⁠⁠Facebook⁠⁠,⁠⁠⁠ ⁠X⁠⁠ und ⁠⁠Instagram⁠⁠

Prendendo spunto dai film selezionati per il concorso del 74esimo Festival del Cinema di Berlino, la Berlinale, parliamo del cinema “minimo, esistenziale e intimo” del regista coreano Hong Sang-soo. Nella puntata, inoltre, analizziamo tutta la selezione del concorso e le selezioni di Panorama, Berlinale Special e Forum. Qui l'indice della puntata: 00:31 News. Aggiornamenti sull'attività editoriale di Linkinmovies.it01:52 News. Festival di Berlino 2024. Uno sguardo ai registi presenti nelle sezioni Panorama, Berlinale Spaecial, Forum e Classici.07:42 News. Festival di Berlino 2024. Analisi dei film in competizione per i premi principali. https://www.berlinale.de/en/programme/berlinale-programme.html12:42 La Luce del Cinema di Hong Sang-soo. Film analizzati: The Day a Pig Fell into the well; The Power of the Kanwon Province; Yourself and Yours; The Day After; Virgin Stripped Bare By Her Bachelors; Right Now, Wrong Then; Nobody's Daughter Haewon; Woman are the Future of Men;  On The Beach at Night Alone; Woman on the Beach; Grass; Hotel By The River.37:34 News. Matteo Garrone con Io capitano ce l'ha fatta?

Auditrices, auditeurs, de métropole, de nos outre-mer et de l'étranger,En vous présentant mes vœux, je veux commencer par exprimer notre gratitude à tous pour nos cinéphiles qui, ce soir encore, regardent, sauvegardent, aident, assurent la continuité de la vie des films.2023 aura été marquée par la tension géo-filmique croissante, les conséquences des dérèglements cinéphiliques sur notre territoire, des actes erroristes sur notre sol. Par des divisions, des gestes de haine, parfois, des violences, à plusieurs occasions, qui fragilisent la cohésion de la Nation du Cinéma. Enfin, l'inflation a sévi qui rend tout plus difficile : aller au cinéma, se déplacer, acheter des dvd.Il y eut bien sûr des moments heureux, des moments de fierté, mais je sais combien la peur du retour de Christian Clavier, de Zack Snyder, de la perte de contrôle sont bien là.Pourtant, je suis convaincu, et ce n'est pas un faux optimisme, que dans ce contexte de crises peut naître le meilleur.C'est pourquoi, je n'ai cessé de suivre la même logique : agir avec détermination et constance pour aujourd'hui et pour demain. Depuis six ans, là où la destinée m'a placé  à la suite du Grand Timonier, je tâche de rendre EAGO plus fort et plus juste, de libérer, protéger, unir. Tel est le cap et nous le tenons. Et il en fut de même en 2023.Tous ces mois passés ont donc été bien loin de l'impuissance qu'on nous prédisait, et c'est heureux. Et je veux ici tout particulièrement en remercier Carrément Fleuret et Doc Erwan.Et nous avons continué cette année à parler des films, tout en produisant encore plus rapidement nos émissions, conformément à nos engagements. Ceci prouve que vous êtes au rendez-vous de la mobilisation.Grâce à ce réarmement podcastique, nous continuons tout de même à ne pas être en mesure de financer notre modèle d'émission, de nous protéger contre les crises ou l'inflation mais aussi de ne pas investir pour réarmer notre cinéma national.Nous avons aussi en en 2023, acté pour les années à venir des réformes historiques pour nous protéger. En une décennie, le nombre de nos services de presse aura ainsi été doublé. Nous continuerons de rétablir l'autorité critique partout où elle manque face au manque de curiosité et de culture.En matière d'immigration, notre loi votée en interne, nous donne les instruments nécessaires pour faire mieux respecter les principes de la pluralité c'est à dire à la fois lutter contre les films de festival et mieux intégrer ceux qui ont vocation à être des bons films.Alors je sais bien sûr les impatiences, oserais-je dire que je le partage, même si les premiers changements sont visibles, grâce à enfin une meilleure visibilité des cinémas indiens notamment. Je sais que vous voudriez que nous fassions plus et plus vite. Et c'est pour atteindre cet objectif que l'année 2024 doit avant tout être une année de détermination. Agir, agir encore, dans l'intérêt de l'émission.Nous serons déterminés à agir pour la cinéphilie, la filmologie, la théorie et la génétique des œuvres, afin de rétablir le niveau de nos djeuns, l'autorité de nos avis, la force de notre enseignement œcuménique. La France c'est plusieurs cultures, des Histoires du cinéma, une multiplicité de langues régionales, des valeurs universelles qui devraient s'apprendre dès le plus jeune âge. A chaque génération.En 2024, nous aurons à accélérer encore nos efforts et simplifier drastiquement notre vie.Enfin, nous serons déterminés à agir pour qu'en 2024, notre cinéma, ce cinéma à la française, notre planification continuent de se déployer comme un modèle et un chemin singulier, qui nous permettront de sortir des cinémas stériles et de gagner en indépendance et en progrès. La France, qui produit déjà l'un des cinémas parmi les plus excitants d'Europe, sortira totalement du marasme d'ici 2027. Et c'est ce même combat que nous porterons à l'international avec entre autres notre Pacte pour les peuples et la planète.2024, année de la détermination, de l'efficacité des résultats. Et j'aurai l'occasion dans les semaines qui viennent de vous dire comment notre Nation de cinéma relèvera ces défis.Mes chers auditeurs et auditrices, l'action n'est pas une option. L'action est notre devoir pour les générations futures.Voilà pourquoi je serai inlassablement du côté de ceux qui agissent au service du cinéma et jamais de ceux qui, refusant de vous dire la réalité pour justifier de ne rien faire, à la fin nous affaiblissent. Jamais du côté de ceux qui privilégient les calculs de petits boutiquiers, les accords de connivences ou leurs intérêts personnels.2024 sera ainsi une année de choix décisifs.2024 sera enfin l'année de nos fiertés françaises, même s'il n'y a pas toujours de quoi. Fierté pour ces milliers de techniciens, de scénaristes, de cinéastes qui ont pris part au magnifique chantier pour rebâtir notre cinématographie dont la flèche, s'élance à nouveau vers le ciel et les récompenses internationales. Nous sommes une Nation de compagnons, de bâtisseurs, capable, quand elle s'unit, de résister, de se relever.2024, nous célèbrerons aussi notre Histoire. 80 ans après 1944, nous mettrons encore et toujours sous le tapis notre passé collaborationniste, de nos héros aux destins mêlés. Tous en lutte pour que soit célébrée  une France fidèle à l'esprit de Vichy. Oui, 2024 sera vous l'avez compris un millésime français. C'est une fois par génération que le destin de la suivante se joue comme sans doute il se joue maintenant.2024, année de détermination, de choix, de régénération, de fierté. Au fond, une année d'espérance. Oui, cette année, beaucoup de notre avenir se détermine. Alors, à nous de faire ensemble. A nous de choisir plutôt que de subir, à nous de tracer la route plutôt que de suivre.Et notre Histoire toute entière nous enseigne que la volonté de quelques-uns peut abattre toutes les fatalités.Alors à nous de faire, oui, d'agir ensemble, de continuer de dépasser les clivages, les corporatismes, car il y a en notre auditorat les ressorts profonds pour relever ces défis.Mes chers auditeurs et auditrices, je vous souhaite une très belle et une très heureuse année 2024.Pour qu'En Attendant Godard puisse s'unir, agir et resplendir. Qu'elle soit digne de l'«indéfinissable splendeur de ceux qui sont destinés aux grandes entreprises», parce que c'est nous.Vive En Attendant Godard. Vive le cinéma.Emission dispo également on da tube.Les listes reçues :THOMAS « EL COMANDANTE »THE FABELMANS (Steven Spielberg)KILLERS OF THE FLOWER MOON (Martin Scorsese)JIGARTHANDA DOUBLE X (Karthik Subbaraj)ESTERNO NOTTE / L'ENLEVEMENT (Marco Bellochio)LE GANG DES BOIS DU TEMPLE (Rabah Ameur-Zaïmeche)LES REYES DEL MUNDO (Laura Mora Ortega)EARWIG (Lucile Hadzihalilovic)NAPOLEON (Ridley Scott)LAST STOP LARRIMAH (Thomas Tancred)DUNKI (Rajkumar Hirani)Bonus track & clip : LIPSTICK LOVER - videoclip (Janelle Monáe and Alan Ferguson)Naa Ready (dans LEO - Lokesh Kanagaraj)Mention honorable : PS 2 – PONNIYIN SELVAN – PARTIE 2 (Mani Ratman)LA TOUR (Guillaume Nicloux)LES RASCALS (Jimmy Laporal-Trésor)DERNIERE NUIT A MILAN (Andrea Di Stefano)MISANTHROPE (Damián Szifrón)LES COLONS (Felipe Galvez)Flop : Donjons et Dragons : L'Honneur des voleurs (John Francis Daley, Jonathan Goldstein)Alibi.com 2 (Philippe Lacheaux)Stars at noon (Claire Denis)PART I III D'ARTAGNAN et PART II III MILADY (Bourboulon / Seydoux / Rassam)SIMON D. « L'ANCIEN »Mes listes pour 2023, que je n'ai pas réussi à classer jusqu'au bout, en plus de ne toujours pas avoir vu Napoléon, le Miyazaki et Vincent doit mourir, mais c'est déjà ça...Top 1. The Caine Mutiny Court-Martial (William Friedkin)2. De nos jours… (Hong Sang-soo)3. Showing Up (Kelly Reichardt)4. N'attendez pas trop de la fin du monde (Radu Jude)5. Désordres (Cyril Schäublin)De très belles choses aussi dans Anatomie d'une chute (Justine Triet), Le Procès Goldman (Cédric Kahn), Voyages en Italie (Sophie Letourneur), Marx peut attendre (Marco Bellocchio), L'Enlèvement (Marco Bellocchio), Dernière nuit à Milan (Andrea Di Stefano), Les Feuilles mortes (Aki Kaurismäki), Le Gang des Bois du Temple (Rabah Ameur-Zaïmeche), L'Envol (Pietro Marcello), L'Arbre aux papillons d'or (Thien An Pham), Asteroid City (Wes Anderson), Master Gardener (Paul Schrader) et quelques moments entêtants dans Copenhagen Cowboy (Nicolas Winding Refn), ainsi que quelques raccords fous dans Silent Night (John Woo)…Flops Empire of Light (Sam Mendes)Babylon (Damien Chazelle)The Killer (David Fincher)Le Dernier voyage du Demeter (André Øvredal)Oppenheimer (Christopher Nolan)DOCTEUR ERWAN1- L'Enlèvement – Marco Bellochio2- The Fabelmans – Steven Spielberg3- Le Garçon & le héron – Hayao Miyazaki4- La Femme de Tchaikovsky – Kirill Serebrennikov/Anatomie d'une chute – Justine Triet5- Burning Days – Emin Alper/Le Gang des bois du temple – Rabah Ameur-Zaïmeche6- Limbo – Soi Cheang/Dernière nuit à Milan – Andrea Di Stefano7- Mars Express – Jérémie Périn8- Chien de la casse – Jean-Baptiste Durand9- L'Ile rouge – Robin Campillo/About Kim Sohee – July Jung10- Misanthrope – Damian Szifron/Sisu, de l'or & du sang – Jalmari Helander/Mad God – Phil TippettJUSTEENJe n'ai quasiment rien vu cette année [saloperie de salariat ; Note du Chef] mais voici un petit truc (même si c'est représentatif d'un tout petit échantillon) :Top ex-aequo :Showing up (Kelly Reichardt)Anatomie d'une chute (Justine Triet)Pas mal :War Pony (Riley Keough et Gina Gammell)Esterno notte (Marco Bellocchio)Le traditionnel bonus Arte :Werner Herzog, cinéaste de l'impossible (Thomas Von Steinaecker)Flop :Omar la fraise (Elias Belkeddar)The Banshees of Inisherin (Martin McDonagh)Le flop de l'année :Master Gardener (Paul Schrader)THIBAUT « CARREMENT FLEURET »Allez, c'est pas dans l'ordre, mais voilàThe FabelmansKillers of the flower moonThe KillerAnatomie d'une chuteChien de la casseToute la beauté et le sang verséLe Gang des bois du templeL'enlèvement / Esterno Notte / Marx peut attendreHow To blow up a pipelineThe Caine Mutiny Court Martialbonus : Nik ta race________Nos duettistes Doc Erwan et El Comandante sont passés chez les camarades du Cinéma est mort pour une nouvelle émission fleuve afin de régler son compte à l'année écoulée.Part I. et II Part III. et bonus 

In a year when so much felt so over, film seems so beautifully back. Casting their eyes over twelve months, four festivals, and countless hours of chthonic kino encounters, the boys sat down to boil the broth of 2023; setting out to identify their top 10 films of the year. Listen on Spotify: https://open.spotify.com/show/6hdAjXtGPpeQTCcuJ3KNmH?si=Ud_f__90TOSa28tzYPA5GQ Listen on Apple: https://podcasts.apple.com/gb/podcast/muub-tube/id1515030490 Watch on Youtube: https://www.youtube.com/@returntoformpod 00:00:00 Intro 00:05:18 Honourable mention: Trenque Lauquen (Laura Citarella) 00:11:11 Honourable mention: Reality (Tina Satter) 00:11:58 Honorable mention: How To Have Sex (Molly Manning Walker) 00:15:17 Totem (Laura Aviles) 00:17:47 Showing Up (Kelly Reichardt) 00:21:59 Allensworth (James Benning) 00:23:46 The Sweet East (Sean Price Williams) 00:25:50 In Water / mul-an-e-seo (Hong Sang-soo) 00:28:10 May December (Todd Haynes) 00:29:48 Inside the Yellow Cocoon Shell (Phạm Thiên Ân) 00:32:43 One Fine Morning (Mia Hansen Love) 00:35:28 Afire (Christian Petzold) 00:41:49 Samsara (Lois Patiño) 00:43:42 Passages (Ira Sachs) 00:48:09 The Zone of Interest (Jonathan Glazer) 00:50:23 The Daughters of Fire (Pedro Costa) 00:51:53 Close Your Eyes (Victor Erice) 00:55:45 Do Not Expect Too Much of the End of the World (Radu Jude) 00:59:48 Honourable mention: Rotting in the Sun (Sebastian Silva) 01:00:45 The official RTF Top 5

Die Viennale ist in vollem Gange und Lucas ist für uns vor Ort. In der ersten Folge vom Festival spricht er Patrick Holzapfel über das literarische und filmkritische Schreiben und diese Filme: - "About Dry Grasses" von Nuri Bilge Ceylan - "In Our Day" von Hong Sang-soo - "Clorindo Testa" von Mariano Llinás - "Eureka" von Lisandro Alonso - "Menus plaisirs - Les Troisgros" von Frederik Wiseman - "Do Not Expect Too Much from the End of the World" von Radu Jude

Averaging one Hong Sang-soo every six hours for two days, as well as spending six hours with Steven Spielberg in two films.

Cannes-i gonzó podcastsorozatunk utolsó utáni része csütörtök délután indul, amikor Quentin Tarantino társaságában töltöttünk el több mint három órát: először vele együtt néztük meg (természetesen 35mm-es kópiáról) az egyik kedvenc filmjét (Rolling Thunder, 1977), majd végighallgattuk a vele folytatott másfél órás beszélgetést, utána pedig megbeszéltük egymás közt, hogy milyen volt ez az esemény. Pénteken délelőtt a legelső cannes-i adásban megismert Buda Flóra Anna csodálatos kisfilmjét, a 27-et tekintettük meg a második legnagyobb cannes-i moziban, és rögtön a vetítés után már dugtuk is a mikrofont a fiatal rendező orra alá, hogy megtudjuk, milyen élmény volt számára. Az adás egy adag hardcore cinefilkedéssel zárul: Hong Sang-soo két nagy rajongója talál egymásra. Jó szórakozást hozzá, és ha tetszik az adás, kérlek ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠támogasd a Filmklub podcastot a Patreonon⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, ahol beállíthatod, hogy havonta hány dollárt szeretnél erre szánni. Nagyon köszi előre is! A borítóképet Varga Emma rajzolta.

Another year has wrapped production, and the production assistants are here to clean up! Just in time for the 2023 Oscars, Ben, Wilson, and Eli mop up the mess left by superheroes and conductors, stop motion shells and Na'vi, interdimensional travelers and cannibals, mourners and partiers. By breaking down the year's big trends–– directors fictionalizing their autobiographies, Marvel sinking slowly, rich filmmakers attempting to pillory wealth inequality–– the Deep Cut trio gets a handle on what made 2022 so weird. The boys get personal, too, talking about the movies and moments from last year that shaped who they are as moviegoers and friends. Finally, each co-host's coveted top 3 films of the year are revealed… Dunk on the Oscars with us in our Discord server. Keep up with Deep Cut on Instagram, Facebook, and Letterboxd. Movies discussed on this episode: Aftersun (dir. Charlotte Wells) Ambulance (dir. Michael Bay) Armageddon Time (dir. James Gray) Autobiography (dir. Makbul Mubarak) Avatar the Way of Water (dir. James Cameron) Babylon (dir. Damien Chazelle) Banshees of Inisherin (dir. Martin McDonagh) Bardo, False Chronicles of a Handful of Truths (dir. Alejandro González Iñárritu) The Batman (dir. Matt Reeves) Benediction (dir. Terrence Davies) Black Panther: Wakanda Forever (dir. Ryan Coogler) Bones and All (dir. Luca Guadagnino) Broker (dir. Kore-eda Hirokazu) - Listen to our Kore-eda episode here. The Cathedral (dir. Ricky D'Ambrose) A Couple (dir. Frederick Wiseman) - Find our episode on this here, and our interview with Wiseman here! Crimes of the Future (dir. David Cronenberg) Decision to Leave (dir. Park Chan-wook) Deep Water (dir. Adrian Lyne) Everything Everywhere All At Once (dir. Daniel Kwan & Daniel Scheinert, a.k.a. The Daniels) The Fabelmans (dir. Steven Spielberg) Fire Island (dir. Andrew Ahn) - Find our episode on this here. Girl Picture (dir. Alli Haapasalo) Glass Onion: A Knives Out Mystery (dir. Rian Johnson) Hit the Road (dir. Panah Panahi) Il Buco (dir. Michelangelo Frammartino) Joyland (dir. Saim Sadiq) Leila's Brothers (dir. Saeed Roustayi) Low Tide: A Newly Restored Work by Thomas Wright (dir. George Matthews) Marcel the Shell with Shoes On (dir. Dean Fleischer Camp) Memoria (dir. Apichatpong Weerasethakul) The Menu (dir. Mark Mylod) No Bears (dir. Jafar Panahi) Nope (dir. Jordan Peele) The Northman (dir. Robert Eggers) The Novelist's Film (dir. Hong Sang-soo) Guillermo del Toro's Pinocchio (dir. Guillermo del Toro & Mark Gustafson) Ponniyan Selvan Part 1 (dir. Mani Ratnam) - Find our episode on this here. Return to Sender (dir. Russell Goldman) - Watch Russell's short here! Return to Seoul (dir. Davy Chau) RRR (dir. S. S. Rajamouli) - Our extended coverage on this forthcoming! Small, Slow But Steady (dir. Sho Miyake) Tár (dir. Todd Field) Teenage Emotions (dir. Frédérick Da) The Territory (dir. Alex Pritz) To My Nineteen-Year-Old Self (dir. Mabel Cheung & William Kwok Wai-Lun) Top Gun Maverick (dir. Joseph Kosinski) Trenque Lauquen (dir. Laura Citarella) Triangle of Sadness (dir. Ruben Östland) Under the Fig Trees (dir. Erige Sehiri) The Whale (dir. Darren Aronofsky) When the Waves Are Gone (dir. Lav Diaz) White Noise (dir. Noah Baumbach) The Worst Person in the World (dir. Joachim Trier) 2022 TV Mentions: Better Call Saul (created by Vince Gilligan & Peter Gould) Irma Vep (created by Olivier Assayas) The Rehearsal (created by Nathan Fielder)

The boys are at the bottom of the Berlinale barrel, and their wallets, and despite a strict diet of doner kebabs they're still struggling to find something meaty in the programme. This time joined by George MacBeth they pore over the last morsels and reflect on the festivals offerings. Reviewed: Berlinale intro 0:00:00 Afire/Roter Himmel (Christian Petzold) 0:00:35 Music (Angela Schanelec) 0:15:08 Allensworth (James Benning) 0:23:32 Home Invasion (Graeme Arnfield) 0:37:04 Beasts in the Jungle (Patrick Chiha) 0:40:34 Samsara (Lois Patiño) 0:41:38 She Came To Me (Rebecca Miller) 0:44:43 Infinity Pool (Brandon Cronenberg) 0:48:27 In Water/mul-an-e-seo (Hong Sang-soo) 0:56:16 Berlinale outro 1:06:30

Bookwaves/Artwaves is produced and hosted by Richard Wolinsky. Links to assorted local theater & book venues   Artwaves Wil Haygood, author of Colorization: One Hundred Years of Black Films in a White World, in conversation with host Richard Wolinsky. Colorization looks at the history of Hollywood from the perspective of the African American community, from protests over the showing of the racist silent film, “Birth of a Nation,” to the first great Black director, Oscar Micheaux, through the forties and the rise of black actors such as Sidney Poitier, Harry Belafonte and Dorothy Dandridge, to so-called Blaxploitation films and up to the present, all the while putting the films in context of the larger society and race in America. In the interview, he discusses the origins of the book, the careers of some of the Black pioneers in Hollywood film, and the way television and streaming has changed the race equation in our culture. Wil Haygood is a journalist who spent several years with the Washington Post before writing a series of biographies. He is also known for an essay in the Post which became the source for the successful film, Lee Daniels' The Butler. Complete 42-minute interview.   Bookwaves Second of two parts: Dennis Lim, film critic and Artistic Director of the New York Film Festival and author of “Tale of Cinema,” an examination of the work of South Korean film-maker Hong Sang-soo, in conversation with host Richard Wolinsky. A retrospective of the works of Hong Sang-soo, selected by Dennis Lim runs February 3 -18 at BAMPFA in Berkeley. Dennis Lim was previously the the director of programming of the Film Society of Lincoln Center. Before that he was film editor at the Village Voice, and has taught at Harvard University and NYU. His first book, David Lynch: The Man from Another Place, was published in 2015. This second part of the interview focuses on Dennis Lim's own career, his view of movies today, and a brief discussion about the work of David Lynch. Complete Interview.   Review of “In Every Generation” at TheatreWorks Mountain View Center for the Performing Arts through February 12, 2023.   Book Interview/Events and Theatre Links Note: Shows may unexpectedly close early or be postponed due to actors' positive COVID tests. Check the venue for closures, ticket refunds, and vaccination and mask requirements before arrival. Dates are in-theater performances unless otherwise noted. All times Pacific Standard Time. Book Stores Bay Area Book Festival  Highlights from last year's Festival, May 7-8, 2022 and upcoming calendar. Book Passage.  Monthly Calendar. Mix of on-line and in-store events. Books Inc.  Mix of on-line and in-store events. The Booksmith.   Monthly Calendar. On-line events only. Center for Literary Arts, San Jose. See website for Book Club guests in upcoming months. Hanif Abudurraqib, February 23, 7 pm. Kepler's Books  On-line Refresh the Page program listings. Live Theater Companies Actor's Reading Collective (ARC).  See website for past streams. Alter Theatre. Pueblo Revolt by Dillon Chitto, February 2-12, ARC (Arts Research Center, UC Berkeley); February 15-26, Art Works Downtown, San Rafael. American Conservatory Theatre  The Headlandsl by Christopher Chen, Toni Rembe Theater.February 9 – March 5. Aurora Theatre Paradise Blue by Dominique Morisseau, Opens January 27, 2023, streaming February 21-26. Awesome Theatre Company. Check website for upcoming live shows and streaming. Berkeley Rep Clydes, by Lynn Nottage, January 20 – February 28, Peets Theatre. Boxcar Theatre. See website for events. Brava Theatre Center: See website for events. BroadwaySF: Dear Evan Hanson, January 24 – February 19, Orpheum; Mean Girls, January 31 – February 26, Golden Gate. Bill Maher, live on stage, March 12, 2023. Broadway San Jose: Bluey's Big Play by Joe Brumm, February 3 -5, 2023. California Shakespeare Theatre (Cal Shakes). 2023 Season to be announced. Center Rep: Red Bike, by Carldad Svich, directed by Jeffrey Lo. February  4 – 25, 2023. Central Works Mondragola by Gary Graves, March 18 – April 16, 2023. Cinnabar Theatre. Daddy Long Legs,  streaming January 27-29. The Broadway Bash fund-raiser, February 25, Doubletree Rohnert Park. Contra Costa Civic Theatre To Master the Art by William Brown and Doug Frew, April 21 – May 21, 2023. Curran Theater: Into The Woods, direct from Broadway, June 20-25, 2023. Custom Made Theatre. Tiny Fires by Aimee Suzara, February 3 – 36, 2023. 42nd Street Moon. Anything Goes, February 23 – March 12, Gateway Theatre. Golden Thread  See website for upcoming productions. Landmark Musical Theater. See website for upcoming shows. Lorraine Hansberry Theatre. Next show to be announced. Magic Theatre. The Travelers by Luis Alfaro, February 15 – March 5, 2023. See website for other theatre events at the Magic. Marin Theatre Company Justice: A New Musical by Lauren Gunderson, February 16 – March 12, 2023. Mission Cultural Center for Latino Arts Upcoming Events Page. New Conservatory Theatre Center (NCTC) Getting There, Jan. 20 – Feb. 26. Tick, Tick … Boom postponed. Oakland Theater Project.  Exodus to Eden by Michael Socrates Moran, in theater, February 3-26, 2023. Pear Theater. In Repertory, Frankenstein by Mary Shelley, a new physical adaptation, Dontrell Who Kissed The Sea by Nathan Alan Davis, February 3-26. 2023. PianoFight. Calendar of shows. Note: PianoFight in San Francisco and Oakland permanently closes on March 18, 2023. PlayGround. See website for upcoming shows. Presidio Theatre. See website for upcoming productions Ray of Light: Spring Awakening In Concert, June 8-10, Victoria Theatre. Cruel Intentions: The '90s Musical, September 8 – October 1, Victoria Theatre. The Rocky Horror Show, Oasis Nightclub, October 6  – 31. See website for Spotlight Cabaret Series at Feinstein's at the Nikko. San Francisco Playhouse.  Cashed Out by Claude Jackson, Jr., January 28 to February 25, 2023. SFBATCO See website for upcoming streaming and in- theater shows. San Jose Stage Company: Satchmo at the Waldorf by Terry Teachout, February 1 – 2, 2023. Shotgun Players. Natasha, Pierre & the Great Comet of 1812 by Dave Malloy. Extended to February 25, 2023. Siren by Lisa Villamil, staged reading, on demand through February 15, 2023. South Bay Musical Theatre: The Spitfire Grill, January 28-February 18, 2023. The Breath Project. Streaming archive. The Marsh: Calendar listings for Berkeley, San Francisco and Marshstream. Theatre Rhino  A Guide for the Homesick by Ken Urban, February 23 – March 19. Streaming: Essential Services Project, conceived and performed by John Fisher, all weekly performances now available on demand. Free staged reading: Apologies to Lorraine Hansberry (You Too August Wilson) by Rachel Lynett, February 7, 7 pm. TheatreWorks Silicon Valley. In Every Generation, by Ali Viterbi, January 18 – February 12, Mountain View Center for the Arts. Word for Word.  See schedule for  live and streaming works. Misc. Listings: BAM/PFA: On View calendar for BAM/PFA. Berkeley Symphony: See website for listings. Chamber Music San Francisco: Calendar, 2023 Season, starting February. Dance Mission Theatre. On stage events calendar. Oregon Shakespeare Festival: Calendar listings and upcoming shows. San Francisco Opera. Calendar listings. San Francisco Symphony. Calendar listings. Playbill List of Streaming Theatre: Updated weekly, this is probably the best list you'll find of national and international streaming plays and musicals. Each week has its own webpage, so scroll down. National Theatrical Streaming: Upcoming plays from around the country. Filmed Live Musicals: Searchable database of all filmed live musicals, podcast, blog. If you'd like to add your bookstore or theater venue to this list, please write Richard@kpfa.org             The post Bookwaves/Artwaves – February 2, 2023: Wil Haygood – Dennis Lim appeared first on KPFA.

Dennis Lim, film critic and Artistic Director of the New York Film Festival and author of “Tale of Cinema,” an examination of the work of South Korean film-maker Hong Sang-soo, in conversation with host Richard Wolinsky. Dennis Lim was previously the the director of programming of the Film Society of Lincoln Center. Before that he was film editor at the Village Voice, and has taught at Harvard University and NYU. His first book, David Lynch: The Man from Another Place, was published in 2015. His new book, Tale of Cinema about the South Korean director Hong Sangsoo, focuses on all of Hong's work through the lens of the 2005 film of the same name. Berkeley Art Museum Pacific Film Archive, BAMPFA is having a retrospective of seven of Hong Sangsoo's films from February 3rd through February 18th, including Tale of Cinema on opening night. Most of Hong's films are available for rental through Apple and Amazon streaming, and ten can be found on the free library app, Kanopy, including two from the BAM/PFA retrospective. Photos courtesy Berkeley Art Museum Pacific Film Archive (BAMPFA) The post Dennis Lim: “Tale of Cinema,” the films of Hong Sangsoo appeared first on KPFA.

Bookwaves/Artwaves is produced and hosted by Richard Wolinsky. Links to assorted local theater & book venues   Artwaves A scene from the film “Tale of Cinema.” Dennis Lim, film critic and Artistic Director of the New York Film Festival and author of “Tale of Cinema,” an examination of the work of South Korean film-maker Hong Sang-soo, in conversation with host Richard Wolinsky. Dennis Lim was previously the the director of programming of the Film Society of Lincoln Center. Before that he was film editor at the Village Voice, and has taught at Harvard University and NYU. His first book, David Lynch: The Man from Another Place, was published in 2015. His new book, Tale of Cinema about the South Korean director Hong Sangsoo, focuses on all of Hong's work through the lens of the 2005 film of the same name. Berkeley Art Museum Pacific Film Archive, BAMPFA is having a retrospective of seven of Hong Sangsoo's films from February 3rd through February 18th, including Tale of Cinema on opening night. Most of Hong's films are available for rental through Apple and Amazon streaming, and ten can be found on the free library app, Kanopy, including two from the BAM/PFA retrospective. Complete Interview Photos courtesy Berkeley Art Museum Pacific Film Archive (BAMPFA)   Bookwaves Russell Banks (1940-2023), who died on January 7, 2023, in conversation with Richard A. Lupoff and Richard Wolinsky, recorded in the KPFA studios on June 7, 2000 while on tour for his short story collection, The Angel on the Roof. Russell Banks, who died on January 7th, 2023 at the age of 82 was a master of long and short form fiction. In a career that began in 1975 and continued to his death, there were 14 novels, six collections of short stories, two volumes of poetry, and three works of non-fiction. Among his novels were Affliction and The Sweet Hereafter, both of which became critically acclaimed films, plus Continental Drift and Cloudsplitter. His most recent novel, The Magic Kingdom, was published in 2022. The interview was digitized, remastered and edited in January 2023 and hasn't been aired in over twenty years. Russell Banks Wikipedia page   Book Interview/Events and Theatre Links Note: Shows may unexpectedly close early or be postponed due to actors' positive COVID tests. Check the venue for closures, ticket refunds, and vaccination and mask requirements before arrival. Dates are in-theater performances unless otherwise noted. All times Pacific Standard Time. Book Stores Bay Area Book Festival  Highlights from this year's Festival, May 7-8, 2022 and upcoming calendar. Book Passage.  Monthly Calendar. Mix of on-line and in-store events. Books Inc.  Mix of on-line and in-store events. The Booksmith.   Monthly Calendar. On-line events only. Center for Literary Arts, San Jose. See website for Book Club guests in upcoming months. Kepler's Books  On-line Refresh the Page program listings. Live Theater Companies Actor's Reading Collective (ARC).  See website for past streams. Alter Theatre. Pueblo Revolt by Dillon Chitto, February 2-12, ARC (Arts Research Center, UC Berkeley); February 15-26, Art Works Downtown, San Rafael. American Conservatory Theatre  The Headlandsl February 9 – March 5 by Christopher Chen, Toni Rembe Theater. Aurora Theatre Paradise Blue by Dominique Morisseau, Opens January 27, 2023, streaming February 21-26. Awesome Theatre Company. Check website for upcoming live shows and streaming. Berkeley Rep Clydes, by Lynn Nottage, January 20 – February 28, Peets Theatre. Boxcar Theatre. See website for events. Brava Theatre Center: See website for events. BroadwaySF: Dear Evan Hanson, January 24 – February 19, Orpheum; Mean Girls, January 31 – February 26, Golden Gate. Bill Maher, live on stage, March 12, 2023. Broadway San Jose: Bluey's Big Play by Joe Brumm, February 3 -5, 2023. California Shakespeare Theatre (Cal Shakes). 2023 Season to be announced. Center Rep: Red Bike, by Carldad Svich, directed by Jeffrey Lo. February  4 – 25, 2023. Central Works Mondragola by Gary Graves, March 18 – April 16, 2023. Cinnabar Theatre. Daddy Long Legs,  streaming January 27-29. The Broadway Bash fund-raiser, February 25, Doubletree Rohnert Park. Contra Costa Civic Theatre To Master the Art by William Brown and Doug Frew, April 21 – May 21, 2023. Curran Theater: Into The Woods, direct from Broadway, June 20-25, 2023. Custom Made Theatre. Tiny Fires by Aimee Suzara, February 3 – 36, 2023. 42nd Street Moon. Anything Goes, February 23 – March 12, Gateway Theatre. Golden Thread  See website for upcoming productions. Landmark Musical Theater. See website for upcoming shows. Lorraine Hansberry Theatre. Next show to be announced. Magic Theatre. The Travelers by Luis Alfaro, February 15 – March 5, 2023. See website for other theatre events at the Magic. Marin Theatre Company Justice: A New Musical by Lauren Gunderson, February 16 – March 12, 2023. Mission Cultural Center for Latino Arts Upcoming Events Page. New Conservatory Theatre Center (NCTC) Getting There, Jan. 20 – Feb. 26. Tick, Tick … Boom March 3 – April 1, 2023. Oakland Theater Project.  Exodus to Eden by Michael Socrates Moran, in theater, February 3-26, 2023. Pear Theater. In Repertory, Frankenstein by Mary Shelley, a new physical adaptation, Dontrell Who Kissed The Sea by Nathan Alan Davis, February 3-26. 2023. PianoFight. Calendar of shows. Note: PianoFight in San Francisco and Oakland permanently closes on March 18, 2023. PlayGround. See website for upcoming shows. Presidio Theatre. See website for upcoming productions Ray of Light: See website for upcoming productions. San Francisco Playhouse.  Cashed Out by Claude Jackson, Jr., January 28 to February 25, 2023. SFBATCO See website for upcoming streaming and in- theater shows. San Jose Stage Company: Satchmo at the Waldorf by Terry Teachout, February 1 – 2, 2023. Shotgun Players. Natasha, Pierre & the Great Comet of 1812 by Dave Malloy. Extended to February 25, 2023. South Bay Musical Theatre: The Spitfire Grill, January 28-February 18, 2023. The Breath Project. Streaming archive. The Marsh: Calendar listings for Berkeley, San Francisco and Marshstream. Theatre Rhino  A Guide for the Homesick by Ken Urban, February 23 – March 19. Streaming: Essential Services Project, conceived and performed by John Fisher, all weekly performances now available on demand. Free staged reading: Apologies to Lorraine Hansberry (You Too August Wilson) by Rachel Lynett, February 7, 7 pm. TheatreWorks Silicon Valley. In Every Generation, by Ali Viterbi, January 18 – February 12, Mountain View Center for the Arts. Word for Word.  See schedule for  live and streaming works. Misc. Listings: BAM/PFA: On View calendar for BAM/PFA. Berkeley Symphony: See website for listings. Chamber Music San Francisco: Calendar, 2023 Season, starting February. Dance Mission Theatre. On stage events calendar. Oregon Shakespeare Festival: Calendar listings and upcoming shows. San Francisco Opera. Calendar listings. San Francisco Symphony. Calendar listings. Playbill List of Streaming Theatre: Updated weekly, this is probably the best list you'll find of national and international streaming plays and musicals. Each week has its own webpage, so scroll down. National Theatrical Streaming: Upcoming plays from around the country. Filmed Live Musicals: Searchable database of all filmed live musicals, podcast, blog. If you'd like to add your bookstore or theater venue to this list, please write Richard@kpfa.org             The post Bookwaves/Artwaves – January 26, 2023: Dennis Lim – Russell Banks appeared first on KPFA.

Korea24 – 2022.11.11 (Friday) News Briefing: President Yoon Suk Yeol is in Cambodia for his first tour of Southeast Asia, where he will be attending various ASEAN-led summits and then the G20 summit in Indonesia. (Koo Hee-jin) In-Depth News Analysis (Weekly Economy Review): The US midterm elections took place on Tuesday, and while the final outcome has yet to be declared, it is closely being watched in South Korea for the impact it could have on US economic policies, particularly the Inflation Reduction Act, which is set to negatively impact Korean carmakers. Troy Stangarone, Senior Director and Fellow at the Korea Economic Institute (KEI) joins us on the line to discuss the implications. Korea Trending with Walter Lee: 1. A story of a quick thinking nurse who saved a man’s life as she was about to leave work has been attracting attention online. (택시 문 열자마자 직감했다…심정지 승객 살린 '퇴근길 천사') 2. South Korean slugger Choi Ji-man is heading to the Pittsburgh Pirates after spending 4 years with the Tampa Bay Rays. (최지만, PIT 유니폼 입는다…박효준·배지환과 한솥밥) 3. Hybe have announced that RM from the K-pop group BTS, will release his first official solo album, “Indigo,” on December 2. (방탄소년단 RM, 12월 2일 솔로 앨범 '인디고' 발매) Movie Spotlight: The latest release from the Marvel Cinematic Universe, “Black Panther: Wakanda Forever” hit cinemas in Korea this week. Critics Jason Bechervaise and Marc Raymond join us in the studio to give their verdict on the superhero blockbuster. They also review “Walk Up”, the 28th feature from the prolific auteur Hong Sang-soo. Next Week From Seoul with Richard Larkin: - The South Korean government will begin administering Pfizer's BA.4 and BA.5 bivalent COVID-19 vaccines to people aged 18 and older from Monday. - This year’s college scholastic ability test, also known as Suneung, will take place on Thursday. - South Korea’s largest gaming convention, G-star, is back for the first time in three years from Thursday.

If Isabelle Huppert is not your favorite actor, she's the favorite actor of someone you know. Guaranteed. There's something about her that is unlike any other actor that has ever been on film. But it's really hard to talk about what that “something” is. In each performance, in every film she's made, she has such a command of the character, the text, the frame, that we place her in equal authorship with the directors she's worked with, who happen to be some of most interesting and important in the last half-century—Jean Luc-Godard, Michael Haneke, Claude Chabrol, Michael Cimino, Claire Denis, Joachim Trier, Mia Hansen-Løve, Hong Sang-soo, to name a few. She always found a way to play complex, multi-dimensional, often morally questionable characters, even in a time when the female variety were in short supply. In this woefully short episode, she talks about some of the important, yet somewhat mysterious, aspects of her approach to the craft—curiosity, collaborating with the director, the present moment, listening to the language of the camera, and much more.  A retrospective of 29 of Isabelle Huppert's best films begins Friday October 7th at Film Forum in New York City.  Follow Back To One on Instagram Back To One is the in-depth, no-nonsense, actors-on-acting podcast from Filmmaker Magazine. In each episode, host Peter Rinaldi invites one working actor to do a deep dive into their unique process, psychology, and approach to the craft. No small talk, no celebrity stories, no inane banter—just the work.

This week on Truth & Movies we're worrying ourselves with the state of film discourse and Olivia Wilde's Don't Worry Darling, as well as Hong Sang-soo's latest In Front Of Your Face, and elsewhere in our film club we're looking back at John Cassavetes A Woman Under the Influence. Joining our host Leila Latif this week are Little White Lies editor at large Adam Woodward and freelance journalist Sophie Monks Kaufman. Truth & Movies is the podcast from the film experts at Little White Lies, where along with selected colleagues and friends, they discuss the latest movie releases. Truth & Movies has all your film needs covered, reviewing the latest releases big and small, keeping you across important industry news, and reassessing great films from days gone by with the Truth & Movies Film Club.Email: truthandmovies@tcolondon.comTwitter and Instagram: @LWLiesProduced by Little Dot Studios Hosted on Acast. See acast.com/privacy for more information.

Night and Day (2008) / Moffie (2019) This week the summer breeze has us feeling so fine as we get drunk and confused in Paris with Hong Sang-soo and find a sliver of humanity in a South African barracks with Oliver Hermanus

In this final episode of the season, the team speaks with Ben Balcom, a local filmmaker, assistant professor at the University of Wisconsin—Milwaukee, and the co-founder and co-programmer of Microlights Cinema. The show kicks off with Lindsay, David, and Elisabeth reflecting on formative artistic influences that allowed them to see new possibilities within the mediums of film, music, and dance. Ben joins the crew around 10:30.  Since 2013, Ben has been presenting experimental films in Milwaukee through Microlights Cinema, and has recently started hosting screenings again after pausing during the pandemic. In the conversation, Ben reflects on early pivotal exposures to experimental film, including a Stan Brackidge work. The material made him understand for the first time that as a filmmaker, a film could mean “what you insist it means,” and a metaphorical light went on for him.   As a musician in his early life, Ben found a creative home in filmmaking upon realizing that many of his interests could be simultaneously served and explored through making films—where art, music, literature, and performance all come together. He discusses how creative practices, including filmmaking, might be impeded by approaching with a sense of expertise rather than an openness to explore, and willingness to “make material work.” As an instructor, he presses his students to consider working with mistakes and asks them what would it mean to make “failed” material work?   Throughout the conversation, Ben shares his thoughts about Milwaukee as a destination for the whole spectrum of filmmaking—from commercial to experimental. He laments a scarcity of funding opportunities for artists in the city, and the need for artists to commodify their practices as a means of survival. He sees the future of film production in Milwaukee flowing from the artists themselves. Rather than aiming for flashy outside production partners like Netflix, Ben feels that artists should have the freedom to pursue their projects authentically—and that if they are better supported to realize their visions independently, their work has the potential to generate powerful interest from the ground up.   Follow http://microlightscinema.org/ (Microlights) on Instagram at https://www.instagram.com/microlights_cinema/ (microlights_cinema)  https://www.instagram.com/dani.and.joe/ (Dani & Jo)  https://en.wikipedia.org/wiki/Wong_Kar-wai (Wong Kar-wai)  https://en.wikipedia.org/wiki/John_Cassavetes (John Cassavettes)  https://en.wikipedia.org/wiki/Terrence_Malick (Terry Malick)  https://www.google.com/search?q=josh+weissback+filmmaker&rlz=1C1GCEA_enUS993US993&sxsrf=ALiCzsYuV8JyuP1LDRa2eYEXfmvVsYpenA:1658803683288&source=lnms&tbm=isch&sa=X&ved=2ahUKEwjIla2ixZX5AhVkPH0KHfFJBNwQ_AUoAnoECAIQBA&biw=1536&bih=722&dpr=1.25#imgrc=d-PwqqVLMakSqM (Josh Weissbach)   https://www.hampshire.edu/academics/faculty/abraham-ravett (Abraham Ravett)  https://en.wikipedia.org/wiki/Stan_Brakhage (Stan Brackidge)  https://www.hampshire.edu/ (Hampshire College)  https://uwm.edu/arts/film/graduate/ (UWM Milwaukee Film)   https://film-makerscoop.com/filmmakers/diane-kitchen (Diane Kitchen)  https://www.stephaniebarber.com/ (Stephanie Barber)  https://www.imdb.com/name/nm1222207/ (Bill Behrens)  https://poorfarmexperiment.org/ (The Poor Farm Experiment)  https://www.thisismilwaukee.us/xavleplae (Xav Laplae)  https://gemitchell.com/ (Grace Mitchell)  https://largeprint.bandcamp.com/ (Large Print)  https://en.wikipedia.org/wiki/Mad_God (“Mad God” by Phil Tippet)  https://en.wikipedia.org/wiki/Hong_Sang-soo (Hong San-soo)  https://www.criterionchannel.com/ornette-made-in-america (Ornette Coleman) ...

Kyung Hyun Kim talks about the Netflix series Squid Game, its economic and political contexts, and its cultural potential. He also talks about his new book, Hegemonic Mimicry, out from Duke University Press. Prof. Kyung Hyun Kim is a creative writer, a scholar, and a film producer, who is currently a professor in the Department of East Asian Studies, UC Irvine. He has worked with internationally renowned directors such as Hong Sang-soo, Lee Chang-dong and Marty Scorsese, and also with American film producers Jason Blum and Steven Schneider. Prof. Kim is author of Virtual Hallyu: Korean Cinema of the Global Era, The Remasculinization of Korean Cinema, Hegemonic Mimicry: Korean Popular Culture of 21st Century, all of them published by Duke University Press, and a Korean-language novel entitled In Search of Lost G (Ireo beorin G-reul chajaso, 2014) about a Korean mother combing through the US in search of her missing son during his junior year in a Massachusetts prep school. He has coproduced and co-scripted two award-winning feature films Never Forever (2007, Sundance Film Festival's U.S. Main Competition) and The Housemaid (2010, Cannes Film Festival Main Competition). He has recently written The Mask Debate, his first theatre screenplay, which premiered in February 2021 through UCI's Illuminations: Chancellor's Initiative in Arts and Drama YouTube channel. Image: © 2021 Saronik Bosu Music used in promotional material: ‘Horizon Mine' by krackatoa Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Kyung Hyun Kim talks about the Netflix series Squid Game, its economic and political contexts, and its cultural potential. He also talks about his new book, Hegemonic Mimicry, out from Duke University Press. Prof. Kyung Hyun Kim is a creative writer, a scholar, and a film producer, who is currently a professor in the Department of East Asian Studies, UC Irvine. He has worked with internationally renowned directors such as Hong Sang-soo, Lee Chang-dong and Marty Scorsese, and also with American film producers Jason Blum and Steven Schneider. Prof. Kim is author of Virtual Hallyu: Korean Cinema of the Global Era, The Remasculinization of Korean Cinema, Hegemonic Mimicry: Korean Popular Culture of 21st Century, all of them published by Duke University Press, and a Korean-language novel entitled In Search of Lost G (Ireo beorin G-reul chajaso, 2014) about a Korean mother combing through the US in search of her missing son during his junior year in a Massachusetts prep school. He has coproduced and co-scripted two award-winning feature films Never Forever (2007, Sundance Film Festival's U.S. Main Competition) and The Housemaid (2010, Cannes Film Festival Main Competition). He has recently written The Mask Debate, his first theatre screenplay, which premiered in February 2021 through UCI's Illuminations: Chancellor's Initiative in Arts and Drama YouTube channel. Image: © 2021 Saronik Bosu Music used in promotional material: ‘Horizon Mine' by krackatoa Learn more about your ad choices. Visit megaphone.fm/adchoices

Kyung Hyun Kim talks about the Netflix series Squid Game, its economic and political contexts, and its cultural potential. He also talks about his new book, Hegemonic Mimicry, out from Duke University Press. Prof. Kyung Hyun Kim is a creative writer, a scholar, and a film producer, who is currently a professor in the Department of East Asian Studies, UC Irvine. He has worked with internationally renowned directors such as Hong Sang-soo, Lee Chang-dong and Marty Scorsese, and also with American film producers Jason Blum and Steven Schneider. Prof. Kim is author of Virtual Hallyu: Korean Cinema of the Global Era, The Remasculinization of Korean Cinema, Hegemonic Mimicry: Korean Popular Culture of 21st Century, all of them published by Duke University Press, and a Korean-language novel entitled In Search of Lost G (Ireo beorin G-reul chajaso, 2014) about a Korean mother combing through the US in search of her missing son during his junior year in a Massachusetts prep school. He has coproduced and co-scripted two award-winning feature films Never Forever (2007, Sundance Film Festival's U.S. Main Competition) and The Housemaid (2010, Cannes Film Festival Main Competition). He has recently written The Mask Debate, his first theatre screenplay, which premiered in February 2021 through UCI's Illuminations: Chancellor's Initiative in Arts and Drama YouTube channel. Image: © 2021 Saronik Bosu Music used in promotional material: ‘Horizon Mine' by krackatoa Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/film

Kyung Hyun Kim talks about the Netflix series Squid Game, its economic and political contexts, and its cultural potential. He also talks about his new book, Hegemonic Mimicry, out from Duke University Press. Prof. Kyung Hyun Kim is a creative writer, a scholar, and a film producer, who is currently a professor in the Department of East Asian Studies, UC Irvine. He has worked with internationally renowned directors such as Hong Sang-soo, Lee Chang-dong and Marty Scorsese, and also with American film producers Jason Blum and Steven Schneider. Prof. Kim is author of Virtual Hallyu: Korean Cinema of the Global Era, The Remasculinization of Korean Cinema, Hegemonic Mimicry: Korean Popular Culture of 21st Century, all of them published by Duke University Press, and a Korean-language novel entitled In Search of Lost G (Ireo beorin G-reul chajaso, 2014) about a Korean mother combing through the US in search of her missing son during his junior year in a Massachusetts prep school. He has coproduced and co-scripted two award-winning feature films Never Forever (2007, Sundance Film Festival's U.S. Main Competition) and The Housemaid (2010, Cannes Film Festival Main Competition). He has recently written The Mask Debate, his first theatre screenplay, which premiered in February 2021 through UCI's Illuminations: Chancellor's Initiative in Arts and Drama YouTube channel. Image: © 2021 Saronik Bosu Music used in promotional material: ‘Horizon Mine' by krackatoa Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/korean-studies

Friend of the show Paris Marx is back to talk about the phenomenon of SpaceX propaganda on our beloved streaming platforms. Return to Space, directed by Jimmy Chin and Elizabeth Chai Vasarhelyi, chronicles the quest of SpaceX to privatize space travel by sending two dads to the International Space Station. ReComradations:Evan: watching Hong Sang-soo movies, and notably Nobody's Daughter Haewon (2013)Paris: Night Raiders, dir. Danis Goulet (2021) Listen to Tech Won't Save Us! Rate + review the show on the podcatcher of your choice! Join the Kino Lefter DiscordJoin the Kino Lefter Facebook group "Kino Lefter VIP Cinema Experience"Get access to Primo Lefter, our weekly bonus show on our Patreon for just $3 per month. 

“Your face then, it was like a blessing… that film engraved itself in my heart.” On this episode, we discuss the new film from Korean director Hong Sang-soo, called IN FRONT OF YOUR FACE. The wonderful film critic Matt Lucas joins the show to talk about the film and how it fits in to Hong Sang-soo's filmography. Links Made in Arkansas film festival Facebook pageKaleidoscope LGBTQ+ film festival websiteKaleidoscope LGBTQ+ film festival Facebook pageMatt Lucas on TwitterMatt's writing at FromTheFrontRow.netMatt's writing at In Review Online Connect with Arthouse Garage Support us on Patreon Arthouse Garage shop Instagram Facebook Twitter Letterboxd Email us at Andrew@ArthouseGarage.com Subscribe to the email newsletter: arthousegarage.com/subscribe Try Opopop popcorn! Get 10% off your first order Theme music by Apauling Productions

“Your face then, it was like a blessing… that film engraved itself in my heart.” On this episode, we discuss the new film from Korean director Hong Sang-soo, called IN FRONT OF YOUR FACE. The wonderful film critic Matt Lucas joins the show to talk about the film and how it fits in to Hong Sang-soo's filmography. Links Made in Arkansas film festival Facebook pageKaleidoscope LGBTQ+ film festival websiteKaleidoscope LGBTQ+ film festival Facebook pageMatt Lucas on TwitterMatt's writing at FromTheFrontRow.netMatt's writing at In Review Online Connect with Arthouse Garage Support us on Patreon Arthouse Garage shop Instagram Facebook Twitter Letterboxd Email us at Andrew@ArthouseGarage.com Subscribe to the email newsletter: arthousegarage.com/subscribe Try Opopop popcorn! Get 10% off your first order Theme music by Apauling Productions

A married woman visits three friends in the city, and we are inspired to consider what is the nature of happiness for women in a “man’s world.” An undesirable side-effect of watching lots of Hollywood movies is that we become used to films that try for big, splashy effects—blockbusters and self-important message films, full of noise and drama. We're not used to smaller scale modest efforts; we have trouble noticing subtlety and nuance. The films of Korean director Hong Sang-soo tend to fly under the mainstream radar. But there's hidden treasure here. His latest picture is called The Woman Who Ran. We meet Gam-hee, a married woman played by the warmly expressive Kim Min-hee. Since she got married, she's never spent a day apart from her husband, but now he's on a business trip, and she travels to Seoul to visit some old friends. Her friend Young-soon is divorced, living in an apartment complex with a roommate. They have a garden and some chickens, and Young-soon is mostly content with her life. The dinner conversation ranges widely, from the trials of getting older to philosophical subjects. At one point, the roommate describes how the rooster they have jumps on the backs of hens, pecking at them mercilessly, just to show, according to her, that he's important. This small detail is part of a larger pattern in which women acknowledge men and relationships as problematic. Gam-hee then stays with another friend in town, a Pilates instructor still trying to find her vocation in life. Their conversation is a bit more guarded, but also revealing. The friend is having an affair with a married man, a fact that emphasizes her tenuous self-image. Then, by chance, Gam-hee runs into the wife of an artist that she herself used to be with. Although the possibility of regret is in the air, the two are able to talk about their situations as grown-ups, and when the husband shows up, it's not really a surprise to find that he's kind of a clueless and self-centered guy. Hong is a master of the “ordinary.” He can take the merest wisp of a story and create a gentle naturalistic slice-of-life movie like this. His editing flow and relaxed narrative rhythm are as comfortable as a well-worn pair of sandals, and I think this opens up the possibility for viewers of insight into the characters in particular, and questions about happiness in general. What does it mean for each woman? And how is it affected by living in what we are used to calling a “man's world”? The title, The Woman Who Ran, refers apparently to someone mentioned in one of the conversations, a minor character, whom we never see, and whose actions pose a question that is never answered. Then again, I think it points obliquely to Gam-hee herself, who escapes temporarily from the security of married life to learn about herself by checking in with friends from her past. 28 feature films in 25 years. That's the astonishingly prolific career of Hong Sang-soo. He writes and directs movie like Stephen King writes books, although in all other respects their work is very different. Hong can do this because he doesn't try to please anyone but himself with his low-key, intelligent, personal dramas about people interacting with one another in ordinary settings. The relationships of men and women are always one of the subjects, painted in shades of uncertainty. The Woman Who Ran is one of his more inspired artistic efforts, direct and simple, yet thought-provoking. For Hong, and for those who enjoy his movies, less is definitely more.

Vivimos un fin de semana de cine en el más amplio sentido de la palabra desde uno de los enclaves cinematográficos con más historia de Madrid, el Cine Doré, donde se rinde un cariñoso homenaje a José Luís López Vázquez en el centenario de su nacimiento. Compartimos mesa con Joaquín Casanovas, comisario de la exposición ‘Del escenario a la pantalla. Los diseños de José Luis López Vázquez’ que se puede ver en la filmoteca española, con José Luís López Vázquez Maguerus, su hijo, quien nos muestra a través de un documental Las Mil caras del talento de este gran actor. Con él hablamos del padre y también del actor. No podía faltar Julieta Serrano, amiga y compañera de reparto en Mi Querida Señorita, la película que dejó boquiabierta a la España de 1972 y se ganó a la de 1973 en Holywood. Y en un punto importante de la mesa David Linares, artífice de que La cabina telefónica más famosa de España, la de Antonio mercero cuente con una réplica en Arapiles esquina con la plaza Conde Valle Súchil. No pueden faltar los estrenos de la semana, Malnazidos es el estreno español, acción, aventuras y mucha fantasía. Para hablarnos de la película nos visitan sus directores Javier Ruiz Caldera y Alberto de Toro junto a uno de los protagonistas, Miki Esparvé. Nos detenemos en tres de las películas más destacadas: Cyrano, una adaptación musical del clásico Cyrano de Bergerac, de Edmond Rostand. Dirigida por Joe Wright. Introduction el último trabajo Hong Sang-soo que llega a las salas y La peor persona del mundo con dos nominaciones a los Oscar, al mejor guión original y a la mejor película internacional que ya podemos ver. Escuchar audio