Podcast appearances and mentions of Emma Kennedy

The Tory press and pundits reacted as rationally as you'd expect to the new UK-EU deal, accusing Starmer of sneaking back into the EU, betraying the British taxpayer, and all their favourite themes. But exactly what are they saying and how much of it is legit? Plus, with the potential abolition of the Department for Culture, Media, and Sport, we ask why governments can't see the positives of culture? And in the Extra Bit for subscribers, it's 20 years since The Thick of It hit our screens. Politically, does it still hold up? Today's special guest is Emma Kennedy, writer and host of our sibling science and psychology podcast Why? – new series out now! • Get tickets for Oh God, What Now? Live at 21 Soho, London, with special guest Marcus Brigstocke. • Don't miss our fascinating new series Crime Scene. Latest episode: Who killed the Essex Boys? www.patreon.com/ohgodwhatnow Presented by Dorian Lynskey, Rafael Behr and Zoë Grünewald. Producer: Chris Jones. Audio. Production by Robin Leeburn. Music by Cornershop. Group Editor: Andrew Harrison. Managing Editor: Jacob Jarvis. OH GOD, WHAT NOW? is a Podmasters production. Learn more about your ad choices. Visit podcastchoices.com/adchoices

Climbing the walls in the holiday podcast drought? We're tiding you over with some episodes you might have missed from the giant Podmasters universe. Today, a fascinating edition of our science and psychology podcast, Why? with Emma Kennedy. On this episode… The allure of evil. Lots of us are obsessed with true crime documentaries and podcasts and can't get enough gruesome details of horrific murder, torture and kidnapping. It's all pretty horrible – so why are we drawn to it? Does ‘evil' really exist? And if so, what does it look like? Writer, journalist and broadcaster Emma Kennedy talks to forensic psychiatrist Dr Sohom Das and the UK's top expert on serial killers, criminologist Professor David Wilson to uncover why we are so obsessed with evil. • Blow your mind with the current season of Why? on your favourite podcast app. • Buy Dr Das' book In Two Minds: Shocking true stories of murder, justice and recovery from a forensic psychiatrist and Professor Wilson's My Life with Murderers: Behind Bars with the World's Most Violent Men through our affiliate bookshop and you'll help fund our pods by earning us a small commission for every sale. Bookshop.org's fees help support independent bookshops too. WHY? is presented by Emma Kennedy. Produced by Eliza Davis Beard. Audio production and theme music by Jade Bailey. Managing editor: Jacob Jarvis. Group editor: Andrew Harrison. Artwork by James Parrett. Additional music is from Artlist.io. WHY? is a Podmasters Production. Learn more about your ad choices. Visit podcastchoices.com/adchoices

• Get 20% off a year's Patreon support in our Black Friday sale. Why not ask for it for Christmas? • Get your tickets to our live show at the Comedy Store on Tue 10 Dec here! Keir Starmer's global adventures have grabbed headlines – and while some think he should spend more time at home, others say he's doing what he needs to do to revive the UK's international image. Our panel wades into the debate.  Plus, is local media dead and buried or can upstarts revive it? Jim Waterson was the Media Editor for The Guardian before setting up London Centric, a “modern outlet for London”. Can you have a healthy national media without strong local roots?  And in the Extra Bit for Subscribers, Trump 2.0 is the sequel nobody wanted. We discuss sequels that were actually good to distract our minds from the story unfolding in the US. We're on YouTube!: https://www.youtube.com/@ohgodwhatnow   www.patreon.com/ohgodwhatnow • Don't miss Series 2 of our science and psychology podcast, Why? with Emma Kennedy –listen here. Presented by Ros Taylor with Seth Thévoz and Rafael Behr. Producer: Chris Jones. Audio production by Robin Leeburn. Video Production: Chris Jones and Jamie Heffernan. Managing Editor: Jacob Jarvis. Group Editor: Andrew Harrison. OH GOD, WHAT NOW? is a Podmasters production. Learn more about your ad choices. Visit podcastchoices.com/adchoices

Get your tickets to our 10th December live show at the Comedy Store here! Trump has started to appoint his evil minions to his cabinet – and we take a breath to look at Badenoch's new gang back home too. Andy Kroll, investigative reporter for ProPublica and author of A Death on W Street: The Murder of Seth Rich and the Age of Conspiracy, joins the panel to talk through the US side of things, and Dorian, Jonn and Zoe get into the UK news. And, in the Extra Bit for Subscribers, how do you deal with the emotional impact of losing an election? (PS. We recorded this on Wednesday afternoon at 4.30pm, so we were just before the Matt Gaetz news...)  We're on YouTube!: https://www.youtube.com/@ohgodwhatnow  And, we're on BlueSky now too. Follow here: https://bsky.app/profile/ohgodwhatnow.bsky.social  This episode is sponsored by Proton Pass, to find out more visit http://proton.me/pass/ohgodwhatnow www.patreon.com/ohgodwhatnow • Don't miss Series 2 of our science and psychology podcast, Why? with Emma Kennedy - listen here. Presented by Dorian Lynskey with Zoë Grünewald and Jonn Elledge. Producer: Chris Jones. Audio production by: Robin Leeburn. Group Editor: Andrew Harrison. Managing Editor: Jacob Jarvis. OH GOD, WHAT NOW? is a Podmasters production. Learn more about your ad choices. Visit podcastchoices.com/adchoices

How did the food we eat get so political? Are men really refusing to eat strawberries because they're too ‘girly'? From avocados to artisan coffee – our taste in food can reveal more than we might realise. Today on The Bunker, Emma Kennedy sits down with Pen Vogler, author of Stuffed: A Political History of What We Eat and Why It Matters, to explore how class, innovation, and tradition have linked politics to the food we eat. Don't miss the latest season of Why? with Emma Kennedy. Out now, wherever you get your podcasts.  Buy Stuffed: A Political History of What We Eat and Why It Matters [link -  https://uk.bookshop.org/a/13277/9780691230337] through our affiliate bookshop and you'll help fund The Bunker by earning us a small commission for every sale. Bookshop.org's fees help support independent bookshops too. We are sponsored by Indeed. Go to Indeed.com/bunker for £100 sponsored credit.   www.patreon.com/bunkercast  Written and presented by Emma Kennedy. Producer: Liam Tait and Chris Jones. Audio editors: Tom Taylor. Managing editor: Jacob Jarvis. Music by Kenny Dickinson. Group Editor: Andrew Harrison. THE BUNKER is a Podmasters Production. Instagram | Twitter Learn more about your ad choices. Visit podcastchoices.com/adchoices

• Get your tickets to our 10th December live show at the Comedy Store here! It's happened, Trump has retaken the White House. How did the orange felon who's also racist win the election and what might he do now? Andrew Rudalevige is a professor of government at Bowdoin College and joins the panel to confront it all. Plus, in the run-up to Remembrance Day, we dig up the strange evolution of poppy mania. And in the Extra Bit for subscribers, the panel ventures out of their comfort zones to get stuck into a bit of culture that they otherwise wouldn't touch with a barge pole. We're on YouTube!: https://www.youtube.com/@ohgodwhatnow   www.patreon.com/ohgodwhatnow • Don't miss Series 2 of our science and psychology podcast, Why? with Emma  Kennedy - listen here. Presented by Andrew Harrison with Ros Taylor and Jonn Elledge. Producer: Chris Jones. Audio production by: Robin Leeburn. Group Editor: Andrew Harrison. Managing Editor: Jacob Jarvis. OH GOD, WHAT NOW? is a Podmasters production. Learn more about your ad choices. Visit podcastchoices.com/adchoices

Get your tickets to our 10th December live show at the Comedy Store here! On the eve of the US election, nobody is quite sure how Donald Trump still has a chance of becoming president. But should the orange man lose, how does the Republican Party recover from his reign? Home Front podcast host and Republican campaign veteran. Reed Galen, has been a vehement anti-Trumper for years and joins the panel to get into it all. And back home, Kemi Badenoch is at the helm of the Tory party - what does that mean for the future of the centre-right? And what can we learn from what Trump has done to the GOP? We're on YouTube!: https://www.youtube.com/@ohgodwhatnow   www.patreon.com/ohgodwhatnow • Don't miss Series 2 of our science and psychology podcast, Why? with Emma  Kennedy - listen here. Presented by Jacob Jarvis with Zoe Grunewald and Rafael Behr. Producer: Chris Jones. Audio production by: Robin Leeburn. Group Editor: Andrew Harrison. Managing Editor: Jacob Jarvis. OH GOD, WHAT NOW? is a Podmasters production. Learn more about your ad choices. Visit podcastchoices.com/adchoices

Go here to get tickets for Oh God, What Now? live at the Comedy Store on Tue 10 Dec – now with special guest John Crace of The Guardian.  Big tax rises, big ambition. Labour's first budget since regaining power, from Britain's first-ever female chancellor, is rocking the nation. Beyond frantic headlines in the Tory press, what's Rachel Reeves up to? Former chief economist at the Cabinet Office Jonathan Portes joins us to explain. Plus, anger is an energy – is angertainment the real force shaping the world right now? And will Trump win the White House because of it? And in the Extra Bit for supporters: as fares go up by a quid will we witness Mutiny On The Buses?  We're on YouTube!: https://www.youtube.com/@ohgodwhatnow    Support us on Patreon. Don't miss Series 2 of our science and psychology podcast, Why? with Emma Kennedy – listen here.  Presented by Andrew Harrison with Hannah Fearn and Seth Thévoz. Producer: Chris Jones. Audio production by: Jade Bailey. Group Editor: Andrew Harrison. Managing Editor: Jacob Jarvis. OH GOD, WHAT NOW? is a Podmasters production  Learn more about your ad choices. Visit podcastchoices.com/adchoices

• Go here to get tickets for Oh God, What Now? live at the Comedy Store on Tue 10 Dec. Labour's first budget since regaining power is an opportunity to get back on the front foot and silence its critics on the right. What could Rachel Reeves introduce in this budget, how key is a focus on the NHS going to be, and, importantly, WHO THE HELL does the bins at Buckingham Palace?! Plus, the vote for the Assisted Dying Bill is about 5 weeks away. Some MPs feel there hasn't been enough time to debate it properly. Wes Streeting won't back it, nor will Justice Sec Shabana Mahmood. Will Parliament fumble one of the most important decisions it could have to make? Guardian Columnist Polly Toynbee joins the panel to get stuck into all of that. We're on YouTube!: https://www.youtube.com/@ohgodwhatnow   www.patreon.com/ohgodwhatnow • Don't miss Series 2 of our science and psychology podcast, Why? with Emma  Kennedy – listen here. Presented by Ros Taylor with Zoë Grünewald and Rachel Cunliffe. Producer: Chris Jones. Audio production by: Simon Williams. Group Editor: Andrew Harrison. Managing Editor: Jacob Jarvis. OH GOD, WHAT NOW? is a Podmasters production. Learn more about your ad choices. Visit podcastchoices.com/adchoices

In today's episode of the Lead Well podcast, I'm excited to be joined by Emma Kennedy, the founder and CEO of Grafter, a company transforming the way we work. Founded in 2021, Grafter offers high-end office solutions that include private offices, co-working spaces, and meeting rooms in Ireland and the UK. In this episode, we dive deep into Emma's entrepreneurial journey, exploring how she launched and scaled Grafter amidst the challenges of a pandemic and her vision for the future of flexible workspaces. We'll talk about the essential elements of leadership and adaptability, her unique approach to balancing business growth with personal demands, and how Grafter is setting new standards in creating a true “home away from home” experience for its members. Whether you're interested in the future of work, entrepreneurship, or leadership insights, this episode is packed with valuable takeaways. To learn more about Emma and the team at Grafter visit https://www.grafterhouse.com/

• Go here to get tickets for Oh God, What Now? live at the Comedy Store on Tue 10 Dec. Starmer's still under media pressure over the Swiftgate/freebie scandal, he just can't shake it off… (I'll get my coat). Should Labour give up on getting a fair crack from Britain's media – and how much are the problems the party's own fault? Broadcaster and ex-Sky News political editor Adam Boulton joins us to talk about Labour vs the media and the seismic changes engulfing the news business. Plus in the Extra Bit for backers, Wes Streeting asked the public for ideas to improve the NHS and got suggestions like beer on tap to improve “patient morale”. Is it ever worth asking the public for ideas?   We're on YouTube!: https://www.youtube.com/@ohgodwhatnow    www.patreon.com/ohgodwhatnow Don't miss Series 2 of our science and psychology podcast, Why? with Emma  Kennedy – listen here. Presented by Ros Taylor with Ava Santina and Rafael Behr. Producer: Chris Jones. Audio production by: Robin Leeburn. Group Editor: Andrew Harrison. Managing Editor: Jacob Jarvis. OH GOD, WHAT NOW? is a Podmasters production. Learn more about your ad choices. Visit podcastchoices.com/adchoices

Try the new science and psychology podcast Why? – from the producers of This Is Not A Drill. Why? is the podcast for curious minds. Every Thursday, presenter Emma Kennedy talks to experts and theorists to discover the science and psychology of why we are the way we are. In the first episode: Why do people join cults? Emma Kennedy talks to world-leading cult deprogrammer Rick Alan Ross and NXIVM cult survivor Sarah Edmondson to discover the strange allure of the cult mindset. Go here to hear the complete episode. Follow on your favourite podcast app so you never miss an episode. WHY? is presented by Emma Kennedy. Produced by Eliza Davis Beard. Audio production and theme music by Jade Bailey. Managing editor: Jacob Jarvis. Group Editor: Andrew Harrison. Artwork by James Parrett. Additional music is from Artlist.io. WHY? is a Podmasters Production.  Learn more about your ad choices. Visit podcastchoices.com/adchoices

A bonus clip from the new series of science and psychology podcast, Why? – from the makers of Oh God, What Now? In Episode One: Most of us think we're too smart, stable and strong-willed to join a cult – but clearly somebody's joining them. So why do people willingly give up their free will and independence to join secretive communities with charismatic leaders – and how do they get out? Emma Kennedy talks to world-leading cult deprogrammer Rick Alan Ross and NXIVM cult survivor Sarah Edmondson to discover the strange allure of the cult mindset.  Go here to hear the complete episode.  Why? with Emma Kennedy is the podcast for curious minds, from the makers of Oh God, What Now? Every Thursday, Emma delves into the science and psychology of why we are the way we are. She talks leading experts and some of science's brightest minds to answer the big questions you never knew how to ask. Follow on your favourite podcast app so you never miss an episode.  WHY? is presented by Emma Kennedy. Produced by Eliza Davis Beard. Audio production and theme music by Jade Bailey. Managing editor: Jacob Jarvis. Group Editor: Andrew Harrison. Artwork by James Parrett. Additional music is from Artlist.io. WHY? is a Podmasters Production.   Learn more about your ad choices. Visit podcastchoices.com/adchoices

A bonus excerpt from the new series of our science and psychology podcast, Why? In Episode One: Most of us think we're too smart, stable and strong-willed to join a cult – but clearly somebody's joining them. So why do people willingly give up their free will and independence to join secretive communities with charismatic leaders – and how do they get out? Emma Kennedy talks to world-leading cult deprogrammer Rick Alan Ross and NXIVM cult survivor Sarah Edmondson to discover the strange allure of the cult mindset. Go here to hear the complete episode. Why? with Emma Kennedy is the podcast for curious minds, from the makers of The Bunker. Every Thursday, Emma delves into the science and psychology of why we are the way we are. She talks leading experts and some of science's brightest minds to answer the big questions you never knew how to ask. Follow on your favourite podcast app so you never miss an episode. WHY? is presented by Emma Kennedy. Produced by Eliza Davis Beard. Audio production and theme music by Jade Bailey. Managing editor: Jacob Jarvis. Group Editor: Andrew Harrison. Artwork by James Parrett. Additional music is from Artlist.io. WHY? is a Podmasters Production.  Learn more about your ad choices. Visit podcastchoices.com/adchoices

Try the new science and psychology podcast Why? –  from the makers of Paper Cuts. Why? is the podcast for curious minds. Every Thursday, presenter Emma Kennedy talks to experts and theorists to discover the science and psychology of why we are the way we are.  In the first episode: Why do people join cults? And how do they get out? Emma Kennedy talks to world-leading cult deprogrammer Rick Alan Ross and NXIVM cult survivor Sarah Edmondson to discover the strange allure of the cult mindset. Go here to hear the complete episode.  Follow on your favourite podcast app so you never miss an episode.  WHY? is presented by Emma Kennedy. Produced by Eliza Davis Beard. Audio production and theme music by Jade Bailey. Managing editor: Jacob Jarvis. Group Editor: Andrew Harrison. Artwork by James Parrett. Additional music is from Artlist.io. WHY? is a Podmasters Production.   Learn more about your ad choices. Visit podcastchoices.com/adchoices

Try the new science and psychology podcast Why? –  from the makers of American Friction. Why? is the podcast for curious minds. Every Thursday, presenter Emma Kennedy talks to experts and theorists to discover the science and psychology of why we are the way we are.  In the first episode: Why do people join cults? And how do they get out? Emma Kennedy talks to world-leading cult deprogrammer Rick Alan Ross and NXIVM cult survivor Sarah Edmondson to discover the strange allure of the cult mindset. Go here to hear the complete episode.  Follow on your favourite podcast app so you never miss an episode. WHY? is presented by Emma Kennedy. Produced by Eliza Davis Beard. Audio production and theme music by Jade Bailey. Managing editor: Jacob Jarvis. Group Editor: Andrew Harrison. Artwork by James Parrett. Additional music is from Artlist.io. WHY? is a Podmasters Production.   Learn more about your ad choices. Visit podcastchoices.com/adchoices

Most of us think we're too smart, stable and strong-willed to join a religious cult, or to cut ourselves off from our families to join a group devoted to a charismatic leader. But clearly somebody's joining them. So why do people willingly give up their free will and independence to join cults? Do they realise what they're getting themselves into? And how do they get out? Emma Kennedy is joined by world-leading cult deprogrammer Rick Alan Ross and NXIVM cult survivor Sarah Edmondson to explore the strange allure of the cult mindset.    Buy Sarah Edmondson's book Scarred: The True Story of How I Escaped NXIVM, the Cult That Bound My Life through our affiliate bookshop and you'll help fund WHY? by earning us a small commission for every sale. Bookshop.org's fees help support independent bookshops too.    You can watch Sarah's fantastic Ted Talk here. WHY? is presented by Emma Kennedy. Produced by Eliza Davis Beard. Audio production and theme music by Jade Bailey. Managing editor: Jacob Jarvis. Group Editor: Andrew Harrison. Artwork by James Parrett. Additional music is from Artlist.io. WHY? is a Podmasters Production.     Instagram | Twitter | Threads Learn more about your ad choices. Visit podcastchoices.com/adchoices

This special A Friend of Mine episode is a live roving interview from the 2024 Elmore Field Days - a significant agricultural event teeming with innovation and community spirit. Over three days, tens of thousands of visitors are expected through the gates to explore more than 700 exhibitors. At times you will hear the sounds of our surroundings whether it's the chatter of visitors, machinery or perhaps the odd PA announcement. I feel like these sounds make you feel like you're standing right there with us having a quick catch up.Through these conversations, this episode showcases the resilience and innovation within the agricultural community, inspiring listeners to appreciate the stories behind the products we consume.First, we meet Emma Kennedy, who shares the story of how she and her husband launched Kennedy Food Produce amidst the challenges of a drought. Emma's venture into popcorn production not only provided an alternative income stream but also offered an educational experience about the origins of food. Her passion for connecting people to the source of their food is evident as she describes the joy of seeing customers' surprise when they realise popcorn can be freshly made from a cob. Emma's narrative is one of resilience and creativity, showcasing how adversity can lead to innovative solutions.The episode then shifts focus to the shearing industry, where Kimberley talks with Alice McKay, a young shearer who has traveled the world honing her craft. Alice's journey from a farm in Drummartin, Victoria, to shearing sheds in England and New Zealand highlights the increasing role of women in this traditionally male-dominated field. Her experiences reflect a broader trend of female empowerment in agriculture, inspiring future generations to follow their passions. Alice discusses the physical demands of shearing and the determination required to succeed, emphasising the supportive community that has helped her thrive. Through Alice's story, listeners gain insight into the evolving landscape of the shearing profession and the opportunities it presents for women.Takeaways:Emma and her husband started Kennedy Farm Produce in 2018 as a way to diversify their income during a challenging drought period.The Kennedy's unique popcorn product involves cooking the whole corn cob in a brown paper bag in the microwave, providing a healthier snack option.Emma emphasises the importance of educating people about where their food comes from, offering an educational angle to her product.Alice's journey into shearing highlights a growing trend of female participation in the traditionally male-dominated field.Alice has used her shearing career to travel internationally, including working in England and New Zealand, showcasing the opportunities shearing provides.The Elmore Field Days event offers a vibrant community atmosphere where small businesses can showcase their products and network with others.ABOUT OAK MAGAZINEThis episode was hosted by Kimberley Furness, founder + editor of OAK Magazine. We are a proudly independent media publisher dedicated to sharing stories and amplifying voices of female change makers and women in business in regional and rural Australia. OAK is an award winning community ecosystem of print, digital, audio and events. We have demonstrated outstanding quality, innovation and impact through our print magazine, podcasts and audio version of OAK Magazine. OAK is where you will find in-depth chats and courageous conversations with women in business from regional and rural Australia.This podcast uses the following third-party services for analysis: Chartable -...

We read the papers so you don't have to. Today: Out of the frying pan. The Papers can't decide how they feel about Starmer's big speech but the tabloids love his one gaffe. Don't call it a comeback. The Sun reveals that Philip Schofiled is returning to primetime TV but does anyone want him? Oh yes, wait a minute Mr. Postman. The Telegraph investigates the mysterious poison pen letters hounding a remote Yorkshire village.  Miranda Sawyer is joined by author Emma Kennedy and comedian Chantal Feduchin-Pate. Come and see us LIVE at the Cheerful Earful podcast festival on 12 Oct. Tickets here! Support Paper Cuts and get mugs, t-shirts, extended ad-free editions and access to our live stream on the 26th of September: back.papercutsshow.com Follow Paper Cuts: • Twitter: https://twitter.com/papercutsshow • Instagram: https://www.instagram.com/papercutsshow • TikTok: https://www.tiktok.com/@papercutsshow • Threads: https://www.threads.net/@papercutsshow Illustrations by Modern Toss https://moderntoss.com  Written and presented by Miranda Sawyer. Audio production: Simon Williams. Production. Liam Tait. Design: James Parrett. Music: Simon Williams. Socials: Kieron Leslie. Managing Editor: Jacob Jarvis. Exec Producer: Martin Bojtos. Group Editor: Andrew Harrison. PAPER CUTS is a Podmasters Production Podmasters.co.uk Learn more about your ad choices. Visit podcastchoices.com/adchoices

The Guilty Feminist Redux: Food with Sofie Hagen and Emma KennedyPresented by Sofie Hagen and Deborah Frances-White with special guest Emma KennedyRecorded 20 January 2016 at RADA Studios. First released 25 January 2016.The Guilty Feminist theme composed by Mark Hodge. More about Deborah Frances-Whitehttps://deborahfrances-white.comhttps://twitter.com/DeborahFWhttps://www.virago.co.uk/the-guilty-feminist-bookMore about Sofie Hagenhttps://www.instagram.com/sofiehagendkhttps://www.sofiehagen.comMore about Emma Kennedyhttps://www.threads.net/@emmak67https://www.emmakennedy.co.ukFor more information about this and other episodes…visit https://www.guiltyfeminist.comtweet us https://www.twitter.com/guiltfempodlike our Facebook page https://www.facebook.com/guiltyfeministcheck out our Instagram https://www.instagram.com/theguiltyfeministor join our mailing list http://www.eepurl.com/bRfSPTOur new podcasts are out nowMedia Storm https://podfollow.com/media-stormAbsolute Power https://podfollow.com/john-bercows-absolute-powerCome to a live recording:London Podcast Festival, 8 September: https://shop.kingsplace.co.uk/30640/30641Thank you to our amazing Patreon supporters.To support the podcast yourself, go to https://www.patreon.com/guiltyfeminist You can also get an ad-free version of the podcast via Apple Podcasts or Acast+ https://plus.acast.com/s/guiltyfeminist. Hosted on Acast. See acast.com/privacy for more information.

The Olympics are in full-swing – but news of medals and victory are often overshadowed by controversies linked to contestants and politics. We've seen this already this year – but has the Olympics always been so political? Emma Kennedy sits down with David Goldblatt, author of The Games: A Global History of the Olympics.   We are sponsored by Indeed. Go to Indeed.com/bunker for £100 sponsored credit.   www.patreon.com/bunkercast   Written and presented by Emma Kennedy. Produced by Eliza Davis Beard. Audio production by Tom Taylor. Managing Editor Jacob Jarvis. Group Editor Andrew Harrison. Art by James Parrett. Music by Kenny Dickinson. THE BUNKER is a Podmasters Production   www.podmasters.co.uk Learn more about your ad choices. Visit podcastchoices.com/adchoices

From Terminators and Cylons to the War Droids from Star Wars, military robots are staples of science fiction. But they're already here in the real world too. The US, China and Russia are all investing efforts into military machines – but they won't be the gun-toting humanoids we see onscreen. Would taking human fighters off the battlefield increase the peace? Or should we be gravely concerned about this new era of international war?   Today on Why?, Emma Kennedy speaks to Kelsey Atherton, an award-winning military-tech journalist and Chief Editor of the International Policy Journal.     • “Militaries are deeply invested in the idea that things flow from the top.... The more autonomy you give a machine the harder it is to put in command and control.” - Kelsey Atherton  • “If a robot makes an error, it's on the person who programmed it… these weapons are brought to battle with errors built in.” - Kelsey Atherton    WHY? is written and presented by Emma Kennedy. Produced by Anne Marie Luff and Eliza Davis Beard. Audio production by Jade Bailey. Managing editor: Jacob Jarvis. Group Editor: Andrew Harrison. Artwork by James Parrett. Music by DJ Food. WHY? is a Podmasters Production.    Instagram | Twitter  Learn more about your ad choices. Visit podcastchoices.com/adchoices

Your dog is really clever, right? You understand one another. Every pet owner thinks this. But can our pets really communicate with us beyond the basic demands for food, walks and play? How is its mind constructed? What's going on inside that furry head? Dr Juliane Kaminski, Associate Professor in Comparative Psychology and director of the Dog Cognition Centre at the University of Portsmouth, tells Emma Kennedy how we're only just beginning to understand how dogs see and understand the world they're living in.  • “Dogs have a huge motivation to look into our eyes, to maintain eye contact, which is not a trivial thing, because in the wild, a wolf would perceive this as a threat.”- Dr Juliane Kaminski • “We've created a creature that understands us in ways that no other animal does. Dogs are really good at making sense of our communication.” - Dr Juliane Kaminski WHY? is written and presented by Emma Kennedy. Produced by Eliza Davis Beard. Audio production by Jade Bailey. Managing editor: Jacob Jarvis. Group Editor: Andrew Harrison. Artwork by James Parrett. Music by DJ Food. WHY? is a Podmasters Production. Instagram | Twitter Learn more about your ad choices. Visit podcastchoices.com/adchoices

Without warning a 7.6 magnitude earthquake shook Japan on New Year's Day, raising the sea floor above the water and causing devastating damage and death. Even with all humanity's deep scientific knowledge and discoveries, we still cannot predict when an earthquake will strike. Why is that? What mysteries do the earth's tectonic plates hold, and are we getting closer to solving them? Professor Tim Wright tells Emma Kennedy how scientists are working to relieve the seismic strain on the earth's mantle – and new discoveries about the shifting world beneath our feet. Every Monday and Thursday WHY? takes you on a wild adventure to the edge of knowledge. Follow on your favourite app so you never miss an episode. WHY? is written and presented by Emma Kennedy. Audio production by Jade Bailey. Artwork by James Parrett. Music by DJ Food. Exec Producer: Jacob Jarvis. Lead Producer: Anne-Marie Luff. Group Editor: Andrew Harrison.  WHY? is a Podmasters Production. Instagram | Twitter Learn more about your ad choices. Visit podcastchoices.com/adchoices

If you've ever watched Jurassic Park, you've probably wondered how you'd fare against a dinosaur. If these prehistoric beasts did exist alongside us, would we really stand a chance?  Today on Why? Dr. David Hone separates dinosaur fact from fiction with Emma Kennedy, including the secrets held in dino-dandruff. Every Monday and Thursday WHY? takes you on a wild adventure to the edge of knowledge. Follow us on your favourite app so you never miss an episode. WHY? is written and presented by Emma Kennedy. Audio production by Jade Bailey. Artwork by James Parrett. Music by DJ Food. Exec Producer: Jacob Jarvis. Lead Producer: Anne-Marie Luff. Group Editor: Andrew Harrison.  WHY? is a Podmasters Production. Instagram | Twitter Learn more about your ad choices. Visit podcastchoices.com/adchoices

Every CSI fan knows that forensic analysis is crucial to criminal investigations. But it's not just microscopic blood spatter or clothing fibres that can help nail a perpetrator. Botanical forensics – identifying how long a fungus has grown on a dead body, or which species of pollen a victim has inhaled – can blow a case wide open too. We're stepping into True Crime territory today as Professor David Gibson, author of Planting Clues, shares gruesome details of incredible real life criminal cases where forensic botany has nailed the killer. Buy Planting Clues through our affiliate bookshop and you'll help fund WHY? by earning us a small commission for every sale. Bookshop.org's fees help support independent bookshops too. Every Monday and Thursday WHY? takes you on a wild adventure to the edge of knowledge. Follow on your favourite app so you never miss an episode. WHY? is written and presented by Emma Kennedy. Audio production by Jade Bailey. Artwork by James Parrett. Music by DJ Food. Exec Producer: Jacob Jarvis. Lead Producer: Anne-Marie Luff. Group Editor: Andrew Harrison. WHY? is a Podmasters Production. Instagram | Twitter Learn more about your ad choices. Visit podcastchoices.com/adchoices

Does your cat meow in Geordie? Does your dog have a Yorkshire accent? Is “animal linguistics” a thing? Incredibly, it is – and the science of animal “voices” is revealing a wealth of information about how wild and domestic creatures think and communicate.  Elodie Floriane Mandel-Briefer, Associate Professor of Animal Behaviour at the University of Copenhagen joins Emma Kennedy to explain the unique and startling world of animal linguistics… plus how dolphins give each other names… how we're on the verge of translating what starlings sing about… and which accents Emma's dogs have. Every Monday and Thursday WHY? takes you on an adventure to the edge of knowledge, asking the questions that puzzle and perplex us, from the inner workings of the universe to the far reaches of our dreams. Follow us on your favourite app so you never miss an episode. WHY? is written and presented by Emma Kennedy. Audio production by Jade Bailey. Artwork by James Parrett. Music by DJ Food. Exec Producer: Jacob Jarvis. Lead Producer: Anne-Marie Luff. Group Editor: Andrew Harrison. WHY? is a Podmasters Production. Instagram | Twitter Learn more about your ad choices. Visit podcastchoices.com/adchoices

Artificial Intelligence already controls complex systems that humans depend on, from keeping thousands of planes safe in the sky to autocorrect saving our blushes when we mis-spell ‘Wednesday'. But are we in danger of handing AI too much control? Could machine learning outgrow its human masters? Researchers recently had to turn off two AI chatbots when they invented their own language that humans couldn't decipher – and that won't be the last time AI runs ahead of us. Can we really trust Artificial Intelligence to look after us and not destroy us? Writer and futurologist  Alexandra Whittington explains it all to Emma Kennedy. Every Monday and Thursday WHY? takes you on an adventure to the edge of knowledge. Follow on your favourite app so you never miss an episode. WHY? is written and presented by Emma Kennedy. Audio production by Jade Bailey. Artwork by James Parrett. Music by DJ Food. Exec Producer: Jacob Jarvis. Lead Producer: Anne-Marie Luff. Group Editor: Andrew Harrison. WHY? is a Podmasters Production. Instagram | Twitter Learn more about your ad choices. Visit megaphone.fm/adchoices

In The Heat Seat this week, Emma Kennedy gets fired up!Emma is a Patron of the mighty Menopause Mandate campaign and aims to raise awareness on a number of female health topics, including the menopause and also mental health. Emma discusses her complicated relationship with her own mother, her horrific experience during a routine gynae procedure, and being taken to hospital in an ambulance with heart concerns that turned out to be the peri-menopause.Follow us on Instagram @menopausemandateIn partnership with Let's all Talk Menopause Hosted on Acast. See acast.com/privacy for more information.

Memory is critical to human function. We simply can't do anything without it. Yet most of us have memories of events that never occurred. How can that be? Where do these false memories come from and what do they mean? Psychologist Dr Sarita Robinson walks Emma Kennedy down the avenues of the mind to find answers to this strange and disturbing phenomenon. If we can't trust our own memory, can we trust ourselves? Guest: Dr Sarita Robinson Every Monday and Thursday WHY? takes you on an adventure to the edge of knowledge, asking the questions that puzzle and perplex us, from the inner workings of the universe to the far reaches of our dreams. Follow on your favourite app so you never miss an edition. WHY? is written and presented by Emma Kennedy. Audio production by Jade Bailey. Artwork by James Parrett. Music by DJ Food. Exec Producer: Jacob Jarvis. Lead Producer: Anne-Marie Luff. Group Editor: Andrew Harrison. WHY? is a Podmasters Production. Instagram | Twitter | Tiktok Learn more about your ad choices. Visit megaphone.fm/adchoices

From the team that gave birth to Menopause Mandate, The Heat Seat focuses on the female health stories of a collection of powerful women!The Heat Seat brings together the patrons, experts and ambassadors behind the fantastic campaign that is Menopause Mandate.From menstruation, fertility and menopause the podcast explores how women, such as Mariella Frostrup, Lisa Snowden and Emma Kennedy dealt with the lows that life has thrown, gained their female health knowledge, and found the path to the influential roles they're now in. Hosted on Acast. See acast.com/privacy for more information.

Bestselling author, screenwriter and TV presenter Emma Kennedy joins Dr Louise Newson in this episode to talk candidly about her menopause experience. Emma describes how she thought she had got through her menopause when terrifying heart palpitations and anxiety struck. After always being fearful of HRT due to a strong family history of breast cancer, a careful and detailed discussion with a GP around the risks and benefits led to her starting a low dose of hormones. ‘It's the first time I've ever cried in front of a doctor,' she says. ‘Ever, ever. I felt that terrible. [But] Just that tiny amount of estrogen and the heart palpitations stopped in 48 hours and they haven't come back. It's like a miracle.' Dr Louise and Emma talk about the importance of a personalised discussion between a doctor and a patient to assess whether and what type of HRT may be the right choice. Emma also talks about the lifestyle changes she has made to reduce breast cancer risk and help control menopausal symptoms. Emma, who wrote the bestselling The Tent, The Bucket and Me, also talks about her frustration with the pain and discomfort women are often expected to put up with during routine procedures. She gives a stirring call to action for the speculum – the device used in many intimate procedures – to be, at the very least, radically improved. For more about Emma visit her website and you can follow her on Instagram @emma67 or Threads @emmak67.  

Part 1 of My Christmas Time Capsule from 2021! Featuring Clive Anderson, Eilidh Doyle, Andrew Hunter Murray, Lisa Riley, Ken Bruce, Gary Wilmot, Fred MacAulay, Kate Thornton, Derren Litten and Emma Kennedy .Follow My Time Capsule on Twitter, Instagram & Facebook: @MyTCpod .Follow Michael Fenton Stevens on Twitter: @fentonstevens and Instagram @mikefentonstevens .Produced and edited by John Fenton-Stevens for Cast Off Productions .Music by Pass The Peas Music .Artwork by Matthew Boxall .This podcast is proud to be associated with the charity Viva! Providing theatrical opportunities for hundreds of young people. Hosted on Acast. See acast.com/privacy for more information.

With Liz Truss set to be crowned Prime Minister – who will be in the backbench Tory cabal keeping her on her toes? What will they pressure her on? Plus, we assess how Boris Johnson and his fellow journalists-turned-politicians have warped the media during his time in office. And ahead of the return to school, we discuss what education changes we'd make. This week's guest is actress, screenwriter and author Emma Kennedy.  “For somebody who's said she's going to stand up to Putin it's strange Truss is scared of Nick Robinson.” – Emma Kennedy  “The list of Truss's failures are extensive, I can't think of anything she has done that has improved my life.” – Gavin Esler “You can't balance people who tell the truth with people who lie. The BBC has to take that seriously.” – Gavin Esler  https://www.patreon.com/bunkercast  Written and presented by Justin Quirk with Arthur Snell and Gavin Esler. Producers: Jacob Archbold and Jelena Sofronijevic . Assistant producer Kasia Tomasiewicz. Music by Kenny Dickinson. Audio production by Alex Rees. Lead producer: Jacob Jarvis. Group Editor: Andrew Harrison. The Bunker is a Podmasters production. Learn more about your ad choices. Visit megaphone.fm/adchoices

Emma Kennedy is quite possibly the most multi-talented podcast guest I've interviewed. The 55-year-old is an accomplished author, producer, playwright, TV scriptwriter, she wrote The Kennedys, a 2015 BBC comedy based on her memoir of family holidays in the 1970s, The Tent, The Bucket and Me, and has contributed to numerous other shows including Miranda and Jonathon Creek. She has acted in sitcoms, worked with Mel & Sue, holds a Guinness Record and is a Celebrity Masterchef winner (2012). And, no doubt, you will recognise her voice from the radio because she does that, too.Emma began performing at Oxford University, becoming President of The Oxford Revue and a regular fixture at the Edinburgh Fringe Festival. On graduating, she trained as a solicitor and for three years practised law in London, including a stint working with Sir Keir Starmer. But in 1995, much to her mum's dismay, she left the legal world to focus on writing and the creative arts. Publishing her first novel, How To Bring Up Your Parents, in 2007, she has since released eleven books, including the Wilma Tenderfoot series of children's books. Her latest publication, Letters From Brenda, is her most personal to date. Simultaneously hilarious and heartbreaking - I was in tears by page four -  it is an incredibly moving tribute to her late mum, Brenda; who suffered from an undiagnosed mental illness throughout her life. Three years after her mum's death, Emma's father sold the family home and the new owner uncovered a pile of lost letters (written by Brenda) hidden in two suitcases in the loft. Eventually, Emma read through the letters (published unedited ' apart from the bits that are so libellous, no sensible editor would allow them') and used writing the book to work out what was wrong with her complex, charismatic, unpredictable mother. The woman she adored. ' My mother and I had a complicated relationship: she was difficult and volatile, but I knew that wasn't the whole story. In fact, I realised, I didn't really know her story at all.'Anyone who grew up in the 1970s, an era when families simply didn't talk about the important stuff, when serious issues like mental health were brushed under the Axminster, will relate to this.In this episode, she talks candidly about her complex relationship with Brenda and how writing the book helped her to overcome the guilt she felt about not addressing her mum's illness. Along the way we discuss her successful career in TV, radio and comedy, together with her newfound love of health and fitness. And of course, we cover the usual TNMA topics such as ageing and menopause.I thoroughly enjoyed chatting to Emma; she is charming, friendly, witty and wise. PODCAST CREDITSProducer and audio engineer: Linda Ara-TebaldiHost: Alyson WalshGuest: Emma KennedyMusic: David SchweitzerArtwork: Ayumi TakahashiCoordinator: Helen Johnson

This week Cariad talks to screenwriter, actor + author, Emma Kennedy (The Tent, The Bucket & Me, BBC sitcom The Kennedy's) about her mum, Brenda, who died in 2014. Brenda suffered from undiagnosed mental illness and three years after her death, Emma discovered a suitcase of letters she had written to her, which formed the basis of her new book, Letters From Brenda. As ever we talk grief, terrible cooking + missing the wild one.You can buy Emma's new book, Letters From Brenda, now. For more information on all her projects, click here: https://www.emmakennedy.co.ukYou can follow the Griefcast on Twitter + Instagram @thegriefcast.Griefcast is hosted by Cariad Lloyd, edited by Kate Holland, recorded remotely in Cariad's living room, artwork is by Jayde Perkin and the music is provided by The Glue Ensemble. And remember, you are not alone.Cariad's book, You Are Not Alone, is published by Bloomsbury Tonic and available for pre-order now.https://www.waterstones.com/book/you-are-not-alone/cariad-lloyd/9781526621832Rose D'or Nominee 2019, Podcast of the Year 2018, Best Podcast ARIA's 2018.Apple Podcast Spotlight choice for October 2021"the pandemic's most important podcast" TelegraphSupport this show http://supporter.acast.com/griefcast. See acast.com/privacy for privacy and opt-out information.

My guest today began performing at Oxford with Stewart Lee and Richard Herring. She trained as a solicitor before moving into writing, presenting, acting, stand up and…pretty much everything. She's won a Chortle Award, she was ‘Fun' Editor at Tatler, Celebrity Masterchef Champion and – most importantly –runner up at the World Conker championship. Described in the Independent as TV's Swiss army knife - Emma Kennedy is also the author of a remarkable new book, Letters from Brenda - a painful, funny record of Emma's relationship with her complex, charismatic mum, Brenda, who died of breast cancer. Revisiting her mother's letters has also allowed Emma to process a difficult childhood and the letters chart her mother's struggles with mental health.   TW: suicide, cancer In this episode we talk about: mental health generational trauma acts of service the power of dogs …and Lego …and comedy Letters From Brenda is out now, and you can follow Emma @EmmaKennedy My book, How To Be Sad, the key to a happier life is out in paperback and as an audiobook – and if you enjoyed this episode, give it 5 stars and leave a review and I'll love you forever.

RETRO RHLSTP #46 Romesh Ranganathan - Richard has a controversial theory about the recent FIFA controversy and gets paid by a man to call him a fucking idiot to his face before introducing former maths teacher and toilet crier Romesh Ranganathan to the stage of Richard Herring's Leicester Square Theatre.In possibly the longest RHLSTP they discuss the problems of trying to procure adequate vegan cheese, cost analysis of airline food, whether a lazy eye is really a trademark and what it would take to get Romesh to have a tattoo of Richard on his arm. Find out how you can break your penis and what to do if you then get some jalfrezi on it. Ramesh also has to answer the cash for questions that Richard forgot to ask Emma Kennedy. It goes on for a very long time and a lot of it is about babies, but remember you can stop listening any time you like, unlike the poor captives in the theatre.SUPPORT THE SHOW!Check out our website http://rhlstp.co.ukSee details of the RHLSTP tour dates http://richardherring.com/gigsBuy DVDs and Books at http://gofasterstripe.com See acast.com/privacy for privacy and opt-out information. Become a member at https://plus.acast.com/s/rhlstp.

RHLSTP Book Club 12 - Letters From Brenda - At last an author that Richard doesn't have to treat with respect and a book that actually features him. Sadly for him Emma's new book is a mature, hilarious and moving book about her eccentric and luminous mother and the mental issues that may have driven her and provided so many funny stories, but also much pain to those close to her. It's also an autobiography of Emma as she struggles to find her place in the world.Buy her book here - https://www.amazon.co.uk/Letters-Brenda-Suitcases-Letters-Mother/dp/B09SJ2KYMKSUPPORT THE SHOW!Watch our TWITCH CHANNELBecome a badger and see extra content at our WEBSITE See details of the RHLSTP TOUR DATES See acast.com/privacy for privacy and opt-out information.

Emma Kennedy, yep, that glorious multi-hyphenate of screen, page and Celebrity Masterchef kitchen, has written another heart-breaking, heart-swelling and funny (of course) book, which was all the excuse our Mick needed to set up a Zoom chat. Letters From Brenda came about when Emma found two suitcases of lost letters from her late mum, Brenda. Brenda was a complex, charismatic and troubled woman, and Emma and Mick chat mother-daughter relationships, undiagnosed mental illness, loving unpredictable people, whether it's possible to ever really understand someone, and the journey Emma went on to try to do just that. Oh, and the lost joys(?) of Chatroulette. Support this show http://supporter.acast.com/standardissuespodcast. See acast.com/privacy for privacy and opt-out information.

After her mother, Brenda, passed away and her father sold the family home, broadcaster and writer Emma Kennedy found herself floundering, unable to make peace with the complex, charismatic woman who had been her mum. And then they found the letters.... This heartbreakingly funny book about the impact of discovering lost letters is a celebration of correspondence; those lost acts of penned love, the vivid snapshots in time scattered back through a life. It is also about a childhood shrouded in shame, the lies Brenda told her family, the madness that set in and ultimately, what it means to be a daughter and a mother. Finally, Emma allows herself to explore what she couldn't while she was growing up: the question of who her mother really was.

Kate Nash joins Richard Coles and Nikki Bedi. The singer and actress talks about why going back on tour is so important, the steps taken to achieve longevity in the music industry, the 15th anniversary of her debut album Made of Bricks and life in LA. Anna Kilpatrick's life changed dramatically after her husband had a stroke age 38. She's now an advocate for making the best of what you have, and living well with less. Matt Whyman has trouble saying no. When asked to be an agony uncle, he said yes, despite having no experience whatsoever. Matt's stint as Bliss Magazine's Love Doctor lasted 18 years. His inability to say no also led to his garden being destroyed by pet pigs and his time consumed with the desire to run ultramarathons. Dan Gillespie Sells shares his Inheritance Tracks: City of Dreams by Talking Heads and Together Again by Janet Jackson. Emma Kennedy is a best-selling author and TV writer, actor and presenter. Following the death of her mother, Emma found letters that her mother Brenda had written to her. They helped Emma understand her mother better – someone she had always had a complicated relationship with. Kate Nash's UK tour starts on May 23rd in Brighton and then continues at various venues until the 1st June, in Birmingham. More details at katenash.com Failure is an Option by Matt Whyman is out now. The Feelings' new album, Love. Hope. Loss is released on 6th May. They are touring the UK in October this year. Letters From Brenda by Emma Kennedy is published on the 12th May. Producer: Claire Bartleet Editor: Richard Hooper

This week we welcome author, comedy writer, performer (and all round massively talented) Emma Kennedy on to the podcast. We find out about her writing, she throws a few home truths our way and she gives us some good old fashioned advice as we start out on our Season 2 quest to write a sitcom comedy drama. https://en.wikipedia.org/wiki/Emma_Kennedy https://twitter.com/EmmaKennedy https://www.waterstones.com/book/letters-from-brenda/emma-kennedy/9781529371970

Part 2 of the best of My Time Capsule from 2021. A compilation, featuring Isy Suttie, Elis James, Mark Thomas, Simon Evans, Emma Kennedy, Gary Wilmot, Jo Caulfield, Ken Bruce, Romola Garai, Sanjeev Kohli, Howard Goodall, Josie Long, Robert Llewellyn, Robin Ince, Steve Delaney AKA Count Arthur Strong, Mark Billingham and Barry Cryer .Follow My Time Capsule on Twitter, Instagram & Facebook: @MyTCpod .Follow Michael Fenton Stevens on Twitter: @fentonstevens and Instagram @mikefentonstevens .Produced and edited by John Fenton-Stevens for Cast Off Productions .Music by Pass The Peas Music .Artwork by Matthew Boxall .This podcast is proud to be associated with the charity Viva! Providing theatrical opportunities for hundreds of young people. See acast.com/privacy for privacy and opt-out information.

In this festive episode, Mark is joined by Emma Kennedy and Elliot Steel as he tries to make sense of the North Shropshire by election, laughter being banned in North Korea and investigating parties in your own house.Follow Emma Kennedy @EmmaKennedyFollow What The F*** Is Going On? With Mark Steel on Twitter @wtfisgoingonpodAnd visit our website www.whatthefisgoingonpodcast.co.uk for more informationSee acast.com/privacy for privacy and opt-out information. Get bonus content on Patreon See acast.com/privacy for privacy and opt-out information.

Tracy Lamourie Founder LAMOURIE MEDIA an Award Winning Publicist has been featured in Rolling Stone, NBC, CBC, HuffPost and here with us today to talk about how Self confidence can lead to success. Ari Gronich0:03Welcome back to another episode of create a new tomorrow I am your host Ari Gronich. And today I have with me Tracy Lamourie. Tracy is a PR expert who I'm going to not even read her like her normal intro, I'm gonna let her tell you about it. But this woman made her career by taking about 20 years or so of her life, and setting free an innocent man who was on death row. So hey, you know, I'm gonna let her tell you a little bit about that story. And then we'll get into an awesome conversation that hopefully will help you create a new tomorrow for yourself, activate your vision for a better world, do something big in your life, like Tracy has. So Tracy, let's uh, let's get into it. Tell us a little bit about you.TLTracy Lamourie0:47Hi, there. So yeah, I'm based in Canada, I'm Canadian girl working usually internationally around the world, when it's not the middle of COVID. We're on the other side of that level. So our borders are a little slow and opening up. So I've been here, no basement doing my magic. So I'm an international award winning publicist, working across borders and across industries. And for people who don't really know what that is, is basically getting people in the news getting people elevating their profile, whether they're entrepreneurs, executives, musicians, creatives, authors, all that. But this just happened for me because of a natural kind of, I should never say natural. But what I started doing it for 20 years, I ended up here. And so all the VIP parties and all the travel and all the super cool, amazing things that go with being a publicist, were in my original plan, I was originally an activist in my 20s with my husband, Dave, Markinson, married 26 years now we've done all this together, starting with a little radio show in Toronto a long, long time ago to college radio. And then when that was no more was the early days of the internet, we still wanted to have a voice, you know, to change the world, to, you know, make things more equal, like you know, all those things that you're passionate about in your 20s. But I'm still passionate about today. And we found out just in a little curved corner of the early into the early interwebs. About a man named Jimmy Dennis would aid for this little add on line. And he's with being a I'm on death row. I'm not looking for a pen pal, I'm not looking for a girlfriend. Because a lot of those preserving unpolished Western, I'm innocent, and I need help. So my husband and I, we wouldn't be like I want it to be. And if people asked us what made you actually write, we actually wrote a letter we wrote to him and said to tell us more. And I think partly because obviously we were activists, but also we had that radio show not long before, we were still in that information gathering. And so we put pen to paper and we said tell us about it. And we wrote a letter into death row. And he wrote back with a 28 when we were 28 years old, and he was 27. Even back with a 28 page letter on both sides. And all the legal documents that was in the cell breaking down the hope is that there was no brochures or pamphlets or websites or anything. And we got this and what do we do? People said Don't you know, how did you? Why did you do what you did? But again, why don't we write that letter? We wrote the letter. And then once we did, here's a person who wrote back, you know, 28 pages, who's clearly desperate and needs help. So what do you do with that? You just say it was a fun read, you know? So obviously we like, Oh, well, gee, what are we like? We have to do something about it. We had no money we had no, I wasn't a publicist, we certainly weren't lawyers. But we thought, Well, if we're this upset, reading just this much, you know, maybe we can put it on these interwebs and somebody who has the ability, somebody who has money, maybe somebody will buy a lawyer as we originally thought. So we started doing that. And ultimately, we ended up being disturbed by the death penalty in general in America through looking at that case. So there we were 28 years old. This is how I learned to write a press release. I literally went to the AltaVista precursor to Google and learn you know, for immediate release out of right that it was really hard to get attention for a case that was you know, someone was still convicted in America and in those days it was before making a murderer or was before all the wrongful conviction, serial and all those podcasts before all that so we had the internet we had the you know, email and everything but it wasn't easy. So the way that we decided to address that because it's like we were little mini publicist before we even knew PR was well if we talked about the death penalty in general as opposed to just this case and use this case as an example then maybe we'll get a more media. So we did that. We wrote up press releases for immediate release. And literally there were 28, 29 years old on CNN again we have no legal experience no PR experience not very much Media Group. And then we were on CNN on MSNBC on port TV on panel. With lawyers being interviewed by Katherine Grier, by Nancy Grace, by lay Oh my god. So it will took another 11 or 12 years, that was just, you know, not for profit, volunteer. By the way, Jimmy Dennis was freed in 29th 2017, we talk almost every day in these amazing things going on with him. He's an R&B artist now. So that's when your listeners should check that out, because the whole other story, but, you know, in terms of it another 11 years before I thought, Hey, hold on a second, because I was just in telesales, I could probably, you know, not have a life I hate, I could probably not to sit here doing sales reps were like, the skills that I built, dealing with media are actually valuable skills. And then I thought, that's my thought, like the transition and you know, help people who don't understand how to get into media, get into media, and that's when I was 41, 10 years ago, it became a business.AGAri Gronich5:55Nice. So I'm going to unpack this a little bit. Am a unpack for you a little bit. So first of all, you know, I love this story, because it reminds me of one of my favorite stories, which is the story of Hurricane Carter. And I don't know what it is about you Canadians coming down here thinking you're going to save, you know, all the American people, but I do. I mean, I appreciate the thought, you know, it's just, it's funny to me that, exactly, exactly. But here's the question, what is it that Canada breeds into the people that makes them say, Go read it, you know, say a book of Hurricane Carter's or a little post on a little website on a brand-new thing called the inter-webs, with Bolton board services. I mean, what it wasn't like you had google it was bulletin boards and things. I mean, what made what is it that makes you do that? And that's anybody I'm joking about the Canada America?TLTracy Lamourie7:05Well, I think what I always say to that, because I mean, you can't tell the story, I know when other sounding heroic and epic and all that stuff, right. And so I always bring dial that back because I'm not heroic or epic more than anybody else's. And this is where I say that like, even though I did that thing, right? I think that more people would do stuff like that all the time. Canadians, Americans, whoever, everybody would, instead of watching Netflix, whatever, if, if, if they actually believed they could, but people don't think how do you know, maybe I was we were naive. We were a bit when I was that kid. In hurricane you, I was privileged to meet Ruben several times, towards the end of his life, he moved to Canada, right. And so and I didn't even TV, that connection in those days about how the Canadian like, I didn't even see that even though we were watching the movie and stuff. But I think more it's a matter of feeling empowered, you know, whether you're too dumb to know, you can't make a difference or feel that you know, you can, because you've been you've done it before in other rounds. That's what I think it all comes down to self-belief and that, you know, and not like, Hey, I can do this. But to think we'll wait, you know, I can do my little part, I can take a step I can make the difference. If I do this, maybe somebody else to pick it up and do this. I never thought at 28 years old, I was going to be able to free that guy from death row. But I kind of did. I kind of did think so I thought that the world would free and I thought if we if we made it known, if we did our little part, which was words, people would find out and then it didn't go quite that way. Because a lot of opposition, they don't want to be bound up. They don't really want unraveled the truth once you start, you know, but so there's a lot bit it was a bigger beast than we thought. Right? We thought we just have to pointed out and then we were fighting a bigger battle that we even knew we were. So those things intimidate people and you don't feel like you can make a difference, right? But same reason people don't start a business or they dream of going to travel but they never do it. It's because they ultimately thought that they don't see themselves doing it. It's easy, easier to not do it. You know what I mean? Like it's not, it's just because I'm better. I was dumb enough or like hubris enough where to be like, you know what we can do we can do here and then you see that you can make a difference. And as you do those things, you're like, Whoa, look what we just did. And that gives you the confidence and the whatever to keep doing it.AGAri Gronich9:24Yeah, absolutely. Um, I was gonna ask you how being an activism how being an activist is akin to capitalism. Because I think that a lot of people think that they're opposing forces. And I think that they're marriable, right, that they have that the two things go together really well. Doing good, makes a lot of money when done right kind of thing. And so you've been able to in your career pivot from activism into capitalism a bit. And that was, the next thing I wanted to unpack with you is that transition, you started it with belief in self. And I just want to, like, I want to emphasize that for people right, you have to do the work on yourself. So that you have belief in yourself so that you have blind faith, that what you are doing is going to make a difference in the world. And so I just wanted to emphasize that and then have you unpacked in it. TLTracy Lamourie10:37Once you do that, you do it, right, because you're when you're like, Okay, I can do that. Why wouldn't you I really, truly believe that people, you know, people are good, like I am, Frank said, I still believe good in people. And it's true. You know, most people will help you know, if there's someone in front of them that starving, you're gonna give them a sandwich, most people that are you know, they're going to, so it's just that they don't feel like they have the power to make an impact. So we don't even try to make an impact. And that's the same as in our own personal lives and doing these other benefit ourselves as it is, you know, why don't more people be the starving children or help this whatever. So I always say that because like, it's hugely epic, you know what I mean? Like, I know, you can't, like how can you tell that story without and people want to applaud you and be like, awesome. Oh, my God, you thought that I was gonna know. But the point of it, the whole point of it is not the applauded point of it is for you guys to realize this dumb ass girl with no, I'm a brilliant blah, blah, blah, strategic publicist, you can see my list of you know, whatever behind me and my alarm, right. But when I was 20s, you know, there, I'm just basic yo with the red hair. When I said to myself do what can I do? I don't have any money. I don't have any. But doesn't matter. I had the passion. And I had this, you know, an out of that, look, I built this. I never even met you. Now this weird rear is developed, which I you know, wow. You know. But again, it took a long time for me to think of that. Yeah, that was part of the strategic this. It wasn't like I went from that goal of not button this high profile, I'm not going to turn it into money. We were doing that for like, it was like a decade after we did TV that I was still doing all the sales, still doing all that we just really focused on getting a better death row. And then it wasn't until like, a couple years before we got out when we realized, yeah, it's happening. That's like, wait a minute, when they literally booked to make another phone call for my crappy job. And I'm thinking I wish I could remember what I was thinking the minute before that, like, clearly remember that Revelation where I'm like, wait, wait, wait, I think that's the publicist. I'm not doing this anymore. And then from that moment, I literally went and looked into how can I get freelance work as publicist, because I have this history of doing that I get paid. I wish remember what I was gonna, what I was thinking the moment before that. AGAri Gronich12:48You're probably thinking, I've got to make another call. It's the breath at the end. You know, nobody can see the breath on the audio. But if you're watching the YouTube, you can see the breath, right? alright. You know, it's funny, I, you know, the revelation moment. I know, for me, being a healer, being in my industry was I was dead. And then I woke up in a hospital and I sat up and I said, I think I need to be a healer. Right. That was my, it was a pretty freakin' clear revelation moment. But I have no idea what was happening in my head before that.TLTracy Lamourie13:39I really wish because I mean, so clearly, I remember that going. Nowhere. And from that moment where I remember it is I didn't make another call. I might have made one more call, by the way. I remember it is I was like, Oh, yeah, no, no, I started searching. And I found Elance. That's how I first started Upwork. Now, I first started, I used to get flipper lines on that until I just started getting transitioning to your LinkedIn. But yeah, so from what I remember, is that literally with no, I'm not doing that anymore. And then was and then I was like, I think they call that a publicist. Okay. Now I'm a publicist. And then pretty quickly, I got a client and one of them was there, like I think I told you before, Angela Sadler Williamson when Rosa Parks cousin. Who wrote the book, like, oh, sorry, that movie, my life is rosy for adults, which is on amazon prime. And this week, was like nominate was nominee, whatever it is, for me. And that was my first you know, one of my first proceed and that's when I was like, Okay, I guess I'm in the game. You know, me. AGAri Gronich14:43So, here's something. You've been saying. I want to unpack that too, is you thought of it and then you did it. Right. You, you thought of it and then you started doing actions. You thought I can do this. And then you started making actions towards it. A lot of people think I could do something, I have this great idea. I wanted to do this, oh, man, I saw that I created this thing I'm seeing out now I created that 10 years ago. Why didn't I do it? Why didn't I do it? So all of those things, you know, go through my mind when I hear you saying, well, I just did this. And then, and then I started writing. And then I went on to Upwork, or, you know, Elance, and I put my ad out, and then I, these are all action steps that you're doing. Right? So people like, I used to get really upset at the law of attraction, because I felt like they missed this step, the action step. And so people were like, “Well, I made my vision board. And nothing.”TLTracy Lamourie15:47Such way I always say you can do all that then act in a chord.AGAri Gronich15:59Act in accord. Exactly. So this is where, where the thing you want to do becomes live becomes alive right. So let's.TLTracy Lamourie16:09How I know how people say fake it till you make it. I hate that because I'm very genuine. I don't like fake it till you make it as this wrong message. But I get what they're trying to say with that. And so what I would I say with that is from the Rocky Horror Picture Show, which is don't dream it, be it? Have you ever heard anybody talk about Rocky Horror Picture Show in a business? Because you know, I can't afford No, but seriously, it's just a life lesson. But I always love that don't dream it be it. So it's the same as I get you know, it's the saying. If you want to make it you don't fake it till you make it. Be it. Started it, do it. Take a step. Now you're in, you want to write a book, don't just think about write a page. Oh, look at me writing. Now you're ready. You know what I need? Like me? Well, I took that step. I made that freelance or whatever upward page. And then I you know, put myself out there. And then I got a reply. And oh my god, I got that one client, that one like I got and just started Williamson. And actually a Kennedy person, one of the crazy, one of my first client on Upwork. Back then, which is not even touched now was like a member of Academy can remember that story of the Kennedy, brother or cousin or somebody that had murdered the girl in Connecticut in the 70s. As about 10 years ago, there was something going on with the legal situation. And because of my history and the death penalty stuff, right? When I had my contract there, they saw that until we were looking for somebody to write the words for a web page for Michael's Skakel. So I worked and it was Kennedy family member and I've you know, ever the name right now. But it was legit, on Upwork and great. People are on that Upwork by the way. Like, I mean, I've literally got Rosa Parks cousin and the Kennedy hired me on that. And so that was just like a little short project at the time. Like it was like a what? But I mean, you know, so then I'm like, Okay, hold on. You can do it. That was not easy. I was a freelancer. I didn't even have all these accolades. I had, I was good at what I guess I did plan on the history of what I'd done for the, you know, I had been on CNN, media messaging and got us on CNN. It wasn't just like it was pointed successes. But still, that's very quickly on to your point. And I said, I was gonna do it. I went on there and did it. All of a sudden, I worked with Rosa Parks cousin, Emma Kennedy.AGAri Gronich18:24Crazy, isn't it? Yeah, well, just do it. I go back to the risky business, you know, movie, and the line that Tom Cruise is famous for saying, which is every now and then you just gotta say what the fuck. Do it? And you know, it's funny, because here's what here's what the audience is. Forget, you know, not hearing right. Is that the thing that's stopping us from just doing it? There is a thing that is an actual thing stopping us from doing stuff. Right. Now I call it trauma. And then the resulting behaviors and automatic patterns because of the trauma, fear, you know, distrust, not feeling good enough, not feeling worthy, all those kinds of things. Right. Sounds to me, like you act beyond fear, right? In some level, even though you're experiencing it, possibly. So how did you get to a place where you could act despite maybe the fears and the traumas and the things that were possibly coming your way? Because a lot of what people want to do these days is go up against the systems like I do, go up against the systems as they are. This is going to spark a lot of their fear barrier, right from just doing it. So why don't we talk a little bit about that?TLTracy Lamourie20:09Yeah, I don't know if I have a perfect answer for that. That's a really good question. I think I'm, you know, trying to think as you asked, where, when I started being like that, but I think about I mean, I've always been, it's funny, I think back to the conversation I had when I was 15, and my best friend, Jennifer, and we, cuz I was gonna say, I've always been super confident. But at the same time, I've always been like, anybody not confident I was, you know, the fat, fat girl, you know? So with all of that, that's, you know, I always see that now. But I never want to even use those words here a couple years ago, because I was so like, if I don't say anything, maybe nobody will notice. You know, it was, like, if I would come up with a TV show, I leave the room because I didn't even look at it. You know what I mean? It goes, so that shows you I was hugely unconfident about that in my presence in a room and all that. And yet, in spite of that, even at 15, I was like, yeah, whatever, you know. So I remember a conversation, my friend about this kind of thing at 15, which teenagers are more, you know, smarter than you think they are really resonant and smart to me Even now, right? I don't remember when Jennifer or me that said this, but when we were talking about this, you know, in the conversation, and we were talking about how like, we're insecure, she was like, mean that we were insecure, we know, we're secure in our insecurities, like, you know, whatever. Like, I don't care and in some way, you know what I mean? Like, like, Is it because maybe because of that, you know, thinking people are gonna judge me, whatever. And we see time I'm smart, and strategic and whatever. And that the confidence was inquisitive, confidence, or lack of confidence. And let me say, Oh, I don't care anyway. I'm just gonna do it. You know what I'm saying? Was that super confident? Or was it that I wasn't confident? I figured that they, you know, I wouldn't be accepted or wouldn't be like them, I wouldn't be where I couldn't be the pretty blonde girl, like, you know, anyway, so whatever. So this is what you get. And then I became super confident than that. And that's been everything because like, like, people who knew me back then, when I say, I wasn't confident as a teenager, they're like, oh, if I say I was shy as a teenager, like, you were never shy. I'm like really, Oh, that's interesting. So it's like, I think I always just, you know, whether it was natural to me at the time, or whether it became natural, because now it's super natural born and even, whatever, I don't care, you know, and that is a free and you know, it's funny, I read recently, a 50 Click way after this is my personality in Psychology Today, not long ago, or maybe it was the New Yorker, but it was something and it was it was saying that there was a point you know, like, it's almost like you know, that old What are they used to call people? like they would say they're not neurotic. Eccentric. AGAri Gronich22:49Eccentric. Okay. Right. Well, they only said that about the wealthy people.TLTracy Lamourie22:54I was just gonna say that when you add a certain level, whether it was wealth meal days, or even now I would like now it could be in your socials or your that what? social welfare, the credit, whatever, your that all of a sudden, what looks weird. Oh, like when you walk, when I'm 21 walking, run off the crazy red air, how she thinks she's gonna get hired, you know, whenever a little girl go, what looks weird, then, when you got this credibility behind you and you're able to, even if they don't know that, at that certain point, they start to think, Oh, Jesus, that person who carries them stuff like that with that confidence. But that's like, my husband's got crazy, long curly hair, like a rock star, right? And then I got the bright red. Here we go places where people don't even know about, like, they don't know why the publishers they don't know whenever. And they're looking at us. And we walk in the room. And it's funny, because I guess because it But the interesting thing is we carry ourselves now the following combination of the crazy Look, the red hair and the curly hair. But now that we're 50 and have all this stuff behind us, even if you don't know that we carry ourselves with a confidence that you know, you wouldn't maybe expect from the crazy red haired girl or the guy with the curly hair. Right? So that right there has, I think, happens all the time that we're like, that's so weird. Like, they don't know what we do. They don't know about Hollywood, they don't know. We just literally walk somewhere and like some rubbing be like, Oh, you guys, what do you do? We're like, we have that vibe now. Like, I don't understand. But I think that's what it is. Because we look up. We don't look at the average 50 year olds. So clearly, and we're clearly not bums. So then clearly you're somebody because otherwise why would you just have a suit and tie and look like you know what I mean? So it's a weird, like, backslash.AGAri Gronich24:34I think 60 something years old is the age of I don't give a shit. Right. But I mean, in just in general amongst the crowd, like, they'll, you know, I hear them talking, so to speak, and they're whispering Oh, yeah, I could toot in public now. Oh, yeah. I mean, it's like the age where just Ah, Let it all you know.TLTracy Lamourie25:02Maybe just a confidence thing when you realize no you know what all that was just stupid with me sitting there worrying about everybody. Maybe you finally realize what I tell people what just stop being so stressed out when you walk into the room you think that everybody in the room is thinking about a little Oh, you Well, that's a lot of arrogance and clapping. Am not arrogant. Sure you are! People sure you are you just think that everybody's thinking about you, you know, realize that everybody's roosting with their own crap their own worry their own, you know? And if there's some asshole, and they're just thinking about tearing you down, then that's good to know that you don't want to deal with them. Anyway, that's Thanks for letting me know about you what you like.AGAri Gronich25:35Right. So deconstructing the societal norms is one of the things I wanted to talk to you about. So I don't, I didn't tell you any of this stuff on our pre interview because I wanted you to go. Alright. Okay, so deconstructing social norms, because here's the thing. There's this guy is in your industry way, way, way long before you were. He's called the father of spin, Doctor Bernays. He was the cousin to Freud. And he's the guy who created propaganda. Okay. Yeah, he created propaganda. In general, he was the guy that created mindcom after. And like said, his psychology was his cousin was Freud. And he basically said that people are sheep and there's a select few that know what the people need and then the publicity and advertising industry was born, to tell people what it was that they needed to direct them in to a direction like sheep, right. So that was the father of your industry. As publicist. There's a lot of manipulation of people's societal norms. So I want to know how we can manipulate people societal norms, so that they are fearless in the face of fear so that they act beyond their belief maybe in themselves, like you did. So I just wanted to like, surprise you. It's a little.TLTracy Lamourie27:14No, I think that's true. And I'm glad you mention that, because I always think I always love that kind of PR. I do needs PR. Because it's true when you say PR, even me when I say when you say public relations. Like that's my call my when I rebranded incorporated, my company was called the Maury PR and media, which was originally my PR and marketing when it started with Kimbo marketing. And I was like, oh, what if I don't get that PR club, but I never even did any marketing. So when I was incorporated, I change it to Lemori media, because there was like, Well, you know, I never went public relations. And so you know, and also we're media content creation company, and we're gonna be doing more of that, but also public relations, I think it's a bad fit. Because when you think about it, you think about like, the Spin Doctors., the guy that stand up in front of, you know, for politicians, or whenever, or for a company that's done something wrong, or they you know, had a big bad media thing,AGAri Gronich28:16O you know, the president of secretaries or, you know.TLTracy Lamourie28:21With the language or you know, immediate or like, maybe non various example, click on TV, it would be like a public health campaign, you know, where they need to get much information out to where that is the situation where you're talking about, they specifically want people to act in a certain way. So they're putting up a news, ask, you know, like, what you see with COVID is a perfect example.AGAri Gronich28:46I didn't, I didn't say anything about COVID at all. TLTracy Lamourie28:49And I don't like to go into that either. Because I'm not even I don't have a strong opinion about it, because I like to have a need to please what I know a lot.AGAri Gronich28:55Yeah. And I like having my YouTube channel. TLTracy Lamourie28:58You know, so, no, yeah. And I'm not even going either direction on me personally, I have it. Because, again, in general about the world, I like to know a lot of things before I start spouting off, I like to really be confident, and when it comes to all that I have not coffee, I don't know anything on either side. But just strictly as an example of not what would that would be true, not none of that just like, you know, or let's make up let's not call it COVID. Let's say there's a public health be, you know, a public health emergency. See, everybody's gonna This is gonna happen if people do that, you know, so they want to get into massive information or something like that. Yeah. But what are the what I reinvented for the PR school, I didn't even meet a publicist till recently. I never read a book on PR. I started messaging to get the word out about that one. So to me what I have done in my career, what I call PR with, you know, in the services that I provide for my clients, I don't you know, it's funny because LA clients intimidating fire, their Hollywood publicist, for me on whether to work together like this. You do things that no other publicist does. And I'm not saying that you say I'm better because I invented this in my head, you know what I mean? I didn't go to school and learn with the perimeters of what a publicist does for their client is, to me if your public image, it's always what I would do for myself. I want to get you an award shows I want to get you needy, I want to get your message out there, right. So I call it I do elevating and celebrating some PR, good PR spin day. But actually, that literally came out of me in a podcast, we were having a conversation like this. So podcasting was like I'm really wanted you to know, I normally wouldn't have otherwise gone, because my show is all about the jet. But I really liked your vibe, and I listened. He was just he was saying the same thing. And I was like, but really, it's more about elevating everything. I just talked about that. But that's true. That's what I like people already doing amazing things, whether they're creatives, whether they're entrepreneurs, whether they may not even realize how amazing the things they're doing are and I'm like, why aren't you getting quoted about that? Why are you so literally my job is what I do is I find people writers who deserve to be heard and find ways to get them heard people that aren't looking at and I find ways to break that barrier for them so that they can we can get into media. I wasn't surprised I used to be a punk Ari, but you know, Jello Biafra. You know, from Dead Kennedys? No punk days. Oh, my God. Kennedy's came up twice in this conversation. What's?AGAri Gronich31:26In there all the dead Dead Kennedys, the dead and the Dead Kennedys,TLTracy Lamourie31:30Right in. Jello Biafra said if you don't like the mean, don't hate the media become the media in the 80s. They rave for all this? And I was like, yeah, so I am the media. We are all the media. In some ways. That's the problem these days. Because, you know, some people are just starting off and whenever That's it, but but you know, in through the mainstream media, what I find is that, like, I stay away from that stuff, specifically, because I don't like to work. You know, when I used to be a township, Politico, because I was an optimist. I thought, you know, I'm passionate about something that I thought were gonna change things, I would use my skills for politics, in the days before I was getting paid for stuff. Now, I really don't want you and I won't say never, because maybe somebody will follow me, I will. They'll convince me that they're God's greatest gift to you know, activists, and they really do mean, but I like to stay away from politics, not because people are bad, because the system is so corrupt, there's an even though you know, the best person going into that shitstorm, they're not going to be able to do what they want to do, they're not going to be able to so it's very, I don't want to sell my professional reputation. But I'm an activist, and I came from this, you know what I mean, I didn't come from, like, I want to always, I want the activist that I was in my 20s to always be proud of this corporate chick in my 50s. Like he said, at the beginning that different you know, I even recently I came from that mindset, I still have to convince myself sometimes I get Oh, yeah, it's funny our people we have doesn't mean your evil hate. Because it's true. Like the corporate is always like, you know, Mr. Burns on The Simpsons, or whenever in a dark, it's always you know, that. So as an activist, you think anybody in business, clearly, they're just money oriented. They don't care about all this stuff. It's almost been a revelation continues to be revolutionary, as I am, you know, higher and higher in business, and my circles and wider and wider, more people with money, you're in my circle, and more big people with bigger money and all that. And then I tell my story of podcasters are a huge, huge, you know, corporate business guys. And they're like, almost crying during them as well, if you actually do care, but they weren't listening before. How can they listen? So now I'm like, now I'm at a place. So I learned so much doing this, you know, like, what stuff you said, to the perceptions that were wrong about you what they thought was wrong, but actually what I thought was wrong with people. So really, we are all really confused about each other and our motivations, whether it comes to like, the right and the left and you know, people I think are bad because I'm a hardcore anti race, that would not have been my table and all that. Even though I have to remind myself people are people and they're not always working on the same motivation that we think they're working on to them. It's like you said fear, or misunderstanding or whatever. And if you prefer and break those things down, so that since it is important to break things, into the PR, like, truth, it's communication, people management, for sure. It's contacts, communication, and people management, for sure. But I don't look at it as a fairies. We have not tried to find ways to convince people of things that are true. I do try to find ways to convince to use my words that people can hear what I'm saying. different audiences can understand what I'm saying and hear me without their own barriers going up before they can even hear me,AGAri Gronich34:46Right? No, I guess what I was what I was getting at was not selling you or your profession. What I was saying is totally what I was saying is, is how do we get the profession in general, because a lot of people, obviously they don't trust the media these days. And so how do we get the profession in general? To understand that truth messaging is as powerful if not more powerful than fake media and false messaging? And how do we get the people to understand what the differences are, when we clearly have a complete lack of cognitive dissonance right now, or critical thinking and be able to understand that nation? So, you know, how do we bring people back to a place where they can really, truly know what's real, so that they can act on it so that they can feel like they can do something so that they have the faith and the confidence and all those things that we've been talking about beforehand? Right. Yeah, I'm leaving it all together. How do we bridge those gaps? These are the conversations I at least want to have in general, and have you have with all of your media people, right? How do we do that as a community of media people so that we can really change the industry together.TLTracy Lamourie36:19Out of people think I mean, number one, I mean, you know, honestly, it's you that cognitive dissonance is so true. It's hard, maybe hard for people to do, but you have to really understand like, well, no matter when you hear information, who is giving me this, like, where is this information coming from? Who is giving me this information? And why do they want me to believe it must be someone who benefits from me believing this? You know, like, honestly, I asked him stuff, like when I watch everything, like even if, because something might sound good. If it fits your mindset, if it fits your belief system and fits your whatever, then you're going to want to believe it. Whatever you hear whatever information like that's nasty, but that guy's gonna always question question everything I swear button as, as a little punk rocker. That's a question authority. And I still, you know, say that question everything, question all the information, question the information I give you do it because you should be questioning all information. You know, who benefits from this? Well, you know, Tracy's quiet better than me hearing but then that's not nefarious, or whatever, you know, but ask yourself, Is there you know, who benefits from this? And is there another side to it? Always question your own thinking. Edit your own thinking, make sure to read other stuff. That's the number one way I read everything. I read the right way. I wait. I mean, I'm a lefty, obviously, even though I always say a bird Can't I mean, in terms of I, you know, most of the things that you would line them up with agreement, but not always. I mean, like, I'm not a radical on anything. A bird can't fly with only one wing. You ever noticed there was huge bird tried to fly? So like, really? I'm not a lefty or righty. I like I'm an ideas, girl. I'm tired of all this. Like, what side of you? And I've got ideas? I don't know, let's talk about the specific thing we're talking about. It's all here. Both ideas that maybe well..AGAri Gronich38:09This is part of why I like having you on because I so agree. This is what I talk about so often is critically think each individual issue each individual thing in your life, in your business, in your politics in your community. It's like ask good questionsTLTracy Lamourie38:30Of yourself. Hey, why am I Why do I believe that? Why is it because all my friends say that? Oh, well, you know what? Look, honestly, like I literally read every everything that Sports Illustrated, I read them. Like, there was all the mainstream stuff, right? And I watched whatever. And then I read if I can get my hands on some crazy left-wing stuff on Wait, like, I mean, radical, crazy, right wing stuff. I'll read it. And I'm shaking my head at both. You know, and I you know what I'm saying? So like, I understand that I'm reading what people are saying, I'm hearing, not just the argument of people that think my way. But all that I'm like, Yeah, yeah, like, you know, you don't I'm saying so that way. I'm not not because I think I'm gonna even be convinced. But just if you don't understand the way people are thinking, and this isn't just so that I can do the messaging. This is so that I can be discipline activist me, because he are me developed out of activists, me and we would shouting me and my husband, Dave, which I like men, we were in fact, we've begun back in our 20s. You know, we started a campaign because we were basically worked out we wanted to bring in a union. We didn't know any unions. We weren't radicalism that we just didn't meet them. We were being treated at work. One girl said, Hey, I think you can go to any union. We were like, really? Let's look. Let's look that up. And we looked it up. We made a couple of calls. And then all of a sudden, we were in the Globe and Mail Canada's biggest, you know, financial paper at once. Before this, he said to me before, it's definitely I forget this stuff. At 25, 26 years old, me and my husband and one girl. We unionize the first call center in Canada and that what again We were not like big union activists. We were just doing whatever, you know. So with of always a matter of like, you know, oh yeah, why start bringing that up, we were always really good to be we're not mess, you know, like we were publicists, but uh, 25 years old, we, you know, the company was trying to silence and talk about new needs. So they came in bought everybody pizza one day. So we wrote it literally, we weren't a marketing, but I look back on our really good PR piece. It's what the union will give you more than just pizza. And then it had a whole big thing breakdown. We went with a 99%, both the union, which I wasn't even a part of right. Never seen a vote like that week, because we again, we did the work. We called all of our fellow workers, if you have any questions, call us. We put the time in, we care, you know what I mean? But it was really good. When I look back on it. After 20 years of doing this, I couldn't have done a better campaign now than I did as a dumb as 24 year old activist, because we were just, it was the same thing. It was just messaging to see what the situation was really believing in it right? And say, we're going to tell people and we're going to tell people in a way they can hear it within, you know, and that's what it all is. So, buddy with his 90 the only thing I think the guy that you're talking about, the only thing I admire about him is funny. I read about it in the New Yorker, it was hilarious. They said he was in his 90s I believe it's the same guy because they said he was the father of PR. And they mentioned that he worked for like, Come, you know, countries, right? And they said he was in his 90s he still went to work in his office in New York City, like literally every day, you know, and they would tell him, it's like, it was some crazy thing. Right? And I was reading it going. Yeah. He's a publicist. So that was the only thing. I felt like at a residence there. I was like, yeah, I'll be juniors at 108. But we do. But other than that, yeah. So I don't agree. You know, I, I don't think that's like, I don't believe in STEM. I certainly don't, I did not know that things are mine clump. That's really informative and interesting. Because Yeah, there is definitely a dark side, which is called, you know, that was used to be called dark PR. And I'm sure a lot of you actively do that. And that's what they do with politics and everything where all they're trying to do is dig, you know, that hole, dig up the right key and digging all that stuff up. And I don't want to be part of that.AGAri Gronich0:26Right. And that's literally I guess, what is going on right now, at least in the US. I don't know about how the news looks in other countries at this moment. I know how it looked like in 2004. During the elections, when I was in Greece, I could see the news and the differences between what's being aired on us TV versus Greek TV at the time. But I know in the US this massive thing about fake news, and we just don't really know what is true and what's not true anymore. And all the resources to you know, you Google something, and you get a completely different set of answers. And you do if you Yahoo something? Or if you do something, and it's like, okay, who's pushing which agenda? And is there? Is there any kind of, you know, independent search that doesn't the preconceived algorithm to send you to where they want to send you.TLTracy Lamourie1:28That's interesting, too, because even the more when you search, you know, Google knows your search history too, right? like Facebook, they give you which is so we're getting in this weirder weirder, like the circle for who knows? How can you find like it's getting worse and worse. And in five years public is even worse. Because Where are we hearing only are like those echo chambers, echo chambers, right. And then there's those new social media platforms, people who've been kicked it off the Twitter and Facebook and whatever. And they're super echo chambers, where like, it's only so odd. It's like, it's all it's, all of a sudden, everyone around you is talking about whatever, you know, in a certain way, that starts to seem like your reality. It's a cults work. That's how governments work when you're in a government not even meaning do, but you're in a government. And that's what I call everything in cult, because I understand the way your mind works, I call the political parties that I used to be in a cult, you know, the NDP, which is the lefty lefty party, and I left them because I was like, you know, what, even introduce both of you to one of social and I'm not listening to the roll like this, you know, there's supposed to be the one of social justice bla bla bla, in line with all the people that are like me, you care about this, that the other, when it comes down to it, it is an entity in a party, and it's working inside and out. Part of what it does is Jake just itself, we're activists, we're always on those issues, looking for a partner that's going to help locals political parties aren't ever because they can't be there. Once you get in there. There's all these different other things going on. As people whenever around us sounds good. You know, like, you know, you relate to the people around you, you start to like, so then those other people, they go, Oh, those people are crazy. They don't mean Well, you're not realizing you just see in your little part of the elephant, like those activities seem they're part of the elephant, or the finance people sitting there part, thinking everyone else is crazy. But this within all of it, maybe. But in terms of the media, oh god, I don't even know just so much. The fake news thing is, like this expression, fake news is just so annoying, because I mean, like everything, anybody can call anything that now, no, but at the same time, it's true. Like they're there that that did address originally the you know, propaganda side of news. So yeah, you know, it's a shit show now.AGAri Gronich3:34It's really fun, it's really entertaining, but not if you actually want to know something about what's happening in the world. And I think that was the point is when the deregulation happened, and they started making news for profit. It used to have to be the only it was that had to be not for profit division of a corporation to deliver the news, and then they deregulated it. And they allowed for a 24-hour news cycle that had advertising and all of a sudden, and that's the news. At least as far as Walter Cronkite. I think.TLTracy Lamourie4:15That trusted that's true, and there used to be a clear, like a deli-a-nation like 100% between the editorial and advertorial where like an editor would shoot themselves in the head before they let any advertorial content come like 100% but now that's actually changed even like I'm still shocking even in new in newspapers even were like, and to their great regret. Like I've talked to business press, for example, where they're like, Oh, my God traced, but the editors and financial posters that were there like, that's a great story. I myself have 18 spoolie 18 stories. I'm editor to financial 18 business stories, I want to quit. My business press has been you know, cut from like, six pages 10 pages two to three to two and Half ages One, two, only with one and a half of the editorial content going to people who placed ads, and I was like, Oh my god, and that's in a newspaper, oh my God. And he was like, just telling me this truth. Right? And I was like, because you see some of that, like, I guess the reality of the newsroom now, like economic, you know, crazy. But that's the kind of thing that ruins like that, you know, you used to be like, you come to me for like earned media, there is no like, I don't you pay to play. I don't put quite when you pay me, you don't pay it, I don't come to you later and say, pay to get into this, that's advertised. Right? I find opportunities where you are respected source, and you're quoted as an expert source. And that's why it's valuable. Because it's not advertising because you can't buy your way into that it's me presenting, you know, that's why it's valuable. If they keep doing this is gonna be like, as seen on TV is to have cachet to people, you know, when it was like, bought purchased ad until people figured out Oh, wait, that's just an ad, you know. And now we it still has the cache, like, if you're on the news to TV or whatever, because you're not supposed to be able to buy it. But now they're starting to be that like, that style thing at all.AGAri Gronich6:11Yeah, absolutely. So here's, you know, I like to play with you. In some of those mind things. You said, I know the mind. I know the consciousness. So here, where I like to go. Right? I want to create a new tomorrow, I want to activate people's visions for a better world activate is an active thing that you have to actually actively do. And in my opinion, that is activism. Because you're doing the thing that you're passionate about that is going to move people forward. So that's an activism thing. So creating an active movement, creating people who are actively doing and collaborating with others who are like minded. How do you move the mountain? How do you get people to come along with you? How do you get people who want to be the leader, to step up to be that leader so that they can then bring the people in?TLTracy Lamourie7:13I think is really showing people that you can do it. Like, that's what I think people always tell me that I've inspired them and all that. And I think it just they're looking at that like oh, well, even my daughter when we you know, we met her at 15 sweet adopted, and she was already awesome activist minded, all kinds of you know, but like when she came into our family and saw the newspaper articles on the thing, about, you know, us with the death penalty, and you know, you know, all these, it newspapers all over America, from the bottom of cat, you know, from Canada and our basement, you know, there we have a cover of the Houston Chronicle that like, and she said to me years later, not then because she started doing her own activist if not around the duck, obviously, or other stuff, you know, a lot of Aboriginal rights stuff early on, it was animals now it's, you know, First Nations and stuff. And so she, I remember, she literally said, like, you know, I thought I was always coming back to this mind, but I looked at all this literally, I thought, well, you guys can do that. It just made it really well. Well, cuz it's, true, like, you know, like, seriously, we elevator stuff so much, you know, without it wasn't about us whenever it was about getting the message out that somebody had to be speaking the message, and all of a sudden, were there people look, you know, so like, we never should have been able to do that stuff. But we just didn't think we thought we should be able to. So we did, you know. And so she was inspired by that. So I think people see that it's not that hard. It's hard. But it's not. But anything. It's not nothing is hard. Nothing, maybe brain surgery. I've never done that. That's probably hard. But I mean, other than that, like, most things in life are not hard. If a human can do it, you can do it. If a person can do it, if you can conceive of it, if you can, you know. And if you take that first step, again, you're a lot closer, like a lot of these things. When you know when we say that people think oh, yeah, yeah, but then a million times before, but it's so it's true. Just do it. If you take a step. Now, you're not where you were before, you're one step closer. And then you realized you did that. And then maybe you take one more step, you're gonna get an serotonin boost a little bit of goal, you know, whenever, and you're like, Whoa, yeah, Matt, you know, like, so I'm lucky and like, I don't know what it was a push me on path. And like, I just didn't have fear. And so like you said, the fear, and I did stuff. And every time I did stuff, you know, again, back in those days, it wasn't a money reward at all. Like now it's, you know, money back that we weren't thinking about that way. But I mean, the reward and it wasn't even about ego wasn't about getting the article. It was about a client we were like literally in it to accomplish that thing. Oh, my God, we're in that article, not like a great trick is not an article. How many people read that how people can hear that. I'm gonna give a Jimmy Jimmy like, it was really about that. And when you're actually doing that, that's when you get hurt when you're doing something.AGAri Gronich10:00Right, you know, awesome. Thank you so much for all of that. Is there anything else that you feel like you just need to give to the audience that you you're like aching to share with them?TLTracy Lamourie10:15Well, I usually end on this on a positive note for people who aren't feeling so positive. Because I think we always talk about all these accomplishments and blah, blah, blah, you know, like, looking at people on vacations on the internet. And clicking will feel pretty bad about themselves. But I again, want you to real I want to realize, so there's Jimmy who spent 25 years on death row, he's always saying Never Never give up. Which, you know, for real, but how he got through it. And then even now, when he's out, and we you know, when everyone has trauma, whenever he's talking about stuff, and he's having a bad day, I'll be like, yeah, you know, what, we didn't get this far to only get this far. We just found on Facebook. I saw that on Facebook once. And for him, I'm like, you know, Grammys on the way you already did the hard stuff, you've got those doors open, and no one would have thought do we didn't get that far, it's not, you know, get rest of your dream, this is the easy part for you like to get the Grammy compared to what we've done already, is easy. That's possible. That wasn't, we did that, you know, so that. But, but more even more importantly, for people who like maybe don't,for people who are feeling good about themselves, you can get inspired only get inspired, there's more to go. But really, more importantly, the people who don't feel good about themselves, who are like who feel like they're a loser who feel like they're not winning, who feel like, you know, they just don't feel that they want to jump off a bridge, they feel like everybody's doing that to sell this No, Oh, you didn't get this far to only get this far, you're absolutely a winner if you're listening to this, because this is a hard, shitty, we're hope sometimes great world, I love that. It can be shitty, it can be hard for people, especially if you don't know how to get out of that negative feeling. And everybody has people that are treating them badly. you've all had struggles. But literally, if you got here, you got through all those struggles, you beat all those people who wanted to bring you down and you won. So you're still here. And there's only tomorrow, you know, to do more. So you have to literally realize he didn't get through all that he didn't deal with all those idiots he didn't deal with all that should be feeling this way today, you gotta like, applaud yourself for where you got and keep on going. So that's, I think, super important.AGAri Gronich12:18Yeah, that was one of the things that I thought of earlier in the conversation when you're talking about celebration. And I think that people forget to celebrate their wins, they're definitely ready to experience their failures, you know, emotionally, but celebrating their wins is, and being grateful for that win each time it comes even if it's tiny, tiny, tiny steps, is an amazing thing for people to do to keep moving them forward and feeling good about it. Even in those moments of hardship, right and struggle. I mean, you went through a lot of years of hardship and a struggle on that path to get that person. And I'm sure that part of what you were thinking is nothing that I'm experiencing as much as what he's experiencing, being in that space. And so using that as part of like cross motivation. And I tell people, you're not done until you're dead. You know, you can't fall off the wagon, there is no wagon. If you're not dead, you're not done. Like, literally at any moment in time, choose to do something different. So move, to fly away, to go on a vacation to rest and breathe and not pick up your phone to do any of these things you are more than capable of because you're a human being. And so I really appreciate you being on and sharing your story, your wisdom, all of the things that got you to a place. And I hope that this that the audience listening really gets that they can do something to activate their vision for a better world and create a new tomorrow today. And it doesn't take a whole lot. It's just one step at a time. So thank you so much for being here. And this has been another episode of create a new tomorrow. I'm your host Ari Gronich. Thank you so much for listening, and we'll see you next time.  

As lockdown restrictions start to ease, Mya-Rose Craig explores how we can expand our birding horizons from our back gardens and regular walks to further afield, paying a visit to the Wildfowl & Wetland Trust's Slimbridge reserve in Gloucestershire which will reopen soon.Writer, broadcaster and actress Emma Kennedy explains her love of birding, stork spotting, RSPB Minsmere and blackbirds singing show tunes – as well as revealing that crows hold grudges for 20 years!18 year old Yetunde Kehinde, a member of the Natural History Museum's Youth Advisory Panel and Action for Conservation ambassador, gives tips on discovering nature in an urban environment.Nature beatboxer Jason Singh talks to DJ & producer El Búho about how he blends birdsong into electronic music to raise awareness about endangered bird species.Host: Dr Mya-Rose CraigMusic Host: Jason SinghGuests: Emma Kennedy, Yetunde Kehinde, Kate Fox, El BúhoProducer: Tom BonnettExecutive Producers: Jane Gerber & Katie DerhamProduction Manager: Cara GhoshalProduction Assistant: Louis FaceySponsors: Severn Trent Water & Swarovski OptikMusic:Podington Bear - Happiness IsPodington Bear - FluorescencePodington Bear - Pink GradientPodington Bear - DeltaPodington Bear - Golden HourChancha Via Circuito - Maca Tobiano from A Guide to the Birdsong of South AmericaEl Bu'ho - Dim Sum from Cenotes EPDengue Dengue Dengue - Remolinera Real from A Guide to the Birdsong of South AmericaDj Jigue - Ferminia from A Guide to the Birdsong of Mexico, Central America & the CaribbeanThe Garifuna Collective - Black Catbird from A Guide to the Birdsong of Mexico, Central America & the CaribbeanBarrio Lindo - Capuchino Pecho Biano from A Guide to the Birdsong of South AmericaBirdsong Recordings:Mike StranksDobroideStragetSoundaticInchadneyJuskiddinkPodcast art by Make ProductionsFollow us:www.twitter.com/getbirdingpodwww.facebook.com/getbirdingpodwww.instagram.com/getbirdingpod Follow Emma Kennedy on Twitter: @EmmaKennedyEnjoy her birding, books and bricks at: www.emmakennedy.co.ukYetunde Kehinde is an ambassador for Action for Conservation. Follow them on Twitter: @Action4Conserv Check out Action for Conservation's new book "How You Can Save The Planet" by Henrikus van Hensbergen https://www.penguin.co.uk/books/317/317556/how-you-can-save-the-planet/9780241453049.htmlThe Wildfowl & Wetlands Trust (WWT) Slimbridge Wetland Centre is a visitor centre open all year and home to thousands of birds, mammals and other wildlife.A massive thank you to the WWT for opening their doors to us early for the Covid-safe recordings featured in the show. WWT Slimbridge Wetland Centre is delighted to be opening their doors again from 12th April. Every person who is coming to visit will need to pre-book. Find out more about El Búho: www.sonidoelbuho.com"A Guide to the Birdsong of Mexico, Central America & the Caribbean” is an album of music inspired by the song of endangered birds with 100% of the profits going towards organisations working to protect them. You can purchase the album on Bandcamp here.Find out more about Severn Trent's biodiversity projects: https://www.stwater.co.uk/about-us/environment/biodiversity/Severn Trent Water is committed to providing a secure supply of clean water across the Midlands. Looking after water means looking after the environment too. As a result, the organisation unveiled ambitious plans to improve biodiversity across the Midlands as part of its Big Green Nature Boost campaign, including reviving 12,000 acres of land (an area bigger than the size of Gloucester), planting 1.3 million trees and restoring 2000km of rivers across the Severn Trent region by 2027. Find out more about Swarovski Optik: https://www.swarovskioptik.com/gb/en/birdingSwarovski Optik, headquartered in Absam, Tyrol, is part of the Swarovski group of companies. Founded in 1949, the Austrian company specialises in the development and manufacturing of long-range optical instruments of the highest precision in the premium segment of the market. The binoculars, spotting scopes and optronic instruments are products of choice for demanding users. The company's success is based on its innovative strength, the quality and intrinsic value of its products, and their functional and esthetic design. The appreciation of nature is an essential part of its company philosophy and is reflected commendably in its environment-friendly production and its long-term commitment to selected nature conservation projects. In January, Swarovski Optik announced Dr Mya-Rose Craig as a partner opinion leader for 2021; she will aim to inspire people from all backgrounds to learn more about the benefits of enjoying nature activities. See acast.com/privacy for privacy and opt-out information.

Yes she's a writer of *breathes in* TV comedy series's (her own and other people's), drama, animation, children's books, memoirs, novels, programme guides and plays but she's also won Masterchef and Mastermind. And she has some very useful advice to writers starting out. Clips performed by: Keith Wickham, Leah Marks, Emma Clarke, Beth Chalmers and Toby Longworth. Emma Kennedy wears many hats. Having trained in and practised law (a hat she then discarded) she has gone on to be an actor, novelist, comedy writer, producer, playwright, presenter, winner of TV competitions and Queen of Lego. You will recognise her face from her roles in TV comedies such as The Smoking Room and Goodness Gracious Me, or from her work with Mel & Sue, or even from her presenting on Comic Relief.  And you'll know her voice from countless Radio 4 shows and podcasts, in particular her work with Richard Herring. Her second book The Tent, The Bucket And Me was turned into TV series The Kennedys. She's written 10 other books, including three for children that feature her character Wilma Tenderfoot. For children's television her writing CV includes episodes of Dangermouse, Strange Hill High and Waffle The Wonderdog, and after the success of her fiction thriller for adults The Things We Left Unsaid last year, a second novel, The Time Of Our Lives is due out next Spring. Episode show notes and more details:  offcutsdrawer.com/emma-kennedy/ Listen to us on whichever podcast app you prefer:  https://offcutsdrawer.com/insta-links/ or if you don't usually listen to podcasts you can hear all the episodes here: offcutsdrawer.com/episodes/

What has Pears Soap, a soprano, bell ringing orphans, a lesbian affair, ritual dowsing, litigation and a Monkey called Mr Titileehee have to do with the advancement of women's rights? Author, actor, comedian, hero Emma Kennedy will tell you from the BP Lecture Theatre at The British Museum and her very own back garden. And yes that is Sue Perkins providing snacks... Emma Kennedy is the author of 10 books. Writer of The Kennedys. Voice of Becky Butters. Writer Waffle the Wonderdog. Celeb Masterchef Champ. Won Mastermind. Excellent at conkers Iszi Lawrence is a comedian and podcaster and contributor to BBC's Making History and presenter of The British Museum Membercast. and on twitter: Please do check out more of iszi's podcasts on and support the show by donating to paypal here:  

Jon Richardson and Emma Kennedy recommend favourite books with Harriett Gilbert.