Immersive experience park in Pleasant Grove, Utah
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WE'RE BACK AGAIN! Adobe craters user trust and also falls under investigation by the government for its awful cancellation policies, and said government finally forces Chiquita to pay for some of its crimes. Also featuring a section I like to call Star Wars: Disney's Evermore Park. BARKING POINT: Extremely bad theme restaurant ideas. Genuinely bad ones, nothing cute-clever. Just genuinely bad ideas for everyone involved. SPONSORS: Xurnami, Varulf, Tillen Shark, Takel, TailStrike, StarKessler, sensual kazoo, Riley, Rei Moonwuff, phillypu, newdarkcloud, Midori Switch Hound, Mewyabby, Lance Leoghauni, Kokiteno, knightly, Graith Ilesanmi, Drifa Jónsdóttir, Dissonant Dragon, Chris, blimpeh, and Aode (Lion)
Today we discuss that our favorite theme park, Evermore has been shut down for good. We also make predictions on what could replace it. Did you like or dislike visiting Evermore Park? Let us know in the comments.
Hello there, friends!! Podcast Episode a bit EARLY for once! But we wanted to share that in just ONE week, our cookbook "A Traveler's Guide to The Lucky Gryphon: Recipes & Regalings" launched for pre-orders on Kickstarter on April 27th! Just ONE week from this posting! If you'd like to be one of the first to be notified for limited early bird discounts sign up for the email notification here. If you'd like to hang out with McKenzie and myself LIVE for a launch party of sorts, we'll be streaming on Twitch.tv/QuincysTavern at 2pm PST/5pm EST! Normal Shoutout Stuff Below of things we got going on: Meet us in person at The Convergence! Which is an in-person event located at Evermore Park in Pleasant Grove, Utah happening May 2-6! It's a fantasy theme park specifically geared towards role-playing and renn faire-type activities. Family-friendly and a great little park for an adventure. Check out McKenzie's Book "A Daughter of the Trolls" now available at Barnes & Noble and Amazon Thank you for joining us on this adventure! If you have any questions or topics you'd like us to possibly discuss on the show, send those inquiries to: TheQuincysTavern@gmail.com Minthie's Library@gmail.com Links: Quincy's Socials McKenzie's Socials Quincy's Tavern Merch Credits: Editor - @lightboxgnome5311 Opening Music "Welcome to Quincy's Tavern" - @ArcaneAnthems --- Support this podcast: https://podcasters.spotify.com/pod/show/quincys-tavern/support
Hello there, friends! Today, McKenzie and I are joined by our friend Cole @lightboxgnome from Florida! Cole has been a friend of mine for a few years and brings that bit of chaos into my life that's needed sometimes. Enjoy! Normal Shoutout Stuff Below of things we got going on: Meet us in person at The Convergence! Which is an in-person event located at Evermore Park in Pleasant Grove, Utah happening May 2-6! It's a fantasy theme park specifically geared towards role-playing and renn faire-type activities. Family-friendly and a great little park for an adventure. Sign up for our Kickstarter of "The Traveler's Guide to the Lucky Gryphon: Recipes & Regalings" and be the first to know when the campaign goes live here: https://www.kickstarter.com/projects/quincylk/a-travelers-guide-to-the-lucky-gryphon-recipes-and-regalings Check out McKenzie's Book "A Daughter of the Trolls" now available at Barnes & Noble: https://www.barnesandnoble.com/w/a-daughter-of-the-trolls-mckenzie-catron/1142929895 Thank you for joining us on this adventure! If you have any questions or topics you'd like us to possibly discuss on the show, send those inquiries to: TheQuincysTavern@gmail.com Minthie's Library@gmail.com Credits: Edited by @lightboxgnome Opening & Closing Song "Welcome to Quincy's Tavern" by Arcane Anthems Links: Quincy's Socials: https://beacons.ai/quincylk McKenzie's Socials: https://linktr.ee/Mckenziecatron Quincy's Tavern Merch: https://thecriticaldice.com/collections/quincys-tavern #quincystavern #podcast --- Support this podcast: https://podcasters.spotify.com/pod/show/quincys-tavern/support
Hello there, friends! Today McKenzie and I are chatting out our recent Disney hosted adventure for what was the #AlltheDisneyThrills event. We're chatting about our experience, accessibility at DisneyWorld, and more! Enjoy this extra long episode to hopefully make up for the lack of one last week! Normal Shoutout Stuff Below of things we got going on: - Meet us in person at The Convergence! Which is an in-person event located at Evermore Park in Pleasant Grove, Utah happening May 2-6! It's a fantasy theme park specifically geared towards role-playing and renn faire-type activities. Family-friendly and a great little park for an adventure. https://www.theconvergence.events - Sign up for our Kickstarter of "The Traveler's Guide to the Lucky Gryphon: Recipes & Regalings" and be the first to know when the campaign goes live here: https://www.kickstarter.com/projects/quincylk/a-travelers-guide-to-the-lucky-gryphon-recipes-and-regalings - Koko the Adventurer Plushy is now available for Pre-Orders until April 20th at Makeship.com: https://www.makeship.com/products/koko-the-adventurer-2-0-plush - Check out McKenzie's Book "A Daughter of the Trolls" now available at Barnes & Noble: https://www.barnesandnoble.com/w/a-daughter-of-the-trolls-mckenzie-catron/1142929895 Thank you for joining us on this adventure! If you have any questions or topics you'd like us to possibly discuss on the show, send those inquiries to TheQuincysTavern@gmail.com or MinthiesLibrary@gmail.com Opening & Closing Song: "Welcome to Quincy's Tavern" by Arcane Anthems Links: Quincy's Socials: https://beacons.ai/quincylk McKenzie's Socials: https://linktr.ee/Mckenziecatron | https://ko-fi.com/mckenziecatron Quincy's Tavern Merch: https://thecriticaldice.com/collections/quincys-tavern #quincystavern #podcast --- Support this podcast: https://podcasters.spotify.com/pod/show/quincys-tavern/support
Hello there, Travelers! Happy Friday! We're back on the couch, chatting about the Renn Faire and some future wishes we'd like to see in life. Hope you're having a wonderful week so far. The Convergence is an in-person event located at Evermore Park in Pleasant Grove, Utah happening May 2-6! It's a fantasy theme park specifically geared towards role-playing and renn faire-type activities. Sign up for our Kickstarter of "The Traveler's Guide to the Lucky Gryphon: Recipes & Regalings" and be the first to know when the campaign goes live here: https://www.kickstarter.com/projects/quincylk/a-travelers-guide-to-the-lucky-gryphon-recipes-and-regalings Check out McKenzie's Book "A Daughter of the Trolls" now available at Barnes & Noble: https://www.barnesandnoble.com/w/a-daughter-of-the-trolls-mckenzie-catron/1142929895 Thank you for joining us on this adventure! If you have any questions or topics you'd like us to possibly discuss on the show, send those inquiries to QuincysTavernPodcast@gmail.com Links: Quincy's Socials: https://beacons.ai/quincylk McKenzie's Socials: https://linktr.ee/Mckenziecatron Quincy's Tavern Merch: https://thecriticaldice.com/collections/quincys-tavern #quincystavern #podcast --- Support this podcast: https://podcasters.spotify.com/pod/show/quincys-tavern/support
Happy Friday, my friends! We're back on the couch. McKenzie was quite excited about this because she had all of these questions lined up to talk about. Let us know your answers to these random and fun questions in the comments below. Normal Shoutout Stuff Below of things we got going on: Meet us in person at The Convergence! Which is an in-person event located at Evermore Park in Pleasant Grove, Utah happening May 2-6! It's a fantasy theme park specifically geared towards role-playing and renn faire-type activities. Family-friendly and a great little park for an adventure. Sign up for our Kickstarter of "The Traveler's Guide to the Lucky Gryphon: Recipes & Regalings" and be the first to know when the campaign goes live here: https://www.kickstarter.com/projects/quincylk/a-travelers-guide-to-the-lucky-gryphon-recipes-and-regalings Check out McKenzie's Book "A Daughter of the Trolls" now available at Barnes & Noble: https://www.barnesandnoble.com/w/a-daughter-of-the-trolls-mckenzie-catron/1142929895 Thank you for joining us on this adventure! If you have any questions or topics you'd like us to possibly discuss on the show, send those inquiries to QuincysTavernPodcast@gmail.com Opening & Closing Song: "Welcome to Quincy's Tavern" by Arcane Anthems Links: Quincy's Socials: https://beacons.ai/quincylk McKenzie's Socials: https://linktr.ee/Mckenziecatron Quincy's Tavern Merch: https://thecriticaldice.com/collections/quincys-tavern #quincystavern #podcast --- Support this podcast: https://podcasters.spotify.com/pod/show/quincys-tavern/support
Hello there, Travelers! We're finally back with another podcast episode. This time, we're just chilling on the couch with no cameras and just hanging out. A little bit of a catch up on what McKenzie and I have been up to these past couple of weeks, but also with an event we have going on in May called The Convergence! The Convergence is an in-person event located at Evermore Park in Pleasant Grove, Utah happening May 2-6! It's a fantasy theme park specifically geared towards role-playing and renn faire-type activities. The Convergence: https://www.theconvergence.events Evermore Park: https://www.evermore.com If you'd like to support McKenzie & Grimm directly: https://ko-fi.com/mckenziecatron Sign up for our Kickstarter of "The Traveler's Guide to the Lucky Gryphon: Recipes & Regalings" and be the first to know when the campaign goes live here: https://www.kickstarter.com/projects/quincylk/a-travelers-guide-to-the-lucky-gryphon-recipes-and-regalings Check out McKenzie's Book "A Daughter of the Trolls" now available at Barnes & Noble: https://www.barnesandnoble.com/w/a-daughter-of-the-trolls-mckenzie-catron/1142929895 Thank you for joining us on this adventure! If you have any questions or topics you'd like us to possibly discuss on the show, send those inquiries to QuincysTavernPodcast@gmail.com Links: Quincy's Socials McKenzie's Socials Opening & Closing Song: "Welcome to Quincy's Tavern" by Arcane Anthems #quincystavern #podcast #cottagecore #cozy #booktube #tavern --- Support this podcast: https://podcasters.spotify.com/pod/show/quincys-tavern/support
From Little Mermaid to Mayor of a fully immersive fantasy theme park, Tannah has played many parts. We talk about what it's like on both sides of the casting call, how acting makes someone empathetic, whether it's more fun to play a hero or a villain, why onesies are an essential piece in one's wardrobe, and so much more in this episode. Tannah is the Assistant Director for Evermore Park and also spends time charming audiences throughout Utah.
PROMO: Month of October, 2022, only -- special edition of this shirt at crazy-cheap price: https://www.bagpipeswag.com/ (the mug too, but it only ships in the USA). Get one of those, tag @bagpipe.swag in a post wearing/using it, and you'll be entered into a drawing on November 1st for a $45 BagpipeSwag.com gift card! --------------------Normal show notes--------------------- Laura has been living to entertain since she was tiny... she's still tiny, but ever since she was especially tiny - from dance routines and flutophones in her childhood to full-immersion fantasy theme park acting, song writing, and (of course) bagpiping today! Tune into this episode to hear James interrupt Laura over and over and over again because he's inexplicably giddy about two people from the same small town knowing a bunch of the same people and places... Here are some links to where you can get glimpses of Laura as, "Piper," at Evermore Park: https://www.youtube.com/results?search_query=piper+evermore+park https://www.youtube.com/channel/UCNgF3G544l-dS75V-Ekml-Q And the helium in bagpipes video as well, of course: https://www.youtube.com/watch?v=DVO-d0eWooY&t=696s - We're on Facebook: https://www.facebook.com/DroningOnPodcast And Instagram: https://www.instagram.com/droning.on.podcast/ - You can write-in to the show with comments, ideas, requests, etc. at TheDroningOnPodcast@gmail.com - Support the show via Patreon (patreon.com/DroningOnPodcast), or by buying cool stuff at BagpipeSWAG.com - - - And now, some keywords: Bagpipes, bagpipe, bag, pipe, pipes, pipe, band, pipeband, Scottish, drone, droning, chanter, Evermore, Park
Welcome to the FuturePerfect Podcast where we talk with compelling people breaking new ground in art, media, and entertainment. This podcast is produced by FuturePerfect Studio, an extended reality studio creating immersive experiences for global audiences. Episodes are released every two weeks, visit our website futureperfect.studio for more details.The text version of this interview has been edited for length and clarity. Find the full audio version above or in your favorite podcast app.For episode 005, Wayne Ashley interviews Nick Fortugno, co-founder of the New York-based game studio Playmatics and designer of numerous digital and non-digital projects, including board games, collectible card games, large-scale social games, and theater.INTRODUCTION AND ROLEPLAYINGHey Nick, thanks for joining us. I'm really excited to dig into some of your background, ideas, projects, and particularly your alternative vision for a future of theater. I see you as a catalyst, a kind of cultural interlocutor making links across different forms of knowledge and practice, and the work you've done really attests to this. You've designed video and board games as well as outdoor public games. You're the co-founder of Playmatics, a New York game studio and the lead designer on many theater works, including Frankenstein AI and The Raven. And of course, one of the lead creators of the blockbuster mobile game Diner Dash. But first I want to go back a bit. Your cousin introduced you to roleplaying when you were quite young and you ran your first game of Dungeons and Dragons at six years old. Is it too much to assume that roleplaying is one of the most critical activities for you, if not a central organizing practice leaking into everything you do? Give us a sense of how roleplaying has activated much of your thinking and practice.Nick Fortugno: I think a central organizing principle is like a good way of thinking about it. It doesn't inform all of my work in a literal sense, but it's the heart of how I think about aesthetics. In Dungeons and Dragons, essentially what you do is you tell stories with other people and you use a rule system to adjudicate disagreement. You have a lot of “I hit you”—“no you didn't” stuff in roleplaying so you need rules to deal with that. When you're storytelling in that system and you're the person responsible for making the story, you don't story-tell the way you do in other forms where you have an idea of the story in your head and you're figuring out how to implement it in a way that will affect the audience. Instead, the players or the protagonists are interacting with you and they're changing it constantly. And so you don't know where the story is going. You have ideas of where you could go, you have ideas of what you might want to happen, but you're really in this collaborative process. And so this idea of improvising and using systems to generate things and being responsive to the interactions of other people is very much at the heart of my work. It's how I teach, how I think about storytelling centrally, and it informs a lot of my aesthetics. So yeah I would not be the person I was today if my cousin Joey didn't teach me D&D (Dungeons and Dragons) in Glen Ellyn, Illinois.DESIGN THINKINGYou're also a prolific researcher, not only of games, but of literature, theme parks, new technologies, and performance. I'm thinking about a previous discussion we had where in one breath you mentioned cultural forms that most people would never bring together in the same conversation. The list is long, but indulge me here: the British theater company Gob Squad, Galaxy's Edge at Disneyland, Harry Potter hotel, the theater collective The Wooster Group, the blockbuster event Sleep No More, the novels of Joyce and Pynchon, Evermore Park in Utah, and the epic video game Elden Ring. This cluster excites me because it's how we think as well, across these kinds of groupings. You also use this concept of affordances to enable you to think systematically across all these activities. Can you say more about that?NF: Affordance is a concept from design thinking, Donald Norman really popularized it. It's the idea that a form has features about it that lead to certain kinds of use. There are things that are intuitive in a way, or natural in a way, that come from a form. If I put a handle in a certain place, you hold the handle and that changes your use of the device. That idea that the forms start speaking to certain kinds of use cases is very central to thinking about interactive design. Because when you're a designer in those spaces you make the affordances. You don't tell users what to do. You give them something and you have them do it. That's why it's interactive. It's not like a roller coaster where I strap myself in and I just ride the rails that were put out in front of me. It's more like a theme park where there's just a bunch of stuff. But I don't go wandering off into the most boring part of the theme park. I go towards the lights, I go towards the sound, I go towards the interactive things. The design of those things that attract me, the things that challenge me, the obstacles and the rewards, all of that stuff moves me around in those spaces. This is central to the way I think about my practice.LITERATURE, PLAY AND AMBIGUITYYou have a BA in graduate study and literature. In our previous conversation, you noted an overlapping relationship between post-war American literature and the kinds of interactive narratives found in gaming. Do I have that right?In our other podcasts I've been really interested in what brings disparate people to these emerging hybrid media spaces. They come from film, dance, theater, visual art, and gaming. I think you're the first person in our podcast series making connections between Pynchon and James Joyce with interactive gaming structures. I'm curious about how you came to make these connections.NF: When I got interested in literature I was drawn to postwar postmodernist approaches to writing, like I'm thinking fifties, sixties, and seventies. But really you could stretch it from a Borgesian and Joycean and Steinean space up through the modern day. There's still authors like Ali Smith doing stuff like this. But when you look at like things like Pynchon and Nabokov in particular, their works start becoming a little bit obsessed with interpretation. Interpretation becomes the center of the novel. The novels become games about interpretations. There are other authors in that space who are really breaking down the sense of what you're supposed to consume from the story because they are, in a meta way, thinking about the fact that you're interpreting them. Whether it's Crying of Lot 49 asking you to think about what communication systems are and then challenging you on how we interpret conspiracies. And that's also all over Foucault's Pendulum. Or a book like Lolita, which is basically laughing in your face about your attempts to understand it. Or Pale Fire for that matter, which I think is an even deeper experiment. What you see over and over again is this idea that the novel is a game that the reader is playing with the novelist. It's not a puzzle. You're not going to get the answer out of it. That's not the point. And certainly postmodern poetry and people like Asbury would argue that if you got one meaning out of a poem, you didn't really read the poem anyway. The work becomes something that you as the audience have some ownership of because it is open to you and because it's an ambiguous object that you have to work with. That's what got me. I was already, just from roleplaying, very used to the idea that I participate in stories and that they come from this relationship with me and the text.So I don't like talking about interactive narrative. I think that's a bad phrase because I I'm always interacting with story. That's not new, what's new is the types of affordances of interaction that I get from stories, and what the possibilities for changing those stories are, and how much the story is a fixed thing that I encounter, and how much the story is flexible to my input. To me, the literature study was partly just giving me an outlet for stories and a place where stories can actually be quite experimental because when you just write it's cheap to make crazy worlds. It's the same amount of ink to write a crazy world as it is to write a realistic one. You can go very far with literature in a way that would be harder to do in film because you have to shoot all that stuff. The drive of novels from the modernist period on has been a drive towards more and more stylistic experimentation and that has been really engaging to me because you start seeing it as almost a formal thing. You can look at it like a structure and then you can see that the structure is doing something. Joyce's Ulysses is an excellent example of that. Each chapter is written stylistically and formally different. There are chapters that are dialogues, there are chapters where the stream of consciousness changes radically, there are chapters that drift, and that's part of the narrative. If you go back to the Oulipo experimentation that Calvino and other French and Italian authors were doing, they were literally creating that whole idea of branching trees. You start to see that there are patterns of structures of story that we can start to establish.That's the approach I take to this question of rhetoric. Exploration is a set of tropes, and branching is a set of tropes. It's similar, whether you're branching in a YouTube video or branching in a choose your own adventure, or branching in a game like Until Dawn. The branching is similar, it has similar tropes. So we can look at it structurally and say, well, what does the structure do? How do the choices in the design of the structure change things independent of content. And then what is the intersection between the content and the structure?DYNAMIC STRUCTURES AND GAMESIt's interesting to note how the strategies found in avant-garde and experimental literature have leaked into, or have become one of the dominant ways of constructing narrative within popular culture, video games, and even marketing. What was on the periphery has, in a sense, moved to the center and become part of the entertainment industry.NF: I think so because as you start moving into more dynamic and particularly digitally dynamic work it starts to have to be structural. Although that spills back into the analog, especially as internet of things (IOT) becomes very reduced in size and cost and technology starts coming back into the real world. You start seeing this there too.I'm riffing a lot on arguments in a book called Expressive Processing by Noah Wardrip-Fruin. If I make a piece of work that changes with every user and produces a different outcome, then the output of that work is not really an analysis of that work. If the work has a hundred thousand possibilities, one possibility is such a small segment of what it could be. That it gives me information as a user, but I can't really critique the work from that perspective. I have to look at the structure because it's procedural, it's not predetermined. And I think as we start moving into works that are like that, and since computers enable us to do that, that's what computers are good at is that kind of dynamic procedural, then we start to see that structural analysis and system design become more and more important. As it does, and we see the affordances that has, we can start pulling those affordances into other forms where we see similar audience relationships. So I don't think: does theater need this? Does film need this? Does installation need this? No, It doesn't need it. You can make good art without it, and obviously we have made thousands of years of good art without it, but the possibilities of the art change when you start seeing those things. That's why I think it's starting to permeate. Digital games are a very big industry and there's been a lot of really interesting storytelling in them. I don't think all people who study this stuff know that because it's locked a bit behind barriers of picking up a PlayStation 4 controller and trying to get through it. Shadow of Colossus, for example, is one of the most important digital works ever made. But not many people experience it because it's a really hard digital game. And it has to be hard. That's part of its aesthetic. But I think that the people who have bridged this are starting to see that you can inherit things from those forms into these other spaces. That's just changing the way we think and then you start to see work in the world that is just more procedural. Work that does just become more dynamic in its nature. Then you end up with stuff like LARP (Live action role-playing) where, you can't make LARP the way you make theater because I don't know what the players are gonna do. So my scripts in LARP can't be like a theater script, it doesn't make sense. I need a structure that will support 40 people running around doing random things.PARTICIPATORY EXPERIENCES DRIVEN BY TECHNOLOGYThis brings me to theater, particularly two participatory theatrical installations that you co-created. First, Frankenstein AI: a monster made by many which was an AI powered immersive experience that premiered at the 2018 Sundance Film Festival. And The Raven, which was performed as part of the Lincoln Center's New York Film Festival in 2019. Tell us what audiences might have experienced when they participated in Frankenstein AI and what was the genesis of that work?NF: Frankenstein AI has had a couple of different forms. Its original form was a small audience immersive experience where you came into a room and you interacted with another audience member at a surface computer that was like built into a table. It was formulated as an artificial intelligence asking you questions about what it was like to be human and you're sort of marking values on the table using a physical computing device that looked like an ouija board. That information was sent to an actual AI that was in a cloud which was used as the seed to determine a mood that the AI had. And then when you finished that exercise, you were brought into a room that was mapped with projections and IOT procedurally played drums and you would have a chance to talk to the artificial intelligence. The artificial intelligence would generate a question and then it would be delivered in text to speech to the audience in the room. And then the audience in the room would direct the docent to type a question into a typewriter and that would be sent back to the AI. This was all formulated where there's this AI that's been created, it has escaped into the internet and it is trying to understand what it is and what humanity is. And it's using the narrative of Frankenstein as this thing that was created that doesn't understand its role as a seed to understand where it's going. The whole thing was essentially a meditation on two things. One is this question of what is AI and what should we be worried about AI? These were the conversations that I had with Lance Weiler and Rachel Eve Ginsburg who were the co-creators of that project. My big argument was that everyone worries about Terminator, but what we should really be worried about is Kafka. AI is not a monster that takes us over. AI is a thing that doesn't understand us and then just acts procedurally in ways we don't understand.This is around the time that Microsoft had released an AI that became wildly racist and we were thinking about what it meant that we're teaching AI and how could we make a piece that gets people to reflect on the idea that we're engaged with artificial intelligence in the world? We are training it and we are going to teach the AI what it does. So if that's the case, what is our responsibility? The whole piece was kind of a meditation on that process. I did the creative technology design on that and some of the interactive narrative design of the sequencing of it. I'm very proud of that piece personally, because it was the first piece of creative technology that I ever actually showed in an exhibit. I worked on the technology that connected all of devices. So it meant that when the AI changed mood, the projections changed, and the drums changed and it pulled the AI's response and then fed that into the speech to text and delivered it into the room. So I basically did the technology that connected the surface tables to the AI, to the projectors, and to the drums. This was a topic of research I've had for a long time about how technology could be used to create these like kind of seamless connections between things. You didn't see anything happen, you just asked a question and suddenly the projections and drums changed. I call that seamless technology—technology that doesn't have clear lines where it connects. I think that could be a kind of magic and that was important to me. What did you learn from producing Frankenstein AI that changed your approaches when you then began to develop The Raven? How does The Raven work as an experience that grew from or built upon your previous work?NF: The Raven was an immersive performance where we allowed an audience into The American Irish Historical Society where they experienced a magically real story of Edgar Allan Poe's The Raven. The center of the technology of the piece was that every user had a lantern that they carried around with them. The lantern was an IOT device that was reading beacons in the space and connected to a central system. The audience also had a set of headphones that were playing audio for them. So most of the audio that was present in the piece came from the headset that was being played based on where they were and based on a character they picked at the beginning of the piece. Everyone was sort of playing a performer in the piece. The performer Ava Lee Scott, who was playing Poe and co-wrote the piece, was moving through the space as Poe meditating with these characters. But you, as the audience, were one of the people that Poe knew from his life or his creations. What Lance Weiler and I carried from Frankenstein AI was this idea that we could create a central technology system that was guiding all these users without having to have actors on top of those users moving them around. And that the storytelling could really be based on their decisions, because it was in part based on where you went and what you encountered. The other thing that Frankenstein AI taught me, in a real sense, was that these technologies could be stable. The work had a server system, that's how it ran, it was a server that was running on a small piece of technology called the Raspberry Pi. We turned it on and on the first day when we were running it we just didn't turn it off. We wanted to see if it would stay up overnight. And then we didn't turn it off for two full weeks. It just ran nonstop for two weeks and it never broke. We never had to restart it. So that taught me these things can be made battle ready. We brought a similar kind of technology to The Raven. There were obviously different technical constraints to The Raven and there were different bugs we were facing, but we went through a similar process of creating a central system that guided the narrative. If we do that right and we have the right affordances to connect to the audience that can take the place of a bunch of docents, a bunch of rules, a bunch of structures, and people can just explore. Then through that exploration they can find story. I should say that we worked with pretty robust technologies on that project. We were in partnership with Microsoft and we were using pretty heavy Azure servers and things like that, but it was not for heavy lifting stuff. It was for reliability of the delivery of the material. And then we built this gigantic XML file that was the branching script of the entire piece so that we knew where people were. We could time lights and sound cues and things like that.THE LIMITS OF THEATERWhat I find compelling about both of these projects is their capacity to posit alternative models for theater's future. They either directly or implicitly suggest that theater needs to be remediated or fixed. For the purposes of this discussion, can I make that assertion?NF: Yeah, I will also defend traditional theater, but… [laughs]That's good [laughs], but what is it about certain kinds of theater that need to be remediated and how are your explorations accomplishing this? I'm very careful to say alternative models and I'm not asking you to generalize. I think from our audience's perspective, people are going to ask: what's wrong with the kind of theater that I do? And why do I need these other systems? Why do I need to even consider these technologies? All these kinds of questions are implied, for better or worse, in the kind of work that you're proposing and the kind of exciting research that you're carrying out.NF: First of all, there's just aesthetic possibilities that are very hard to create in a linear format like theater. Guilt is hard to create in an audience. Triumph is hard to create in an audience because they don't do anything. You can get to shame, but there's types of shame you can't get to. So there's aesthetics that become possible just when someone is culpable and when someone has the ability to achieve. That becomes kind of interesting. Games have lots of emotions attached to victory and failure that can be leveraged in all sorts of interesting and weird ways. There are pieces like The Privilege of Escape, which was an escape room that was a meditation on systemic bias. That's an interesting example of a piece where the designer was trying to use the affordances of games to demonstrate a problem in the world. And games typically do that. There's just pure emotions that are inaccessible to linear media. I think because there aren't affordances for the audience to access them, despite the diversity of emotions that these forms can create. The second possibility is, it's a question of how you want to engage with your audience. As an artist, I don't really like telling people stories, that doesn't really engage me.You're the second person we've interviewed who has talked disparagingly about stories and storytelling. Say more about that.NF: I don't mind being blunt about this. I'm not that interested in my biology. I'm not that interested in my history. I don't find those things that interesting. I don't think I have a vision of storytelling that's so powerful that some muse came to me uniquely and now the word of heaven is coming through my body or something. And this isn't to knock people who do that, there are geniuses who make that work, but that's not how I create and that's not what I do. What I want is to play with you. I want to be able to engage with you and you know, catch the ball you throw and throw it back. And this isn't altruistic just to be really clear, I mean I like doing that with people, but it's also really fun to catch a bunch of balls coming at you in crazy directions and keep the whole thing on track. There's an artistry to that. That's what running an RPG is, it's like throwing track in front of a moving train. So I think that's really powerful and you get things that you would never get otherwise. Similarly, if you jam you get something that you would never get when you compose. The improvisation and the participation of other people leads you to create something new and you can do that with audiences. And you can do that with audiences in ways that don't make crappy, thin, gray, over-democratized work. Because I'm not saying that's not a problem, if you just let everybody come in and cook in the kitchen then you get no food or you get bland food or inedible stuff. Structures make it possible for people to participate in ways that are meaningful, but controlled, that fit within the aesthetic. So people understand what kinds of creations are possible in this space. And that is a whole set of techniques that then allows audiences to come in completely ignorant of what you're doing and then tell a story that they helped make that is still in the aesthetic you wanted. There's a magic to that that I think is really powerful. It opens up whole new kinds of forms and it's a different way of engaging with the world for the audience and I think that's powerful because we haven't really seen it before. There are some experiences like that, but they tend to be very high demand on the creativity or they tend to be gate-kept or they're high skill-based. And what immersive theater can do that I think is unique and independent of digital games and LARPs, is that they can be approachable. I can show up and not really know much and still participate. And I think that's a space that's really powerful. And then the third beat that I just have to mention all the time is that tickets are very expensive to these things. They charge a lot of money to get people into those things. I think that there's opportunity, from a business perspective, if you can figure out the scaling. You're seeing pieces like Particle Ink in Las Vegas which is a piece with projection mapping and dance where they're starting to figure out how to grow the audiences in ways that don't hurt the piece. You start looking at genuine business models for keeping those things up. What are other business models that can keep dancers, actors, and set designers involved? Because none of those people are going away in immersive theater, we need all of those people. We need them the same way we need them in other forms. It's a parallel skill if not an identical skill right. So we're not telling actors they're out of work. We had actors in The Raven, the actor was the center of The Raven in a lot of ways, but the actor was supplemented by all of these other things to create a new form where people can explore and make choices and feel directly engaged.NEW FORMS OF PEDAGOGYGiven this technologically seamless environment within which performance might take place, do you see the training of actors taking a different path? Or different ways for how writers produce scripts? Do we need new kinds of training for scenographers, sound and lighting designers that will accommodate and respond to these ideas and new approaches to performance? NF: Well acting, for example, in these kinds of cases, has a lot more improvisation in it. It's much more deeply based in that kind of improvisation, but it's also a lot about vulnerability. This is something that I'm just going to riff off of a writer and actor that I know Char Simpson would talk about. Char was part of the Blackout Haunted House for many years and talks very much about how they created vulnerability and that the creation of vulnerability was really important. That becomes a different way of thinking about acting. But also the idea that an audience member might ask you your favorite color and you need an answer that seems natural. That's a more roleplaying kind of acting than I think some actors are trained in, of course some actors are good at that. You don't know what's going to happen so you can't write a script the way you would normally write a script. It has to have some variation in it. You have to think about it more like story, like world building. I think directing changes because I don't know when we're gonna hit a specific moment or I don't know what perspective I'm gonna be coming from in a specific moment. So I have to think differently about that too. And you see that in digital games which will sometimes have cut scenes that are very film-like, but they'll also have scenes where users can walk around and watch what's happening. Which is why when we talk about VR we talk more about immersive theater because the viewpoint is not singular, it is a multiple viewpoint environment. So I'm thinking about it more from that perspective. Theater in the round is also relevant here. Again, that's not a new form, but it solved this problem. So maybe VR should look at theater in the round and then learn some lessons for how you keep an audience's attention in a broad space. And in fact, we're getting that big, we could think about station-based theater where people are really just drifting over a whole plaza and engaged in an experience. Are these forms going to change acting, writing, directing and set design? Sure, of course they are because the affordances of the audience are going be different and that's going to lead to different outputs. But it's not like we made up all this stuff just because the technology came along. We had happenings, we had station-based theater, we had rituals.I'm thinking about the Ramlila which I participated in India many decades ago in Varanasi. This is a month-long event that is played out over the entire city in which the inhabitants take on all the various roles. The city performs and becomes an immersive ritual and religious space. So there are absolutely precedences that are centuries old that we can draw upon. I'm thinking about how the pedagogical needs of theater will continue to change in response to these new forms that are becoming more and more central to our lives.NF: Yeah I teach immersive and dynamic narrative and I teach it in the way that we've been talking about. I teach it in this very broad, cut-across-media way. Media does not matter for the purpose of the class, that's not what it's about. It's about the tropes that the media use and how those things relate. And then you see this in disciplines like narratology where people are really coming at narrative from lots of different directions and trying to figure out how stories get told.Another point that's just very important to me is in the intersection of these forms. Because you're not going to get immersive theater from theater alone. There's a bunch of pieces that theater doesn't really know about like interaction design and a sort of multiple viewpoint about the pacing for that kind of stuff. Games understand that, but games don't understand what theater's good at. Games don't understand how you create scenes or understand how you create dramatic power, and games don't understand the value of liveness, frankly. Some of that we can get from LARPs, but LARPs aren't theater either. So it really is in the intersection of all of these fields.I think more of this is happening. You're seeing escape rooms get more theatrical. I think it's too slow, like way too slow. We could have gotten to where we are five years ago and we could be five years ahead of where we are right now. But you're starting to see some of that thinking happen. You're starting to see immersive pieces that are bringing some game elements into them. You can have conversations with people about VR where you talk about digital games and they don't scoff. This focuses again on the ideas of interaction and affordance and how those relate to storytelling that changes the orbit of everything. And then the skills that people have been learning, like the acting, writing, directing, set design, costuming, they all have a place. They're all going to be there, they're just going to circle around a different sun. And that sun is this audience member who can change what you do. That's different.Nick, thanks for all of the conversations we've had. I look forward to working with you. I think you're a really important thinker and maker, and your experiments and research bring a lot of insight into the future of performance.NF: Thank you, I appreciate that there are people like you that are thinking about these problems and working in these problems. Like with your own wonderful work and that podcasts like this exist to have these conversations. I look forward to a really bright future because there's other people like you in it. This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit futureperfect.substack.com
This week we talk about our experience going BACK to Evermore Park. Our return was swift and triumphant. Have you been to Evermore Park? We can't wait to show you our full video from the trip! This podcast is a little precursor to that.
Theme parks are more than just passive entertainment; they can inspire us and even change our lives. For a certain type of creative young person, that strong connection with the art plays a huge role. Josh Steadman built a lifelong passion for becoming a theme park designer that led him to Walt Disney Imagineering in 2011.… Read more... The post 149. Josh Steadman on Shanghai Disneyland, Evermore Park, and Becoming a Theme Park Designer appeared first on Tomorrow Society.
Disneyland has only just confirmed its plans for its long-awaited reopening, but this week decided it was also the time to unveil some exciting expansion plans both for the main California park and its neighbour! We've also got a fresh look at Gangsta Granny at Alton Towers, some new tech coming into use at Magic Kingdom, an update on Taylor Swift's legal battle with Evermore Park, and more! --- Send in a voice message: https://anchor.fm/parkrush/message
Today, we're going to talk about some of the tricky issues entertainment companies face when it comes to making sure that the titles of their TV shows, films, songs, or other expressive works do not infringe on protected trademarks. We are going to discuss the topic in the context of a pending suit between Taylor Swift and Evermore Park in Utah. We'll also discuss how the First Amendment impacts trademark rights in titles, among other issues.We're joined by two lawyers from Haynes and Boone's New York office: Partner Erin Hennessy, who focuses her practice on trademark, copyright, internet and social media issues spanning many industries including media, publishing, technology, retail, fashion and financial services. Erin currently serves as Counsel to the International Trademark Association (INTA) Board of Directors. We are also joined by Associate Annie Allison, who handles a broad range of intellectual property matters, including trademark prosecution, copyright clearance and registration, rights enforcement strategies, brand management and licensing for media, entertainment, fashion and technology companies.
On Track - Trending Topics in Business and Law - by Haynes and Boone, LLP
Today, we’re going to talk about some of the tricky issues entertainment companies face when it comes to making sure that the titles of their TV shows, films, songs, or other works of art do not infringe on protected trademarks. We are going to discuss the topic in the context of a pending suit between Taylor Swift and Evermore Park in Utah. We’ll also discuss how the First Amendment impacts trademark rights in titles, among other issues.We’re joined by two lawyers from Haynes and Boone’s New York office: Partner Erin Hennessy, who focuses her practice on trademark, copyright, internet and social media issues spanning many industries including media, publishing, technology, retail, fashion and financial services. Erin currently serves as Counsel to the International Trademark Association (INTA) Board of Directors. We are also joined by Associate Annie Allison, who handles a broad range of intellectual property matters, including trademark prosecution, copyright clearance and registration, rights enforcement strategies, brand management and licensing for media, entertainment, fashion and technology companies.
#LadyGaga is offering a $500,000 U.S. reward for the return of two of her beloved dogs after they were stolen during an armed robbery Wednesday night. The pop star's dog walker, 30-year-old Ryan Fischer, took her French Bulldogs – Gustavo, Koji and Miss Asia – out near his West Hollywood home just before 10 p.m. local time. He was approached by two black males who demanded he turn over the dogs. Fisher was shot four times in the chest and the thieves fled the scene in a white car with Gustavo and Koji. (0:14) Miss Asia was recovered by police and turned over to one of Gaga's security guards. Fischer was rushed to hospital and is expected to recover. #TaylorSwift is counter suing Evermore Park which is the park that sued her just a few weeks ago over the name of her latest album. Evermore Park in Utah filed a lawsuit since they say they have the trademark for the name and Taylor has not only used the name for her album but also used it on clothing and other merchandise. Taylor's company TAS Rights Management is now suing the park for performing Taylor Swift songs at the park with out a license. They were apparently warned several times by the performing rights organization BMI and chose to ignore the rules. (1:01) Britney Spears has been a hot topic the last few weeks since the release of the documentary #FramingBritneySpears came out in the states and finally we are able to view the documentary since it is being added to Crave in Canada tomorrow. (1:47) The day is finally arriving, we are getting the Billie Eilish documentary called “The World's A Little Blurry” tomorrow! (2:45) Nick Jonas is going to be the host and music guest of SNL coming up this weekend and he is going to join a pretty small group of people who have done double duty on the show. (3:55) Articles by JOHN R. KENNEDY https://www.iheartradio.ca/news/lady-gaga-s-dogs-stolen-in-armed-robbery-1.14654290 https://www.iheartradio.ca/news/taylor-swift-sues-theme-park-that-sued-her-over-evermore-1.14653165 https://www.iheartradio.ca/news/billie-eilish-talks-about-fans-new-album-1.14644689 https://www.iheartradio.ca/news/framing-britney-spears-arrives-in-canada-1.14637382 https://www.iheartradio.ca/news/nick-jonas-launching-spaceman-with-snl-appearance-1.14628111 Watch New Episodes of #TheFilter Every Monday and Thursday! Follow Us: Twitter: https://twitter.com/iHeartRadioCA Instagram: https://www.instagram.com/iheartradioca/ Facebook: https://www.facebook.com/iheartradioca TikTok: https://www.tiktok.com/@iheartradioca
I had a feeling so peculiarThat this pain would be forEvermoreTaylor SwiftHopefully, the pain of this lawsuit won’t be Evermore. Utah Larping and Fantasy theme park Evermore has sued Taylor Swift and her businesses over the Evermore Album. Evermore Park alleges that the album and the merch are infringing and damaging the Evermore trademarks and that there is a high likelihood of confusion. Taylor Swift’s team through PR and her lawyers have said, no, nope, no way. Her team told Rolling Stone that this lawsuit is a money grab of a failing company embroiled in lawsuits during a pandemic. Can’t wait to hear what you think. RESOURCESPrior Podcast Coverage of Taylor Swift Episode 19 - https://emilydbaker.com/podcasts/why-miss-americana-matters/ (https://emilydbaker.com/podcasts/why-miss-americana-matters/) Episode 6 - https://emilydbaker.com/podcasts/can-taylor-swift-sing-her-own-music/ Taylor Swift On YouTubeVideo Podcast Episode https://youtu.be/56tX4D0uG8U (https://youtu.be/56tX4D0uG8U) Quick Taylor Swift Update https://youtu.be/TqGj0fcvYMA (https://youtu.be/TqGj0fcvYMA) Articleshttps://www.nbcnews.com/pop-culture/pop-culture-news/taylor-swift-s-team-changes-folklore-logo-after-accusations-stealing-n1235321 (https://www.nbcnews.com/pop-culture/pop-culture-news/taylor-swift-s-team-changes-folklore-logo-after-accusations-stealing-n1235321) https://www.instyle.com/celebrity/taylor-swift-folklore-merch-rip-off-the-folklore (https://www.instyle.com/celebrity/taylor-swift-folklore-merch-rip-off-the-folklore) https://www.dailymail.co.uk/news/article-9219865/Utah-theme-park-Evermore-sues-Taylor-Swift-2020-album-name.html (https://www.dailymail.co.uk/news/article-9219865/Utah-theme-park-Evermore-sues-Taylor-Swift-2020-album-name.html) Join the Text Crew https://http://www.textemily.com (www.TextEmily.Com) Looking for the YouTube videos? https//http://www.watchemily.com (www.WatchEmily.com) Want to connect with Emily More? https://http://www.instagram.com/theemilydbaker (www.Instagram.com/theemilydbaker)
There's "Bad Blood" this week between Taylor Swift and Evermore park. After her album "Evermore" was released the park stated it infringes on the theme park's trademarked name. Other news follows that, well, interesting story. Of course to end the show the third round of the Trial of Elements commences, where we figure out which FOUR elements make it to the fifth round. SHOWS NOTES: Evermore Park sued Taylor Swift over new album 'Evermore' London Resort theme park moves step closer to reality after clearing first government hurdle CA Assembly introduces bill hopes to speed Disneyland reopening MarioKart Full Ride POV and Queue Released by Universal Parks News Today Six Flags Darien Lake is having a Drive-in Laser Show Mass vaccination site to open in Prince George's County at Six Flags America & New Park President
We finally have an explanation as to why #TheWeeknd keeps wearing bandages on his face. We have seen him in many different stages of injury throughout the last year and then a very interesting look for his last music video “Save Your Tears” where he appeared to have had a bunch of plastic surgery done. He finally explained his reason behind it all in an interview with Variety. All eyes are going to be on The Weeknd this Sunday as he performs the #SuperbowlHalftimeShow. He has reportedly put $7 million of his own money into the performance and said we can expect a cinematic experience. The Weeknd was supposed to spend most of his 2020 on tour but like everyone else he was forced to postpone his tour dates. Yesterday he announced a new list of dates for the tour that has now been moved to 2022. #TaylorSwift is getting sued by a theme park in Utah that's called Evermore Park. They are suing her for copyright infringement for using their name as the name of her most recent album. They said that the name has pushed down the search result for their park when you google it and say that she has financially benefitted off the name with clothes and other merchandise. Taylor Swift's people are saying that the lawsuit is frivolous and irresponsible consider that people won't have too hard of a time telling the different between an album and a theme park. Country singer Morgan Wallen has been dropped from over 400 radio stations in the US and has been suspended from his record label. There were tweets going around claiming that Bebe Rexha passed away, and some tweets even said it was confirmed by CNN. Bebe Rexha, who is very much alive then chimed in tweeting saying “Jeez I stay off line for three days and not only am I dead but I died of a drug overdose?!?!” TJ Osbourne who is one half of the country duo Brothers Osbourne has come out as gay! He did an interview with Time where he explained that he has been out with his friends and family for years but now wants is to be public information. TJ explained that he is not worried about the reaction of country music fans since it's such a small detail about him. Watch New Episodes of #TheFilter Every Monday and Thursday! Follow Us: Twitter: https://twitter.com/iHeartRadioCA Instagram: https://www.instagram.com/iheartradioca/ Facebook: https://www.facebook.com/iheartradioca TikTok: https://www.tiktok.com/@iheartradioca Taylor Swift Sued By Utah Theme Park Over Album Name The Weeknd Announces New 'After Hours Tour' Dates T.J. Osborne Of Brothers Osborne Comes Out As Gay Morgan Wallen Suspended By Label After Using Racial Slur By John R. Kennedy: https://www.iheartradio.ca/news/taylor-swift-sued-by-utah-theme-park-over-album-name-1.14509032 https://www.iheartradio.ca/news/the-weeknd-announces-new-after-hours-tour-dates-1.14508926 https://www.iheartradio.ca/news/t-j-osborne-of-brothers-osborne-comes-out-as-gay-1.14502141 https://www.iheartradio.ca/news/morgan-wallen-suspended-by-label-after-using-racial-slur-1.14500428 The Weeknd Reveals the Significance of His Full-Face Bandages, Ahead of Super Bowl By Jem Aswad: www.variety.com/2021/music/news/the-weeknd-bandages-super-bowl-plastic-surgery-1234898743/
Taylor Swift just got slapped with yet another lawsuit — by an amusement park that’s not amused by the title of her latest album. Ken Bretschneider, the CEO of Evermore Park in Pleasant Grove, Utah, filed the suit
Disclaimer: When we initially recorded this episode we were attempting to continue to do the podcast. As such the contents of us discussing how we are functioning moving forward is incorrect. For the correct update on what is happening to the podcast see the Indefinite Hiatus episode. In this episode we go in depth on how Evermore Epics work. The new changes to the park allow for wonderful participation while staying safe during the pandemic. Stop on in to hear our thoughts on how well they function and where we think they will go! Theme Music Galway Kevin MacLeod (incompetech.com) Licensed under Creative Commons: By Attribution 3.0 http://creativecommons.org/licenses/by/3.0/
With the state of the world and our current lives it is no longer feasible for us to continue forward. As of now the World Talkers: An Unofficial Evermore Fancast will be going on an indefinite hiatus. Find out the details by listening to this update. We have joined Evermore Park in creating amazing experiences for you. Stay up to date by following Evermore Parks social media. Thank you for joining us on this journey. We love you and we hope to see you again soon! Theme Music Galway Kevin MacLeod (incompetech.com) Licensed under Creative Commons: By Attribution 3.0 http://creativecommons.org/licenses/by/3.0/
Your favorite Master of Light and Master of Death make their way to the infamous Evermore Park.... A Giant live action experience.
Podketeers - A Disney-inspired podcast about art, music, food, tech, and more!
This week we're excited to welcome Josh Shipley to the show! Josh worked at Walt Disney Imagineering for 21 years before taking on the challenge of helping develop and run Evermore Park for a couple of years as their Chief Creative Officer. Josh shares stories about his path to becoming an Imagineer and why everyone's path is different. We also discuss his personal thoughts about attraction design and where attractions might be headed in the future. It was a super fun talk that we hope you enjoy! http://www.podketeers.com/321 We're on Patreon! Support for Podkeeters is provided by viewers and listeners like you! We like to call our supporters our Fairy Godparents (they like to call themselves the FGP Squad). You can find more info on how to become part of the FGP Squad family by going to: https://www.podketeers.com/fgp
We took a trip to Pleasant Grove, UT to see if it'd be a place that we'd like to settle. Luckily for us, Evermore Park was within walking distance of our hotel. If you're not sure what the park is all about, check out smorkpoder's video on YouTube: https://www.youtube.com/watch?v=9xh7Z9Rat64 If you have any questions for us we may read them off in a future episode. You can follow us on Twitter at @AAlliesPodcast or reach out by email: adventuringallies@gmail.com Intro and Outro: The Ice Giants by Kevin MacLeod (https://incompetech.filmmusic.io/song/5745-the-ice-giants) Available under Creative Commons Attribution License: https://creativecommons.org/licenses/by/4.0/ --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app
Due to some life happenings we will be delaying our podcast. Rest assured we will be back soon and with even more amazing regular content. Thank you so much for your continued support! Doing this podcast together, for you, is one of the greatest experiences we have. We want nothing more to get back on track with more episodes containing exclusive interviews, in depth reviews, and so so much more. We will be seeing you soon Beyond the Portal! Theme Music Galway Kevin MacLeod (incompetech.com) Licensed under Creative Commons: By Attribution 3.0 http://creativecommons.org/licenses/by/3.0/
Hey Knights! This week we interview the eccentric and talented Cade Peirce, one of the many thespians of the infamous Evermore Park. We talk all about his story, the park, his experiences at the park, and all kinds of good stuff.
Introducing a new episode type Elevating Evermore. In these episode the World Talkers seek to analyze the park through various different lenses. Todays lense is the topic of Humanity. Where there is great art there is much to be interpreted, and Evermore is great art. We hope you enjoy learning about Humaity through stories in Evermore. Let us know your thoughts and interpretations at worldtalkers.podcast@gmail.com We felt it important to date this episode. We state why in the episode. If you would like to learn more about Black Lives Matter, we recommend here as a good place to start. https://blacklivesmatter.com/ Theme Music Galway Kevin MacLeod (incompetech.com) Licensed under Creative Commons: By Attribution 3.0 http://creativecommons.org/licenses/by/3.0/
Chandler, Daniel and Skyler sit down to discuss how we can convince everyone to love Evermore Park! When talking to our friends a lot of them may not be into the unique nature of Evermore. How do we go about convincing them they are wrong? How do we begin the discussion? How do we help them fall in love with Evermore? How can we become better communicators in general? The answer to all these questions and more await you! What are you waiting for?! worldtalkers.com Theme Music Galway Kevin MacLeod (incompetech.com) Licensed under Creative Commons: By Attribution 3.0 http://creativecommons.org/licenses/by/3.0/
Getting deep the these fantasy fan boys talk about the essence of Fantasy. What does it mean in our lives? How does it shape our reality? As they discuss these things they come to a realization that its unique brand of fantasy truly elevates Evermore to a realm of its own. worldtalkers.com Zen with Zodhi: info@evermore.com Coins of the Revenant: Chapter 1: Yet to come. Chapter 2: https://www.amazon.com/Coins-Revenant-Chapter-Evermore-Historium-ebook/dp/B0861JR3CV/ref=sr11?dchild=1&keywords=coins+of+the+revenant&qid=1590542972&sr=8-1 Chapter 3: https://www.amazon.com/Coins-Revenant-Chapter-Evermore-Historium-ebook/dp/B088F6BDWW/ref=sr12?dchild=1&keywords=coins+of+the+revenant&qid=1590543050&sr=8-2 Chapter 4: https://www.amazon.com/Coins-Revenant-Marjories-Evermore-Historium-ebook/dp/B0892Z81JQ/ref=sr13?dchild=1&keywords=coins+of+the+revenant&qid=1590543050&sr=8-3 Evermore Auction: https://www.facebook.com/groups/everfolk/videos/ Ends Thursday May 28th 2020 Why Fantasy Matters by Elizabeth Chapin: https://www.youtube.com/watch?v=xTt_MPydgYg On Fairy Stories by J.R.R. Tolkien: http://heritagepodcast.com/wp-content/uploads/Tolkien-On-Fairy-Stories-subcreation.pdf Theme Music Galway Kevin MacLeod (incompetech.com) Licensed under Creative Commons: By Attribution 3.0 http://creativecommons.org/licenses/by/3.0/
In these uncertain times, how can we all support Evermore Park? In this episode Chandler, Daniel, and Skyler discuss all the varied options that are available to us to help not only Evermore Park but other small businesses as well. Your continued support means so much to us! Thank you for listening and we hope you join us in supporting small businesses in our area! Theme Music Galway Kevin MacLeod (incompetech.com) Licensed under Creative Commons: By Attribution 3.0 http://creativecommons.org/licenses/by/3.0/
The guys got the wonderful opportunity to sit in for Evermore Parks audition process. See the ins and outs as loud squawks and roars fill the air with actors crawling on the ground and jumping on tables. Do you have what it takes to make it through this rigorous auditioning process?! Theme Music Galway Kevin MacLeod (incompetech.com) Licensed under Creative Commons: By Attribution 3.0 http://creativecommons.org/licenses/by/3.0/
Together the boys break down the questions "What is an Everlevel Quest?", "How do I find one?", "How do they differ from a normal quest?" and "What do I need to know to complete one?" All these questions and more await! Also this is Wyatts last episode with the World Talkers. Be sure to stick around until the end to hear Wyatt say goodbye as well as getting to hear a funny moment that was cut from a previous episode. Thank you all for being with us! Theme Music Galway Kevin MacLeod (incompetech.com) Licensed under Creative Commons: By Attribution 3.0 http://creativecommons.org/licenses/by/3.0/
The boys' minds this week have been enlightened. On this Day of Fools, don't let yourselves be distracted by the "so-called" truth! Diving deep into the hidden depths of Evermore lore, the World Fakers point out all the things the government doesn't want you to know! So come along, you Quack Heads and learn about where the dragons went, Demitri becoming an airborne virus, Gudrun Grey becoming the repository of all knowledge, and most importantly how King Otis is Scrooge McDuck's Father?!?!..... wait this can't be right. Oh no watch out! the government is coming forrrrrrrrr.,lkjao;hkljiu;alohiohi;w Theme Music Galway Kevin MacLeod (incompetech.com) Licensed under Creative Commons: By Attribution 3.0 http://creativecommons.org/licenses/by/3.0/
Recommend listening through headphones Using the new story format for telling overall season stories the World Talkers tackle the Aurora 2019 season story! This time, hosts Daniel, Skyler, and Wyatt join together to tell the story of Aurora 2019! Whether you were there or not, there was a lot that happened and this is your chance of hearing some things that you may have missed! People made of ice, Wolves of Winter, mind control pies and chaos surround this great season of Evermore. The story of Aurora took twists and turns and allowed Evermore Park to try new things to tell a story that visitors were able to experience firsthand. This is our understanding of what happened. Did we miss some important parts? Did you experience Aurora differently? Tell us through our email at worldtalkers.podcast@gmail.com (mailto:worldtalkers.podcast@gmail.com) to make sure we have the complete story of Aurora 2019. Theme Music Frost Waltz Kevin MacLeod (incompetech.com) Licensed under Creative Commons: By Attribution 3.0 http://creativecommons.org/licenses/by/3.0/ Songs Winter Night, Grundar, Cold Journey by Alexander Nakarada (www.serpentsoundstudios.com) Licensed under Creative Commons BY Attribution 4.0 License http://creativecommons.org/licenses/by/4.0/ "Free Music No Hope by Open Music Revolution (www.openmusicrevolution.com)" This podcast episode uses many sounds from freesound, for the full list see here: https://freesound.org/people/Skydeceiver/downloaded_sounds/
Your friends, Chandler, Daniel, Skyler, and Wyatt, once again come together to review and discuss both the good and the bad. This time, the World Talkers review Evermore Park's 2019 Aurora season as a whole: The story, the actors, special effects, theme, and everything in between. We ask the hard question of "was Aurora 2019 worth the price of admission?" What did you think of the Aurora 2019 season? Let us know by emailing (mailto:worldtalkers.podcast@gmail.com) us! Help us let the Park know what their fans liked, didn't like, would like to know more about, and so on. Thank you for listening! Theme Music Galway Kevin MacLeod (incompetech.com) Licensed under Creative Commons: By Attribution 3.0 http://creativecommons.org/licenses/by/3.0/
Chandler, Daniel, Skyler and Wyatt have all come together to discuss a intricate and unique problem that Evermore Park faces. People. How people interact with a medium is always difficult to gage, it fluctuates and changes. Secrets in Evermore are like currency. As such what should the guests of Evermore do to best utilize this unique currency? How should Evermore Park best use this to enhance the experience of its guests. Also we are celebrating our 1 year podcast anniversary. Thank you to everyone who has supported us in this journey! We hope to see many more years with you beyond the portal! Like what we do? Consider supporting us through our merchandise (https://www.redbubble.com/people/worldtalkers/works/43098531-world-talkers-fancast-merchandise) or through sponsoring us on Patreon (https://www.patreon.com/worldtalkers)! A huge thank you to all that have supported us! We are excited to continuing to bring you amazing content! Theme Music Galway Kevin MacLeod (incompetech.com) Licensed under Creative Commons: By Attribution 3.0 http://creativecommons.org/licenses/by/3.0/
On New Years Eve 2019, Evermore Park released their collectible card game (or CCG) called Evermore Realms. In this episode, the four World Talkers--Chandler, Daniel, Skyler, and Wyatt--discuss both the highs and the lows of the game. This absolutely stunning game is also a new collectible merch that the park offers. Does Realms stack up to other CCGs out there, or is it simply a beautifully themed merch item that doesn't stand up as a game on its own? Listen today and see for yourself! Also, watch our How To Play Realms video that was released today! You can find that link below. Links: Evermore Realms CCG Community Facebook page (https://www.facebook.com/groups/1233045843565271) Evermore Realms CCG: How To Play (https://www.youtube.com/watch?v=VAiJZ5RTj4g) Let us know what you think the highs and lows are for Realms! Like what we do? Consider supporting us through our merchandise (https://www.redbubble.com/people/worldtalkers/works/43098531-world-talkers-fancast-merchandise) or through sponsoring us on Patreon (https://www.patreon.com/worldtalkers)! A huge thank you to all that have supported us! We are excited to continuing to bring you amazing content! Theme Music Galway Kevin MacLeod (incompetech.com) Licensed under Creative Commons: By Attribution 3.0 http://creativecommons.org/licenses/by/3.0/
If you only had one night at Evermore, how would you spend your time? What would you do and how would you most enjoy yourself? Join hosts and best friends Chandler, Daniel, Skyler, and Wyatt as they discuss how to get the most out of your one night experience at Evermore Park. The guys apply some of the advice found in an article titled 10 Ways to Overcome Fear and Break Out of Your Comfort Zone (https://www.success.com/10-ways-to-overcome-fear-and-break-out-of-your-comfort-zone/) found on success.com. They also explain how to be a good guest and interact with the magic of Evermore. We know you will get as obsessed about Evermore as we are after you visit, but listen and learn how to get the most out of just one night at the fantasy-themed park. Huge shout out and thank you to our newest Patreon donor--Ariel! We truly appreciate those that have chosen to support us through Patreon, and as always, we wanted to say thank you to our donor at the Executive Producer level, Aline!!! You help us keep the magic going and we are so grateful to you! Stay safe friends, and know that we will be seeing you BEYOND THE PORTAL! Theme Music Galway Kevin MacLeod (incompetech.com) Licensed under Creative Commons: By Attribution 3.0 http://creativecommons.org/licenses/by/3.0/
Happy 2020 everyone! This time on World Talkers, we discuss how we chose to ring in the New Year--at our favorite place, Evermore Park! The park hosted a party for New Years Eve and allowed all to come enjoy the celebration with wonderful food, a great atmosphere, fantastic characters and story elements, and some exclusive merchandise for those fans that were able to attend, including Evermore Realms, a collectible trading card game designed to allow fans to bring Evermore home with them. Chandler, Daniel, and Skyler discuss their thoughts on Evermore's New Year's Eve Party. What was good and what could've been better. Join us as we continue to cover all things Evermore and look forward to the amazing things that are coming from Evermore Park! Links The Realms Facebook group: Evermore Realms CCG Community (https://www.facebook.com/groups/1233045843565271/) An Ask Me Anything (AMA) with the Creator of Realms Facebook link: AMA with Chance Le Prey (https://www.facebook.com/chance.leprey/videos/10157518737493941/?post_tag_id=1247827408753781) Consider supporting us through Redbubble merch (More designs and merch coming soon): The World Talkers Redbubble (https://www.redbubble.com/shop/p/38741155.PASRB?utm_source=rb-native-app&utm_campaign=share-product&utm_medium=ios) Thank you again to everyone that supports us either through spreading the word about the podcast, through Redbubble, Patreon, and any and all means. We really appreciate it! Your support only allows us to do this more often and to help spread the word about Evermore Park! Theme Music Galway Kevin MacLeod (incompetech.com) Licensed under Creative Commons: By Attribution 3.0 http://creativecommons.org/licenses/by/3.0/
Come and curl up by the fire as our wacky hosts come together to get to know eachother better. Encouraging kindness, charity and smiles often given discover an all new holiday invented by the World Talkers. Settle in as Chandler, Daniel, Skyler and Wyatt set out on a marvelous adventure to give the gift of getting to know them. They answer questions sent in by listeners and talk about all types of personal goofs that have happened in their lives. In the longest episode yet they send out their love and appreciation for joining them in this grand adventure beyond the portal. Theme Music Beginning "Free Music by Open Music Revolution (www.openmusicrevolution.com)" This podcast episode uses many sounds from freesound, for the full list see here: https://freesound.org/people/Skydeceiver/downloaded_sounds/
Visitors to Evermore Park's Mythos 2019 and Lore 2019 seasons will recognize the name of Reginald Rooster, a man who went from traveling salesman to being an official, honorable knight of Evermore. Daniel and Wyatt had the pleasure of speaking with Archelaus Crisanto, the actor who portrayed Rooster. They discuss the process of being an actor for Evermore, tips on how to get the most of your experience as a guest, and so much more. We want to say thank you to Archelaus for spending time with us and allowing us to geek out with him during this interview, and also, to those listeners who submitted questions for him. Please enjoy this interview with Archie and check out his current project, The Play That Goes Wrong (https://www.pioneertheatre.org/season/2019-2020-season/the-play-that-goes-wrong/) with the Pioneer Theater Company from December 6, 2019 to December 21, 2019. Theme Music Galway Kevin MacLeod (incompetech.com) Licensed under Creative Commons: By Attribution 3.0 http://creativecommons.org/licenses/by/3.0
Come along as our four hosts describe their first impressions of their adventures into the Aurora Portal of 2019. Listen in to hear exciting tales of meeting new towns folk, the council of evermore declaring a state emergency, guild upsets, and the perils of Evermorian banking. This is a sure fire episode you wont want to miss! Theme Music Galway Kevin MacLeod (incompetech.com) Licensed under Creative Commons: By Attribution 3.0 http://creativecommons.org/licenses/by/3.0/
Evermore Park has now officially been open for one whole year, which means Lore has opened once more. With it, all sorts of spooky things were released into the park. Join hosts Chandler, Skyler, and Daniel as they discuss their thoughts on the Lore 2019 season, which also included the Pirate Soiree party. We are also announcing our official Patreon! We want to bring more of the park to you and expand our brand. To do that, we would ask that you take a moment and see if you might be able to support us in this. It is completely optional and, by no means would we look down on anyone for not becoming a patron. We do want to say thank you to all of those that support us, either financially through the patreon or simply by listening to the podcast. You are all amazing! You can become a patron on our new Patreon by clicking here: World Talker Patreon (https://www.patreon.com/worldtalkers) What did you think of Lore? Do you agree with our review? Let us know! We would love to chat with you. Theme Music Galway Kevin MacLeod (incompetech.com) Licensed under Creative Commons: By Attribution 3.0 http://creativecommons.org/licenses/by/3.0/
Kirsten spent all of Lore 2019 as the villainous Tenebris Nox! Now she's come to WWW to let you know how you too can live your best evil life at Evermore Park - without getting into any real-world trouble.
Recommend listening through headphones Introducing a new format for telling the overall season stories! Let us know if you like it or what you would like to hear! This time, hosts Daniel, Skyler, and Wyatt join together to tell the story of Lore 2019! Whether you were there or not, there was a lot that happened and this is your chance of hearing some things that you may have missed! The story of Lore took twists and turns and allowed Evermore Park to try new things to tell a story that visitors were able to experience firsthand. This is our understanding of what happened. Did we miss some important parts? Did you experience Lore differently? Tell us through our email at worldtalkers.podcast@gmail.com (mailto:worldtalkers.podcast@gmail.com) to make sure we have the complete story of Lore 2019. Credit Galway Kevin MacLeod (incompetech.com) Licensed under Creative Commons: By Attribution 3.0 http://creativecommons.org/licenses/by/3.0/ Morgana Rides Kevin MacLeod (incompetech.com) Licensed under Creative Commons: By Attribution 3.0 http://creativecommons.org/licenses/by/3.0/ Almost New Kevin MacLeod (incompetech.com) Licensed under Creative Commons: By Attribution 3.0 http://creativecommons.org/licenses/by/3.0/ Vanishing Kevin MacLeod (incompetech.com) Licensed under Creative Commons: By Attribution 3.0 http://creativecommons.org/licenses/by/3.0/
You knew him as Caderyn during the season of Mythos, and now meet him as TJ Thomas, the actor who brought Caderyn to life in his original form. Daniel and Chandler sit down with TJ and talk about how it was that he went from fan and visitor of the park to being a central character in the story of Mythos 2019. We want to thank all of our listeners and our wonderful friends, the cast and crew of Evermore who have agreed to nerd out with us while being recorded. Thank you to TJ, who is not only an amazing actor, but a huge proponent of mental health (check out his counseling account:@tjthomascouseling (https://www.instagram.com/tjthomascounseling/)), a published author (his book on Amazon: Before the Hook (https://www.amazon.com/Before-Hook-T-J-Thomas/dp/1980423857)), and such a great person! Theme Music Galway Kevin MacLeod (incompetech.com) Licensed under Creative Commons: By Attribution 3.0 http://creativecommons.org/licenses/by/3.0/
This time, only 3 of the 4 guys are on the show. Chandler, Dan, and Wyatt ask each other the question, "What does it mean to be a fan of Evermore?" Listen to our opinions of what a fan of Evermore Park looks like and what it means to be a fan of this wonderful place. The guys also provide a list of awesome fan pages that allow you to connect with members of the Evermore fan community. These include many pages, such as The Evermore Park Community - Everfolk (https://www.facebook.com/groups/everfolk/) and Evermore Theories & SPOILERS (https://www.facebook.com/groups/390617885013991/). If we did not give your account or page a shout out, please know that there were many to choose from, and only had a couple that we could talk about. We also don't know about all of them, so please feel free to email us at worldtalkers.podcast@gmail.com and let us know about your fan creation or page! Theme Music Galway Kevin MacLeod (incompetech.com) Licensed under Creative Commons: By Attribution 3.0 http://creativecommons.org/licenses/by/3.0/
Listen to hosts Chandler, Daniel, Skyler, and Wyatt discuss and recap all the amazing plot points that took place during the last half of the Mythos 2019 season. The Mythos portal has closed, and the season has come to an end... but did the story get resolved? Whether you were there for the finale or not, you will want check out this episode to understand what exactly happened during the Mythos season. Special shoutout to our friend, Ingo, whose comments we shared on this episode. Thanks for the awesome experiences you shared with us and for your comments! Theme Music Galway Kevin MacLeod (incompetech.com) Licensed under Creative Commons: By Attribution 3.0 http://creativecommons.org/licenses/by/3.0/
Listen as Chandler and Wyatt sit down with the amazing talent of Evermore Park. The two guys had the wonderful opportunity to sit down with one of Evermore's cast members, Bobby Cody. Bobby has portrayed the town's fortune teller, Jardani, for the past three seasons. The character he portrays is a wonderful addition to Evermore. We wanted to know more about Bobby, his experience with Evermore, and his fantastic acting background. Bobby Cody is a magnificent actor, creator, and person, who brings his all to every Evermore performance! We had a blast talking with Bobby, and could have kept talking with him for hours and hours. We are pleased to share this interview with everyone! Theme Music Galway Kevin MacLeod (incompetech.com) Licensed under Creative Commons: By Attribution 3.0 http://creativecommons.org/licenses/by/3.0/
This time on World Talkers, Chandler, Daniel, Skyler, and Wyatt visit once more what Evermore Park is and why you would want to go. They also compare and contrast the park with other nerdy things--Tabletop roleplaying games, books, and movies! Thinking about going to the park but want to learn more of what it is? This is a great episode to listen to and share with others that might be interested! Theme Music Galway Kevin MacLeod (incompetech.com) Licensed under Creative Commons: By Attribution 3.0 http://creativecommons.org/licenses/by/3.0/
Three of your favorite Evermore fanboys are joined by a special guest: Lisa, a frequent World Walker and behind-the-scenes World Talker.... that's right, she's an Evermore fanGIRL! Together, we talk about the current happenings in Evermore. Stop on in to learn more about what trouble the Everfolk are getting into. Who is going to win the mayoral election? Who burnt down Lady Violet's barn? Who stole the notes on blood magic from Professor Edgar Beaumont? Do you know? Chase down these leads with your friends, the World Talkers. Theme Music Galway Kevin MacLeod (incompetech.com) Licensed under Creative Commons: By Attribution 3.0 http://creativecommons.org/licenses/by/3.0/
In this Episode our good good boys discuss exactly how to go on a Quest. Answering questions such as: How do we start? What do we say? How do we redeem our quest? What is expected of us? All the things you need to know to get started and get the most out of your experience at Evermore Park. By digging a little deeper you can enhance your questing experience and enter the story! Check out our instagram @worldtalkers (https://www.instagram.com/worldtalkers/) for exclusive content! If you would like to be on our show please call us at (801) 332-9321 or email us at worldtalkers.podcast@gmail.com Theme Music Galway Kevin MacLeod (incompetech.com) Licensed under Creative Commons: By Attribution 3.0 http://creativecommons.org/licenses/by/3.0/
We are proud to welcome Micki onto the show, as we ask her a lot of questions. Micki is a Guest Specialist for Evermore Park. She is one of the first people we see as we visit the park, so we thought she would be the best person to talk with for our first interview. We want to thank Micki for being our first interview on the show! She is wonderful! Say hello to Micki in the park! Check out us out on Instagram (@worldtalkers). Please email us with any questions or comments at worldtalkers.podcast@gmail.com Theme Music Galway Kevin MacLeod (incompetech.com) Licensed under Creative Commons: By Attribution 3.0 http://creativecommons.org/licenses/by/3.0/ Micki is an employee of Evermore Park. Her views are her own and do not necessarily reflect those of her employer.
Evermore's 2019 season of Mythos has officially opened. We took our time and visited the park multiple times to fully see everything. These are our thoughts and impressions on the season of Mythos. In this episode, learn what new things the park has and how we felt about the Mythos season in its opening days. As always, check out our instagram (@worldtalkers) for exclusive content! If you would like to be on the show like Tyler, please call the World Talkers voicemail number at (801) 332-9321 or email us at worldtalkers.podcast@gmail.com Theme Music Galway Kevin MacLeod (incompetech.com) Licensed under Creative Commons: By Attribution 3.0 http://creativecommons.org/licenses/by/3.0/
This episode the four guys discuss what they know about the Mythos season of Evermore Park, which just opened on Saturday, May 25, 2019. We are glad to share our excitement and hopes for Mythos and Evermore Park with you! Thank you for all you do to support both our podcast and Evermore Park. Congratulations to the three winners of the most recent giveaways! Please share our podcast with those in your social circles. The more support we have, the more awesome giveaways and content we can produce about the park! Theme Music Galway Kevin MacLeod (incompetech.com) Licensed under Creative Commons: By Attribution 3.0 http://creativecommons.org/licenses/by/3.0/
Scrapisodes are segments that are too good to be left on the cutting room floor.Lee Liston was interviewed for Episode 6 – In On the Action.His full interview can be found on Patreon. Learn more at lizzylizzyliz.comSupport the show (https://www.patreon.com/LizChristensen)
Show NotesGuests: Alliance LARP Utah Owner and Head of Plot Paul Iverson and Evermore actor Lee ListonThis episode of “In the Telling” is sponsored by BBMTY Studios. A space for independent creators to bring their work to life and show it to the world. Their first comic, "The Box," is available for free on Webtoons and Tapas, and updates every Friday. Get drawn in to the suspense and horror of The Box. Ralph Waldo Emerson said, “It is a happy talent to know how to play.” Carl Jung said, “The creation of something new is not accomplished by the intellect, but by the play instinct.” Theme music by Gordon Vetas.“In the Telling” is hosted and produced by Liz Christensen.Full Interviews available on Patreon. Support the show (https://www.patreon.com/LizChristensen)
Episode 8 is two reviews for the price of one (free) podcast! This week on World Talkers, the four guys announce the winner of the second giveaway hosted on our instagram account (@worldtalkers)! We have a realization and change some of our views on a linear story model, and we review both the New Years Eve party and the Magic Campfire technology demonstration put on by Infinite Kingdoms and Evermore. Theme Music Galway Kevin MacLeod (incompetech.com) Licensed under Creative Commons: By Attribution 3.0 http://creativecommons.org/licenses/by/3.0/
In episode 7, we talk about our thoughts of Evermore Park's season of Aurora. What they did well, what didn't land, and if we thought Aurora was a success... or not. Listen in on if the Aurora season was worth the price of admission for us. Included in this episode is both the winner of our first ever World Talkers giveaway and an exclusive teaser into the upcoming Mythos season for our listening audience only! We had so much fun doing our first giveaway that more are on the way. Check out our instagram (@worldtalkers) to see what is "hatch"-ening there! Theme Music Galway Kevin MacLeod (incompetech.com) Licensed under Creative Commons: By Attribution 3.0 http://creativecommons.org/licenses/by/3.0/
This time on World Walkers, we discuss the story of the Aurora season of Evermore. The winter magic of Aurora has taken over Evermore and a delegation of Auroran leaders arrive to strengthen relations with the Evermore citizens... is that really their goal or is it something much sinister? This episode does contain story spoilers. Thank you to Jon, Kourtney, and TJ for reaching out and showing support to World Talkers. Please feel free to write in with any questions, comments, or feedback for our podcast. Email us at worldtalkers.podcast@gmail.com or check out our social media accounts (@worldtalkers). Theme Music Galway Kevin MacLeod (incompetech.com) Licensed under Creative Commons: By Attribution 3.0 http://creativecommons.org/licenses/by/3.0/
The four fantasy fanboys--Chandler, Daniel, Skyler, and Wyatt, take you on an auditory tour of Evermore Park and explain what to expect when visiting the park for your first time, including tickets, food options, and so much more. Come along with us to Evermore Park! Thank you for your continued support! Please email us at worldtalkers.podcast@gmail.com for any questions, comments, or concerns. Check out our instagram (@worldtalkers) and Facebook (@worldtalkerspodcast) accounts for more Evermore Park content! Theme Music Galway Kevin MacLeod (incompetech.com) Licensed under Creative Commons: By Attribution 3.0 http://creativecommons.org/licenses/by/3.0/
This episode we review the Lore season of Evermore Park. With all that was going on in the village, was anything good? What did the four guys think of the season? The host's answer listener questions. If there is anything you'd like answered on the show, please send it in to worldtalkers.podcast@gmail.com or send it in on any of our social media pages, @worldtalkers. Theme Music Galway Kevin MacLeod (incompetech.com) Licensed under Creative Commons: By Attribution 3.0 http://creativecommons.org/licenses/by/3.0/
The portal to Lore is open and the world is bleak. The people of Evermore are being converted into plant-life at best, and at worst, their minds are being taken over. Can the people of Evermore be saved? If so, who will respond to the call? Find out on the story finale of Lore. A huge thank you to Pit Plum, Rachel, Giselle, and Kelsie for our listener thoughts on the Lore season! Send in yours to worldtalkers.podcast@gmail.com or post on any of our social media accounts (@worldtalkers) We are an unofficial Evermore Park fan podcast and do not own any of the characters, places, or stories told on our podcast. Theme Music Galway Kevin MacLeod (incompetech.com) Licensed under Creative Commons: By Attribution 3.0 http://creativecommons.org/licenses/by/3.0/ Recap Music Dark Ages https://www.free-stock-music.com/
Listen to the guys describe the story of Evermore from the first season. They explain the "seasons" of Evermore Park, the portals that connect Evermore to other worlds, and they explain the goings on of the first season, Lore. Theme Music Galway Kevin MacLeod (incompetech.com) Licensed under Creative Commons: By Attribution 3.0 http://creativecommons.org/licenses/by/3.0/
In episode one, hosts Chandler, Daniel, Skyler, and Wyatt explain what Evermore Park is. Evermore Park, located in Pleasant Grove, Utah, is an immersive, fantasy park. Learn what that means through the eyes of the four hosts. Email us at worldtalkers.podcast@gmail.com or find us on Facebook, Instagram, or Twitter @worldtalkers if you have any questions or to send in your Evermore Experience!
Our guests for this episode are the lead creative team for Evermore Park, a brand new theme park (or “experience park” as they call it) just opened outside of Salt Lake City Utah in late 2018. Josh Shipley (Evermore’s Chief Creative […] The post TA Podcast E5: Evermore Park appeared first on Themed Attraction.
Our guests for this episode are the lead creative team for Evermore Park, a brand new theme park (or “experience park” as they call it) just opened outside of Salt Lake City Utah in late 2018. Josh Shipley (Evermore’s Chief Creative […] The post TA Podcast E5: Evermore Park appeared first on Themed Attraction.
Andrea and Mark discuss whether Mickey and Minnie’s Runaway Railway belongs in Toontown or DCA, Evermore Park in Utah, the upcoming holiday season and much much more! Check out our TeePublic! - https://www.teepublic.com/user/partyoftwo Support us on Anchor! - https://anchor.fm/partyoftwopod Subscribe, tell your friends and follow us on Twitter @PartyOfTwoPod! All Channel Art by @TheClementW on Twitter --- Send in a voice message: https://anchor.fm/partyoftwopod/message
Important conversations and encouraging words to help you make every day a great one.
This episode we talk about a few new movie trailers; "Captain Marvel", "Dark Phoenix" and "Holmes & Watson". There’s a new attraction that Dale went to called Evermore Park, and it is pretty cool. Wanda Barzee just got released from Prison so we discuss the Elizabeth Smart case. Then we end our nostalgia talking about growing up with "The Cosby Show" and his recent sentencing. ********************* Buko Boys podcast can be viewed and heard on YouTube, Apple Podcast, Google Podcast, Spotify, Stitcher, TuneIn, iHeartRadio. Email: bukoboyspodcast@gmail.com Instagram and Facebook @bukoboys ********************* Follow Derek "DVO" on Instagram, Facebook, Twitter, LinkedIn @dvanotten. Also host of "The DVO Show" podcast. ********************* Song credits: Intro: "Roots Dub" by Tribal Seeds Outro: "Pretty Loud" by I-Octane
Len Testa starts off this episode by discussing what changes are in the works for Artist Point at Disney's Wilderness Lodge Resort & Mickey's Backyard BBQ at the Campsites at Disney's Fort Wilderness Resort. Next Jim Hill talks up Evermore Park, that immersive theatrical experience which is about to throw open its doors in Pleasant Grove, Utah. Then Len & Jim discuss how Port Canaveral is getting ready for the next three ships that are about to be added to the Disney Cruise Line's fleet. Learn more about your ad choices. Visit megaphone.fm/adchoices
Len Testa starts off this episode by discussing what changes are in the works for Artist Point at Disney's Wilderness Lodge Resort & Mickey's Backyard BBQ at the Campsites at Disney's Fort Wilderness Resort. Next Jim Hill talks up Evermore Park, that immersive theatrical experience which is about to throw open its doors in Pleasant Grove, Utah. Then Len & Jim discuss how Port Canaveral is getting ready for the next three ships that are about to be added to the Disney Cruise Line's fleet. Learn more about your ad choices. Visit megaphone.fm/adchoices
Sean and Bryan are back from attending FanX Salt Lake City! We asked attendees some Disneyland trivia and interviewed former Disney Imagineer Josh Shipley, the Chief Creative Officer for Evermore Park! We have a sponsor: Get Away Today! Use our referral link to get $10 off any 2+ night Southern California package, tickets included. www.getawaytoday.com?referrerid=7479 or use promo code mainstreet10 Donate to our Patreon! www.patreon.com/wordonthemainstreet Buy a shirt...or something... shop.spreadshirt.com/wordonthemainstreet Contact the hosts: Voicemail: 801.923.2455 Sean - sean.wotms@gmail.com Bryan - bryan.wotms@gmail.com
ThrillGeek Podcast: Disney World, Disneyland, Universal and More!
On this episode of the ThrillGeek Podcast we chat with EverMore Park CEO and creator Ken Bretschneider and Chief Creative Officer Josh Shipley.Official description of EverMore: "Evermore is a place of exploration, wonder, and discovery. It is not a theme park, nor is it an event, discovery, theatrical or thrill park. It is a blend of all of these and more. Evermore is an Experience Park. It’s designed to immerse guests into a world of adventure where they can live within an incredible story, and even build their own. Come witness what lies beyond our gates and create unforgettable memories for the entire family."Visit the official Evermore website here: https://goo.gl/Ry3kFcFollow Evermore on Twitter: https://goo.gl/cU6yf1Like Evermore on Facebook: https://goo.gl/w6S8PrFollow Evermore on Instagram: https://goo.gl/SYvaU1Take a few seconds and REVIEW our podcast on iTunes: https://goo.gl/TyZQXWYou can now find the ThrillGeek Podcast on SPOTIFY! Just search'ThrillGeek Podcast' and follow us for all of the latest episodes!Be sure to subscribe to our NEWSLETTER to keep up to date on all things ThrillGeek, including articles, videos, the latest podcast episodes and more! Visit ThrillGeek.com/newsletter to subscribe!STAY CONNECTED:Like us on Facebook: https://goo.gl/zgDtUzFollow us on Instagram: https://goo.gl/9gMQ4qFollow us on Twitter: https://goo.gl/dF7wgCSubscribe to our YouTube channel: https://goo.gl/HB4baa
Since being handed a clump of clay back in high school, CORY CLAWSON knew he wanted to be a sculptor the rest of his life! Cory is a classmate of Steve’s from his America Fork days. Cory is the Master Sculptor for the upcoming Evermore Park (set to open in July) and also works with […] The post CRE8TIVITY 038: “Sculptor Cory Clawson” appeared first on Utah Podcast Network.
Since being handed a clump of clay back in high school, CORY CLAWSON knew he wanted to be a sculptor the rest of his life! Cory is a classmate of Steve’s from his America Fork days. Cory is the Master Sculptor for the upcoming Evermore Park (set to open in July) and also works with […] The post CRE8TIVITY 038: “Sculptor Cory Clawson” appeared first on Utah Podcast Network.
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