Podcast appearances and mentions of frank galati

Behold – the late, great Edward Lionheart, a Shakespearean actor whose performances in Julius Caesar, Troilus and Cressida, Othello, Cymbeline, and others left him the laughingstock of London theatre critics, is dead.  And yet somehow, someone is knocking off said critics one at a time in truly Shakespearean fashion… albeit with slight alterations to the text.  Shylock may have wanted his pound his flesh – this killer takes the heart.  Joan of Arc might have burned at the stake – this killer fries his victims in a hair salon.  Peregrine Devlin, head of the London Critics Circle, is baffled, as are the police.  And yet – the order of the killings bear a striking resemblance to Lionheart's last repertory season.  What's going on with the Thames-side meths drinkers that have taken up residence in the crumbling Burbage Theatre?  And what might Edward's daughter, Edwina, have to do with everything?  Friends, Romans, Countrymen, lend us your ears – for herein lies the tale of the deceased actor who set out to exact revenge, and succeeded, and the rest – is silence. Intro, Debate Society, Hot for Teacher (spoiler-free): 00:00-26:10Honor Roll and Detention (spoiler-heavy): 26:11-1:07:38Superlatives (spoiler-heavier): 1:07:39-1:28:17 Director Douglas HickoxScreenplay Anthony Greville-Bell, based on an idea by Stanley Mann and John KohnFeaturing Harry Andrews, Coral Browne, Robert Coote, Diana Dors, Jack Hawkins, Ian Hendry, Joan Hickson, Michael Hordern, Arthur Lowe, Robert Morley, Milo O'Shea, Dennis Price, Vincent Price, Diana Rigg, Eric Sykes Ben Viccellio is an actor, writer and Associate Professor of Drama & Film at Kenyon College. His acting credits include the role of Oedipus in Frank Galati's Oedipus Complex at The Goodman Theatre; Cherry Orchard, Theatrical Essays, and the world premiere of Men of Tortuga at Steppenwolf; the role of Petruchio in Short Shakespeare: Taming of the Shrew, Macbeth in Short Shakespeare: Macbeth, and Guildenstern in Hamlet at Chicago Shakespeare Theatre.  Ben has also also acted for film and television, as well as in the odd commercial... some of them, he claims, very odd. His writing for the stage has been produced in Chicago, Los Angeles, New York and Aspen. Our theme music is by Sir Cubworth, with embellishments by Edward Elgar.  Music from Theatre of Blood by Michael J. Lewis. For more information on this film (including why the Professor chose it, on ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Our Blog⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠), the pod, essays from your hosts, and other assorted bric-a-brac, visit our website, ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠scareupod.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠. Please subscribe to this podcast via Apple or Google Podcasts, Spotify, or wherever you get your podcasts. If you like what you hear, please leave us a 5-star rating. Join our ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Facebook⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ group. Follow us on ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠.

Justin Lucero is artistic director of Theater Latté Da, in Minneapolis. In addition to nearly a dozen works directed for El Paso Opera,  Justin enjoys a robust freelance directing career for professional and academic stages, including past work with Abingdon Theatre Company, Pittsburgh Festival Opera, City Theatre (Pittsburgh), Creede Repertory Theatre, University of Texas El Paso, UTEP Dinner Theatre, the University of Houston, and Scaffolding Theatre, of which he was also Co-Founding Artistic Director.  As an assistant and associate director, he has worked with such major institutions as Oregon Shakespeare Festival, South Coast Rep, and Asolo Repertory Theatre under the mentorship of industry leaders including artistic director-producer Bill Rauch, director-playwright Lisa Peterson, director-choreographer Art Manke, artistic director Michael Donald Edwards, director-choreographer Peter Amster, Olivier-winning artistic director Timothy Sheader, Tony-winning playwright-director Mark Medoff, and Tony®-winning director-playwright Frank Galati.  Justin succeeded Theater Latté Da's founding artistic Director Peter Rothstein, who departed the organization at the end of June after 25 years of leadership, to assume a new role as producing artistic director of Asolo Repertory Theatre in Sarasota.

Actor and professor Cindy Gold remembers her friend and colleague Frank Galati, the Academy Award-nominated and multiple Tony Award-winning writer and director who died last January. At a memorial held at Steppenwolf Theatre last Monday, Galati's friends and artistic colleagues (including Mary Zimmerman, Robert Falls; Lois Smith, and Lynn Ahrens & Stephen Flaherty) remembered him as a generous and supportive artist in an event that was an inspiring celebration. Cindy shares her memories of working with Frank on his musical Loving Repeating (for which she won a Joseph Jefferson Award for playing Gertrude Stein); how Frank was a champion of the positive who had the ability to love an actor to a great performance; the joy of experiencing the “full Galati;” her talent to be a muse; and how Frank Galati continues to inspire. (Length 20:04)

Welcome back to News of the Month, where I talk about a few different entertainment news stories that feel important and/or interesting to me. The nominations for this year's Academy Awards were announced on January 24th. I'm here to discuss the nominees in each of the top eight above the line categories. What I'll be doing is go through them one by one, reading out loud all the nominees, give my thoughts, and share some interesting insights about them. From screenplay, to acting, to directing, to the biggest one of all, Best Picture. I also acknowledge the passings of Frank Galati, Melinda Dillon, Lisa Marie Presley, Cindy Williams, and Lisa Loring. Lauren Van Hemert's interview with Cindy Williams: www.podcasts.apple.com/us/podcast/in-conversation-with-cindy-williams If you love this show, please leave us a review. Go to RateThisPodcast.com/karereviewspodcast and follow the simple instructions. Follow Kare Reviews at www.karereviews.net and on Twitter: @KareReviews Also please visit my Patreon page: https://www.patreon.com/jeffreykare?fan_landing=true Follow Jeffrey Kare on Twitter: @JeffreyKare If you like what you've heard here, please subscribe to any one of the following places where the Kare Reviews Podcast is available. Anchor: https://anchor.fm/jeffrey-kare Apple: itunes.apple.com/us/podcast/kare-reviews-podcast/id1453846013 Google: www.google.com/podcasts?feed=aHR0cHM6Ly9hbmNob3IuZm0vcy85NWFhZDFjL3BvZGNhc3QvcnNz Spotify: open.spotify.com/show/6GL69s4zoDQmBcZf3NALTG Breaker: www.breaker.audio/kare-reviews-podcast Overcast: overcast.fm/itunes1453846013/kare-reviews-podcast Pocket Casts: pca.st/47Vw RadioPublic: radiopublic.com/kare-reviews-podcast-6rMdXk --- Support this podcast: https://anchor.fm/jeffrey-kare/support

Bookwaves/Artwaves is produced and hosted by Richard Wolinsky. Links to assorted local theater & book venues   Bookwaves Suzy McKee Charnas, in the 1980s. Suzy McKee Charnas (1939-2023), in conversation with Richard Wolinsky, recorded over Halloween Weekend, 1981 at the World Fantasy Convention in the Claremont Hotel in Berkeley. Suzy McKee Charnas, who died on January 2nd, 2023 at the age of 83, was a novelist and short story writer focusing on fantasy and science fiction. Over a career that began in 1974 with her first novel, Walk to the End of the World, she wrote eleven novels and several short stories, winning both the Hugo and Nebula Awards for Best short stories. She is best known for her tetralogy of novels, The Holdfast Chronicles, beginning with the aforementioned Walk to the End of the World and concluding with The Conquerer's Child in 1999. In 1981, she had just written three novels, focusing on feminist issues in a field that was still dominated by men. Her second novel, Motherlines, which featured no male characters at all, was decades ahead of its time. A lot has changed since 1981, and the interview also serves as a time capsule in terms of both questions and answers, and in regard to feminist writing, publishing and genre writing. She continued to work steadily after 1981, but she wrote no more novels after 1999, though short stories continued to be published. None of her works were adapted for television or film, though she did adapt The Vampire Tapestry for the stage in 2001. The interview aired once shortly after the recording, and was digitized, remastered and edited on January 4, 2023. Complete 29-minute interview.   Artwaves Richard Wolinsky and Frank Galati, 2019. Frank Galati (1943-2023), who died on January 2, 2023 at the age of 79, was a giant in American theatre. A long-time member of the legendary Steppenwolf Theatre Company in Chicago, Frank Galati was winner of Tony Awards for the adaptation and direction of The Grapes of Wrath in 1990, was nominated for an Oscar for co-adapting The Accidental Tourist for the screen, and was the director of Ragtime and The Pirate Queen on Broadway. Frank Galati is also known for adapting several other works for stage and screen. Frank Galati was in the San Francisco Bay Area to direct a production of “Rhinoceros” by Eugene Ionesco at ACT's Geary Theatre, and it was in ACT's offices that this interview took place on May 22, 2019. “Rhinoceros” is considered to be one of the greatest works of political theatre of the absurd. Originally produced in the late 1950s, the play hearkens back to the origins of fascism and how propaganda infects the minds of citizens. At the end of the interview, Frank Galati discusses his upcoming project, a musical version of James Agee's “A Death in the Family,” with music and lyrics by Lynn Ahrens and Stephen Flaherty (Ragtime, A Man of No Importance). The show, titled “Knoxville” made its world premiere at the Asolo Repertory Company in Sarasota Florida in April 2022, and an original cast album was released digitally in October and on disc in November, 2022. First posted as a Bay Area Theater podcast on June 2, 2019. Photos: Richard Wolinsky Complete 42-minute interview.   Book Interview/Events and Theatre Links Note: Shows may unexpectedly close early or be postponed due to actors' positive COVID tests. Check the venue for closures, ticket refunds, and vaccination and mask requirements before arrival. Dates are in-theater performances unless otherwise noted. All times Pacific Standard Time. Book Stores Bay Area Book Festival  Highlights from this year's Festival, May 7-8, 2022 and upcoming calendar. Book Passage.  Monthly Calendar. Mix of on-line and in-store events. Books Inc.  Mix of on-line and in-store events. The Booksmith.   Monthly Calendar. On-line events only. Center for Literary Arts, San Jose. See website for Book Club guests in upcoming months. Kepler's Books  On-line Refresh the Page program listings. Live Theater Companies Actor's Reading Collective (ARC).  See website for past streams. Alter Theatre. Upcoming: Snag by Tara Moses, Pueblo Revolt by Dillon Chitto American Conservatory Theatre  The Headlandsl February 9 – March 5 by Christopher Chen, Toni Rembe Theater. Aurora Theatre Paradise Blue by Dominique Morisseau, Opens January 27, 2023, streaming February 21-26. Awesome Theatre Company. Check website for upcoming live shows and streaming. Berkeley Rep Clydes, by Lynn Nottage, January 20 – February 28, Peets Theatre. Boxcar Theatre. See website for events. Brava Theatre Center: See website for events. BroadwaySF: The Simon & Garfunkel Story, January 18, Golden Gate; Bluey's Big Play, January 21 – 22, Golden Gate; Dear Evan Hanson, January 24 – February 19, Orpheum; Mean Girls, January 31 – February 26, Golden Gate. Bill Maher, live on stage, March 12, 2023. Broadway San Jose: Annie, January 10-15, 2023. California Shakespeare Theatre (Cal Shakes). 2023 Season to be announced. Center Rep: Red Bike, by Carldad Svich, directed by Jeffrey Lo. February  4 – 25, 2023. Central Works Mondragola by Gary Graves, March 18 – April 16, 2023. Cinnabar Theatre. Daddy Long Legs,  January 6 – 22, 2023. Contra Costa Civic Theatre To Master the Art by William Brown and Doug Frew, April 21 – May 21, 2023. Curran Theater: Into The Woods, direct from Broadway, June 20-25, 2023. Custom Made Theatre. Tiny Fires by Aimee Suzara, February 3 – 36, 2023. 42nd Street Moon. Anything Goes, February 23 – March 12, Gateway Theatre. Golden Thread  See website for upcoming productions. Landmark Musical Theater. See website for upcoming shows. Lorraine Hansberry Theatre. Next show to be announced. Magic Theatre. The Travelers by Luis Alfaro, February 15 – March 5, 2023. See website for other theatre events at the Magic. Marin Theatre Company Justice: A New Musical by Lauren Gunderson, February 16 – March 12, 2023. Mission Cultural Center for Latino Arts Upcoming Events Page. New Conservatory Theatre Center (NCTC) Getting There, Jan. 20 – Feb. 26. Tick, Tick … Boom March 3 – April 1, 2023. Oakland Theater Project.  Exodus to Eden by Michael Socrates Moran, in theater, February 3-26, 2023. Pear Theater. In Repertory, Frankenstein by Mary Shelley, a new physical adaptation, Dontrell Who Kissed The Sea by Nathan Alan Davis, February 3-26. 2023. PianoFight. Calendar of shows. PlayGround. See website for upcoming shows. Presidio Theatre. See website for upcoming productions Ray of Light: See website for upcoming productions. San Francisco Playhouse.  As You Like It, a musical adaptation of the play by William Shakespeare, November 17, 2022 – January 14, 2023. Cashed Out by Claude Jackson, Jr., January 28 0 February 25. SFBATCO See website for upcoming streaming and in- theater shows. San Jose Stage Company: Strange Courtesies by L. Peter Callender February 1 – 26, 2023. Shotgun Players. Natasha, Pierre & the Great Comet of 1812 by Dave Malloy. Extended to February 25, 2023. South Bay Musical Theatre: The Spitfire Grill, January 28-February 18, 2023. The Breath Project. Streaming archive. The Marsh: Calendar listings for Berkeley, San Francisco and Marshstream. Theatre Rhino  Streaming: Essential Services Project, conceived and performed by John Fisher, all weekly performances now available on demand. TheatreWorks Silicon Valley. In Every Generation, by Ali Viterbi, January 18 – February 12, Mountain View Center for the Arts. Word for Word. Staged Reading: Two Stories by Toni Cade Bambara, January 23, 7 pm, Z Below. See schedule for additional live and streaming works. Misc. Listings: BAM/PFA: On View calendar for BAM/PFA. Berkeley Symphony: See website for listings. Chamber Music San Francisco: Calendar, 2023 Season, starting February. Dance Mission Theatre. On stage events calendar. Oregon Shakespeare Festival: Calendar listings and upcoming shows. San Francisco Opera. Calendar listings. San Francisco Symphony. Calendar listings. Playbill List of Streaming Theatre: Updated weekly, this is probably the best list you'll find of national and international streaming plays and musicals. Each week has its own webpage, so scroll down. National Theatrical Streaming: Upcoming plays from around the country. Filmed Live Musicals: Searchable database of all filmed live musicals, podcast, blog. If you'd like to add your bookstore or theater venue to this list, please write Richard@kpfa.org             The post Bookwaves/Artwaves – January 12, 2023: Suzy McKee Charnas – Frank Galati appeared first on KPFA.

Frank Galati (1943-2023), who died on January 2, 2023 at the age of 79, was a giant in American theatre. A long-time member of the legendary Steppenwolf Theatre Company in Chicago, Frank Galati was winner of Tony Awards for the adaptation and direction of The Grapes of Wrath in 1990, was nominated for an Oscar for co-adapting The Accidental Tourist for the screen, and was the director of Ragtime and The Pirate Queen on Broadway. Frank Galati is also known for adapting several other works for stage and screen. Frank Galati was in the San Francisco Bay Area to direct a production of “Rhinoceros” by Eugene Ionesco at ACT's Geary Theatre, and it was in ACT's offices that this interview took place on May 22, 2019. “Rhinoceros” is considered to be one of the greatest works of political theatre of the absurd. Originally produced in the late 1950s, the play hearkens back to the origins of fascism and how propaganda infects the minds of citizens. At the end of the interview, Frank Galati discusses his upcoming project, a musical version of James Agee's “A Death in the Family,” with music and lyrics by Lynn Ahrens and Stephen Flaherty (Ragtime, A Man of No Importance). The show, titled “Knoxville” made its world premiere at the Asolo Repertory Company in Sarasota Florida in April 2022, and an original cast album was released digitally in October and on disc in November, 2022. First posted as a Bay Area Theater podcast on June 2, 2019. Photos: Richard Wolinsky.   The post Frank Galati (1943-2023), theatre director and librettist, 2019 appeared first on KPFA.

Kevin McCarthy continued his quest to become Speaker of the House despite losing vote after vote, and residents of Oregon can now legally trip on mushrooms in a clinical setting. The best selling female Country artist of all time, Shania Twain, joins Stephen to talk about her new album and some of the younger artists she's inspired, like her good friend Harry Styles. Check out her new album, ‘Queen of Me,' when it drops on February 3rd. And finally, Stephen pays a heartfelt tribute to Frank Galati. Learn more about your ad choices. Visit megaphone.fm/adchoices

Dean Richards, entertainment reporter for WGN, joins Bob Sirott to provide the latest news in entertainment. Bob and Dean share details about where you can watch the “Elvis” movie for free, Jeremy Renner’s social media update, and the singer who threw a fan’s phone in a pool. They also talk about the death of theater […]

NBA News, NFL News, MLB News, WNBA News, NHL News, Coronavirus impact on the sports & entertainment, CW's Walker Independence, The Winchesters, The Flash, A Farewell to Pele, Uche Nwaneri, Dick Flavin, John Bird, Ruggero Deodato, Steve West, Keenan Cahhill, Robert Dowling, Bill Pence, Don West, Neal Jimenez, Pope Benedict XVI, Bob Nalbandian, Anita Pointer, Jeremiah Green, Gansta Boo, Art McNally, Fred White, Catherine Cyran, Frank Galati, Chris Ledesma, James D Brubaker, Kelly Monteith & Barbra Walters. --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app Support this podcast: https://anchor.fm/on-the-radar/support

Also in the news: Brookfield couple are the first Cook County residents married in 2023; Loyola University to have every game a zero-waste game; Frank Galati, a Chicago theater icon and Tony winner, dead at 79 and more.

Also in the news: Brookfield couple are the first Cook County residents married in 2023; Loyola University to have every game a zero-waste game; Frank Galati, a Chicago theater icon and Tony winner, dead at 79 and more.

Also in the news: Brookfield couple are the first Cook County residents married in 2023; Loyola University to have every game a zero-waste game; Frank Galati, a Chicago theater icon and Tony winner, dead at 79 and more.

Intro: We are in the Great Unraveling - let's knit a new sweater Let Me Run This By You: Thin is In, ETHS Drama teacher Bruce Siewerth's abuse of students, iCarly's creator Dan Schneider's abuse of actors Interview: We talk to Hamilton's own George Washington - Paul Oakley Stovall about family, touring with Hamilton, being fearless, the magic of solving problems behind the scenes, early-age professionalism, quick changes, University of Illinois Urbana- Champaign, almost being a Chemical Engineer, Gary Mills, Don Ilko's quiet championship, Ric Murphy's vocal championship, when Jim Ostholthoff called Paul a supernova, Dr. Bella Itkin's career advice, playing John Proctor in The Crucible and Starbuck in 110 in the Shade, Working by Studs Terkel, Betsy Hamilton, being in Caryl Churchill's Serious Money with Gillian Anderson, Yolanda Androzzo, Minneapolis, playing Jason in Steven Carter's adaptation of Medea called Pecong, the X Files, getting shot in both legs, Matt Scharf, Amy Pietz, Monica Trombetta, performing in Frank Galati's Goodman Theatre's production of Good Person of Setzuan with Cherry Jones, Mary Zimmerman's The Notebooks of Leonardo da Vinci, Journey to the West, working for the Obama Administration, when Phylicia Rashad directed Paul's play Immediate Family at the Goodman and then Mark Taper Forum, KernoForto Productions, Wolf in Waiting with Danilo Carrera, Frederick Douglass, and finding a second home in Ireland.

RAGTIME Book by Terrence McNally | Music by Stephen Flaherty | Lyrics by Lynn Ahrens | Based on “Ragtime” by E.L. Doctorow  Episode Segments:2:12 - Speed Test5:06 - Why God Why10:43 - Back to Before14:14 – Putting It Together28:12 - What's Inside49:26 - How Do You Solve a Problem Like Maria?1:15:34 - Our Favorite Things1:24:54 - Corner of the Sky1:28:10 – What Comes Next?Works Consulted & Reference :Ragtime (Original Libretto) by Terrence McNallyRagtime by E.L. DoctorowRagtime: The Making of a Musical in “The Cultural Critic” by Steve Cohen Great Performances: Creating Ragtime (PBS – 1998)Stars in the House: Ragtime ReunionThe Making of a Musical: Ragtime at The Kennedy CenterSingular Sensation: The Triumph of Broadway by Michael RiedelMusic Credits:"Overture" from Dear World (Original Broadway Cast Recording)  | Music by Jerry Herman | Performed by Dear World Orchestra & Donald Pippin"The Speed Test" from Thoroughly Modern Millie  (Original Broadway Cast Recording) | Music by Jeanine Tesori, Lyrics by Dick Scanlan | Performed by Marc Kudisch, Sutton Foster, Anne L. Nathan & Ensemble"Why God Why" from Miss Saigon: The Definitive Live Recording  (Original Cast Recording  / Deluxe)  | Music by Claude-Michel Schönberg, Lyrics by Alain Boublil & Richard Maltby Jr.  | Performed by Alistair Brammer"Back to Before" from Ragtime: The Musical (Original Broadway Cast Recording)  | Music by Stephen Flaherty, Lyrics by Lynn Ahrens | Performed by Marin Mazzie"Chromolume #7 / Putting It Together" from Sunday in the Park with George (Original Broadway Cast Recording)  | Music & Lyrics by Stephen Sondheim | Performed by Mandy Patinkin, Bernadette Peters, Judith Moore, Cris Groenendaal, Charles Kimbrough, William Parry, Nancy Opel, Robert Westenberg, Dana Ivey, Kurt Knudson, Barbara Bryne"What's Inside" from Waitress (Original Broadway Cast Recording)  | Music & Lyrics by Sara Bareilles | Performed by Jessie Mueller & Ensemble"Your Daddy's Son” from Ragtime: The Musical (Original Broadway Cast Recording) | Music by Stephen Flaherty, Lyrics by Lynn Ahrens | Performed by Audra McDonald"Maria" from The Sound of Music (Original Soundtrack Recording)  | Music by Richard Rodgers, Lyrics by Oscar Hammerstein II | Performed by Evadne Baker, Anna Lee, Portia Nelson, Marni Nixon"My Favorite Things" from The Sound of Music (Original Soundtrack Recording) | Music by Richard Rodgers, Lyrics by Oscar Hammerstein II | Performed by Julie Andrews"Corner of the Sky" from Pippin (New Broadway Cast Recording) | Music & Lyrics by Stephen Schwartz | Performed by Matthew James Thomas“What Comes Next?” from Hamilton (Original Broadway Cast Recording) | Music & Lyrics by Lin-Manuel Miranda | Performed by Jonathan Groff

Pirates. Irish dancing. Queen Elizabeth I. Recorders. MOM?! This week, Paul and Jill examine the multi-million dollar flop that is Claude-Michel Schönberg and Alain Boublil’s The Pirate Queen. This swashbuckling Irish epic stars Stephanie J. Block as Gráinne/Grace O'Malley, with music by the Les Mis duo themselves, all directed by Frank Galati.Our adventurous, sea-faring team asks deep, soulful questions like: what’s Michael Flatley up to lately? Does he want to hang out? How awesome is Irish dancing? And whose sapphically satisfying idea was it to have Stephanie J. Block run around this stage in period dress while wielding a sword?Twitter: @monkeyplaybillsInstagram: @monkeysandplaybillspodEmail: monkeysandplaybillspod@gmail.comPatreon: patreon.com/monkeysandplaybills

Master of Fine Arts Yale School of Drama. Reiki master. Award-winning actor who has frequently trod the boards at Florida Studio Theatre, most recently a few years ago as determined Irishmen in HEISENBERG and OUTSIDE MULLINGAR under Kate Alexander’s direction.  He has also acted at Lincoln Center, the American Shakespeare Theatre, Colorado Shakespeare Festival, DC’s Studio Theatre and even at the Asolo. He counts not only FST’s Kate Alexander and Richard Hopkins as his most-respected mentors but likewise Frank Galati who taught him at Northwestern University to respect the miracle of language and linguistic specificity.  George is also a director, filmmaker, teacher, and playwright. His recent plays have been in service of street theatre educating New Yorkers about what is true and not true about the risks of SarsCoV2 in the wake of the overweening restrictions of New York’s Governor Cuomo. Never a denialist about the real dangers of the health crisis (and, yes, he has lost loved ones), he nonetheless seeks to bring real science to bear to the mainstream media’s spinning of it with his short agit-prop play focusing on the pharmaceutical company’s exploitation of the novel coronavirus, A SARS IS BORN. 

Master of Fine Arts Yale School of Drama. Reiki master.  Award-winning actor who has frequently trod the boards at Florida Studio Theatre, most recently a few years ago as determined Irishmen in HEISENBERG and OUTSIDE MULLINGAR under Kate Alexander’s direction.  He has also acted at Lincoln Center, the American Shakespeare Theatre, Colorado Shakespeare Festival, DC’s Studio Theatre and even at the Asolo. He counts not only FST’s Kate Alexander and Richard Hopkins as his most-respected mentors but likewise Frank Galati who taught him at Northwestern University to respect the miracle of language and linguistic specificity.  George is also a director, filmmaker, teacher, and playwright. His recent plays have been in service of street theatre educating New Yorkers about what is true and not true about the risks of SarsCoV2 in the wake of the overweening restrictions of New York’s Governor Cuomo. Never a denialist about the real dangers of the health crisis (and, yes, he has lost loved ones), he nonetheless seeks to bring real science to bear to the mainstream media’s spinning of it with his short agit-prop play focusing on the pharmaceutical company’s exploitation of the novel coronavirus, A SARS IS BORN. 

Cliff Chamberlain catches up with ensemble member Frank Galati in this conversation that covers Galati's first theatrical experiences, his attachment to Illinois, and what drew him to a career as a director and adapter. A master storyteller, Galati takes a deep dive into some of his most beloved Steppenwolf productions, including The Grapes of Wrath and Kafka on the Shore. Interview begins at 3:03 Frank Galati has been a member of the Steppenwolf ensemble since 1985. Frank won two Tony Awards for his adaptation and direction of Steppenwolf's production of The Grapes of Wrath on Broadway and was nominated for a Tony Award in 1998 for directing the musical Ragtime. Although he is known primarily as a director of epic plays and musicals (Steppenwolf's Homebody/Kabul, Broadway's Ragtime) he is an equally adept actor (Steppenwolf's The Drawer Boy, The Tempest) and adaptor (Academy Award nomination for Best Screenplay for The Accidental Tourist.) he directed his adaptation of Murakami’s Kafka on the Shore at Steppenwolf in 2008. His productions at the Goodman Theatre, where he was an associate director from 1986-2008, include She Always Said Pablo, The Winter’s Tale, The Good Person of Setzuan and Cry the Beloved Country and Mr. Galati is a professor emeritus in the department of performance studies at Northwestern University. He now is an artistic associate at Asolo Repertory Theatre in Sarasota, Florida. Frank is also currently working on a new musical called Knoxville with Lynn Ahrens and Stephen Flaherty. This episode was co-sponsored by Lynn Lockwood Murphy, honoring Aidan Murphy and Kenyon College Class of 2020. The excerpted poetry in this episode is from “The Waking” by Theodore Roethke (1953). Learn more at steppenwolf.org. Want to get in touch? Email halfhour@steppenwolf.org. For a transcript of this episode, got to: https://www.steppenwolf.org/globalassets/half-hour-podcast/half-hour-ep6-transcript.pdf

Announcements. Bay Area Book Festival. A conversation between poets Jericho Brown and Nikky Finney, The Witness We Bear, in conversation with Ismael Muhammed, recorded Friday, June 5, 2020, streaming on the Bay Area Book Festival You Tube channel. The Booksmith lists its entire June on-line schedule of interviews and readings on their website, which includes Lockdown Lit every Tuesday at 11 am. Book Passage author interviews: Janine Urbaniak Reid in conversation with Anne Lamott on Saturday, June 13, 2020 at 4 pm, and Julie Lithcott Haynes in conversation with Paula Farma on Sunday, June 14, 2020 at 4 pm. You can register on the Book Passage website. Theatre Rhino Thursday play at 8 pm June 11, 2020 on Facebook Live is the Doodler Finale, the Castro Murders, Part Two with John Fisher., and Lavender Scare can be streamed through the KALW website.   California Shakespeare Theatre, Friday June 12th, from 5 to 6:30 pm, Direct Address, a panel discussion on anti-racist practices and allyship. Moderated by Lauren Spencer (actor and educator). Panelists: Meredith Smith (People's Institute for Survival and Beyond), Fresh “Lev” White (Affirmative Acts Consulting), Michael Robertson (artEquity), and Jasmin Hoo (Asians4BlackLives, API Equality- Northern California). Registration page. Shotgun Players. Streaming: Arcadia by Tom Stoppard, 2018 production. The Claim, workshop production. June 20, 2020, 5 pm via Zoom, podcast. San Francisco Playhouse. Zoomlets: Short play Table Read, Mondays at 7 pm National Theater At Home on You Tube: The Madness of George III by Alan Bennett. This program features two recent interviews that resonate with the week's protests and with the push toward fascism in Washington. Bookwaves Tayari Jones, whose latest novel is “An American Marriage,” is interviewed by host Richard Wolinsky. Tayari Jones is the author of the novels Leaving Atlanta, The Untelling, Silver Sparrow, and her latest, An American Marriage (Algonquin Books, February 2018). Her writing has appeared in Tin House, The Believer, The New York Times, and Callaloo.  A member of the Fellowship of Southern Writers, she has also been a recipient of the Hurston/Wright Legacy Award, Lifetime Achievement Award in Fine Arts from the Congressional Black Caucus Foundation, United States Artist Fellowship, NEA Fellowship and Radcliffe Institute Bunting Fellowship. “An American Marriage” deals with a African American spouses torn apart by the unjust arrest and imprisonment of the husband after an accusation by a white woman at a motel, and how both husband and wife deal with the following few years. Tayari Jones website. Extended Radio Wolinsky podcast.   Art-Waves Richard Wolinsky & Frank Galati. Frank Galati, director of “Rhinoceros” by Eugene Ionesco, which ran last June at ACT's Geary Theatre in conversation with host Richard Wolinsky. Frank Galati is a long-time member of the legendary Steppenwolf Theatre Company in Chicago, and has taught at Northwestern University. The winner of Tony Awards for the adaptation and direction of The Grapes of Wrath in 1990, was nominated for an Oscar for co-adapting The Accidental Tourist for the screen, and was the director of Ragtime and The Pirate Queen on Broadway Frank Galati is also known for adapting several other works for stage and screen. “Rhinoceros” is considered to be one of the greatest works of political theatre of the absurd. Originally produced in the late 1950s, the play hearkens back to the origins of fascism and how propaganda infects the minds of citizens. Extended 41-minute Bay Area Theatre podcast.                                   The post Bookwaves/Artwaves – June 11, 2020: Tayari Jones – Frank Galati appeared first on KPFA.

Welcome to the fourth episode of the all new Broadway Babies Podcast! In this episode, Stephanie and Noelle welcome Emojiland co-writer and star, Laura Schein! We are so happy you are joining us and hope you enjoy our podcast. If you have any questions, comments or topics you would like us to discuss, let us know on Facebook or Twitter! Stay safe and healthy and thank you for listening! Chicago native Laura Schein has been singing, dancing, and acting professionally since the age of 10. Her acting credits include Showtime's Masters of Sex, Weeds, YouTube Originals' Sing It!, multiple award-winning indie films, and roles at theaters such as Geffen, Goodman, Center Theatre Group, Goodspeed, Court Theatre, Victory Gardens, Sacred Fools, and Manhattan Theater Club. She co-created the improvised series Crystal’s Balls for Funny Or Die, for which she received an LA WebFest "Outstanding Lead Actress" nomination. As a child actor, she guest starred opposite Kyle Chandler and Luis Guzman on CBS' Early Edition, and Joan Cusack on ABC's What About Joan, and played Little Girl in the first national tour of Frank Galati's Ragtime. Her dancing has been featured in films and live shows, and a music video for The Killers. She’s also toured symphony halls around the country singing and dancing with Jason Alexander in his live show An Evening With Jason Alexander. An accomplished songwriter and lyricist, Laura co-wrote the Kelly Clarkson/Janelle Monae duet “Unbreakable” for the UglyDolls film, which was shortlisted for the 2020 Academy Awards. She is one of the co-creators and stars of the new musical Emojiland, which premiered off-Broadway in January 2020 garnering a rave review and critic’s pick from The New York Times. She’s currently writing on a musical series for Jeffrey Katzenberg at Quibi. Laura is a graduate of Northwestern University. --- Stephanie Andersen (Bare: A Pop Opera, Original Cast, Cast Recording and Revival) and Noelle Hannibal (Hair: 20th Anniversary Production, Star Trek, Buffy) and are professional performers and fangirls with a deep and never-ending love for musical theatre. Join them as they chat about all things Broadway on this special podcast which will feature interviews with some of Broadway's most beloved stars. --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app Support this podcast: https://anchor.fm/broadway-babies/support

We were thrilled to have Erica Daniels Strater join us in the Booth, starting our next 100 episodes off in style! She has been an agent, casting director, Associate Artistic Director, president, and now Executive Director. All at top-flight companies. Erica has so many dear friends in the Chicago theatre community. She helped us all out when we were with small companies who needed casting help and couldn't afford our own casting directors. Her email response would come back pronto with a list of really great suggestions for a role. Early in her career, she joined her close friend and mentor, Martha Lavey, in choosing to make the effort to pay attention to smaller companies and emerging talents and to lend a hand up. A graduate of Northwestern University with a degree in Performance Studies, she studied with an amazing group of artists, including Martha Lavey, Frank Galati, Mary Zimmerman and Dwight Conquergood. When she graduated and was planning to start auditioning, Erica broker her foot. While she was recuperating, she thought maybe she could help out in a casting director's office. She worked in Jane Brody's office, then Shirley Hamilton's, two of the best casting people in Chicago. Then, after an exciting stint as the Theatre Department coordinator at William Morris in New York, she went to work for Steppenwolf as their in-house casting director. She was then promoted to Associate Artistic Director and did a wonderful job in that capacity while continuing to do their casting. She is providing great leadership at Victory Gardens, collaborating with her partner, Artistic Director Chay Yew. Erica is eloquent about Victory Gardens' mission to "be a leader in developing and producing new work and cultivating an inclusive theater community." We have seen so many marvelous productions there, most recently, Tiny Beautiful Things. Erica and Chay were listed as #1! in New City Stages' feature: Players 2019: The Fifty People Who Really Perform for Chicago.. Gary talks to Erica about getting her start in the business, what she looks for in an actor, the audition process, working with directors to cast just the right actor for the role, and what challenges an Executive Director of a Tony Award-winning Chicago off-loop theatre faces on a daily basis. You'll find Erica to be eloquent and forthright in her responses. Just a joy to have as a guest in the Booth. Kiss of Death: Franco Zeffirelli, Italian director with a penchant for excess. Renowned for his extravagantly romantic opera productions, immensely popular film versions of Shakespeare and an active and sometimes controversial social life. Wiki tells us he was one of the only living people traceably consanguineous with Leonardo da Vinci. Mr. Zeffirelli was 96.

Actress & Singer Erin Mosher recently performed in Meatloaf's BAT OUT OF HELL Musical at City Center in New York City.  Her previous theatrical credits include the role of Amneris in Sir Elton John’s musical adaptation of AIDA at Drury Lane Theatre in Chicago, The 39 Steps as well as the role of Janet Van DeGraff in The Drowsy Chaperone at Flat Rock Playhouse.   Erin played the role of Mrs. Dearly and Tabby Cat in the 1st National Tour of 101 Dalmatians  directed by Tony Award Winning director Jerry Zaks which also had a successful run at the Madison Square Garden Theatre in New York City.  Additional Theatrical Credits:  Melanie in Deep Cover with music direction by Larry Pressgrove (Title of Show), Asian Tour of Jekyll and Hyde (the role of Emma) with Rob Evan and Mandy Gonsales; the Las Vegas production of Mamma Mia! at the Mandalay Bay Resort; Irene in Crazy For You, Sandra in All Shook Up, Fantine in Les Miserables, Percy in The Spitfire Grill, Sarah in Frank Wildhorn’s For the Glory with Michael Lanning, Rob Evan, and Keith Byron Kirk; Stephen Flaherty and Frank Galati’s Loving Repeating. Visit www.erinmosher.com Follow her @erin.m.mosher  --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app --- Send in a voice message: https://anchor.fm/confessionsofanactress/message Support this podcast: https://anchor.fm/confessionsofanactress/support

KPFA theatre critic Richard Wolinsky reviews “Rhinoceros” by Eugene Ionesco, directed by Frank Galati, at ACT Geary Theatre through June 23, 2019. ACT website The post Review: Rhinoceros by Eugene Ionesco, at ACT Geary appeared first on KPFA.

Frank Galati, director of “Rhinoceros” by Eugene Ionesco, at ACT's Geary Theatre through June 23, 2019, in conversation with host Richard Wolinsky. Frank Galati is a long-time member of the legendary Steppenwolf Theatre Company in Chicago, and has taught at Northwestern University. The winner of Tony Awards for the adaptation and direction of The Grapes of Wrath in 1990, was nominated for an Oscar for co-adapting The Accidental Tourist for the screen, and was the director of Ragtime and The Pirate Queen on Broadway Frank Galati is also known for adapting several other works for stage and screen. “Rhinoceros” is considered to be one of the greatest works of political theatre of the absurd. Originally produced in the late 1950s, the play hearkens back to the origins of fascism and how propaganda infects the minds of citizens.   The post Interview: Frank Galati: Ionesco's “Rhinoceros” at ACT Geary appeared first on KPFA.

3-10-19 Interview My second interview with Frank Galati, six years after the first, picks up where the first left off. In it Frank describes his theatrical adaptations of the works of Japanese novelist Haruki Murakami. Some of which were then translated back into the Japanese and other languages as well. He talks about his love […]

3-10-19 Interview Frank Galati is “in his bones a theatre person.” But despite many hints along the way: his delight in mugging before the picture window in his family home, entertaining friends and family with antic behavior, the play he wrote and directed in High School, and spending most of his time in College and […]

We welcome to the Booth this week the very talented and vibrant Jerre Dye. Recommended by a recent genius guest, Cecelia Wingate, Jerre is a Southerner by birth, having grown up in a small town in Mississippi. He is a playwright, actor, director and opera librettist, now living in Chicago. Fellow Mississippi playwright Beth Henley, whose play Crimes of the Heart earned her a Pulitzer Prize in 1981, praises his lyrical voice and distinctly Southern sensibilities, proclaiming him "a vibrant force in the American theater." Jerre's plays Cicada and Distance were both nominated for Joseph Jefferson awards. First off, Frank tells us about seeing our friend Christine McHugh's one-woman play Parents Must Be Dead at the Greenhouse Theatre. By all accounts, the evening was a smashing success, with a full house and great audience response. Congratulations, Christine! We learn that the somewhat odd title refers to a friend of Christine's preference listing on a dating website. A bit maudlin, but at least he's honest. Gary reminds our listeners that they can hear the Booth One crew interviewed on the Rick Kogan After Hours radio program on the WGN website. To listen to Rick's jaw-droppingly generous words about our show, click here. Jerre takes us through his upbringing, his school days in Memphis, and his foray into acting in Hollywood. Big brother John Dye was his mentor, inspiration and role model. Highlights from his LA days include teaching Lily Tomlin how to clog(!?) and appearing as a dancer in the 1993 film of The Beverly Hillbillies with Jim Varney. His mentor at University of Memphis was Gloria Baxter, who was a classmate and friend of Frank Galati's at Northwestern. As film fans, we love a well-written movie review, even if it's a pan. A couple of snippets from the the recent Keanu Reeves/Winona Ryder film reviewed in the NY Times: "'Destination Wedding' is torture."; "Nothing is as ailing as the screenplay." Almost worth going to see it just for the train wreck! Jerre talks about becoming an opera librettist and how that writing style and process differs from, and is similar to, his playwrighting. He first got involved with opera six years ago doing a project in Memphis creating several different stories about the people who worked at a now-shuttered Sears distribution complex. His opera career has advanced from there to the point where he's now at work on a project called Taking Up Serpents with composer Kamala Sankaram to be presented by Washington National Opera at the Kennedy Center. The piece runs January 11-13 in Washington. Jerre has many other projects in the works and we're excited to see them come to life. As Jerre says, "Everybody's born with a story. It's like a spell." In our Good Times and Bum Times segment, you'll hear about the first raw-meat vending machine now operational in upstate New York (a dream invention for carnivore Gary), and you'll meet Jessie, the foul-mouthed Macaw who shocked rescuers on a London roof top with a barrage of F-bombs. Jerre and the boys play a little Chat Pack and we learn about Olympic dream events, books they would write, and least-favorite education courses they've taken. As always, this segment reveals some fascinating insight into our guest and hosts. Kiss Of Death: Nabi Tajima, recognized as the World's Oldest Person Born in 1900 in Araki, Japan, Ms. Tajima was the last known person born in the 19th century, and one of the few people who could recall a time before World War I. She had nine children and 160 descendents, including great-great-great grandchildren. Nabi Tajima was 117. Read the full Washington Post article here.    

This is a black arts and culture site. We will be exploring the African Diaspora via the writing, performance, both musical and theatrical (film and stage), as well as the visual arts of Africans in the Diaspora and those influenced by these aesthetic forms of expression. I am interested in the political and social ramifications of art on society, specifically movements supported by these artists and their forebearers. It is my claim that the artists are the true revolutionaries, their work honest and filled with raw unedited passion. They are our true heroes. Ashay! 1. We open the show with an interview with Jeffrey Brown ( director of SOLD) and Neerja Naik actress and Associate producer SOLD. The film opens in Bay Area Theatres Friday, April 15. Visit http://www.soldthemovie.com/about-the-movie/ 2. We speak next to a Bay Area entrepreneur, Bobo Kwame of BOBO Kwame Designs founded in CA. 3. We speak to William Hartfield (most recently seen in "The Gospel of Lovingkindness") playing Tom Joad and actor, Francisco Arcila, who plays Noah Joad, in Ubuntu Theatre Project's production of The Grapes of Wrath by Frank Galati, Apr. 6-24, at Oakland City Church, 2735 MacArthur Blvd. TheGrapesofWrath.brownpapertickets.com/

This week on the Talk Theatre In Chicago podcast Tom Williams talks with actor Frank Galati who adapted and directed The March which is currently playing at the Steppenwolf Theatre. He talks about the show as well as his career.

Lyricist Lynn Ahrens (1998 for Tony for Best Original Score with Ragtime), producer Garth Drabinsky (Tony Award winner for Kiss of the Spider Woman), composer Stephen Flaherty (1998 for Tony for Best Original Score with Ragtime), director Frank Galati (two 1990 Tony Awards for The Grapes of Wrath), book writer Terrence McNally (four-time Tony Award winner for Kiss of the Spider Woman, Love! Valour! Compassion!, Master Class and Ragtime), and advertising representative Jon Wilner discuss the journey of the American musical Ragtime -- from adapting E.L. Doctorow's novel, to comparisons with the 1981 film, through numerous workshops, to the full-scale Toronto and Broadway productions.

Lyricist Lynn Ahrens, producer Garth Drabinsky, composer Stephen Flaherty, director Frank Galati, book writer Terrence McNally, and advertising representative Jon Wilner discuss the journey of the American musical "Ragtime" -- from adapting E.L. Doctorow's novel, to comparisons with the 1981 film, through numerous workshops, to the full-scale Toronto and Broadway productions.