Podcast appearances and mentions of Jim Varney

On the latest episode of the podcast, Jamie discusses a series of books she calls 'Diary of a Wimpy Pants Kid', Doug thinks about a romantic encounter involving a karate routine way more often than he should, and we both thought we were watching the wrong movie for the first 5 minutes. Don't jerk off your mentally challenged camp counselor, be sure to get your poison ivy shots before going to camp, and join us as we try and understand the appeal of this character while discussing, Ernest Goes to Camp!Ernest Goes to Camp is a 1987 film directed byJohn Cherry III and starring Jim Varney, Victoria Racimo, John Vernon, Lyle Alzado & Iron Eyes Cody.Visit our YouTube ChannelMerch on TeePublic Follow us on TwitterFollow on InstagramFind us on FacebookDoug's Schitt's Creek podcast, Schitt's & Giggles can be found here: https://podcasts.apple.com/us/podcast/schitts-and-giggles-a-schitts-creek-podcast/id1490637008

Getting access to WCW content is a bit difficult at the moment, so in the meantime, we're headed back to the movies! During the buildup to Halloween Havoc 1996 - which we'll hopefully get to soon - Hulk Hogan was busy playing aging children's martial arts show star Dave Dragon in "3 Ninjas: High Noon at Mega Mountain." It was even featured on Nitro at one point - albeit in a way I suspect the filmmakers would rather it had not. As for the actual film... When a paramilitary / ninja group takes over a theme park that coincidentally happens to be the site of youngest brother Tum Tum's birthday party (attended by precisely zero of his friends), the 3 Ninjas - Rocky, Colt, and Tum Tum - fight back, accompanied by new friend Amanda, a special effects whiz (somehow, special effects prop building includes hacking, so I expect to see that on Adam Savage's "Tested" channel any day now). Can the 3 Ninjas save the park guests? Can Dave Dragon, stage show star, become a real hero and stop getting knocked out easily every other scene? Has anyone writing the hacking scenes in this movie even seen a computer before? Plus: Copying Die Hard's homework, some extremely confusing villain plans, Jim Varney - Ernest himself - manages to play a scary villain for a few minutes before it starts going as expected, and a rich dude gets humiliated for nothing more than being a rich dude. For all this and more...let's go to the movies!Music by Michael Gary Brewer at https://www.instantmusicnow.com/Follow us on Facebook at https://www.facebook.com/LetsGo2theRing/

https://m.ebay.co.uk/sch/i.html?sid=tindogpodcast&_pgn=1&isRefine=true&_trksid=p4429486.m3561.l49496 Atlantis: The Lost Empire is a 2001 American animated science fiction adventure film directed by Gary Trousdale and Kirk Wise, produced by Don Hahn, and written by Tab Murphy. Produced by Walt Disney Feature Animation, it stars Michael J. Fox, James Garner, Cree Summer, Don Novello, Phil Morris, Claudia Christian, Jacqueline Obradors, Florence Stanley, David Ogden Stiers, John Mahoney, Jim Varney, Corey Burton and Leonard Nimoy. Set in 1914, the film follows young linguist Milo Thatch, who gains possession of a sacred book, which he believes will guide him and a crew of mercenaries to the lost city of Atlantis. Development of the film began after production had finished on The Hunchback of Notre Dame (1996). Instead of another musical, directors Trousdale and Wise, producer Hahn, and screenwriter Murphy decided to do an adventure film inspired by the works of Jules Verne. Atlantis: The Lost Empire was notable for adopting the distinctive visual style of comic book artist Mike Mignola, one of the film's production designers. The film made greater use of computer-generated imagery (CGI) than any of Disney's previous traditionally animated features and remains one of the few to have been shot in anamorphic format. Linguist Marc Okrand constructed an Atlantean language specifically for use in the film. James Newton Howard provided the film's musical score. The film was released at a time when audience interest in animated films was shifting away from traditional animation toward films with full CGI. Atlantis: The Lost Empire premiered at the El Capitan Theatre in Hollywood, Los Angeles, on June 3, 2001, and went into its general release on June 15. The film received mixed reviews from critics. Budgeted at around $90–120 million, Atlantis grossed over $186 million worldwide, $84 million of which was earned in North America; its lackluster box office response was identified as a result of being released in competition with Shrek, Lara Croft: Tomb Raider, The Fast and the Furious and Dr. Dolittle 2. As a result of the film's box office failure, Disney cancelled a planned spin-off animated television series, Team Atlantis; an underwater Disneyland attraction; and a volcanic Magic Kingdom attraction based on it. Atlantis was nominated for several awards, including seven Annie Awards, and won Best Sound Editing at the 2002 Golden Reel Awards. The film was released on VHS and DVD on January 29, 2002, and on Blu-ray on June 11, 2013. Despite its initial reception, reception in later years became favorable and has given Atlantis a cult following[5] and reappraisal from critics as a mistreated classic, due in part to Mignola's unique artistic influence.[6][7] A direct-to-video sequel, Atlantis: Milo's Return, was released in 2003. Plot In 1914 Washington, D.C., archaeo-linguist Milo Thatch obsesses over finding the legendary lost city of Atlantis, believed to have sunk thousands of years ago. His employers ridicule his theories, but he gains an unexpected ally in eccentric millionaire Preston B. Whitmore, a friend of Milo's deceased adventurer grandfather who also sought the city. Determined to honor his old friend's quest, Whitmore recruits Milo for an expedition to Atlantis, having recently uncovered the Shepherd's Journal, an ancient Atlantean manuscript that contains directions to the lost city. Aboard the submarine Ulysses, Milo meets his teammates: Commander Lyle Tiberius Rourke, Lieutenant Helga Sinclair, demolitions expert Vincenzo Santorini, geologist Gaetan "Mole" Molière, medical officer Joshua Sweet, mechanic Audrey Ramirez, radio operator Wilhelmina Packard, mess cook Jebidiah "Cookie" Farnsworth, and a platoon of mercenaries. Upon reaching a cave entrance leading to the lost city, the submarine is destroyed by a massive mechanical leviathan, killing most of the crew. Milo and the survivors escape in smaller craft, navigating through the cave to emerge among ancient ruins. Milo translates the journal, guiding the team through caves beneath a dormant volcano until they reach the worn remains of Atlantis. There, they are greeted by Princess Kidagakash "Kida" Nedakh, who, despite being around 8,500 years old, has the appearance of a young woman. She leads them to her father, King Kashekim, who orders them to leave. Learning that Milo can read their language—a skill lost to the Atlanteans over millennia—Kida asks for his help in uncovering their forgotten history and highly-advanced technology, without which the city has declined and resources have dwindled. Milo learns that Atlantis is powered by the Heart of Atlantis, a massive crystal that grants longevity and health to its citizens through the smaller crystals they carry. Rourke betrays Milo and the Atlanteans, revealing his true intention to steal the Heart for profit, despite knowing the Atlanteans will perish without it. He mortally wounds the King while seizing control and uncovers the crystal's hidden location beneath the city. Sensing the danger, the crystal merges with Kida, who is then captured by Rourke. He departs with the crystallized Kida and his mercenaries, except for Vincenzo, Molière, Sweet, Audrey, Packard, and Cookie, who refuse to take part in the Atlanteans' destruction. Before dying, the King reveals that Atlantis was devastated by a megatsunami after he attempted to weaponize the crystal's vast power. To protect the city, the crystal merged with a royal family member, Kida's mother. This created a protective dome over the city's inner district, shielding it from total destruction as Atlantis sank beneath the waves, but Kida's mother never returned. To prevent the crystal from ever merging with Kida, the King hid it, inadvertently accelerating Atlantis' decline. He warns Milo that Kida will be lost forever if she is not soon separated from the crystal and pleads with him to save her. Alongside his allies, Milo rallies the Atlanteans to reactivate their long-dormant flying machines. Together, they eliminate Rourke and his mercenaries in the volcano. Milo and the others fly the crystallized Kida back to Atlantis as the volcano erupts. Kida ascends into the air and awakens Stone Guardians, who erect a barrier that shields the city from the lava flow. With Atlantis saved, the crystal separates from Kida and remains suspended in the sky. Milo chooses to stay in Atlantis with Kida, having fallen in love with her. Before returning to the surface, Vincenzo, Molière, Sweet, Audrey, Packard, and Cookie each receive a small crystal and a share of treasure. The six reunite with Preston on the surface and agree to keep their adventure a secret to protect Atlantis. Preston opens a package from Milo containing his own crystal and a note thanking him. The newly crowned Queen Kida and Milo carve a stone effigy of her father to join those of past rulers floating beside the Heart of Atlantis, as the city stands restored to its former glory. Voice cast Production layout sketch of Milo and Kida. Milo's character design was based in part on sketches of the film's language consultant, Marc Okrand. Michael J. Fox as Milo James Thatch, a linguist and cartographer at the Smithsonian who was recruited to decipher The Shepherd's Journal while directing an expedition to Atlantis. James Garner as Commander Lyle Tiberius Rourke, the leader of the band of mercenaries for the Atlantean expedition. Cree Summer as Kidagakash "Kida" Nedakh, the Princess of Atlantis and Milo's love interest. Natalie Strom provided dialogue for Kida as a young child. Summer also voiced the unnamed Queen of Atlantis, Kida's mother and Kashekim's wife who was "chosen" by the Crystal during the sinking of the city. John Mahoney as Preston B. Whitmore, an eccentric millionaire who funds the expedition to Atlantis. Lloyd Bridges was originally cast and recorded as Whitmore, but he died before completing the film. Mahoney's zest and vigor led to Whitmore's personality being reworked for the film.[8] Claudia Christian as Lieutenant Helga Katrina Sinclair, Rourke's German-born second-in-command. Don Novello as Vincenzo "Vinny" Santorini, an Italian demolitions expert. Phil Morris as Dr. Joshua Strongbear Sweet, a medic of African-American and Arapaho descent. Jacqueline Obradors as Audrey Rocio Ramirez, a Puerto Rican mechanic and the youngest member of the expedition. Corey Burton as Gaetan "Mole" Molière, a French geologist who acts like a mole. Jim Varney as Jebidiah Allardyce "Cookie" Farnsworth, a Western-style chuckwagon chef. Varney died in February 2000, before the production ended, and the film was dedicated to his memory. Steven Barr recorded supplemental dialogue for Cookie. Florence Stanley as Wilhelmina Bertha Packard: an elderly, sarcastic, chain-smoking radio operator who is also the expedition's photographer. Leonard Nimoy as Kashekim Nedakh, the King of Atlantis and Kida's father. David Ogden Stiers as Fenton Q. Harcourt, a board member of the Smithsonian Institution who dismisses Milo's belief in the existence of Atlantis. Production Development The production team visited New Mexico's Carlsbad Caverns to get a sense of the underground spaces depicted in the film. The idea for Atlantis: The Lost Empire was conceived in October 1996 when Don Hahn, Gary Trousdale, Kirk Wise, and Tab Murphy lunched at a Mexican restaurant in Burbank, California. Having recently completed The Hunchback of Notre Dame,[9] the producer, directors and screenwriter wanted to keep the Hunchback crew together for another film with an "Adventureland" setting rather than a "Fantasyland" setting.[10] Drawing inspiration from Jules Verne's Journey to the Center of the Earth (1864) and Twenty Thousand Leagues Under the Seas (1870), they set out to make a film which would fully explore Atlantis (compared to the brief visit depicted in Verne's novel).[11] While primarily utilizing the Internet to research the mythology of Atlantis,[12] the filmmakers became interested in the clairvoyant readings of Edgar Cayce and decided to incorporate some of his ideas—notably that of a mother-crystal which provides power, healing, and longevity to the Atlanteans—into the story.[13] They also visited museums and old army installations to study the technology of the early 20th century (the film's time period), and traveled underground in New Mexico's Carlsbad Caverns to view the subterranean trails which would serve as a model for the approach to Atlantis in the film.[14] The filmmakers wanted to avoid the common depiction of Atlantis as "crumbled Greek columns underwater", said Wise.[15] "From the get-go, we were committed to designing it top to bottom. Let's get the architectural style, clothing, heritage, customs, how they would sleep, and how they would speak. So we brought people on board who would help us develop those ideas."[16] Art director David Goetz stated, "We looked at Mayan architecture, styles of ancient, unusual architecture from around the world, and the directors really liked the look of Southeast Asian architecture."[17] The team later took ideas from other architectural forms, including Cambodian, Indian, and Tibetan works.[18] Hahn added, "If you take and deconstruct architecture from around the world into one architectural vocabulary, that's what our Atlantis looks like."[19] The overall design and circular layout of Atlantis were also based on the writings of Plato,[18] and his quote "in a single day and night of misfortune, the island of Atlantis disappeared into the depths of the sea"[20] was influential from the beginning of production.[9] The crew wore T-shirts which read "ATLANTIS—Fewer songs, more explosions" due to the film's plan as an action-adventure (unlike previous Disney animated features, which were musicals).[21] Language The Atlantean letter A, created by artist John Emerson. Kirk Wise noted that its design was a treasure map showing the path to the crystal, "The Heart of Atlantis". Main article: Atlantean language Marc Okrand, who developed the Klingon language for the Star Trek television and theatrical productions, was hired to devise the Atlantean language for Atlantis: The Lost Empire. Guided by the directors' initial concept for it to be a "mother-language", Okrand employed an Indo-European word stock with its own grammatical structure. He would change the words if they began to sound too much like an actual, spoken language.[16] John Emerson designed the written component, making hundreds of random sketches of individual letters from among which the directors chose the best to represent the Atlantean alphabet.[22][23] The written language was boustrophedon: designed to be read left-to-right on the first line, then right-to-left on the second, continuing in a zigzag pattern to simulate the flow of water.[24] The Atlantean [A] is a shape developed by John Emerson. It is a miniature map of the city of Atlantis (i.e., the outside of the swirl is the cave, the inside shape is the silhouette of the city, and the dot is the location of the crystal). It's a treasure map. — Kirk Wise, director[25] Writing Joss Whedon was the first writer to be involved with the film but soon left to work on other Disney projects. According to him, he "had not a shred" in the movie.[26] Tab Murphy completed the screenplay, stating that the time from initially discussing the story to producing a script that satisfied the film crew was "about three to four months".[27] The initial draft was 155 pages, much longer than a typical Disney film script (which usually runs 90 pages). When the first two acts were timed at 120 minutes, the directors cut characters and sequences and focused more on Milo. Murphy said that he created the centuries-old Shepherd's Journal because he needed a map for the characters to follow throughout their journey.[28] A revised version of the script eliminated the trials encountered by the explorers as they navigated the caves to Atlantis. This gave the film a faster pace because Atlantis is discovered earlier in the story.[29] The directors often described the Atlanteans using Egypt as an example. When Napoleon wandered into Egypt, the people had lost track of their once-great civilization. They were surrounded by artifacts of their former greatness but somehow unaware of what they meant. — Don Hahn, producer[30] The character of Milo J. Thatch was originally supposed to be a descendant of Edward Teach, otherwise known as Blackbeard the pirate. The directors later related him to an explorer so he would discover his inner talent for exploration.[31] The character of Molière was originally intended to be "professorial" but Chris Ure, a story artist, changed the concept to that of a "horrible little burrowing creature with a wacky coat and strange headgear with extending eyeballs", said Wise.[32][33] Don Hahn pointed out that the absence of songs presented a challenge for a team accustomed to animating musicals, as action scenes alone would have to carry the film. Kirk Wise said it gave the team an opportunity for more on-screen character development: "We had more screen time available to do a scene like where Milo and the explorers are camping out and learning about one another's histories. An entire sequence is devoted to having dinner and going to bed. That is not typically something we would have the luxury of doing."[16] Hahn stated that the first animated sequence completed during production was the film's prologue. The original version featured a Viking war party using The Shepherd's Journal to find Atlantis and being swiftly dispatched by the Leviathan. Near the end of production, story supervisor John Sanford told the directors that he felt this prologue did not give viewers enough emotional involvement with the Atlanteans. Despite knowing that the Viking prologue was finished and it would cost additional time and money to alter the scene, the directors agreed with Sanford. Trousdale went home and completed the storyboards later that evening after visiting a strip club where he boarded the new sequence on a napkin.[34] The opening was replaced by a sequence depicting the destruction of Atlantis, which introduced the film from the perspective of the Atlanteans and Princess Kida.[35] The Viking prologue is included as an extra feature on the DVD release.[36] Casting Kirk Wise, one of the directors, said that they chose Michael J. Fox for the role of Milo because they felt he gave his characters his own personality and made them more believable on screen. Fox said that voice acting was much easier than his past experience with live action because he did not have to worry about what he looked like in front of a camera while delivering his lines.[37] The directors mentioned that Fox was also offered a role for Titan A.E.; he allowed his son to choose which film he would work on, and he chose Atlantis.[38] Viewers have noted similarities between Milo and the film's language consultant, Marc Okrand, who developed the Atlantean language used in the film. Okrand stated that Milo's supervising animator, John Pomeroy, sketched him, claiming not to know how a linguist looked or acted.[24] Kida's supervising animator, Randy Haycock, stated that her actress, Cree Summer, was very "intimidating" when he first met her; this influenced how he wanted Kida to look and act on screen when she meets Milo.[39] Wise chose James Garner for the role of Commander Lyle Tiberius Rourke because of his previous experience with action films, especially war and Western films, and said the role "fits him like a glove". When asked if he would be interested in the role, Garner replied: "I'd do it in a heartbeat."[40] Producer Don Hahn was saddened that Jim Varney, the voice of Jebidiah Allardyce "Cookie" Farnsworth, never saw the finished film before he died of lung cancer in February 2000, but mentioned that he was shown clips of his character's performance during his site sessions and said, "He loved it." Shawn Keller, supervising animator for Cookie, stated, "It was kind of a sad fact that [Varney] knew that he was not going to be able to see this film before he passed away. He did a bang-up job doing the voice work, knowing the fact that he was never gonna see his last performance." Steven Barr recorded supplemental dialogue for Cookie.[41] John Mahoney, who voiced Preston Whitmore, stated that doing voice work was "freeing" and allowed him to be "big" and "outrageous" with his character.[42] Dr. Joshua Sweet's supervising animator, Ron Husband, indicated that one of the challenges was animating Sweet in sync with Phil Morris' rapid line delivery while keeping him believable. Morris stated that this character was extreme, with "no middle ground"; he mentioned, "When he was happy, he was really happy, and when he's solemn, he's real solemn."[43] Claudia Christian described her character, Lieutenant Helga Katrina Sinclair, as "sensual" and "striking", and was relieved when she finally saw what her character looked like, joking, "I'd hate to, you know, go through all this and find out my character is a toad."[44] Jacqueline Obradors said her character, Audrey Rocio Ramirez, made her "feel like a little kid again" and she always hoped her sessions would last longer.[45] Florence Stanley felt that her character, Wilhelmina Bertha Packard, was very "cynical" and "secure": "She does her job, and when she is not busy, she does anything she wants."[46] Corey Burton mentioned that finding his performance as Gaetan "Mole" Molière was by allowing the character to "leap out" of him while making funny voices. To get into character during his recording sessions, he stated that he would "throw myself into the scene and feel like I'm in this make-believe world".[47] Kirk Wise and Russ Edmonds, supervising animator for Vincenzo "Vinny" Santorini, noted Vinny's actor Don Novello's unique ability to improvise dialogue while voicing the role. Edmonds recalled, "[Novello] would look at the sheet, and he would read the line that was written once, and he would never read it again! And we never used a written line, it was improvs, the whole movie."[48] Michael Cedeno, supervising animator for King Kashekim Nedakh, was astounded at Leonard Nimoy's voice talent in the role, stating that he had "so much rich character" in his performance. As he spoke his lines, Cedeno said the crew would sit there and watch Nimoy in astonishment.[49] Animation For comparison, the top image (panoramic view of Atlantis) is cropped to Disney's standard aspect ratio (1.66:1); the bottom image was seen in the film (2.35:1). At the peak of its production, 350 animators, artists and technicians were working on Atlantis[50] at all three Disney animation studios: Walt Disney Feature Animation (Burbank, California), Walt Disney Feature Animation Florida (Orlando), and Disney Animation France (Paris).[51] The film was one of the few Disney animated features produced and shot in 35mm anamorphic format. The directors felt that a widescreen image was crucial, as a nostalgic reference to old action-adventure films presented in the CinemaScope format (2.35:1), noting Raiders of the Lost Ark as an inspiration.[52] Because switching to the format would require animation desks and equipment designed for widescreen to be purchased, Disney executives were at first reluctant about the idea.[16] The production team found a simple solution by drawing within a smaller frame on the same paper and equipment used for standard aspect ratio (1.66:1) Disney-animated films.[52] Layout supervisor Ed Ghertner wrote a guide to the widescreen format for use by the layout artists and mentioned that one advantage of widescreen was that he could keep characters in scenes longer because of additional space to walk within the frame.[53] Wise drew further inspiration for the format from filmmakers David Lean and Akira Kurosawa.[16] The film's visual style was strongly based upon that of Mike Mignola, the comic book artist behind Hellboy. Mignola was one of four production designers (along with Matt Codd, Jim Martin, and Ricardo Delgado) hired by the Disney studio for the film. Accordingly, he provided style guides, preliminary character, and background designs, and story ideas.[54] "Mignola's graphic, the angular style was a key influence on the 'look' of the characters," stated Wise.[55] Mignola was surprised when first contacted by the studio to work on Atlantis.[56] His artistic influence on the film would later contribute to a cult following.[57] I remember watching a rough cut of the film and these characters have these big, square, weird hands. I said to the guy next to me, "Those are cool hands." And he says to me, "Yeah, they're your hands. We had a whole meeting about how to do your hands." It was so weird I couldn't wrap my brain around it. — Mike Mignola[56] The final pull-out shot of the movie, immediately before the end-title card, was described by the directors as the most difficult shot in the history of Disney animation. They said that the pull-out attempt on their prior film, The Hunchback of Notre Dame, "struggled" and "lacked depth"; however, after making advances in the process of multiplaning, they tried the technique again in Atlantis. The shot begins with one 16-inch (40.6 cm) piece of paper showing a close-up of Milo and Kida. As the camera pulls away from them to reveal the newly restored Atlantis, it reaches the equivalent of an 18,000-inch (46,000 cm) piece of paper composed of many individual pieces of paper (24 inches [61 cm] or smaller). Each piece was carefully drawn and combined with animated vehicles simultaneously flying across the scene to make the viewer see a complete, integrated image.[58] Scale model of Ulysses submarine by Greg Aronowitz, used by digital animators as reference during production.[59] At the time of its release, Atlantis: The Lost Empire was notable for using more computer-generated imagery (CGI) than any other Disney traditionally animated feature. To increase productivity, the directors had the digital artists work with the traditional animators throughout the production. Several important scenes required heavy use of digital animation: the Leviathan, the Ulysses submarine and sub-pods, the Heart of Atlantis, and the Stone Giants.[60] During production, after Matt Codd and Jim Martin designed the Ulysses on paper, Greg Aronowitz was hired to build a scale model of the submarine, to be used as a reference for drawing the 3D Ulysses.[59] The final film included 362 digital-effects shots, and computer programs were used to seamlessly join the 2D and 3D artwork.[61] One scene that took advantage of this was the "sub-drop" scene, where the 3D Ulysses was dropped from its docking bay into the water. As the camera floated toward it, a 2D Milo was drawn to appear inside, tracking the camera. The crew noted that it was challenging to keep the audience from noticing the difference between the 2D and 3D drawings when they were merged.[62] The digital production also gave the directors a unique "virtual camera" for complicated shots within the film. With the ability to operate in the z-plane, this camera moved through a digital wire-frame set; the background and details were later hand-drawn over the wireframes. This was used in the opening flight scene through Atlantis and the submarine chase through the undersea cavern with the Leviathan in pursuit.[63] Music and sound Since the film would not feature any songs, the directors hired James Newton Howard to compose the score after they heard his music on Dinosaur. Approaching it as a live-action film, Howard decided to have different musical themes for the cultures of the surface world and Atlantis. In the case of Atlantis, Howard chose an Indonesian orchestral sound incorporating chimes, bells, and gongs. The directors told Howard that the film would have a number of key scenes without dialogue; the score would need to convey emotionally what the viewer was seeing on screen.[64] Gary Rydstrom and his team at Skywalker Sound were hired for the film's sound production.[65] Like Howard, Rydstrom employed different sounds for the two cultures. Focusing on the machine and mechanical sounds of the early industrial era for the explorers, he felt that the Atlanteans should have a "more organic" sound utilizing ceramics and pottery. The sound made by the Atlantean flying-fish vehicles posed a particular challenge. Rydstrom revealed that he was sitting at the side of a highway recording one day when a semi-truck drove by at high speed. When the recording was sped up on his computer, he felt it sounded very organic, and decided to use it in the film. Rydstrom created the harmonic chiming of the Heart of Atlantis by rubbing his finger along the edge of a champagne flute, the sound of sub-pods moving through the water with a water pick, while a ceramic pot from a garden store was used for the sounds of the movement of the Giant stone guardians.[66] Release Atlantis: The Lost Empire had its world premiere at Disney's El Capitan Theatre in Hollywood, Los Angeles, on June 3, 2001[67] and a limited release in New York City and Los Angeles on June 8; a wider release followed on June 15.[4][61] At the premiere, Destination: Atlantis was on display, featuring behind-the-scenes props from the film and information on the legend of Atlantis with video games, displays, laser tag, and other attractions. The Aquarium of the Pacific also loaned a variety of fish for display within the attraction.[68] Promotion Atlantis was among Disney's first major attempts to utilize internet marketing. The film was promoted through Kellogg's, which created a website with mini-games and a movie-based video game give-away for UPC labels from specially marked packages of Atlantis breakfast cereal.[50] The film was one of Disney's first marketing attempts through mobile network operators, and allowed users to download games based on the film.[69] McDonald's (which had an exclusive licensing agreement on all Disney releases) promoted the film with Happy Meal toys, food packaging and in-store decor. The McDonald's advertising campaign involved television, radio, and print advertisements beginning on the film's release date.[70] Frito-Lay offered free admission tickets for the film on specially marked snack packages.[71] Home media Atlantis: The Lost Empire was released on VHS and DVD on January 29, 2002.[72] During the first month of its home release, the film led in VHS sales and was third in VHS and DVD sales combined.[73] Sales and rentals of the VHS and DVD combined would eventually accumulate $157 million in revenue by mid-2003.[74] Both a single-disc DVD edition and a two-disc collector's edition (with bonus features) were released. The single-disc DVD gave the viewer the option of viewing the film either in its original theatrical 2.39:1 aspect ratio or a modified 1.33:1 ratio (utilizing pan and scan). Bonus features available on the DVD version included audio and visual commentary from the film team, a virtual tour of the CGI models, an Atlantean-language tutorial, an encyclopedia on the myth of Atlantis, and the deleted Viking prologue scene.[72] The two-disc collector's edition DVD contained all the single-disc features and a disc with supplemental material detailing all aspects of the film's production. The collector's-edition film could only be viewed in its original theatrical ratio, and also featured an optional DTS 5.1 track. Both DVD versions, however, contained a Dolby Digital 5.1 track and were THX certified.[72][75] Disney digitally remastered and released Atlantis on Blu-ray on June 11, 2013, bundled with its sequel Atlantis: Milo's Return.[76] Reception Box office Before the film's release, reporters speculated that it would have a difficult run due to competition from Shrek and Lara Croft: Tomb Raider. Regarding the market's shift from traditional animation and competition with CG-animated films, Kirk Wise said, "Any traditional animator, including myself, can't help but feel a twinge. I think it always comes down to story and character, and one form won't replace the other. Just like photography didn't replace painting. But maybe I'm blind to it."[61] Jeff Jensen of Entertainment Weekly noted that CGI films (such as Shrek) were more likely to attract the teenage demographic typically not interested in animation, and called Atlantis a "marketing and creative gamble".[77] With a budget of $100 million,[3] the film opened at #2 on its debut weekend, behind Lara Croft: Tomb Raider, earning $20.3 million in 3,011 theaters.[78] During its second weekend, it would drop into fourth place behind the latter film, Dr. Dolittle 2 and The Fast and the Furious, making $13.2 million.[79] The film's international release began September 20 in Australia and other markets followed suit.[80] During its 25-week theatrical run, Atlantis: The Lost Empire grossed over $186 million worldwide ($84 million from the United States and Canada).[4] Responding to its disappointing box-office performance, Thomas Schumacher, then-president of Walt Disney Feature Animation, said, "It seemed like a good idea at the time to not do a sweet fairy tale, but we missed."[81] Critical response Atlantis: The Lost Empire received mixed reviews from critics,[82][83][84] many of whom criticized its story.[85] The review aggregator website Rotten Tomatoes reports that 48% of 144 professional critics have given Atlantis: The Lost Empire a positive review; the average rating is 5.5/10. The site's consensus is: "Atlantis provides a fast-paced spectacle, but stints on such things as character development and a coherent plot".[86] Metacritic assigned the film a weighted average score of 52 out of 100 based on 29 reviews from critics, indicating "mixed or average" reviews.[87] Audiences polled by CinemaScore gave the film an average grade of "A" on an A+ to F scale.[88] While critics had mixed reactions to the film in general, some praised it for its visuals, action-adventure elements, and attempt to appeal to an older audience. Roger Ebert gave Atlantis three-and-a-half stars out of four. He praised the animation's "clean bright visual look" and the "classic energy of the comic book style", crediting this to the work of Mike Mignola. Ebert gave particular praise to the story and the final battle scene and wrote, "The story of Atlantis is rousing in an old pulp science fiction sort of way, but the climactic scene transcends the rest, and stands by itself as one of the great animated action sequences."[89] In The New York Times, Elvis Mitchell gave high praise to the film, calling it "a monumental treat", and stated, "Atlantis is also one of the most eye-catching Disney cartoons since Uncle Walt institutionalized the four-fingered glove."[90] Internet film critic James Berardinelli wrote a positive review of the film, giving it three out of four stars. He wrote, "On the whole, Atlantis offers 90 minutes of solid entertainment, once again proving that while Disney may be clueless when it comes to producing good live-action movies, they are exactly the opposite when it comes to their animated division."[91] Wesley Morris of the San Francisco Chronicle wrote positively of the film's approach for an older audience: "But just beneath the surface, Atlantis brims with adult possibility."[92] Other critics felt that the film was mediocre in regards to its story and characters, and that it failed to deliver as a non-musical to Disney's traditional audience. Owen Gleiberman of Entertainment Weekly gave the film a C+ rating, writing that the film had "gee-whiz formulaic character" and was "the essence of craft without dream".[93] Kenneth Turan of the Los Angeles Times said the storyline and characterizations were "old-fashioned" and the film had the retrograde look of a Saturday-morning cartoon, but these deficiencies were offset by its "brisk action" and frantic pace.[94] Todd McCarthy of Variety wrote, "Disney pushes into all-talking, no-singing, no-dancing and, in the end, no-fun animated territory."[95] Stephanie Zacharek of Salon wrote of Disney's attempt to make the film for an adult audience, "The big problem with Disney's latest animated feature, Atlantis: The Lost Empire, is that it doesn't seem geared to kids at all: It's so adult that it's massively boring."[96] Rita Kempley of The Washington Post panned the film, calling it a "new-fashioned but old-fangled hash" and wrote, "Ironically Disney had hoped to update its image with this mildly diverting adventure, yet the picture hasn't really broken away from the tried-and-true format spoofed in the far superior Shrek."[97] In 2015, Katharine Trendacosta at io9 reviewed the film and called it a "Beautiful Gem of a Movie That Deserved Better Than It Got" and said that the film deserves more love than it ended up getting.[6] Lindsay Teal considers "Atlantis" to be "a lost Disney classic". Describing the film as highly entertaining, she praises the writing and characterisation – in particular, Sweet, Helga and Kida.[7] In particular, much praise has been given to the character of Kida.[98] Summer has regarded the character of Kida as one of her favourite roles and even considers the character among the official Disney Princess line-up. Themes and interpretations Several critics and scholars have noted that Atlantis plays strongly on themes of anti-capitalism and anti-imperialism. M. Keith Booker, academic and author of studies about the implicit messages conveyed by media, views the character of Rourke as being motivated by "capitalist greed" when he pursues "his own financial gain" in spite of the knowledge that "his theft [of the crystal] will lead to the destruction of [Atlantis]".[99] Religion journalist Mark Pinsky, in his exploration of moral and spiritual themes in popular Disney films, says that "it is impossible to read the movie ... any other way" than as "a devastating, unrelenting attack on capitalism and American imperialism".[100] Max Messier of FilmCritic.com observes, "Disney even manages to lambast the capitalist lifestyle of the adventurers intent on uncovering the lost city. Damn the imperialists!"[101] According to Booker, the film also "delivers a rather segregationist moral" by concluding with the discovery of the Atlanteans kept secret from other surface-dwellers in order to maintain a separation between the two highly divergent cultures.[102] Others saw Atlantis as an interesting look at utopian philosophy of the sort found in classic works of science fiction by H. G. Wells and Jules Verne.[103] Nadia: The Secret of Blue Water controversy When the film was released, some viewers noticed that Atlantis: The Lost Empire was similar to the 1990-91 anime Nadia: The Secret of Blue Water, particularly in its character design, setting, and story.[104] The similarities, as noted by viewers in both Japan and America, were strong enough for its production company Gainax to be called to sue for plagiarism. According to Gainax member Yasuhiro Takeda, they only refrained from doing so because the decision belonged to parent companies NHK and Toho.[105] Another Gainax worker, Hiroyuki Yamaga, was quoted in an interview in 2000 as saying: "We actually tried to get NHK to pick a fight with Disney, but even the National Television Network of Japan didn't dare to mess with Disney and their lawyers. [...] We actually did say that but we wouldn't actually take them to court. We would be so terrified about what they would do to them in return that we wouldn't dare."[105] Although Disney never responded formally to those claims, co-director Kirk Wise posted on a Disney animation newsgroup in May 2001, "Never heard of Nadia till it was mentioned in this [newsgroup]. Long after we'd finished production, I might add." He claimed both Atlantis and Nadia were inspired, in part, by the 1870 Jules Verne novel Twenty Thousand Leagues Under the Seas.[106] However, speaking about the clarification, Lee Zion from Anime News Network wrote, "There are too many similarities not connected with 20,000 Leagues for the whole thing to be coincidence."[107] As such, the whole affair ultimately entered popular culture as a convincing case of plagiarism.[108][109][110] In 2018, Reuben Baron from Comic Book Resources added to Zion's comment stating, "Verne didn't specifically imagine magic crystal-based technology, something featured in both the Disney movie and the too similar anime. The Verne inspiration also doesn't explain the designs being suspiciously similar to Nadia's."[110] Critics also saw parallels with the 1986 film Laputa: Castle in the Sky from Hayao Miyazaki and Studio Ghibli (which also featured magic crystals, and Atlantis directors Trousdale and Wise both acknowledged Miyazaki's works as a major influence on their own work)[104] and with the 1994 film Stargate as Milo's characteristics were said to resemble those of Daniel Jackson, the protagonist of Stargate and its spinoff television series Stargate SG-1 — which coincidentally launched its own spinoff, titled Stargate Atlantis; the plot of the 1994 film is also paralleled involving a group visiting an unknown world, a fictional language made for the other world's people, the main protagonist having apparent knowledge of the people's culture, falling in love with one of the female locals and electing to stay behind when the others return home.[111] Accolades Award Category Name Result 29th Annie Awards[112] Individual Achievement in Directing Gary Trousdale and Kirk Wise Nominated Individual Achievement in Storyboarding Chris Ure Nominated Individual Achievement in Production Design David Goetz Nominated Individual Achievement in Effects Animation Marlon West Nominated Individual Achievement in Voice Acting – Female Florence Stanley Nominated Individual Achievement in Voice Acting – Male Leonard Nimoy Nominated Individual Achievement for Music Score James Newton Howard Nominated 2002 DVD Exclusive Awards[113] Original Retrospective Documentary Michael Pellerin Nominated 2002 Golden Reel Award[114] Best Sound Editing – Animated Feature Film Gary Rydstrom, Michael Silvers, Mary Helen Leasman, John K. Carr, Shannon Mills, Ken Fischer, David C. Hughes, and Susan Sanford Won Online Film Critics Society Awards 2001[115] Best Animated Feature Nominated 2002 Political Film Society[116] Democracy Nominated Human Rights Nominated Peace Nominated World Soundtrack Awards[117] Best Original Song for Film Diane Warren and James Newton Howard Nominated Young Artist Awards[118] Best Feature Family Film – Drama Walt Disney Feature Animation Nominated Related works Main article: Atlantis (franchise) Atlantis: The Lost Empire was meant to inspire an animated television series entitled Team Atlantis, which would have presented the further adventures of its characters. The series would have been akin to an animated steampunk version of The X-Files and feature a crossover with Gargoyles. However, because of the film's underperformance at the box office, the series was not produced.[119] On May 20, 2003, Disney released a direct-to-video sequel titled Atlantis: Milo's Return, consisting of three episodes planned for the aborted series.[120] Disneyland planned to revive its Submarine Voyage ride with an Atlantis: The Lost Empire theme with elements from the movie. These plans were canceled and the attraction was re-opened in 2007 as the Finding Nemo Submarine Voyage, its theme based on the 2003 Pixar film Finding Nemo, which was far more successful commercially and critically.[121] In addition, after the Submarine Voyage's Magic Kingdom counterpart, 20,000 Leagues Under the Sea: Submarine Voyage, closed down in 1994, four years before Disneyland's, there were proposals of a new attraction that would take its place, with one of them a volcano attraction inspired by that film's Vulcania location, being approved for the Magic Kingdom's Adventureland area. Around 1999, during development of Atlantis: The Lost Empire, it was decided that it would be themed to the movie, with it taking place in 1916, two years after the film's events. The ride would have focused on Preston Whitmore, a character from the film, seeking to make Atlantis existence public and offer expeditions to visitors in newly developed vehicles. However, due to mishaps, the vehicles would be forced to make a detour through the lava-filled caverns of the volcano. The attraction would have used a unique hybrid ride system, in which it would start as a standard coaster before the trains hook up to a suspended track midway through to fly through the caverns. The attraction would have been accessed by a new canyon path in between Pirates of the Caribbean and a re-routed Jungle Cruise that would have led to a Whitmore Enterprises base camp at the edge of the Walt Disney World Railroad path, with the mountain itself being built outside the berm. However, like the previous Submarine Voyage retheme, the ride was cancelled due to the film's disappointment in the box office.[122]

The election results are in from Tuesday's primaries, and it's time to sweep up the debris. And so Ben and Dr D grab their brooms and get to work. Everything you need to know about everything! Senate, governor, congress. Stick around for Ben's defense of Jim Varney and his nostalgic tribute to Toni P. See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

The Rod and Greg Show Daily Rundown – Friday, February 27, 20264:20 pm: Representative Trevor Lee joins Greg to discuss his immigration bill, HB88. The one once thought dead in the water bill may have new life after some changes, and Lee will discuss the bill, and some of the misconceptions about it, which aims to strip some public services from anyone in the country illegally.5:05 pm: Jim Varney of Real Clear Investigations joins Greg to discuss how the billions of dollars in government subsidies doled out to electric vehicle manufacturers are not paying off.5:20 pm: Ian Haworth, author and political commentator, joins Greg for a conversation about how, unlike liberals, conservatives were able to set aside politics to root for American athletes at the Olympics.6:05 pm: David Harsanyi, author and Senior Writer for the Washington Examiner, joins Greg to discuss his piece about how the behavior of Democrats during the State of the Union address this week proves they are crazy.6:20 pm: Rhyen Staley, Director of Research for Defending Education, joins the show to discuss how some left-leaning organizations in Minnesota planned student walkouts and training on establishing “sanctuary schools” as part of a “Melt the ICE” week.6:38 pm: We'll listen back to Rod and Greg's conversations this week with Utah Attorney General Derek Brown on dangers of online gambling, which is still illegal in Utah, and what he plans to do about websites that are skirting the law, and (at 6:50 pm) with author and radio host Peter Rosenberger about his piece in The Blaze on how the current America is difficult to recognize, and why we don't have to live this way.

Stop putting off those doctors appointments and go to https://Zocdoc.com/NOSTALGIA to find and instantly book a doctor you love today. Thanks Zocdoc for sponsoring this message. With the FIFTH movie on it's way, Nostalgia Critic remembers the days when a Toy Story sequel really meant something. Let's take a look at Pixar's Toy Story 2. Come see us at Cedar Falls Comic Con - https://www.cedarfallscomiccon.com/ Come see Doug & Brad March 13th-15th - https://gameonexpo.com/ Join our YouTube Members - https://www.youtube.com/channel/UCiH828EtgQjTyNIMH6YiOSw/join Last weeks Nostalgia Critic - https://youtu.be/CURGUGr-iBQ Check out our store - https://channelawesome.myshopify.com/ Support this month's charity - https://solvecfs.org/ Toy Story 2 is a 1999 American animated adventure comedy film produced by Pixar Animation Studios for Walt Disney Pictures. It is the second installment in Pixar's Toy Story franchise and the sequel to the original 1995 film. The film was directed by John Lasseter from a screenplay by Andrew Stanton, Rita Hsiao, Doug Chamberlin, and Chris Webb. Tom Hanks, Tim Allen, Don Rickles, Jim Varney, Wallace Shawn, John Ratzenberger, Annie Potts, R. Lee Ermey, John Morris, Laurie Metcalf and Jeff Pidgeon reprise their roles from the first Toy Story film, with newcomers Joan Cusack, Kelsey Grammer, Wayne Knight, Estelle Harris, and Jodi Benson joining the cast. In the film, Woody is stolen by a greedy toy collector, prompting Buzz Lightyear and his friends to save him, but Woody is then tempted by the idea of immortality in a museum. Learn more about your ad choices. Visit megaphone.fm/adchoices

Caffeine is Dori's mortal enemy, while Paulo regrets eating quite that many I&J Steakhouse Melts. Can you say “In the centre, Mr Cholesterol”?Sure, Alex Honnold did a bit of a climb, but he's no match for the barrel-obsessed daredevils of the 80s.Michael J. Fox is back on our screens — and he's not here for a haircut. And while we were finding out where the cast of 1987's Masters of the Universe are now, we discovered that Scott Bakula's son has some Quantum Leaps of his own.Movies whose most-related keywords include some variant of “panties” can only mean one thing… and Nazis ruin Two 80s Truths and a Lie.Jump To: - Daredevil Stunts: Modern and 80s Edition (00:02:25) - Shrinking and Michael J. Fox's Return (00:08:52): https://www.womansworld.com/entertainment/tv-shows/michael-j-fox-returns-to-acting-in-shrinking-season-3https://www.imdb.com/news/ni65662647/?ref_=nwc_art_perm - Ted Lasso, Roy Kent, and Rick Astley (00:10:10): https://www.instagram.com/reels/DAUW6Fnu9Uu/Where Are They Now: Masters of the Universe Cast (00:14:00): https://www.remindmagazine.com/article/25850/masters-of-the-universe-stars-1987-dolphy-lundgren-where-now/ Chelsea Field, Scott Bakula, and Family (00:16:28): https://www.instagram.com/owen_bakula/?hl=en 80s Movie: Fast Food (00:17:40): https://youtu.be/mQyyOmjaJAU?si=SA9wY1CGgJ0Zd_mIhttps://www.imdb.com/title/tt0097335/keywords/?ref_=tt_stry_kwTwo 80s Truths and a Lie Game (00:22:36):#80s pop culture, #That 80s Show, #1980s movies, #1980s TV shows, #nostalgia, #daredevil stunts, #satanic panic, #corporal punishment, #processed cheese, #health effects of 80s food, #Alex Honnold, #Taipei 101, #barrel drops, #Niagara Falls, #Karel Muselík, #Evel Knievel, #motorcycle jumps, #lawn chair balloon flight, #Ken Carter, #rocket car jump, #Shrinking, #Harrison Ford, #Michael J. Fox, #Ted Lasso, #Brett Goldstein, #He-Man movie, #Jared Leto, #Skeletor, #Dolph Lundgren, #Frank Langella, #Courteney Cox, #James Tolkan, #Chelsea Field, #Fast Food movie, #Jim Varney, #college slacker comedy, #risqué humor, #80s rom-com, #Two 80s Truths and a Lie, #John Bender, #Nelson Muntz, #Indiana Jones, #Casablanca, #Duke Igthorn, #Gummi Bears, #Disney, #80s actors, #B-grade movies, #1989 films, #80s nostalgia, #cultural commentary.

This week we're throwing it back to the '90s with a review of Slam Dunk Ernest (1995)!Ernest P. Worrell goes from janitor to city league baller as part of the Clean Sweep, and chaos obviously follows. We talk Jim Varney's performance, the sports movie tropes, the slapstick, and where this one lands in the Ernest franchise.Is it a nostalgic slam dunk… or a total airball?

Some ad campaigns live on in our hearts and minds -- think of "That's a spicy meatball" or "show us your pizza rolls". And the Ernest and Vern commercials created by today's Legend Jim Varney sure fit the bill. A talented mimic as a child, Jim started performing early in life, becoming a regular on shows including Johnny Cash and Friends and Fernwood 2 Night. In 1980, career lightning struck when Jim unveiled Ernest, a nosy and noisy neighbor who carried on conversations with Vern, an unseen foil. And, since every great character deserves a great catch phrase, Ernest would wrap up every spot with a perfectly delivered "KnoWhutIMean?" The spots were so popular they led to 9 Ernest movies, starting with Ernest Goes to Camp in 1987. The Ernest shtick began to fade out after a few years, but Jim diversified with tv roles and a turn as Jed Clampett in the movie version of The Beverly Hillbillies. To young fans, Jim is likely best known as the voice of Slinky Dog in the first two Toy Story movies. Not a bad way to be remembered, KnoWhutWeMean? As always, find extra clips below and thanks for sharing our shows! Want more Jim Varney? The Ernest P. Worrell character was Jim's bread and butter and this bit from the first Ernest movie shows why. This one's for everyone who had to receive a shot at camp. https://youtu.be/3QZI68azimM?si=Kf3sezm7D1-5TCyF The Beverly Hillbillies movie received very mixed reviews, but Jim did a fine job channeling the zen wisdom of patriarch Jed Clampett. https://clip.cafe/the.../well-i-reckon-done-what-done/ In 1995 Jim scored the role of Slinky Dog in the first and second Toy Story movies. Always loyal, Slink was a trusted aide to Woody - and a frequent target of insults hurled by Mr. Potato Head (Don Rickles). https://youtu.be/3Cq_o0hJII0?si=DJFLOXxJt1XWla89  

Jim Varney's character of Ernest P. Worrell is a uniquely 1980s creation, someone who a lot of younger people today may not have heard of. We enjoyed revisiting the character with Garret, in this Christmas-themed movie.Thank you for joining us on another journey through 12 holiday-themed films!

Please turn off your cellphones and join us as we aim for some good old fashioned Christmas savin' with what just might be the originator of the "Florida Man" memes, at least back when they were more innocent, know what I mean, Vern? For our 84th Commentary we screech our way haphazardly down the highway in the back of a taxi to 1988 for this festive flick starring Jim Varney, Douglas Seale, Noelle Parker, Oliver Clark, Bill Byrge, and Gailard Sartain. We bring you the happy and merry everything, gang, as we sit back and relax with Nerd Blitz Hall Of Famer Ernest P. Worrell as he goes all Bugs Bunny on our asses, wrangles snakes, and sneaks a young girl into a prison...look, not all the choices made are the best, but we all showed up for it, nonetheless! So thanks for hangin' with us this year, yee good Knights, now let's get our ho ho ho on and have some holiday fun!

Hey Vern! We take our first dive into Jim Varney's signature character, Ernest P. Worrell. We find out if Ernest Saves Christmas is a true holiday classic or not, knowhatimean? Music from https://filmmusic.io "Glitter Blast" by Kevin MacLeod (https://incompetech.com) License: CC BY (http://creativecommons.org/licenses/by/4.0/) Artwork by Viga: https://www.patreon.com/Viga All our social media links:  https://linktr.ee/rewatchingthemagic If you're able, please give blood. The American Red Cross: https://www.redcross.org/ Immigrant Legal Resource Center: http://www.ilrc.org Trans Life: http:/www.translife.org Reproductive rights are human rights. LGBTQ+ rights are human rights.

This week, Pop Culture Pastor hits Be Kind Rewind on Ernest Saves Christmas (1988). Dave, Cody, and Jackson revisit the holiday oddity that was a childhood staple for many, unpacking what still works (Jim Varney's undeniable talent, a genuinely great Santa) and what hasn't aged as well.Along the way, they talk Ernest's place in late-80s pop culture, Jim Varney's legacy, deeper themes of identity and calling, Muppet-ize the movie, pick which character they'd be, and wrap it all up with a Vern-based rating.Is Ernest Saves Christmas a true holiday classic or just a nostalgic time capsule?

"Call it... Uh, a fifth sense. Call it a flash of intermission, but I just got this feeling deep down in the heart of my bottom." Yule fall in love with this week's episode of Dipperz! Elf Sarah and Elf Lauren travel back to 1988 in Santa's Slay to entertain you with Ernest Saves Christmas, starring Jim Varney as Ernest P. Worell. Featuring: mini-braids, magic bags, the crisp smell of pine in the air, incompetent law enforcement, POV: Vern, who is naughty and who is nice, that funny guy who can make his eyes go back and forth really fast, and Orlando, Florida. BONUS: The real reason for the season-advertising! Email us your magic memories: dipperzpod@gmail.comConsider supporting the pod this sparkle season www.patreon.com/dipperzInstagram: @dipperz_pod

"Call it... Uh, a fifth sense. Call it a flash of intermission, but I just got this feeling deep down in the heart of my bottom." Yule fall in love with this week's episode of Dipperz! Elf Sarah and Elf Lauren travel back to 1988 in Santa's Slay to entertain you with Ernest Saves Christmas, starring Jim Varney as Ernest P. Worell. Featuring: mini-braids, magic bags, the crisp smell of pine in the air, incompetent law enforcement, POV: Vern, who is naughty and who is nice, that funny guy who can make his eyes go back and forth really fast, and Orlando, Florida. BONUS: The real reason for the season-advertising! Email us your magic memories: dipperzpod@gmail.comConsider supporting the pod this sparkle season www.patreon.com/dipperzInstagram: @dipperz_pod

Josh and Alex take a moment to talk with Stephen from the Nerd Ranks podcast about everything under the sun, including their podcast, and what makes their nerd heart sing.  Intro (0:00) The shared love for Zombies Ate My Neighbors (4:48) Stephen, what'cha doin'? (7:27) What inspired the creation of Nerd Ranks? (8:36) Where is Stephen's happy nerd place? (10:03) Alex confuses Christopher Lee with Vincent Price (27:54) Horror movies, Rob Zombie and horror tropes (31:41) What kind of horror movies does Josh like? (37:13) We share our love of Jim Varney (39:01) Does Stephen have any upcoming Nerd Ranks episodes he's excited for? (40:38) Alex forgets Sam Niell's name (44:44) The Last of Us video game conversation leads to obligatory Expedition 33 mention (46:12) Physical media and Super Princess Peach on DS (49:28) Favorite Mario Game? (50:59) Crash Bandicoot & Assassin's Creed franchises (57:21) Games with companion apps (1:01:09) Exceptions to the rules for game genres we don't like (1:04:07) Stephen's music (1:12:08) Donkey Kong Country music history lesson (1:16:21) Goodbyes and social media plugs (1:18:27) Don't forget to join our Discord and join in on the SMAC talk. 

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Clark Brandon joined me to talk about his father, As the World Turns actor Peter Brandon; The Monkees; living between Greenwich and LA; getting his 1st TV series right after high school; getting the show as a pay it forward from the producer to his dad; The Fitzpatricks gets buried by Happy Days; guesting on Family; auditions; auditioning and not getting the Mackenzie's of Paradise Cove; being added to Wonder Woman for a possible spin-off; Out of the Blue and its mistakes; becoming friends with Mike Binder through Jimmy Brogan; the cast Dixie Carter, Eileen Heckart, and Peter Scolari; the story behind Bosom Buddies; doing an after-school special where he tries to take Marcia Brady's virginity; meeting Dick Van Dyke; hearing crew stories; playing a blind teen who makes out with Kim Richards on Hello, Larry; playing a pot dealer and smoking it for real in the movie Serial; being friends with Jonathan Prince before Mr. Merlin; getting the role; Barnard Hughes and Bill Bixby memories; too unrealistic for 1982; Andy Cohen's crush rumor; teen magazines; Merlin big internationally; JD Salinger a fan; being a journeyman actor; his role on Facts of Life; working with Nancy McKeon & Charlotte Rae; Pamela Adlon; doing the Hollywood Christmas Parade, a David Copperfield special, an anti-drug PBS doc and car shows with Sorrell Brooke; My Tutor; Crispin Glover's odd choices; Markie Post on Love Boat; Funland (1987) written by Bonnie & Terry Turner and and co-starring David L Lander; co-writing and starring in Fast Food with Jim Varney; his film, Skeeter; becoming a teacher, then an administrator in daughters' school; his current pilots and screenplay and being remembered for his roles as a good looking dick.

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Welcome back to purgatory!!!! Happy Halloween!!!! The spooky season is finally here and the boys kick it off with an absolute Halloween classic banger Ernest Scared Stupid from 1991, the film is directed by John R. Cherry III and it's written by John R. Cherry III, Coke Sams and Charles Gale. The film stars the great Jim Varney, Eartha Kitt, Austin Nagler, Shay Astar, Jonas Moscartolo, John Cadenhead, Billy Byrge, Richard Woolf, Nick Victory, Alec Klapper, Steven Moriyon, Daniel Butler, Esther Huston and Larry Black!!! Thanks for checkin us out!!! You can find our past and most recent episodes on Podbean.com and where other podcasts are found. Intro & Outro tracks are from the Ernest Scared Stupid soundtrack by Bruce Arntson & Kirby Shelstad 1. Scared Stupid https://youtu.be/UQAhNb4V00I?si=58YOa6-UaorhxLed 2. Dumber & Dumber https://youtu.be/r0GyrPvfXP8?si=7UXQ_qkQtLDtj9Tf You can find the entire soundtrack here https://youtu.be/UQAhNb4V00I?si=NN8Miy5eQrIVo4a1  

Spooktacular kicks off with a deep dive into the gooey, goofy chaos of Ernest Scared Stupid. From milk-fueled troll battles to Jim Varney's elastic-faced antics, we unpack the scares, the slime, and the 90s nostalgia dripping off this cult Halloween classic. Is it frightfully fun or just frightfully dumb? Tune in to find out—miak optional.Join our Patreon: https://www.patreon.com/GMWKSLeave us a voice message by going to https://anchor.fm/moonstreetQuestions or Comments?Email us at grownmenwks@gmail.comInstagram: @grown-men-watch-kid-shitFacebook: https://www.facebook.com/GMWKS/

Spooky season brings back some friends and a joke that has played itself throughout the podcast, as Liz, Max, and Host Spencer FINALLY watch an Ernest film! There are some fun scares, and maybe the best doggo we have seen on film (even though he tries to get rid of Ernest a few too many times). For the most part though, the trio just chats about other random things, and how much they appreciate Jim Varney.

For this "ReScreen" episode, Michael does a rewatch of the 1995 animated film "Toy Story" featuring the voices of Tom Hanks, Tim Allen, Annie Potts, John Ratzenberger, Don Rickles, Wallace Shawn, and Jim Varney. What are some of his memories of seeing this film previously and thoughts after seeing the film again? Check it out and see!Be a part of the conversation!E-mail the show at screennerdspodcast@gmail.comFollow the show on Twitter @screennerdspodLike the show on Facebook (Search for Screen Nerds Podcast and find the page there)Follow the show on Instagram and Threads just search screennerdspodcastCheck out the show on Bluesky just search screennerdspodcastBe sure to check out the podcast on Apple Podcasts, Spotify, Goodpods, Overcast, Amazon Music or your podcast catcher of choice! (and please share rate and review!)Want to be share your thoughts on the podcast? Send me an e-mail!Thanks to Frankie Creel for the artwork

Andrew Walworth interviews Peter Lipsett – originally aired Aug 19th. Andrew Walworth talks to Peter Lipsett, the vice president of Donor's Trust, about his new series on the Giving Ventures podcast about different factions of the conservative movement, including the current split between so-called “National Conservatives” and “Freedom Conservatives". Carl with Jim Varney - originally aired Aug 28th. Carl Cannon talks to RealClear Investigations writer James Varney on the twentieth anniversary of Hurricane Katrina, which he covered as a reporter for the Times-Picayune in New Orleans. Phil with Marie Gluesenkamp – originally aired July 23rd. RCP White House correspondent Phil Wegmann talks to Rep. Marie Gluesenkamp Perez (D – WA). They discuss her efforts to require the House Ethics Committee to develop standards to determine if members of Congress are experiencing cognitive decline. Tom Bevan and Austin Berg - originally aired July 31st. Tom Bevan talks to Austin Berg, Executive Director of the Chicago Policy Center and author of The New Chicago Way about Mayor Brandon Johnson's proposal for a “corporate head tax" in Chicago to help close the city's $1.1 billion dollar budget deficit. The tax would charge large corporations for each individual they employs within the city.

You knew you'd eventually see us cover Ernest Goes to Africa, and the day of reckoning is upon us! Surprisingly, this ISN'T the most problematic movie we've covered on the pod, but it's definitely up there. However! Jim Varney was such an all around good guy and wholesome figure, we're kinda willing to give him a pass on this one. Know what we mean, Vern? Yucky yokel yanks a yoke to yield a yo yo, yelps and yowls, and yearns for a younger yenta! Wildly waving your wood in a crowd! Gerald Foghorn?! Grinding your goldfish in a garbage disposal! Bazoo with his big old kazoo! Pre-rape rituals? 10% Charlie?! Lack of eggshell continuity! Deserved dialect disambiguation! Wrangling what dangles, and much, much more on this week's episode of The Worst Movie Ever Made!!!www.theworstmovieevermade.com

Tread Perilously begins Summer Total Request Live -- the Patreon Subscriber request month -- by honoring Patron Peter and finally watching an episode of the short-lived NBC variety show Pink Lady and Jeff. Jeff welcomes special guests Lorne Green, Florence Henderson, Sid Caesar, and musical guest Blondie. Pink Lady performs a disco medley, "Yesterday," and more. Jim Varney joins Jeff and the comedy troop for a number of sketches meant to induce laughs. Caesar returns as Pink Lady's father in a shockingly unfunny sketch. The hot tub gag reveals a lot about the three stars and Blondie's musical contribution proves surprising. Justin once again doubts a genuine television show is real. He also continues to deny the existence of Randolph Mantooth. The pair are surprised to see comic book legend Mark Evanier listed as head writer. It leads to an exploration of his efforts as a TV writer. Sid and Marty Krofft make another appearance as executive producers. Both Erik and Justin try to recall how they first learned about Pink Lady's infamy. Erik claims it killed the prime time variety format. Sketches are dissected. Sid Caesar must pay for a crime. Johnny the Dog's short-lived celebrity surprises everyone and Florence Henderson proves to be the MVP once again.

Join host Brad as he chats with Justin Lloyd, Jim Varney's nephew, and filmmaker David Pagano about the legacy of Ernest P. Worrell. Dive into the making of "The Importance of Being Ernest" documentary, explore the untold stories of Jim Varney, and discover why Ernest remains a beloved character.Highlights:The inspiration behind the documentary and its connection to Justin's book. David and Justin's personal anecdotes about Jim Varney. The challenges and joys of capturing Ernest's legacy on film. A fun pitch for a new Ernest-inspired TV show. Insights into the ownership and future of the Ernest character.PreOrder the film here:BeingErnestFilm.comCheckout the new Hopecast website:https://thehopecastnetwork.com/Buy Merch here:https://www.bonfire.com/store/the-hopecast-network-swag/This show is brought to you by The Hopecast Networkhttps://www.instagram.com/hopecastnetwork/Hashtags: #ErnestPWorld #JimVarney #Documentary #Nostalgia #PodcastCall to Action: Don't miss this nostalgic trip down memory lane! Tune in to hear the stories behind the scenes and the passion driving the documentary. Link in first comment.

Join host Brad as he chats with Justin Lloyd, Jim Varney's nephew, and filmmaker David Pagano about the legacy of Ernest P. Worrell. Dive into the making of "The Importance of Being Ernest" documentary, explore the untold stories of Jim Varney, and discover why Ernest remains a beloved character.Highlights:The inspiration behind the documentary and its connection to Justin's book. David and Justin's personal anecdotes about Jim Varney. The challenges and joys of capturing Ernest's legacy on film. A fun pitch for a new Ernest-inspired TV show. Insights into the ownership and future of the Ernest character.PreOrder the film here:BeingErnestFilm.comCheckout the new Hopecast website:https://thehopecastnetwork.com/Buy Merch here:https://www.bonfire.com/store/the-hopecast-network-swag/This show is brought to you by The Hopecast Networkhttps://www.instagram.com/hopecastnetwork/Hashtags: #ErnestPWorld #JimVarney #Documentary #Nostalgia #PodcastCall to Action: Don't miss this nostalgic trip down memory lane! Tune in to hear the stories behind the scenes and the passion driving the documentary. Link in first comment.

Welcome to Hollywood and Beyond Podcast. Your home for "Meaningful Interviews".   Erika Eleniak: Baywatch and Beyond   Baywatch heads to Hollywood and Beyond Podcast!   Special guest Erika Eleniak visits the podcast to reflect on her memories of appearing as Los Angeles lifeguard Shauni McClain on the popular television show “Baywatch.” Erika shares memories of co-stars Billy Warlock, Michael Newman, and David Hasseloff. Learn more about the filming of the televison show including real life concerns about sharks!   Learn more about her memories of portraying Elly May Clampett in the 1993 film “The Beverly Hillbillies”. Based on the popular television series the film featured an impressive cast. Learn about her fond memories of working with Jim Varney and Cloris Leachman. And what about all of those animals?   All of this and much more on a sentimental and fun interview experience! I enjoyed every moment of speaking Erika Eleniak.   Hosted by Cincinnati actor and writer Steven Brittingham Subscribe wherever podcasts are available to listen   Contact Steven: hollywoodandbeyondshow@gmail.com   State Of Slay Blog promo by actress Carrie Genzel   https://www.instagram.com/officialerikaeleniak/?hl=en   https://www.instagram.com/hollywoodandbeyondshow/?hl=en   https://www.instagram.com/stateofslay/?hl=en   Please leave a rating or a review. Thank you for listening! See you again on the next episode friends and listeners.   hollywoodbeyond.net

Join Justin as he chats with actor, musician and comedian Dave Ward about Disney's So Weird, Dragon Ball Z, working with Jim Varney, getting his start in the entertainment industry, and more!Dave Ward bio:“David Ward (born 14 January 1957), commonly known as Dave "Squatch" Ward or David "Squatch" Ward, is a Scottish-born voice actor who has played roles in television and movies. His most popular starring roles have been on Dragon Ball, Aldo in Sitting Ducks, Gundam Wing, and the live-action role of Ned Bell in So Weird. “Intro and outro theme created by Wyrm. Support Wyrm by visiting the Serpents Sword Records bandcamp page (linked below):https://serpentsswordrecords.bandcamp.com/Monsters, Madness and Magic Official Website. Monsters, Madness and Magic on Linktree.Monsters, Madness and Magic on Instagram.Monsters, Madness and Magic on Facebook.Monsters, Madness and Magic on Twitter.

The Expert from 1995 stars Jeff Speakman, and that should sell this movie to you on its own... but it also has a James Brolin and Jim "Ernest" Varney! Ever wonder what would happen if you did an action film and add scenes from a horror film in an absolutely unbalanced plot? Wonder no more!!DISCLAIMER: Language and Spoilers!!THE EXPERTdir. Rick Avery; William Lustigstarring: Jeff Speakman; James Brolin; Jim Varney

The music on this installment of the Legacy Music Hour might be too good to listen to while doing other things like entering your initials, but you'll be alright.  In Episode 284, Brent clears up some mistakes made on last month's episode, Jim Varney impressions are made, and a new design for the SNES logo is conceived, which you can see below after the track listing and in the episode

Welcome back to Morgan Hasn't Seen with Jeannine Brice & Morgan Robinson!!The return of one of Morgan Hasn't Seen's original favourite series formats for April as Jeannine has crafted together another fascinating, and rather silly, look at Movies Based On TV Shows! They will also be watching an episode of each show discussed to see how it compares to its movie adaptation!More 90s craziness and another sitcom adaptation this week as Jeannine and Morgan go on an adventure of discovery with Jed and The Clampetts as everyone tries to exploit their good nature for their vast fortune in THE BEVERLEY HILLBILLIES (1993) starring Jim Varney, Diedrich Bader, Cloris Leachman, Lea Thompson, Lily Tomlin, and Rob Schnieder!Our YouTube Channel for all our regular videos:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.youtube.com/channel/UCvACMX8jX1qQ5ClrGW53vow⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Donate:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.buymeacoffee.com/ItsAWonderful1⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Join our Patreon:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.patreon.com/ItsAWonderful1⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠IT'S A WONDERFUL PODCAST STORE:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.teepublic.com/user/g9design⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Sub to the feed and download now on all major podcast platforms and be sure to rate, review and SHARE AROUND!!Keep up with us on (X) Twitter:Podcast:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://twitter.com/ItsAWonderful1⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Morgan:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://twitter.com/Th3PurpleDon⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Jeannine:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://twitter.com/JeannineDaBean_⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Keep being wonderful!!

Andrew's passion for archival VHS content takes center stage as he and Vieves unearth rare 90s commercial gems including a Jim Varney performance that somehow isn't Ernest P. Worrell and a deeply unpleasant Sega ad that will haunt their dreams. And as always, Jerry Maguire gets a shout out. Here are links to the ads we talked about on this week's show: Cerritos Auto Square Commercial (ft. Jim Varney) - Beauty Shop https://youtu.be/dMnWJouXrnE Woodstock 1994 Pay-Per-View https://youtu.be/NfrI0DaLcJw Larry King Woodstock https://youtu.be/mEdLeE_CllI There goes a firetruck https://www.youtube.com/watch?v=mvooX6JkbhY Sega Game Gear Commercial - "Some People" (1994) https://youtu.be/4MoUCEe99_Q Dell Dimension XPS Commercial - "Rollerblade" https://youtu.be/0LHscidMd6I Basic 4 Cereal https://www.youtube.com/watch?v=uLKWrmDx608 Dream Team 2 - TNT Promo + McDonald's Commercial https://youtu.be/1Wq2q1t48iw Ultra Gain https://www.youtube.com/watch?v=bluwEthASWs Weed Terminator https://youtu.be/Ah3PeWWCVWs Whit Stillman's Barcelona https://youtu.be/Jm1uNMFFZW4 Gerber https://youtu.be/KrWiIz-17ZM Little Caesars https://youtu.be/imKpFTUFsHQ Mobile Gas Commercial - Late for the Wedding (1994) https://youtu.be/qInxUYsuL2s DISH Network Commercial - "Dishman: Fly Fishing" (1994) https://youtu.be/tAHE_oB91GM True Value - Empty Warehouse Space https://www.youtube.com/watch?v=4FmU9o5HPFo Palm Olive Ultra https://youtu.be/mjsC7vGmrz8?si=de5peWVmKJSUr4kr

On this edition of Parallax Views, the biggest wrestling event of the year is only days away: WrestleMania. Billed as the "Showcase of the Immortals," WrestleMania is the marquee event of World Wrestling Entertainment and has been going strong for over 40 years. On April 19th and 20th, WWE will present WrestleMania 41. Yes—FORTY-ONE. Ahead of the big event, I spoke with Gary from the YouTube channel Grapplevision—one of the most unique and compelling voices in pro wrestling media today. While most wrestling YouTubers focus on current events or canonical moments like the Montreal Screwjob, Hulk Hogan's heel turn, or Mick Foley's infamous fall off the Hell in a Cell, Grapplevision dives into the ghosts and glitches of wrestling history. It's a channel immersed in what you might call phantom histories: forgotten figures, obscure promotions, uncanny storylines, and the lingering specters of wrestling's carny roots. What sets Grapplevision apart is its unmistakably hauntological aesthetic—think VHS degradation, lost tapes, and late-night public access weirdness. The channel's documentaries are layered with analog textures and deep archival digs, evoking the era of tape trading and underground fandom. In many ways, it feels less like a recap or explainer and more like a séance conducted with a turnbuckle and a cathode-ray screen. From the blurred lines of shoot vs. worked fights (explored in the "Wrestling Gets Real" series), to Japanese deathmatch icon Atsushi Onita's exploding barbed wire spectacles, to strange pop culture crossovers featuring Elvira, Mistress of the Dark, and Jim Varney's Ernest P. Worrell—Grapplevision chronicles the strange, forgotten, and surreal corners of the squared circle. All this with an intro that cheekily nods to David Cronenberg's Videodrome. In this sprawling, four-and-a-half-hour conversation, you'll hear from someone who's not only been inside the industry but has also taken on the role of archivist and cultural historian. Even if you're not a wrestling fan, there's something here for anyone interested in performance, memory, mythology, and media.

Jim Varney Tops Mickey Mouse at the Indy 500 and Michael Eisner gives Ernest a Job. In this episode of Synergy Loves Company, host Eric takes you on a nostalgic journey exploring the fascinating connections between Disney and the beloved character Ernest P. Worrell, created by Jim Varney and John Cherry. Eric uncovers the surprising Disney synergy behind Ernest's rise to fame, his multi-movie deal with Disney's Touchstone Pictures, and his presence in theme park attractions. Explore how Ernest's popularity in the 1980s and early 1990s led to Disney-themed TV specials and the character's lasting legacy, including Jim Varney's additional work with Disney, such as voicing Slinky Dog in Pixar's Toy Story. Join Eric for a walk down memory lane and discover how the unlikely connection between Ernest and Disney unfolded, all while highlighting Varney's significant contributions to the world of entertainment. Thanks for Enjoying Synergy Loves Company! https://www.synergylovescompany.com Donate to the show: https://ko-fi.com/synergylovescompany YouTube: https://www.youtube.com/@synergylovescompany Bluesky: https://bsky.app/profile/erichsynergy.bsky.social Facebook: https://www.facebook.com/synergylovescompany Instagram and Threads:https://www.instagram.com/synergylovescompany/Read transcript

Hey, Vern! Jack and Corey are joined by actor/writer/director/comedian Katie Marovitch (Reality Check, Game Changer, CollegeHumor) to talk John Cherry III's, ERNEST GOES TO JAIL (1990)! The three discuss childhood influences, regional commercials, Jim Varney, smoking cigarettes, 90s movies, Ernest P. Worrell AND Ernest T. Bass, doppelgängers, Jordan Peele, wearing the same clothes, electrocution, soap guns, prison movies, conjugal visits, Rube Goldberg Machines, dual roles, babies, dogs and bible saleswomen.Support the pod by joining our Patreon at patreon.com/cinemapossessedpod and unlock the Cinema Possessed Bonus Materials, our bi-monthly bonus episodes where we talk about more than just what's in our collection.Instagram: instagram.com/cinemapossessedpodTikTok: https://www.tiktok.com/@cinemapossessedpodEmail: cinemapossessedpod@gmail.com Hosted on Acast. See acast.com/privacy for more information.

The freshly clipped wings of the Hill Kings find the duo of Brad Hild & Chris Covey in the nest of Kevin & Thomas at Oops All Segments. After Brad dishes on his vasectomy, the quadrant go trio as Thomas (soon Travis) signs off.Then the trio dive into the life of Jim Varney before playing My Movie.Then the Hill Kings take over control as Chris walks us through a draft of hot male cartoon characters and everyone balls out with Brad's new game.00:00 Intro & Check Ins10:24 Sign Off12:31 The Importance of Being Varney16:58 My Movie32:08 Cartoon Boys that Make Your Wolf Eyes Bug Out48:15 Snips, All Wieners Hill Kings Podcast:https://podcasts.apple.com/us/podcast/hill-kings-podcast/id1710916157https://www.youtube.com/channel/UCF8g96pJfgKOXmz7Mj_1xiACheck out our DnD show: 'What We Do in the Basement': https://podcasts.apple.com/ca/podcast/what-we-do-in-the-basement/id1552947049FOLLOW Oops All Segments on Instagram: www.instagram.com/oopsallsegmentsFOLLOW Oops All Segments on TikTok: www.tiktok.com/@oopsallsegmentsSUBSCRIBE to Oops All Segments on YouTube: www.youtube.com/@oopsallsegments

We discuss the career of thespian Jim Varney, most famous for playing a man named Ernest. Join the Patreon now for an exclusive episode every week, access to our entire Patreon Episode back catalogue, your name read out on the next episode, and the friendly Discord chat: patreon.com/theimportantcinemaclub Subscribe, Review and Rate Us on Apple Podcasts: podcasts.apple.com/us/podcast/the-…ub/id1067435576 Follow the Podcast: twitter.com/ImprtCinemaClub Follow Will: twitter.com/WillSloanESQ Follow Justin: twitter.com/DeclouxJ Check out Justin's other podcasts, THE BAY STREET VIDEO PODCAST (@thebaystreetvideopodcast), THE VERY FINE COMIC BOOK PODCAST (www.theveryfinecomicbookpodcast.com) and NO SUCH THING AS A BAD MOVIE (@nosuchthingasabadmovie), as Will's MICHAEL AND US (@michael-and-us).

The tenth episode of our special retrospective 20th season looks back to the awesome movie year of 1987 with the third of Jason's three picks, family comedy Ernest Goes to Camp. Directed and co-written by John Cherry and starring Jim Varney, Victoria Racimo, Lyle Alzado, Iron Eyes Cody and John Vernon, Ernest Goes to Camp is the first of nine feature films based on Varney's popular Ernest P. Worrell character.The contemporary reviews quoted in this episode come from Caryn James in The New York Times (https://www.nytimes.com/1987/05/23/movies/film-ernest-goes-to-camp-a-comedy.html), Johanna Steinmetz in the Chicago Tribune (https://www.chicagotribune.com/1987/05/26/90-minutes-seems-like-life-sentence-at-ernests-camp/), and Hal Hinson in The Washington Post (https://www.washingtonpost.com/wp-srv/style/longterm/movies/videos/ernestgoestocamppghinson_a0c96a.htm).Visit https://www.awesomemovieyear.com for more info about the show.Make sure to like Awesome Movie Year on Facebook at http://www.facebook.com/awesomemovieyear and follow us on Twitter @AwesomemoviepodYou can find Jason online at http://goforjason.com/, on Facebook at https://www.facebook.com/JHarrisComedy/, on Instagram at https://www.instagram.com/jasonharriscomedy/ and on Twitter @JHarrisComedyYou can find Josh online at http://joshbellhateseverything.com/, on Facebook at https://www.facebook.com/joshbellhateseverything/ and on Twitter @signalbleedYou can find our producer David Rosen's Piecing It Together Podcast at https://www.piecingpod.com, on Twitter at

Our first of many reviews of the man, the myth, the legend Jim Varney! Dee and Cj have a fun conversation about this loveable redneck. We talk about the movies, Jim's acting, the shenanigans of the film, how black kids viewed him, and of course, likable white folk. 

Comedian Dave Landau joins us, Eli Zaret breaks down Super Bowl LIX, plus-size rapper Dank Demoss v. Lyft driver, Trump deportations make Selena Gomez cry, and a deeper look at This is The Tom Green Documentary. China's AI DeepSeek sparks a Nasdaq stock market meltdown. Eli Zaret joins the show to preview Super Bowl LIX between the Philadelphia Eagles and Kansas City Chiefs, his love for Jim Nantz, the “rigged” NFL, Mitch Albom's latest work of art, Super Bowl Blue Balls, the Detroit Lions new OC, tampering with Ohio State WR Jeremiah Smith, Bill Belichick's big money from UNC, the Los Angeles Dodgers super-team, the Alex Bregman sweepstakes, and to analyze They Call It Late Night with Jason Kelce. PAM is back! Dave Landau pops into the studio to hang out. Plus Size influencer/rapper Dank Demoss is deemed too fat for Uber and Lyft. Deportations are all the rage now. They make Selena Gomez cry. Dr. Phil interrogates a migrant, as he's imbedded with ICE. Colombia folds to Trump. The Title IX investigation into University of Florida head basketball coach Todd Golden ends with no punishment. Nepo Baby Alert! Justin Trudeau's son is a rapper now. Check out Dave Landau at The Roxy Rochester in March. Good Will Hunting is kind of a stupid name and movie. Ever see Jim Varney and Robin Williams together? The Trump Unity Bridge somehow made it to the inauguration. Dave made an appearance on WATP. We take a deeper look into This is The Tom Green Documentary on Amazon Prime. The Baldwins have a trailer out for their new “reality” show. Government workers are distressed about having to return to the office. Remember to check out Normal World on YouTube. Visit our presenting sponsor Hall Financial – Michigan's highest rated mortgage company. If you'd like to help support the show… consider subscribing to our YouTube Channel, Facebook, Instagram and Twitter (The Drew Lane Show, Marc Fellhauer, Trudi Daniels, Jim Bentley and BranDon).

“The answer to almost all questions we're gonna ask here is: it's Florida” - Chris, on the Ernest-related insanity in this movie On this special Christmas Eve episode, we're chatting about the silly Christmas cult fave, Ernest Saves Christmas! Why did this old Santa wait so long to give up his Santa power? What's with Ernest hiding that “Keep the CHRIST in Christmas” bumper sticker in his glove box? Should Ernest even have a driver's license? Is Santa sad over the fact his home country of Prussia dissolved in the late 1940s? And should this teen girl really be sleeping over at Ernest's bungalow? PLUS: Ernest criticizes the Jedi's bad human trafficking habits!  Ernest Saves Christmas stars Jim Varney, Oliver Clark, Noelle Parker, Gailard Sartain, Billie Bird, Bill Byrge, Robert Lesser, and Douglas Seale as Santa; directed by John Cherry. This holiday season, make the Official WHM Merch Store your one-stop shop for all your holiday needs! T-shirts? Prints? Phone cases? Stickers? We got it all! Head over to our Tee Public shop and check it out today! From December 1, through the entirety of 2025, we'll be donating 100% of our earnings from our merch shop to the Center for Reproductive Rights. So head over and check out all these masterful designs and see what tickles your fancy! Original cover art by Felipe Sobreiro.

Hey! It's a Christmas miracle! The Medfield boys are back with another Touchstone classic!  Did they save Christmas?  No, Ernest Saves Christmas, starring Jim Varney as the man himself in a wonderful Christmas present to you and yours!  If you can't travel to Orlando this Christmas, we got you covered!

John R. Cherry III's 1988 Christmas comedy, ERNEST SAVES CHRISTMAS, is our feature presentation this week. We talk about the brilliance of Jim Varney, the defunct Ernest scripts that were never made, Disney's war with the Teamsters Union during the production, characters "Chuck & Bobby", and much more! We also pick our TOP 7 RECURRING COMEDY CHARACTERS in this week's SILVER SCREEN 7. Become a regular here at THE BROKEN VCR! To watch the LIVE VIDEO RECORDING of BVCR, sign up to the PATREON ($2.99/month) at theturnbuckletavern.com. You'll get the episodes in video form days/weeks early!

 What's up, dudes? It's 1988, and Jim Varney cashed in on his signature character from countless commercial! Laramy Wells from Moving Panels, DJ Chad Sheppard, and Robert Nicholas from Behind the Bells join me to talk all about “Ernest Saves Christmas!” What a wild ride! Ernest P. Worell, a sweet but silly taxi driver who at times suffers delusions of grandeur, has just chauffeured a rather extraordinary fare: "His Great Red Oneness, the Claus" himself. Santa has neither the will nor magic for another Christmas season, and has come to Orlando, Florida for Joe Carruthers, whom he has chosen as his successor.Things quickly begin to unravel, however, thanks to Joe's meddling agent and Santa's increasingly unreliable memory. Incredibly, dimwitted Ernest soon becomes Santa's only hope! Joining forces with a young runaway named "Harmony Star," Ernest rushes to save the holidays as we know them. Oh, and Joe does inherit the mantle of Santa. Consequently, Christmas is saved!Disguises? Check. Quirky characters? Yep. Christmas magic? Definitely! So put on your cap and vest, hope in your have and drive into this episode on “Ernest Saves Christmas!” KnoWhutIMean?Moving PanelsFB : @MovingPanelsTwitter: @MovingPanelsIG: @movingpanelsBehind the BellsFB: @BehindtheBellsIG: @behind_the_bells_podcastGive us a buzz! Send a text, dudes!Check us out on Facebook, Twitter, Instagram, Totally Rad Christmas Mall & Arcade, Teepublic.com, or TotallyRadChristmas.com! Later, dudes!

Hey Vern, it's the holidays, and we're cruisin' sunny Orlando with Santa Claus as ERNEST SAVES CHRISTMAS. Nate Tapp joins us to celebrate the magic of Christmas--and Jim Varney. Knowutimean?

It's that most wonderful time of the year so it goes without saying that we might treat ourselves to a little bit of Christmas film comfort food from our childhoods. This movie might present the biggest challenge in maintaining objectivity outside of our fragile emotions because we're not just talking about any family comedy fare, we're talking about Ernest P. Worrell. We must confess that we are Jim Varney sickos. We are devout apologists for the late actor and we also happen to be from Nashville, TN where Jim Varney launched the Ernest character into national acclaim. Here in Purity country, we grew up watching Ernest make his funny expressions back when we didn't know what autism and ADHD truly were. So we're blasting backshots onto our past as we discuss one of Ernest's most lucrative projects, the 1988 Christmas comedy “ERNEST SAVES CHRISTMAS” also starring Douglas Seale, Noelle Parker, Gailard Sartain and Bill Byrge. Santa Claus needs a replacement, no it's not Ernest but Santa might need Ernest's help to save the future of Christmas. Of course Vern is in this movie. Vern is us. Vern is you. KnowwhatImean? We found it here, Vern: https://www.youtube.com/watch?v=nzUnfSLhi0s Subscribe to us on YOUTUBE: https://www.youtube.com/channel/UCuJf3lkRI-BLUTsLI_ehOsg Contact us here: MOVIEHUMPERS@gmail.com Check our past & current film ratings here: https://moviehumpers.wordpress.com Hear us on podcast: https://open.spotify.com/show/6o6PSNJFGXJeENgqtPY4h7 Our OG podcast “Documenteers”: https://podcasts.apple.com/us/podcast/documenteers-the-documentary-podcast/id1321652249 Soundcloud feed: https://soundcloud.com/documenteers Twitch: https://www.twitch.tv/culturewrought

Welcome boils and ghouls to a bonus episode talking about the Halloween classic - Ernest Scared Stupid. This week we're bringing you our first Spooky Season exclusive bonus episode where we talk all about Miak, Eartha Kitt killing it and the many fantastic sides of Jim Varney. Linktree - https://linktr.ee/PrivateIsland Become a Patron - Patron.com/privateisland Follow us on Twitter - https://twitter.com/UANPod Laugh with us on Instagram - https://www.instagram.com/upallnightpodcast/ Connect with fans on Discord - https://discord.gg/2RAp2af

Lesley Arfin (Brooklyn Nine-Nine, Love) joins Paul, June, and Jason to break down Ernest P. Worrell's antics in the 1990 slapstick comedy Ernest Goes To Jail. They discuss Ernest's imperviousness to electricity, his ability to fly, and his Rube Goldberg contraptions that seem to always hurt people. Plus, June reveals she thinks that bad Jim Varney's lookin' kinda nice. (Originally Released 05/20/2014) Go to hdtgm.com for tour dates, merch, and more.Pre-Order Paul's book about his childhood, Joyful Recollections of Trauma, wherever books are soldFor extra Matinee Monday content, visit Paul's YouTube page: youtube.com/paulscheerHDTGM Discord: discord.gg/hdtgmPaul's Discord: discord.gg/paulscheerFollow Paul on Letterboxd: letterboxd.com/paulscheer/Check out Paul and Rob Huebel live on Twitch (www.twitch.tv/friendzone) every Thursday 8-10pm ESTSubscribe to Unspooled with Paul and Amy Nicholson here: listen.earwolf.com/unspooledSubscribe to The Deep Dive with Jessica St. Clair and June Diane Raphael here: www.thedeepdiveacademy.com/podcastCheck out The Jane Club over at www.janeclub.comCheck out new HDTGM merch over at https://www.teepublic.com/stores/hdtgmWhere to find Jason, June & Paul:@PaulScheer on Instagram & Twitter@Junediane on IG and @MsJuneDiane on TwitterJason is not on Twitter