Podcast appearances and mentions of James Newton

As an internationally acclaimed drummer and percussionist, Bill Ransom has played some of the world's biggest halls with a host of world-famous artists. While building his performing career Bill also worked as an educator, guiding countless young drummers into professional careers. One passion fueling another. He has toured and recorded with artists including Patrice Rushen, Aretha Franklin, Marion Meadows, Cecil Bridgewater, Diane Reeves, Mary Wilson, and James Newton.  Bill currently tours the world with renowned singer, Beth Hart, and is an endorser for Yamaha drums, Remo drumheads, Vic Firth sticks, and Paiste cymbals. Bill has been on faculty at Cleveland State University since 2007 teaching drums, mallet and hand percussion, and jazz combo. In this episode, Bill talks about: His gig with Beth Hart, and what she needs from the drum chair School at Ohio University and The New School in New York Living in New York for awhile but returning home to Cleveland  Cleveland's active theatre and jazz scenes  “You gotta talk” Here's our Patreon Here's our Youtube Here's our Homepage

Making a return for his third appearance on StoryBeat is the great jazz and world flutist, Michael Mason.  Michael's been a professional musician and composer for forty years, while simultaneously working in the fire service of the Downers Grove, Illinois Fire Department, recently retiring at the rank of Lieutenant. Michael is one of the first responders from the Chicago area who flew to New York City just days after the destruction of the World Trade Center. He helped the New York City Fire Department and Port Authority for many weeks. In 2024, Michael released his latest album called “Luminosity,” which follows up 2023's, “Impermanence,” “Transcendence” in 2022, and “Human Revolution” in 2021. All are original jazz and world music compositions which received approval for voting from the National Academy of Recording Arts and Sciences for Grammy Award consideration.Michael's musical influences come from James Newton, Ian Anderson, Miles Davis, John Coltrane, Eric Dolphy, Sun Ra, Yusef Lateef, and James Galway.I've listened multiple times to each of his excellent records and can tell you Michael's impressive work will instantly soothe your soul with warm, beautiful melodies, gorgeous arrangements, and Michael's brilliance on the flute.  I highly recommend you check out his wonderful recordings and music.Michael's currently in the studio mixing 8 new songs for release in 2025 on the AVG Records label, so be sure to look out for that.Michael's been gracious enough to lend us his radiant composition, Moments from Luminosity. Please be sure to stick around at the end of the show to give it a listen. 

The First Jazz Feature tonight is "An Introduction to Jazz" narrated by Julian "Cannonball" Adderley. It is a tradition on The Jazz Show every year paying tribute to this time of year..."back to school, back to work" etc. with this educational and entertaining overview of the history of Jazz. Although it was recorded in 1960 it has significance and relevance to today's Jazz of 2024. The second Jazz Feature is a significant album by one of the most distinctive voices of the alto saxophone, the late Arthur Blythe. Mr. Blythe was well known in Los Angeles as a member of that city's Jazz underground and when he emigrated to New York in the mid 70's and recorded for small labels. Blythe to the surprise of many was signed by Columbia Records and recorded his first album called "Lenox Avenue Breakdown" . It was edgy, energetic and consisted of only four long compositions by Arthur Blythe. His band was unique as well with Arthur's fulsome alto saxophone paired with flute, guitar, tuba bass and drums. Blythe is accompanied by James Newton on flute, James "Blood" Ulmer on guitar, Bob Stewart on tuba, Cecil McBee on bass, Jack DeJohnette on drums and Guilherme Franco on percussion. This date began a four album run for Columbia and strangely they all soon became collectors items as they were not kept in the catalogue. Perhaps they were too adventurous for the lay Jazz public. Tonight The Jazz Show presents the first and best on "Lenox Avenue Breakdown". Head's up!!!

09-06-22 Tues PM “Our Labor is Not in Vain”Rev. James NewtonIsaiah 65:13, 21-24You can contact us at https://fpcdurham.org/contact

Brett Phillips is back with another big show in the middle of the ATP/WTA Rome 1000 leading into Roland Garros. Special guests for this edition include Australia's No 1 Male Junior Hayden Jones, Tennis Tasmania CEO Darren Sturgess, Tennis Seniors Australia President Mike Evans, Lachlan Puyol with our Aussie college wrap chatting to Catherine Aulia and James Newton and Aussie tennis coach in the USA Tom Downs, plus a Tennis VIC State Grade Wrap. Learn more about your ad choices. Visit megaphone.fm/adchoices

We speak to Marcus Anthony Shelby about Zaccho Dance Theatre & Dancers' Group Co-Presentation of "The People's Palace" (World Premiere), a site-specific performance installation and artistic intervention inside San Francisco's City Hall, 1 Dr. Carlton B. Goodlett Place, in San Francisco. Performances are Thursday & Friday, May 9, 10 and Sunday, May 12, 8-10:30 PM. It's free. On Friday, May 10, 7 PM there is a Haptic Tour and Audio Description.  Free, however, reservations are required: https://dancersgroup.org/onsite-joanna-haigood/ For more information: https://www.zaccho.org/?event_the-peoples-palace Marcus Shelby is a composer, bassist, bandleader, and educator who currently lives in San Francisco, California. His work focuses on the history, present, and future of African American lives social movements, and music education. In 1990,  Shelby received the Charles Mingus Scholarship to attend Cal Arts and study composition with James Newton and bass with Charlie Haden. Currently, Shelby is the Artistic Director of Healdsburg Jazz, an artist in residence with the Yerba Buena Gardens Festival, and a past resident artist with the San Francisco Jazz Festival and the Healdsburg Jazz Festival. 

Darek Oles (Oleszkiewicz) was born on February 20, 1963 in Wroclaw, Poland. At the age of five Oles began his music education at the State Music School in Wroclaw. Piano was his first instrument, but later he played guitar, electric bass and finally at eighteen years old, he switched to accoustic bass. While in his teens he played with amateur groups, evolving in popular music styles from rock, blues, jazz-rock to straight ahead jazz. In the early 1980's, Oles participated in various jazz festivals and national competitions for young musicians. In 1983, he was the most awarded musician at the Jazz Juniors in Cracow, winning the first individual prize, first prize for jazz composition and a second prize in jazz combo category. Later that year Oles was invited by Jan Ptaszyn Wroblewski, a jazz legend in Poland, to join saxophonist's quartet on tour.In the following five years Darek Oles was working steadily with some of the best jazz bands in the country such as: Zbigniew Namyslowski Quartet, Tomasz Szukalski Quartet, Henryk Majewski Quintet, Wojciech Karolak Trio and Andrzej Jagodzinski Trio and Jan Ptaszyn Wroblewski Quartet. With those groups he recorded for Polish Jazz, Polskie Nagrania, East Wind and also for the radio and television in Poland and abroad. Darek was touring extensively in Poland, France, Germany, Czech Republic, Cuba, Mexico and performed at major festivals, concerts and jazz club venues.In 1988, Darek Oles arrived in Los Angeles with a simple plan in mind: to broaden his musical horizon. One year later he received a full scholarship from California Institute Of The Arts and began studies with the legendary bassist Charlie Haden. After graduation in 1992, he accepted a teaching position at the Institute, where he has been conducting jazz ensembles and teaching bass ever since. Since 2002 Oles has been a jazz faculty member at the University Of California in Irvine.Aside from his teaching duties, Darek Oles has been very active as a performer and became one of the most sought after bass players on the West Coast. “Oles” (his American nick-name) had the opportunity to perform and record with the greatest masters in jazz. A partial list of his collaborations include: Brad Mehldau, Billy Higgins, Pat Metheny, Joe Lovano, Eddie Henderson, Charles Lloyd, John Abercrombie, Bennie Maupin, Lee Konitz, Peter Erskine, Alan Pasqua, Bennie Wallace, Victor Lewis, Harvey Mason, Dave Grusin, Art Farmer, Horace Silver, Alice Coltrane, Ravi Coltrane, James Newton, Arthur Blythe, Lew Tabackin, Steve Kuhn, Gary Smulyan, Ronnie Cuber, Billy Hart, Kevin Hays, Munyungo Jackon, Steve Hass, Toshiko Akiyoshi, Marian McPartland, Janis Siegel, Bob Brookmeyer, Curtis Fuller, Roy McCurdy, Tom Harrell, Larry Goldings, Bill Stewart, Chris Potter, Kei Akagi, Billy Childs, Bob Sheppard, Joe LaBarbera, Bill Cunliffe, Patrice Rushen, Bennie Golson, Piotr Baron, Teri Lynn Carrington, Buddy De Franco, Terry Gibbs, Anthony Wilson Nonet and Los Angeles Jazz Quartet.Moods in Freedom on SpotifySupport the showInstagram / Twitter / Youtube / Website / BSA / View More Episodes

As a painter, printmaker, scholar, and professor, James Newton wore many hats throughout his life before passing away in 2022.He left behind a diverse catalog of art, one that you can now experience at the Delaware Art Museum's new exhibition “The Artistic Legacy of James E. Newton: Poetic Roots.”In Arts Playlist, Delaware Public Media's Karl Lengel is joined by Delaware Art Museum Head Curator and Curator of American Art Margaret Winslow to learn more about Newton and the exhibit.

Making a return for his second appearance on StoryBeat is the great jazz and world flutist, Michael Mason. Michael's been playing professionally for more than 40 years.  He's led off for Trumpeter Arturo Sandoval, had master classes with James Newton, been influenced by Jethro Tull's Ian Anderson, performed with New Orleans Saxophonist Edward “Kidd” Jordan and Chicago's legendary Fred Anderson. He's also collaborated with James Galway and many artists from the legendary AACM organization.Michael's musical influences include Miles Davis, John Coltrane, Eric Dolphy, Sun Ra, and Yusef Lateef.More than a composer and musician, Michael was also a working firefighter for 38 years and is now Retired Lieutenant Michael Mason of the Downers Grove, Illinois Fire Department. He was one of the first responders from the Chicago area to fly to New York City after the World Trade Center Towers were attacked. There he worked with the New York City Fire Department and Port Authority for many weeks. You can read more about his firefighting efforts at ricofirerescue.com.   Over the past 10-plus years Michael's taught thousands of recruits at the Fire Academy to become first responders and has taught veterans how to save each other at the scene of any type of tragic incident. Please be sure to stick around at the end of this episode for a special treat. Michael has lent us his beautiful song, Freedom, from his new album, Impermanence. Freedom has also been turned into a music video as a tribute to the people of Ukraine.  The video, which can be seen on fireflute.com, has been approved by the National Academy of Recording Arts and Sciences for Grammy voting in the Best Music Video category, and Impermanence is up for voting in the "Best Contemporary Jazz Album" category.

12-26-2023 Tues PM “Let Us Continue”Rev. James Newton2 Timothy 3:13-14 You can contact us at https://fpcdurham.org/contact

If we have God for our friend, what need we to fear, nothing; but without his friendship we may be looked on as the most miserable of men. — James Newton

In today's mini-series, "A Seat at the Table:  A Discussion With Jazz Musicians," we feature Jazz and Classical composer, James Newton.Support the show

Finalizamos nuestro recorrido por intérpretes de flauta en jazz. Recordamos a Eric Dolphy, James Newton, traemos a figuras del mundo como Pardo, Yamamoto y Hermeto Pascoal. Hosted on Acast. See acast.com/privacy for more information.

Chaz and Alex talk about the now-infamous Andy Levin tweet and an expert on Maryland elections joins the show to talk about the few competitive races in the State Senate.

The latest episode of the Burning Ambulance podcast features an interview with tuba player Bob Stewart.I have said all season long that we're going to be exploring a single subject for ten episodes, and that subject is fusion. But as I hope has become clear over the course of the five previous episodes, during which I interviewed techno pioneer Jeff Mills, drummer Lenny White, trumpeter Randy Brecker, pianist Cameron Graves, and guitarist Brandon Ross, most of whom come from different musical generations and are not peers, when I say the word fusion, I'm talking about a state of mind, not a style or a genre. It's not what you play, it's how you approach music-making.I understand that when most people hear the word fusion, they think of the big name bands from the 1970s: the Mahavishnu Orchestra, Return to Forever, and Weather Report. Those groups, and the Miles Davis bands from 1969 to 1975, and many other less immediately recognizable groups, all did a particular thing, playing extremely complex music that blurred the lines between progressive rock and jazz. We talked about those acts in the second and third episodes this season, with Lenny White and Randy Brecker, both of whom were around then and were actively participating in making some of that music.If you think of fusion as a mindset, though, rather than a style, the discussion gets a lot more interesting. And that's really how I prefer to think about it. Because the people who fall into the latter category are the ones who I find to be the most interesting, and the ones who are more likely to have careers where almost every record they play on is at least worth hearing, worth giving a chance. You may not like all of it. But they're creative enough that they've earned the benefit of the doubt.A perfect example of this is Bill Laswell, the bassist and producer. He doesn't use the term fusion. He calls what he does “collision music,” bringing together players from wildly disparate areas — stylistic areas, and literal geographical ones, putting African players together with guys from Southeast Asia and New York rock artists and whoever else he thinks has something to say — and seeing what comes out when they all work together toward a common goal. And sometimes you get something glorious, that you never could have predicted or imagined beforehand. Like pairing Pharoah Sanders with a troupe of Gnawa musicians from North Africa. Or putting improvising guitarist Derek Bailey together with drummer Jack DeJohnette, DJ Disk from the Invisibl Skratch Piklz, and Laswell himself on bass. I heard a recording of that group just a few days ago, and you might not expect it to work, but it really, really did.Bob Stewart is a fusion artist in that he takes an instrument that has had a relatively low profile in jazz for decades — the tuba — and created a variety of fascinating contexts for it. Not only on his own albums, but particularly in partnership with the late alto saxophonist Arthur Blythe. They began working together in the early 1970s, and Stewart's playing on some of Blythe's albums, most notably Bush Baby, where it's just the two of them and a percussionist, and on Lenox Avenue Breakdown and Illusions, where they had some incredible bands that included at different times James “Blood” Ulmer on guitar, Cecil McBee on bass, Jack DeJohnette on drums, James Newton on flute, and Abdul Wadud on cello. On the album Blythe Spirit, Blythe and Stewart record a version of the spiritual “Just A Closer Walk With Thee,” with Amina Claudine Myers on organ, that's absolutely amazing. We talk about that piece a little bit in this interview.He's worked with a lot of other artists over the course of his career, too, including Charles Mingus, McCoy Tyner, Carla Bley, Gil Evans, the Jazz Composers Orchestra, Bill Frisell, the David Murray Big Band, Lester Bowie's Brass Fantasy, and on and on. The reason he's able to do so many different things is that his approach to the tuba is really expansive, conceptually speaking. He treats it as much more than a substitute bass. He understands its full range, and the subtleties it's capable of expressing, and he uses it in ways lots of other people would never even think of. On his own albums First Line, Then & Now, and Connections — Mind the Gap, he puts together really unorthodox collections of personnel. For example on Then & Now, which was originally released in 1996 but just recently popped up on Bandcamp, some of the tracks feature two trumpets, trombone, French horn, and drums, while another is a duo with pianist Dave Burrell, and others have trumpet, alto sax, guitar, and drums. And Connections — Mind the Gap, which is from 2014, features tuba, guitar and drums, with trumpet and trombone on two tracks, but then on five others it's the core trio plus a string quartet. Now that's very much a kind of fusion — jazz which is already in an avant-garde zone, combined with chamber music.Bob Stewart is a fascinating guy, an endlessly creative spirit who has done a tremendous amount to change the image of his instrument in order to pave the way for guys like Theon Cross, who plays tuba with Sons of Kemet, or with Jose Davila, who plays with Henry Threadgill's Zooid. I really enjoyed this conversation, and I hope you enjoy listening to it.Music in this episode:Bob Stewart, “Bush Baby” (Connections – Mind The Gap)Arthur Blythe, “Lenox Avenue Breakdown” (Lenox Avenue Breakdown)Bob Stewart, “The Rambler” (from Then & Now)

This week: Dizzy Reece; Doug Hammond; Sandra Duailibe; Orchestre régional de Guéckédou; Ti L'Afrique; Philly Joe Jones; Áurea Martins ; Simaro Massiya Lutumba ; Terri Lyne Carrington; Jaimeo Brown Transcendence; Dany Silva; James Newton; Andrew Lamb Trio; Lounis Aït Menguellet; Filipe Mukenga; much more... Always FREE of charge to listen to the radio program on WRFI, or stream, download, and subscribe to the podcast: via PODBEAN: https://conferenceofthebirds.podbean.com/ via iTUNES: https://podcasts.apple.com/us/podcast/conference-of-the-birds-podcast/id478688580 Also available at podomatic, Internet Archive, podtail, iheart Radio, and elsewhere. PLAYLISTS at SPINITRON: https://spinitron.com/WRFI/pl/14974319/Conference-of-the-Birds and via the Conference of the Birds page at WRFI.ORG https://www.wrfi.org/wrfiprograms/conferenceofthebirds/  We will continue to update playlists at confbirds.blogspot.com 24-48 hours of the program's posting  online. Join us on Facebook: https://www.facebook.com/groups/conferenceofthebirds/?ref=bookmarks FIND WRFI on Radio Garden: http://radio.garden/visit/ithaca-ny/aqh8OGBR Contact: confbirds@gmail.com

James Newton interviews Kevin about Heroes of Ruin

The Made for TV Mayhem Show has returned to celebrate what would have been Charles Bronson's 100th birthday! To help us ring in this - the holiest of holy days - we invited James Newton of Newton Talks (https://jamesedwardnewton.com/) to discuss three of Bronson's lesser talked about small screen appearances: the pilot for Man with a Camera (1958), One Step Beyond's eerie entry The Last Round (1961) and the 1993 cop thriller TV movie Donato and Daughter! We had a lot of fun, although there were technical woes aplenty, so please be patient with any sound issues or choppy edits. We had to record in "chapters" because of several dropouts. But we gave all of our love to Bronson, and we hope you enjoy it! 

Dušan Bogdanovič is literally the most interesting classical guitarist / composer. I can't begin to describe the influence and inspiration he's given me over the past decade or so. In this episode, Dušan and I talk espresso before we dive into aspects of his career ranging from improvisational adventures in 1990's Los Angeles to his recent retirement from the Geneva Conservatory and forthcoming book Harmony for Classical Guitar. We follow this up with another hour or so of shop talk about poetry, modern devaluation of form and meter, Balkan rhythmic asymmetry, African divisive rhythm, "multiple modernities", systematizing his polymetric and polyrhythmic pursuits, the qualitative experience of his internal clock(s), the intellectual potential of Elliott Carter's exhaustive set theoretic materials vs. the emotional potential of modal harmony, the extra spicy lydian flavors of Unconscious in Brazil, counterpoint with a less academic framing, recording with James Newton and Charlie Haden on the "very European" Early to Rise, the music of Egberto Gismonti, Dušan's thoughts guitarists like McGlaughlin/Metheny/etc, the microtonal works of Jeffrey Holmes, our mutual affection for Taoist esoterica, and a few thoughts on computer music. This conversation is a definite highlight of my year and I hope you enjoy listening!SHOW LESS

James Newton helps us introduce the Carolina Corner segment, we discuss the Washington Football Team with a caller, Brandon and Jason discuss the NCAA Tournament Bracket and the guys play a game of Bean Boozled!

This week’s discussion is with pianist, composer and educator Eric Gould. We discuss the history of non-white composers and he shares his own story as an African-American composer. As a person from a family of composers, Gould is able to give unique perspective to what it means to be a part of orchestral music as a non-white person and educates us on the rich history of composers of color. Eric Gould has enjoyed a multifaceted career as a pianist, composer, arranger, and educator. He has performed and recorded in collaboration with world-renowned instrumentalists such as Jimmy Heath, Ron Carter, James Newton, Bobby Watson, Antonio Hart, Winard Harper, Cindy Blackman, Terri Lynne Carrington, Cecil Bridgewater, Robin Eubanks, and Leon Lee Dorsey in addition to leading his own trio in performances from the Midwest to the East Coast. His debut CD, “On the Real”, rose to number 11 on the national jazz radio charts in the first quarter of 1999. His second CD, “Miles Away… Wayne in Heavy” rose to number 10 on the national charts and to number 45 (out of over 2500 releases) for the year 2000 His third CD, “Who Sez?” sold well from coast to coast, and appeared on radio playlists nationally. Patrons who wish to sign-up for email reminders may do so at www.cantonsymphony.org/orchestrating-change. More information, including additional episodes, will be released in our weekly newsletter and social media accounts. https://www.cantonsymphony.org/episode-10-eric-gould/ https://youtu.be/IJ0kXMH0GgM

On this special episode of 3rd & Ate, we go over the NFL week 15 preview and give our predictions, discuss if steroid use should be acceptable, and is Anthony Lynn holding Justin Herbert back? Jason predicts 3 upsets, call-in guest James Newton joins us for our first Game Pick Give-Away and also discusses what it would take for the Panthers to get Trevor Lawrence in a trade deal. Finally, we end the show with a conversation surrounding Norwegian, Swedish, and Finnish Christmas traditions with call-in guest Megan Holst.

We are back with a brand new episode, and it turned out to be one of those marathon recordings... Just like the olden days of the show, which is a bit kismet since we're going back to the Old West as we take a look at two surreal and fascinating Horror/Western hybrid TV movies, Black Noon (1971) and Into the Badlands (1991)! We are joined by a very special guest, James Newton, who helps Dan and Amanda dissect Frontier living. (Spoiler: Life was difficult!) James, a podcaster, filmmaker and writer, is someone worth checking out. Please follow his social media on Twitter at @JamesEdNewton, visit his website (https://jamesedwardnewton.com/) and make sure you give his excellent podcast Newton Talks a listen. You can also watch some of James' amazing films on his YouTube page (might I suggest you start with Grace?). And, you can check out the trailer for Black Lizard Tales, which is currently playing fests, and see his latest short Man/Rabid as well! All links are available via his website, so dive in! We had so much fun talking with him about these haunting little films, and we hope you enjoy listening. Thank you again!

Keeping the Christmas theme Al and Andrew are joined by guest James Newton to draft the worst possible family feud teams from a long list of hilarious... but DUMB Christmas characters! What Are We Doing Out Here brought to you by Dumber People Inc. talks about the wanna-be Bill Belichicks of the coaching industry showing no signs of personality in post-game interviews.

Video version at oldbull.tv/maproom. This week, Eric and Nick are joined by their Elections Daily colleague James Newton as they chart a course to New Hampshire. Follow your hosts on Twitter: Eric: @decunningham2 Jared: @jstonepolitics Nick: @tossupreport James: @JimNPol Email us at maproom@amciv.com. All content and opinions presented herein, whether by hosts and guests, are for informational purposes only and should not be construed as investment or other advice.

Join Alph, Betty and Gammo as they are sent on an underwater mission to The Mariana Trench! A playful, educational and interactive adventure podcast for 3-8 year olds and their families. Created by Jack Drewry, Jesse Meadows, Helena Middleton and Ben Vardy, featuring James Newton.  Check out Facebook and Twitter for the latest news and updates from The Seekers Podcast!

Today I am joined by self confessed armchair cryptozoologist and member of the London Cryptozoology Club, James Newton. James has had a long standing interest in Cryptozoology so we take a trip around the world discussing our favourite monsters, from Bigfoot, to the Yeti, to Mkolele-Mbembe to the Ropen. We also cover Forrest Galante,Blobsquatches and Paradeolia. We also discuss the Tic Tac videos, mystery Parakeets and much more. A big thank you to James for joining me. The London Cryptozoology Club is here: Our Patreon is now live, with bonus content, early release of the regular show, articles and monthly prizes for everyone who signs up! Join here now for the flat fee of $4 a month which is a bargain!   Don't forget, you can now show your support with our Merchandise shop on Redbubble! Check it out here!   You can join us on Facebook, Twitter and Instagram as well.   You can also subscribe to our YouTube channel!   Email us at mysteriesandmonsters@gmail.com with any feedback, guest suggestions or if you'd like to appear. All artwork by Dean Bestall and the show was produced by Brennan Storr of the Ghost Story Guys. #Cryptozoology #Cryptids #Bigfoot #Sasquatch #Yeren #OrangPendek #Yowie #Almasty #MokeleMbembe #Ropen #USA #Canada #CentreForForteanZoology #Yeti #TicTac #Parakeets #Nessie

1. Still Waters – Anthony Davis, James Newton, Abdul Wadud – I’ve Known Rivers – 1982 2. Fence in the Snow – William Parker Clarinet Trio – Bob’s Pink Cadillac – 2001 3. Land Escaping – Pauline Oliveros & Zeena Parkins – Presenca Series 001 – 2015 4. Melody IV – Jon Gibson – Songs … Continue reading tone science 385

Listen to Emma Morgan sit down with Amy Flanagan, James Newton and @will_gilbey to discuss how practitioners bring contributors and their stories to life across the factual landscape in documentary, specialist factual and popular documentary.

My guest this week is James Newton who is a filmmaker and lectures in Film Studies at the University of Kent. We talk about making the transition from being a student to becoming a member of staff and around the pitfalls of meeting students in pubs and the changing culture around drinking beers and coffees, and James explains why pubs are today a gentrified space and an indulgence. Originally from Wolverhampton, James discusses what he knows about his parents’ occupations and we talk about the disjuncture between family members’ public and private profiles as well as about the baggage that comes with our professions and why we feel the need sometimes to be defensive. James doesn’t have many memories of things he liked doing as a child. He was quite sporty and does many of the same things now that he did then. We discuss the Guinness Book of Hit Singles, the influence of punk and agitation and how particular forms of music define us. James discusses the bands he enjoyed when growing up and we learn that he first went to a gig in 1992 and saw a number of bands at their peak when they played at Wolverhampton Civic Hall. Tarantino had a massive impact on James and we find out why his films spoke to him and the zeitgeist of the period, and we find out which is his favourite film and why. The conversation then turns to James’ long route into academia, which has included making a film set in a radio studio and doing a degree in Film, Radio and Television with Religious Studies. We talk about teaching techniques, why his teaching was once spectacular and why he hopes he hasn’t become jaded. James explains that he was interested in religion when undertaking his undergraduate degree and we find out that spirituality is something he thinks about a lot these days. In the final part of the interview James talks about the need to learn from past experiences, why it is detrimental to look too far into the past or the future, why he doesn’t think he has fulfilled the dreams he’s had since he was young and why nostalgia is not simply about the past but the present and the importance of seizing control of the narrative. Please note: Opinions expressed are solely those of Chris Deacy and James Newton and do not necessarily represent the views or opinions of the University of Kent.

Vandaag met muziek van Creedence Clearwater Revival, Kris Kristofferson, Stray Cats, James Newton, Curse Of Lono en Bökkers. En natuurlijk hoor je ook weer de gospel van de week!

Our first ever guest interview! James Newton is British, has been living in France for just over 30 years and has had an eclectic career developing business in industries focused on IoT, Telematics and Automotive. I've learned he is also passionate about gardening and quantum gravity, in that order. Today, we discuss his article "Will autonomous vehicles be the killer IoT application?" which you can find on LinkedIn at https://www.linkedin.com/pulse/autonomous-vehicles-killer-iot-application-james-newton/ Please remember: If you like this podcast, share it with you friends and colleagues; if you're listening on iTunes Podcasts, leave 5 stars; you can leave me voicemails here on Achor.fm (I promise to reply!); and you can write me on Twitter @MarcHoag and find me on LinkedIn! Cheers! --- Send in a voice message: https://anchor.fm/autonomous-cars-with-marc-hoag/message

Join us Friday, May 11, 2018, for our first ever guest! James Newton, a veteran of the automotive and IoT industries, joins us from Toulouse France, to discuss his article "Will Autonomous Vehicles be the Killer IoT App?" (https://www.linkedin.com/pulse/autonomous-vehicles-killer-iot-application-james-newton) and much more besides. Be sure to tune in! Please remember: If you like this podcast, share it with you friends and colleagues; if you're listening on iTunes Podcasts, leave 5 stars; you can leave me voicemails here on Achor.fm (I promise to reply!); and you can write me on Twitter @MarcHoag and find me on LinkedIn! Cheers! --- Send in a voice message: https://anchor.fm/autonomous-cars-with-marc-hoag/message

Episode 46: Letting Go of Expectations - A conversation with Pete Estabrook Pete Estabrook earned a Bachelor of Music Degree in Professional Music from Berklee College (Boston, MA) in 1987 and Master of Fine Arts Degree in Jazz Studies from California Institute for the Arts (Valencia, CA) in 1991. He is also an AmSat certified Alexander Technique Teacher and completed that training at the Northern California Center for the Alexander Technique (Redwood City, CA) in 2011. Pete is a student of internationally recognized Yamaha Trumpet Artist and Clinician: Bobby Shew. He has also studied trumpet privately with 25 teachers, including: Mario Guineri, Roy Poper, Jon Lewis, and Steve Braet (who were all students of James Stamp). Formerly on the Jazz Faculty at Sonoma State University (1999-2011), Pete has been on the at Santa Rosa Junior College Faculty for over 20 years, where he has taught Jazz Courses, Music Fundamentals, and Applied Music (Trumpet). He has also been an Adjunct Faculty Member for Pacific Union College and Napa Valley College. He has been and active Private Trumpet Instructor for 34 years. He has transcribed over 400 Jazz Trumpet Solos as well as numerous Original Jazz Compositions and Arrangements by various Blue Note Artists. Pete's Transcriptions of Miles Davis' Solos were included as bonus material with the 2006 and 2009 re-releases of the 50's Prestige Sessions by the Concord Music Group. Under the guidance of James Newton (Downbeat Poll Winner-Jazz Flute), Pete transcribed and arranged portions of Duke Ellington's "Queen's Suite". This work, previously unreleased, was performed by the Danish National Radio Orchestra in 1991. As a student, Pete had the good fortune to perform with, and arranged for, ensembles featuring such well-known jazz artists as Bobby Shew, Charlie Haden, James Newton, Red Calendar, Bruce Forman, Tom Scott, Carl Fontana, Joe Williams, Albert Heath, Ernie Watts, and Roscoe Mitchell. In addition to performing regularly in a variety of musical settings which include Orchestral, Theater, Dance, and Brass groups, Pete also plays with his own Jazz Quintet (the Blue Note Collective). He has appeared on several albums by local artists including: Mel Graves' "Ear Shot", Bonnie Brooks' “You are the Song in Me”,and Steve Wolf's “Joy Button”. For the past 31 years, Pete has served as the Racetrack Bugler on the Northern California Fair Circuit, performing each summer for Fairs in Alameda, Humboldt, Sonoma, Solano, and San Joaquin County, as well as the Sacramento State Fair, and in the “off season”, for Cal Expo Harness Racing. Prior to teaching at the College level, Pete worked Holland America, Princess and Carnival Cruise Lines as a featured soloist and lead player.

James Newton is a freelance director and independent filmmaker. He got his start in adventure storytelling in 2003 when he borrowed a camera and traveled to the Amazon to tell the story of Dorothy Stang, an American nun who put her life at great risk to campaign for the rights of peasant farmers. Several years […] The post The Making of Janapar & the Art of Storytelling with James Newton : TPZ 107 appeared first on The Pursuit Zone.

Episode 24 of the JustaRide Films podcast! This week Chip and Dom review two independent movies. First, the locally shot Everyone's Going To Die and also something called Spectre or something. There's also a review of the short film The Empty, directed by James Newton, and the filmmakers discuss their experiences working on films, from producing to being a lowly runner. Plus all the usual independent film nonsense and tomfoolery! Subscribe on iTunes!! - https://itunes.apple.com/gb/podcast/justaride-films-podcast/id997099251 Come say hello! www.justaridefilms.co.uk Facebook.com/justaridefilms Facebook.com/sirensbay @justaridefilms @thompson_film @dompillai Watch 'Everyone's Going To Die' here - https://itunes.apple.com/gb/movie/everyones-going-to-die/id1008335556 Dom's interview with the director - https://www.youtube.com/watch?v=-fS72twWQfc&app=desktop Folkestone 52 Hour Film Challenge - https://www.facebook.com/events/1604995396430760/

Palomar Fellowship Humanist Group "The more we know, the more we know we don't know." - Aristotle This service features members of the Humanist Group presenting creation theories, including "The Big Bang" by George DeNeef, "Alternate Universes" by Bruce Thompson, and "Simulation Theory" by James Newton. Come speculate with us! Download this Podcast 02.08.15

PISODE 114 WRATH OF KAHN BY DJ BABA KAHN Culture Shock Radio Presents THE FIX Sunday Nights 11pm-2am EST | 4am-7am GMT | 9am - 12pm IST Listen Live on G98.7FM Stream around the world ||www.g987fm.com || www.babakahn.com Mixed and Hosted by 5X Award Winner and Winner DJ of the Decade Producer to the Stars DJ BABA KAHN Baba on twitter @babakahn | Baba on Instagram BabaKahn NOW ON ITUNES. FOR BOOKINGS please email thebabakahn@gmail.com Track Listings1.  Atif Aslam - Jeena Jeena BABA KAHN REMIX2. Major Lazer - Aerosol Can3. Dr.Zeus Kanika Kapoor - Desi Look BABA KAHN MASH UP4. Bruno Mars - Uptown Funk5. Nicki Minaj Drake - Truffle Butter6. James Newton feat Jennifer lawrence - Hanging Tree7. Gippy Grewal - Pind Nanke BABA NKAHN MASH UP8. Usher - What's your name9.  Maroon 5 - Sugar 10. Imaad Shah & Saba Azad - Calcutta Kiss BABA KAHN MASH UP 11. Tove Love - talking Body12. John Hart - Who Booty is this Remix13. Amaal Mallik - Arjit Singh - Sooraj Dooba Hain BABA KAHN REMIX14.  Avicci feat Nicky Romero - I could be the one15. Yo Yo Honey Singh feat Alfaaz - Birthday Bash 

Enjoy this special Re-broadcast with Lenon Honor Lenon Honor is indeed an honorable man.  Listen as he shares tools from his DVD series every woman needs to know; what it takes to attract an honorable man. Lenon Honor is a husband, father, musician, video producer, talk show host, and writer. As a child he began his studies in music and became a professional musician at the age of 16. He went on to study music with world renowned flutist and composer James Newton at University At age 34, Lenon Honor has continued his creative efforts via film production. Film topics range from spirituality, religion, subliminal manipulation, transhumanism, the occult, politics, media mind control, the entertainment industry, amongst other salient topics. Through extensive research and a great deal of analysis Lenon Honor has exposed many covert aspects of the world in which we live. All of his films are available for viewing on his website: www.lenonhonorfilms.com

What's sexier than a picture of Herbie Mann naked? 90 minutes of the Bastard discussing some favorite albums by jazz flautists! Sam Most and Joe Farrell - FLUTE TALK; Lew Tabackin - RITES OF PAN; James Newton - AXUM, THE AFRICAN FLOWER.

Today we are celebrating the life of El Hajj Malik El Shabazz, a man who epitomizes transformation and revolutionary thought born May 19, 2011, (1925-1965). We are joined by friends and family who knew and admired him. Confirmed are: A. Peter Bailey, author, journalist, friend of Brother Malcolm, and Yusufu Mosley, activist, and practitioner of African-Centered Restorative Justice. We are also joined by scholar, artist, writer, teacher, Amiri Baraka. We close with an interview with Abraham Burton, who is headlining the Tenth Annual Malcolm X Jazz Arts Festival, Saturday, May 21, 2011 at San Antonio Park. The Abraham Burton Trio performs at Eastside Cultural Center 2277 International Blvd., Oakland, CA   94606, Sunday: May 22, 2011, 6PM-two sets. Admission is $15. For more information: 510/533-6629 We open with "Eleanor  Bumpurs" featuring Jon Jang Sextet (David Murray, tenor saxophone: James Newton, flute; Chen Jiebing, erhu; Jon Jang, piano; Santi Debriano, double bass; Billy Hart, multiple percussion.  The work speaks to an African American grandmother who was murdered by the Bronx police for not paying her rent on time continuing the long history of legal lynching or as Amiri Baraka once broadly described as the Sisyphus Syndrome, the repeated pattern that is a sustained upward trend bred of fierce struggle and broad unity and then blunted and periodically turned around socially, politicially economically, by political reaction, social repression, VIOLENCE and most of all white supremacy reasserting itself. Alan DeWayne Blueford was an 18-year-old senior at Skyline High School, preparing to graduate in June. He was the youngest son of Adam Blueford Sr. and Jeralynn Brown Blueford. During the early morning hours of May 6, 2012, Alan was murdered by an officer – whose name has yet to be released – with the Oakland Police Department. His family is now seeking justice for his death. .

Enjoy this Rebraod Cast with Leneon Honor Lenon Honor is indeed an honorable man.  Listen as he shares tools from his DVD series every woman needs to know; what it takes to attract an honorable man. Lenon Honor is a husband, father, musician, video producer, talk show host, and writer. As a child he began his studies in music and became a professional musician at the age of 16. He went on to study music with world renowned flutist and composer James Newton at University At age 34, Lenon Honor has continued his creative efforts via film production. Film topics range from spirituality, religion, subliminal manipulation, transhumanism, the occult, politics, media mind control, the entertainment industry, amongst other salient topics. Through extensive research and a great deal of analysis Lenon Honor has exposed many covert aspects of the world in which we live. All of his films are available for viewing on his website: www.lenonhonorfilms.com  

Lenon Honor was born in San Diego, California. As a child he began his studies in music and became a professional musician at the age of 16. He went on to study music with world renowned flutist and composer James Newton at University of California , Irvine. As a musician Lenon Honor has produced 4 albums of music and has performed in the U.S. and abroad. His most recent music album titled "Soul Visions" was released in November of 2009 and can be purchased at: www.lenonhonor.com At age 34, Lenon Honor has continued his creative efforts via film production and has produced 5 major documentaries to date. His most recent film, "The Borg Agenda, 7 of 9, and the Sexualization of Technology" spans over 12 hours in length. Part 5 of "The Borg Agenda" will be released in December 2009. Film topics range from spirituality, religion, subliminal manipulation, transhumanism, the occult, politics, the entertainment industry, amongst other topics. Through extensive research and a great deal of analysis Lenon Honor has exposed many covert aspects of the world in which we live. All of his films are available for viewing on his website: www.lenonhonorfilms.com

Our guest Lenon Honor was born in San Diego, California. As a child he began his studies in music and became a professional musician at the age of 16. He went on to study music with world renowned flutist and composer James Newton at University of California, Irvine. As a musician Lenon Honor has produced 3 albums of music and has performed in the U.S. and abroad. At age 33, Lenon Honor has continued his creative efforts via film production and has produced 4 major documentaries to date. His most recent film, "The Borg Agenda, 7 of 9, and the Sexualization of Technology" spans over 10 hours in length. Part 1 and Part 2 can be viewed on his website. Film topics range from spirituality, religion, subliminal manipulation, transhumanism, the occult, politics, the entertainment industry, amongst other topics. Through extensive research and a great deal of analysis Lenon Honor has exposed many covert aspects of the world in which we live. All of his films are available for viewing on his website: www.lenonhonorfilms.com

This latter-day masterpiece by one of the most distinctive voices of the alto saxophone is the first Feature of the new year. Arthur Blythe is an extraordinary alto saxophonist and composer who while playing music with an 'edge' is also lyrical and accessible. Blythe can perform in any context but his own recordings are usually with unusual mixes, not your standard traditional setup with trumpet, alto, piano, bass and drums. Arthur works things differently and this recording, his debut for the major Columbia label, is unique in it's instrumentation. Blythe on alto saxophone, the great flute virtuoso, James Newton, James 'Blood' Ulmer on guitar, Bob Stewart on tuba, Cecil McBee on bass, Jack DeJohnette on drums and Guilherme Franco on percussion. Only four tunes comprise the album, all by Arthur Blythe. "Lenox Avenue Breakdown" stands as a modern classic and a great tribute to the originality of Arthur Blythe.

This week on NTL our guest is Eluding Gravity.Eluding Gravity is an energetic four piece band that is breaking away from the weight of socialized standards. They are dawning fourth a new feel for whole-hearted, deep felt music that is simply complex. Each musician in the band, brings a unified ambition that has helped bond this group and it's fans to the music through lyrics that add depth of heart to uplifting melodies that will inspire all.The members of Eluding Gravity are James Newton who is the lead vocalist of the band comprising lyrical melodies that tell stories of life, death, happiness, ones-self and the world as seen through the eyes of a believer. Shredding sofisticated melodies on his Les Paul guitar is Kenny "The Squirrel" Parker. On Bass is Sean Yebba who provides lyrical and intricate basslines that tie the music together. And then we have "B", who sits behind a mountain of percussion instruments that add the backbone and energy the three other members of the band drive on to complete the ensemble now known as "Eluding Gravity".Eluding Gravity is currently working on their new project which should be released in mid-jan... prepare to be slapped by gravity

This week on NTL our guest is Eluding Gravity.Eluding Gravity is an energetic four piece band that is breaking away from the weight of socialized standards. They are dawning fourth a new feel for whole-hearted, deep felt music that is simply complex. Each musician in the band, brings a unified ambition that has helped bond this group and it's fans to the music through lyrics that add depth of heart to uplifting melodies that will inspire all.The members of Eluding Gravity are James Newton who is the lead vocalist of the band comprising lyrical melodies that tell stories of life, death, happiness, ones-self and the world as seen through the eyes of a believer. Shredding sofisticated melodies on his Les Paul guitar is Kenny "The Squirrel" Parker. On Bass is Sean Yebba who provides lyrical and intricate basslines that tie the music together. And then we have "B", who sits behind a mountain of percussion instruments that add the backbone and energy the three other members of the band drive on to complete the ensemble now known as "Eluding Gravity".Eluding Gravity is currently working on their new project which should be released in mid-jan... prepare to be slapped by gravity