Podcasts about Lynn Harrell

This Episode is sponsored by Better Help Get 10% off your first month with betterhelp.com/morningcup August 14th: Vickie Lynn Harrell's Body Found (1972) In a world where citizen sleuths and armchair detectives exist, it gives hope that even the coldest case may have a chance for some answers. On August 14th 1972 a woman was found dead after just a few days of being missing. And, though her case seems to be frozen solid, anything can happen when enough people come together and lend their expertise.  ttps://www.mommalovestruecrime.com/2020/02/the-murder-of-vickie-lynn-harrell.html?m=1, https://defrostingcoldcases.com/vickie-lynn-harrell/, https://truecrimesocietyblog.com/2019/11/23/unsolved-murder-of-vickie-lynn-harrell/, https://www.in.gov/isp/crime-reporting/cold-case-investigations/cold-cases-by-county/bloomington-district-investigations/vickie-lynn-harrell-08121972/?fbclid=IwAR0CotBkkRm4cFV-XBLZq7ym3ibocUmII_VOTBpY6P66AHTF1ErQASE8m30, http://studyofindianacoldcases.blogspot.com/2018/07/vickie-lynn-harrell.html,

This week on The Sound Kitchen, a special treat: RFI English listeners musical requests. Just click on the “Play” button above and enjoy! Hello everyone! Welcome to The Sound Kitchen weekly podcast, published every Saturday. This week, you'll hear music requested by your fellow RFI English listener Hans Verner Lollike from Hedehusene, Denmark.Be sure you send in your music requests! Write to me at   thesoundkitchen@rfi.frHere's the music you heard on this week's program: “La bohème” by Charles Aznavour and Jacques Plante, sung by Charles Aznavour; “His Eye is on the Sparrow” by Charles H. Gabriel and Civillia Durfee Martin, sung by Mahalia Jackson, and the Polonaise Brilliante in C Major, Op.3 by Frédéric Chopin, performed by Lynn Harrell, cello, and Pauline Yang, piano. The quiz will be back next Saturday, 19 August. Be sure and tune in! To find out how you can win a special Sound Kitchen prize, click here.To find out how you can become a member of the RFI Listeners Club, or form your own official RFI Club, click here.  

Naima Burrs , M.M., is a violinist and conductor from Richmond, VA. Burrs studied at the University of Northern Iowa where she received a Master of Music degree in violin performance while serving as a Graduate Assistant during her studies. She also holds a Bachelor of Arts degree in Music from Virginia Commonwealth University.Naima was featured as a guest on NPR's show "With Good Reason", where she discussed her upbringing and career, and performed works celebrating the contributions of African American composers and musicians.  Burrs has performed as a section violinist with many ensembles including the Richmond Symphony Orchestra,  the Roanoke Symphony Orchestra, the Williamsburg Symphony Orchestra, and the Waterloo Cedar Falls Symphony Orchestra as well as serving as principal second violin with Opera on the James and as concertmaster of Summer Garden Opera.Naima was one of twelve violinists chosen internationally to participate in the 2014 Scotia Festival of Music, a chamber and orchestral music festival held in Halifax, Nova Scotia where she performed with the legendary cellist Lynn Harrell. Also in 2014, Burrs served as concertmaster for Steven M. Allen's new opera The Poet, starring mezzo-soprano Denyce Graves, in Washington, DC. In addition, Burrs served as concertmaster of a chamber orchestra for a PBS documentary about the life and work of Paul Lawrence Dunbar, also featuring the compositions of Steven M. Allen. In 2019, Naima participated in the Colour of Music Festival (COMF) in Columbia, South Carolina as part of the festival orchestra and as a member of the festival's all-female virtuosi ensemble.She was one of four conductors chosen to participate in the 2021 Wintergreen Music Festival, as a Summit Conductor, where she worked with master teachers James Ross and Erin Freeman. This July, she will travel to Quebec, Canada to study with Yannick Nézet- Séguin and Thomas Rösner through the conducting academy of Domaine Forget at Charlevoix.Naima was recently appointed Music Director of the Petersburg Symphony Orchestra in Petersburg, Virginia. During the 2021-22 season, she served as conductor of the Hopkins Concert Orchestra and the assistant conductor of the Hopkins Symphony Orchestra at Johns Hopkins University in Baltimore, Maryland.  Beginning in the Fall of 2022, Burrs will also serve as the orchestra director at the University of Richmond.Burrs is a full time instructor at Virginia State University (Petersburg,VA). She has also served on the faculty at Longwood University (Farmville, VA) and Hampden-Sydney College (Hampden-Sydney, VA). Naima is currently pursuing a Doctor of Musical Arts Degree (D.M.A.) in instrumental conducting at The Catholic University of America in Washington, D.C. The Truth In This ArtThe Truth In This Art is a podcast interview series supporting vibrancy and development of Baltimore & beyond's arts and culture. Mentioned in this episode:Naima Burrs  To find more amazing stories from the artist and entrepreneurial scenes in & around Baltimore, check out my episode directory. Stay in TouchNewsletter sign-upSupport my podcastShareable link to episode ★ Support this podcast ★

Lynn Harrell started college with the goal of working as a camp director for children. That is until a required project wherein she went to help with the North Carolina Senior Games opened her world to the joys of time spent with the senior set. She has spent much of her professional life working with the NC Senior Games including the past 14 as the Associate Director. Join us as Lynn shares more of her love for the games, the participants, the many volunteers and fans of all ages. The North Carolina Games even include a comprehensive set of Senior Arts as part of the competition. Winners from the local and state level Senior Games go on to compete at the national level. To learn more about the NC Senior Games, go to www.ncseniorgames.org To learn more about the National Senior Games Association, including links to other states games, go to www.nsga.com  And please consider joining in the fun as a participant or volunteer.Have comments or questions for us? Interested in sharing your story on Aging Well? Please send your information and questions to Hugh via email at willowwaycreations@gmail.com or through any of our social media links on our website, findingbeautyinthegray.com. We'd love to hear from you and appreciate your feedback. Leaving feedback on your podcast host site (Apple, Spotify, etc.) is the single most important and effective way for us to stay viable and to continue to bring you great stories and helpful resources.  And if you are enjoying the show and getting value from our topics and guests, we would  most welcome your financial support. Producing a quality resource does require appreciable financial investment. Thank you! Support the show

Synopsis April 29th fell on Sunday in the year 1906, and readers of The New York Times photogravure supplement were able to view scenes of the terrible destruction in San Francisco that followed the great earthquake that struck that city just 11 days before. The paper was filled with accounts of the suffering caused by the quake, and undoubtedly, many New Yorkers asked themselves what they could do to help. The New York musical community provided one answer by quickly arranging a number of benefit concerts. The largest of these occurred on today's date that year at New York's Hippodrome, and was organized by the popular composer Victor Herbert, who conducted his orchestra with Metropolitan Opera singer Ernestine Schumann-Heink as a featured soloist. The vast Hippodrome was completely sold out, with standing-room-only tickets filling the aisles. Seven thousand dollars were raised, which by today's standards seems a rather modest sum, but by 1906 standards was impressive enough to make newspaper headlines. Perhaps New York musicians and their audiences felt a personal affinity with the quake victims, as their own Metropolitan Opera Company, including its star tenor Enrico Caruso, was on tour in San Francisco when the quake struck on April 18th, and, as the Times reported, the Met's touring orchestral musicians, almost without exception, lost their instruments. That bit of news must have struck a special chord with Victor Herbert. In 1886, both he and his wife had come to America from Europe to join the Metropolitan Opera – he as an orchestral cellist, and she as a soprano soloist. Music Played in Today's Program Victor Herbert (1859–1924) — Cello Concerto No. 1 (Lynn Harrell, cello; St. Martin's Academy; Sir Neville Marriner, cond.) London 417 672

Pittsburgh Symphony Music Director Manfred Honeck returned this week for the first full Pittsburgh Symphony Orchestra concerts in 18 months to open the Heinz Hall 50th anniversary season with Anne-Sophie Mutter at the Gala on September 16th.  Ms. Mutter will be playing a concerto by the Chevalier de Saint George and music by John Williams. She discusses her solo spots and the incredible success of her live Vienna Philharmonic cds with John Williams conducting. She works with John Williams a few days after Pittsburgh in Los Angles at a concert which will play tribute to cellist Lynn Harrell. She remembers her colleague along with Maestro Honeck's thoughts. Other topics include pandemic reflections; the Mutter Virtuosi with which she will go on tour; upcoming recording plans which include a disc with Manfred Honeck conducting in Prague; why now is the time to belatedly look into African-American composers and other composers who have been long out of the spotlight; the importance of radio to classical music; and much more in this half hour with Jim Cunningham.  Recorded at the Fairmont Hotel in the floor 2 restaurant. 

American violist Rita Porfiris  has performed in major concert halls and music festivals worldwide as a chamber musician, orchestral musician, and as a soloist.Currently the Associate Professor of Viola and Director of Chamber Music at The Hartt School, she has also been on the faculties of New York University, the University of Houston Moores’ School of Music, Florida International University, and the Harlem School for the Arts in New York. She has given master classes, lectures and clinics across the U.S., United Kingdom, Germany, Japan, Argentina, Brazil, Iceland, Taiwan, and the Dominican Republic.Ms. Porfiris is a member of the Miller-Porfiris Duo and the Hartt Quartet. As a founding member of the Plymouth Quartet, she was in-residence at the Ojai Festival, Mainly Mozart, Point Counterpoint, and the Internationale Quartettakademie Prag-Wien-Budapest. She was the recipient of Austria’s prestigious Prix Mercure, a prize winner in the Fischoff Chamber Music Competition and the Primrose International Viola Competition, and a laureate of the Paolo Borciani International Quartet Competition.In her 20 year-long career as an orchestral musician, 15 years of which were spent with the Houston Symphony, she worked under some of the most recognized conductors of the 20-21 Centuries, including Leonard Bernstein, Sergiu Celibidache, Kurt Masur, Michael Tilson Thomas, and Christoph Eschenbach. Equally at home in a wide variety of genres, Rita has shared the stage with Burt Bacharach, Ray Charles, Bernadette Peters, Lyle Lovett, Rod Stewart, and Tony Bennett, to name a few.Highlights of recent seasons include chamber concerts with Lynn Harrell, Joseph Kalichstein, and Jamie Laredo; tours to Israel, Europe, and Taiwan; sold-out concerto appearances at the historic Gewandhaus in Leipzig, Germany; Baltimore, Maryland and Lincoln, Nebraska; and a performance of the rarely played Romantic Rhapsody for Violin, Viola and Orchestra by Arthur Benjamin as part of the Miller-Porfiris Duo. In May 2016, the Baltimore Sun declared "Rita Porfiris proved an ideal soloist, as much for her richness of tone and impeccable articulation as for the warmth and subtlety of her phrasing."Rita’s transcriptions for the viola of both classical music staples and pop favorites have been enjoyed worldwide by audiences and performers. Gramophone Magazine called her  transcription of Gliere’s Eight Pieces Op. 39, recorded on the Miller-Porfiris Duo’s second CD “Eight Pieces,”  "satisfying" and "sung with beautiful warmth." Recent acclaim from Fanfare for the Duo's third CD, entitled "Divertimenti" declares their playing "a lightning bolt" and speaks to the "color, fire, and passion."Ms. Porfiris received both her BM and MM in Viola Performance from The Juilliard School, studying with William Lincer. Other teachers and mentors included Paul Doktor, Norbert Brainin, and Harvey Shapiro.WebsiteUncertainty of Fate Festival

A casual conversation with Dr. Soo Han This episode features a very special guest and my dear friend, Dr. Soo Han. Soo agreed to come on the podcast if we could simply have a conversation rather than an interview, so we did! We discuss teaching during the pandemic, the future of music education, and also engage in some personal conversation including plans for Thanksgiving. I hope you and yours will have a wonderful Thanksgiving! -- Dr. Soo Han is the director of orchestral studies at Baldwin Wallace Conservatory of Music, a member of the Board of Directors of the Midwest International Band and Orchestra Clinic, a contributing editor for Hal Leonard's Essential Elements for Strings, a D'Addario Orchestral Strings Artist, a Conn-Selmer Educational Clinician, program coordinator and faculty member with Los Angeles Philharmonic's summer YOLA program and the former director of orchestras & department chair of the William H. Duke Center for the Performing Arts at Carmel High School in Indiana. As an active conductor, he has appeared with Carmel Symphony Orchestra, Cave Run Symphony Orchestra, Michigan State Opera Theatre, Michigan State Symphony Orchestra, Valparaiso University and Butler University Symphony Orchestra. He is an active conductor for all-state, regional and honor orchestras appearing in over 30 states and has conducted internationally in Austria, China, Thailand and Australia. Han has collaborated with numerous artists, groups, and conductors such as Lynn Harrell, David Kim and the Indianapolis Symphony Orchestra. He has produced multiple recordings of complete symphonies and has premiered several commissioned works for strings and full orchestras. He has presented workshops and clinics internationally and for nearly every major national and state music conference including: Australian String Teacher Conference, Maryborough National Australia Conference, Midwest Clinic, ASTA National Conference, NAfME National Conference and Ohio University Summer String Teacher Workshop. Orchestras under his leadership experienced a great deal of success including nine Indiana State School Music Association (ISSMA) State Championships and being named Grand Champions at the National Orchestra Cup at Lincoln Center's Alice Tully Hall. As a passionate supporter of public school music programs, he continues to remain active in instrumental classrooms throughout the country. Han was previously the president of the Indiana American String Teachers Association and the chapter was awarded the ‘Most Improved Chapter' during his time as president. He recently served as the National American String Teachers Association's K-12 Committee Chair. He received his Bachelor of Instrumental Music Education from Indiana University Jacobs School of Music, Master of Science in Education from Indiana University School of Education and his Doctorate in Orchestral Conducting from the Michigan State University College of Music. Contact Dr. Han: https://www.bw.edu/academics/bios/han-soo -- Background music: Ahrirang, arranged by Soo Han https://www.youtube.com/watch?v=3v4NHMxVehA To purchase print edition or for more info: https://goo.gl/4JLFWw --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app Support this podcast: https://anchor.fm/orchestrateacher/support

Les carnets de Gautier Capuçon - Lynn Harrell

In 1972, two young women with their whole lives ahead of them vanish from public places, leaving behind only a tiny handful of clues.Sources for this episode cannot be listed here to due to character limitations. For a full list of sources, please visit https://crimejunkiepodcast.com/murdered-pamela-milam-vickie-lynn-harrell

In 1972, two young women with their whole lives ahead of them vanish from public places, leaving behind only a tiny handful of clues. Sources for this episode cannot be listed here to due to character limitations. For a full list of sources, please visit https://crimejunkiepodcast.com/murdered-pamela-milam-vickie-lynn-harrell Learn more about your ad choices. Visit megaphone.fm/adchoices

ca. 10.04 uur: G.F. Händel - Concerto grosso, HWV.313 Petra Müllejans, viool Freiburger Barockorchester (opname Grote Zaal Concertgebouw, 6 april 2003) ca. 10.17 uur: W.A. Mozart - La finta giardineira, KV.196 (fragmenten) Charlotte Margiono, sopraan Lieuwe Visser, bas & verteller Amsterdamse Bachsolisten o.l.v. Henk Rubingh (opname Grote Zaal Concertgebouw, 21 september 1997) ca. 10.52 uur: D. Sjostakovitsj - Concert voor cello en orkestg nr.2, op.126 Lynn Harrell, cello Radio Symfonie Orkest o.l.v. Eri Klas (opname Grote Zaal Concertgebouw, 25 februari 2001) ca. 11.27 uur: J, Haydn - Pianotrio Hob.XV nr.20 Altenberg Trio Wien (opname Kleine Zaal Concertgebouw, 24 januari 2010) ca. 11.43 uur: S. Tanejev - Cantate 'Johannes van Damascus', op.1 Groot Omroepkoor Radio Filharmonisch Orkest o.l.v. Vasily Petrenko (opname Grote Zaal Concertgebouw, 19 mei 2013)

ca. 10.04 uur: G.F. Händel - Concerto grosso, HWV.313 Petra Müllejans, viool Freiburger Barockorchester (opname Grote Zaal Concertgebouw, 6 april 2003) ca. 10.17 uur: W.A. Mozart - La finta giardineira, KV.196 (fragmenten) Charlotte Margiono, sopraan Lieuwe Visser, bas & verteller Amsterdamse Bachsolisten o.l.v. Henk Rubingh (opname Grote Zaal Concertgebouw, 21 september 1997) ca. 10.52 uur: D. Sjostakovitsj - Concert voor cello en orkestg nr.2, op.126 Lynn Harrell, cello Radio Symfonie Orkest o.l.v. Eri Klas (opname Grote Zaal Concertgebouw, 25 februari 2001) ca. 11.27 uur: J, Haydn - Pianotrio Hob.XV nr.20 Altenberg Trio Wien (opname Kleine Zaal Concertgebouw, 24 januari 2010) ca. 11.43 uur: S. Tanejev - Cantate 'Johannes van Damascus', op.1 Groot Omroepkoor Radio Filharmonisch Orkest o.l.v. Vasily Petrenko (opname Grote Zaal Concertgebouw, 19 mei 2013)

"Music gives the human spirit a place to expand…a place to grow." – Guido Lamell In this very special conversation, Dr. Bob has the pleasure of talking with professional violinist Guido Lamell. They discuss many topics including Guido's incredible musical career and how important music is for children. There is a very special treat at the end of the episode that you absolutely will not want to miss. Enjoy! Violinist GUIDO LAMELL joined the Los Angeles Philharmonic in 1979 under Carlo Maria Giulini, after having served for two years as associate concertmaster of the Louisville Orchestra and for one year as concertmaster of the Mexico City Philharmonic. Lamell has performed frequently on the Philharmonic's Chamber Music Society and Green Umbrella series, and has appeared widely as a recitalist and orchestral soloist. He particularly loves playing in small ensembles and has enjoyed playing chamber music in his home with some of the Philharmonic's guest soloists, including Gustavo Dudamel, Emanuel Ax, Lynn Harrell, Joshua Bell, Sir Simon Rattle, and others. In addition, Lamell has been very active as a conductor. Having conducted various local ensembles for many years, he traveled to Kiev in 2000 with celebrated American violin soloist Eugene Fodor to record six concertos with the National Symphony of Ukraine. These recordings received critical acclaim and ultimately proved to be Fodor's last recordings. In recent years, Lamell has been coaching orchestras and conductors throughout Los Angeles through the Philharmonic's Youth Orchestra Partnership Program. This continued on the Philharmonic's tour to Caracas, when he coached two of the El Sistema youth orchestras and gave a conducting masterclass (in Spanish) to a group of El Sistema conducting students. In 2011, he produced and conducted Beethoven's Ninth Symphony at Walt Disney Concert Hall as a benefit concert for Japan earthquake relief. This concert was honored with a reward of the American Prize. In 2012, Lamell was appointed Music Director of the Santa Monica Symphony and is active in his third season with them. He is excited about bringing Philharmonic-level ideals and enthusiasm to this orchestra in its 70th anniversary season. Visit smsymphony.org. How to contact Guido Lamell: https://www.laphil.com/musicdb/artists/2981/guido-lamell https://www.smsymphony.org/ Instagram: https://www.instagram.com/santamonicasymphony/ How to contact Dr. Bob: YouTube: https://www.youtube.com/channel/UChztMVtPCLJkiXvv7H5tpDQ Instagram: https://www.instagram.com/drroberthamilton/ Facebook: https://www.facebook.com/bob.hamilton.1656 Seven Secrets Of The Newborn website: https://7secretsofthenewborn.com/ Website: https://roberthamiltonmd.com/ Pacific Ocean Pediatrics: http://www.pacificoceanpediatrics.com/

durée : 01:28:44 - Hommage au violoncelliste américain Lynn Harrell, disparu le 27 avril 2020 (5/5) - par : François-Xavier Szymczak - Cinquième et dernière émission de notre série Lynn Harrell, violoncelliste américain décédé le mois dernier, avec aujourd’hui un programme tourné vers le XXe et même le XXIème siècle. - réalisé par : Céline Parfenoff

durée : 01:28:44 - Hommage au violoncelliste américain Lynn Harrell, disparu le 27 avril 2020 (4/5) - par : François-Xavier Szymczak - Quatrième émission de notre série Lynn Harrell, violoncelliste américain décédé le mois dernier, avec aujourd’hui un programme germanique, Beethoven, Schubert, Schumann, Brahms - réalisé par : Céline Parfenoff

durée : 01:28:50 - Hommage au violoncelliste américain Lynn Harrell, disparu le 27 avril 2020 (3/5) - par : François-Xavier Szymczak - Troisième émission d’une série consacrée au violoncelliste américain Lynn Harrell, récemment disparu, avec au programme Beethoven, Mendelssohn, Saint-Saëns, Dvorak ou Dohnanyi - réalisé par : Céline Parfenoff

durée : 01:28:27 - Hommage au violoncelliste américain Lynn Harrell, disparu le 27 avril 2020 (2/5) - par : François-Xavier Szymczak - Voici la deuxième émission d’une série consacrée au violoncelliste américain Lynn Harrell, disparu le mois dernier à l’âge de 76 ans, avec au programme Dvorak, Rachmaninov, Taneiev, Beethoven, Ravel ou William Walton. - réalisé par : Céline Parfenoff

durée : 01:28:38 - Hommage au violoncelliste américain Lynn Harrell, disparu le 27 avril 2020 (1/5) - par : François-Xavier Szymczak - Disparu le 27 avril dernier à l'âge de 76 ans, le violoncelliste Lynn Harrell s'était imposé comme un des interprètes les plus attachants de son époque - réalisé par : Céline Parfenoff

Actor and comedian Jerry Stiller, who died May 11, was part of a comic duo with his wife Anne Meara and later played George Costanza's hot-headed father on 'Seinfeld.' He spoke to 'Fresh Air' in 1993. Also, we remember award-winning cellist Lynn Harrell. He joined the the Cleveland Orchestra when he was 18 and went on to perform as a soloist with orchestras around the world. He spoke with Terry Gross in 1987.TV critic David Bianculli reviews the genre-bending series 'The Great' on Hulu.

Der große amerikanische Cellist Lynn Harrell ist gestorben. Er war nicht nur ein begnadeter Musiker, sondern auch ein warmherziger Lehrer. Über nächtliche Übesessions auf dem Hotelzimmer und andere Erinnerungen sprechen wir mit einem seiner Schüler, Isang Enders.

Celebrated cellist Lynn Harrell passed away April 27th. Verne remembers the musician with an excerpt from his 2017 interview and visit to the studio.

Violinists Jaime Laredo and Pinchas Zuckerman, violist Walter Trampler, and cellists Leslie Parnas and Lynn Harrell perform Schubert's Quintet in C major for Two Violins, Viola, and Two Cellos, D. 956, Op. 163 from Alice Tully Hall on February 19, 1978.

This week's episode of the Phenomenal 50 features Fünf Stücke im Volkston for Cello and Piano, Op. 102 by Robert Schumann in a performance by cellist Lynn Harrell and pianist Charles Wadsworth from February 15, 1974.

Recipient of the prestigious 2015 Avery Fisher Career Grant and the 2017 Lincoln Center Award for Emerging Artists, violinist Paul Huang is considered to be one of the most distinctive artists of his generation. The Washington Post proclaimed Mr. Huang as "an artist with the goods for a significant career" following his recital debut at the Kennedy Center.This summer, Mr. Huang made highly acclaimed debut at Bravo!Vail Music Festival stepping in for violinist Anne-Sophie Mutter in the Mozart’s Violin Concerto No.4 with Chamber Orchestra Vienna-Berlin. Recent and forthcoming engagements include his recital debut at the Lucerne Festival in Switzerland, Aspen Music Festival, as well as appearances with the Mariinsky Orchestra with Valery Gergiev (St. Petersburg's White Nights Festival), Berliner Symphoniker with Lior Shambadal (Philharmonie Berlin debut), Detroit Symphony with Leonard Slatkin, Houston Symphony with Andres Orozco-Estrada, Orchestra of St. Luke's with Carlos Miguel Prieto, Seoul Philharmonic, Baltimore Symphony and Grant Park Festival Orchestra with Markus Stenz, North Carolina Symphony and Charlotte Symphony with Gemma New, Buffalo Philharmonic with JoAnn Falletta, Pacific Symphony with Carl St. Clair, National Symphony Orchestra of Taiwan with ShaoChia Lu and the Taipei Symphony with Jahja Ling (both in Taipei and on a U.S. tour). 2019-20 season will also see Mr. Huang giving the German premiere of Tan Dun’s Violin Concerto “Fire Ritual” with the Nuremberg Symphony with Kahchun Wong and appearances in the U.S. with the Tucson Symphony, New Mexico Philharmonic, Long Beach Symphony, Brevard Symphony, and Mobile Symphony.Recital and chamber music performances this season will include Mr. Huang’s recital debut for People’s Symphony Concerts in New York, a recital tour across North America and Taiwan with pianist Helen Huang, as well as his debut at the Wolf Trap in Washington D.C. He will also return to Camerata Pacifica in Santa Barbara and the Chamber Music Society of Lincoln Center for three separate tours in the U.S., Europe, and the Far East.Mr. Huang's recent recital engagements included Lincoln Center's "Great Performers" series and return engagement at the Kennedy Center where he premiered Conrad Tao's "Threads of Contact" for Violin and Piano during his recital evening with pianist Orion Weiss. He also stepped in for Midori with Leonard Slatkin and the Detroit Symphony to critical acclaim. Mr. Huang has also made debuts at the Wigmore Hall, Seoul Arts Center, and the Louvre in Paris.His first solo CD, Intimate Inspiration, is a collection of favorite virtuoso and romantic encore pieces released on the CHIMEI label. In association with Camerata Pacifica, he recorded "Four Songs of Solitude" for solo violin on their album of John Harbison works. The album was released on the Harmonia Mundi label in fall 2014.A frequent guest artist at music festivals worldwide, he has performed at the Seattle, Music@Menlo, Caramoor, Bridgehampton, La Jolla, Santa Fe, Moritzburg, Kissinger Sommer, Sion, Orford Musique, and the PyeongChang Music Festival in Korea. His chamber music collaborators have included Gil Shaham, Cho-Liang Lin, Nobuko Imai, Mischa Maisky, Jian Wang, Frans Helmerson, Lynn Harrell, Yefim Bronfman, and Marc-Andre Hamelin.Support the show (https://thatsnotspit.com/support/)

I programmet diskuteras bl.a. Brabbins Elgar-tolkningar, Blechacz som spelar Bach på piano samt Händelarior med Christiane Karg. Johan väljer ur en DVD som Jurowski tillägnar Jevgenij Svetlanov. I panelen David Björkman, Johanna Paulsson och Niklas Lindblad som tillsammans med programledaren Johan Korssell betygsätter följande skivor: JOHANN SEBASTIAN BACH Klavermusik Rafal Blechacz, piano DGG 479 5534 EDWARD ELGAR In the South, Enigma-variationer m.m. BBCs skotska symfoniorkester Martyn Brabbins, dirigent Hyperion CDA 68101 Referensen Johan refererar till och jämför med en inspelning där Edward Elgar själv dirigerar Royal Albert Hall Orchestra i sin Enigma-variationer. Detta i Royal Albert Hall i London och året är 1926. MITOLOGIA Händelarior ur bl.a. Atalanta, Semele och Partenope Christiane Karg, mezzosopran Romina Basso, mezzosopran Il Complesso Barocco Alan Curtis, dirigent Deutsche Harmonia Mundi 88875199812 DUO SESSIONS Musik av Kodaly, Schulhoff, Ravel och Halvorsen Julia Fischer, violin Daniel Müller-Schott, cello Orfeo C 902 161 A Johans val Johan väljer och spelar valda delar ur en DVD, Tribute to Evgeny Svetlanov på vilken Vladimir Jurowski leder Rysslands statliga symfoniorkester, Svetlanov-orkestern i musik av Rachmaninov, Prokofjev och Bartók. Vi serveras avsnitt ur Rachmaninovs Klockorna samt ur Bartoks tredje pianokonsert. Utgiven på Bel Air Classiques. Andra i programmet nämnda eller rekommenderade inspelningar: Elgars Enigmavariationer med Londons filharmoniker under Adrian Boult på EMI samt med BBCs symfoniorkester ledd av Leonard Bernstein inspelad på DG. Elgars In the South med BBCs symfoniorkester dirigerad av Andrew Davis på Warner Classics samt med Londons filharmoniker under Georg Solti på Decca. Elgars Une voix dans le désert med Halléorkestern ledd av Mark Elder på egna Hallé Concerts Society. J S Bachs Italienska konsert med Glenn Gould på Sony samt med Alfred Brendel på Philips. J S Bachs Goldbergvariationer med Beatrice Rana på Warner Classics. Rafal Blechacz spelar Chopin på DG. Duos för violin och cello med violinisten Nigel Kennedy och cellisten Lynn Harrell på EMI. Schulhoffs stråksextett med Rafael-ensemblen inspelad på Hyperion. Händelarior med Ann Hallenberg ackompanjerad av Il Complesso Barocco under ledning av Alan Curtis på skivmärket Naïve. Svepet Johan sveper ur en box med 8 CD innehållande Beethovens samtliga symfonier. Berlins filharmoniker leds av Simon Rattle. Inspelad på egna Berliner Philharmoniker Media.

This week, we bring you an interview with Indiana University double bass professor Kurt Muroki. Kurt is an outstanding performer, teacher, and artist, and we had a great conversation about teaching, learning, and performing. Enjoy! About Kurt Muroki: Former Artist Member with the Chamber Music Society of Lincoln Center, Professor Kurt Muroki began his musical studies on the violin at the age of six and subsequently performed concerti with the Honolulu Symphony and the Maui Symphony. Mr. Muroki went on to study the Double bass at the age of 13 and entered the Juilliard School of Music at 17 studying with his teacher / mentor Homer R. Mensch.   At the age of 21 Kurt began performing with the internationally renowned Sejong Soloists under ICM Management. Kurt has performed with the The Jupiter Chamber Players, Speculum Musicae, “Great Performers” series at Lincoln Center, Ensemble Sospeso, Sequitur, The Metropolitan Opera Orchestra, Brooklyn Philharmonic, American Composers Orchestra, Tokyo Opera Nomori, New York City Ballet, 92nd St. Y, and Bargemusic. Festivals include Marlboro Music Festival, Festival L’Autonne at IRCAM, and Aspen Music Festival to name a few. Kurt is also active playing movies, commercials, popular, and classical recordings with titles including the Oscar winning film “The Departed”, “Extremely Loud and Incredibly Close”, “Hitch”, “Julie and Julia”, “The Manchurian Candidate”, “Roger Daltrey Sings Pete Townshend” – The Who, Sting, Peter Gabriel, and Itzhak Perlman.   Mr. Muroki has won numerous competitions including 1st prize in the Aspen Music Festival double bass competition, the first bassist to win the New World Symphony concerto competition, and the Honolulu Symphony Young Artists competition. He has collaborated with members of the Guarneri, Juilliard, Tokyo, Orion quartets, Ensemble Wein-Berlin, Jaime Laredo, Lynn Harrell, Maurice Bourgue, Toru Takemitsu, Peter Schickele, John Zorn, and Brian Ferneyhough among others, and has performed concerto tours throughout Asia and the United States. Professor Muroki is currently tenured faculty at the Jacobs School of Music at Indiana University, Artist/Lecturer at Stony Brook University, Distinguished Artist at the McDuffie Center for Strings at Mercer University, faculty/Director of the Kaplan Fellowship program at the Bowdoin International Music Festival, teaches at New York String Orchestra Seminar, and has been a judge at the Yale Gordon Competition at Peabody Conservatory, ASTA, and others. Mr Muroki is a past Board Member of the International Society of Bassists and is a D’Addario Strings Artist.

Åbos filharmoniker spelar Sibelius, Martinu-kvartetten spelar Tanejev och Sofia möter sopranen Camilla Tilling. Det är en del av veckans innehåll. I panelen sitter Anna Nyhlin, Evert van Berkel och Hanna Höglund som tillsammans med veckans vikarierande programledare Magnus Lindman betygsätter följande skivor:SERGEJ TANEJEV Kvintetterna Martinu-kvartetten, Olga Vinokur, piano, Jiri Bárta, cello, Jitka Hosprová, viola Supraphon SU 4176-2 Betyg: 5 radioapparater. Veckans toppnotering!JEAN SIBELIUS Svanevit, Ödlan, Ett ensamt skidspår, Grevinnans konterfej Åbos filharmoniker Leif Segerstam, dirigent Naxos 8.573341 Betyg: 4 radioapparaterCLAUDIO MONTEVERDI Madrigaler (vol 1) Cremona Les Arts Florissants, Paul Agnew, dirigent Les Arts Florissants AF 005 Betyg: 4 radioapparaterW A MOZART Enleveringen ur seraljen Diana Damrau, Anna Prohaska, Rolando Villazón, Paul Schweinester, Thomas Quasthoff, Franz-Josef Selig Chamber Orchestra of Europe Yannick Nézet-Séguin, dirigent DG 479 4064 Betyg: 2 radioapparaterSofia möter Camilla Tilling Sofia Nyblom möter sopranen under ett av hennes sällsynta stockholmsbesök. Samtalet kretsar kring den nya CD:n I skogen innehållande sånger av Sibelius, Grieg, Stenhammar och Alfvén. Andra nämnda eller rekommenderade inspelningar- Tanejevs pianokvintett med pianisten Michail Pletnjov, violinisterna Vadim Repin och Ilja Gringolts, violasten Nobuko Imai samt cellisten Lynn Harrell, inspelad på DG.- Mozarts Enleveringen ur seraljen med RIAS symfoniorkester, Västberlin och dirigenten Ferenc Fricsay i en inspelning gjord 1954 på DG; i inspelning från 1966, också på DG  med Bayerska statsoperans orkester ledd av Eugen Jochum samt i ny inspelning (2015) med René Jacobs och Akademin för tidig musik, Berlin gjord på skivmärket Harmonia Mundi.

WPAS speaks with cellist Clive Greensmith of The Tokyo String Quartet about the ensemble’s performance at The Music Center at Strathmore Friday, April 17th at 8pm. Their program includes Haydn’s String Quartet in G, Op. 76, No. 1, Beethoven’s String Quartet in C minor, Op. 18, No. 4, plus they’ll be joined by acclaimed cellist Lynn Harrell to perform Schubert’s String Quintet in C. Tickets at 202-785-WPAS or WPAS.org.

We’re concluding our interview with double bassist Barry Lieberman. The former Assistant Principal Bass of the Los Angeles Philharmonic and Principal Bass of the Winnipeg Symphony, Barry now serves as co-director of The American String Project, an innovative string ensemble which features arrangements of string quartets for small string ensemble with double bass. On today’s episode, Barry (pictured here with his John Lott double bass) discusses the arranging process that he goes through for the American String Project, his recording of the Vivaldi Cello Sonatas, and his beautiful Maggini bass. About Barry: Barry Lieberman is now in his sixteenth year as double bass faculty at the University of Washington. He began his career at age 21 as principal bass of the Winnipeg Symphony. In 1976 Zubin Mehta appointed him associate principal bass of the Los Angeles Philharmonic, a post he held for sixteen years. Lieberman has been a regular performer with Chamber Music Northwest, Music From Angel Fire, the International Festival in Seattle, Bravo Colorado, Bargemusic, the Seattle Chamber Music Festival, and Mostly Mozart, and served as Principal Bass of the Colorado Music Festival in Boulder, Colorado. Most recently Lieberman performed with the Orpheus Chamber Orchestra, both in New York City and on tour in Europe. He has also performed with and toured the Far East, Europe, and the U.S. with the Mostly Mozart chamber orchestra.   Lieberman has performed with many of the world’s greatest conductors, including Pierre Boulez and Sir Simon Rattle (in both orchestral and chamber music settings), Erich Leinsdorf, Leonard Bernstein, Daniel Barenboim, Georg Solti, Eugene Ormandy, Claudio Abbado, Carlo Maria Giulini, and Kurt Sanderling, among many others. He has performed chamber music with artists including Emmanuel Ax, James Galway, Lynn Harrell, Pinchas Zuckerman, Glenn Dicterow, and David Shifrin. A former member of the New European Strings for several years, he has toured both the US and Europe with the ensemble’s leader, Dimirtri Sitkovetsky. Lieberman has also served as Principal Bass of the Seattle Symphony on many occasions. In l994, Lieberman created the series “Barry Lieberman and Friends” at the University of Washington. The series combines the talents of School of Music faculty, members of the Seattle Symphony (including his wife, Maria Larionoff, Concertmaster of the Seattle Symphony), guest artists, and most importantly, students from both the UW and from preparatory schools and high schools. The series has met with great success and critical acclaim, and has incorporated Lieberman`s project of arranging standard chamber music literature to include the double bass. Featured artists on this series include Gary Karr, Thomas Martin (Principal Bass, London Symphony), Hal Robinson (Principal Bass, Philadelphia Orchestra,), Joel Quarrington (Principal Bass, Toronto Symphony,) and many other prominent double bassists from around the world. The series continues and has become one of the most popular concert series in Seattle.

We’re concluding our interview with double bassist Barry Lieberman. The former Assistant Principal Bass of the Los Angeles Philharmonic and Principal Bass of the Winnipeg Symphony, Barry now serves as co-director of The American String Project, an innovative string ensemble which features arrangements of string quartets for small string ensemble with double bass. On today’s episode, Barry (pictured here with his John Lott double bass) discusses the arranging process that he goes through for the American String Project, his recording of the Vivaldi Cello Sonatas, and his beautiful Maggini bass. About Barry: Barry Lieberman is now in his sixteenth year as double bass faculty at the University of Washington. He began his career at age 21 as principal bass of the Winnipeg Symphony. In 1976 Zubin Mehta appointed him associate principal bass of the Los Angeles Philharmonic, a post he held for sixteen years. Lieberman has been a regular performer with Chamber Music Northwest, Music From Angel Fire, the International Festival in Seattle, Bravo Colorado, Bargemusic, the Seattle Chamber Music Festival, and Mostly Mozart, and served as Principal Bass of the Colorado Music Festival in Boulder, Colorado. Most recently Lieberman performed with the Orpheus Chamber Orchestra, both in New York City and on tour in Europe. He has also performed with and toured the Far East, Europe, and the U.S. with the Mostly Mozart chamber orchestra.  Lieberman has performed with many of the world’s greatest conductors, including Pierre Boulez and Sir Simon Rattle (in both orchestral and chamber music settings), Erich Leinsdorf, Leonard Bernstein, Daniel Barenboim, Georg Solti, Eugene Ormandy, Claudio Abbado, Carlo Maria Giulini, and Kurt Sanderling, among many others. He has performed chamber music with artists including Emmanuel Ax, James Galway, Lynn Harrell, Pinchas Zuckerman, Glenn Dicterow, and David Shifrin. A former member of the New European Strings for several years, he has toured both the US and Europe with the ensemble’s leader, Dimirtri Sitkovetsky. Lieberman has also served as Principal Bass of the Seattle Symphony on many occasions. In l994, Lieberman created the series “Barry Lieberman and Friends” at the University of Washington. The series combines the talents of School of Music faculty, members of the Seattle Symphony (including his wife, Maria Larionoff, Concertmaster of the Seattle Symphony), guest artists, and most importantly, students from both the UW and from preparatory schools and high schools. The series has met with great success and critical acclaim, and has incorporated Lieberman`s project of arranging standard chamber music literature to include the double bass. Featured artists on this series include Gary Karr, Thomas Martin (Principal Bass, London Symphony), Hal Robinson (Principal Bass, Philadelphia Orchestra,), Joel Quarrington (Principal Bass, Toronto Symphony,) and many other prominent double bassists from around the world. The series continues and has become one of the most popular concert series in Seattle.