Podcasts about newts

In this edition of DIG IT Peter Brown and Chris Day chat with Chris Baines who is recognised as one of the UK's leading independent environmentalists and greatest pioneers in wildlife gardening. His best-selling book, How To Make A Wildlife Garden was published back in 1985 and has been in print continually ever since. Chris's ethos is simply to encourage us all to think more about wildlife and give it a helping hand in our gardens!People and places: Key Inspiration from Christopher Lloyd (Great Dixter Garden) and Dame Miriam Rothschild (passionate about getting wildflowers on motorway verges and attracting butterflies). War hero General Oliver Leese (a bonsai and cacti grower, RHS Chelsea Flower Show 1984, Peak District, Yorkshire Dales, Kent apple Orchards, Wind in the Willows Books (Mr Toad reference). Wye College Agricultural and Horticulture Facility, Garden Organic, Sheffield Parks Department. Wildlife and Wetlands Trust created London Wetlands Centre, one of the most successful stories in Europe. English Nature, The Wildlife Trust and Wild Ken Hill, Norfolk featured on BBC SpringwatchPlant mentions: Cowslip, Crocus, Bolted Kale with flower buds, Daisies, Foxgloves, Grape hyacinths, Horse chestnut, Ivy, Michaelmas daisies, Runner beans, Silver Birch, and Saxifraga.Animal mentions: Blue Tits, Skylarks, Lapwings, Curlews, Robins, Swallows, Starlings, Swifts, Slugs, Caterpillars, Bats, Sparrow Hawks, Red Kites, Peregrine Falcons, Magpies, Foxes, Toads, Hedgehogs, Moths, Butterflies, Cabbage White Butterflies, Newts, Damsel flies, Wasps, Leatherjackets, and Woodcock.Product mentions: Bee hotels, Clay pots, Compost bins, Flexible Pond liners, and Nest boxes.Chris's garden with a large pond: Leyland Cypress, Holly, Yew, Crab Apple, Native Honeysuckle, Bird Cherry (Prunus padus), Rosa banksia, Pink Campion, Lily of the Valley, Meadow Cranesbill / non-native Geraniums, Pulmonaria (lungwort) and Wayfaring tree.Desert island must-haves: Hand lens / Macro lens binoculars and Secateurs.Media highlights: Pebble Mill at One (1989 - 92), Rich Habitat Garden created for Gardeners' World with Peter Seabrook. Blue Tits and Bumblebees (1985) one 40-minute programme, The Wildside of Town, and Countryfile one of the original presenters from 1989 - 92.The Thames Estuary Partnership: The Living Thames film won the 2019 UK Charity Film Award and has won prizes and awards on four continents. It has an introduction by Sir David Attenborough and is available worldwide through Amazon. Chris is currently working on the sequel, The Historic Thames, which is scheduled for autumn release.Chris's books: The Wild Side of Town, The RHS Companion to Wildlife Gardening (originally titled How to Make a Wildlife Garden), and A Guide to Habitat Creation.Our thanks to Chiltern Music Therapy for supplying the music. Hosted on Acast. See acast.com/privacy for more information.

Spring is a time of migration for amphibians around New England. And there’s a lot being done to help these little creatures get to their summer homes - safely! Today, we hear from those working to aid the frogs, and toads, and helping them cross the roads. We might even get to meet a frog and a toad, or two! The Connecticut Beardsley Zoo joins us, and along with some amphibian friends! GUESTS: Mara Hoplamazian: Climate Reporter for New Hampshire Public Radio Jim Knox: Curator of Education of the Connecticut's Beardsley Zoo Stevie Kennedy Gold: Curatorial Associate of Herpetology for The Museum of Comparative Zoology at Harvard University Support the show: http://wnpr.org/donateSee omnystudio.com/listener for privacy information.

Some good & some frustrating on this week's Nature News. Nadia unpacks some rather silly words that the UK's Chancellor of the Exchequer, Racheal Reeves said about housing & bats & newts (what a combo). Ryan then gives a rundown on a recent win for the anti fossil fuel campaign with the courts ruling in favour of Rosebank & Jackdaw being unlawful! Find all the links to news here: Rosebank/Jackdaw & Rachel Reeves Comment If you'd like to say "cheers" to the Into The Wild team & help support the show, then you can do so on www.ko-fi.com/intothewildpod To follow the hosts of the show, Ryan & Nadia, follow them at @mrryanjdalton & @buteblackbird 

Send us a textWords: Jon SwalesMusic: Sad Emotional Piano- Copyright Free Music via YouTube “Bats or great crested newts?”“Neither, because I want growth,” Rachel Reeves. The Times Interview- Quick Fire Questions——-‘Bats or Great Crested Newts?'‘Neither,because I want growth.'And the earth exhales,a long, low breath,threaded with dust and diesel.Once, we were called to tend and keep,to walk with careamong the creatures of feather and scale,but now we measure worthin units of concrete and steel.The hum of engines drowns outthe song of the land.Economic growth has become god,its temples rising in glass and stone,its gospel preached in numbersthat do not bleed or bloom.The rivers hold their tongues,the forests lean away,and the bats,those ancient scribes of dusk,write their farewellagainst a sky that forgets.‘Neither,because I want growth.'Beneath the tarmac skin of the world,the great crested newts wait,pressed into the damp earth,their stories unravelledby a people who no longer listen.They were here before us,in the time when the landwas a gift, not a resource.‘Neither,because I want growth.'But the wild ones know.They whisper of a garden,a covenant,a calling shaped from soil and breath.We were dust once,and to dust we shall return—but not before we have paved it all over.‘Neither,because I want growth.'And the earth waits,as it always has,watches the rising towersand falling wings,feels the weightof our forgetting.Still, it murmurs beneath our feet,a quiet, unbroken plea—remember,remember,before all that remainsis hunger.- Rev'd Jon Swales, 2025

These little newts have so many freaky abilities and are often referred to as wolverine newts. They love to wrestle, and they have cute duck faces.

Dr Ruth Freeman, Director, Science for Society, Research Ireland tell us about magical world of newts and discuss biodiversity net gain.All with thanks to AIB Ireland.

Den nyblivna kattmamman Happy Hagman kör sin första katt-rapport och är den som håller låda när duon diskuterar andra filmen i Fantastiska Vidunder serien. Vad kostar egentligen Newts väska? Varför är alla små-sexiga? Och vad tycker egentligen duon om det oklara triangeldramat mellan Leta, Newt och Theseus? Inte minst, kan fantastiska effekter rädda en film? Säg hej till Hogwarts, Flamel och Dumbledore! Hosted on Acast. See acast.com/privacy for more information.

TURAS ALF / ALF'S JOURNEY: Alf, a 20m x 5m giant puppet of a Smooth Newt, inspired by the current conversations around climate change and habitat loss, will meander through Dublin, visiting multiple city centre locations this Science Week. Supported by Research Ireland, Science Week is the annual week-long celebration of science in our daily lives and takes place across Ireland from 10 - 17 November 2024. This year, Science Week will explore the theme of Regeneration. World-renowned masters of visual storytelling, Macnas, has created Alf the Giant Newt with incorporated lighting, soundtrack and special effects, that will animate the streets of Dublin and delight audiences. Expect Macnas' signature collaborative creativity, electric energy and joyous abandon as Alf the Giant Newt arrives in the capital city. Join us in welcoming Alf on his journey through Dublin city centre on Thursday 14 November, accompanied by drummers, stilted beacons and a cohort of fire performers. This spectacular flaming cavalcade will wend through the city, starting at 19:30 from Capel Street, across the River Liffey via Grattan Bridge, through Parliament Street and onwards to Dublin Castle for 20:30 or, stop by and say hello to Alf at Collins Barracks (12th-13th November, 10am-5pm) as he prepares for his journey. Alf will be taking a well-earned rest at Dublin Castle after his journey across the city, and welcomes visitors at this historic location from 15th-16th November (10am to 9pm)*. Alf is a Smooth Newt, the only member of the tailed amphibians found in Ireland. Uniquely, newts have the amazing ability to regenerate their body parts. They can regenerate parts of their tails, jaws, ears, hearts, spines, eyes and brains. A newt can even completely repair damage to its heart! Newts are small but mighty and are masters of regeneration. Newts are part of a group of 'indicator species' - the health of their population serving as quite a good measure of the health of an environment. They can typically be found in habitats that offer protection from desiccation, such as woodlands. The Smooth Newt also depends on healthy, wetland habitats for its life cycle - protecting these habitats are vital. Celine Fitzgerald, Interim CEO of Research Ireland, said: "We are delighted to welcome Alf to Dublin this Science Week. Being a master of Regeneration himself, Alf perfectly encapsulates this year's theme for Science Week. Regeneration is happening all around us, and Science Week is a chance to explore infinite opportunities for our future, and how the decisions we make today will greatly impact future generations. With hundreds of events taking place nationwide, there is something for everyone - whether you're passionate about protecting our environment, biodiversity, our future health, or using technology like generative AI in our everyday lives." Richard Babington, Creative Director, Turas Alf, said: "Turas Alf / Alf's journey will see the community of Dublin come together to welcome a weary traveller who is feeling the effects of human development and climate change and needs somewhere safe to call home." Science Week 2024 is harnessing the power of regeneration and calling on the public to celebrate our ability to reinvent, rejuvenate and regenerate. For more information on how to get involved and to see the full list of events, workshops and talks across the country, please visit ScienceWeek.ie. You can also follow developments using the hashtag #scienceweek or #regeneration. Most Science Week events are free to join, but registration may be required. More about Irish Tech News Irish Tech News are Ireland's No. 1 Online Tech Publication and often Ireland's No.1 Tech Podcast too. You can find hundreds of fantastic previous episodes and subscribe using whatever platform you like via our Anchor.fm page here: https://anchor.fm/irish-tech-news If you'd like to be featured in an upcoming Podcast email us at Simon@IrishTechNews.ie now to discuss. Irish Tech News...

Chapter 30 - GrawpEventually the area was roped off and Filch, gnashing his teeth furiously, was given the task of punting students across it to their classrooms. Harry was certain that teachers like McGonagall or Flitwick could have removed the swamp in an instant but, just as in the case of Fred and Georges Wildfire Whiz‐bangs, they seemed to prefer to watch Umbridge struggle.Q1 - What prank would you play on Umbridge now?None of the staff but Filch seemed to be stirring themselves to help her. Indeed, a week after Fred and Georgeʹs departure Harry witnessed Professor McGonagall walking right past Peeves, who was determinedly loosening a crystal chandelier, and could have sworn he heard her tell the poltergeist out of the corner of her mouth, ʹIt unscrews the other way.ʹQ2 - Should Harry be that serious about occlumency and going back to Snape?Q3 - Hagrid mentions he's going to help Dumbledore when he gets sacked…what is he going to do?ʹWhat are those ropes for, then?ʹ Harry asked. He had just noticed ropes thick as saplings stretching from around the trunks of the largest nearby trees towards the place where Grawp lay curled on the ground with his back to them. ʹYou have to keep him tied up?ʹ said Hermione faintly. ʹWell… yeah…ʹ said Hagrid, looking anxious. ʹSee ‐ itʹs like I say ‐ he doesnʹ  really know ʹis own strength.ʹ Q4 - Is Hagrid right to have his brother like this?Q5 - What do you think about Centaurs?ʹOh, come off it, Harry!ʹ said Hermione angrily, stopping dead in her tracks so that the people behind had to swerve to avoid her. ʹOf course heʹs going to be chucked out and, to be perfectly honest, after what weʹve just seen, who can blame Umbridge?ʹ  There was a pause in which Harry glared at her, and her eyes filled slowly with tears. ʹYou didnʹt mean that,ʹ said Harry quietly. ʹNo… well… all right… I didnʹt,ʹ she said, wiping her eyes angrily. ʹBut why does he have to make life so difficult for himself ‐ for us?ʹ Q6 - Why is Hermione so mad here?Q7 - What do you think about Ron having a good match?Chapter 31 - O.W.L.sQ1 - Have you ever had that moment of euphoria like Ron is at the moment?Q2 - Were you guys studyers? ʹBut I daresay the Ministry of Magic will track him down soon enough.ʹ  ʹI doubt it,ʹ shouted tiny Professor Marchbanks, ʹnot if Dumbledore doesnʹt want to be found! I should know… examined him personally in Transfiguration and Charms when he did NEWTs… did things with a wand Iʹd never seen before.ʹ Q3 - Who after Dumbledore is the best witch or wizard?The first question: a) Give the incantation and b) describe the wand movement required to make objects fly. Harry had a fleeting memory of a club soaring high into the air and landing loudly on the thick skull of a troll… smiling slightly, he bent over the paper and began to write.Q4 - Is Harry going to get high marks?ʹWell, we were always going to fail that one,ʹ said Ron gloomily as they ascended the marble staircase. He had just made Harry feel rather better by telling him how he had told the examiner in detail about the ugly man with a wart on his nose in his crystal ball, only to look up and realize he had been describing his examinerʹs reflection.Q5 - Why are they sacking Hagrid so late?Q6 - What do you think of the whole sacking of Hagrid?Q7 - In your opinion, did wand legislation contribute to, or lead to better control of, goblin riots of the eighteenth century?Q8 - Harry mentions Legilimency for this exam, would that work?But there was a shape on the floor at the very end, a black shape moving on the floor like a wounded animal… Harryʹs stomach contracted with fear… with excitement… A voice issued from his own mouth, a high, cold voice empty of any human kindness… Take it for me… lift it down, now… I cannot touch it… but you can The black shape on the floor shifted a little. Harry saw a long‐fingered white hand clutching a wand rise at the end of his own arm… heard the high, cold voice say ʹCrucio!ʹ  The man on the floor let out a scream of pain, attempted to stand but fell back, writhing. Harry was laughing. He raised his wand, the curse lifted and the figure groaned and became motionless. ʹLord Voldemort is waiting Very slowly, his arms trembling, the man on the ground raised his shoulders a few inches and lifted his head. His face was bloodstained and gaunt, twisted in pain yet rigid with defiance… ʹYouʹll have to kill me,ʹ whispered Sirius. ʹUndoubtedly I shall in the end,ʹ said the cold voice. ʹBut you will fetch it for me first, Black… you think you have felt pain thus far? Think again… we have hours ahead of us and nobody to hear you scream…ʹ  But somebody screamed as Voldemort lowered his wand again; somebody yelled and fell sideways off a hot desk on to the cold stone floor; Harry awoke as he hit the ground, still yelling, his scar on fire, as the Great Hall erupted all around him.Q9 - What do you think is happening?Chapter 32 - Out of the FireʹI donʹt wonder youʹre shocked, Potter,ʹ said Madam Pomfrey, with a kind of fierce approval in her face. ʹAs if one of them could have Stunned Minerva McGonagall face‐on by daylight! Cowardice, . thatʹs what it was… despicable cowardice… if I wasnʹt worried what would happen to you students without me, Iʹd resign in protest.ʹ Q1 - What should the teachers do here?Q2 - Are Ron and Hermione wrong to be questioning Harry here? Has Harry proved himself untrustworthy?ʹOK,ʹ she said, looking frightened yet determined, ʹIʹve just got to say this ‐ʹ  ʹWhat?ʹ  ʹYou… this isnʹt a criticism, Harry! But you do… sort of… I mean ‐ donʹt you think youʹve got a bit of a ‐ a ‐ saving‐people thing!ʹ she said.Q3 - Is she right here?ʹIʹm trying to say ‐ Voldemort knows you, Harry! He took Ginny down into the Chamber of Secrets to lure you there, itʹs the kind of thing he does, he knows youʹre the ‐ the sort of person whoʹd go to Siriusʹs aid! What if heʹs just trying to get you into the Department of Myst—?ʹQ4 - Is she right here?ʹWeʹll have to use Umbridgeʹs fire and see if we can contact him,ʹ said Hermione, who looked positively terrified at the thought. ʹWeʹll draw Umbridge away again, but weʹll need lookouts, and thatʹs where we can use Ginny and Luna.ʹ  Though clearly struggling to understand what was going on, Ginny said immediately, ʹYeah, weʹll do it,ʹ and Luna said, ʹWhen you say ʺSiriusʺ, are you talking about Stubby Boardman?ʹQ5 - Is this a good plan?ʹWhereʹs Sirius, Kreacher?ʹ Harry demanded. The house‐elf gave a wheezy chuckle. ʹMaster has gone out, Harry Potter.ʹ  ʹWhereʹs he gone? Whereʹs he gone, Kreacher?ʹ  Kreacher merely cackled. ʹIʹm warning you!ʹ said Harry, fully aware that his scope for inflicting punishment upon Kreacher was almost non‐existent in this position. ʹWhat about Lupin? Mad‐Eye? Any of them, are any of them there?ʹ  ʹNobody here but Kreacher!ʹ said the elf gleefully and turning away from Harry he began to walk slowly towards the door at the end of the kitchen. ʹKreacher thinks he will have a little chat with his mistress now, yes, he hasnʹt had a chance in a long time, Kreacherʹs master has been keeping him away from her ‐ʹ  ʹWhere has Sirius gone?ʹ Harry yelled after the elf. ʹKreacher, has he gone to the Department of Mysteries?ʹ  Kreacher stopped in his tracks. Harry could just make out the back of his bald head through the forest of chair legs before him. ʹMaster does not tell poor Kreacher where he is going,ʹ said the elf quietly. ʹBut you know!ʹ shouted Harry. ʹDonʹt you? You know where he is!ʹ  There was a momentʹs silence, then the elf let out his loudest cackle yet. ʹMaster will not come back from the Department of Mysteries!ʹ he said gleefully. ʹKreacher and his mistress are alone again!ʹ Q6 - Will Sirius not come back from the Department of Mysteries?Snape gave her an ironic bow and turned to leave. Harry knew his last chance of letting the Order know what was going on was walking out of the door. ʹHeʹs got Padfoot!ʹ he shouted. ʹHeʹs got Padfoot at the place where itʹs hidden!ʹ  Snape had stopped with his hand on Umbridges door handle. ʹPadfoot?ʹ cried Professor Umbridge, looking eagerly from Harry to Snape. ʹWhat is Padfoot? Where what is hidden? What does he mean, Snape?ʹ  Snape looked round at Harry. His face was inscrutable. Harry could not tell whether he had understood or not, but he did not dare speak more plainly in front of Umbridge. ʹI have no idea,ʹ said Snape coldly.Q7 - Is Snape good or bad?Q8 - What do you think about the reveal that she was the one who sent Dementors to little whinging?Q9 - She was going to use the Cruciatus curse?!Q10 - What is Hermine leading them to?Chapter 33 - Fight and FlightʹCan we have your wand, then, if weʹre going first?ʹ Harry asked her. ʹNo, I donʹt think so, Mr Potter,ʹ said Umbridge sweetly, poking him in the back with it. The Ministry places a rather higher value on my life than yours, Iʹm afraid.ʹ Q1 - If you were leading Umbridge into the woods, where would you take her?But as he stretched out a hand towards it, a centaurʹs hoof descended upon the wand and it broke cleanly in half. ʹNow!ʹ roared a voice in Harryʹs ear and a thick hairy arm descended from thin air and dragged him upright. Hermione, too, had been pulled to her feet. Over the plunging, many‐coloured backs and heads of the centaurs, Harry saw Umbridge being borne away through the trees by Bane. Screaming non‐stop, her voice grew fainter and fainter until they could no longer hear it over the trampling of hooves surrounding them.Q2 - Is this the end of Umbridge magical journey?Q3 - Will she be back in this book?He opened his mouth even wider. ʹHagger.ʹ  Harry did not know what ʹhaggerʹ meant, or what language it was from.Q4 - Is Harry the dumbest person in this book?ʹExcuse me, but I care what happens to Sirius as much as you do!ʹ said Ginny, her jaw set so that her resemblance to Fred and George was suddenly striking. ʹYouʹre too ‐ʹ Harry began, but Ginny said fiercely, ʹIʹm three years older than you were when you fought You‐Know‐Who over the Philosopherʹs Stone, and itʹs because of me that Malfoyʹs stuck back in Umbridgeʹs office with giant flying bogies attacking him ‐ʹ  ʹYeah, but ‐ʹ  ʹWe were all in the DA together,ʹ said Neville quietly. ʹIt was all supposed to be about fighting You‐Know‐Who, wasnʹt it? And this is the first chance weʹve had to do something real ‐ or was that all just a game or something?ʹ  ʹNo — of course it wasnʹt ‐ʹ said Harry impatiently. Then we should come too,ʹ said Neville simply. ʹWe want to help.ʹ  Thatʹs right,ʹ said Luna, smiling happily. Harryʹs eyes met Ronʹs. He knew Ron was thinking exactly what he was: if he could have chosen any members of the DA, in addition to himself, Ron and Hermione, to join him in the attempt to rescue Sirius, he would not have picked Ginny, Neville or Luna.Q5 - Who is your starting three from the DA?Q6 - Have your thoughts on Thestrals changed?

We are back from the LA Pet Fair in Pomona, California! We saw Mexican Beaded lizards, Earless Bornio monitors, Parson's chameleons and even baby yellow anacondas! Tune in to hear our recap and thoughts on our first Reptile Super Show and what we are planning for our very own expo booth. Get early access to episodes: https://podcasters.spotify.com/pod/show/the-wild-type-podcast/subscribe Follow the podcast: - https://www.instagram.com/thewildtypepodcast/ - https://www.tiktok.com/@thewildtypepodcast - Merch: https://my-store-efee6d.creator-spring.com Follow Neptune the Chameleon: - https://www.youtube.com/c/NeptunetheChameleon/ - http://instagram.com/neptunethechameleon - https://tiktok.com/@neptunethechameleon - http://facebook.com/neptunethechameleon - https://www.neptunethechameleon.com Follow Lyssa's Lizards: - https://www.youtube.com/channel/UCmZaN6Q4yOt1j36J0-Ml6LQ - https://www.instagram.com/lyssaslizards - https://www.tiktok.com/@lyssaslizards - https://m.facebook.com/p/Lyssas-Lizards-100064470381677/ 00:00 Venue, parking, and pricing 04:44 First impressions 06:05 Meeting podcast listeners 07:52 Huge variety of animals 09:25 Parson's chameleons 10:52 Mexican Beaded lizards 13:39 Bornio Earless monitor 15:38 Stunning boas and pythons 17:05 Ivory blue tongue skinks 18:15 WC Croc skinks 21:38 Sunbeam snake 22:18 Monkey Tail skink 27:09 Yellow anacondas 31:48 Newts & micro geckos 33:23 Giant beatles 34:33 Unique food 36:45 Kammerflage Kreations 42:55 Meeting fans and followers 45:31 Bird expo 48:02 Fish expo 50:05 Future booth ideas!

This week on the pod, the gang settles in to the project and describes their experience with Gord's 3rd solo release, The Grand Bounce.Transcript:Track 1:[0:01] Hey, it's Justin. You know and love us on the Discovering Downey podcast, right? So come hang out with us in person for the finale. Join us for Long Slice Brewing Presents, a celebration of Gord Downey at The Rec Room in downtown Toronto on Friday, July 19th. Craig is coming from Vancouver. Kirk is coming from LA. I'm driving from Vermont. And JD is like walking down the street or wherever he lives in Toronto. Tickets are available now on our website at discovererndowney.com. And when you get your tickets, that means you can come hang out with us and our very special guest, Patrick Downey. And you can bid on some incredibly cool silent auction items, all while jamming along with tragically hip cover band The Almost Hip. And most importantly, helping us raise money for the Gord Downey Fund for Brain Cancer Research. Crack open a long slice, put on some Gord tunes, take a journey with us on Discovering Downey, and then crack open another long slice on July 19th and hang out with us in the 6th. I always wanted to sound cool and say that. For more information, follow us on all the socials and visit DiscoveringDowny.com. Cheers.Track 2:[1:23] Thanksgiving. Victims and their victim-ears sit down to Turkey hungry for punishment full of mercury fullimate, serene after the screaming. Grace makes the mouth make shapes it's never made before. We give thanks for the poetry we read and write all day. For freeing us to drink with impunity a toast to no punishment replaces Amen. The prayer is swallowed away for the silence and the quiet carving serene after the was screaming, a little violent, but turkey nevertheless.Track 1:[2:08] Welcome, music lovers. Long Slice Brewery presents Discovering Downey.Track 2:[2:16] Hey, it's J.D. here and welcome back to Discovering Downey. This is an 11-part opus with a focus on Mr. Gord Downey, the late frontman of the Tragically Hip, but somebody who also gave to the world an extensive solo discography. Eight records in total. But have you heard them? That was what I sought out when I enlisted my friends Craig, Justin, and Kirk to discover Downey. These three are giant Tragically Hip fans, but they had little to no exposure with Gord's solo oeuvre. So every week, we get together and listen to one of the records in chronological order and see what we think. Did we miss out? Or did we make the right choice? We're going to find out on Discovering Downey. This week, we're going to dive into Gord's third solo release. This, with The Country of Miracles, it is the grand bounce. Now let's go to the team.Track 1:[3:27] Justin St. Louis, how are you doing this week? Week i'm worn out man and uh i'm ready for this thing to to take over my life tonight and just be back in the normal and enjoy the music and enjoy talking about it with you guys love it yeah kirk where are you headed off to next yeah actually heading off to the big apple nyc i'm uh going to be chaperoning my uh my youngest and they're going to be performing at carnegie so very proud pops Pops. And, uh, we just got back from a really cool trip in Memphis and Nashville and they did really, you know, they did fantastic there. So I've been surrounded by music and, um, that's inspired me, but I'm gonna, you know, concur with Justin and say, I'm definitely looking forward to a discussion about this album. I mean, uh, it's been a pretty cool journey so far, but this, I think this is gonna, this album is going to spark a pretty good conversation in my opinion. So, but doing well and looking forward to traveling again. It'll be interesting for sure. Craig, how are things on the left coast, motherfucker?Track 1:[4:36] Not too bad. Just got back from a family trip to Disneyland that was six years in the making. We tried it, you know, in 2020 and it didn't work out. And so we finally made it down with the kids and spent a few days in LA at the end of the trip and was lucky enough to have Kirk from Chino drive all the way out to LAX and we hooked up for.Track 1:[4:59] Little conversation and yeah, it was cool. It was a good time. Yeah. So first time meeting in person, which was a great night. It was really cool. Yep. No, it worked out actually great. I just got back from that trip with a choir that I'd mentioned and then, uh, hadn't seen my mom in a bit and she was actually staying, um, uh, doing some pet sitting at a house in garden Grove that had some good memories. So it kind of was a half, half the distance to LAX. So it worked out perfect to go and meet you and and i appreciated uh appreciated you giving up some time from your family for a little bit to have a good conversation so and i know it'll carry over tonight well this week on discovering downey we're here to discuss and dissect the june 2010 released from gord and his band the country of miracles consisting of the usual suspects canadian musicians oh.Track 2:[5:48] Man i'm gonna butcher this julie duaron right is that right yeah so she's on vocals guitar and bass then there is gourd's frequent collaborator josh finlayson.Track 1:[6:02] Dale morningstar on lead guitar dave clark on drums and dr p on keyboards chris walla a former member of death cab for cutie turned the knobs on this release but where do you start with the grand bounce it's been seven years and three albums since Gord's last outing, and The Country of Miracles sounds as though they've been chomping at the bit to jam with Gord yet again. This album, to me, is a band album as much as it is a Gord solo affair. As a result, it sounds more cohesive than the previous two releases. While it rarely reaches the heights of Battle of the Nudes, it is a remarkably consistent effort. It's worth noting that the songs on The Grand Bounce seem more structured and maybe even more thought out as three to four minute rock songs that are reminiscent of Gord's day job, The Tragically Hip. There's an energy on this record that's palpable. Perhaps it's the shorthand of working with the same band for three consecutive records?Track 2:[6:58] I'm not sure, but it's there. Now, once we get into the songs on this 50 minute, 13 song opus.Track 1:[7:06] It's tough not to get caught up in the sonic presence that Walla brings to the table. There's a depth to the maturity, And I'll use the term again, a cohesiveness that wasn't as pronounced on the prior two efforts. While the grand bounce is a perfectly fine listen, it's only after letting it grow on you. For me, it sat growing on me since I did the fully and completely podcast. And that to me is when it shows its real prowess, creating earworms and hooks that reel you in and invite you over for dinner just to hang out with the music.Track 1:[7:40] But what do our friends Craig, Justin, and Kirk have to say about the Grand Bounce? Let's not waste any more time and get right to them. Kirk from Chino, talk to me about your first experience with the Grand Bounce. Yeah, well, after we had finished up talking about Battle of the Nudes, I had had some travel for work, and then I was getting some other stuff ready for a very busy week. So I didn't get to jump on to a listen right away. I mean, it was a number of days. But I was doing a walk at night and, you know, cool walk with the dog and had it in my AirPods. And just right away, I was really taken by it. I really felt the maturity of it, you know, very reminiscent of what you had mentioned, JD, in your lead up to, you know, the discussion about the album is it just had a maturity to it. The band, it felt like a band album, exactly what you said. and I, as much as I loved the first two albums, I just felt a comfort. Like the whole time I've listened to this album, which is, I don't know, maybe 15, 20 times at this point, it just, it's a warm blanket to me. It's like, it now is okay.Track 1:[8:57] It's okay, I can like Gord Downie as a solo artist. You know, I just had a great experience with it. I really, really loved it. I could spend a lot of time talking, but I want to hear what the other guys have to say about it. Well, Craig, what do you think? Yeah, this was really a grower for me. I wasn't sure when I first put this on. I didn't think I would like it as much as I do. And overall, I really love this album. I have maybe a couple of critiques, which we'll get to later. Later but my my journey with this album actually goes back to 2015 when you may remember jd that we had a bunch of target stores open in canada in whenever 2010 maybe and they only lasted about four or five years and they went went under and when they were closing down they had cds on sale for five dollars you can get any it could get any cd and i happened upon the grand balance and And actually the next album we'll be doing next week and pick those both up for five bucks. And they sat on open for many years and I just opened them for this podcast. So I I'm lucky enough to have an actual podcast.Track 1:[10:05] Physical copy and the liner notes that came in them so i may be able to offer a few little nuggets um one i would just want to mention off the top chris walla is actually mentioned as a member when it says the country of miracles are and it lists all the members plus him so i believe he was playing guitar on wow much of the album wow very cool some of those videos he was playing so that i'm not surprised by that and i love that thank you for sharing because this is actually the only album that I couldn't get. I tried to get vinyl of everything, but I don't have a CD. So everything has been streaming or online.Track 1:[10:41] And I watched several videos with interviews and he talked specifically about the inlet, the vocal or the lyrics. And you just showed a picture of it, Craig, and it's not the standard sizing that you normally get. So I appreciate you sharing that. That was pretty cool. And I think also what I learned with this album is again, just to trust Trust, you know, Gord, you know, you may not like it right away, but give this album a good listen if you haven't before. It took longer to grow on me than the other two, but highly recommended. Yeah i think a good strategy with this record is to listen the fuck out of it for like two or three days and then put it on the shelf for a week and then pick it up and there's something like kirk was saying that's comforting about it you come back to it and you're like whoa this is really fucking way more hooky than i imagined when i first listened to it but let's uh talk to our friend mr st louis what do you say on the matter of discovering downey v the grand bounce So I also had the word warmth written down, and I did take your strategy, JD, of I listened to it probably 10 times. I started immediately after recording our last episode, which is how I had done the previous. I was like, okay, this is not Battle of the Nudes.Track 1:[12:04] And I immediately heard what I thought was Bob rock sound. But then I realized this isn't Bob rock sound and neither were those other two albums. This is the era that Gord was in with the hip and all of the Bob rock haters probably owe him an apology because this is the type of stuff that Gord was writing at that time. And so it did feel familiar and it did feel comforting and it did feel warm and I liked it. I also, you know, during this time, um, when the album came out i was listening to kings of leon and mumford and sons and stuff like that and there's a lot of that in this in this sound and i you know i was a uh death cab for cutie fan at the time and you know postal service and all that stuff i mean so it was very contemporary for for when it came out and it felt like it belonged in that 2010 range but.Track 1:[12:58] For me, it was a big letdown after Battle of the Nudes, because that album was so damn good. And because we didn't have seven years between recording these episodes for our musical tastes to change, it was like, whoa, this is a massive shift from what we had just digested into this new album. I don't hate it, but I don't think I love it.Track 1:[13:20] Wow. Yeah. I don't see it as such a massive shift. It's going to be interesting as we get into the track by track. Should we do that now, gentlemen? Let's go for it. Let's do it. Okay, the first track on the record is a great one for me in the sense that winter has ended. But when I think about winter, I think about that. I think about Gord standing on the edge of Riverdale Park and having somebody discuss this east wind with him, this strong east wind that blows in and is very cold. And we're going to hear from Craig first on this one. So, Craig, what do you think of the east wind? This is the one song off the album I was familiar with. I had seen maybe a video, I'd heard it quite a few times, and I love it. I think it's a great opener. I want to point something out really quickly that you guys wouldn't necessarily know without the liner notes, but there are Roman numerals, one through four, throughout the album. And at first I thought maybe it was to do with the record I thought maybe the four-sided record which it is, I looked it up but the.Track 1:[14:29] There's three songs per side on the records, and it doesn't quite jive with the numbers in the booklet. So what I think is, I've come up with a little story around, this isn't a concept album by any means, but it's definitely got a story to it. And so I've actually listed what I think the story is about, and I think section one is about a move. And so you've probably done the research too and and gourd at the time was moving up to glenora on the um on the great one of the great lakes so this this first section i think all the songs kind of relate to moving uh the east wind maybe not as much but also interestingly enough the east wind is the only song that doesn't have lyrics printed out in the booklet and i'm not really sure why that would be what yeah so there's a quote at the top it does say the the quote about the east wind is the laziest wind, but right under that is track two. And if you saw some of the video research or YouTube, he talked about it was a neighbor who was a farmer who was describing the east wind, the laziest wind.Track 1:[15:40] So I found that very interesting, Craig, when you proposed the theory of the story. Because I could think to several of the different interviews and different discussions about different songs and how he's definitely pinpointing some real life things that are happening. Like you mentioned the move and, and, uh, obviously some discussions about relationships and, and then he's got his kids involved in some of these songs too. So you may be onto something, my friend. Another theory theory I have is that maybe this song is meant to be like a little bit of an introduction sort of before the story starts. And maybe that's why it didn't have the lyrics in here or maybe it's a misprint who knows, but the song itself musically is, is great. Uh, very much a band jamming again, like we're used to from the previous two albums, but just more layering, more production.Track 1:[16:30] I really love how the guitars are layered. From my count, there's five guitar players on this track, including one who I couldn't find any mention of anywhere on the internet. Someone named Edgar Lewis played guitar, and I believe he plays the guitar at the end, the little guitar melody, the sort of New Order style melody at the end. I couldn't find anything about who he might be. The name Edgar, of course, made me think of Gord's middle name. So not sure if there's a connection there. But yeah, I could not track this person down online. Anybody out there knows who Edgar, what his name is? I apologize. What's his name again? Edgar Lewis or Louie.Track 1:[17:10] Edgar Louie. If you know who Edgar Louie is, shoot us an email at discoveringdowneyatgmail.com. I wonder if he's an acquaintance of Chris Swala. Possibly. Although they did record in Kingston, so it would have been quite the trip for one little guitar melody. But yeah, maybe he was someone working in the studio. Maybe he's a friend of the band or who knows. But yeah, the Chris Walla production is very noticeable on this song. The way things are, you know, I think Gord even mentions in an interview, he just keeps layering things every few bars and very evident. The drums are a good example of this in the song. They come in kind of lightly, but they're still pretty intense. And then the toms come in, and you've got that really almost tribal beat for the first few bars once the whole band kicks in. And then you get just sort of a regular beat. But it's always driving forward. There's always momentum with the drums. It's always picking up momentum right through the end of the song and really strong playing all together. Such a solid song. I think the second part of that build, when I first heard it, was like, oh, this is sort of like maybe some of the tone that was on Battle of the Newts, where it was kind of subdued and subdued.Track 1:[18:31] Just there. And then there's this massive sound, which really works. I do love the song a lot. And I believe you that there's five guitars in it. Um, cause if you have earbuds in and turn it up, you, you feel it. Yeah. And while the chords are quite simple, when you really listen, there's actually a lot going on, even with Gord's guitar. And I feel like on this album, he has matured as a player. You can tell, you know, he's got another seven years of experience and we never did really talk about on the previous episodes his guitar playing but when he first started playing guitar in the hip it was a bizarre thing to watch his strumming patterns it was so awkward to watch him as a guitar player and i'm not even sure he was really too much in the mix back in the early days but he has grown so much as a guitar player he's playing a lot in open tunings i believe i've read that open c was his favorite so i think a lot of the songs on this album or an open C. I noticed in the videos he was playing a Tele for much of this session rather than acoustic.Track 1:[19:33] And yeah, there is a lot of subtleties to the guitar playing, even though it's basically two chords through the whole song. I was going to mention, Craig, and we've all obviously did our research and saw the YouTube, but the bathhouse sessions when they were recording. And, and I'm honestly, it's like, it's a question to this group. They, they were all isolated, but they were all playing live. And you had mentioned how much he was playing guitar. And in the, that little six part series, I loved how Gord was so committed to playing guitar, as you had mentioned. Like there was typically when you're recording an album like you want to do the the vocal and the guitar separately and he was nope i'm going to do it together because the guitar strumming was creating some of the cadence of the vocals and and i loved how or i felt like that was demonstrated there so i think that's a great point that you brought up craig that he was really focused on that playing yeah that makes this album easier to sing to we had mentioned whether i don't remember if it was on air or off air, but we had all had trouble singing along with the first two albums. And this one is much more poppy and rhythm driven. And I think you're absolutely right, Kirk, that him playing the guitar as he sings and it's in every take really kind of made that happen. I also did notice if you, it's really low in the mix, but when this track first starts, somebody says, no more takes.Track 1:[21:01] Like, we have to do it this time, you know? I really, I picked up on that and I enjoyed it, especially after watching that six part series. I'm gonna jump on your story theme, Craig, and Moon Over Glenora.Track 1:[21:14] The next song on the album.Track 1:[24:18] I absolutely love this song right and he talks about the ferry ride and that really goes along when you think of the east wind and being off the lake and then now talking about the ferry, uh justin what'd you think about this song oh man this song solidified my crush on julie this is, such a great track and the duet through every word and then the live performances of this song that i I was able to find on the, on the hips now for plan a record, there's one lyric that's, we don't want to do it. We want to be it talking about the music and they are absolutely the music while they're playing the song. And it's just a lot of fun. And it's like a, it's like going to a club show, which it probably was. I really did love the song. And for me, the ferry ride across Lake Champlain is just a part of life here when you're going over to New York and it just, just talking about the spotlight, finding the ice in the water. I've been on that ferry and the song is really, I think, about two people falling in love, not knowing that they're falling in love. And they're kind of bickering and arguing about it. And they get outside in the ferry and it's cold and it's terrible and you got to stay warm, so let's complain about something.Track 1:[25:29] And they talk about the wolf and they've killed the wolf by the end of the ferry ride. You know um it's the the imagery is really cool and the dead lake right isn't that the last the ocean is dead the ocean is dead yeah yeah it's a great little song i really do love it but i think the star is julie and this really she's fantastic yeah i uh story-wise i actually had almost the opposite thought to me it was maybe um a couple falling out of love and maybe this is the the cracks are starting to show. Like maybe it's not totally fractured yet. And again, I'm not saying that this is about Gord or, you know, I don't know too much about his personal life, but I do know parts of this are inspired obviously by true events, you know, the move to Glenora. Did anyone watch the interview with Gord with Kim Mitchell? If you guys even know who that is? Yeah, I did. Do you know who he is?Track 1:[26:26] Well i had to look it up i didn't know who he was immediately and i got confused because it was that little two-part interview and he had mentioned something about being and i think like saint paul minnesota and it threw me off because it said toronto but then in the second part they they confirmed they were talking in toronto um the one thing sorry and i hopefully i don't derail your thought but the one thing that i loved on that particular interview is the reverence that gordon had for that particular guy so i definitely had to look him up you know to see the songs that he was involved with and and he was uh you know as he mentioned in that he's a hero so sorry go ahead i just wanted to bring him up because he's a you know a classic canadian artist i'm wearing my my cancon shirt here and uh he was definitely a a big part of you know the music scene here in in the 80s and 90s i guess i brought it up because um this was a song that he mentioned really loving that you know kim really loved it also i found it really interesting I'd never heard this before, but Gord references a song that the two of them wrote together.Track 1:[27:29] And by the sounds of it, it's a song that was never released. So it sounds like Kim Mitchell had a song he wrote and then Gord wrote the words too. And so there may be an unreleased song out there, or maybe if a listener's heard this or has any idea how to track this down, I'd love to hear it. So that was my only thing I wanted to add. Oh, and also Dale does some really really cool guitar, little shots on, on this sort of beat two and four. And then he does these little muted scrub scrubs. I'm not even sure how to.Track 1:[27:58] How to put in words what that sound is i'm you know what i mean kind of like a pick almost like a pick slide into the the bends i mean i don't know it it's almost it's a it's a technique it's not it's a rhythmic pattern that he's doing yeah and with with some notes in there but they're sort of muted but anyways i thought that added some nice accent but i agree with with you justin that julie really steals the show on this one it's such a good song on many of the songs on this album that combination of voice, to me, that was what I had mentioned earlier about how much I enjoyed this album, is when you feel that the band is now a band and you feel that connection. But we are so used to hearing Gord as part of the hip and that amazing combination of vocals that he has, you know, with Paul and then obviously with the guitar phrasing and how the hip is the hip and you can hear that. And I think with the vocals that he has with her on many of these albums, but especially on this particular album and several of these songs, to me, that really solidified like, okay, this is a great combination of musicians that are doing fantastic things. So I so appreciated this song.Track 1:[29:19] Another, Gord has that ability to do like an upbeat rhythm and kind of like Pascal's Submarine that we talked about in the last album, where it's kind of a dark subject, but it's a very upbeat song. So I really felt that with this particular song. I couldn't help but think, as he said, the ocean is, as they were repeating, the ocean is dead at the end. I was just thinking about all the water songs that Gord has and how water must be his Roman empire. There are a couple things that come up on this album over and over. Water is one, color is another.Track 1:[29:57] Um, and day and night is a third thing. There was a fourth, I can't remember right now, but there was some definite themes through the entire album. Kirk, what did you think when you first heard as a mover? What I loved specifically about as a mover is the buildup. I think Justin may have referenced in, in some of the, those interviews where, um, how the production was every four bars, you got to get something new. So this really was uh okay you know you get the train feeling that's going on it's that moving it's the transformation it's the sorry not transformation but him him relocating to glenora as we'd mentioned now we're going into this as a mover and you know this these lyrics not just specifically for this song but for for this all album and i think in one of our messages together.Track 1:[30:53] It was hard to pin down some connections on some of these there there are some that are that are there but I agree with that that that guidance on that so as a mover to me loved it you know the sarcasm hey baby want to kiss closes it out with that that that particular theme and it's It's a driving, great rhythmic song. Another thing that was clear in my memory in some of the interviews that we got to see was he was so excited about this album in that it was genre-less, right? You can't just say it's a country album. You can't just say it's a pop album. You can't just say it's a jazz album. It has a little bit of everything. And he even talked about touring for this particular album, that they were doing a bunch of festivals and that they were jazz festival, a pop festival, a rock festival. It was different. So he was pretty proud of that fact. And I got that feeling with that as a mover. Justin, what was your take on the song? So I found a note somewhere that when Gord was writing this album, he was reading a book about Custer. And the title of the album, The Grand Bounce refers to a phrase that was coined during the Custer's involvement, whatever, in the 1860s. Whenever they deserted the cavalry, they called it the Grand Bounce. And desertion and moving and all this stuff really tie in together and –.Track 1:[32:22] This song is kind of what really sparked my thinking about that. Like, you know, this is, there's something happening here and yes, the, the train, you feel like you're on a train as soon as the song starts. And, um, it's definitely a different sound. This song is way different than anything that Gord had put out previously. And I know, again, I, it, it kind of rubbed me the wrong way a little bit. I mean, I've, I've come into all this with an open mind, but it was like, what is he trying to do here? It didn't, the production of this album, And the sound of the songs just did not match up with the first two albums. And this doesn't even match up with anything else that's on this album. And my first reaction was, is he trying too hard with this song to sound different? But it certainly has grown on me. But the theme of moving and desertion and the grand bounce itself, this song tied the album title together for me. Craig, what do you think? In the lyrics, you've got the wife, you know, not wanting to move and you've got the kids wanting to move all that, you know, wanting to go everywhere. And he says he's in the middle, he's got no opinion. So I kind of like that tension in here. I also love the line where he rhymes pressure and less sure. Oh, and he does it in this low register the second time through?Track 1:[33:44] I'm even less sure. And when he says it, he's almost talking it. It's so great. Yeah. And I know I mentioned to you guys in text that when I first heard this song, I was not a fan.Track 1:[33:58] And JD, you were a bit surprised by that. And then it just grew and grew and grew on me. Like more than any other song on the album. I love the song now. I really was not a fan at first. Just love the whole feel of it. And the little drum shuffle with the brushes. And i think what i didn't like at first was just the chorus there was something weird about just those words as a mover it's just not very smooth sounding it doesn't roll off yeah and so that that kind of bothered me at first but really it's whatever feelings i had about it have totally changed now i think it's totally yeah it's a really cool song i was with you that you know At first, I just didn't like it. But then I remembered the song is now 14 years old. And when it came out, I was listening to Mumford & Sons and I was into that sound. And this could be on one of their albums.Track 1:[34:50] And I had to force myself to transport back to that time period. And I would have loved the song back then. And also the, you know, the title as a, as a mover, it made me think like a double meaning could be like a mover is also a dancer. And the next song we have is the dance and its disappearance. And this was another song that I didn't love at first. It's still not one of my favorites on the album, but once I read the lyrics, once I got into the CD booklet and started trying to figure out what it was about, I started to appreciate it a lot more. And so I just want to read you this quick quote in the booklet. There's a quote from Crystal Pite, who I believe is a dancer. And she writes.Track 1:[35:38] It is an extreme expression of the present, a perfect metaphor for life. And it goes on. Once I kind of got what that phrase meant, it just started making sense. And when you watch the live videos of this song, every single performance of this, Gord has something to say about people in the audience with their cell phones. And he's very appreciative when there's not too many people with their cell phones. And he talks about, if you're filming this on a cell phone, you're getting 10% of the experience. Put it away.Track 1:[36:08] And there was one show in Victoria and I wrote down what he said. He says, you like that things disappear as they're happening. I don't see any phones in the air trying to capture 10%. Your brain can handle it. Let it resonate. Let it sink in. Wait till tomorrow, the day after, it'll be all right. Yeah. And I love that message. Yeah, me too.Track 1:[36:26] Fuck. Kirk? This song, when I first heard it, and we've had this discussion on some of the other albums, You know, can this be a hip song? And that opening little riff on this particular song was very hip-like. And there was another interview that I had looked up, I think Alan Cross was his name. And he had even had mentioned that on this particular, he wrote simply a hip-like song. So I think that was one thing that I appreciated is there was not any fear anymore. Like, it's okay because I am the guy who writes the stuff for the hip. So there's going to be songs that sound hip like, and I think he embraced it. But I think that I, the thing that I loved about this, and as I mentioned on the other songs and you guys as well is the, the harmonies with, with, with Julie on this, like that's okay. This is Gord Downie. This is that sound where with the hip it's, this is what I sound like when I sing with Paul or whoever's doing the backup. And I believe that he really captured that in this album, but that song as well. So that was one thing that I noted in my research on this particular song. I think this is my favorite tune on the record.Track 1:[37:41] Gord had that theme, let it disappear into the night and let it happen, use it up. That is a decades-long theme in whatever he's done, and I love the message. I also love the word a squirrel. Holy crap. What a great way to convey that you can't settle down. My mind a squirrel. Holy crap. Did anyone else look up Sudbury yellow? Speaking of colors, I mentioned earlier that color is a huge theme throughout the whole thing. Also tying into the cover art, which was actually a painting by Gord Downie himself. So I think art was much on his mind during the recording of this album. And there is different mentions of colours in so many different songs. So Sudbury Yellow references the colour of the staircase at Sudbury Hall in England. And when you look up a picture of it, it's a very striking yellow. It's actually pretty neat to look up. And also another great So he rhymes the word orange with door hinge. Yeah. Blood orange with door hinge. Yeah. That's great. And I did notice the color theme throughout this and, and art is again, a decades long theme with, with Gordon. And there are many more examples through and we'll get to that.Track 1:[38:57] Well, let's stick with you, Justin, and move forward to The Hard Canadian. When I think of this song, I always, I can close my eyes and I picture, this is going to be lost on the two Americans, I apologize, but I picture Relic from The Beachcombers as The Hard Canadian.Track 1:[39:16] Beachcombers was a CBC show based in the West Coast, and there were some hard-living fishermen type, and there was one character who was sort of a scoundrel, and his name was Relic, And he just looked like a hard Canadian. He looks like the lyrics to this song. But Justin, what do you think of the hard Canadian?Track 1:[39:34] So I had two trains of thought on this. And one was that I thought Gord might have been singing about himself and just the fuck you today kind of thing. But I also thought it was about the weather, maybe in the winter. And go out to the plains and it's brutal out there. And the hard Canadian weather doesn't care about you. You know, and yeah, so the hard Canadian in my weather theory is the hard Canadian don't give a damn about you. What's a windswept face to the elusive presence of the sun to the hard Canadian? Like, you know, it's winter all the time in some places. It's dark all the time in some places, you know, north of 60, right? And it's the line, whether he's just mean or willfully dense, like the weather is controlling itself. self. It was like Mother Nature or whatever is doing this on purpose to test you. Let's see if you come out the other side. Again, the art theme, there's the quote, and it's in quotations from life nothing to death nothing, refers to a piece of art by Frank Stella, which is, forgive my Spanish here, but de la nada vida a la nada muerte. Is that how you'd say it? But that's what it translates to, from life nothing to death nothing. And it's this massive piece of art that's It's very 1965 looking and it's just another theme in there. And I don't know how it ties in other than it's a.Track 1:[40:59] You know, foreboding dark quote. That's just my, I don't know. That's my interpretation of it. But you know, Gord obviously was going through some stuff too. And, and it, it felt like this was almost a third person narrative of a first person point of view. There was two songs on the album that I'm familiar with. The hard Canadian is the first time I heard it. I had definitely had heard it before, but had not, you know, process that it was not a hip song. I think I thought it was like a deep cut hip song or something when I heard it years ago. But the other one is, and I know we'll talk about it, The Night Is Forgetting.Track 1:[41:36] He would sing it when he would do hip songs. He would sing some of his gourd songs. So when I read that story or heard about that story, I'm like, I know I've heard that song before when they played out here in LA or whatever. So, but anyway, the hard Canadian, what he had mentioned was it was Mike, Mike Clattenberg trailer park boys. That's that, that's it's one of the series that I haven't watched. I've watched letter Kenny and I've watched, you know, several other Canadian, but I have not watched the trailer park boys. And he had mentioned that it was one of the guys I guess is one of the creators and he's like yeah I got this new thing and it's hard Canadian it's dope and and so when I'd heard that description I immediately thought of like if you guys are familiar with letter Kenny like Wayne is he's hard Canadian it's just gonna smoke a you know go out and smoke and have a puppers have a dart yeah having a dart exactly so that that was the imagery that I got from it I want to point out that this is the first song in section number two lyrically in the lyric booklet.Track 1:[42:39] And I just noticed that there's a quote here from Walter von Tilburg Clark, night is like a room. It makes the little things in your head too important. And I just realized that's the second verse of the East wind. And then I glanced forward section three has the lyric from the third verse. So the lyrics from the East wind are in here, but they're, they're heading each sections. And so in my mind, and they're quotes from other authors. Is that what it is? Yeah. It was, um, he said that song was made up of the East wind I'm talking about was made up of quote, like three quotes that he, that he loved. And I had seen that somewhere. Yes. And so the hard Canadian to me is like what JD said, like I'm picturing like a relic type. I had a baseball coach when I was a kid who he's this older guy and he always had like this about one inch left of a, of a homemade smoke. And, uh, and that, that line where he says, takes a puff of puff of nothing and pick something from his tongue. Like I just picture Mr. Heller, my baseball coach who, you know, for four years, you know, first 10 minutes of practice, you don't wear a glove. You're, you're passing the baseball just with bare hands and, and just thinking back to those, those times, there was another line that I want to bring up the silences.Track 1:[43:55] He don't listen to them. Do you think that's a reference to Pascal? Maybe that's interesting. Uh, I hadn't thought that, But because I'm thinking now my mind is a squirrel and I, I'm almost thinking this is about, you know, that, that, you know, rural Canadian, um, you know, like a relic type. And in my mind, Gord is trying to say maybe that, that there's more, more to that person than, than maybe meets the eye. I don't be so quick to judge when he says he, he blurs the image, drags his brush through the wet pigment. To me that line saying you know don't be so quick to judge the hard canadian well right at the end he mentions remembering someone too and that's absolutely you know makes sense and i know a lot of hard frenchmen that are from quebec that have been through hell and you get down to it and they're just you know beautiful soft men inside but you got to get through seven layers of onion to get there.Track 1:[44:56] And that really ties perfectly into the next song, which is Gone.Track 1:[48:41] Because it has a very similar story behind it, which I'll get into it a little bit. But Kirk, what were your thoughts on Gone? Yeah, no, I love that you actually had mentioned that you're going to get into more of the meaning of it. Because I have some thoughts and ideas, but what I really wanted to talk about on this particular one, from the musician side, that I absolutely loved about it is – I'll give the note that I wrote. And I can't remember exactly who it was that mentioned it to Gord, but he said it sounded like a moose in the distance.Track 1:[49:16] And when you listen to this tune, which is a beautiful tune, another great example of the harmonies, it's another one where you just hear the range of Gord's vocals that are just phenomenal and how he can cover the spectrum with that. But the fact that Dale Morningstar was using a theremin and had several different layers of the theremin recorded on that and you hear it. And then when you get confirmation of it, you go back and listen to it and you go, oh, wow. Right. Because there's only a few songs out there that we all know and love that have the theremin. Right. There's only what the Beach Boys and Led Zeppelin or the, you know, have have really pulled it off. So it's cool to see them jump out from a musician standpoint, musicianship standpoint.Track 1:[50:05] The other thing that I wanted to mention before, and I definitely want to hear Craig's thoughts on the meaning of it, was that Gord had mentioned in one of his interviews that this and I think The Night Is Forgetting, he called it the grandma and the grandpa. So he'd had these songs for a long time and he'd matured with them. And so I think that that anticipation of so much time between the two albums, but then having songs that came, you know, at different points along the way. And I just felt like this one had, it had marinated and it was, what was presented was what had, he had settled on, because I think that happens anyone who's done music creation. You're, you write it with a thought, a producer takes a look at it, an engineer takes a look at it, the rest of the band, and it becomes something different.Track 1:[50:55] Anyway, Craig, your thoughts on some of the meaning behind it. In the booklet, there's a quote from a Polish writer named Bruno Schultz. And it says, He had not been rooted in any woman's heart. He could not merge with any reality and was therefore condemned to float eternally on the periphery of life in half real regions on the margins of existence. And apparently this was in reference to his own father. So again, coming out of the last song, it seems to kind of tie into that idea of, at the end of The Hard Canadian, where there's someone he was remembering. So this idea of, there's actually the lyric in the song, gone and feeling half real on the edge of your life. And that ties directly to that quote. quote musically the bridge that there's a building bridge with uh julie singing backup and.Track 1:[51:48] Really really great songwriting and this was another song that really grew on me it's just such a catchy kind of fun fun song uh justin what did you think no i loved it right from the beginning it yeah it builds and it starts really slow and then it gets really slow again in the middle and it's quiet. I didn't dive too deeply into the lyrics, but there's definitely, you know, this is a life story kind of thing. And maybe at the end of it. Yeah. I just, I really love the way the song made me feel and that's only surface deep, but sometimes that's all you need in a song. And I don't know, I could listen to this one over and over. And I have. Okay. Kirk, how about the drowning machine? What are your thoughts there? I think we have another nautical disaster, could we call it, on this next song? Yeah, yeah. Through Drowning Machine. Drowning Machine. Until I actually looked it up, I didn't really know what it was talking about. But apparently, the Drowning Machine is like a common name for a weir, which is a low head dam, which if you've seen pictures of them, basically what happens is the water just cycles. And just if you get if you end up going over one of these dams you're.Track 1:[53:02] Pretty much not getting out and so gourd had apparently read a story about um about some girls being saved from the the bow river in alberta and um there was actually i i kind of looked up this this bow river and there's this this notorious um spot on the river where where i believe it said had 14 deaths in 30 years and they actually had a there one story there was there was actually a boom across so if you if you're totally out of you know if you miss all the signs and you you keep going down you can grab on to this boom at one point a storm had washed it washed it away and so a couple of men died in in i believe 2007 because the the boom had been washed out and so finally they did some construction and they and they have now made it into uh an area called the Harvey, this is called the Harvey passage. And apparently people go there to do white water rafting. And there's actually two kind of, um, passages that go through now two channels, uh, at different levels of, you know, for, for different levels of experience, um, for, for rafters. I had, I had done some research on the, um, Glenora song and there's a very treacherous river that it's like, Hey, don't go there, fly over it.Track 1:[54:20] And this reminded me of, reading about that, it reminded me of Niagara Falls, just the immense force of the water at the bottom. And you're not going to get out of there if you go over the falls.Track 1:[54:37] We had a deer camp when I was a kid on the Huntington Gorge here in Vermont. And there's a plaque with a list of 30 or so names of all the people that have died in the gorge. And our deer camp was the spot where the state police would fish the bodies out of the river every time there was one that ended up there you know we we couldn't get to the to the camp because they would use the front porch to be their their base of operations oh yeah wild and i i have to say at the end um there is some lead guitar at the end by dale that really at this point in the album when I was, especially on first listen, when I wasn't totally jiving with some of the earlier tracks, this song was the one that immediately I loved, like right off the bat. And hearing that guitar when Dale finally cuts loose and really leans into that dissonance, I felt like, okay, I'm starting to get this. And Kirk, what did you think of this? Yeah, I am fascinated, obviously, with Gord's fascination with water and the nautical side of things. But again, I think this song was just another great example of their time together and how they really... And I don't know if you guys noticed this.Track 1:[55:58] I don't think they played this on that six-part one, but I really enjoyed that it wasn't like a monarchy. You know, it wasn't Gord was given direction. It was everyone was involved. And I really loved the different parts that you would see with Chris Swala and his just subtle, nice guy production tips. So, um, I really love that interaction of, of how now that they've been done.Track 1:[56:25] A couple albums together and now it had been a little bit. And I also read something about how, yeah, they wanted to definitely get that indie vibe and they definitely wanted to have a variety of different styles of music, but how they also, you know, they're also very accomplished musicians and they've spent some time with some big bands and have played in some pretty, pretty big arena. So they could bring that to the songwriting and, and, and, and the music within this. So, and I really felt that too, moving into Yellow Days, which was the next one.Track 1:[1:00:51] I love this tune. This tune to me, and maybe I'm hearing something wrong, but there was almost kind of like a jazz bossa nova, just a real kind of amazing groove to it. And I also loved hearing about the story about Josie Dye, I think was her name. And they had had a passing at a festival way back when, when I think she was a hip fan and he was just walking around and that that that's That's actually part of the lyrics in this particular tune. But I love this song. He talks about it in some of the interviews and the descriptions about just the Canadian summers and how much the Canadians love that summer, but it goes by so quick.Track 1:[1:01:36] And so they're really just trying to make the most of every time they have good weather and they have a good moment and also keeping with Craig's color theme, which I love that you brought that up and along with the storytelling that's going on uh you know this is the here we are and and enjoying that summertime and almost reminiscent of them recording this album right for the two weeks i think in august and in 09 so justin did you dig this song yeah because we have the same summer and winter pattern that that you guys would up north today you know inside baseball we're not recording this in the summer when this is coming out we're recording it well before and it was the first warm day this year and I wore shorts and it was only 61 degrees outside. It was very windy. I shouldn't have had shorts on. But you take those moments and you wrap your life around them when you can get them. And 61 felt like 81 today. And I know the Canada gray because we have that here. It's Canada gray. Even as it's warm today, it's Canada gray outside. And just the imagery of it is wonderful. wonderful yeah and i mentioned the earlier the you know the theme of of days and nights so you know that's very obvious here uh and going into the next song and um.Track 1:[1:02:53] A couple of things, Kirk, when you were saying, you know, that beat at the start, I had the same thing. I was actually trying last night to figure out what type of beat this really was. The word that came to my mind was Calypso, but then I looked it up and it was not correct. But like this South American, like it's something I've heard. Bossa Nova was what came to my mind. So, you know, Calypso Bossa Nova, it's definitely a Caribbean feel. And, you know, the fact that it's on a Gord album, you know, again, just really talks to, you know, we had your hardcore on the last one and now we're doing Calypso Bossa Nova, you know, jazz type stuff. It's brilliant in my opinion. It reminded me of my grandmother's organ, you know, had those big tab buttons that there's a there's a pre-programmed beat and it's really bad not that the song's bad but on the organ it is yeah kirk your story about the you know everyone you know in this you know having so few.Track 1:[1:03:54] Summer days in certain parts of canada it reminds me of back in 96 my band was was in winnipeg we were playing you know this show at a you know the club that all the you know the all the decent bands played at and so we were really excited about playing this this club and uh it was on a weekend we thought like this is great and it turns out it was the the long weekend in august and everyone in town leaves for the for the lakes and there was nobody in town like not just for our show but anywhere it was just bizarre so those are the the yellow days of winnipeg well let's Let's continue on with you, Craig. Keep this wagon wheel going and talk about Night is Forgetting, which is a great title. Yeah. So, so again, the day, day and night theme and we go from yellow days and tonight is forgetting.Track 1:[1:04:46] And it was really bugging me this song because I'm like, I know that I know this song and I couldn't figure it out. And then I felt so stupid a week ago when I actually looked in my, on my phone and I had the hip version of this, which is from about, I think 2005, it was just a single. As far as I know, it was just released out of nowhere. It was, uh, I think it was left over from in between evolution. Okay. So, so I did have it. So I definitely been listening to it, you know, in the past, but it never was a song that, that interested me very much. So this one again, grew on me. I think I prefer this version now. It's, it's a little more upbeat. I love the piano. So, so shout out to Dr. P, John Press, who I don't think we mentioned last, last episode, but he is such a great player. I actually looked him up last night. I couldn't find too much about him online.Track 1:[1:05:38] And he is so tasteful. He never overplays until this is like, it was almost like someone said to me, you know, just, just let loose. And you can actually see, I'm sure you guys saw on the, on the bathhouse videos, you can see him rehearsing this on his own, kind of coming up with a part and man, he nails those, those runs. It's very impressive. It's so good. So I wrote, or I heard, and I could have definitely stole it, but I heard piano flurries. And that's exactly what it sounds like as a piano flurry when it starts driving. That's exactly what my note says. Yeah, piano flurries. And the one line that stuck out with me or to me was the dew drops on the luminous veil. And I know he mentioned this in the Alan Cross interview and the luminous veil being the suicide barriers they put up on the Bloor Street street viaduct in Toronto. I guess it was a place where there was just mass amounts of suicides, just 500 suicides and they finally put up this barrier.Track 1:[1:06:41] It's a 10 minute walk from my house, the Luminous Vale. When you guys come here, I'll show you the Luminous Vale. At night, it's very pretty, but in sort of a, I don't even know, like an eerie way because Because the sections that hold the guy wires up all look like crosses. Yeah, it's heavy, man. And so my last thing about this song, in one of the interviews, Gord, he mentions that he read a quote from, I believe, Thomas Jefferson saying something about war is forgetting another country's resources.Track 1:[1:07:19] And he said, I just replaced war with night. On the hip version of this, he actually does sing war is forgetting in the last chorus. us. So he changes that for this version. But I was actually looking up quotes from Jefferson last night. I didn't find anything that resembled such an idea. So if any listeners know what he was referencing here, I'd love to hear from you. So when Gord passed, there was an interview on some news, whatever, with Ron McLean from the CBC, or I don't know if he's the CBC anymore, more, but I knew him from Hockey Night in Canada growing up. And what I think was a quote that Gord said, but I've never been able to find it attributed to Gord, was, night takes the chances, day the reward. I love that quote. And he wrote an op-ed about Gord's passing that included that line as well. And it's just a beautiful line. And I sort of.Track 1:[1:08:19] Think of myself with my work that way. I sleep three hours a night just because that's how my body works. And I'm up till one in the morning and then I get up at 5.30. But I also love that forgetting and forgetting are really just a great sound in the song that can be interpreted in any possible way. Yes, I love that part of it. And as I mentioned earlier, this was one of the songs that I know I had heard before. And honestly, until I just recently had either read or heard that it was a hip song or that it was used on a couple of hip shows, I feel 100% positive that one of the shows that I saw, they played this. I haven't gone back and look at all the set list yet, but I feel pretty confident of that. So yeah. But just love the musicality of the song. I mean, that's the only thing I would add is just the musicality is insane. I have created this little thing that I've called Gord's Annunciation Era, where he's got a section of his career with a hip where he absolutely nails every letter in every word. And think of the lonely end of the rink, and it's a very hard – and this song is a great example of that. You know he says every letter in every word in every phrase and it's just a it's very distinct this this section of maybe eight or ten years of his career whether it's with the hip or solo.Track 1:[1:09:46] And I just love how he really makes his body be an instrument with words. And also the line, he says, weird undercurrent, we're undercurrent. And again, another reference to water in a way, but just thought that was a neat little turn of phrase there. Yeah, he's so good at that. And he changes just little tiny tweaks throughout this album in many different songs with words and lyrics and how he, it sounds the same on first two or three listens. And then you realize, oh no, this is a completely different set of words. Christmastime in Toronto, he did that too on the last album. And at the very end of this song, I love how he's singing over and over. Night is forgetting and then forgetting. And then there's one time when they totally phrase it differently. There's pauses.Track 1:[1:10:37] Do you know what I mean? I mean, the very last line, I think it is just a neat little, I love songs that have just one little quirk like that. Yes, yes, absolutely. You know what? It really goes back to, I'll be leaving you or I'll be leaving you tonight. I mean, right from the beginning, right? It's just a really cool trick that he's always done. Well, another, one of the other tricks that he's famous for is invoking his children and lullabying them. The next song, Moon Show Your Lashes, to me is just the process of writing some of these lullabies and things about his children. That's what it means to me. Mr. St. Louis, how about you? I took it as his battle with insomnia, you know, which is also a common theme throughout his career.Track 1:[1:11:25] And yes, I definitely picked up on the thing. Like, you know, there's a, there's a book that my wife and I love called go the fuck to sleep, you know, talking about your kids, like just give us a break, man. And tonight, in fact, before we recorded, my daughter was taking a bath and she's trying to speak Spanish and she's yelling it and asking my wife questions in the other room in Spanish. And I walked in and Linda looks up at me and whispers, she needs to shut the fuck up. You know, just those moments of give it a rest, kid. But I think that it could be interpreted either way that like, yeah, he's talking about his kids. Like just, okay, relax. We get it. moon slow your lashes.Track 1:[1:12:09] But, you know, I think, The way that I took it was more of Gord by the lamp with a notepad trying to come up with the next song and wondering, you know, there's the line, what must he think? And no more, I think he thinks. And kind of judging himself or his work before it's even completed and just not being able to reconcile that. For what it's worth, I love the lyrics in this song. I friggin' hate the tune. I hate this song.Track 1:[1:12:39] It's so annoying. And I don't know what it is about it. And it's such an earworm. And it's the one I can't get out of my head. I can't stand the song. Get out of here. Wow. Actually just blown away by what Justin said, because I absolutely love the tune. Me too. And I think it's that 2010s, as you mentioned, you know, like there's such a massive influence from all of them individually as artists, but obviously Death Cab and that influence, but I think what they were listening to at the time. And so I mentioned that I really liked this album. So, you know, there's, there's no real duds on it for me. So, I mean, there's little things of course that I could critique, but to me, this particular album and, and, and even this song like this, this one's really up there. For me you know i'm still trying to decide what's going to be my favorite song from this and it's the first time that i didn't know instantaneously i particularly i enjoyed you know again just how it made me feel it gave me that that just that cool this is where we're at in this this time in music like it was it was it had it has some heavy lyrics but it it's i mean not crazy heavy but it was an upbeat song, I think, overall. So I appreciated it. So there was a story, Gord, in one of the interviews online I found.Track 1:[1:14:01] Talks about a radio essay he was listening to by, by someone named Neil McDonald. And he was talking about a woman who would go up to a place called high level Alberta. So when they, when he says high level in the, in the book, in, in, in the song, I had noticed in the booklet, it was capitalized. So it actually is a place up in Northern Alberta. And this woman would go up to um, Northern Alberta and, um, make, make some money. You can probably imagine how she's making her money and, and she would do this in order to support her kids. And, uh, and then when she got back to her kids, I just want to want to hold and smell. And another crazy example of how Gord writes these like incredibly upbeat, like you hear it and you fall in love with it because it makes you feel good, but it's dark AF.Track 1:[1:14:52] It's just got some real, real, real just black undertones in some of it, but the music just keeps you going. And that line that says, when, not if, after, when I get out of high level, when, not if. Yeah. And forget the, in the bridge, I think it is the forget the hawks, jaguars, the knife lickers and creeps. And yeah, it just really changed my perspective of the song and and yeah that that juxtaposition between the the sort of cute music and the dark lyrics some some more themes of um you know burgundy the color burgundy dance dance so again dance is the the one earlier that i was forgetting when i was talking about themes so themes on this album water you've got day and night you've got color and you've got dance and this song has a couple of those things in it and and to me it was like you know the things we do for our family oh like i like i said i i really love the story in the song and the lyrics and trying to figure out what i think i thought but just the tune i can't do it i don't know why man i'm sorry i'm i'm i'm not totally crazy about this song uh it's not my lead i'm actually we passed by my my least favorite without me saying but but to me um The Hard Canadian is the weak link on this album. To me, it's just a... Oh, wow. Yeah, it's just... I think it's the chord progression has just so been done before. Yeah, I'm not in love with it either. And that's the one song that I was familiar with on this album. This song, I wasn't too much of a fan of at first, but I do really like it now. It has grown on me, especially I think hearing that story. Well, are we ready to jump into Retrace?Track 1:[1:20:11] This song, my note, it just says vocally amazing. That's the note I have.Track 1:[1:20:18] I'm sure there's an amazing meaning behind the whole song. I really don't care. I just want to hear Gord sing the main line. I retrace my steps. And it just puts me in this amazing, wonderful, just warm place like we talked about in the beginning. And even Gord in some of his interviews talked about how the process and these songs were company to him. And that's what I felt with this retrace, this tune. And again, another great pairing from harmonies and also great build. And also, as we'd mentioned before, where that whole theory of every four bars coming up with something new, the retrace song, it definitely had additions and installations to create this. I just, yeah, maybe I'm dating myself, but I don't know if you guys are familiar with the band, the Smithereens.Track 1:[1:21:17] Kind of had a Smithereens vibe to it. Had a Lou Reed vibe to it. I know that there'

We recap the Nashville Fly In, talk about the importance of the aviation community, newts, chinchillas, and many more insights from our gathering of podcast friends. Mentioned on the show: * Blairsville, Georgia: https://www.airnav.com/airport/DZJ * Published Vertical Guidance approaches: https://www.ifr-magazine.com/system/gps-alphabet-soup/ * OG Midlife Pilot Chris Moran's student pilot landings video: https://www.youtube.com/watch?v=YPCna9-gtPA * Limited edition "Newts and Chinchillas" shirt: https://midlifepilotpodcast.com/merch/p/newts-and-chinchillas-nashville-fly-in-shirt --- Send in a voice message: https://podcasters.spotify.com/pod/show/midlifepilotpodcast/message

Scooter will make a cozy bird nest with his hair as he lulls you with intros about newts who r 2 kewt and everyone's favorite self-sufficient purple fast food mascot. RBG supports (and in her honor I support)- Friends of Hand in Hand - https://handinhandk12.org/about/ Support the Midnight Mission directly by clicking here. Support the Trevor Project by clicking here. Start a 7 day FREE trial of Sleep With Me Plus- The ultimate way to listen to show, based on how YOU listen! https://sleepwithmepodcast.com/plus Get your Sleep With Me SleepPhones. Use "sleepwithme" for $5 off!! You can learn more about producer Russell aka Rusty Biscuit at his website russellsperberg.com. Or follow his new production collective on IG at @BabyTeethLA The show artwork is by Emily Tat Support our AAPI community Black Lives Matter. Here is a list of anti-racism resources. Help to support the people in Ukraine. Going through a hard time? You can find support at the Crisis Textline. You can see more global helplines here. AquaTru- AquaTru is a 4-stage countertop purifier that works with NO installation or plumbing. Use promo code SLEEP for 20%!!! off at aquatru.com. Helix Sleep - Take the 2-minute sleep quiz and they'll match you to a customized mattress that'll give you the best sleep of your life. Visit helixsleep.com/sleep for up to $200 off and 2 free pillows! Wild Health - takes a proactive and preventative approach to healthcare, called Precision Medicine. Go to WildHealth.com/SLEEPWITHME and use code "SLEEPWITHME" for 20% off the cost of membership. Polysleep- mattresses revolutionize your sleep experience with premium, eco-friendly mattresses. Polysleep believes in using innovative materials for a better sleep at polysleep.ca and select retailers. Odoo - Simplify and connect every aspect of your company with this easy-to-use, all-in-one management platform software. Learn more at www.odoo.com/withme Air Doctor Pro - Get a professional air purifier with a medical-grade UltraHEPA filter that's 100x more effective than ordinary HEPA filters. Visit airdoctorpro.com and use code SLEEP for up to $300 off! Zocdoc - With Zocdoc, you can search for local doctors who take your insurance, read verified patient reviews and book an appointment, in-person or video chat. Download the Zocdoc app to sign-up for FREE at zocdoc.com/sleep Progressive - With the Name Your Price tool, you tell Progressive how much you want to pay for car insurance, and they'll show you coverage options that fit your budget. Get your quote today at progressive.com

Draco Malfoy thought he had reasonable expectations for his mandatory Eighth Year at Hogwarts, where he would be confined to the grounds as part of his probation. Isolation, hatred, and passing his NEWTs were really all he had in mind. What he wasn't anticipating:1) Having a small firstie latch onto him like a bloody koala2) Said firstie adopting an erkling as if they didn't feed on children. To protect his little nuisance, he'll have to seek help from uncomfortable places, including the Swottiest Witch of Her Age. Joy of all joys. Originally posted on AO3 by itscometothis: https://archiveofourown.org/works/32921029/chapters/81703219

Draco Malfoy thought he had reasonable expectations for his mandatory Eighth Year at Hogwarts, where he would be confined to the grounds as part of his probation. Isolation, hatred, and passing his NEWTs were really all he had in mind. What he wasn't anticipating:1) Having a small firstie latch onto him like a bloody koala2) Said firstie adopting an erkling as if they didn't feed on children. To protect his little nuisance, he'll have to seek help from uncomfortable places, including the Swottiest Witch of Her Age. Joy of all joys. Originally posted on AO3 by itscometothis: https://archiveofourown.org/works/32921029/chapters/81703219

Draco Malfoy thought he had reasonable expectations for his mandatory Eighth Year at Hogwarts, where he would be confined to the grounds as part of his probation. Isolation, hatred, and passing his NEWTs were really all he had in mind. What he wasn't anticipating:1) Having a small firstie latch onto him like a bloody koala2) Said firstie adopting an erkling as if they didn't feed on children. To protect his little nuisance, he'll have to seek help from uncomfortable places, including the Swottiest Witch of Her Age. Joy of all joys. Originally posted on AO3 by itscometothis: https://archiveofourown.org/works/32921029/chapters/81703219

Draco Malfoy thought he had reasonable expectations for his mandatory Eighth Year at Hogwarts, where he would be confined to the grounds as part of his probation. Isolation, hatred, and passing his NEWTs were really all he had in mind. What he wasn't anticipating:1) Having a small firstie latch onto him like a bloody koala2) Said firstie adopting an erkling as if they didn't feed on children. To protect his little nuisance, he'll have to seek help from uncomfortable places, including the Swottiest Witch of Her Age. Joy of all joys. Originally posted on AO3 by itscometothis: https://archiveofourown.org/works/32921029/chapters/81703219

Draco Malfoy thought he had reasonable expectations for his mandatory Eighth Year at Hogwarts, where he would be confined to the grounds as part of his probation. Isolation, hatred, and passing his NEWTs were really all he had in mind. What he wasn't anticipating:1) Having a small firstie latch onto him like a bloody koala2) Said firstie adopting an erkling as if they didn't feed on children. To protect his little nuisance, he'll have to seek help from uncomfortable places, including the Swottiest Witch of Her Age. Joy of all joys. Originally posted on AO3 by itscometothis: https://archiveofourown.org/works/32921029/chapters/81703219

Draco Malfoy thought he had reasonable expectations for his mandatory Eighth Year at Hogwarts, where he would be confined to the grounds as part of his probation. Isolation, hatred, and passing his NEWTs were really all he had in mind. What he wasn't anticipating:1) Having a small firstie latch onto him like a bloody koala2) Said firstie adopting an erkling as if they didn't feed on children. To protect his little nuisance, he'll have to seek help from uncomfortable places, including the Swottiest Witch of Her Age. Joy of all joys. Originally posted on AO3 by itscometothis: https://archiveofourown.org/works/32921029/chapters/81703219

Draco Malfoy thought he had reasonable expectations for his mandatory Eighth Year at Hogwarts, where he would be confined to the grounds as part of his probation. Isolation, hatred, and passing his NEWTs were really all he had in mind. What he wasn't anticipating:1) Having a small firstie latch onto him like a bloody koala2) Said firstie adopting an erkling as if they didn't feed on children. To protect his little nuisance, he'll have to seek help from uncomfortable places, including the Swottiest Witch of Her Age. Joy of all joys. Originally posted on AO3 by itscometothis: https://archiveofourown.org/works/32921029/chapters/81703219

The War With The Newts On the anniversary of Karel Čapek’s birthday, we listen to this 2005 presentation from the BBC, where they dramatize a 90 version of, “The War With The Newts.” This story is fantastic, breaks the fourth wall, has Karel and Olga – real life people – narrate the story from WWII … Continue reading The War With The Newts

A journey to an isthmus should be restful enough for you to rest while saying Newtie Poo in the Wild.Start a 7 day FREE trial of Sleep With Me Plus- The ultimate way to listen to show, based on how YOU listen! Get your Sleep With Me SleepPhones. Use "sleepwithme" for $5 off!!Learn more about producer Russell aka Rusty Biscuit at russellsperberg.com and @BabyTeethLA on IG.Show Artwork by Emily TatSupport our AAPI communityBlack Lives Matter. Here is a list of anti-racism resources.Support the people in Ukraine.Going through a hard time? You can find support at the Crisis Textline and see more global helplines here.CLARITIN - Nip your allergy symptoms in the bud this spring with Claritin D. Head to claritin.com to learn more and Live Claritin Clear.DUSKER - Turn your pillow into the comfiest earphone ever with Dusker's advanced under-pillow speaker, the Sleepbar. Head to dusker.com and use code SLEEPWITHME20 for 20% off.HELIX SLEEP - Take the 2-minute sleep quiz and they'll match you to a customized mattress that'll give you the best sleep of your life. Visit helixsleep.com/sleep for up to $200 off and 2 free pillows! ODOO - Simplify and connect every aspect of your company with this easy-to-use, all-in-one management platform software. Learn more at www.odoo.com/withme AIR DOCTOR PRO - Get a professional air purifier with a medical-grade UltraHEPA filter that's 100x more effective than ordinary HEPA filters. Visit airdoctorpro.com and use code SLEEP for up to $300 off!AQUATRU - AquaTru is a 4-stage countertop purifier that works with NO installation or plumbing. Use promo code SLEEP for 20%!!! off at aquatru.com. ZOCDOC - With Zocdoc, you can search for local doctors who take your insurance, read verified patient reviews and book an appointment, in-person or video chat. Download the Zocdoc app to sign-up for FREE at zocdoc.com/sleep PROGRESSIVE - With the Name Your Price tool, you tell Progressive how much you want to pay for car insurance, and they'll show you coverage options that fit your budget. Get your quote today at progressive.com

An arms race between newts and snakes means biological warfare.  Become a Patreon: https://www.patreon.com/herphighlights Merch: https://www.redbubble.com/people/herphighlights/shop Full reference list available here: http://www.herphighlights.podbean.com Main Paper References: Gilbert AL, Cabrera S, Hague MTJ, Stokes AN, Feldman CR, Hanifin CT, Brodie ED, Brodie ED. 2023. Phenotypic outcomes of predator–prey coevolution are predicted by landscape variation in climate and community composition. Functional Ecology 37:2170–2180. DOI: 10.1111/1365-2435.14360. Other Mentioned Papers/Studies: Calhoun, D. M., Bucciarelli, G. M., Kats, L. B., Zimmer, R. K., & Johnson, P. T. (2017). Noxious newts and their natural enemies: Experimental effects of tetrodotoxin exposure on trematode parasites and aquatic macroinvertebrates. Toxicon, 137, 120-127. Williams, B. L., Hanifin, C. T., Brodie, E. D., & Brodie III, E. D. (2010). Tetrodotoxin affects survival probability of rough-skinned newts (Taricha granulosa) faced with TTX-resistant garter snake predators (Thamnophis sirtalis). Chemoecology, 20, 285-290. Editing and Music: Podcast edited by Emmy – https://www.fiverr.com/emmyk10  Intro/outro – Treehouse by Ed Nelson Species Bi-week theme – Michael Timothy Other Music – The Passion HiFi, https://www.thepassionhifi.com

Lacy Lou, Newts, and Don get stuffed while watching 1987's Thanksgiving classic Blood Rage! It's not cranberry sauce! Dig in! --- Support this podcast: https://podcasters.spotify.com/pod/show/lacy-williams1/support

A little nostalgia. Mark's red shirtEpisode confusionNewspaper articleHave you guys heard of Newt's?Table vs BoothCasual PescatarianismErrors and OmissionsKilled a guyInternational watersRadio GameAir Force self-depricationNewt's has couponsBath RobeTV theme songsAaaand it's over#Newts#whatareyouhiding

11/19/2023, Jiryu Rutschman-Byler, dharma talk at Green Gulch Farm. The one practice for every moment of our life is just to welcome and care for whatever is right here - why do we forget that so easily, and how can we train in staying with that?

Come and see us at The Clapham Grand on 16th January for our next live show! Ticket's only £15 here: https://link.dice.fm/C09cda047686 Our guest this week is Gav, he's an ecologist, and he has spent most of his career smelling otter poo, counting newts and conducting bat surveys. In this episode, we learn why that is such important work, and about how we can all do simple things to help protect the environment around us. We also learn that Joe has a talent for identifying insects just by the sound they make underground...who knew? We'll be live at The Clapham Grand every month next year, get your tickets here: https://linktr.ee/jmstickets To sign up to Nord VPN, click here: https://nordvpn.com/marler To download the Spond app, click here: https://spond.sng.link/D472x/uijj/bjn8 To listen to Joe Wilkinson's Podcast, 'Chatabix', click here: https://podfollow.com/1560965008 JMS caps and hoodies available here: joemarler.co.uk/shop To get ad-free and longer episodes on Apple, hit the 'grow the show' button or click: https://apple.co/3sAX0xR On Spotify you can subscribe for £1 a week by clicking this link: https://anchor.fm/joemarlershow To become an official sponsor, go to Patreon.com/joemarlershow  To grow the show on socials, look for @joemarlershow on Instagram, Twitter and Tiktok  Music courtesy of BMG Production Music Learn more about your ad choices. Visit megaphone.fm/adchoices

The Toronto Reptile Expo is one of the biggest reptile expos in North America. But what makes an expo happen? Well to answer this question I am joined by Fadi of Daffy's reptiles and we discuss his new role as videographer and social media director for the expo. We talk about what goes into planning and promoting the brand, how the plant community became involved, and the ins and outs of showcasing vendors through social media. We also discuss the care and breeding of alpine newts, podcasting, and much much more!This week's episode is sponsored by Gray Ghosty Creations https://www.etsy.com/shop/GrayGhostCreationsTo learn more about the expo visit: https://reptileexpo.ca/To Support AmphibiCast by becoming a patron, for merch, and a 10% discount off an In Situ Ecosystems vivarium visit: https://linktr.ee/AmphibiCastAnd be sure to follow Fadi on instagram and youtube, and check out Daffy's Round Table on your favorite podcast player!https://www.youtube.com/@daffysreptileshttps://www.instagram.com/daffysreptiles/

If you're tuning in just for the Friday Night stuff (our original topic), go ahead and fast forward to about 10 minutes left.  We still can't budget our time....  Attempts were also made to do a "tight" intro and Newt's promo.  We were not successful there either.  But hey--you're already here, so give this a listen!Shout out to aspiring podcastersMark's relationship with onions--it's complicatedShout out OG ToddReciprocationRadio GameErrors and omissionsHow to know if you have a really good friendMar's Hawaiian nutsRabbitsMy neighbor's cansWrestlersAverage Friday night as a kidUnique units of measureJim pedals off his 3.2 beer buzzFeedback:  theascertainers@gmail.com#Newts

Dave and Ray chat about their past trips and why you should be drinking wines from the Finger Lakes (FLX) @flxwinecountry . Other fun topics discussed include Royal Farms Chicken, Newts, Full House, Star Wars, and Dave's "Pet" Frog..2019 Bloomer Creek Vineyard @bloomercreek Cabernet Franc.2019 Hillick & Hobbs Estate Vineyard @hillickandhobbs Dry Riesling.2017 Red Newt Cellars @rednewtcellars Dry Riesling.2020 Sheldrake @sheldrakepoint Point Gamay Noir..Shout-outs made during the episode: FLX Table @flxtable , Chris Bates @sommelierbates , Hundred Suns @hundredsunswine , and Joile Laide Wines @jolielaidewines .

Tristan Bowling and Daniel Bridge-Gadd are reunited in studio with their good buddy Patrick Orenumnums. They go over everything from Taylor Swift and Kelsey to why talking on a plane can lead to some cool stories. If you want to help support the cast JOIN OUR PATREON!! https://www.patreon.com/FinalStopPodcast

Squiz Kids is an award-winning, free daily news podcast just for kids. Give us ten minutes, and we'll give you the world. A short podcast that gives kids the lowdown on the big news stories of the day, delivered without opinion, and with positivity and humour. ‘Kid-friendly news that keeps them up to date without all the nasties' (A Squiz Parent)   This Australian podcast for kids easily fits into the daily routine - helping curious kids stay informed about the world around them. Fun. Free. Fresh.  LINKS The smooth newt: https://agriculture.vic.gov.au/biosecurity/pest-animals/priority-pest-animals/smooth-newt Squiz Kids Shortcut to… Invasive Species: https://www.squizkids.com.au/squiz-kids-shortcuts/invasive-species/ Tectonic plates map: https://www.usgs.gov/media/images/tectonic-plates-earth Peanut the chicken: https://www.cbsnews.com/detroit/news/washtenaw-county-chicken-named-oldest-living-chicken/ Claude the koala: https://www.abc.net.au/news/2023-09-05/koala-eats-nursery-seedlings-intended-for-wildlife-corridor/102814920 #Sponsored: Alex Rider: Nightshade Revenge – https://www.walkerbooks.com.au/book/9781529517422-2/ Squiz Kids Facebook Squiz Kids Instagram Squiz Kids LIVE! Buy tickets to our Canberra show here: https://moshtix.com.au/v2/event/squiz-kids-live/154887 Squiz Kids Book Club: https://www.squizkids.com.au/book_club/ Newshounds Get started on our free media literacy resource for classrooms https://www.squizkids.com.au/about-newshounds/ Classroom Companion: Teachers! Want to access free, curriculum-aligned classroom resources tied to the daily podcast? Sign up to be a Squiz Kids Classroom and download the Classroom Companion each day. Made by teachers for teachers, differentiated to suit all primary school ability levels. And did we mention it's free? Stay up to date with us on our Squiz Kids Instagram!   Got a birthday coming up and you want a shout-out? Complete the form on our Squiz Kids website. Link: SHOUT OUTS or / send us an email at squizkids@thesquiz.com.au

Éanna Ní Lamha, Environmental Broadcaster, and Author joined Sean to discuss how Newts and critters are blocking building works.

Pod Crashing Episode 239 With Speaker Of The House Newt Gingrich From Newt's World Join former House Speaker, professor, historian, and futurist Newt Gingrich as he shares his lifetime of knowledge and access to the world's most interesting minds in a new series that covers all aspects of our society. From history to health, national security to science, Newt offers stories, conversations, and context to uncover new perspectives, knowledge and insight. This podcast isn't about politics; it's about exploring the past, present, and future to understand where we've been and where we're going. Welcome to Newt's World, a podcast for independent thinkers.

Pod Crashing Episode 239 With Speaker Of The House Newt Gingrich From Newt's World Join former House Speaker, professor, historian, and futurist Newt Gingrich as he shares his lifetime of knowledge and access to the world's most interesting minds in a new series that covers all aspects of our society. From history to health, national security to science, Newt offers stories, conversations, and context to uncover new perspectives, knowledge and insight. This podcast isn't about politics; it's about exploring the past, present, and future to understand where we've been and where we're going. Welcome to Newt's World, a podcast for independent thinkers.

Join former House Speaker, professor, historian, and futurist Newt Gingrich as he shares his lifetime of knowledge and access to the world's most interesting minds in a new series that covers all aspects of our society. From history to health, national security to science, Newt offers stories, conversations, and context to uncover new perspectives, knowledge and insight. This podcast isn't about politics; it's about exploring the past, present, and future to understand where we've been and where we're going. Welcome to Newt's World, a podcast for independent thinkers.

We've got a lot of wild & weird new kids' music on Radio Active Kids this week, including an interview with A Horse A Spoon A Bucket, who have a great new album out called Adventures in Hill City! Also, new songs by Kath Bee, Jelly of the Month Club, Tim Kubart & Carly Ciarrocchi, Will's Jams & Seeka Sings, Mommy's lil Monsterz, Michael and the Rockness Monsters, #NEWTS, Mr. Ben's Music, Tim Hoh's Music For Kids, Em and Me, Stuart Stotts, #UncleBensRhetoricallyIntrospectiveChildrensEnsemble & more!!!  Here's the playlist.

Chapter 31 - O.W.L.sQ1 - Have you ever had that moment of euphoria like Ron is at the moment?Q2 - Were you guys studyers? ʹBut I daresay the Ministry of Magic will track him down soon enough.ʹ  ʹI doubt it,ʹ shouted tiny Professor Marchbanks, ʹnot if Dumbledore doesnʹt want to be found! I should know… examined him personally in Transfiguration and Charms when he did NEWTs… did things with a wand Iʹd never seen before.ʹ Q3 - Who after Dumbledore is the best witch or wizard?The first question: a) Give the incantation and b) describe the wand movement required to make objects fly. Harry had a fleeting memory of a club soaring high into the air and landing loudly on the thick skull of a troll… smiling slightly, he bent over the paper and began to write.Q4 - Is Harry going to get high marks?ʹWell, we were always going to fail that one,ʹ said Ron gloomily as they ascended the marble staircase. He had just made Harry feel rather better by telling him how he had told the examiner in detail about the ugly man with a wart on his nose in his crystal ball, only to look up and realize he had been describing his examinerʹs reflection.Q5 - Why are they sacking Hagrid so late?Q6 - What do you think of the whole sacking of Hagrid?Q7 - In your opinion, did wand legislation contribute to, or lead to better control of, goblin riots of the eighteenth century?Q8 - Harry mentions Legilimency for this exam, would that work?But there was a shape on the floor at the very end, a black shape moving on the floor like a wounded animal… Harryʹs stomach contracted with fear… with excitement… A voice issued from his own mouth, a high, cold voice empty of any human kindness… Take it for me… lift it down, now… I cannot touch it… but you can The black shape on the floor shifted a little. Harry saw a long‐fingered white hand clutching a wand rise at the end of his own arm… heard the high, cold voice say ʹCrucio!ʹ  The man on the floor let out a scream of pain, attempted to stand but fell back, writhing. Harry was laughing. He raised his wand, the curse lifted and the figure groaned and became motionless. ʹLord Voldemort is waiting Very slowly, his arms trembling, the man on the ground raised his shoulders a few inches and lifted his head. His face was bloodstained and gaunt, twisted in pain yet rigid with defiance… ʹYouʹll have to kill me,ʹ whispered Sirius. ʹUndoubtedly I shall in the end,ʹ said the cold voice. ʹBut you will fetch it for me first, Black… you think you have felt pain thus far? Think again… we have hours ahead of us and nobody to hear you scream…ʹ  But somebody screamed as Voldemort lowered his wand again; somebody yelled and fell sideways off a hot desk on to the cold stone floor; Harry awoke as he hit the ground, still yelling, his scar on fire, as the Great Hall erupted all around him.Q9 - What do you think is happening?Chapter 32 - Out of the FireʹI donʹt wonder youʹre shocked, Potter,ʹ said Madam Pomfrey, with a kind of fierce approval in her face. ʹAs if one of them could have Stunned Minerva McGonagall face‐on by daylight! Cowardice, . thatʹs what it was… despicable cowardice… if I wasnʹt worried what would happen to you students without me, Iʹd resign in protest.ʹ Q1 - What should the teachers do here?Q2 - Are Ron and Hermione wrong to be questioning Harry here? Has Harry proved himself untrustworthy?ʹOK,ʹ she said, looking frightened yet determined, ʹIʹve just got to say this ‐ʹ  ʹWhat?ʹ  ʹYou… this isnʹt a criticism, Harry! But you do… sort of… I mean ‐ donʹt you think youʹve got a bit of a ‐ a ‐ saving‐people thing!ʹ she said.Q3 - Is she right here?ʹIʹm trying to say ‐ Voldemort knows you, Harry! He took Ginny down into the Chamber of Secrets to lure you there, itʹs the kind of thing he does, he knows youʹre the ‐ the sort of person whoʹd go to Siriusʹs aid! What if heʹs just trying to get you into the Department of Myst—?ʹQ4 - Is she right here?ʹWeʹll have to use Umbridgeʹs fire and see if we can contact him,ʹ said Hermione, who looked positively terrified at the thought. ʹWeʹll draw Umbridge away again, but weʹll need lookouts, and thatʹs where we can use Ginny and Luna.ʹ  Though clearly struggling to understand what was going on, Ginny said immediately, ʹYeah, weʹll do it,ʹ and Luna said, ʹWhen you say ʺSiriusʺ, are you talking about Stubby Boardman?ʹQ5 - Is this a good plan?ʹWhereʹs Sirius, Kreacher?ʹ Harry demanded. The house‐elf gave a wheezy chuckle. ʹMaster has gone out, Harry Potter.ʹ  ʹWhereʹs he gone? Whereʹs he gone, Kreacher?ʹ  Kreacher merely cackled. ʹIʹm warning you!ʹ said Harry, fully aware that his scope for inflicting punishment upon Kreacher was almost non‐existent in this position. ʹWhat about Lupin? Mad‐Eye? Any of them, are any of them there?ʹ  ʹNobody here but Kreacher!ʹ said the elf gleefully and turning away from Harry he began to walk slowly towards the door at the end of the kitchen. ʹKreacher thinks he will have a little chat with his mistress now, yes, he hasnʹt had a chance in a long time, Kreacherʹs master has been keeping him away from her ‐ʹ  ʹWhere has Sirius gone?ʹ Harry yelled after the elf. ʹKreacher, has he gone to the Department of Mysteries?ʹ  Kreacher stopped in his tracks. Harry could just make out the back of his bald head through the forest of chair legs before him. ʹMaster does not tell poor Kreacher where he is going,ʹ said the elf quietly. ʹBut you know!ʹ shouted Harry. ʹDonʹt you? You know where he is!ʹ  There was a momentʹs silence, then the elf let out his loudest cackle yet. ʹMaster will not come back from the Department of Mysteries!ʹ he said gleefully. ʹKreacher and his mistress are alone again!ʹ Q6 - Will Sirius not come back from the Department of Mysteries?Snape gave her an ironic bow and turned to leave. Harry knew his last chance of letting the Order know what was going on was walking out of the door. ʹHeʹs got Padfoot!ʹ he shouted. ʹHeʹs got Padfoot at the place where itʹs hidden!ʹ  Snape had stopped with his hand on Umbridges door handle. ʹPadfoot?ʹ cried Professor Umbridge, looking eagerly from Harry to Snape. ʹWhat is Padfoot? Where what is hidden? What does he mean, Snape?ʹ  Snape looked round at Harry. His face was inscrutable. Harry could not tell whether he had understood or not, but he did not dare speak more plainly in front of Umbridge. ʹI have no idea,ʹ said Snape coldly.Q7 - Is Snape good or bad?Q8 - What do you think about the reveal that she was the one who sent Dementors to little whinging?Q9 - She was going to use the Cruciatus curse?!Q10 - What is Hermine leading them to?

"But I also think it's really important to just, if you enjoy it, you don't have to make it for anyone else. If you want to just make it for you, then that's totally fine. Just do it. But, like, in your own way." - Mia of NEWTs Don't forget to check out WZRD's birthday giveaways! https://wzrdradiopod.com/2023/03/10/3rd-anniversary-giveaways/ See the transcript at https://wzrdradiopod.com/ Join the magical Patreon at https://www.patreon.com/WZRDRadioPod

919. Rebracketing is a fascinating process that gives us more words than you might imagine, even words from French and Spanish! Also, I find a surprising answer to the question of which is correct: "ahold" or "a hold."| Transcript:  https://grammar-girl.simplecast.com/episodes/napron-ahold/transcript| Subscribe to the newsletter for regular updates.| Watch my LinkedIn Learning writing courses.| Peeve Wars card game. | Grammar Girl books. | HOST: Mignon Fogarty| WRITER: Mignon Fogarty| VOICEMAIL: 833-214-GIRL (833-214-4475) or https://sayhi.chat/grammargirl| Grammar Girl is part of the Quick and Dirty Tips podcast network.Audio engineer: Nathan SemesEditor: Adam CecilAdvertising Operations Specialist: Morgan ChristiansonMarketing and Publicity Assistant: Davina TomlinDigital Operations Specialist: Holly HutchingsIntern: Kamryn Lacy| Theme music by Catherine Rannus.| Grammar Girl Social Media Links: YouTube. TikTok. Facebook. Instagram. LinkedIn. Mastodon.

I can't tell you where I interviewed Max Lambert, but I can tell you what we saw. It wasn't pretty.

A selection of different kinds of things from the farm today!

Weekend Show - 10/8/22 - Newts & Payson Catching Up! by Gem Drafter

Czech novelist Karel Čapek (1890-1938) might be best known as the pioneering science fiction writer who first coined the term "robot." But readers have long appreciated the transcendent humanity of his works. "There was no writer like him," Arthur Miller once said, "prophetic assurance mixed with surrealistic humor and hard-edged social satire: a unique combination...a joy to read." In this episode, Jacke talks to podcast producer Ian Coss about the life of Karel Čapek, his contributions to literature, and how Čapek's celebrated novel War with the Newts inspired Ian's audio fiction series Newts, a farcical, yet deadly serious tale about an alternate history of the 1930s, in which the Western world discovers, exploits, educates, arms, and is ultimately overthrown by a species of highly intelligent, three-foot tall salamanders. SPECIAL BONUS CONTENT: We conclude the episode with a trailer for Newts. Additional listening suggestions: 160 Ray Bradbury (with Carolyn Cohagan) Margaret Atwood 282 Science Fiction Subscribe to Newts at the following links: Apple Podcasts: https://podcasts.apple.com/us/podcast/newts/id1621525265 Spotify: https://open.spotify.com/show/4K7X2gY9MwYFWuXEdpyFC7 Stitcher: https://www.stitcher.com/show/newts Google Podcasts: https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcHJveHkuZ29vZ2xlLmNvbS9uZXd0c3BvZGNhc3Q Pocket Casts: https://pca.st/5kerq5l8 Pandora: https://www.pandora.com/podcast/newts/PC:80522 RSS: https://feeds.feedburner.com/newtspodcast Help support the History of Literature Podcast at patreon.com/literature or historyofliterature.com/shop. The History of Literature Podcast is a member of Lit Hub Radio and the Podglomerate Network. Learn more at www.thepodglomerate.com/historyofliterature. Learn more about your ad choices. Visit megaphone.fm/adchoices

John J. Miller is joined by Sam Jay Gold to discuss Karel Čapek's 'War with the Newts.'

This week we're featuring a conversation with Ian Coss, co-creator of Newts, a wild new six-part musical audio drama from PRX and the fiction podcast The Truth. The show is inspired by the writings of the Czech journalist and science fiction pioneer Karel Čapek. He's best known for coining the  word "robot" in his 1920 play Rossum's Universal Robots, or R.U.R—but his less famous 1936 novel War with the Newts is actually a funnier, weirder, and more biting reflection of politics and social affairs in the first half of the twentieth century.  It's also a sprawling, jumbled, irreverent story that turns out to be perfect material for an adaption like Newts. In the show, Ian and  his collaborator Sam Jay Gold have taken Čapek's speculative story about how humanity might deal with the appearance of a second intelligent, speaking, tool-using species on Earth and added wealth of new layers, not the least of which is a catchy Beach-Boys-inspired musical score. It's hard to describe in just a few words, but if you listen to the series (and our interview with Ian), you might just come away with a new perspective on the nature of our relationships with other animals; on the human species' alternately tender and warlike instincts; and on Karel Čapek's underappreciated contributions to 20th-century literature.Newts launched on June 7, and you can hear it at newtspod.com wherever you get your podcasts. For a transcript of this episode and additional information about Newts, visit http://www.soonishpodcast.org/508-strange-newt-worldsPacific newt photograph by Connor Long, shared under a CC BY-SA license.NotesA special thank you to Ian Coss for spending time with Soonish and providing all of the music and sound effects files used in the episode.The Soonish opening theme is by Graham Gordon Ramsay.If you enjoy Soonish, please rate and review the show on Apple Podcasts. Every additional rating makes it easier for other listeners to find the show.Listener support is the rocket fuel that keeps our little ship going! You can pitch in with a per-episode donation at patreon.com/soonish.Follow us on Twitter and get the latest updates about the show in our email newsletter, Signals from Soonish.

It's a story about newts. A story that turned its author into Public Enemy #2. Yeah, you're going to want to hear this. Newts is a production of PRX and The Truth Podcast. It's created by Ian Coss and Sam Jay Gold. Find it by searching for "Newts PRX" on your favorite podcatcher or at one of the links below! Twitter: @newts_pod @ian_coss @SamJayGold Instagram: @slammydog @iancoss Website: newtspod.com Podcast Apps: Apple Podcasts: https://podcasts.apple.com/us/podcast/newts/id1621525265 Spotify: https://open.spotify.com/show/4K7X2gY9MwYFWuXEdpyFC7 Stitcher: https://www.stitcher.com/show/newts Google Podcasts: https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcHJveHkuZ29vZ2xlLmNvbS9uZXd0c3BvZGNhc3Q Pocket Casts: https://pca.st/5kerq5l8 Pandora: https://www.pandora.com/podcast/newts/PC:80522 RSS: https://feeds.feedburner.com/newtspodcast

Newts is created by Ian Coss and Sam Jay Gold.  The Story Editor is Jonathan Mitchell and the Executive Producers are Jocelyn Gonzales and Jonathan Mitchell. Episode 1 featured: Chris Barron as Captain Van Toch Lindsay Nicole Chambers as the Narrator and Joseph Medieros as Mr. Bondy Additional roles were performed by Sarah Naughton, Juan Ignacio Sanguinetti, Alok Patel, Jon-Michael Reese, Putu Rekayasa, The music was composed and performed by Ian Coss, with Bill Carbone on the drums. Sid Iyer, Lenny Fiannaca, Sam Lapine and Varun Sasisekharan of the Tufts Beelzebubs laid down those sweet, sweet vocal harmonies — and shout out to Naomi Yang for her assist on the Captain's Sea Shanty. The artwork is by Caroline Hu and our recording engineer is Robin Buyer. Newts is a production of PRX and The Truth Podcast.  Find more information on Newts at the links and accounts below: Twitter: @newts_pod @ian_coss @SamJayGold Instagram: @slammydog @iancoss Website: newtspod.com Podcast Apps: Apple Podcasts: https://podcasts.apple.com/us/podcast/newts/id1621525265 Spotify: https://open.spotify.com/show/4K7X2gY9MwYFWuXEdpyFC7 Stitcher: https://www.stitcher.com/show/newts Google Podcasts: https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcHJveHkuZ29vZ2xlLmNvbS9uZXd0c3BvZGNhc3Q Pocket Casts: https://pca.st/5kerq5l8 Pandora: https://www.pandora.com/podcast/newts/PC:80522 RSS: https://feeds.feedburner.com/newtspodcast Newts continues in Episode 2: LOVERS ON PEARL ISLAND. Learn more about your ad choices. Visit megaphone.fm/adchoices

From PRX Productions and The Truth, Newts! is a surf rock audio drama about the end of the world. The six-part series is inspired by the pioneering science fiction of Czech author and playwright Karel Čapek, who is best known for coining the term “robot.” The first episode is premiering exclusively on The Truth. To hear the rest of the series, subscribe to Newts! wherever you listen to podcasts, or visit newtspod.com to stay in the loop. Created by Sam Jay Gold & Ian Coss Directed by Sam Jay Gold Music and sound design by Ian Coss Executive produced by Jocelyn Gonzales and Jonathan Mitchell Performed by Lindsay Nicole Chambers, Chris Barron, Joseph Medeiros, Juan Ignacio Sanguinetti, Alok Patel , Sarah Naughton , Jon-Michael Reese, Putu Rekayasa , Naomi Yang, Sid Iyer, Lenny Fiannaca, Sam Lapine, and Varun Sasisekharan. Newts! The Truth Instagram Twitter