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Chicago disco-funk musician and activist Ric Wilson has a personal style inspired by vintage, his international travels and people he's met across different eras of his life. He's performed alongside acts like Chromeo, Black Pumas, DRAMA, Yellow Days and more. Wilson sat down with Vocalo for our "Getting Dressed" series to talk all things style, share takeaways from living in London and give us the breakdown of how he packs for international tours. This segment was hosted, cut and mixed by Morgan Ciocca. It was engineered and produced by Dave Miska, and edited by Cassie Walker Burke. Special thanks to Mendy Kong and Jessica Martens. Keep up with Vocalo @vocalo on most platforms, and subscribe to our newsletter at wbez.org/vocalo-thegoods.
Looking ahead to his New Year's Eve dance party, Chicago musician and activist Ric Wilson hopes that disco ideals will reign supreme. Wilson is wrapping a busy 2024 that brought domestic and international tours with DRAMA, Black Pumas, Yellow Days and Chromeo. But Chicago's “Disco Ric” will have one grand finale: “America Runs On Disco,” a year-end celebration, at Lincoln Hall. Wilson's new single also is called “America Runs on Disco,” and it's out Dec. 17 (an EP of the same name is due out in 2025). The song reflects Wilson's thoughts over the past two years on escapism and paying homage to disco's inclusive ethos. Stopping by the Vocalo studio last week, Wilson spoke with host Nudia Hernandez about his love of Chicago house music, his secret for thriving on 7-hour flights to London and his penchant for civic engagement. This segment was hosted and produced by Nudia Hernandez. It was edited by Morgan Ciocca. Dig deeper into the story at Vocalo.org, and follow us @Vocalo on Instagram, X and Facebook, or @Vocalo.radio on TikTok.
Artists have a duty to claim that their most recent project is the best work they have ever done. But what if it's true? I'm so taken with David Gray's new album Dear Life (released January 2025) - and so too is David of course - that it seemed churlish to dwell too much on his earlier career success, no matter just how definitive that was. “I'm always all in with the new stuff. If I wasn't I would just retire. It's always a moment of total commitment. I like the danger of writing and recording. There is gold in them there hills and you have got to go and find it”. Dear Life is led by rhythmic singing and short-story style writing, underpinned by unusual song arrangements. But the songs catch on, almost every one a ‘grower'. It's one of those records that is shot-through with reflection, philosophy, mortality. You could say it's a mid-life record and there is nothing wrong with that, given how well it stands up to his classic breakthrough work White Ladder and his first decade of popular success. “I feel like these songs are strong enough to go shoulder to shoulder with the big songs”. His instincts this time around, are good. When David Gray takes to the stage on his extensive 2025 tour to play songs like Leave Taking, Fighting Talk and (recent single) Plus & Minus, he will not need to precursor them with an apology. The understated quality of the past 10 years' work is a run of form that may have gone unnoticed by the music industry mainstream, but also suggests that Gray has been building to a head of steam. If this was 2004, he would be releasing Dear Life into the world as a surefire classic album. But here we are in 2024 - algorithm powered and neck deep in social clips. Releasing a magnificent record into the content void of today guarantees nothing. Especially when you are running your own small record label as Gray now is. “You've got to go on a cookery show just to get the opportunity to play a song for two minutes.” White Ladder was one of those CDs everybody had. It came at the end of the CD era, one of the last albums that achieved cultural ubiquity. Lest we forget, the record was self-funded (on a budget of £5,000) and self-released. Inventing a sub-genre is one thing, and with White Ladder, David Gray did that - folktronica was the label the music press attached to it. But there was much more to it than that. In a sense, Gray pioneered bedroom pop, 20 years before it became huge on Spotify. Rex Orange County, Yellow Days, Alfie Templeman and a whole generation of others owe something to him. But his huge success with White Ladder will always leave him with something to prove. “The disaprovers are waiting every time you do something new. But I'm a very determined person. But then I love doing what I do. There is no trout farm for me. I just love doing this thing. And it's getting richer and richer. There is always more to put into song”. He is literally making music for Dear Life. It shows. Support the showGet more related content at: https://www.songsommelier.com/
In this episode of The Tracklist, hosts Daron Jenkins and Chris Saunders dive into the vibrant soundtrack of the 2024 Hulu film "The Greatest Hits," directed by Ned Benson. Join us as we explore how the music shapes and enhances the storytelling in this star-studded film featuring Lucy Boynton, Justin H. Min, David Corenswet, and Austin Crute. Featuring music by Nelly Furtado, The Salsoul Orchestra, Yellow Days, Roxy Music, etc.
On this special episode of Vinyl Verdict, Bell, Plouffe and Jamie sit down to talk about EPs in their collections. Bell brings Ginger Root's "City Slicker", Plouffe brings Yellow Days' "Harmless Melodies" and Jamie brings Devo's "Dev-o Live". In a recurring theme for our topics, the choices could not be more different! Come along as the boys discuss things such as tomato sauce and Energy Domes!
This week on the pod, the gang settles in to the project and describes their experience with Gord's 3rd solo release, The Grand Bounce.Transcript:Track 1:[0:01] Hey, it's Justin. You know and love us on the Discovering Downey podcast, right? So come hang out with us in person for the finale. Join us for Long Slice Brewing Presents, a celebration of Gord Downey at The Rec Room in downtown Toronto on Friday, July 19th. Craig is coming from Vancouver. Kirk is coming from LA. I'm driving from Vermont. And JD is like walking down the street or wherever he lives in Toronto. Tickets are available now on our website at discovererndowney.com. And when you get your tickets, that means you can come hang out with us and our very special guest, Patrick Downey. And you can bid on some incredibly cool silent auction items, all while jamming along with tragically hip cover band The Almost Hip. And most importantly, helping us raise money for the Gord Downey Fund for Brain Cancer Research. Crack open a long slice, put on some Gord tunes, take a journey with us on Discovering Downey, and then crack open another long slice on July 19th and hang out with us in the 6th. I always wanted to sound cool and say that. For more information, follow us on all the socials and visit DiscoveringDowny.com. Cheers.Track 2:[1:23] Thanksgiving. Victims and their victim-ears sit down to Turkey hungry for punishment full of mercury fullimate, serene after the screaming. Grace makes the mouth make shapes it's never made before. We give thanks for the poetry we read and write all day. For freeing us to drink with impunity a toast to no punishment replaces Amen. The prayer is swallowed away for the silence and the quiet carving serene after the was screaming, a little violent, but turkey nevertheless.Track 1:[2:08] Welcome, music lovers. Long Slice Brewery presents Discovering Downey.Track 2:[2:16] Hey, it's J.D. here and welcome back to Discovering Downey. This is an 11-part opus with a focus on Mr. Gord Downey, the late frontman of the Tragically Hip, but somebody who also gave to the world an extensive solo discography. Eight records in total. But have you heard them? That was what I sought out when I enlisted my friends Craig, Justin, and Kirk to discover Downey. These three are giant Tragically Hip fans, but they had little to no exposure with Gord's solo oeuvre. So every week, we get together and listen to one of the records in chronological order and see what we think. Did we miss out? Or did we make the right choice? We're going to find out on Discovering Downey. This week, we're going to dive into Gord's third solo release. This, with The Country of Miracles, it is the grand bounce. Now let's go to the team.Track 1:[3:27] Justin St. Louis, how are you doing this week? Week i'm worn out man and uh i'm ready for this thing to to take over my life tonight and just be back in the normal and enjoy the music and enjoy talking about it with you guys love it yeah kirk where are you headed off to next yeah actually heading off to the big apple nyc i'm uh going to be chaperoning my uh my youngest and they're going to be performing at carnegie so very proud pops Pops. And, uh, we just got back from a really cool trip in Memphis and Nashville and they did really, you know, they did fantastic there. So I've been surrounded by music and, um, that's inspired me, but I'm gonna, you know, concur with Justin and say, I'm definitely looking forward to a discussion about this album. I mean, uh, it's been a pretty cool journey so far, but this, I think this is gonna, this album is going to spark a pretty good conversation in my opinion. So, but doing well and looking forward to traveling again. It'll be interesting for sure. Craig, how are things on the left coast, motherfucker?Track 1:[4:36] Not too bad. Just got back from a family trip to Disneyland that was six years in the making. We tried it, you know, in 2020 and it didn't work out. And so we finally made it down with the kids and spent a few days in LA at the end of the trip and was lucky enough to have Kirk from Chino drive all the way out to LAX and we hooked up for.Track 1:[4:59] Little conversation and yeah, it was cool. It was a good time. Yeah. So first time meeting in person, which was a great night. It was really cool. Yep. No, it worked out actually great. I just got back from that trip with a choir that I'd mentioned and then, uh, hadn't seen my mom in a bit and she was actually staying, um, uh, doing some pet sitting at a house in garden Grove that had some good memories. So it kind of was a half, half the distance to LAX. So it worked out perfect to go and meet you and and i appreciated uh appreciated you giving up some time from your family for a little bit to have a good conversation so and i know it'll carry over tonight well this week on discovering downey we're here to discuss and dissect the june 2010 released from gord and his band the country of miracles consisting of the usual suspects canadian musicians oh.Track 2:[5:48] Man i'm gonna butcher this julie duaron right is that right yeah so she's on vocals guitar and bass then there is gourd's frequent collaborator josh finlayson.Track 1:[6:02] Dale morningstar on lead guitar dave clark on drums and dr p on keyboards chris walla a former member of death cab for cutie turned the knobs on this release but where do you start with the grand bounce it's been seven years and three albums since Gord's last outing, and The Country of Miracles sounds as though they've been chomping at the bit to jam with Gord yet again. This album, to me, is a band album as much as it is a Gord solo affair. As a result, it sounds more cohesive than the previous two releases. While it rarely reaches the heights of Battle of the Nudes, it is a remarkably consistent effort. It's worth noting that the songs on The Grand Bounce seem more structured and maybe even more thought out as three to four minute rock songs that are reminiscent of Gord's day job, The Tragically Hip. There's an energy on this record that's palpable. Perhaps it's the shorthand of working with the same band for three consecutive records?Track 2:[6:58] I'm not sure, but it's there. Now, once we get into the songs on this 50 minute, 13 song opus.Track 1:[7:06] It's tough not to get caught up in the sonic presence that Walla brings to the table. There's a depth to the maturity, And I'll use the term again, a cohesiveness that wasn't as pronounced on the prior two efforts. While the grand bounce is a perfectly fine listen, it's only after letting it grow on you. For me, it sat growing on me since I did the fully and completely podcast. And that to me is when it shows its real prowess, creating earworms and hooks that reel you in and invite you over for dinner just to hang out with the music.Track 1:[7:40] But what do our friends Craig, Justin, and Kirk have to say about the Grand Bounce? Let's not waste any more time and get right to them. Kirk from Chino, talk to me about your first experience with the Grand Bounce. Yeah, well, after we had finished up talking about Battle of the Nudes, I had had some travel for work, and then I was getting some other stuff ready for a very busy week. So I didn't get to jump on to a listen right away. I mean, it was a number of days. But I was doing a walk at night and, you know, cool walk with the dog and had it in my AirPods. And just right away, I was really taken by it. I really felt the maturity of it, you know, very reminiscent of what you had mentioned, JD, in your lead up to, you know, the discussion about the album is it just had a maturity to it. The band, it felt like a band album, exactly what you said. and I, as much as I loved the first two albums, I just felt a comfort. Like the whole time I've listened to this album, which is, I don't know, maybe 15, 20 times at this point, it just, it's a warm blanket to me. It's like, it now is okay.Track 1:[8:57] It's okay, I can like Gord Downie as a solo artist. You know, I just had a great experience with it. I really, really loved it. I could spend a lot of time talking, but I want to hear what the other guys have to say about it. Well, Craig, what do you think? Yeah, this was really a grower for me. I wasn't sure when I first put this on. I didn't think I would like it as much as I do. And overall, I really love this album. I have maybe a couple of critiques, which we'll get to later. Later but my my journey with this album actually goes back to 2015 when you may remember jd that we had a bunch of target stores open in canada in whenever 2010 maybe and they only lasted about four or five years and they went went under and when they were closing down they had cds on sale for five dollars you can get any it could get any cd and i happened upon the grand balance and And actually the next album we'll be doing next week and pick those both up for five bucks. And they sat on open for many years and I just opened them for this podcast. So I I'm lucky enough to have an actual podcast.Track 1:[10:05] Physical copy and the liner notes that came in them so i may be able to offer a few little nuggets um one i would just want to mention off the top chris walla is actually mentioned as a member when it says the country of miracles are and it lists all the members plus him so i believe he was playing guitar on wow much of the album wow very cool some of those videos he was playing so that i'm not surprised by that and i love that thank you for sharing because this is actually the only album that I couldn't get. I tried to get vinyl of everything, but I don't have a CD. So everything has been streaming or online.Track 1:[10:41] And I watched several videos with interviews and he talked specifically about the inlet, the vocal or the lyrics. And you just showed a picture of it, Craig, and it's not the standard sizing that you normally get. So I appreciate you sharing that. That was pretty cool. And I think also what I learned with this album is again, just to trust Trust, you know, Gord, you know, you may not like it right away, but give this album a good listen if you haven't before. It took longer to grow on me than the other two, but highly recommended. Yeah i think a good strategy with this record is to listen the fuck out of it for like two or three days and then put it on the shelf for a week and then pick it up and there's something like kirk was saying that's comforting about it you come back to it and you're like whoa this is really fucking way more hooky than i imagined when i first listened to it but let's uh talk to our friend mr st louis what do you say on the matter of discovering downey v the grand bounce So I also had the word warmth written down, and I did take your strategy, JD, of I listened to it probably 10 times. I started immediately after recording our last episode, which is how I had done the previous. I was like, okay, this is not Battle of the Nudes.Track 1:[12:04] And I immediately heard what I thought was Bob rock sound. But then I realized this isn't Bob rock sound and neither were those other two albums. This is the era that Gord was in with the hip and all of the Bob rock haters probably owe him an apology because this is the type of stuff that Gord was writing at that time. And so it did feel familiar and it did feel comforting and it did feel warm and I liked it. I also, you know, during this time, um, when the album came out i was listening to kings of leon and mumford and sons and stuff like that and there's a lot of that in this in this sound and i you know i was a uh death cab for cutie fan at the time and you know postal service and all that stuff i mean so it was very contemporary for for when it came out and it felt like it belonged in that 2010 range but.Track 1:[12:58] For me, it was a big letdown after Battle of the Nudes, because that album was so damn good. And because we didn't have seven years between recording these episodes for our musical tastes to change, it was like, whoa, this is a massive shift from what we had just digested into this new album. I don't hate it, but I don't think I love it.Track 1:[13:20] Wow. Yeah. I don't see it as such a massive shift. It's going to be interesting as we get into the track by track. Should we do that now, gentlemen? Let's go for it. Let's do it. Okay, the first track on the record is a great one for me in the sense that winter has ended. But when I think about winter, I think about that. I think about Gord standing on the edge of Riverdale Park and having somebody discuss this east wind with him, this strong east wind that blows in and is very cold. And we're going to hear from Craig first on this one. So, Craig, what do you think of the east wind? This is the one song off the album I was familiar with. I had seen maybe a video, I'd heard it quite a few times, and I love it. I think it's a great opener. I want to point something out really quickly that you guys wouldn't necessarily know without the liner notes, but there are Roman numerals, one through four, throughout the album. And at first I thought maybe it was to do with the record I thought maybe the four-sided record which it is, I looked it up but the.Track 1:[14:29] There's three songs per side on the records, and it doesn't quite jive with the numbers in the booklet. So what I think is, I've come up with a little story around, this isn't a concept album by any means, but it's definitely got a story to it. And so I've actually listed what I think the story is about, and I think section one is about a move. And so you've probably done the research too and and gourd at the time was moving up to glenora on the um on the great one of the great lakes so this this first section i think all the songs kind of relate to moving uh the east wind maybe not as much but also interestingly enough the east wind is the only song that doesn't have lyrics printed out in the booklet and i'm not really sure why that would be what yeah so there's a quote at the top it does say the the quote about the east wind is the laziest wind, but right under that is track two. And if you saw some of the video research or YouTube, he talked about it was a neighbor who was a farmer who was describing the east wind, the laziest wind.Track 1:[15:40] So I found that very interesting, Craig, when you proposed the theory of the story. Because I could think to several of the different interviews and different discussions about different songs and how he's definitely pinpointing some real life things that are happening. Like you mentioned the move and, and, uh, obviously some discussions about relationships and, and then he's got his kids involved in some of these songs too. So you may be onto something, my friend. Another theory theory I have is that maybe this song is meant to be like a little bit of an introduction sort of before the story starts. And maybe that's why it didn't have the lyrics in here or maybe it's a misprint who knows, but the song itself musically is, is great. Uh, very much a band jamming again, like we're used to from the previous two albums, but just more layering, more production.Track 1:[16:30] I really love how the guitars are layered. From my count, there's five guitar players on this track, including one who I couldn't find any mention of anywhere on the internet. Someone named Edgar Lewis played guitar, and I believe he plays the guitar at the end, the little guitar melody, the sort of New Order style melody at the end. I couldn't find anything about who he might be. The name Edgar, of course, made me think of Gord's middle name. So not sure if there's a connection there. But yeah, I could not track this person down online. Anybody out there knows who Edgar, what his name is? I apologize. What's his name again? Edgar Lewis or Louie.Track 1:[17:10] Edgar Louie. If you know who Edgar Louie is, shoot us an email at discoveringdowneyatgmail.com. I wonder if he's an acquaintance of Chris Swala. Possibly. Although they did record in Kingston, so it would have been quite the trip for one little guitar melody. But yeah, maybe he was someone working in the studio. Maybe he's a friend of the band or who knows. But yeah, the Chris Walla production is very noticeable on this song. The way things are, you know, I think Gord even mentions in an interview, he just keeps layering things every few bars and very evident. The drums are a good example of this in the song. They come in kind of lightly, but they're still pretty intense. And then the toms come in, and you've got that really almost tribal beat for the first few bars once the whole band kicks in. And then you get just sort of a regular beat. But it's always driving forward. There's always momentum with the drums. It's always picking up momentum right through the end of the song and really strong playing all together. Such a solid song. I think the second part of that build, when I first heard it, was like, oh, this is sort of like maybe some of the tone that was on Battle of the Newts, where it was kind of subdued and subdued.Track 1:[18:31] Just there. And then there's this massive sound, which really works. I do love the song a lot. And I believe you that there's five guitars in it. Um, cause if you have earbuds in and turn it up, you, you feel it. Yeah. And while the chords are quite simple, when you really listen, there's actually a lot going on, even with Gord's guitar. And I feel like on this album, he has matured as a player. You can tell, you know, he's got another seven years of experience and we never did really talk about on the previous episodes his guitar playing but when he first started playing guitar in the hip it was a bizarre thing to watch his strumming patterns it was so awkward to watch him as a guitar player and i'm not even sure he was really too much in the mix back in the early days but he has grown so much as a guitar player he's playing a lot in open tunings i believe i've read that open c was his favorite so i think a lot of the songs on this album or an open C. I noticed in the videos he was playing a Tele for much of this session rather than acoustic.Track 1:[19:33] And yeah, there is a lot of subtleties to the guitar playing, even though it's basically two chords through the whole song. I was going to mention, Craig, and we've all obviously did our research and saw the YouTube, but the bathhouse sessions when they were recording. And, and I'm honestly, it's like, it's a question to this group. They, they were all isolated, but they were all playing live. And you had mentioned how much he was playing guitar. And in the, that little six part series, I loved how Gord was so committed to playing guitar, as you had mentioned. Like there was typically when you're recording an album like you want to do the the vocal and the guitar separately and he was nope i'm going to do it together because the guitar strumming was creating some of the cadence of the vocals and and i loved how or i felt like that was demonstrated there so i think that's a great point that you brought up craig that he was really focused on that playing yeah that makes this album easier to sing to we had mentioned whether i don't remember if it was on air or off air, but we had all had trouble singing along with the first two albums. And this one is much more poppy and rhythm driven. And I think you're absolutely right, Kirk, that him playing the guitar as he sings and it's in every take really kind of made that happen. I also did notice if you, it's really low in the mix, but when this track first starts, somebody says, no more takes.Track 1:[21:01] Like, we have to do it this time, you know? I really, I picked up on that and I enjoyed it, especially after watching that six part series. I'm gonna jump on your story theme, Craig, and Moon Over Glenora.Track 1:[21:14] The next song on the album.Track 1:[24:18] I absolutely love this song right and he talks about the ferry ride and that really goes along when you think of the east wind and being off the lake and then now talking about the ferry, uh justin what'd you think about this song oh man this song solidified my crush on julie this is, such a great track and the duet through every word and then the live performances of this song that i I was able to find on the, on the hips now for plan a record, there's one lyric that's, we don't want to do it. We want to be it talking about the music and they are absolutely the music while they're playing the song. And it's just a lot of fun. And it's like a, it's like going to a club show, which it probably was. I really did love the song. And for me, the ferry ride across Lake Champlain is just a part of life here when you're going over to New York and it just, just talking about the spotlight, finding the ice in the water. I've been on that ferry and the song is really, I think, about two people falling in love, not knowing that they're falling in love. And they're kind of bickering and arguing about it. And they get outside in the ferry and it's cold and it's terrible and you got to stay warm, so let's complain about something.Track 1:[25:29] And they talk about the wolf and they've killed the wolf by the end of the ferry ride. You know um it's the the imagery is really cool and the dead lake right isn't that the last the ocean is dead the ocean is dead yeah yeah it's a great little song i really do love it but i think the star is julie and this really she's fantastic yeah i uh story-wise i actually had almost the opposite thought to me it was maybe um a couple falling out of love and maybe this is the the cracks are starting to show. Like maybe it's not totally fractured yet. And again, I'm not saying that this is about Gord or, you know, I don't know too much about his personal life, but I do know parts of this are inspired obviously by true events, you know, the move to Glenora. Did anyone watch the interview with Gord with Kim Mitchell? If you guys even know who that is? Yeah, I did. Do you know who he is?Track 1:[26:26] Well i had to look it up i didn't know who he was immediately and i got confused because it was that little two-part interview and he had mentioned something about being and i think like saint paul minnesota and it threw me off because it said toronto but then in the second part they they confirmed they were talking in toronto um the one thing sorry and i hopefully i don't derail your thought but the one thing that i loved on that particular interview is the reverence that gordon had for that particular guy so i definitely had to look him up you know to see the songs that he was involved with and and he was uh you know as he mentioned in that he's a hero so sorry go ahead i just wanted to bring him up because he's a you know a classic canadian artist i'm wearing my my cancon shirt here and uh he was definitely a a big part of you know the music scene here in in the 80s and 90s i guess i brought it up because um this was a song that he mentioned really loving that you know kim really loved it also i found it really interesting I'd never heard this before, but Gord references a song that the two of them wrote together.Track 1:[27:29] And by the sounds of it, it's a song that was never released. So it sounds like Kim Mitchell had a song he wrote and then Gord wrote the words too. And so there may be an unreleased song out there, or maybe if a listener's heard this or has any idea how to track this down, I'd love to hear it. So that was my only thing I wanted to add. Oh, and also Dale does some really really cool guitar, little shots on, on this sort of beat two and four. And then he does these little muted scrub scrubs. I'm not even sure how to.Track 1:[27:58] How to put in words what that sound is i'm you know what i mean kind of like a pick almost like a pick slide into the the bends i mean i don't know it it's almost it's a it's a technique it's not it's a rhythmic pattern that he's doing yeah and with with some notes in there but they're sort of muted but anyways i thought that added some nice accent but i agree with with you justin that julie really steals the show on this one it's such a good song on many of the songs on this album that combination of voice, to me, that was what I had mentioned earlier about how much I enjoyed this album, is when you feel that the band is now a band and you feel that connection. But we are so used to hearing Gord as part of the hip and that amazing combination of vocals that he has, you know, with Paul and then obviously with the guitar phrasing and how the hip is the hip and you can hear that. And I think with the vocals that he has with her on many of these albums, but especially on this particular album and several of these songs, to me, that really solidified like, okay, this is a great combination of musicians that are doing fantastic things. So I so appreciated this song.Track 1:[29:19] Another, Gord has that ability to do like an upbeat rhythm and kind of like Pascal's Submarine that we talked about in the last album, where it's kind of a dark subject, but it's a very upbeat song. So I really felt that with this particular song. I couldn't help but think, as he said, the ocean is, as they were repeating, the ocean is dead at the end. I was just thinking about all the water songs that Gord has and how water must be his Roman empire. There are a couple things that come up on this album over and over. Water is one, color is another.Track 1:[29:57] Um, and day and night is a third thing. There was a fourth, I can't remember right now, but there was some definite themes through the entire album. Kirk, what did you think when you first heard as a mover? What I loved specifically about as a mover is the buildup. I think Justin may have referenced in, in some of the, those interviews where, um, how the production was every four bars, you got to get something new. So this really was uh okay you know you get the train feeling that's going on it's that moving it's the transformation it's the sorry not transformation but him him relocating to glenora as we'd mentioned now we're going into this as a mover and you know this these lyrics not just specifically for this song but for for this all album and i think in one of our messages together.Track 1:[30:53] It was hard to pin down some connections on some of these there there are some that are that are there but I agree with that that that guidance on that so as a mover to me loved it you know the sarcasm hey baby want to kiss closes it out with that that that particular theme and it's It's a driving, great rhythmic song. Another thing that was clear in my memory in some of the interviews that we got to see was he was so excited about this album in that it was genre-less, right? You can't just say it's a country album. You can't just say it's a pop album. You can't just say it's a jazz album. It has a little bit of everything. And he even talked about touring for this particular album, that they were doing a bunch of festivals and that they were jazz festival, a pop festival, a rock festival. It was different. So he was pretty proud of that fact. And I got that feeling with that as a mover. Justin, what was your take on the song? So I found a note somewhere that when Gord was writing this album, he was reading a book about Custer. And the title of the album, The Grand Bounce refers to a phrase that was coined during the Custer's involvement, whatever, in the 1860s. Whenever they deserted the cavalry, they called it the Grand Bounce. And desertion and moving and all this stuff really tie in together and –.Track 1:[32:22] This song is kind of what really sparked my thinking about that. Like, you know, this is, there's something happening here and yes, the, the train, you feel like you're on a train as soon as the song starts. And, um, it's definitely a different sound. This song is way different than anything that Gord had put out previously. And I know, again, I, it, it kind of rubbed me the wrong way a little bit. I mean, I've, I've come into all this with an open mind, but it was like, what is he trying to do here? It didn't, the production of this album, And the sound of the songs just did not match up with the first two albums. And this doesn't even match up with anything else that's on this album. And my first reaction was, is he trying too hard with this song to sound different? But it certainly has grown on me. But the theme of moving and desertion and the grand bounce itself, this song tied the album title together for me. Craig, what do you think? In the lyrics, you've got the wife, you know, not wanting to move and you've got the kids wanting to move all that, you know, wanting to go everywhere. And he says he's in the middle, he's got no opinion. So I kind of like that tension in here. I also love the line where he rhymes pressure and less sure. Oh, and he does it in this low register the second time through?Track 1:[33:44] I'm even less sure. And when he says it, he's almost talking it. It's so great. Yeah. And I know I mentioned to you guys in text that when I first heard this song, I was not a fan.Track 1:[33:58] And JD, you were a bit surprised by that. And then it just grew and grew and grew on me. Like more than any other song on the album. I love the song now. I really was not a fan at first. Just love the whole feel of it. And the little drum shuffle with the brushes. And i think what i didn't like at first was just the chorus there was something weird about just those words as a mover it's just not very smooth sounding it doesn't roll off yeah and so that that kind of bothered me at first but really it's whatever feelings i had about it have totally changed now i think it's totally yeah it's a really cool song i was with you that you know At first, I just didn't like it. But then I remembered the song is now 14 years old. And when it came out, I was listening to Mumford & Sons and I was into that sound. And this could be on one of their albums.Track 1:[34:50] And I had to force myself to transport back to that time period. And I would have loved the song back then. And also the, you know, the title as a, as a mover, it made me think like a double meaning could be like a mover is also a dancer. And the next song we have is the dance and its disappearance. And this was another song that I didn't love at first. It's still not one of my favorites on the album, but once I read the lyrics, once I got into the CD booklet and started trying to figure out what it was about, I started to appreciate it a lot more. And so I just want to read you this quick quote in the booklet. There's a quote from Crystal Pite, who I believe is a dancer. And she writes.Track 1:[35:38] It is an extreme expression of the present, a perfect metaphor for life. And it goes on. Once I kind of got what that phrase meant, it just started making sense. And when you watch the live videos of this song, every single performance of this, Gord has something to say about people in the audience with their cell phones. And he's very appreciative when there's not too many people with their cell phones. And he talks about, if you're filming this on a cell phone, you're getting 10% of the experience. Put it away.Track 1:[36:08] And there was one show in Victoria and I wrote down what he said. He says, you like that things disappear as they're happening. I don't see any phones in the air trying to capture 10%. Your brain can handle it. Let it resonate. Let it sink in. Wait till tomorrow, the day after, it'll be all right. Yeah. And I love that message. Yeah, me too.Track 1:[36:26] Fuck. Kirk? This song, when I first heard it, and we've had this discussion on some of the other albums, You know, can this be a hip song? And that opening little riff on this particular song was very hip-like. And there was another interview that I had looked up, I think Alan Cross was his name. And he had even had mentioned that on this particular, he wrote simply a hip-like song. So I think that was one thing that I appreciated is there was not any fear anymore. Like, it's okay because I am the guy who writes the stuff for the hip. So there's going to be songs that sound hip like, and I think he embraced it. But I think that I, the thing that I loved about this, and as I mentioned on the other songs and you guys as well is the, the harmonies with, with, with Julie on this, like that's okay. This is Gord Downie. This is that sound where with the hip it's, this is what I sound like when I sing with Paul or whoever's doing the backup. And I believe that he really captured that in this album, but that song as well. So that was one thing that I noted in my research on this particular song. I think this is my favorite tune on the record.Track 1:[37:41] Gord had that theme, let it disappear into the night and let it happen, use it up. That is a decades-long theme in whatever he's done, and I love the message. I also love the word a squirrel. Holy crap. What a great way to convey that you can't settle down. My mind a squirrel. Holy crap. Did anyone else look up Sudbury yellow? Speaking of colors, I mentioned earlier that color is a huge theme throughout the whole thing. Also tying into the cover art, which was actually a painting by Gord Downie himself. So I think art was much on his mind during the recording of this album. And there is different mentions of colours in so many different songs. So Sudbury Yellow references the colour of the staircase at Sudbury Hall in England. And when you look up a picture of it, it's a very striking yellow. It's actually pretty neat to look up. And also another great So he rhymes the word orange with door hinge. Yeah. Blood orange with door hinge. Yeah. That's great. And I did notice the color theme throughout this and, and art is again, a decades long theme with, with Gordon. And there are many more examples through and we'll get to that.Track 1:[38:57] Well, let's stick with you, Justin, and move forward to The Hard Canadian. When I think of this song, I always, I can close my eyes and I picture, this is going to be lost on the two Americans, I apologize, but I picture Relic from The Beachcombers as The Hard Canadian.Track 1:[39:16] Beachcombers was a CBC show based in the West Coast, and there were some hard-living fishermen type, and there was one character who was sort of a scoundrel, and his name was Relic, And he just looked like a hard Canadian. He looks like the lyrics to this song. But Justin, what do you think of the hard Canadian?Track 1:[39:34] So I had two trains of thought on this. And one was that I thought Gord might have been singing about himself and just the fuck you today kind of thing. But I also thought it was about the weather, maybe in the winter. And go out to the plains and it's brutal out there. And the hard Canadian weather doesn't care about you. You know, and yeah, so the hard Canadian in my weather theory is the hard Canadian don't give a damn about you. What's a windswept face to the elusive presence of the sun to the hard Canadian? Like, you know, it's winter all the time in some places. It's dark all the time in some places, you know, north of 60, right? And it's the line, whether he's just mean or willfully dense, like the weather is controlling itself. self. It was like Mother Nature or whatever is doing this on purpose to test you. Let's see if you come out the other side. Again, the art theme, there's the quote, and it's in quotations from life nothing to death nothing, refers to a piece of art by Frank Stella, which is, forgive my Spanish here, but de la nada vida a la nada muerte. Is that how you'd say it? But that's what it translates to, from life nothing to death nothing. And it's this massive piece of art that's It's very 1965 looking and it's just another theme in there. And I don't know how it ties in other than it's a.Track 1:[40:59] You know, foreboding dark quote. That's just my, I don't know. That's my interpretation of it. But you know, Gord obviously was going through some stuff too. And, and it, it felt like this was almost a third person narrative of a first person point of view. There was two songs on the album that I'm familiar with. The hard Canadian is the first time I heard it. I had definitely had heard it before, but had not, you know, process that it was not a hip song. I think I thought it was like a deep cut hip song or something when I heard it years ago. But the other one is, and I know we'll talk about it, The Night Is Forgetting.Track 1:[41:36] He would sing it when he would do hip songs. He would sing some of his gourd songs. So when I read that story or heard about that story, I'm like, I know I've heard that song before when they played out here in LA or whatever. So, but anyway, the hard Canadian, what he had mentioned was it was Mike, Mike Clattenberg trailer park boys. That's that, that's it's one of the series that I haven't watched. I've watched letter Kenny and I've watched, you know, several other Canadian, but I have not watched the trailer park boys. And he had mentioned that it was one of the guys I guess is one of the creators and he's like yeah I got this new thing and it's hard Canadian it's dope and and so when I'd heard that description I immediately thought of like if you guys are familiar with letter Kenny like Wayne is he's hard Canadian it's just gonna smoke a you know go out and smoke and have a puppers have a dart yeah having a dart exactly so that that was the imagery that I got from it I want to point out that this is the first song in section number two lyrically in the lyric booklet.Track 1:[42:39] And I just noticed that there's a quote here from Walter von Tilburg Clark, night is like a room. It makes the little things in your head too important. And I just realized that's the second verse of the East wind. And then I glanced forward section three has the lyric from the third verse. So the lyrics from the East wind are in here, but they're, they're heading each sections. And so in my mind, and they're quotes from other authors. Is that what it is? Yeah. It was, um, he said that song was made up of the East wind I'm talking about was made up of quote, like three quotes that he, that he loved. And I had seen that somewhere. Yes. And so the hard Canadian to me is like what JD said, like I'm picturing like a relic type. I had a baseball coach when I was a kid who he's this older guy and he always had like this about one inch left of a, of a homemade smoke. And, uh, and that, that line where he says, takes a puff of puff of nothing and pick something from his tongue. Like I just picture Mr. Heller, my baseball coach who, you know, for four years, you know, first 10 minutes of practice, you don't wear a glove. You're, you're passing the baseball just with bare hands and, and just thinking back to those, those times, there was another line that I want to bring up the silences.Track 1:[43:55] He don't listen to them. Do you think that's a reference to Pascal? Maybe that's interesting. Uh, I hadn't thought that, But because I'm thinking now my mind is a squirrel and I, I'm almost thinking this is about, you know, that, that, you know, rural Canadian, um, you know, like a relic type. And in my mind, Gord is trying to say maybe that, that there's more, more to that person than, than maybe meets the eye. I don't be so quick to judge when he says he, he blurs the image, drags his brush through the wet pigment. To me that line saying you know don't be so quick to judge the hard canadian well right at the end he mentions remembering someone too and that's absolutely you know makes sense and i know a lot of hard frenchmen that are from quebec that have been through hell and you get down to it and they're just you know beautiful soft men inside but you got to get through seven layers of onion to get there.Track 1:[44:56] And that really ties perfectly into the next song, which is Gone.Track 1:[48:41] Because it has a very similar story behind it, which I'll get into it a little bit. But Kirk, what were your thoughts on Gone? Yeah, no, I love that you actually had mentioned that you're going to get into more of the meaning of it. Because I have some thoughts and ideas, but what I really wanted to talk about on this particular one, from the musician side, that I absolutely loved about it is – I'll give the note that I wrote. And I can't remember exactly who it was that mentioned it to Gord, but he said it sounded like a moose in the distance.Track 1:[49:16] And when you listen to this tune, which is a beautiful tune, another great example of the harmonies, it's another one where you just hear the range of Gord's vocals that are just phenomenal and how he can cover the spectrum with that. But the fact that Dale Morningstar was using a theremin and had several different layers of the theremin recorded on that and you hear it. And then when you get confirmation of it, you go back and listen to it and you go, oh, wow. Right. Because there's only a few songs out there that we all know and love that have the theremin. Right. There's only what the Beach Boys and Led Zeppelin or the, you know, have have really pulled it off. So it's cool to see them jump out from a musician standpoint, musicianship standpoint.Track 1:[50:05] The other thing that I wanted to mention before, and I definitely want to hear Craig's thoughts on the meaning of it, was that Gord had mentioned in one of his interviews that this and I think The Night Is Forgetting, he called it the grandma and the grandpa. So he'd had these songs for a long time and he'd matured with them. And so I think that that anticipation of so much time between the two albums, but then having songs that came, you know, at different points along the way. And I just felt like this one had, it had marinated and it was, what was presented was what had, he had settled on, because I think that happens anyone who's done music creation. You're, you write it with a thought, a producer takes a look at it, an engineer takes a look at it, the rest of the band, and it becomes something different.Track 1:[50:55] Anyway, Craig, your thoughts on some of the meaning behind it. In the booklet, there's a quote from a Polish writer named Bruno Schultz. And it says, He had not been rooted in any woman's heart. He could not merge with any reality and was therefore condemned to float eternally on the periphery of life in half real regions on the margins of existence. And apparently this was in reference to his own father. So again, coming out of the last song, it seems to kind of tie into that idea of, at the end of The Hard Canadian, where there's someone he was remembering. So this idea of, there's actually the lyric in the song, gone and feeling half real on the edge of your life. And that ties directly to that quote. quote musically the bridge that there's a building bridge with uh julie singing backup and.Track 1:[51:48] Really really great songwriting and this was another song that really grew on me it's just such a catchy kind of fun fun song uh justin what did you think no i loved it right from the beginning it yeah it builds and it starts really slow and then it gets really slow again in the middle and it's quiet. I didn't dive too deeply into the lyrics, but there's definitely, you know, this is a life story kind of thing. And maybe at the end of it. Yeah. I just, I really love the way the song made me feel and that's only surface deep, but sometimes that's all you need in a song. And I don't know, I could listen to this one over and over. And I have. Okay. Kirk, how about the drowning machine? What are your thoughts there? I think we have another nautical disaster, could we call it, on this next song? Yeah, yeah. Through Drowning Machine. Drowning Machine. Until I actually looked it up, I didn't really know what it was talking about. But apparently, the Drowning Machine is like a common name for a weir, which is a low head dam, which if you've seen pictures of them, basically what happens is the water just cycles. And just if you get if you end up going over one of these dams you're.Track 1:[53:02] Pretty much not getting out and so gourd had apparently read a story about um about some girls being saved from the the bow river in alberta and um there was actually i i kind of looked up this this bow river and there's this this notorious um spot on the river where where i believe it said had 14 deaths in 30 years and they actually had a there one story there was there was actually a boom across so if you if you're totally out of you know if you miss all the signs and you you keep going down you can grab on to this boom at one point a storm had washed it washed it away and so a couple of men died in in i believe 2007 because the the boom had been washed out and so finally they did some construction and they and they have now made it into uh an area called the Harvey, this is called the Harvey passage. And apparently people go there to do white water rafting. And there's actually two kind of, um, passages that go through now two channels, uh, at different levels of, you know, for, for different levels of experience, um, for, for rafters. I had, I had done some research on the, um, Glenora song and there's a very treacherous river that it's like, Hey, don't go there, fly over it.Track 1:[54:20] And this reminded me of, reading about that, it reminded me of Niagara Falls, just the immense force of the water at the bottom. And you're not going to get out of there if you go over the falls.Track 1:[54:37] We had a deer camp when I was a kid on the Huntington Gorge here in Vermont. And there's a plaque with a list of 30 or so names of all the people that have died in the gorge. And our deer camp was the spot where the state police would fish the bodies out of the river every time there was one that ended up there you know we we couldn't get to the to the camp because they would use the front porch to be their their base of operations oh yeah wild and i i have to say at the end um there is some lead guitar at the end by dale that really at this point in the album when I was, especially on first listen, when I wasn't totally jiving with some of the earlier tracks, this song was the one that immediately I loved, like right off the bat. And hearing that guitar when Dale finally cuts loose and really leans into that dissonance, I felt like, okay, I'm starting to get this. And Kirk, what did you think of this? Yeah, I am fascinated, obviously, with Gord's fascination with water and the nautical side of things. But again, I think this song was just another great example of their time together and how they really... And I don't know if you guys noticed this.Track 1:[55:58] I don't think they played this on that six-part one, but I really enjoyed that it wasn't like a monarchy. You know, it wasn't Gord was given direction. It was everyone was involved. And I really loved the different parts that you would see with Chris Swala and his just subtle, nice guy production tips. So, um, I really love that interaction of, of how now that they've been done.Track 1:[56:25] A couple albums together and now it had been a little bit. And I also read something about how, yeah, they wanted to definitely get that indie vibe and they definitely wanted to have a variety of different styles of music, but how they also, you know, they're also very accomplished musicians and they've spent some time with some big bands and have played in some pretty, pretty big arena. So they could bring that to the songwriting and, and, and, and the music within this. So, and I really felt that too, moving into Yellow Days, which was the next one.Track 1:[1:00:51] I love this tune. This tune to me, and maybe I'm hearing something wrong, but there was almost kind of like a jazz bossa nova, just a real kind of amazing groove to it. And I also loved hearing about the story about Josie Dye, I think was her name. And they had had a passing at a festival way back when, when I think she was a hip fan and he was just walking around and that that that's That's actually part of the lyrics in this particular tune. But I love this song. He talks about it in some of the interviews and the descriptions about just the Canadian summers and how much the Canadians love that summer, but it goes by so quick.Track 1:[1:01:36] And so they're really just trying to make the most of every time they have good weather and they have a good moment and also keeping with Craig's color theme, which I love that you brought that up and along with the storytelling that's going on uh you know this is the here we are and and enjoying that summertime and almost reminiscent of them recording this album right for the two weeks i think in august and in 09 so justin did you dig this song yeah because we have the same summer and winter pattern that that you guys would up north today you know inside baseball we're not recording this in the summer when this is coming out we're recording it well before and it was the first warm day this year and I wore shorts and it was only 61 degrees outside. It was very windy. I shouldn't have had shorts on. But you take those moments and you wrap your life around them when you can get them. And 61 felt like 81 today. And I know the Canada gray because we have that here. It's Canada gray. Even as it's warm today, it's Canada gray outside. And just the imagery of it is wonderful. wonderful yeah and i mentioned the earlier the you know the theme of of days and nights so you know that's very obvious here uh and going into the next song and um.Track 1:[1:02:53] A couple of things, Kirk, when you were saying, you know, that beat at the start, I had the same thing. I was actually trying last night to figure out what type of beat this really was. The word that came to my mind was Calypso, but then I looked it up and it was not correct. But like this South American, like it's something I've heard. Bossa Nova was what came to my mind. So, you know, Calypso Bossa Nova, it's definitely a Caribbean feel. And, you know, the fact that it's on a Gord album, you know, again, just really talks to, you know, we had your hardcore on the last one and now we're doing Calypso Bossa Nova, you know, jazz type stuff. It's brilliant in my opinion. It reminded me of my grandmother's organ, you know, had those big tab buttons that there's a there's a pre-programmed beat and it's really bad not that the song's bad but on the organ it is yeah kirk your story about the you know everyone you know in this you know having so few.Track 1:[1:03:54] Summer days in certain parts of canada it reminds me of back in 96 my band was was in winnipeg we were playing you know this show at a you know the club that all the you know the all the decent bands played at and so we were really excited about playing this this club and uh it was on a weekend we thought like this is great and it turns out it was the the long weekend in august and everyone in town leaves for the for the lakes and there was nobody in town like not just for our show but anywhere it was just bizarre so those are the the yellow days of winnipeg well let's Let's continue on with you, Craig. Keep this wagon wheel going and talk about Night is Forgetting, which is a great title. Yeah. So, so again, the day, day and night theme and we go from yellow days and tonight is forgetting.Track 1:[1:04:46] And it was really bugging me this song because I'm like, I know that I know this song and I couldn't figure it out. And then I felt so stupid a week ago when I actually looked in my, on my phone and I had the hip version of this, which is from about, I think 2005, it was just a single. As far as I know, it was just released out of nowhere. It was, uh, I think it was left over from in between evolution. Okay. So, so I did have it. So I definitely been listening to it, you know, in the past, but it never was a song that, that interested me very much. So this one again, grew on me. I think I prefer this version now. It's, it's a little more upbeat. I love the piano. So, so shout out to Dr. P, John Press, who I don't think we mentioned last, last episode, but he is such a great player. I actually looked him up last night. I couldn't find too much about him online.Track 1:[1:05:38] And he is so tasteful. He never overplays until this is like, it was almost like someone said to me, you know, just, just let loose. And you can actually see, I'm sure you guys saw on the, on the bathhouse videos, you can see him rehearsing this on his own, kind of coming up with a part and man, he nails those, those runs. It's very impressive. It's so good. So I wrote, or I heard, and I could have definitely stole it, but I heard piano flurries. And that's exactly what it sounds like as a piano flurry when it starts driving. That's exactly what my note says. Yeah, piano flurries. And the one line that stuck out with me or to me was the dew drops on the luminous veil. And I know he mentioned this in the Alan Cross interview and the luminous veil being the suicide barriers they put up on the Bloor Street street viaduct in Toronto. I guess it was a place where there was just mass amounts of suicides, just 500 suicides and they finally put up this barrier.Track 1:[1:06:41] It's a 10 minute walk from my house, the Luminous Vale. When you guys come here, I'll show you the Luminous Vale. At night, it's very pretty, but in sort of a, I don't even know, like an eerie way because Because the sections that hold the guy wires up all look like crosses. Yeah, it's heavy, man. And so my last thing about this song, in one of the interviews, Gord, he mentions that he read a quote from, I believe, Thomas Jefferson saying something about war is forgetting another country's resources.Track 1:[1:07:19] And he said, I just replaced war with night. On the hip version of this, he actually does sing war is forgetting in the last chorus. us. So he changes that for this version. But I was actually looking up quotes from Jefferson last night. I didn't find anything that resembled such an idea. So if any listeners know what he was referencing here, I'd love to hear from you. So when Gord passed, there was an interview on some news, whatever, with Ron McLean from the CBC, or I don't know if he's the CBC anymore, more, but I knew him from Hockey Night in Canada growing up. And what I think was a quote that Gord said, but I've never been able to find it attributed to Gord, was, night takes the chances, day the reward. I love that quote. And he wrote an op-ed about Gord's passing that included that line as well. And it's just a beautiful line. And I sort of.Track 1:[1:08:19] Think of myself with my work that way. I sleep three hours a night just because that's how my body works. And I'm up till one in the morning and then I get up at 5.30. But I also love that forgetting and forgetting are really just a great sound in the song that can be interpreted in any possible way. Yes, I love that part of it. And as I mentioned earlier, this was one of the songs that I know I had heard before. And honestly, until I just recently had either read or heard that it was a hip song or that it was used on a couple of hip shows, I feel 100% positive that one of the shows that I saw, they played this. I haven't gone back and look at all the set list yet, but I feel pretty confident of that. So yeah. But just love the musicality of the song. I mean, that's the only thing I would add is just the musicality is insane. I have created this little thing that I've called Gord's Annunciation Era, where he's got a section of his career with a hip where he absolutely nails every letter in every word. And think of the lonely end of the rink, and it's a very hard – and this song is a great example of that. You know he says every letter in every word in every phrase and it's just a it's very distinct this this section of maybe eight or ten years of his career whether it's with the hip or solo.Track 1:[1:09:46] And I just love how he really makes his body be an instrument with words. And also the line, he says, weird undercurrent, we're undercurrent. And again, another reference to water in a way, but just thought that was a neat little turn of phrase there. Yeah, he's so good at that. And he changes just little tiny tweaks throughout this album in many different songs with words and lyrics and how he, it sounds the same on first two or three listens. And then you realize, oh no, this is a completely different set of words. Christmastime in Toronto, he did that too on the last album. And at the very end of this song, I love how he's singing over and over. Night is forgetting and then forgetting. And then there's one time when they totally phrase it differently. There's pauses.Track 1:[1:10:37] Do you know what I mean? I mean, the very last line, I think it is just a neat little, I love songs that have just one little quirk like that. Yes, yes, absolutely. You know what? It really goes back to, I'll be leaving you or I'll be leaving you tonight. I mean, right from the beginning, right? It's just a really cool trick that he's always done. Well, another, one of the other tricks that he's famous for is invoking his children and lullabying them. The next song, Moon Show Your Lashes, to me is just the process of writing some of these lullabies and things about his children. That's what it means to me. Mr. St. Louis, how about you? I took it as his battle with insomnia, you know, which is also a common theme throughout his career.Track 1:[1:11:25] And yes, I definitely picked up on the thing. Like, you know, there's a, there's a book that my wife and I love called go the fuck to sleep, you know, talking about your kids, like just give us a break, man. And tonight, in fact, before we recorded, my daughter was taking a bath and she's trying to speak Spanish and she's yelling it and asking my wife questions in the other room in Spanish. And I walked in and Linda looks up at me and whispers, she needs to shut the fuck up. You know, just those moments of give it a rest, kid. But I think that it could be interpreted either way that like, yeah, he's talking about his kids. Like just, okay, relax. We get it. moon slow your lashes.Track 1:[1:12:09] But, you know, I think, The way that I took it was more of Gord by the lamp with a notepad trying to come up with the next song and wondering, you know, there's the line, what must he think? And no more, I think he thinks. And kind of judging himself or his work before it's even completed and just not being able to reconcile that. For what it's worth, I love the lyrics in this song. I friggin' hate the tune. I hate this song.Track 1:[1:12:39] It's so annoying. And I don't know what it is about it. And it's such an earworm. And it's the one I can't get out of my head. I can't stand the song. Get out of here. Wow. Actually just blown away by what Justin said, because I absolutely love the tune. Me too. And I think it's that 2010s, as you mentioned, you know, like there's such a massive influence from all of them individually as artists, but obviously Death Cab and that influence, but I think what they were listening to at the time. And so I mentioned that I really liked this album. So, you know, there's, there's no real duds on it for me. So, I mean, there's little things of course that I could critique, but to me, this particular album and, and, and even this song like this, this one's really up there. For me you know i'm still trying to decide what's going to be my favorite song from this and it's the first time that i didn't know instantaneously i particularly i enjoyed you know again just how it made me feel it gave me that that just that cool this is where we're at in this this time in music like it was it was it had it has some heavy lyrics but it it's i mean not crazy heavy but it was an upbeat song, I think, overall. So I appreciated it. So there was a story, Gord, in one of the interviews online I found.Track 1:[1:14:01] Talks about a radio essay he was listening to by, by someone named Neil McDonald. And he was talking about a woman who would go up to a place called high level Alberta. So when they, when he says high level in the, in the book, in, in, in the song, I had noticed in the booklet, it was capitalized. So it actually is a place up in Northern Alberta. And this woman would go up to um, Northern Alberta and, um, make, make some money. You can probably imagine how she's making her money and, and she would do this in order to support her kids. And, uh, and then when she got back to her kids, I just want to want to hold and smell. And another crazy example of how Gord writes these like incredibly upbeat, like you hear it and you fall in love with it because it makes you feel good, but it's dark AF.Track 1:[1:14:52] It's just got some real, real, real just black undertones in some of it, but the music just keeps you going. And that line that says, when, not if, after, when I get out of high level, when, not if. Yeah. And forget the, in the bridge, I think it is the forget the hawks, jaguars, the knife lickers and creeps. And yeah, it just really changed my perspective of the song and and yeah that that juxtaposition between the the sort of cute music and the dark lyrics some some more themes of um you know burgundy the color burgundy dance dance so again dance is the the one earlier that i was forgetting when i was talking about themes so themes on this album water you've got day and night you've got color and you've got dance and this song has a couple of those things in it and and to me it was like you know the things we do for our family oh like i like i said i i really love the story in the song and the lyrics and trying to figure out what i think i thought but just the tune i can't do it i don't know why man i'm sorry i'm i'm i'm not totally crazy about this song uh it's not my lead i'm actually we passed by my my least favorite without me saying but but to me um The Hard Canadian is the weak link on this album. To me, it's just a... Oh, wow. Yeah, it's just... I think it's the chord progression has just so been done before. Yeah, I'm not in love with it either. And that's the one song that I was familiar with on this album. This song, I wasn't too much of a fan of at first, but I do really like it now. It has grown on me, especially I think hearing that story. Well, are we ready to jump into Retrace?Track 1:[1:20:11] This song, my note, it just says vocally amazing. That's the note I have.Track 1:[1:20:18] I'm sure there's an amazing meaning behind the whole song. I really don't care. I just want to hear Gord sing the main line. I retrace my steps. And it just puts me in this amazing, wonderful, just warm place like we talked about in the beginning. And even Gord in some of his interviews talked about how the process and these songs were company to him. And that's what I felt with this retrace, this tune. And again, another great pairing from harmonies and also great build. And also, as we'd mentioned before, where that whole theory of every four bars coming up with something new, the retrace song, it definitely had additions and installations to create this. I just, yeah, maybe I'm dating myself, but I don't know if you guys are familiar with the band, the Smithereens.Track 1:[1:21:17] Kind of had a Smithereens vibe to it. Had a Lou Reed vibe to it. I know that there'
And I want to go there too...
Today's Song of the Day is “Lionel Richie” from The Jack Moves' album Cruiserweight, out now.The Jack Moves will be performing in support of Yellow Days at Turf Club on Tuesday, May 14.
This week, the panel begins by dissecting (and spoiling) the Succession finale. Then, the three discuss You Hurt My Feelings, a great new comedy by writer/director Nicole Holofcener starring Julia Louis-Dreyfus. Finally, they examine the Obama's Netflix docuseries Working: What We Do All Day. In the exclusive Slate Plus segment, the panel gets deep with a question from Julia Turner: What is one small life thing you're absolutely terrible at? Email us at culturefest@slate.com. Endorsements: Stephen: Jury Duty's finale — After last week's discussion, Stephen finished Jury Duty and discovered one of the better hours of television he'd seen in a long time, calling it “the antidote to reality TV: a genuinely wonderful show that is in a class of its own.” Dana: Studs Terkel's Radio Archive — WFMT-FM in Chicago published an archive of over 1,000 digitalized audio tapes that originally aired over 45 years on Studs Turkel's radio show. No one interviews quite like him, a man of the people who can talk to pretty much anyone about anything. A stand out: this interview with Buster Keaton. Julia: Frozen sliced bread — Discovering this life hack changed everything: crusty bread saved for later, sliced and stowed in the freezer. Is this the best thing since… sliced bread? Or, as Dana quips, “You can't spell sliced bread without ‘iced bread.'” Outro music: "Blue Nights and Yellow Days" by Matt Large Podcast production by Cameron Drews. Production assistance by Kat Hong. If you enjoy this show, please consider signing up for Slate Plus. Slate Plus members get an ad-free experience across the network and exclusive content on many shows. You'll also be supporting the work we do here on the Culture Gabfest. Sign up now at Slate.com/cultureplus to help support our work. Learn more about your ad choices. Visit megaphone.fm/adchoices
This week, the panel begins by dissecting (and spoiling) the Succession finale. Then, the three discuss You Hurt My Feelings, a great new comedy by writer/director Nicole Holofcener starring Julia Louis-Dreyfus. Finally, they examine the Obama's Netflix docuseries Working: What We Do All Day. In the exclusive Slate Plus segment, the panel gets deep with a question from Julia Turner: What is one small life thing you're absolutely terrible at? Email us at culturefest@slate.com. Endorsements: Stephen: Jury Duty's finale — After last week's discussion, Stephen finished Jury Duty and discovered one of the better hours of television he'd seen in a long time, calling it “the antidote to reality TV: a genuinely wonderful show that is in a class of its own.” Dana: Studs Terkel's Radio Archive — WFMT-FM in Chicago published an archive of over 1,000 digitalized audio tapes that originally aired over 45 years on Studs Turkel's radio show. No one interviews quite like him, a man of the people who can talk to pretty much anyone about anything. A stand out: this interview with Buster Keaton. Julia: Frozen sliced bread — Discovering this life hack changed everything: crusty bread saved for later, sliced and stowed in the freezer. Is this the best thing since… sliced bread? Or, as Dana quips, “You can't spell sliced bread without ‘iced bread.'” Outro music: "Blue Nights and Yellow Days" by Matt Large Podcast production by Cameron Drews. Production assistance by Kat Hong. If you enjoy this show, please consider signing up for Slate Plus. Slate Plus members get an ad-free experience across the network and exclusive content on many shows. You'll also be supporting the work we do here on the Culture Gabfest. Sign up now at Slate.com/cultureplus to help support our work. Learn more about your ad choices. Visit megaphone.fm/adchoices
As broadcast April 18, 2023 with plenty of extra local bro grabs. Tonight in part 1, we highlight a good portion of David Skimming aka Lunar Isles and his new album Right Way Round. Skimming, based in Cheongju and originally hailing from Scotland, has been a prolific presence in indie over the last few years with this solo project, releasing several albums along with a couple EPs for good measure. Big tunes from some of our favorites to highlight this evening beyond that, with Magdalena Bay out with a new mini mix, Mazey Haze out with a debut EP, and plenty more worthy artists you should support beyond that.#feelthegravityTracklist (st:rt)Part I (00:00)Lunar Isles – When It's GoneCrumb – CrushedKasan Overall feat Theo Croker & Nick Hakim – Make My Way Back HomeMichl feat Brandon – Everytime the Night Starts CallingLunar Isles – Lights OutLunar Isles – BalloonsLunar Isles – All For The BestPart II (30:43)Huck – How To Let GoMagdalena Bay – Top DogKing Krule – SeaforthRainbow Kitten Surprise – Drop Stop RollNabihah Iqbal – DreamerVacations – Next ExitHippo Campus – Moonshine Part III (57:36)Joesef – Let's Stay TogetherLaura Quinn feat Yellow Days – With The IcePleasure Nature – PerfumePearly Drops – It FollowsMazey Haze – Back to the StartFake Dad – Fashion GirlParadise Blossom – Forever, with youPart IV (87:39)SOLE feat Sun Si Kyung – Need youNogymx – Last Spring RainCoolhand Jax – 8th & 84thLutalo – Familiar FaceXelli Island – The End of UsVibropath – Got Me DownPale Dream – Heartbreak on Film
This week, Dana, Julia, and Stephen begin by talking about Daisy Jones & the Six. Then they discuss the new film Palm Trees and Power Lines. Finally, writer Dan Charnas joins to chat about why it is time to finally legalize sampling in music. In Slate Plus, the panel answers a listener question about the practicalities of being a critic. Email us at culturefest@slate.com. Endorsements: Dana: The movie Smooth Talk from 1985. Julia: “You Didn't” by Brett Young Stephen: The Poetics of Space by Gaston Bachelard Podcast production by Cameron Drews. Production assistance by Yesica Balderrama. Outro music is: "Blue Nights and Yellow Days" by Matt Large. If you enjoy this show, please consider signing up for Slate Plus. Slate Plus members get an ad-free experience across the network and exclusive content on many shows. You'll also be supporting the work we do here on the Culture Gabfest. Sign up now at Slate.com/cultureplus to help support our work. Learn more about your ad choices. Visit megaphone.fm/adchoices
This week, Dana, Julia, and Stephen begin by talking about Daisy Jones & the Six. Then they discuss the new film Palm Trees and Power Lines. Finally, writer Dan Charnas joins to chat about why it is time to finally legalize sampling in music. In Slate Plus, the panel answers a listener question about the practicalities of being a critic. Email us at culturefest@slate.com. Endorsements: Dana: The movie Smooth Talk from 1985. Julia: “You Didn't” by Brett Young Stephen: The Poetics of Space by Gaston Bachelard Podcast production by Cameron Drews. Production assistance by Yesica Balderrama. Outro music is: "Blue Nights and Yellow Days" by Matt Large. If you enjoy this show, please consider signing up for Slate Plus. Slate Plus members get an ad-free experience across the network and exclusive content on many shows. You'll also be supporting the work we do here on the Culture Gabfest. Sign up now at Slate.com/cultureplus to help support our work. Learn more about your ad choices. Visit megaphone.fm/adchoices
This week, Dana, Julia, and Stephen bring you their yearly call-in episode where they answer questions from Culture Gabfest listeners. In Slate Plus, the panel answers one final question from a listener named James. Email us at culturefest@slate.com. Podcast production by Cameron Drews. Production assistance by Yesica Balderrama. Outro music: "Blue Nights and Yellow Days" by Matt Large. If you enjoy this show, please consider signing up for Slate Plus. Slate Plus members get an ad-free experience across the network and exclusive content on many shows. You'll also be supporting the work we do here on the Culture Gabfest. Sign up now at Slate.com/cultureplus to help support our work. Learn more about your ad choices. Visit megaphone.fm/adchoices
This week, Dana, Julia, and Stephen bring you their yearly call-in episode where they answer questions from Culture Gabfest listeners. In Slate Plus, the panel answers one final question from a listener named James. Email us at culturefest@slate.com. Podcast production by Cameron Drews. Production assistance by Yesica Balderrama. Outro music: "Blue Nights and Yellow Days" by Matt Large. If you enjoy this show, please consider signing up for Slate Plus. Slate Plus members get an ad-free experience across the network and exclusive content on many shows. You'll also be supporting the work we do here on the Culture Gabfest. Sign up now at Slate.com/cultureplus to help support our work. Learn more about your ad choices. Visit megaphone.fm/adchoices
As broadcast October 13, 2022 with plenty of Sam still kickin! We open tonight wishing a belated birthday to Sam Moore, who was one half of the famed Sam & Dave duo. Now a total legend and Rock Hall inductee, it's great to see one of the old timers still around and doing well. After that, our funk & soul first hour has a bevvy of new joints out from big artists like Adrian Quesada, Nick Hakim, Allen Stone, and plenty more beyond just those. Big new announcements and tunes follow that for our rock weekly that we call AMPED, as Dan Lloyd talks about what's up with Blink 182, Willow Smith, Sparta, and many more while finishing with our KROCKPOT spotlight on Say Sue Me's covers album just out called 10.#feelthegravityTracklist (st:rt)Part I (00:00)Sam & Dave – Hold On, I'm Coming (King Most remix)Carmy Love – Together AgainSurprise Chef – Bakery Pledge of AllegianceNick Hakim – M1L'Imperatrice feat Rejjie Snow – Everything Eventually EndsKraak & Smaak feat Durand Jones – All for Love Part II (30:03)Kendra Morris – This Life (Live)Yellow Days – Why?Allen Stone – 5 MinutesSay She She – Fortune Teller Adrian Quesada – Noble MetalsRyuichi Sakamoto – Thousand Knives (Thundercat remix)Garrett Saracho feat Adrian Younge & Ali Shaheed Muhammad – Sabor del Ritmo Part III (59:09)Blink 182 – AnthemBoston Manor – PassengerWillow – curious/furiousEnumclaw – 10th and J 2Sparta – Until the Kingdom Comes Part IV (89:57)The Real McKenzies – Scotland the BraveAnti-Flag – Modern Meta Medicine (Ft Jesse Leach)MSPAINT – AcidGinger Wildheart and the Sinners – Footprints in the SandWeeping Icon – Pigs, S*** and TrashSay Sue Me – Season of the Shark (Yo La Tengo cover)
Choque generacional en esta edición de De Música Ligera en varias de las novedades de esta semanaChoque generacional en esta edición de De Música Ligera en varias de las novedades de esta semana: temas de Veintiuno con Love of Lesbian, Éxtasis con Sidonie y Merino con Mikel Izal. Ademas un nuevo disco de remixes de Califato 3/4 y los ultimos temas de Editors, Depresión Sonora, Confeti de Odio, The War On Drugs, Whisky Caravan, Nuevo Mundo, Yellow Days, Joven Dolores y Kakkmaddafakka. Y cerrando la sesión dos covers a cargo de Nacho Vegas y K!ngdom. Mas de una hora de absoluto gozor auditivo a tu alcance.
Choque generacional en esta edición de De Música Ligera en varias de las novedades de esta semanaChoque generacional en esta edición de De Música Ligera en varias de las novedades de esta semana: temas de Veintiuno con Love of Lesbian, Éxtasis con Sidonie y Merino con Mikel Izal. Ademas un nuevo disco de remixes de Califato 3/4 y los ultimos temas de Editors, Depresión Sonora, Confeti de Odio, The War On Drugs, Whisky Caravan, Nuevo Mundo, Yellow Days, Joven Dolores y Kakkmaddafakka. Y cerrando la sesión dos covers a cargo de Nacho Vegas y K!ngdom. Mas de una hora de absoluto gozor auditivo a tu alcance.
As broadcast September 27, 2022 with a giant shrine built for St. Quincy of Jones. Tonight we highlight just a tiny fraction of the amazing work Quincy Jones has done outside the studio for charitable and progressive causes, then get into all the new stuff that's a bit off the radar, a tad askance of the mersh dogs, and/or a tidbit too weird for your boomer uncle who's otherwise a pretty sweet guy. Our new indie for this week includes tunes from all over the map, with highlights being stuff from Big Scary, Magdalena Bay, Unusual Demont, and Alvvays amongst the very solid field. #feelthegravityTracklist (st:rt)Part I (00:00)Quincy Jones – The DudeMorning Silk – How You Do ItSofie Royer – Love ParkBig Scary – Asking Right.com – SometimesKainalu & MUNYA – Inhibitions/IntuitionsPart II (34:50)Daylgow - Second Nature Magdalena Bay - Unconditional Jhnovr - Human Natureflatheadstanley - crash n burn Yellow Days - When Morning ComesFIG - Pair of You Part III (65:51)JVKE - this is what falling out of love feels like Milky Chance - Troubled Man Space Equator - Sapphire Emotional Oranges & Unusual Demont - Cardigan THAMA - Needles Believers - Endless Choice Part IV (95:54)Alvvays - Belinda Says Anna of the North - NobodyCharlotte Lawrence - Morning Mind Shrine - Dance Around the Truth The Ways of Seeing - The Other Side of Summer Djo - End of Beginning
Chaque matin, toute la bande de Charles Matin vous partage ses coups de cœur et son humeur en musique. Chaque matin dans "Charles matin", écoutez un show radio/télé unique en France. Un rendez-vous exceptionnel mêlant infos, débats, réactions et intervention d'experts. En simultané de 6h à 8h30 sur RMC Story. En simultané de 8h35 à 9h sur BFMTV. RMC est une radio généraliste, essentiellement axée sur l'actualité et sur l'interactivité avec les auditeurs, dans un format 100% parlé, inédit en France. La grille des programmes de RMC s'articule autour de rendez-vous phares comme Apolline Matin (6h-9h), les Grandes Gueules (9h-12h), Estelle Midi (12h-15h), Super Moscato Show (15h-18h), Rothen s'enflamme (18h-20h), l'After Foot (20h-minuit).
As broadcast July 26, 2022 with plenty for you to chill, study, and relax to. This evening we open with a favorite from Mark Farina's acclaimed and highly influential Mushroom Jazz series, which starting in 1996 really brought what's now called lo-fi to the forefront of underground music. We continued in that vein for the first block with Ted Feighan aka Monster Rally out with Botanica Dream on Friday, and we also had an interesting new LP from the UK's letherette to bump a bit as well with Kat Bass. New tunes out this week are pretty incredible, with Japanese Breakfast and SE SO NEON's So!Yoon! teaming up for a Korean version of "Be Sweet" right before Michelle Zauner herself joins us in Korea live for the Pentaport Music Festival on August 6!#feelthegravityTracks:Part I (00:00)The Hue feat Kissey Asplund – Stressin'Monster Rally – Moon FlowerLetherette – AlonePolo & Pan – From a World to AnotherStevie Zita – GhostbusterDivino Niño – Nos Soltanos Part II (30:03)Japanese Breakfast ft. So!YoOn! - Be Sweet (Korean V.) Peach Tree Rascals - TINYA Beach Bunny - Oxygen Surf Curse - TVI Yellow Days - Apple Pie AMO AMO - LOVEY DOVEY Part III (59:29)Cuco ft. Dannylux - Decir Adios Phum Viphurit - Healing House Peli Gene - Pipe Dreams MarCo - Oxy Enigma Blondshell - Kiss City Fazerdaze - Come Apart Part IV (89:45)Mokita - Happiness Vaundy - Soumatou Singrs - Cheryl Housewife - Bones (God Like You) Slowlife - Dreaming Paradise Blossom - Shape of You
After nearly three weeks of sitting with the album, Chance feels safe enough to share his honest Drake thoughts(0:55) and question if Honestly, Nevermind made Beyoncé's " BREAK MY SOUL" sound safe(11:04). Taj compares Brent Faiyaz's "PRICE OF FAME" to Batman and makes a bet with Chance on Brent vs. Steve Lacy(15:04). GIVEON 'Give Or Take' review(20:42). And after a passionate back and forth, the trio finally agrees on Yeat(31:05) + more. This week's music in order played is SoFaygo "Got Damn!," Steve Lacy "Bad Habit," Yellow Days "Slow Dance & Romance," and Shy Glizzy & EST Gee "Borderline."
En Música de Contrabando revista diaria de música en Onda Regional de Murcia (vamos de 23,05 a 01,00h) Los Giros SON una banda influída por la british invasion, el pop art, la psicodelia y el garage de la costaoeste americana. Si te gustan los primeros Who, el power pop, los 60s españoles, el beat y el soul, Los Flechazos, pasando por The Kinks y un poco de freakbeat… Es lo que tienen Los Giros, y hablamos hoy con su fundador, Doc Watson. Tras la publicación de su último EP "Epílogo" y la reedición en vinilo de su LP de 2010 "Todo se lo lleva el viento", Octubre realizará cuatro conciertos durante mayo y junio. Guille Solano estrena “El único chico”, tercer y último adelanto del que será su segundo larga duración, “Cosas Son Cosas”.Wilco anuncia doble álbum ‘Cruel Country' y adelanta single. Bantastic Fand poseen un refinado gusto musical y saben proyectar las emociones a través de firmes canciones que están selladas por su inconfundible estilo de ‘Americana music'. Mañana aterrizan en Mr Witt Cafe. FRANVI es el nombre del nuevo proyecto de Francisco Vicente, cantante de Ayoho, En esta ocasión, le acompaña un compañero de batallas veraniegas, David Otero . King Gizzard & The Wizard Lizard han publicado su vigésimo disco Omnium Gatherum. Alex Juarez presenta ‘Visitante', un trabajo minimalista y evocador que se aleja de las costuras del folk, y en el que la austeridad instrumental parece dejar espacio a la ensoñación y anchura de las letras. Confeti de Odio se pasa el juego con “El Malo Final”. Un single que consolida la facilidad de Lucas Vidaur para transitar la fina línea que separa el pop más casual de las guitarras del rock, y certifica, tras prestar su pluma para artistas como Amaia, que estamos ante el escritor de canciones que mejor domina el registro melodramático de la escena actual. Hollie Cook colabora con Jah 9 en "kush kween", nuevo adelanto de reggae de Happy hour, su nuevo disco. PinkPantheress lanza su muy esperada colaboración ‘Where you are' con la estrella del pop WILLOW. They Hate Change estrenan "some days i hate my voice", nuevo adelanto de bedroom rap de Finally, su disco de debut. Damien Jurado anuncia Reggae film star, su 18º disco, con la cadencia pop de "taped in front of a live studio audience". Blake Rose está de vuelta con el nuevo sencillo escrito por él mismo, 'Demon' en el que sube los bpm's- Weird Nightmare (Alex Edkins de Metz) borda la melodía eléctrica en "wrecked", nuevo adelanto de contagioso indie rock de su autotitulado disco. S. Carey publica Break me open, su íntimo nuevo disco que le conecta con el Sufjan Stevens más delicado. El nuevo álbum de The New Raemon es la segunda parte de una trilogía que arrancó con 'A los que nazcan más tarde' (BMG, 2021) y en el que las intenciones del primero se vuelven más sólidas y más certeras. El primer single de Firmado, Carlota en Mushroom Pillow muestra un evidente avance musical y estético. La delicadeza y candidez se vuelven inquietantes, eléctricas, sexys. La tristeza en dancefloor. French Kiwi Juice -fkj- estrena "way out", nuevo adelanto de sexy jazz con ritmo trap de V I N C E N T, su nuevo disco. McEnroe revisitan Montreal y anuncian disco y gira por su 20 aniversario. Yellow Days -proyecto en solitario del londinense george van broek-, estrena "slow dance and romance", adelanto de contenido neo soul de Slow dance & romance. Scout Gillet estrena una versión en clave folk ácido de "come on let's go" de Broadcast, incluido en su ep de versiones One to ten .
This week, the panel is first joined by author and co-host of Slate's Working podcast, Isaac Butler, to discuss the new Joel Coen rendition of The Tragedy of Macbeth. (Buy Isaac's new book!) Then, the panel is joined by author and Slate correspondent, Justin Peters, to explain the phenomena of Joe Rogan and the recent Spotify controversy. Finally, the panel discusses the decision to rebrand the famous advertising characters of the Mars candy M&M's. In Slate Plus, the panel answers listener questions about culture's relationship to climate change. Email us at culturefest@slate.com. Endorsements Dana: An episode of the public radio show On the Media from WNYC called “Humans, Being.” Julia: The endorsement: the Chez Panisse Vegetables cookbook from Alice Waters, owner of the famous California restaurant Chez Panisse. And a request for listeners to send in their favorite salad dressing recipes. Steve: The song “Sweet Baby” by Prince and The New Power Generation. Buy Dana's book, Isaac's book, and a ticket to Dana and Isaac's book event at The Strand (hosted by our very own Stephen Metcalf)! Podcast production by Cameron Drews. Production assistance by Nadira Goffe. Outro music is "Blue Nights and Yellow Days" by Matt Large. Slate Plus members get ad-free podcasts, a bonus segment in each episode of the Culture Gabfest, full access to Slate's journalism on Slate.com, and more. Sign up now at slate.com/cultureplus. Learn more about your ad choices. Visit megaphone.fm/adchoices
This week, the panel is first joined by author and co-host of Slate's Working podcast, Isaac Butler, to discuss the new Joel Coen rendition of The Tragedy of Macbeth. (Buy Isaac's new book!) Then, the panel is joined by author and Slate correspondent, Justin Peters, to explain the phenomena of Joe Rogan and the recent Spotify controversy. Finally, the panel discusses the decision to rebrand the famous advertising characters of the Mars candy M&M's. In Slate Plus, the panel answers listener questions about culture's relationship to climate change. Email us at culturefest@slate.com. Endorsements Dana: An episode of the public radio show On the Media from WNYC called “Humans, Being.” Julia: The endorsement: the Chez Panisse Vegetables cookbook from Alice Waters, owner of the famous California restaurant Chez Panisse. And a request for listeners to send in their favorite salad dressing recipes. Steve: The song “Sweet Baby” by Prince and The New Power Generation. Buy Dana's book, Isaac's book, and a ticket to Dana and Isaac's book event at The Strand (hosted by our very own Stephen Metcalf)! Podcast production by Cameron Drews. Production assistance by Nadira Goffe. Outro music is "Blue Nights and Yellow Days" by Matt Large. Slate Plus members get ad-free podcasts, a bonus segment in each episode of the Culture Gabfest, full access to Slate's journalism on Slate.com, and more. Sign up now at slate.com/cultureplus. Learn more about your ad choices. Visit megaphone.fm/adchoices
This week, the panel is first joined by author and co-host of Slate's Working podcast, Isaac Butler, to discuss the new Joel Coen rendition of The Tragedy of Macbeth. (Buy Isaac's new book!) Then, the panel is joined by author and Slate correspondent, Justin Peters, to explain the phenomena of Joe Rogan and the recent Spotify controversy. Finally, the panel discusses the decision to rebrand the famous advertising characters of the Mars candy M&M's. In Slate Plus, the panel answers listener questions about culture's relationship to climate change. Email us at culturefest@slate.com. Endorsements Dana: An episode of the public radio show On the Media from WNYC called “Humans, Being.” Julia: The endorsement: the Chez Panisse Vegetables cookbook from Alice Waters, owner of the famous California restaurant Chez Panisse. And a request for listeners to send in their favorite salad dressing recipes. Steve: The song “Sweet Baby” by Prince and The New Power Generation. Buy Dana's book, Isaac's book, and a ticket to Dana and Isaac's book event at The Strand (hosted by our very own Stephen Metcalf)! Podcast production by Cameron Drews. Production assistance by Nadira Goffe. Outro music is "Blue Nights and Yellow Days" by Matt Large. Slate Plus members get ad-free podcasts, a bonus segment in each episode of the Culture Gabfest, full access to Slate's journalism on Slate.com, and more. Sign up now at slate.com/cultureplus. Learn more about your ad choices. Visit megaphone.fm/adchoices
176ª edición radiofónica del programa "Supersonidos x Carlos Bonet" que se emite cada jueves entre las 12 y las 13 horas en la emisora BN Mallorca Radio, 106.5 FM o en bnmallorca.com - (FREE APP). Pinchamos algunas de las últimas novedades de música alternativa y damos la agenda de supersonidos. TRACKLIST: BODY HORRORS - HATE CRIMES WET LAG – OH NO BEST COAST – LEADING ANTÒNIA FONT – UN MINUT ESTROBOSCÒPICA JOHNNY MARR – LIGHTNING PEOPLE POM POM SQUAD, NADA SURF, MATTHEW CAWS – POPULAR METRONOMY – RED RIVER ROCK PORTUGAL, THE MAN, SIR CHLOE – NOVOCAINE FOR THE SOUL CHASTITY BELT – FAKE BEACH HOUSE – THROUGH ME SINKANE, SPACEBOMB HOUSE BAND – HAPPY TOGETHER WAX, HERBAL T – THE SANTA DANCE KRAAK & SMAAK, IVAR – PERSUADE YOU RIC WILSON, YELLOW DAYS – ALIEN ON THE TUBE POOLSIDE, BODY MUSIC, BOSQ, XAVIER SMITH – MAKE ME ONE
Pese a que ha sido difícil elegir disco de la semana, el cuarto disco de Idles, CRAWLER, ha acabado imponiéndose al resto. Además, despertamos con la bailonga unión de Kylie Minogue y Gloria Gaynor y suenan novedades de Silk Sonic, el disco colaborativo de Bruno Mars y Andreson .Paak, Ric Wilson y Yellow Days o NNAMDÏ.
As broadcast October 14, 2021 with plenty of extra stones to throw for you podcast troublemakers. We begin tonight noting a lawsuit from 2003 by Barrington Henderson, the last of the original Temptations and a former member of The Dramatics who sued the band and Motown on this date for lack of royalties. After that, we had new joints from some people that are becoming legends right now such as Adrian Quesada, Web Web, and Flevans along with older joints from The Ebonys and a remix of an Otis Redding classic to boot! Lots of new tunes as well in our 2nd hour with Dan Lloyd, with albums already out as of last week from Sam Fender and The World Is A Beautiful Place & I Am No Longer Afraid To Die, along with a new upcoming album from (speaking of living legends) Billy Bragg.#feelthegravityTracklisting:Part I (00:00)The Dramatics – Your Love Was StrangeOtis Redding – Hard To Handle (DJ Spinna Galactic Funk Remix)Brownout – I Won't LieAdrian Quesada feat Brownout – Funky ChickMF Robots – Mother Funkin' Robots (alt vers)Flevans – Loose Gardener Part II (32:26)Web Web – Inner RevolutionWeb Web & Mulatu Astatke – Meskel Flowers (alt vers)Emanative feat Ahu – Turn The Lights OnMeernaa – BellsYellow Days – Belong TogetherThe Ebonys – Life In The Country Part III (62:41)Frank Carter and the Rattlesnakes – Off With His Head ft CassyetteSam Fender – The LevellerThe World Is A Beautiful Place and I Am No Longer Afraid to Die – TroubleDan Andriano and the Bygones – Dear DarknessGang of Youths – The Man Himself Part IV (93:00)The Last Gang – ShamelessCirca Survive – Impostor SyndromeWe Are the Union / Eve 6 – Sound System (Operation Ivy cover)Billy Bragg – Mid Century ModernNoah Gundersen – Atlantis ft. Phoebe Bridgers
On this Episode we cover...OLYMPICS (controversy and nationalism)TOK OF THE WEEK (C walking horse, shopping with audio, lame tok and mrshowbiz pizza)TV SUCKS (Return of Ted lasso, Doc about Woodstock 99', Sexy Beast and much more)Album pick of the week (Yellow Days)THREE OF A KIND (Our fav nonfiction books)Support the show (https://twitter.com/GuDVIBESpodcast?s=20)
As broadcast July 5, 2021. We wish all our Canadian & American listeners a happy belated Canada Day & 4th of July, respectively, then remember Jim Morrison to start the show 50 years after his passing at his girlfriend's apartment in Paris. At the end, it was almost pure speculation guessing what had killed Morrison, as he never received an autopsy and had lived a dangerously wild life until transforming at the age of 27, the third such rock star in 6 months' time. For our New Muses Monday first hour, we had a variety of very good cuts out this past week, most notably Big Red Machine & Taylor Swift teaming up for a lovely ballad called Renegade, and we also featured new tunes from SAULT & Slow Pulp, amongst other luminaries. Yejin joined us for our Popcast 2nd hour with a lot of great new tunes in tow along with our OST & Gossip section material as well. #feelthegravityTracklisting:Part I (00:00)Jim Morrison – The Ghost SongHoly Hive – Ain't That The WaySAULT – Trap LifeChicano Batman – Dark StarBig Red Machine feat Taylor Swift – RenegadeJunior Varsity feat spilltab – Weather Part II (30:03)Yellow Days – I'll Be Loving YouSlow Pulp – IowaPond – ToastKishi Bashi – For Every Voice That Never SangSteve Gunn – Other YouMaston feat L'éclair – GhostDeclaime & Madlib – Declaime Speaks Part III (61:08)Baby Ariel - PerfBazzi - Beautiful (ft. Camila Cabello)Isac Elliot - TMILeon Bridges - Why Don't You Touch MeBecky Hill & David Guetta - RememberStill Woozy - That's Life Part IV (91:11)Jeremy Zucker - 18Sara Kays - Picture of YouEd Sheeran - Bad HabitsNessa Barrett - counting crimesWESLEE - GassedGeorge Glew - Home LoveTim Rogers & The Fellas - No Turning Back
Enjoying the show? Please support BFF.FM with a donation. Playlist 0′00″ Miss Summer by ODIE on Miss Summer - Single (EMPIRE) 9′45″ Anymore (feat. Lucky Daye) by Sinead Harnett on Ready Is Always Too Late (The Orchard) 12′21″ You Are (feat. UMI) by Smoko Ono & Corinne Bailey Rae on You Are (feat. UMI) - Single (Ultra) 15′19″ Kerosene by McClenney & St. Panther on Kerosene - Single (Self Released) 18′52″ telepatía by Kali Uchis on Sin Miedo (del Amor y Otros Demonios) ∞ (Interscope) 20′48″ Pine by Unusual Demont on Pine - Single (Unusual Productions) 30′08″ Better Off by Bathe on Better Off - Single (Majestic Casual) 31′06″ Lumbago by Yeek on Valencia (AWAL) 33′08″ Take Me Where Your Heart Is by Q on The Shave Experiment - EP (RCA) 36′12″ Does It Make You Feel Good? by Joesef on Does It Make You Feel Good? - EP (20 Minutes) 39′08″ Thats No Fun by Steve Lacy on The Lo-Fis (L-M) 47′23″ Je T'aime by Paco Versailles on Je T'aime - Single (Self Released) 49′17″ Connect by Garren Sean on Connect - Single (EQT) 52′27″ Best Thing by JAWNY on Best Thing - Single (Interscope) 54′23″ Stone Harbor (Alex Frankel remix) by Naeem on Stone Harbor (Alex Frankel remix) - Single (37d03d) 57′11″ Let's be Good to Each Other by Yellow Days on A Day in a Yellow Beat (Sony Music UK) 63′33″ Un Millón by The Marías on CINEMA (Nice Life) 65′12″ My Ways by Sycco on My Ways - Single (Future Classic) 68′09″ Good Day Bad Day by Elohim on Good Day Bad Day - Single (oneRPM) 71′19″ PAIN by King Princess on PAIN - Single (Zelig) 74′49″ Do I Fit In Your Shoes? by BabyJake on Do I Fit In Your Shoes? - Single (SRV LabelCo, LLC) 80′32″ SLIDE (feat. bLAck pARty) by Gavin Turek on SLIDE (feat. bLAck pARty) - Single (Madame Gold) 83′20″ Airplane Mode by Brandyn Burnette on Airplane Mode - EP (Self Released) 85′47″ Black Tame by Topaz Jones on Don't Go Tellin' Your Momma (New Funk Academy) 89′23″ Santos Party House (Extended Version) [feat. Wiz Khalifa & Big K.R.I.T.] by Smoke DZA, Curren$y & Girl Talk on Santos Party House (Extended Version) [feat. Wiz Khalifa & Big K.R.I.T.] - Single (Cinematic Music Group) 93′44″ Fallin' Apart (feat. Denzel Curry & Pell) by Young Franco on Fallin' Apart (feat. Denzel Curry & Pell) - Single (Of Leisure) 100′17″ Baby by Baltra on Baby - Single (Local Action) 102′46″ FEEL SOMETHING DIFFERENT by Bea Miller & Aminé on FEEL SOMETHING DIFFERENT - Single (Hollywood) 106′41″ Time by SG Lewis on times (EMI) 106′59″ Feeling Free (With Pretty Boy Aaron) by Two Another & Pretty Boy Aaron on Feeling Free (With Pretty Boy Aaron) - Single (Caroline) 110′07″ Urgency by DIRTY RADIO & Fabich on Urgency - Single (604) 113′36″ Closer (feat. Lilly Ahlberg) [Todd Edwards Remix] by Sonny Fodera & Just Kiddin on Closer (Todd Edwards Remix) [feat. Lilly Ahlberg] - Single (EMI) 117′01″ U Already Know by DJ Seinfeld & Teira on Mirrors (Ninja Tune) Check out the full archives on the website.
Big week on the show! It all starts with a mini-review of Yellow Days' A DAY IN A YELLOW BEAT. Then, fire up the outrage machine as the boys savage the scourge of the bro country circuit, Morgan Wallen. And for the main event, it's a deep dish dive into Anderson .Paak's 2016 blockbuster, MALIBU. It's allll perfectly legal here on Out On That Line! Keep those album suggestions coming, and be sure to check out our new YouTube series, SINGLES! You can find it all below: https://linktr.ee/OOTL #OutOnThatLine
Christian and Jacob share their ideas on what makes music good and what makes new-pop bad.Cast:Holiday, Christian, JacobEditors:HolidayMedia Used:Bill O'Reily's "We'll do it live!"Gorillaz Motorolla CommercialHere's a list of every artist named-dropped on the episode in order of mention if you want to check them out ( sorry it's super ugly ;) )--Nathaniel Rateliff and the Night Sweats, Avett Brothers, Caamp, Gorillaz, Louis Armstrong, Panic! at the Disco, Vanilla Ice, Drake Bell, Giveon, Jack Johnson, Hairy Styles, The Weeknd, Billy Joel, Billy Eilish, Ariana Grande, Nirvana, Insane Clown Posse, Metallica, Queen, Lynyrd Skynrd, ACDC, Led Zepplin, K'naan, Kid Cudi, Lil' Wayne, KALEO, Vance Joy, Gallant, Danial Caesar, HONNE, Joji, Yellow Days, King Gizzard and the Lizzard Wizard, King Tuff, Dr. Hook, Red Hot Chili Peppers, Alice In Chains, Berhana, tobi lou, Kota the Friend, Mac MillerThumbnail art by HolidayIf you want to hear more or listen on a different platform, check out Indignant Cast on Apple Podcasts or Spotify and follow Indignant Cast on Instagram. Share to your pastor, your family, but most of all your pastor.
Enjoying the show? Please support BFF.FM with a donation. Playlist 0′00″ First Responders by Terrace Martin, Robert Glasper, 9th Wonder & Kamasi Washington on Dinner Party (EMPIRE) 9′36″ Smile #6 (see page 198 and 158) by Slauson Malone on Vergangenheitsbewältigung (Crater Speak) (Grand Closing) 13′07″ ALL THESE INSTRUMENTS by Nick Hakim on WILL THIS MAKE ME GOOD (ATO) 16′53″ Haircut by HOMESHAKE on Haircut (Self Released) 20′07″ Thats No Fun by Steve Lacy on The Lo-Fis (L-M) 22′45″ With a Smile by Gabriel Garzón-Montano on Agüita (Jagjaguwar) 29′55″ sweet thing by Dijon on sweet thing - Single (Warner) 32′48″ Lessons From My Mistakes…But I Lost Your Number by (Liv).e on Couldn't Wait To Tell You... (AWAL) 35′13″ Rectifiya by KeiyaA on Forever, Ya Girl (Forever Recordings) 39′04″ Hey Lover by Adrian Younge, Ali Shaheed Muhammad & Roy Ayers on Roy Ayers JID002 (Jazz Is Dead) 41′37″ Ne Me Quitte Pas (Don't Leave Me) by Orion Sun on Hold Space For Me (Mom+Pop) 47′46″ What Do You Do by Aaron Taylor on ICARUS (Edenic) 49′36″ Nightrider (feat. Freddie Gibbs) by Tom Misch & Yussef Dayes on What Kinda Music (Beyond the Groove) 54′30″ Dragonball Durag by Thundercat on It Is What It Is (Brainfeeder) 57′18″ Baba Ayoola by KOKOROKO on Baba Ayoola (Brownswood) 61′12″ Time (You and I) by Khruangbin on Mordechai (Dead Oceans) 69′27″ Bittersweet (Full Length) by Lianne La Havas on Lianne La Havas (Nonesuch) 74′04″ One Time by Otis Junior & Dr. Dundiff on Rising With It (Jakarta) 77′24″ Getting Closer by Yellow Days on A Day in a Yellow Beat (Sony Music Entertainment UK ) 81′49″ Good Mood by Steve Arrington on Down to the Lowest Terms: The Soul Sessions (Stones Throw) 84′39″ Lady Bug by Ian Isiah on AUNTIE (Juliet) 90′20″ elevator girl (feat. Ivy Sole) by Shura on elevator girl (feat. Ivy Sole) - Single (Secretly Canadian) 93′16″ It's a Moot Point by Melanie Faye on It's a Moot Point - Single (Self Released) 97′03″ Free Mind by Tems on For Broken Ears (Leading Vibe LTD) 101′02″ Cuando by Ambar Lucid on Garden of Lucid (Ambar Lucid) 104′01″ Baby Girl by Chloe x Halle on Ungodly Hour (Columbia) 107′32″ Shades of You by Moses Boyd & Poppy Ajudha on Dark Matter (Exodus) 115′30″ Monsters by SAULT on UNTITLED (Black Is) (Forever Living Originals) 119′02″ Know My Rights (feat. Lil Baby) by 6LACK on 6pc Hot EP (Interscope) 120′09″ Been Away by Brent Faiyaz on Fuck the World (Lost Kids) 124′36″ Can I by Kehlani on It Was Good Until It Wasn't (Atlantic) Check out the full archives on the website.
Neste podcast falei sobre palmeiras no pólo norte, e sobre os álbuns dos Porridge Radio, 8/80 e Yellow Days, entre outras sugestões musicais e histórias.
Enjoying the show? Please support BFF.FM with a donation. Playlist 1′41″ Featherweight by Fleet Foxes on Shore (Anti-) 2′04″ ALONE by Triathalon on SLEEP CYCLE (Friends of / Dead Oceans) 7′42″ Truth Nugget by Helena Deland on Someone New (Luminelle) 9′37″ Crash by Nilüfer Yanya on Feeling Lucky? - Single (ATO) 13′32″ Dead, Again by Jadu Heart on Hyper Romance (VLF) 17′11″ Don't Cry by MorMor on Don't Cry - Single (Don't Guess) 20′59″ Smile #6 (see page 198 and 158) by Slauson Malone on Vergangenheitsbewältigung (Crater Speak) (Grand Closing) 27′20″ With a Smile by Gabriel Garzón-Montano on Agüita (Jagjaguwar) 30′53″ Dead Man Walking by Brent Faiyaz on Dead Man Walking - Single (Lost Kids) 33′43″ Free Mind by Tems on For Broken Ears (Leading Vibe) 37′24″ Irrational by Shay Lia on Solaris - EP (AWAL) 40′43″ Fearless by SAULT on UNTITLED (Rise) (Forever Living Originals) 47′00″ What Do You Do by Aaron Taylor on ICARUS (Edenic) 50′32″ Good Mood by Steve Arrington on Down to the Lowest Terms: The Soul Sessions (Stones Throw) 53′30″ Getting Closer by Yellow Days on A Day in a Yellow Beat (Sony Music Entertainment UK Limited) 56′16″ Lady Bug by Ian Isiah on AUNTIE (Juliet) 61′06″ Green Eyes by Arlo Parks on Collapsed In Sunbeams (Transgressive) 66′54″ Why Try by Ginger Root on Why Try - Single (Acrophase) 69′41″ Every Time Around by Vansire on After Fillmore County (Spirit Goth) 73′43″ Always Silver by Kainalu on Always Silver - Single (Self-Released) 77′12″ Useless by Omar Apollo on Apolonio (Warner Records) 80′15″ Dollar Dr. Dream by Pink Siifu & Fly Anakin on Dollar Dr. Dream - Single (Lex) 85′29″ Mrs. Whoever by Saba on Mrs. Whoever / Something in the Water - Single (The Orchard) 87′28″ Student Loans by tobi lou on Student Loans - Single (EMPIRE) 90′08″ 5500 (ft. gio) by redveil on niagara (self-released) 92′04″ Famous by Benny the Butcher on Burden of Proof (EMPIRE) 96′52″ Spin Blocks (feat. Father) by Machine Drum on A View of U (Ninja Tune) 101′30″ I Keep Calling by James Blake on Before - EP (Polydor) 104′56″ CS (Vocal) by Stefan Ringer on Offerings (Self-Released) 110′36″ Ischia by Isola on Ep1 (GODMODE) 116′09″ Wait 4 U (feat. Jesse Boykins III) by Machinedrum on A View of U (Ninja Tune) Check out the full archives on the website.
Yellow Days - Love Is Everywhere
Vi piace il pop psichedelico?In questa puntata ci saltiamo dentro con tutte le scarpe, per ascoltare un po' di brani più o meno nuovi, di band e cantautori più o meno giovani: Silicon Estate, Yellow Days, Mac DeMarco, Connan Mockasin, Honeymoan, Cosmo Pyke.
Tá no ar o nosso quinto episódio e hoje falamos sobre a nossa geração indie que ta fazendo muito sucesso! Tivemos muito artistas revelados nos ultimos tempos e ótimos artistas, e você o que vc acha dessa galera? Tivemos artista como Clairo, Girl In Red, Rex Orange County, Yellow Days e muito mais! Escute o nosso Podcast https://anchor.fm/minuto-podcast Siga-nos nas redes sociais @aleminutoindie @mariaasiul @lillie.lima @cainalha/@cavacarecords @minutoindie Contato para publicidade - comercial@minutoindie.com Pautas para o site - blogminutoindie@gmail.com Alê escuta meu som? - minutoindie@gmail.com Site - www.minutoindie.com Youtube - www.youtube.com/minutoindie Curtiram esse primeiro episódio? Fala pra gente que você quer ver aqui nesse podcast ou qual pauta podemos abordar por aqui! Beijo na bunda até o próximo episódio! Redes Sociais INSTAGRAM ALE ► http://www.instagram.com/aleminutoindie INSTAGRAM MI ► http://www.instagram.com/minutoindie TWITTER ► http://www.twitter.com/minutoindie FACEBOOK► http://www.facebook.com/minutoindie SITE ► http://www.minutoindie.com/ GRUPO FACEBOOK ► https://www.facebook.com/groups/30022... Entre em contato! Publicidade/Parcerias ► comercial@minutoindie.com Quer enviar pautas para nosso site? ► blogminutoindie@gmail.com Ale escuta meu som? ► minutoindie@gmail.com #podcastminutoindie #minutoindie #ep004
This week Demar and Adriel discuss Yellow Days’ second studio album “A Day in a Yellow Beat”, his expansive production and his unorthodox songwriting. Demar’s rating: 7 Adriel’s rating: 6.5 The Love List: Getting Closer, The Curse, So Lost, Who’s There, Something Special Follow us: @AlbumModePod @AdrielSmileyOfficial @DemarjGrant
As broadcast September 21, 2020. We pay tribute to The Clash bassist & an iconic moment that happened the day before while the band was on tour in NYC in 1979. Then it's time for the new music from the weekend with a new album out from Yellow Days, a 7" single out from The Avalanches, and some other crazy collabs that dropped down Friday & prior last week. Then it's time for The Popcast with Yejin in the 2nd hour, with new joints to peruse from Alicia Keys, Sam Smith & Travis, amongst other notables.#feelthegravityTracklisting:Part I (00:00)The Clash – The Guns of BrixtonYellow Days – Keep Yourself AliveLocal Natives – Statues in the Garden (Arras)Cautious Clay – AgreeableThe Avalanches feat Denzel Curry, Tricky & Sampa The Great – Take Care In Your DreamingThe Avalanches – Music Makes Me HighPart II (30:03)Faye Webster – Better DistractionsBlood Orange & Park Hye-jin – CALL ME (Freestyle)slowthai feat James Blake & Mount Kimbie – feel awaySah Babii feat Joji – Gates to the SunDaniele Andrade – KLFGPixey – Just MovePorridge Radio – 7 SecondsPart III (57:07)Stwo - enoughCautious Clay - Stolen MomentsJustin Bieber - HolySam Smith – DiamondsAlicia Keys – Love Looks BetterLANY – cowboy in LAPart IV (87:10)Birdy – Open Your HeartPendulum – Nothing For FreeTravis – All Fall DownJulie Bergan – One TouchThe Pied Pipers - DreamKitty Kallen - Little Things Mean A LotThe Browns - The Three Bells
Albums reviews for Moneybagg Yo and Yellow Day. Why does Nick Cannon want a sit down with Eminem? Cardi B files for divorse. Is Kanye West going off the wall again? Clippers choke in the playoffs so what does that say about the team?. Roy Jones scared of Mike Tyson!
Hudební novinky posledního letního týdne přináší povedenou spolupráci londýnské rapperky Shygirl a producenta Sega Bodegy, pražského rappera Guest Usera jako čerstvé jméno ve hře nebo psychedelickou novinku od Yellow Days, ve které si zahrál na kytaru i Mac DeMarco.
Hudební novinky posledního letního týdne přináší povedenou spolupráci londýnské rapperky Shygirl a producenta Sega Bodegy, pražského rappera Guest Usera jako čerstvé jméno ve hře nebo psychedelickou novinku od Yellow Days, ve které si zahrál na kytaru i Mac DeMarco.
En esta edición SRZ presenta a: Iggy Pop (cover de The Beatles), Neil Young, Alex Kapranos con Clara Luciani (cover de Lee Hazlewood & Nancy Sinatra), Men I Trust, Al Stewart, Future Islands, Modest Mouse, The Smiths, Yellow Days, Anderson Paak con Jid, Jay Rock y Noname, Biig Piig, Lauryn Hill, A Tribe Called Quest, Courney Mary Andrews, Silver Jews, Sly & The Family Stone, Kaytranada, French Horn Rebellion, !!!, Beastie Boys, Roisín Murphy, KRim & Kasa, Randy Crawford, Donna Summer (RMX), Prince (RMX), Wajatta y Foliage.
Enjoying the show? Please support BFF.FM with a donation. Playlist 0′0″ Hello and Welcome by Partner on Never Give Up (You've Changed) 2′26″ Rooftop Dancing by Sylvan Esso on Free Love (Loma Vista) 11′39″ I Felt Love by Blue Hawaii on Under 1 House (Arbutus) 14′41″ Oops...! by Sad13 on Haunted Painting (Wax Nine) 18′41″ Handsome Wife by Pillow Queens on In Waiting (Self Released) 22′50″ Falling Apart by Slow Pulp on Moveys (Winspear) 31′9″ I'm Sorry by Hovvdy on I'm Sorry (Self Released) 33′21″ Baby No More by Anjimile on Giver Taker (Father/Daughter) 38′34″ Summertime by Drew Citron on Free Now (Park The Van) 39′41″ Dionne (ft Justin Vernon) by The Japanese House on Chewing Cotton Woll EP (Dirty Hit) 48′51″ Even True Love by Widowspeak on Plum (Captured Tracks) 53′35″ Sorry by beabadoobee on Fake It Flowers (Dirty Hit) 56′56″ Thrill by Future Islands on As Long As You Are (4AD) 61′10″ Like A Bird by Gardens & Villa on Gordon Von Zilla Presents (Secretly Canadian) 71′55″ Prism by Bully on SUGAREGG (Sub Pop) 77′10″ No Risk by Cults on Host (Sinderlyn) 79′10″ Like Breaking Glass by Cut Copy on Freeze, Melt (Cutters Records / The Orchard) 83′57″ Moments / Tides by Goth Babe on Moments / Tides (Self Released) 92′54″ Getting Closer by Yellow Days on A Day In A Yellow Beat (Sony Music Entertainment UK Limited) 97′13″ Orange Peels by Gladie on Orange Peels EP (Self Released) 100′11″ Picture Of You by Madeline Kenney on Sucker's Lunch (Carpark) 103′56″ Video Game by Sufjan Stevens on The Ascension (Asthmatic Kitty) 108′9″ A Lucid Dream by Fontaines D.C. on A Hero's Death (Partisan) 115′54″ Cosmic Day by Prince on Sign O' The Times Reissue (Warner) The next I Rock I Roll Radio is on Monday, August 31st at 6:00 pm. Check out the full archives on the website.
Enjoying the show? Please support BFF.FM with a donation. Playlist 0′9″ It’s All over Now, Baby Blue by ANOHNI on It’s All over Now, Baby Blue b/w Be My Husband (Secretly Canadian) 8′26″ Whole New Mess by Angel Olsen on Whole New Mess (Jagjaguwar) 11′45″ Sucker by Madeline Kenney on Sucker's Lunch (Carpark) 16′20″ Tiny Man by Merce Lemon on Moonth (Darling) 19′22″ Rain by Whitney on Candid (Secretly Canadian) 23′5″ Grey Skies by Kate Bollinger on A word becomes a sound - EP (The Orchard) 30′30″ mama's baby by orion sun on mama's baby - single (self-released) 31′28″ Moving On Felt Great and This Feels (Good) Too by (Liv).e on Couldn't Wait To Tell You... (AWAL) 34′4″ Soulful I Need That in My Life by Steve Arrington on Soulful I Need That in My Life - Single (Stones Throw) 36′43″ Stayback by Omar Apollo on Stayback - Single (Warner ) 39′20″ Getting Closer by Yellow Days on A Day in a Yellow Beat (Sony Music Entertainment UK Limited) 47′23″ Nod (feat. Nosaj Thing) by Julianna Barwick on Healing Is a Miracle (Ninja Tune) 50′34″ Moments / Tides by Goth Babe on Moments / Tides - Single (Goth Babe LLC) 53′51″ Paralyzed by Washed Out on Purple Noon (Sub Pop) 56′43″ Boogie Island by Shormey on Boogie Tape Vol 1. (Citrus City) 61′8″ Central Time (feat. Mick Jenkins) by Vansire on Central Time (feat. Mick Jenkins) - Single (Self-Released) 67′6″ In the Coupe (feat. Jim Jones) by Curren$y & Harry Fraud on The OutRunners (Jet Life) 70′25″ Kane Train (feat. Freddie Gibbs) by Machinedrum on A View of U (Ninja Tune) 72′33″ Packed Bags (feat. Louis Culture) by p-rallel on Soundboy - EP (Different) 75′0″ Mutha Magick (feat. bbymutha) by Black Noi$e on Mutha Magick (feat. bbymutha) - Single (Tan Cressida Inc. ) 76′31″ Afterlife by Flatbush Zombies on Afterlife - Single (Glorious Dead) 81′46″ NTE (Jonti Remix) by Buscabulla on NTE (Jonti Remix) - Single (Ribbon Music, LLC) 86′4″ Dreams by Romare on Home (Ninja Tune) 91′22″ Pearls by Poté on Pearls (self-released) 94′57″ Wallflower - How Long (1-800 GIRLS REMIX) by 1-800 GIRLS on Wallflower - How Long (1-800 GIRLS REMIX) (Self-Released) 100′4″ Reach by Stefan Ringer ft. Javonntte on FWM 003 (FWM Entertainment) 103′48″ Highest Point by Ginoli on Highest Point - Single (Of Leisure) 108′25″ 24 Hours (Sofia Kourtesis Remix) by Georgia on 24 Hours (Sofia Kourtesis Remix) - Single (Domino) 112′9″ She's Back! (Off the Meds Remix) by Bella Boo on Once upon a Passion Remixes - EP (Studio Barnhus) 116′9″ Articulation by Rival Consoles on Articulation (Erased Tapes) The next Music Ninja Radio is on Friday, September 4th at 4:00 pm. Check out the full archives on the website.
AMIGOS, dos palabras EPOCA RENACENTISTA
Identities, cultures, and lessons learned: uncharted territories and a journey without destination. In the fellowship, like in life, you can feel like you are lost without a map. Sometimes, you have to wander to find your way. CREDITS: McKenna Parker (Writer, Producer, and Editor) and Ismael Byers (Writer, Producer, and Editor) HOST: Anjali Balakrishna STORYTELLERS: Jessie Standifer, Ayushi Parashar, Eric Smith, Ismael Byers, Mantasha Khaleel MUSIC CREDITS: The Quiet Life by Matt Large | Hurricane Season by Sarah, the Illstrumentalist | | No Clues Left by Arthur Benson | Caught Sleeping by Mac Taboel | Trying to Walk and Talk by Stationary Sign | Iridescent by Infinity Ripple | Particle Attraction by Airae | Decorum by Vincent & A Secret | Dream Bigger by Yi Nantiro | Blue Nights and Yellow Days by Matt Large | A Common Goal by Moon Craters | Red Red Shoes by Czar Donic | Nights and Mornings by Heath Cantu | A New Man by Gavin Luke | Blue Street by Rossier | A Place for Us by Howard Harper-Barnes | World of Dreamers by Jhukane Bada | A Pensive Mood by Eric Feinberg | Stay (Wide Open) (Instrumental Version) by Loving Caliber | Rewind Time by Clarence Reed | Odyssey by [ocean jams] | Special thanks and credit to the Merasi community of Jaisalmer, Rajasthan for the use of their music. Taken from their album, "Merasi: Hearts with Hope 2 Tour" tracks 6, 8, 10, 12, 13, and 14.
Enjoying the show? Please support BFF.FM with a donation. Playlist 0′00″ 33 by NoName on 33 (Adios) 1′05″ I See You by Phoebe Bridgers on Punisher (Dead Oceans) 4′14″ Sweeter (ft Terrence Martin) by Leon Bridges on Sweeter (Columbia) 16′03″ holy calamafuck by Run The Jewels on RTJ4 (Jewel Runners) 19′36″ American Cars by Annie on Dark Hearts (Self Released) 23′32″ Can't Fight by Lianne La Havas on Lianne La Havas (Nonesuch) 26′41″ Love Is Everywhere by Yellow Days on A Day In A Yellow Beat (Columbia Records) 33′35″ Bummer Days by Liza Anne on Bad Vacation (Arts & Crafts) 35′54″ Climb by Blondfire on Climb (Bliss Productions) 40′23″ Planets by Everything Everything on Re-Animator (Infinity Industries) 44′20″ Grounds by IDLES on Ultra Mono (Partisan) 50′10″ Nothing Will Hurt by No Joy on Motherhood (Joyful Noise/Hand Drawn Dracula) 54′08″ The Temporary by Kate Teague on The Temporary (Music Beach Records) 56′52″ Call My Name by Young Ejecta on Ride Lonesome (Driftless) 60′40″ Dreams by Hannah Georgas on All That Emotion (Brasslands/Arts & Crafts) 64′46″ Crimson & Clover by Pom Pom Squad on Crimson & Clover (JV Records) 71′57″ Progress by Yung on Progress (PNKSLM) 75′45″ Where To Start by Bully on SUGAREGG (Sub Pop) 78′49″ On My Own by Shamir on On My Own (Self Released) 83′00″ I Don't Belong by Fontaines DC on A Hero's Death (Partisan) 92′56″ Cape Henlopen by Bad Moves on Untenable (Don Giovanni) 94′41″ Cameo by Rolling Blackouts Coastal Fever on Sideways To New Italy (Sub Pop) 98′45″ Sift by Hater on Sift (Fire Records) 103′20″ Temporary by Dream Wife on So When You Gonna (Lucky Number) 109′28″ She's A Beam by Ty Segall & Cory Hanson on She's A Beam (Drag City) 115′10″ It's The End Of The World As We Know It (And I Feel Fine) by R.E.M on Document (IRS)
From Red to Yellow the covid and the murder. --- Send in a voice message: https://anchor.fm/paladinah-major/message Support this podcast: https://anchor.fm/paladinah-major/support
Lejos de ser supersticiosos, 13 son las novedades que te presentamos esta semana en De Música Ligera. Y como podrás escuchar, hay de todo: Dos de las bandas que, en apenas dos años, se han colocado a la cabeza de la escena musical española, Carolina Durante y su nuevo single, el Parque de las Balas, y Los Estanques, adelantando un single más de su próximo disco, IV; y por contraste, dos artistas plenamente consolidados en esa escena, Xoel Lopez y Sr. Chinarro; varios artistas internacionales de renombre como Snoop Dogg, Lee Fields, Röyksoop, Disclosure o We Are Scientist; y tres descubrimientos: los valencianos Futuro Terror, los madrileños Jack Bisonte y el británico Yellow Days. Y si hay que pasar por debajo de una escalera o romper un espejo, pues se hace. Pero bailando. Venga.
Katie von Schleicher reiht sich mit ihrem zweiten Album neben die großen Songwriterinnen dieser Generation ein, Yellow Days ist der neue Curtis Mayfield und Ferge X Fisherman ziehen durch die neonbeleuchtete Nacht. Außerdem: das umfangreiche Werk des legendären Filmkomponisten Peter Thomas. All das und mehr in der neuen Folge von „Keine Angst vor Hits“.Der Artikel zum Nachlesen: https://detektor.fm/musik/keine-angst-vor-hits-kw-21-2020
Live do Metallica de 1983, filme do Molho Negro, Festival Bananada adiado, lançamentos recentes do Yellow Days, Harry Styles e muitos outros. Além de indicações pra você começar seu fim de semana informado e com muita música legal pra ouvir. Sigam a gente nas redes sociais @noizecast_ - Alex (@alxmd) e Bruno (@brunofonsecaxx)
Katie von Schleicher reiht sich mit ihrem zweiten Album neben die großen Songwriterinnen dieser Generation ein, Yellow Days ist der neue Curtis Mayfield und Ferge X Fisherman ziehen durch die neonbeleuchtete Nacht. Außerdem: das umfangreiche Werk des legendären Filmkomponisten Peter Thomas. All das und mehr in der neuen Folge von „Keine Angst vor Hits“. >> Artikel zum Nachlesen: https://detektor.fm/musik/keine-angst-vor-hits-kw-21-2020
Katie von Schleicher reiht sich mit ihrem zweiten Album neben die großen Songwriterinnen dieser Generation ein, Yellow Days ist der neue Curtis Mayfield und Ferge X Fisherman ziehen durch die neonbeleuchtete Nacht. Außerdem: das umfangreiche Werk des legendären Filmkomponisten Peter Thomas. All das und mehr in der neuen Folge von „Keine Angst vor Hits“.Der Artikel zum Nachlesen: https://detektor.fm/musik/keine-angst-vor-hits-kw-21-2020
Katie von Schleicher reiht sich mit ihrem zweiten Album neben die großen Songwriterinnen dieser Generation ein, Yellow Days ist der neue Curtis Mayfield und Ferge X Fisherman ziehen durch die neonbeleuchtete Nacht. Außerdem: das umfangreiche Werk des legendären Filmkomponisten Peter Thomas. All das und mehr in der neuen Folge von „Keine Angst vor Hits“.Der Artikel zum Nachlesen: https://detektor.fm/musik/keine-angst-vor-hits-kw-21-2020
Clear skies, full moon. Wear headphones. Enjoying the show? Please support BFF.FM with a donation. Playlist 0′00″ Discipline Of Enthusiasm by Lorenzo Senni on Scacco Matto (Warp Records) 5′00″ Floatin' by Cool Company on Single (Cool Company Music) 11′40″ Get Away by The Colours That Rise on Grey Doubt (Rhythm Section International) 12′33″ Isle Of Taste (Patrice Scott Remix) by Session Victim on Single (Night Time Stories) 22′38″ Hush by Defsharp on Single (Night Owl Collective) 27′07″ The Prance by Johannes Albert on Single (Fine) 30′43″ Goultili Bye Bye by Nordine Staifi on Maghreb K7 Club (Bongo Joe) 38′41″ Fixed Elections by Deadbeat on Something Borrowed, Something Blue (BLKRTZ) 44′34″ Flower District by Alex Martian on Single (Night Owl Collective) 47′41″ 9mm by Drae Da Skimask on Freebase 5 (901464 Records DK) 50′48″ Fade Away by Roisin Marie on Single (SMG Ent) 54′20″ A Lover's Haze by Isaac Winemiller on Single (Isaac Winemiler) 61′02″ Flutes by Jessamine on ://About Blank 008 (://About Blank) 67′18″ I Have A Dream by Minors, Struna on Single (Minors) 75′02″ Felina by Lexer on Single (Einmuskia Recordings) 82′51″ Le Tigre by Overmono on Poly011 (Poly Kicks) 91′33″ In My Heart by Tapan on 5 Year Compilation (Malka Tuti) 100′17″ The Trade by Jack Bannon on Single (Jak Bannon) 103′49″ Photo ID by Remi Wolf on Single (Remi Wolf) 107′55″ Treat You Right by Yellow Days on Single (Sony Music Entertainment) 113′08″ A Song For Mia by Patrice Scott on Moments & Concepts (Sistrum) 113′09″ Downlink by Patrcia on Single (Ghostly International)
Enjoying the show? Please support BFF.FM with a donation. Playlist 0′00″ Magenta Sunrise by Stargazer Lillies on Occabot (Rad Cult) 8′09″ Hope/Nope feat. Sasao by Ivan Ave on Double Goodbyes 10′37″ In the World ft. Nick Hakim by Lance Skiiwalker (TDE) 13′09″ In the End by Skinshape 17′25″ Treat You Right by Yellow Days 21′46″ Time (You and I) by Khruangbin on Mordechai 30′55″ Fast Learner (feat. Purple Tape Nate) by Shabazz Palaces on The Don of Diamond Dreams 35′18″ Whole World (feat. Maxo) by Earl Sweatshirt 38′42″ 2 Minute Bars (feat. Mavi) by Ovrkast. on Try Again 40′44″ ALLEGEDLY (prod. Chuck Strangers) by Medhane 44′30″ Ice Cold P Mix (feat. BandGang Lonnie Bands) by Jay Worthy & Harry Fraud on Eat When You're Hungry Sleep When You're Tired 47′45″ claws by Charli XCX 50′05″ Face by Jessy Lanza on All the Time 53′19″ The People by Photay on Walking Hours 58′25″ 420 by RØKR on 420 [CLIPP151] (clipp-art) 62′27″ Jalisco (Bella Boo Remix) by Babeheaven 69′06″ Let You Go (feat. Birocratic) by WEV 72′21″ they told us it was hard, but they were wrong by Ela Minus 76′40″ underclas (seb wildblood edit) by king krule 80′46″ Kin (Anthony Naples Remix) by Tourist 89′00″ Night by Kelly Lee Owens on Inner Song 91′08″ Ripple by Nicola Cruz on Fuego Nuevo - EP 95′56″ Soul Control (Palms Trax Remix) by Galcher Lustwerk 99′24″ That Track (Rewired Mix) by Roza Terenzi on Modern Bliss 105′19″ In the Zone by DJOKO on Hooked EP (Shall Not Fade) 111′09″ Heavenly Angel by Skin on Skin on For Your Safe Keeping 114′06″ LMB LH Version by Four Tet
Oggi si parla di maturità! L’ospite di oggi è Sanaa, una maturanda che ci parlerà in prima persona su quello che succederà! canzoni: Free Room di Ravyn; If You Want To di beabadoobee; Bags di Clairo; What’s It All For? di Yellow Days; Bad Guy di Billie Eilish; Don’t Stop Me Now dei Queen.
having trouble dealing with change? In this episode we talk about how internal ease of the mind can lead to external change with Yellow Days song, 'The way things change' Enjoy!
Olá, Míopes!O episódio de hoje traz de volta o Colírio, aquela série do nosso podcast em que casa integrante indica algo que assistiu/ouviu/leu recentemente. Dessa vez, Leandro Oliveira fala sobre Sintonia, série original Netflix produzida por Kondzilla; Luh indica o Galera do RAU, podcast de matemáticos que não fala sobre matemática; e Róger Ochôa comenta sobre Yellow Days, novo album da banda Never Too Late.Agora, quem gosta muito do nosso trampo vai poder contribuir mensalmente com a gente nos seguintes planos:- Ajuda, Luciano - Valor: R$ 1,00 por mêsAí sim! Sua contribuição nos ajuda a manter o Miopia sempre na ativa. Nossos mais sinceros agradecimentos!- Míope de Carteirinha - Valor: R$ 5,00 por mêsAlém de ajudar o Miopia a pagar os boletos de hospedagem do podcast, você ganha acesso a um grupo com os integrantes e outros ouvintes pra conversar, sugerir pautas e, quem sabe, participar de gravações.Para contribuir é fácil, basta baixar o PicPay no seu celular, seja ele Android ou IOS, criar seu perfil, cadastrar seu cartão de crédito, procurar por Miopia e escolher qual plano cabe no seu bolso.Baixe o Picpay: https://picpay.com/site/downloadTwitter: @PodcastMiopiaFacebookwww.facebook.com/podcastmiopiaInstagram@podcastmiopiae-mail: podcastmiopia@gmail.comSite miopiapodcast.com
Talking UK foraging and international community festivals.Are you curious about how to search for naturally occurring food safely? Uncover some top tips with UK's top foraging expert Marlow Renton on key identifiers, caution and keen advice. All craftily accommodated in the new book - Foraging, the Pocket Guide out in all the best UK bookstores.See https://www.wildfooduk.com/ for more information.PLUS: The Yellow Days Festival visionaries, India Rose and Nina Drenalina who are uniting refugees, creatives and activists in Athens, Greece for the non-profit humanitarian festival occurring at the end of September 2019.The inaugural festival in 2017 was proof that, while food and shelter are indeed necessities for survival, love and joy are just as vital. They have a fundraiser happening which they would be supremely appreciative of you contributing even a few pounds/euro's to.. a great cause that goes all the way to making many people's lives more meaningful, across all borders.Go Fund Them here; https://www.gofundme.com/f/yellow-days-festival Thank you kindly.
Episode starts with a brief discussion of Sudan, and Robert Pattinson being named Batman. We then move into an episode breakdown of s3e10 of Breaking Bad. Then we briefly discuss obscure artist Yellow Days. Best of the best Record Labels TV Talk Sign off
di Francesco Del GrattaCosì come era accaduto una cinquantina di anni fa, a sud di Londra e nella Contea del Surrey giovani artisti stanno mescolando nove melodie. Hanno strani nomi, corpi giovanissimi ed anime da adulti. Uno di loro è Yellow Days. Yellow Days è il nome d'arte di George Van Den Broek. Il cognome ci rivela che le radici della sua famiglia affondano ovviamente nei Paesi Bassi, ma George è nato 19 anni fa a Manchester, il centro della musica pop. Scopriamo insieme la sua storia e il suo percorso.
On this episode, we interview Niyaz Pirani of Knife and Spork Public Relations. We discuss the growth of Coachella including technology upgrades and layout. Also, artists including Yellow Days, Kid Cudi, Tame Impala, and Kanye West’s upcoming appearance on the Joe Rogan Podcast. Follow us on instagram @cantfeeltheheat. Email thomasnash09@gmail.com
Dit keer met fijne muziek van Tony Joe White, Dr John, Dusty Springfield, Bonobo, Roy Ayers en Yellow Days.
On today’s show, Andy Mineo walks us through some of the standout tracks on his new EP “The Sword.” We also hear another round of your Ask Jesse questions, learn why “Steak ‘Ems” have become the unexpected voice of a generation, hear the truth about crosswalk buttons and a lot more! EPISODE MUSIC: 1.A R I Z O N A, “Freaking Out” 2.Cub Sport, “Hawaiian Party” 3.Yellow Days, “How Can I Lo
On today's show, Andy Mineo walks us through some of the standout tracks on his new EP “The Sword.” We also hear another round of your Ask Jesse questions, learn why “Steak ‘Ems” have become the unexpected voice of a generation, hear the truth about crosswalk buttons and a lot more!EPISODE MUSIC:1.A R I Z O N A, “Freaking Out”2.Cub Sport, “Hawaiian Party”3.Yellow Days, “How Can I Lo--- Send in a voice message: https://anchor.fm/relevant-podcast/messageSupport this podcast: https://anchor.fm/relevant-podcast/support See acast.com/privacy for privacy and opt-out information.
It's Thursday, and our favourite day of the year is *finally* here. The Great Escape Festival has hit the streets of Brighton once more, and we're back for another year to soak up every bit of goodness on offer. In today's episode, we're reminiscing about TGE's gone by before getting ourselves geared up for a huge, huge, huge opening day of action. The likes of Yellow Days, Superorganism, Idles and Puma Blue are gracing today's show as well as the festival itself, and you won't want to miss a moment of either. Enjoy, and we'll see you tomorrow! Tim & Harry x We do not claim ownership of any of the music played in this episode. Our theme tune is by Hyde - Free Instrumentals and is free for use, licensed under a Creative Commons Attribution license (https://creativecommons.org/licenses/by/4.0/)
On this episode of the Sleeping Situation podcast, Ivy sells her soul to Kingdom Hearts once again, Matt encounters a DIY challenge, and we go through major stress while trying to book a relaxing vacation. Also on this episode, we review the album Harmless Melodies by Yellow Days (thanks for the suggestion, Eric!) and play another wild round of Scattergories.
On episode three of NOT 97 Newsweek Senior Writer and freelance music critic Zach Schonfeld (@zzzzaaaacccchhh) visits the shop. We listen and consider new offerings from artists like Sneaks—Eva Moolchan's stark and sharp genre-defying project—, Seattle's psych-inclined garage rock trio Naked Giants, and Yellow Days: a fresh-faced Londoner with a rugged, relentless voice. Tracklist:01 "That's Easy" by Yellow Days 02 "One More Time, Please" by Jay Som 03 "Sol" by Ducko McFli feat. Lorine Chia04 "Just Cuz You Can't" by Pronoun 05 "Nada" by Mellah06 "Looks Like That" by Sneaks 07 "Shit Happens" by Tierra Whack 08 "Pyramids" by Naked Giants Playlist available: soundcloud.com/not97/sets/not97-season-one-episode-three Art by Bex Karnofski © NOT 97. All music ℗ & © their rights holders, used by NOT 97 with explicit permission.
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