Podcasts about retrace

durée : 00:09:57 - Info médias - 70 ans d'histoire des banlieues françaises, c'est ce que propose de découvrir Mohamed Bouhafsi dans le documentaire : "La Banlieue, c'est le paradis", écrit et réalisé par Nathalie Conscience et diffusé mardi France 2.

Alain Chamfort est l'invité de "On se tutoie ?..." avec Jean-Luc Reichmann

Clover and Varien navigate the dangers of the road as they head towards Grace. Trigger Warnings: child endangerment, child harm, mentions of child death and suicide, mentions of abuse, religious concepts and imagery Kenon Pearce as GM Jordache Richardson as Varien Tyris and Justin Nikki Richardson as Clover Barrows  ISHNAR/KALCRIN HOMEBREW SETTING (C) by Kenon Pearce   Sound editing and design by Nikki Richardson CLICK THE LINK TO JOIN US! https://discord.gg/59axDYE3Sq Twitter/X and Bluesky: Kenon Pearce @mr_fugufish/mrfugufish Jordache Richardson @jdash24 Nikki Ri @thenikkiri   Website: totrpodcast.com Twitter: @totrcast Studio Twitter: @whiteravenpods  Facebook: @topoftheround Instagram: @topoftheround Bluesky: @totrpodcast CHECK OUT OUR NEW COMEDY IMPROV SHOW, STORY NOW LOADING: https://open.spotify.com/show/31Up8C0TY1UuxBca5pbO7z?si=2ed56eff677d4e26 https://www.podchaser.com/podcasts/story-now-loading-5947866 https://podcasts.apple.com/us/podcast/story-now-loading/id1788697091 Go to our website for MERCH! https://www.totrpodcast.com/merch.html#/   Support us on Patreon: https://www.patreon.com/topoftheround Buy us a cup of coffee on Ko-fi: https://ko-fi.com/topoftheround Join our Facebook Group! https://www.facebook.com/groups/476203760792265/   TOTR WIKIPEDIA! https://topoftheround.fandom.com/wiki/Top_of_the_Round_Wiki SEND US MAIL! White Raven Studios PO Box 603 Circle Pines MN 55014 SHADOWS OF THE DIVINE BY NICK HIGHAM https://www.nickjhigham.co.uk/ Music Courtesy of epidemicsound.com: I'm the Villain by Dream Cave When Tomorrow Comes by Jon Bjork Time is Tight by Experia Mission Control by Sam Will One Big Chase by Sam Will Distressed by Hanna Ekstrom Oro by Hanna Ekstrom Duplicity by Christoffer Moe Ditlevsen The Mysterious Cave by Ruiqi Zhao Sleepy Hollow by Martin Klem Calcifer by Jon Bjork Calm Before the Storm by Howard Harper-Barnes Enter the Facility by Eden Avery Hesitancy by Anna Dager License (CC BY 4.0) Sings in the Fields by Rafael Krux Traveler's Notebook by Rafael Krux Dark Hours by Rafael Krux The End by Tim Kulig Crossroads by Alexander Nakarada Bugbears Be Approaching by Tim Kulig Begin the End by Euan Ford Inevitable Collision by German Tretyakov Hidden Truth by Rafael Krux Tension Underneath by Lilo Sound Epic by Ramolpro The Question is Quizpackage by Sascha Ende Artemis by Sascha Ende Unforseen by Phat Sounds Descend by Euan Ford Irregular Rhythms by Tim Kulig Escalation by Phat Sounds Licensed through Universal Music for Creators/UMC: Overpass Instrumental by Bellisima Confront the Sinister Instrumental by Jacobs Clear Cut Instrumental by Elias Ramani Beastly Instrumental by Jacobs Initial Instrumental by McAuley III Culpaple Instrumental by McAuley III All That Is Left Behind Instumental by Opus Horizons Instrumental by Doney Perry The Devil You Know Instrumental by Opus Secret Histories Instrumental by Cacace Castellarin Prelude to Destruction Instrumental by Heath Skewed Logic Instrumental by Doney Perry Fractures Instrumental by Doney Perry Loosening Screws Instrumental by Fahlen Behind the Bookcase Instrumental by Jacobs

Et comment Kaitlyn Dever (vue dans la mémorable série « Dopesick ») prouve une nouvelle fois qu'elle est une jeune actrice à suivre ? Quel est l'énorme enjeu de la nouvelle production Marvel, « Captain America : Brave New World » ? Comment s'est déroulé la rencontre Lino Ventura-Michel Serrault pendant le tournage de « Garde à vue », présenté dans « Classic Ciné » ? Les découvertes musicales : - Andy Bell feat. Dot Allison - I'm in love with a german filmstar - OKLOU- Thank You For Recording - Charlotte De Witte - One Mind Merci pour votre écoute La semaine des 5 Heures, c'est également en direct tous les jours de la semaine de 19h à 20h00 sur www.rtbf.be/lapremiere Retrouvez tous les épisodes de La semaine des 5 Heures avec les choix musicaux de Rudy dans leur intégralité sur notre plateforme Auvio.be : https://auvio.rtbf.be/emission/1451 Et si vous avez apprécié ce podcast, n'hésitez pas à nous donner des étoiles ou des commentaires, cela nous aide à le faire connaître plus largement.

Dans ''Maria'', le réalisateur chilien retrace la vie de la plus grande chanteuse d'opéra, lors de ses derniers jours à Paris en 1977. La diva est interprétée par l'une des plus grandes actrices américaines.

durée : 00:16:37 - Le monde d'Elodie - par : Elodie SUIGO - Tous les jours, une personnalité s'invite dans le monde d'Élodie Suigo. Vendredi 24 janvier 2025 : l'historienne Annette Wieviorka. Elle publie "Itinérances : Parcours d'historienne" aux éditions Albin Michel.

HOUR ONE: On a barren field in the U.S. state of Georgia, five granite slabs rise in a star pattern. Each of them weighs over 20 tons and on top of them, there is a capstone. Nobody knows who built it or why they were placed there, but one popular opinion that their purpose is to guide humanity after a predicted post-apocalyptic event that will come in the not so distant future.  (The American Stonehenge) *** When you think "fairies," what comes to mind? You probably picture an adorable and sparkly creature akin to Disney's Tinker Bell, a lovely - and above all, friendly - presence. You may even want to make contact with them. Unfortunately, glittering humanoids with butterfly wings are the stuff of children's books. Retrace faerie folklore, and you'll discover their secret scary origins. (The Dark Side of Fairies) *** In the Summer of 1949, a geologist named Vadim Kolpakov discovered a strange feature on the surface of the earth in the Bodaibo, Irkutsk, region of South-Eastern Siberia.  Encircled by a largely treed area, this anomaly is oval with a conical crater that contains a small ball-like mound in its middle.  The geologic mystery has baffled scientists who are uncertain of what caused this weird formation. (What Caused the Patomskiy Crater) *** Is there any truth behind the enduring legend of the werewolf? 
(Planet Werewolf) *** The Red Pen==========HOUR TWO: Love, money, divorce, anger, and murder. One Pennsylvania family had it all and then some in the late 1800's. (The Butler County Tragedy) *** Count Saint Germain and Jacques Saint Germain, John and Wayne Carter, the Casket Girls of New Orleans. Despite many years between all of their lives, they all still have one grisly thing in common. All were thought to be, and possibly were, real vampires tied to the Big Easy… a place where real blood-suckers continue to live and roam the streets even now in the twenty-first century. (Vampires of New Orleans) *** They have a long history in the United Kingdom, stalking the moors and fog-carpeted streets in the night. But it appears hounds from Hell have also made their way to the Americas. (American Hellhounds)==========SOURCES AND REFERENCES FROM TONIGHT'S SHOW:Big Matt, “Long Road” song: https://www.youtube.com/watch?v=EWEvHVz2V6U“American Hellhounds” by Brent Swancer for Mysterious Universe: https://tinyurl.com/yczhkvde“The Butler County Tragedy” by Robert Wilhelm for Murder By Gaslight: https://tinyurl.com/yyn78amz“Vampires of New Orleans” by Brian Harrison for Exemplore: https://tinyurl.com/ycyy4vjpEpisode containing “The Elves of Iceland”: https://weirddarkness.com/?s=Elves+Iceland“Planet Werewolf” by Lea Rose Emery for Graveyard Shift: https://tinyurl.com/vcetp96“The Dark Side of Fairies” by Amber Fua for Ranker: https://tinyurl.com/rbexptk“The American Stonehenge” by Mihai Andrei for ZME Science: https://tinyurl.com/yaogafuz“What Caused the Patomskiy Crater?” by Lochlan McClelland for Historic Mysteries: https://tinyurl.com/wu9r5bc“The Red Pen” by Kjirsty Beth for Paranormality Magazine==========(Over time links seen above may become invalid, disappear, or have different content. I always make sure to give authors credit for material I use whenever possible. If I have overlooked doing so for a story, or if a credit is incorrect, please let me know and I will rectify it immediately. Some links may benefit me financially through qualifying purchases.)=========="I have come into the world as a light, so that no one who believes in me should stay in darkness." — John 12:46==========WeirdDarkness®, WeirdDarkness© 2024==========To become a Weird Darkness Radio Show affiliate, contact Radio America at affiliates@radioamerica.com, or call 800-807-4703 (press 2 or dial ext 250).

Tous les dimanches à minuit, Daniel Riolo propose une heure de show en direct avec Moundir Zoughari pour les passionnés de poker. Conseils d'un joueur professionnel, actualité, tournois... Votre rendez-vous poker, sur RMC !

Praises or critics can be send here! Also if there's anything you wish to hear about please send your requests here!Prepare yourself for an exhilarating journey through the World of Warcraft's future as we unlock the secrets of the 2025 roadmap. Uncover the mysteries surrounding Shirai, the Atrocity of the Undersea, and prepare for new adventures with Siren Isle and Plunderstorm in patch 11.0.7. We unravel the secrets of patch 11.1, dubbed "Undermined," which promises groundbreaking changes with its new zone, raid, dungeon, and a revolutionary ground mount system that could redefine gameplay. Our exploration doesn't end there, as we speculate on the upcoming patch 11.2 and the potential impact of a swift expansion reveal that could set the stage for one of the best expansions yet.Retrace the steps of Pandarans, monks, and pet battles as we reminisce about the beloved Mists of Pandaria expansion. Experience the thrill of mastering monk gameplay and relive the captivating scenarios like Theramore's Fall. While retail WoW continues to soar with its continuous updates, we also reflect on the classic realm's triumphs and tribulations. Despite the challenges of revitalizing the magic of Classic's initial success, the Season of Discovery shines as a beacon of hope amidst concerns about player base fragmentation. Join us in this riveting discussion as we celebrate World of Warcraft's legacy and its promising future. Hope you all enjoy and hope you relate to any of these stories. And I will speak to you all in the next episode!Want some 3D printed Merch, find it here!https://pigandwhistletales.etsy.comSupport the show here:https://www.buzzsprout.com/1196870/supportpatreon.com/Pigandwhistlehttps://www.buymeacoffee.com/PigandWhistleSocials :Twitch : https://www.twitch.tv/pigandwhistletalesYoutube : https://www.youtube.com/channel/UCAOi6rHO3x90lOmmb82Jv1wWebsite : https://www.pigandwhistletales.com/Instagram : https://www.instagram.com/pigandwhistletales/Facebook : https://www.facebook.com/PigAndWhistleTalesTry out Buzzsprout yourself! https://www.buzzsprout.com/?referrer_id=1154066Listen to the podcast on other platforms:https://www.listennotes.com/podcasts/pig-whistle-tales-from-azeroth-gabriel-nsa902LrQVw/https://www.podchaser.com/podcasts/pig-whistle-tales-from-azeroth-1315927https://open.spotify.com/show/5ZTkLtQvRSm4PStUfZquWkhttps://podcastaddict.com/podcast/3032607The Music at the start is from Tony Catch they do many amazing cover songs for games you can find the link here:https://www.youtube.com/channel/UCHiF0dAkbpPMtQSwvAxcapQSupport the showSupport the show here: https://www.buzzsprout.com/1196870/support patreon.com/Pigandwhistle https://www.buymeacoffee.com/PigandWhistle

L'Indésirable est ici un objet de désir. C'est un livre que vous ne pourrez plus lâcher car vous serez entraîné, irrésistiblement dans le sillage de ses héroïnes. Deux Irakiennes flamboyantes, Taj al-Moulouk et Widiane. La première très âgée fut journaliste, espionne et grande amoureuse. Au soir de sa vie, son âme brûle encore d'un feu que rien ne semble pouvoir éteindre. La seconde est une violoniste aux tympans perforés, traumatisée par son passé. Ces deux femmes éprises de liberté, d'amour et de justice sont amies. Leurs vies racontées de Bagdad à Paris, en passant par Karachi, abolissent le temps et nous immergent dans un Irak aujourd'hui disparu.Inaam Kachachi est l'invitée de VMDN. Elle vient nous présenter son nouveau roman L'indésirable paru chez Gallimard.Reportage : Notre reporter, Lisa Giroldini s'y est rendue pour un spectacle original « Petites joueuses » de François Chaignaud. Une création en forme de parcours immersif dans les fortifications du Louvre médiéval. Des créatures investissent ses fortifications et forment un carnaval troublant, où s'affirme la marge.

L'Indésirable est ici un objet de désir. C'est un livre que vous ne pourrez plus lâcher car vous serez entraîné, irrésistiblement dans le sillage de ses héroïnes. Deux Irakiennes flamboyantes, Taj al-Moulouk et Widiane. La première très âgée fut journaliste, espionne et grande amoureuse. Au soir de sa vie, son âme brûle encore d'un feu que rien ne semble pouvoir éteindre. La seconde est une violoniste aux tympans perforés, traumatisée par son passé. Ces deux femmes éprises de liberté, d'amour et de justice sont amies. Leurs vies racontées de Bagdad à Paris, en passant par Karachi, abolissent le temps et nous immergent dans un Irak aujourd'hui disparu.Inaam Kachachi est l'invitée de VMDN. Elle vient nous présenter son nouveau roman L'indésirable paru chez Gallimard.Reportage : Notre reporter, Lisa Giroldini s'y est rendue pour un spectacle original « Petites joueuses » de François Chaignaud. Une création en forme de parcours immersif dans les fortifications du Louvre médiéval. Des créatures investissent ses fortifications et forment un carnaval troublant, où s'affirme la marge.

Il est le maître absolu et redouté de son pays, la Chine : Xi Jinping, secrétaire général du Parti communiste et « président à vie ». Mais qui est-il vraiment ? Un dictateur en quête de diriger le monde ? Un homme avide de pouvoir qui a éliminé un par un ses rivaux pour régner sans partage sur le Parti et les 1,4 milliards de Chinois ? Quelles sont ses convictions ? Quels sont ses succès et ses échecs ? Dans la bande dessinée « Xi Jinping, l'empereur du silence », l'auteur Eric Meyer et le dessinateur Gianluca Costantini déroulent le film de sa vie, allant de son enfance dorée et puis la disgrâce de sa famille jusqu'en 2022, l'année du couronnement à un troisième mandat reconductible. Heike Schmidt a rencontré le journaliste et écrivain Eric Meyer, qui a passé plus d'une trentaine d'années en Chine, à Paris.  À lire aussiChine: une série télévisée à la gloire de Xi Zhongxun, le père de Xi Jinping

Il est le maître absolu et redouté de son pays, la Chine : Xi Jinping, secrétaire général du Parti communiste et « président à vie ». Mais qui est-il vraiment ? Un dictateur en quête de diriger le monde ? Un homme avide de pouvoir qui a éliminé un par un ses rivaux pour régner sans partage sur le Parti et les 1,4 milliards de Chinois ? Quelles sont ses convictions ? Quels sont ses succès et ses échecs ? Dans la bande dessinée « Xi Jinping, l'empereur du silence », l'auteur Eric Meyer et le dessinateur Gianluca Costantini déroulent le film de sa vie, allant de son enfance dorée et puis la disgrâce de sa famille jusqu'en 2022, l'année du couronnement à un troisième mandat reconductible. Heike Schmidt a rencontré le journaliste et écrivain Eric Meyer, qui a passé plus d'une trentaine d'années en Chine, à Paris.  À lire aussiChine: une série télévisée à la gloire de Xi Zhongxun, le père de Xi Jinping

Zep et Romain Brethes sont nos invités pour le livre d'entretiens "Dessiner le monde" (Rue de Sèvres). Depuis une dizaine d'années, Zep explore en parallèle de Titeuf d'autres pans de son œuvre, et creuse un nouveau sillon graphique, plus réaliste et mature. Pourquoi et comment aborder un tel virage artistique sans se trahir ? Au fil de conversations avec Romain Brethes, il retrace son parcours d'auteur, son rapport au dessin et à la bande dessinée, sa grande passion. Merci pour votre écoute Entrez sans Frapper c'est également en direct tous les jours de la semaine de 16h à 17h30 sur www.rtbf.be/lapremiere Retrouvez l'ensemble des épisodes et les émission en version intégrale (avec la musique donc) de Entrez sans Frapper sur notre plateforme Auvio.be : https://auvio.rtbf.be/emission/8521 Abonnez-vous également à la partie "Bagarre dans la discothèque" en suivant ce lien: https://audmns.com/HSfAmLDEt si vous avez apprécié ce podcast, n'hésitez pas à nous donner des étoiles ou des commentaires, cela nous aide à le faire connaître plus largement. Vous pourriez également apprécier ces autres podcasts issus de notre large catalogue: Le voyage du Stradivarius Feuermann : https://audmns.com/rxPHqEENoir Jaune Rouge - Belgian Crime Story : https://feeds.audiomeans.fr/feed/6e3f3e0e-6d9e-4da7-99d5-f8c0833912c5.xmlLes Petits Papiers : https://audmns.com/tHQpfAm Des rencontres inspirantes avec des artistes de tous horizons. Galaxie BD: https://audmns.com/nyJXESu Notre podcast hebdomadaire autour du 9ème art.Nom: Van Hamme, Profession: Scénariste : https://audmns.com/ZAoAJZF Notre série à propos du créateur de XII et Thorgal. Franquin par Franquin : https://audmns.com/NjMxxMg Ecoutez la voix du créateur de Gaston (et de tant d'autres...)

« Le Corps en mouvement » est une rétrospective qui prolonge la magie des Jeux Olympiques et Paralympiques. Elle présente 50 œuvres du Petit Palais, dont certaines ont été spécialement sorties des réserves. 8 thèmes principaux ont été retenus. De l'origine des jeux sous l'Antiquité jusqu'au sport en vogue, qui évoque les Jeux Olympiques modernes. La section consacrée au corps dessiné, rappelle l'importance du modèle humain. Corps en suspens s'intéresse à la danse. La thématique de l'émancipation des femmes par le sport est aussi évoquée. « Le Corps en mouvement », c'est jusqu'au 17 novembre au Petit Palais dans le 8ème et l'entrée est libre.

The Bible tells us, “Let us draw near to God with a sincere heart and with the full assurance that faith brings…” James 4:8. If there was ever a time when prayer and faith were needed, it's now. For the 73% of Americans who are experiencing election anxiety and stress, prayer can offer a sense of control and empowerment. Most of all, prayer can bring peace to our lives and the world. We've heard that many churches are planning to open their doors on Nov. 5 to encourage prayer for our country. No music or ministering, just a place for people to pray and lay their worries down. If your place of worship hasn't organized a similar opportunity, it might be worth suggesting.We will be praying for you and our country in the days ahead. Please feel free to join us.Show Notes:Healthy ways to deal with election anxiety and political stresshttps://www.treatmyocd.comVolunteers of Americahttps://www.voa.orgTo pray the prayer Robin highlights in the show, go to:https://info.thecrossingchurch.com/blog/a-guide-to-praying-for-the-presidential-electionThe meditation Denise guides us in at the end of the episode:“If you're feeling frightened about what comes next, don't be. Embrace the uncertainty. Allow it to lead you places. Be brave as it challenges you to exercise both your heart and your mind as you create your own path toward happiness; don't waste time with regret. Spin wildly into your next action. Enjoy the present, each moment, as it comes, because you'll never get another one quite like it. And if you should ever look up and find yourself lost, simply take a breath and start over. Retrace your steps and go back to the purest place in your heart…where your hope lives. You'll find your way again.” Alo Yoga

Marceau refait l'info, c'est du lundi au vendredi à 7h30, 8h30 et 9h30 dans le Morning du rire avec Bruno Roblès

Marceau refait l'info, c'est du lundi au vendredi à 7h30, 8h30 et 9h30 dans le Morning du rire avec Bruno Roblès

Vendredi 18 octobre, sort sur Prime Video la série "Culte". Celle-ci nous plonge dans les coulisses de l'une des premières télé-réalité française "Loft Story".

Nous célébrons l'anniversaire de l'un des artistes les plus emblématiques de la chanson française : Jean-Jacques Goldman. Bien qu'il ne souhaitait pas initialement se lancer dans une carrière de chanteur, le destin en a décidé autrement.Après la séparation de son groupe Taifong en 1979, Goldman, alors âgé de 28 ans, s'est tourné vers l'écriture de chansons pour d'autres artistes. C'est grâce à la jeune chanteuse Anne-Marie Bateiller, qui a interprété à plusieurs reprises ses compositions dans un télé-crochet, que Goldman a commencé à se faire connaître. L'éditeur Marc Lombroso, séduit par les mélodies de Goldman, a alors entrepris de faire découvrir ses chansons à différentes maisons de disques. Malgré les réticences initiales, l'artiste a finalement signé un contrat et s'est retrouvé à poser sa voix sur son premier album, initialement prévu pour s'intituler 'Démodé'.Retrace avec nous ce parcours fascinant, de la timidité de Goldman à sa transformation en véritable icône de la chanson française. Découvrez les coulisses de la naissance d'un artiste hors du commun, dont la musique a su toucher des millions d'auditeurs à travers le temps.

Tous les matins à 7h50, l'actualité culture, TV ou cinéma avec Charles Magnien.

Mardi 24 septembre, France 2 diffuse le premier épisode de sa série "Insoupçonnable" retraçant le parcours du Grêlé, tueur en série qui a semé la terreur à Paris dans les années 1980-1990. Ecoutez Laissez-vous tenter - Première avec Le Service Culture du 24 septembre 2024.

durée : 00:03:19 - Une exposition qui retrace l'histoire du sport dans les Landes a été inaugurée hier à Mont-de-Marsan

Joachim Spieth teases his forthcoming album "Retrace" with the release of the album opener, "Recall," accompanied by a wonderfully dubby, dance-floor-friendly remix from the producer well-known within our community, Luigi Tozzi. While Spieth keeps things in a laid-back "sofa surfer" mode with deep, ambient, and dub-tinged atmospheres, Luigi Tozzi's remix expands the dub side of "Recall" into a proper dancefloor groover whose stabs simply envelope a listener like a spider web. Spieth and Tozzi, two of techno's distinguished artists, join forces and deliver a creme de la creme dub techno release. This is a great introduction to Joachim Spieth's forthcoming album, "Retrace," due in October. The single "Recall" with Luigi Tozzi's remix is coming out on September 6. https://soundcloud.com/luigitozzi https://soundcloud.com/joachim-spieth https://www.instagram.com/joachimspieth/ https://www.instagram.com/luigi.tozzi.music/ Follow us on social media: https://soundcloud.com/itsdelayed https://linktr.ee/delayed https://www.itsdelayed.com https://www.facebook.com/itsdelayed https://www.instagram.com/_____delayed https://www.youtube.com/@_____delayed

HOUR ONE: Love, money, divorce, anger, and murder. One Pennsylvania family had it all and then some in the late 1800's. (The Butler County Tragedy) *** Count Saint Germain and Jacques Saint Germain, John and Wayne Carter, the Casket Girls of New Orleans. Despite many years between all of their lives, they all still have one grisly thing in common. All were thought to be, and possibly were, real vampires tied to the Big Easy… a place where real blood-suckers continue to live and roam the streets even now in the twenty-first century. (Vampires of New Orleans) *** They have a long history in the United Kingdom, stalking the moors and fog-carpeted streets in the night. But it appears hounds from Hell have also made their way to the Americas. (American Hellhounds)==========HOUR TWO: On a barren field in the U.S. state of Georgia, five granite slabs rise in a star pattern. Each of them weighs over 20 tons and on top of them, there is a capstone. Nobody knows who built it or why they were placed there, but one popular opinion that their purpose is to guide humanity after a predicted post-apocalyptic event that will come in the not so distant future.  (The American Stonehenge) *** When you think "fairies," what comes to mind? You probably picture an adorable and sparkly creature akin to Disney's Tinker Bell, a lovely - and above all, friendly - presence. You may even want to make contact with them. Unfortunately, glittering humanoids with butterfly wings are the stuff of children's books. Retrace faerie folklore, and you'll discover their secret scary origins. (The Dark Side of Fairies) *** In the Summer of 1949, a geologist named Vadim Kolpakov discovered a strange feature on the surface of the earth in the Bodaibo, Irkutsk, region of South-Eastern Siberia.  Encircled by a largely treed area, this anomaly is oval with a conical crater that contains a small ball-like mound in its middle.  The geologic mystery has baffled scientists who are uncertain of what caused this weird formation. (What Caused the Patomskiy Crater) *** Is there any truth behind the enduring legend of the werewolf? 
(Planet Werewolf) *** The Red Pen==========SOURCES AND REFERENCES FROM TONIGHT'S SHOW:Big Matt, “Long Road” song: https://www.youtube.com/watch?v=EWEvHVz2V6U“American Hellhounds” by Brent Swancer for Mysterious Universe: https://tinyurl.com/yczhkvde“The Butler County Tragedy” by Robert Wilhelm for Murder By Gaslight: https://tinyurl.com/yyn78amz“Vampires of New Orleans” by Brian Harrison for Exemplore: https://tinyurl.com/ycyy4vjpEpisode containing “The Elves of Iceland”: https://weirddarkness.com/?s=Elves+Iceland“Planet Werewolf” by Lea Rose Emery for Graveyard Shift: https://tinyurl.com/vcetp96“The Dark Side of Fairies” by Amber Fua for Ranker: https://tinyurl.com/rbexptk“The American Stonehenge” by Mihai Andrei for ZME Science: https://tinyurl.com/yaogafuz“What Caused the Patomskiy Crater?” by Lochlan McClelland for Historic Mysteries: https://tinyurl.com/wu9r5bc“The Red Pen” by Kjirsty Beth for Paranormality Magazine==========(Over time links seen above may become invalid, disappear, or have different content. I always make sure to give authors credit for material I use whenever possible. If I have overlooked doing so for a story, or if a credit is incorrect, please let me know and I will rectify it immediately. Some links may benefit me financially through qualifying purchases.)=========="I have come into the world as a light, so that no one who believes in me should stay in darkness." — John 12:46==========WeirdDarkness®, WeirdDarkness© 2024==========To become a Weird Darkness Radio Show affiliate, contact Radio America at affiliates@radioamerica.com, or call 800-807-4703 (press 2 or dial ext 250).

Faire la grève, ce n'est pas récent. Déjà, c'est très culturel, en France, on proteste, on manifeste, bref, on n'est pas d'accord et on l'exprime. C'est bien l'une des meilleures façons de se faire entendre, et on le sait bien. Depuis le 16 octobre 2023, une partie du personnel du Centre Pompidou est d'ailleurs entré en grève pour faire valoir leurs droits. Nos voisins européens nous regardent de loin, intrigués, souvent moqueurs, mais finalement attentifs à notre liberté d'expression très démonstrative. À en croire que la première grève du monde était parisienne... Les français ont-ils inventé la grève ? Ou est-ce un autre peuple ? Quelles preuves existe-t-il ? Écoutez la suite de cet épisode de "Maintenant Vous Savez - Culture". Un podcast Bababam Originals, écrit et réalisé par Carole Beaudouin. Première diffusion : 8 avril 2023 À écouter aussi : Quels sont les pires scandales écologiques causés par des tournages de films ? Sylvester Stallone, Fabrice Luchini, Cameron Diaz... qui sont ces célébrités passées par le porno ? Qu'est-ce que le toying, cette pratique mal considérée dans le graffiti ? Retrouvez tous les épisodes de "Maintenant vous savez - Culture". Suivez Bababam sur Instagram. Learn more about your ad choices. Visit megaphone.fm/adchoices

More than half of Brazil's population is Black, but most have no idea of their precise origins. They only know the broad outlines of their history and the fact that their African ancestors were enslaved and shipped over by the millions. After the abolition of slavery in 1888, the finance minister of the time ordered the destruction of all documents relating to the slave trade. Today, many Brazilians are searching for their roots and some are even taking DNA tests. Our correspondents Fanny Lothaire, Louise Raulais and Tim Vickery report.

Carly Guitard attends Dalhousie Regional High School and Sadie Smith goes to Bathurst High School. 

This week on the pod, the gang settles in to the project and describes their experience with Gord's 3rd solo release, The Grand Bounce.Transcript:Track 1:[0:01] Hey, it's Justin. You know and love us on the Discovering Downey podcast, right? So come hang out with us in person for the finale. Join us for Long Slice Brewing Presents, a celebration of Gord Downey at The Rec Room in downtown Toronto on Friday, July 19th. Craig is coming from Vancouver. Kirk is coming from LA. I'm driving from Vermont. And JD is like walking down the street or wherever he lives in Toronto. Tickets are available now on our website at discovererndowney.com. And when you get your tickets, that means you can come hang out with us and our very special guest, Patrick Downey. And you can bid on some incredibly cool silent auction items, all while jamming along with tragically hip cover band The Almost Hip. And most importantly, helping us raise money for the Gord Downey Fund for Brain Cancer Research. Crack open a long slice, put on some Gord tunes, take a journey with us on Discovering Downey, and then crack open another long slice on July 19th and hang out with us in the 6th. I always wanted to sound cool and say that. For more information, follow us on all the socials and visit DiscoveringDowny.com. Cheers.Track 2:[1:23] Thanksgiving. Victims and their victim-ears sit down to Turkey hungry for punishment full of mercury fullimate, serene after the screaming. Grace makes the mouth make shapes it's never made before. We give thanks for the poetry we read and write all day. For freeing us to drink with impunity a toast to no punishment replaces Amen. The prayer is swallowed away for the silence and the quiet carving serene after the was screaming, a little violent, but turkey nevertheless.Track 1:[2:08] Welcome, music lovers. Long Slice Brewery presents Discovering Downey.Track 2:[2:16] Hey, it's J.D. here and welcome back to Discovering Downey. This is an 11-part opus with a focus on Mr. Gord Downey, the late frontman of the Tragically Hip, but somebody who also gave to the world an extensive solo discography. Eight records in total. But have you heard them? That was what I sought out when I enlisted my friends Craig, Justin, and Kirk to discover Downey. These three are giant Tragically Hip fans, but they had little to no exposure with Gord's solo oeuvre. So every week, we get together and listen to one of the records in chronological order and see what we think. Did we miss out? Or did we make the right choice? We're going to find out on Discovering Downey. This week, we're going to dive into Gord's third solo release. This, with The Country of Miracles, it is the grand bounce. Now let's go to the team.Track 1:[3:27] Justin St. Louis, how are you doing this week? Week i'm worn out man and uh i'm ready for this thing to to take over my life tonight and just be back in the normal and enjoy the music and enjoy talking about it with you guys love it yeah kirk where are you headed off to next yeah actually heading off to the big apple nyc i'm uh going to be chaperoning my uh my youngest and they're going to be performing at carnegie so very proud pops Pops. And, uh, we just got back from a really cool trip in Memphis and Nashville and they did really, you know, they did fantastic there. So I've been surrounded by music and, um, that's inspired me, but I'm gonna, you know, concur with Justin and say, I'm definitely looking forward to a discussion about this album. I mean, uh, it's been a pretty cool journey so far, but this, I think this is gonna, this album is going to spark a pretty good conversation in my opinion. So, but doing well and looking forward to traveling again. It'll be interesting for sure. Craig, how are things on the left coast, motherfucker?Track 1:[4:36] Not too bad. Just got back from a family trip to Disneyland that was six years in the making. We tried it, you know, in 2020 and it didn't work out. And so we finally made it down with the kids and spent a few days in LA at the end of the trip and was lucky enough to have Kirk from Chino drive all the way out to LAX and we hooked up for.Track 1:[4:59] Little conversation and yeah, it was cool. It was a good time. Yeah. So first time meeting in person, which was a great night. It was really cool. Yep. No, it worked out actually great. I just got back from that trip with a choir that I'd mentioned and then, uh, hadn't seen my mom in a bit and she was actually staying, um, uh, doing some pet sitting at a house in garden Grove that had some good memories. So it kind of was a half, half the distance to LAX. So it worked out perfect to go and meet you and and i appreciated uh appreciated you giving up some time from your family for a little bit to have a good conversation so and i know it'll carry over tonight well this week on discovering downey we're here to discuss and dissect the june 2010 released from gord and his band the country of miracles consisting of the usual suspects canadian musicians oh.Track 2:[5:48] Man i'm gonna butcher this julie duaron right is that right yeah so she's on vocals guitar and bass then there is gourd's frequent collaborator josh finlayson.Track 1:[6:02] Dale morningstar on lead guitar dave clark on drums and dr p on keyboards chris walla a former member of death cab for cutie turned the knobs on this release but where do you start with the grand bounce it's been seven years and three albums since Gord's last outing, and The Country of Miracles sounds as though they've been chomping at the bit to jam with Gord yet again. This album, to me, is a band album as much as it is a Gord solo affair. As a result, it sounds more cohesive than the previous two releases. While it rarely reaches the heights of Battle of the Nudes, it is a remarkably consistent effort. It's worth noting that the songs on The Grand Bounce seem more structured and maybe even more thought out as three to four minute rock songs that are reminiscent of Gord's day job, The Tragically Hip. There's an energy on this record that's palpable. Perhaps it's the shorthand of working with the same band for three consecutive records?Track 2:[6:58] I'm not sure, but it's there. Now, once we get into the songs on this 50 minute, 13 song opus.Track 1:[7:06] It's tough not to get caught up in the sonic presence that Walla brings to the table. There's a depth to the maturity, And I'll use the term again, a cohesiveness that wasn't as pronounced on the prior two efforts. While the grand bounce is a perfectly fine listen, it's only after letting it grow on you. For me, it sat growing on me since I did the fully and completely podcast. And that to me is when it shows its real prowess, creating earworms and hooks that reel you in and invite you over for dinner just to hang out with the music.Track 1:[7:40] But what do our friends Craig, Justin, and Kirk have to say about the Grand Bounce? Let's not waste any more time and get right to them. Kirk from Chino, talk to me about your first experience with the Grand Bounce. Yeah, well, after we had finished up talking about Battle of the Nudes, I had had some travel for work, and then I was getting some other stuff ready for a very busy week. So I didn't get to jump on to a listen right away. I mean, it was a number of days. But I was doing a walk at night and, you know, cool walk with the dog and had it in my AirPods. And just right away, I was really taken by it. I really felt the maturity of it, you know, very reminiscent of what you had mentioned, JD, in your lead up to, you know, the discussion about the album is it just had a maturity to it. The band, it felt like a band album, exactly what you said. and I, as much as I loved the first two albums, I just felt a comfort. Like the whole time I've listened to this album, which is, I don't know, maybe 15, 20 times at this point, it just, it's a warm blanket to me. It's like, it now is okay.Track 1:[8:57] It's okay, I can like Gord Downie as a solo artist. You know, I just had a great experience with it. I really, really loved it. I could spend a lot of time talking, but I want to hear what the other guys have to say about it. Well, Craig, what do you think? Yeah, this was really a grower for me. I wasn't sure when I first put this on. I didn't think I would like it as much as I do. And overall, I really love this album. I have maybe a couple of critiques, which we'll get to later. Later but my my journey with this album actually goes back to 2015 when you may remember jd that we had a bunch of target stores open in canada in whenever 2010 maybe and they only lasted about four or five years and they went went under and when they were closing down they had cds on sale for five dollars you can get any it could get any cd and i happened upon the grand balance and And actually the next album we'll be doing next week and pick those both up for five bucks. And they sat on open for many years and I just opened them for this podcast. So I I'm lucky enough to have an actual podcast.Track 1:[10:05] Physical copy and the liner notes that came in them so i may be able to offer a few little nuggets um one i would just want to mention off the top chris walla is actually mentioned as a member when it says the country of miracles are and it lists all the members plus him so i believe he was playing guitar on wow much of the album wow very cool some of those videos he was playing so that i'm not surprised by that and i love that thank you for sharing because this is actually the only album that I couldn't get. I tried to get vinyl of everything, but I don't have a CD. So everything has been streaming or online.Track 1:[10:41] And I watched several videos with interviews and he talked specifically about the inlet, the vocal or the lyrics. And you just showed a picture of it, Craig, and it's not the standard sizing that you normally get. So I appreciate you sharing that. That was pretty cool. And I think also what I learned with this album is again, just to trust Trust, you know, Gord, you know, you may not like it right away, but give this album a good listen if you haven't before. It took longer to grow on me than the other two, but highly recommended. Yeah i think a good strategy with this record is to listen the fuck out of it for like two or three days and then put it on the shelf for a week and then pick it up and there's something like kirk was saying that's comforting about it you come back to it and you're like whoa this is really fucking way more hooky than i imagined when i first listened to it but let's uh talk to our friend mr st louis what do you say on the matter of discovering downey v the grand bounce So I also had the word warmth written down, and I did take your strategy, JD, of I listened to it probably 10 times. I started immediately after recording our last episode, which is how I had done the previous. I was like, okay, this is not Battle of the Nudes.Track 1:[12:04] And I immediately heard what I thought was Bob rock sound. But then I realized this isn't Bob rock sound and neither were those other two albums. This is the era that Gord was in with the hip and all of the Bob rock haters probably owe him an apology because this is the type of stuff that Gord was writing at that time. And so it did feel familiar and it did feel comforting and it did feel warm and I liked it. I also, you know, during this time, um, when the album came out i was listening to kings of leon and mumford and sons and stuff like that and there's a lot of that in this in this sound and i you know i was a uh death cab for cutie fan at the time and you know postal service and all that stuff i mean so it was very contemporary for for when it came out and it felt like it belonged in that 2010 range but.Track 1:[12:58] For me, it was a big letdown after Battle of the Nudes, because that album was so damn good. And because we didn't have seven years between recording these episodes for our musical tastes to change, it was like, whoa, this is a massive shift from what we had just digested into this new album. I don't hate it, but I don't think I love it.Track 1:[13:20] Wow. Yeah. I don't see it as such a massive shift. It's going to be interesting as we get into the track by track. Should we do that now, gentlemen? Let's go for it. Let's do it. Okay, the first track on the record is a great one for me in the sense that winter has ended. But when I think about winter, I think about that. I think about Gord standing on the edge of Riverdale Park and having somebody discuss this east wind with him, this strong east wind that blows in and is very cold. And we're going to hear from Craig first on this one. So, Craig, what do you think of the east wind? This is the one song off the album I was familiar with. I had seen maybe a video, I'd heard it quite a few times, and I love it. I think it's a great opener. I want to point something out really quickly that you guys wouldn't necessarily know without the liner notes, but there are Roman numerals, one through four, throughout the album. And at first I thought maybe it was to do with the record I thought maybe the four-sided record which it is, I looked it up but the.Track 1:[14:29] There's three songs per side on the records, and it doesn't quite jive with the numbers in the booklet. So what I think is, I've come up with a little story around, this isn't a concept album by any means, but it's definitely got a story to it. And so I've actually listed what I think the story is about, and I think section one is about a move. And so you've probably done the research too and and gourd at the time was moving up to glenora on the um on the great one of the great lakes so this this first section i think all the songs kind of relate to moving uh the east wind maybe not as much but also interestingly enough the east wind is the only song that doesn't have lyrics printed out in the booklet and i'm not really sure why that would be what yeah so there's a quote at the top it does say the the quote about the east wind is the laziest wind, but right under that is track two. And if you saw some of the video research or YouTube, he talked about it was a neighbor who was a farmer who was describing the east wind, the laziest wind.Track 1:[15:40] So I found that very interesting, Craig, when you proposed the theory of the story. Because I could think to several of the different interviews and different discussions about different songs and how he's definitely pinpointing some real life things that are happening. Like you mentioned the move and, and, uh, obviously some discussions about relationships and, and then he's got his kids involved in some of these songs too. So you may be onto something, my friend. Another theory theory I have is that maybe this song is meant to be like a little bit of an introduction sort of before the story starts. And maybe that's why it didn't have the lyrics in here or maybe it's a misprint who knows, but the song itself musically is, is great. Uh, very much a band jamming again, like we're used to from the previous two albums, but just more layering, more production.Track 1:[16:30] I really love how the guitars are layered. From my count, there's five guitar players on this track, including one who I couldn't find any mention of anywhere on the internet. Someone named Edgar Lewis played guitar, and I believe he plays the guitar at the end, the little guitar melody, the sort of New Order style melody at the end. I couldn't find anything about who he might be. The name Edgar, of course, made me think of Gord's middle name. So not sure if there's a connection there. But yeah, I could not track this person down online. Anybody out there knows who Edgar, what his name is? I apologize. What's his name again? Edgar Lewis or Louie.Track 1:[17:10] Edgar Louie. If you know who Edgar Louie is, shoot us an email at discoveringdowneyatgmail.com. I wonder if he's an acquaintance of Chris Swala. Possibly. Although they did record in Kingston, so it would have been quite the trip for one little guitar melody. But yeah, maybe he was someone working in the studio. Maybe he's a friend of the band or who knows. But yeah, the Chris Walla production is very noticeable on this song. The way things are, you know, I think Gord even mentions in an interview, he just keeps layering things every few bars and very evident. The drums are a good example of this in the song. They come in kind of lightly, but they're still pretty intense. And then the toms come in, and you've got that really almost tribal beat for the first few bars once the whole band kicks in. And then you get just sort of a regular beat. But it's always driving forward. There's always momentum with the drums. It's always picking up momentum right through the end of the song and really strong playing all together. Such a solid song. I think the second part of that build, when I first heard it, was like, oh, this is sort of like maybe some of the tone that was on Battle of the Newts, where it was kind of subdued and subdued.Track 1:[18:31] Just there. And then there's this massive sound, which really works. I do love the song a lot. And I believe you that there's five guitars in it. Um, cause if you have earbuds in and turn it up, you, you feel it. Yeah. And while the chords are quite simple, when you really listen, there's actually a lot going on, even with Gord's guitar. And I feel like on this album, he has matured as a player. You can tell, you know, he's got another seven years of experience and we never did really talk about on the previous episodes his guitar playing but when he first started playing guitar in the hip it was a bizarre thing to watch his strumming patterns it was so awkward to watch him as a guitar player and i'm not even sure he was really too much in the mix back in the early days but he has grown so much as a guitar player he's playing a lot in open tunings i believe i've read that open c was his favorite so i think a lot of the songs on this album or an open C. I noticed in the videos he was playing a Tele for much of this session rather than acoustic.Track 1:[19:33] And yeah, there is a lot of subtleties to the guitar playing, even though it's basically two chords through the whole song. I was going to mention, Craig, and we've all obviously did our research and saw the YouTube, but the bathhouse sessions when they were recording. And, and I'm honestly, it's like, it's a question to this group. They, they were all isolated, but they were all playing live. And you had mentioned how much he was playing guitar. And in the, that little six part series, I loved how Gord was so committed to playing guitar, as you had mentioned. Like there was typically when you're recording an album like you want to do the the vocal and the guitar separately and he was nope i'm going to do it together because the guitar strumming was creating some of the cadence of the vocals and and i loved how or i felt like that was demonstrated there so i think that's a great point that you brought up craig that he was really focused on that playing yeah that makes this album easier to sing to we had mentioned whether i don't remember if it was on air or off air, but we had all had trouble singing along with the first two albums. And this one is much more poppy and rhythm driven. And I think you're absolutely right, Kirk, that him playing the guitar as he sings and it's in every take really kind of made that happen. I also did notice if you, it's really low in the mix, but when this track first starts, somebody says, no more takes.Track 1:[21:01] Like, we have to do it this time, you know? I really, I picked up on that and I enjoyed it, especially after watching that six part series. I'm gonna jump on your story theme, Craig, and Moon Over Glenora.Track 1:[21:14] The next song on the album.Track 1:[24:18] I absolutely love this song right and he talks about the ferry ride and that really goes along when you think of the east wind and being off the lake and then now talking about the ferry, uh justin what'd you think about this song oh man this song solidified my crush on julie this is, such a great track and the duet through every word and then the live performances of this song that i I was able to find on the, on the hips now for plan a record, there's one lyric that's, we don't want to do it. We want to be it talking about the music and they are absolutely the music while they're playing the song. And it's just a lot of fun. And it's like a, it's like going to a club show, which it probably was. I really did love the song. And for me, the ferry ride across Lake Champlain is just a part of life here when you're going over to New York and it just, just talking about the spotlight, finding the ice in the water. I've been on that ferry and the song is really, I think, about two people falling in love, not knowing that they're falling in love. And they're kind of bickering and arguing about it. And they get outside in the ferry and it's cold and it's terrible and you got to stay warm, so let's complain about something.Track 1:[25:29] And they talk about the wolf and they've killed the wolf by the end of the ferry ride. You know um it's the the imagery is really cool and the dead lake right isn't that the last the ocean is dead the ocean is dead yeah yeah it's a great little song i really do love it but i think the star is julie and this really she's fantastic yeah i uh story-wise i actually had almost the opposite thought to me it was maybe um a couple falling out of love and maybe this is the the cracks are starting to show. Like maybe it's not totally fractured yet. And again, I'm not saying that this is about Gord or, you know, I don't know too much about his personal life, but I do know parts of this are inspired obviously by true events, you know, the move to Glenora. Did anyone watch the interview with Gord with Kim Mitchell? If you guys even know who that is? Yeah, I did. Do you know who he is?Track 1:[26:26] Well i had to look it up i didn't know who he was immediately and i got confused because it was that little two-part interview and he had mentioned something about being and i think like saint paul minnesota and it threw me off because it said toronto but then in the second part they they confirmed they were talking in toronto um the one thing sorry and i hopefully i don't derail your thought but the one thing that i loved on that particular interview is the reverence that gordon had for that particular guy so i definitely had to look him up you know to see the songs that he was involved with and and he was uh you know as he mentioned in that he's a hero so sorry go ahead i just wanted to bring him up because he's a you know a classic canadian artist i'm wearing my my cancon shirt here and uh he was definitely a a big part of you know the music scene here in in the 80s and 90s i guess i brought it up because um this was a song that he mentioned really loving that you know kim really loved it also i found it really interesting I'd never heard this before, but Gord references a song that the two of them wrote together.Track 1:[27:29] And by the sounds of it, it's a song that was never released. So it sounds like Kim Mitchell had a song he wrote and then Gord wrote the words too. And so there may be an unreleased song out there, or maybe if a listener's heard this or has any idea how to track this down, I'd love to hear it. So that was my only thing I wanted to add. Oh, and also Dale does some really really cool guitar, little shots on, on this sort of beat two and four. And then he does these little muted scrub scrubs. I'm not even sure how to.Track 1:[27:58] How to put in words what that sound is i'm you know what i mean kind of like a pick almost like a pick slide into the the bends i mean i don't know it it's almost it's a it's a technique it's not it's a rhythmic pattern that he's doing yeah and with with some notes in there but they're sort of muted but anyways i thought that added some nice accent but i agree with with you justin that julie really steals the show on this one it's such a good song on many of the songs on this album that combination of voice, to me, that was what I had mentioned earlier about how much I enjoyed this album, is when you feel that the band is now a band and you feel that connection. But we are so used to hearing Gord as part of the hip and that amazing combination of vocals that he has, you know, with Paul and then obviously with the guitar phrasing and how the hip is the hip and you can hear that. And I think with the vocals that he has with her on many of these albums, but especially on this particular album and several of these songs, to me, that really solidified like, okay, this is a great combination of musicians that are doing fantastic things. So I so appreciated this song.Track 1:[29:19] Another, Gord has that ability to do like an upbeat rhythm and kind of like Pascal's Submarine that we talked about in the last album, where it's kind of a dark subject, but it's a very upbeat song. So I really felt that with this particular song. I couldn't help but think, as he said, the ocean is, as they were repeating, the ocean is dead at the end. I was just thinking about all the water songs that Gord has and how water must be his Roman empire. There are a couple things that come up on this album over and over. Water is one, color is another.Track 1:[29:57] Um, and day and night is a third thing. There was a fourth, I can't remember right now, but there was some definite themes through the entire album. Kirk, what did you think when you first heard as a mover? What I loved specifically about as a mover is the buildup. I think Justin may have referenced in, in some of the, those interviews where, um, how the production was every four bars, you got to get something new. So this really was uh okay you know you get the train feeling that's going on it's that moving it's the transformation it's the sorry not transformation but him him relocating to glenora as we'd mentioned now we're going into this as a mover and you know this these lyrics not just specifically for this song but for for this all album and i think in one of our messages together.Track 1:[30:53] It was hard to pin down some connections on some of these there there are some that are that are there but I agree with that that that guidance on that so as a mover to me loved it you know the sarcasm hey baby want to kiss closes it out with that that that particular theme and it's It's a driving, great rhythmic song. Another thing that was clear in my memory in some of the interviews that we got to see was he was so excited about this album in that it was genre-less, right? You can't just say it's a country album. You can't just say it's a pop album. You can't just say it's a jazz album. It has a little bit of everything. And he even talked about touring for this particular album, that they were doing a bunch of festivals and that they were jazz festival, a pop festival, a rock festival. It was different. So he was pretty proud of that fact. And I got that feeling with that as a mover. Justin, what was your take on the song? So I found a note somewhere that when Gord was writing this album, he was reading a book about Custer. And the title of the album, The Grand Bounce refers to a phrase that was coined during the Custer's involvement, whatever, in the 1860s. Whenever they deserted the cavalry, they called it the Grand Bounce. And desertion and moving and all this stuff really tie in together and –.Track 1:[32:22] This song is kind of what really sparked my thinking about that. Like, you know, this is, there's something happening here and yes, the, the train, you feel like you're on a train as soon as the song starts. And, um, it's definitely a different sound. This song is way different than anything that Gord had put out previously. And I know, again, I, it, it kind of rubbed me the wrong way a little bit. I mean, I've, I've come into all this with an open mind, but it was like, what is he trying to do here? It didn't, the production of this album, And the sound of the songs just did not match up with the first two albums. And this doesn't even match up with anything else that's on this album. And my first reaction was, is he trying too hard with this song to sound different? But it certainly has grown on me. But the theme of moving and desertion and the grand bounce itself, this song tied the album title together for me. Craig, what do you think? In the lyrics, you've got the wife, you know, not wanting to move and you've got the kids wanting to move all that, you know, wanting to go everywhere. And he says he's in the middle, he's got no opinion. So I kind of like that tension in here. I also love the line where he rhymes pressure and less sure. Oh, and he does it in this low register the second time through?Track 1:[33:44] I'm even less sure. And when he says it, he's almost talking it. It's so great. Yeah. And I know I mentioned to you guys in text that when I first heard this song, I was not a fan.Track 1:[33:58] And JD, you were a bit surprised by that. And then it just grew and grew and grew on me. Like more than any other song on the album. I love the song now. I really was not a fan at first. Just love the whole feel of it. And the little drum shuffle with the brushes. And i think what i didn't like at first was just the chorus there was something weird about just those words as a mover it's just not very smooth sounding it doesn't roll off yeah and so that that kind of bothered me at first but really it's whatever feelings i had about it have totally changed now i think it's totally yeah it's a really cool song i was with you that you know At first, I just didn't like it. But then I remembered the song is now 14 years old. And when it came out, I was listening to Mumford & Sons and I was into that sound. And this could be on one of their albums.Track 1:[34:50] And I had to force myself to transport back to that time period. And I would have loved the song back then. And also the, you know, the title as a, as a mover, it made me think like a double meaning could be like a mover is also a dancer. And the next song we have is the dance and its disappearance. And this was another song that I didn't love at first. It's still not one of my favorites on the album, but once I read the lyrics, once I got into the CD booklet and started trying to figure out what it was about, I started to appreciate it a lot more. And so I just want to read you this quick quote in the booklet. There's a quote from Crystal Pite, who I believe is a dancer. And she writes.Track 1:[35:38] It is an extreme expression of the present, a perfect metaphor for life. And it goes on. Once I kind of got what that phrase meant, it just started making sense. And when you watch the live videos of this song, every single performance of this, Gord has something to say about people in the audience with their cell phones. And he's very appreciative when there's not too many people with their cell phones. And he talks about, if you're filming this on a cell phone, you're getting 10% of the experience. Put it away.Track 1:[36:08] And there was one show in Victoria and I wrote down what he said. He says, you like that things disappear as they're happening. I don't see any phones in the air trying to capture 10%. Your brain can handle it. Let it resonate. Let it sink in. Wait till tomorrow, the day after, it'll be all right. Yeah. And I love that message. Yeah, me too.Track 1:[36:26] Fuck. Kirk? This song, when I first heard it, and we've had this discussion on some of the other albums, You know, can this be a hip song? And that opening little riff on this particular song was very hip-like. And there was another interview that I had looked up, I think Alan Cross was his name. And he had even had mentioned that on this particular, he wrote simply a hip-like song. So I think that was one thing that I appreciated is there was not any fear anymore. Like, it's okay because I am the guy who writes the stuff for the hip. So there's going to be songs that sound hip like, and I think he embraced it. But I think that I, the thing that I loved about this, and as I mentioned on the other songs and you guys as well is the, the harmonies with, with, with Julie on this, like that's okay. This is Gord Downie. This is that sound where with the hip it's, this is what I sound like when I sing with Paul or whoever's doing the backup. And I believe that he really captured that in this album, but that song as well. So that was one thing that I noted in my research on this particular song. I think this is my favorite tune on the record.Track 1:[37:41] Gord had that theme, let it disappear into the night and let it happen, use it up. That is a decades-long theme in whatever he's done, and I love the message. I also love the word a squirrel. Holy crap. What a great way to convey that you can't settle down. My mind a squirrel. Holy crap. Did anyone else look up Sudbury yellow? Speaking of colors, I mentioned earlier that color is a huge theme throughout the whole thing. Also tying into the cover art, which was actually a painting by Gord Downie himself. So I think art was much on his mind during the recording of this album. And there is different mentions of colours in so many different songs. So Sudbury Yellow references the colour of the staircase at Sudbury Hall in England. And when you look up a picture of it, it's a very striking yellow. It's actually pretty neat to look up. And also another great So he rhymes the word orange with door hinge. Yeah. Blood orange with door hinge. Yeah. That's great. And I did notice the color theme throughout this and, and art is again, a decades long theme with, with Gordon. And there are many more examples through and we'll get to that.Track 1:[38:57] Well, let's stick with you, Justin, and move forward to The Hard Canadian. When I think of this song, I always, I can close my eyes and I picture, this is going to be lost on the two Americans, I apologize, but I picture Relic from The Beachcombers as The Hard Canadian.Track 1:[39:16] Beachcombers was a CBC show based in the West Coast, and there were some hard-living fishermen type, and there was one character who was sort of a scoundrel, and his name was Relic, And he just looked like a hard Canadian. He looks like the lyrics to this song. But Justin, what do you think of the hard Canadian?Track 1:[39:34] So I had two trains of thought on this. And one was that I thought Gord might have been singing about himself and just the fuck you today kind of thing. But I also thought it was about the weather, maybe in the winter. And go out to the plains and it's brutal out there. And the hard Canadian weather doesn't care about you. You know, and yeah, so the hard Canadian in my weather theory is the hard Canadian don't give a damn about you. What's a windswept face to the elusive presence of the sun to the hard Canadian? Like, you know, it's winter all the time in some places. It's dark all the time in some places, you know, north of 60, right? And it's the line, whether he's just mean or willfully dense, like the weather is controlling itself. self. It was like Mother Nature or whatever is doing this on purpose to test you. Let's see if you come out the other side. Again, the art theme, there's the quote, and it's in quotations from life nothing to death nothing, refers to a piece of art by Frank Stella, which is, forgive my Spanish here, but de la nada vida a la nada muerte. Is that how you'd say it? But that's what it translates to, from life nothing to death nothing. And it's this massive piece of art that's It's very 1965 looking and it's just another theme in there. And I don't know how it ties in other than it's a.Track 1:[40:59] You know, foreboding dark quote. That's just my, I don't know. That's my interpretation of it. But you know, Gord obviously was going through some stuff too. And, and it, it felt like this was almost a third person narrative of a first person point of view. There was two songs on the album that I'm familiar with. The hard Canadian is the first time I heard it. I had definitely had heard it before, but had not, you know, process that it was not a hip song. I think I thought it was like a deep cut hip song or something when I heard it years ago. But the other one is, and I know we'll talk about it, The Night Is Forgetting.Track 1:[41:36] He would sing it when he would do hip songs. He would sing some of his gourd songs. So when I read that story or heard about that story, I'm like, I know I've heard that song before when they played out here in LA or whatever. So, but anyway, the hard Canadian, what he had mentioned was it was Mike, Mike Clattenberg trailer park boys. That's that, that's it's one of the series that I haven't watched. I've watched letter Kenny and I've watched, you know, several other Canadian, but I have not watched the trailer park boys. And he had mentioned that it was one of the guys I guess is one of the creators and he's like yeah I got this new thing and it's hard Canadian it's dope and and so when I'd heard that description I immediately thought of like if you guys are familiar with letter Kenny like Wayne is he's hard Canadian it's just gonna smoke a you know go out and smoke and have a puppers have a dart yeah having a dart exactly so that that was the imagery that I got from it I want to point out that this is the first song in section number two lyrically in the lyric booklet.Track 1:[42:39] And I just noticed that there's a quote here from Walter von Tilburg Clark, night is like a room. It makes the little things in your head too important. And I just realized that's the second verse of the East wind. And then I glanced forward section three has the lyric from the third verse. So the lyrics from the East wind are in here, but they're, they're heading each sections. And so in my mind, and they're quotes from other authors. Is that what it is? Yeah. It was, um, he said that song was made up of the East wind I'm talking about was made up of quote, like three quotes that he, that he loved. And I had seen that somewhere. Yes. And so the hard Canadian to me is like what JD said, like I'm picturing like a relic type. I had a baseball coach when I was a kid who he's this older guy and he always had like this about one inch left of a, of a homemade smoke. And, uh, and that, that line where he says, takes a puff of puff of nothing and pick something from his tongue. Like I just picture Mr. Heller, my baseball coach who, you know, for four years, you know, first 10 minutes of practice, you don't wear a glove. You're, you're passing the baseball just with bare hands and, and just thinking back to those, those times, there was another line that I want to bring up the silences.Track 1:[43:55] He don't listen to them. Do you think that's a reference to Pascal? Maybe that's interesting. Uh, I hadn't thought that, But because I'm thinking now my mind is a squirrel and I, I'm almost thinking this is about, you know, that, that, you know, rural Canadian, um, you know, like a relic type. And in my mind, Gord is trying to say maybe that, that there's more, more to that person than, than maybe meets the eye. I don't be so quick to judge when he says he, he blurs the image, drags his brush through the wet pigment. To me that line saying you know don't be so quick to judge the hard canadian well right at the end he mentions remembering someone too and that's absolutely you know makes sense and i know a lot of hard frenchmen that are from quebec that have been through hell and you get down to it and they're just you know beautiful soft men inside but you got to get through seven layers of onion to get there.Track 1:[44:56] And that really ties perfectly into the next song, which is Gone.Track 1:[48:41] Because it has a very similar story behind it, which I'll get into it a little bit. But Kirk, what were your thoughts on Gone? Yeah, no, I love that you actually had mentioned that you're going to get into more of the meaning of it. Because I have some thoughts and ideas, but what I really wanted to talk about on this particular one, from the musician side, that I absolutely loved about it is – I'll give the note that I wrote. And I can't remember exactly who it was that mentioned it to Gord, but he said it sounded like a moose in the distance.Track 1:[49:16] And when you listen to this tune, which is a beautiful tune, another great example of the harmonies, it's another one where you just hear the range of Gord's vocals that are just phenomenal and how he can cover the spectrum with that. But the fact that Dale Morningstar was using a theremin and had several different layers of the theremin recorded on that and you hear it. And then when you get confirmation of it, you go back and listen to it and you go, oh, wow. Right. Because there's only a few songs out there that we all know and love that have the theremin. Right. There's only what the Beach Boys and Led Zeppelin or the, you know, have have really pulled it off. So it's cool to see them jump out from a musician standpoint, musicianship standpoint.Track 1:[50:05] The other thing that I wanted to mention before, and I definitely want to hear Craig's thoughts on the meaning of it, was that Gord had mentioned in one of his interviews that this and I think The Night Is Forgetting, he called it the grandma and the grandpa. So he'd had these songs for a long time and he'd matured with them. And so I think that that anticipation of so much time between the two albums, but then having songs that came, you know, at different points along the way. And I just felt like this one had, it had marinated and it was, what was presented was what had, he had settled on, because I think that happens anyone who's done music creation. You're, you write it with a thought, a producer takes a look at it, an engineer takes a look at it, the rest of the band, and it becomes something different.Track 1:[50:55] Anyway, Craig, your thoughts on some of the meaning behind it. In the booklet, there's a quote from a Polish writer named Bruno Schultz. And it says, He had not been rooted in any woman's heart. He could not merge with any reality and was therefore condemned to float eternally on the periphery of life in half real regions on the margins of existence. And apparently this was in reference to his own father. So again, coming out of the last song, it seems to kind of tie into that idea of, at the end of The Hard Canadian, where there's someone he was remembering. So this idea of, there's actually the lyric in the song, gone and feeling half real on the edge of your life. And that ties directly to that quote. quote musically the bridge that there's a building bridge with uh julie singing backup and.Track 1:[51:48] Really really great songwriting and this was another song that really grew on me it's just such a catchy kind of fun fun song uh justin what did you think no i loved it right from the beginning it yeah it builds and it starts really slow and then it gets really slow again in the middle and it's quiet. I didn't dive too deeply into the lyrics, but there's definitely, you know, this is a life story kind of thing. And maybe at the end of it. Yeah. I just, I really love the way the song made me feel and that's only surface deep, but sometimes that's all you need in a song. And I don't know, I could listen to this one over and over. And I have. Okay. Kirk, how about the drowning machine? What are your thoughts there? I think we have another nautical disaster, could we call it, on this next song? Yeah, yeah. Through Drowning Machine. Drowning Machine. Until I actually looked it up, I didn't really know what it was talking about. But apparently, the Drowning Machine is like a common name for a weir, which is a low head dam, which if you've seen pictures of them, basically what happens is the water just cycles. And just if you get if you end up going over one of these dams you're.Track 1:[53:02] Pretty much not getting out and so gourd had apparently read a story about um about some girls being saved from the the bow river in alberta and um there was actually i i kind of looked up this this bow river and there's this this notorious um spot on the river where where i believe it said had 14 deaths in 30 years and they actually had a there one story there was there was actually a boom across so if you if you're totally out of you know if you miss all the signs and you you keep going down you can grab on to this boom at one point a storm had washed it washed it away and so a couple of men died in in i believe 2007 because the the boom had been washed out and so finally they did some construction and they and they have now made it into uh an area called the Harvey, this is called the Harvey passage. And apparently people go there to do white water rafting. And there's actually two kind of, um, passages that go through now two channels, uh, at different levels of, you know, for, for different levels of experience, um, for, for rafters. I had, I had done some research on the, um, Glenora song and there's a very treacherous river that it's like, Hey, don't go there, fly over it.Track 1:[54:20] And this reminded me of, reading about that, it reminded me of Niagara Falls, just the immense force of the water at the bottom. And you're not going to get out of there if you go over the falls.Track 1:[54:37] We had a deer camp when I was a kid on the Huntington Gorge here in Vermont. And there's a plaque with a list of 30 or so names of all the people that have died in the gorge. And our deer camp was the spot where the state police would fish the bodies out of the river every time there was one that ended up there you know we we couldn't get to the to the camp because they would use the front porch to be their their base of operations oh yeah wild and i i have to say at the end um there is some lead guitar at the end by dale that really at this point in the album when I was, especially on first listen, when I wasn't totally jiving with some of the earlier tracks, this song was the one that immediately I loved, like right off the bat. And hearing that guitar when Dale finally cuts loose and really leans into that dissonance, I felt like, okay, I'm starting to get this. And Kirk, what did you think of this? Yeah, I am fascinated, obviously, with Gord's fascination with water and the nautical side of things. But again, I think this song was just another great example of their time together and how they really... And I don't know if you guys noticed this.Track 1:[55:58] I don't think they played this on that six-part one, but I really enjoyed that it wasn't like a monarchy. You know, it wasn't Gord was given direction. It was everyone was involved. And I really loved the different parts that you would see with Chris Swala and his just subtle, nice guy production tips. So, um, I really love that interaction of, of how now that they've been done.Track 1:[56:25] A couple albums together and now it had been a little bit. And I also read something about how, yeah, they wanted to definitely get that indie vibe and they definitely wanted to have a variety of different styles of music, but how they also, you know, they're also very accomplished musicians and they've spent some time with some big bands and have played in some pretty, pretty big arena. So they could bring that to the songwriting and, and, and, and the music within this. So, and I really felt that too, moving into Yellow Days, which was the next one.Track 1:[1:00:51] I love this tune. This tune to me, and maybe I'm hearing something wrong, but there was almost kind of like a jazz bossa nova, just a real kind of amazing groove to it. And I also loved hearing about the story about Josie Dye, I think was her name. And they had had a passing at a festival way back when, when I think she was a hip fan and he was just walking around and that that that's That's actually part of the lyrics in this particular tune. But I love this song. He talks about it in some of the interviews and the descriptions about just the Canadian summers and how much the Canadians love that summer, but it goes by so quick.Track 1:[1:01:36] And so they're really just trying to make the most of every time they have good weather and they have a good moment and also keeping with Craig's color theme, which I love that you brought that up and along with the storytelling that's going on uh you know this is the here we are and and enjoying that summertime and almost reminiscent of them recording this album right for the two weeks i think in august and in 09 so justin did you dig this song yeah because we have the same summer and winter pattern that that you guys would up north today you know inside baseball we're not recording this in the summer when this is coming out we're recording it well before and it was the first warm day this year and I wore shorts and it was only 61 degrees outside. It was very windy. I shouldn't have had shorts on. But you take those moments and you wrap your life around them when you can get them. And 61 felt like 81 today. And I know the Canada gray because we have that here. It's Canada gray. Even as it's warm today, it's Canada gray outside. And just the imagery of it is wonderful. wonderful yeah and i mentioned the earlier the you know the theme of of days and nights so you know that's very obvious here uh and going into the next song and um.Track 1:[1:02:53] A couple of things, Kirk, when you were saying, you know, that beat at the start, I had the same thing. I was actually trying last night to figure out what type of beat this really was. The word that came to my mind was Calypso, but then I looked it up and it was not correct. But like this South American, like it's something I've heard. Bossa Nova was what came to my mind. So, you know, Calypso Bossa Nova, it's definitely a Caribbean feel. And, you know, the fact that it's on a Gord album, you know, again, just really talks to, you know, we had your hardcore on the last one and now we're doing Calypso Bossa Nova, you know, jazz type stuff. It's brilliant in my opinion. It reminded me of my grandmother's organ, you know, had those big tab buttons that there's a there's a pre-programmed beat and it's really bad not that the song's bad but on the organ it is yeah kirk your story about the you know everyone you know in this you know having so few.Track 1:[1:03:54] Summer days in certain parts of canada it reminds me of back in 96 my band was was in winnipeg we were playing you know this show at a you know the club that all the you know the all the decent bands played at and so we were really excited about playing this this club and uh it was on a weekend we thought like this is great and it turns out it was the the long weekend in august and everyone in town leaves for the for the lakes and there was nobody in town like not just for our show but anywhere it was just bizarre so those are the the yellow days of winnipeg well let's Let's continue on with you, Craig. Keep this wagon wheel going and talk about Night is Forgetting, which is a great title. Yeah. So, so again, the day, day and night theme and we go from yellow days and tonight is forgetting.Track 1:[1:04:46] And it was really bugging me this song because I'm like, I know that I know this song and I couldn't figure it out. And then I felt so stupid a week ago when I actually looked in my, on my phone and I had the hip version of this, which is from about, I think 2005, it was just a single. As far as I know, it was just released out of nowhere. It was, uh, I think it was left over from in between evolution. Okay. So, so I did have it. So I definitely been listening to it, you know, in the past, but it never was a song that, that interested me very much. So this one again, grew on me. I think I prefer this version now. It's, it's a little more upbeat. I love the piano. So, so shout out to Dr. P, John Press, who I don't think we mentioned last, last episode, but he is such a great player. I actually looked him up last night. I couldn't find too much about him online.Track 1:[1:05:38] And he is so tasteful. He never overplays until this is like, it was almost like someone said to me, you know, just, just let loose. And you can actually see, I'm sure you guys saw on the, on the bathhouse videos, you can see him rehearsing this on his own, kind of coming up with a part and man, he nails those, those runs. It's very impressive. It's so good. So I wrote, or I heard, and I could have definitely stole it, but I heard piano flurries. And that's exactly what it sounds like as a piano flurry when it starts driving. That's exactly what my note says. Yeah, piano flurries. And the one line that stuck out with me or to me was the dew drops on the luminous veil. And I know he mentioned this in the Alan Cross interview and the luminous veil being the suicide barriers they put up on the Bloor Street street viaduct in Toronto. I guess it was a place where there was just mass amounts of suicides, just 500 suicides and they finally put up this barrier.Track 1:[1:06:41] It's a 10 minute walk from my house, the Luminous Vale. When you guys come here, I'll show you the Luminous Vale. At night, it's very pretty, but in sort of a, I don't even know, like an eerie way because Because the sections that hold the guy wires up all look like crosses. Yeah, it's heavy, man. And so my last thing about this song, in one of the interviews, Gord, he mentions that he read a quote from, I believe, Thomas Jefferson saying something about war is forgetting another country's resources.Track 1:[1:07:19] And he said, I just replaced war with night. On the hip version of this, he actually does sing war is forgetting in the last chorus. us. So he changes that for this version. But I was actually looking up quotes from Jefferson last night. I didn't find anything that resembled such an idea. So if any listeners know what he was referencing here, I'd love to hear from you. So when Gord passed, there was an interview on some news, whatever, with Ron McLean from the CBC, or I don't know if he's the CBC anymore, more, but I knew him from Hockey Night in Canada growing up. And what I think was a quote that Gord said, but I've never been able to find it attributed to Gord, was, night takes the chances, day the reward. I love that quote. And he wrote an op-ed about Gord's passing that included that line as well. And it's just a beautiful line. And I sort of.Track 1:[1:08:19] Think of myself with my work that way. I sleep three hours a night just because that's how my body works. And I'm up till one in the morning and then I get up at 5.30. But I also love that forgetting and forgetting are really just a great sound in the song that can be interpreted in any possible way. Yes, I love that part of it. And as I mentioned earlier, this was one of the songs that I know I had heard before. And honestly, until I just recently had either read or heard that it was a hip song or that it was used on a couple of hip shows, I feel 100% positive that one of the shows that I saw, they played this. I haven't gone back and look at all the set list yet, but I feel pretty confident of that. So yeah. But just love the musicality of the song. I mean, that's the only thing I would add is just the musicality is insane. I have created this little thing that I've called Gord's Annunciation Era, where he's got a section of his career with a hip where he absolutely nails every letter in every word. And think of the lonely end of the rink, and it's a very hard – and this song is a great example of that. You know he says every letter in every word in every phrase and it's just a it's very distinct this this section of maybe eight or ten years of his career whether it's with the hip or solo.Track 1:[1:09:46] And I just love how he really makes his body be an instrument with words. And also the line, he says, weird undercurrent, we're undercurrent. And again, another reference to water in a way, but just thought that was a neat little turn of phrase there. Yeah, he's so good at that. And he changes just little tiny tweaks throughout this album in many different songs with words and lyrics and how he, it sounds the same on first two or three listens. And then you realize, oh no, this is a completely different set of words. Christmastime in Toronto, he did that too on the last album. And at the very end of this song, I love how he's singing over and over. Night is forgetting and then forgetting. And then there's one time when they totally phrase it differently. There's pauses.Track 1:[1:10:37] Do you know what I mean? I mean, the very last line, I think it is just a neat little, I love songs that have just one little quirk like that. Yes, yes, absolutely. You know what? It really goes back to, I'll be leaving you or I'll be leaving you tonight. I mean, right from the beginning, right? It's just a really cool trick that he's always done. Well, another, one of the other tricks that he's famous for is invoking his children and lullabying them. The next song, Moon Show Your Lashes, to me is just the process of writing some of these lullabies and things about his children. That's what it means to me. Mr. St. Louis, how about you? I took it as his battle with insomnia, you know, which is also a common theme throughout his career.Track 1:[1:11:25] And yes, I definitely picked up on the thing. Like, you know, there's a, there's a book that my wife and I love called go the fuck to sleep, you know, talking about your kids, like just give us a break, man. And tonight, in fact, before we recorded, my daughter was taking a bath and she's trying to speak Spanish and she's yelling it and asking my wife questions in the other room in Spanish. And I walked in and Linda looks up at me and whispers, she needs to shut the fuck up. You know, just those moments of give it a rest, kid. But I think that it could be interpreted either way that like, yeah, he's talking about his kids. Like just, okay, relax. We get it. moon slow your lashes.Track 1:[1:12:09] But, you know, I think, The way that I took it was more of Gord by the lamp with a notepad trying to come up with the next song and wondering, you know, there's the line, what must he think? And no more, I think he thinks. And kind of judging himself or his work before it's even completed and just not being able to reconcile that. For what it's worth, I love the lyrics in this song. I friggin' hate the tune. I hate this song.Track 1:[1:12:39] It's so annoying. And I don't know what it is about it. And it's such an earworm. And it's the one I can't get out of my head. I can't stand the song. Get out of here. Wow. Actually just blown away by what Justin said, because I absolutely love the tune. Me too. And I think it's that 2010s, as you mentioned, you know, like there's such a massive influence from all of them individually as artists, but obviously Death Cab and that influence, but I think what they were listening to at the time. And so I mentioned that I really liked this album. So, you know, there's, there's no real duds on it for me. So, I mean, there's little things of course that I could critique, but to me, this particular album and, and, and even this song like this, this one's really up there. For me you know i'm still trying to decide what's going to be my favorite song from this and it's the first time that i didn't know instantaneously i particularly i enjoyed you know again just how it made me feel it gave me that that just that cool this is where we're at in this this time in music like it was it was it had it has some heavy lyrics but it it's i mean not crazy heavy but it was an upbeat song, I think, overall. So I appreciated it. So there was a story, Gord, in one of the interviews online I found.Track 1:[1:14:01] Talks about a radio essay he was listening to by, by someone named Neil McDonald. And he was talking about a woman who would go up to a place called high level Alberta. So when they, when he says high level in the, in the book, in, in, in the song, I had noticed in the booklet, it was capitalized. So it actually is a place up in Northern Alberta. And this woman would go up to um, Northern Alberta and, um, make, make some money. You can probably imagine how she's making her money and, and she would do this in order to support her kids. And, uh, and then when she got back to her kids, I just want to want to hold and smell. And another crazy example of how Gord writes these like incredibly upbeat, like you hear it and you fall in love with it because it makes you feel good, but it's dark AF.Track 1:[1:14:52] It's just got some real, real, real just black undertones in some of it, but the music just keeps you going. And that line that says, when, not if, after, when I get out of high level, when, not if. Yeah. And forget the, in the bridge, I think it is the forget the hawks, jaguars, the knife lickers and creeps. And yeah, it just really changed my perspective of the song and and yeah that that juxtaposition between the the sort of cute music and the dark lyrics some some more themes of um you know burgundy the color burgundy dance dance so again dance is the the one earlier that i was forgetting when i was talking about themes so themes on this album water you've got day and night you've got color and you've got dance and this song has a couple of those things in it and and to me it was like you know the things we do for our family oh like i like i said i i really love the story in the song and the lyrics and trying to figure out what i think i thought but just the tune i can't do it i don't know why man i'm sorry i'm i'm i'm not totally crazy about this song uh it's not my lead i'm actually we passed by my my least favorite without me saying but but to me um The Hard Canadian is the weak link on this album. To me, it's just a... Oh, wow. Yeah, it's just... I think it's the chord progression has just so been done before. Yeah, I'm not in love with it either. And that's the one song that I was familiar with on this album. This song, I wasn't too much of a fan of at first, but I do really like it now. It has grown on me, especially I think hearing that story. Well, are we ready to jump into Retrace?Track 1:[1:20:11] This song, my note, it just says vocally amazing. That's the note I have.Track 1:[1:20:18] I'm sure there's an amazing meaning behind the whole song. I really don't care. I just want to hear Gord sing the main line. I retrace my steps. And it just puts me in this amazing, wonderful, just warm place like we talked about in the beginning. And even Gord in some of his interviews talked about how the process and these songs were company to him. And that's what I felt with this retrace, this tune. And again, another great pairing from harmonies and also great build. And also, as we'd mentioned before, where that whole theory of every four bars coming up with something new, the retrace song, it definitely had additions and installations to create this. I just, yeah, maybe I'm dating myself, but I don't know if you guys are familiar with the band, the Smithereens.Track 1:[1:21:17] Kind of had a Smithereens vibe to it. Had a Lou Reed vibe to it. I know that there'

Terrasses retrace les événements de novembre 2015 qui ont frappé Paris.  Choisissant de ne pas s'inscrire dans une écriture du témoignage, mais dans la possibilité d'une poétique, Laurent Gaudé tresse les multiples voix des victimes, passants, secouristes, policiers, infirmiers, parents, pour construire un chant à opposer à la terreur et célébrer l'humanité restée debout. Terrasses est à voir au Théâtre de la Colline jusqu'au 9 juin 2024.   Invité : Laurent Gaudé, auteur du texte « Terrasses » publié chez Actes Sud, et mis en scène par Denis Marleau.  

Terrasses retrace les événements de novembre 2015 qui ont frappé Paris.  Choisissant de ne pas s'inscrire dans une écriture du témoignage, mais dans la possibilité d'une poétique, Laurent Gaudé tresse les multiples voix des victimes, passants, secouristes, policiers, infirmiers, parents, pour construire un chant à opposer à la terreur et célébrer l'humanité restée debout. Terrasses est à voir au Théâtre de la Colline jusqu'au 9 juin 2024.   Invité : Laurent Gaudé, auteur du texte « Terrasses » publié chez Actes Sud, et mis en scène par Denis Marleau.  

Quel crime qui a secoué la Galice en 2013 est au cœur de cette série espagnole ? Comment le cinéaste Marco Bellochio s'est-il emparé avec brio d'un évènement historique, l'enlèvement d'Aldo Moro par les Brigades Rouges, dans la série « Esterno notte » ? Qui était surnommé la Con Queen, la Reine de l'Arnaque, à Hollywood ? Les découvertes musicales : - THE THE - Cognitive Dissident - Empire Of The Sun - Music On The Radio - Jazmin Bean - Charm Bracelet - Green Crow Collective - Oiseau Noir - Garbage - Song To The Siren Merci pour votre écoute La semaine des 5 Heures, c'est également en direct tous les jours de la semaine de 19h à 20h00 sur www.rtbf.be/lapremiere Retrouvez tous les épisodes de La semaine des 5 Heures avec les choix musicaux de Rudy dans leur intégralité sur notre plateforme Auvio.be : https://auvio.rtbf.be/emission/1451 Et si vous avez apprécié ce podcast, n'hésitez pas à nous donner des étoiles ou des commentaires, cela nous aide à le faire connaître plus largement.

GC13 and David discuss Retrace Our Hooves from Summer Camp Island. It's okay Mildred, there's no rush—we're sure Susie has time to finish her epic death speech and make it out of the Metaphysical Reserve alive. And thank goodness that she does! Susie escapes from a not at all sinister place that had incredibly sinister designs on her. … Continue reading

durée : 00:58:38 - Le 13/14 - par : Bruno Duvic - Nous recevons aujourd'hui Sophie Lavaud, alpiniste et conférencière et François Damilano, alpiniste, guide de haute montagne, écrivain et cinéaste qui réalise le film documentaire "Le dernier Sommet" qui sera diffusé sur Canal+ le 23 mai prochain.

Good knights and fair maidens, join us on a quest to dissect the hilarity and absurdity of Monty Python and the Holy Grail in our podcast review! Tune in for a jolly good time!  Dive into the labyrinth of comedy with our in-depth exploration of the classic, 'Monty Python and the Holy Grail.' Retrace the strange roots of the film, bankrolled by iconic musicians like Led Zeppelin, Pink Floyd, and Genesis, and dissect the challenges and creative solutions that brought this absurd film project to life. Travel alongside the movie's characters through bizarre trials, ridiculous adventures, familiar figures, and unique situations. Listen to the confounding debates and discussions surrounding the well-loved movie's impactful scenes and highpoints. This episode's special guest, Nolan, a long-time fan, relates his personal bond to the film, showcasing the transformative power of film. From nostalgically revisiting past scenes to humorously dissecting the film's narrative, errors, and credits, this episode offers an amusing blend of nostalgia, trivia, and humor. This hilarity-laden voyage transports both Monty Python enthusiasts and novices to a realm bubbling over with slapstick comedy, fantasy, and delightfully oddball narratives. From a gripping exploration to an equally enthralling trivia session, this episode is the quintessential guide to 'Monty Python and The Holy Grail,' offering a revisit for fans and a rare treat for first-timers. WARNING: There will be Spoilers.

Fossils can tell an incredible story about our Earth's distant past. In this conversation, we dig into these geological remnants to uncover the mysteries behind the Genesis Flood. Can fossils provide sufficient evidence to support the creationist perspective? Paul Garner, a full-time researcher and lecturer for Biblical Creation Trust, sits down to weigh in… Paul has an MSc in Geoscience from University College London, where he studied palaeobiology. He has written over 50 creationist papers and is the author of The New Creationism and Fossils and the Flood. With years of research experience under his belt, Paul has explored many corners of our Earth's geological history. Listen in now to learn more about his findings! Join the discussion to find out: What fossils records are, and the things they reveal about ancient Earth. How creationists and evolutionists explain the formation of ancient rock layers.  What made it into the fossil record during the Genesis Flood.  How the marine environment differs from the pre-flood to post-flood world.  Want to learn more about Paul and his work? Click here! Episode also available on Apple Podcasts: https://apple.co/38oMlMr

Au cœur de la nuit, les auditeurs se livrent en toute liberté aux oreilles attentives et bienveillantes de Valérie Darmon. Pas de jugements ni de tabous, une conversation franche, mais aussi des réponses aux questions que les auditeurs se posent. Un moment d'échange et de partage propice à la confidence pour repartir le cœur plus léger.

This could not be a more perfect episode to close out Season 3, y'all! Happy New Year! Today's guest is none other than Professor Bernard Brown. Step in to this warm, thoughtful space and we discuss many common threads between us including the Los Angeles native experience. It's going to get honest, intimate, vulnerable...and maybe even naked as we Retrace the steps of this beautiful Black and Queer Dance maker and educator. So, take a deep breath and let's step back into time, starting in South Central LA... Bernard Brown: IG - @bb.moves @renaissancebrown Email - bbmoves1@gmail.com Ariana Toriz: IG - @hernameis.ari @saltcircle.dance Email - ari.is.not.sorry@gmail.com --- Send in a voice message: https://podcasters.spotify.com/pod/show/ariana-toriz/message Support this podcast: https://podcasters.spotify.com/pod/show/ariana-toriz/support

Chaque jour, deux chroniqueurs présentent les infos indispensables à connaître en matière de culture : les dernières actus musique, les sorties littéraires ou cinéma, les nouvelles pièces de théâtre et les séries à ne pas manquer… C'est ici !

Chaque jour, deux chroniqueurs présentent les infos indispensables à connaître en matière de culture : les dernières actus musique, les sorties littéraires ou cinéma, les nouvelles pièces de théâtre et les séries à ne pas manquer… C'est ici !

Quelles sont les chanteuses qui, sans tapage et avec le bouche-à-oreille, ont réussi à tirer leur épingle du jeu en 2023 auprès des critiques des magazines musicaux les plus influents ? Quelle catastrophe aérienne restée dans l'histoire retrace le film « Society of snow » de l'Espagnol J. Bayona ? Quelle chanteuse, à 55 ans, a fait un retour remarqué et remarquable ? Comment les 6 derniers épisodes de « The Crown » parviennent à conclure en beauté cette série prestigieuse ? Dans la catégorie « fille et fils de », pourquoi retient-on Gracie Abrams, fille de J.J. ? Toutes ces questions trouvent leurs réponses dans « La semaine des 5 heures » de ce mercredi 20 décembre Merci pour votre écoute La semaine des 5 Heures, c'est également en direct tous les jours de la semaine de 19h à 20h00 sur www.rtbf.be/lapremiere Retrouvez tous les épisodes de La semaine des 5 Heures sur notre plateforme Auvio.be : https://auvio.rtbf.be/emission/1451 Et si vous avez apprécié ce podcast, n'hésitez pas à nous donner des étoiles ou des commentaires, cela nous aide à le faire connaître plus largement.

75% of the trash pandas watch the amazing race, so it wouldn't be a lot of fun to talk about the show.  Unless we take out the specifics.  Tony recaps some of the challenges and we discuss if we could do them or not.  No Amazing Race Spoilers  We Show Some Love: Muscogee Rollergirls Follow, Like, and Subscribe: Facebook / Instagram / Twitter @inAdditionpod Anchor.fm/inAdditionpod Contact us: inadditionpod@gmail.com Hosts: Stephanie Crugnola, Emily Swan, Mike Ellison, Tony P. Henderson Music: Pomade by Silent Partner --- Send in a voice message: https://podcasters.spotify.com/pod/show/inadditionpod/message Support this podcast: https://podcasters.spotify.com/pod/show/inadditionpod/support

75% of the trash pandas watch the amazing race, so it wouldn't be a lot of fun to talk about the show.  Unless we take out the specifics.  Tony recaps some of the challenges and we discuss if we could do them or not.  No Amazing Race Spoilers  We Show Some Love:  Rewind TV Follow, Like, and Subscribe: Facebook / Instagram / Twitter @inAdditionpod Anchor.fm/inAdditionpod Contact us: inadditionpod@gmail.com Hosts: Stephanie Crugnola, Emily Swan, Mike Ellison, Tony P. Henderson Music: Pomade by Silent Partner --- Send in a voice message: https://podcasters.spotify.com/pod/show/inadditionpod/message Support this podcast: https://podcasters.spotify.com/pod/show/inadditionpod/support

OCTOBER IS “OVERCOMING THE DARKNESS” MONTH when I dedicate the podcast to raising funds to support organizations who help people struggling with depression, anxiety, and thoughts of suicide or self-harm. Please help with either a small donation or share this link in your social media to encourage others to give, to get more information about the fundraiser and organizations we are helping, or to get the help that they or a loved one need: https://weirddarkness.com/hope.PLEASE SHARE THIS EPISODE in your social media so others who loves strange and macabre stories can listen too: https://weirddarkness.com/archives/18046IN THIS EPISODE: On a barren field in the U.S. state of Georgia, five granite slabs rise in a star pattern. Each of them weighs over 20 tons and on top of them, there is a capstone. Nobody knows who built it or why they were placed there, but one popular opinion that their purpose is to guide humanity after a predicted post-apocalyptic event that will come in the not so distant future. *** When you think "fairies," what comes to mind? You probably picture an adorable and sparkly creature akin to Disney's Tinker Bell, a lovely - and above all, friendly - presence. You may even want to make contact with them. Unfortunately, glittering humanoids with butterfly wings are the stuff of children's books. Retrace faerie folklore, and you'll discover their secret scary origins. *** In the Summer of 1949, a geologist named Vadim Kolpakov discovered a strange feature on the surface of the earth in the Bodaibo, Irkutsk, region of South-Eastern Siberia. Encircled by a largely treed area, this anomaly is oval with a conical crater that contains a small ball-like mound in its middle. The geologic mystery has baffled scientists who are uncertain of what caused this weird formation. *** Is there any truth behind the enduring legend of the werewolf?SOURCES AND REFERENCES FROM THE EPISODE…Episode containing “The Elves of Iceland”: https://weirddarkness.com/?s=Elves+Iceland “Planet Werewolf” by Lea Rose Emery for Graveyard Shift: https://tinyurl.com/vcetp96 “The Dark Side of Fairies” by Amber Fua for Ranker: https://tinyurl.com/rbexptk “The American Stonehenge” by Mihai Andrei for ZME Science: https://tinyurl.com/yaogafuz “What Caused the Patomskiy Crater?” by Lochlan McClelland for Historic Mysteries: https://tinyurl.com/wu9r5bc Visit our Sponsors & Friends: https://weirddarkness.com/sponsors Join the Weird Darkness Syndicate: https://weirddarkness.com/syndicate Advertise in the Weird Darkness podcast or syndicated radio show: https://weirddarkness.com/advertise= = = = = = = = = = = = = = = = = = = = = = = = = = = = = =Weird Darkness theme by Alibi Music Library. Background music provided by Alibi Music Library, EpidemicSound and/or StoryBlocks with paid license. Music from Shadows Symphony (https://tinyurl.com/yyrv987t), Midnight Syndicate (http://amzn.to/2BYCoXZ) Kevin MacLeod (https://tinyurl.com/y2v7fgbu), Tony Longworth (https://tinyurl.com/y2nhnbt7), and Nicolas Gasparini (https://tinyurl.com/lnqpfs8) is used with permission of the artists.= = = = = = = = = = = = = = = = = = = = = = = = = = = = = =OTHER PODCASTS I HOST…Paranormality Magazine: (COMING SEPT. 30, 2023) https://weirddarkness.tiny.us/paranormalitymagMicro Terrors: Scary Stories for Kids: https://weirddarkness.tiny.us/microterrorsRetro Radio – Old Time Radio In The Dark: https://weirddarkness.tiny.us/retroradioChurch of the Undead: https://weirddarkness.tiny.us/churchoftheundead= = = = = = = = = = = = = = = = = = = = = = = = = = = = = =(Over time links seen above may become invalid, disappear, or have different content. I always make sure to give authors credit for the material I use whenever possible. If I somehow overlooked doing so for a story, or if a credit is incorrect, please let me know and I will rectify it in these show notes immediately. Some links included above may benefit me financially through qualifying purchases.)= = = = = = = = = = = = = = = = = = = = = = = = = = = = = ="I have come into the world as a light, so that no one who believes in me should stay in darkness." — John 12:46= = = = = = = = = = = = = = = = = = = = = = = = = = = = = =WeirdDarkness® is a registered trademark. Copyright ©2023, Weird Darkness.= = = = = = = = = = = = = = = = = = = = = = = = = = = = = =This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/3655291/advertisement

Munjal Shah, the co-founder and CEO of Hippocratic AI, highlights how a personal health event propelled him into the healthcare industry. He elucidates the potential of AI technologies to offer intelligent, secure, and cost-effective solutions for the significant challenges encountered by traditional industries. Furthermore, Munjal delves into the pivotal role that startups play in shaping the future of AI.In this episode, you'll learn:[6:38] AI - a net good or a net bad?[10:25] Challenges of integrating AI solutions into healthcare management. Who's better positioned to provide these solutions - startups or big companies?[14:31] Lessons on raising startup capital from 20+ fundraising experiences[21:36] Networking advice: Start early and offer value to your networks[24:54] Similarities and differences between investing in startups as an angel investor versus investing in funds as an LPThe non-profit organization that Munjal is passionate about: South Asian Heart CenterAbout Munjal ShahMunjal Shah is a co-founder and CEO at Hippocratic AI. He is a serial entrepreneur, startup advisor, and investor who has built / helped build numerous other technology and AI startups. He previously served as CEO & co-founder  of Health IQ, Like.com, & Andale. Munjal Munjal is also an advisor/investor in several companies including Blindsight, PatientPing, LiftLabs, Counsyl, Honor Health, Retrace.ai, Interaxon, Wildflower, Reify Health, Scopley, Pubmatic and more.About Hippocratic AIHippocratic AI is building a safety-focused large language model (LLM) for the healthcare industry. It's founded by hospital administrators, doctors, medicare experts, payor experts, and AI & LLM researchers. The company raised a $50MM seed round from A16z and General Catalyst.Subscribe to our podcast and stay tuned for our next episode. Follow Us:  Twitter | Linkedin | Instagram | Facebook

Jonny Goulden and Saad Siddiqui discuss the latest drivers for EM currencies, a potential mis-pricing of front-end rates, and structural issues for distressed sovereigns.   Speakers Jonny Goulden, Emerging Markets Strategist Saad Siddiqui, Emerging Markets Strategist    This podcast was recorded on 20 April 2023. This communication is provided for information purposes only. Institutional clients can view the related report https://www.jpmm.com/research/content/GPS-4391474-0 for more information; please visit www.jpmm.com/research/disclosures for important disclosures. © 2023 JPMorgan Chase & Co. All rights reserved.

A new AP investigation highlights the desperate and sometimes deadly journey many African migrants are taking across the Atlantic in search of a better life in Europe. The reporting centers on a boat that drifted thousands of miles off-course from the coast of Mauritania to the Caribbean island of Tobago. Journalists Renata Brito and Felipe Dana join John Yang to discuss the story. PBS NewsHour is supported by - https://www.pbs.org/newshour/about/funders

A new AP investigation highlights the desperate and sometimes deadly journey many African migrants are taking across the Atlantic in search of a better life in Europe. The reporting centers on a boat that drifted thousands of miles off-course from the coast of Mauritania to the Caribbean island of Tobago. Journalists Renata Brito and Felipe Dana join John Yang to discuss the story. PBS NewsHour is supported by - https://www.pbs.org/newshour/about/funders

In this first episode of RETRACED, we recap the previous 5 episodes and allow Sarah to correct the record on the charts she missed, or make the right chart fit, as Scott would say. Either way, it's a fun trip down memory lane as we go all the way back to 5 weeks ago to see what we've learned and perhaps even hash out some differences live as we go. We'll be back next week with a new guest and most likely some new charts to RETRACE in 5 weeks (according to Scott at least). Or this will be the only episode of RETRACED because the stars and Sarah will never be wrong again (as Sarah would like to see it play out). New Episodes Every Tuesday! Our Website: AstroDetectivesPod.com Email us at: astrodetectives@gmail.com Follow us on Instagram: @astrodetectivespod You can support the show with a monthly donation on Patreon Schedule a reading with Sarah at: mycosmiccoach.com That catchy theme music is by ⁠Coma-Media⁠ from ⁠Pixabay⁠

“PLANET WEREWOLF” and More Terrifying True Paranormal Stories! #WeirdDarknessIN THIS EPISODE: On a barren field in the U.S. state of Georgia, five granite slabs rise in a star pattern. Each of them weighs over 20 tons and on top of them, there is a capstone. Nobody knows who built it or why they were placed there, but one popular opinion that their purpose is to guide humanity after a predicted post-apocalyptic event that will come in the not so distant future. *** When you think "fairies," what comes to mind? You probably picture an adorable and sparkly creature akin to Disney's Tinker Bell, a lovely - and above all, friendly - presence. You may even want to make contact with them. Unfortunately, glittering humanoids with butterfly wings are the stuff of children's books. Retrace faerie folklore, and you'll discover their secret scary origins. *** In the Summer of 1949, a geologist named Vadim Kolpakov discovered a strange feature on the surface of the earth in the Bodaibo, Irkutsk, region of South-Eastern Siberia.  Encircled by a largely treed area, this anomaly is oval with a conical crater that contains a small ball-like mound in its middle.  The geologic mystery has baffled scientists who are uncertain of what caused this weird formation. *** Is there any truth behind the enduring legend of the werewolf?(Dark Archives episode, originally posted April 14, 2020)SOURCES AND ESSENTIAL WEB LINKS…Episode containing “The Elves of Iceland”: https://weirddarkness.com/archives/5973 Episode containing “Agenda 21”: https://weirddarkness.com/archives/6061 Episode containing “The Wendigo” by Algernon Blackwood: https://weirddarkness.com/archives/6024 “Planet Werewolf” by Lea Rose Emery for Graveyard Shift: https://tinyurl.com/vcetp96 “The Dark Side of Fairies” by Amber Fua for Ranker: https://tinyurl.com/rbexptk “The American Stonehenge” by Mihai Andrei for ZME Science: https://tinyurl.com/yaogafuz “What Caused the Patomskiy Crater?” by Lochlan McClelland for Historic Mysteries: https://tinyurl.com/wu9r5bc Subscribe to the podcast by searching for Weird Darkness wherever you listen to podcasts – or use this RSS feed link: https://www.spreaker.com/show/3655291/episodes/feed.Weird Darkness theme by Alibi Music Library. Background music provided by Alibi Music, EpidemicSound and/or AudioBlocks with paid license. Music from Shadows Symphony (https://tinyurl.com/yyrv987t), Midnight Syndicate (http://amzn.to/2BYCoXZ), Kevin MacLeod (https://tinyurl.com/y2v7fgbu), Tony Longworth (https://tinyurl.com/y2nhnbt7), and/or Nicolas Gasparini/Myuu (https://tinyurl.com/lnqpfs8) is used with permission. 

= = = = = = = = = = = = = = = = = = = = = = = = = = = = = =(Over time links seen above may become invalid, disappear, or have different content. I always make sure to give authors credit for the material I use whenever possible. If I somehow overlooked doing so for a story, or if a credit is incorrect, please let me know and I will rectify it in these show notes immediately. Some links included above may benefit me financially through qualifying purchases.)= = = = = = = = = = = = = = = = = = = = = = = = = = = = = ="I have come into the world as a light, so that no one who believes in me should stay in darkness." — John 12:46Visit the Church of the Undead: http://undead.church/ Find out how to escape eternal darkness at https://weirddarkness.com/eternaldarkness Trademark, Weird Darkness ®. Copyright, Weird Darkness ©.= = = = = = = = = = = = = = = = = = = = = = = = = = = = = =00:19:17.623,