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Maria chats with tv biologist and wildlife conservationist Jeff Corwin and The Brady Hunter Foundation's Josh Fox about CBS's New Saturday morning show Extraordinary World with Jeff Corwin, which premieres this Saturday January 4th! (check your local listings) The show focuses on animal welfare around the world!And is underwritten by The Brady Hunter Foundation which supports animal-rescue efforts. Give a listen and learn about the show; and don't forget to watch Saturday mornings!On CBS and Paramount+.

On this week's Love in Reality Podcast episode, I break down two returning shows. First, on Netflix, I recap season 6 of Too Hot to Handle, which featured some new twists and turns, including some returning cast to the villa. On CBS, we had the return of Big Brother 26, which will be the summer of AI, and I share my thoughts on the two-episode premiere. Support this podcast at — https://redcircle.com/love-in-reality/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Support Us Here! --> https://anchor.fm/politicana/support Hello and welcome to the Politicana Podcast, where Tyler, Prateek, and Nick keep you up-to-date on all things Politics. New episodes will be uploaded at the beginning of every week, so stay tuned and follow us on your favorite podcasting platform to be notified when new episodes are available. Please email Backofthemob@gmail.com with any comments, questions, or inquiries. -- Topics And Timestamps -- 00:45 - Marianne Williamson launches her bid for president, becoming the first Democrat to enter the primary Marianne Williamson, the self-help author and spiritual adviser launched her 2024 presidential campaign to become the first Democrat to enter the presidential cycle. 12:00 - Trump's Becomes the Knight in Shining Armor at CPAC Being the Focal Point and Winning the Straw Poll As the race for the White House begins to heat up, former President Donald Trump emerged from the Conservative Political Action Conference (CPAC) straw poll beating DeSantis by more than 40 points. The wide margin at the largest political conference potentially signals that he could win the Republican nomination for a third time. 24:15 - Trump calls for 10 Freedom Cities to be built on federal land. 36:40 - Biden launches battle on Capitol Hill with call for Medicare tax hike President Biden fired the opening shots of the battle over spending and taxes that will consume Capitol Hill this year when he proposed on Tuesday a 5 percent Medicare surtax on people who earn more than $400,000 a year. 39:00 - Biden to propose 5.2 percent federal pay increase, largest in 43 years President Biden is expected to propose a 5.2 percent raise for all federal employees in his budget set to be released Thursday — the largest increase the White House has put forward since Jimmy Carter was president. 54:45 - To Be A State or Not To Be…A Statehood Provision that Leaves its own Allies Shaking The Senate is set to vote Wednesday to overturn criminal law changes passed by the Washington, D.C., Council, a Republican-led measure that has divided Democrats and could undermine the movement for statehood. 1:02:00 - Former Maryland Governor Larry Hogan says he will not seek 2024 GOP nomination for president On CBS's Face the Nation, Former Maryland Gov. Larry Hogan said he will not seek the 2024 GOP presidential nomination. 1:03:20 - FBI chief says TikTok 'screams' of US national security concerns China's government could use TikTok to control data on millions of American users, FBI Director Christopher Wray told a U.S. Senate hearing claiming the Chinese-owned video app "screams" of security concerns. --- Support this podcast: https://podcasters.spotify.com/pod/show/politicana/support

The Rich Zeoli Show- Full Episode (02/24/2023: 3:05pm- According to the Associated Press, the United States has agreed to send an additional $2 billion in “long-term security assistance” to Ukraine. The package will include ammunition and high-tech drones. 3:15pm- During a Friday press conference marking the one-year-anniversary of Russia's invasion of Ukraine, President Volodymyr Zelenskyy warned reporters that if Ukraine is unsuccessful in defending itself against Russian predations, Vladimir Putin will order troops into NATO member states instigating World War III. 3:30pm- Eli Lake—Contributing Editor at Commentary Magazine & Host of “The Reeducation Podcast”—joins The Rich Zeoli Show to discuss his latest article at The Spectator, “America Has Too Many State Secrets.” Lake argues that the “national security state has far more secrets than it can reasonably be expected to protect.” You can read the full article at: https://thespectator.com/topic/america-has-too-many-state-secrets-classified/ 3:45pm- On Friday, the funeral for Temple University Police Officer Chris Fitzgerald was held at the Cathedral Basilica of Saints Peter and Paul. 4:05pm- Will President Joe Biden run for reelection in 2024? According to a Politico report, some Democrats are starting to suspect President Joe Biden may not run for reelection in 2024. The article explains that governors Gavin Newsom (D-CA) and Phil Murphy (D-NJ) and senators Bernie Sanders (I-VT) and Amy Klobuchar (D-MN) are all preparing to run in the event Biden “bows out.” 4:10pm- On Thursday, Transportation Secretary Pete Buttigieg visited East Palestine, Ohio—weeks after the area experienced a catastrophic train derailment that resulted in the release of toxic chemicals. While speaking to the press, Sec. Buttigieg blamed Trump-era policies for the causing the derailment. However, National Transportation Safety Board Chair Jennifer Homendy debunked that claim while appearing on CNN—explaining that “even with electronically controlled pneumatic brakes, the derailment would have occurred, the fire would have ensued, and the five vinyl chloride tank cars would still have to be vented and burned.” 4:15pm- Rich somehow weaves former President Benjamin Harrison into the conversation for the second day in a row…what are the odds? 4:20pm- While appearing on his “Verdict” podcast, Senator Ted Cruz (R-TX) asked, “what in the hell does Pete Buttigieg have to do to get fired?” Sen. Cruz listed the seemingly endless number of transportation issues the country has faced since Buttigieg was appointed to the Transportation Secretary.   4:30pm- Henry gets yelled at—which means Matt is having a great day. PLUS more Benjamin Harrison facts! 4:45pm- In his most recent Wall Street Journal, Joseph C. Sternberg argues that Europe needs to use Russian predations as a learning lesson. He writes: “disruption of the supply of energy imports from Russia is supposed to have highlighted the necessity of developing wind and solar (and now hydrogen) as a local alternative. Except that these energy sources are more costly and less stable than fossil-fuel or nuclear workhorses. They are worse for the environment once one considers the mess made while mining and refining the rare-earth minerals that go into renewable tech. And since China controls much of the global supply chain for those minerals, green energy merely replicates in Asia the form of energy dependence Europe now loudly bemoans regarding Russia.” Read the full article at: https://www.wsj.com/articles/awakened-by-ukraine-europe-wont-get-out-of-bed-energy-secuirty-russia-invasion-war-renewables-oil-1601cb50?mod=hp_opin_pos_6#cxrecs_s 5:05pm- Jimmy Failla—stand-up comedian & Fox News Radio host—joins The Rich Zeoli Show to discuss his up-coming opportunity to guest-host “Gutfeld!” on Fox News. You can hear The Best of Jimmy Failla every Saturday on 1210 WPHT. 5:25pm- According to the results of a new study, there is a correlation between respect for freedom of speech/a disinterest in “political correctness” and higher cognitive abilities. To help support the theory, Rich plays a clip of Professor Jason Johnson on MSNBC referring to the Republican party as a “front for a terrorist organization.” 5:40pm- Penguin Random House announced that children's author Roald Dahl will not have his classic books edited following widespread concerns about censorship. 5:50pm- On CBS's Face the Nation, host Margaret Brennan called out Senator Bernie Sanders (I-VT) for selling $95 tickets to a book event that, ironically, denounces capitalism. 6:05pm- Daniel Turner—Founder & Executive Director of Power the Future—joins The Rich Zeoli Show to discuss his latest article on The Daily Caller, “Radical Wind Farm Activists Blame Blue-Collar Fishermen for Whale Deaths.” You can read the article at: https://dailycaller.com/2023/02/24/radical-wind-farm-activists-blame-blue-collar-fishermen-for-wind-farm-whale-deaths/ 6:25pm- She's back! Former Congresswoman Tulsi Gabbard joins The Rich Zeoli Show to discuss reports that the United States has agreed to send an additional $2 billion in “long-term security assistance” to Ukraine—which includes ammunition and high-tech drones. Why is the Biden Administration making these decisions unilaterally?  Gabbard asks, “when are elected officials going to take a stand and fulfill their constitutional responsibilities?” The United States must stop inching closer and closer towards a direct, militaristic confrontation with Russia. 6:40pm- Gordon Chang—Columnist & Author of “The Coming Collapse of China”—to discuss reports that China is now calling for the initiation of peace talks between Russia and Ukraine. Should Chinese officials be believed when they say they're willing to negotiate a cease-fire in Ukraine?

The Rich Zeoli Show- Hour 3: Jimmy Failla—stand-up comedian & Fox News Radio host—joins The Rich Zeoli Show to discuss his up-coming opportunity to guest-host “Gutfeld!” on Fox News. You can hear The Best of Jimmy Failla every Saturday on 1210 WPHT. According to the results of a new study, there is a correlation between respect for freedom of speech/a disinterest in “political correctness” and higher cognitive abilities. To help support the theory, Rich plays a clip of Professor Jason Johnson on MSNBC referring to the Republican party as a “front for a terrorist organization.” Penguin Random House announced that children's author Roald Dahl will not have his classic books edited following widespread concerns about censorship. On CBS's Face the Nation, host Margaret Brennan called out Senator Bernie Sanders (I-VT) for selling $95 tickets to a book event that, ironically, denounces capitalism.

“The Science™” says: Inject elite athletes to save their lives. Block the Sun to save the children. Shut-down the hospitals to “flatten the curve.THE THESIS: The World's technocrats think they are gods. Their hubris is deadly and we must confront them.THE SCRIPTURE & SCRIPTURAL RESOURCES: Ezekiel 28:2“Son of man, say to the leader of Tyre, ‘Thus says the Lord God,“Because your heart is lifted upAnd you have said, ‘I am a god,I sit in the seat of godsIn the heart of the seas';Yet you are a man and not God,THE NEWS & COMMENT:The Preface . . . For 30 years, this man has been wrong about the predictions he's made in his books. Still, 60 Minutes treats him as believable. [AUDIO] - “The next few decades will be the end of the kind of civilization we're used to.” Humanity is consuming 175 percent of what the earth can regenerate. Biologist Paul Erlich says that our current way of life is unsustainable.The teaser . . .From Natural News: After DECADES of denial, corporate media admits chemtrail terraforming is happening right now to “fight climate change” . . . but, that's “just ‘Natural News' saying that . . . The focus . . . Bills safety Damar Hamlin was taken off of the field in an ambulance after collapsing mid game. Prior to 2021, Athletes collapsing on the field was NOT a normal event.Berenson: The spin is already starting. Commotio cordis? Commotio cordis is incredibly rare and happens when a ball hits a skinny 15-year-old in the chest. This is going to be a very big deal - and the media and league will do whatever they can to avoid the obvious question…More Berenson: Update on the Damar Hamlin pieceA reader pointed me to this striking 2021 paper in the European Heart Journal reporting on two cases in which rugby players suffered severe heart rhythm disturbances following blunt chest trauma. In both cases the men had histories of myocarditis which appeared to have caused or worsened the arrhythmias. In the second case, the myocarditis was undiagnosed; the player died.The authors found that the episodes could be distinguished from classic commotio cordis (trauma to the chest wall causing a sudden heart rhythm crisis) by underlying myocardial scarring. They concluded that the aftereffects of myocarditis raise “the risk of lethal ventricular arrhythmias following blunt chest trauma.”1,616 Athlete Cardiac Arrests, Serious Issues, 1,114 of Them Dead, Since COVID Injection[AUDIO] - Holy smokes… Dr. McCullough claims 1,598 suffered cardiac arrest since vaccination compared to 1,101 in prior 38 YEARS…From Died Suddenly on Twitter: BBC News reached out for comment from #DiedSuddenly Tonight. Here was our response. We've also included the archive of evidence that the media is trying to gaslight you into ignoring. Never let them tell you what you're seeing isn't real. Here's the database they sent the BBC: https://airtable.com/shrbaT4x8LG8EbvVG/tbl7xKsSUIOPAa7MxIt's not just athletes . . . ‘Died Suddenly'? More Than 1-in-4 Think Someone They Know Died From COVID-19 VaccinesLawmakers in other countries are beginning to tell the truth! [AUDIO] - 'This is the time to draw a line in the sand... Common sense tells you there's something not right about all of this.' Andrew Bridgen MP joins Mark Dolan to discuss why he's calling on the Government to suspend the rollout of the Covid-19 vaccines.. . . and the ruin the technocrats laid on the “healthcare” system is having the easily predictable outcome. [AUDIO] - Dr Tim Cooksley tells Sky News that the NHS is under the most pressure it has ever experienced, including during the peak of the COVID pandemic.[AUDIO] - Royal College of Emergency Medicine, Ian Higgison: An emergency medicine spokesperson tells Sky News that pressures on emergency services are so great that effective treatment is not possible.”[AUDIO] - France… Doctors throw down their stethoscopes in protest of a failed health system… this is a global problem from not treating patients during covid. Now hospitals worldwide can not cope with the backlogWhich brings us back to these two stories. This man hates human life. Just like so many other technocrats, we is saying that either we need “five earths” or we need to see 7.5 billion people die. On CBS "60 Minutes" w/ @ScottPelley last night, @PaulREhrlich claimed a) humans are causing a "sixth mass extinction" & b) that it would require "five Earths" for all humans to enjoy a Western standard of living. Both claims are totally & utterly false.This company has decided God was wrong when he said “Let there be light.” From MIT Tech Review: A startup says it's begun releasing particles into the atmosphere, in an effort to tweak the climate; Make Sunsets is already attempting to earn revenue for geoengineering, a move likely to provoke widespread criticism.

Before his appearance on 60 Minutes Sunday night, President Joe Biden had not given a sit-down interview with an American journalist for seven months. It's easy to see why. On CBS, the president, who was known as a "gaffe machine" when he was a much younger man, kept up his tradition of saying something startling, weird, or newsworthy — and, sometimes, true.

C.J. Navas comenta el nombre de la Serie de la serie de El Señor de Los Anillos de Amazon, Los Anillos del Poder, las renovaciones y fechas de estrenos de las diferentes series de Star Trek, el gafe de Kyle Killen y muchas noticias más en su repaso diario al mundo de las series de televisiónTodos los enlaces disponibles en fueradeseries.comPATROCINADOR:- Realiza tus compras en Amazon desde amazon.fueradeseries.com. A ti te costará lo mismo y a nosotros nos estarás ayudando.SHOWNOTES:Follow Up:- Iñigo en el Grupo de Telegram (telegram.me/fueradeseries): Cuando comentas los estrenos de hoy, dices que 'Un Hombre de Honor' es una adaptación inglesa de la serie israelí original. Pero la que estrenan hoy es la adaptación francesa, creo

On CBS, Stephen Colbert hosted actor Bradley Whitford as he uncorkied cockeyed conspiracy theories like if the Congress doesn't pass HR1, they'll meet it in "internment camps." Negotiating with Republicans is like negotiating with terrorists. Who's the conspiracy kook now?

Trump's last-minute pardons include Bannon and scores of others (73 pardons and 70 sentences commuted). MyPillow CEO says Bed Bath & Beyond, Kohl's stopped selling its products. Trump's Census Director Steven Dillingham To Quit After Trying To Rush Out 'Indefensible' Report. Trump Pardons Lil Wayne, Kodak Black, and Kwame Kilpatrick. Jazmine Sullivan To Sing The National Anthem At Super Bowl LV + H.E.R. Will Sing ‘America The Beautiful’. Courtney Black’s Facts: Baby Cousin Dyymon Whipper-Young Breaks World Record. History Made At Super Bowl 55 On CBS. Super Bowl 55 Predictions. Tiger Has 5th Back Surgery. Mets Fire New GM After Reports Of Him Texting An Unwanted ERECT DONG Shot To Reporter. Kelly Loeffler On Verge Of Selling WNBA Team.  

HE IS A GRAMMY® AND EMMY AWARD-WINNING SINGER AND ACTOR. HIM AND HIS DAUGHTER HOSTS “UNITED WE SING: A GRAMMY® TRIBUTE TO THE UNSUNG HEROES,” TO BE BROADCAST SUNDAY, JUNE 21 ON CBS.

Host James Lott Jr comments on the latest development On CBS' The Young and the Restless of the characters of Traci Abbott and Cane!

Show Summary: (Full Transcript Below) ROY SAMUELSON is one of Hollywood’s leading voiceover talents in film and television. Currently Roy is leading the way in the area of DESCRIPTIVE NARRATION / AUDIO DESCRIPTION, an aspect of television and filmmaking that allows Blind/Visually Impaired viewers to get audio description during a show without interruption and fills in the void as the action is not always obvious. For example, the movie Castaway is nearly silent during the first half of the movie.  This is where Roy steps in with his descriptions. Roy Samuelson is a professional Audio Describer for some of the latest Hollywood productions. Movies like First Man, Venom, Jurassic World: Fallen Kingdom, Spiderman: Homecoming, Jason Bourne, The Magnificent Seven, Get Out, Skyscraper, Atomic Blonde and television shows like Lethal Weapon, NCIS, Blue Bloods and Criminal Minds.   Join Roy and Jeff in the Blind Abilities Studio and find out how Roy got involved in Audio Description and how his voice makes it to your TV and Movie Screens across the world.   Contact: You can Follow Roy on Twitter @RoySamuelsonand be sure to check out his latest works and send in some feedback. Roy is always happy to hear from you.   Thank you for listening! You can follow us on Twitter @BlindAbilities On the web at www.BlindAbilities.com Send us an email Get the Free Blind Abilities Appon the App Store. Full Transcript: Audio Describer and Voice Artist for Hollywood Movies and TV Shows: Meet Roy Samuelson Jeff Thompson: Blind Abilities welcomes Roy Samuelson, one of Hollywood's leading voiceover, audio description, and voice narrative artists. Jeff Thompson: A sharp dressed man steps from the train, pulls out a cane, and proceeds to go towards a building. Jeff Thompson: Including films First Man, Venom, Jurassic World, Spiderman: Homecoming, Jason Bourne, The Magnificent Seven, and TV shows Criminal Minds, CIS, Blue Bloods, and Lethal Weapon. Jeff Thompson: He enters a door where the sign says Blind Abilities Studios. A young lady looks up from the desk. Speaker 2: Good morning. Jeff Thompson: Good morning. Speaker 2: You've got Roy Samuelson, Studio Three. Jeff Thompson: Okay, thanks. I'm going in. Speaker 2: All right. Blind Abilities Studios. Uh-huh. Jeff Thompson: He proceeds down a hallway. He stops at a door and reads the Braille. It's door number three. He enters and sits comfortably in his chair, reaches over, flicks a few switches, pulls his boom microphone down. He pulls on his headphones, and then reaches for the big red switch and flicks it up. From the hallway, the sign above the door now glows brightly, On The Air. Jeff Thompson: Welcome to Blind Abilities. I'm Jeff Thompson, and today in the studio, we have Roy Samuelson, who is out in Hollywood leading the way in voiceover, audio description, and descriptive narrative. How are you doing, Roy? Roy Samuelson: Hey, I'm doing great, Jeff. It's good to be on your show. Jeff Thompson: Well, thank you very much. I'm sure our listeners are excited to hear from someone who does voiceover, audio description for movies and television shows. Roy Samuelson: Yeah, I'm really passionate about it. This is really wonderful work. I really, I like it a lot, and I'm going to stop using the word really. Jeff Thompson: Now you've got me thinking about it. I'll probably be using it. Let's first tell the people what kind of movies you have been doing and television shows. Roy Samuelson: Oh sure. There's a few series that are on right now. On CBS, there's NCIS and Criminal Minds, and on Fox, I'm doing description for Lethal Weapon. Jeff Thompson: Oh, you're busy. Roy Samuelson: Yeah, it's a great season this year. There's a bunch of movies and there's another one that's coming out next month, and right now there's two movies that are out in the theaters, and they're really fun on the descriptive narration side. Jeff Thompson: Yeah, I saw the likes of, what was it, Spiderman? Roy Samuelson: That's right. Yeah, the more recent one. I was on Spiderman: Homecoming. Jeff Thompson: Wow. You even did Jurassic World. Roy Samuelson: Yeah, the most recent one, mm-hmm (affirmative). Jeff Thompson: So what do you do in your spare time? Roy Samuelson: That's a great question. The things that I love about audio description have kind of started to spill into my own personal life. Some of the connections that I'm making through social media are turning out I'm getting some more friends on that side, so it's been fun to correspond with them and some people that have been listening to audio description. As far as other things, I really enjoy hanging out with friends. There's nothing like a night out, cooking some dinner at home, and having some fun, laughs, and conversations. I'm pretty low key when it comes to that. Jeff Thompson: Yeah. Well, when it comes to audio description, there's so many different areas that people can receive their movies or television shows now that some people are cutting the cables and all that or in theaters, and now they're starting to hear your voice. What got you into giving audio description to movies? Roy Samuelson: That was a long ... I can trace it backwards. I can say from where I'm at now, I can look back and say all these steps led back to one person who introduced me to someone who introduced me to someone, and I did an audition, and I'm hesitating, because it's hard to say how it exactly happened. I think a whole bunch of things happened to come together at the right point and at the right time, and a lot of the work that I do in voiceover has certainly carried over into what I do with audio description, so I think I was kind of ready for it. Jeff Thompson: So you took to the microphone. Roy Samuelson: Yeah. My first paid job was down at Walt Disney World for the Great Movie Ride, which is no longer around, but they had a gangster take over the ride, and the ride was maybe 60 people looking at different movie scenes kind of going through the movies on a ride, so with all the distractions going on, I was on mic as a gangster, so trying to figure out what's the best way to say what I needed to say, but not get in the way of what the audience members are trying to appreciate, but still getting the message across. The more that I thought about the comparison between audio description and that first job, there's so many overlaps. It's really amazing to think about it that way. Jeff Thompson: Oh yeah. That was one of the questions I was going to ask is how do you find the space? Like you were just saying, that gap, that space, that little pocket where you can describe something without taking away from the audio itself. Roy Samuelson: That's a great question. There's a script that's given to me. I don't write it. There's some really talented describers who look at the movie sometimes four or five times or even a TV show, and what they do is use a special program that gives me the words that I say as a narrator in between audio cues and between dialogue, sometimes in between visual cues. They give me a script with any one of those things, whether it's a time code where I'm looking at a screen that shows kind of like a timer countdown or a stop watch that shows all the time code, and that time code is a cue for me to say the next line. And sometimes they'll say this line needs to be brisk. You'll hear narrators talk a little faster than they normally do just to try to get it in. Jeff Thompson: Oh yeah. You have to nail it between those two points. Roy Samuelson: Yeah. Jeff Thompson: And so by doing that, you do that in your own studio? Roy Samuelson: For the jobs that I mentioned, those are done at a studio. I guess it is possible that I could remotely do it. However, there's a few things that it's kind of to my advantage to do it in studio. First of all is having the time there at the office. I get to interact with the people there. It's not just going in and doing the job. I'm not socializing and hanging out at the water cooler, but a friendly hello to someone, these are the people that I work with, and that's pretty special. The other thing is there's a lot of legal requirements. I think with the internet, it's easy for things like content to get lost in the internet and get into some hands that might not use it for the intentions needed, not that I'd do it, but the studios as well as the networks are pretty protective of their content. Jeff Thompson: Plus they're pretty much isolated there. You've got all the equipment, the room, the booth, there you go. You're at work and you don't have the phone going off or someone knocking at the door at home. Roy Samuelson: Yeah, exactly. It's very focused. People talk about being in the flow, and I appreciate that so much, being able to go in and do my job while experiencing the movie, and it taps a lot of really good synapses in my brain. Jeff Thompson: So I have a question, and this is kind of personal for me, I guess, but I'm sure listeners might be curious too. As you're taking in the script and the movie, you are a narrator. You do a narrative to it, the audio description, but do you, like you said, you get brisk or do you go with the flow of the movie? Roy Samuelson: Yeah. I'm given the script, and then two minutes later we start recording, so there's no time to really look at what is about to happen, so it is ice cold. I can watch a trailer for a movie ahead of time or some of the series that I'm on, I get a sense of what the characters are and the kinds of things that they would normally do, but when it comes to ... let me make sure I'm answering your question correctly too. Roy Samuelson: I think when I'm doing the narration, my goal is to not be the spotlight. I don't want people who listen to audio description think, oh wow, that narrator sounded so good. If anyone thinks that, I'm not doing a good job because the attention should be on the storyline, the content that I'm sharing, whether it's the TV show or the movie. I don't want to get in the way of that. I think I want to enhance it. I don't want it to be all about me, so I try really hard to be within the tone or the genre of the film or TV show, and as that changes try to go with it so that it's not jarring or unexpected. Jeff Thompson: Oh, that makes sense. Now that I think about listening back to movies, the narrative or the audio description just wants to fill in those gaps, so you get the script and you hit the marks. Roy Samuelson: Yeah. I want to be part of the story. I don't want to be the story. Jeff Thompson: So Roy, when you're doing voiceover and work like that, did you see yourself doing audio description some day? Roy Samuelson: Maybe five or 10 years ago, I was unaware it existed. There are so many great opportunities for voiceover. There's narration for instructional videos. There's what they call voice of God where at a special event someone announces someone who's next on the stage. There's commercials, promos, all sorts of experiences, and I've done my best to enjoy those, but when I found out about descriptive narration, I've never felt so laser focused. Everything about it just rang so true to me in my experience and what I was excited about. Jeff Thompson: So what is it that you found in your voice that made you a talent? I mean, I don't know if that sounds bad or something like, but someone must have recognized something that you got the voice for doing what you're doing. Roy Samuelson: I can't speak to how I get chosen, but I will say that prior to doing descriptive narration, I spent about 10 years almost every week going to a script writing group as an actor. In this group, it was a really special group of maybe about two dozen writers, and they would bring in 25 pages of their script, and these are all produced writers, so the quality was really high. As an actor, I would go in and we'd been given a script ice cold, and I'd read 25 pages of it, and afterward the feedback would be given to the writer and not the actor. Roy Samuelson: My experience with that was the first few times I was like, oh, I need to do the best I can. I need to be an actor, and then I realized that the story was what people were focused on, so what I tried to do was when I was doing my acting, I was still acting, but I was trying to bring the story into it because I saw that that's what the writers were focused on, and I think that the combination of ... how many hundreds of times of doing scripts through the years every week, there definitely was a skill of cold reading, there was the attention to the story, the writing ... I'm sorry, I keep talking about the story, I get so excited about, story, story, story, but with all these things, I think it kind of paved the way for a nice foundation so that when the opportunity came to do descriptive narration, there's definitely a lot of nuance. There's still a lot of things that I needed to learn, but I really took to it pretty quickly. Jeff Thompson: Well, that's great because the blindness community really appreciates all the audio description that they are employing today in today's movies. It's getting to the point like when there's not one, it's like hey, hey. Roy Samuelson: Oh, that's great to hear. I saw on some website, I posted on Twitter the link, I can't recall the exact address, but I think there's 2200 titles available right now for audio description, and that's just unique descriptions. That's not overlaps. I thought wow, that's great, let's keep that number going up. Jeff Thompson: Oh yeah. I hope it does keep going up, especially with all these rules about the ADA and making things accessible, and it just shows that a Hollywood production that puts out a movie and takes the extra measure to put in the audio description, it just is more inclusive. It just makes people feel like hey, we matter, and I really appreciate what you're doing to bring that to light. Roy Samuelson: Ah, thanks for saying so. It's been great to be a part of that. The studios and the networks and even the streaming services are aware that yeah, this is audience. It's in everybody's ... it's such a win-win-win situation that I can't stand it. Everybody wins. Jeff Thompson: So Roy, if a movie's coming out, how soon do you get notified about working on the movie for the audio description piece, and when you're done with it, how soon does the movie get released after that? Roy Samuelson: Ah, great questions. My experience is pretty limited, so they give me sometimes a week's notice, sometimes a day or two's notice for a film that's coming out. It's usually about maybe three to five days. We set aside a day for it. It usually takes about maybe ... I can do a movie in about four hours. Sometimes it takes the full day depending on how they need to do it, and then once I'm done with it, it's pretty close to release date. The audio description is one of the last things to get done in post-production sound. Everything else is pretty much locked as far as the picture's locked and the sound is pretty much locked. Everything is kind of good to go to the theater, and then audio description is a special track that kind of lives above and beyond the whole movie. For my work to match up with what they do, as far as the dominoes falling, I think audio description has to be one of the last. And I guess the second part of your question, a movie can come out sometimes within a week of the work I do- Jeff Thompson: Oh, really? Roy Samuelson: And sometimes a few weeks to a month. Jeff Thompson: So you're one of the last guys on that assembly line. Roy Samuelson: Yeah, and they do take it seriously. The quality control, at least the company I work for, and I'm sure all the other companies, they really do take it seriously. They want to make sure all the characters are consistent and that there's not mistakes in the story. They genuinely care about what they're doing. Jeff Thompson: Oh, that's great, and who would have thought that 10 years of cold reading scripts and something of passion that you love to do, obviously you did it for 10 years, would lend into doing something like this? Roy Samuelson: Isn't it funny? I think about other people that have talked about the things that they've I'm going to say invested in for the joy of doing it. I had no intention of oh, I'm going to spend the next 10 years working on this so that I could be an audio descriptive narrator. It did happen in parallel in some ways, but for the most part, it's great to see how that seems pretty common with a lot of different businesses. I really like looking at that. Jeff Thompson: Well, it's really nice when you have a passion for doing something and then all of a sudden, it just leads into something else that someone wants you to do, and you find yourself doing it, and who would have thought? Roy Samuelson: Yeah, yeah. I think, if I could jump on that a little bit, Jeff, there's an openness, almost like a growth mindset that I think comes along. I do my best to keep a growth mindset as opposed to a fixed mindset. I think if I had the fixed mindset, I'd think oh no, I need to make sure I stay focused on just one thing, and when some opportunity like audio description would come up, I'd think oh no, that's outside of my wheelhouse. I've never done that before. I don't know enough about it. I haven't heard about that, so it could almost be dismissed, and here's this great opportunity that can come up, and I use this example. I'm kind of digging my own pit here and my point. I think what my point is that having an almost curious eye and looking at things maybe not necessarily from the most familiar way, seeing things a little differently can open up a whole bunch of new opportunities. Jeff Thompson: Mm-hmm (affirmative). Well, that's great. So I'm curious. Since your tool is the microphone and your voice, do you have your own microphone, your own recording, or a preference? Roy Samuelson: Oh yeah. I've got a whole studio set up in my house. It's called a Whisper Room, just basically a four foot by six foot building, and it's moved along with me a few times. Inside there, there's one side where I can sit down and I do audiobooks on that, because those are usually long form, and then the other side is a stand-up thing, so I've got the mic almost coming from the ceiling, and I read along either auditions on an iPad or if I need to call in for a project that I'm recording remotely, I can do an ISDN connection or even a file, FTP upload. It kind of gives me the freedom to stand and kind of play around with moving my arms around and kind of get into the story a little bit more. Jeff Thompson: Oh, I suppose, especially with the audiobook, yeah. Roy Samuelson: Yeah, mm-hmm (affirmative). Jeff Thompson: So what's your go-to microphone? Roy Samuelson: You know, at the studio where I work, they have a Neumann, and it's one of those condenser microphones. I think it's the 102. I'm trying to think. I'm pretty sure it's the ... anyway, it's a nice Neumann. Jeff Thompson: Typical thousand dollar-plus Neumann. Roy Samuelson: Yeah, and then for my home studio, I really like the Bluebird by Blue. It's just got a nice, for my purposes for auditioning, it's got a nice kind of warm open sound, and yeah, I still get a lot of sibilance though, so I have to kind of process that out a little bit. Jeff Thompson: Now when you say sibilance, can you tell our listeners what that is? Roy Samuelson: Sure. Sometimes S's can come across really hard. It's almost like the microphone is picking up a little too much on the letter S. It just makes it- Jeff Thompson: Kind of like that whistle sound. Roy Samuelson: Yeah, and the microphone just loves it, and it's like a magnet. It just sucks it right up, and so it makes it a lot louder and the experience on mic is a little too much, so that's one example of sibilance. Jeff Thompson: Yeah. Well, that's great. Yeah, the Whisper Room. I've got to remember to use that. I've got to tell my wife about making myself a Whisper Room. Roy Samuelson: Yeah, it's a brand from, if it's not Kentucky, I think it's Tennessee. They specialize in that for a lot of musicians and such, but there's other kinds of quiet rooms and all sorts of, especially in Los Angeles, a lot of voiceover actors like to have custom-made ones. Jeff Thompson: Oh yeah, I follow the Booth Junkie, and he's always building his little booth and going inside it and coming out. So the Whisper Room, you can actually break that down and move it with you. Roy Samuelson: Yeah, and there was one time, Jeff, I did it myself, and I probably need to remember to have a friend come along. That's definitely not a one-person job. Jeff Thompson: So Roy, with all the work that the studios are doing to make audio description available to them, what suggestions would you have for our listeners that appreciate the audio description that they're receiving? Roy Samuelson: Yeah, so a lot of the studios and the networks, they've got so many things on their plate. They're advertising, they're trying to put things together. It's easier for them to not gloss over, but kind of, I guess the best thing to say is if you're watching movies and TV shows and you appreciate the audio description, let the studios know and let the networks know and let the streaming services know that this is something that's really valuable, and that you want more of, and I think that kind of message will help everybody out. It gives more content to viewers who appreciate audio description. Roy Samuelson: In Los Angeles, we get a lot of traffic, and audio description is great for commuters who want to catch up on their TV shows or enjoy a movie when they're trying to fight traffic on the 405. It is kind of like an audiobook that's fully produced, so by trying to get commuters into the audio description game, that can only help audience members who also appreciate it for audio description. It's kind of a win-win for everybody, but I really think letting the studios and the networks and streaming services know how much this service is appreciated and liked, that helps everybody. Jeff Thompson: Oh, for sure, for sure. It's available to us. We use Comcast, and we have that on our phones, and it has audio description so my wife can use her phone to watch a TV show, but she has audio description so she considers it watching TV, and it's like a book like you said. Roy Samuelson: Yeah. Oh, very good, and that's the Comcast cable? Jeff Thompson: Yeah, Xfinity, Prime Video. There's [crosstalk 00:18:43]. Roy Samuelson: Oh, excuse me for the product placement there. Jeff Thompson: No, it's great. I like people to know that because it's available and it's working, and just turn it on, but everybody's a different individual here, and some people like a lot of description, some people like a little, but it's getting better, and as you said, there's what, over 2000 available titles out there with audio description. Roy Samuelson: Yeah, and that's just based on that one website I found, and who knows. There's probably some other options there too. Good to know. Jeff Thompson: You mentioned earlier when we were talking, I think this was before we started recording, your mother went to a show, a movie that just came out, and was trying to use the audio description in the theater. Roy Samuelson: Oh yeah, and it turned out great. The manager gave her and her guests a movie credit for it, but the opportunity for her was to try out the headset for audio description at the movie, and it just so happened that that morning there was an electrical glitch in the theater, so all the power went out and turned back on, and that audio description somehow got reset, and it was important for her to step out and let a manager know, but she was enjoying the movie and she didn't want to stop and interrupt her experience, but as theaters get more and more accessible, particularly with audio description, the more they understand how the ropes work, so to speak. Jeff Thompson: Yeah. It's kind of interesting that she wanted to hear her son. Not too many people get- Roy Samuelson: [inaudible] there. Jeff Thompson: Yeah, not too many people get that opportunity, but that's great. Roy Samuelson: So hopefully the next time she goes to the theater, she'll be able to hear it. Jeff Thompson: Well, that happens with technology, especially when you have like theaters that the workers are going to college or doing other things and stuff like that, and they have this device, and when they work, they work great. It's getting more and more available to people. I love that the entertainment industry is making audio description more available to people and I really want to thank you for what you're doing, creating the voice that people are listening to without interrupting the show. Roy Samuelson: Well, that's the goal, and I always strive for that. Thanks for saying so. Jeff Thompson: Sometimes being in the background is just as important as being in the limelight. Roy Samuelson: Yeah, it's definitely ... I feel like part of the team. Jeff Thompson: Well, great. I want to thank you for what you're doing and for taking the time and coming on the Blind Abilities and sharing this with our listeners. Roy Samuelson: Jeff, it's a real pleasure talking with you. Thanks for having me on. Jeff Thompson: You bet. Jeff Thompson: It was really nice to learn from Roy Samuelson what he does, how he does it, and his interest in it, and he's really motivated. Like he said, contact the studios that are putting out audio description. If you like it, let them know. Let's give them feedback, and you can follow Roy on Twitter  @RoySamuelson. That's R-O-Y-S-A-M-U-E-L-S-O-N on Twitter. Jeff Thompson: So as always, thank you for listening. We hope you enjoyed, and until next time, bye-bye. Jeff Thompson: Jeff removes his headphones, turns off his mixer, pushes his boom microphone up towards the ceiling. He sits back in his studio chair, looking satisfied. He reaches towards the red switch and flicks it down. The On the Air sign outside Studio Three fades to black. [Music]  [Transition noise]  -When we share -What we see -Through each other's eyes... [Multiple voices overlapping, in unison, to form a single sentence] ...We can then begin to bridge the gap between the limited expectations, and the realities of Blind Abilities. Jeff Thompson: For more podcasts with the blindness perspective, check us out on the web at www.blindabilities.com, on Twitter at Blind Abilities. Download our app from the App Store, Blind Abilities. That's two words. Or send us an email at info@blindabilities.com. Thanks for listening.

Check out 90 Day Live this Sunday on TLC! I’ll be on with Michelle Collins from Sirius Radio & Fresh Batch Podcast and other super fans & recappers. Don’t miss it right after 90 Day Fiance airs. LIVE TV!! This week in RealiTV, TLC’s 90 Day Fiance (0:00) brings all the boys to the yard. Actually, it just brings David to his sister’s rental to ask for money. BINGO! Molly cleans out Luis’s hoard while Nicole makes herself at home at Azan’s house. It won’t be for long if Robbalee can stop the wedding! Pedro doesn’t do himself many favors this week, but neither does River or Thirsty. #DehydrationStation. On CBS’s big summer hit Big Brother (31:00), Jodie dares to understand the game. As a BB virgin, the game is complex but the players’ personalities aren’t. Find out who Jodie cannot stand the most & help her figure out this game, please!    Leave a 5 Star Review on iTunes & Fi [...]

Interview with Actor JQ Cole - Seen in the tv show S.W.A.T. On CBS , Safe Auto commercial, Sexless on Black & Sexy TV, Scott's Lookalikes (Denzel Episode) --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app --- Send in a voice message: https://anchor.fm/the419grind/message

Starling Tribune - Season 5 Edition – The Recruits (A CW Network Arrow Television Show Fan Podcast)   The Official Arrow Podcast of the Gonna Geek Network   Episode:               “The Recruits” [Season 5  Episode 2] Air Date:              Wednesday, October 12, 2016 Director:              James Bamford                 http://www.imdb.com/name/nm0051466/?ref_=tt_ov_dr                 The stunt coordinator turned director | 5x Arrow - last season's “Brotherhood” and “Code of Silence,” last week's “Legacy” and is slated to direct episode 5.8                 Writers:                Speed Weed                 http://www.imdb.com/name/nm2373535/?ref_=ttfc_fc_wr4 5x Arrow | 7x Haven | 23x Arrow - co-executive producer   Beth Schwartz                 http://www.imdb.com/name/nm2584087/?ref_=ttfc_fc_wr5   18x Arrow | 2x Legends of Tomorrow | 23x Arrow - co-executive producer Promo: https://www.comicbookmovie.com/dc_tv/arrow/the-emerald-archer-assembles-a-new-team-in-the-promo-for-arrow-season-a145727   Weekly Ratings   Episode # / Episode Title / Episode Air / Date  / Rating 01 Legacy 5-Oct-16 1.89 02 The Recruits 5-Oct-16 1.94 03 A Matter Of Trust 5-Oct-16 04 Penance 5-Oct-16 05 Human Target 2-Nov-16 06 So It Begins TBA 07 Vigilante TBA 08 TBA TBA 09 What We Leave Behind TBA   Part 1: The Plot, Themes and Characters What was the overall theme for this episode / What was the link to the ep. name Ollie building team; Ollie becomes Bratva Fight scenes & Stunts: Share your thoughts RIng the bell fights are brutal, great choice for Bam Bam to direct Church v. Ollie - round 2 Flashbacks: Share your thoughts Brutal, just brutal Ollie: Protecting himself from being left again Actually does some work as Mayor “I have failed these recruits as a leader” Finally listens to Felicity for the right reasons Decides to form team Honor legacy of father Been 10 years for him - 5 for us Diggle Getting setup bad. Who will save him Finds peace being told what to do - chain of command Genesis day effect - illegal nuke tech tied to Genesis Day Moment in this week's episode of Flash revealed impact of Flashpoint on Diggle Thea Super competent as chief of staff Still not missing the hero life at all Gets through to Lance - offers him Deputy Mayor job (Michelle called it!) Felicity Gives Ollie the lectures he needs Lies to new BF - like Ollie had to do to her in season 1 Starts to feel guilty when she hears Ragman's story Lance Still drinking - late for security work at clinic event Offered job by Thea Interesting moments with Thea Curtis Tries the salmon ladder - not successful Gives Ollie the “we need to trust and respect you” speech Wild Dog Doesn't like code name Says Arrow won't be the boss of him Disobeys order to not engage - gets piece of rag; “evidence” Ragman After Amertek because their tech built nuke - Genesis Day Chooses to help Ollie over vengeance Decides to join Ollie after “Honor fathers” speech Tobias Church Has $100 million to buy weapons from Amertek Stops man from helping Amertek boss - to save him money Prometheus Gets the jump on Tobias Church - the Arrow is mine! Reveals name   CURRENT EPISODE DC EASTER EGGS & POP CULTURE REFERENCES   Season Episode  “The Recruits” (Date: 12  Oct 2016) Article: http://comicbook.com/2016/10/13/arrow-5-things-you-might-have-missed-in-the-recruits/    Return of the salmon ladder - Curtis is shown attempting the salmon ladder, and the salmon ladder is an actual thing and not created for the show Amertek -Even before they were the manufacturers of the Genesis Day missiles, Amertek were pretty sketchy characters. Amertek Industries is a weapons manufacturer, tech conglomerate and defense contractor arguably best known for their biggest gun (literally and figuratively), the "Toastmaster" BG-80. Designed by John Henry Irons, their brutality turned him off of weapons-making and he left Amertek to go into hiding, taking on the name Henry Johnson. The guns would later make their way into the hands of street gangs in Metropolis and Washington, DC. Seeing his weapons on the streets, coupled with the then-recent death of his idol Superman, led Irons to take on the armored superhero identity of Steel. Ragman - In the show, Ragman's family was killed when the missile hit Havenrock. In the comics, Ragman is a Gotham-based vigilante who wears the mystical Suit of Souls, from which his powers come. Created by Robert Kanigher and Joe Kubert, Ragman has a bit of a Ghost Rider thing going on, with the costume allowing him to take the souls of the guilty -- except that in the case of Ragman, he can summon their abilities later in battle. By being used in this way, the evil can actually earn redemption and passage to Heaven.   ARROW NEWS:   Supergirl and Arrow Boss Says Ollie and Kara won't get along (Date: 11 Oct 2016) As per Andrew Kreisberg regarding the crossover “Part of Oliver's [Stephen Amell] journey in those episodes is he's kind of hit his breaking point for things he's willing to accept. He's had Mirakuru soldiers, the Lazarus Pit, magic, and Damien Darhk, but flying aliens who can incinerate you with their eyes is one beyond the pale for him. He's keeping his distance, which is a very Oliver thing to do. Even Kara comments, ‘Does he not like me?' Barry's like, ‘No, that's kind of how he treats everybody.' Link: http://screencrush.com/supergirl-arrow-crossover-oliver-reaction/ Guillermo del Toro has an open invite to direct Arrow (Date: 8 Oct 2016) del Toro teamed up with Arrow executive producer Marc Guggenheim for Trollhunters, a new animated series.  Guggenheim was asked about NYCC if del Toro might appear to do an episode of Arrow.   "I'd be lying if I said I never broached the topic with him," Guggenheim says. "He's so busy and he is filming right now actually up in Toronto." "He's got a standing invitation," Guggenheim concludes.             Link: http://comicbook.com/2016/10/08/guillermo-del-toro-has-a-standing-invitation-to-arrow/ Arrow's Wild Dog to feature in DC/CW's Invasion crossover  (Date:11 Oct 2016) Rick Gonzales, who plays Wild Dog, tweeted out a picture of his mask with the Flash's mask. It was later confirmed that Wild Dog will be part of the crossover event. Link:http://www.cbr.com/arrows-wild-dog-to-feature-in-dccws-invasion-crossover/   DC TV NEWS Flash Hits a Series Low Rating (Date: 12 Oct 2016) The latest episode of The Flash, titled Paradox, hit a series low 1.0/4 in the rating share and drew in 2.75 million viewers overall. The season started off with a dip in ratings, as the premiere episode averaged a 1.2 in the demographic and drew in 3.1 million viewers, which was down from 3.6 million in its season 2 premier Link:http://comicbook.com/2016/10/12/the-flashs-paradox-episode-hits-a-series-low/ Supergirl premier rockets CW ratings to 8-year high  (Date: 11  Oct 2016) Supergirl premiere got 3 million viewers and a 1.1 18-49 demo rating. This episode is the most-watched Monday night show on the CW since a 2008 episode of “Gossip Girl.” On CBS, the season 1 finale drew in 6.1 million viewers and a 1.3 rating in the 18-49 demo Link:http://www.cbr.com/supergirl-premiere-rockets-cw-ratings-to-8-year-high/               Arrow Boss Teases Most Ambitious Crossover yet (Date: 13 Oct 2016) The arrival of the Dominators will force the Arrowverse's superheroes to team up for what Guggenheim calls their “most ambitious” crossover yet. “This year,” Guggenheim continues, “we're doing by far the most ambitious crossover we've ever done. It's basically a huge three-part story that also brings in Supergirl, so it's crossing over all four shows. It's telling one big epic movie of a story. It's not setting up any other spin-offs, it's just big, bombastic, huge action. There's also some really poignant character moments. There's a lot of plot lines, particularly I would say in Flash and Legends, that come to fruition in the crossover. It's by far the most ambitious thing we've ever attempted. I want to say it's by far one of the most ambitious things anyone in network television has ever attempted. It's completely insane.” Link:http://www.ew.com/article/2016/10/13/arrow-flash-supergirl-legends-crossover-spoilers   Supergirl will not Move into the Flarrow ‘verse (Date: 8 Oct 2016) Fans had speculated and hoped that a move to the CW might unify Supergirl with the Flarrow universe during the upcoming crossover.  Executive Producer Andrew Kreisberg explain how the jump will work saying "Not for her entire world, but Kara will be traveling from her dimension to our dimension, “our” being the world that The Flash, Arrow, and Legends lives in." Link: http://comicbook.com/2016/10/08/supergirl-will-not-be-moved-into-flash-arrow-and-legends-dimensi/ James Olson Becomes Guardian on Supergirl (Date: 12 Oct 2016) James Olsen (Mehcad Brooks) is about to make the move from faithful sidekick to kickass masked vigilante later this season on The CW'sSupergirl. Via Andrew Kresberg: “James has a pretty big turn coming up. These next few episodes are going to make him realize that being a photographer… is not enough for him, so he's going to go on a pretty exciting career trajectory that we're really pumped by. James is going to decide that he can no longer sit back and be a sidekick, so he's going to decide to become a vigilante and he's going to become Guardian — complete with the shield — which is going to cause a massive problem in his relationship with Kara [Melissa Benoist], because he has decided not to tell her. Now there's this new masked vigilante, and she has her own feelings about vigilantes, and it becomes a push and pull about who gets to decide who gets to be a hero? He's recruited Winn [Jeremy Jordan] to help him, Winn is his man in the van, so the two of them are doing this together. Winn and James together is comedy gold. Watching Winn, as he takes his job at the DEO, but then he's lying to everybody about how he's spending his nights, because he's going out with James, and how he walks in exhausted or walks in with a black eye and says he walked into a door, is the fun excitement of building these first 10 episodes.” Link: http://www.blastr.com/2016-10-12/james-olsen-become-dc-comics-vigilante-guardian-cws-supergirl Did Flashpoint create a future Legends of Tomorrow superhero? (Date: 13 Oct 2016) While Barry visited Felciity in this week's episode of The Flash, he learned that Diggle has a son now. Could this be the John Diggle, Jr. we met in the Legends episode called “Star City 2046”? Link:http://www.cbr.com/did-flashpoint-create-a-future-legends-of-tomorrow-superhero/   ARROW CAST & CREW INTERVIEWS From NYCC: Matt Ryan is Open To Returning as Constantine on Arrow (Date: 8  Oct 2016) DC was doing a panel for the upcoming Justice League Dark cartoon.  During the panel Matt Ryan was asked if he's be open to returning to Arrow.  Ryan said that this is the first time he's been free in awhile, but in this crazy ride of acting, he's learned to not rule anything out." He said that in terms of an Arrow return, he's open to it because: "I love the character." Link:http://comicbook.com/2016/10/09/nycc-matt-ryan-open-to-returning-as-constantine-on-arrow/ NEXT EPISODE   Promo for Next Week: Episode - “A Matter of Trust” (Date: 12  Oct 2016) Article:https://www.comicbookmovie.com/dc_tv/arrow/arrow-season-5-episode-3-promo-a-matter-of-trust-a145949   Episode:   “A Matter of Trust” [Season 5  Episode 3] Air Date:       Wednesday, October 19, 2016 Summary:    WRESTLING STAR CODY RHODES BRINGS THE SMACK DOWN TO STAR CITY —Now that Oliver (Stephen Amell) has his new team, they are ready to hit the streets but Oliver doesn't feel they are ready. Headstrong Wild Dog (guest star Rick Gonzalez) defies the Green Arrow's orders and sets out on his own after a new drug dealer, Derek Sampson (guest star Cody Rhodes), who is terrorizing Star City. Sampson proves more powerful than Wild Dog and it is up to the Green Arrow to go head to head with Sampson to save his teammate. Gregory Smith directed the episode written by Ben Sokolowski & Emilio Ortega Aldrich Director:       Gregory Smith Writers:         Ben Sokolowski and Emilio Ortega Aldrich IMDB: http://www.imdb.com/title/tt5584144/?ref_=ttfc_fc_tt   Join The Starling Tribune each week as we stream live on Thursday nights at 9:00 PM eastern or 8:00 PM Central at www.geeks.live. Join the fun chatroom and interact with the hosts live. Contact us: @StarlingTribune - starlingtribune@gmail.com - www.starlingtribune.com - www.facebook.com/starlingtribune - 612-888-CAVE or 612-888-2283.   Starling Tribune is proud to be a member of the GonnaGeek network found at GonnaGeek.com. For more geeky podcast visit GonnaGeek.com.   You can find us on iTunes under ''Starling Tribune." We are very thankful for all of our positive iTunes reviews. You can find all our contact information here on the Network page of GonnaGeek.com Our complete archive is always available at www.starlingtribune.com   This podcast was recorded October 13th, 2016.   Thank you for listening and we hope you enjoyed the show!   Audio Production by Stargate Pioneer of GonnaGeek.com.

The moment almost none of us have been waiting for is here. Floyd Mayweather fights Andre Berto this weekend on Pay-Per-View, for way too much money, under the guise that this will be his final bout. As you can see, we're really excited about the prospect of paying $75 to watch Floyd fight a guy who lost to Jesus Soto Karass and Victor Ortiz. At least the undercard (Badou Jack vs George Groves, Roman Martinez vs Orlando Salido II, Ishe Smith vs Vanes Martirosyan) isn't laughable. Earlier Saturday on NBC, Peter Quillin fights a guy named Michael Zerafa (just go look on the internet yourself, trust us), and Cornelius Bundrage fights for the first time in about a year against Jermall Charlo. Austin Trout fights tonight (Tues) on FoxSports 1, but on Friday light heavyweight champion Adonis Stevenson continues to face sub-par opposition when he defends against Tommy Karpency on Spike, from Premier Boxing Champions. Talented welterweight Errol Spence Jr. fights in the co-feature. On CBS last Sunday from PBC, Anthony Dirrell won a ho hum decision over Marco Antonio Rubio, and in the co-feature Jamie McDonnell again defeated Tomoki Kameda by controversial decision. It's been a mediocre year, as you all know. But there's news about Scott Quigg and Nonito Donaire being nearly finalized, some pointing and laughing to do about upcoming cards... And joining James Foley of Bad Left Hook and The Fight City's Patrick Connor once again this week is Matthew Swain of The Queensberry Rules. Thanks for tuning in! (Photos: Lucas Noonan/PBC)

Dick Tracy had a long run on radio, from 1934 weekdays on NBC's New England stations to the ABC network in 1948. Bob Burlen was the first radio Tracy in 1934, and others heard in the role during the 1930s and 1940s were Barry Thompson, Ned Wever and Matt Crowley. The early shows all had 15-minute episodes. On CBS, with Sterling Products as sponsor, the serial aired four times a week from February 4, 1935 to July 11, 1935, moving to Mutual from September 30, 1935 to March 24, 1937 with Bill McClintock doing the sound effects. NBC's weekday afternoon run from January 3, 1938 to April 28, 1939 had sound effects by Keene Crockett and was sponsored by Quaker Oats, which brought Dick Tracy into primetime (Saturdays at 7pm and, briefly, Mondays at 8pm) with 30-minute episodes from April 29, 1939 to September 30, 1939. The series returned to 15-minute episodes on the ABC Blue Network from March 15, 1943 to July 16, 1948, sponsored by Tootsie Rolls, which used the music theme of "Toot Toot, Tootsie" for its 30-minute Saturday ABC series from October 6, 1945 to June 1, 1946. Sound effects on ABC were supplied by Walt McDonough and Al Finelli. Directors of the series included Mitchell Grayson, Charles Powers and Bob White. Cast members at various times included Walter Kinsella as Pat Patton, Helen Lewis as Tess Trueheart and Andy Donnelly and Jackie Kelk as Junior Tracy. Announcers were Ed Herlihy and Dan Seymour. TODAY'S SHOW: April 11, 1938. NBC network. Sponsored by: Quaker Cereals. Not auditioned. The announcer mentions that the program is "electrically transcribed." It is therefore possible that even though the series was being broadcast on NBC at this time, these might be syndicated versions, as no system cues are heard. Vernon Kyle is terrorizing the citizens of the Yukon to getting their radium ore (pitchblende). . 14:56. April 12, 1938. NBC network. Sponsored by: Quaker Cereals (Dick Tracy Club offer). Not auditioned. The system cue has been deleted. Vernon Kyle continues to terrorize the Yukon town of Pitchblende. What was the weird cry in the night? "The Purple Rider" offers to help Dick Tracy and the Mounties. As the dog teams pass through "Dead Man's Pass," Vernon Kyle causes an avalanche. . 15:01.

Dick Tracy had a long run on radio, from 1934 weekdays on NBC's New England stations to the ABC network in 1948. Bob Burlen was the first radio Tracy in 1934, and others heard in the role during the 1930s and 1940s were Barry Thompson, Ned Wever and Matt Crowley. The early shows all had 15-minute episodes. On CBS, with Sterling Products as sponsor, the serial aired four times a week from February 4, 1935 to July 11, 1935, moving to Mutual from September 30, 1935 to March 24, 1937 with Bill McClintock doing the sound effects. NBC's weekday afternoon run from January 3, 1938 to April 28, 1939 had sound effects by Keene Crockett and was sponsored by Quaker Oats, which brought Dick Tracy into primetime (Saturdays at 7pm and, briefly, Mondays at 8pm) with 30-minute episodes from April 29, 1939 to September 30, 1939. The series returned to 15-minute episodes on the ABC Blue Network from March 15, 1943 to July 16, 1948, sponsored by Tootsie Rolls, which used the music theme of "Toot Toot, Tootsie" for its 30-minute Saturday ABC series from October 6, 1945 to June 1, 1946. Sound effects on ABC were supplied by Walt McDonough and Al Finelli. Directors of the series included Mitchell Grayson, Charles Powers and Bob White. Cast members at various times included Walter Kinsella as Pat Patton, Helen Lewis as Tess Trueheart and Andy Donnelly and Jackie Kelk as Junior Tracy. Announcers were Ed Herlihy and Dan Seymour.

The Black Pearl Of Osirus (2-08-38) and Pat Goes Overboard (2-09-38) Dick Tracy had a long run on radio, from 1934 weekdays on NBC's New England stations to the ABC network in 1948. Bob Burlen was the first radio Tracy in 1934, and others heard in the role during the 1930s and 1940s were Barry Thompson, Ned Wever and Matt Crowley. The early shows all had 15-minute episodes. On CBS, with Sterling Products as sponsor, the serial aired four times a week from February 4, 1935 to July 11, 1935, moving to Mutual from September 30, 1935 to March 24, 1937 with Bill McClintock doing the sound effects. NBC's weekday afternoon run from January 3, 1938 to April 28, 1939 had sound effects by Keene Crockett and was sponsored by Quaker Oats, which brought Dick Tracy into primetime (Saturdays at 7pm and, briefly, Mondays at 8pm) with 30-minute episodes from April 29, 1939 to September 30, 1939. The series returned to 15-minute episodes on the ABC Blue Network from March 15, 1943 to July 16, 1948, sponsored by Tootsie Rolls, which used the music theme of "Toot Toot, Tootsie" for its 30-minute Saturday ABC series from October 6, 1945 to June 1, 1946. Sound effects on ABC were supplied by Walt McDonough and Al Finelli. Directors of the series included Mitchell Grayson, Charles Powers and Bob White. Cast members at various times included Walter Kinsella as Pat Patton, Helen Lewis as Tess Trueheart and Andy Donnelly and Jackie Kelk as Junior Tracy. Announcers were Ed Herlihy and Dan Seymour.

clickhere Visit the Radio America Store web site.Buy your 50 mp3 for &5.00 Dick Tracy had a long run on radio, from 1934 weekdays on NBC's New England stations to the ABC network in 1948. Bob Burlen was the first radio Tracy in 1934, and others heard in the role during the 1930s and 1940s were Barry Thompson, Ned Wever and Matt Crowley. The early shows all had 15-minute episodes. On CBS, with Sterling Products as sponsor, the serial aired four times a week from February 4, 1935 to July 11, 1935, moving to Mutual from September 30, 1935 to March 24, 1937 with Bill McClintock doing the sound effects. NBC's weekday afternoon run from January 3, 1938 to April 28, 1939 had sound effects by Keene Crockett and was sponsored by Quaker Oats, which brought Dick Tracy into primetime (Saturdays at 7pm and, briefly, Mondays at 8pm) with 30-minute episodes from April 29, 1939 to September 30, 1939. The series returned to 15-minute episodes on the ABC Blue Network from March 15, 1943 to July 16, 1948, sponsored by Tootsie Rolls, which used the music theme of "Toot Toot, Tootsie" for its 30-minute Saturday ABC series from October 6, 1945 to June 1, 1946. Sound effects on ABC were supplied by Walt McDonough and Al Finelli. Directors of the series included Mitchell Grayson, Charles Powers and Bob White. Cast members at various times included Walter Kinsella as Pat Patton, Helen Lewis as Tess Trueheart and Andy Donnelly and Jackie Kelk as Junior Tracy. Announcers were Ed Herlihy and Dan Seymour.