Podcasts about rapper's delight

Sun, 16 Mar 2025 12:05:00 +0000 https://jungeanleger.podigee.io/2090-song-62-spoken-rappers-delight 5ed2aa05aeb4791662fb5139d71497d7 Der Super Me Sunday auf audio-cd.at mit einer weiteren Facette: Denn ja, im egoth-Verlag wird 2025 ein Buch über mich mit ca. 350 Seiten erscheinen. Dies zum Fanboy-Status in den Bereichen Wiener Börse, Sport, Musik (und mehr). Musik ist mir extrem wichtig, aktiv wie passiv und leider erlaubt Spotify das Publishen von reinen Songs und Eigenkompositionen nicht mehr so wirklich, da braucht man Musiker-Accounts. Daher erzähle ich nun einfach was zu den Lieblingssongs, verbinde mit Coming of Age, darf mich bei Markus Dressen wie auch fürs Buch inspirieren lassen und selbst mal ansingen. Heute geht es um Rappers Delight von der Sugarhill Gang, ich verbinde das mit meinem Nicht-Genügend- und meinem Auswendig-Lern-Rekord, dem Sampling, Nile Rogers, mit einem trashigen Video im Hallenbad sowie einem Personal Fixpunkt beim Karaoke. Rappers Delight @Top Pop (Hallenbad): https://www.youtube.com/watch?v=zer0tlE4zGQ Fanboy Buch to come: https://photaq.com/page/index/4142/ https://markusdreesen.de/featured-content/100malmusiklegenden/ Project Mike: https://open.spotify.com/artist/17xd2JUVuvg3paLtINRSkE - mehr Songs: https://www.audio-cd.at/songs - Playlist mit ein paar unserer Songs: https://open.spotify.com/playlist/63tRnVh3aIOlhrdUKvb4P Bewertungen bei Apple (oder auch Spotify) machen mir Freude: http://www.audio-cd.at/apple http://www.audio-cd.at/spotify 2090 full no Christian Drastil Comm. 422

Dans cet épisode de Music Story, découvrez l'histoire fascinante de "Rappers Delight", l'un des morceaux de rap les plus emblématiques de tous les temps ! Tout a commencé à New York dans les années 70, quand une patronne de label visionnaire remarque l'émergence du hip-hop dans les rues de la ville. Réunissant trois jeunes rappeurs, elle forme le groupe Sugar Hill Gang et leur fait enregistrer ce qui deviendra le premier tube mondial du rap.Mais l'aventure ne sera pas de tout repos ! Le morceau est en effet accusé de plagiat, et le groupe doit faire face à de nombreuses menaces. Contre vents et marées, "Rappers Delight" finit par s'imposer comme un véritable monument de la musique, traversant les décennies pour devenir un classique intemporel.Laissez-vous emporter par cette épopée trépidante, ponctuée de rebondissements et de moments historiques. Découvrez comment ce titre a contribué à faire exploser la culture hip-hop et à la propulser sur le devant de la scène mondiale.

This might make you pee yourself. You have been warned.See omnystudio.com/listener for privacy information.

Garrett lived his Dave & Buster's best life. Dallas' Dish. Dallas made Kincaid talk about his second family. But Wait 1. My Little Secret: "I'm in love with a guy from the wedding who isn't my husband." I wish I had PAID ATTENTION AND LEARNED___. Producer Amanda's CRAZY DREAM. Not Keith Urban is back with Rappers Delight. But Wait 2. Kincaid drank MAD DOG 2020 BY HIMSELF ON CHRISTMAS EVESee omnystudio.com/listener for privacy information.

Ian is joined by author Justin Lewis to take a journey through a year of pop music. From Johnny Cash to So Solid Crew, Lulu to Rappers Delight its a diverse and whirlwind ride through the past 70 years.With entries for every day of the year, ranging from mini-essays to pithy and engaging sentences, Don't Stop the Music is a novel musical companion – a way of charting your year through the major events and tiny incidents in the lives and careers of pop stars and recording artists.Whether it be when pop became newsworthy; when future stars attended notable gigs; when that K-Pop act issued their first single; or when Elvis Presley found himself on TV singing ‘Hound Dog' to a basset hound, there are surprising and enlightening events from the history of popular music for every single day of the year. And esteemed music writer Justin Lewis has compiled them all for you, informatively and divertingly.

This episode is about rap and who we feel is the top rap artist. A conversation with Ceona, Terrell, & Anton. --- Send in a voice message: https://podcasters.spotify.com/pod/show/wutwuzsed/message Support this podcast: https://podcasters.spotify.com/pod/show/wutwuzsed/support

"We Are Family" mit dem Song und dem Album hat die Band Sister Sledge 1979 den Durchbruch geschafft. Verantwortlich dafür waren vor allem Nile Rodgers und Bernard Edwards. "Sister Sledge", das waren 1979 die vier Schwestern Kim, Debbie, Joni und Kathy von der amerikanischen Ostküste, genauer gesagt aus Philadelphia. Bevor sie zusammen mit Nile Rodgers und Bernard Edwards arbeiteten, hatten die vier Schwestern schon Singles und auch zwei Alben veröffentlicht – alles mit mäßigem Erfolg. Um den vier Schwestern unter die Arme zu greifen, hatte das Label in die Wege geleitet, dass sich die Band mit zwei jungen aber sehr talentierten Songwritern und Produzenten vom gemeinsamen Label zusammensetzt: Nile Rodgers und Bernard Edwards. Bevor Nile Rodgers und Bernard Edwards mit Sister Sledge zusammengearbeitet haben, hatten der legendäre Gitarrist und Bassist nur Musik für sich selbst geschrieben und produziert. Als Teil der Band "Chic" hatten die zwei vorher mit ihrem großen Hit "Le Freak" einen Megaerfolg gefeiert. Die Plattenfirma hatte die zwei infolge ihres riesigen Erfolgs darum gebeten, auch für andere Künstler des Labels Atlantic Records zu schreiben. In einem Interview hat Nile Rodgers verraten, dass ihnen Künstler wie die Rolling Stones oder auch Aretha Franklin angeboten worden sind. Da die beiden aber noch nie für jemand anderen geschrieben hatten, wollten sie erstmal "klein anfangen" und entschieden sich für die damals noch unbekannten "Sister Sledge". Für Nile Rodgers und Bernard Edwards hatte das nebenher noch den Vorteil, dass sie selbst auch ein bisschen was von dem Rampenlicht abgekommen haben, was vermutlich anders gewesen wäre, hätten sie als erstes ein Album für Aretha Franklin oder die Rolling Stones produziert. Einige der Songs haben Rodgers und Edwards sogar geschrieben, bevor sie die Band überhaupt jemals getroffen hatten, alleine durch die Informationen, die sie von der Plattenfirma bekommen haben. Darunter zum Beispiel auch den größten Hit der Band "We Are Family". Vor allem für Nile Rodgers stellte sich die Zusammenarbeit mit Sister Sledge als Glücksfall heraus. Mit "We Are Family" hatte er einen Welthit geschaffen, den heute noch Millionen Menschen kennen. Für ihn wird dieses Album mit großer Wahrscheinlichkeit auch ein echter Türöffner gewesen sein. Nach "We Are Family" folgten viele weitere erfolgreiche Kooperationen auch mit vielen großen Künstlern wie Diana Ross, David Bowie, Madonna, Duran Duran oder auch Daft Punk. Sein Weggefährte und guter Freund Bernard Edwards, mit dem er gerne und häufig zusammengearbeitet hat, verstarb 1996 nach einem gemeinsamen Auftritt mit Nile Rodgers in Tokio an einer Lungenentzündung. __________ Über diese Songs vom Album "We Are Family" wird im Podcast gesprochen (11:09) – "He's The Greatest Dancer" (28:40) – "Lost in Music" (34:39) – "Thinking of You" (41:51) – "We Are Family" (55:36) – "Easier To Love" __________ Über diese Songs wird außerdem im Podcast gesprochen (01:42) – "Le Freak" von Chic (20:08) – "Ich steh' ja so auf Disco" von Udo Lindenberg (25:11) – "Gettin' Jiggy Wit It" von Will Smith (26:03) – "Rappers Delight" von Sugarhill Gang  (26:24) – "Good Times" von Chic (26:51) – "He's The Greatest Dancer" von Danii Minogue (52:07) – "Do What You Wanna Do" von T-Connection __________ Shownotes Muppet Show Version von "He's The Greatest Dancer": https://www.youtube.com/watch?v=p1aCMZWDSQU Allmusic Review zum Album "We Are Family": https://www.allmusic.com/album/we-are-family-mw0000666230 Podcasttipp: "50 Jahre Hip Hop" in der ARD-Audiothek: https://www.ardaudiothek.de/sendung/50-jahre-hiphop-mit-songs-in-die-geschichte/51648976/ SWR1 Meilenstein Folge zum Album "Let's Dance" von David Bowie: https://www.ardaudiothek.de/episode/swr1-meilensteine/david-bowie-let-s-dance/swr1/12576181/ SWR1 Meilenstein Folge zum Album "Random Access Memories" von Daft Punk:   https://www.ardaudiothek.de/episode/swr1-meilensteine/daft-punk-random-access-memories/swr1/12674811/ SWR1 Meilenstein Folge zum Album "Diana" von Diana Ross: https://www.ardaudiothek.de/episode/swr1-meilensteine/diana-ross-diana/swr1/12898255/ __________ Ihr wollt mehr Podcasts wie diesen? Abonniert die SWR1 Meilensteine! Fragen, Kritik, Anregungen? Schreibt uns an: meilensteine@swr.de

This week we review last week's episode with the amazing Franny Benali, MBE. We also discuss our I'm a Celebrity favourites, our hidden talents, and whether a Yorkshire pudding should be part of a roast dinner or not. We ask the serious questions! We Hope you enjoy it.

This week the guys are talking about Michigan scandal. Who's going to win World Series? A good ole fashioned Mount Rushmore, College football and more.  Week 10 of our Football Pick em'  segment and don't miss our Tutu's Sweet Treats DAWG of the Week!!!  All this and more on this weeks From Corner2Corner!!   Podcast made for everyone.  Sports, Wrestling, Movies, and much much more.  As the Number One Podcast out of Mount Sterling every Thursday and Saturday mornings that drops at 3 am your missing out if you don't listen.   Hosts - Sean Kiper, Neil Payne, Wes Crouch and Adam Muncy. If you would like to help the show!   Cash App: fromc2cpc    Paypal: corner2cornerpc@gmail.com   Follow and Like us on the following Social Media Platforms. https://www.tiktok.com/@fromcorner2corner?lang=en   https://twitter.com/corner2cornerpc   https://www.youtube.com/channel/UCQ1CVW5JlWWXRJLUWzuJc6g   www.fromcorner2corner.com   From Corner2Corner Online Store:   https://fromcorner2corner.itemorder.com/shop/home/    

On the September 16 edition of the Music History Today podcast, Miami Vice debuts, the Met opens at Lincoln Center, & Rapper's Delight gets released. Also, it's B.B. King's & Richard Marx's birthdays. ALL MY MUSIC HISTORY TODAY PODCAST LINKS - https://allmylinks.com/musichistorytoday CHECK OUT MY OTHER PODCAST, THE MUSIC HALLS OF FAME PODCAST: LINKS - https://allmylinks.com/musichallsoffamepodcast --- Send in a voice message: https://podcasters.spotify.com/pod/show/musichistorytodaypodcast/message Support this podcast: https://podcasters.spotify.com/pod/show/musichistorytodaypodcast/support

Dee and I rule discuss their rewatch of the classic Film Krush Groove..... Does the Folm hold up after nearly 40 years, Who Stole The show, could it be remade? The guys answer these questions and more, Don't miss this amazing Episode

I remember hearing Rappers Delight and memorizing every Rhyme. --- Send in a voice message: https://podcasters.spotify.com/pod/show/charmeljoiner/message Support this podcast: https://podcasters.spotify.com/pod/show/charmeljoiner/support

Hour 2 - Bonta, Shasky, and the roasters breakdown their favorite rappers and shameless shoutouts returns. 

My dad was drafted into the army in 1968, and approximately two years later, I was born in a hospital in Frankfurt, Germany, joining him, my mother, and my older sister living in Hanau. In my first 14 years of life, we lived in three different parts of Germany, including our second trip back to Germany living on military bases in Karlsruhe and Stuttgart, between the years of 1977-1984. It was during that time, in October of 1979 specifically, that I learned about rap music, courtesy of my dad buying me “Rappers Delight” while on a trip to Indiana for some work training. This episode talks about how living on army bases affected how I, and others living a similar lifestyle, experienced the growth of rap music and eventually Hip Hop culture as it exploded out of the upper East Coast. Additionally, it touches on the scarcity of rap music at the time, as well as a lack of outlets to easily discover it, learn more about the artists, find the music, and so on, especially if you didn't live in one of the few major metropolitan areas were the scene was thriving at this time; Philly, New Jersey, Los Angeles, Oakland, and of course, its place of birth, New York. Based on the way this episode flows, I thought it best to keep the spotlighted artists a secret, but they are early pioneers, who helped bring a sense of elegance, style, and materialistic outlandishness to the rap game.

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This was the long version and maybe I'll play it tomorrow just disregard the Friday indications and use it for your Saturday hippity hop hop hop don't stop jump up with the boogie anyway enjoy the music I hope it made you dance I'll talk to you tomorrow --- Send in a voice message: https://podcasters.spotify.com/pod/show/j-w54/message Support this podcast: https://podcasters.spotify.com/pod/show/j-w54/support

What's Up Refined Nationers!! Welcome to Season 3! Let's talk about our Next Level and what's to come for this season!  We are also discussing temptation, The Grammy's, Maverick City, Chandler Moore and being bold in Christ! Also, let's have a black history moment. Listen in!! Refined Nation:Youtube: https://www.youtube.com/@RefinedNationFacebook: https://www.facebook.com/refinednation/Instagram: https://www.instagram.com/miyacynita/Refined Nation Merch: https://royaltyglo.myshopify.com/products/refined-nation-unisex-hoodieSupport the show

Estamos en 1976 y Estados Unidos celebra su Bicentenario como nación. En los Juegos de Montreal, el equipo olímipco estadounidense deslumbra al mundo. Además, ese año se estrena la película Rocky. El boxeo está en lo más alto. Sin embargo ese año se empieza a fraguar uno de los mayores escándalos boxísticos de la historia. El promotor Don King vende a la cadena televisiva ABC un torneo para coronar campeones estadounidenses en once categorías. La idea es magnífica y sin embargo acaba en fiasco. Un joven periodista, Alex Wallau, y un desgarbado y bohemio friqui, Malcolm “Flash” Gordon, empiezan a descubrir que el torneo está marcado por las irregularidades y la corrupción. Una historia apasionante, poco conocida y cuyas implicaciones dejaron muy tocado al mundo del boxeo. Corte 1: “Stack O Lee”, Champion Jack Dupree Corte 2: “Hey St Peter”, Flash and the Pan Corte 3: “Blitzkrieg Bop” The Ramones Corte 4: “Trans Europe Express” Kraftwerk Corte 5: “Go your own way” Fleetwood Mac Corte 6: “Got to give it up (Part 1)” Marvin Gaye Corte 7: “Rappers Delight”, Sugarhill Gang Corte 8: “Why do I get”, The Buzzcocks

Godfrey welcomes back Ty Jones to continue their Michael Jordan debate, talk about how Sugarhill Gang almost lost the rights to their name, Kanye West makes a quick cameo in his "head-mitten" and so much more!Legendary Comedian Godfrey is LIVE from New York, and joins some of his best friends in stand up comedy, Hip-Hop and Hollywood to talk current events, pop culture, race issues, movies, music, TV and Kung Fu. We got endless impressions, a white producer, random videos Godfrey found on the internet and so much more! We're not reinventing the wheel, we're just talking 'ish twice a week... with GODFREY on In Godfrey We Trust.Original Air Date: 12.13.22SUPPORT OUR SPONSORS:https://YoDelta.com Promo Code GAS for 25% OFF your entire orderWatch & SUBSCRIBE on YouTubehttps://youtube.com/channel/UC9pY7pvK-F3S17lBK2yhgvw?sub_confirmation=1FREE LIVESTREAM every TUESDAY & FRIDAY at 10PM ET ONLY on GaS DigitalOr catch the YouTube Premiere the following SATURDAY & WEDNESDAY at 10PMhttps://GaSDigitalNetwork.com/LIVESign up to the Gas Digital Network with promo code GODFREY and get a 7 Day FREE TRIAL which includes access to full episodes of all our shows days before the public, FULL HD livestreams, join live chat, and the entire GaS Digital library, including 300+ episodes of In Godfrey We Trust, On-Demand and in HD!https://GaSDigitalNetwork.com/high-octane-all-accessFOLLOW THE WHOLE SHOW!In Godfrey We Trust PodcastInstagram: https://instagram.com/godfreypodcastTikTok: https://tiktok.com/@godfreypodcastGodfreyInstagram: https://instagram.com/comediangodfreyTwitter: https://twitter.com/GodfreyComedianGaS Digital NetworkInstagram: https://instagram.com/gasdigitalTwitter: https://twitter.com/gasdigitalSEND US MAIL:GaS Digital Studios Attn: GODFREY151 1st Ave # 311New York, NY 10003orInGodfreyWeTrust@gmail.comSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Sat, 05 Nov 2022 12:04:00 +0000 https://jungeanleger.podigee.io/440-wiener-borse-plausch-sonderfolge-zum-vollkommen-irren-4-11-an-der-wiener-borse-incl-77-prozenter ec40883c3b3adb9b1a71e71f2a343a72 Die Wiener Börse Pläusche sind ein Podcastprojekt von Christian Drastil Comm. Unter dem Motto „Market & Me“ berichtet Christian Drastil über das Tagesgeschehen an der Wiener Börse. Der 4.11. war der zweitbeste Handelstag 2022, der siebentgrösste Punktgewinn des ATX TR, dazu die Einreihung der 17 Prozent von Lenzing und vor allem der -77 Prozent von Gurktaler. Prost: Zum Schluss gibt es noch einen Spoiler zu Michael Dickstein, Duracell und AA und AAA. Und im Abspann intoniere ich - weil eh scho wurscht ist - Rappers Delight. Die 2022er-Folgen vom Wiener Börse Plausch sind präsentiert von Wienerberger, CEO Heimo Scheuch hat sich im Q4 ebenfalls unter die Podcaster gemischt: https://open.spotify.com/show/5D4Gz8bpAYNAI6tg7H695E  . Co-Presenter im November ist Raquest https://raquest.de  , da werden wir im Monatsverlauf einiges bringen. Siehe auch Podcast mit Raquest Manager Manfred Artmeier über die Doppelbesteuerung: https://audio-cd.at/page/playlist/2624 . Der Theme-Song, der eigentlich schon aus dem Jänner stammt und spontan von der Rosinger Group supportet wurde: Sound & Lyrics unter http://www.audio-cd.at/page/podcast/2734   .  Risikohinweis: Die hier veröffentlichten Gedanken sind weder als Empfehlung noch als ein Angebot oder eine Aufforderung zum An- oder Verkauf von Finanzinstrumenten zu verstehen und sollen auch nicht so verstanden werden. Sie stellen lediglich die persönliche Meinung der Podcastmacher dar. Der Handel mit Finanzprodukt en unterliegt einem Risiko. Sie können Ihr eingesetztes Kapital verlieren. Und: Bewertungen bei Apple (oder auch Spotify) machen mir Freude: https://podcasts.apple.com/at/podcast/christian-drastil-wiener-borse-sport-musik-und-mehr-my-life/id1484919130 440 full no

D-Lo & KC spend a few minutes discussing Kanye West and his White Lives Matter fashion show in Paris.  How did Rappers Delight come to be? Often sighted as the first rap record ever recorded (it wasn't), the song has a place in history, an important place but there's a lot to this story. Is Sylvia Robinson a villian? Did Big Bank Hank steal an opportunity from the Cold Crush Brothers? Is this real rap music? D-Lo & KC attempt to answer these questions and many more on this episode of Corners of the Culture. 

D-Lo & KC spend a few minutes discussing Kanye West and his White Lives Matter fashion show in Paris.  How did Rappers Delight come to be? Often sighted as the first rap record ever recorded (it wasn't), the song has a place in history, an important place but there's a lot to this story. Is Sylvia Robinson a villian? Did Big Bank Hank steal an opportunity from the Cold Crush Brothers? Is this real rap music? D-Lo & KC attempt to answer these questions and many more on this episode of Corners of the Culture. 

Hey sippers! In today's episode Jayfoxx interviews a performing artist/ rapper by the name of Christopher Leon! Jayfoxx seriously loves making guest jingles so she doesn't hold back from asking Chris what it takes to make an entire rap track! Grab your fave sips and follow along as they talk about Chris' move to Los Angeles to pursue his dreams, his new album, and rapping facts, Social Media: Patreon: https://www.patreon.com/talksnsips Instagram: https://www.instagram.com/talksnsips/ https://www.instagram.com/jayfoxx__/ Twitter: https://twitter.com/TalksNSips TikTok: https://www.tiktok.com/@talksnsips?lang=en *For sources and more please visit: talksnsips.com *

#166 Na Roma antiga havia uma peça de Terêncio, e no anfiteatro uma luta de ursos, algumas pessoas deixaram o teatro e foram ver a luta de ursos. Os intelectuais lamentavam que as pessoas tivessem abandonado Terêncio para ir ver os ursos. O Boia é a luta de ursos. Julio Adler, Bruno Bocayuva e João Valente teimam em debater inutilidades, fortunas alheias, bilionários filantropos e o cinismo misantropo, Cracas deslizantes, circuitos sem imaginação, propagandas ultrapassadas e mensagens piegas. Trilha sonora por conta da dica do Tiago Dias, Father's Children com Hollywood Dreaming e os 46 anos de Rappers Delight do Sugarhill Gang. Almanaque tem Fly Black Bird e Imagem falada com Peter Cole e Sundek. A mediocridade é uma vocação. --- Send in a voice message: https://anchor.fm/boia/message

Dans cet épisode je vais te raconter l'histoire de la naissance du Rap et la polémique autour du premier disque enregistré.  Pour me contacter : contact@djshubak.com Pour accéder aux formations ”Devenir un bon DJ” : https://devenirunbondj.podia.com

In July of 1979 Chic released their 3rd studio album. The record became a touchstone for the disco era and beyond, with it's hit single, “Good Times” being heavily sampled in hip hop, notably on “Rappers Delight” and at least 215 other songs. Let's talk Chic, Risqué!

La primera canción de rap grabada en la historia... o probablemente no... Pero la historia de esta canción es bastante intrigante y misteriosa. Hoy en 120 Segundos The Sugarhill Gang con su temario Rappers Delight. Solo por la X Más Música.4 Capítulos seguidos para que no se nos quede nada por fuera.

The InfluencersTalksza is a podcast which looks to focus on the creative space and our new segment Rapper's Delight. The Rapper's Delight is a podcast in partnership with UCT Hip Hop Society, whereby up and coming artists get a chance for media training and experience along with promoting the artist and their future plans.

Thia is a fun and informative look at the development of Rap music between the years of 1979 and 1989. From the entire near 15 minute version of Rappers Delight to the complex and amazing Fight the Power an milestones in between this episode delivers!

milk, pop culture 1984, sha na na, sugar hill gang, amanda peet, alexander hamilton, the judds, mary j blige, designated hitter approved in al, 1st sextuplets,1st lottery, 1st person to receive insulin, boxing

First episode of the year is here! Tune in as EC goes through the come-up of the legendary group, Sugar Hill Gang. On this day in 1980 the group's smash single, "Rappers Delight" became the first ever Hip Hop single to reach the Billboard Top 40, making it the first ever successful Hip Hop song in history. This was also the first time we ever heard the words "hip hop" in a record.  EC visits the story of how the group came together to make the record and how Sylvia Robinson played a major role in making this song, along with other iconic records.Happy 2022 y'all!Hip Hop Leaf: MCLike the pod? Subscribe and follow:Instagram: @hhcloverleafTwitter: @hhcloverleafFacebook: @hhcloverleafYouTube: Hip Hop Cloverleaf PodcastSoundcloud: Hip Hop Cloverleaf PodcastWebsite: hiphopcloverleaf.comEmail: hiphopcloverleafpodcast@gmail.comCreditsEpisode Artwork: "Big Bank Hank (Henry Jackson) of The Sugar Hill Gang lost his cancer battle yesterday. Gone too soon." by vision63 is licensed under CC BY-NC 2.0. To view a copy of this license, visit https://creativecommons.org/licenses/by-nc/2.0/?ref=openverse&atype=richPhoto was modified.Production:ECMahfuzZahidEdgar P.Jay 717Adrian Stubb

On this Episode of the HHU Podcast SamAnt & O'God sat down with rap pioneer Grandmaster Caz to discuss his career, legacy, and the early days of hip hop. Born Curtis Brown in the Bronx, N.Y., Caz was inspired to pursue a career in the genre after witnessing DJ Kool Herc perform in the 1970sSupport the show (https://www.paypal.com/mep/dashboard)

Hoe kwam Hip-Hop aan de naam Hip-Hop? Het verhaal achter Sugarhill Gang van Rapper’s Delight, waarbij de manager van ‘Casanova Fly’ genaamd ‘Big Bank Hank’ letterlijk de show wist te stelen! See omnystudio.com/listener for privacy information.

John Lee Dumas, Author, Common Path to Uncommon SuccessJohn Lee Dumas Entrepreneur on Fire podcastHolly Shannon's WebsiteZero To Podcast on AmazonHolly Shannon, LinkedinHolly Shannon, InstagramHolly Shannon, ClubhouseMusic by Paco Hallak 

The Billboard Charting Hip Hop Emcee & Entertainment Attorney Feat. Tracey Lee Esq, In this episode Durell is joined by hip-hop artist and entertainment attorney Tracey Lee Esq. Durell and Tracey begin the episode sharing how they got connected via New Skool Rules. Durell and Tracey talk about the importance of being global and that hip-hop emcees who are real street with their lyrics are able to have a platform like New Skool Rules that gives an opportunity and a platform to be seen and heard from all around the world. Durell shares that he's always been told that most entertainment attorneys are former disgruntled artists but what makes Tracey different is that he still makes great music. Tracey shares that most indie artists are underrepresented because they are forced to be their own record label and play all the roles that come along with pursuing a career in music. Tracey and Durell talk about indie creatives who actually need the structure of a record label, but even with the help of a label artists need to have a strong working knowledge of how the music business works. Durell shares that he doesn't look at the indie creatives that he personally manages as his clients but more as family. Tracey shares that he was first introduced to music by his mother listening to Gospel music. Tracey says that his mother also listened to a lot of R&B which he really enjoyed and then he started playing drums in church. He shares that he remembers trying to direct the choir around the age of 3, and eventually the pastor brought him to the front and had them both directing. Tracey says that's when the bug to have all eyes on him really began. He said the first time he heard “Rappers Delight” is when he really began to develop a love for hip-hop. He shares that Melle Mel is the first emcee that introduced him to lyrical rap, which he connected to because of what he was seeing in his neighborhood as a young kid. He then heard T La Rock and fell in love with his descriptive wordplay and LL Cool J who brought the energy and swagger to hip-hop. Tracey knew after these experiences that he wanted to pursue rap in a real way. He shares that he would send demos to record companies trying to get a record deal all the way up through high school. He shares that he graduated from high school and although he loved music he had another passion which was sports. He decided on Howard University because he wanted to study mass communications and become a color commentator.Tracey shares that he only lasted in mass communications for one semester and then he eventually met Deric “D-Dot” Angelettie & Ron Lawrence. They both were heavy into music and found out that Tracey had a talent in rap and eventually brought the passion back for music. He shares that even though he ultimately graduated and got his degree he was fully back in the pursuit of trying to get a record deal. He shares that the great thing about going to Howard University was that there were so many great connections made that ultimately helped to set the table for what was to come. Tracey talks about getting a taste of the indie music hustle when he and a couple of his friends from college started an indie record label and cut a maxi single and that's where he learned about the different layers of the music business. Tracey shares that he inked his first record deal with Mark Pitts & his record label Bystorm Entertainment. The record deal was for about 5 albums. Durell and Tracey talk about what it means to get an advance from a record label as well as how royalties are paid out. Tracey talks about what it means to have to recoup the initial advance and why many artists never do so because of the large amount of debt that is accrued to the label. Tracey shares that his debut album “Many Facez” was released in 1997. Durell asked Tracey about the album making process back then and what that process was like. He shares that after he recorded the single “The Theme (It's Party Time)”and went to work it in New York it was a bit rough because being from Philadelphia he didn't run in the most common circles and the fact that he was able to get a verse and cosign from Biggie there were some that didn't like that too much. He said the single didn't really pop until DJ Red Alert started playing the single and it caught some legs. The label wanted to capitalize and so because Tracey had a lot of quality songs that were on his original demo, the label took quite a bit of those and put his album together. The album was titled “Many Facez '' because a lot of the songs represented the different types of moods Tracey would be in when making the songs. Tracey shares about his experiences working with hip hop icons Busta Rhymes and Kanye West. He says that Kanye is the same type of person he is now back then. Durell and Tracey talk about him not ever getting the opportunity to go overseas when he had his record deal and even today finding that he has fans in a few different countries overseas. He shares that he is looking forward to getting the opportunity to be able to do some tour dates in those territories and touch those people. Tracey and Durell end the episode talking about why he decided to pivot and go to law school to become an entertainment attorney. Tracey shared the first trigger on why he decided to go to law school was his bad experiences in the music business. He talks about when he first signed his deal he didn't hire an entertainment attorney, instead opting to hire a corporate attorney who had no experience in the nuances of the entertainment business. He shares that the second trigger in why he decided to become an attorney is the fact that when he first moved to New York to work on his album, he lost his contract and called his attorney and never heard from him. The final trigger was when he went back to the label after hiring a new lawyer and in his original contract where he was supposed to receive a $10,000 check from his publishing portion of his agreement and the label went back and changed the numbers and when he got the new contract it stated that he was supposed to now only get $1. He talks about being down to his last $7 going to church and putting it into the collection plate and then a couple weeks later getting a call letting him know that Universal had a check for him but didn't have an address to send it. He shares that he received a check for $7,000 and then a week later another check for $57,000. He knew then he wanted to be a light for artists who had found themselves in a similar situation to him and he could speak to the artistic side as well, having had success in his own right. Tracey shares that he passed the bar exam and has been a practicing licensed attorney since 2007. He has been able to help many artists coming up as well as some artists who have had very long and established careers such as Kelly Rowland, Solange Knowles and Eric Roberson and Algebra Blessett in the indie music community. Tracey shares that he has also spent time as an educator at Coppin State University where he taught classes on music business. He shares that his passion now is really to educate and if he were to have a real job that would be it especially because he does it naturally. Tracey also shares that he's a part of several industry associations and Durell asks about the diversity when it comes to his colleagues. He shares that when it comes to his home state of Washington D.C. he has seen a lot of diversity.For more information on Tracey Lee, please visit his website:https://www.traceyleemusic.com/

The Billboard Charting Hip Hop Emcee & Entertainment Attorney Feat. Tracey Lee Esq, In this episode Durell is joined by hip-hop artist and entertainment attorney Tracey Lee Esq. Durell and Tracey begin the episode sharing how they got connected via New Skool Rules. Durell and Tracey talk about the importance of being global and that hip-hop emcees who are real street with their lyrics are able to have a platform like New Skool Rules that gives an opportunity and a platform to be seen and heard from all around the world. Durell shares that he's always been told that most entertainment attorneys are former disgruntled artists but what makes Tracey different is that he still makes great music. Tracey shares that most indie artists are underrepresented because they are forced to be their own record label and play all the roles that come along with pursuing a career in music. Tracey and Durell talk about indie creatives who actually need the structure of a record label, but even with the help of a label artists need to have a strong working knowledge of how the music business works. Durell shares that he doesn't look at the indie creatives that he personally manages as his clients but more as family. Tracey shares that he was first introduced to music by his mother listening to Gospel music. Tracey says that his mother also listened to a lot of R&B which he really enjoyed and then he started playing drums in church. He shares that he remembers trying to direct the choir around the age of 3, and eventually the pastor brought him to the front and had them both directing. Tracey says that's when the bug to have all eyes on him really began. He said the first time he heard “Rappers Delight” is when he really began to develop a love for hip-hop. He shares that Melle Mel is the first emcee that introduced him to lyrical rap, which he connected to because of what he was seeing in his neighborhood as a young kid. He then heard T La Rock and fell in love with his descriptive wordplay and LL Cool J who brought the energy and swagger to hip-hop. Tracey knew after these experiences that he wanted to pursue rap in a real way. He shares that he would send demos to record companies trying to get a record deal all the way up through high school. He shares that he graduated from high school and although he loved music he had another passion which was sports. He decided on Howard University because he wanted to study mass communications and become a color commentator.Tracey shares that he only lasted in mass communications for one semester and then he eventually met Deric “D-Dot” Angelettie & Ron Lawrence. They both were heavy into music and found out that Tracey had a talent in rap and eventually brought the passion back for music. He shares that even though he ultimately graduated and got his degree he was fully back in the pursuit of trying to get a record deal. He shares that the great thing about going to Howard University was that there were so many great connections made that ultimately helped to set the table for what was to come. Tracey talks about getting a taste of the indie music hustle when he and a couple of his friends from college started an indie record label and cut a maxi single and that's where he learned about the different layers of the music business. Tracey shares that he inked his first record deal with Mark Pitts & his record label Bystorm Entertainment. The record deal was for about 5 albums. Durell and Tracey talk about what it means to get an advance from a record label as well as how royalties are paid out. Tracey talks about what it means to have to recoup the initial advance and why many artists never do so because of the large amount of debt that is accrued to the label. Tracey shares that his debut album “Many Facez” was released in 1997. Durell asked Tracey about the album making process back then and what that process was like. He shares that after he recorded the single “The Theme (It's Party Time)”and went to work it in New York it was a bit rough because being from Philadelphia he didn't run in the most common circles and the fact that he was able to get a verse and cosign from Biggie there were some that didn't like that too much. He said the single didn't really pop until DJ Red Alert started playing the single and it caught some legs. The label wanted to capitalize and so because Tracey had a lot of quality songs that were on his original demo, the label took quite a bit of those and put his album together. The album was titled “Many Facez '' because a lot of the songs represented the different types of moods Tracey would be in when making the songs. Tracey shares about his experiences working with hip hop icons Busta Rhymes and Kanye West. He says that Kanye is the same type of person he is now back then. Durell and Tracey talk about him not ever getting the opportunity to go overseas when he had his record deal and even today finding that he has fans in a few different countries overseas. He shares that he is looking forward to getting the opportunity to be able to do some tour dates in those territories and touch those people. Tracey and Durell end the episode talking about why he decided to pivot and go to law school to become an entertainment attorney. Tracey shared the first trigger on why he decided to go to law school was his bad experiences in the music business. He talks about when he first signed his deal he didn't hire an entertainment attorney, instead opting to hire a corporate attorney who had no experience in the nuances of the entertainment business. He shares that the second trigger in why he decided to become an attorney is the fact that when he first moved to New York to work on his album, he lost his contract and called his attorney and never heard from him. The final trigger was when he went back to the label after hiring a new lawyer and in his original contract where he was supposed to receive a $10,000 check from his publishing portion of his agreement and the label went back and changed the numbers and when he got the new contract it stated that he was supposed to now only get $1. He talks about being down to his last $7 going to church and putting it into the collection plate and then a couple weeks later getting a call letting him know that Universal had a check for him but didn't have an address to send it. He shares that he received a check for $7,000 and then a week later another check for $57,000. He knew then he wanted to be a light for artists who had found themselves in a similar situation to him and he could speak to the artistic side as well, having had success in his own right. Tracey shares that he passed the bar exam and has been a practicing licensed attorney since 2007. He has been able to help many artists coming up as well as some artists who have had very long and established careers such as Kelly Rowland, Solange Knowles and Eric Roberson and Algebra Blessett in the indie music community. Tracey shares that he has also spent time as an educator at Coppin State University where he taught classes on music business. He shares that his passion now is really to educate and if he were to have a real job that would be it especially because he does it naturally. Tracey also shares that he's a part of several industry associations and Durell asks about the diversity when it comes to his colleagues. He shares that when it comes to his home state of Washington D.C. he has seen a lot of diversity.For more information on Tracey Lee, please visit his website:https://www.traceyleemusic.com/

Live Recorded Set from VirtualDJ Radio TheGrind

Live Recorded Set from VirtualDJ Radio TheGrind

As a founding member of the hip hop group The Sugarhill Gang, Master Gee has been penned as one of the godfathers of Hip Hop. With the first and most popular hip hop single of all time in 1979 called "Rappers Delight,” The Sugarhill Gang revolutionized the music industry. "Rappers Delight" was the first rap song to be played on the radio & TV, exposing millions of people to a new and exciting style of music. It sold 60,000 units daily in 1979 and today has over 100 million streams on Spotify alone. www.linktr.ee/sugarhillgangIG: @therealsugarhillgang @mastergeesugarhillSpotify: The Sugarhill GangCheck out The Sugarhill Gang Podcast on Apple Podcasts Jump on the Soulshine at Sea Cruise, happening Nov 3-7, 2021: www.soulshineatsea.com Michael's album ‘Work Hard And Be Nice' is out now: https://orcd.co/work-hard-and-be-nice Keep in touch with Michael online: https://michaelfranti.com/ The ‘Stay Human' podcast is available wherever you listen to podcasts: www.stayhumanpodcast.com PODCAST EPISODE CREDITS:Executive Producers: Michael Franti and Activist Artists ManagementProducer: Angie Griffith for BPOSITIIVArtist Manager: Caitlin Stone for Activist Artists ManagementManagement Coordinator: Bryce Matthews for Activist Artists ManagementSocial Media Manager: Kaitlyn Parmenter for MediaRowIn Partnership with: American Songwriter Podcast Network (Dan Wise, COO)Presenting Sponsor: Gibson Brands  Instrumental from: “Crazy For You” by Michael Franti Editing (Video and Audio) by: Janelle Meager Additional Editing by: Angie Griffith for BPOSITIIV

This episode is hosted by Josh. The crew is joined by special guest Ricky Perez aka KemoSabi. Crew talks about all things hip hop! You don't want to miss it!Follow us on Twitter, Instagram, and Facebook @siadrivethru http://drivethru.ctcin.bio/Now avaliable anywhere you get your podcastshttps://thesianetwork.com/shop/drive+thru+review?idea=60d137ce7652444a5a20336a

As a founding member of the hip hop group The Sugarhill Gang, Master Gee has been penned as one of the godfathers of Hip Hop. With the first and most popular hip hop single of all time in 1979 called "Rappers Delight,” The Sugarhill Gang revolutionized the music industry. "Rappers Delight" was the first rap song to be played on the radio & TV, exposing millions of people to a new and exciting style of music. It sold 60,000 units daily in 1979 and today has over 100 million streams on Spotify alone. www.linktr.ee/sugarhillgangIG: @therealsugarhillgang @mastergeesugarhillSpotify: The Sugarhill GangCheck out The Sugarhill Gang Podcast on Apple Podcasts Jump on the Soulshine at Sea Cruise, happening Nov 3-7, 2021: www.soulshineatsea.com Michael's album ‘Work Hard And Be Nice' is out now: https://orcd.co/work-hard-and-be-nice Keep in touch with Michael online: https://michaelfranti.com/ The ‘Stay Human' podcast is available wherever you listen to podcasts: www.stayhumanpodcast.com PODCAST EPISODE CREDITS:Executive Producers: Michael Franti and Activist Artists ManagementProducer: Angie Griffith for BPOSITIIVArtist Manager: Caitlin Stone for Activist Artists ManagementManagement Coordinator: Bryce Matthews for Activist Artists ManagementSocial Media Manager: Kaitlyn Parmenter for MediaRowIn Partnership with: American Songwriter Podcast Network (Dan Wise, COO)Presenting Sponsor: Gibson Brands  Instrumental from: “Crazy For You” by Michael Franti Editing (Video and Audio) by: Janelle Meager Additional Editing by: Angie Griffith for BPOSITIIV

Kaluba Patrick Mumba Review The Throwback Remixes is as aptly titled. It is a musical rendezvous with the R&B of noughties in true “In the mix” fashion. The opening track is David Josias” It's Ashame” from 2000. A track with the kind of lilt that pulls you into a groove underscored with vocal lines that reference some 70’s and 90’s classics like the The Spinners It’s a Shame and Sugar Hill gangs Rappers Delight. Track 2 is Roi Anthony’s two steppin Who’s Gon Love Me”. It continues in the same vein but kicks off the groove with percussive elements that make you “curious” (?? -read on) Track 3 finds Lydia getting “Closer” to the “Surface” with a contemporary re-working of this 80’s staple with Pic Conley signature flute embellishments. Track 4 is a remix of a cover; Babyface’s “For the Lover in You” featuring Jody Watley, Jeffrey Daniel, Howard Hewitt and LL CoolJ ……..#Ooohbabybaby#, it oddly implores one to reach out for the replay button but then MixSensei cunningly introduces another remarkable remix in the form of LevertSweat&Gill’s Midnight Star cover -Curious (got the wink now) featuring Busta “rambunctious” Rhymes and MC Lytte. To max it out, the sequence is re-directed into avenue-do-not-disturb-this-groove with Diane Marsh’s understated “Do Not Give Up On Lovin” before Positive Flow’s “My Prediction” and its contagious vocals by none other than Omar. If you suffer from R_&_B_Mylitis, the closing track will send you into a ecstatic high with its in your face sound and a chorus line that evokes the suggestive hook in Kool & The Gang’s Ladies Night. I suppose it is MixSensei Mel’s way of telling you that #This is his mix-tonight, everything is going to be - alright#!

Special guest recording artists Donovan Sherrod & Richie P hop on the mics to join SCALEZ and the crew. --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app --- Send in a voice message: https://anchor.fm/slicktalkwithscalez/message Support this podcast: https://anchor.fm/slicktalkwithscalez/support

Box boys go on a rant bout what if bout rappers. --- Send in a voice message: https://anchor.fm/4dudeznabox/message

In this episode, I am joined by Matt Carter and Eric Taxier to discuss "Rapper's Delight" by the Sugar Hill Gang, which historian Jeff Chang refers to as the "first death of hip hop." I begin by outlining the inevitability of narrative and interpretation to history--that there is no "just the facts" approach to history, no matter how hard we try. I then suggest that Jeff Chang tells a story of death and resurrection (and a shift from authenticity to increased inauthenticity) while someone like Dan Charnas tells a story of expansion and innovation (in business as much as art). Then Eric and Matt join me to discuss various elements of that "first" rap recording: the shift away from the DJ toward the MC, the use of a backing band and the continuation of a remix culture, the citing of names as tags, and other issues.

Amidst the usual line up of eclectic Funky delights, Jason jumps on the decks for some quick fire 90's R&B & we find out the story behind “Rappers Delight”. Expect ……everything cause this episode is (in true Funk Foundation style) a true mash up of Genres.Spotify Playlist (Updated Monthly)https://open.spotify.com/playlist/1zu6KYRKPebNhJogfLZWf7?si=IJG7N_aTROepkQ98sfsceQ More from Jason Marx:https://podlink.to/ListenToJasonMarxJonestown - Sweet thangJaheim - Aint Leaving without YouMontell Jordan - This Is How We Do ItMary Mary - Dont Mess With My ManBeyonce - Shake Your Tail Feather (MJJ Mix)Sam & Dave - Wrap It UpJames Brown - SuperbadThe Chilites - Are You My WomanFrankie Smith - Double Dutch BusSugar Hil Gang - Rappers DelightRun DMC - Peter PipperTalking Heads - Burning Down The House (The Reflex Revision)George Duke - Reach OutIncognitto Ft Jocelyn Brown - Always ThereAretha Franklyn - Do It RightElaine & Ellen - Fill Me UpPockets - Come & Go With MEPrince - ControversyMark Knight & Funk Agenda - Man With The Red Face (ATFC When The Lights Go Up Mix)

My dad was drafted into the army in 1968, and approximately two years later, I was born in a hospital in Frankfurt, Germany, joining him, my mother, and older sister living in Hanau. In my first 14 years of life, we lived in three different parts of Germany, including our second trip back to Germany living on military bases in Karlsruhe and Stuttgart, between the years of 1977-1984. It was during that time, October of 1979 specifically, that I learned about rap music, courtesy of my dad buying me “Rappers Delight” while on a trip to Indiana for some work training. This episode talks about how living on army bases affected how I, and others living a similar lifestyle, experienced the growth of rap music and eventually Hip Hop culture as it exploded out of the upper East Coast. Additionally, it touches on the scarcity of rap music at the time, as well as a lack of outlets to easily discover it, learn more about the artists, find the music and so on, especially if you didn't live in one of the few major metropolitan areas were the scene was thriving at this time; Philly, New Jersey, Los Angeles, Oakland, and of course, it's place of birth, New York. Based on the way this episode flows, I thought it best to keep the spotlighted artists a secret, but they are early pioneers, who helped bring a sense of elegance, style and materialistic outlandishness to the rap game… --- Support this podcast: https://anchor.fm/storiesaboutsongs/support

This week we discuss the Floyd Mayweather and TI situation, NBA Young Boy under federal investigation. Quando Rondo almost getting ran out of Norfolk, Va. Personality adjusting men's rates of women and more be sure to Like, Listen, Rate, Review, Share & Subscribe follow us on IG @thebmtpodcast

It's Part 2 with our guest Ed Piskor, a writer, designer, creative, artist, and hip hop historian. He is the author of  Hip Hop Family Tree, Volumes 1, 2, 3, and the soon to be released Volume 4.Piskor grew up in the Pittsburgh neighborhood of Homestead. In the 1990s, the area was full of gangs so instead of becoming involved in that he focused on sketching and designing related to his passion.Growing up in an environment of hip hop, Piskor has a unique ability within the comic world to create his one-of-a-kind Hip Hop Family Tree books."I didn't get into this game to not do it. I'm an inspiration junkie, I need it every day. I need to know that in order to be Kobe Bryant, I need to shoot 1,000 shots before practice starts. I want to be that kind of guy for my thing. I can't ever have enough money to relax, to stop."Volume 4In regards to gender inequality: "How much cool stuff was not created? It is an impediment to culture to keep anybody out of the game...We're in a good era, things are moving forward...So we can have a cooler world...I feel very hopeful.""The people who got sort of the most backing in the biggest ways were all males. 1984-85, we're starting to get into a more democratized era where there's a lot of ladies coming through...It's never been equal but at least we're getting the all-star girls showing up in their most powerful forms. I wanted to illustrate that so I had to put Salt-N-Pepa on the cover"A TV show for the Hip Hop Family Tree is being developed now."If you're going to chop down trees and make books...You gotta make the best freaking books you can that have a tactile experience...A lot of comics publishers see their business as selling stories but the publisher I chose, Fantagraphics...they never said no to any of my crazy ideas and demands. This book is atypical in terms of it's format. It's a giant over any book that comes out."Piskor's books are not only unique in design and content but also size, produced as a 9x 13 inch publication.Hit the Bulls Eye:Piskor chooses LL Cool J over KRS-One and The Message over Rappers Delight. "Rappers Delight is like the mall version of rap."As a hugely productive creative person, Piskor says one needs to have patience and ease of mind when putting things together."It is important to invest your 20s in your hopes and dreams.""There's a reason why some of your best ideas come in the shower. It's because you're not forcing it."Ed Piskor's Social Media:Twitter: @EdPiskorFacebookTumblrFor listeners of The No BS Marketing Show, Audible is offering a free download with a 30-day trial to give you the opportunity to check out their service. You can download it for free today 

Jeff makes a big announcement:The Grounded Podcast is now a twice monthly podcast.New episodes will be dropping on the 10th and 25th of each month. Jeff Talks about bombing in front of an all black crowd while he tries to break down the footage from the Alonzo "Hamburger" Jones set. Jeff tries to study the popularity of the Def Comedy Jam and the loves the raw filthy comedy that was on it. Jeff also breaks down a classic song by the Sugar Hill Gang called Rappers Delight. Please leave 5-Star Reviews for The Grounded Podcast on iTunes. Follow @JeffZenisek on Twitter, Instagram, Facebook, SnapChat, Periscope, and Vine. Email Jeff@groundedpodcast.com and ask for advice, or give Jeff some music to listen to on the show, or send a Whatcha Gonna Do Scenario.