Podcasts about Pace Gallery

“If we look at the entire history of the human experience, if you saw some text or you heard some spoken language, you could 100 percent reliably infer that there was a human who created that. Our experience of having that text or that image generated for us is very akin to the experience of a magic trick, and we sort of pre-subconsciously want to attribute some kind of intelligence to what's going on on the other side.At the core of the work is that sense of curiosity, that sense of joy, that sense of beauty, and that sense of learning. I've been fortunate to have all kinds of strange and interesting experiences, whether that's seeing weird things in the sky over secret military bases in the middle of the Nevada desert, going scuba diving and finding internet cables on the bottom of the ocean, or tracking spy satellites in the sky and being able to predict when they'll appear in a flash against the backdrop of stars. The world around us is extraordinary and embodied, right? It is not on screens, and I'm very privileged to have that be so much a part of my process.”Trevor Paglen is an artist whose work makes the invisible visible, whether he's photographing secret government sites from miles away or revealing the hidden infrastructures of mass surveillance. He's a geographer by training, and he combines investigative journalism with his art practice to explore the hidden power structures of our time, including military technology and artificial intelligence. His work has been exhibited in major museums around the world, and he's also an award-winning author. His exhibitions, like 'The Black Sites' and 'Limit Tele-photography,' have earned him critical acclaim, including a MacArthur Fellowship. He's recently opened a new exhibition at Pace Gallery in New York called Cardinals (Jun 26–Aug 15) which delves into the intriguing connections between UFO sightings, AI, and the spread of disinformation.Episode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcast

“If we look at the entire history of the human experience, if you saw some text or you heard some spoken language, you could 100 percent reliably infer that there was a human who created that. Our experience of having that text or that image generated for us is very akin to the experience of a magic trick, and we sort of pre-subconsciously want to attribute some kind of intelligence to what's going on on the other side.At the core of the work is that sense of curiosity, that sense of joy, that sense of beauty, and that sense of learning. I've been fortunate to have all kinds of strange and interesting experiences, whether that's seeing weird things in the sky over secret military bases in the middle of the Nevada desert, going scuba diving and finding internet cables on the bottom of the ocean, or tracking spy satellites in the sky and being able to predict when they'll appear in a flash against the backdrop of stars. The world around us is extraordinary and embodied, right? It is not on screens, and I'm very privileged to have that be so much a part of my process.”Trevor Paglen is an artist whose work makes the invisible visible, whether he's photographing secret government sites from miles away or revealing the hidden infrastructures of mass surveillance. He's a geographer by training, and he combines investigative journalism with his art practice to explore the hidden power structures of our time, including military technology and artificial intelligence. His work has been exhibited in major museums around the world, and he's also an award-winning author. His exhibitions, like 'The Black Sites' and 'Limit Tele-photography,' have earned him critical acclaim, including a MacArthur Fellowship. He's recently opened a new exhibition at Pace Gallery in New York called Cardinals (Jun 26–Aug 15) which delves into the intriguing connections between UFO sightings, AI, and the spread of disinformation.Episode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcast

“There's a word for this brain rot, right? I think that's very real. There are studies coming out now that are showing that the more and more of our cognitive labor we offload to AI systems, the less creative we become, the less critical we become, and the less of our human faculties for reason we use. There's something sad about that, but there's also something dangerous about it because that leaves us very open to being manipulated. The surveillance capitalism kind of economy of extracting data from every possible moment of everyday life in order to extract value. The sensor systems that we're surrounded with are not simply passive devices that are recording us; they are increasingly becoming active sculptors of our experience of reality. Playing dirty.If we look at the entire history of the human experience, if you saw some text or you heard some spoken language, you could 100 percent reliably infer that there was a human who created that. Our experience of having that text or that image generated for us is very akin to the experience of a magic trick, and we sort of pre-subconsciously want to attribute some kind of intelligence to what's going on on the other side.I'm trying to think about these other media strategies, whether that's UFO photography, psychological operations, magic, or neuroscience, and take them seriously as contributing factors to the changing visual culture. With the collection at Pace Gallery, (New York, Jun 26–Aug 15) it was really just to put those images together and show them. They're all photographed on film. A lot of them are photographed on instant film. They're not images that are made with AI; they're not images that are photoshopped. What I really wanted to get at was thinking about the ways in which what we see in an image is very often what we're predisposed to see. I am playing with these mechanics of perception and proposing that as a way of thinking about images now.At the core of the work is that sense of curiosity, that sense of joy, that sense of beauty, and that sense of learning. I've been fortunate to have all kinds of strange and interesting experiences, whether that's seeing weird things in the sky over secret military bases in the middle of the Nevada desert, going scuba diving and finding internet cables on the bottom of the ocean, or tracking spy satellites in the sky and being able to predict when they'll appear in a flash against the backdrop of stars. The world around us is extraordinary and embodied, right? It is not on screens, and I'm very privileged to have that be so much a part of my process.”Trevor Paglen is an artist whose work makes the invisible visible, whether he's photographing secret government sites from miles away or revealing the hidden infrastructures of mass surveillance. He's a geographer by training, and he combines investigative journalism with his art practice to explore the hidden power structures of our time, including military technology and artificial intelligence. His work has been exhibited in major museums around the world, and he's also an award-winning author. His exhibitions, like 'The Black Sites' and 'Limit Tele-photography,' have earned him critical acclaim, including a MacArthur Fellowship. He's recently opened a new exhibition at Pace Gallery in New York called Cardinals, which delves into the intriguing connections between UFO sightings, AI, and the spread of disinformation.Episode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcast

“There's a word for this brain rot, right? I think that's very real. There are studies coming out now that are showing that the more and more of our cognitive labor we offload to AI systems, the less creative we become, the less critical we become, and the less of our human faculties for reason we use. There's something sad about that, but there's also something dangerous about it because that leaves us very open to being manipulated. The surveillance capitalism kind of economy of extracting data from every possible moment of everyday life in order to extract value. The sensor systems that we're surrounded with are not simply passive devices that are recording us; they are increasingly becoming active sculptors of our experience of reality. Playing dirty.If we look at the entire history of the human experience, if you saw some text or you heard some spoken language, you could 100 percent reliably infer that there was a human who created that. Our experience of having that text or that image generated for us is very akin to the experience of a magic trick, and we sort of pre-subconsciously want to attribute some kind of intelligence to what's going on on the other side.I'm trying to think about these other media strategies, whether that's UFO photography, psychological operations, magic, or neuroscience, and take them seriously as contributing factors to the changing visual culture. With the collection at Pace Gallery, (New York, Jun 26–Aug 15) it was really just to put those images together and show them. They're all photographed on film. A lot of them are photographed on instant film. They're not images that are made with AI; they're not images that are photoshopped. What I really wanted to get at was thinking about the ways in which what we see in an image is very often what we're predisposed to see. I am playing with these mechanics of perception and proposing that as a way of thinking about images now.At the core of the work is that sense of curiosity, that sense of joy, that sense of beauty, and that sense of learning. I've been fortunate to have all kinds of strange and interesting experiences, whether that's seeing weird things in the sky over secret military bases in the middle of the Nevada desert, going scuba diving and finding internet cables on the bottom of the ocean, or tracking spy satellites in the sky and being able to predict when they'll appear in a flash against the backdrop of stars. The world around us is extraordinary and embodied, right? It is not on screens, and I'm very privileged to have that be so much a part of my process.”Trevor Paglen is an artist whose work makes the invisible visible, whether he's photographing secret government sites from miles away or revealing the hidden infrastructures of mass surveillance. He's a geographer by training, and he combines investigative journalism with his art practice to explore the hidden power structures of our time, including military technology and artificial intelligence. His work has been exhibited in major museums around the world, and he's also an award-winning author. His exhibitions, like 'The Black Sites' and 'Limit Tele-photography,' have earned him critical acclaim, including a MacArthur Fellowship. He's recently opened a new exhibition at Pace Gallery in New York called Cardinals, which delves into the intriguing connections between UFO sightings, AI, and the spread of disinformation.Episode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcast

“There's a word for this brain rot, right? I think that's very real. There are studies coming out now that are showing that the more and more of our cognitive labor we offload to AI systems, the less creative we become, the less critical we become, and the less of our human faculties for reason we use. There's something sad about that, but there's also something dangerous about it because that leaves us very open to being manipulated. The surveillance capitalism kind of economy of extracting data from every possible moment of everyday life in order to extract value. The sensor systems that we're surrounded with are not simply passive devices that are recording us; they are increasingly becoming active sculptors of our experience of reality. Playing dirty.If we look at the entire history of the human experience, if you saw some text or you heard some spoken language, you could 100 percent reliably infer that there was a human who created that. Our experience of having that text or that image generated for us is very akin to the experience of a magic trick, and we sort of pre-subconsciously want to attribute some kind of intelligence to what's going on on the other side.I'm trying to think about these other media strategies, whether that's UFO photography, psychological operations, magic, or neuroscience, and take them seriously as contributing factors to the changing visual culture. With the collection at Pace Gallery, (New York, Jun 26–Aug 15) it was really just to put those images together and show them. They're all photographed on film. A lot of them are photographed on instant film. They're not images that are made with AI; they're not images that are photoshopped. What I really wanted to get at was thinking about the ways in which what we see in an image is very often what we're predisposed to see. I am playing with these mechanics of perception and proposing that as a way of thinking about images now.At the core of the work is that sense of curiosity, that sense of joy, that sense of beauty, and that sense of learning. I've been fortunate to have all kinds of strange and interesting experiences, whether that's seeing weird things in the sky over secret military bases in the middle of the Nevada desert, going scuba diving and finding internet cables on the bottom of the ocean, or tracking spy satellites in the sky and being able to predict when they'll appear in a flash against the backdrop of stars. The world around us is extraordinary and embodied, right? It is not on screens, and I'm very privileged to have that be so much a part of my process.”Trevor Paglen is an artist whose work makes the invisible visible, whether he's photographing secret government sites from miles away or revealing the hidden infrastructures of mass surveillance. He's a geographer by training, and he combines investigative journalism with his art practice to explore the hidden power structures of our time, including military technology and artificial intelligence. His work has been exhibited in major museums around the world, and he's also an award-winning author. His exhibitions, like 'The Black Sites' and 'Limit Tele-photography,' have earned him critical acclaim, including a MacArthur Fellowship. He's recently opened a new exhibition at Pace Gallery in New York called Cardinals, which delves into the intriguing connections between UFO sightings, AI, and the spread of disinformation.Episode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcast

In this week's episode of the ArtTactic Podcast, host Adam Green speaks with Emeline Salama-Caro, director of the Robert Indiana Legacy Initiative. Founded in 2022 by her family following the artist's passing, the Initiative is dedicated to expanding awareness of Robert Indiana's work beyond his iconic LOVE sculpture. Emeline discusses the unique structure of the Initiative, how it differs from a traditional artist estate, and the motivations behind its creation. She also reflects on the legal complexities surrounding Indiana's final years, the challenges of stewarding an artist's legacy posthumously, and how the Initiative is reintroducing his broader practice to today's collectors and institutions. The episode also highlights Indiana's current exhibition in New York at Pace Gallery (who represents worldwide the Robert Indiana Legacy Initiative).

Positivity is at the heart of any kind of success. A desire to succeed, paired with a positive mindset, good friends, and hard work, can create momentum and growth in any direction you choose. On this episode of The Unfinished Print, a Mokuhanga Podcast, I speak with Michael Verne, a gallerist specializing in Japanese prints and paintings. Michael shares his approach to success, the power of positivity in business, and how he navigates the ups and downs of running a small, focused gallery. Through rich stories, both his own and those of the artists he represents, Michael offers insight into how storytelling shapes his business, sustains its growth, and supports educating people about mokuhanga and Japanese art. Please follow The Unfinished Print and my own mokuhanga work on Instagram @andrezadoroznyprints or email me theunfinishedprint@gmail.com Notes: may contain a hyperlink. Simply click on the highlighted word or phrase. Artists works follow after the note if available. Pieces are mokuhanga unless otherwise noted. Dimensions are given if known. Print publishers are given if known. Michael Verne and The Verne Collection - website The Metropolitan Museum of Art - is the largest art museum in North and South America. It began to be assembled by John Jay (1817-1894) in the late 19th century. Incorporated in 1870, the museum has collected many essential pieces, such as the works of Henri Matisse (1869-1954) and Pierre-Auguste Renoir (1841-1919). For more information about the MET, you can find it here. Daniel Kelly - is a visual artist and printmaker based in Kyoto, Japan. Daniel Kelly has shown all over the world, and is many museum collections as well. More information can be found, here.   Morning Calm (1983) 14.5" x 20.5" Tomikichirō Tokuriki (1902-2000) - was a Kyoto based mokuhanga printmaker and teacher. His work touched on many themes and styles. From “creative prints” or sōsaku hanga in Japanese, and his publisher/printer prints, or shin hanga prints of traditional Japanese landscapes.  Dance of Shimazu (1950's)  Sanford Smith and Works On Paper Exhibit - Sanford Smith (1939-2024) was one of the more important New York City art promoters of his time. Founding Sanford L. Smith + Associates, Sanford Smith created many art fairs such as the Works On Paper show, now known as Art On Paper which focused on works on paper such as prints, watercolours and photographs. More information can be found, here.   Willy Loman - is a fictional character in the novel Death of as Salesman by Arthur Miller, first published in 1949. Sadao Watanabe (1913-1996) - was a stencil and dyeing printmaker (katazome 型染め) from Japan. His works were specifically Biblical in nature. His work was also in stained glass which can be found in Nagoya, Aichi, Japan.  Eve (1965)  John Carroll University - is a private Jesuit University located in the suburbs of Cleveland, Ohio, USA and founded in 1886.  New Heights Podcast - is a podcast hosted by American football players Jason and Travis Kelce. It is produced by Michael Verne's son Brian Verne who is the CEO of Wave Sports and Entertainment. The Armoury Show - is an annual international art fair held in New York City, primarily focusing on contemporary art by living artists, but also featuring works by 20th-century masters. Pace Gallery -  is a gallery located in New York City and founded in 1960. Today the gallery is a leader in exhibiting some of the top artists in their media. There are galleries in London, Los Angeles, Hong Kong, Seoul, Geneva and East Hampton. More information can be found, here. Joel Stewart - is an American visual artist based in Kyoto, Japan.  Joel works in ceramics, installation, printmaking and mixed media. More information about Joel can be found, here.  Karatsu (2016) watercolour on paper 30" x 22" Quiet Elegance - is a book published by the Charles E. Tuttle Company in 1997 written by Betsy Franco and Michael Verne. The Charles E. Tuttle Company is now called simply Tuttle.  Dan Rather - is an American journalist who was the head anchor of the CBC Evening News from 1981 - 2005.  Joshua Rome -  is an American mokuhanga printmaker based Vermont after spending many years in Japan. His themes are of landscapes and the human condition. More information can be found, here.  Mixing Hours (1998) shibui (渋い) - is a Japanese concept that refers to a subtle, simple, and refined beauty. Yuko Kimura - is a contemporary printmaker based in California who used etching, aquatint, monotype, indigo dye, and cyanotype on pleated, stitched or twisted paper for her works. Yuko creates process videos on her website so you can see her process of her complex works. More information can be found, here.   Fusion no. 22 2010 etching and enamel on copper in abaca handmade paper 8" x 6"  wabi sabi - is a traditional Japanese aesthetic concept that embraces the beauty of imperfection, impermanence, and simplicity. Rooted in Zen Buddhism, it values natural materials, asymmetry. Takauchi Seihō (1864 - 1942)-  was a painter of Nihonga. His paintings were famous because of his travels to the West and the influences gathered from that. More information can be found, here.  Spring and Autumn (left screen) c 1889 Allen Memorial Art Museum - is an art museum located in Oberlin, Ohio and was founded in 1917.  Katustori Hamanishi -  is a mezzotint artist known for his diptychs , triptychs and quadtychs. More information can be found, here.  Cosmos Field (2022) 23.75" x 17.75" mezzotint Shigeki Kuroda - is a visual artist who works in aquatint, mezzotint, drypoint, and etching. For more information about his work can be found, here.  Mild Breeze (1953) 25.1" x 18.1" etching and aquatint Clifton Karhu (1927-2007) -  was a mokuhanga printmaker based in Japan. Karhu lived in Japan for most of his life after studying with Tetsuo Yamada and Stanton Macdonald-Wright. HIs themes were of his home city of Kyoto, Japan. More information can be found, here.  Katsura Moonlight (1982) 15.75" x 11./81" Tollman Collection  - is a well known Japanese art gallery located in Daimon, Tokyo, Japan. More information can be found, here.  Toko Shinoda (1913-2021) - was a Japanese visual artist who was made famous for her works in Sumi ink paintings and prints. More information can be found, here.  Winter Green (1990) ink on paper Hideo Takeda -  is a Tokyo based graphic illustrator, mokuhanga printmaker, and all around artist who challenges what it means to be an artist in this modern world. More information can be found, here.   Green (2009) Painting 13" x 9.5" Sarah Brayer - is a visual artist who is based in Kyoto, Japan. Her works are predominantly poured Japanese paper (washi). Sarah was the first Western artist to work at the Taki paper mill in Echizen. This is where she currently make her paperworks. Sarah have worked continuously in Echizen since 1986 as the only Western artist to do so. Sarah Brayer has also produced mokuhanga in her career. More information can be found, here.  ' Sea Meets Sky (Japan Blue Series) woodblock monotype, chine colle, 16" x 14" Cameron Bailey - is a mokuhanga printmaker based in Queens, New York. His mokuhanga technique is in reduction where Cameron creates beautiful and powerful landscapes. More information can be found, here.  Tempest (2025) 16" x 24"  Shirō Kasamatsu (1898–1991) was a mokuhanga print designer during the shin-hanga movement of the early 20th century, and later focused on his own mokuhanga printmaking during the sōsaku-hanga period of the 1950's. More information can be found, here.  Co Corridor (1960's/1970's) oban 10"x 15" Yoshida Hiroshi (1876-1950) - a watercolorist, oil painter, and woodblock printmaker. Is associated with the resurgence of the woodblock print in Japan, and in the West. It was his early relationship with Watanabe Shōzaburō, having his first seven prints printed by the Shōzaburō atelier. This experience made Hiroshi believe that he could hire his own carvers and printers and produce woodblock prints, which he did in 1925.  The Acropolis At Night (1925) 10.13" x 16.5" Kawase Hasui (1883-1957), a designer of more than six hundred woodblock prints, is one of the most famous artists of the shin-hanga movement of the early twentieth century. Hasui began his career under the guidance of Kaburaki Kiyokata (1878-1971), joining several artistic societies early on. However, it wasn't until he joined the Watanabe atelier in 1918 that he began to gain significant recognition. Watanabe Shōzaburō (1885-1962) commissioned Hasui to design landscapes of the Japanese countryside, small towns, and scenes of everyday life. Hasui also worked closely with the carvers and printers to achieve the precise quality he envisioned for his prints. Mishima River, Mutsu (1919) 14" 9"  Shibata Zeshin (1807 - 1891) - was a laquer ware painter and print designer during the 19th Century.  Album of Lacquer Pictures by the Venerable Zeshin (1887) 6.5" x 7"  Kiyoshi Saitō (1907-1997) - was a Japanese woodblock printmaker and artist who worked in the sōsaku hanga style of mokuhanga. HIs fame outside of Japan was fairly comprehensive with his peak fame being in the 1950's and 1960's. For a comprehensive book on his life and times, Saitō Kiyoshi: Graphic Awakening published by The John & Mable Ringling Museum is an excellent source. Can be found, here. Lecture by Dr. Paget about Saitō can be found, here. My interview with Professor Paget can be found, here.  Otaru, Hokkaido (1948) 18" x 24" Munakata Shikō (1903-1975) - arguably one of the most famous modern printmakers; Shikō is renowned for his prints of women, animals, the supernatural and Buddhist deities. He made his prints with an esoteric fervour where his philosophies about mokuhanga were just as interesting as his print work.  Princess Showing Upper Arm (1958) 9" x 7.5" Sekino Jun'ichirō (1914-1988) - was a mokuhanga printmaker who helped establish the sōsaku hanga, creative print movement in Japan. His themes were of landscapes, animals and the abstract. Sekino exhibited and became a member with Nihon Hanga Kyōkai and studied with Ōnchi Kōshirō (1891-1955) and Maekawa Senpan (1888-1960).  Cats and There Kittens (1960) 18" x 13" Katsuyuki Nishijima - is a contemporary mokuhanga printmaker based in Japan who carves and prints his own work. His prints are colourful and focused on the Japanese landscape. More information can be found, here.  Moon Over Lake 10.25" x 14.75" Mayumi Oda - is a Buddhist teacher and artist based in Hawai'i. Her artwork has gained international recognition, having traveled worldwide. In addition to her artistic pursuits, Mayumi is an environmental activist and resides and works at Ginger Hill Farm, an eco-retreat on the Big Island of Hawai'i. Explore more about Mayumi Oda's work, here. Bell Telephone (1976)  21" x 15" colour screen print  Nicholas Cladis - is an artist and paper historian who teaches and lives in Iowa. He lived in Echizen from 2014-2020 where he studied how to make washi, taught at the Fukui Prefectural University, as well as being the International liaison for the paper making union. More info can be found on his website, here. You can find Nicholas' episode with The Unfinished Print, here.  Craig Anczelowtiz - is a mixed media collage artist who splits his time between New York and Japan. Craig's works focus on Japenese themes and nostalgia. More information can be found, here.  Meiji Beauty #8 (2025) vintage Japanese papers, gouache, plexi, gold leaf, and ink on thick washi 20" x 28"  © Popular Wheat Productions Opening and closing musical credit -Next Journey by Robomoque (2023) on Gunn-R-Rotation Records  logo designed and produced by Douglas Batchelor and André Zadorozny  Disclaimer: Please do not reproduce or use anything from this podcast without shooting me an email and getting my express written or verbal consent. I'm friendly :)  Слава Українi If you find any issue with something in the show notes please let me know. ***The opinions expressed by guests in The Unfinished Print podcast are not necessarily those of André Zadorozny and of Popular Wheat Productions.***    

Few artists aim to make sense of the subjectivity and complexity of time and space quite like the Polish-born, Berlin-based artist Alicja Kwade. In each of her works, ranging from sculptures and large-scale public installations to films, photographs, and works on paper, Kwade displays an astute sense of temporality and the ticking hands of the clock. Her practice, in a literal and figurative sense, is a quest to understand time as a ruler and shaper of our lives and of our world. For her latest exhibition, “Telos Tales,” on view at Pace Gallery in New York's Chelsea neighborhood through August 15, Kwade has created three monumental steel-frame sculptures with treelike limbs alongside new mixed-media works in an effort to engage the intangible nature of time. As with all her work, “Telos Tales” is philosophical, illusionistic, and inspires wonder: Long after a viewer has seen it, it will leave them questioning.On the episode, Kwade considers the unfathomability of all things, finds humor in being human, and explains what a relief it is to know that some questions have no clear answers—and never will. Special thanks to our Season 11 presenting sponsor, Van Cleef & Arpels.Show notes:Alicja Kwade[13:19] “Alicja Kwade: Telos Tales” at Pace Gallery[16:56] “Hiroshi Sugimoto on Photography as a Form of Timekeeping”[18:41] “Alicja Kwade: Pretopia” (2025)[24:42] On Kawara's Date Paintings[25:04] “Alicja Kwade & Agnes Martin: Rhythm, Equilibrium, and Time” (2024)[25:04] “Gegen den Lauf” (2012-2014)[29:48] “Stellar Day” (2013)[31:44] “Against the Run” (2015)[31:44] “Against the Run” (2019)[31:44] Pinacoteca Agnelli Art Center[35:04] “88 Seconds”  (2017)[35:04] Eadweard Muybridge[39:24] Hiroshi Sugimoto[49:00] Salvador Dalí[49:00] Harry Houdini[49:00] Kazimir Malevich[59:27] “iPhone” (2017)[59:27] “Computer (PowerMac)” (2017)[01:04:47] “LinienLand” (2018)[01:04:47] “Alicja Kwade: Parapivot” (2019)[01:04:47] “Alicja Kwade: Viva Arte Viva” (2017)[01:08:30] “L'ordre des Mondes (Totem)” (2024)[01:13:50] Jason Farago[01:13:50] “Celestial Visions on the Met Roof”

Don Diablo Socials:https://www.instagram.com/dondiablohttps://www.facebook.com/OfficialDonDiablohttps://open.spotify.com/artist/1l2ekx5skC4gJH8djERwh1Podcast Overview: In this conversation, Will Clarke and Don Diablo explore the complexities of creativity, mental health, and the music industry. They discuss the balance between artistry and commercial success, the evolution of music, and the impact of technology on music creation. Don shares his journey of self-discovery through music, the challenges of genre identity, and the importance of legacy. The conversation highlights the need for artists to innovate while navigating fan expectations and the changing landscape of the music industry. In this conversation, Don Diablo shares his journey as a music producer, discussing the struggles he faced in the industry, the importance of collaboration, and the joy of working with a creative team. He reflects on the challenges of maintaining authenticity while navigating success and public perception, emphasizing the need for passion over profit.Who Is Don Diablo: Don Diablo, is a pioneering Dutch artist and musician, celebrated for his visionary approach across various disciplines, including music, art, fashion, and technology. He has collaborated with esteemed institutions and brands, including Disney, Sotheby's, Netflix, StarWars, The United Nations, and Pace Gallery.Join for updates: https://laylo.com/willclarke⏲ Follow Will Clarke ⏱https://djwillclarke.com/https://open.spotify.com/artist/1OmOdgwIzub8DYPxQYbbbi?si=hEx8GCJAR3mhhhWd_iSuewhttps://www.instagram.com/djwillclarkehttps://www.facebook.com/willclarkedjhttps://twitter.com/djwillclarkehttps://www.tiktok.com/@djwillclarke Hosted on Acast. See acast.com/privacy for more information.

A conversation with painter Kylie Manning about her latest exhibit, There is something that stays, on view at Pace Gallery's West 25th Street locations in New York through April 19. Known for her sweeping, atmospheric canvases that merge representation with abstraction, Manning's work evokes a sense of movement, memory, and emotional resonance. In the conversation, we discuss the inspiration behind the new body of work and her evolving relationship with color and form.https://www.pacegallery.com/exhibitions/kylie-manning-there-is-something-that-stays/http://www.kyliemanning.com/https://www.pacegallery.com/artists/kylie-manning/

Kevin Cummins has an international reputation as one of the world's leading photographers and is famed for his iconic portraits of musicians including Ian Curtis, Bowie, The Smiths, Iggy Pop, Bjork, Debbie Harry, Bob Marley, Public Enemy, Patti Smith and Oasis. These photographs have appeared on magazine covers and in galleries and museums worldwide, including Brooklyn Museum, Sydney Opera House, and the Pace Gallery, His work is included in the permanent collections of the National Portrait Gallery, V&A Museum and Manchester City Art Gallery. Kevin had a 20-year association with the NME, where he created many of the best-known images in modern music history. From the acting world he's photographed Helen Mirren, Ralph Fiennes, Vanessa Redgrave, Stephen Graham, Gary Oldman, and Richard E. Grant. His work has appeared on over 500 magazine covers and he's published many books documenting much of his own work with his latest, Oasis The Masterplan, being his sixteenth. It's out in April but you can pre-order it now. It documents twelve months of seismic change at the start of their career through the photographs he took that cemented the identity of Oasis and helped to define the band. You can buy the book, here - https://www.waterstones.com/book/oasis-the-masterplan/kevin-cummins/9781788405683Kevin Cummins is our guest in episode 478 of My Time Capsule and chats to Michael Fenton Stevens about the five things he'd like to put in a time capsule; four he'd like to preserve and one he'd like to bury and never have to think about again .Buy Oasis The Masterplan by Kevin Cummins, here - https://www.waterstones.com/book/oasis-the-masterplan/kevin-cummins/9781788405683For everything Kevin Cummins, visit - http://www.kevincummins.co.ukFollow Kevin Cummins on Instagram & Twitter/X: @dkcmanc .Follow My Time Capsule on Instagram: @mytimecapsulepodcast & Twitter/X & Facebook: @MyTCpod .Follow Michael Fenton Stevens on Twitter/X: @fentonstevens & Instagram @mikefentonstevens .Produced and edited by John Fenton-Stevens for Cast Off Productions .Music by Pass The Peas Music .Artwork by matthewboxall.com .This podcast is proud to be associated with the charity Viva! Providing theatrical opportunities for hundreds of young people . Get bonus episodes and ad-free listening by becoming a team member with Acast+! Your support will help us to keep making My Time Capsule. Join our team now! https://plus.acast.com/s/mytimecapsule. Hosted on Acast. See acast.com/privacy for more information.

We are back this week with our monthly edition of the Art Angle Roundup, where co-hosts Kate Brown and Ben Davis are joined by a guest to discuss some of the biggest headlines of the month. This week, Caroline Goldstein, acting managing editor of Artnet News, joins the show. It's been quite the January. Though it is typically a slow month, some major stories have transpired. We'll be talking about censorship in the museum world in the U.S., looking in particular at the case of two Sally Mann photographs that were seized from a museum in Dallas, Texas. We will also talk about the passing of the filmmaker David Lynch on January 15. Lynch is famous for his films, but he was also a respected artist with his fair share of institutional exhibitions under his belt. He has always been a painter, but do we like his paintings? We discuss. Lynch has been represented by Pace Gallery since 2022. We take a look at his artistic legacy and his enigmatic ways. Last but not least, New York's prestigious Metropolitan Museum has ventured into the blockchain world of all places with a free-to-play video game that you can access on Web3. The game was launched this month together with TR Lab, a platform that aims to connect artists and technologists and creates and sells fine art collectibles. The Met's new game, called Art Links, does weekly drops. If you win you can collect badges in your OpenSea wallet and win IRL prizes. Sound fun? Maybe not? We each played it and gave it our honest review. —Kate Brown

We are back this week with our monthly edition of the Art Angle Roundup, where co-hosts Kate Brown and Ben Davis are joined by a guest to discuss some of the biggest headlines of the month. This week, Caroline Goldstein, acting managing editor of Artnet News, joins the show. It's been quite the January. Though it is typically a slow month, some major stories have transpired. We'll be talking about censorship in the museum world in the U.S., looking in particular at the case of two Sally Mann photographs that were seized from a museum in Dallas, Texas. We will also talk about the passing of the filmmaker David Lynch on January 15. Lynch is famous for his films, but he was also a respected artist with his fair share of institutional exhibitions under his belt. He has always been a painter, but do we like his paintings? We discuss. Lynch has been represented by Pace Gallery since 2022. We take a look at his artistic legacy and his enigmatic ways. Last but not least, New York's prestigious Metropolitan Museum has ventured into the blockchain world of all places with a free-to-play video game that you can access on Web3. The game was launched this month together with TR Lab, a platform that aims to connect artists and technologists and creates and sells fine art collectibles. The Met's new game, called Art Links, does weekly drops. If you win you can collect badges in your OpenSea wallet and win IRL prizes. Sound fun? Maybe not? We each played it and gave it our honest review.

Curatorial director at PACE Gallery in New York, writer, and fulltime Leo, Kimberly Drew is a curator of beauty and pleasure. Kimberly has published two books – Black Futures and This Is What I Know About Art. She is also known for her work in arts institutions ranging from the Met to New York Fashion Week. Kimberly's careful curation of everything in her life, especially her style, screams fire sign, but her earth and water placements reveal a more private side. She and Isa Nakazawa discuss how she has learned to unguard with those closest to her.

Ep.224 Anthony Olubunmi Akinbola (b. 1991, Missouri) has had solo exhibitions at Sean Kelly, New York; Night Gallery, Los Angeles; Galerie Krinzinger, Vienna; Carbon 12, Dubai; John Kohler Art Center, Sheboygan; the Queens Museum, New York, and other galleries and institutions. His work has been featured in group shows at the Guggenheim, New York, NY; Hauser & Wirth, New York and Los Angeles; Pace Gallery, New York; and the Bernard A. Zuckerman Museum of Art, Kennesaw, among others. Akinbola's work is included in the permanent collections of the Detroit Institute of Arts, Detroit, MI; The Beth Rudin DeWoody Collection; The Everson Museum of Art, Syracuse, NY; Solomon R. Guggenheim Museum, New York, NY; Ogunquit Museum of American Art, Ogunquit, ME; Pizzuti Collection, Columbus, OH; and Zabludowicz Collection, London, United Kingdom. Akinbola lives and works in New York. Photo Courtesy of SCAD Sean Kelly https://www.skny.com/news-events/anthony-akinbola-good-hair Hauser Wirth https://www.hauserwirth.com/viewing-room/anthony-olubunmi-akinbola/ Galerie Krinzinger https://galerie-krinzinger.at/artists/anthony-olubunmi-akinbola-0494f551/ Night Gallery https://www.nightgallery.ca/exhibitions/anthony-akinbola/about zidoun-Bossuyt https://zidoun-bossuyt.com/worksavailable/anthony-olubunmi-akinbola/ SCAD https://www.scad.edu/event/2024-08-23-anthony-olubunmi-akinbola-exhibition-good-hair Contemporary Art Review https://contemporaryartreview.la/anthony-olubunmi-akinbola-at-night-gallery/ L'Officiel https://www.lofficielusa.com/art/artists-to-watch-2024 Hypebeast https://hypebeast.com/2024/10/anthony-olubunmi-akinbola-western-beef-exhibition-galerie-frinzinger-vienna Cultural DC https://www.culturaldc.org/anthony-akinbola Whitewall https://whitewall.art/art/anthony-akinbola-explores-fetish-camouflage-and-loaded-objects-at-sean-kelly-gallery-in-new-york/ Vogue https://www.vogue.com/article/this-nigerian-american-artist-uses-durags-as-his-medium Contemporary Art Review https://contemporaryartreview.la/anthony-olubunmi-akinbola-at-night-gallery/ 1201 https://www.1202magazine.com/art/anthony-olubunmi-akinbola-scad-good-hair Visionary Artistry Magazine https://visionaryartistrymag.com/2024/06/anthony-akinbola-bridging-identity-through-art/ Rivalry Projects https://www.rivalryprojects.com/anthony-olubunmi-akinbola John Michael Kohler Arts Center https://www.jmkac.org/exhibition/magic-city/ Silver Arts Project https://www.silverart.org/artists/27-anthony-akinbola/overview/ Cultured Magazine https://www.culturedmag.com/article/2022/05/17/anthony-bunmi-akinbola-uses-art-as-social-commentary C& https://contemporaryand.com/exhibition/anthony%E2%80%AFolubunmi%E2%80%AFakinbola-magic-city/ NYTimes https://www.nytimes.com/2021/09/30/arts/design/art-gallery-shows-to-see-right-now.html Artnews https://www.artnews.com/art-news/artists/anthony-akinbola-durag-paintings-interview-1234649721/

La Pace Gallery Genève présente une exposition captivante et inédite : Widows of the Wind, conçue par l'artiste Paulina Olowska, en dialogue avec les photographies emblématiques de Deborah Turbeville. Visible jusqu'au 22 février 2025, cette exposition marquante explore les croisements entre peinture, photographie, mode et commerce, tout en plongeant dans les récits complexes de la condition féminine. C'est la première fois que Paulina Olowska présente une exposition solo à Genève. Elle s'appuie sur le regard introspectif et les images mélancoliques de Deborah Turbeville pour créer un dialogue visuel fascinant. Ensemble, leurs œuvres explorent des thèmes comme l'isolement, la mémoire, et la tension entre la fonction commerciale de l'art et sa profondeur émotionnelle. Une exposition enracinée dans l'environnement genevois Installée sur les rives du Lac Léman, l'exposition intègre des éléments directement inspirés de l'hiver genevois. Une installation au sol, évoquant des paysages enneigés, invite les visiteurs à plonger dans une réflexion sur la temporalité et les récits liés aux expériences féminines. Widows of the Wind est une mise en scène riche et évocatrice, où chaque détail souligne la capacité de l'art à transcender les genres et les époques, tout en interrogeant les rôles assignés aux femmes dans l'histoire et la société contemporaine. Dans notre reportage, nous échangeons avec Valentina Wolchkova, vice-présidente de Pace Gallery Genève, pour découvrir les coulisses de ce projet ambitieux.     

Hank Willis Thomas is a US artist who works across media to explore themes including identity, popular culture and mass media. We meet him at his exhibition of collages, ‘Kinship of the Soul', at London's Pace Gallery. See omnystudio.com/listener for privacy information.

Nathalie Du Pasquier: Così fan tutte, 2015-2023. Apalazzogallery, Pace Gallery at Art Basel 2024 Unlimited. Official description: ‘Così fan tutte ...

L'exposition "Façonner l'invisible", organisée à HiFlow du 11 septembre au 6 octobre 2024, explore la transformation du geste dans un monde où l'automatisation et les technologies numériques sont de plus en plus prédominantes. Curatée par Amir El May, cette exposition rassemble plus de 32 œuvres d'artistes contemporains suisses et internationaux tels que Leo Villareal, Olga Titus et Manon Pretto, avec des prêts prestigieux de la Pace Gallery et Gowen Contemporary Gallery. Le thème principal de l'exposition interroge le passage du geste manuel au geste technologique, une évolution marquante non seulement pour l'art mais également pour la société. Les œuvres présentées oscillent entre réel et virtuel, soulignant l'impact des nouvelles technologies sur la créativité humaine et invitant à une réflexion sur notre futur technologique. Parmi les œuvres phares, on retrouve les installations lumineuses interactives de Leo Villareal, les récits visuels numériques d'Olga Titus, ainsi que les créations corporelles augmentées de Manon Pretto, inspirées par la science-fiction. L'exposition démontre également comment l'art peut jouer un rôle central dans la compréhension et l'anticipation des changements sociétaux induits par la technologie, tout en mettant en avant la complémentarité entre art, science et industrie. Découvrez notre reportage avec Amir El May, commissaire de l'exposition.  

In unserer 46. Folge der KUNSTPAUSE sprechen Felix von Boehm und Charlotte Paulus mit Laura Attanasio von Pace Gallery über die „Goldelse“ von Alicja Kwade, die seit diesem Sommer 2024 im Skulpturengarten der Neuen Nationalgalerie zu sehen ist. Die Arbeit ist eine Schenkung der Künstlerin und Pace Gallery an die Freunde der Nationalgalerie. Es handelt sich bei der Goldelse um eine vergoldete Bronzeskulptur. Sie ist angelehnt an die von Friedrich Drake geschaffene Siegesgöttin Viktoria auf der Siegessäule im Berliner Tiergarten, die von den Berliner*innen auch „Goldelse“ genannt wird. Alicja Kwade hat bei ihrer Version der Siegesgöttin alle militärischen Attribute entfernt, sodass die Goldelse wieder eine echte Berlinerin geworden ist. In ihren Werken setzt sich Kwade oft mit Themen wie Zeit, Raum, Materie und Wahrnehmung auseinander. Sie verwendet Alltagsgegenstände, die sie verfremdet oder in neue Kontexte stellt, um physikalische und philosophische Fragen zu stellen.

Torkwase Dyson: Errantry, 2024 / Gray, Pace Gallery at Art Basel 2024 Unlimited. Basel (Switzerland), June 13, 2024. Official description: ...

For the Venice Biennale Edition of CHANEL's flagship arts and culture podcast, Andrew Durbin, author and Editor-in-Chief of Frieze magazine, connects with Kimberly Drew, author, critic and Curatorial Director at Pace Gallery. Kimberly has developed a huge online following for the way she uses emerging platforms to communicate about art. And, as the editor of Frieze, Andrew is one of the most influential writers on art in the world. Together, they discuss the evolution of art in the digital age and explore how the Venice Biennale came to be the centrepiece of the global art community.

Full ep released to subscribers: 10 Aug 2023 | To join New Models, find us via patreon.com/newmodels & newmodels.substack.com _ Artist Trevor Paglen speaks with New Models about systems of “influence” past and present – pointing to a transition from a world of surveillance capitalism that is potentially becoming one of PSYOPS capitalism. This conversation follows Paglen's parallel 2023 exhibitions “Hide the Real, Show the False” at n.b.k. Berlin and “You've Just Been F*cked by PSYPOS” at Pace Gallery in New York. For more: Tw/X: @trevorpaglen https://paglen.studio/ Jak Ritger, https://www.punctr.art/unlimited-hangout-the-ufo-story

We tend to associate the recovery of history's ‘lost' women with the advent of feminism, but, Sophie Smith writes, women's contributions to Western philosophy have been regularly rediscovered since at least the 14th century. She joins Tom to discuss this cycle of forgetting and what we can learn from the women who held their own alongside Plato, Descartes and Hume.Find Sophie's piece and further reading on the episode page: https://lrb.me/sophiesmithpodFind out more about Pace Gallery's upcoming exhibitions here: https://www.pacegallery.com/exhibitions/Find out more about Coram Boy at Chichister Festival Theatre here: https://www.cft.org.uk/events/coram-boy Hosted on Acast. See acast.com/privacy for more information.

Most widely recognized for his paintings that rigorously combine spray paint, stenciled geometric forms, and brushstrokes, the Brooklyn-based artist Adam Pendleton is also known for his “Black Dada” framework, an ever-evolving philosophy that investigates various relationships between Blackness, abstraction, and the avant-garde. Many will recognize Pendleton's work from “Who Is Queen?,” his 2021 solo exhibition at New York's Museum of Modern Art, which he has said was his way of “trying to overwhelm the museum.” This is a natural position for him: His works in and of themselves are often overwhelming. At once political and spiritual, they provoke deep introspection and consideration, practically demanding viewers to look, and then look again.On this episode, he discusses the elusive, multifarious nature of “Black Dada”; “An Abstraction,” his upcoming exhibition at Pace Gallery in New York (on view from May 3–August 16); painting as a kind of technology; and why, for him, jazz is indefinable.Special thanks to our Season 9 presenting sponsor, L'École, School of Jewelry Arts.Show notes:Adam Pendleton[05:00] Joan Retallack[05:00] Pasts, Futures, and Aftermaths[05:22] “Becoming Imperceptible”[07:41] Ishmael Houston-Jones[07:41] Joan Jonas[07:41] Lorraine O'Grady[07:41] Yvonne Rainer[07:41] Jack Halberstam[14:26] Fred Moten[05:22] “Who Is Queen?”[23:50] Hugo Ball's Dada Manifesto[23:50] Amiri Baraka's “Black Dada Nihilismus”[31:14] Isabella Stewart Gardner Museum[31:14] “System of Display”[31:14] “Reading Dante”[34:40] “Adam Pendleton” at Pace Gallery[34:40] “An Abstraction” at Pace Gallery[34:40] Arlene Shechet[34:40] “Adam Pendleton x Arlene Shechet”[40:30] “Blackness, White, and Light” at MUMOK[45:07] “Twenty-One Love Poems” by Audrienne Rich[50:40] “Occupy Time” by Jason Adams[56:04] “What It Is I Think I'm Doing Anyhow” by Toni Cade Bambara[57:13] “Some Thoughts on a Constellation of Things Seen and Felt” by Adrienne Edwards

RDV à la Pace Gallery, quai des Bergues à Genève, pour l'exposition "Inner Cosmos, Outer Universe" à découvrir jusqu'au 4 mai prochain. Elle rassemble plus de trente œuvres d'artistes explorant les structures de l'être et du néant, allant du cosmos jusqu'aux fondations moléculaires de l'existence.  Les œuvres, couvrant plus de 80 ans de production artistique, comprennent des sculptures, des tableaux, des textiles et des œuvres sur papier, et constituent un large panel de réactions artistiques face aux questionnements célestes du siècle passé.  Les œuvres explorent le motif du cercle, symbolisant l'infini et la nature cyclique de l'existence, ainsi que des éléments fondamentaux tels que les molécules et les atomes. Valentina Volchkova la vice-présidente de Pace Gallery Genève nous accueille pour parler de cette exposition.

L'exposition "Yoshitomo Nara: The Bootleg Drawings" à découvrir à la Pace Gallery Genève jusqu'au 29 février.   L'expo offre une immersion dans plus de trente années de carrière de l'artiste japonais Yoshitomo Nara, avec près de 200 œuvres sur papier. Ces dessins, influencés par la politique, le punk rock, la musique folk et les expériences personnelles de l'artiste, offrent un aperçu de son paysage psychologique à travers des jeunes silhouettes, des animaux anthropomorphes et des paroles de chansons.  L'exposition met aussi en lumière l'évolution du style de Nara depuis ses premières œuvres en 1988 à de nos jours, ainsi que l'importance de la musique dans son processus créatif. Les matériaux utilisés dans ses dessins ajoutent une dimension brute et personnelle à son travail. Valentina Volchkova, vice-présidente de Pace Gallery Genève est avec Épiphane Amanfo 

Ep.186 Loie Hollowell was born in 1983 and raised in Woodland, California. She currently lives and works in New York City. She received a BFA at University of California Santa Barbara in 2005 and an MFA inpainting from Virginia Commonwealth University in 2012. Her work has been exhibited at museums and galleries worldwide including Jan Shrem and Maria Manetti Shrem Museum of Art, University of California, Davis; Pace Gallery; Long Museum West Bund, Shanghai; Feuer/Mesler, New York; White Cube Gallery, Paris; Hirshhorn Museum and Sculpture Garden, Washington, D.C.; Los Angeles County Museum of Art, Los Angeles; The Flag Art Foundation, New York; Crystal Bridges Museum of American Art, Bentonville, Arkansas; Victoria Miro, London; and Ballroom Marfa, Texas. Her work is in public collections including the Albertina Museum, Vienna; Centre Pompidou, Paris; Crystal Bridges Museum of American Art, Bentonville; Hirshhorn Museum and Sculpture Garden, Washington, D.C.; ICA, Miami; Long Museum, Shanghai; Los Angeles County Museum of Art, Los Angeles; M+Museum, Hong Kong; Stedjelijk Museum, Amsterdam; and Zentrum Paul Klee, Switzerland.  Her work has been exhibited at museums and galleries worldwide including Pace Gallery, The Aldrich Contemporary Art Museum, Ridgefield, CT; Jessica Silverman, San Francisco, CA.  Photo by Melissa Goodwin Artist https://www.loiehollowell.com/ Pace Gallery https://www.pacegallery.com/online-exhibitions/loie-hollowell/ The Aldrich Contemporary Art Museum  https://thealdrich.org/exhibitions/loie-hollowell-a-survey Jessica Silverman https://jessicasilvermangallery.com/online-shows/loie-hollowell-in-transition/- Urist, Jac. Loie Hollowell Abstracts the Female Body, W Magazine / January 18, 2024- Dafoe, Taylor. Loie Hollowell's New Move From Abstraction to Realism Is Not a One-Way Journey, Artnet / January 19, 2024 Thornton, Sarah. Loie Hollowell on Frottage, Fantasy and Feminist Erotica, Interview Magazine / January 23, 2024 Greenberger, Alex. 33 Must-See Exhibitions to Visit This Winter, ARTnews / December 3, 2023 Knupp, Kristen. Loie Hollowell: The Third Stage, Art Vista / September 4, 2023 Woodcock, Victoria. The Cosmic Heirs of Hilma af Klint, Financial Times / May 26, 2023 Lesser, Casey. Loie Hollowell on Abstraction, Making the Grotesque Beautiful, and Her Latest Work, Artsy / March 14, 2023 Gómez-Upegui, Salomé. The New Generation of Transcendental Painters, Artsy / February 28, 2023 Belcove, Julie. How a New Generation of Women Painters Is Creating Dreamy Kaleidoscopic Works, Robb Report / February 26, 2023 Compton, Nick. Generative art: the creatives powering the AI art boom  Wallpaper* / December 12, 2022 Binlot, Ann. At the Aldrich, Revisiting a Groundbreaking Show forFeminist Art, New YorkMagazine's The Cut / June 7, 2022 Yerebakan, Osman Can. Loie Hollowell on Painting, Pain, and her Second Birth,  Artforum / May 26, 2021 Wilco, Hutch. Loie Hollowell's Shanghai Recalibration, Ocula / May 26, 2021 New York Up Close. Loie Hollowell's Transcendent Bodies, Video by Art21 / April 14, 2021 Giles, Oliver. Artist Loie Hollowell On How Motherhood Inspired Her Paintings, Tatler Asia /April 11, 2021 Donoghue, Katy. Art Mamas: Loie Hollowell on ‘Going Soft', Whitewall / July 17, 2020 The A-List: The Best Culture To Catch From Home This Week, Vanity Fair / July 5, 2020 Urist, Jacoba. Artists Share the Most Inspiring Books They're Reading Right Now, Galerie Magazine/ March 30, 2020

Oidie Kuijpers (b. 1993) is a painter based in Brooklyn, New York. Kuijpers makes work which explores representation and investigates painting as a form of critical inquiry. His paintings have been included in exhibitions at Oberlin College, Pace Gallery, New York, Pratt Institute, and D. D. D. D. in New York. untitled (2023.31), 2023, acrylic on panel 10 x 10 inches untitled (2023.10.A), 2023, acrylic on panel, 10 x 10 inches untitled (2023.05.A), 2023, acrylic on panel, 10 x 10 inches  

A conversation with artist William Monk about his artistic journey and his latest work. The conversation touches on the significance of scale, his use of repetition, how one defines a landscape, and his most recent exhibition “West of Nowhere” which just wrapped up at Pace Gallery in Los Angeles.https://www.williammonk.com/https://www.pacegallery.com/exhibitions/william-monk-west-of-nowhere/

Pam Evelyn: "Once Creating and Destructing."Led by impulse, instinct, chance, and frustration. Evelyn scrapes back the paint and reiterates her gestures once again - a constant cycle of renewal over several months. The drips, streaks, smudges, layers, and heavy textures that dominate Evelyn's canvases as non-representational forms have the capacity to appear as recognizable suggestions of figuration and landscape. Yet, her works refuse to hold fixed meanings.I'm meeting Pam Evelyn at Pace Gallery, in London. Who are currently exhibiting A Handful of Dust, its debut exhibition of the artist's work. A Handful of Dust exhibits a set of paintings made by Evelyn over several months between London and Cornwall. We are speaking about her process of painting over multiple months, constantly applying, layering, and scraping paint from the surface of the canvas at once creating and destructing. How important the size of the canvas is to her work and seeing her paintings as “living” objects. We discuss past, current, and future projects. How Evelyn has found navigating the contemporary art industry as a young woman and unlocking the full potential of abstract painting.A heartfelt thanks to Pam Evelyn and Pace Gallery for their time and dedication to this podcast episode. Research: Lily Paisner Director of Photography: Henry Wood Music: Gadi Sassoon - Organico, courtesy of ASIP/Just Isn't Music

Joyce Pomeroy Schwartz is a curator, lecturer and public art consultant with a unique concentration in public art policy, modern and contemporary art for architecture and the landscape in the broader context of cultural, urban and environmental revitalization.  In 1968-1971 she founded “The Photographer's Gallery,” the first gallery in New York City exhibiting photography as fine art. She was Director of Commissions at Pace Gallery in New York from 1972-1982, implementing public sculpture projects with Pace artists. In 1982 Joyce founded “Works of Art for Public Spaces, Ltd.”, dedicated to working with American and International artists creating major works of Art for Architecture. She is also one of the founding board members of ARTTABLE. She recently established the Harold and Joyce Pomeroy Schwartz “Archives of Public Art” at the Fales Special Collections/NYU Bobst Library, of artists' monographs, photographs and papers available for public art historical research. It now includes the archives of the Public Art fund and Creative Time. In July 2023, Joyce released her book: “The Private Eye in Public Art”, published by Oro Editions. On this episode of The One Way Ticket Show, Joyce shares her one way ticket to 25 years into the future to know what her two great-granddaughters are doing then. During the course of our conversation, Joyce also reflects on: ·     Her lifelong love of art – particularly Native American and African Art - stemming from her visits as a young girl in the late 1930s to the Brooklyn Museum, the Met and MOMA (which she used to ride to solo via the subway) ·     Visiting the 1939 World's Fair and the futuristic GM pavilion ·     The general role art plays in questioning and opening ones mind ·     The role of public art and how it moved beyond sticks & stones to the art of ideas and place-making ·     How public art shapes a space rather than fills it and how it provides a common cultural cue ·     How from the very start, Chicago got public art projects right ·     Collaborating with groundbreaking artists including: Louise Nevelson, Tony Smith, David von Schlegell and Isamu Noguchi ·     Creating the Irish Hunger Memorial in New York City ·     Arshile Gorky's lost (then found!) murals at Newark Airport ·     Why artists are the only narcissists she'll ever forgive.

PACE Gallery's Arne Glimcher on painter Agnes Martin --- Support this podcast: https://podcasters.spotify.com/pod/show/noah-becker4/support

Our new mixtape comes from London experimental musician and producer Kinn, with a mix of sound, youtube rips, film audio, raw sound design and unreleased music from the artist himself, an intimate recollection to take us into the artist's expansive creative universe. Kinn has emerged in recent years with a bleakly psychedelic take on post-rock shifting between traditional band setups and move avante-garde studio works. A rotating cast of collaborators, including Arthur Leadbetter, Maxwell Sterling and Alexander Tucker, bolsters this. Recently they have collaborated with artists Tai Shani and Mark Leckey. Their current offering, ‘Dogtooth', coming out on 7th July 2023, carries off down this path with spoken word, string shards and clouds of distortion, giving away to more traditional song form. The production was all rendered over a 2-year period in precise, spacious, sonic detail, bringing to mind a mood somewhere between Mogwai and The Haxan Cloak or The Body. The album puts a profound and disenchanted humanistic stance at the centre of the stage. As we read, Dogtooth reflects on an array of individual, global and digital, often seemingly esoteric, shared experiences. Anger, conflict, beauty and grandeur, all summarised as part and parcel of wheezing and spluttering modern metropolitan world, looking to peel away the negative smog of contemporary living, the interfering noise which bombards our ever more digital lives, searching for meaning, comfort and ways of goofing off amidst these oppressive forces, sirens and snake oil salesmen everywhere, an all-encompassing true and truly messy beauty. The mix Kinn has prepared for us is built around some of his compositional approaches to long-form and non-linear narrative, spending a lot of time playing around with the arrangement and dynamics of the mix, how one thing can suggest, merge and form a narrative-only by preceding another track completely disassociated from each other in time, aesthetic, even meaning, or how a motif placed at the end can bend time and pull you back to something you heard at the beginning. This never ceases to interest me, how loose "reality" can be, how easily we can be suggested. It can easily be smashed apart and put back together in a different way, a wrangling of ambiguity. As I started to work on this mix, to me, a clear narrative unfurled, I'm keeping this ambiguous from the listeners so that they can invest their imagination in it, that's one of the beautiful things about music. It is meaningless without you to listen to it." Tracklist: Barry Adamson + Pan Sonic + The Hafler Trio - The Hymn Of The 7th Illusion (edit) K.C. Milian - Iconic Building Of The Past Simon Fisher Turner - Excerpts from Derek Jarman's The Garden (1990) Stef Kett - Killing Flaw Laboratorio Palestro - 2 Gil Scott Heron - NY is Killing Me (Chris Cunningham Remix) Kinn - Untitled (excerpt from Pace Gallery performance, 2022) Kinn - ??? Kinn - Dogtooth The Microphones - day one Sonic Youth - JC Godspeed You Black Emperor! - $13.13 EdGein2 - ??? Simon Fisher Turner - Excerpts from Derek Jarman's The Garden (1990) Portishead - Machine Gun L4b - Me4nwhile in the L4b Set Fire To Flames - Barn Levitate K. Leimer - Malaise Kinn - ??? Amateur Childbirth - All Doomed

A lifelong lover of museums, Kimberly Drew's entry into the working world of art started with creating a Tumblr page dedicated to Black art and culture called Black Contemporary Art. The page immediately took off and helped her land a social media manager gig at the Metropolitan Museum of Art. Entering the space through her digital experience helped Kimberly fulfill her goal of bringing art to a wider audience, reinvigorating and diversifying the MET's digital presence. After leaving her post at the MET, she decided to focus on the intersection of art and commerce eventually releasing her own book, This is What I Know About Art and co-authoring Black Futures. Today, Kimberly continues her work as an author while also being the curator at world reknown Pace Gallery.Co-Founder of Claima and Former Nike Marketer, Bimma Williams interviews leading and emerging creatives and entrepreneurs of color about how they were able to build their own tables by turning their hobbies, side hustles, and ideas into thriving small businesses. From these stories, listeners will learn how to claim their dream careers by stepping into the world of entrepreneurship. Featuring Melody Ehsani, Dapper Dan, Jeff Staple, Karleen Roy and more. Follow Claima Stories and Bimma Williams on Instagram: @claimastories and @bimmawilliamsAnd watch us Youtube powered by Vista. Vista is proud to be your go-to design and marketing partner for small business owners across the world. Use code CLAIMASTORIES at check-out on www.vistaprint.com to receive 20% off your next order of $75 or more plus free standard shipping.

A conversation with generative artist Tyler Hobbs. Hobbs has combined his computer programming and art backgrounds to become one of the biggest names at the nexus of digital and physical art. On the heels of his amazingly popular Fidenza series of generative artworks, he has released the ambitious QQL series which redefines the role of the art collector as that of collaborator. Pace Gallery is currently featuring a series of physical works that Hobbs created by hand based on his own use of the QQL algorithm. The conversation touches on a number of topics, including Hobbs' unique journey, his place in the history of digital art, his love of music and the artists that have inspired him.https://tylerxhobbs.com/https://twitter.com/tylerxhobbs?s=20https://qql.art/https://www.pacegallery.com/exhibitions/tyler-hobbs-qql-analogs/https://www.pacegallery.com/online-exhibitions/qql-parametric-expression/https://www.artblocks.io/

On this episode I'm joined by Gideon Appah.  Born in Accra, Ghana in 1987, Gideon received his Bachelor of Fine Arts at The Kwame Nkrumah University of Science and Technology in Kumasi, Ghana in 2012.  Appah lives and works in Ghana. With a diverse practice that ranges from the expressionistic to the surreal, Appah draws from his personal experiences to depict life in his native Accra. Appah's work investigates his childhood as well as local mythologies, ethereal landscapes, rivers, domestic interiors, and recurring figures both imagined and known, such as his grandmother and brother. He has also created traditional portraiture and painted dreamlike scenes of jewel-toned figures in imaginative, symbol-laden landscapes. It's a Sunday afternoon in Gideon's studio in Kasoa, about an hour's drive from Accra, where he's working on a painting for his latest show on view now at Pace Gallery in London when we begin talking about his work and studio practice. 

Innovation is so important to Kenneth Noland's practice, says Pace Gallery's Alex Brown in this podcast. This month, Pace brings a show of Noland's Stripes, Plaids and Shapes to Chelsea after a successful run in their London gallery. To get a better understanding of Noland's career, we spoke with Bill Noland, the artist's son; then Alex Brown and the Noland estate's long-term advisor, Douglas Baxter, help us understand the market for the artist.

Two teachers — from an elementary school and a high school — explain why they're striking in solidarity with LAUSD workers such as custodians and bus drivers. Plus, how to get resources for surviving the strike, and what's driving this conflict? Louise Nevelson was one of the most iconic sculptors of the 20th century. LA's Pace Gallery is showing her larger, monochromatic wooden sculptures as well as colorful collages.

For this latest roundup of OLD NEWS stories, we're joined by a very special guest, to talk about: The MASS MoCA union; the new monument to the Central Park 5; the debate about bringing attention to the climate crisis by throwing food and attaching body parts to famous artworks in museum, as analyzed by Jerry Saltz in his piece ‘MASHED POTATOES MEET MONET,' as well as through our own lenses on the phenomenon; how a stolen painting was turned into a popular throw pillow (which you can purchase online for $18.40 plus shipping); the struggles of Pace Gallery's Superblue, and the history of Pace through the Glimcher family, including a botched diversity hiring of Marc Glimcher's daughter; Guy Richards Smit's cartoon, “WHAT DO YOU SAY TO SOMEONE AFTER A VERY BAD STUDIO VISIT?”;  a consideration of big tech's plundering of art and illustration for its generative AI projects, as poetically analyzed through Molly Crabapple's LA Times Op-Ed, “BEWARE A WORLD WHERE ARTISTS ARE REPLACED BY ROBOTS;” why the director of Florence's Uffizi Gallery is demanding employees follow strict guidelines for email etiquette; and what our respective OLD NEWS favorites for the week were.

"My job is about preparing new problems, and trying to paint back out of them towards something true." The artist, who has a major new show in London, talks to Danielle Radojcin about relishing the challenge of the blank canvas and how he strives to represent what it is to be human.

As the Media Arts Director at Pace Gallery, Raina Mehler is devoted to exhibiting artists and interdisciplinary groups pioneering in the emerging field of immersive, experiential art and the Web3 space. She joins this week to talk about the metaverse: what it is, what it isn't, and how it can be the next step in the evolution of technology, design, and communication.

Ben Luke talks to Adam Pendleton about his influences—from the worlds of literature, music and, of course, art—and the cultural experiences that have shaped his life and work. Pendleton, born in 1984 in Richmond, Virginia, makes paintings, drawings, performances, films and other works exploring the relationship between Blackness, abstraction and histories of the avant-garde. He is perhaps best known for an ongoing body of work he calls Black Dada. He discusses the influences behind Black Dada, from the poetry of Amiri Baraka to the sculpture of Sol LeWitt, reflects on the drawings of Jean Dubuffet and the drafts and revisions of Joan Jonas's work, and enthuses about the power of Nina Simone's voice and Julius Eastman's compositions. Plus, he gives insight into his studio life and answers the ultimate question: what is art for?Adam Pendleton: In Abstraction, Pace Gallery, Geneva, 7 September-5 October; Adam Pendleton: Toy Soldier, Galerie Eva Presenhuber, Zurich, 10 September-26 November. Whitney Biennial: Quiet as It's Kept, Whitney Museum of American Art, until 5 September. Adam Pendleton, Mumok, Vienna, 31 March-10 September 2023. Our GDPR privacy policy was updated on August 8, 2022. Visit acast.com/privacy for more information.

In this episode of PhotoWork with Sasha Wolf, Sasha and photographer, Paul Graham discuss his self-taught beginnings in photography and what it's like to see your work become historical with the passage of time. Paul and Sasha talk about Paul's more recent, and more personal, work and Paul shares his thoughts on the ethics of photographing outside of one's own community. They discuss these topics and many more in this season ending episode of the podcast. https://www.paulgrahamarchive.com https://www.mackbooks.us/search?q=Graham%2C+Paul&type=product Paul Graham has played an essential role in dissolving the barriers between the worlds of documentary and fine art photography. Starting in the early 1980s, Graham's use of color in the role traditionally occupied by black-and-white documentary was a radical challenge to the unwritten rules of engaged photography. Troubled Land (on the Northern Ireland conflict) and Beyond Caring (addressing unemployment in the time of Margaret Thatcher) shifted the debate on how such issues could be visually articulated. With an extraordinarily long and active career of four decades, Graham has published eighteen monographs and three survey books. He moved to New York in 2002, and has worked in the United States since then. Most notably, a shimmer of possibility was published as a set of twelve books and presented as a solo exhibition at MoMA, New York. He is represented by Pace Gallery in the United States, and galleries in London and Berlin. Find out more at https://photowork.pinecast.co

On this weeks episode we are hosting our first ever live podcast. The conversation between Kirsty and Leo was based at The Whiteley in association with Six Senses. Leo Cosendai Is a Swiss sound artist known for sensory experiences that question human perspective. He has worked with Fondation Beyeler, Royal Academy of Arts, London Design Festival, and Pace Gallery. He currently resides in London. In this episode we learn about the power of sound meditation and why altering perspectives and shifting reality is what we all really need. This episode ends with the most wonderful sound bath from Leo.  We can't wait to see what you think of this episode, if you liked it please do share - it means so much to us. [This is a Monday Network production] Follow Kirsty on Instagram: http://www.instagram.com/kirstyraynor Follow Leo in Instagram: http://www.instagram.com/leocosendai Follow The Mindset and Me Podcast on Instagram: http://www.instagram.com/mindsetandmepodcast Follow Monday Network on Instagram: http://www.instagram.com/monday_network Sign up for Kirstys daily emails here: https://view.flodesk.com/pages/62095e92e0eda1a0d870a994

Episode 99 features NICOLA VASSELL. She is the founder of Nicola Vassell Gallery, a contemporary art gallery committed to discourse that widens the lens of the history and future of art. Its focus is on developing an inter-generational, cross-disciplinary program of international artists and thinkers. Prior to the gallery, Nicola was Principal at Concept NV, an art consultancy, established in 2013, specialized in exhibitions and debate on cultural phenomena. Vassell has organized numerous exhibitions and developed a number of important collections. She is an editor of books, whose past publications include, Jean-Michel Basquiat 1981: The Studio of the Street; Francesco Clemente: Works 1971-1979 and Kehinde Wiley: Black Light. Vassell was a Director at Deitch Projects and Pace Gallery, NY. She is a member of New Museum's Artemis Council. Image courtesy Nicola Vassell. Photo Luigi Cazzaniga Artist https://nicolavassell.com/ Conceptnv https://conceptnv.com/ Gagosian https://gagosian.com/quarterly/contributors/nicola-vassell/ Surface https://www.surfacemag.com/articles/moses-sumney-blackalachia-screening-nyc/ Jamaica Gleaner https://jamaica-gleaner.com/article/social/20210530/her-way-art-former-jamaican-model-nicola-vassell-opens-gallery-new-york Cultured https://www.culturedmag.com/article/2021/01/26/art-whisperer-nicola-vassell-to-open-a-space-of-her-own The Art Newspaper https://www.theartnewspaper.com/2021/05/19/unity-is-survival-former-pace-director-nicola-vassell-to-open-a-gallery-in-new-york New York Times https://www.nytimes.com/2021/05/18/arts/design/nicola-vassell-gallery-chelsea.html Barrons https://www.barrons.com/articles/20-minutes-with-art-dealer-and-curator-nicola-vassell-01635793577 ARTNews https://www.artnews.com/art-news/news/nicola-vassell-donna-de-salvo-conversation-1234609764/ Artnet https://news.artnet.com/art-world/nicola-vassell-gallery-1969733 Grazia https://graziamagazine.com/us/articles/nicola-vassell-gallery-nyc/ Sothebys https://www.sothebysinstitute.com/why-sothebys/our-faculty-and-guest-speakers/nicola-vassell Vogue https://www.vogue.com/slideshow/basel-vassell-dinner-2021

You'll need a pen and paper, and zero distractions, for this episode, which is nothing less than a masterclass in evolution. Delivered in front of a live audience, at the Pace Gallery in New York City in 2021, Thom explains what an ‘agent of progressive change' is, and why it's incumbent on us to step up to the plate and take on that role for ourselves.More than just a call to arms, it's a practical ‘workshop' covering the five fundamental elements of being an agent of progressive change.  If you truly want to accelerate your personal evolution, next to a twice-daily practice of Vedic Meditation, you'd be hard pressed to find a quicker route than this.Episode Highlights: [00:45] Survival is a Result of Thriving[02:20] We Live Inside of a Consciousness State that We've Created[03:35] Five Elements of Progressive Change[05:00] Stability[06:29] Ananda - A Supremely-Contented State[08:29] Not Enslaved by Outside Phenomena[09:18] Adaptation Energy[10:32] Circumstantial Happiness[11:41] "In Order to Have Disappointment, You Need to Have an Appointment"[12:55] Premature Cognitive Commitments[14:09] 100,000 Stress Triggers[15:15] Meditation Resets Our Expectations[16:20] Integration[17:48] Evolve[18:50] The Cognitive Revolution[20:20] The Capacity to Witness Oneself Thinking[21:05] The Storage of Accumulated Stress is Eating Up 98% of Our Brain's Computing Power[22:21] Purification[23:51] Letting Go of Things With Ease[25:39] Challenging Assumptions[26:59] Non-Symbiotic Parasites[28:12] 5 - Willingness to Grow[29:40] We Are Doing Dated Things Already[30:41] Every Part of Your Body is Constantly Being Replaced[32:09] Consciousness Becomes Body Chemistry[33:27] Capacity for Progressive Change[34:29] Question[34:37] Every Particle in the Universe Comes Out From a Non-Changing Field[36:01] The Self Moving Inside the Self[36:48] The Colorless Sap[38:21] Q- Are There Practical Ways Other Than Meditation to Let Go Of Useless Habits?[39:38] Maharishi's Mud on Your Hands Analogy[40:49] Why Therapy Works So Well[41:58] The Advantageous Position of Knowing[42:38] Q- How Can Destructive Forces Like Genocide Be Evolutionary?[43:17] All Bodies End Up Dying[44:56] We All Move in the Direction of Recognition of Unity[46:44] Unity Points[48:00] You're Loving You[49:26] The Need for Less-Sophisticated States[50:32] The Average Age of Cambodia in the 1980s was 17 Years[51:20] The Need for Longevity[52:41] Self-Referential AwarenessUseful Linksinfo@thomknoles.com https://thomknoles.com/https://www.instagram.com/thethomknoles/https://www.facebook.com/thethomknoleshttps://www.youtube.com/c/thomknoles https://thomknoles.com/ask-thom-anything/

Artgenève, le salon d'art contemporain, se tient du 3 au 6 mars à Palexpo à Genève… Aussi, jusqu'à la fin de la semaine dans votre magazine rencontre vous allez découvrir trois structures différentes qui défendent le monde de l'art contemporain… 3 salles 3 ambiances ! Démarrons aujourd'hui avec une galerie d'envergure mondiale,  la Pace Gallery installée à Genève il y a 4 ans…  

This week on the show we sit down with Raina Mehler, who is leading the way for how one of the largest contemporary art enterprises in the world manages the challenging needs of time-based media art installations. Tune in to hear all about Raina's work as a registrar establishing Pace Gallery's internal practices for installing, shipping, tracking, and caring for time-based media art, what it was like to become Pace's first director of media arts, and what she is up to these days at Pace's new venture Superblue. Links from the conversation with Raina> https://www.pacegallery.com> https://www.superblue.com> https://www.teamlab.artJoin the conversation:https://twitter.com/ArtObsolescencehttps://www.instagram.com/artobsolescence/Support artistsArt and Obsolescence is a non-profit podcast, sponsored by the New York Foundation for the Arts, and we are committed to equitably supporting artists that come on the show. Help support our work by making a tax deductible gift through NYFA here: https://www.artandobsolescence.com/donate

This week’s Nose believes that everything happens for a reason. Call it luck. Call it fate. Call it karma. On the Billboard Hot 100 chart dated February 5, “We Don’t Talk About Bruno,” from Lin-Manuel Miranda’s song score for Encanto, becomes the No. 1 song in the country. It’s the second song ever from a Disney animated movie to get to No. 1, after “A Whole New World” from Aladdin, 30 years ago. The Encanto Original Motion Picture Soundtrack is also No. 1 on the Billboard 200. It’s the first Disney animated movie ever to top both charts at once. On a slightly different note: The Build-a-Bear Workshop, this week, launched a new ‘After Dark’ line of, uh, adult-themed bears. I don’t know what to say about that. I just report the news here, folks. And finally: Ghostbusters: Afterlife is the first Ghostbusters sequel in more than 30 years and the fourth movie in the franchise. It’s directed by Jason Reitman, whose father, Ivan Reitman, directed the original movies in the 1980s. It stars Carrie Coon, Finn Wolfhard, Mckenna Grace, and Paul Rudd, with appearances by many of the old favorites from the Ghostbusters universe. Some other stuff that happened this week, give or take: The Washington Commanders name is perfectly designed to be instantly forgotten SFGATE columnist Drew Magary on the NFL franchise that’s clumsily begging for anonymity The New York Times Buys Wordle The word game, released in October, has millions of daily users. ABC suspends Whoopi Goldberg over Holocaust race remarks Aziz Ansari’s Nostalgic New Comedy Special In “Nightclub Comedian,” Ansari fixates on how the Internet shapes our lives and longs for the pre-digital past. Why Do I Always Tweet and Delete? Psychologists and tweet-deleters help explain my favorite pastime (that weirdly makes me feel a little guilty). The Name of This Interviewee Is David Byrne In advance of a show of his drawings at New York’s Pace Gallery, the polymathic performer answered T’s Artist’s Questionnaire. The 2022 Rock & Roll Hall of Fame nominees include Dolly Parton and A Tribe Called Quest Our Solar System in True Color Is Really Something Else Venus is white. So is the sun. They’re beautiful anyway. GUESTS: Jim Chapdelaine - An Emmy-winning musician and a patient advocate for people with rare cancers Carolyn Paine - An actress, comedian, and dancer; she is founder, director, and choreographer of CONNetic Dance Tracy Wu Fastenberg - Development officer at Connecticut Children’s Join the conversation on Facebook and Twitter. Colin McEnroe and Cat Pastor contributed to this show.Support the show: http://www.wnpr.org/donateSee omnystudio.com/listener for privacy information.

Talk Art HOLIDAYS SPECIAL!!! This very special episode was recorded from Pace Gallery, New York!!! We are proud to collaborate again with BMW to bring you a conversation with iconic artist Jeff Koons. We discuss Jeff's passion for art which he discovered at an early age, we discuss his student years in Chicago and working for Ed Paschke, whose technicolor renderings of superheroes and other pop icons were an early source of inspiration. We learn of Koons's first job at the Museum of Modern Art, and his first major works that invoked commodity fetishism: titled The New, they comprised vacuum cleaners displayed on or in Plexiglas boxes over grids of fluorescent light. We explore why he chose stainless steel and reflective surfaces within his most celebrated sculptures and how art can truly change lives.Jeff Koons' latest collaboration with BMW is THE 8 X JEFF KOONS, a hand-painted limited interpretation of a BMW M850i xDrive. The special edition BMW will debut in spring, but we met with Koons to discuss how and why this exclusive vehicle came into being. And as we soon learned: It's about more than just the car. The 8 Series Gran Coupe will be for sale in a limited collector's edition after its world premiere at Frieze Los Angeles in February 2022. In 2010, Koons created a unique BMW M3 GT2 Art Car which performed at the 24 Hours of Le Mans race. The Koons BMW M3 GT2 is now part of the BMW Art Car collection (➜ Read also: The history of BMW Art Cars), placing the artist in the same category as fellow BMW Art Car creators like Andy Warhol, Alexander Calder, Roy Lichtenstein, and David Hockney, to name a few.That same year, the rock singer Bono from U2 wrote in an editorial for the New York Times that Jeff Koons should have a part in designing the car of the future. BMW and Koons continued the conversation and are now proud to announce their latest collaboration at the invitation of Angelika Nollert, director of Neue Sammlung – The Design Museum, in Munich's Pinakothek der Moderne.Follow @JeffKoons and @PaceGallery for more information. Visit http://www.jeffkoons.com/ and for more information on his new car with BMW: https://www.bmw.com/en/design/bmw-8-x-jeff-koons.htmlSpecial thanks to @BMWUK and @BMWGroupCulture for this extraordinary trip to see such inspiring art! And happy birthday to @BMWGroupCulture for 50 years of cultural engagement. We can't wait to see more exciting projects in the new year… Thanks for listening everyone!! Have a wonderful holidays... see you for more Talk Art adventures in 2022!!!!For images of all artworks discussed in this episode visit @TalkArt. Talk Art theme music by Jack Northover @JackNorthoverMusic courtesy of HowlTown.com We've just joined Twitter too @TalkArt. If you've enjoyed this episode PLEASE leave us your feedback and maybe 5 stars if we're worthy in the Apple Podcast store. For all requests, please email talkart@independenttalent.com See acast.com/privacy for privacy and opt-out information.

Episode 81 features Delphine Desane. She is a Brooklyn-based artist born and raised in Paris, France by Haitian parents. She began her career as a stylist in the fashion industry. After becoming a mother, she began to paint during her maternity leave. Delphine was soon discovered and commissioned to create the cover image for Vogue Italia January 2020 Sustainability Issue. In April 2021, Vogue US featured her painting titled “Bittersweet” in a story about Black Motherhood. Since then, her work has been exhibited in both solo and group exhibitions in the US, Europe and the UK. Delphine had her first solo show at Luce Gallery in Turin, Italy in early 2021. Group exhibitions include: MOMU Fashion Museum in Antwerp, Belgium, CFHIll Sweden and a public installation featuring six Haitian visual artists at the Brooklyn Academy of Music titled, “A Return: Liberation as Power.” amongst others. In 2021 Delphine was commissioned by Fela Kuti's sons Femi and Made, to paint album covers, released by Partisan Records, of two albums packaged together titled “Legacy +.” Jacquemus, a fashion brand selected Delphine to paint its Impossibly French SS21 Campaign ‘L'amour'. Her work is in the collections of the Studio Museum of Harlem, MACAAL museum in Morocco and amongst others. Delphine was recently in a group show in NYC at the Pace Gallery, September 10th-October 23rd 2021 Vogue https://www.vogue.com/article/high-risk-pregnancy-black-maternal-health-week Elephant Art https://elephant.art/women-painting-women-the-essential-artists-to-watch/ The New Yorker https://www.newyorker.com/goings-on-about-town/art/black-femme-sovereign-of-wap-and-the-virtual-realm Observer https://observer.com/2021/03/black-femme-canada-gallery-wap-virtual-realm-art-review/ Vogue https://www.vogue.co.uk/fashion/article/delphine-desane-jacquemus-ss21-campaign Drift Records https://driftrecords.com/products/femi-kuti-and-made-kuti-legacy Artnet https://news.artnet.com/art-world/delphine-desane-1916431 Artnet https://news.artnet.com/art-world/maestro-dobel-tequila-pocoapoco-delphine-desane-1928503 1-54 https://www.1-54.com/paris/artists/desane-delphine/ Vogue https://www.vogue.com/article/nikuyah-walker-mayor-of-charlottesville-virginia-conversation

Two of the most playful, expressive artists we have on their creative process, trying new things, and the art of being a great collaborator. The former lead singer of the Talking Heads, Byrne is an artistic polymath, making stage plays, performances, films, and now even drawings, which he recently showed with Pace. His Broadway hit, American Utopia, also became a streaming hit when Spike Lee turned it into a film for HBO; it was also recently adapted by Byrne into a book with illustrations by Maira Kalman. Marcel Dzama—who has been showing with the gallery for many years, and who has, like Byrne, worked on the stage (most notably with the New York City Ballet)—also just published a new book, an edition of Shakespeare's A Midsummer Night's Dream full of his beautiful new drawings.  David Byrne is represented by Pace Gallery. American Utopia returns to Broadway in fall 2021; the film can be streamed on HBO Max; and the book is available now. Marcel Dzama's illustrated edition of A Midsummer Night's Dream is available now. An exclusive set of new Dzama prints will be available on July 22, 2021 via Platformart.com. 

In this episode of PhotoWork with Sasha Wolf, Sasha and photographer-curator, Paul Graham discuss the exhibition, "But Still, It Turns: Recent Photography from the World" which Paul curated for the International Center of Photography. Paul explains why he wanted to create a showcase for the type of lyrical or post- documentary photography that he feels passionately about. They discuss the way the show came together and the 9 artists included.  https://www.paulgrahamarchive.com Paul Graham has played an essential role in dissolving the barriers between the worlds of documentary and fine art photography. Starting in the early 1980s, Graham's use of color in the role traditionally occupied by black-and-white documentary was a radical challenge to the unwritten rules of engaged photography. Troubled Land (on the Northern Ireland conflict) and Beyond Caring (addressing unemployment in the time of Margaret Thatcher) shifted the debate on how such issues could be visually articulated. With an extraordinarily long and active career of four decades, Graham has published eighteen monographs and three survey books. He moved to New York in 2002, and has worked in the United States since then. Most notably, a shimmer of possibility was published as a set of twelve books and presented as a solo exhibition at MoMA, New York. He is represented by Pace Gallery in the United States, and galleries in London and Berlin. Find out more at https://photowork.pinecast.co

Korea24 – 2021.06.17. (Thursday) - News Briefing: Health authorities are reconsidering the age group allowed to receive the AstraZeneca COVID-19 vaccine, after it was confirmed that a man had died from a rare blood clot condition caused by the shot. (Koo Heejin) - In-Depth News Analysis: Dr. Choi Ji-eun, the International Spokesperson for the ruling Democratic Party, and Lee Jae-young, former lawmaker and supreme council member of the main opposition, now the People Power Party, delve into major topics in local politics including what the newly elected PPP chair Lee Jun-seok could bring into the political sphere. - Korea Trending with Bruce Harrison: A video showing a man smoking on the subway causes a stir online(지하철서 태연히 담배핀 남자, 말리자 "도덕 지키는 척 한다, 꼰대"), confusion surrounds badges given to those vaccinated against COVID-19(3천원으로 접종 인증?…‘백신접종 배지’ 판매 논란), and Pakistan’s most densely populated districts plan to block SIM cards of those who don’t get vaccinated against the coronavirus(자체 ‘백신’ 개발한 파키스탄…접종 안하면 휴대전화 ‘정지’). - Explore Korea: Art critic Andy St. Louis shares two newly opened art spaces in Hannam-dong, Seoul. He shares the American abstractionist Sam Gilliam’s exhibition at Pace Gallery’s Seoul(페이스 서울) branch as well as Foundry Seoul’s(파운드리 서울) show of the up-and-coming German painter Henning Strassburger. - Morning Edition Preview with Mark Wilson-Choi: Mark shares a piece from the Korea Herald on the idea of local businesses adopting a four-day workweek. He also shares a Korea Times piece featuring Kublai Kwon, a Korean American concert promoter who is pushing for Asian Americans artists to be heard in the U.S.

hi, i'm lulu romano and this is your daily dose with lulu romano//transition// video slides/ pshpshhello and welcome to the first daily dose with yours truly, lulu romano.  another raining day here in the Hamptons, eastern long island. idk about you but i kinda like this shitty weather, maybe it's just the hopeless romantic in me.TODAY: TJ Maxx Bridgehampton is closed because of flooding bur problems are really just opportunities and if you like like pop art check out Pace Gallery in East Hampton featuring David Hockney. There's also a private showing featuring artists such as Trevor Paglen and Roy Lichtenstein. the busiest season in the hamptons is approaching. whether you're downsizing or moving into a bigger place, Life Storage got your back. Talk to Ty and he will hook you up stress free. if you're listing to this this, you can also *watch* this video by searching my name lulu romano or simply click the link in the description box because all the addresses and  hours of places mentioned will be thereand if you're *watching* this, hey how's it going. i'll see you tomorrow Subscribe at lulusdailydose.substack.com

Wells Fray-Smith is Assistant Curator: Special Projects at the Whitechapel Gallery, London. Before that, she held similar positions Pace Gallery and the Barbican Art Gallery, as well as the Metropolitan Museum of Art. She is responsible for the Max Mara Art Prize for Women at Whitechapel Gallery, where her projects include Helen Cammock: Che si puó fare, Sense Sound Sound Sense (2019) and The London Open 2021. She was research assistant for Basquiat: Boom For Real at the Barbican Art Gallery (2017) and has contributed catalogue essays on artists Fabienne Verdier (2020) and Prabhavathi Meppayil (2020). Join us to discover how she built her career and what are the challenges when it comes to achieving equality for women in the arts. ----- I LIKE NETWORKING is the mentoring and networking platform for women and non-binary people in the creative industries. Stay in touch with us on Instagram and subscribe to our newsletter to stay in the loop and access many perks. You can also join our community or our supporter's circle. ----- This episode was sponsored by DAYE - a women-led business revolutionizing women's health. Their tampons are the most absorbent Organic tampon on the market, sanitized to eliminate the risk of TSS, and wrapped in truly sustainable packaging. Clinically- validated, cramp-soothing CBD tampons delivered straight to your door. To get £5 off your first box of tampons or proviotics, head over to yourdaye.com and use code Networking5

With Nate reporting from Mexico City while Benjamin holds down the fort in NYC the gents discuss Jeff Koons defection to Pace Gallery, long lunches at Contramar, the passing of epic collector Hans Rasmus Astrup, consolidation in the art logistics game, supermodel Emily Ratajkowski's chic NFT trolling of Richard Prince and Olafur Eliasson's spectacle at the Beyeler Foundation in Basel. They are then joined by award winning Art Critic Andrew Russeth who shares what he has learned about art and food since moving to Seoul during a global pandemic including rumors of a Frieze bringing an edition of their art fair there, the potential fate of the 12,000 item, 2.5 billion (with a B) art collection of longtime Samsung chair Lee Kun-hee, and most critically all the tasty food he is eating. --- Support this podcast: https://anchor.fm/benjamin-godsill/support

Noah introduces a Keith Haring documentary - Artist and Whitehot Magazine publisher Noah Becker and guests discuss contemporary art. Galleries and museums and all things visual art come together for this art world podcast by Whitehot Magazine of Contemporary Art. ARTISTS WE LIKE: Andy Warhol, Alice Neel, Jean-Michel Basquiat, Paul McCarthy, Keith Haring, Marina Abramovic, Takashi Murakami, Jeff Koons, Noah Becker, Roni Horn, Elizabeth Peyton and art dealers like David Zwirner, Larry Gagosian, Pace Gallery, Hauser & Wirth and many others... Visit www.whitehotmagazine.com @whitehotmagazine on Instagram @newyorkbecker on Instagram --- Support this podcast: https://anchor.fm/noah-becker4/support

Nate and Benjamin discuss Nate's overactive social life including his *very* fancy literary-influencer dinner at Dr. Clark's. They are then forced to discuss Non Fungible Tokens (NFTs) as superstar artist Urs Fischer is auctioning his first one off with Loic Gouzer's invitation-only app-based Fair Warning auction house. This leads to a discussion of the reported tension/jockeying between Urs, his main gallery (Gagosian) and Fair Warning backer and Pace Gallery head-honcho Marc Glimcher. The main event is an interview with the innovative gallerist Stefania Bortolami. The interview delves into her early professional years including running a project space in Barcelona and then her tutelage under the seminal dealer Anthony d'Offay. We then discuss what it was like to move to New York and work for Larry Gagosian and the subsequent decision to break out on her own. In addition to talking about some of the innovations her gallery has made, Stefania breaks important news in announcing her forthcoming "Artist's City" project in Buffalo this summer with one of the market's most in-demand painters. --- Support this podcast: https://anchor.fm/benjamin-godsill/support

“BING ! BING ! 砰砰!”Céramique contemporaineà ICICLE – 35 avenue George V, Parisdu 1er mars au 8 septembre 2021Interview de Bérénice Angremy, Victoria Jonathan et Gabrielle Petiau pour l'agence Doors 门艺, commissaires de l'exposition,par Anne-Frédérique Fer, à Paris, le 18 mars 2021, durée 16'30, © FranceFineArt.(par téléphone avec Bérénice Angremy de Chine et Victoria Jonathan de Paris)Commissariat d'exposition :Doors 门艺 – Bérénice Angremy, Victoria Jonathan, Gabrielle PetiauExposition collective avec les artistes : Liu Jianhua, emmanuel boos, Geng Xue, Zhuo Qi et Louise FrydmanEn écho à son thème de collection prêt-à-porter inspirée par « la Terre » pour l'année 2021, ICICLE est heureux d'accueillir du 1er mars au 8 septembre dans son espace culturel du 35 avenue George V, Paris 8, une exposition sur la céramique contemporaine dont la curation est confiée à l'agence Doors. Quelle plus belle façon de célébrer la terre que de révéler les possibilités artistiques de ses matières premières ? « BING ! BING ! 砰砰! Céramique contemporaine » fait dialoguer cinq artistes chinois et français. Chacun à leur manière, Liu Jianhua (1962), emmanuel boos (1969), Geng Xue (1983), Zhuo Qi (1985) et Louise Frydman (1989) réinterprètent de façon actuelle l'art traditionnel de la céramique.En mandarin, le caractère 砰 (pēng) est l'équivalent de l'onomatopée « bing ! » du français : il évoque un bruit de choc, de heurt, et signifie une rupture, un événement soudain venant modifier la réalité.Dans une rencontre entre Orient et Occident, les artistes de « BING ! BING !» jouent avec les qualités matérielles de la céramique, à la fois fragile et solide, propice à l'accident, et les implications culturelles d'un art devenu patrimoine aussi bien en Chine (Jingdezhen, Yixing) qu'en France (Sèvres, Limoges, Gien). La céramique est saisie dans tous ses états, métamorphosée, soumise à des expérimentations : sculpture, écriture, performance et vidéo. Dans une friction des langages esthétiques et des significations culturelles liées au médium, usant – parfois avec humour – de jeux de mots, de ruptures de ton et d'effets de matières, ces artistes font exploser les codes de la céramique et la donnent à voir de façon surprenante. Grands noms de la céramique contemporaine comme Liu Jianhua et emmanuel boos, et artistes de la jeune génération comme Geng Xue, Zhuo Qi et Louise Frydman, tous explorent ses spécificités physiques, matière organique prenant forme grâce au geste de l'artiste et aux techniques qu'il emploie, mais aussi ses limites. Souple et malléable dans son état premier, résistant à des chocs thermiques pouvant dépasser 1300°C lors de sa cuisson, pour finir d'une grande fragilité dans son état « solide », la céramique se prête à des variations de brillance et de couleur d'une profondeur infinie ou au contraire à une extrême blancheur. « BING ! BING !» questionne aussi la relation entre l'artiste et la matière, le dialogue qu'il entretient avec la terre et le feu, dans une tension entre maîtrise et hasard, intention et accident, virtuosité et émotion. Les oeuvres de l'exposition évoquent ainsi l'empreinte de l'artiste sur la matière, parfois jusqu'à faire corps avec elle. Les artistes Liu Jianhua (né en 1962 à Ji'an, Chine) est l'un des artistes chinois les plus renommés de sa génération. Arrivé à Jingdezhen à 15 ans, il passe quatorze ans dans la capitale chinoise de la porcelaine à se former à cet art. Avec ses sculptures et installations mêlant porcelaine, objets trouvés, détritus et matériaux hétéroclites, il développe une pratique expérimentale de la céramique et une approche philosophique de la forme et de la matière. Ses oeuvres à la fois virtuoses et poétiques défient les limites physiques du médium et les attentes du spectateur. Liu interroge la culture et l'histoire matérielle de la Chine dans le contexte de la mondialisation. « Regular Fragile », présentée à la Biennale de Venise en 2003 dans le pavillon Chine, est une série de répliques en porcelaine d'objets du quotidien, faisant primer l'apparence et le symbolisme sur la fonction. En 2008, sa pratique évolue vers des formes plus abstraites et minimalistes (« pas de sens, pas de contenu »). Depuis 2004, Liu est professeur de sculpture à l'École des Beaux-Arts de l'université de Shanghai. En 2005, il crée le groupe Polit-Sheer-Form Office avec les artistes Hong Hao, Xiao Yu, Song Dong, et le critique d'art Leng Lin. http://www.liujianhua.netConsidéré comme l'un des meilleurs céramistes français, emmanuel boos (né en 1969 à Saint-Étienne, France) pratique cet art depuis l'âge de 14 ans. C'est après quelques années en Asie (Corée et Chine) qu'il s'y consacre professionnellement. Apprenti auprès du Maître d'art Jean Girel entre 2000 et 2003 pour la porcelaine tournée à la française, il gagne très vite de nombreux prix : jeune créateur de l'année des Ateliers d'Art de France, Prix Découverte du Salon Maison & Objet, 2ème lauréat du prix national SEMA, Grand Prix de la Création de la Ville de Paris. La galerie Jousse Entreprise le repère en 2005. Depuis, il est exposé chaque année dans les grandes foires internationales de design et d'arts appliqués : FIAC, PAD Londres et Paris, Design Miami Basel. Il s'installe à Londres en 2006 pour y mener une thèse de doctorat par la pratique artistique sur le thème de la « poétique de l'émail », soutenue en 2012 au Royal College of Art sous la direction du célèbre céramiste et écrivain anglais Emmanuel Cooper. En 2010, il participe à l'exposition « La Scène Française » au Musée des Arts Décoratifs à Paris. Ses oeuvres sont exposées à Londres, Belfast, Édimbourg, Copenhague. Depuis 2015, il vit entre Paris et Mannheim (Allemagne), où est installé son atelier et où il se consacre à plusieurs projets de céramique architecturale, notamment avec les décorateurs Caroline Sarkozy, Studio Shamshiri et Heather Wells. Entre 2016 et 2019, il est artiste en résidence à la Manufacture de Sèvres. Invité par le laboratoire qui conçoit et fabrique pâtes et émaux de la Manufacture, il s'intéresse notamment au thème de la palette d'émail et réalise plusieurs séries d'oeuvres : « Cubes », « Monolithes », « Livres » et « Stabiles ». Depuis quelques années, il privilégie les formes closes, faussement pleines, à la fois surfaces et volumes : pavés, cubes, boîtes ou livres, mystérieuses et abstraites. Il crée aussi un parcours pour la couleur, en creux et à-pics sur lequel les émaux colorés pourront déployer toutes les nuances de leurs tonalités en s'accumulant par endroits et en disparaissant presque à d'autres. L'artiste est à l'affût de l'inattendu et d'accidents heureux et à la recherche du « bel imparfait ». http://www.emmanuelboos.infoGeng Xue (née en 1983 à Baishan, Chine) est une artiste « multimédias » qui confronte l'art traditionnel de la céramique à des formes contemporaines (vidéo, animation, installation). Étudiante de Karlsruhe University of Arts and Design (Allemagne) et diplômée de l'Académie Centrale des Beaux-Arts de Chine (CAFA) où elle a étudié sous la direction du célèbre artiste Xu Bing, Geng Xue se fait connaître en 2014 avec « Mr Sea », vidéo tournée en stop-motion, dans laquelle des personnages de porcelaine prennent vie dans une réinterprétation d'un célèbre conte de fantômes datant de la dynastie Qing (« Contes étranges du studio du bavard » de Pu Songling). Inspirée par la riche tradition de la céramique chinoise, Geng exploite les qualités matérielles uniques et les significations associées à ce médium. Cosmologie bouddhiste, littérature classique et taoïsme fournissent les thèmes de fictions mettant en scène la capacité de transformation de la céramique et sa nature tout à la fois fragile et solide, dans des univers presque magiques, où la frontière est ténue entre monde physique et monde spirituel. Geng Xue s'inspire également de ses voyages et de son immersion dans d'autres cultures pour entrer en résonance avec la tradition esthétique occidentale.Diplômé de l'École Supérieure des Beaux-Arts du Mans, de la Haute École d'Art et de Design de Genève, et de l'École nationale supérieure d'art de Limoges, Zhuo Qi (né en 1985 à Fuxin, Chine) travaille et vit en France depuis 2008. En tant qu'artiste, la démarche de Zhuo Qi repose sur la notion de choc des cultures. Il nourrit sa pratique artistique de l'expérience quotidienne des miracles sémantiques et linguistiques que génèrent l'altérité culturelle et son lot d'incompréhensions. Il se rend régulièrement à Jingdezhen, une ville considérée comme la capitale mondiale de la porcelaine. Avec humour, il confronte à travers la céramique les traditions et les savoir-faire, que la mondialisation rapproche sans transition ni traduction. Chez lui, la porcelaine est à la fois le moyen et le sujet d'une cuisine expérimentale tournée vers la création d'objets impliquant des corps étrangers plongés dans des environnements incongrus, énigmatiques, voire hostiles, mais toujours sources d'amusement. http://www.qi-zhuo.comDiplômée en arts graphiques de l'école d'art ESAG-Penninghen et formée en photographie à l'International Center of Photography de New York, Louise Frydman (née en 1989 à Paris) commence par composer des oeuvres légères et délicates en papier blanc puis se tourne vers la céramique en 2015 lorsqu'elle crée sa pièce monumentale « La Fée des Pétales » suspendue dans la cour de l'Hôtel de Croisilles, à Paris. Elle conserve dans son traitement de la céramique la matité blanche du papier ainsi que la finesse de la matière. Fragiles et fortes à la fois, les créations de Louise Frydman révèlent un univers naturel poétique, magnifié par l'éclat de leur blancheur. Ses sculptures, inspirées des formes de la nature, jouent avec la lumière et le mouvement. « Je recherche la rencontre entre force et fragilité en travaillant mes sculptures de manière éthérée dans leurs formes, et puissante par leurs dimensions souvent monumentales. Un pétale, un arbre, le vent… C'est mon émotion que j'essaie de donner à voir. » Sa rencontre avec le céramiste Jean-François Reboul en 2015 lui permet d'approfondir son apprentissage et de s'affirmer dans sa démarche artistique. Son atelier est installé en Bourgogne depuis 2015. https://louise-frydman.com/Exposition en partenariat avec Pace Gallery, Jousse Entreprise, Loo & Lou Gallery. Remerciements : Cité de la céramique – Manufacture de Sèvres.Doors 门艺Créée en 2017 par Bérénice Angremy et Victoria Jonathan, Doors 门艺est une agence de production et de promotion de projets artistiques basée à Pékin et Paris. Doors a pour ambition d'ouvrir des portes et de favoriser les échanges culturels entre la Chine et l'Europe, à travers des événements créatifs, innovants et fédérateurs. Elle collabore avec des artistes, des institutions (Musée Picasso, UCCA, Fondation Giacometti, Fondation Henri Cartier-Bresson) et des marques (Hennessy, Lafite, Cartier). En 2021, Doors organise l'exposition « KAIWU. Art et design en Chine » au Musée de l'Hospice Comtesse (Lille).Respectivement diplômées de l'École du Louvre (Paris) et de Columbia University (New York), Bérénice Angremy et Victoria Jonathan vivent entre Paris et Pékin depuis vingt ans. Elles ont dirigé le festival Jimei x Arles (2017-2019), créé en Chine par Les Rencontres d'Arles et Three Shadows Photography Art Centre. Elles sont commissaires de plusieurs expositions sur l'art et la photographie chinois : « Les Etoiles 1979-2019. Pionniers de l'art contemporain en Chine » (Paris, 2019), « Les flots écoulés ne reviennent pas à la source. Regards de photographes sur la rivière en Chine » (Abbaye de Jumièges, 2020), « Feng Li. White Night in Paris » (Photo Saint Germain, 2021), « Luo Yang. Youth » (Jimei x Arles, 2019), « Lei Lei. Cinéma Romance à Lushan » (Les Rencontres d'Arles et Jimei x Arles, 2019). Diplômée des Beaux-Arts de Nantes, et ancienne élève de l'Académie Centrale des Beaux-Arts de Chine (CAFA), Gabrielle Petiau a rejoint l'équipe de Doors en 2019. Elle est co-directrice de la Biennale de l'Image Tangible.Boutique ICICLE – 35 avenue George V – Paris VIIIInauguré en septembre 2019 comme première adresse internationale, cet espace sculptural et immaculé s'étend sur trois étages d'un hôtel particulier, 35 avenue George V, au coeur du Triangle d'Or parisien. Conçu par l'architecte belge Bernard Dubois, il intègre, sur un espace de près de 500m2, les collections femme, homme et accessoires ainsi qu'une librairie et une salle d'exposition qui reflètent la philosophie de la marque, fondée sur une approche naturelle de la création, pour une vie en accord avec la Nature. Espace culturel ICICLE : Avec plus de 500 ouvrages, ponts entre la culture chinoise et occidentale, la librairie ICICLE, située au troisième étage de la boutique George V, explore les façons d'être, de vivre et de créer selon la Nature. Elle s'ouvre sur une galerie, espace lumineux et aérien, destinée à recevoir des expositions d'art et de design. Voir Acast.com/privacy pour les informations sur la vie privée et l'opt-out.

Deputy director of the Irving Penn Foundation, Vasilios Zatse, joins us to talk about the new Irving Penn exhibit at Pace Gallery, Irving Penn: Photographism, which is on view through February 13.

Liat Yossifor is a painter who received her BFA from the San Francisco Art Institute in 1996, and her Master of Fine Arts from the University of California, Irvine in 2002. She was an Artist-in-residence at: the Rauschenberg residency in Florida, and at the Frankfurter Kunstverein in Germany. She has had solo exhibitions at The Contemporary Art Museum St. Louis; Pomona College Museum of Art; The Armory Center for the Arts; Galerie Anita Beckers, Frankfurt; Patron Gallery, Chicago; Miles McEnery Gallery, New York, and Fox Jensen Gallery, Sydney, Australia. Liat is in public collections such as The Margulies Collection, Miami, FL; Los Angeles County Museum of Art (LACMA); and The Hammer Museum, Los Angeles, CA, among others.  I caught up with Liat over the net for a talk about avoiding technology, starting painting figuratively and moving into abstraction, materiality, studio life and much more. NYC Crit Club is now accepting applications for Spring 2021 semester. Now in its fourth year, NYC Crit Club is offering 9 new courses this Spring via zoom with 8 new faculty and 30 guest speakers and critics from around the country.  Spring 2021 features a newly designed visiting critic program which offers weekly artist talks and critique from established contemporary artists as well as two weeks of professional feedback and dialogues with gallerists and dealers. Including MRS. Gallery, Monika King Contemporary, Pace Gallery and more. Applications open Dec. 31st  and close January 20th. Classes often fill before the deadline for accepted artists. Early applications are encouraged.. NYC Crit club is a radical alternative offering critique, community and connection for artists post BFA and post MFA. They are proud to offer BIPOC Scholarships and work study rates for artists in financial need. NYC Crit club is run by Hilary Doyle & Catherine Haggarty 

The SLC Performance Lab is produced by ContemporaryPerformance.com and the Sarah Lawrence College MFA Theatre Program. Each month we interview visiting artists to the MFA Theatre Program's Grad Lab, one of the core classes of the program where grads work with guest artists and develop group generated performance pieces monthly. In our second podcast of the 20/21 season, Chanel Blanchett (SLC21) and Andrew Del Vecchio (SCL22) interview the director and designer Carlos Soto. Carlos Soto is a director and designer based in New York City, where he studied Art History and Literature at the Pratt Institute. His GIRLMACHINE premiered at Performa 09 and was subsequently presented in Paris by the American University of Paris. Pig Pig Pig (2010) was developed in residency at Le Point Éphémère, Paris, and performed at the Moscow Museum of Modern Art. In 2011, he was featured in an evening of works curated by Robert Wilson for Works & Process at the Guggenheim Museum. In September 2013, Pace Gallery, NY, exhibited video work created in residency at Willem de Kooning’s studio in Springs, NY. Soto has presented work at the Triennale di Milano, Kunstverein in Hamburg, the Istanbul Biennial, among others. He has been artist-in-residence at The Watermill Center (2009 & 2015), Kampnagel Hamburg, Schauspielhaus Wien, Lower Manhattan Cultural Council, New York Live Arts, among others. Photo © Carlos Soto

Season 8 continues with an intimate, feature-length special episode! Russell & Robert chat with Torkwase Dyson (b. 1973, Chicago, Illinois) from her studio in New York. Dyson describes herself as a painter working across multiple mediums to explore the continuity between ecology, infrastructure, and architecture. Examining environmental racism as well as the history and future of black spatial liberation strategies, Dyson’s abstract works grapple with the ways in which space is perceived and negotiated, particularly by Black and Brown bodies. Explorations of how the body unifies, balances, and arranges itself to move through natural and built environments become both expressive and discursive structures within the work. ​Dyson builds the abstract paintings slowly, accumulating washes, building surface and configuring minimal geometric elements that lend a productive tension between image and object. The paint-handling producing various visual qualities using brushwork and other tools is made poetic by a juxtaposition of delicate marks and scored, diagrammatic lines. This compositional rigor imbues the works with an architectural presence and optical gravity.​Torkwase's work will be part of the Serpentine Galleries' exhibition 'Back To Earth' in London next year, 2021. Learn more at https://www.serpentinegalleries.org/whats-on/back-to-earth/Visit Torkwase's official website www.TorkwaseDyson.com/ and her artist page at Pace Gallery, London & New York. Follow Torkwase on Instagram @TorkwaseDyson and @PaceGallery.For images of all artworks discussed in this episode visit @TalkArt. Talk Art theme music by Jack Northover @JackNorthoverMusic courtesy of HowlTown.com We've just joined Twitter too @TalkArt. If you've enjoyed this episode PLEASE leave us your feedback and maybe 5 stars if we're worthy in the Apple Podcast store. Thank you for listening to Talk Art, we will be back very soon. For all requests, please email talkart@independenttalent.com See acast.com/privacy for privacy and opt-out information.

Scripture: 1 Thessalonians 5:16-18, Psalm 136Cover Art: Exhibition view: James Turrell, Pace Gallery, London© James Turrell. Courtesy Pace Gallery. Photo: Damian Griffiths.

Scripture: Acts 13:1-12Cover Art: Exhibition view: James Turrell, Pace Gallery, London© James Turrell. Courtesy Pace Gallery. Photo: Damian Griffiths.

Scripture: I Corinthians 1:1-17Cover Art: Exhibition view: James Turrell, Pace Gallery, London© James Turrell. Courtesy Pace Gallery. Photo: Damian Griffiths.

Episode 7: Musing on Museums November 4, 2020. This episode, called “Musing on Museums,” takes a look at the history of the modern Western museum and considers what stories museums tell and how. From wunderkammern and other private collections to the British Museum and the Louvre, museums are intimately connected to power. Contemporary artists Fred Wilson, Spring Hurlbut, and James Luna reveal the hidden histories of collecting and collections and ask us to think about what is collected and how those collections are organized. By troubling organization systems, contemporary artists uncover new ways of finding meaning in museum collections. Sources + further reading: The British Museum. “The British Museum Story.” https://www.britishmuseum.org/about-us/british-museum-story. Clarke, Bill. “Spring Hurlbut: Deadfall Dialogues.” Canadian Art. April 15, 2010. https://canadianart.ca/interviews/spring-hurlbut/. Corrin, Lisa G. “Mining the Museum: An Installation Confronting History.” Curator: The Museum Journal 36, no. 4 (December 1993): 302–13. https://doi.org/10.1111/j.2151-6952.1993.tb00804.x. “Fred Wilson.” Pace Gallery.  https://www.pacegallery.com/artists/fred-wilson/. Hill, Richard William. “Remembering James Luna (1950–2018).” Canadian Art. March 7, 2018. https://canadianart.ca/features/james-luna-in-memoriam/.  “History of the Louvre.” Louvre Museum. https://www.louvre.fr/en/histoirelouvres/history-louvre. Hurlbut, Spring. “The Final Sleep.” https://www.springhurlbut.com/the-final-sleep. “Institutional Critique – Art Term.” Tate. https://www.tate.org.uk/art/art-terms/i/institutional-critique. Raicovich, Laura. “What Happened When Fred Wilson Dug Beneath a Museum's Floorboards.” Hyperallergic. August 16, 2019. https://hyperallergic.com/507245/mining-the-museum-an-installation-by-fred-wilson/. Rodini, Elizabeth. “A Brief History of the Art Museum.” Smarthistory. June 1, 2019. https://smarthistory.org/a-brief-history-of-the-art-museum/. -------. “2. Museums and Politics: The Louvre, Paris.” Smarthistory. June 1, 2019. https://smarthistory.org/museums-politic-louvre/.

Scripture: Matthew 13:31-33Cover Art: Exhibition view: James Turrell, Pace Gallery, London© James Turrell. Courtesy Pace Gallery. Photo: Damian Griffiths.

Scripture: Exodus 3:1-15Cover Art: Exhibition view: James Turrell, Pace Gallery, London © James Turrell. Courtesy Pace Gallery. Photo: Damian Griffiths.

Scripture: Mark 14:1-9Cover Art: Exhibition view: James Turrell, Pace Gallery, London © James Turrell. Courtesy Pace Gallery. Photo: Damian Griffiths.

Aujourd’hui, j’ai RDV avec Adeline Drechou, manager de la prestigieuse galerie Pace située quai des Bergues, à Genève. Pour vous donner une idée, la galerie Pace est l’une des galerie les plus renommée au monde dans le secteur de l’art contemporain. Ils ont des antennes à New York, Londres, HK, Palo Alto, Séoul et bien évidemment, à Genève. De son côté, Adeline a rayonné entre le Canada, l’Angleterre et la France avant d’atterrir à Genève, en 2018. Elle s’occupe aujourd’hui des recrutements d’artistes, des vernissages et expositions de la galerie.  Pour en apprendre plus sur Adeline et ses expositions, vous pouvez sans autre vous rendre sur le site de la galerie au https://www.pacegallery.com, ou vous rendre directement sur place ! Si vous souhaitez découvrir les coulisses du podcast, abonnez-vous au compte Instagram @vouspodcast.  A bientôt !

Dan Leers, Carnegie Music of Art Photography Curator, discusses "Trevor Paglen: Opposing Geometries" - on view now through March 14th in Gallery One and two locations in the Scaife Galleries.  The exhibit received a full page of notice in the Sunday Arts and Leisure section of the New York Times. Paglen's work at the Pace Gallery in London has also won praise. There is a forthcoming series of podcasts, discussion with Paglen and Leers and a catalog on the way. Leers discusses the measures being taken to assure safety during the pandemic and describes many of the photographs on view with details about their processing and philosophy. 

Scripture: Psalm 130Cover Art: Exhibition view: James Turrell, Pace Gallery, London © James Turrell. Courtesy Pace Gallery. Photo: Damian Griffiths.

Scipture: 2 Chronicles 17:1-6Cover Art: Exhibition view: James Turrell, Pace Gallery, London © James Turrell. Courtesy Pace Gallery. Photo: Damian Griffiths.

Scripture: Isaiah 43:18-21, Isaiah 46:8-9Artwork: Cover Art: Exhibition view: James Turrell, Pace Gallery, London © James Turrell. Courtesy Pace Gallery. Photo: Damian Griffiths.

Today’s episode is with painter, sculptor, and multi-hyphenated artist, Torkwase Dyson. Born in Chicago Illinois, into a family embedded with scholars and artists of many forms, Torkwase found her artistic path while studying Sociology at Tougaloo College, later receiving her Bachelors of Fine Arts at Virginia Commonweath University and her Masters at the Yale School of Art.  Her work is about the reimagining of black compositional thought, while exploring shape and form as it relates to black bodies in space.  In Torwkase’s words, “The works are deconstructions of natural and built environments that consider how individuals negotiate and negate various types of systems and spatial order.” This multi-disciplinary approach was on full display during her show, “Nautical Dusk” which debuted at the Colby Museum of Art in the fall of 2018. Her sculptures, paintings, and geometric forms depicted the life of Samuel Osborne, a janitor at Colby College at the turn of the 20th century, who was born into slavery. Using Osborne’s text obituaries written by white authors this exhibition raised questions concerning creation, conveyance, and autonomy. In 2019, she was awarded the prestigious Studio Museum Wein Prize, and in 2020 she was added to the roster of the influential Pace Gallery. Torkwase continues to explore the language of structural constructs, black activism, and what it means to be and live in blackness. During our conversation, we discuss the role language plays in her practice, how art allowed her to express her innermost being, why one must ALWAYS be prepared, and what black genius means to her. Recorded during lockdown, this eloquent conversation is one for the books. It is with great pleasure to introduce to you, an artist of many forms, Torkwase Dyson. Links we mention in the episode: Torkwase's Instagram: https://www.instagram.com/torkwasedyson/ (@torkwasedyson) Thank you for tuning in! Please don't forget to rate, comment, subscribe and SHARE with a friend (https://www.instagram.com/blackimaginationpodcast/ (@blackimaginationpodcast)). Support this podcast: https://anchor.fm/blackimagination/support (anchor.fm/blackimagination/support) Additional editorial content provided by Kalimah Small. --- Support this podcast: https://anchor.fm/blackimagination/support (https://anchor.fm/blackimagination/support) Support this podcast

Our slew of exhibition recommendations this month are inspired by luscious landscapes and a green palette, perhaps motivated by a Lockdown-enforced return to nature? Exhibitions include: Jules de Balincourt at Thaddaeus Ropac, Salman Toor at the Whitney, The Green Fuse at Frestonian Gallery, Rethinking Guernica at the Reina Sofia Museum, Lindsey Bull, Minyoung Choi, Nettle Grellier at bo.lee Gallery, and Daisy Parris at Sim Smith Gallery. In the news, we delve into what the new hybrid Sotheby's sale means to the art market post-Covid, and what it could signify for sales throughout the rest of 2020. Is this the renaissance of the online auction? We also discuss the slew of homophobic comments Pace Gallery received on Instagram after posting a photograph of two men kissing by US photographer, Peter Hujar, and the Gallery's strategy of how to respond to them. Our Artist Focus this month is the record-breaking African American artist Kerry James Marshall. Following a childhood in Birmingham, Alabama and Los Angeles, California, an exposure to the Black Power and Civil Rights movements had a significant impact on his paintings. Through a masterful control of colour and composition, Marshall sets out to portray central protagonists who are “unequivocally, emphatically black.”SHOW NOTES: Jules de Balincourt 'There are more eyes than leaves on the trees' at Galerie Thaddaeus Ropac, until 5 September: https://ropac.viewingrooms.com/viewing-room/ Salman Toor 'How Will I Know' at the Whitney: https://whitney.org/exhibitions/salman-toor 'The Green Fuse' at Frestonian Gallery, until 5 September: https://www.frestoniangallery.com/exhibitions/Rethinking Guernica: https://guernica.museoreinasofia.es/en Lindsey Bull, Minyoung Choi, Nettle Grellier at bo.lee Gallery on Artsy: https://www.artsy.net/show/bo-dot-lee-gallery-3-dot-3-lindsey-bull-minyoung-choi-nettle-grellier Daisy Parris 'Star Studded Canopy' at Sim Smith Gallery: https://www.sim-smith.com/node/84 Men at the Barre - Inside the Royal Ballet: https://www.bbc.co.uk/programmes/m000jjjq Sotheby's First-Ever Hybrid Contemporary Evening Sale Format Nets an Impressive $300.4 Million: https://news.artnet.com/market/sothebys-tests-auction-waters-contemporary-evening-sale-1890889Francis Bacon painting sells for $84M at first-of-its-kind virtual auction: https://edition.cnn.com/style/article/francis-bacon-sothebys-hybrid-auction/index.htmlPainting Reaps 6,700% Return Months After the Artist's Death: https://www.bloomberg.com/news/articles/2020-07-01/painting-reaps-6-700-return-less-than-year-after-artist-s-deathPace Gallery shuts down homophobic slurs on Instagram over Peter Hujar photographs: https://www.theartnewspaper.com/news/pace-gallery-homophobia-instagram The World of Groundbreaking Artist Kerry James Marshall: https://www.artsy.net/article/artsy-editorial-how-kerry-james-marshall-became-a-superhero-for-chicago-s-housing-projects Kerry James Marshall Is Shifting the Color of Art History: https://www.nytimes.com/2016/10/17/t-magazine/kerry-james-marshall-artist.html

Installation artist and sculptor Tara Donovan transforms everyday objects like foam cups, toothpicks and index cards, transforming the familiar into the unrecognizable through overwhelming accumulation. ..Resources for this podcast episode include: Wadsworth Atheneum (thewadsworth.org), Pace Gallery (pacegallery.com), Smithsonian American Art Museum (americanart.si.edu), Dia Art Foundation (diaart.org), and interviews with Marc-Christoph Wagner and Nora Burnett Abrams.

Installation artist and sculptor Tara Donovan transforms everyday objects like foam cups, toothpicks and index cards, transforming the familiar into the unrecognizable through overwhelming accumulation. ..Resources for this podcast episode include: Wadsworth Atheneum (thewadsworth.org), Pace Gallery (pacegallery.com), Smithsonian American Art Museum (americanart.si.edu), Dia Art Foundation (diaart.org), and interviews with Marc-Christoph Wagner and Nora Burnett Abrams.

What the heck is going on out there? People, lets do something creative you all say. Well we're trying, we have a new game we're playing "Stump the Chumps", where we try to stump each other with the descriptions of iconic images. Check them out. Otherwise, today we're back with a new Weekly Dose. Sorry about Chris' audio. ► LINKS Sony News - Sony A7s III details https://www.diyphotography.net/sony-confirms-that-a-completely-redesigned-sony-a7s-iii-is-finally-coming-this-summer/ Fuji GFX 100 gets RAW video and other features WOW https://www.diyphotography.net/fujis-gfx-system-gets-massive-firmware-update-and-the-gfx-100-now-offers-prores-raw-video/ Patent Trolls attack Nikon https://www.dpreview.com/news/5791070627/nikon-is-the-latest-camera-company-sued-by-digimedia-tech-over-alleged-patent-infringement Vast Fratelli Alinari photographic archive saved by Tuscan government https://www.theartnewspaper.com/news/alinari-photographic-archive-saved-by-tuscan-government Lisa Barnard's world of GOLD https://mackbooks.co.uk/products/the-canary-and-the-hammer-br-lisa-barnard?_pos=1&_sid=4c59b1922&_ss=r http://lisabarnard.co.uk/news/financial-times-photographer-lisa-barnards-personal-journey-through-the-world-of-gold/ Pace Gallery shuts down homophobic slurs on Instagram over Peter Hujar photographs https://www.theartnewspaper.com/news/pace-gallery-men-kissing-instagram UK photography body removes image 'playing to racist stereotypes' https://www.theguardian.com/artanddesign/2020/jul/02/uk-photography-body-removes-image-playing-to-racist-stereotypes Tom Seymour Writes Stuff https://tomseymourwrites.com SOURCE Photographic https://www.eventbrite.co.uk/e/source-issue-101-across-cultures-launch-online-tickets-109950765700 ►LET'S CONNECT Facebook: https://www.facebook.com/belfastphoto... Instagram: https://www.instagram.com/belfast_pho... Chris' Website http://www.christopherbarrphotography... Rob's Website https://durstonphoto.com

Pace Art gallery’s president and CEO, Marc Glimcher and I chat about everything from his home life, which was dreams of being a scientist and even talking his way out of being expelled from Harvard. Cited by ArtReview as one of the top 25 most influential people in the contemporary art world. New episodes every Monday: http://www.1hourintern.com/ (www.1hourintern.com) The Power Points: (00:55) - The art of building a career in a field where dreams defy pragmatism — “If I can facilitate somebody’s ability to completely follow a dream and yet not starve to death in a gutter, then anything is possible.” (10:30) - Growing up in the world’s last great unregulated market — “That integrity piece is key in the art world, because there are no rules in the art world.” (17:19) - Art dealing lesson #1: If you have something to say, it better illuminate something that was previously dark.  (21:10) - The Power Point — “Your job is to expand people’s perception, that’s a critical tool for anybody who wants to be in the arts.” (27:26) - How to find focus and clarity in a universe of options — “You pick one thing and make a mistake, you’re going to know when you were wrong.”  (40:34) - Talking himself (twice) into Harvard, joining the Trotsky-est youth group, and freaking out his parents by becoming a Born Again Christian. (54:50) - An advocate for intensity — “If you shy away from the intensity and go for safety, you’re never going to evolve.” Thank you for listening to 1 Hour Intern, If you enjoyed please https://1-hour-intern.captivate.fm/listen (rate, follow and subscribe).

Before we get started with Episode 12, please note this was recorded before the Coronavirus situation escalated in the UK. This will explain our proximity to each other, and the journeys around the UK to visit exhibitions. We plan to address how the art world can support itself and others in the face of this pandemic in future episodes. Please everyone, take care. But before all the galleries did close, we were able to get in front of James Turrell at Pace Gallery, Among the Trees at the Hayward Gallery, and 'Friends of Derek' at the Lucy Bell Gallery.We couldn't discuss art world news without touching on the impact of Coronavirus on the art world community. Since recording, the impact has increased further and has almost shutdown daily life. Now we turn to the digital realm in order to keep our cultural fix!Episode 12's Artist Focus is Jean-Michel Basquiat. The American artist, of Haitian and Puerto Rican descent, used social commentary in his paintings to take on his experiences in the black community in 1980s New York. Well known for both his graffiti and his later neo-expressionist work, he is synonymous with a generation of New York celebrity creatives and for his relationships with fellow artists, Andy Warhol and Keith Haring. SHOW NOTES:(Note most galleries are now temporarily closed)James Turrell at Pace Gallery, until 23 May 2020: https://www.pacegallery.com/exhibitions/james-turrell-9/Among the Trees at Southbank Centre, until 17 May 2020: https://www.southbankcentre.co.uk/whats-on/exhibitions/hayward-gallery-art/among-the-trees'Friends of Derek' at Lucy Bell Gallery, until 31 March 2020: https://www.lucy-bell.com/exhibition/friends-of-derek-fodVietnamese curator dropped because of Coronavirus prejudice: https://www.theguardian.com/world/2020/mar/05/vietnamese-curator-dropped-because-of-coronavirus-prejudiceWhat toll will COVID-19 take on Europe's arts? A letter from Italy: https://frieze.com/article/what-toll-will-covid-19-take-europes-arts-letter-italyBasquiat and Haring: unprecedented art show revives the 'manic draughtsmen' of 80s New York: https://www.theguardian.com/artanddesign/2019/nov/30/basquiat-and-haring-unprecedented-art-show-revives-the-manic-draughtsmen-of-80s-new-yorkBlack Art after Basquiat - Is Past still Present in the Art World?: https://www.highsnobiety.com/p/basquiat-impact-on-black-art-world/

In the offices of Vienna Contemporary (Art Fair) in Vienna, Austria we discussed: Why are art fairs so important these days? How to connect with young collectors, The future of art fairs, The risk of choosing to be an artist, Governmental support for the arts, MTV vs Viva, Finding an authentic voice in social media, The need for a narrative or story in the art world, how it is important to always be passionate about the arts, and The necessity of a network. https://www.viennacontemporary.at About Born in Poland, she was raised in Germany, where she started her career in the art world at Galerie Eigen+Art, Leipzig/Berlin, moving further to the US to work at Pace Gallery and advise international art collectors. Johanna Chromik took over as Artistic Director of Vienna Contemporary as of January 15, 2019. Please be sure to visit our Patreon page and help support the podcast by being part of the conversation. The more money raised, the larger the global reach we can offer you: https://www.patreon.com/thewisefool For more information about the host, Matthew Dols http://www.matthewdols.com   Transcript available: https://wisefoolpod.com/transcript-for-episode-042-artistic-director-johanna-chromik-vienna-contemporary-vienna-austria/

In the offices of Vienna Contemporary (Art Fair) in Vienna, Austria we discussed: Why are art fairs so important these days? How to connect with young collectors, The future of art fairs, The risk of choosing to be an artist, Governmental support for the arts, MTV vs Viva, Finding an authentic voice in social media, The need for a narrative or story in the art world, how it is important to always be passionate about the arts, and The necessity of a network. https://www.viennacontemporary.at About Born in Poland, she was raised in Germany, where she started her career in the art world at Galerie Eigen+Art, Leipzig/Berlin, moving further to the US to work at Pace Gallery and advise international art collectors. Johanna Chromik took over as Artistic Director of Vienna Contemporary as of January 15, 2019. Please be sure to visit our Patreon page and help support the podcast by being part of the conversation. The more money raised, the larger the global reach we can offer you: https://www.patreon.com/thewisefool For more information about the host, Matthew Dols http://www.matthewdols.com   Transcript available: http://wisefoolpod.com/transcript-for-episode-042-artistic-director-johanna-chromik-vienna-contemporary-vienna-austria/

We're ending November on a podcast high! Welcome to Episode 7, and sit back as we talk you through our exhibition highlights. This includes Liz's trip to Lucian Freud's Self-portraits at the Royal Academy. This inspired some further reading into the Guardian's article on the discovery of Freud's plant paintings, and why plants have always ranked lowly in the art hierarchy. Another month and another Banksy publicity stunt; we discuss his new online shop and who he really is trying to target with this new platform. We also check in on a previous news story that piqued our interest, as Instagram have recently held a round table with artists to discuss their censorship of art nudity on the platform. And the creepily beautiful AI robot artist Ai-Da has caught Jessie's attention. AI might be the future of art, so if you want to know what the future will look like, take a glimpse at her profile. Our Artist Focus this episode is Robert Rauschenberg, a man that cannot be defined by one artistic movement. We start in Pop Art, but then his art transports across styles, mediums and with a variety of different collaborators. SHOW NOTES Song Dong 'Same Bed Different Dreams' at Pace Gallery: https://www.pacegallery.com/exhibitions/song-dong/Claire Tabouret 'Portraits' at Almine Rech Gallery: https://www.alminerech.com/artists/4769-claire-tabouret Tai-Shan Schierenberg 'Men Without Women' at Flowers Gallery, Cork Street: https://www.flowersgallery.com/exhibitions/view/men-without-womenKara Walker 'Black and White to Living Colour: The collected motion pictures and accompanying documents of Kara E. Walker, Artist.' at Sprueth Magers until 21 December 2019: http://www.spruethmagers.com/exhibitions/507Lucian Freud 'The Self-portraits' until 26 January 2019: https://www.royalacademy.org.uk/exhibition/lucian-freud-self-portraitsForget Lucian Freud's nudes - he was a magnificent painter of plants: https://www.theguardian.com/artanddesign/2019/oct/24/lucian-freud-nudes-magnificent-painter-of-plants-climate-emergencyBanksy Online Shop: https://shop.grossdomesticproduct.com/Instagram Holds Closed-Door Roundtable with Artists on Art and Nudity: https://www.artnews.com/art-news/news/instagram-censorship-roundtable-13431/Instagram profile recommendation: @DynamiskAbstract: The Art of Design: https://www.netflix.com/gb/title/80057883Another Instagram profile: @aidarobotRobert Rauschenberg: https://www.rauschenbergfoundation.org/

While at the Berlin Art Fair, Alia Fattouh and I had a chance to talk about: The importance of art fairs in introducing artists to curators, museums and patrons, Saudi Arabian art, Pre-october 2018 Saudi art market, Saudi art council, YSA - Young Saudi artists, How galleries choose artists, Artist introducing other artists to galleries, Do not email or drop off portfolios with galleries, it does not work, References will get you represented, Artist selling work through social media rather than a gallery, Galleries build careers for artists, Instagram as a way to be discovered, Social media as a resource for artist sand galleries, Artist selling out of their studios, A strong interest of Saudi Artists in new medias, traditional techniques are less common, Social engagement through art, Addressing issues in a mature way, Highlighting without criticising, Language barrier, Vision 2030, Artist residencies, Partnership with Pace Gallery, 2139 exhibition, the importance of having management and business skills, Do not follow trends, have your own vision, Building the career of an artist is a long term endeavour, Galleries should learn to grow with their artists, Artist poaching among galleries, Long term planning, Artists and galleries setting yearly goals and strategies, Know your market, and the need to do research, look at what else is being exhibited and collected in a market https://www.athrart.com   About Director of Athr Gallery, Jeddah, where she recently moved after residing in New York for eight years. Founded by Hamza Serafi and Mohammed Hafiz, Athr is one of the driving forces behind the Contemporary art scene in Saudi Arabia. She co-founded TandemWorks with curator and sister Mayssa Fattouh in Beirut in 2015, an award-winning non-profit arts initiative that encourages change on social, cultural and environmental issues with interventions in the public realm. She previously served as Director at Lombard Freid Gallery in New York. During her tenure there, she worked closely with international artists, introduced a number of artists such as Huguette Caland and Kemang Wa Lehulere, and spearheaded initiatives with the West Asian market. Before moving to New York in 2011, Fattouh was Education Manager at Canvas, Dubai, a publication dedicated to art and culture from West Asia, where she developed art classes for collectors across the Gulf, the first initiative of its kind in the region. Fattouh received her BA from the American University in Beirut in Political Studies and holds a Masters degree from Institut d'Etudes Politiques, Science Po Paris in Conflict Resolution and Development. Please be sure to visit our Patreon page and help support the podcast by being part of the conversation. The more money raised, the larger the global reach we can offer you: https://www.patreon.com/thewisefool For more information about the host, Matthew Dols http://www.matthewdols.com   Transcript available: https://wisefoolpod.com/transcript-for-episode-023-gallery-director-alia-fattouh-athr-gallery-jeddah-saudi-arabia/

While at the Berlin Art Fair, Alia Fattouh and I had a chance to talk about: The importance of art fairs in introducing artists to curators, museums and patrons, Saudi Arabian art, Pre-october 2018 Saudi art market, Saudi art council, YSA - Young Saudi artists, How galleries choose artists, Artist introducing other artists to galleries, Do not email or drop off portfolios with galleries, it does not work, References will get you represented, Artist selling work through social media rather than a gallery, Galleries build careers for artists, Instagram as a way to be discovered, Social media as a resource for artist sand galleries, Artist selling out of their studios, A strong interest of Saudi Artists in new medias, traditional techniques are less common, Social engagement through art, Addressing issues in a mature way, Highlighting without criticising, Language barrier, Vision 2030, Artist residencies, Partnership with Pace Gallery, 2139 exhibition, the importance of having management and business skills, Do not follow trends, have your own vision, Building the career of an artist is a long term endeavour, Galleries should learn to grow with their artists, Artist poaching among galleries, Long term planning, Artists and galleries setting yearly goals and strategies, Know your market, and the need to do research, look at what else is being exhibited and collected in a market https://www.athrart.com   About Director of Athr Gallery, Jeddah, where she recently moved after residing in New York for eight years. Founded by Hamza Serafi and Mohammed Hafiz, Athr is one of the driving forces behind the Contemporary art scene in Saudi Arabia. She co-founded TandemWorks with curator and sister Mayssa Fattouh in Beirut in 2015, an award-winning non-profit arts initiative that encourages change on social, cultural and environmental issues with interventions in the public realm. She previously served as Director at Lombard Freid Gallery in New York. During her tenure there, she worked closely with international artists, introduced a number of artists such as Huguette Caland and Kemang Wa Lehulere, and spearheaded initiatives with the West Asian market. Before moving to New York in 2011, Fattouh was Education Manager at Canvas, Dubai, a publication dedicated to art and culture from West Asia, where she developed art classes for collectors across the Gulf, the first initiative of its kind in the region. Fattouh received her BA from the American University in Beirut in Political Studies and holds a Masters degree from Institut d'Etudes Politiques, Science Po Paris in Conflict Resolution and Development. Please be sure to visit our Patreon page and help support the podcast by being part of the conversation. The more money raised, the larger the global reach we can offer you: https://www.patreon.com/thewisefool For more information about the host, Matthew Dols http://www.matthewdols.com   Transcript available: http://wisefoolpod.com/transcript-for-episode-023-gallery-director-alia-fattouh-athr-gallery-jeddah-saudi-arabia/

A conversation on the future of art galleries between Marc Glimcher (President and CEO, Pace Gallery) and Andrew Goldstein (Editor, artnet).

Arne Glimcher founded a small Boston gallery in 1960, and built his esthetic dream into the billion dollar Pace Gallery in New York, a destination for the most important collectors, curators and artists of our time. He tells Jim of his extraordinary career, which includes serious film making and amazing philanthropy.

"To me, the great hope is that now these little 8mm video recorders and stuff have come out, and some—just people who normally wouldn't make movies are going to be making them. And you know, suddenly, one day some little fat girl in Ohio is going to be the new Mozart, you know, and make a beautiful film with her little father's camera recorder. And for once, the so-called professionalism about movies will be destroyed, forever, you know. And it will really become an art form. That's my opinion." – Francis Ford Coppola (1991) Avengers Infinity War https://www.youtube.com/watch?v=6ZfuNTqbHE8 Movie Pass https://www.moviepass.com/ Zabriskie Point https://www.youtube.com/watch?v=rhZNXDOl_eM Sorcerer https://www.youtube.com/watch?v=UMof5PuQF7w The Wages of Fear https://en.wikipedia.org/wiki/The_Wages_of_Fear David Zwirner https://www.davidzwirner.com/ Gogosian https://www.gagosian.com/ Hauser and Wirth https://www.hauserwirth.com/ Pace Gallery https://www.pacegallery.com/ Society of the Spectacle https://en.wikipedia.org/wiki/The_Society_of_the_Spectacle Jason Blum https://en.wikipedia.org/wiki/Jason_Blum Get Out https://www.youtube.com/watch?v=DzfpyUB60YY Black Panther https://www.youtube.com/watch?v=xjDjIWPwcPU Jordan Peele https://en.wikipedia.org/wiki/Jordan_Peele Moonlight https://www.youtube.com/watch?v=9NJj12tJzqc Goddard 3d movie https://www.newyorker.com/culture/richard-brody/jean-luc-godards-3-d-movie Cave of Forgotten Dreams https://www.youtube.com/watch?v=kULwsoCEd3g Beyonce Coachella 2018 https://en.wikipedia.org/wiki/Beyonc%C3%A9_2018_Coachella_performance Creativity Inc https://www.goodreads.com/book/show/18077903-creativity-inc New York Underground Film Festival https://en.wikipedia.org/wiki/New_York_Underground_Film_Festival Westworld Season 2 https://www.youtube.com/watch?v=sjVqDg32_8s Jeff Koons http://www.jeffkoons.com/ Cadbury Gorilla Drummer https://vimeo.com/62839747 Revenge https://www.youtube.com/watch?v=sU3TRJiRobs Mad Max Fury Road https://www.youtube.com/watch?v=hEJnMQG9ev8 ** Advertisement ** https://www.instagram.com/energetic_k/ JR http://www.jr-art.net/videos/women-are-heroes-by-jr War is Over John Lennon/Yoko Ono https://www.youtube.com/watch?v=CbKsgaXQy2k John Cage 4’33” http://mentalfloss.com/article/59902/101-masterpieces-john-cages-433 Netflix Movie Theatres https://www.cnet.com/news/netflix-has-reportedly-considered-buying-movie-theaters/ Annihilation https://www.youtube.com/watch?v=89OP78l9oF0 The Florida Project https://www.youtube.com/watch?v=WwQ-NH1rRT4 Francis Ford Coppola on the Future of Cinema https://www.youtube.com/watch?v=Vrxywc1v6S0 Google Duplex Announcement https://www.youtube.com/watch?v=bd1mEm2Fy08

“Loie Hollowell (b. 1983, Woodland, California) earned a BFA from the University of California, Santa Barbara, and an MFA from Virginia Commonwealth University. Originating in autobiography, her paintings explore themes of sexuality, often through abstractions of the human body and an emphasis on female forms. With strong colors, varied texture, and the symmetry of sacred geometry, her works evoke bodily landscapes and allude to iconography such as the almond-shaped mandorlas found in medieval religious painting. Hollowell was the recipient of a 2011 Virginia Museum of Fine Arts Fellowship Award. She lives and works in New York.” - Pace Gallery

On this episode, curators Jessica Cerasi and Kyung An walk us through the ABCs of contemporary art. Each chapter of their new book, Who’s Afraid of Contemporary Art?, is devoted to a different question about this thorny (and often alienating) segment of the art world. When did contemporary art start—and when will it end? Why was the art world split over Jay-Z’s show at Pace Gallery? And why are exhibition press releases so hard to understand?

We discuss acquisitions, Raf names the 4 horsegallerists of the art apocalypse, and we both thoughtfully consider the merits of an App about nothing. Silvio Lorusso http://silviolorusso.com/ Rhizome animated GIF event https://timeframe.splashthat.com/ Amazon buys Whole Foods https://www.engadget.com/2017/06/16/amazon-whole-foods-future-of-grocery-shopping/ C-Town https://en.wikipedia.org/wiki/C-Town_Supermarkets Scott Galloway https://twitter.com/profgalloway Tech’s Four Horsemen of the Apocalypse: Amazon, Facebook, Google, Apple https://youtu.be/XCvwCcEP74Q Amazon Go https://www.amazon.com/b?node=16008589011 Boar’s Head Ham http://boarshead.com/products/ham Coffin Apartments https://www.thesun.co.uk/news/3743131/hong-kong-coffin-homes-pictures-size/ Palmer Luckey’s new drone startup https://www.theverge.com/2017/6/4/15738348/palmer-luckey-border-control-tech-startup Kalanick 2.0 https://www.recode.net/2017/6/13/15793732/uber-ceo-travis-kalanick-leave George Bush paintings http://www.newyorker.com/culture/cultural-comment/george-w-bushs-painted-atonements David Zwirner http://www.davidzwirner.com/ Pace Gallery http://www.pacegallery.com/ Gogosian http://www.gagosian.com/ Hauser and Wirth https://www.hauserwirth.com/ Steve Turner http://steveturner.la/ 8 out of 10 businesses fail myth https://tech.co/startup-failure-statistic-myth-2016-04 Acqui-hiring https://en.wikipedia.org/wiki/Acqui-hiring Vesting http://www.investopedia.com/terms/v/vesting.asp Amazon Fresh https://www.amazon.com/AmazonFresh/b?ie=UTF8&node=10329849011 Saatchi Art https://www.saatchiart.com/ Uber is the future of logistics https://www.inc.com/adam-vaccaro/uber-isnt-a-car-service.html Vipps https://www.vipps.no/ Apple Peer to Peer payments https://www.recode.net/2017/6/5/15741636/apple-pay-p2p-venmo-competitor-apple-pay-cash-money-transfer Authorize.net http://authorize.net/ Stripe https://stripe.com/ca Braintree https://www.braintreepayments.com/ Paypal https://www.paypal.com/ca/home Paypal Paypal.com We hire and fire products https://blog.leanstack.com/customers-need-to-fire-something-before-they-can-hire-your-product-56a883f4541b Rockerfeller Standard Oil Monopoly https://en.wikipedia.org/wiki/Standard_Oil Reid Hoffman, co-founder of LinkedIn https://en.wikipedia.org/wiki/Reid_Hoffman Reed Hastings, co-founder of Netflix https://en.wikipedia.org/wiki/Reed_Hastings And he doesn’t care abut net neutrality https://www.theverge.com/2017/5/31/15719824/netflix-ceo-reed-hastings-net-neutrality-not-our-battle Planet of the Apps https://www.planetoftheapps.com/en-us Stay Focused http://www.stayfocusd.com/ Shouldn’t You Be Working stickers http://silviolorusso.com/work/shouldnt-you-be-working/ Life’s a Beach http://skately.com/library/brands/lifes-a-beach Fiver ad https://www.youtube.com/watch?v=tJkfN1Qey8g Hi5 http://www.hi5.com/ Fluxus Manifesto http://georgemaciunas.com/about/cv/manifesto-i/ Marina Abramović & Jeff Koons front new online VR gallery http://www.dazeddigital.com/artsandculture/article/36302/1/marina-abramovic-jeff-koons-front-first-online-vr-gallery

Carl Ostendarp is an abstract painter based in upstate New York. He has had over 33 solo national and international museum and gallery exhibitions and more than 170 group exhibitions. Recent exhibitions include his just completed show at Elizabeth Dee Gallery in Harlem; Everything Falls Faster than an Anvil at Pace Gallery, London; and Pop Abstractions at Garth Greenan Gallery and Fredericks & Freiser, New York City. Carl has a long history of not only showing his work but curating excellent exhibitions. He  taught at NYU, Tyler, Rutgers, SVA, and The Cooper Union prior to his 14 years at the helm of the Graduate Studies Program at Cornell University. Ostendarp received his B.F.A. from Boston University and his M.F.A. from Yale University. Brian met up with Carl at Elizabeth Dee Gallery on the last day of his show to talk about his past days in NYC, his curated shows, the role of humor in painting and a bit of soul jazz.

James Siena is an artist who was born in California in 1957. He spent most of his formative years in Washington D.C. and got his BFA from Cornell University. His intricate, rule-based abstractions are made of intensely concentrated, vibrant, freehand geometric patterns. He works across a diverse range of media, including lithography, etching, woodcut, engraving, drawing, and painting. His work is in numerous public and private collections across the U.S., including Museum of Fine Arts, Boston; San Francisco Museum of Modern Art; and The Metropolitan Museum of Art, The Museum of Modern Art, and Whitney Museum of American Art in New York. He has lectured at numerous institutions throughoiut the US including the MFA Fine Arts department at the School of Visual Arts. He completed a residency at Yaddo where he is now on the board. Brian spoke with James at Pace Gallery.

Après une exposition à guichet fermé à Menlo Park en Californie, le collectif japonais teamLab débarque à Londres à la Pace galerie avec Transcending Boundaries. L'exposition explore le rôle de la technologie pour transcender les barrières physiques et conceptuelles entre les oeuvres d'art.    Au-delà d'une immersion dans un monde féerique, Transcending Boundaries repousse les limites de l'Art digital, entre experience, méditation et performance, où le spectateur devient acteur.    Plus d'info sur www.culturealt.com

Grapes: Wente Cabernet Franc Small Lots 2013 Grass: ChemScout In this episode, the G&G pals get their culture on, discussing 2016 Met Gala fashion, the Kardashians, how tuxes are a cop-out, Donald Trump and his stupid taco salad, kinetic sculptures at the Exploratorium, the Oscar de la Renta exhibit at the De Young, and Mister gets a plug in for Team Lab's "Living Digital Space and Future Parks" installation at the PACE Gallery in Menlo Park.