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3 episodes with tufted
2 episodes with tufted
2 episodes with tufted
2 episodes with tufted
2 episodes with tufted
Buy here: found.ee/spandau20-010 Spandau20, an imprint named after the Western Berlin district and focused on artists from the area, delivers techno in all diverse forms – from warehouse and electronic peak time beats to breaks and IDM, balancing the old and new school sounds flawlessly. With a focus on vinyl releases, for the collectors, Spandau20 has lately also focused on its label nights, with showcases at Fabric, Bassiani and many others. The label's 10th release features 10 tracks that epitomise the musical diversity of Spandau20 and the progressive musical mindset of its roster, calling on the label favourites and Spandau natives to deliver brand new and exciting music. This special release even features one track that all artists have worked on together: ‘Come Closer', a swarming, slithering beginning featured as the VA's opener. Its barely coherent female vocal echoing amidst a cacophony of demon-like effects. The chilling ambience captured at the offset transcends into the first full length track by Elli Acula, ‘Floating Eyes', a cur characterised by an authoritative, pounding bass featuring calculated percussive rolls and metallic overtones to make for a face-scrunching opener to this devilish collection of works. FJAAK follow for the first of twin cameo appearances, partnering up with fellow live supremo and hardware aficionado KiNK. On ‘Overbridge' the trio deliver a cavernous, rolling number driven by a deep thrumming bass in addition to a razor-edged lead synth, and pulsating technopattern. Dajusch is known for incorporating his years of classical study in with his immersive musical style – and with his VA effort the Berlin native neatly showcases this. Easing the energy slightly, ‘Move' escalates from its warm, melodic intro into rumbling goliath of a beat comprising a looping, slew of gassy harmonics. The momentum of the release shifts considerably with the introduction of acutely versatile producer, DJ and sound artist Claus. The artist from Spandau leans his track ‘Bloomscroll' towards sparse, dubby sonics in which he intricately ties together to form churning, burgeoning soundscape. FJAAK jolt proceedings back into the techno groove with their signature blend of arresting sub-bass and reverberating rhythms, which come thick, fast and heavy on ‘Jackfruit'. The abstract wonder of Anna Z's broken-beat like stylings is fully explored on ‘Icy Liq'. It's outlandish and amorphous in its execution, causing a clattering percussive chaos that's choicely pieced together by the modular-extraordinaire. Nikk stealthy moves into breaks territory with his track ‘Down In The Shadows', packing a trap-like snare with an acid-flecked melody and dawn-breaking, dream-like textures. The penultimate track on the VA is ‘Tufted'. J.Manuel expertly employs a chorus of robot-like sonics that course through a short-circuiting low-end to produce a pacy, inescapable journey via a whirling, merciless beat. He is joined by the legendary producer Tobi Neumann for their menacingly ambient number titled ‘Fennec.' In parts a nod to UK dubstep, the duo concocts a fierce admixture of styles bolstering tribal-like components with industrialised overtones and methodically crafted drum-fills.
Buy here: found.ee/spandau20-010 Spandau20, an imprint named after the Western Berlin district and focused on artists from the area, delivers techno in all diverse forms – from warehouse and electronic peak time beats to breaks and IDM, balancing the old and new school sounds flawlessly. With a focus on vinyl releases, for the collectors, Spandau20 has lately also focused on its label nights, with showcases at Fabric, Bassiani and many others. The label's 10th release features 10 tracks that epitomise the musical diversity of Spandau20 and the progressive musical mindset of its roster, calling on the label favourites and Spandau natives to deliver brand new and exciting music. This special release even features one track that all artists have worked on together: ‘Come Closer', a swarming, slithering beginning featured as the VA's opener. Its barely coherent female vocal echoing amidst a cacophony of demon-like effects. The chilling ambience captured at the offset transcends into the first full length track by Elli Acula, ‘Floating Eyes', a cur characterised by an authoritative, pounding bass featuring calculated percussive rolls and metallic overtones to make for a face-scrunching opener to this devilish collection of works. FJAAK follow for the first of twin cameo appearances, partnering up with fellow live supremo and hardware aficionado KiNK. On ‘Overbridge' the trio deliver a cavernous, rolling number driven by a deep thrumming bass in addition to a razor-edged lead synth, and pulsating technopattern. Dajusch is known for incorporating his years of classical study in with his immersive musical style – and with his VA effort the Berlin native neatly showcases this. Easing the energy slightly, ‘Move' escalates from its warm, melodic intro into rumbling goliath of a beat comprising a looping, slew of gassy harmonics. The momentum of the release shifts considerably with the introduction of acutely versatile producer, DJ and sound artist Claus. The artist from Spandau leans his track ‘Bloomscroll' towards sparse, dubby sonics in which he intricately ties together to form churning, burgeoning soundscape. FJAAK jolt proceedings back into the techno groove with their signature blend of arresting sub-bass and reverberating rhythms, which come thick, fast and heavy on ‘Jackfruit'. The abstract wonder of Anna Z's broken-beat like stylings is fully explored on ‘Icy Liq'. It's outlandish and amorphous in its execution, causing a clattering percussive chaos that's choicely pieced together by the modular-extraordinaire. Nikk stealthy moves into breaks territory with his track ‘Down In The Shadows', packing a trap-like snare with an acid-flecked melody and dawn-breaking, dream-like textures. The penultimate track on the VA is ‘Tufted'. J.Manuel expertly employs a chorus of robot-like sonics that course through a short-circuiting low-end to produce a pacy, inescapable journey via a whirling, merciless beat. He is joined by the legendary producer Tobi Neumann for their menacingly ambient number titled ‘Fennec.' In parts a nod to UK dubstep, the duo concocts a fierce admixture of styles bolstering tribal-like components with industrialised overtones and methodically crafted drum-fills.
Buy here: found.ee/spandau20-010 Spandau20, an imprint named after the Western Berlin district and focused on artists from the area, delivers techno in all diverse forms – from warehouse and electronic peak time beats to breaks and IDM, balancing the old and new school sounds flawlessly. With a focus on vinyl releases, for the collectors, Spandau20 has lately also focused on its label nights, with showcases at Fabric, Bassiani and many others. The label's 10th release features 10 tracks that epitomise the musical diversity of Spandau20 and the progressive musical mindset of its roster, calling on the label favourites and Spandau natives to deliver brand new and exciting music. This special release even features one track that all artists have worked on together: ‘Come Closer', a swarming, slithering beginning featured as the VA's opener. Its barely coherent female vocal echoing amidst a cacophony of demon-like effects. The chilling ambience captured at the offset transcends into the first full length track by Elli Acula, ‘Floating Eyes', a cur characterised by an authoritative, pounding bass featuring calculated percussive rolls and metallic overtones to make for a face-scrunching opener to this devilish collection of works. FJAAK follow for the first of twin cameo appearances, partnering up with fellow live supremo and hardware aficionado KiNK. On ‘Overbridge' the trio deliver a cavernous, rolling number driven by a deep thrumming bass in addition to a razor-edged lead synth, and pulsating technopattern. Dajusch is known for incorporating his years of classical study in with his immersive musical style – and with his VA effort the Berlin native neatly showcases this. Easing the energy slightly, ‘Move' escalates from its warm, melodic intro into rumbling goliath of a beat comprising a looping, slew of gassy harmonics. The momentum of the release shifts considerably with the introduction of acutely versatile producer, DJ and sound artist Claus. The artist from Spandau leans his track ‘Bloomscroll' towards sparse, dubby sonics in which he intricately ties together to form churning, burgeoning soundscape. FJAAK jolt proceedings back into the techno groove with their signature blend of arresting sub-bass and reverberating rhythms, which come thick, fast and heavy on ‘Jackfruit'. The abstract wonder of Anna Z's broken-beat like stylings is fully explored on ‘Icy Liq'. It's outlandish and amorphous in its execution, causing a clattering percussive chaos that's choicely pieced together by the modular-extraordinaire. Nikk stealthy moves into breaks territory with his track ‘Down In The Shadows', packing a trap-like snare with an acid-flecked melody and dawn-breaking, dream-like textures. The penultimate track on the VA is ‘Tufted'. J.Manuel expertly employs a chorus of robot-like sonics that course through a short-circuiting low-end to produce a pacy, inescapable journey via a whirling, merciless beat. He is joined by the legendary producer Tobi Neumann for their menacingly ambient number titled ‘Fennec.' In parts a nod to UK dubstep, the duo concocts a fierce admixture of styles bolstering tribal-like components with industrialised overtones and methodically crafted drum-fills.
Buy here: found.ee/spandau20-010 Spandau20, an imprint named after the Western Berlin district and focused on artists from the area, delivers techno in all diverse forms – from warehouse and electronic peak time beats to breaks and IDM, balancing the old and new school sounds flawlessly. With a focus on vinyl releases, for the collectors, Spandau20 has lately also focused on its label nights, with showcases at Fabric, Bassiani and many others. The label's 10th release features 10 tracks that epitomise the musical diversity of Spandau20 and the progressive musical mindset of its roster, calling on the label favourites and Spandau natives to deliver brand new and exciting music. This special release even features one track that all artists have worked on together: ‘Come Closer', a swarming, slithering beginning featured as the VA's opener. Its barely coherent female vocal echoing amidst a cacophony of demon-like effects. The chilling ambience captured at the offset transcends into the first full length track by Elli Acula, ‘Floating Eyes', a cur characterised by an authoritative, pounding bass featuring calculated percussive rolls and metallic overtones to make for a face-scrunching opener to this devilish collection of works. FJAAK follow for the first of twin cameo appearances, partnering up with fellow live supremo and hardware aficionado KiNK. On ‘Overbridge' the trio deliver a cavernous, rolling number driven by a deep thrumming bass in addition to a razor-edged lead synth, and pulsating technopattern. Dajusch is known for incorporating his years of classical study in with his immersive musical style – and with his VA effort the Berlin native neatly showcases this. Easing the energy slightly, ‘Move' escalates from its warm, melodic intro into rumbling goliath of a beat comprising a looping, slew of gassy harmonics. The momentum of the release shifts considerably with the introduction of acutely versatile producer, DJ and sound artist Claus. The artist from Spandau leans his track ‘Bloomscroll' towards sparse, dubby sonics in which he intricately ties together to form churning, burgeoning soundscape. FJAAK jolt proceedings back into the techno groove with their signature blend of arresting sub-bass and reverberating rhythms, which come thick, fast and heavy on ‘Jackfruit'. The abstract wonder of Anna Z's broken-beat like stylings is fully explored on ‘Icy Liq'. It's outlandish and amorphous in its execution, causing a clattering percussive chaos that's choicely pieced together by the modular-extraordinaire. Nikk stealthy moves into breaks territory with his track ‘Down In The Shadows', packing a trap-like snare with an acid-flecked melody and dawn-breaking, dream-like textures. The penultimate track on the VA is ‘Tufted'. J.Manuel expertly employs a chorus of robot-like sonics that course through a short-circuiting low-end to produce a pacy, inescapable journey via a whirling, merciless beat. He is joined by the legendary producer Tobi Neumann for their menacingly ambient number titled ‘Fennec.' In parts a nod to UK dubstep, the duo concocts a fierce admixture of styles bolstering tribal-like components with industrialised overtones and methodically crafted drum-fills.
Buy here: found.ee/spandau20-010 Spandau20, an imprint named after the Western Berlin district and focused on artists from the area, delivers techno in all diverse forms – from warehouse and electronic peak time beats to breaks and IDM, balancing the old and new school sounds flawlessly. With a focus on vinyl releases, for the collectors, Spandau20 has lately also focused on its label nights, with showcases at Fabric, Bassiani and many others. The label's 10th release features 10 tracks that epitomise the musical diversity of Spandau20 and the progressive musical mindset of its roster, calling on the label favourites and Spandau natives to deliver brand new and exciting music. This special release even features one track that all artists have worked on together: ‘Come Closer', a swarming, slithering beginning featured as the VA's opener. Its barely coherent female vocal echoing amidst a cacophony of demon-like effects. The chilling ambience captured at the offset transcends into the first full length track by Elli Acula, ‘Floating Eyes', a cur characterised by an authoritative, pounding bass featuring calculated percussive rolls and metallic overtones to make for a face-scrunching opener to this devilish collection of works. FJAAK follow for the first of twin cameo appearances, partnering up with fellow live supremo and hardware aficionado KiNK. On ‘Overbridge' the trio deliver a cavernous, rolling number driven by a deep thrumming bass in addition to a razor-edged lead synth, and pulsating technopattern. Dajusch is known for incorporating his years of classical study in with his immersive musical style – and with his VA effort the Berlin native neatly showcases this. Easing the energy slightly, ‘Move' escalates from its warm, melodic intro into rumbling goliath of a beat comprising a looping, slew of gassy harmonics. The momentum of the release shifts considerably with the introduction of acutely versatile producer, DJ and sound artist Claus. The artist from Spandau leans his track ‘Bloomscroll' towards sparse, dubby sonics in which he intricately ties together to form churning, burgeoning soundscape. FJAAK jolt proceedings back into the techno groove with their signature blend of arresting sub-bass and reverberating rhythms, which come thick, fast and heavy on ‘Jackfruit'. The abstract wonder of Anna Z's broken-beat like stylings is fully explored on ‘Icy Liq'. It's outlandish and amorphous in its execution, causing a clattering percussive chaos that's choicely pieced together by the modular-extraordinaire. Nikk stealthy moves into breaks territory with his track ‘Down In The Shadows', packing a trap-like snare with an acid-flecked melody and dawn-breaking, dream-like textures. The penultimate track on the VA is ‘Tufted'. J.Manuel expertly employs a chorus of robot-like sonics that course through a short-circuiting low-end to produce a pacy, inescapable journey via a whirling, merciless beat. He is joined by the legendary producer Tobi Neumann for their menacingly ambient number titled ‘Fennec.' In parts a nod to UK dubstep, the duo concocts a fierce admixture of styles bolstering tribal-like components with industrialised overtones and methodically crafted drum-fills.
Buy here: found.ee/spandau20-010 Spandau20, an imprint named after the Western Berlin district and focused on artists from the area, delivers techno in all diverse forms – from warehouse and electronic peak time beats to breaks and IDM, balancing the old and new school sounds flawlessly. With a focus on vinyl releases, for the collectors, Spandau20 has lately also focused on its label nights, with showcases at Fabric, Bassiani and many others. The label's 10th release features 10 tracks that epitomise the musical diversity of Spandau20 and the progressive musical mindset of its roster, calling on the label favourites and Spandau natives to deliver brand new and exciting music. This special release even features one track that all artists have worked on together: ‘Come Closer', a swarming, slithering beginning featured as the VA's opener. Its barely coherent female vocal echoing amidst a cacophony of demon-like effects. The chilling ambience captured at the offset transcends into the first full length track by Elli Acula, ‘Floating Eyes', a cur characterised by an authoritative, pounding bass featuring calculated percussive rolls and metallic overtones to make for a face-scrunching opener to this devilish collection of works. FJAAK follow for the first of twin cameo appearances, partnering up with fellow live supremo and hardware aficionado KiNK. On ‘Overbridge' the trio deliver a cavernous, rolling number driven by a deep thrumming bass in addition to a razor-edged lead synth, and pulsating technopattern. Dajusch is known for incorporating his years of classical study in with his immersive musical style – and with his VA effort the Berlin native neatly showcases this. Easing the energy slightly, ‘Move' escalates from its warm, melodic intro into rumbling goliath of a beat comprising a looping, slew of gassy harmonics. The momentum of the release shifts considerably with the introduction of acutely versatile producer, DJ and sound artist Claus. The artist from Spandau leans his track ‘Bloomscroll' towards sparse, dubby sonics in which he intricately ties together to form churning, burgeoning soundscape. FJAAK jolt proceedings back into the techno groove with their signature blend of arresting sub-bass and reverberating rhythms, which come thick, fast and heavy on ‘Jackfruit'. The abstract wonder of Anna Z's broken-beat like stylings is fully explored on ‘Icy Liq'. It's outlandish and amorphous in its execution, causing a clattering percussive chaos that's choicely pieced together by the modular-extraordinaire. Nikk stealthy moves into breaks territory with his track ‘Down In The Shadows', packing a trap-like snare with an acid-flecked melody and dawn-breaking, dream-like textures. The penultimate track on the VA is ‘Tufted'. J.Manuel expertly employs a chorus of robot-like sonics that course through a short-circuiting low-end to produce a pacy, inescapable journey via a whirling, merciless beat. He is joined by the legendary producer Tobi Neumann for their menacingly ambient number titled ‘Fennec.' In parts a nod to UK dubstep, the duo concocts a fierce admixture of styles bolstering tribal-like components with industrialised overtones and methodically crafted drum-fills.
Buy here: found.ee/spandau20-010 Spandau20, an imprint named after the Western Berlin district and focused on artists from the area, delivers techno in all diverse forms – from warehouse and electronic peak time beats to breaks and IDM, balancing the old and new school sounds flawlessly. With a focus on vinyl releases, for the collectors, Spandau20 has lately also focused on its label nights, with showcases at Fabric, Bassiani and many others. The label's 10th release features 10 tracks that epitomise the musical diversity of Spandau20 and the progressive musical mindset of its roster, calling on the label favourites and Spandau natives to deliver brand new and exciting music. This special release even features one track that all artists have worked on together: ‘Come Closer', a swarming, slithering beginning featured as the VA's opener. Its barely coherent female vocal echoing amidst a cacophony of demon-like effects. The chilling ambience captured at the offset transcends into the first full length track by Elli Acula, ‘Floating Eyes', a cur characterised by an authoritative, pounding bass featuring calculated percussive rolls and metallic overtones to make for a face-scrunching opener to this devilish collection of works. FJAAK follow for the first of twin cameo appearances, partnering up with fellow live supremo and hardware aficionado KiNK. On ‘Overbridge' the trio deliver a cavernous, rolling number driven by a deep thrumming bass in addition to a razor-edged lead synth, and pulsating technopattern. Dajusch is known for incorporating his years of classical study in with his immersive musical style – and with his VA effort the Berlin native neatly showcases this. Easing the energy slightly, ‘Move' escalates from its warm, melodic intro into rumbling goliath of a beat comprising a looping, slew of gassy harmonics. The momentum of the release shifts considerably with the introduction of acutely versatile producer, DJ and sound artist Claus. The artist from Spandau leans his track ‘Bloomscroll' towards sparse, dubby sonics in which he intricately ties together to form churning, burgeoning soundscape. FJAAK jolt proceedings back into the techno groove with their signature blend of arresting sub-bass and reverberating rhythms, which come thick, fast and heavy on ‘Jackfruit'. The abstract wonder of Anna Z's broken-beat like stylings is fully explored on ‘Icy Liq'. It's outlandish and amorphous in its execution, causing a clattering percussive chaos that's choicely pieced together by the modular-extraordinaire. Nikk stealthy moves into breaks territory with his track ‘Down In The Shadows', packing a trap-like snare with an acid-flecked melody and dawn-breaking, dream-like textures. The penultimate track on the VA is ‘Tufted'. J.Manuel expertly employs a chorus of robot-like sonics that course through a short-circuiting low-end to produce a pacy, inescapable journey via a whirling, merciless beat. He is joined by the legendary producer Tobi Neumann for their menacingly ambient number titled ‘Fennec.' In parts a nod to UK dubstep, the duo concocts a fierce admixture of styles bolstering tribal-like components with industrialised overtones and methodically crafted drum-fills.
Buy here: found.ee/spandau20-010 Spandau20, an imprint named after the Western Berlin district and focused on artists from the area, delivers techno in all diverse forms – from warehouse and electronic peak time beats to breaks and IDM, balancing the old and new school sounds flawlessly. With a focus on vinyl releases, for the collectors, Spandau20 has lately also focused on its label nights, with showcases at Fabric, Bassiani and many others. The label's 10th release features 10 tracks that epitomise the musical diversity of Spandau20 and the progressive musical mindset of its roster, calling on the label favourites and Spandau natives to deliver brand new and exciting music. This special release even features one track that all artists have worked on together: ‘Come Closer', a swarming, slithering beginning featured as the VA's opener. Its barely coherent female vocal echoing amidst a cacophony of demon-like effects. The chilling ambience captured at the offset transcends into the first full length track by Elli Acula, ‘Floating Eyes', a cur characterised by an authoritative, pounding bass featuring calculated percussive rolls and metallic overtones to make for a face-scrunching opener to this devilish collection of works. FJAAK follow for the first of twin cameo appearances, partnering up with fellow live supremo and hardware aficionado KiNK. On ‘Overbridge' the trio deliver a cavernous, rolling number driven by a deep thrumming bass in addition to a razor-edged lead synth, and pulsating technopattern. Dajusch is known for incorporating his years of classical study in with his immersive musical style – and with his VA effort the Berlin native neatly showcases this. Easing the energy slightly, ‘Move' escalates from its warm, melodic intro into rumbling goliath of a beat comprising a looping, slew of gassy harmonics. The momentum of the release shifts considerably with the introduction of acutely versatile producer, DJ and sound artist Claus. The artist from Spandau leans his track ‘Bloomscroll' towards sparse, dubby sonics in which he intricately ties together to form churning, burgeoning soundscape. FJAAK jolt proceedings back into the techno groove with their signature blend of arresting sub-bass and reverberating rhythms, which come thick, fast and heavy on ‘Jackfruit'. The abstract wonder of Anna Z's broken-beat like stylings is fully explored on ‘Icy Liq'. It's outlandish and amorphous in its execution, causing a clattering percussive chaos that's choicely pieced together by the modular-extraordinaire. Nikk stealthy moves into breaks territory with his track ‘Down In The Shadows', packing a trap-like snare with an acid-flecked melody and dawn-breaking, dream-like textures. The penultimate track on the VA is ‘Tufted'. J.Manuel expertly employs a chorus of robot-like sonics that course through a short-circuiting low-end to produce a pacy, inescapable journey via a whirling, merciless beat. He is joined by the legendary producer Tobi Neumann for their menacingly ambient number titled ‘Fennec.' In parts a nod to UK dubstep, the duo concocts a fierce admixture of styles bolstering tribal-like components with industrialised overtones and methodically crafted drum-fills.
Buy here: found.ee/spandau20-010 Spandau20, an imprint named after the Western Berlin district and focused on artists from the area, delivers techno in all diverse forms – from warehouse and electronic peak time beats to breaks and IDM, balancing the old and new school sounds flawlessly. With a focus on vinyl releases, for the collectors, Spandau20 has lately also focused on its label nights, with showcases at Fabric, Bassiani and many others. The label's 10th release features 10 tracks that epitomise the musical diversity of Spandau20 and the progressive musical mindset of its roster, calling on the label favourites and Spandau natives to deliver brand new and exciting music. This special release even features one track that all artists have worked on together: ‘Come Closer', a swarming, slithering beginning featured as the VA's opener. Its barely coherent female vocal echoing amidst a cacophony of demon-like effects. The chilling ambience captured at the offset transcends into the first full length track by Elli Acula, ‘Floating Eyes', a cur characterised by an authoritative, pounding bass featuring calculated percussive rolls and metallic overtones to make for a face-scrunching opener to this devilish collection of works. FJAAK follow for the first of twin cameo appearances, partnering up with fellow live supremo and hardware aficionado KiNK. On ‘Overbridge' the trio deliver a cavernous, rolling number driven by a deep thrumming bass in addition to a razor-edged lead synth, and pulsating technopattern. Dajusch is known for incorporating his years of classical study in with his immersive musical style – and with his VA effort the Berlin native neatly showcases this. Easing the energy slightly, ‘Move' escalates from its warm, melodic intro into rumbling goliath of a beat comprising a looping, slew of gassy harmonics. The momentum of the release shifts considerably with the introduction of acutely versatile producer, DJ and sound artist Claus. The artist from Spandau leans his track ‘Bloomscroll' towards sparse, dubby sonics in which he intricately ties together to form churning, burgeoning soundscape. FJAAK jolt proceedings back into the techno groove with their signature blend of arresting sub-bass and reverberating rhythms, which come thick, fast and heavy on ‘Jackfruit'. The abstract wonder of Anna Z's broken-beat like stylings is fully explored on ‘Icy Liq'. It's outlandish and amorphous in its execution, causing a clattering percussive chaos that's choicely pieced together by the modular-extraordinaire. Nikk stealthy moves into breaks territory with his track ‘Down In The Shadows', packing a trap-like snare with an acid-flecked melody and dawn-breaking, dream-like textures. The penultimate track on the VA is ‘Tufted'. J.Manuel expertly employs a chorus of robot-like sonics that course through a short-circuiting low-end to produce a pacy, inescapable journey via a whirling, merciless beat. He is joined by the legendary producer Tobi Neumann for their menacingly ambient number titled ‘Fennec.' In parts a nod to UK dubstep, the duo concocts a fierce admixture of styles bolstering tribal-like components with industrialised overtones and methodically crafted drum-fills.
It's 2023 and I've returned to Allegheny National Forest. For the next few episodes we'll be exploring the Buzzard Swamp, starting with the aptly named Songbird Sojourn trail. Credits Songbirding: The Allegheny National Forest is a Songbirding Studios production. Recorded, engineered, narrated and created by Rob Porter. The Songbirding cover art (Blackburnian Warbler) is by Lauren Helton: https://tinylongwing.carbonmade.com/projects/5344062 Creative Commons music is from Josh Woodward. Learn how to support the show at https://songbirding.com/support Support Songbirding: A Birding-by-ear Podcast by contributing to their tip jar: https://tips.pinecast.com/jar/songbirding This podcast is powered by Pinecast. Try Pinecast for free, forever, no credit card required. If you decide to upgrade, use coupon code r-da20d0 for 40% off for 4 months, and support Songbirding: A Birding-by-ear Podcast.
In this episode of "The Truth In This Art," host Rob Lee talks with Los Angeles-based textile artist Liv Aanrud, known for her vibrant tufted rug art pieces. Liv delves into her artistic journey, highlighting the profound influence of her grandmother and the themes of joy and pain that characterize her work. The discussion explores the interplay between memory, labor, and creativity, emphasizing the meditative aspects of her artistic process. Liv also reflects on the impact of technology on art, advocating for authenticity and personal connection in a fast-paced, commodified world.Episode Highlight:Guest Introduction (00:01:00) Rob introduces Liv Aanrud, a textile artist known for her vibrant tufted rug art exploring female experiences.Finding Connection Through Art (00:02:28) Liv discusses discovering her grandmother's textile piece, connecting her past with her current artistic identity.Labor and Identity (00:06:15) Liv talks about the significance of labor in her upbringing and how it shapes her identity and artistic practice.Starting Textile Art (00:08:38) Liv explains her transition to textile art after grad school and how it became a meditative and therapeutic practice.Childhood Memories and Upbringing (00:12:26) Liv reflects on her childhood in Wisconsin, discussing how her upbringing influences her art and creativity.The Artistic Calling (00:15:37) Discussion on the moment Liv realized art was a vocation, not just a hobby.Philosophy of Being an Artist (00:20:39) This part of the conversation explores the mindset that being an artist is a lifestyle, not a job.Creative Process Overview (00:24:40) Liv describes her improvisational approach to creating tufted rug art pieces.Intricate Imagery in Art (00:30:57) Discussion on the complexity and hidden elements in Liv's artwork.Key Takeaways:1. Embrace Your Influences - Draw inspiration from your personal history and familial connections to create meaningful art.2. Trust the Process - Allow your feelings and thoughts to guide your creative process, and find solace in the labor involved in your craft.3. Stay Authentic - Focus on personal expression and connection, rather than conforming to trends or pursuing commercial success.4. Balance and Mindfulness - Establish routines that help you maintain balance and mindfulness in your creative practice.Website and Socials:www.livaanrud.comInstagram: livaanrud
This small species lives throughout southern China, from high eastern Tibetan mountains to low coastal mountains, preferring forests and shrubby habitats. And its most interesting feature is its tusks.
This week Shannon makes her case for why Tufted Puffins are the best. Amanda points out that the tufts look like the hair on the back of Donald Trump's head, which doesn't go over well with Shannon :). It's a blast and a ton of fun discussing the Tufted Puffin. Marky Mutchler joins us again on this one, Marky is a PHD student at the University of Chicago. We also answer a question about birds in Trinidad and Tobago from one of our listeners. Enjoy!Please follow our instagram @birds_of_a_feather_podcast Please send us your questions for us to answer as well! You can send them to podcast.birdsofafeather@gmail.com
Drew Lynch talks about the scandalous Super Bowl, praising the stellar performances of the talented actors/athletes. The etiquette in rock climbers gym and an odd encounter with a stranger at his dad's party. LINKS: Tickets - https://drewlynch.com/ https://www.tiktok.com/@thedrewlynch https://instagram.com/thedrewlynch/ https://facebook.com/TheDrewLynch/ https://twitter.com/thedrewlynch/ #drewlynch #didIstutter #comedypodcast #superbowl
In this episode of NeedleXChange we interview Liv Aanrud.Liv Aanrud is a Los-Angeles based artist whose vibrant tufted rug art pieces are a new form of folk art. These large scale pieces simultaneously explore two realms of the female experience - joy and pain - and are packed with instinctual colour choices that make them visually arresting.Among other things, we talk about the perceived novelty of tufted rugs as an art form and how Liv's rural upbringing influenced her aesthetic.Be sure to visit our YouTube channel where you can see Liv's work in detail and if you liked the show, please share it with your fellow creatives. Enjoy the show!Timestamps: 00:00 - Intro00:01:07 - The varied career of Liv Aanrud00:06:28 - Liv's education and background00:12:00 - Considering the folk art tradition00:16:00 - The impulsiveness of the creation process00:19:30 - Working with a tufting gun00:27:00 - Colour palette decision making00:32:00 - The storytelling process00:35:00 - The perception of tufted rug art00:41:00 - The size and weight of it all00:50:00 - The tufting community00:56:00 - Other artists that inspire Liv1:02:00 - Favourite album1:07:00 - Favourite film1:11:00 - Most interesting thing about Liv that no one knowsLinks:Website: https://www.livaanrud.com/Instagram: https://www.instagram.com/livaanrud/About NeedleXChange:NeedleXChange is a conversation podcast with embroidery and textile artists, exploring their process and practice.Hosted by Jamie "Mr X Stitch" Chalmers, it is an in-depth showcase of the best needlework artists on the planet.Sign up for the NeedleXChange Newsletter here: https://bit.ly/NeedleXChangeIf you want embroidery inspiration and regular doses of textile art, visit the Mr X Stitch site here: https://www.mrxstitch.comIf you're looking for modern cross stitch designs, then XStitch is the magazine you need!Subscribe to XStitch Magazine here: https://xstitchmag.com/subscribeAnd follow Mr X Stitch on all the usual social media channels!Facebook: https://www.facebook.com/MrXStitchTwitter: https://www.twitter.com/MrXStitchInstagram: https://www.instagram.com/MrXStitchPinterest: https://www.pinterest.com/mrxstitch/LinkedIn: https://www.linkedin.com/in/mrjamiechalmers Hosted on Acast. See acast.com/privacy for more information.
Courtney talks to Wisconsin birder Molly Jasinski about how the grace of backyard birds when you're stuck indoors, the beauty of cardinals, the delight of birding photos, and why tufted titmice seem straight out of the mind of Disney. Links from Molly's show Birds & Blooms Magazine Tufted Titmouse Info and Pictures Free Birding & Ecology Resources Merlin Bird ID E-Bird iNaturalist Seek Follow Molly: Twitter Instagram The Thing with Feathers is birds, birding, and hope with an obsessive newbie birder and a wide range of experts and special guests. New episodes every Monday! Follow Courtney: Twitter Facebook Website Many thanks to Emily Dickinson, for having such a lovely poem in the public domain. Our music is by Del Belcher. The Thing with Feathers is hosted and produced by Courtney Ellis. --- Send in a voice message: https://podcasters.spotify.com/pod/show/courtney-ellis02/message
Search for Tufted Jat at Barranca Rancho Liebre in the Sierra Madre. Theme: La Boqueria (Sting version) by Loius Nichols. Courtesy of Epidemic Sound https://www.epidemicsound.com/track/uWeGdACji6/
Tufted evening primrose is one of the loveliest native plants found in dry climates across western and central North America. Its botanical name translates to “wine seeker, densely clumped,” which is apt for a low-growing, mounded plant with very fragrant, citrus-scented flowers.
Alen is not only an avid birder in Israel, she is also an advocate for birds and birders!More on Alen's research!Find out more about Tufted Coquette!Connect with me on Twitter, email, or website. Tufted CoquetteIngredients1 shot Midori1 shot orange juiceSparking Wine/champagneOrange sliceDirections1. Pour in Midori, orange juice and stir slightly2. Top with sparkling wine or champagne3. Garnish with orange slice
Early in April, I had just spied a fox squirrel eating pine seeds from a ground cache when I felt a shadow gliding overhead on silent wings. I looked up yet saw nothing. When I looked back, there was an indistinct gray form, an apparition, in the shadows where the squirrel had been. The apparition turned its head toward me and peered with two large golden eyes. Tufted horns now held erect confirmed it was a Great Horned Owl.
Learn more about the tufted deer with today's A Moment of Science!
Indigo Bunting, Pine Warbler, Tufted titmouse are just a few names that will make you smile as Michael talks to Devon about her Bird Obsession. Dive into what is a songbird and how you can easily become a birder. They dig deep into the passionate products for a bird nerd and how birds communicate in dialects not only by species but regionally. Follow us @yournerdyo on Insta, TikTok, or Twitter! Producers: @achenbam, @rachyschulz, @sephelicious Graphic: @themagicianstable Theme/Music: @dmilree
Holly is a guide, author, and educator - check out Ornitherapy.Find out more about the Tufted Titmouse!Connect with me on Twitter, email, or website. Tufted TitmouseIngredients2 oz gin4 oz rose lemonade tonic (like this one!)1 oz hpnotiq 1 lemon wheelIceDirections1. Fill glass with ice2. Add gin3. Top with tonic, slightly stir4. Carefully pour hpnotiq5. Garnish with lemon wheel
This episode has been engineered to be played for your cats. Leave this episode on for your cats when you leave the house.
In today's episode, Paul and Noah discuss the Tufted Titmouse. Show edited and engineered by Paul O'Mara. Ambient bird sounds by Noah Kalina. Additional bird sounds sourced from Macaulay Library. Show and episode art sourced from the Library of Congress. Follow us on Twitter @thebestbirdpod Support the show and view extra content on Patreon.
Mark Smith is the drummer for Dutch Babies and Tufted Puffins. He is also a trouble maker. I’ve known Mark for over 30 years and without his technical expertise The Post Script would not exist! This is another long, LONG delayed episode that I was more than happy to complete and I had a great […]
The Great Spirit of the Tufted Titmouse sings its guidance in this episode of the Gaia Translate Podcast. Be sure to follow or subscribe to the Gaia Translate podcast so you don't miss an episode of these powerful and timely conversations with the spirits and sentient beings of the natural world. Want to connect with me further? Great! Follow me on Instagram @gaiatranslate and reach out with your questions or comments. Want access to the transcript and show notes for future episodes? Visit our website at www.gaiatranslate.com Know someone who should be listening? Please share this episode or podcast with them! A note to my listeners about where these channeled sessions with the spirits of nature take place. Unlike a typical podcast, I am not channeling in a space that has been set up for recording audio - Rather I am channeling in my meditation loft or outside in a natural setting. To put it another way, these channeled sessions are recorded ‘on location' and for this reason the sound quality may not be at the level of one who sits in a studio-like environment and carries on what my guides refer to as a human-to-human discourse.
A Tufted Titmouse has just about everything you could ask for in a backyard bird. Petite and strikingly elegant, it’s as perky as a chickadee. In fact, it’s a cousin to the chickadee. And as it comes boldly to your seed or suet feeders, the Tufted Titmouse will even hang upside down like an acrobat
Tammah is a native San Diego-based birder who is out there inspiring others.Follow Tammah here.Find out more about Tufted Puffins.Connect with me on Twitter, email, or website.Tufted PuffinIngredients1.5 ounce vodka1.5 oz blue curacao¼ cup pineapple juice1 tb grenadineFill with sparkling waterDirections1. Mix the liquors2. Pour in water, pineapple juice, grenadine, and simple syrup3. Give it a quick stir
The Fat One closes out the week with a recounting of a very busy day (for a retired person), a correction to something said on the LITTLE show (no surprise there) and some news that deserves a big exhale (not from his butthole). Happy Weekend!
Learn about how saying no to kids makes them more resourceful and why humans aren’t the only animals capable of deception. We’ll also answer a listener question about whether rocket stages ever hit ships in the ocean, with a little help from Cody Chambers at NASA's Kennedy Space Center. Saying no to kids makes them more resourceful by Anna Todd To Raise Better Kids, Say No (Published 2017). (2017, May 17). The New York Times. https://www.nytimes.com/2017/05/17/well/family/to-raise-better-kids-say-no.html German, T. P., & Defeyter, M. A. (2000). Immunity to functional fixedness in young children. Psychonomic Bulletin & Review, 7(4), 707–712. https://doi.org/10.3758/bf03213010 Mehta, R., & Zhu, M. (2015). Creating When You Have Less: The Impact of Resource Scarcity on Product Use Creativity. Journal of Consumer Research, 42(5), 767–782. https://doi.org/10.1093/jcr/ucv051 Humans aren't the only animals capable of deception by Cameron Duke Culum Brown, Garwood, M., & Williamson, J. E. (2012, July 4). It pays to cheat: Tactical deception in a cephalopod social signalling system. ResearchGate; Royal Society, The. https://www.researchgate.net/publication/228324988_It_pays_to_cheat_Tactical_deception_in_a_cephalopod_social_signalling_system Flower, T. (2010). Fork-tailed drongos use deceptive mimicked alarm calls to steal food. Proceedings of the Royal Society B: Biological Sciences, 278(1711), 1548–1555. https://doi.org/10.1098/rspb.2010.1932 Hanlon, R. T., Naud, M.-J., Shaw, P. W., & Havenhand, J. N. (2005). Transient sexual mimicry leads to fertilization. Nature, 433(7023), 212–212. https://doi.org/10.1038/433212a King, B. J. (2019). Deception in the Animal Kingdom. Scientific American. https://doi.org/10.1038/scientificamerican0919-50 Langley, L. (2017, May 20). Here are the Best Liars in the Animal Kingdom. National Geographic News. https://www.nationalgeographic.com/news/2017/05/animals-lying-liars-birds-squid/ Monkeys crying wolf? Tufted capuchin monkeys use anti-predator calls to usurp resources from conspecifics | Proceedings of the Royal Society B: Biological Sciences. (2012). Proceedings of the Royal Society B: Biological Sciences. https://royalsocietypublishing.org/doi/10.1098/rspb.2009.0544 “NOVA | Kings of Camouflage | Mating Trickery | PBS.” Pbs.Org, 2020, www.pbs.org/wgbh/nova/camo/mati-nf.html Squirrels “fake it” to fool would-be thieves. (2020). New Scientist. https://www.newscientist.com/article/mg19726395-400-squirrels-fake-it-to-fool-would-be-thieves/ Steele, M. A., Halkin, S. L., Smallwood, P. D., McKenna, T. J., Mitsopoulos, K., & Beam, M. (2008). Cache protection strategies of a scatter-hoarding rodent: do tree squirrels engage in behavioural deception? Animal Behaviour, 75(2), 705–714. https://doi.org/10.1016/j.anbehav.2007.07.026 Stevens, M. (2016, March 14). Nature’s cheats: how animals and plants trick and deceive. The Conversation. https://theconversation.com/natures-cheats-how-animals-and-plants-trick-and-deceive-55323 Do rocket stages ever hit ships? Listener question from Steve in Tennessee, answer by Cody Chambers, Flight Safety Lead at NASA's Kennedy Space Center Watch the recorded broadcast of the Commercial Crew SpaceX Falcon 9 Crew-1 launch: https://www.youtube.com/watch?v=E_FIaPBOJgc NASA Range Flight Safety Program: https://kscsma.ksc.nasa.gov/RangeSafety News article about 2019 rocket launch mishap in China: https://www.cnbc.com/2019/11/26/chinese-rocket-crushes-houses-after-government-warning-to-residents.html Subscribe to Curiosity Daily to learn something new every day with Ashley Hamer and Natalia Reagan (filling in for Cody Gough). You can also listen to our podcast as part of your Alexa Flash Briefing; Amazon smart speakers users, click/tap “enable” here: https://www.amazon.com/Curiosity-com-Curiosity-Daily-from/dp/B07CP17DJY See omnystudio.com/listener for privacy information.
“‘Twas the day after Halloween, and hungover in the kitchen Are three idiots watching birds, laughin and bitchin’” In this episode of Dirty Bird Podcast, join Evan, John and Tim as they have some hair of the dog and comment on birds that visit the feeder in Charlotte, North Carolina. If you’re looking for some laughs, sing-alongs, and the occasional bird fact then this episode is for you! Note: This episode contains A LOT of fowl language . . . Intro music by Ricky Pistone aka Dick Pistone and outro music by the Sidewalk Slammers
Link to bioRxiv paper: http://biorxiv.org/cgi/content/short/2020.09.28.317248v1?rss=1 Authors: Chae, H., Banerjee, A., Albeanu, D. F. Abstract: Sensory systems rely on statistical regularities in the experienced inputs to either group disparate stimuli, or parse them into separate categories. While considerable progress has been made in understanding invariant object recognition in the visual system, how this is implemented by olfactory neural circuits remains an open question. The current leading model states that odor identity is primarily computed in the piriform cortex, drawing from mitral cell (MC) input. Surprisingly, the role of tufted cells (TC), the other principal cell-type of the olfactory bulb (OB) in decoding odor identity, and their dependence on cortical feedback, has been overlooked. Tufted cells preferentially project to the anterior olfactory nucleus (AON) and olfactory striatum, while mitral cells strongly innervate the piriform cortex (PC). Here we show that classifiers based on the population activity of tufted cells successfully decode both odor identity and intensity across a large concentration range. In these computations, tufted cells substantially outperform mitral cells, and are largely unaffected by silencing of cortical feedback. Further, cortical feedback from AON controls preferentially the gain of tufted cell odor representations, while PC feedback specifically restructures mitral cell responses, matching biases in feedforward connectivity. Leveraging cell-type specific analyses, we identify a non-canonical feedforward pathway for odor recognition and discrimination mediated by the tufted cells, and propose that OB target areas, other than the piriform cortex, such as AON and olfactory striatum, are well-positioned to compute odor identity. Copy rights belong to original authors. Visit the link for more info
It's probably not surprising that our last interview, with an Arts Commission employee, recommended artists for our next interview. So this week we're talking to Loraine Lynn, a local artist from Toledo, Ohio interested in working with materials such as glass, fiber, video, writing, and installation, but is currently focusing on textiles in the form of tufted work. Hear all about it on this week's episode of The RDD.
A chorus of birds joins us as we talk about the evolution, behavior, and myths and legends about titsmice and chickadees...with a few tangents and bad jokes along the way. Subscribe and rate us! Send a listener mail, or send a voice memo and i'll play it on the show! Co-hosts: Tim Mastracci, birder buddy, "Little" Chris Caracciolo Music: The Sidewalk Slammers Bird Sounds from Xeno-Canto, special thanks to Brian Hendrix and Jacob Saucier
Always Start with the RUG! The Rug is the biggest piece of art in the room and the foundation of creating your space. Understanding how the whole room functions start by picking out the rug, which is why you don't start with a small one. In this episode, we talk about the 'flying carpet effect,'how to pick the right rug for your space, the different between hand-knotted oushak rugs, blanket rugs, jute rugs, machine rugs, and country styles, Carpeting, carpet cleaning, and heaps more. Remember these topics come directly come from your questions on social media so make sure you hit us up with the links below.https://www.instagram.com/alicelaneinteriors/https://www.instagram.com/alicelanehome/https://alicelanehome.com/https://www.facebook.com/AliceLaneHomehttps://www.pinterest.com/alicelanehome/https://www.youtube.com/alicelanehomecollectionsaltlakecity
The Mike Calta Show Featured Cut
This is a bird that is easily identified. It will come to your feeder and is a year round resident in Cincinnati. Tune in to learn more about the little bird with the bad haircut. Our sources for this episode include: What is a Titmouse? - http://www.10000birds.com/titmouse.htm Titmouse - https://www.britannica.com/animal/titmouse Tufted Titmouse - https://www.audubon.org/field-guide/bird/tufted-titmouse
Marion's Kodiak Organic Tomatos-Greenhouse grown "Grow organic food you want to eat." Marion Owen lives in Kodiak Alaska where she cares for her well-established organic garden. She grows foods she wants to eat. "The cool climate allows the kale to be sweeter. Green onions are huge!" "I live in Kodiak Alaska where there's the changing light and cooler climate. It's OK to put things in the compost pile. I learn from experience." "I grow food I want to eat but I also want to provide food for the late pollinators. I don't just garden for me but for other people, insects, birds. It's all inclusive." Marion saves bumble bees who get caught up in a deep freeze. Hear how she does it on the podcast. "Gardening is relaxing and reflective. I worked on a tug boat. I was getting tired of going out to sea. I had an internal conversation years ago. What do I want to do? Well two things came to my mind. Photography and gardening." "When I moved to Alaska and started my garden there was no dirt. Well I can't have dirt delivered so I had to make my own. The traditional way of composting would take too many years. I researched it. Hot composting was how I made dirt." "I add the green stuff and brown stuff and in a few days it heats up. I turned it and it would cool down, then heat up again. In a few weeks, not years, I had dirt!" "Sharing what I do is important. I've written for Alaska Magazine and I've also submitted photographs. I've been a keynote speaker at garden conferences and if I can garden in Kodiak then you can do it wherever you are in the world." "My garden is part of the earth. I think it's important to know where your food comes from because it's not all clean or healthy. Food security. Try supporting your local farmers' market and talk to the growers." "In Kodiak I used to write a gardening column in the Kodiak Daily Mirror. The articles are available online." " I also am an advocate of community outreach. I help others to grow their garden and I also do a Veggies at Work program. Anybody can do this. I approach a business and ask them to purchase materials to have a raised box or bed at their work site. I plant and harvest vegetables to take to the food bank. "There's more connections and more positive imprints with Veggies at Work program. Employees are responsible for the vegetables through watering and weeding. They get to leave their desk and enjoy being outside." Marion's Garden "I love photography. One of my favorite things is to not have an agenda for my photography. I want to be open to the gifts that are shown to me." "I have a bed and breakfast. Cliffhouse Bed and Breakfast. When I take patrons out on the boat for a photography class I want to help people bring home the memories and the best experience with photography. But also food. I use what is being produced in my garden for the Galley Gourmet Dinner Cruises." "When I am out walking I use all of my senses. The best writers say to use all of your senses. We forget about sound and smell and touch. Check in when you go for a walk. How do the trees or the grass feel?" "Puffins are a favorite bird of mine to watch and to also photograph. They are such interesting birds. They spend a good seven months or longer out at sea. They are more comfortable as a bird swimming in the water than flying. They have to beat their wings around 400 beats per minute or they fall to the earth." "Their beautiful beak colors are for the dating game. They lose their colorful sheath in late August. Kodiak has the Tufted puffin and the Horned puffin." "Humans think in terms of time but in nature there is no stopping or starting. It just continues to flow. We too are a continuous flow. We don't stop with living or dying." "I love to share. I'm not the grower or the photographer. I'm just the cheerleader. I can instill the realization into...
Last week a Tufted Duck showed up in Canal Park in Duluth, and it stuck around for the Christmas Bird Count. The question now is whether the Minnesota Ornithologists' Union's Records Committee will call it "countable" or not.
One of Africa's most striking wild cats - the acrobatic and tufted Caracal
Rick Jones discusses the highly vocal tufted titmouse, a regular visitor to the area’s birdfeeders.
Jeremy and Michael review the Tufted Titmouse and discuss TurboTax-shaming guilt, ornithological songwriting, nostalgia peer-pressure, glacial humblebrags of glacial proportions, the $2 not-having-to-do-math-with-your-friends tax, the statical relationship of money and problems, and glass punting. Michael uses a bunch of jargon to ask absolutely nothing about taste and Jeremy has a clarifying moment that leads him to retract his criticism of the Vegetti.
Petey will never be a learned fellow, but he’s a pretty nice fella. Tufted evening primrose (Oenothera caespitosa) is beautiful…
richiami di un gruppo posato, Laghetto del Frassino (VR), Mar 2012 (M. Sighele)
While many birds fly south for the winter, there are those that stay to bear the cold months with us. The Tufted Titmouse is such a bird.
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