Podcasts about The Atrocity Exhibition

On this episode of Vinyl Verdict, Bell, Jamie and Adam listen to Adam's next pick, Danny Brown's "Atrocity Exhibition". Released in 2016, it was his fourth studio album. Filled with haunting samples, sometimes grim themes and vocal style that critics described as ranging from 'agitated squawking' and 'dainty', the album has been described as "progressive rap". Critically lauded, including by Pitchfork - a publication that hates music - the album was named as one of the best of 2016. But will the boys hold it in the same esteem, or will it leave them "Lost" in a "Downward Spiral"? Come along and find out!

In this episode, We explore the fascinating world of J.G. Ballard's provocative works, what might later be known as Climate Fiction, written mostly last century. From his early novel "The Drowned World" to the controversial "Crash," we delve into how Ballard's dystopian visions have shaped the genre. We feature insights from a PBS show Hot Mess, a short BBC film Ballard appeared in 1973 exploring his experimental novel of linked short stories called “The Atrocity Exhibition,” and a 2006 South Bank Show interview. We discuss the psychological and societal impacts of Climate Fiction, and how it might inspire change in an era of environmental urgency. First we begin with a 2019 clip from Hot Mess from PBS, featuring Lindsay Ellis, of It's Lit, and Amy Brady, the editor-in-chief of The Chicago Review of Books. Hot Mess | The Rise of Climate Fiction feat. Lindsay Ellis & Amy Brady | Episode 35 | PBS https://www.pbs.org/video/the-rise-of-climate-fiction-feat-lindsay-ellis-amy-brady-2s2sxh/ The Atrocity Exhibition is J.G. Ballard's instruction manual on how to disrupt mass media and recontextualize technology in a dystopian landscape overrun with industrial waste and technological white noise. The excerpt is from a 1973 BBC film directed by Harely Cokliss and features Ballard talking about car crash fetishism and the response to the bleak modern landscapes dominated by industrial monotony and the irrational violence of the technology-infused world which would coalesce into his controversial novel Crash, published in 1973. https://youtu.be/QRxpZ142lkI?si=gh5FjzV9BrUvs-r0 The next clip is a 2006 interview of JG Ballard by Melvyn Bragg on the South Bank Show, which also features prominent British authors Will Self, Iain Sinclair, and Martin Amis. https://youtu.be/le0tW1y609w?si=2DeFYxI-wqGe-Cu8 For an extended interview and other benefits, become an EcoJustice Radio patron at https://www.patreon.com/ecojusticeradio Resources/Articles: https://wilderutopia.com/performance/literary/j-g-ballard-atrocity-exhibition-modernist-motorcar-dystopia/ James Graham Ballard who lived between 1930 and 2009 was an English novelist and short-story writer known for psychologically provocative works that explore relations between human psychology, technology, sex and mass media. Ballard's original climate fiction work from 1962 was the post-apocalyptic New Wave science fiction novel The Drowned World. He followed with the controversial 1970 short-story collection The Atrocity Exhibition, which includes the 1968 story "Why I Want to F- Ronald Reagan", and later the 1973 novel Crash (1973), a story about car-crash fetishists. In 1984, Ballard won broad critical recognition for the war novel Empire of the Sun, a semi-autobiographical story of the experiences of a British boy during the Japanese occupation of Shanghai;[4] three years later, the American film director Steven Spielberg adapted the novel into a film of the same name. From the distinct nature of the literary fiction of J. G. Ballard arose the adjective Ballardian, defined as: "resembling or suggestive of dystopian modernity, bleak man-made landscapes, and the psychological effects of technological, social or environmental developments." Jack Eidt is an urban planner, environmental journalist, and climate organizer, as well as award-winning fiction writer. He is Co-Founder of SoCal 350 Climate Action and Executive Producer of EcoJustice Radio. He is also Founder and Publisher of WilderUtopia [https://wilderutopia.com], a website dedicated to the question of Earth sustainability, finding society-level solutions to environmental, community, economic, transportation and energy needs.

This week we're getting sloppy and erotic as we break down David Cronenberg's 1996 antithesis to the 90's erotic thriller, Crash, a movie about how people can't get off unless they're about to die horribly in a car accident. Adapted from J.G. Ballard's 1973 novel of the same name, which was an extension of his short story in the collection The Atrocity Exhibition, the film stars James Spader doing his best to look like making sweet, sweet love to a woman's leg wound is something he's really into. It also bring us Elias Koteas in his second appearance on the pod steaming up the windows with his menacing sexuality and Holly Hunter, taking the strange journey into the world of sexy death. Sound strange? Maybe more than a little off-putting? You have no idea. Listen to the episode for the full scope of the struggle.

Walter Benjamin, em suas “Teses Sobre o Conceito de História”, afirmou: “Pois todos os bens culturais que ele [o materialista histórico] vê têm uma origem sobre a qual ele não pode refletir sem horror”. Tendo em vista essa intuição da cultura e do seu horror, apresentamos na playlist TREM FANTASMA nossos projetos que (ainda) não saíram do papel, suas formas e possibilidades. Obras citadas: “La foire aux atrocités” (Éditions Champ Libre, 1976); “Concrete Island” (Harper Perennial, 2008); “The Complete Stories of J. G. Ballard” (Norton, 2009); “The Unlimited Dream Company” (Harper Perennial, 2012) — todos de J. G. Ballard; “A cidade dos amaldiçoados”, John Wyndham (Diário Macabro, 2021); “Lord of the Flies”, William Golding (Faber and Faber, 2012). Sobre a tradução de “The Atrocity Exhibition”: https://youtu.be/uY8yk8hWnhk?si=mEIcqs_eNBMGUc4D Entre para a nossa sociedade, dedicada à bibliofilia maldita e ao culto de tenebrosos grimórios: o RES FICTA (solicitações via http://raphuspress.weebly.com/contact.html). Nosso podcast também está disponível nas seguintes plataformas: - Spotify: https://open.spotify.com/show/4NUiqPPTMdnezdKmvWDXHs - Apple: https://podcasts.apple.com/us/podcast/podcast-da-raphus-press/id1488391151?uo=4 - Google Podcasts: https://podcasts.google.com/?feed=aHR0cHM6Ly9hbmNob3IuZm0vcy8xMDlmZmVjNC9wb2RjYXN0L3Jzcw%3D%3D Apoie o canal: https://apoia.se/podcastdaraphus. Ou adquira nossos livros em nosso site: http://raphuspress.weebly.com. Dúvidas sobre envio, formas de pagamento, etc.: http://raphuspress.weebly.com/contact.html. Nossos livros também estão no Sebo Clepsidra: https://www.seboclepsidra.com.br/marca/raphus-press.html

The survivors of the Cecil Throne exhibit finally come to understand the meaning of the Atrocity Exhibit. The grand finale of KULT: Divinity Lost. Cast: Sergio as Cecil Throne "The Careerist" Lev as Cole Dubois "The Descendant" Caleb as Hugh Letho "The Cursed" Zakiya as M.I.N.T. "The Artist" Amanda as Dr. Isadora Swan "The Scientist" and Eli as The Storyteller Check out KULT: Divinity Lost; kultdivinitylost.com/ We've got merch! https://ko-fi.com/maydayrp (t-shirts and stickers) Thanks for checking out our channel! We offer a bunch of art, music, and behind-the-screen access including Vegas By Night 1-on-1 sessions on our Patreon; https://www.patreon.com/maydayrp including access to our discord server! We started as a podcast! Listen to us @: Apple Podcasts: https://podcasts.apple.com/us/podcast/mayday-plays/id1537347277 Spotify: https://open.spotify.com/show/5vdTgXoqpSpMssSP9Vka3Z?si=73ec867215744a01 Soundcloud: https://soundcloud.com/mayday-roleplay Here are some of our other socials; Twitter: https://twitter.com/maydayroleplay Instagram: https://www.instagram.com/maydayrp/ Website: https://maydayroleplay.com/ Thanks for your support! Broadcasted live on Twitch -- Watch live at https://www.twitch.tv/maydayroleplay

Something is very wrong at the Cecil Throne Art Centre & who survives the Atrocity Exhibition is anybody's guess. The survivors band together and learn secrets to bide their time. tw: fake blood Cast: Sergio as Cecil Throne "The Careerist" Lev as Cole Dubois "The Descendant" Caleb as Hugh Letho "The Cursed" Zakiya as M.I.N.T. "The Artist" Amanda as Dr. Isadora Swan "The Scientist" and Eli as The Storyteller Check out KULT: Divinity Lost; https://kultdivinitylost.com/ We've got merch! https://ko-fi.com/maydayrp (t-shirts and stickers) Thanks for checking out our channel! We offer a bunch of art, music, and behind-the-screen access including Vegas By Night 1-on-1 sessions on our Patreon; https://www.patreon.com/maydayrp including access to our discord server! We started as a podcast! Listen to us @: Apple Podcasts: https://podcasts.apple.com/us/podcast/mayday-plays/id1537347277 Spotify: https://open.spotify.com/show/5vdTgXoqpSpMssSP9Vka3Z?si=73ec867215744a01 Soundcloud: https://soundcloud.com/mayday-roleplay Here are some of our other socials; Twitter: https://twitter.com/maydayroleplay Instagram: https://www.instagram.com/maydayrp/ Website: https://maydayroleplay.com/ Thanks for your support! Broadcasted live on Twitch -- Watch live at https://www.twitch.tv/maydayroleplay

KULT: Divinity Lost

We discuss acclaimed author JG Ballard's 1969 experimental piece of transgressive syncromystical literature. Love, death, loss, trauma, tragedy, eroticism, car accidents as immanent mystical experiences, JFK, Ralph Nader, Elizabeth Taylor, WWII, Vietnam, art etc. 

The boys and the dyke, the myth, the legend JBizzle talk Danny Brown Atrocity Exhibition.  We get into a little bit of our favourite  Danny Brown stories, his upbringing, and where he finds himself in today's rap game.  Atrocity Exhibition is a manic listen, and we do our best to bring in our experiences and insights to this helluva album. Grab yo 40 and yo shorty, cozy up and tap in.- Julia Balot

Virginia mainstay Blackliq joins us to talk about his new project "What Will It Take" with fellow Richmond native Ohbliv. Liq provided the behind the scenes view of what went into making that project, his process as a writer in general, the work he has done teaching kids to write, and his latest adventure as the lead singer in a hardcore band (Armagideon Time). Then we discuss his album pick for this episode - Danny Brown's fourth full-length "Atrocity Exhibition". Listen to and download "What Will It Take" from Man Bites Dog Records: manbitesdogrecs.bandcamp.com/album/what-will-it-take Listen and download music from Armagideon Time here: armagideontimerva.bandcamp.com/album/crime-as-theatre

A journey in filmmaking from a podcast host, adjunct professor and occasional mad scientist - Brian Cottington is the renaissance man of indie film. Brian has made over 30 short films and 1 feature over 12 years, including his most recent film, the award winning feature film documentary, House of Oddities: The Story of the Atrocity Exhibition and he has directing tips for the beginner. Brian is a host of the podcast Cinema Psychos Show and you can find his portfolio HERE. If horror films are your jam, subscribe to Slasher Sports Cinema and catch Billy Graves among the rest of the SlasherSports team. You need a scary movie going into the weekend and he's bringing you the best horror movies to be found in theatres, on Netflix, Hulu, Tubi, Peacock, and VOD. Be sure to follow us on all our social medias and podcasts! You can also find Slasher Sports merchandise on RedBubble via our LINKTREE Find Billy, your host on INSTAGRAM or TWITTER We want to hear from you. Leave us your QUESTIONS/COMMENTS FOR THE HOSTS and we might play your audio on the show! Intro/Outro music by White Bat Audio Introduction by Brittany McCuiston #directingtips #filmmakingtipsfromdirectors --- Send in a voice message: https://anchor.fm/slashersportscinema/message Support this podcast: https://anchor.fm/slashersportscinema/support

Uma breve conversa a respeito do romance em fragmentos “The Atrocity Exhibition” de J. G. Ballard que traduzi em meados da década passada e permanece inédito até hoje. Artigo “Da poética Shrapnel”: http://arcagulharevistadecultura.blogspot.com/2015/03/alcebiades-diniz-miguel-da-poetica.html Nosso podcast também está disponível nas seguintes plataformas: - Spotify: https://open.spotify.com/show/4NUiqPPTMdnezdKmvWDXHs - Apple: https://podcasts.apple.com/us/podcast/podcast-da-raphus-press/id1488391151?uo=4 - Google Podcasts: https://podcasts.google.com/?feed=aHR0cHM6Ly9hbmNob3IuZm0vcy8xMDlmZmVjNC9wb2RjYXN0L3Jzcw%3D%3D Apoie o canal: https://apoia.se/podcastdaraphus. Ou adquira nossos livros em nosso site: http://raphuspress.weebly.com. Dúvidas sobre envio, formas de pagamento, etc.: http://raphuspress.weebly.com/contact.html.

A midnight conference call lets Division C know about a missing member of the team, which in turn leads them up close and personal with enemies they've only heard about until now. For comments or questions, email utopologist at protonmail.com and listen to Dan's labor news podcast Work Stoppage. As usual, music used in this episode can be found at redgametable.wordpress.com. Once it's completed, the link to download the rulebook for Matryoshka will be shared here.

As we prepare to wrap-up the third season of "No Man is an Island" we will give our protagonists this week off, and will instead give you the first episode of our current Patreon bonus series "Frozen Moments" for KULT: Divinity Lost. "Frozen Moments" was the intro adventure to the 2nd and 3rd editions of KULT and you can now binge all four episodes of this scenario, as well as the full series of Taroticum, Fallen Angels, Clavis Inferna, The Judas Grail and the Atrocity Exhibition over on on our Patreon.Check them all out on the five dollar level right here:https://www.patreon.com/RedMoonRoleplayingMusic by: Atrium Carceri, used with permission from Cryo ChamberOur Champions of the Red Moon: Martin Heuschober, Nastasia Raulerson, Simon Cooper, David, Julia, Camilla, Ludwig Manford, Bob de Lange, Julián, Cameron, Ryan F, Xabier and Daniel.Web: https://www.redmoonroleplaying.comiTunes: http://apple.co/2wTNqHxAndroid: http://bit.ly/2vSvwZiYoutube: https://www.youtube.com/RedMoonRoleplayingSpotify: https://spoti.fi/30iFmznRSS: http://www.redmoonroleplaying.com/podcast?format=rssPatreon: https://www.patreon.com/RedMoonRoleplaying

Due to unforeseen circumstances beyond our control we are unfortunately unable to give you the continuation of The Whispers of the Mountains this week. Instead, please enjoy the first episode of our new Patreon bonus campaign "The Atrocity Exhibition" for KULT: Divinity Lost. With Craig as the GM, follow Mattiaz and Hjalmar as their characters attend the opening night of a very special art exhibition.You can find the first four episodes of this series on our Patreon right here:https://www.patreon.com/RedMoonRoleplayingMusic by: Atrium Carceri. Used with permission from Cryo ChamberOur Champions of the Red Moon: Martin Heuschober, Nastasia Raulerson, Simon Cooper, David, Julia, Camilla, Ludwig Manford, Bob de Lange, Julián and Cameron.Web: https://www.redmoonroleplaying.comiTunes: http://apple.co/2wTNqHxAndroid: http://bit.ly/2vSvwZiYoutube: https://www.youtube.com/RedMoonRoleplayingSpotify: https://spoti.fi/30iFmznRSS: http://www.redmoonroleplaying.com/podcast?format=rssPatreon: https://www.patreon.com/RedMoonRoleplaying

This week Heaven discusses the controversial teen drama, 13 REASONS WHY--the problematic story lines, use of graphic imagery to create shock value vs. dialogue on depression, suicide, and mental health, and how this show is a Liberal response to the beginning of a Trump Administration that provides all theater and no substance.Heaven also complains about unemployment.Support Me:patreon.com/FromMyLipsPodpaypal.me/chickdelalynch

Hello everyone! I am back, this time, with a particularly intense and chaotic book, which you can hopefully also judge whether you want to read it or not, it's JG Ballard's 1970 (Collection of essays? Stories? Novel?) The Atrocity Exhibition! A particularly scathing approach to contemporary American and, in general, neoliberal culture and the machinations of capital. In the episode with Kyle we go from the particularities of punk and technology, through the power of literature and connecting these cultural criticisms to a larger action in the world, to how we Historians behave and feel about it, and some of the most vile behaviours of capital in the present day via the worship of Reagan and the evil Call of Duty Black Ops Cold War. There's a lot to it! No wonder we accidentally chatted for nearly 2 hours! Have fun! Check out and support Kyle's work! Twitter: https://twitter.com/laborkyle Youtube: https://www.youtube.com/c/laborkyle/videos AGAB Pod: https://soundcloud.com/agabpod Protean Pirate Radio: https://proteanpirateradio.podbean.com/ Please support our Patreon if you're interested and want to check out the Reading Corner and join the Poetry Club! https://www.patreon.com/leftpage    Intro Music: Gymnopédie Nº1, Erik Satie, 1888 Outro Music: Welcome to the Machine, Wish you Were Here, Pink Floyd, 1975 ----------- We are a part of the Revolutionary Left Radio Federation so check them out here! @RevLeftRadio https://revolutionaryleftradio.libsyn.com/ -----------

This week Annie and Devalin dive into a new genre for the pod with 2016's Atrocity Exhibition by Danny Brown. Annie discusses her wedding plans post covid Devalin gets their xmas gift Two white people talking about hip hop and bringing up the Beastie Boys Also hey we have a patreon now! https://www.patreon.com/musicisgoodpod

La Tienda De Biblioteca Del Metal: Encontraras, Ropa, Accesorios,Decoracion, Ect... Todo Relacionado Al Podcats Biblioteca Del Metal Y Al Mundo Del Heavy Metal. Descubrela!!!!!! Ideal Para Llevarte O Regalar Productos Del Podcats De Ivoox. (Por Tiempo Limitado) https://teespring.com/es/stores/biblioteca-del-metal-1 En 2001, Exodus se reformó nuevamente, en un principio para tocar con Chuck Billy en el mega concierto a beneficio, Thrash of the Titans. En ese momento se hablaba de grabar un nuevo álbum de estudio y la banda siguió realizando pequeños conciertos en la bahía de San Francisco y sus alrededores. En febrero de 2002, Paul Baloff sufrió un derrame cerebral que le costó la vida. Steve Souza fue reclutado nuevamente por la banda, para terminar el resto de los conciertos comprometidos. Aunque algunos adelantaron que con la muerte de Baloff, Exodus dejaría de existir, el guitarrista Gary Holt estaba decidido a sacar un nuevo disco de estudio. En 2004 el resultado fue Tempo Of The Damned lanzado bajo el sello Nuclear Blast Records. Una curiosidad de las sesiones de grabación fue que una de las pistas, "Crime Of The Century", fue publicada en circunstancias misteriosas. La canción narra el tiempo de Exodus en Century Media (firma de la que Nuclear Blast es filial). A pesar de que se negó públicamente, existen rumores de que Century Media vetó esta canción y "Crime" fue reemplazada por "Impaler", una canción escrita cuando Kirk Hammett todavía era miembro de la banda y que apareció en el disco en vivo Another Lesson In Violence.En 2005, Hunolt decidió dejar la banda para concentrarse en su vida familiar. Fue reemplazado por el guitarrista Lee Altus. Tom Hunting también se alejó de Exodus, a raíz de la reaparición de problemas nerviosos, que lo llevaron a su salida temporal en 1989. Hunting fue reemplazado por Paul Bostaph que previamente había tocado con Slayer y Testament. Souza también dejó la banda tras la disputa de 2005; siendo reemplazado inicialmente por steev Esquivel (ex- Defiance y Skinlab) y luego por Rob Dukes, cuya primera actuación grabada para la banda fue ese mismo año 2005, en Shovel Headed Kill Machine, la gira que siguió al lanzamiento del último álbum y que dio lugar a una extensa gira por EE.UU. y Europa, así como Japón, su primera visita a Australia y mucho más. Tom Hunting regresó a la banda en marzo de 2007. La banda lanzó su octavo álbum de estudio, The Atrocity Exhibition... Exhibit A, a finales de 2007 y actuó en el Wacken Open Air Festival en el verano de 2008. También realizaron una gira por EE.UU. en apoyo del álbum, junto a Deathbeat como banda invitada. Exodus el trabajo de una re-grabación de su álbum debut de 1985, "Bonded by Blood". Sobre la decisión de la banda para volver a su álbum debut, Gary Holt dijo que: "Después de muchos años en etapa de planificación y discusión, por fin hemos completado la re-grabación de "Bonded By Blood". Hemos decidido llamarlo "Let There Be Blood" y es nuestra manera de rendir homenaje a Paul Baloff [vocalista original, fallecido], mostrando la relevancia de estas canciones que habíamos escrito juntos, aún somos nosotros, no estamos tratando de sustituir al original,... eso es imposible de todos modos. Estamos dando a estos temas el beneficio de la producción moderna. Es algo que hemos hablado antes la muerte de Paul y que siempre ha sido importante para nosotros. Estábamos super emocionados por entrar en el estudio de nuevo para grabar estos clásicos, y ahora es hora de volver a escribir el próximo disco de estudio!" Exodus reveló el nombre de su próximo disco Exhibit B: The Human Condition. La banda grabó en el norte de California con el aclamado productor británico Andy Sneap (Megadeth, Arch Enemy, Kreator), para un lanzamiento a través de Nuclear Blast Records. Exhibit B: The Human Condition fue lanzado en Europa el 7 de mayo de 2010, y en Norteamérica el 18 de mayo de 2010. A principios de 2011, Exodus confirmó su participación como telonero en el show que Iron Maiden realizó para el 10 de abril en el Estadio Nacional de Santiago (además de otros dos shows en Chile); presentación que formará parte de un DVD que Iron Maiden lanzará el 2012, con su actuación en Chile. El Guitarrista Gary Holt ha estado presente en varios conciertos de la Gira de los cuatro grandes del Thrash metal como reemplazo del guitarrista Jeff Hanneman de Slayer. En 2013 tras la muerte del guitarrista Jeff Hanneman se haría oficial más tarde que Gary Holt estaría en Slayer por lo que en la giras el ex-guitarrista Rick Hunnolt tomaría su lugar solo en unos conciertos. Después se anunciaria que Exodus iba a estar trabajando en su nuevo álbum, tras unos meses que se publicó esto Rob Dukes saldría de la banda por motivos personales regresando en su lugar Steve "Zetro" Souza tras 10 años de su salida. Una vez hecho esto se anunció después que el nuevo álbum se llamaría Blood In, Blood Out que salió a la venta el 14 de octubre de 2014 teniendo una participación especial de su ex-guitarrista fundador de Exodus y actual guitarrista de Metallica Kirk Hammett quien tocara un solo en la canción 'Salt the Wound'. El álbum Blood in Blood Out se vuelve a publicar bajo el sello de Nuclear Blast Records, consta de 11 temas más un bonus track, "Angel of Death". Tracklist: 01 - The Ballad Of Leonard And Charles 02 - War Is My Shepherd 03 - Shroud Of Urine 04 - Karma's Messenger 05 - Call To Arms 06 - Scar Spangled Banner 07 - Shudder To Think 08 - And Then There Were None 09 - Stike Of The Beast 10 - A Perpetual State Of Indifference 11 - Good Riddance 12 - Altered Boy 13 - Forward March 14 - Going Going Gone 15 - A Lesson In Violence 16 - Hammer And Life 17 - Blacklist 18 - Burn, Hollywood, Burn 19 - 44 Magnum Opus 20 - Shovel Headed Kill Machine 21 - Now Thy Death Day Come 22 - Democide 23 - Bonded By Blood

In this special episode of the DNC Reviews Podcast, the boys dissect, review, and praise Danny Brown's 2016 release, Atrocity Exhibition. You could say we thought it was pretty good...

For this week's episode, we revisited @xdannyxbrownx 4th album Atrocity Exhibition. Released in 2016, this album continued to show Danny's keen ear for sounds that most rappers wouldn't dare to touch, it also showed his unmatched lyrical abilities and storytelling. Comment, Subscribe and Share! #atrocityexhibition #dannybrown

Preston goes to the museum while Matt grapples with a feline nuisance. Mistakes, customarily, are made.

It’s a new, slightly less chaotic configuration with Riley (@raaleh), Alice (@AliceAvizandum), Hussein (@HKesvani), and special guest Arron Merat (@A_merat). We’re discussing the British arms industry, how Gulf money backs up the Pound, and how distributed manufacturing allows exporters to avoid arms sale bans in the UK while allowing Saudi Arabia and other Gulf countries to devastate Yemen. It’s a sad listen, folks! If you want access to our Patreon bonus episodes and powerful Discord server, sign up here: https://www.patreon.com/trashfuture Here's a central location to donate to bail funds across the US to help people held under America's utterly inhumane system: https://secure.givelively.org/donate/the-bail-project  If you want one of our *fine* new shirts, designed by Matt Lubchansky, then e-mail trashfuturepodcast [at] gmail [dot] com. £15 for patrons, £20 for non-patrons, plus shipping.  *WEB DESIGN ALERT* Tom Allen is a friend of the show (and the designer behind GYDS dot com). If you need web design help, reach out to him here:  https://www.tomallen.media/

Desiree discovers Detroit rapper Danny Brown's album Atrocity Exhibition, aka CeeLo and Andre 3000's lovechild. Produced by Hannah Hufford Photography by Edward Moore Design by Danny Arter

Detroit rapper Danny Brown embraced his unique hood/hipster personality, took full advantage of social media, and -- fueled by his experiences with drug dealing and drug-taking, as well as a wicked sense of humor -- has delivered some of the most vivid, vulgar, and side-splitting rhymes of his era. The eccentric's most notable releases include the Billboard 200 Top 20 entry Old (Fool's Gold, 2013) and the Warp-released albums Atrocity Exhibition (2016) and uknowhatimsayin¿ (2019), projects bolstered by production from the likes of Paul White, Oh No, Black Milk, the Alchemist, and Q-Tip. Brown eventually found a home at Fool's Gold, where he issued XXX, his highest-profile mixtape up to that point. At the end of 2012, Brown announced that the follow-up to XXX had been recorded. Originally titled ODB, it was continually pushed back by the label, with Brown tweeting in August 2013 that he would consider leaking the release. In October, the retitled album, Old, appeared with Paul White and Oh No among the producers, while A$AP Rocky and ScHoolboy Q contributed guest verses. A surprise hit, it entered the Billboard 200 at number 18. After he provided the theme for the U.S. television sitcom Fresh Off the Boat, Brown signed with Warp and made his label debut in 2016 with "When It Rain." The single's parent album, Atrocity Exhibition, was issued later in the year with White the principal producer, augmented by contributions from the Alchemist and Black Milk, among others. In October 2019, a couple of months after the debut of his Viceland talk show Danny's House, Brown returned with his second album for Warp, uknowhatimsayin¿, the majority of which was produced by Q-Tip.

Americký rapper z východní, tedy té chudší, části Detroitu patří k těm nejvlivnějším a nejzajímavějším rapovým hudebníkům posledního desetiletí. Po nahrávkách XXX či Old, kterou vydal údajně jen kvůli penězům, přišel před třemi lety přestup na label Warp a kritiky nadšeně přijatá Atrocity Exhibition. Brown je jako chameleon a na uknowhatimsayin¿ předvádí další proměnu.

On this episode of Newheads, Rav and Matt...make a lot of mistakes. It's fun. They also analyze Danny Brown's first album in three years, 'uknowhatimsayin¿,' placing it in the context of Danny's narrative arc. The two discuss what makes a great feature list, who shines the most on the album, and what changing as a person really means. Finally, which album is better: uknowhatimsayin¿, or Bandana?Danny Brown's uknowhatimsayin¿: https://open.spotify.com/album/4G3BRVsGEpWzUdplFJ1VBl?si=sjdmmQ6jQcyJeLKYOT7xXAFreddie Gibbs and Madlibs' Bandana: https://open.spotify.com/album/31KbO7WnDp2AjPdmRTJzdf?si=DebDOXNyRY2-ArtGbHrhpQEarl Sweatshirt's Some Rap Songs:https://open.spotify.com/album/66at85wgO2pu5CccvqUF6i?si=kD_PtOT_Rti9lA3YfaFcyg

Once we’d finished our lengthy diversion into the Satanic territory of black metal, we thought we’d change direction entirely and cover another hip hop album. Cue Chris’ mild bemusement at such an alien genre. We briefly touched upon Danny Brown in our El-P episode, as he’d appeared on a Run the Jewels song, thus giving Mark his usual lazy nexus link. The truth is though, whilst David and Mark both immediately agreed upon this album when the suggestion of doing another hip hop was floated, further reflection on Danny Brown’s career proved troubling. Whilst both gents are fans of his work, Chris was left feeling cold due to the problematic (at best) content of some of the lyrics, particularly on earlier Danny Brown records. We reckon with all of that, wondering why such musical tropes are still acceptable today in the wake of the me too movement. It’s not all doom and gloom though; there’s a great deal of discussion around the sonic texture of the record, and why it stands apart not only in Danny Brown’s catalogue, but in hip hop as a whole. It’s a feisty, occasionally cantankerous, often insightful discussion around Danny Brown’s oeuvre and the language and register of hip hop as a whole. Is this Danny Brown’s best album? As ever, only you can decide.

Tom Sweterlitsch’s The Gone World (G.P. Putnam Son's, 2018) tells the story of Navy investigator Shannon Moss, who travels to the future to solve present-day crimes. The book opens with a brutal murder and a search for a missing girl, and maintains the pace of a chilling page-turner. But Sweterlitsch’s second novel is also an exploration of questions about consciousness, identity, and reality. The idea of using time travel to solve crimes emerged from a conversation the author had with his brother-in-law, a real-life special agent with the Naval Criminal Investigative Service. “A lot of his investigations are essentially solved when a victim or someone who knows a criminal tells the investigators what happens and why, but if people don’t talk, the investigation becomes very difficult and sometimes impossible to solve,” Sweterlitsch says. “And so [my brother-in-law] was musing that if he could go forward in time, he could talk to a lot of the witnesses after the emotions had cooled, and they might be more willing to talk.” Sweterlitsch gives Moss the ability to jump forward in time, but any future she visits is only a possibility, one of an infinite number of options. That means the clues she collects aren’t hard-and-fast truths; at best, they are hints that may (or may not) allow her to solve the crime. In the present, such futures are referred to as “Inadmissible Future Trajectories,” since the evidence they generate can’t be used to prosecute a case. The only certainty, as far as Moss and her fellow time-traveling agents are concerned, is the present—or “terra firma,” as they call it. The notion that the present is “solid ground” remains a cornerstone of Moss’s beliefs even as the case of the missing girl grows more complex and Moss’s trips to the future start offering more question than answers. Sweterlitsch introduces a host of fascinating concepts, such as “echoes”—duplicates brought from Inadmissible Future Trajectories who already exist in terra firma. “Thin spaces” are dangerous places where slivers of different times and places intersect, and “lensing” is the idea that a future trajectory is always warped by a time traveler’s psyche, much as dreams are shaped by the unconscious. Sweterlitsch has found inspiration in everything from Dante’s Inferno to J.G. Ballard’s The Atrocity Exhibition to Alfonso Cuarón’s film Children of Men.  In the Inferno, “the punishment for the heretics is that they can see far off into the future but can’t see the present … And that was the perfect literary precedent for what I was hoping to write about in this novel in terms of the mechanism of time travel, but it also put the idea of heresy and belief into the book,” Sweterlitsch says. “A lot of characters express beliefs about the nature of the universe, but in almost all cases, those beliefs are proved incorrect by the novel itself… Reality around them is very slippery.” Rob Wolf is the host of New Books in Science Fiction and the author of The Alternate Universe and The Escape. Follow him on Twitter: @robwolfbooks Learn more about your ad choices. Visit megaphone.fm/adchoices

Tom Sweterlitsch’s The Gone World (G.P. Putnam Son's, 2018) tells the story of Navy investigator Shannon Moss, who travels to the future to solve present-day crimes. The book opens with a brutal murder and a search for a missing girl, and maintains the pace of a chilling page-turner. But Sweterlitsch’s second novel is also an exploration of questions about consciousness, identity, and reality. The idea of using time travel to solve crimes emerged from a conversation the author had with his brother-in-law, a real-life special agent with the Naval Criminal Investigative Service. “A lot of his investigations are essentially solved when a victim or someone who knows a criminal tells the investigators what happens and why, but if people don’t talk, the investigation becomes very difficult and sometimes impossible to solve,” Sweterlitsch says. “And so [my brother-in-law] was musing that if he could go forward in time, he could talk to a lot of the witnesses after the emotions had cooled, and they might be more willing to talk.” Sweterlitsch gives Moss the ability to jump forward in time, but any future she visits is only a possibility, one of an infinite number of options. That means the clues she collects aren’t hard-and-fast truths; at best, they are hints that may (or may not) allow her to solve the crime. In the present, such futures are referred to as “Inadmissible Future Trajectories,” since the evidence they generate can’t be used to prosecute a case. The only certainty, as far as Moss and her fellow time-traveling agents are concerned, is the present—or “terra firma,” as they call it. The notion that the present is “solid ground” remains a cornerstone of Moss’s beliefs even as the case of the missing girl grows more complex and Moss’s trips to the future start offering more question than answers. Sweterlitsch introduces a host of fascinating concepts, such as “echoes”—duplicates brought from Inadmissible Future Trajectories who already exist in terra firma. “Thin spaces” are dangerous places where slivers of different times and places intersect, and “lensing” is the idea that a future trajectory is always warped by a time traveler’s psyche, much as dreams are shaped by the unconscious. Sweterlitsch has found inspiration in everything from Dante’s Inferno to J.G. Ballard’s The Atrocity Exhibition to Alfonso Cuarón’s film Children of Men. In the Inferno, “the punishment for the heretics is that they can see far off into the future but can’t see the present … And that was the perfect literary precedent for what I was hoping to write about in this novel in terms of the mechanism of time travel, but it also put the idea of heresy and belief into the book,” Sweterlitsch says. “A lot of characters express beliefs about the nature of the universe, but in almost all cases, those beliefs are proved incorrect by the novel itself… Reality around them is very slippery.” Rob Wolf is the host of New Books in Science Fiction and the author of The Alternate Universe and The Escape. Follow him on Twitter: @robwolfbooks Learn more about your ad choices. Visit megaphone.fm/adchoices

Tom Sweterlitsch’s The Gone World (G.P. Putnam Son's, 2018) tells the story of Navy investigator Shannon Moss, who travels to the future to solve present-day crimes. The book opens with a brutal murder and a search for a missing girl, and maintains the pace of a chilling page-turner. But Sweterlitsch’s second novel is also an exploration of questions about consciousness, identity, and reality. The idea of using time travel to solve crimes emerged from a conversation the author had with his brother-in-law, a real-life special agent with the Naval Criminal Investigative Service. “A lot of his investigations are essentially solved when a victim or someone who knows a criminal tells the investigators what happens and why, but if people don’t talk, the investigation becomes very difficult and sometimes impossible to solve,” Sweterlitsch says. “And so [my brother-in-law] was musing that if he could go forward in time, he could talk to a lot of the witnesses after the emotions had cooled, and they might be more willing to talk.” Sweterlitsch gives Moss the ability to jump forward in time, but any future she visits is only a possibility, one of an infinite number of options. That means the clues she collects aren’t hard-and-fast truths; at best, they are hints that may (or may not) allow her to solve the crime. In the present, such futures are referred to as “Inadmissible Future Trajectories,” since the evidence they generate can’t be used to prosecute a case. The only certainty, as far as Moss and her fellow time-traveling agents are concerned, is the present—or “terra firma,” as they call it. The notion that the present is “solid ground” remains a cornerstone of Moss’s beliefs even as the case of the missing girl grows more complex and Moss’s trips to the future start offering more question than answers. Sweterlitsch introduces a host of fascinating concepts, such as “echoes”—duplicates brought from Inadmissible Future Trajectories who already exist in terra firma. “Thin spaces” are dangerous places where slivers of different times and places intersect, and “lensing” is the idea that a future trajectory is always warped by a time traveler’s psyche, much as dreams are shaped by the unconscious. Sweterlitsch has found inspiration in everything from Dante’s Inferno to J.G. Ballard’s The Atrocity Exhibition to Alfonso Cuarón’s film Children of Men. In the Inferno, “the punishment for the heretics is that they can see far off into the future but can’t see the present … And that was the perfect literary precedent for what I was hoping to write about in this novel in terms of the mechanism of time travel, but it also put the idea of heresy and belief into the book,” Sweterlitsch says. “A lot of characters express beliefs about the nature of the universe, but in almost all cases, those beliefs are proved incorrect by the novel itself… Reality around them is very slippery.” Rob Wolf is the host of New Books in Science Fiction and the author of The Alternate Universe and The Escape. Follow him on Twitter: @robwolfbooks Learn more about your ad choices. Visit megaphone.fm/adchoices

Danny Brown - Atrocity Exhibition Album Review | DEHH by Dead End Hip Hop Learn more about your ad choices. Visit megaphone.fm/adchoices

Les années 30, le retour ! On revient avec la deuxième partie d’un diptyque consacré à l’album Les années 30, qui nous a beaucoup inspiré, d’où la nécessité de faire en deux parties. Pour ce double épisode où nous avons été bien turbulents, il faut l’avouer, nous avons eu le plaisir de recevoir Mélanie, co-fondatrice de Radio Michel! Autant dire que le taux d’amour pour les Michel au cm² était plus élevé que celui d’un auditoire de la tranche matinale de Nostalgie. Disclaimer : On a passé beaucoup de temps sur Afrique Adieu, une chanson qu’on aime tous très fort. Mais ça n’est pas tout, on est aussi passé par la Provence et les Balkans évidemment. On s’excuse, en fin d’épisode on était très fatigués, on reviendra en pleine forme au prochain enregistrement ! La reco cachée de l’épisode : Atrocity Exhibition de Joy Division (et oui, vous l’aviez pas vu venir celle là) Très bonne écoute !  

For his first official turn in the hot seat, David brings us some quality hip-hop from his fellow Detroiter, Danny Brown and his 2016 album "Atrocity Exhibition". What did the guys think of this emotional Motor City MC? Hit play and find out!Follow along with us on Spotify.Audio Intro: Jahzarr - I Saw You On TVVideo Intro: Lame Drivers - Frozen EggOutro: Matthew Walton - I'll See You In My Dreams

The award winning Atrocity Exhibition’s ninth performance will take you to hell. Katie “Dudders” caught up with Macabre Noir, Aaron Doctor Morose, and Lori Howsare “The Mad Muse” at Atrocity’s command center, aka Macabre’s living room. They talk about the creative process, theater theory, and Atrocity Exhibition IX: Inferno. Lori credits her theater education and experience for her ability to be such a successful stage manager Macabre and Aaron Doctor Morose discuss how the Atrocity Exhibition grew and matured with each new member that joined the family Through increased expectations from the audience and crew, the performance gets bigger and better every year Using technology to keep yourself on track Why “no pants and fire everywhere” would be an excellent tagline for Atrocity The creative process and how it’s enjoyable torture as opposed to pointy stick torture Lori discusses turning people back onto literature with her Literary Brothel, where you leave reality, enter a sacred space, and hear good stories Realizing that your own true story is a good story How theater helps promote empathy What is weird to you is someone else’s normal Lori explains how Atrocity is an example of theatre of cruelty, an academic theory of theatre. Cruelty is not violence; it is the ability to use visions that you’re not usually subjected to reach into the repressed, dark area of the human mind. It is an assault on the senses that heightens your emotions. Wearing your weird on the outside How Atrocity Exhibition creates a space for everyone 35 minute mark begins the conversation about Atrocity Exhibition IX: Inferno The importance of putting together artists that genuinely love their craft and trust each other to make something exciting Shout out to Zeke’s Coffee for creating the Atrocious Paradiso brew and providing coffee and snacks for the Atrocity Exhibition crew They appreciate everyone that donates to the Kickstarter. It helps the show grow every year Please subscribe to our podcast and leave feedback. We appreciate it!  Follow the ScareHouse podcast hosts: Scott Simmons (@ScareHouseScott) and Katie “Dudders” (@kdudders)  Visit us - www.ScareHouse.com Watch us - Youtube.com/TheScareHouse Like us - https://www.facebook.com/ScareHouse Follow us - https://twitter.com/ScareHousePGH

This week, Brian is joined by Nick Noir, Lilith Deville, and Dr. Morose of the annual gathering of aficionados of the strange and unusual, the 360 degree living art exhibition that is Morose & Macabre's Atrocity Exhibition!  The show itself is coming up this May 12th and 13th at The Rex Theater in Pittsburgh, PA.  Nick, Deville, and Dr. Morose are going to give us all the run down on all the sideshow, burlesque, and dark themes of this fantastic show that you definitely do not want to miss. 

Mac Wilson and Will Wade join the show for an album review for Danny Brown's latest LP Atrocity Exhibition which is one of the biggest and most expirimental Hip Hop releases in 2016.   Buy Atrocity Exhibition here: https://itunes.apple.com/us/album/atrocity-exhibition/id1142690534   Follow me on Twitter and Snapchat: @chrispy1132   Find Will Wade's music here: https://soundcloud.com/wbw2121    Find Will Wade on Twitter: @willwade3000   Find Mac Wilson on Twitter: @MacAttack051 Learn more about your ad choices. Visit megaphone.fm/adchoices

Hip hop's Danny Brown has made a career out of exploring the extremes of his personality. On his fourth LP, Atrocity Exhibition he's brought all of his demons and angels together to create strongest statement yet. We've assembled an all-star panel featuring Sarah Godfrey (Washington Post, City Paper), Briana Younger (Bandcamp, Washington Post), and Marcus Dowling (Pitchfork, Bandcamp), explore all the highs and lows that this sonic head-trip has to offer.PLUS! Post-election talk with Bandcamp's Marcus Moore joining in on the fun.Show Notes"Sharon Jones, Soul and Funk Singer With Dap-Kings, Dead at 60" [Rolling Stone]"The Death of What.cd and the End of Music Torrenting" [New York Magazine] Tip Jar Atrocity ExhibitionDanny BrownKevin: Buy ItBriana Younger: Buy ItSarah Godfrey: Stream ItMarcus Dowling: Stream It LINKSOfficial SiteFacebookTwitterInstagramLISTEN ONSpotifyApple Music Upcoming Tour DatesWE SUPPORT THESEORGANIZATIONS.YOU CAN TOO.DONATE See acast.com/privacy for privacy and opt-out information.

In this edition of delayed episodes, we discuss albums like Big Baby D.R.A.M., Danny Brown's Atrocity Exhibition, to Dave East's Kyrie Chanel. We also went down the rabbit hole of Eminem's lengthy Campaign Speech. We eventually climbed out of that hole by diving into Drake's out of the blue songs (Fake Love, Two Birds One Stone, Sneakin') and how he's throwing shots at Pusha T and Kid Cudi. Take a listen! Let us know what you think! --- Send in a voice message: https://anchor.fm/through-the-crate/message Support this podcast: https://anchor.fm/through-the-crate/support

Solange, Kery James, Danny Brown, séries TV Il a tout cassé sur l'instru Le rendez-vous de la culture rap, soul et pastilles de menthe. Avec extraits, chroniques et débats sur l'actualité du game. Nouveaux albums : Solange "A seat at the table", Danny Brown "Atrocity Exhibition", Kery James "Muhammad Alix".Dossier : rap et séries TV, la nouvelle Blaxploitation ? On discute des séries "The Get Down", "Luke Cage", "Atlanta", "Power", "Empire" et "Easy". Lourd/balourd : le nouveau Shurik'n - Les adieux de Mos Def.  Enregistrements : 18 octobre 16 - Réalisation : Charlie Marcelet - Avec : Lama, Labrax, Mike, Moe de Diakité - Animation : Jérôme Larcin

For this week’s news, Dominic from 5huffle’s partner podcast, 5uffIe (that’s not an “L” it’s an “i”) joins Jarid to discuss a myriad of topics, including: Insane Clown Posse, Kanye West, Martin Shkreli, The Beatles, Trent Reznor & Atticus Ross, Mowgwai, Leonardo DiCaprio, Before the Flood, David Bowie, Darkthrone, NASA, The White Stripes, and Danny Brown’s “Atrocity Exhibition”.

0:00:00 Fuck Donald Trump in His Dick Hole 0:56:26 Danny Brown "Atrocity Exhibition" Album Review

On this weeks episode we review the albums "A Seat At The Table" by Solange, "Kairi Chanel" by Dave East. "Wildheart" by Miguel, "Atrocity Exhibition"by Danny Brown, and "Cold Summer" by DJ Mustard.   TRC Playlist 34 BEST ON SHUFFLE Email trc@thereportcardlive.com   Instagram @TRCPodcast Twitter @trcpodcastlive @soloyalclothinginc The Report Card Podcast Facebook   Soundcloud   Tumblr   Google+   You can subscribe to us on iTunes, Google Music Play, iHeart Radio, Stitcher, Soundcloud, Youtube, Libsyn, and tuneIn. NEW SCORING A+  100 Classic A     99-96 Classic A     95-92 Amazing A-    92 Amazing B+   91 Fire B     90-88 Fire B     87-84 Dope B-    83 Dope C+   82 Solid C     81-79 Solid C     78-75 Average C-    74 Average D+   73 Needed Work D     72-70 Needed Work D     69-65 Trash F     -65   Trash   Like. Comment. Subscribe,Review Thank you to everyone who listens weekly.

Vuelve una quincena más nuestra dosis habitual de Mojoverso Sonoro, en esta ocasión volvemos a repasar la carrera de un artista, en este caso Danny Brown, pero en vez de centrarnos en toda su discografía comentamos los últimos años de la misma. Prestando especial atención a Atrocity Exhibition, su último y fantabuloso álbum de estudio al que dedicamos la inmensa mayoría del programa. Suenan: LCD Soundsystem: 45:33 (Pt 2) Rustie: Attak (feat. Danny Brown) The Avalanches: Frankie Sinatra Danny Brown: Smokin & Drinkin Danny Brown: Down in the Water Danny Brown: Pneumonia Danny Brown: Rolling Stone (feat. Petite Noir) Danny Brown: Really Doe (feat. Kendrick Lamar, Ab-Soul & Earl Sweatshirt) Danny Brown: Tell Me What I Don't Know Danny Brown: Ain't It Funny Danny Brown: When It Rain

Vuelve una quincena más nuestra dosis habitual de Mojoverso Sonoro, en esta ocasión volvemos a repasar la carrera de un artista, en este caso Danny Brown, pero en vez de centrarnos en toda su discografía comentamos los últimos años de la misma. Prestando especial atención a Atrocity Exhibition, su último y fantabuloso álbum de estudio al que dedicamos la inmensa mayoría del programa. Suenan: LCD Soundsystem: 45:33 (Pt 2) Rustie: Attak (feat. Danny Brown) The Avalanches: Frankie Sinatra Danny Brown: Smokin & Drinkin Danny Brown: Down in the Water Danny Brown: Pneumonia Danny Brown: Rolling Stone (feat. Petite Noir) Danny Brown: Really Doe (feat. Kendrick Lamar, Ab-Soul & Earl Sweatshirt) Danny Brown: Tell Me What I Don't Know Danny Brown: Ain't It Funny Danny Brown: When It Rain

Weekend one of ACL is over, the Gorillaz are ramping up their social media presence to promote what looks like a new album and SZA tweeted that she's quitting Top Dawg Entertainment (but has since deleted the tweet). Chris and Sean review Danny Brown's new album, Atrocity Exhibition.

Be sure to check us out on the Satchel Player! You can download the app from the Apple Store or Google Play Store to follow and support your favorite podcasts. Go to http://satchelplayer.com/ to check it out! You can now follow us on Twitter! @compbeatdown Bloggy Bonilla and Silent G are back for Episode 72 of Comprehensive Beatdown! This week the guys check out the highly anticipated Danny Brown album, “Atrocity Exhibition.” As you will hear, expectations have been met. The intro track is from last week's surprise Tycho release, “Epoch.” http://xdannyxbrownx.com/http://tychomusic.com/ Send any questions/comments/suggestions to comprehensivebeatdown@gmail.com Follow us on Twitter! @compbeatdown Like us on Facebook! https://www.facebook.com/comprehensivebeatdown If you want to keep up with an inordinate amount of new music, follow Silent G's 2016 Albums/EPs playlist on Spotify. https://open.spotify.com/user/garrad36/playlist/6nbyqZJoAA1JMrvzbDjjyP Check out Bloggy Bonilla's website to see what he is enjoying day-to-day. http://keyb2lock.com/ As always, follow http://dopemedianetwork.com/ and find the podcast on iTunes and leave a review.  

Carlos and Meelz disagree? What world are we living in? DJ Mustard's Cold Summer drops and it's as polarizing as the presidential race. Also: Review of Solange's A Seat At TheTable, Dave East's Kairi Chanel, and Danny Brown's Atrocity Exhibition. We also talk about Drake's Please Forgive Me film, Mary J. Blige & Hilary Clinton's video, the opening of the National African American Museum of History and Culture, Beanie Sigel on Taxstone podcast, and R. Kelly's Christmas album.

KETTLE WHISTLE RADIO # 82: Director Brian Cottington's latest Atrocity Exhibition event is this Saturday, May 17th at the REX Theatre in Pittsburgh's South Side. Music by CHEMLAB from Jim Semonik's ELECTRONIC SAVIORS and of course our Long Island Kaju Consultant,Tim Turner, sends me the latest Godzilla update

The conclusion to the jam-packed three-part series. You wouldn't expect it possible after last episode. But things somehow get darker. Now… let's get on with it. -Visit us online at obscuracrimepodcast.com -Find us on all podcasting platforms: https://link.chtbl.com/obscura -Support Obscura on Patreon and unlock the exclusive Black Label episodes: www.patreon.com/obscuracrimepodcastSupport this podcast at — https://redcircle.com/obscura-a-true-crime-podcast/exclusive-contentAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

In 1995, 8-year-olds Melissa Russo and Julie Lejeune disappeared while playing in their neighbourhood in the south of Belgium. The following month, 17-year-old An Marchal and her 19-year-old friend Eefje Lambrecks disappeared on the north coast of the country while on a holiday with friends. There had been no sign of any of the girls, and their anguished families were without any answers. In mid-1996, 12-year-old Sabine Dardenne and 14-year-old Laetitia Delhez were abducted a month apart. Thanks to observant members of the public, police arrested unemployed electrician Marc Dutroux, his wife Michelle, and their accomplice Michel Lelievre for the abduction of Sabine. Unbeknownst to the Belgian public, Marc had already been convicted of raping 5 young women in the 1980s and had served prison time - but had been released well before the end of his sentence. Free to wander the street and do as he pleased, Marc took up where he'd left off. But this time, he made sure that at least 4 of his victims wouldn't live to tell the tale. In 1996, with Marc, Michelle and Lelievre in custody, it was only then that 40 year old Marc revealed to police that he was also holding Laetitia captive. She and Sabine had both been kept in a dungeon in the cellar of Marc's home, where they were repeatedly raped, but were thankfully rescued by police soon after. But Melissa, Julie, An, and Eefje were still missing. What investigators were about to uncover was something that pushed Belgians to the verge of revolt against their government. CW: suicide, sexual assault, child abuse, drug use, family violence Episode Sponsor:Stop throwing your money away. Cancel unwanted subscriptions – and manage your expenses the easy way – by going to Rocketmoney.com/obscuraSupport this podcast at — https://redcircle.com/obscura-a-true-crime-podcast/exclusive-contentAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

In June 1995, 8-year-old friends Melissa Russo & Julie Lejeune went for a walk to a park near their neighbourhood outside the Belgian capital city of Brussels. When they failed to return home, their parents reported their disappearance to police. But nothing came of any subsequent publicity or desperate TV appeals. It was as though the pair had vanished into thin air.2 months later, 17-year-old An Marchal & 19-year-old Eefje Lambrecks went out for the evening while on a Belgian seaside holiday with a group of friends. When the girls failed to return to their accommodation or make contact, the rest of their group knew something was very wrong. But local police failed to take the disappearance seriously.In the spring of 1996, 12-year-old Sabine Dardenne was riding her bike to school near the French-Belgian border. When Sabine failed to show up at school that day or return home, posters were distributed in the local area. But no one had seen hide nor hair of her.It wasn't until August that same year, when 14-year-old Laetitia Delhez disappeared while walking home from her local swimming pool, that things started to heat up in terms of a police investigation. Local police patrols around the country weren't aware of girls and young women going missing in other parts of Belgium, but one select police branch did. And a specific suspect was on their radar. Following witness tip offs, officers identified a man and brought him in for questioning. As he spoke to investigators, a horrifying story started to unfold. What the man had to tell police would rock Belgian law enforcement, the judiciary, and the very fabric of Belgian society and its people to the core for years to come.CW: suicide, sexual assault, child abuse, drug use, family violence-Visit us online at obscuracrimepodcast.com-Find us on all podcasting platforms: https://link.chtbl.com/obscura-Support Obscura on Patreon and unlock the exclusive Black Label episodes: www.patreon.com/obscuracrimepodcastSupport this podcast at — https://redcircle.com/obscura-a-true-crime-podcast/exclusive-contentAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy