Podcast appearances and mentions of Claudia Cardinale

Lost Command es una película bélica estadounidense dirigida por Mark Robson, protagonizada por Anthony Quinn, Alain Delon, George Segal, Michèle Morgan y Claudia Cardinale. La trama se desarrolla durante la Guerra de Independencia de Argelia (1954-1962), un conflicto que sumió a Francia en una profunda crisis política y social. Tras la derrota francesa en Indochina, el ejército, liderado por personajes como el coronel Raspeguy (Quinn), busca reafirmar su autoridad en Argelia. Sin embargo, la brutal represión militar y las divisiones internas en Francia —entre quienes exigían mano dura y quienes rechazaban la violencia— agudizaron el conflicto. La película explora estos dilemas morales, la lealtad de las tropas y el impacto de la guerra en ambos bandos. Te lo cuentan Juan Pastrana y Esaú Rodríguez. Y recuerda que puedes encontrar el blog 📽️ Todo sobre mi Cine Bélico en https://todosobremicinebelico.blogspot.com/ Casus Belli Podcast pertenece a 🏭 Factoría Casus Belli. Casus Belli Podcast forma parte de 📀 Ivoox Originals. 📚 Zeppelin Books (Digital) y 📚 DCA Editor (Físico) http://zeppelinbooks.com son sellos editoriales de la 🏭 Factoría Casus Belli. Estamos en: 🆕 WhatsApp https://bit.ly/CasusBelliWhatsApp 👉 X/Twitter https://twitter.com/CasusBelliPod 👉 Facebook https://www.facebook.com/CasusBelliPodcast 👉 Instagram estamos https://www.instagram.com/casusbellipodcast 👉 Telegram Canal https://t.me/casusbellipodcast 👉 Telegram Grupo de Chat https://t.me/casusbellipod 📺 YouTube https://bit.ly/casusbelliyoutube 👉 TikTok https://www.tiktok.com/@casusbelli10 👉 https://podcastcasusbelli.com 👨💻Nuestro chat del canal es https://t.me/casusbellipod ⚛️ El logotipo de Casus Belli Podcasdt y el resto de la Factoría Casus Belli están diseñados por Publicidad Fabián publicidadfabian@yahoo.es 🎵 La música incluida en el programa es Ready for the war de Marc Corominas Pujadó bajo licencia CC. https://creativecommons.org/licenses/by-nd/3.0/ El resto de música es bajo licencia privada de Epidemic Music, Jamendo Music o SGAE SGAE RRDD/4/1074/1012 de Ivoox. 🎭Las opiniones expresadas en este programa de pódcast, son de exclusiva responsabilidad de quienes las trasmiten. Que cada palo aguante su vela. 📧¿Queréis contarnos algo? También puedes escribirnos a casus.belli.pod@gmail.com ¿Quieres anunciarte en este podcast, patrocinar un episodio o una serie? Hazlo a través de 👉 https://www.advoices.com/casus-belli-podcast-historia Si te ha gustado, y crees que nos lo merecemos, nos sirve mucho que nos des un like, ya que nos da mucha visibilidad. Muchas gracias por escucharnos, y hasta la próxima. Escucha el episodio completo en la app de iVoox, o descubre todo el catálogo de iVoox Originals

Silvana La Spina"Un rebus per Leonardo Sciascia"Marsilio Editoriwwwm.marsilioeditori.itNel settembre del 1985, a Leonardo Sciascia capitano due cose: la morte di Italo Calvino nell'Ospedale di Siena, e la morte di Aurelio Arriva, giudice, in casa sua. Una pistolettata: suicidio, dicono. Il giudice e lo scrittore siciliano, amici fin dall'infanzia, avevano litigato e non si parlavano da tempo. Qualcuno, in paese, continuava a dire per invidia; qualcun altro insinuava che l'invidia non c'entrava niente, era Sciascia che non avrebbe dovuto mettere l'amico in un libro – anzi, continuava quel qualcuno, Sciascia della Sicilia non avrebbe dovuto proprio parlare. Leonardo Sciascia, dal canto suo, sosteneva che le grandi amicizie, come i grandi amori, sono come le piante: a un certo punto si seccano, e nessuno può farci niente. Era successo con Guttuso, e forse stava succedendo pure con Vincenzo Consolo. Tuttavia, nonostante, in paese, gli inquirenti pensino che la morte del giudice Arriva sia dovuta a un suicidio e nonostante il tutto sia accaduto, come una disgrazia, un malaugurio, durante la festa della Madonna Bambina, Elena Arriva, la figlia del giudice morto, bella e bionda come certe madonne lombarde, si presenta a casa dello scrittore – la gloria, il vanto del luogo, l'uomo che passeggia a braccetto con Claudia Cardinale – per chiedergli di indagare sulla morte del padre. Elena non crede all'ipotesi del suicidio, e Sciascia è l'unico che di suo padre sa tutto. In una sarabanda di dicerie, malevolenze, lettere anonime che ricordano le righe minatorie di A ciascuno il suo, in un turbine di fatti di corna, disgrazie passate, presenti e future, donne vecchie e donne fatali, scrittori benevoli e altri invidiosi, cause perse e altre fatte perdere, un circolo di gentiluomini che non sempre lo sono e un pubblico ministero che torna a indagare là dove è stato bambino, Silvana La Spina, con una lingua pastosa e spinosa quanto un fico d'India, racconta Leonardo Sciascia e il suo mondo, facendone un investigatore acuto, curioso e pieno di pietà per le miserie degli uomini. Un romanzo avvincente e scuro.Silvana La Spina  è nata in Veneto da padre siciliano. Da molti anni vive tra Milano e Catania, e la Sicilia è alla base di quasi tutti i suoi romanzi. Tra gli ultimi, ricordiamo: La bambina pericolosa (Mondadori 2008), Un cadavere eccellente (Mondadori 2011), La continentale (Mondadori 2014), L'uomo che veniva da Messina (Giunti 2015), L'uomo del Viceré (Neri Pozza 2021), Angelica (Neri Pozza 2022), L'ombra dei Beati Paoli (Neri Pozza 2024). Con la raccolta di racconti Scirocco (La tartaruga 1992) ha vinto il premio Chiara.IL POSTO DELLE PAROLEascoltare fa pensarewww.ilpostodelleparole.itDiventa un supporter di questo podcast: https://www.spreaker.com/podcast/il-posto-delle-parole--1487855/support.

Send us a textEpisode Summary:In this episode, we celebrate the enigmatic screen presence of Claudia Cardinale, one of the most iconic actresses of European cinema. Born in Tunisia to Sicilian parents, Cardinale rose to stardom in the 1960s and became known for her roles in masterpieces like 8½, The Leopard, and Once Upon a Time in the West. We explore how her unique blend of strength, beauty, and mystery defied the conventional “bombshell” archetype and left a lasting mark on Italian and international film.What You'll Hear: How Claudia Cardinale's multicultural roots shaped her amazing career and wish her a happy birthday! Key Films Discussed:The Professionals (1966)Once Upon a Time in the West (1968)and many more Fun Fact:Though Claudia Cardinale's voice was dubbed in many early films, she insisted on using her own voice later in her career to assert her identity and independence.

Lange Pausen sind wir bei Serien mittlerweile gewohnt, aber die Fans von Netflix' "Daredevil" wurden besonders lange hingehalten. Vor 10 Jahren debütierte die Marvel-Serie mit Charlie Cox bei dem Streamer, 2018 wurde sie dann aus Rechtegründen abgesetzt. Nun erweckt Disney+ die Serie und ihre (Anti-)Helden als "Daredevil: Born Again" (4:10) zu neuem Leben - was allerdings nicht ohne Probleme geschah. Ein gefeuerter Showrunner und eine komplette Neuausrichtung später sind jetzt die ersten 9 der 18 Folgen zu sehen. Hat sich das auf die Qualität ausgewirkt? Das versuchen Holger, Michael und Rüdiger anhand der ersten zwei Folgen zu diskutieren. Danach geht es um die opulente Netflix-Miniserie "Der Leopard" (33:00), die nach mehr als 60 Jahren den gefeierten Roman von Giuseppe Tomasi di Lampedusa neu verfilmt. Kann das funktionieren wenn man nicht Burt Lancaster, Claudia Cardinale und Alain Delon vor sowie Luchino Visconti hinter der Kamera zur Verfügung hat? Zum Abschluss geht es dann um "1923" (1:00:30), schließlich ist wieder Freitag, was bedeutet, dass Taylor Sheridan eine neue Serienstaffel für Paramount+ fertig geschrieben und gedreht hat. Die ersten beiden neuen Folgen haben zwar Harrison Ford, Helen Mirren, einen Berglöwen und einen Wolf zu bieten, aber haben sie auch was zu erzählen? Da sind wir uns bisher noch nicht ganz sicher. Cold-Open-Frage: "Wen würden wir gerne in der ,Crazy Rich Asians'-Serie sehen?"

Probablemente a las nuevas generaciones no les suene mucho el personaje pero los más veteranos seguro que recuerdan a la Mula Francis de cuando la veían de niños en televisión. 75 años se cumplen del estreno de la primera de las siete películas que protagonizó este singular equino que podía hablar. Os lo contamos todo sobre ella. Como aperitivo a la película sobre María Callas que se estrena dentro de pocos días, con Angelina Jolie en el papel de la diva, nuestra Enciclopedia nos va a hablar de ópera en el cine. También la música es protagonista en la entrevista que ha hecho Elio Castro esta semana. Ha charlado con Juan Carlos Pérez, líder del grupo musical vasco Itoiz, famoso en los años 70 y 80, y del que se acaba de estrenar un documental. Y en la sección dedicada al western tenemos esta semana una película de los años 60: “Los profesionales”, dirigida por Richard Brooks y con Lee Marvin, Burt Lancaster, Claudia Cardinale y Jack Palance encabezando su reparto.

Once Upon a Time in the West directed by Sergio Leone and starring Charles Bronson, Henry Fonda, and Claudia Cardinale. Episode Roundup: The Cowpunchers make the determination that they'd be terrible 19th Century Robber Barons. Amy asks for "The Jug." Mel loved Claudia Cardinale's performance; hated her wardrobe. Whenever Stu gets thirsty, he asks for a cool, refreshing sip of Hat Water.

EPISODE 66 - “WHEN CLASSIC FILM'S SUPPORTING ACTORS STEAL THE SHOW” - 12/16/2024 There is nothing quite like watching a film when suddenly a supporting character comes in and walks away with the film. (Think THELMA RITTER, S.Z. SAKALL, or GALE SONDERGAARD in almost every one of their films!) This week we are focusing on some of our favorite supporting charters who come in and snatch that scene right about from under the big stars. From JOANNA BARNES' Gloria Upson declaring, “It was just ghastly!” in “Auntie Mame” to the impassioned monologue about love that BEAH RICHARDS delivers to SPENCER TRACY in “Guess Who's Coming To Dinner,” we take a fun look at these powerful performances that we're still talking about today. SHOW NOTES:  Sources: The Life and Death of Peter Sellers (1997) by Roger Lewis; But Darling, I'm Your Auntie Mame!: The Amazing History of the World's Favorite Madcap Aunt (1998), by Richard Tyler Jordan; Tennessee Williams & Company: His Essential Screen Actors (2010), by John DiLeo; “Judy Holiday, Winner of Oscar, Does of Cancer,” June 8, 1965, Los Angeles Times; “Mildred Natwick, 89, Actress Who Excelled at Eccentricity,” October 26, 1994, by Peter B. Flint, New York Times; “Steve Franken, Actor in ‘Dobie Gillis,' Dies at 80,” August 29, 2012, by Daniel E. Slotnik, New York Times;  “Madeleine Sherwood, 93, Actress on Stage, Film and ‘Flying Nun,' Dies,” April 26, 2016, by Sam Roberts, New York Times; “The Making of ‘TheParty',” January 13, 2017, by FilMagicians, Youtube.com; “Beah Richards, 80, Actress in Stalwart Roles,” September 16, 2000, by Mel Gussow, New York Times; “Joanna Barnes, Actress in ‘The Parent Trap' and its Sequel. Dies at 87,” May 12, 2022, by Richard Sanomir, New York Times; TCM.com; IMDBPro.com; IBDB.com; Wikipedia.com; Roger Ebert.com; Movies Mentioned:  Adams's Rib (1949), starring Katharine Hepburn, Spencer Tracy, Judy Holiday, David Wayne, Hope Emerson, Jean Hagen, and Tom Ewell; Born Yesterday (1950), starring Judy Holiday, Broderick Crawford, & William Holden; Auntie Mame (1958), starring Rosalind Russell, Forrest Tucker, Fred Clark, Roger Smith, Jan Handzlik, Corale Brown, Pippa Scott, Lee Patrick, Willard Waterman, Joanna Barnes, Connie Gilchrist, Patric Knowles, and Yuki Shimudo;  Cat On A Hot Tin Roof (1958), starring Elizabeth Taylor, Paul Newman, Burl Ives, Judith Anderson, Jack Carson, and Madeleine Sherwood; Spartacus (1960), starring Kirk Douglas, Laurence Olivier, Jean Simmons, Charles Laughton, Tony Curtis, & Joanna Barnes; The Parent Trap (1961), starring Haley Mills, Maureen O'Hara, Brian Keith, Joanna Barnes, Charles Ruggles, Ana Merkel, Leo G. Carroll, & Cathleen Nesbitt; The Americanization of Emily (1963), starring Julie Andrews & James Garner; The Time Traveler (1964), starring Preston Foster; Goodbye Charlie (1964), starring Tony Curtis, Debbie Reynolds, Ellen Burstyn, Pat Boone, & Joanna Barnes; Barefoot In The Park (1967), starring Jane Fonda, Robert Redford, Mildred Natwick, Charles Boyer, Herb Edelman, and Mabel Albertson; Don't Make Waves (1967) starring Tony Curtis, Claudia Cardinale, Sharon Tate, and Joanna Barnes; Guess Who's Coming To Dinner (1967), starring Katharine Hepburn, Spencer Tracy, Sidney Poitier, Katharine Houghton, Beah Richards, Roy E. Glen Sr, Cecil Kellaway, Isabelle Sanford, and Virginia Christine; The Party (1968), starring Peter Sellers, Claudine Longet, Denny Miller, Carol Wayne, Gavin MacLeod, Faye McKenzie, Marge Champion, Steve Frankel, Jean Carson, Corine Cole, J. Edward McKinley, and Herb Ellis; The Parent Trap (1998), starring Lindsay Lohan, Dennis Quaid, Natasha Richardson, Elaine Hendrix, & Lisa Ann Walter.  --------------------------------- http://www.airwavemedia.com Please contact sales@advertisecast.com if you would like to advertise on our podcast. Learn more about your ad choices. Visit megaphone.fm/adchoices

'Diva' betekent 'vrouwelijke godheid'. Men gaf de naam aan talentrijke sopranen in de opera, in de tijd van Puccini en Verdi. Toen was er nog geen énkele link met de veeleisende dramaqueens, die we vandaag met het woord associeren. Diva's waren charismatische, impressionante vrouwen. Eerst zangeressen. Later actrices als Lyda Borelli in de stille film en Sophia Loren en Claudia Cardinale in na-oorlogse films. Loren is 90 nu, Cardinale 86. Wie zijn de hedendaagse diva's, met het zelfde talent?

Pela segunda vez em nosso cast, dedicamos um áudio inteiro a um filme que já havia sido discutido num episódio de filmografia. Nesta oportunidade, Fred e Alexandre recebem Fábio Rockenbach ("A Experiência do Cinema") e Sergio Gonçalves para juntos debaterem o clássico western de Sergio Leone e um dos maiores filmes já feitos, "Era Uma Vez No Oeste" (C'era una volta il West, 1968). Produzido pela Paramount, mas filmado quase inteiramente na Itália, o clássico de Leone conta com vários atores dos dois países, entre eles Charles Bronson, Henry Fonda, Jason Robards, Claudia Cardinale e Gabriele Ferzetti. Esta "ópera a cavalo" influenciou gerações de cineastas e até hoje permanece como um feito único entre os filmes do gênero. Confira o episódio sobre Sergio Leone aqui. Crédito da Foto: Paramount Pictures Corporation ---------------------- Acesse nosso site: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠http://www.filmesclassicos.com.br⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Acesse nossa página no Facebook : ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.facebook.com/podcastfilmesclassicos/⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠

Directors John Carpenter, John Milius & Alex Cox, film Historians Sir Christopher Frayling & Dr. Sheldon Hall, writer Bernardo Bertolucci and actress Claudia Cardinale

Két napja, 2024. augusztus 18.-án meghalt Alain Delon, aki "több volt, mint sztár, a francia kultúra emlékműve" – így méltatta őt most, halálakor Emmanuel Macron, francia köztársasági elnök. Alain Delon valóban az egyetemes filmművészet egyik legkiemelkedőbb alakja, egyben Franciaország mozis jelképe. Nem egyszerűen mozisztár volt, nem is a világ legjobb arcú vagy egyik legsármosabb férfiszínésze, a francia és az egyetemes filmkultúra egyik legnagyobb filmes alkotója, aki karrierje második felében producere, helyenként írója és rendezője is volt filmjeinek, vagyis a vásznon túl is alakította a francia filmkultúrát. Karrierje szerencsés alakult, hiszen a francia mozi fénykorában bontakozott ki Delon művészete is: már a korai filmszerepei meghozták neki a hírnevet, az európai filmművészet akkori legrangosabb alkotói kezdték el keresni a kegyeit. Filmes pályafutása során nem kevesebb, mint kilencven filmben szerepelt. Hosszú évek óta a Párizstól 150 kilométerre található vidéki rezidenciáján, Douchyban egy kúriában élt, visszavonultan, ráadásul életének utolsó időszakát családi acsarkodások árnyékolták be. Gyerekei heves vitában álltak egymással apjuk kezelését illetően, akinek egészsége több sztrókot követően rohamos romlásnak indult. 2024 elején egy francia bíróság gondnokság alá helyezte a színészlegendát, a megfelelő orvosi ellátás érdekében, ezt később kiterjesztették a pénzügyeire is. Alain Delon élete utolsó másfél évtizedére jelentősen megkeseredett, egyik utolsó nyilatkozatában így fakadt ki: "Az élet nem tartogat már számomra sok dolgot. Mindent megismertem, mindent láttam. Gyűlölöm ezt a kort, hányok tőle... Minden hamis, csak a pénz számít. Nincs többé tisztelet, se a kimondott szónak becsülete. Egész nap bűnesetekről beszélnek. Nem lesz bennem sajnálat, amikor el kell hagynom ezt a világot”. Mindezekkel együtt is Alain Delon 88 éves korában olyan életművet hagyott maga után, amely halhatatlanná teszi őt, hiszen nem csupán a francia kultúra, de az egyetemes filmvilág számottevő emlékművévé is vált. Először 1993-ban jött el ő - és nem is egy filmben volt partnere, Claudia Cardinale - Friderikusz Sándor meghívására Budapestre, ráadásul a Friderikusz Show 1993 karácsonyát megelőző, speciális rendezvényére. Itt készült ez a közel félórás felvétel, melynek elején Claudai Cardinalé-val látható egy rövid beszélgetés, majd következik: Alain Delon. Alain Delon 1993-ban annyira jól érezte magát a Friderikusz Show-ban, hogy négy évvel később, 1997-ben ismét az első szóra jött Budapestre, akkor már barátjával és kedvenc kollégájával, Jean Paul Belmondóval. Ezt a beszélgetést erre a linkre kattintva lehet megtekinteni: https://youtu.be/EQQL-ML0UdI Archívumunk együttműködő partnerei: - az európai autópálya-matricák forgalmazója: https://evignet24.eu - a Siófoki Calendula Klinika, ahol indiai orvosok gyógykezelnek ajurvéda-módszerekkel: https://ayurmedic.eu Hogyan támogathatja a munkánkat? Legyen a patronálónk, és a támogatása mértékétől függően egyre több előnyhöz juthat: https://www.patreon.com/FriderikuszPodcast Egyszeri vagy rendszeres banki átutalással is segíthet. Ehhez a legfontosabb adatok: Név: TV Pictures Számlaszám: OTP Bank 11707062-21446081 Közlemény: Podcast-támogatás Ha külföldről utalna, nemzetközi számlaszámunk (IBAN - International Bank Account Number): HU68 1170 7062 2144 6081 0000 0000 BIC/SWIFT-kód: OTPVHUHB Akármilyen formában támogatja munkánkat, köszönjük! Kövessenek, kövessetek itt is: youtube: https://www.youtube.com/c/FriderikuszPodcast Facebook: https://www.facebook.com/FriderikuszPodcast Instagram: https://www.instagram.com/friderikuszpodcast Anchor: https://anchor.fm/friderikuszpodcast Spotify: https://spoti.fi/3blRo2g youtube Music: https://music.youtube.com/search?q=friderikusz+podcast Apple Podcasts: https://apple.co/3hm2vfi Deezer: https://www.deezer.com/hu/show/1000256535

Alain Delon foi um ícone da história da 7ª Arte. Trabalhou com Luchino Visconti, Michelangelo Antonioni, Louis Malle, René Clément, Jean-Pierre Melville, Jean-Luc Godard, Romy Schneider, Monica Vitti, Claudia Cardinale, Jean-Paul Belmondo, Jean Gabin e tantos outros. Foi considerado "o homem mais bonito da história do cinema”, mas tinha uma personalidade reaccionária que nunca escondeu. Guillaume Bourgois, professor de Estudos Fílmicos, falou-nos sobre a “força magnética” e “tenebrosa” de Alain Delon. Alain Delon foi descrito como “o homem mais bonito da história do cinema” pela revista New Yorker, enquanto o jornal Corriere della Sera fala de uma lenda e de "estrela bela e maldita”. O El Pais recorda uma “aura incomparável” e “um ícone do cinema europeu conhecido pelo seu talento e pelo seu poder de sedução”, mas não esquece os seus comentários machistas e homofóbicos, nem a sua amizade declarada com a figura da extrema-direita francesa Jean-Marie Le Pen.O francês, que morreu aos 88 anos, entrou na 7ª Arte “por acidente” – dizia ele - e acabou por ser um dos seus protagonistas mais lendários. Foi actor em cerca de 90 filmes, foi realizador, produtor e até argumentista. Trabalhou com os melhores e maiores realizadores do seu tempo: Luchino Visconti, Michelangelo Antonioni, Louis Malle, René Clément, Jean-Pierre Melville, Alain Cavalier, Jean-Luc Godard. A sua história também cruzou os maiores actores de então: Romy Schneider, Monica Vitti, Claudia Cardinale, Jean-Paul Belmondo, Jean Gabin. As suas personagens integram o panteão de símbolos universais: Delon foi "O Leopardo", "Rocco", "Monsieur Klein", "O Samurai" e tantos outros.Neste programa, Guillaume Bourgois, professor de Estudos Fílmicos na Universidade de Grenoble, falou-nos sobre “a força magnética” e “misteriosa” de Alain Delon, um autodidacta que se tornou num dos monstros sagrados do cinema francês e europeu.Alain Delon foi um actor e uma figura importantíssima da história do cinema, especialmente da história do cinema moderno, desse novo cinema que aparece nos anos 60. Foi, sobretudo, graças a Visconti que o mundo ficou a conhecer o Alain Delon. Ele convidou Alain Delon a participar no “Rocco e i suoi fratelli” que é um filme extraordinário. Eu acho que foi mesmo o Visconti que descobriu a força magnética, quase aristocrática, que tinha o Delon na interpretação dele, na intensidade dos seus olhares, dos seus gestos. Depois, grande parte dos cineastas mais importantes foram sempre buscar essa energia, essa dimensão tenebrosa, misteriosa, enigmática que tinha o Delon e que fez com que ele pudesse ter essas interpretações extraordinárias nos papéis mais famosos.Alain Delon foi um artista que “fez avançar o cinema moderno”, mas também construiu “uma personalidade mediática extremamente egocêntrica”. O actor falava de si na terceira pessoa e inscreveu-se numa “tendência reaccionária da história da indústria cinematográfica francesa que sempre existiu de contestação dos meios de esquerda que estavam a tentar utilizar o cinema para desenvolver as suas ideias”. Defendeu, várias vezes, as posições do amigo Jean-Marie Le Pen, líder da extrema-direita francesa, e nunca refreou comentários machistas e homofóbicos.“Nos anos 90, essa legitimação [da extrema-direita] não existia e houve figuras que participaram francamente e de forma assumida para essa legitimação. Alain Delon foi uma delas, outra foi Brigitte Bardot. É sempre importante relembrarmos isso quando se fala do Alain Delon”, acrescenta o professor de Estudos Fílmicos.Neste programa, oiça a entrevista a Guillaume Bourgois sobre quem foi Alain Delon, quais foram os principais filmes, papéis e o legado que ele deixa para o mundo do cinema.

Claudia Cardinale ricorda Delon, 'Addio, il ballo è finito'

Il commovente saluto dell'attrice all'amico di sempre.

Jackie and Greg are joined by Felicia Maroni of the Seeing Faces in Movies podcast for Luchino Visconti's THE LEOPARD from 1963. Topics of discussion include Burt Lancaster's performance as an Italian prince, the film's scale, how it holds its characters at a distance, and whether it should be the only Visconti on the list or not.#57 on Sight & Sound's 2012 "The 100 Greatest Films of All Time" list.https://www.bfi.org.uk/sight-and-sound/polls/greatest-films-all-time-2012#90 on Sight & Sound's 2022 "The Greatest Films of All Time" list.  https://www.bfi.org.uk/sight-and-sound/greatest-films-all-timeCheck out 'Seeing Faces in Movies' hosted by Felicia Maronihttps://www.seeingfacesinmovies.comCheck us out on Instagram: https://www.instagram.com/sceneandheardpodCheck us out at our official website: https://www.sceneandheardpod.comJP Instagram/X (Twitter): jacpostajGK Instagram: gkleinschmidtGraphic Design: Molly PintoMusic: Andrew CoxEditing: Greg KleinschmidtGet in touch at hello@sceneandheardpod.comSupport the Show.Support the show on Patreon: patreon.com/SceneandHeardPodorSubscribe just to get access to our bonus episodes: buzzsprout.com/1905508/subscribe

Il était une fois dans lʹOuest, C'era una volta il West, est film italo-américain de Sergio Leone sorti en 1968, emblématique du réalisateur italien. Ses codes artistiques révolutionnent littéralement le genre. La beauté des images, ses personnages hiératiques et surtout la musique dʹEnnio Morricone en font un film incontournable, quasiment légendaire. Sergio Leone traverse le western avec lʹélégance dʹun prélat italien, y ajoute la bouffonnerie de la Comedia del Arte et lʹœil de Michel-Ange. Il détourne les codes du bon, de la brute, du bandit, du fermier, de lʹéleveur, du promoteur, de la femme qui veut se refaire une vertu. Il pose sur lʹAmérique et la conquête de lʹOuest le regard dʹun européen qui adore les histoires de cowboys et dʹindiens. Au centre de ce film, il met la rivalité des intérêts pour lʹappropriation des terres. Le chemin de fer, le progrès va bientôt passer par là. Et ça défouraille à tout va sous un soleil de plomb. Claudia Cardinale tient dans le film le seul rôle féminin du film. Face à elle Jason Robards, Henry Fonda et Charles Bronson. En Europe, le film fait un triomphe. Mais pas aux Etats-Unis où il est amputé de nombreuses scènes. Peut-être quʹil est trop européen comme western Allez savoir. Aujourdʹhui dans Travelling, nous galopons vers lʹOuest en tentant de piocher quelques éléments de réponses. Laissons-nous emporter par lʹunivers de Sergio Leone, par lʹharmonica, par la beauté des paysages, par le regard de Charles Bronson et la méchanceté dʹHenri Fonda. REFERENCES Ennio Morricone en 1988 sur la RTS Hommage à l'immense compositeur italien Ennio Morricone décédé à 91 ans. En 1988, il était de passage dans l'émission Bonsoir pour une longue interview remplie d'anecdotes personnelles et professionnelles. Il y raconte par exemple sa collaboration avec son ami Sergio Leone pour les films "il était une fois dans l'ouest" et "il était une fois en Amérique". Le réalisateur Sergio LEONE parle du rôle de la musique dans ses films. Puis Ennio MORRICONE (en italien) expose sa théorie de la musique de film et parle de sa collaboration avec Sergio LEONE. 1969, Sergio Leone sur "Il était une fois dans l'Ouest" TéléMidi du 29.02.1972. Sergio Leone et sa trilogie Interview de Sergio LEONE par François CHATEL. Il parle du film "Il était une fois la révolution" qui fera partie d'une trilogie. Le 3ème volet sera "Il était une fois en Amérique" se déroulant au Mexique.

I 1968 skulle Sergio Leone følge op på en af filmhistoriens mest succesfulde trilogier - Dollar-trilogien. Leone valgte at blive i både samme genre og med nogenlunde samme setup, men dog med den markante forskel, at plottet denne gang blev endnu mere mørk og beskidt end de tre elskede spaghetti-westerns. Clint Eastwood havde takket nej til atter engang at være tavs hævner i en Sergio Leone-film og valget faldt derfor på Charles Bronson, der i en verden af banditter og jernbaneudvidelser søger at gøre regnebrættet op bevæbnet med en seksløber - og en mundharmonika.

Welcome to It's A Wonderful Podcast!! The World Cinema series begins in Italy this week with a movie unlike any other. Join Morgan and Jeannine to discuss a pure, visual experience of an erratic, creative mind, and a movie wallowing in layers of clever self awareness as they talk Federico Fellini's indescribably fascinating 8 1/2 (1963) starring Marcello Mastroianni, Anouk Aimee, Claudia Cardinale, Sandra Milo & Barbara Steele! They also take a little DejaView look at Rob Marshall's musical adaptation of this movie, Nine (2009) starring Daniel Day-Lewis! Our YouTube Channel for Monday Madness on video, Morgan Hasn't Seen TV, Retro Trailer Reactions & More ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.youtube.com/channel/UCvACMX8jX1qQ5ClrGW53vow⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ The It's A Wonderful Podcast Theme by David B. Music. Donate: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.buymeacoffee.com/ItsAWonderful1⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Join our Patreon: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.patreon.com/ItsAWonderful1⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ IT'S A WONDERFUL PODCAST STORE:  ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://its-a-wonderful-podcast.creator-spring.com/⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Sub to the feed and download now on Anchor, Apple Podcasts, Spotify, Stitcher, Google Podcasts, Castbox, Amazon Music & more and be sure to rate, review and SHARE AROUND!! Keep up with us on Twitter: Podcast: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://twitter.com/ItsAWonderful1⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Morgan: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://twitter.com/Th3PurpleDon⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Jeannine: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://twitter.com/JeannineDaBean⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠_ Keep being wonderful!! --- Send in a voice message: https://podcasters.spotify.com/pod/show/itsawonderfulpodcast/message Support this podcast: https://podcasters.spotify.com/pod/show/itsawonderfulpodcast/support

A Edgar Hita se le debe estar quedando corta la SER y se ha querido creer que también trabaja en Cadena DIAL. Laura Martínez repasa las carreras de tres actrices que cumplen años hoy: Claudia Cardinale, Emma Thompson y Emma Watson. Luismi Pérez habla de las escalas de la meteorología, desde lo más amplio, hasta lo más local y Adriana Mourelos repasa en el grabófono grandes momentos que nos está dejando la Feria de Sevilla y habla de la canción que Enrique Iglesias le ha dedicado a Íñigo Onieva (todo esto según Íñigo Onieva, claro).

This week Jeff lets us all in regarding his admiration for Marie Osmond. For someone who can gab as much as Jeff he was at a loss for words when Marie was standing in front of him. Jeff  hopes this week you will laugh, smile, and be entertained with him when he meets one of his favorite stars. Jeff also shares so amazing updates from woman's basketball to His favorite actresses birthday. -IF YOU LIKE THIS WEEKS EPISODE HELP US GROW THIS PODCAST BY RATING, SUBSCRIBE, AND FOLLOW US ON INSTAGRAM @MARYBS5THSON. FINALLY, PLEASE SHARE THIS PODCAST WITH THOSE YOU LOVE TO HELP US CONTINUE TO CREATE CONTENT FOR YOU TO ENJOY EVERY SUNDAY MORNING OR ANYTIME! 

For our annual April Fools' Day Switcheroo, we look at the certified classic western Once Upon a Time in the West with a haunted Charles Bronson, a despicable Henry Fonda, a beautiful Claudia Cardinale, and a playful Jason Robards. Panelists: Eric, Jimmy

Son nom ne vous évoque rien et pourtant, dans les années 1960 et 1970 il était sur les lèvres du tout Paris de la mode. “Une nouvelle étoile se lève dans le ciel de la mode parisienne” écrivait le magazine américain Women's Wear Daily en 1959. Jules-François Crahay, venait alors de signer sa première collection pour la maison Nina Ricci, qu'il quittera en 1963 avant de rejoindre la maison Lanvin. En 20 ans, il y signe plus de 40 collections de haute couture et de prêt à porter. Qui était ce styliste né à Liège en 1917, que la presse a comparé à Christian Dior? Comment est-il devenu le premier couturier belge à prendre la direction artistique d'une maison de mode parisienne ? Pour tenter de répondre à ces question, une viste s'impose à exposition lui est consacrée jusqu'au 10 novembre au Musée Mode et dentelles à Bruxelles. Elle déploie une collection unique des 65 silhouettes créées par Jules-François Crahay, augmentée de croquis de films, de photographies. Son commissaire, Denis Laurent, également auteur d'un livre accompagnant l'expo, Jules-François Crahay, grand couturier redécouvert (Lannoo), résultat de cinq années de recherche, est au micro de Nicolas Bogaerts pour retracer le destin d'un génie trop vite oublié. Sujets traités : Jules-François Crahay, haute couture, Liège,Lanvin,Nina Ricci, collection,Christian Dior, couturier, Claudia Cardinale, génie Merci pour votre écoute Un Jour dans l'Histoire, c'est également en direct tous les jours de la semaine de 13h15 à 14h30 sur www.rtbf.be/lapremiere Retrouvez tous les épisodes d'Un Jour dans l'Histoire sur notre plateforme Auvio.be : https://auvio.rtbf.be/emission/5936 Et si vous avez apprécié ce podcast, n'hésitez pas à nous donner des étoiles ou des commentaires, cela nous aide à le faire connaître plus largement.

Amy and I discuss Once Upon a Time in the West (1968), directed by Sergio Leone and starring Claudia Cardinale, Charles Bronson, Henry Fonda, and Jason Robards. Call ins from Evil Jeff (Minions & Musings; https://podcasters.spotify.com/pod/show/eviljeff), and MW Lewis (Worlds of MW Lewis; https://podcasters.spotify.com/pod/show/mwlewis). Also mentioned are a number of movie reviews from Jason Connerly on Nerd's RPG Variety Cast (https://podcasters.spotify.com/pod/show/jason376). This year Jason and guests are reviewing the movies of Walter Hill. Intro & Outro Music by TJ Drennon. Cover clip art by Amy Lee Rodriguez. You can send me a message via the Anchor website, through DM on Discord, as an attachment to my email (gmologist@gmail.com) or to my speakpipe account: https://www.speakpipe.com/TheGmologistPresents.

Armando Cattarinich"Backstage. Mimmo Cattarinich e la magia del fotografo di scena"Una mostra antologica dedicata al grande fotografo di scena italiano testimone dell'opera di Maestri assoluti del cinema da Pasolini a Fellini,da Bertolucci ad Almodovar, da Dino Risi a Michelangelo Antonioni.Circa 100 fotografie provenienti dall'immenso archivio dell'AssociazioneCulturale Mimmo Cattarinich di Roma per raccontare il cinema e i suoiprotagonisti dagli anni Sessanta a oggi. Fino al 16 giugno 2024 Museo Villa Bassi RathgebVia Appia Monterosso, 52 - Abano Terme (PD)I volti di grandi attori e registi della storia del cinema internazionale come Federico Fellini, Pier Paolo Pasolini, Bernardo Bertolucci, Anthony Quinn, Marcello Mastroianni, Alberto Sordi, Capucine, Catherine Deneuve, Roberto Benigni, Claudia Cardinale, Maria Callas ma anche protagonisti contemporanei come Giuseppe Tornatore, Pedro Almodovar, Antonio Banderas, Javier Bardem, Isabelle Huppert, Rupert Everett, Rutger Hauer, Carlo Verdone, Monica Bellucci, Natalie Portman e Penelope Cruz sono soltanto alcuni dei protagonisti delle fotografie di Mimmo Cattarinich, al quale il Museo Villa Bassi Rathgeb di Abano Terme dedica fino al 16 giugno 2024 la mostra "Backstage". Mimmo Cattarinich e la magia del fotografo di scena a cura di Dominique Lora. Cinema e fotografia, linguaggi visivi nati quasi simultaneamente, da sempre condividono e scambiano tecniche narrative e ispirazioni estetiche, generando quella complessa rete di rapporti che stimola sperimentazione e creatività, una dicotomia narrativa nata da un dialogo naturale in cui immaginario, ispirazione e sovversione sono atti di reciprocità e di scambio. La fotografia documenta il cinema e ne rivela il gesto celato, l'emozione rubata, ritraendo in immagini istanti di vita dietro le quinte: è un linguaggio complementare capace di mettere a nudo i soggetti, svelandone i misteri e raccontandone la vulnerabilità. Guardare il cinema attraverso l'obiettivo del fotografo di scena è un'esperienza complessa, interdisciplinare e organizzata attorno a tre grandi soggetti che, smascherando la finzione cinematografica, rivelano tutta l'essenza umanistica di questa ricerca: la rappresentazione del reale dietro le quinte, il ritratto dell'attore all'interno e oltre la scena e il rapporto tra cinema e arte.Ad accomunare i soggetti ritratti da Mimmo Cattarinich è la tensione alla diversità: alterazioni corporee, atteggiamenti di sfida o di esibizione, caratteristiche che contribuiscono a renderli veri, trasparenti e vulnerabili. Il fotografo traspone su pellicola sogni ed emozioni dei singoli individui, rivelandone la realtà presente e le aspirazioni.Pubblicato in occasione della mostra, il catalogo, edito da Sagep Editori – Genova (2024, italiano, 96 pagine) presenta le fotografie esposte con i testi critici della curatrice Dominique Lora e dello sceneggiatore Gianfranco Angelucci, e in apertura, un ritratto personale e privato scritto dal figlio Armando Cattarinich.IL POSTO DELLE PAROLEascoltare fa pensarewww.ilpostodelleparole.itDiventa un supporter di questo podcast: https://www.spreaker.com/podcast/il-posto-delle-parole--1487855/support.

This week Gary and Iain review and discuss, Once Upon a Time in the West (1968) by Director, Sergio Leone. Starring, Claudia Cardinale, Charles Bronson and Henry Fonda. For more Off The Shelf Reviews: Merch: https://off-the-shelf-reviews.creator-spring.com https://www.youtube.com/channel/UChWxkAz-n2-5Nae-IDpxBZQ/join Podcasts: https://offtheshelfreviews.podbean.com/ Follow us on Twitter: https://twitter.com/@OTSReviews Youtube: https://www.youtube.com/c/OffTheShelfReviews Facebook: https://www.facebook.com/OffTheShelfReviews Support us: http://www.patreon.com/offtheshelfreviews Twitch: https://www.twitch.tv/offtheshelfreviews Discord: https://discord.gg/Dyw8ctf

Matt & Todd discuss the badass western film loaded with badass characters. Featuring a cast of badass actors. Lee Marvin, Burt Lancaster, Robert Ryan & Woody Strode take on Jack Palance and his army of revolutionaries to rescue Claudia Cardinale. Directed by Richard Brooks.

Il giovane Capitano Bellodi, fresco di trasferimento in un piccolo paese della Sicilia, si trova a indagare in un caso di omicidio ai danni di un impresario edile, ucciso dalla mafia. L'ufficiale si troverà contro l'omertà della popolazione e l'incapacità della polizia. Ma avrà anche il rispetto del boss locale. Tratto dal romanzo omonimo di Sciascia, il film si regge perfettamente sulla regia quadrata e asciutta di Damiani, che descrive uno spaccato d'Italia con rigore e realismo. Franco Nero raramente così bravo, affiancato da una splendida e sempre brava Claudia Cardinale. Un film rigoroso, teso ed imperniato di un'amarezza che non lascia l'anima nemmeno dopo i titoli di coda. Da recuperare, per vedere la solidità del cinema italiano di un tempo.

Sergio Leone schafft einen Klassiker der Filmgeschichte: "C´era una volta di West" ist der Western schlechthin, Ennio Morricones Soundtrack legendär... Von Burkhard Hupe.

This month, author and Cinephile: A Card Game creator Cory Everett joins us to talk about Sergio Leone's Once Upon a Time in the West (1968). We get into the elasticity of the western, what constitutes pure cinéma, Claudia Cardinale thirst, Big Screen Movies and the garages that screen them, Leone the minimalist and maximalist, and more. -- The Bright Wall/Dark Room Podcast is co-hosted by ⁠Veronica Fitzpatrick⁠ and ⁠Chad Perman⁠ and produced and edited by ⁠Eli Sands⁠. Our theme music is composed by Chad. You can find all 125 monthly issues of Bright Wall/Dark Room, including this month's brand new issue on Westerns, at brightwalldarkroom.com. We really, really appreciate your ratings and reviews. We're on Twitter @BWDR & @TheBWDRPodcast, and always welcome feedback and advertising inquiries at podcast@brightwalldarkroom.com. Yeehaw. -- This episode is sponsored by Galerie, a new kind of film club. Listeners may sign up for access at ⁠https://join.galerie.com/bwdr⁠ and use code JOINGALERIE for 1 month free.

Roy Harold Scherer Jr. was born smack dab in the middle of both the Roaring 20's and the country in Illinois, Thanksgiving of 1925. Of all the gay and bisexual actors and actresses we've covered, Hudson was easily the most elusive and convincing in his career long presentation as a very straight screen idol and leading man. While known to many in Hollywood circles, his private life only came to public light over three decades into his career, when he was one of the earliest celebrities to openly discuss his being stricken with AIDS. A naval veteran and strangely enough, a lifelong Republican and de facto Goldwater Girl (!) he pursued his dream of acting despite a pronounced and career long difficulty in remembering lines, being rejected from drama school and wasting no less than 38 takes to deliver a single line in his first onscreen role – a testament to his All American good looks and winning personality, to be sure. After being signed to Universal, he was cast in several forgettable and forgotten cheesy period westerns, pirate and supposed adventure films before landing industry attention with his Oscar for the execrable James Dean/Elizabeth Taylor melodrama Giant.  But it was with his oddly fortuitous pairing with Doris Day and neurotic comic relief sideman Tony Randall in a series of fluffy and decidedly conservative romantic comedies at the end of the 1950s that he truly attained marquee leading man status. Going on to star with Italian sex symbols Gina Lollobrigida and Claudia Cardinale, as well as other attempts to replicate the Hudson/Day formula with lesser lights like Leslie Caron and Paula Prentiss, Hudson began to tire of these sort of light comedy roles, moving to television for the highly enjoyable and well remembered McMillan and Wife alongside the equally loveable Susan Saint James and gay icon (and Rosie the paper towel lady!) Nancy Walker  for a several season, nigh-decade spanning run.   His latter roles tended towards the decidedly idiosyncratic: John  Frankenheimer's existential paranoia opus Seconds, Alastair MacLean's flawed if enjoyable Cold War spy film Ice Station Zebra, Roger Vadim's sexploitation slasher/comedy Pretty Maids All In a Row, entertaining disaster epic Avalanche and the pensive meditation of a miniseries that was The Martian Chronicles. So join us as we take on the All-American leading man who hid a surprising edge behind the surface veneer, the one and only Rock Hudson, only here on Weird Scenes! Week 108 (10/19/23): Hide in Plain Sight: the Life and Career of Rock Hudson https://weirdscenes1.wordpress.com/ https://www.facebook.com/WeirdScenes1 https://twitter.com/WeirdScenes1 (@weirdscenes1) https://thirdeyecinema.podbean.com/ https://itunes.apple.com/us/podcast/third-eye-cinema-weird-scenes-inside-the-goldmine-podcast/id553402044 https:// (open.spotify.com) /show/4s8QkoE6PnAfh65C5on5ZS?nd=1 https://music.amazon.com/podcasts/09456286-8956-4b80-a158-f750f525f246/Third-Eye-Cinema-Weird-Scenes-Inside-the-Goldmine-podcast

Agents Scott and Cam plot a daring diamond heist while pratfalling their way through 1963's The Pink Panther. Directed by Blake Edwards. Starring David Niven, Peter Sellers, Robert Wagner, Capucine, Brenda de Banzie, Colin Gordon and Claudia Cardinale. Become a SpyHards Patron and gain access to top secret "Agents in the Field" bonus episodes, movie commentaries and more! Purchase the latest exclusive SpyHards merch at Redbubble. Social media: @spyhards View the NOC List and the Disavowed List at Letterboxd.com/spyhards Podcast artwork by Hannah Hughes. Theme music by Doug Astley.

Meow. It's The Leopard! Get ready for another ball, it won't be the last. Charlie and Antonio watch Luchino Visconti's 1963 Italian epic; can they handle all this opulence?Intro/outro music: Excerpt from 'The Tree of Life' by Alexandre Desplat.THE LEOPARD (1963), Italy and France, written by Luchino Visconti, Enrico Medioli, Massimo Franciosa, Suso Cecchi d'Amici, Pasquale Festa Campanile, and René Barjavel, directed by Luchino Visconti, cinematography by Giuseppe Rotunno, featuring Burt Lancaster, Alain Delon, and Claudia Cardinale.

Tuck your napkins in, we got a hearty dish of spaghetti served up today (don't forget the western)! For the first time, Charlie and Antonio dive headfirst into Sergio Leone's 1968 masterpiece, Once Upon a Time in the West! Henry Fonda, Claudia Cardinale, Jason Robards, Charles friggin' Bronson?! What could go wrong? Intro/outro music: "Ikiru" theme composed by Fumio Hayasaka ONCE UPON A TIME IN THE WEST (1968), Italy and USA, written by Sergio Leone and Sergio Donati, directed by Sergio Leone, cinematography by Tonino Delli Colli, featuring Claudia Cardinale, Henry Fonda, Jason Robards, and Charles Bronson 

Tue, 18 Apr 2023 03:00:00 GMTTVONEARTVONEARnonofull23:4290

El máximo divo italiano en hombres (en mujeres la gran Sofía Loren), galán, actor, gígolo, seductor, ícono en su época, multi-ganador de premios en su larga trayectoria. Teniendo a las mujeres más guapas de su tiempo: Faye Dunaway, Claudia Cardinale, Úrsula Andress, Catherine Deneuve y muchas más en su larga vida amorosa…! En esta edición de Divas & Divos del Cine Mexicano, en compañía de mi amigo y Co- conductor Edu Canseco, los llevaremos de la mano a su vida, su infancia, sus inicios, sus mejores películas, sus grandes premios, su vida personal y más, mucho más. Su vida y trayectoria es impresionante en Italia, en Europa, en Hollywood, reconocido mundialmente en esas gloriosas épocas de oro. Será.....Espectacular!.

In this episode, we talk about the madcap sex comedy Don't Make Waves from 1967. We talk about the plot and its stars, Tony Curtis, Claudia Cardinale, and the late Sharon Tate. Much more…. Thanks for listening!

Can you believe Telly Savalas, Claudia Cardinale, David Niven, Richard Roundtree, Sonny Bono and Mr. Bronson from Grange Hill were in the same movie once? We can't - and this is before you get to lovely old Roger Moore playing a Wehrmacht captain! It can only be Escape to Athena, one of a series of star-studded flops produced by British TV mogul Lew Grade - and this one has an ace up its sleeve in the form of future Rambo: First Blood Part II director George P Cosmatos. It's the kind of film about a Nazi prisoner-of-war camp that always gets shown at Christmas, which is an odd state of affairs when you stop to think about it. On this episode of Pop Screen, Graham is joined once again by We Are Cult's Mark Cunliffe to discuss the evolution of the World War II movie, as well as Grade's chequered career. There's also room to debate the best screen incarnation of Philip Marlowe, reveal how Sonny Bono shaped modern Hollywood and decide which Muppet clearly inspired Elliot Gould's performance in this film. If you don't want us to be reduced to doing striptease shows for German generals, you can donate to our Patreon, where you'll get more than ever for your money. The next Pop Screen Patreon exclusive, about the 2002 Britney Spears vehicle Crossroads, goes live a day after this show, while Unseen Asia is currently posing the question: why is John Woo's Hard Boiled not available in the UK? Plus Last Night..., Random Access Who, and more. Follow us on Instagram, Twitter and Facebook for more information. --- Send in a voice message: https://podcasters.spotify.com/pod/show/pop-screen/message

Episode 336: The Crew's staring down Sergio Leone's Once Upon a Time in the West. This classic delivers all the Spaghetti Western goodies. Everyone is sweating while covered in mounts of dirt, and if you're lucky, only three other people used the bath water that day. Henry Fonda and Claudia Cardinale steal the show, and Jason Robards adds some much needed comedy. The Crew discusses… If you like our music intro, head over to Soundcloud and hear more amazing music from aquariusweapon. Aquariusweapon can also be found on YouTube. Contact: moviecrewpod@gmail.com

This episode is also available as a blog post: https://thecitylife.org/2023/01/29/moma-presents-claudia-cardinale/ --- Send in a voice message: https://podcasters.spotify.com/pod/show/citylifeorg/message Support this podcast: https://podcasters.spotify.com/pod/show/citylifeorg/support

Monica Preti"Mauro Bolognini"Un nouveau regardIl cinema, il teatro e le artiA cura di Andrea Baldinotti, Vincenzo Farinella, Monica Preti, Luca ScarliniOfficina Librariahttps://officinalibraria.netIl regista pistoiese Mauro Bolognini (1922-2001) è stato un protagonista della cultura italiana del secondo dopoguerra. Nel centenario della nascita si propone una riconsiderazione complessiva della sua opera, capace di spaziare tra cinema, televisione, teatro e opera lirica, sottolineando in particolare i fecondi rapporti intrattenuti con il cinema francese e con la cultura italiana a lui contemporanea (in particolare con Pasolini). Regista di decine di pellicole, con lui hanno recitato tra gli altri Claudia Cardinale, Ottavia Piccolo, Isabelle Huppert, Jean Paul Belmondo, Marcello Mastroianni, Alberto Sordi. Nel catalogo verrà riproposta l'ampia selezione di opere (manifesti, bozzetti, costumi, fotografie, oggetti di scena...) presente in mostra, che consente di seguire, anno per anno, i momenti più significativi della vita e dell'opera del regista. Ma il catalogo ha anche un'ambizione più vasta: ricostruire il rapporto intrattenuto da Bolognini con le arti. Si proporrà una riconsiderazione ad ampio raggio dei suoi gusti artistici, a partire dalla formazione toscana, a contatto con i capolavori della pittura macchiaiola e con le esperienze della scuola pistoiese del primo Novecento, e dal periodo di studio con Ottone Rosai, presso l'Accademia di Belle Arti di Roma. I saggi in catalogo avanzeranno anche un approfondimento sulle sue preferenze estetiche, attraverso lo studio degli oggetti e le opere di cui amava circondarsi nelle sue case (ritratte nelle fotografie di Aurelio Amendola), nonché sui rapporti intrattenuti con vari artisti contemporanei, con un focus specifico su Mario Ceroli. Un'ulteriore riflessione sarà dedicata a rievocare la passione storico-artistica che ha caratterizzato l'intera opera del regista, inducendolo ad arricchire molte sue pellicole – e in particolare La Viaccia del 1961 e Metello del 1970 – di vere e proprie citazioni figurative di capolavori della pittura italiana e francese, puntualmente illustrate in mostra e in catalogo.IL POSTO DELLE PAROLEAscoltare fa Pensarehttps://ilpostodelleparole.itQuesto show fa parte del network Spreaker Prime. Se sei interessato a fare pubblicità in questo podcast, contattaci su https://www.spreaker.com/show/1487855/advertisement

Jackie and Greg are joined on the old dusty trail by Becca Deveaux from the "This Cinematic Life" blog in their discussion of Sergio Leone's epic spaghetti western, ONCE UPON A TIME IN THE WEST from 1968. Topics of discussion include whether the film is an anti-western, Leone as a mythmaker, a theory on Charles Bronson's character having been dead the whole time, a breakdown of Ennio Morricone's legendary score, and why more films need to swing for the fences.#78 on Sight & Sound's 2012 "The 100 Greatest Films of All Time" list.https://www.bfi.org.uk/sight-and-sound/polls/greatest-films-all-time-2012#95 on Sight & Sound's 2022 "The 100 Greatest Films of All Time" list.  https://www.bfi.org.uk/sight-and-sound/greatest-films-all-timeCheck us out on Instagram: https://www.instagram.com/sceneandheardpodCheck us out at our official website: https://www.sceneandheardpod.comJoin our weekly film club: https://www.instagram.com/arroyofilmclubJP Instagram/Twitter: jacpostajGK Instagram: gkleinschmidtPhotography: Matt AraquistainMusic: Andrew CoxSpecial Thanks: Becca DeveauxGet in touch at hello@sceneandheardpod.com

Special Guest, Andrew Patrick Nelson, from the How the West Was Cast Podcast, joins your hosts Dustin Melbardis and Bryan Frye for the Retro Movie Roundtable as they revisit The Professionals (1966) [PG-13] Genre: Western, Action, Adventure Starring: Burt Lancaster, Lee Marvin, Robert Ryan, Woody Strode, Jack Palance , Claudia Cardinale, Ralph Bellamy, Joe De Santis, Rafael Bertrand, Jorge Martínez de Hoyos, Marie Gomez, José Chávez, Carlos Romero, Vaughn Taylor   Director: Richard Brooks Recorded on 2022-12-1

Charles Skaggs & Xan Sprouse are joined by special guest DJ Nik as they pay tribute to Angelo Badalamenti & Al Strobel and continue The Films That Inspired David Lynch by discussing 8 1/2, the 1963 surrealist comedy-drama directed by Federico Fellini, starring Marcello Mastroianni as Guido Anselmi, Anouk Aimee as Luisa Anselmi, and Claudia Cardinale as Claudia! Find Us Here: Twitter: @GhostwoodCast @CharlesSkaggs @udanax19 @HiDarknesspod Facebook: Facebook.com/GhostwoodPodcast Email: GhostwoodPodcast@gmail.com Listen and subscribe to us in Apple Podcasts and leave us a review!

POP ART, WHERE WE FIND THE POP CULTURE IN ART AND THE ART IN POP CULTURE. GO WESTERN, YOUNG MAN: Join me and film producer Colin Vaines (Gangs of New York, Young Victoria, My Week with Marilyn, Film Stars Don't Die in Liverpool) as we talk The Wild Bunch/Once Upon a Time in America. First, a mea culpa caveat. There were some technical issues, so at the end, some things were cut short, mainly in how I listed my suggested films, and then I left out what's coming up for me and the podcast. But other than that, it was a great recording venture. “When you side with a man, you stay with him!” Oh, the good old days of the west where it was easy to tell the good buys from the bad guys. The bad guys wore black hats; robbed and killed innocent people; and hated Indians; the good guys wore white hats, brought law and order to the community, and hated Indians …Sounds like it's time for Episode 89 of Pop Art, where we find the pop culture in art and the art in pop culture. It's the podcast where my guest chooses a movie from popular culture, and I'll select a film from the more art/classic/indie side of cinema with a connection to it. For this episode, I am happy to welcome as my guest, producer and filmmaker Colin Vaines, who has chosen as his film the existentialist revisionist western, Sam Peckinpah's The Wild Bunch, while I have chosen the more postmodern revisionist western, Sergio Leone's Once Upon a Time in the West, both films not just about the changing West, but about the change in Westerns. And in this episode we answer such questions as: Why did the two filmmakers make so few films? What is the connection between the Mexican warlord Mapache and the Oscar statuette? Who dubbed Claudia Cardinale's voice and what is she most famous for? What movie did Lee Marvin turn down The Wild Bunch to do? Dario Argento and Bernardo Bertolucci…together? What did John Wayne say about The Wild Bunch? Why did a French movie projectionist hate Once Upon a Time…? What did Peckinpah do after Robert Ryan wouldn't stop complaining about not getting top billing? What fashion influence did Once Upon a Time… have and what did it have to do with escalators? Check out Colin's Wikipedia page at https://en.wikipedia.org/wiki/Colin_Vainesand his films which can be found on various platforms as well as coming to a theater near you. Check out my blog at https://howardcasner.wordpress.com/ My books, More Rantings and Ravings of a Screenplay Reader, The Starving Artists and Other Stories and The Five Corporations and One True Religion can be found at https://www.amazon.com/s?k=howard+casner&ref=nb_sb_noss --- Support this podcast: https://anchor.fm/howard-casner/support

Do you like endearingly bumbling detectives? Are you into animated opening credit sequences with iconic theme music? Do you appreciate it when Peter Sellers plays his Stradivarius? Then the Pink Panther (1963) is the movie for you! Check out this stylish and wintry comedy caper directed by Blake Edwards, starring David Niven, Peter Sellers, Capucine, Robert Wagner, and Claudia Cardinale. Host, Sara Greenfield and her guest Nick Lang chat about all this and more on this week's episode of Talk Classic To Me. --- Support this podcast: https://anchor.fm/sara-greenfield/support

Er ist einer der bekanntesten Schauspieler Deutschlands. Seine Hauptrollen in den Kultserien „Gegen den Wind“ und „Forsthaus Falkenau“, haben ihn über die Grenzen hinaus berühmt gemacht. Nebenbei ist er auch noch Autor, Maler, Fotograf, gelernter Koch, Hundebesitzer und Vater von sieben Kindern. Aber wer ist dieser Mensch wirklich, dessen Gesicht jede(r) kennt, der noch einen Fernseher besitzt? Um das herauszufinden, habe ich Hardy Krüger jr. zuerst in seinem Café „Fräulein O“ in Köpenick besucht, wo er übrigens selbst hinter der Theke steht und Kaffee und selbstgebackenen Kuchen serviert, und ihn danach zu meinem Event „Ein Wochenende mit Lars Amend“ in eine Suite des Berliner nhow Hotels eingeladen. Wie ist das so, mit einem Vater aufzuwachsen, der einer der erfolgreichsten Hollywood-Schauspieler seiner Zeit war? Wie ist das so, wenn große Namen wie Sean Connery oder Claudia Cardinale im väterlichen Anwesen am Lago di Lugano ein und ausgehen? Wie ist das so, in Fülle und Reichtum aufzuwachsen und später alles wieder zu verlieren? Ja, mit diesen Worten „Wie ist das so?“ beginnen viele meiner Fragen, denn das Leben von Hardy Krüger jr. ist auf so vielen Ebenen außergewöhnlich, dass man aus dem Staunen kaum noch herauskommt. Allein das erste Kapitel seiner Biografie „Wendepunkte“ lässt einen mit offenem Mund zurück. Ein Gespräch u.a. über Männlichkeit, Träume, Trauer, Liebe und Hoffnung, an das ich mich noch lange erinnern werde: - Wie verkraftet man den Tod eines eigenen Kindes? - Wie schafft man es, am Leben zu bleiben, wenn die Dunkelheit so verlockend ist? - Wie findet man heraus, wer man wirklich ist, wenn alle schon ein fertiges Bild von dir haben? - Was ist der Sinn des Lebens? - Worauf kommt es wirklich an im Leben? Hardy Krüger jr. hat sein außergewöhnliches Leben aufgeschrieben und mich mit dieser Biografie nicht nur einmal zum Weinen gebracht. Das Buch mit dem passenden Titel „Wendepunkte“ trägt dazu einen Untertitel, der treffender nicht sein könnte: „Wie ich Kraft aus der Veränderung geschöpft habe“. Ich hoffe sehr auf eine Fortsetzung unseres Gesprächs, denn ich habe das Gefühl, dass es noch viel zu bereden gibt, zum Beispiel: Wie wird man ein guter Vater? Hier findest du alles über Hardy Krüger jr: - Die Biografie: https://www.gu.de/produkte/sachbuch/memoire/wendepunkte-jr-2021/ - Das Café in Köpenick: https://www.cafe-fräulein-o.de/ - Hardy auf Instagram: https://www.instagram.com/hardykruegerjr/ One Love. One Dream. One Team. Dein Lars Der kostenlose Magic Monday Newsletter: https://www.lars-amend.de/ Lars auf Instagram: www.instagram.com/larsamend Lars auf YouTube: https://www.youtube.com/larsamendcoaching

For Trevor's homework this week, Mike brings the universally praised and highly regarded western, Once Upon a Time in the West. Join us on an epic adventure as we discuss themes, plot points, camera terminology, and Will Smith slapping horses.

Democracies around the world are under threat from populist movements, demagogues, and dogmatic extremists who use disinformation, conspiracy theories, cancel culture, and shaming to weaponize social media and challenge our ability to distinguish truth from falsehood.Most recently, the Russian government has used lies and fake news to justify its attempted land grab in Ukraine. In "The Constitution of Knowledge: A Defense of Truth", best-selling author, journalist, and public intellectual, Jonathan Rauch, offers a stirring defense of the social system of checks and balances that is crucial for turning disagreement into verifiable facts."This global network of people hunting for each others' errors is far and away the greatest human technology ever invented," Jonathan tells us. The constitution of knowledge "is a global conversation of people looking for truth, and more especially, looking for error."In this episode of "How Do We Fix It?", Jonathan arms listeners and advocates of truth with a clear understanding of what they must protect, and how to do it. He makes a clear and moving argument for how all of us can help defend truth and free inquiry from threats that come from as far away as Russia and as close as our cellphones.Here's one of our recommended reviews of "The Constitution of Knowledge".Movie recommendation: Richard enjoyed "The Leopard", a 1963 Italian period drama by director Luchino Visconti, starring Burt Lancaster, Claudia Cardinale, and Alain Delon. See acast.com/privacy for privacy and opt-out information.

In this episode we talk to entertainer Lauren McGregor about tough girls in cinema. We highlight The Legend of Frenchie King, a western starring Brigitte Bardot and Claudia Cardinale. Thanks for listening!

The guys get around to watching Sergio Leone's Once upon a Time in the West. They talk spooky season and upcoming new releases.