Podcasts about ferdia

Topics covered : Imbolc and the symbolism and significance of Brigid.In this episode, I speak to historian and artist Shelly Mooney who runs the brilliant Instagram page ‘Tales from the Wood' which explores the history and mythology of Ireland.She lives in the countryside in County Wexford with her husband Kev, their baby Ferdia and Lola their dog.After several years of campaigning, St Brigid's Day has finally become a public holiday in Ireland and it's the first one to be named after a woman.In this conversation Shelly talks about the ancient pagan festival heralding the beginning of Spring called ‘Imbolc' and the significance of Brigid and her resurgence in recent times, including the story behind her cloak and the cross of St. Brigid.If you're a fan of my pod, please follow, rate and review in all the usual places. And thanks, as always, for your support of Ready to be Real. Hosted on Acast. See acast.com/privacy for more information.

Tá stádas dearg aimsire fógraithe do naoi gcinn do chontaetha ar chósta thiar na hÉireann agus stoirm Éowyn ar an mbealach.

Michael and Ethan continue discussing Glorious Exploits, by Ferdia Lennon, while drinking The Midnight Silkie (Michael) and Red Locks (Ethan) Irish whiskeys.In this episode:Jokes (get better the more you tell them)Spoilers for Downton Abbey series 3 (2012)If you haven't watched every example of German Expressionist silent cinema, do you even lift?Nostalgia for a time when plays could induce riotsSlouching toward assigning a graduate thesisMultiple “Gift of the Magi” situations humanly complicate multiple charactersWhat is art?Next time Michael and Ethan will discuss Nobber, by Oisin Fagan! Join the discussion! Go to the Contact page and put "Scotch Talk" in the Subject line. We'd love to hear from you! And submit your homework at the Michael & Ethan in a Room with Scotch page. Join us on GoodReads!Donate to our Patreon!BUY A NIHILIST BLANKET! Your Hosts: Michael G. Lilienthal (@mglilienthal) and Ethan Bartlett (@bjartlett) MUSIC & SFX: "Kessy Swings Endless - (ID 349)" by Lobo Loco. Used by permission. "The Grim Reaper - II Presto" by Aitua. Used under an Attribution-NonCommercial-ShareAlike License. "Thinking It Over" by Lee Rosevere. Used under an Attribution License.(Links to books & products are affiliate links.)

Michael and Ethan begin discussing Glorious Exploits, by Ferdia Lennon, while drinking The Midnight Silkie (Michael) and Red Locks (Ethan) Irish whiskeys.In this episode:Don't worry about why Karen reading the rules happens so suddenlyThis book is The Producers, the Great Escape, AND the Gift of the MagiSometimes the real story is the anachronisms we met along the way“Version” is fineObligatory Shakespeare digressionTechnically not a history podcastKing Offa's Arabic coinEuripedes' Deus is not quite as ex machina as you might expectMichael and Ethan: rabbit holes all the way downNext time Michael and Ethan will continue to discuss Glorious Exploits, by Ferdia Lennon! Join the discussion! Go to the Contact page and put "Scotch Talk" in the Subject line. We'd love to hear from you! And submit your homework at the Michael & Ethan in a Room with Scotch page. Join us on GoodReads!Donate to our Patreon!BUY A NIHILIST BLANKET! Your Hosts: Michael G. Lilienthal (@mglilienthal) and Ethan Bartlett (@bjartlett) MUSIC & SFX: "Kessy Swings Endless - (ID 349)" by Lobo Loco. Used by permission. "The Grim Reaper - II Presto" by Aitua. Used under an Attribution-NonCommercial-ShareAlike License. "Thinking It Over" by Lee Rosevere. Used under an Attribution License.

Loose Ends this week is a masterclass in the many ways human beings find to laugh: the writer and comic Jenny Eclair started her career as a punk performance poet, who created her stage name to chime with the band she joined - Cathy le Creme and the Rumbabas. But as we learn in her new memoir, she knew as a small child called Jenny Hargreaves that she had the "funny bones" required to make her a comedy star. There is little about Ferdia Lennon's debut novel Glorious Exploits that might suggest comedy - its set in 412 BC Sicily, in the years after Athens' failed invasion and tells the story of two locals who get Athenian prisoners of war to stage a production of the play Medea. Yet this book's just won an award for comic writing. Nikki Amuka-Bird is a Bafta-winning actor and her new movie Rumours features a constellation of Hollywood stars. But this comedy-horror-satire features her alongside Cate Blanchett and Charles Dance prat-falling as world leaders at a summit. And stand-up Lou Sanders is about to go on the road with a show called No Kissing In The Bingo Hall, but she's taken diversions via Dancing on Ice and Taskmaster and will be trying not to laugh in series one of Last One Laughing UK next year. With music by Roddy Woomble of Idlewild.Presenter: Clive Anderson Producer: Olive Clancy

An unlikely production of Euripides in a prison quarry, set in ancient Greece with a contemporary Irish accent. As funny as it is moving, the novel is an ode to the power of art in a time of war and brotherhood in a time of enmity.

Ferdia Ó Mongáin, Príomhoide Scoil na hEachléime ag labhairt faoin bhforbairt atá le déanamh ar an scoil.

Join me as chat with Ferdia Lennon, author of Glorious Exploits, a wonderful debut novel listed in the Theater category on Art In Fiction.View the video on YouTube: https://youtu.be/3ZFFQ4rg4DUGenesis for Glorious ExploitsBased on true events that occurred in Syracuse, Sicily during the Peloponnesian war.The theme of friendship in Glorious ExploitsTheater and research of ancient Greek theater in the writing of Glorious ExploitsTraveling to Greece and Syracuse as part of the research processWhy Euripedes? Discussion of Medea and The Trojan Women, the two Euripedes plays put on by the Athenian soldiers in the quarryThe voice of Lampo and why he sounds IrishThe similarities between Ireland as an island nature separate from and yet related to England, and Sicily also an island separate from and yet related to the culture of GreeceThe size and breadth of the ancient world and its many influencesDiscussion of Ferdia's compelling writing styleHow Lampo's character changes and grows in the novelThe making of the audiobook that Ferdia narratedParallels between Glorious Exploits and our own timeReading from Glorious ExploitsPublication journey of Glorious ExploitsOne thing Ferdia learned from writing his novel that he didn't know beforePress Play now & be sure to check out Glorious Exploits by Ferdia Lennon on Art In Fiction: https://www.artinfiction.com/novels/glorious-exploitsFerdia Lennon's website: https://www.ferdialennon.com/Music CreditPaganology, performed by The Paul Plimley Trio; composed by Gregg SimpsonThis website contains affiliate links. If you use these links to make a purchase, I may earn a commission. As an Amazon Associate, I earn from qualifying purchases. Thank you. Are you enjoying The Art In Fiction Podcast? Consider giving us a small donation so we can continue bringing you interviews with your favorite arts-inspired novelists. Click this link to donate: https://ko-fi.com/artinfiction.Also, check out the Art In Fiction website at https://www.artinfiction.com and explore 2200+ novels inspired by the arts in 10 categories: Architecture, Dance, Decorative Arts, Film, Literature, Music, Textile Arts, Theater, Visual Arts, & Other.Want to learn more about Carol Cram, the host of The Art In Fiction Podcast? She's the author of several award-winning novels, including The Towers of Tuscany and Love Among the Recipes. Find out more on her website.

Rinne Stoirm Ashley a bealach trasna na tíre le linn an deireadh seachtaine. Bhí an aimsir thar a bheith garbh agus gaofar agus siotaí suas le 130 cilimeadar in áiteacha. Bhí na mílte fágtha gan aon chumhacht abhléise dá bharr agus b'éigean eitilití a chur ar ceall.

In this podcast, NCW Head of Programme & Creative Engagement Holly is joined by author Ferdia Lennon to discuss writing dialect in fiction.   Ferdia Lennon was born and raised in Dublin. He holds a BA in History and Classics from University College Dublin and an MA in Prose Fiction from the University of East Anglia. His short stories have appeared in publications such as The Irish Times and The Stinging Fly. In 2019 and 2021, he received Literature Bursary Awards from the Arts Council of Ireland. Glorious Exploits is his first novel. A Sunday Times bestseller, it was broadcast on BBC Radio 4 as a Book at Bedtime and was the winner of the Waterstones Debut Fiction Prize 2024.   Together, Holly and Ferdia discuss his debut novel Glorious Exploits, and his decision to represent contemporary Dublin-Irish dialect through his writing. They also touch on writing a story within a story, how language and dialect can make historical fiction more accessible, and the important decision of whose voice and delivery should lead the story.

An chomhairle atá Met Éireann a chuir ar fheirmeoirí ag an gComórtas Náisiúnta Treabhadóireachta i Ráithín an Uisce i gCondae Laoise.

Our guest in the writer's studio this week is Ferdia Lennon, whose debut novel Glorious Exploits depicts the ancient world in a way readers will never have experienced it before. Set in Syracuse in 412 BC, after the catastrophic attempt by Athens to invade the city, Lampo and Gelon, two out-of-work potters, have the harebrained idea of staging a production of Medea—perhaps the greatest play, by unquestionably the greatest playwright of their time—using, as actors, the Athenian soldiers held as prisoners in the quarry. And if that premise weren't intriguing enough on it's own, it's the writer's execution that really sets Glorious Exploits apart, as Lennon eschews the stilted formality that tales of Antiquity often lapse into, in favour of an always lively, frequently fruity, distinctly Irish vernacular. Glorious Exploits is a story about friendship, about art, about love, and about violence. It's also a story about stories—those we tell each other, those we tell ourselves, and the power they have to spirit us to other worlds entirely. Buy Glorious Exploits: https://www.shakespeareandcompany.com/books/glorious-exploits*Ferdia Lennon was born in Dublin to an Irish mother and Libyan father. He holds a BA in History and Classics from University College Dublin and an MA in Prose Fiction from the University of East Anglia. His short stories have appeared in publications such as the Irish Times and the Stinging Fly. In 2019 and 2021, he received a Literature Bursary Award from the Arts Council of Ireland. After spending many years in Paris, he now lives in Norwich with his wife and son.Adam Biles is Literary Director at Shakespeare and Company. His latest novel, Beasts of England, a sequel of sorts to Animal Farm, is available now. Buy a signed copy here: https://www.shakespeareandcompany.com/books/beasts-of-englandListen to Alex Freiman's latest EP, In The Beginning: https://open.spotify.com/album/5iZYPMCUnG7xiCtsFCBlVa?si=h5x3FK1URq6SwH9Kb_SO3w Get bonus content on Patreon Hosted on Acast. See acast.com/privacy for more information.

Stoirm Ernesto ar a bealach.

Ferdia Lennon's riotously funny debut disarms from the very first page. With a setting of Syracuse in 412 BC but a very modern Irish vernacular, readers will enjoy every minute they spend with best friends Gelon and Lampo as they seek to stage a performance of Euripides with a group of captured Athenian soldiers. We spoke with him about finding the right voice, has fascination with the classics, and why what will survive of us is art.

Ferdia Lennon discusses the historical background of his debut novel, Glorious Exploits, skepticism and the divine, reading the classics, coming back to writing, using contemporary Irish dialect to write a novel set in the Peloponnesian War, and more! Ferdia Lennon was born in Dublin to an Irish mother and a Libyan father. He holds a BA in History and Classics from University College Dublin and an MA in Prose Fiction from the University of East Anglia. His short stories have appeared in publications such as the Irish Times and the Stinging Fly. In 2019 and 2021, he received Literature Bursary Awards from the Arts Council of Ireland. After spending many years in Paris, he now lives in Norwich with his wife and son. Glorious Exploits is his debut novel. Learn more about your ad choices. Visit megaphone.fm/adchoices

I'm just back from five glorious days in Syracuse, the ancient Mediterranean city in the south western corner of Sicily. And to extend my trip, at least virtually, I spoke to the young Irish novelist, Ferdia Lennon, author of the very unusual and much acclaimed Glorious Exploits, a tragicomic novel set in the Syracuse of the Peloponnesian War. We talked the Syracuse of antiquity, of course, but also Lennon discussed the long process of writing Glorious Exploits and gave valuable advice to other first-time novelists working on stories that incorporate their own unique interests, sensibilities and eccentricities. FERDIA LENNON was born in Dublin to an Irish mother and a Libyan father. He holds a BA in History and Classics from University College Dublin and an MA in Prose Fiction from the University of East Anglia. His short stories have appeared in publications such as the Irish Times and the Stinging Fly. In 2019 and 2021, he received Literature Bursary Awards from the Arts Council of Ireland. After spending many years in Paris, he now lives in Norwich with his wife and son. Glorious Exploits is his debut novel.Named as one of the "100 most connected men" by GQ magazine, Andrew Keen is amongst the world's best known broadcasters and commentators. In addition to presenting KEEN ON, he is the host of the long-running How To Fix Democracy show. He is also the author of four prescient books about digital technology: CULT OF THE AMATEUR, DIGITAL VERTIGO, THE INTERNET IS NOT THE ANSWER and HOW TO FIX THE FUTURE. Andrew lives in San Francisco, is married to Cassandra Knight, Google's VP of Litigation & Discovery, and has two grown children.Keen On is a reader-supported publication. To receive new posts and support my work, consider becoming a free or paid subscriber. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit keenon.substack.com/subscribe

Ferdia Lennon hat einen historischen Roman geschrieben, der nicht nur gute Laune macht, sondern seine Leser:innen auch tief berühren kann. Buchhändler Philipp Schneider stellt "Glorreiche Taten" vor. Von Philipp Schneider.

Beth Golay recently spoke with "Glorious Exploits" author, Ferdia Lennon about his love of the classics, the power of art and drama, and narrating his own audiobook.

Shelly Mooney is a historian and artist who lives in County Wexford with her husband Kev, their baby Ferdia and Lola their dog and she runs the brilliant Instagram page ‘Tales from the Wood' which explores the history and mythology of Ireland.In this bite-sized episode she talks to us about the ancient Celtic festival of Bealtaine. She speaks of the importance of the Hill of Uisneach, the tradition of handfasting at this time, and the significance of the Hawthorn tree. The Hill of Uisneach - The Sacred Centre of Ireland.If you're a fan of my pod, please follow, rate and review in all the usual places.And thanks, as always, for your support of Ready to be Real. Hosted on Acast. See acast.com/privacy for more information.

Episode 82 of the National Leprechaun Museum's Talking Stories Podcast. Brendan and Evan discuss Paudie's retelling of the epic fight between Cú Chulainn and Ferdia.

Lankum's Ian Lynch speak about his score for Paul Duane's new film, All You Need is Death. Ferdia Lennon on his new book Glorious Exploits. Art historian Jess Fahy provides her art highlights in Berlin.

Der libanesisch-irische Autor Ferdia Lennon lässt in seinem Debütroman "Glorreiche Taten" Griechen in der Gefangenschaft in Syrakus Euripides-Dramen aufführen - ein praller Spaß. Eine Rezension von Dirk Fuhrig. Von Dirk Fuhrig.

Labhraíonn Ferdia McCrann ó Met Éireann faoi cé chomh dona agus atá cúrsaí aimsire ceaptha a bheith i ndeisceart na tíre inniu.

Ferdia Lennon, author of Glorious Exploits

Carole Beu of the Women's Bookshop reviews Glorious Exploits by Ferdia Lennon published by Penguin Random House NZ.

Dublin classicist and debut novelist behind Glorious Exploits, Ferdia Lennon shares some of his favourites in watching, reading, listening, tasting and smelling.

In this episode of the Giant Robots Smashing Into Other Giant Robots podcast, hosts Will Larry and Victoria Guido discuss the intricacies of product design with thoughtbot's Senior Designers, Rami Taibah and Ferdia Kenny. They delve into the newly launched Product Design Sprint Kit by thoughtbot, which is designed to streamline and enhance product development. Ferdia and Rami explain how the kit aims to compress the design process into a focused five-day sprint, allowing teams to move from idea to user-tested prototype efficiently. They discuss the genesis of the kit, its components, and the rationale behind making it openly available. Towards the end of the episode, the conversation shifts towards the broader implications of design in product development, the iterative nature of design sprints, and the value of user feedback in guiding product decisions. Rami and Ferdia share real-world examples where product design sprints led to significant pivots or refinements in product strategy, emphasizing the critical role of user testing in uncovering genuine user needs versus presumed functionalities. Follow Rami Taibah on LinkedIn (https://www.linkedin.com/in/ramitaibah/). Follow Ferdia Kenny on LinkedIn (https://www.linkedin.com/in/ferdiakenny/). Follow thoughtbot on X (https://twitter.com/thoughtbot) or LinkedIn (https://www.linkedin.com/company/150727/). Become a Sponsor (https://thoughtbot.com/sponsorship) of Giant Robots! Transcript: WILL:  This is the Giant Robots Smashing Into Other Giant Robots podcast, where we explore the design, development, and business of great products. I'm your host, Will Larry. VICTORIA: And I'm your co-host, Victoria Guido. And with us today are Rami Taibah, Senior Designer at thoughtbot, and Ferdia Kenny, Senior Designer at thoughtbot, here to talk to us about the newly released Product Design Sprint Kit from thoughtbot. Ferdia and Rami, thank you for joining us. Why don't you introduce yourselves a little bit, tell us a little bit about each of your background while we get started? FERDIA: I'm Ferdia. I'm a product designer at thoughtbot. I've been with the company for nearly three years now. I'm based in Dublin in Ireland, but I'm from the West Coast of Ireland. Happy to be on the podcast. It's my first time coming on, so that'll be a new experience. RAMI: Yeah, so I'm Rami Taibah, and I am also a senior designer at thoughtbot for nearly two years. I'm also from the West Coast, like Ferdia, but I didn't move. I'm still where I'm from [laughs]. VICTORIA: Yeah, so just to get us warmed up here, why don't you tell us something interesting going on in your lives outside of work you want to share with the group? FERDIA: For me, I'm trying to do a bit of traveling at the moment. So, one of the benefits, obviously, of working with thoughtbot is that we are a fully remote company. As long as we're kind of staying roughly within our time zones, we can kind of travel around a little bit. So, I'm actually in France at the moment and going to Spain in March. So yeah, I'll be working from a couple of different spots, which is really cool and a lot of fun. RAMI: Yeah, it's pretty cool. I always see Ferdia, like, having these meetings in, like, these different locations. Just a few months ago, you were in Italy, right? FERDIA: Yeah. Yeah [laughs], that's right, yeah. RAMI: Yeah. So, for me, well, first of all, I got a new baby, new baby girl, exactly on New Year's Day, so that's interesting, going back home every day and seeing how they evolve very quickly at this age. Another thing is I've been doing a lot of Olympic weightlifting. It's probably one of the consistent things in my life since COVID. I was a CrossFitter. I got out of that, thankfully. But coming back into, like, after quarantine, weightlifting seemed like a good choice because it doesn't have the social aspect of CrossFit, and I can just do it on my own. WILL: How is your sleep? RAMI: I'm a heavy sleeper, and I feel guilty about it, so no problems here [laughs]. WILL: Yeah, that was one thing I'm still trying to recover from–sleep. I love my sleep. And so, I know some people can do with little sleep, but I like sleep. And so, I'm just now recovering, and we're almost two years since my baby boy, so [chuckles]... RAMI: Yeah, I'm a heavy sleeper. And I tell my wife, like, we have this understanding, like, if you ever need anything from me besides...because she has to be up for, like, breastfeeding, just kick me. I'll wake up. I'll do whatever you need [laughs]. WILL: That's awesome. VICTORIA: So, my understanding is that if you want to get better at any sport, if you get better at deadlifting, that will help you progress in your sport pretty much. That's my [laughs] understanding. I don't know if you all feel that way as well. RAMI: Oh, I never heard that. But I do know that these three, like, three or four basic lifts just basically boosts you in everything else, like, deadlifts, back squats. And what was the third one? Bench press, I guess. FERDIA: And pull-ups as well, I think, is a compound exercise. I just hate like this. I look for an excuse to skip them, so...[chuckles] VICTORIA: Yeah, the four essential exercises, but it doesn't mean that they're fun, right? FERDIA: [chuckles] VICTORIA: Yeah. And then, Will, I heard you were also training for a new activity, the 5k. WILL: Yeah, I'm going to run a 5k with my best friend. He's coming into town. So, I'm excited about it. I've always tried to do running, but my form was horrible, and I'll get injured, tried to do too much. And I think I finally figured it out, taking it slow, stretching, making sure my form is correct. So, it's been good. I've enjoyed it. And it's interesting looking at what I'm doing now versus when I first started. And I was like, whoa, like, when I first started, I couldn't even run a mile, and I'd be out of breath and dying and just like, ah, and then now it's like, oh, okay, now I'm recovered, and I can walk it off. So, one thing it's taught me is just consistent, being consistent because I feel like with working out and running, you have this, like, two-week period that it's just hard. Everything hurts. Your body is aching. But then after that, your body is like, okay, you're serious. Okay, then, like, I can adjust and do that. And then once you get over that two weeks, it's like, oh, okay, like, still, like, sometimes I still push it and get sore, but for the most part, my body is like, okay, I get it. Let's do this. And then now, compared to before, now I'm just like, I can't stop because I don't want to go back through that two weeks of pain that I started at, at the very beginning. So, yeah, it's been a very good journey. I don't know how far I'm going to go with it. I don't know if I'm going to go a full marathon or a half marathon. I will increase it and do multiple races, but yeah, I don't know how far I'm going to go with it. VICTORIA: Well, it's interesting. It reminds me how, like, anytime you do something new, you're forming new neural pathways in your brain, then you can get in a routine, and it becomes easier and easier every time you do it. So, I'm going to try to relate this back to our Product Design Sprint Kit. It's like a set of exercises you can learn how to do that might be difficult at first, but then it becomes a part of the way that you work and how you build products, right? So, why don't you tell me a little bit about it? Like, what is it? What is the product design kit that you just came out with? FERDIA: The PDS kit or the Product Design Sprint Kit it was something that I'd kind of been playing around with in investment time for a while, and then spoke to Rami about it a couple of months ago, and he got on board. And it really accelerated what we were doing. And it was basically, like, a product design sprint is a known process in design and product design and product development. I think it was started by Google. And, essentially, the concept is that you can take an idea that you have for something new and, in five days, go from that idea to creating something that can be user tested, and so getting real kind of validated feedback on your idea. Yeah, so try to do it in a compressed timeframe. That's why it's called a sprint. So, you're trying to do it within five days. And the concept for kind of creating a kit that we could share to people beyond thoughtbot was that we tend to repeat a lot of the same instructions in each sprint, so we're running very similar exercises. The outcomes are slightly different, obviously, depending on the customer, but the exercises themselves are pretty similar. So, the [inaudible 06:42] kind of when we're talking to the customer are often very much the same. And we just thought that we get a lot of inquiries from start-ups, I think probably maybe even more so in Europe, before they're funded and looking kind of for the first step. Like, what can they do? So, a lot of them, if they're not in a position to, say, pay for some of our design team to come on with them and run a sprint with them, we thought it'd be cool to be able to give them, well, you know, this is something free that you can run yourself with your team and will kind of get you on the ladder. It will hopefully give you something that you can then take to an investor or somebody that could potentially fund a kind of bigger sprint or maybe even an MVP build. WILL: Let me ask you this: Why is design so important? So, if I'm a developer, or a CTO, or a CEO of whatever, why should I be an advocate for design? RAMI: Well, over here at thoughtbot, we do a lot of iterative design. I think that's a key factor that we should take into consideration. With iterative design, it's the idea of designing something based on a validation or based on a user and doing it quickly and testing it to get feedback from the user or from the market and adjust from there, instead of just designing something in, like, a silo and releasing it after six months and then discovering that you went off course four months ago. And that will cost you a lot of time, a lot of money, a lot of agony, I guess [laughs]. And it just generally will become a very frustrating process. I've seen clients before thoughtbot where they come in and they've been working on this thing for six months, and they're just not releasing and pushing the release for month on month just because the CEO does not feel like it's at par with what he's using on, like, everyday apps. And he's, like, looking at, oh, I want to look like Instagram, or feel like Instagram, or feel like whatever they like when, in reality, products don't evolve that way. And Instagram has already, I don't know, 12 years of development and design behind it. And you can't possibly expect your app that you're launching for your startup to feel the same, look the same, and all that stuff. That's why design is important. So, you just discover early on that you are on the right path and always correcting course with different design techniques, including the PDS. FERDIA: What you're talking about there just de-risks a lot of stuff for people when they're trying to create something new. You could have the, you know, a really, really impressive product under the hood that can do a lot of really technical stuff. But if it's very hard to use, or if it's very hard to kind of tap into that magic that you've built on the development side, people just won't use it, and you won't be able to generate the revenue you want. So yeah, the user experience and kind of the design around that is really important to get people actually using your product. VICTORIA: Yeah, I can relate to what you all have said. I've talked with founders before, who they maybe have a lot of experience in the industry and the problem that they are trying to solve. They think I know what it should look like. I just need developers to build it. But the activities you described about the product design sprint and creating something where you can go out and test that theory, and then incorporate that feedback into your product, and doing it within five days, it seems like a really powerful tool to be able to get you on the right path and avoid hundreds of thousands of dollars of development spend, right? FERDIA: Yeah, 100%, yeah. And, like, a typical outcome for a product design sprint will never be a fully polished, like, perfect design. That's just...it's not realistic. But what you will hopefully have by the end of that five days is you will know, okay, these are, like, five or six things that we're doing right, and these are things we should keep going with. And maybe here are three or four things that we thought users would like, or potential customers would like, and we are actually wrong about those. So, we need to change those things and maybe focus on something else. So, as Rami said, design is an iterative process that is like your first iteration. But getting that feedback is so helpful because, as Rami said, if you spend six months developing something and figure out that 4 of the ten things that you built weren't needed or were wrong, or customers just didn't want them, that's a really, really expensive exercise. So, a design sprint, kind of if you're to do them on a continuous basis or every couple of months, can be a really helpful way to check in with users to make sure what you're committing your resources to is actually going to benefit them in the long run. RAMI: Yeah. And I would also like to add, like, one of the outputs of a design sprint is a prototype. To me, I'm always like, seeing is believing. It's just better to have a prototype as a communication tool within the team with clients, with customers, with users, instead of having, like, a document or even just wireframes. It just doesn't really deliver what you're trying to do, like a prototype. FERDIA: Yeah, 100%, Rami. And, like, on the prototype, like, a good comparison that people, if they're not in product development, might have seen it's like if you're building a house, like yourself, Victoria, a lot of architects will give you two-dimensional plans. And for people that aren't in the building industry, plans can be difficult to read or difficult to visualize what those actually look like. But if you can give someone a 3D representation of the house, you know, they can see, oh yeah, this is what it's going to kind of look like and what it's going to feel like. And the prototype that Rami is talking about gives you exactly that. So, it's not just this is our idea; it's, this is actually what the thing could look like, and what do you think of that? So yeah, it's definitely a valuable output. VICTORIA: We're having this debate about whether or not we need a designer for our renovation project. And I'm very much pro [laughs] designer. And maybe that's from my background and being in software development and, like, let's get an expert in here, and they will help us figure it out [laughs], and then we'll make less mistakes and less expensive mistakes going forward. So, I think there's a lot of analogies there. So, this product design sprint is a service that we offer at thoughtbot as well, right? We do workshops and meetings together with the client, and you all have this idea to record the videos and put all the content out there for free. So, I'm curious how that conversation went within management at thoughtbot and how did the idea really get started and get some traction going. FERDIA: The benefit of the Product Design Sprint Kit what you get out of it won't replace, say, doing a product design sprint with thoughtbot because you will have expert product designers or developers in the room with you to kind of share their ideas and their experience. So, the output you're going to get from running a sprint with thoughtbot will be more beneficial, definitely. But what we were trying to, I suppose, cater for was people that fall in the gap, that they're not quite ready to bring thoughtbot on board, or they don't have enough funding to bring thoughtbot on board to do a product design sprint, or a longer discovery sprint, or something like that. But we want to be able to give those people in kind of the software community something actionable that they can actually take and use. So, the first three days, I think, of the Product Design Sprint Kit will be really, really valuable to people. It'll really help them identify the problem that they're trying to solve and then to come up with a lot of different solutions and to try to pick one of those. And probably where it's going to be a bit more challenging if you don't have experience in design or in development will be around the prototype, which Rami had spoken about. You can kind of do some offline things, and there are ways to test things without, say, a high-fidelity prototype, but those high-fidelity prototypes, again, are something that could be helpful. But thoughtbot has always had an approach of kind of giving stuff for free to the community, either open source or just letting people, yeah, letting people learn from our resources and from what we know. And so, yeah, this is just a way to, hopefully, cater to people that we currently can't work with for a variety of reasons but that this is something that they could maybe use in the meantime. MID-ROLL AD: Are you an entrepreneur or start-up founder looking to gain confidence in the way forward for your idea? At thoughtbot, we know you're tight on time and investment, which is why we've created targeted 1-hour remote workshops to help you develop a concrete plan for your product's next steps. Over four interactive sessions, we work with you on research, product design sprint, critical path, and presentation prep so that you and your team are better equipped with the skills and knowledge for success. Find out how we can help you move the needle at tbot.io/entrepreneurs. WILL: So, can you break down...you said it's five days. Can you break down what is walking you through, like, each day? And, like, what experience do I have? Because I know, I've tried to get in Figma sometimes, and it's not easy. It's a pain at times. You're trying to maneuver and stuff like that. So, what do I have to do? Like, do you show me how Figma? Do you give me a template with Figma? Like, how do you help me with those things? And I know Miro and those things. So, like, walk me through each step of the sprint. RAMI: Yeah, well, I mean, Figma and Miro are just tools that just became popular, I guess, after COVID. Design sprints used to be physical, in the same room as sprints. You would get the clients or the stakeholders in a room and do all that stuff. But Figma, FigJam, and, you know, kind of...I don't know if this was part of their, like, product thinking, but it kind of allowed doing full-on design sprints in their tools. So, the first step or the first day would be, like, the understanding day where basically we gather information about the product, the users, what's out there, and just come up with a general plan on how to go forward. And the second day would be divergent where we just look at what's out there and come up with these crazy ideas, kind of, like, a brainstorming thing but in a more inclusive, I guess, way and in a more organized way. So, you don't have people shouting over each other. Like, being anonymous also is important on this day, so nobody really knows what you're doing or saying. It's just ideas to remove bias. Then, we'd have a converge day where we take all these ideas and consolidate them, which will be an input into the prototype phase. And the last day is the test phase. I mean, each of these days you can talk...have a full podcast. VICTORIA: I'm curious about when you're testing and when you're, like, I'll say thoughtbot is a global company, right? And so, there's lots of different types of users and groups that you might be wanting to use your app. I'm thinking, you know, sometimes, in particular, some of the applications I've been looking at are targeting people who maybe they don't have an iPhone. They maybe have lower income or less means and access to get products and services. So, how does your design sprint talk to designing for different types of communities? FERDIA: I think that's a great question, Victoria. I would say the first thing on it is that we'd often get a lot of people with a startup idea, and they would come in and say, "You know, this app could be used by everybody. So, like, we have kind of no beachhead market or no target market. Like, this would be great for the whole world." That's a very nice thought to have if it is something that could potentially be used by everyone. But we would generally say you should pick a smaller niche to try to establish yourself in first and hit a home run basically with that niche first, and then kind of grow from there. We would normally say to people as, like, again, this is going back to what Rami said about the iterative process. If at the end of the five days, you've picked the wrong beachhead market and it doesn't hit home with them, that's fine. You can just do another sprint next week or next month on a different kind of subsection of the market. So, I think picking a fairly niche sector of the market is a good starting point. You then run your product design sprint with that niche in mind and try to talk to five users from that. And, generally, we say five because, generally, if you have less than or fewer than five people contributing, you probably won't get enough data. You know that you could...if you only test with two people, you probably wouldn't get a thorough enough data set. And then, normally, once you go over five, you kind of start seeing the patterns repeating themselves. You get kind of diminishing returns, I guess, after five. So, that would generally be the approach. Try to identify your beachhead market, the one you want to go into first, and then you will try to talk to five people generally from the founding team's network that match the criteria of that beachhead market. And, in some ways, just the final point, I guess, is the fact that you have to pull them from your network is actually beneficial to kind of make you narrow down and pick a niche market that's accessible to you because you know people in it. RAMI: And maybe if you don't know anybody, then maybe you're in the wrong industry. FERDIA: Yeah. Great point. Great point because, yeah, it makes it a lot easier. It's nice to have loads of industries that you could go into, but it makes it so much easier if the founding team have contacts in an industry. Yeah, it makes a big difference. WILL: Yeah, I was going through the different days and kind of what you were talking about. So, like, one day is brainstorming, then converge, and then prototyping, and user testing kind of on that last day. It seems like it's completely laid out. Like, you're giving away all the keys except experience from the actual designer. It seems like it's all laid out. Was that the goal to, like, really have them fully laid out? Hey, you can do this from point A to point B, and this is what it looks like. Is that something that you're...because that's what it looks like as my experience with designers and stuff. And if that's the case, what was your reasoning behind that, to give it away? For someone, like you said, like a startup they can do this because you pretty much laid it all out. I'm not a designer, and I don't claim to, but it looks like I can do this from what you laid out. RAMI: Well, first of all, like, at thoughtbot, we're really big into open source, and open source is not always just development. It can be these kinds of things, right? It's not a trade secret. It's not something we came up with. We maybe evolved it a little bit from Google, I think it was Google Ventures, but we just evolved it. And, at the end of the day, it's something that anybody can do. But, actually, taking the output from it is something that we do as thoughtbot. Like, okay, you have a prototype. That's great. You tested it, but okay, now we want to make it happen. If you can make it happen, then great, but the reality is that a lot of people can't, and that's why there are, like, a gazillion agencies out there that do these things. So, the reasoning, I guess, and Ferdia can expand on, is, like, if somebody takes this and comes up with a great prototype and feels confident that they actually want to develop this idea, who else would be better than thoughtbot who actually gave them the keys to everything? FERDIA: Yeah, 100%, Rami. Yeah, it's essentially just helping people get on the first rung of the product development ladder with fewer barriers to entry, so you don't have to have a couple of thousand dollars saved up to run a sprint. This kind of gives you a really, really low entry point. And I guess there's another use case for it where you would often have potentially founders or even companies that want to release a new product or feature. And they might reach out to thoughtbot because they want to develop something, and they're very sure that this is what we want to develop. And, you know, maybe they don't want to engage with a product design sprint or something like that if they think they know their market well enough. And this could be a handy tool just to say to them, "Okay, if you can go away, take this free resource for a week, run a product design sprint with your team, and come back to us and tell us that nothing has changed, you know that you've correctly identified the right market and that you've validated your theories with them," then we can kind of jump into development from there. But yeah, it can be a good way, I suppose, to show the value of doing a product design sprint. As I said, a lot of people come in, and they have great ideas, and they can be fairly certain that this is going to work. But a product design sprint is really, really valuable to validate those before you dive into building. VICTORIA: And can you give us an example from your experience of a client who went through a product design sprint and decided to pivot maybe their main idea and go in a different direction? FERDIA: I'm not sure off the top of my head, Victoria, if I can pick one that pivoted in a completely different direction, but definitely, like, some of the clients that we worked with on the Fusion team in thoughtbot ended up changing direction or changing the customer that they were going after. So, some people might have had an idea in their head of who they wanted to tackle and might have had a particular, say, feature prioritized for that person. And through the product design sprint, we were able to validate that, actually, this feature is not that important. This other feature is more important, and it's more important to a different group than kind of what you initially thought. That would happen fairly regularly on a product design sprint. Like, I think if you look at the potential outcomes, one being that everything's exactly as you thought it was and you can proceed as planned, or the opposite end of the spectrum where nothing is as you thought it was and, you know, you kind of have to go back to the drawing board, it's very rare that you're on either end of those after a product design sprint. Most of the time, you're somewhere in the middle. You've changed a few things, and you're able to keep a few things, and that's kind of normally where they land. So, I would say nearly every customer that we've done a product design sprint with has changed some things, but never kind of gone back to the drawing board and started from scratch. RAMI: It's usually prioritization and just understanding what to do and also, like, get into the details of how to do it. That's where the value comes in. But, like, completely pivoting from a food delivery app to, I don't know, NFTs [laughs] never really happened. VICTORIA: Yeah, and it doesn't have to necessarily be a big pivot but looking for, like, a real-world example, like, maybe you're building an e-commerce site for a plant marketplace or something like that. RAMI: Yeah. Well, we had a self-help app where they already had the app in the market. It was a progressive web app, and they were really keen on improving this mood tracker feature. But then we did a product design sprint, and they had a bunch of other features, and that exercise kind of reprioritized. And the mood tracker ended up not being released in the first version of the actual mobile app because we were also developing a native app. VICTORIA: Gotcha. So, they were pretty convinced that this was an important feature that people wanted to track their mood in their app. And then, when they went through and tested it, users were actually like, "There's this other feature that's more important to me." FERDIA: One example of another client that we did, which was a kind of a wellness app, they wanted it to feel like a friend in your pocket. So, they were looking at ways to integrate with WhatsApp that you'd get notifications via WhatsApp. So, they would kind of be, like, friendly messages to people as if it's your friend, you know, texting you to check in. And that was kind of an idea going into it, and users did not like that at all. Like, they really didn't like that. So, we ditched that [inaudible 25:49] completely. But, again, that could have been something that they would have spent a long time developing to try to implement, and then to have users say this would have been a very, very costly waste of time. So, we figured that out in a few days, which was a money saver for the team. VICTORIA: And it must be pretty emotional to have that feedback, right? Like, it's better to get it early on so that you don't invest all the money and time into it. But as a founder, I'm sure you're so passionate about your ideas, and you really think you have the answers from your experience, most likely. So, I'm curious if there's any kind of emotional management you do with clients during this product design sprint. FERDIA: I think it definitely is. I think people, as I said, often come in with very strong opinions of what they feel will work. And it might even be a product that they specifically want, or they might be one of those potential users. And I actually think, say, engaging an agency like thoughtbot to design something like that, if we felt that they were going down the wrong path, that could be actually quite difficult to do. But because of product design sprints, you are user-testing it. The founders are hearing this feedback from the horse's mouth, so to speak. They're hearing it directly from potential customers. So, it's a lot more black and white. Now, sometimes, it might still be a case that a founder then doesn't want to proceed with that idea if it's not kind of going to be the way that they wanted it to be, and that's fair enough as well. But the feedback, as I said, it tends not to be that the idea is completely scrapped. It just means that you move a couple of things around. As Rami said, you deprioritize some things and prioritize other things for the first version, and that tends to be the outcome of it. VICTORIA: Are the users always right, or is it sometimes you can have an idea that persist, despite the early feedback from users? RAMI: Interesting question. Like, I see the parallels you're doing with the customer is always right, yeah. But the thing is, like, that's just my opinion, I think. We tested with users, and we kind of observe how they react to it and how they use the prototype. So, it's not like an opinion session or, like, a focus group where they're actually giving...a user can say something and do something else or react in a different way. But yeah, it's a fine line, I think. But I would be really surprised if ten users would agree on something and say something, and their behavior also would reflect that, and we won't pick up on. VICTORIA: Yes, I like the distinction you're making between what they say and then what the behavior shows, right? FERDIA: I think something important there as well, like you'll often hear it in design communities, is that you should listen to the feedback from customers but maybe not the solutions that they're proposing. Because, at the end of the day, like, thoughtbot have experts in product design and product development, so we want to figure out from the user's perspective what they want to achieve and maybe what their problems are, but not necessarily take into account or just, I suppose, not necessarily just follow exactly what they say the solution should be. You're kind of looking for the problems and the things that they're struggling with. You're trying to pick those up rather than just to do the solution that the customer is telling you. And you'll see that in a lot of startups as well that, you know, it's the famous Henry Ford quote about, you know, "If I'd listened to my customers, I'd have designed a faster horse." Sometimes, you need to listen to the problem, and the problem is getting from A to B faster, and then you come up with a solution for that rather than the solution that's been recommended to you. WILL: I want to pivot a little bit and ask you both, why did you get into design? FERDIA: I actually did architecture in university, and there were aspects of that I liked. Funnily enough, it's a fairly similar process to designing for software, and then it's an iterative approach. You're given a brief and yet you kind of take a concept forward. But then, when you apply for planning, you have to make changes. And when you kind of put [inaudible 29:41], you make changes. So, you're constantly, I suppose, designing iteratively. And then I got into startups and was kind of wearing a lot of different hats in that startup sort of world. But the product was the one area that always kind of got me excited. So, you know, if you tried to make a sale with a particular customer and they didn't want to go over something, like, coming home and trying to figure out, okay, how can I fix that problem with the product so that next time when I go to a customer, and they'll say, "Yes"? That was kind of what always gave me the adrenaline. So yeah, comparatively, between architecture and software, the turnaround times in software is so much faster that I think it's more enjoyable than architecture. You kind of can really see progress. Product design sprint in five days. You can kind of take something a long way whereas designing a building is a bit slower, but it's always kind of been some area of interest. Well, what about you, Rami? RAMI: Well, I wanted to become a hacker, but I ended up to be a designer [laughs]. No, really, when, like, in middle school, I really wanted to be a hacker and kept looking up what is it. Like, I see it in all these movies really cool, and I wanted to understand, like, how it's done online. And I saw, like, everybody is talking about this weird, little thing called command line. And it turns out, like, all these hacking, quote, unquote, "hacking tutorials" were done on Linux. So, I started looking into Linux and got into Linux. From there, I started blogging about Linux, and then I just really got into technology. I was in marketing. By then, I was a marketing major. So, that got me into blogging into, like, Linux and open source, which kind of triggered in my head, okay, I need to maybe pivot to a different career path. So, I did a master's degree in information management. Over there, I stumbled into design. The information management school that I was in, like, it was an interdisciplinary school at, like, design, coding, and business all mixed in. So, I stumbled in design there. VICTORIA: That's how you all got started. And now you've put this product out there pretty recently. I'm curious if you have thought about how you would measure the success of this effort. So, how do you know that what you put out there in the product designs kit is helping people or achieving the goals that you had originally set out to? FERDIA: Initially, Victoria, we obviously like to see the view counts going up on YouTube, and we're always open to feedback. So, like, at the end of each video and in the resources and stuff, we've got contact us kind of links and stuff. So, if people have feedback on how we could make it better or more useful, that would be really, really welcome. So, do feel free to reach out to us. And kind of the ultimate success metric for us would be to have somebody come to us in future and say, "Oh, we used that Product Design Sprint Kit that you produced before, and we either got funding or, you know, we got so much value out of it that we'd like to do a full product design sprint or an MVP build, or something like that." And the equivalent that we would kind of have a lot of in thoughtbot would be, say, gems in development where we would get people reaching out and say, "We use that gem all the time. We know about thoughtbot because of that." That kind of is a way to establish trust with potential customers. So, we're hoping that this is somewhat of an equivalent on the design side. WILL: Oh, it's been great chatting with both of you about design and what you came up with this. I really like it. I'm going to look more into it. VICTORIA: Yes. Thank you both for joining us. And I had one question. So, the sprint is the short-term. What would be, like, a product design marathon? Like, what's [chuckles] the big picture for people who are building products? Maybe that's a silly question, but... RAMI: No, it's not, I mean, but I would guess it's actually building the product and having a successful product in the market and iterate over it for years and years. VICTORIA: Yeah. So, it's a one-week sprint, and you could do it over and over again for many years just to fine-tune and really make sure that your product is meeting the needs of the people you were hoping to reach. Wonderful. All right. Well, thank you both so much for joining us. WILL: You can subscribe to the show and find notes along with a complete transcript for this episode at giantrobots.fm. If you have questions or comments, email us at hosts@giantrobots.fm. You can find me on Twitter @will23larry. VICTORIA: And you can find me on Twitter @victori_ousg. This podcast is brought to you by thoughtbot and produced and edited by Mandy Moore. Thanks for listening. See you next time. AD: Did you know thoughtbot has a referral program? If you introduce us to someone looking for a design or development partner, we will compensate you if they decide to work with us. More info on our website at: tbot.io/referral. Or you can email us at referrals@thoughtbot.com with any questions.

Tá 235,000 tithe agus gnónna fágtha gan cumhacht aibhléise tar éis stoirm Isha. Cé go bhfuil na fógraí dearga agus flannbhuí thart anois, tá fógra buí gaoithe fós i bhfeidhm i gcontaetha an Chláir, Dhún na nGall, na Gaillimhe, Liatroma, Maigh Eo & Sligeach.

Tá treoir ó Mhet Éireann don phobal bheith airdeallach faoin aimsir fhuar as seo go dtí oíche Dé hAoine, ach ba é 2023 an bliain ba theochtaí ó tosaíodh cuntas a choinneáil ar chúrsaí aimsire sa tír seo.

Mar a chuala muid sna scéalta nuachta rinneadh roinnt dochar inné ag an stoirm Fergus. Tharla eachtra aimsire neamhghnách i gContae Liatroma le linn na stoirme, nuair a bhuail tornádo baile Liatroma i lár an lae.

Tá 100,000 teach gan cumhacht aibhléise agus Stoirm Debi ag déanamh a bealach trasna na tíre. Beidh gasúir ag dul chun na scoile ag 1000 ar maidin nuair a thagann na foláirimh dearg agus flannbhuí chun deiridh.

Cúrsaí aimsire in Éirinn.

Topics covered : Celtic calendar, Samhain, An Chailleach, Fionn Mac Cumhaill, The Hill of Tara.Historian and artist Shelly Mooney is back on the pod once again, this time to tell us all about Samhain.Shelly lives in County Wexford with her husband Kev, their son Ferdia and Lola their dog and she runs the brilliant Instagram page ‘Tales from the Wood' which explores the history and mythology of Ireland.And in this bite-sized episode she talks to us about the ancient festival of Samhain and its connection to The Hill of Tara. Hosted on Acast. See acast.com/privacy for more information.

Tá foláireamh flannbhuí báistí i bhfeidhm i gcontaetha Chill Chainnigh, Loch Garman agus Phort Láirge go dtí an 4 a chlog ar maidin amárach.

Topics covered : Celtic calendar, Autumn equinox, Loughcrew cairns, equinox stone, Megalithic Ireland, Newgrange, An Chailleach. Historian and artist Shelly Mooney is back on the pod once again, this time to tell us all about the Autumn equinox. Shelly lives in County Wexford with her husband Kev, their son Ferdia and Lola their dog and she runs the brilliant Instagram page ‘Tales from the Wood' which explores the history and mythology of Ireland.This year, the Autumn equinox will begin tomorrow, September 23rd, and will last until the winter solstice on the 21st of December.And in this bite-sized episode she talks to us about the significance of the Autumn equinox, the Loughcrew cairns in county Meath, Newgrange and the powerful and ancient Irish goddess, An Chailleach. For more :Loughcrew Cairns | Heritage Ireland Hosted on Acast. See acast.com/privacy for more information.

Today we welcome back the great Phil Hine on his new book Queerying Occultures. What is Queerying Occultures? 'Queerying' is a portmanteau word from 'Queer' and 'Query'—classic Phil Hine word play. Occulture is another portmanteau word meaning 'Hidden Culture' (from ‘Occult' and 'Culture'). The occult is Queer. Historically. Intrinsically. Radically. Wonderfully Queer. Yet at times this essential fact can feel unacknowledged in wider Occulture dialogues. Addressing this, Phil Hine's Queerying Occultures is a collection of queer-themed essays exploring, questioning and reflecting on the diverse trajectories that might arise from applying queer questioning to occultural themes and practices. Drawing on perspectives from Queer Theory, history, Continental Philosophy, and shared experience, Hine explores subjects as diverse as Shamanism and gender-variance; the rise of the Queer Pagan approaches; the uncomfortable history of occult homophobia; Queer perspectives on Tantra, Pan, Sacred Spaces, and Crowley in Boy Bar Berlin. This far-reaching, necessary book is both a celebratory resistance text and indispensable investigation of the Queer in Occulture. In the Plus show we get into the Aghori, ideas on the left hand path and the innate queerness of the left hand path. The Shivite story of the woman who became a ghoul. We get into the history of Masquerade balls, and discuss the relationship between the battle brothers Cuchullian & Ferdia and the curse of Macha of birth pain on the men of Ulster If you want to hear the plus show, it's very simple to do, simply join the patreon and get the entire Plus show back catalogue and all the bonus show extras. If you are watching this on YouTube or any other video platform remember to subscribe. Show notes: Signup for Phil's substack newsletter https://enfolding.org/unfoldings-a-substack-newsletter/ Queerying Occultures from Original Falcon Press https://originalfalcon.com/queerying-occultures.php Phil's Twitter - https://twitter.com/PhilH86835657 Keep in touch? https://linktr.ee/darraghmason Music by Obliqka https://soundcloud.com/obliqka --- Send in a voice message: https://podcasters.spotify.com/pod/show/spirit-box/message

Shelly Mooney is a historian and artist who lives in County Wexford with her husband Kev, their baby Ferdia and Lola their dog and she runs the brilliant Instagram page ‘Tales from the Wood' which explores the history and mythology of Ireland.In this bite-sized episode she talks to us about the ancient Celtic festival of Bealtaine. She speaks of the importance of the Hill of Uisneach, the tradition of handfasting at this time, and the significance of the Hawthorn tree. The Hill of Uisneach - The Sacred Centre of Ireland.If you're a fan of my pod, please follow, rate and review in all the usual places.And thanks, as always, for your support of Ready to be Real. Hosted on Acast. See acast.com/privacy for more information.

Topics covered : Patrick, historic and legendary; the myth of Síle and Sheela na Gigs. Shelly Mooney is a historian and artist who lives in County Wexford with her husband Kev, their baby Ferdia and Lola their dog and she runs the brilliant Instagram page ‘Tales from the Wood' which explores the history and mythology of Ireland.And in this conversation she talks to us about St. Patrick, the man he was before the title of Saint was bestowed upon him.But even more interesting than that, she talks to us about Síle and her connection to Patrick and the often misunderstood symbol of ‘Sheela na Gig'.If you're a fan of my pod, please follow, rate and review in all the usual places.And thanks, as always, for your support of Ready to be Real. Hosted on Acast. See acast.com/privacy for more information.

Celebrating International women's day on 11-1 3 inspiring local women from different walks of life joined Sinéad instudio to discuss issues around women's health, safety and gender equality. Physiotherapist Margaret Walsh, a strong advocate for women's health is working with the GAA to encourage teenage girls to stay in sport. Margaret has is working with local company Ferdia in Ardee to design new GAA shorts that are the correct fit for women's bodies. Trim based community garda Edel Dugdale is back from her third humanitarian trip to Ukraine, Edel is always first to lend her support for others going through challenging times and has been a huge support for women experiencing domestic violence. Anne Marie Raftice living in Castlebellingham is European finance manager with Kellogs one of the key management team who have now reached their goal of having 50% male and female representation at manager level and above. Hosted on Acast. See acast.com/privacy for more information.

Topics covered : Imbolc and the symbolism and significance of Brigid. In this episode, I speak to historian and artist Shelly Mooney who runs the brilliant Instagram page ‘Tales from the Wood' which explores the history and mythology of Ireland.She lives in the countryside in County Wexford with her husband Kev, their baby Ferdia and Lola their dog. After several years of campaigning, St Brigid's Day has finally become a public holiday in Ireland and it's the first one to be named after a woman.In this conversation Shelly talks about the ancient pagan festival heralding the beginning of Spring called ‘Imbolc' and the significance of Brigid and her resurgence in recent times, including the story behind her cloak and the cross of St. Brigid. If you're a fan of my pod, please follow, rate and review in all the usual places. And thanks, as always, for your support of Ready to be Real. Hosted on Acast. See acast.com/privacy for more information.

Sioc agus sneachta chughainn.

Báisteach chughainn de h-Aoine! Talamh tirim ar fuaid na tíre. Teocht a titeam as seo amach agus an Fómhar a fáil greim orainn.

Súil chun cínn ar réamhfháisnéis na h-aimsire do fheirmeoirí na tíre seo.

Suil siar agus súil chun cínn ar réamh fhaisnéis na h-aimsire do na feirmeoirí.

Deir Ferdia Mac Crann go mbeidh feabhas air an aimsir ón Domhnach seo chughainn amach!

Réamhfhaisnéis aimsire d'fheirmeoirí.

Sa chlár seo tá Ferdia ag breathnú ar an tuarascáil is déanaí ón ipcc ar athrú aeráide a shonraíonn na céimeanna nach mór dúinn a ghlacadh chun na héifeachtaí is measa a bhaineann le athrú aeráide a sheachaint.

Sa chlár seo beidh Ferdia ag breathnú ar thionchar na spéire agus na haimsire ar Éirinn ársa agus na struchtúr atá le fáil timpeall an tírdhreach ón am sin.

Bhí foláireamh aimsire dearg eisithe ag Met Éireann do cheithre chontae, Ciarraí, Corcaigh, Co. An Chláir agus Port Láirge thar oíche.

Tá na stoirmeacha Dudley agus Eunice ar an mbealach agus tugann Ferdia an t-eolas is tábhachtaí dúinn faoi chumhacht na stoirmeacha sin agus na háiteacha is measa a bheidh buailte.

Ruby, la hija oyente de padres sordos, debe conciliar su labor como intérprete familiar y su vida como estudiante de secundaria e integrante del club de coro. Con tres nominaciones a los premios Oscar, este remake de la francesa "La familia Bélier" (2014) entretiene y emociona. Disponible en Amazon Prime Video.

An mí seo tá Ferdia ag breathnú ar an todhchaí is an mbealach a dheanfar réamhaisnéis ar an aimsire agus ar na dul chun chinn a chabhróidh linn ár n-aimsir a thuar.

Welcome back to the Candlelit Tales Podcast, and back to the Battle Rage Series. This year we decided to choose lesser known characters from the Ulster Cycle, and tell their most interesting stories. In this episode you will hear the story of Ferdia Mac Daman, warrior of Connaught, told by Rú O'Shea. You might recognise the characters in this series from the Táin saga. These stories stand alone, linked by one connection: the different manifestations of their Battle Rage. This podcast is proudly sponsored by the people who donate to us each month via https://www.patreon.com/candlelittales and anyone who sends us a once-off donation through the Paypal button on our website http://candlelittales.ie/ #candlelittales #candlelittalespodcast #keepherlit #keephercandlelit #storytelling #livemusic #mythology #irishmythology #mythicalireland #patreon #thankyou #subscribe #youtube #spotify #amazon https://open.spotify.com/show/2102WuUUe9Jl6cGXNwQEKf https://soundcloud.com/candlelittales https://twitter.com/candlelit_tales?lang=en https://www.facebook.com/candlelittales https://www.instagram.com/candlelittales https://vimeo.com/user52850249 https://music.amazon.co.uk/podcasts/00d5c29b-ee1a-4078-aacf-62e1a94522dc/candlelit-tales-irish-mythology-podcast

Stoirm Barra ag déanamh ar chósta na hÉireann agus an chuma air go bhfaighimid bearradh uaidh sara scarfaidh sé linn.

An mhí seo insíonn Ferdia dúinn faoin tuairisc is déanaí ar athrú aeráide ón IPCC agus míníonn sé cén fáth, i bhfianaise na dtorthaí sin, go bhfuil COP26 chomh tábhachtach.

Our favorite Celtic hero? Well, it's that kooky guy, of course! Join us for this and more mispronunciations of Celtic names as we continue to dive into Celtic mythology. This time, we look at stories of Cuchulainn, from the birth of the famous hero , to how he earned his name, and the tragedies of his son Connla and his friend Ferdia. We also look at the significance of pride and how one can make rash decisions due to mockery, as well as discussing the significance of Fairy and the unknown. Also, why is Medb spelled like that?

Tá Ferdia ag breathnú ar sheirbhísí cuardach agus tarrthála agus an tionchar a bhíonn ag an aimsir ar a gcuid oibríochtaí

Welcome back to STAGE LEFT. This episode focuses on the differences between designing for stage and screen, featuring costume designer Kathy Strachan and production designer Ferdia Murphy, hosted by Noelia Ruiz. We hope you enjoy it! Each episode covers different aspects of scenography and its processes with designers from all disciplines at a variety of stages in their careers. RELATED LINKS Designers' websites: https://www.ferdiamurphy.com/ https://www.lisarichardscreatives.co.uk/clients/kathy-strachan/ Links to works mentioned: Druid Synge ______________________________ Music Credit: Venn Diagrams from How To Square A Circle by Alma Kelliher: www.howtosquareacircle.com These podcasts are possible thanks to the Design & Crafts Council of Ireland www.dcci.ie © www.isssd.ie Produced by ISSSD and Noelia Ruiz

It was inevitable in many ways that friends Cú Chulainn and Ferdia would be pitted against each other. Patricia tells us the background and how events unfolded.

Part 2 of our special edition birthday telling of the Táin. Episode two focuses on Ferdia and Cuchulainn fighting at the ford. Sorcha read somewhere once upon a time, that An Táin Bó Culaigne was the tale that should be told after dark and in the dark half of the year. So, six years ago, in a small pub in Dublin we started telling the Táin. There were about 10 people there at the time. Each week the numbers grew and grew, and at the end of the tale, there were people crammed in, and listening from the stairwell outside the room. This year we are 6 years old as a group. And every year we celebrated by telling the Táin again, and each year we found a new way to tell it, or more details to enhance, or aspects to leave out as the case may be. It’s an epic, so it was possibly told in the winter to last the entire winter. We worked on a number of versions of this story, and ‘The Shadows of the Táin’ was the final script we came up with and premiered in Smock Alley Theatre in Dublin in collaboration with the Shadow Puppetry of ‘Flight of Fancy’. We toured this show over the years, and have had plans of performing it live again and again… but without live venues open, we decided to do something different with this script. This is something different. Sorcha is narrating this on her own this time, and Rurai O'Shea (the first musician we ever collaborated with) took this reading and added the soundscape and music to it as his lockdown project. And aren't we lucky to be able to collaborate with such an artist. Story by Aron and Sorcha Heagrty Narrated by Sorcha Hegarty Music and soundscape by Ruairi O’Shea Produced and edited by Ruairi O’Shea and Oisin Ryan Support for this podcast comes from our patrons. Find out more, or become a patron by going to: https://www.patreon.com/candlelittales http://candlelittales.ie/ https://open.spotify.com/show/2102WuUUe9Jl6cGXNwQEKf https://soundcloud.com/candlelittales https://podcasts.apple.com/ie/podcast/candlelit-tales-irish-mythology-podcast/ https://twitter.com/candlelit_tales?lang=en https://www.facebook.com/candlelittales/ https://www.instagram.com/candlelittales/ https://vimeo.com/user52850249 https://www.youtube.com/candlelittales #keepherlit #keephercandlelit #candlelittales #storytelling #livemusic #mythology #irishmythology #candlelittalespodcast #podcast

Slap us with a Spaniel Tail we are back for another review episode Bookshelvers! This week it is the awesome "Office Dogs: The Manual" by Stephanie Rousseau. We caught up with Stephanie for chats and giggles way back in July just before our summer break to go through this small but, absolutely, perfectly put together little gem of a book. This is also the first episode recorded in Nat's "woofice" whoop whoop so please excuse the interruptions caused by a plethora of birds loitering outside the window. Dogs, japes, tomfoolery and love! BOOM!Stephanie's Bio Steph is an Irish dog trainer currently residing in Dublin, having previously worked extensively with dogs in London. She is passionate about dog behaviour, and over the past few years has developed a particular interest in facilitating dogs in the human workplace. Steph takes an holistic view in her work with dogs, prioritising their needs foremost. She has completed Turid Rugaas’s IDTE, and sat on the board of the Pet Dog Trainers of Europe (PDTE) between 2017 and 2020. Outside of her work, she enjoys looking after her two dogs, a Greyhound called Fia and an ex-laboratory Beagle cross called Ferdia.Office Dogs: The Manual Linkhttps://www.hubbleandhattie.com/authors/Stephanie-Rousseau/ Link to Steve & Corrins Goodall Dog Training Facebook pagehttps://www.facebook.com/goodalldogs/ Link to Nat's Training & Behaviour facebook pagehttps://www.facebook.com/Natdogs/ Nats Drax page including the first 6 months videos on Drax https://www.natdogs.com/drax Drax's Galactic Adventure Facebook page.https://www.facebook.com/Draxthewolfhound/ Steve & Corrins Penny and the Giant Peach Facebook grouphttps://www.facebook.com/TeachesOfPeachesAndPenny/ Link To Steve and Sally's Book 'Jack & Billy: Puppy Tales'https://www.facebook.com/JackandBillyPuppyTales/

Stoirm Ellen, agus an chomh dona agus a bhí sí in aiteacha ar fud na tíre aréir.

Tá na seanfhocailí aimsire á bhfiosrú againn sa chlár an mhí seo, chun fíricí a scaradh ó miotas. Ó spéartha dearga san oíche go bó ina luí, cloisimid faoin gcaoi a d’fhéadfadh na nathanna seo a bheith forbartha agus má tá cos meitéareolaíoch acu le seasamh ar!   Pléann Ferdia freisin cuid de na miotais agus na míthuiscintí coitianta maidir le hathrú aeráide, agus soláthraíonn sé na fíricí atá taobh thiar de théamh ár an bplainéad.   Freisn cloisimid uaidh cóir Met Éireann ag deireadh an chlár.

Click here to buy: https://adbl.co/2zkFrtW REBEL. LEADER. BROTHER. KING. 1179. Henry II is King of England, Wales, Ireland, Normandy, Brittany and Aquitaine. The House of Plantagenet reigns supreme. But there is unrest in Henry's house. Not for the first time, his family talks of rebellion. Ferdia - an Irish nobleman taken captive during the conquest of his homeland - saves the life of Richard, the king's son. In reward for his bravery, he is made squire to Richard, who is already a renowned warrior. Crossing the English Channel, the two are plunged into a campaign to crush rebels in Aquitaine. The bloody battles and gruelling sieges which followed would earn Richard the legendary name of Lionheart. But Richard's older brother, Henry, is infuriated by his sibling's newfound fame. Soon it becomes clear that the biggest threat to Richard's life may not be rebel or French armies, but his own family... 'A rip-roaring epic, filled with arrows and spattered with blood. Gird yourself with mail when you start.' Paul Finch 'Ben's deeply authoritative depiction of the time is delivered in a deft manner.' Simon Scarrow

This week on Fireisde (https://www.headstuff.org/fireside/) is Episode 58: The Táin Part V – Ferdia at the Ford. In the climatic fight of The Táin, we meet Ferdia, Connaught’s greatest warrior and Cú Chulainn’s beloved brother in arms. But what will happen when they are forced to face each other in Single Combat? Get in touch with the show on Kevin’s Instagram (https://www.instagram.com/firesidebard/) and Twitter (https://twitter.com/olohansolo) if you have any ideas for the podcast, or just want to say hi! Please donate to the Patreon Page (https://www.patreon.com/firesidepodcast) to show your support!

Is féidir le stoirmeacha agus drochaimsir tionchar a imirt ar Éirinn cúpla uair sa bhliain, agus is ról tábhachtach do Met Éireann é a chinntiú go bhfuil an pobal agus a sheirbhísí ar an eolas go maith faoi na himeachtaí seo. Sa chlár seo, tugann Ferdia léargas dúinn ar na hullmhúcháin agus ar na gníomhaíochtaí a bhíonn ar siúl i Met Éireann nuair atá imeacht aimsire ag druidim inár dtreo.   Ina dhiaidh sin, labhairíonn Ferdia faoi feachtas ‘Bí réidh don Gheimhridh’, conas ár follaraimhí a léirmhíniú, agus an fáth a n-ainmimid stoirmeacha. Chun an clár a dhúnadh, tá cór Met Éireann - na Isobars.  

Sa chlár seo, tugann Ferdia léargas dúinn ar na hullmhúcháin agus ar na gníomhaíochtaí a bhíonn ar siúl i Met Éireann nuair atá imeacht aimsire ag druidim inár dtreo.

Ferdia Donohue, Man God! Don’t let this man’s calm demeanor fool you. He is an ultimate triathlete deserving of the title. Soon to be a triple Ironman, he trains incredibly hard, speaks very honestly and is an all round gentleman. It was a pleasure to speak with him on the podcast and learn from his experiences. Thank you Ferdia! Follow him on Instagram @ferdiaodonnchadha to follow his training and his progression as an ultimate athlete. Check out his conversation with the Off The Lead podcast to learn more about Ferdia leading up to the Double IronMan.  https://play.acast.com/s/a8bd4177-e7b7-488c-8cd7-4a18c2c101b9/tag%3Asoundcloud%2C2010%3Atracks%2F443436006  Lastly have a look at the fundraiser he did for this Ugandan school https://www.facebook.com/ugandavolunteersfoundation/videos/1019221478257335/

We've covered some HUGE films on the Crooked Table Podcast, but every once in a while, we like to shine the spotlight on those under-seen gems that have escaped the attention of mainstream audiences. And Sing Street is the perfect example of that. Written and directed by John Carney (Once), the film earned just over $3 million at the domestic box office but is still considered the best film of 2016 for both Rob and guest Dane Mychal of the CF3 Podcast. This 1980s-set coming-of-age story uses music to highlight the journey of one Irish teenager, as he finds love and fulfillment in starting his own rock band. Heartwarming and, as Dane correctly points out, "life-affirming," this is Sing Street.    Sing Street synopsis, courtesy of Rotten Tomatoes: From director John Carney (Once, Begin Again), Sing Street takes us back to 1980s Dublin seen through the eyes of a 14-year-old boy named Conor (Ferdia Walsh-Peelo) who is looking for a break from a home strained by his parents' relationship and money troubles, while trying to adjust to his new inner-city public school where the kids are rough and the teachers are rougher. He finds a glimmer of hope in the mysterious, über-cool and beautiful Raphina (Lucy Boynton), and with the aim of winning her heart he invites her to star in his band's music videos. There's only one problem: he's not part of a band...yet. She agrees, and now Conor must deliver what he's promised - calling himself "Cosmo" and immersing himself in the vibrant rock music trends of the decade, he forms a band with a few lads, and the group pours their heart into writing lyrics and shooting videos. Inspired by writer/director John Carney's life and love for music, Sing Street shows us a world where music has the power to take us away from the turmoil of everyday life and transform us into something greater. SHOW NOTES Want to appear on a future episode of the Crooked Table Podcast? Find out how over at crookedtable.com/guest! Join the Crooked Table Crew by becoming an official patron over at Patreon.com/CrookedTable Subscribe to the Crooked Table Podcast on iTunes so that you never miss a moment! Listen to the Crooked Table Podcast on Spotify! The Crooked Table Podcast is also on Stitcher! Robert Yaniz Jr. can be reached on Twitter at @crookedtable. Connect with Crooked Table on social media: Facebook  |  Twitter  |  Tumblr

In this latest episode Pamela speaks to journalist, broadcaster, MC and mum to Ferdia & Oscar… it’s Deirdre O’Shaughnessy. Dee very honestly discusses her two births and the startling differences between them. Having practiced the Gentle Birth Method during her first pregnancy Dee shares how she used the method, albeit briefly, during her surprisingly fast labour with Ferdia. With her second pregnancy Dee’s own intuition told her that it wasn’t going to be a straight forward birth and at 36 weeks asked her own mum to stay with her in case an early arrival was imminent. Once Dee began to feel the early signs of labour, herself and her husband depart for the hospital only for her maternal instincts to become true. Dee is very passionate about breastfeeding and we discuss the support role the HSE should and can provide to new mums. Starting with improving the meals provided during your maternity stays, paediatric tongue tie checks before mum and baby leave the hospital and additional at-home support. As a new mum it’s often difficult to recognise unusual behaviour with your baby, as you may think that it is normal behaviour as we know no different. Dee shares with me how Ferdia was undiagnosed with reflux and CPMI for over a year and at one moment was told it was “a laundry issue not a medical issue.” Dee’s wit and west cork charm makes this a very light hearted chat about motherhood but as we all know parenthood has it’s ups and downs. To read more from Deirdre check out her website: https://deshocks.com Resources mentioned in this episode: Surviving Reflux Ireland: Dealing with Reflux, Colic, CMSPI & Gi Issues https://www.facebook.com/groups/RefluxIreland/ Dr. Justin Roche, The Tongue Tie Clinic https://www.drjustinroche.com

With the new season comes a new spring in our step, and our attention is turning towards our SS19 wardrobes. We're wondering how to add colour and light to our clothes, while remaining as economical as possible. Is a capsule edit the answer? Our guest this week is Ferdia Gallagher, a young male model from Donegal who took Paris fashion week by storm this season, making his debut on the Celine runway.

If you can get past some quick episodes of “Your Name’s David?” and “Doin’ The Math”, you’ll be rewarded with the masterful storytelling of two delightful Irish lads who joined the Sol this season: Sam “Smurph” Murphy and Ferdia Rogers. 22 years old, living above a bar on sixth street, they are Ice Cream men by day and professional ultimate players by weekend. In this episode: Smurph perfectly impersonates obnoxious American accents, Ferdia gets mad at Loskorn for not accepting a sock-wrestling challenge, Flatty tests the lads’ knowledge of American pop culture (come for Ferdia's Nascar talk and stay for Smurph’s Bill Clinton history lesson!), Wham-o asks their opinion of Jonathan Nethercutt, and Nice D repeatedly tries to bring the conversation back to Walch, whom he ends up comparing--and not for the first time--to Jesus Christ. Also: A new segment called “Facts about Max,” a harmonized "Matt Henke Chant,” and Nice D’s impression of Dougal, announcer for the Sol Livestreams.

The Abbey Theatre's James Hickson invites Dermot Bolger and Ferdia MacAnna to discuss that unbreakable book by James Joyce, the challenges of condensing that expansive odyssey for the stage and the humanity, forgiveness and humour present in the novel that matures with you on every visit. Recorded on the Abbey Stage on Bloomsday 16 June 2018. Talks Facilitator: James Hickson. Editor: Lisa Farrelly Edited for time duration and sound quality. EP11/2018

When I first heard of this lad I was told, "he's into his training". I thought, hmm, I'm into my training too. But alas, to say he's 'into his training' is to put it as mildly as it can be put. "He does triathlons" I was told. So do I, I thought. But alas... This absolute LUNATIC is currently training for what's colloquially known as a "Double Ironman". I'll let him explain what that is exactly but put it this way, the cut off time is 34 hours. Madness! We'd a great chat and I'm already looking forward to having him on again, either closer to D-Day or soon after. As it happens, he's doing it for charity and can be supported directly via his 'GoFundMe' page. So be sound and throw him the equivalent of a pint or whatever you can afford. https://uk.gofundme.com/double-ironman-attempt As always I can be contacted on imoffthelead@gmail.com Thanks for listening, Fran. www.patreon.com/offthelead

Ferdia Walsh-Peelo, star of John Carney’s new period musical Sing Street, crafts a love song to The Revenant, Alejandro G. Inarritu’s Oscar-winning tale of a fur trapper on an epic quest for vengeance against them what done him wrong. Your genial host Norm Wilner chokes it down like bison liver.

In studio with Dave is Ferdia MacAnna, tv & film director, novelist, screenwriter & occassional rock & roller who will be playing in his Rocky de Valera guise in Dublin's iconic Toner's pub for the first time in 35 years!

This week we dig into Roger Gregg's uncommonly heard Crazy Dog Live compilation — a series of half-hour radio performances staged live. And what fun it is! Not all is as it seems with Ferdia the Druid. Learn what awkwardness and hilarity lurks in the celtic mind! [audio:https://radiodramarevival.com/podcasts/rdr-podcast121.mp3] Radio Drama Revival – Episode 121 The post Episode 121: Ferdia the Funky Druid appeared first on Radio Drama Revival.